Latest / The Whistler | Old Time Radio / The Whistler - "The Killers" (Old Time Radio, 1943)
Transcript
- 0:00Speaker 1: A young man convicted of killing his employer's family escapes
- 0:03Speaker 1: from an asylum and reaches an isolated southwestern farm.
- 0:07Speaker 2: There, Mrs.
- 0:08Speaker 1: Atkins, her sister Ellen, and her niece Della are already
- 0:11Speaker 1: facing money troubles and $ 1, 000 in cash from a land sale.
- 0:17Speaker 1: From CBS Pacific Network, this is The Whistler, The Killers,
- 0:21Speaker 1: Episode 50, first heard May 1, 1943. Marvin Miller is featured,
- 0:27Speaker 1: with J. Donald Wilson writing and directing, and Wilbur Hatch providing.
- 0:31Speaker 3: The series music.
- 0:33Speaker 1: The household's refuge is about to be tested by fear, identity,
- 0:37Speaker 1: and greed. Now, back to the golden age of radio.
- 0:46Speaker 3: Have you heard the strange tales of the whistlers?
- 1:07Speaker 2: I'm the whistler.
- 1:09Speaker 4: I know who you are. I know all about you
- 1:14Speaker 4: and what you've done.
- 1:15Speaker 5: You're trying to run away, but I'm going with you.
- 1:22Speaker 3: Saturday night, and CBS presents The Whistler. I, the whistler...
- 1:36Speaker 3: Know many things.
- 1:37Speaker 6: For I walk by night.
- 1:40Speaker 3: I know many strange tales, many secrets.
- 1:43Speaker 7: Hidden in the hearts of men and women who have
- 1:46Speaker 7: stepped into the shadows. And so I tell you tonight
- 1:49Speaker 7: the story of The Killers.
- 1:51Speaker 6: The rain beats down in torrent.
- 2:03Speaker 7: And during the brief flashes of lightning, a certain stone
- 2:06Speaker 7: building stands out in the darkness of the night. The
- 2:08Speaker 7: courthouse of a county in a southwestern state. A murder
- 2:12Speaker 7: trial has come to a conclusion. A sensational trial in
- 2:16Speaker 7: which the young killer has been tried and convicted of
- 2:18Speaker 7: the brutal slaying of five people. His employer, Farmer Atkins,
- 2:22Speaker 7: and Atkins' entire family. The defense, appointed by the state,
- 2:26Speaker 7: contended that the slayer was insane. Now the killer stands
- 2:30Speaker 7: before the judge.
- 2:33Speaker 8: The jury has found that on the night of September 13th,
- 2:36Speaker 8: the entire Atkins family was brutally slain with a meat
- 2:39Speaker 8: cleaver wielded by the defendant, Joe Nichols. In the absence
- 2:42Speaker 8: of sufficient motive other than the $ 20 found on the defendant,
- 2:46Speaker 8: the defendant was placed under observation by the state psychiatrist.
- 2:50Speaker 8: And the said state psychiatrist found the defendant suffering from
- 2:53Speaker 8: dementia precox. Therefore, it is the duty of this court
- 2:56Speaker 8: to commit the defendant to the state institution for the insane.
- 3:08Speaker 2: And so, Joe Nichols.
- 3:10Speaker 7: Was taken to the state asylum, there to be placed
- 3:12Speaker 7: under observation and treatment. Now let us travel south in
- 3:17Speaker 7: the same state to a certain farm, a farm belonging
- 3:20Speaker 7: to the widow Agatha Mayberry. There's no connection whatever between
- 3:24Speaker 7: Agatha Mayberry and the insane killer Joe Nichols, but let
- 3:28Speaker 7: us go to the farm anyway. Agatha's husband died three
- 3:32Speaker 7: years ago and left her with a rather large farm.
- 3:35Speaker 7: At first, she managed things very well, But then came
- 3:38Speaker 7: the war, and hands became scarcer and scarcer. Then Agatha's
- 3:42Speaker 7: sister Ellen came to live with her, and Ellen's daughter,
- 3:46Speaker 7: a lazy girl named Della.
- 3:54Speaker 9: Storm is coming up stronger now. Did you get those
- 3:57Speaker 9: calves in like I told you, Della?
- 3:58Speaker 4: What did you say, Aunt Agatha?
- 3:59Speaker 9: Get your nose out of that magazine and you can
- 4:01Speaker 9: hear me.
- 4:02Speaker 4: Aunt Agatha wanted to know if you looked after.
- 4:04Speaker 9: The calves, darling. No.
- 4:06Speaker 4: No, I forgot.
- 4:07Speaker 5: You'll have to excuse Della.
- 4:09Speaker 4: She just can't get used to this sort of life
- 4:11Speaker 4: in so short a time.
- 4:12Speaker 9: We've both been here almost a year. Give her time, Agatha.
- 4:16Speaker 9: Give her time. I'll give her time. Get out there, Della,
- 4:19Speaker 9: and see if those calves are under shelter.
- 4:21Speaker 4: I might catch my death of cold in this storm.
- 4:23Speaker 9: Those calves are worth more than you are. Go on.
- 4:26Speaker 2: She's frightened to death of lightning, Agatha.
- 4:33Speaker 9: I don't think she's frightened of anything.
- 4:35Speaker 3: Why don't you hire a man to do these things?
- 4:37Speaker 9: Wish I could. Men are scarce these days, all in
- 4:40Speaker 9: the arms.
- 4:40Speaker 2: Oh, poor baby.
- 4:42Speaker 9: Poor baby.
- 4:43Speaker 4: You stay here.
- 4:44Speaker 9: I'll go and see to the cab. You'll do no
- 4:46Speaker 9: such thing, Ellen. Stay here and take care of your baby.
- 4:49Speaker 9: And I'll attend to the cab. Well, you'll be all
- 4:52Speaker 9: right just as soon as the storm's over.
- 4:54Speaker 7: Yeah?
- 4:55Speaker 9: Well, you've got to do something around here, Della. At
- 4:57Speaker 9: least you can wash the dishes.
- 4:58Speaker 4: But I dried them yesterday.
- 5:00Speaker 9: Don't hurt your beautiful hands. Anyway, I've got to do
- 5:03Speaker 9: something around here under these conditions.
- 5:06Speaker 5: You need a man.
- 5:06Speaker 4: You need a farmhand.
- 5:08Speaker 9: Yes, but I can't get one. Well, the only thing
- 5:11Speaker 9: I can do is to get rid of some of
- 5:12Speaker 9: this land. Sell it to someone who can handle it. Well, Mr.
- 5:16Speaker 4: Dalton made you an offer for part of Patagaster.
- 5:19Speaker 9: He offered to buy some. Yes, I know. And he
- 5:22Speaker 9: can handle it. He has a couple of sons. And
- 5:24Speaker 9: a daughter who isn't afraid to get her hands dirty.
- 5:28Speaker 9: How much do you think he'd pay for it? Oh,
- 5:30Speaker 9: I don't know. But I'm going to find out.
- 5:32Speaker 4: Agatha, where are you going?
- 5:34Speaker 9: I'm going to see Mr. Dalton, my neighbor. If I
- 5:36Speaker 9: can make a deal, I'll make it tonight.
- 5:37Speaker 4: But it's storming, Aunt Agatha.
- 5:39Speaker 9: I've been in storms before. I'll drive over there and
- 5:42Speaker 9: be back in an hour. I'm not a sissy. Go
- 5:44Speaker 9: on to bed, Della, and pull the covers over your head.
- 5:49Speaker 4: Aunt Agatha is selfish.
- 5:52Speaker 2: She's mean.
- 5:53Speaker 10: All she thinks about is this farm and work, work.
- 5:57Speaker 4: I don't know anything about a farm. I can't learn.
- 5:59Speaker 9: I won't. You don't belong on a farm, Della. It
- 6:03Speaker 9: doesn't suit you.
- 6:04Speaker 4: I won't herd animals.
- 6:05Speaker 1: I won't milk cows.
- 6:06Speaker 9: Oh, there, there, darling.
- 6:07Speaker 2: Don't cry.
- 6:09Speaker 9: Mother understands.
- 6:11Speaker 2: No one understands me.
- 6:13Speaker 5: I won't be a slave.
- 6:15Speaker 4: And I guess they're trying to make a slave of me.
- 6:16Speaker 10: There are people.
- 6:18Speaker 4: For such work. There are men for such things. But
- 6:20Speaker 4: men are scared, darling.
- 6:21Speaker 2: Men are scared.
- 6:22Speaker 5: Then we'll leave.
- 6:23Speaker 9: We won't put up with this.
- 6:25Speaker 2: How can we.
- 6:26Speaker 1: Leave, baby?
- 6:27Speaker 9: We have no money.
- 6:27Speaker 8: No money.
- 6:30Speaker 4: Well, I won't take care of animals.
- 6:32Speaker 5: I'm going to be a model.
- 6:33Speaker 4: I should be in New York or in Hollywood.
- 6:36Speaker 9: No, no, darling.
- 6:37Speaker 4: Don't let yourself get excited. You're insensitive. I hate her.
- 6:40Speaker 9: Oh, please, Della, darling. Calm yourself.
- 6:42Speaker 4: Who does she think she is ordering me around like
- 6:44Speaker 4: a slave?
- 6:45Speaker 9: I won't stand for it.
- 6:47Speaker 4: Mind you, the old fool, I hate her. I don't
- 6:50Speaker 4: mean a word you say, darling. You're just upset now.
- 6:53Speaker 4: Please try and relax.
- 6:55Speaker 2: Please.
- 7:07Speaker 7: While Della, poor little Della, sobs and sobs in a
- 7:11Speaker 7: fit of hysteria, Aunt Agatha drives on through the raging
- 7:14Speaker 7: storm and ten minutes later falls to a stop in
- 7:17Speaker 7: front of her nearest neighbor's house, the house of Farmer Dalton.
- 7:26Speaker 9: Anybody home? Dalton.
- 7:31Speaker 11: Well, land of mercy, Agatha Mayberry.
- 7:35Speaker 2: Come on in, come in, come in, come in.
- 7:37Speaker 9: You must think I'm kind of crazy running around on
- 7:39Speaker 9: a night like.
- 7:39Speaker 2: This, Mr. Dalton. Well, there must be a reason for it, Agatha.
- 7:43Speaker 9: Yes, there is. I want to talk business.
- 7:45Speaker 2: Business? All right, what's on your mind all of a sudden?
- 7:48Speaker 9: You want to buy the east half of the farm?
- 7:50Speaker 2: Why, sure, I told you I did.
- 7:53Speaker 9: What was your offer?
- 7:54Speaker 3: $ 2, 000.
- 7:54Speaker 2: Well....
- 7:56Speaker 9: That's a little low, don't you think?
- 7:58Speaker 11: Well, perhaps, but what are you going to be able
- 8:01Speaker 11: to do with it?
- 8:01Speaker 2: You ain't got no menfolk around. You'll have to let
- 8:04Speaker 2: it go to grass.
- 8:05Speaker 9: Yes, I know that. But if we could only get
- 8:07Speaker 9: a few women to give up their fancy manicures and
- 8:10Speaker 9: long fingernails, it wouldn't hurt them any, I know. I've
- 8:13Speaker 9: tried it.
- 8:14Speaker 2: Yeah, you're right about that, Agatha.
- 8:16Speaker 9: Well, let's get down to business. You'll give me $ 2, 000
- 8:19Speaker 9: for the east half of my land?
- 8:21Speaker 2: Yeah, that's right.
- 8:22Speaker 9: Well, it's a deal.
- 8:24Speaker 2: Good. Shake. Now, how do you want it?
- 8:28Speaker 9: Well, how are you prepared to handle it?
- 8:31Speaker 2: Well, I'll tell you.
- 8:32Speaker 11: I collected $ 1, 000 cash from Henry Jacobs late this afternoon.
- 8:37Speaker 11: It was too late to put in the bank. So
- 8:39Speaker 11: I'll just give you that cash and a note for
- 8:41Speaker 11: 12 months on the balance.
- 8:42Speaker 9: All right, fair enough. Make out the note.
- 8:45Speaker 12: All right. I, John Dalton, in consideration, in the sum
- 8:54Speaker 12: of $ 1, 000. Well, there you are, Raggedup.
- 9:01Speaker 9: I see. Well, shouldn't we have a witness to this transaction?
- 9:06Speaker 2: If you want it that way, sure. Oh, I'm sorry.
- 9:11Speaker 13: I just wanted to thank you, Mr.
- 9:12Speaker 2: Dalton. That was a swell supper. Oh, come in here
- 9:15Speaker 2: a minute. I want you to do something.
- 9:17Speaker 9: Sure. Sure.
- 9:18Speaker 2: Anything to say, Mr.
- 9:19Speaker 9: Dalton?
- 9:20Speaker 12: What can I do?
- 9:21Speaker 11: Joe, this is Mrs. Agatha Mayberry, my neighbor of the West.
- 9:24Speaker 11: She just told me the east half of her land
- 9:26Speaker 11: I'm paying her.
- 9:26Speaker 2: Half cash and the other half on a 12-month note.
- 9:29Speaker 2: I'd like you to witness that note, would you? Is
- 9:32Speaker 2: that necessary? Oh, I don't know, but that's the way
- 9:35Speaker 2: Agatha wants it.
- 9:36Speaker 7: Very well, I'll witness it.
- 9:39Speaker 2: There you are. Oh, thanks, Joe.
- 9:42Speaker 9: And who is this man?
- 9:44Speaker 11: Well, Joe came here today, early this morning, and he's
- 9:49Speaker 11: Worked like a dog all day, done ten men's work, and.
- 9:51Speaker 2: That's something I can't understand.
- 9:53Speaker 9: What do you mean?
- 9:54Speaker 11: Well, he's been discharged from the Army because of a
- 9:56Speaker 11: physical reason. He's a 4F, but certainly didn't show any
- 9:59Speaker 11: bad signs today.
- 10:01Speaker 2: I can still do a lot of useful things.
- 10:03Speaker 9: I thought you had enough men around here to handle things.
- 10:05Speaker 2: Oh, I have, but he was broke and hungry.
- 10:08Speaker 9: Well, if you don't really need him, how about lending
- 10:11Speaker 9: him to me? I could use him.
- 10:12Speaker 2: Yes, that's right. You could.
- 10:14Speaker 11: He's got a farm and not a man on the place, Joe.
- 10:18Speaker 2: How about it, huh? Sure. Sure, I'd be glad to
- 10:20Speaker 2: help her. Fine, well, you go on with Mrs. Mayberry.
- 10:22Speaker 2: She really needs help, Joe.
- 10:23Speaker 11: She lives alone with her sister and her young niece,
- 10:26Speaker 11: and they can't help her much, but you can.
- 10:28Speaker 9: It's a deal.
- 10:29Speaker 13: Right.
- 10:29Speaker 11: Well, here's your $ 1, 000 cash, Agatha, and the note.
- 10:32Speaker 2: Next payment's due in 30 days. I'll have it there.
- 10:35Speaker 9: I'm not worried about you, John. See you later.
- 10:37Speaker 2: Well, now, you better keep an eye on me. I'm
- 10:39Speaker 2: a strange sort of critter. I forget sometimes.
- 10:42Speaker 9: Well, come along, young man. It's getting late, and the
- 10:44Speaker 9: storm's getting worse.
- 10:45Speaker 13: Yes, yes, I know.
- 10:47Speaker 9: Are you alone?
- 10:48Speaker 2: Yes. Good night, Mr. Dalton. And thanks for everything. Now, Joe.
- 11:08Speaker 9: Did you say your name was?
- 11:10Speaker 2: I didn't say. But my name's Joe. Oh, I see.
- 11:13Speaker 9: Ever do any farm work, Joe?
- 11:15Speaker 2: Yes, I've done a little. Here and there.
- 11:17Speaker 9: You're sure welcome.
- 11:19Speaker 13: Why did you sell half of your farm?
- 11:21Speaker 9: Because I couldn't take care of it.
- 11:23Speaker 2: You sold it short, didn't you?
- 11:24Speaker 9: Yep, $ 2, 000, and it's really worth $ 4, 000. He gave me $ 1, 000
- 11:29Speaker 9: cash and this note for the balance.
- 11:32Speaker 13: Aren't you worried about carrying $ 1, 000 in cash?
- 11:35Speaker 9: No, why should I be worried?
- 11:37Speaker 13: Oh, I don't know, but it's kind of risky.
- 11:41Speaker 12: Is it?
- 11:42Speaker 2: Aren't you afraid of me?
- 11:44Speaker 9: No, I'm not afraid of anyone.
- 11:46Speaker 2: No? Well, that's good.
- 11:49Speaker 9: How long have you been out of the Army?
- 11:50Speaker 13: Three days over four months. I was wounded in Bataan.
- 11:53Speaker 13: But I can do lots of things even if I
- 11:55Speaker 13: am discharged.
- 11:56Speaker 9: Well, I'm glad to have you. Glad to have anyone
- 11:58Speaker 9: who can do anything.
- 12:00Speaker 2: Dark road, isn't it?
- 12:02Speaker 9: Yep. No one could drive on it if they didn't
- 12:04Speaker 9: know it.
- 12:05Speaker 2: Any crossroads?
- 12:06Speaker 9: No, none.
- 12:09Speaker 2: How much farther is your place?
- 12:10Speaker 9: About two miles.
- 12:12Speaker 2: Oh, that far. Big farms.
- 12:18Speaker 9: What do you think of that? Must have gotten wet
- 12:19Speaker 9: after all.
- 12:20Speaker 2: That's what it sounds like.
- 12:22Speaker 9: I hope it keeps going. I'd hate to have to
- 12:24Speaker 9: walk the rest of the way in this storm.
- 12:26Speaker 2: That mud?
- 12:26Speaker 13: Yeah, that wouldn't be good, would it? Maybe you'd better
- 12:28Speaker 13: stop and let me have a look under the hood.
- 12:30Speaker 2: All right.
- 12:32Speaker 9: Shall I turn off the motor?
- 12:33Speaker 2: No, no, no, not yet.
- 12:42Speaker 13: Oh, your fan isn't working. The belt's slipping and your
- 12:44Speaker 13: motor's too hot.
- 12:45Speaker 9: Well, can you fix it? Yeah. Yeah. Yeah, I can
- 12:48Speaker 9: fix it.
- 12:49Speaker 3: Have you got a wrench?
- 12:51Speaker 9: Yes, in that door pocket.
- 12:52Speaker 2: Oh, yeah. Here we are. This will do it. Turn
- 12:57Speaker 2: it off. Well?
- 13:02Speaker 9: What are you staring at?
- 13:03Speaker 2: Oh, I was just.
- 13:04Speaker 7: Thinking what a brave woman you are to be riding
- 13:07Speaker 7: around alone on a night like this with a thousand
- 13:11Speaker 7: dollars in cash.
- 13:12Speaker 9: Oh.
- 13:20Speaker 4: Seems to me Agatha's been gone quite a while, Della.
- 13:23Speaker 5: Yes.
- 13:23Speaker 4: Been almost an hour. Maybe she got stuck or something
- 13:27Speaker 4: happened to the car. It would be right if it did.
- 13:30Speaker 10: I don't care if she never comes back.
- 13:31Speaker 2: Della, what are you saying?
- 13:33Speaker 9: You don't mean that.
- 13:35Speaker 10: Well, maybe not. But I was just thinking. So were you,
- 13:40Speaker 10: but you won't admit it.
- 13:42Speaker 2: Admit what?
- 13:43Speaker 4: If she didn't come back, why?
- 13:45Speaker 10: Then we could leave here. We could go to New
- 13:47Speaker 10: York or Hollywood and I could follow my career.
- 13:49Speaker 13: How?
- 13:50Speaker 4: Well, we could sell the farm and everything. I had
- 13:52Speaker 4: plenty of money to live on until I got started.
- 13:54Speaker 9: We sell the farm?
- 13:56Speaker 4: Don't be so dumb, Mother. Wouldn't you inherit all her property?
- 13:59Speaker 9: Don't talk like that, Della. It frightens me.
- 14:02Speaker 10: I can imagine how frightened you are. You're not afraid
- 14:05Speaker 10: something has happened to her. You're afraid something won't.
- 14:08Speaker 9: Be still.
- 14:08Speaker 4: All right.
- 14:13Speaker 9: Getting worse?
- 14:14Speaker 13: Yes.
- 14:14Speaker 9: I'm going to hit the road slicker.
- 14:16Speaker 2: Muddier.
- 14:18Speaker 4: Be hard to keep from skidding.
- 14:19Speaker 2: Stella.
- 14:20Speaker 9: Stella, don't open it. Who's there? It's all right.
- 14:25Speaker 2: Open the door.
- 14:26Speaker 9: Good news, maybe, Martha.
- 14:30Speaker 3: What is it?
- 14:31Speaker 8: Oh, it's mighty wet out here.
- 14:33Speaker 3: Are you Mrs.
- 14:34Speaker 2: Mayberry's niece?
- 14:35Speaker 9: Yes.
- 14:36Speaker 2: What happened?
- 14:36Speaker 13: Well, she had a little trouble and.
- 14:38Speaker 1: Where is she?
- 14:38Speaker 9: Is she all right?
- 14:39Speaker 2: I'm her sister. No, don't close the door.
- 14:41Speaker 13: She'll be along in a moment.
- 14:42Speaker 12: Is she?
- 14:43Speaker 4: How did it happen?
- 14:43Speaker 13: Well, the fan belt slipped and the motor got hot,
- 14:45Speaker 13: and then when she started down that steep hill, the
- 14:48Speaker 13: car started to slide, and she went into a tree
- 14:51Speaker 13: at the bottom.
- 14:51Speaker 4: I see.
- 14:53Speaker 9: Where is she now? Well, I got to the garage
- 14:55Speaker 9: on the right, and I've heard much from Agatha a little.
- 14:58Speaker 1: Agatha!
- 14:59Speaker 2: What?
- 15:00Speaker 4: She's all right.
- 15:00Speaker 9: Yeah, but I certainly had a time with that car.
- 15:03Speaker 9: What do you mean, all right?
- 15:04Speaker 2: Of course I'm all right. But we've talked.
- 15:06Speaker 9: Make some tea, Ellen. I'm frozen stiff. Who's this man? Oh,
- 15:09Speaker 9: this is Joe. Joe, this is my niece, Ella, and
- 15:11Speaker 9: this is her mother, my sister, Ellen.
- 15:13Speaker 2: We've met.
- 15:13Speaker 9: We're going to have a man around here. Joe's a
- 15:16Speaker 9: new can. Maybe we'll get something done around here for
- 15:20Speaker 9: a change.
- 15:20Speaker 4: Did you make the deal with Mr.
- 15:21Speaker 12: Dawson?
- 15:22Speaker 2: Sure.
- 15:22Speaker 9: He paid me $ 1, 000 down. In cash. Balance monthly. Joe
- 15:27Speaker 9: here was witness to the deal.
- 15:28Speaker 4: Witness?
- 15:29Speaker 13: Yes, I happened to be at the Dawson's place.
- 15:31Speaker 2: I worked there today. Your aunt said she needed a hand,
- 15:34Speaker 2: so here I am. You're going to stay here?
- 15:37Speaker 9: Of course.
- 15:38Speaker 4: Well, how nice.
- 15:39Speaker 13: Your aunt's a very brave woman to take a chance
- 15:41Speaker 13: riding with a stranger in a thousand dollars cash around
- 15:44Speaker 13: her neck.
- 15:45Speaker 9: Oh, I'm not afraid. I'm a pretty good judge of people. Well,
- 15:48Speaker 9: since you aren't going to make that tea, Ellen, I'll
- 15:50Speaker 9: do it myself. Sit down, Ellen, before you fall down.
- 15:54Speaker 9: Turn on the radio, Della. I want to hear the
- 15:55Speaker 9: news in a little bit.
- 15:59Speaker 5: Oh.
- 16:02Speaker 2: Are you married, Mr.
- 16:05Speaker 2: Joe? No.
- 16:07Speaker 4: You're not in the army?
- 16:09Speaker 9: I was.
- 16:10Speaker 2: Medical discharge.
- 16:11Speaker 4: You look powerful.
- 16:13Speaker 2: Yes, I am.
- 16:15Speaker 13: I wonder if you'd mind if I'd turn in.
- 16:17Speaker 2: Not at all.
- 16:19Speaker 12: Well, is there a separate building for the hands?
- 16:22Speaker 4: No, I suppose I know that they intend for you
- 16:23Speaker 4: to have a spare room up here. The end of
- 16:26Speaker 4: the hall.
- 16:27Speaker 2: I see. Well, good night, Mr.
- 16:29Speaker 4: My name is Donna.
- 16:32Speaker 2: Good night, Stella.
- 16:34Speaker 3: Good night, Stella.
- 16:36Speaker 2: Good night.
- 16:37Speaker 9: Good night, ma'am.
- 16:48Speaker 4: He's a bit odd, isn't he? I like him. He's
- 16:52Speaker 4: not bad looking, either.
- 16:55Speaker 14: A family with a meat cleaver. He was later found
- 16:57Speaker 14: to be insane and sentenced to the insane asylum. He
- 17:00Speaker 14: escaped last night and is believed to be heading south.
- 17:02Speaker 14: This man is dangerous, regardless of his seeming sanity, and
- 17:05Speaker 14: authorities are to be notified of any man answering his description.
- 17:08Speaker 14: He is five feet nine, dark brown hair, blue eyes,
- 17:10Speaker 14: and his name is Joe Nichols.
- 17:11Speaker 3: He was last seen.
- 17:12Speaker 9: Stella!
- 17:13Speaker 6: Stella!
- 17:15Speaker 2: It's him!
- 17:15Speaker 4: And his name is Joe Nichols!
- 17:22Speaker 2: Yes, Stella.
- 17:23Speaker 12: His name is Joe.
- 17:25Speaker 7: Upstairs in that spare room is Joe, a mad killer.
- 17:29Speaker 2: That frightens you, doesn't it?
- 17:32Speaker 7: You and your mother and your aunt. Three women alone
- 17:34Speaker 7: in a house with a madman. And the man knows
- 17:37Speaker 7: about the thousand dollars.
- 17:40Speaker 3: What are you going to do, Della?
- 17:41Speaker 4: What are we going to do, Della? What will we do?
- 17:43Speaker 9: Quiet, Mother. I'll tell Agatha. Agatha should know.
- 17:46Speaker 4: Come back here and be quiet. Agatha should be warned.
- 17:49Speaker 5: Maybe she'll know what to do. Not a word, Wanda.
- 17:51Speaker 4: It would only frighten us. We've been called.
- 17:53Speaker 11: The police called somebody.
- 17:54Speaker 2: We can't. The phone isn't working.
- 17:55Speaker 4: It's gone dead.
- 17:56Speaker 2: Gone dead? Del, what do you mean?
- 17:58Speaker 4: What I said. I tried it earlier this evening.
- 18:01Speaker 2: Well, when?
- 18:02Speaker 9: I don't remember.
- 18:02Speaker 4: You'll be still. Now go upstairs and go to bed.
- 18:06Speaker 2: Go upstairs?
- 18:07Speaker 9: But.
- 18:08Speaker 13: No, Del, I can't.
- 18:09Speaker 9: We.
- 18:10Speaker 4: We've got to tell Agatha.
- 18:11Speaker 9: Go to bed.
- 18:11Speaker 12: But.
- 18:12Speaker 4: But what if he should tell us? He knows about
- 18:16Speaker 4: that money.
- 18:17Speaker 5: I'd kill us all.
- 18:18Speaker 9: There's a gun in.
- 18:19Speaker 4: This table drawer. I can see both you, Roman, and
- 18:22Speaker 4: Agatha from this chair by the door. I'll stay here
- 18:25Speaker 4: in the dark until morning. Don't stand.
- 18:26Speaker 9: Yes.
- 18:27Speaker 4: Go on upstairs before Agatha sees you.
- 18:30Speaker 9: Go on.
- 18:38Speaker 2: Well, where's everybody?
- 18:40Speaker 9: Where's Joe?
- 18:41Speaker 4: Said he was tired, so he went to bed.
- 18:43Speaker 5: Mother just went up.
- 18:44Speaker 4: After all, it is late, Aunt Agatha.
- 18:46Speaker 2: Yeah, right, it is.
- 18:48Speaker 4: You look tired, Aunt.
- 18:50Speaker 5: Yeah, she'd better.
- 18:50Speaker 9: What's the matter with you? What are you trembling about?
- 18:53Speaker 2: Trembling? I.
- 18:55Speaker 5: Well, I think I've taken cold.
- 18:57Speaker 4: A little chill.
- 18:59Speaker 13: I'll be off.
- 18:59Speaker 9: Better take some quinine and go to bed yourself.
- 19:02Speaker 4: Yes, but I haven't been sleeping well lately. I'll read
- 19:05Speaker 4: for a little while. And I'll be back.
- 19:07Speaker 9: I missed the news. What did it say?
- 19:09Speaker 4: It said that, uh, nothing's important.
- 19:13Speaker 2: Oh, I see.
- 19:14Speaker 9: Well, better drink some warm milk and go to bed. Bye.
- 19:16Speaker 3: Good night.
- 19:20Speaker 4: Good night.
- 19:28Speaker 7: Why didn't you tell her, Della? Do you really think
- 19:32Speaker 7: you can handle the situation? Do you think you can
- 19:34Speaker 7: cope with a madman? Your face grows more pale. Your
- 19:39Speaker 7: hands tremble. Della steps to the table, studies the phone,
- 19:45Speaker 7: then opens the drawer, takes the revolver, turns out the light.
- 19:50Speaker 7: and slips into the chair by the door. As the
- 19:55Speaker 7: hours pass, the storm increases to a fury. It is
- 20:01Speaker 7: three in the morning now, and Agatha sleeps soundly in
- 20:04Speaker 7: her four-poster bed. Then her door opens softly and a
- 20:09Speaker 7: tall figure steps into the room and slips to.
- 20:12Speaker 3: The side of Agatha's bed.
- 20:14Speaker 2: A few moments pass. Then a hand.
- 20:16Speaker 7: Reaches toward Agatha's throat, removes the money bag.
- 20:20Speaker 2: Agatha opens her eyes.
- 20:23Speaker 9: What do you want?
- 20:24Speaker 2: What did you do?
- 20:27Speaker 8: The storm has reached its peak.
- 20:35Speaker 7: A few minutes later, it is passed over, leaving only
- 20:37Speaker 7: the fall of a light rain. Suddenly, Della stirs in
- 20:41Speaker 7: the chair beside the door. A figure is slowly, stealthily
- 20:45Speaker 7: coming down the stairs. Reaches the bottom and starts to
- 20:50Speaker 7: cross the room toward Della. She wakes breathlessly, then snaps
- 20:54Speaker 7: on the light.
- 20:57Speaker 4: Where were you going?
- 20:59Speaker 2: Why, I was, uh.
- 21:01Speaker 9: What are you doing down here? Where were you going?
- 21:03Speaker 13: Well, the storm woke me up and I got a
- 21:04Speaker 13: little hungry.
- 21:06Speaker 2: I thought I'd have a look in the kitchen.
- 21:07Speaker 4: You were headed the wrong way, Joe.
- 21:08Speaker 2: Huh?
- 21:09Speaker 4: The kitchen is over there.
- 21:10Speaker 12: Oh, yes.
- 21:11Speaker 2: Yes, sure. I guess I got turned around in the dark.
- 21:14Speaker 4: I don't think you were confused, Joe.
- 21:16Speaker 2: What do you mean?
- 21:17Speaker 4: You had no intention of spending the night here.
- 21:19Speaker 5: And you weren't planning to start.
- 21:20Speaker 4: Work in the morning.
- 21:21Speaker 2: Of course I was.
- 21:22Speaker 4: I know who you are, Joe. I know all about you.
- 21:24Speaker 2: What?
- 21:26Speaker 3: How do you know?
- 21:27Speaker 9: The radio.
- 21:28Speaker 4: There was a warning on the description. They said you
- 21:30Speaker 4: were in there.
- 21:32Speaker 7: And what are you going to do?
- 21:34Speaker 12: Phone the police?
- 21:35Speaker 2: No.
- 21:36Speaker 9: Phone the dead.
- 21:37Speaker 2: Yes?
- 21:38Speaker 4: I'm not afraid. I understand you're a kind man.
- 21:43Speaker 12: What do you mean by that?
- 21:44Speaker 4: I don't condemn you. I sympathize with you.
- 21:47Speaker 2: You do?
- 21:48Speaker 11: Yes.
- 21:49Speaker 13: If they know I'm in the vicinity, then I've got
- 21:51Speaker 13: to get out of here.
- 21:52Speaker 4: You've got a little money, haven't you, Joe?
- 21:56Speaker 2: Yes.
- 21:56Speaker 4: Then I'm going with you.
- 21:58Speaker 2: You're going.
- 21:58Speaker 13: What do you mean?
- 21:59Speaker 3: I can't do that?
- 22:00Speaker 9: Yes, you can.
- 22:00Speaker 2: You've got to.
- 22:02Speaker 4: Once we get across the state line, everything will be
- 22:03Speaker 4: all right.
- 22:04Speaker 13: State line?
- 22:05Speaker 12: I don't get it.
- 22:05Speaker 9: I've got to get away from here.
- 22:06Speaker 13: I've got to.
- 22:07Speaker 10: I'm being held here against my wishes.
- 22:09Speaker 2: Held here?
- 22:09Speaker 9: Yes.
- 22:09Speaker 4: They think I'm crazy, unbalanced.
- 22:11Speaker 6: Crazy?
- 22:12Speaker 2: You don't act crazy to me.
- 22:13Speaker 9: Neither do you.
- 22:14Speaker 4: But they've got some reason for keeping me here, and.
- 22:16Speaker 5: I can't stand it any longer. I've left before, but
- 22:18Speaker 5: I haven't got a cent, and they watch me like
- 22:20Speaker 5: a hawk.
- 22:21Speaker 2: Here are the keys to the car. I don't need
- 22:23Speaker 2: a car.
- 22:23Speaker 13: I can hide out better on foot. I don't want
- 22:26Speaker 13: anybody with me, especially a girl. And besides, I don't
- 22:27Speaker 13: intend to cross the state line.
- 22:28Speaker 9: But you're taking me with you. Nothing doing.
- 22:30Speaker 13: I'm getting out now while it's dark.
- 22:32Speaker 9: Wait a minute. What?
- 22:33Speaker 4: Shoot if I have. Open that door and go to
- 22:35Speaker 4: the garage. Now go on. Remember, you're a thief. If
- 22:43Speaker 4: I shoot you, they'll say nothing of it.
- 22:45Speaker 9: Straight ahead to the garage.
- 22:47Speaker 3: Come on.
- 22:56Speaker 2: Now, turn here.
- 22:57Speaker 5: This is the main highway.
- 22:58Speaker 3: Well, why the main highway? I'd rather keep you beside me.
- 23:00Speaker 2: I wouldn't.
- 23:01Speaker 9: Straight ahead.
- 23:05Speaker 8: Maybe they're right.
- 23:06Speaker 3: Maybe you are not.
- 23:07Speaker 5: Are you crazy, Joe?
- 23:08Speaker 3: Certainly not.
- 23:09Speaker 8: Of course not.
- 23:10Speaker 9: Neither am I.
- 23:13Speaker 13: Where did this highway go?
- 23:15Speaker 4: To the state line.
- 23:16Speaker 13: Look, I'm in a tough enough spot as it is.
- 23:18Speaker 13: I'm not going to try and cross the state line
- 23:19Speaker 13: with a girl at this time of the morning.
- 23:21Speaker 4: I'll take care of it.
- 23:22Speaker 9: I know it.
- 23:23Speaker 4: Straight ahead.
- 23:24Speaker 9: What's that like?
- 23:26Speaker 3: I could wring your neck for this.
- 23:28Speaker 4: You're just the one who could do it.
- 23:30Speaker 13: I've got one chance in a thousand of getting over
- 23:32Speaker 13: that line.
- 23:32Speaker 4: We'll make it all right. We'll make it. And keep
- 23:35Speaker 4: both hands on that wheel. I know what you're thinking.
- 23:39Speaker 12: I could send this car over, you know.
- 23:41Speaker 9: But you won't. Will you?
- 23:45Speaker 2: You.
- 23:48Speaker 9: Hey, look.
- 23:49Speaker 3: Red lights ahead.
- 23:49Speaker 4: State line.
- 23:51Speaker 13: One of the lights is swinging. They're signaling to stop
- 23:53Speaker 13: police officers.
- 23:54Speaker 12: Yes.
- 23:55Speaker 9: Faster, Joe, faster.
- 23:56Speaker 10: Go right on through them.
- 23:57Speaker 9: They'll never catch.
- 24:02Speaker 6: Us.
- 24:02Speaker 7: I said faster.
- 24:02Speaker 12: Hey, stop.
- 24:03Speaker 9: Stay back. Stop. We've made it. Keep going. Hey.
- 24:05Speaker 1: What's wrong?
- 24:06Speaker 9: I don't know.
- 24:07Speaker 8: I don't know.
- 24:09Speaker 9: I think there's broken a.
- 24:13Speaker 1: Fishing rod.
- 24:14Speaker 13: This old place can't take that to be done.
- 24:24Speaker 5: Oh.
- 24:26Speaker 2: Look back. Here they come.
- 24:27Speaker 13: Now I am stuck.
- 24:28Speaker 11: Don't move, Joe.
- 24:30Speaker 4: Right where you are.
- 24:31Speaker 2: You little chap.
- 24:32Speaker 9: Don't you move or.
- 24:33Speaker 4: I'll shoot you.
- 24:39Speaker 8: Put up your hands, buddy.
- 24:41Speaker 4: All right, all right, all right.
- 24:43Speaker 8: What's the idea of running over the state line like that?
- 24:44Speaker 8: Didn't you see the lights?
- 24:45Speaker 2: Well, you see, I... Maybe he's colorblind, Tom. Thought they
- 24:48Speaker 2: were green.
- 24:49Speaker 8: He seems to be sober, all right. Let's see your
- 24:51Speaker 8: driver's license.
- 24:52Speaker 3: I haven't got one.
- 24:53Speaker 8: Let's see your draft card.
- 24:55Speaker 13: I haven't got one that is with me.
- 24:58Speaker 8: Well, you hear that, Frank?
- 24:59Speaker 2: Who are you? Hey, hey, Tom. Look, slumped down in
- 25:01Speaker 2: the seat. The girl. Throw your light on her. Look
- 25:05Speaker 2: at her face, all bloody. Open the door.
- 25:10Speaker 8: She's been bashed in the mouth.
- 25:11Speaker 2: Wait a minute.
- 25:13Speaker 14: Is this your gun, buddy?
- 25:13Speaker 9: No, no.
- 25:14Speaker 8: What's this little pouch on the seat?
- 25:16Speaker 2: I don't know. Look, Tom. Look at the bills. Look
- 25:18Speaker 2: at the wad of money. Hey.
- 25:21Speaker 11: Hey.
- 25:21Speaker 2: Hey, sister. Are you all right?
- 25:23Speaker 9: Huh?
- 25:24Speaker 2: It's all right, sister. We're state police.
- 25:26Speaker 12: Police?
- 25:27Speaker 8: What happened to him? It's him.
- 25:29Speaker 2: Who?
- 25:29Speaker 8: Who is this man?
- 25:30Speaker 5: He came to our farm last night. He robbed my
- 25:33Speaker 5: hat and made me come with him.
- 25:35Speaker 9: He kidnapped me.
- 25:36Speaker 2: She's crazy.
- 25:37Speaker 14: She's a nut.
- 25:38Speaker 5: When we crossed the line, I tried to.
- 25:39Speaker 2: Scream and he hit me.
- 25:40Speaker 8: You don't know who he is?
- 25:41Speaker 2: No.
- 25:42Speaker 5: No, his name is Joe. I think he's the lunatic
- 25:45Speaker 5: who escaped from the asylum yesterday.
- 25:47Speaker 13: She's crazy, I tell you.
- 25:48Speaker 8: Get out of that car, buddy. You're coming to headquarters.
- 25:51Speaker 3: All right.
- 25:59Speaker 8: Go on, miss. What happened then?
- 26:00Speaker 5: Well, after Mother and I heard the announcement on the radio,
- 26:03Speaker 5: I knew it was him. I couldn't call the police
- 26:06Speaker 5: because the phone was dead.
- 26:07Speaker 8: Why didn't you go for help?
- 26:08Speaker 4: Because he knew that Aunt Agatha had the money. I
- 26:11Speaker 4: was afraid to go because of what he might do.
- 26:13Speaker 4: I got Aunt's gun and sat by the door where
- 26:15Speaker 4: I could see him as he went into his room.
- 26:16Speaker 1: Yes?
- 26:17Speaker 5: But I must have fallen asleep because I waked up
- 26:21Speaker 5: just in time to see him.
- 26:22Speaker 4: Coming down the stairs and start to be.
- 26:23Speaker 2: Out of doors.
- 26:24Speaker 5: I turned on the light and He said he was
- 26:27Speaker 5: looking for the kitchen.
- 26:28Speaker 8: It was then you realized that while you'd been asleep
- 26:30Speaker 8: that he'd gone into your aunt's room, killed her, and
- 26:32Speaker 8: taken the money?
- 26:32Speaker 9: Yes.
- 26:33Speaker 4: If I hadn't fallen asleep, I might have presented it.
- 26:35Speaker 4: I would have shot him.
- 26:37Speaker 8: Officer, you know this woman's crazy, don't you?
- 26:39Speaker 2: Crazy? Yes.
- 26:40Speaker 3: Yes, she told me so herself.
- 26:41Speaker 13: She said she was being kept a prisoner by her
- 26:43Speaker 13: aunt and her mother because they knew she was unbalanced.
- 26:45Speaker 6: Yeah.
- 26:47Speaker 2: Well, maybe you're right, Joe.
- 26:48Speaker 8: Maybe she is crazy.
- 26:49Speaker 9: What?
- 26:50Speaker 4: What do you mean by that?
- 26:52Speaker 8: She's crazy.
- 26:53Speaker 2: Yes.
- 26:54Speaker 8: Crazy like a fox.
- 26:55Speaker 9: He's lying.
- 26:56Speaker 5: I never said I was crazy.
- 26:57Speaker 8: When Joe came to the farm and you realized he
- 26:59Speaker 8: was the escaped killer from the asylum, you decided to
- 27:01Speaker 8: take advantage of his being there and kill your aunt
- 27:03Speaker 8: so your mother would inherit the estate.
- 27:05Speaker 5: How can you say such a thing?
- 27:06Speaker 4: That's horrible.
- 27:07Speaker 8: You knew Joe would try to make a getaway when
- 27:09Speaker 8: you told him about the broadcast. You had the money
- 27:11Speaker 8: and the gun. You forced him to take you across
- 27:13Speaker 8: the state line. You knew we'd chase you and catch you.
- 27:16Speaker 8: You dropped the money bag in the seat and when
- 27:18Speaker 8: we caught up to you, you hit yourself in the
- 27:20Speaker 8: mouth with the gun button.
- 27:20Speaker 6: I didn't.
- 27:21Speaker 9: I didn't.
- 27:22Speaker 1: Ah, yes, you did.
- 27:23Speaker 8: We know all about it. It was you who went
- 27:25Speaker 8: into your aunt's room, took the money, and hit her
- 27:26Speaker 8: on the head.
- 27:27Speaker 4: How can you say that?
- 27:28Speaker 8: Because your aunt saw you standing over her bed. She
- 27:31Speaker 8: called headquarters an hour ago.
- 27:35Speaker 6: She what?
- 27:35Speaker 2: Yeah.
- 27:36Speaker 8: You didn't hit her hard enough, Della. And you lied
- 27:39Speaker 8: about that phone. It was never out of order.
- 27:42Speaker 4: She isn't dead.
- 27:46Speaker 2: Oh.
- 27:48Speaker 6: But.
- 27:49Speaker 2: But this is ridiculous.
- 27:52Speaker 9: Why would I do such a thing? Oh.
- 27:55Speaker 4: He is an escaped lunatic!
- 27:58Speaker 9: A mad killer!
- 28:00Speaker 4: Why should I be accused of such a thing?
- 28:02Speaker 8: Bella, Joe Nichols was captured a half hour after the broadcast.
- 28:06Speaker 8: This man isn't Joe Nichols. He's Joe Davis, a deserter
- 28:10Speaker 8: from Camp Higbee. But I think he's ready to go
- 28:13Speaker 8: back and face the music.
- 28:14Speaker 2: Believe me, Lieutenant.
- 28:15Speaker 13: I thought I couldn't stand it there any longer.
- 28:18Speaker 2: So I ran away.
- 28:20Speaker 3: But after all this.
- 28:21Speaker 13: Well, just take me back to camp.
- 28:24Speaker 3: It'll... It'll be like paradise.
- 28:29Speaker 2: Well, there you are.
- 28:31Speaker 7: A strange story that might very well have ended disastrously
- 28:35Speaker 7: for Joe if Della hadn't slipped up on two things.
- 28:39Speaker 7: The telephone and the failure to learn if Aunt Agatha
- 28:42Speaker 7: was really dead. Even though Joe has not escaped his
- 28:45Speaker 7: escaped lunatic, he might very easily have been charged with
- 28:49Speaker 7: murder had it not been for the over-anxiety of the
- 28:51Speaker 7: vicious-minded Della.
- 28:53Speaker 3: Stella wasn't crazy.
- 28:54Speaker 7: She was just a selfish little fool with no thought
- 28:57Speaker 7: for anyone or anything except her own individual existence.
- 29:01Speaker 2: There are a lot of you like that. Think it over.
- 29:04Speaker 2: The End.
- 29:27Speaker 3: CBS has presented The Whistler. Original music for this production
- 29:35Speaker 3: was composed and conducted.
- 29:36Speaker 2: By Wilbur Hatch.
- 29:38Speaker 3: The Whistler is written and directed by J. Donald Wilson
- 29:41Speaker 3: and originates from Columbia Square in Hollywood. Next week, same.
- 29:47Speaker 7: Time, I, the Whistler, will return to tell you another
- 29:50Speaker 7: unusual tale.
- 29:52Speaker 2: Good night. This is the Columbia Broadcasting System.
- 30:12Speaker 1: We close the curtain on The Whistler, The Killers, first
- 30:15Speaker 1: broadcast May 1st, 1943. Follow The Whistler for more classic broadcasts.