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Raphael Saadiq to Mike Epps Interview and More · The Breakfast Club

• 0:01
  Speaker 1: Dan Dank, everybody come to the breakfast Club. I called
• 0:05
  Speaker 1: this the high Sea. You're alive, You're gonna live. You control,
• 0:11
  Speaker 1: I'm not even doing you. I'm so peggy yo are
• 0:13
  Speaker 1: yo so pagny the world's most dangerous morning Jo Djin
• 0:18
  Speaker 1: his pitch, ANGELI. I stay in everybody's business, but in
• 0:21
  Speaker 1: a good way. Charlomagne, the gout, the ruler, rubbing you
• 0:23
  Speaker 1: the wrong way, the breakfast club to me for everybody,
• 0:36
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:39
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:41
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:43
  Speaker 1: yo yo yo yo yo yo yo. Good morning Angela Ye,
• 0:46
  Speaker 1: good money, he's damny, Charlomagne, the gut piece to the planet.
• 0:49
  Speaker 1: Is Friday, Yes, it's Friday. Why am I his so early?
• 0:54
  Speaker 1: It's not six o five? Well you are here on time, sir, No,
• 0:58
  Speaker 1: my contracts has six so five technical claim early, okay,
• 1:01
  Speaker 1: six o five. Well today it's gonna be a great
• 1:02
  Speaker 1: day because we got two special guests joining us. Yes,
• 1:04
  Speaker 1: we got the og Mike Epps. You know, Mike EPs
• 1:07
  Speaker 1: is our guy. He's got a stand up special on
• 1:09
  Speaker 1: Netflix called It's Only One Mike and it truly is
• 1:11
  Speaker 1: only one Mike, isn't that right? Ending shut up? And
• 1:14
  Speaker 1: also he Mike just got married, by the way, black
• 1:18
  Speaker 1: men no cheat. And also Raffaelsa Dick will be joining
• 1:22
  Speaker 1: the legend. Okay, ask your aunts, ask your uncles, ask
• 1:26
  Speaker 1: your mommy and your daddy about Tony Tony Tony, ask
• 1:29
  Speaker 1: him about Lucy Pearl. You may not even recognize the
• 1:32
  Speaker 1: name Rafaelson Dick. It may not be top of the
• 1:34
  Speaker 1: mind awareness to you like it is to us. But boy,
• 1:36
  Speaker 1: when you hear songs like feels good, when you hear
• 1:39
  Speaker 1: songs like whatever you like, when you hear songs like um,
• 1:41
  Speaker 1: if I ain't hand no looke anniversary, come on now,
• 1:45
  Speaker 1: we're gonna get a mix on two so well, if
• 1:47
  Speaker 1: you've never heard none of that music or you're not familiar,
• 1:49
  Speaker 1: we're gonna put you on to up this morning. Raffaelsa
• 1:52
  Speaker 1: diec man. The legend is flash because just consider it
• 1:54
  Speaker 1: a flashback Friday. Absolutely, I keep a lock of course.
• 1:57
  Speaker 1: If you want to get things off your chest eight
• 1:59
  Speaker 1: hundred five eight one oh five one. If you need
• 2:01
  Speaker 1: to vent whatever you need to do, call us up
• 2:03
  Speaker 1: right now phone lines or wide open. Get it off
• 2:05
  Speaker 1: your chest. It's the breakfast club. Good morning. This is
• 2:10
  Speaker 1: your time to get it off your chests, whether you're
• 2:11
  Speaker 1: man or blast, so you better have the same industry.
• 2:14
  Speaker 1: We want to hear from you on the breakfast club. Hello.
• 2:17
  Speaker 1: Who's this angel? Angel? Good morning? Yes, me and my
• 2:22
  Speaker 1: daughter listen to you guys. Every morning we delivered new papers. Okay,
• 2:27
  Speaker 1: I want to thank you and your daughter for having
• 2:28
  Speaker 1: no taste. We really appreciate you stopping where you are
• 2:30
  Speaker 1: you calling from. I'm best to the beach right now.
• 2:33
  Speaker 1: What's on the cover of the paper today, dellawa? Yeah, cellaware,
• 2:37
  Speaker 1: what's on the cover of the paper today? Working? Well?
• 2:41
  Speaker 1: How old is your daughter? Why is she? Why is
• 2:42
  Speaker 1: she working with your so early? My daughter is wanted
• 2:45
  Speaker 1: a half and that girls, back to the whole child thing.
• 2:48
  Speaker 1: I'm trust to inbode you with her and can't quite
• 2:54
  Speaker 1: afford the city yet, no husband both works. We out
• 2:58
  Speaker 1: four k yo. You must be amazing. I try to
• 3:01
  Speaker 1: throw a paper one time across the street. I couldn't
• 3:03
  Speaker 1: do it. You could throw the papers from the car
• 3:05
  Speaker 1: and hit the front stoop. Yeah, you gotta have a
• 3:07
  Speaker 1: good arms, especially they're able to throw across the storkay
• 3:12
  Speaker 1: nice clicking the rest. There you go. Well, thank you
• 3:13
  Speaker 1: for listening to Mama. Yeah, I just wanted to say,
• 3:16
  Speaker 1: you know, everybody has bad days, but you gotta think
• 3:19
  Speaker 1: somebody else has it worse than you, so always be positive.
• 3:23
  Speaker 1: Here you go, Thank you, Mama. Have a good day,
• 3:25
  Speaker 1: you too. Joey, what's up? Joey? All right? What's going on? DJ?
• 3:29
  Speaker 1: Broke off the chest? What up? King? Hey? Man? And Angela?
• 3:34
  Speaker 1: All right? Well the arth damn Hello, I was doing
• 3:37
  Speaker 1: a call. Man. You're doing y'all the best radio and
• 3:41
  Speaker 1: Detroit right now. Man, Well, thank you, sir, appreciate that.
• 3:44
  Speaker 1: Broth welcome man. Ye hey, I know you're doing your
• 3:48
  Speaker 1: you and and you're doing your your house same and
• 3:50
  Speaker 1: y'all need to do some stuff from the small city
• 3:52
  Speaker 1: in Highland park Man, okay, Hailand Park We got you
• 3:55
  Speaker 1: all right, a shay hey, getting off your chests. Mama
• 4:00
  Speaker 1: all right, so I had some right, that's what we
• 4:02
  Speaker 1: staying with me. And looks like last week or talking
• 4:06
  Speaker 1: the last time my teas there or two weeks ago,
• 4:09
  Speaker 1: and they just have the stuff in my own house
• 4:11
  Speaker 1: and I was wondering them, like, what are they coming
• 4:13
  Speaker 1: to get this stuff. She's saying, they're coming together. The
• 4:15
  Speaker 1: stuffing like all over the place. Oh, man, I don't
• 4:17
  Speaker 1: know what to do. Is it a guy, it's a female.
• 4:21
  Speaker 1: I guess some boxes and pack all that stuff up
• 4:23
  Speaker 1: and have it right by the door. That's what I
• 4:25
  Speaker 1: wanted to do. You should school or something. And it's
• 4:29
  Speaker 1: like and also that I've missed it something my house
• 4:32
  Speaker 1: short And I'm like, hell now boy me? Or is
• 4:35
  Speaker 1: she trying to because what are you missing? What are
• 4:40
  Speaker 1: you missing? My little daughter's book back? It's a look
• 4:43
  Speaker 1: cute many while I go back and I haven't seen
• 4:44
  Speaker 1: it sause she would see it. Maybe it's just a
• 4:47
  Speaker 1: mess and it's somewhere in the house. I tried. I tried, lucky,
• 4:50
  Speaker 1: I looked everywhere and so and I don't know, and
• 4:54
  Speaker 1: I'll try. I don't know what to do. Like help me.
• 4:56
  Speaker 1: I watched that told you put the stuff in the bottom.
• 4:59
  Speaker 1: I would pack all the stuff up. I can't stand
• 5:01
  Speaker 1: having clutter everywhere. I would pack everything up in some
• 5:03
  Speaker 1: boxes and be like you step is hearing some boxes.
• 5:05
  Speaker 1: Let me know what you want me to do? You
• 5:07
  Speaker 1: got you got? I would give a two weeks, two
• 5:09
  Speaker 1: weeks to get this this show. No, I give him
• 5:11
  Speaker 1: one week there. What's your name? Bro Yo, y'all from
• 5:13
  Speaker 1: Palmdale right now, from Pindale. Did you try to make
• 5:16
  Speaker 1: that rhyme? Nah? Didn't, Hey, uncle Starling man, I'm probably
• 5:20
  Speaker 1: poppy your books. By the way, listen, it's bookstores all
• 5:23
  Speaker 1: through the world. This guy just got Bonds and Nobles.
• 5:26
  Speaker 1: You got books and millions, you got Amazon. All right, Well,
• 5:29
  Speaker 1: when I get my first check, I'm gonna definitely go copy.
• 5:32
  Speaker 1: Which one? Which book you want? I want the first one, man,
• 5:35
  Speaker 1: I want the first. I want to um Black Frivile,
• 5:38
  Speaker 1: you want Black Privilege. I'm gonna send you Black Prile.
• 5:40
  Speaker 1: I send you a copy of Ship Going too. But
• 5:41
  Speaker 1: then I heard you homeless, and way I'm gonna send
• 5:43
  Speaker 1: it to He was homeless. He just got his first job. Yeah, yeah, yeah,
• 5:46
  Speaker 1: I was up holding the streets, you know what I'm saying,
• 5:48
  Speaker 1: and all the term my whole life around and feel
• 5:50
  Speaker 1: me sobered up. My job relocated from Cali to Texas.
• 5:54
  Speaker 1: So I'm just blood. I'm gonna put you on hold.
• 5:56
  Speaker 1: I'm gonna mail you a copy of both books. You
• 5:58
  Speaker 1: know what I mean? Okay? Um, Hey, one more question
• 6:02
  Speaker 1: right here? Hey, um, look, I know it's been a
• 6:06
  Speaker 1: minute artist that that happened, but congratulations on your little Gracie.
• 6:08
  Speaker 1: You know all that. You know I said little Gracie
• 6:10
  Speaker 1: Grace is a huge compliment like that, you know, Okay,
• 6:14
  Speaker 1: I didn't mean that. I didn't mean the downplayer, but yeah,
• 6:16
  Speaker 1: you know you's doing your thing. And I listened to
• 6:18
  Speaker 1: all y'all, all y'all other podcast brilliant idiots, Lift Service
• 6:21
  Speaker 1: and Kathy Crew. Thank you, we appreciate you, and shout
• 6:24
  Speaker 1: out to THEA Mitchell. She's our boss up here at
• 6:28
  Speaker 1: I hear she's on the cover of the Radio Inc.
• 6:30
  Speaker 1: The most influential women in a radio magazine, one of
• 6:34
  Speaker 1: the biggest issues for them of the year. Congratulations for
• 6:38
  Speaker 1: coach there. Y'all may not know what Radio ain't Ge is,
• 6:40
  Speaker 1: but it's a big radio industry magazine, so that is
• 6:43
  Speaker 1: a great look for THEA. And I made it in
• 6:45
  Speaker 1: here for most influential on their hosts and personality. We
• 6:48
  Speaker 1: made it in the too congrass and she went to
• 6:50
  Speaker 1: the real h you by it by the way, Hampton,
• 6:53
  Speaker 1: they called the what they called the on the front
• 6:54
  Speaker 1: of that the fireball. Yeah, fireball. Jesus Christ all right,
• 6:59
  Speaker 1: get it if your chests eight hundred five eight five
• 7:01
  Speaker 1: one oh five one. If you need to vent, hit
• 7:03
  Speaker 1: us up now? Was the breakfast club? Good morning, the
• 7:05
  Speaker 1: breakfast club? Wake up, wake up, Wake y'all. This is
• 7:13
  Speaker 1: your time to get it off your chest. Whether you're
• 7:16
  Speaker 1: a man or bless, we want to hear from you
• 7:18
  Speaker 1: on a breakfast block. Hello, who's this big chocolates? A
• 7:21
  Speaker 1: toast on toad time? How's everybody toime? You don't know
• 7:28
  Speaker 1: if you'r chess man, so listen. My thinking is if
• 7:30
  Speaker 1: Angela Eat had a sitcom, she did a theme song,
• 7:34
  Speaker 1: and it would sound like it does sound like this.
• 7:36
  Speaker 1: Look at me. I'm Angela Eat. I couldn't find a
• 7:39
  Speaker 1: good man. If you won't pay me. Maybe it's because
• 7:42
  Speaker 1: my hair is a mess. Or Charlottagne, where's my only dress?
• 7:46
  Speaker 1: It's me, angel my dear, I was kind of you know,
• 7:56
  Speaker 1: my hair is a mess, charlot me with my that's
• 7:59
  Speaker 1: the only point, like Jallo Mayne, where's my only dress? Hello?
• 8:03
  Speaker 1: With this? That's all it takes. Hello. Hello, it's Rachel. Hey, Rachel,
• 8:09
  Speaker 1: get it off your chests. I was calling and say
• 8:11
  Speaker 1: I'm so blessed this morning My new interactive children's book
• 8:16
  Speaker 1: is climbing a chart for Amazon. Okay, congratulation. What's your name?
• 8:19
  Speaker 1: What's the name of the book. It's called Amber's Magical
• 8:22
  Speaker 1: Savings Box. It teaches kids about earning the saving money,
• 8:25
  Speaker 1: giving those millionaires a headstart on their road to financial freedom.
• 8:29
  Speaker 1: How is it interactive? But that's dope. Well, the kids
• 8:32
  Speaker 1: have to write their financial dreams and goals inside the
• 8:35
  Speaker 1: back of the book. They follow Amber as she earns
• 8:38
  Speaker 1: money for this magical toy she wants to buy, and
• 8:41
  Speaker 1: they have to kind of like walk along with her
• 8:43
  Speaker 1: in this journey, all right, fand teaching kids the value
• 8:47
  Speaker 1: of how to save and spend. What's the name of
• 8:49
  Speaker 1: the book again, I'm gonna look it up, Amber's Magical
• 8:52
  Speaker 1: Savings Box. It's an honor of my niece Amber, we
• 8:55
  Speaker 1: lost at the age of three. So it's for ages
• 8:58
  Speaker 1: three to eight year olds, just to get them started.
• 9:01
  Speaker 1: It's a few that can do savings journals in the
• 9:03
  Speaker 1: back of it and everything. Okay, thank you mama, all right,
• 9:05
  Speaker 1: I like that, alrighty, you know. And the other day
• 9:08
  Speaker 1: a lady called them was like her son was addicted
• 9:10
  Speaker 1: to Fortnite and she couldn't get her son on fortnite.
• 9:13
  Speaker 1: You know, these kids are making money off a Fortnite.
• 9:15
  Speaker 1: I don't know if that lady knows, but she should
• 9:17
  Speaker 1: guide her son into making money off of it. My
• 9:19
  Speaker 1: son is into twitching. He does tutorials on Fortnite, and
• 9:22
  Speaker 1: they pay him to do it. I still think it's
• 9:24
  Speaker 1: some type of social engineering that's intellectually making these kids stupid.
• 9:28
  Speaker 1: Though they can't spend all the time on video games,
• 9:29
  Speaker 1: all the game, all the time on video game, of
• 9:31
  Speaker 1: course not, but some of these kids are only like
• 9:33
  Speaker 1: my son does it about what an hour day or
• 9:35
  Speaker 1: hour and a half a day. Be able to make
• 9:37
  Speaker 1: a living off that when he's thirty or forty though
• 9:39
  Speaker 1: a lot of kids off. Actually, you know what it's
• 9:41
  Speaker 1: great is that a lot of kids are learning how
• 9:43
  Speaker 1: to do things in the tech world just because you
• 9:45
  Speaker 1: know how to use these games. But you just have
• 9:46
  Speaker 1: to help them take it a step further, whether it's
• 9:49
  Speaker 1: learning how get their own apps right. If you can
• 9:52
  Speaker 1: help guide them to how that can help them make
• 9:54
  Speaker 1: money and they're interested in something, you got to figure
• 9:56
  Speaker 1: out how to call. Don't let them be hypnotized by
• 9:58
  Speaker 1: that video game all day and just spend time twiddling
• 10:00
  Speaker 1: their thumbs. Literally, there's a kid named Ninja who's making
• 10:03
  Speaker 1: like three four hundred thousand dollars a month off for Twitter.
• 10:06
  Speaker 1: I've heard in Ninja, and I'd like to know how
• 10:08
  Speaker 1: many other Ninjas out there is because a bunch of them,
• 10:09
  Speaker 1: there's there's a lot of them kids out there. It
• 10:11
  Speaker 1: might not be making that much, but they definitely gets
• 10:13
  Speaker 1: out there making money. Absolutely. I know when I was
• 10:15
  Speaker 1: that age, I wasn't making money doing anything. So if
• 10:18
  Speaker 1: you can figure it out and help now, the problem
• 10:20
  Speaker 1: is I think that as the older generation, we don't
• 10:22
  Speaker 1: understand some of the things that these kids are doing,
• 10:25
  Speaker 1: and we got to be more involved in like figuring
• 10:26
  Speaker 1: it out. Yes, and can you make a career out
• 10:29
  Speaker 1: of that? That's what I want. You can, Yeah, you
• 10:30
  Speaker 1: absolutely can. I don't know. Let's see, I got to
• 10:33
  Speaker 1: talk to somebody forty years old. This is something doing it.
• 10:36
  Speaker 1: When when I when I was doing the mixtapes, it
• 10:37
  Speaker 1: was like, well you can't, you can't make money off mixtapes. Well,
• 10:40
  Speaker 1: they don't do mixtapes no more. But but I mean,
• 10:42
  Speaker 1: see what I'm saying transcended to what's going But when
• 10:44
  Speaker 1: you say it's right. It is to that. It got
• 10:47
  Speaker 1: to elevate the something melt and I'm sure well because
• 10:48
  Speaker 1: these kids are doing it, they don't win from YouTube
• 10:51
  Speaker 1: to to this, but it's a paring for you to
• 10:54
  Speaker 1: watch what's happening because of the whole world at tech
• 10:57
  Speaker 1: right now. That's what's going to be the money for
• 10:58
  Speaker 1: the future. It's happening right now because we gotta figure
• 11:01
  Speaker 1: out you probably can help guide them and even put
• 11:03
  Speaker 1: them in programs and teach them how to do things
• 11:05
  Speaker 1: that can actually make them be economically viable with it. Hello,
• 11:09
  Speaker 1: who's this. I'm Steven Chiller. Say Steven, get it off
• 11:12
  Speaker 1: your chests. Um, I want to bless Fay. Okay, well
• 11:14
  Speaker 1: you blessed brother. He is my birthday and I'm on
• 11:16
  Speaker 1: my way to the Bahammad right now. Alright, happy, I
• 11:20
  Speaker 1: hope you got a girl in no condom? All right,
• 11:22
  Speaker 1: get it off your chest. Eight hundred five eight five
• 11:25
  Speaker 1: one oh five one. If you need to vent, hit
• 11:26
  Speaker 1: this up now. It's the Breakfast Club. Good morning, the
• 11:28
  Speaker 1: Breakfast Club. Keep the Breakfast Club humble with slams to
• 11:35
  Speaker 1: the Breakfast Club. Hate me if you want to love
• 11:37
  Speaker 1: me if you want, but just use your comments morning.
• 11:43
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 11:48
  Speaker 1: are the breakfast club. It's time for slam to the
• 11:50
  Speaker 1: breakfast club. All right, we have Michael a lot, Michael's up.
• 11:54
  Speaker 1: What's up? What's up? Is Mike from from from Florida?
• 11:57
  Speaker 1: You know I ain't gonna take where I just know
• 11:58
  Speaker 1: I'm from Florida. That's my first slander. All right, you're
• 12:01
  Speaker 1: writing Carler man. Now I'm coming at the man whose
• 12:04
  Speaker 1: head looked like the last milk Doug at the bottom
• 12:07
  Speaker 1: of the box. You know what I'm saying. I'm coming
• 12:09
  Speaker 1: that dollar name first man with them rat cool. I
• 12:12
  Speaker 1: don't get sleep eye. Well. I love the fact that
• 12:14
  Speaker 1: you compared me to a milk Doug because that means
• 12:16
  Speaker 1: you want to put my head in your mouth. Whoa, Yeah,
• 12:20
  Speaker 1: you can't just hang up on him when I say
• 12:21
  Speaker 1: something like I needed to hit it, I need to
• 12:22
  Speaker 1: hit a shocking art in his voice. I mean he
• 12:24
  Speaker 1: hears me say things like that anyway. Good, Okay, let
• 12:27
  Speaker 1: me get that Collins. What's going on? Hey? Who you
• 12:31
  Speaker 1: want to slam the bro I don't want to stand
• 12:33
  Speaker 1: them as asway? Okay, Hey, I want to tell you
• 12:37
  Speaker 1: that you're very pretty for they're very smart. However, you're
• 12:41
  Speaker 1: given opinions on movies and shows. It is knowing boys
• 12:44
  Speaker 1: until you're going to see the Lion Game. I try to.
• 12:47
  Speaker 1: I put on The Lion King and I fell asleep
• 12:49
  Speaker 1: immediately as soon as it started on the plane. What's
• 12:51
  Speaker 1: that is wrong with you? But I'm gonna go watch
• 12:53
  Speaker 1: the remake? No, you gotta see. I don't think nobody
• 12:58
  Speaker 1: should be able to fee the remake of They've never
• 13:00
  Speaker 1: seen your rig I agree with You're not slaying with me.
• 13:02
  Speaker 1: This is like con slaying thank you color yeah yeah,
• 13:08
  Speaker 1: Joelian finally started. They hang up for me every time
• 13:14
  Speaker 1: I called fast. Okay, but see the baby, I'm calling
• 13:18
  Speaker 1: some slander you. You're a sensitive. You have to stop
• 13:22
  Speaker 1: being sensitive. Always says you're a centil face colored nigro
• 13:27
  Speaker 1: stomp being that sounded awful. You hurt my feelings right now.
• 13:33
  Speaker 1: And also I want to stop shut out my life
• 13:35
  Speaker 1: being placed because hesitivity. Wow, that's so centive. She can't
• 13:43
  Speaker 1: shout out her LinkedIn seeing me, I'll be tweeted for you. Hello, Hello, Hey,
• 13:49
  Speaker 1: what's your name? Mama? Hey Angela. It's almost like Angela. Ye,
• 13:53
  Speaker 1: that's how people always mess up my name Angela year.
• 13:56
  Speaker 1: I don't play that, I don't play. That's four syllables.
• 13:58
  Speaker 1: Angelieah uh yeah, that's it. It's like Angela, okay, Angela
• 14:03
  Speaker 1: or whatever. Now who do you want to stand up? Uh?
• 14:06
  Speaker 1: Salo man. So he'd be acting like aunty man like
• 14:13
  Speaker 1: old like like in our mid forties. You know, I'm
• 14:16
  Speaker 1: saying somebody still got their sex dry nasty or he's
• 14:19
  Speaker 1: got something to say, was like well mustache. All I
• 14:24
  Speaker 1: starting stuff with a duster, felt like lovers a baby
• 14:27
  Speaker 1: breaching something. Because all he starts stuff like stop smoke
• 14:31
  Speaker 1: a cigarette. He'd be looking like an auntie sometimes too.
• 14:35
  Speaker 1: That's I can't. I can't smoke no cigarettes till you
• 14:38
  Speaker 1: run into the store and get your auntie your pack.
• 14:39
  Speaker 1: Now bring me. Ain't got them auntie hips? Okay, man,
• 14:44
  Speaker 1: listen like he got the justice and everything though, Like
• 14:48
  Speaker 1: you gotta watch him be sitting over there making the
• 14:50
  Speaker 1: faces with his hands. What this is he be doing
• 14:52
  Speaker 1: with this stuff? Very judgmental man, all right, very judgmental
• 14:56
  Speaker 1: auntie status. All right, thank you, all right? Slanting the
• 14:59
  Speaker 1: breakfas this club eight hundred five A five one oh
• 15:02
  Speaker 1: five one. If you want to slam to the breakfast club,
• 15:03
  Speaker 1: hit is now? Is the breakfast Club the Morning, the
• 15:06
  Speaker 1: breakfast Club, the breakfast Club Humble which slams to the
• 15:12
  Speaker 1: breakfast class Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 15:23
  Speaker 1: the guy. We are the breakfast Club. It's time for
• 15:25
  Speaker 1: slam to the breakfast Club. All right, we have Michael
• 15:28
  Speaker 1: the line, Michael's up, what's up? What's up? Is Mike
• 15:31
  Speaker 1: from from from Florida. You know, I ain't gonna say
• 15:33
  Speaker 1: where I'm just know I'm from Florida. That's my first slamder.
• 15:36
  Speaker 1: All right, we're writing Carla Maine. I'm coming at the
• 15:39
  Speaker 1: man whose head looked like the last milk Doug at
• 15:42
  Speaker 1: the bottom of the box. You know what I'm saying.
• 15:44
  Speaker 1: I'm coming at Carling Maine. First man with them rat cool,
• 15:47
  Speaker 1: I don't get sleep y. Well, I love the fact
• 15:50
  Speaker 1: that you compared me to a milk Doug, because that
• 15:51
  Speaker 1: means you want to put my head in your mouth. WHOA,
• 15:54
  Speaker 1: y'all getting kin? Just hang up on him. When I
• 15:56
  Speaker 1: say something like I need to hit it, I need
• 15:58
  Speaker 1: to hit a shocking art in his voice, I mean
• 16:00
  Speaker 1: he gets me say things like that, anybody. Okay, let
• 16:02
  Speaker 1: me get that. Hello, who's this real neo slander the
• 16:06
  Speaker 1: breakfast Club? Yo? Charlo Man? Why are you calling every
• 16:09
  Speaker 1: Dominican man? We're going with Dominican. Those are a Dominicans
• 16:12
  Speaker 1: vas Dominican. He won't claim his heritage. I'm not Dominican.
• 16:15
  Speaker 1: See what I'm saying. What's going with? Shout to all
• 16:19
  Speaker 1: my Dominicans out there? Man? Oh now they're your Dominicans,
• 16:22
  Speaker 1: I said, shout to all my Dominicans. Yeah, I'm not Dominican,
• 16:24
  Speaker 1: but I envy Dominican after them. Where's daddy from? Where
• 16:28
  Speaker 1: your death? Not dom Dominica? Oh my god, y'all said Molica. Yo,
• 16:36
  Speaker 1: shout out to y'all now, pure shuffle y'all do man,
• 16:39
  Speaker 1: this is slant of the break cub. We ain't got
• 16:41
  Speaker 1: time for his appreciation, Sir Matt, What up? Matt? Yo?
• 16:44
  Speaker 1: What up? Man? I just think it's crazy how I've
• 16:46
  Speaker 1: listened to y'all for years, can never get through until
• 16:49
  Speaker 1: the slander. Child. I'm gonna be honest with you. I'm
• 16:50
  Speaker 1: gonna be honest with you because that's right here. You're
• 16:55
  Speaker 1: Dominican and don't be calling up his sounding like somebody's
• 16:57
  Speaker 1: corn girlfriend. You didn't hear Sharlow? Man, are dominic you
• 17:00
  Speaker 1: are Dominican? I'm not Dominican. Come on, dude, why won't
• 17:04
  Speaker 1: you claim your heritage? I'm telling about Dominicans in my
• 17:06
  Speaker 1: last Now are your Dominicans? Y'a'm not Dominican? Noo yo,
• 17:10
  Speaker 1: Charloman Angela? I really love all y'all. Man got slander
• 17:15
  Speaker 1: the Breakfast Club, But I'm not Dominican. All right, all right,
• 17:18
  Speaker 1: I'm anna slanting. I'm a slander. You too, You're too
• 17:20
  Speaker 1: much and me too light skin, Dominicans too everything Now
• 17:22
  Speaker 1: I'm too light skin. You know what, man? You are Dominican.
• 17:25
  Speaker 1: Why won't you claim it? We need brown representation on
• 17:28
  Speaker 1: this show. We need brown and gay representation. You checked
• 17:31
  Speaker 1: both boxes and shut up? Man? Do you check with
• 17:34
  Speaker 1: those boxes? And you far from Dominican? King? Hey? What's
• 17:38
  Speaker 1: going on? Aby man? How you doing? Brother? What's up? Bro?
• 17:41
  Speaker 1: You are slander man? I gotta have Sloman the gard Angelie?
• 17:45
  Speaker 1: How are you doing this morning? I'm doing great? How
• 17:47
  Speaker 1: are you? Honey? Man? I can't play. I can't playing,
• 17:50
  Speaker 1: but Sean domain the Guard? How are you doing? Brother?
• 17:52
  Speaker 1: I'm blessed black and Holly favored. How are you doing, King,
• 17:54
  Speaker 1: That's what I'm talking about. Man. Listen, man, I'm a
• 17:57
  Speaker 1: Florida boil. I love film from floor and I just
• 18:01
  Speaker 1: got to have you for a second. Man, of this
• 18:02
  Speaker 1: seem like you always have something to see about us
• 18:06
  Speaker 1: down here in Florida. In regards to the crazy things
• 18:09
  Speaker 1: that's associated what happened at the Higher he was just
• 18:11
  Speaker 1: in Florida. He was just in Florida. That's stood probably
• 18:15
  Speaker 1: for rold A Loud and everything, and definitely not. I
• 18:20
  Speaker 1: was in Orlando for my daughter's Chilian competition, and I
• 18:23
  Speaker 1: was at Disney and an animal came in the past
• 18:25
  Speaker 1: five days. Would you like to know some of the
• 18:26
  Speaker 1: things I saw while I was down there. I saw
• 18:29
  Speaker 1: a grandmother get arrested at Disney for having CBD oil.
• 18:32
  Speaker 1: CBD oil is good for your joints and your muscles.
• 18:35
  Speaker 1: They took this old lady to jail put her in
• 18:37
  Speaker 1: handcuffs for having CBD oil. I also saw somebody try
• 18:39
  Speaker 1: to get into Disney with a nine millimeter pistol with
• 18:42
  Speaker 1: two cartridges, and he goes, oh, I forgot, so don't
• 18:45
  Speaker 1: tell me about Florida being crazy. Now I'm gonna tell
• 18:47
  Speaker 1: the other crazy thing I saw in Florida was visited
• 18:49
  Speaker 1: for South Carolina too, And salute to the young lady
• 18:55
  Speaker 1: who walked up to me and said it's your Charlottagne
• 18:57
  Speaker 1: the God and I said no, and then she yelled
• 18:59
  Speaker 1: at her friend. I told you that wasn't him and
• 19:01
  Speaker 1: walked off. What she believes you? Thank you, brother. Tell
• 19:06
  Speaker 1: me about Florida being crazy. I love Florida, but it's
• 19:08
  Speaker 1: crazy down there. Sat the Breakfast Club eight hundred five
• 19:11
  Speaker 1: eight five one on five one. It's the Breakfast Club.
• 19:13
  Speaker 1: Good Morning. Everybody's DJ Envy Angela Yee, Charlomagne the guy.
• 19:17
  Speaker 1: We are the Breakfast Club. Now when we come back,
• 19:19
  Speaker 1: Rafael sa Dick will be joining us. He's done soundtracks
• 19:23
  Speaker 1: for many of people's lives, from Anniversary to Ask of You.
• 19:26
  Speaker 1: It's a flashback Friday, so we're gonna get that on.
• 19:29
  Speaker 1: Next to Don't Move, It's to Breakfast Club. Good Morning,
• 19:31
  Speaker 1: Breakfast Club. We got a whole legend of the whole legend,
• 19:35
  Speaker 1: a whole legend. Raffaelsa Dick, what's up? What's up? My
• 19:38
  Speaker 1: brother out? Skip bro? How are you sir man? I'm
• 19:40
  Speaker 1: an excellent new album out after eight years. It comes
• 19:44
  Speaker 1: out of August twenty third, a couple of weeks ago.
• 19:48
  Speaker 1: Who made you want to put out out? After h
• 19:50
  Speaker 1: I got a studio other stuff in that stud You
• 19:54
  Speaker 1: was right, yeah, yeah, you know I love music. Brother.
• 19:57
  Speaker 1: You know, after a while, you when you work for
• 19:58
  Speaker 1: other people, and then you you know, people keep asking
• 20:01
  Speaker 1: are you doing another record or and I keep saying yeah,
• 20:03
  Speaker 1: it's almost done, and it's never almost done. And then
• 20:06
  Speaker 1: one day I just got tired of saying it's almost done.
• 20:09
  Speaker 1: I said, you put out a record. Who did you
• 20:10
  Speaker 1: work with on this album? Or did you do everything yourself?
• 20:13
  Speaker 1: I did a lot of him myself, but I work
• 20:14
  Speaker 1: with Brooke dealu. Um he's from Jay Davey back in
• 20:18
  Speaker 1: the day. Um. Daniel Watts still like a little spoken
• 20:23
  Speaker 1: word piece. He was in Hamilton and uh the Nat
• 20:26
  Speaker 1: King cold piece. He's a dope artist. Mostly it was me, man, music,
• 20:31
  Speaker 1: It's just me playing everything and singing and just what
• 20:34
  Speaker 1: inspires you? Now? This music inspire you? Now, man, I
• 20:39
  Speaker 1: love traveling. You know what I'm saying. Talk that that's
• 20:42
  Speaker 1: when you just got money just to go around the
• 20:43
  Speaker 1: world and see it. No, not really my tour taking
• 20:46
  Speaker 1: me there. You know, so if you do a record,
• 20:48
  Speaker 1: you get to go out and you don't play for
• 20:49
  Speaker 1: these different countries. Tastes rightfull you get paid to work.
• 20:53
  Speaker 1: You could just go to a city like you know,
• 20:54
  Speaker 1: I'm gonna play today and then I take my dream
• 20:57
  Speaker 1: is this goos where I want to play some certain place.
• 20:59
  Speaker 1: I go play one day in our vacation for three days. Right,
• 21:01
  Speaker 1: that makes sense. So Jimmy Lee is the name of
• 21:03
  Speaker 1: the album. Jimmie Lee is the name of the records
• 21:05
  Speaker 1: about my brother. My brother, Uh was like my one
• 21:08
  Speaker 1: of my my best friend actually was. I was sort
• 21:11
  Speaker 1: of like the mistake child. My mother said. My dad
• 21:13
  Speaker 1: said mistake. Yeah, my dad, my dad and mom was
• 21:15
  Speaker 1: real hard. He's like my dad always told me, boy.
• 21:18
  Speaker 1: You know my dad always to me boy, we're smiling,
• 21:20
  Speaker 1: said though you know he's a mistake, right, you mistake.
• 21:24
  Speaker 1: I gave your mom a three hundred dollars to go
• 21:26
  Speaker 1: get rid of you, and then she was the safe
• 21:27
  Speaker 1: way and spend the money. That's a true story. Did
• 21:29
  Speaker 1: he really say that? Yeah, that's true. It's true. You
• 21:32
  Speaker 1: know different the world will be. Oh, I'm being honest,
• 21:36
  Speaker 1: Like at least even just for those of us who
• 21:38
  Speaker 1: listen to music that da No. My dad is like
• 21:43
  Speaker 1: the funniest sh He's passed away two years ago. Never
• 21:47
  Speaker 1: made you feel away though. Now he was smile. You
• 21:50
  Speaker 1: see my dad smile. You don't give a Why would
• 21:52
  Speaker 1: he tell you he already had eight kids? You know,
• 21:58
  Speaker 1: I was like even Dwayne, my brother Tony's he's from
• 22:00
  Speaker 1: another mother. We don't have the same mother. But he
• 22:03
  Speaker 1: didn't write the anniversary, na, he really he wrote whatever
• 22:06
  Speaker 1: you want? Okay. He's a beast. Duanne's a beast. He
• 22:12
  Speaker 1: was my teacher, you know. He was like my Michael
• 22:13
  Speaker 1: Jordan growing up, so like I'm in it because of him.
• 22:16
  Speaker 1: He sort of taught me how to play instruments. Now,
• 22:19
  Speaker 1: somebody I was told that this new album is inspired
• 22:21
  Speaker 1: by your brother's journey of struggling with addiction. My brother
• 22:25
  Speaker 1: was a heroine. Act had a sort of like since
• 22:27
  Speaker 1: I knew my mother was from, you know, from Louisiana.
• 22:30
  Speaker 1: They came to U to on Chicago, and then a
• 22:33
  Speaker 1: half month in Chicago and the rest there in the bank.
• 22:36
  Speaker 1: But and my brother was on heroin as soon as
• 22:39
  Speaker 1: he got from Louisa. Came from Louisiana and made it
• 22:41
  Speaker 1: to Oakland, so he was struggling. He actually odd in
• 22:45
  Speaker 1: them in a garage my other brother, between me and Duayne,
• 22:49
  Speaker 1: I think he might have been like nineteen. I was seventeen.
• 22:53
  Speaker 1: He murdered himself. He shot himself in the head of
• 22:55
  Speaker 1: my dad's house because he couldn't quit. And we had
• 22:58
  Speaker 1: a pretty prideful type of family. You know. I'd call
• 23:01
  Speaker 1: him to black Kennedy because they just thought it was
• 23:02
  Speaker 1: better than everybody else sometime. But wasn't really like that.
• 23:06
  Speaker 1: But I just think he felt bad and he just
• 23:08
  Speaker 1: took himself out and then ums, right three and one sister. Wow,
• 23:13
  Speaker 1: And you know, so a lot of a lot of
• 23:15
  Speaker 1: drug abuse. I've seen a lot, you know, um, and
• 23:19
  Speaker 1: it just it just dawned on me. This dude with
• 23:21
  Speaker 1: like you know, dropped me off like like pit bulls
• 23:23
  Speaker 1: and you know, put in my backyard. Wake up, I
• 23:25
  Speaker 1: got a pit bull. And then you know, like, oh man,
• 23:28
  Speaker 1: I got a dog. But he's like everybody. You know,
• 23:30
  Speaker 1: when you when you become a smoker in a hood,
• 23:33
  Speaker 1: you have a different name. You could be a respectful man.
• 23:35
  Speaker 1: But then they started, you know, you'd be like, what's
• 23:37
  Speaker 1: up smoky. Yeah, you know, like you know, so I didn't.
• 23:41
  Speaker 1: I never looked down on my brother like that. So
• 23:43
  Speaker 1: he was always in my life. He was in and
• 23:45
  Speaker 1: out of prison. Um, and you never you never dibbled
• 23:48
  Speaker 1: dabble the drugs at all. No. I didn't have a
• 23:50
  Speaker 1: smoke a joint till I was thirty two. Really yeah, No,
• 23:54
  Speaker 1: I like that lunch money man, I was. I had
• 23:56
  Speaker 1: to have my French fries. And because you saw the
• 23:59
  Speaker 1: effects on other people. Yeah, and when you see her
• 24:01
  Speaker 1: sister coming to house and she's going to get a
• 24:03
  Speaker 1: love for bread at twelve o'clock at nine and we
• 24:05
  Speaker 1: got like four loaves of bread on top of the refrigerator.
• 24:08
  Speaker 1: You know, I've seen so many examples that I just
• 24:11
  Speaker 1: didn't want to be a part of it. So why
• 24:12
  Speaker 1: did your brother specifically inspired the fish record? Because um,
• 24:16
  Speaker 1: I was making records. I made this song Calls already,
• 24:20
  Speaker 1: and it's about a guy that's uh, the whole neighborhood
• 24:23
  Speaker 1: loves him, but he goes off he benches and he
• 24:25
  Speaker 1: comes back, you know, four days later, and everybody loving
• 24:29
  Speaker 1: his wife, stands behind him no matter what. And I
• 24:32
  Speaker 1: saw this character and his brother reminded me of my
• 24:34
  Speaker 1: brother who was just who people look down on him,
• 24:37
  Speaker 1: but I just always revered him as this. You know,
• 24:39
  Speaker 1: my brother he in prison. You know your your brother
• 24:41
  Speaker 1: in prison when your kid. You think he's celebrity till
• 24:43
  Speaker 1: you go there and he can't come home with you.
• 24:45
  Speaker 1: You know, you're like, oh, you're not a celebrit you
• 24:47
  Speaker 1: in jail. But I always looked up to him because
• 24:49
  Speaker 1: he will seeing these uh these what sculptures he were
• 24:52
  Speaker 1: do in prison. So and when I just thought about
• 24:55
  Speaker 1: I would love to have all of my brothers and
• 24:57
  Speaker 1: sisters sitting like in some bar, have happy. I'll drinking
• 24:59
  Speaker 1: a beer and he's just talking and I'll sink dam.
• 25:02
  Speaker 1: I don't really had that. You know, he can't really um,
• 25:05
  Speaker 1: he can't really watch this. And his son and my
• 25:08
  Speaker 1: uncle took care of his son. He played him, he
• 25:10
  Speaker 1: played football in basketball Virginia and then he came to
• 25:13
  Speaker 1: the Bay and then we took care of him. So
• 25:15
  Speaker 1: I took care of his son, helped him out, you know,
• 25:17
  Speaker 1: put his son and a good school so he could
• 25:19
  Speaker 1: play basketball. Of course he didn't want to go to
• 25:21
  Speaker 1: that school. It was like judge with he was like,
• 25:22
  Speaker 1: I don't want to go there and or ain't know girls,
• 25:24
  Speaker 1: and then I'm like, bro, the girls across the streets
• 25:26
  Speaker 1: to other school. But anyway, that's j Jack. His son
• 25:30
  Speaker 1: is like one of my one of my I called
• 25:32
  Speaker 1: him my best friend because you know, I had to
• 25:33
  Speaker 1: like watch him from a kid. He lost his mom
• 25:36
  Speaker 1: and his father to the same thing. So just did
• 25:39
  Speaker 1: you ever think that you could do anything to help
• 25:41
  Speaker 1: him or try to, because I know it's hard on
• 25:44
  Speaker 1: YouTube when you're trying to help somebody and it's like
• 25:47
  Speaker 1: you're my brother didn't want to help. I usually want
• 25:49
  Speaker 1: the money. My brother would told me one day he
• 25:53
  Speaker 1: was funny. He came up. He would always you know,
• 25:55
  Speaker 1: whenever you're somebody your families on drugs, there's always a
• 25:58
  Speaker 1: guy to come in a car and you My brother
• 26:00
  Speaker 1: was always the passenger. Either he needed to get the
• 26:03
  Speaker 1: corporator fix he hadn't had a license ever in his life,
• 26:06
  Speaker 1: or he saved some ladies. She gave him a car.
• 26:08
  Speaker 1: And then the biggest wound was like one day I said,
• 26:10
  Speaker 1: I come back in about thirty minutes and I'll give
• 26:13
  Speaker 1: you the money, and he said he started crying. That
• 26:16
  Speaker 1: was weird. Nervou seen that before and I'm like, well,
• 26:18
  Speaker 1: what's wrong. He's like, the doctor said, you know, he
• 26:21
  Speaker 1: gave me a week or a week or two to live,
• 26:24
  Speaker 1: and yeah he was. He had aged right from Needles,
• 26:27
  Speaker 1: your brother, my brother and Jimmy and he said, um,
• 26:30
  Speaker 1: the doctor gave me a week to live. And I
• 26:33
  Speaker 1: just looked at him like, wow, you would take it
• 26:35
  Speaker 1: that far. He lived about fourteen fifteen years after that. Yeah,
• 26:42
  Speaker 1: my brother just won him money. He was funny. We
• 26:43
  Speaker 1: all know him like that. Dude. He was crying already,
• 26:46
  Speaker 1: knew it was like Sally, I've just said I'm going
• 26:49
  Speaker 1: to the bank in five minutes and I'll be right back.
• 26:52
  Speaker 1: He was. But but you know, giving him money that
• 26:57
  Speaker 1: was kind of like helping him in a way, right,
• 26:59
  Speaker 1: So that had to be struggle. The rehab was if
• 27:02
  Speaker 1: he met you, if he if he was living and
• 27:04
  Speaker 1: he saw me talking to you right now, if he
• 27:05
  Speaker 1: ran into you somewhere using Oakland he was like, charlom man, God,
• 27:09
  Speaker 1: you know my brother, right, hey, let me hold twenty dollars.
• 27:12
  Speaker 1: He'll get back to you. That's Jimmy Lee and everybody
• 27:17
  Speaker 1: loved him. So the song I wrote so Ready, I
• 27:20
  Speaker 1: wrote it this couple in Brooklyn was dancing to a
• 27:22
  Speaker 1: song I have called on Instaventage called on Scott can
• 27:25
  Speaker 1: You Feel Me? So they were dancing to this song
• 27:28
  Speaker 1: and I was like, I'm gonna write a song about
• 27:31
  Speaker 1: these people dancing and it's called so Ready, and it's
• 27:34
  Speaker 1: about the lady just hanging whatever. Man almost like I
• 27:37
  Speaker 1: don't know Samuel Jackson's story, you know verbatim, but I
• 27:40
  Speaker 1: heard he has some issues when he was younger, and
• 27:42
  Speaker 1: his wife still by him. Yeah. My record is more
• 27:45
  Speaker 1: forgiving the person dad accidentally stepped into a chemical that
• 27:49
  Speaker 1: they didn't know it was gonna take over the rest
• 27:51
  Speaker 1: of their life. We got both with rad Fields and
• 27:53
  Speaker 1: when we come back, Don't Move. Is the Breakfast Club
• 27:55
  Speaker 1: Good Morning? Everybody is DJ Envy, Angela Yee, Charlomagne the
• 27:59
  Speaker 1: guy we are the break His club was still kicking
• 28:00
  Speaker 1: it with Rafael sa Deep. Now the group Tony Tony Tony.
• 28:03
  Speaker 1: Yeah yeah, none of y'all a name Tony, none of us.
• 28:06
  Speaker 1: So how did you get the name of the group?
• 28:08
  Speaker 1: Um Dwayne Um Dwayne used to put this permanence hair
• 28:11
  Speaker 1: called a curly kid. It's a relaxer and he already
• 28:15
  Speaker 1: had really like fine here Duyanne was a pretty boy
• 28:17
  Speaker 1: in the band. Always had like you know, always had
• 28:19
  Speaker 1: a lot of women around him. Hit party guy. So
• 28:21
  Speaker 1: he used to slick his hair down parted have it
• 28:24
  Speaker 1: coming this way. Where everybody had like these Jerry purls,
• 28:26
  Speaker 1: he didn't. He was just like like a Billy d type,
• 28:28
  Speaker 1: pretty don pretty Tony. So he Duwayne said, if he
• 28:31
  Speaker 1: would go to school on the first day, his name
• 28:33
  Speaker 1: is Duayanne, but his teacher will call him Tony. And
• 28:36
  Speaker 1: his hair was so so done that they would sell
• 28:39
  Speaker 1: it three times like he was Italian, like Tony. That's
• 28:42
  Speaker 1: how he came up the name. So it was a
• 28:45
  Speaker 1: joke he was. We were laughing about it. And then
• 28:47
  Speaker 1: we played at the wedding reception because in the beginning
• 28:49
  Speaker 1: we weren't like an R and B band. We were
• 28:50
  Speaker 1: like trying to be trying to be the police, the
• 28:52
  Speaker 1: black police, but you know the black in issue, like
• 28:54
  Speaker 1: the hell that we don't want that, and so we
• 28:56
  Speaker 1: splented this wedding reception. Who didn't have his name was
• 28:59
  Speaker 1: a man, a man manager and his brother turned around
• 29:01
  Speaker 1: like what's name in the group, and we didn't have
• 29:02
  Speaker 1: a name in the group, and we just laughed and
• 29:04
  Speaker 1: said Tony, Tony, tony, and then then when he said
• 29:06
  Speaker 1: ladies and gentlemen, tony, Tony, Tony, we looked at it.
• 29:10
  Speaker 1: That's whatever that is sounded right, And that was probably
• 29:14
  Speaker 1: in Englewood. Did y'all know that y'all was making such
• 29:17
  Speaker 1: timeless music? Well, um, Charlie Mane, we we just we
• 29:23
  Speaker 1: just knew classic people. We grew up listening to earth
• 29:26
  Speaker 1: Win and Fire. We we the Osley Brothers. We loved
• 29:29
  Speaker 1: them like you know, like you guys love Eric being
• 29:31
  Speaker 1: rock him. That's how we saw. That's how I saw,
• 29:34
  Speaker 1: like you know, Philip Biley and del Phonics and the stylistics,
• 29:38
  Speaker 1: and so that was the bar. That was the bar,
• 29:40
  Speaker 1: the bar really high. We really shouldn't even be in
• 29:43
  Speaker 1: the business, um unquote to who we really loved. I mean,
• 29:45
  Speaker 1: we never made that's the way of the world. That's
• 29:48
  Speaker 1: my goal to make a song like that. That's tough
• 29:51
  Speaker 1: to say, though, because anniversary is that whatever you wanted
• 29:58
  Speaker 1: just me you that, I mean, you say, that's in
• 30:03
  Speaker 1: the same vein to me know, it's definitely in the
• 30:05
  Speaker 1: same vein. But I'm glad my bar is I'm glad.
• 30:07
  Speaker 1: I think I haven't done it. You know what I mean?
• 30:09
  Speaker 1: Someone said, just me and you. You were on tour
• 30:11
  Speaker 1: a new Addition, Yeah, and that song. You actually were
• 30:14
  Speaker 1: talking about new Addition. No, I'm just talking. I'm actually
• 30:18
  Speaker 1: I wasn't. I'm a huge new Addition fan. But what
• 30:21
  Speaker 1: do you mean talk about addition? I don't worry about
• 30:23
  Speaker 1: She's talking about just me and you. When I say,
• 30:25
  Speaker 1: don't worry about you know, don't worry about Ricky do Oh. Yeah,
• 30:29
  Speaker 1: they said that. Actually they thought that when they was here. No,
• 30:32
  Speaker 1: it wasn't it. They thought it was No, No, it
• 30:35
  Speaker 1: was it was just still making that up. Remember that.
• 30:38
  Speaker 1: But you can easily think that. But what happened was
• 30:41
  Speaker 1: I'm just sometimes a lazy lyric lyric writer, and I
• 30:44
  Speaker 1: just I knew all their name in front of you. Yeah,
• 30:50
  Speaker 1: said their name. And whoever caught onto it, you know,
• 30:52
  Speaker 1: New Additional I'm a huge fan of. Who was the
• 30:54
  Speaker 1: person that you got that from me? You was like, man,
• 30:57
  Speaker 1: I might be onto something, and the beginning it was, well,
• 31:00
  Speaker 1: once you staw making records, it was definitely an earth
• 31:02
  Speaker 1: win of five. Um. Definitely Prince. You know I played
• 31:05
  Speaker 1: with Prince when I was like nineteen years old, so
• 31:07
  Speaker 1: that's my first ever, you know, gig on the road,
• 31:11
  Speaker 1: and that's a great first gig on the road. Yeah,
• 31:14
  Speaker 1: right out of high school. It's amazing that these beautiful
• 31:17
  Speaker 1: Solum John you know what I mean, Nick Jagger, you know,
• 31:22
  Speaker 1: just people you play with that play with people that
• 31:24
  Speaker 1: you love, like I like, I love Nick Jagger, but
• 31:26
  Speaker 1: also love Holland Wolf. And that's that's how they got
• 31:30
  Speaker 1: started because of you know, Muddy Waters. You know. So
• 31:33
  Speaker 1: so you said this album was therapeutic right for you? Yes?
• 31:36
  Speaker 1: So what was that other music he was making back
• 31:39
  Speaker 1: in there? Because you've been had the pain, you've been
• 31:40
  Speaker 1: seeing struggles. So was it always music? Always an outlet
• 31:43
  Speaker 1: for you? Yeah? I think I was. I guess I
• 31:45
  Speaker 1: was running from all the like, you know, my sister,
• 31:48
  Speaker 1: all the death. When my sister was a my sister
• 31:50
  Speaker 1: was the smartest girl in our family, you know, graduated
• 31:53
  Speaker 1: on a ton of property, just doing it. And she sing,
• 31:56
  Speaker 1: she's sing blues. So one day she's talking to my mom,
• 31:58
  Speaker 1: My mom, get off the phone. She gets in the car,
• 32:00
  Speaker 1: she's about to roll out the driveway. Cops chase a kid,
• 32:04
  Speaker 1: gives her permanent brain damage. We have to pull her
• 32:07
  Speaker 1: off the machine, and I'm in the studios seeing they
• 32:10
  Speaker 1: never end the southern California. Wow. Right, So I came
• 32:15
  Speaker 1: back and watched my mom and my dad just they're
• 32:17
  Speaker 1: just shaking me in the in the hospital and she's
• 32:21
  Speaker 1: in the chapel. So they pull in the plug. I
• 32:25
  Speaker 1: could talk to my mom. I can't. She's just I
• 32:27
  Speaker 1: can't even really talk. I'll leave and go back and
• 32:30
  Speaker 1: finished recording the vocals to whatever end the other California.
• 32:32
  Speaker 1: So I guess it was therapy. I just started looking
• 32:35
  Speaker 1: at music like that's why I'm I'm gonna hear all
• 32:37
  Speaker 1: these beefs with people like rap groups and everybody, and
• 32:40
  Speaker 1: everybody being all hard. I'm like I was seeing the
• 32:42
  Speaker 1: most beautiful love songs and all this stuff would happen
• 32:45
  Speaker 1: to me, but I wouldn't be out like you know,
• 32:47
  Speaker 1: my mama, God Mom. I'm like, bro, there adn't nobody
• 32:50
  Speaker 1: like yo, you can still be you through all this,
• 32:54
  Speaker 1: you know. Tragic. I mean my first funerals. My my
• 32:57
  Speaker 1: sister boy friend killed my brother when I was seven.
• 33:01
  Speaker 1: In the first funeral, everyone to you know, they call
• 33:04
  Speaker 1: my name and how to get into limousine. I hated
• 33:06
  Speaker 1: limousines forever. And when we made it, I'll just never
• 33:08
  Speaker 1: they said you want a limousine or a van, I'll
• 33:09
  Speaker 1: be a van. You know, because you're seven years old
• 33:12
  Speaker 1: and you've only seen your brother for a certain amount
• 33:15
  Speaker 1: of years. And my brother was was a straight up
• 33:18
  Speaker 1: gangster though you know, hop bad, quarterly black, black, burning,
• 33:23
  Speaker 1: sixty seven cooler, just a straight you know, Doug, but
• 33:26
  Speaker 1: just a singer, a showman. My brother same country music,
• 33:32
  Speaker 1: so he be in the hood, but then he was
• 33:34
  Speaker 1: go across the bridge and go watch Charlie Bride sing.
• 33:36
  Speaker 1: That makes a lot of sense though, because people don't
• 33:38
  Speaker 1: realize the dope as stories that are in country music.
• 33:41
  Speaker 1: So you probably got that storytelling the building. Yeah, from
• 33:44
  Speaker 1: listening to that, maybe I want my records so I'll
• 33:46
  Speaker 1: live me. Do you ever try to will yourself like
• 33:48
  Speaker 1: out do those those classic records that you just say,
• 33:50
  Speaker 1: you know what, I'm just gonna make records, because with
• 33:53
  Speaker 1: the amount of hits that you have and the amount
• 33:55
  Speaker 1: of records that you can still play right now in
• 33:57
  Speaker 1: the club that people still dance, star still love, do
• 34:00
  Speaker 1: you ever try to outdo that? Yeah? Sometimes the way
• 34:04
  Speaker 1: I do I call myself a point guard, right because
• 34:06
  Speaker 1: I know when to dish the ball. So like if I,
• 34:08
  Speaker 1: if I really want to pass it up, maybe I could,
• 34:11
  Speaker 1: you know, pass the ball to D'Angelo and didn't do
• 34:13
  Speaker 1: Lady and Untitled for him, and then he could take
• 34:15
  Speaker 1: it a little bit further, you know what I mean.
• 34:17
  Speaker 1: So that's how that's what I like to do. I
• 34:18
  Speaker 1: like to work with other artists. Oh so lines you
• 34:20
  Speaker 1: did Cranes in the Sky, right, that's a phenomenal song
• 34:23
  Speaker 1: Erica bad dude. Yeah, And that's a different route you knows,
• 34:26
  Speaker 1: go around this way and that's songs that you know.
• 34:29
  Speaker 1: Cranes in the Sky is just sitting in mind, sitting
• 34:32
  Speaker 1: in mind. The music was just sitting around for eight years.
• 34:35
  Speaker 1: I did that like, okay, you're showing off now, that though,
• 34:40
  Speaker 1: because it was sitting there eight years. So it was
• 34:41
  Speaker 1: one of those things like I got some eight years
• 34:43
  Speaker 1: ago that I didn't. She came by and I pulled
• 34:46
  Speaker 1: a song off for her to write to it. For me,
• 34:49
  Speaker 1: I'd already sing a different melody was similar to that one,
• 34:52
  Speaker 1: and I gave it to her and she, um, she said,
• 34:55
  Speaker 1: I'm gonna righte to it. I hadn't heard from her,
• 34:56
  Speaker 1: like two three years whatever. She called back, I can, said,
• 35:00
  Speaker 1: and I can I get get it without the vocal
• 35:04
  Speaker 1: on it. I didn't really, I didn't even I couldn't
• 35:06
  Speaker 1: even find it the files. I couldn't find the files.
• 35:09
  Speaker 1: And a friend of mine had a copy of it.
• 35:12
  Speaker 1: But it was just an instrumental. So what she has
• 35:15
  Speaker 1: is just off of a CD. It was all the CDCD.
• 35:17
  Speaker 1: That's the CD. So it's wasn't no way to separate it.
• 35:20
  Speaker 1: She just sang over the top of it. So when
• 35:22
  Speaker 1: you make something from the heart, like I said, I've
• 35:24
  Speaker 1: been making music for myself. I never made music to
• 35:27
  Speaker 1: be like I want to get this radio station. This
• 35:29
  Speaker 1: that I just followed, those those blockers, those White's baby
• 35:34
  Speaker 1: Faced and Jimmy tent Jam and all these people, and
• 35:37
  Speaker 1: I just let them block them. When I see a hole,
• 35:39
  Speaker 1: I run through it. You gotta have that, all right?
• 35:42
  Speaker 1: We got more with Raffiol Sadik. When we come back,
• 35:43
  Speaker 1: let's get into a Rafiel sad Mini mix. It's the
• 35:46
  Speaker 1: Breakfast Club, Good morning morning. Everybody is DJ Envy Angela Yee,
• 35:50
  Speaker 1: Charlemagne the guy. We are the Breakfast Club. We're still
• 35:52
  Speaker 1: kicking it with Raffael Sadiq Yee. Well you hesitant to
• 35:55
  Speaker 1: go solo because after leaving Tony Tony Tony, and then
• 35:58
  Speaker 1: you started Lucy Pearl, and was it like and you
• 36:00
  Speaker 1: did of course you did your solo stuff, but was
• 36:02
  Speaker 1: it something that you wanted to do or were you like,
• 36:05
  Speaker 1: I'd rather be in a group. I'm a band guy.
• 36:10
  Speaker 1: I like bands. Um, that's why when I left the
• 36:12
  Speaker 1: Tony's I immediately called, you know, Shahid from you know,
• 36:16
  Speaker 1: Holli Shahid and and I grabbed on It's just fun.
• 36:19
  Speaker 1: It's just to me, it's fun or being in the band.
• 36:21
  Speaker 1: But after that didn't work? Why didn't that work? It's
• 36:24
  Speaker 1: like three years Lucy Pearl? No, just why did Lucy
• 36:32
  Speaker 1: Pearl work? Well? Don was sort of yeah, sort of
• 36:38
  Speaker 1: a devil. Well that's what they called themselves. But I
• 36:41
  Speaker 1: mean she she wasn't involved, and she wanted to do
• 36:44
  Speaker 1: a solo act. She wanted to be a solo She
• 36:46
  Speaker 1: left them to do a solo act. And then we
• 36:48
  Speaker 1: sort of came along and said can we usually for
• 36:50
  Speaker 1: a minute, and then she sort of lend us her talent.
• 36:53
  Speaker 1: But then she said, now it was time for me
• 36:55
  Speaker 1: to go solo. But it was like six months into
• 36:57
  Speaker 1: like I want to dance tonight. That was quick. Have
• 36:59
  Speaker 1: you forgiven for that? Yes, I've grown up to be
• 37:02
  Speaker 1: a great adult, and you know I forgive everybody these days.
• 37:06
  Speaker 1: Maybe now you can't. I'm on into that. Like you know,
• 37:09
  Speaker 1: I wanted to be what it was all the time.
• 37:12
  Speaker 1: You know, I heard that you guys can't do Tony
• 37:14
  Speaker 1: Tony Tony because someone else owns the name. My brother
• 37:17
  Speaker 1: owns the name, Dwayne. That's no, that's not why we
• 37:19
  Speaker 1: didn't do it. I just I didn't want to be
• 37:20
  Speaker 1: looked at like a temptation, like I can only do
• 37:22
  Speaker 1: one thing, you know what I mean? So I was
• 37:24
  Speaker 1: and nobody looks at you like that. Oh no, you don't, now,
• 37:27
  Speaker 1: I just said. I felt like it was more I
• 37:28
  Speaker 1: had to do, you know. Um As an artist, I
• 37:31
  Speaker 1: saw it was so much building in me and I
• 37:33
  Speaker 1: was learning myself at the same time that I can
• 37:35
  Speaker 1: make records that people actually actually listen to me sing.
• 37:38
  Speaker 1: Because I didn't want to be a singer. I was
• 37:39
  Speaker 1: a bass player. I didn't want to. I had never
• 37:41
  Speaker 1: wanted to be a friend guy and sing. But once
• 37:44
  Speaker 1: I started writing producing, UM, I just felt like I
• 37:47
  Speaker 1: needed to go out and grow a little bit work
• 37:48
  Speaker 1: with some different people, and we just grew differently. You
• 37:51
  Speaker 1: mean my brother. I love my brother to death. We
• 37:54
  Speaker 1: had we had issues a little bit, but we a
• 37:56
  Speaker 1: little bit of money, and you get little bit of money.
• 37:58
  Speaker 1: People just have different friends and you have your set
• 38:00
  Speaker 1: of five friends. I have my set of two, and
• 38:04
  Speaker 1: and other people people get married to him got married,
• 38:07
  Speaker 1: and then you know, people have different ideas. And my
• 38:09
  Speaker 1: whole thing was at the time, I wasn't smart enough
• 38:13
  Speaker 1: to like deal with to corrowding together and say like, look, bam,
• 38:17
  Speaker 1: let's let's stay together and let's make the Scragords. I
• 38:20
  Speaker 1: know y'all think that I'm I'm the singer, I can
• 38:22
  Speaker 1: go solo any day, and I didn't know how to
• 38:25
  Speaker 1: do that, so I just that's what they believe. So
• 38:27
  Speaker 1: I just I just went home and after we did
• 38:30
  Speaker 1: this VH one show, I just came home and sat
• 38:33
  Speaker 1: my suitcase down on the piano and I just never
• 38:35
  Speaker 1: called nobody back ever again. But see, I think that
• 38:37
  Speaker 1: they probably knew that was gonna happen eventually, and they
• 38:39
  Speaker 1: probably was dreading that day. So it's like you did
• 38:41
  Speaker 1: it and just confirmed all of their suspicions and anxiety
• 38:44
  Speaker 1: to beginning. Yeah, no, but I had a lot of reasons.
• 38:47
  Speaker 1: You know, Like I said, we all grew different than
• 38:49
  Speaker 1: money got funny. The executives got weird, and you know,
• 38:52
  Speaker 1: if people were telling me I'm gonna kill you and
• 38:54
  Speaker 1: put a horsehead in your bed, it got really at Extein.
• 38:58
  Speaker 1: At Extein, they was the president of PolyGram at the time.
• 39:02
  Speaker 1: You put a horse head in your bad yeah, he was.
• 39:04
  Speaker 1: But we're friends. Now we're friends. Yeah, we're friends. He
• 39:08
  Speaker 1: I think he just watched a couple of Mafia movies
• 39:10
  Speaker 1: and he didn't know off something he didn't know off
• 39:12
  Speaker 1: from the East Bay, and I was like, boy, is
• 39:14
  Speaker 1: you serious? You better tell me you serious? And now
• 39:16
  Speaker 1: I called him lefting on his machine. If you're serious,
• 39:18
  Speaker 1: now let me know. But why why do you want
• 39:22
  Speaker 1: to do that to you? I think because he felt
• 39:25
  Speaker 1: like he was breaking the group up. He thought I
• 39:26
  Speaker 1: was gonna break I was never. I never wanted to
• 39:28
  Speaker 1: leave never never ever. That put them on my eyes.
• 39:31
  Speaker 1: I never wanted to leave um. But they started. You know,
• 39:35
  Speaker 1: they actually called Stokely for men Condition and asked him
• 39:38
  Speaker 1: to be the new lead singer to Tony. Who did that?
• 39:41
  Speaker 1: Ed did? He also took the guitar player that we had,
• 39:44
  Speaker 1: who was a friend of mine who I put in
• 39:46
  Speaker 1: the group just to play. He called him and they
• 39:49
  Speaker 1: told the other guys, won't you just take him? And
• 39:53
  Speaker 1: and then called Mint Stokely. Stokely called me and said, Bro,
• 39:57
  Speaker 1: what's going on? Bro? I was like, Bro, whatever going on?
• 40:01
  Speaker 1: What whatever's going on with your situation? And meant, trust me,
• 40:05
  Speaker 1: it can't be. It can't be. Nowhere nearest about is
• 40:08
  Speaker 1: this now? I was that so that just never happened.
• 40:11
  Speaker 1: What would make him think that he could just remove
• 40:13
  Speaker 1: you and plug somebody else in and the public was
• 40:15
  Speaker 1: gonna be accepting in that? Man, I have the slightest
• 40:18
  Speaker 1: idea anniversary and just meing you, what was the mind
• 40:20
  Speaker 1: frame with? What were you thinking when you wrote those?
• 40:23
  Speaker 1: It was the lady that had you open. I don't
• 40:25
  Speaker 1: even I wasn't writing about a person anniversary without having
• 40:31
  Speaker 1: somebody's problems. I don't believe you. I refuse to believe
• 40:35
  Speaker 1: that somebody you wanted y'all always wanted something. But like
• 40:41
  Speaker 1: as like I said, I have a vivid imagination, so
• 40:44
  Speaker 1: I can look at anybody's situation. It's almost like a freestyle,
• 40:47
  Speaker 1: you know, like an mc you can just know everybody's situation,
• 40:51
  Speaker 1: just me and you. John Singleton came to me and said,
• 40:53
  Speaker 1: what a justice no boys in the hood. He came
• 40:57
  Speaker 1: to me and said, uh, there's a kneel long and
• 41:01
  Speaker 1: this kid are gonna be in the locker room making out.
• 41:03
  Speaker 1: I need a song for it. I never saw the clip.
• 41:06
  Speaker 1: He just told me what it was, and then I
• 41:07
  Speaker 1: wrote just Me and you. So that was my first solo.
• 41:10
  Speaker 1: Just disrespect Cuba Gooden. I guess he deserves it right now. Cuba, Yeah,
• 41:13
  Speaker 1: my bad, my bad. I mean I'm speaking how John,
• 41:19
  Speaker 1: That's what John said, John Card John called him just
• 41:22
  Speaker 1: the kid. Damn people, just the kid. At the time,
• 41:25
  Speaker 1: we no, no, yeah, yeah, so yeah. So I wrote
• 41:32
  Speaker 1: this song at my mom's house and in m in
• 41:35
  Speaker 1: my room and I forgot the hook to the song
• 41:39
  Speaker 1: just so I changed it all and this girl came over.
• 41:42
  Speaker 1: I let her hear the song. She heard it back then,
• 41:43
  Speaker 1: she said, what happened you? You changed it? I said,
• 41:45
  Speaker 1: I forgot it and she sang me the hook. That's
• 41:48
  Speaker 1: how I remember that. And when I put the record
• 41:49
  Speaker 1: out at X time told John Singleton that it couldn't
• 41:53
  Speaker 1: say Raphael Wiggins My name was Wiggins at the time,
• 41:56
  Speaker 1: and I said why not. He just said it has
• 41:58
  Speaker 1: to say Tony, Tony Tony. So that was my first
• 42:00
  Speaker 1: solo record, didn't he didn't ask of you. Ed said
• 42:03
  Speaker 1: the same thing, And I told you that's I changed
• 42:06
  Speaker 1: my name to Sadik at that time. And um wow,
• 42:09
  Speaker 1: I told I told John that I couldn't. You couldn't
• 42:12
  Speaker 1: put in a movie if it doesn't say rod Fiel Sadik.
• 42:14
  Speaker 1: And he called ED, He called Business Affairs and said, hey,
• 42:17
  Speaker 1: this this record is gonna say rod Fiel Sadik. So
• 42:20
  Speaker 1: did y'all make money? Yeah, we have a new addition. No, no, no, no, no,
• 42:23
  Speaker 1: well our first situation, no, we didn't make money. Now
• 42:25
  Speaker 1: we were driving all our honey scards you know. Um no,
• 42:28
  Speaker 1: we didn't have We didn't have money now, not in
• 42:30
  Speaker 1: the beginning out the first album, the second album. First
• 42:33
  Speaker 1: album had what feels feels good? No, no, no, no, no,
• 42:35
  Speaker 1: what the first album had little Walter on it. That
• 42:37
  Speaker 1: was there, you go. What was the first thing? Wow,
• 42:48
  Speaker 1: my record has always been talking about somebody getting murdered,
• 42:51
  Speaker 1: you know what I mean? Yeah, you don't ever feel
• 42:52
  Speaker 1: bad for the other Tonies though, Well, they toured, they've
• 42:54
  Speaker 1: been touring for the band's been going strung. It's I
• 42:57
  Speaker 1: left at ninety seven, right, they still going. They've been
• 43:00
  Speaker 1: touring for the least singer that was in the group
• 43:02
  Speaker 1: was in there longer than I was. But anyway, no,
• 43:04
  Speaker 1: don't nobody remember. No disrespect to him. But people don't
• 43:06
  Speaker 1: They don't that sign that your voice with Tony Tony
• 43:09
  Speaker 1: Tony belongs to you. Oh yeah, he was a nobody
• 43:11
  Speaker 1: for sure. But I'm saying what I'm saying, what i mean, yeah,
• 43:17
  Speaker 1: fancy yancy, But yeah, I'm saying when it comes to me,
• 43:21
  Speaker 1: this radio personality told me on radio that he went
• 43:24
  Speaker 1: to see the Tony's and he was to his surprise.
• 43:27
  Speaker 1: He didn't miss me. Really, that's disrespect, he said. He
• 43:30
  Speaker 1: said a few times that person out the radio, Yeah,
• 43:33
  Speaker 1: still on the radio. Who was it? This definitely was
• 43:37
  Speaker 1: opening Okay, Yeah, he said it like like a lot,
• 43:42
  Speaker 1: say that he's heating. I don't think so that's I
• 43:45
  Speaker 1: think he's huge Tony's fan. He just loves the music,
• 43:49
  Speaker 1: he said. Yeah, okay, he said he said it about
• 43:53
  Speaker 1: like three times on already I'm on the phone, like damns.
• 43:55
  Speaker 1: He like I thought he was kind of going on
• 43:57
  Speaker 1: me too, so I just said, what time the reason
• 43:59
  Speaker 1: why you didn't miss becau? I wrote all of it.
• 44:01
  Speaker 1: You're never gonna miss me. I'm always there. That's a
• 44:03
  Speaker 1: good stat what's the importance of the other two, because
• 44:05
  Speaker 1: I think people will see them and think that there's
• 44:08
  Speaker 1: no importance. What's the importance of it? I'll tell you
• 44:10
  Speaker 1: like each one. Okay, Tim a little lazy, but he
• 44:13
  Speaker 1: was the most talented one in the group. He wrote
• 44:15
  Speaker 1: it never ends to Southern California. He put the music
• 44:17
  Speaker 1: on the cassette, took off with some girl, dropped it
• 44:21
  Speaker 1: off to the room and I played it and it
• 44:23
  Speaker 1: was bold, dunna the whole thing that rangs and yeah yeah,
• 44:35
  Speaker 1: and I'm sitting there listening to it like it just
• 44:38
  Speaker 1: kept going for a long time. Didn't it change it? No? No,
• 44:41
  Speaker 1: no no. So it was a way too long before
• 44:44
  Speaker 1: once the other part. And then that's when I found
• 44:45
  Speaker 1: out I could produce. I shorten it and made it
• 44:48
  Speaker 1: go happen fast. But really that's what I did. He
• 44:52
  Speaker 1: brought the whole entire song, So that's Tim and um
• 44:55
  Speaker 1: and then I wrote, you know the verses, and then
• 44:59
  Speaker 1: Dwayne wrote, now but maybe on the East Coast. And
• 45:03
  Speaker 1: he didn't get no credit for it either way. He
• 45:05
  Speaker 1: got me back on um, whatever you Want, So he
• 45:10
  Speaker 1: wrote it, him and Tim and Carl wrote it, but
• 45:13
  Speaker 1: I wrote, you know, I can't feel vine. Whatever you
• 45:16
  Speaker 1: Need called sixty two twenty one. So we had a
• 45:20
  Speaker 1: meeting and him and Tim came in the meeting and
• 45:22
  Speaker 1: tell me, yeah, you didn't write it on Whatever you Want.
• 45:24
  Speaker 1: I'm like, that's my phone number calling me time I
• 45:38
  Speaker 1: wrote it. That's my phone number. That's the first phone
• 45:42
  Speaker 1: that I had, And that's me singing it. I produced.
• 45:45
  Speaker 1: They never ever gave me nothing to sing in life
• 45:48
  Speaker 1: on the No Tony's album. Nobody never told me what
• 45:51
  Speaker 1: to sing. They watched this right Oh they no, no, no, no, no,
• 45:55
  Speaker 1: they know. But but I that's me singing about him,
• 45:58
  Speaker 1: just as Shure's my name is, Oh, Dwayne, Dwayne. This
• 46:05
  Speaker 1: whole time I thought he say, just as my name is.
• 46:08
  Speaker 1: That's Dwayne's favorite part. I love to lights up when
• 46:12
  Speaker 1: you say that. I'm want to make Duwayne light up.
• 46:14
  Speaker 1: All you got to say just as shows my name
• 46:17
  Speaker 1: is Joe. He'll be like this already, y'all know. He
• 46:21
  Speaker 1: was saying Dwayne. I thought he was saying, Tony, that's Dwayne,
• 46:27
  Speaker 1: that's d w Payne Wiggins. So in order to get
• 46:30
  Speaker 1: that energy, y'all do have to be together to get that.
• 46:32
  Speaker 1: In order for us to get that, I mean, you
• 46:34
  Speaker 1: can't go back in time, but to get that Tony
• 46:35
  Speaker 1: Tony Tony energy, y'all have to be together. Kind of Now,
• 46:38
  Speaker 1: I saw my new album Energy said, I'm excited here.
• 46:41
  Speaker 1: It's like bio people be fire. Yeah. I feel like
• 46:45
  Speaker 1: it's a lot we don't know really, that whole journey.
• 46:49
  Speaker 1: Oh no, I still the story is still going. I
• 46:51
  Speaker 1: definitely want to I definitely want to do something. It's
• 46:52
  Speaker 1: a lot of it's a lot of stories you need
• 46:54
  Speaker 1: to be told, you know what I mean. But I
• 46:56
  Speaker 1: want everybody to really like even though I say this
• 46:58
  Speaker 1: record Jimmy Lee is about my brother, it's not a downer.
• 47:01
  Speaker 1: It's like it's sort of like an uplifting record. And uh, now,
• 47:05
  Speaker 1: you know, you might be dancing and your two staff
• 47:07
  Speaker 1: and be like damn, you know, and you hear something
• 47:09
  Speaker 1: a little like wow, But I'm really excited about the record.
• 47:13
  Speaker 1: All right. Well, Rafaelsa, did we appreciate you for joining us?
• 47:16
  Speaker 1: Death it's the breakfast Club. Good morning. Let's don't be
• 47:20
  Speaker 1: a dusty because right now you want some red. It's
• 47:24
  Speaker 1: time for Donkey of the Day. So if we ever
• 47:26
  Speaker 1: feel I need to be a donk man with the heat,
• 47:30
  Speaker 1: did she get please me? I had become Donkey of
• 47:34
  Speaker 1: the day, thereat Club. Bitch, Yeah, donkey. They've go to
• 47:39
  Speaker 1: a group of middle school students in Ohio. Okay. The
• 47:41
  Speaker 1: school is called Hi It's middle school. It's located in Powell.
• 47:45
  Speaker 1: I think I pronounced that right, Powell. Of course, no
• 47:48
  Speaker 1: names have been released in regards to this situation because
• 47:50
  Speaker 1: these middle school kids are just that kids, all right.
• 47:52
  Speaker 1: And let the record show I was a badass little
• 47:55
  Speaker 1: kid around seven. For eighth grade is when I really
• 47:57
  Speaker 1: started being disruptive. Most of my disruptions came in form
• 48:00
  Speaker 1: of pranks. I was all about the joke. I wanted
• 48:01
  Speaker 1: to laugh, okay, and I wanted you know, I would
• 48:03
  Speaker 1: get that laugh, regardless of who I had to embarrass
• 48:05
  Speaker 1: to get it. Now, my teachers used to be on
• 48:07
  Speaker 1: the receiving end of a lot of this disruptive energy
• 48:10
  Speaker 1: I was giving out all we used to terrorize teachers.
• 48:12
  Speaker 1: I want to tell you some stories but y'all soo
• 48:14
  Speaker 1: sensitive nowadays, y'all might try to get me punished for
• 48:16
  Speaker 1: things I did in seventh for the eighth grade. Okay,
• 48:18
  Speaker 1: that's why I write books, though, And you can go
• 48:20
  Speaker 1: get my New York Times bestseller Black Privilege to read
• 48:22
  Speaker 1: all about my old wild out days. Now, I will say,
• 48:25
  Speaker 1: I'll tell you one. And you know I have seen
• 48:29
  Speaker 1: bodily secretions. You used just props in the prank. Okay,
• 48:31
  Speaker 1: I have a cousin who wants told to teach it.
• 48:33
  Speaker 1: You have something on your nose. The teacher said what,
• 48:36
  Speaker 1: and he said it's right there. And she said where,
• 48:39
  Speaker 1: And he, with suffocation on his finger, proceeded to say
• 48:43
  Speaker 1: right there and smear a little poop patte under her
• 48:45
  Speaker 1: nose where her mustache would be. Listen. In seventh grade,
• 48:48
  Speaker 1: I thought that was hilarious. At forty, I do think
• 48:50
  Speaker 1: it's disgusting all right now. I often ask myself what
• 48:53
  Speaker 1: the hell was wrong with us? And I'm bringing that
• 48:54
  Speaker 1: up because when I saw this story this morning in
• 48:56
  Speaker 1: the New York Post, I had to think, in seven
• 48:58
  Speaker 1: for eighth grade, what I have done something like this?
• 49:01
  Speaker 1: The answer for me would be no, would my friends
• 49:03
  Speaker 1: of family have done something like this. Wow, I just
• 49:05
  Speaker 1: told you what he did with a little diaper gravy
• 49:07
  Speaker 1: to a teacher. So it's possible. But I want you
• 49:09
  Speaker 1: all to think back to seven for eighth grade. Put
• 49:12
  Speaker 1: yourself in this mindset and ask yourself, would you have
• 49:14
  Speaker 1: done with these kids at a Hyatt middle school in
• 49:16
  Speaker 1: Ohio allegedly did Let's go to WBN STBs ten for
• 49:20
  Speaker 1: the report. Police a disturbing allegation against middle school students tonight,
• 49:25
  Speaker 1: and investigation is underway into whether they put bodily fluids
• 49:29
  Speaker 1: on food fed to their teachers. The alleged assaults happened
• 49:32
  Speaker 1: Thursday in a global gourmet class at Hyatt's Middle School.
• 49:36
  Speaker 1: Olin Tangee School says it was during a student cooking
• 49:39
  Speaker 1: competition that students allegedly contaminated food they were serving to
• 49:44
  Speaker 1: teachers who were judging the contest. More specifically, students are
• 49:48
  Speaker 1: alleged to have put urine and or seamen onto creeps
• 49:52
  Speaker 1: fed to teachers. According to information received by the Delaware
• 49:56
  Speaker 1: County Sheriff's Office, a video of some portion of the
• 49:59
  Speaker 1: acts was sir sculating Thursday. School administrators learned of the
• 50:02
  Speaker 1: alleged act and contacted police tonight. The Sheriff's office is
• 50:06
  Speaker 1: actively investigating, but has not yet filed charges. The charge
• 50:10
  Speaker 1: that could apply is felony assault because it was committed
• 50:14
  Speaker 1: at school and against a teacher. That's right, you heard correctly.
• 50:18
  Speaker 1: These kids put a little two ball throat cream into
• 50:20
  Speaker 1: some crapes. All right. First of all, I wouldn't have
• 50:23
  Speaker 1: done this in middle school because I didn't ejaculate until
• 50:26
  Speaker 1: at least tenth crepe, all right. I didn't have sex
• 50:27
  Speaker 1: and mathbad until high school, so I wouldn't have known
• 50:29
  Speaker 1: how to produce that man shot around command if I tried.
• 50:32
  Speaker 1: All right, Number one, kids, if you did this, why
• 50:35
  Speaker 1: would you record it? All right? Nobody? Nobody would have
• 50:38
  Speaker 1: known it was any nut button in the crapes if
• 50:39
  Speaker 1: you didn't record it. Now the authorities are working with
• 50:42
  Speaker 1: school officials and conducting lab tests see if it was
• 50:44
  Speaker 1: indeed the cream of some young guy in the crapes.
• 50:46
  Speaker 1: All right, Okay, I have nothing else to say about
• 50:50
  Speaker 1: this Donkey of the day, okay, because Donkey of the
• 50:52
  Speaker 1: Day is all about giving people the credit they deserve
• 50:55
  Speaker 1: for being stupid. And I think we can all agree
• 50:57
  Speaker 1: putting a little penis putting in the teacher's arapes. It's
• 51:01
  Speaker 1: indeed stupid, all right, Please give these kids at the
• 51:04
  Speaker 1: Heights Middle School the biggest hea hall. Also keep in
• 51:10
  Speaker 1: mind the lawyer from one of the students said to
• 51:12
  Speaker 1: use caution before reaching any conclusions, and I agree with that,
• 51:18
  Speaker 1: all right. This could be a misunderstanding or there might
• 51:21
  Speaker 1: be a lotion called caution, and reaching a conclusion is
• 51:24
  Speaker 1: sling for letting off that pecker snot all right, your kids,
• 51:29
  Speaker 1: You guys are disgusting, bro listen, and kids know how
• 51:32
  Speaker 1: betterf be lucky they're not in Alabama, all right, pool
• 51:34
  Speaker 1: around to go to jail for dumping all those babies
• 51:35
  Speaker 1: down to drink. All right, Okay, so you would put
• 51:39
  Speaker 1: your finger in your poop to put it on your teacher,
• 51:42
  Speaker 1: you know? All right? Well, Matt, you should spit on
• 51:44
  Speaker 1: a toilet paper and wipe your button. And according to doctors,
• 51:48
  Speaker 1: those crapes are perfectly fine because the back t the
• 51:51
  Speaker 1: back tear from cooking the crapes. The heat kills all
• 51:54
  Speaker 1: the sea from the back tear in the seam. According
• 51:57
  Speaker 1: to doctor os Charlamune, thank you for that. Don Today.
• 52:00
  Speaker 1: When we come back, Mike Epps will be joining us
• 52:03
  Speaker 1: Mike Epps has a new Specialists coming out. Also, he
• 52:05
  Speaker 1: just got married. So we're kicking with Mike Epps when
• 52:07
  Speaker 1: we come back. Don't move as the Breakfast Club. Good
• 52:09
  Speaker 1: morning the Breakfast Club. Yeah, it's one of the most dangers.
• 52:14
  Speaker 1: Want to show to Breakfast Club. Charlomagne and God Angelie. Ye,
• 52:17
  Speaker 1: I don't know where. Okay, we got my man in here,
• 52:21
  Speaker 1: Mike Epps. Mike Epps, what's happening, brother man? You got
• 52:24
  Speaker 1: what's up? Charlemagne? What's up? Man? White man? On your honeymoon? Yeah,
• 52:27
  Speaker 1: first before let's say congratulations, before you even do that,
• 52:30
  Speaker 1: congratulations to you, Mike app that's big jail. You got
• 52:32
  Speaker 1: married and you had to stand up, come out all
• 52:35
  Speaker 1: like in the same way. Yeah. Yeah, that was a
• 52:37
  Speaker 1: devil devil. Yeah, I'm a happy man. I'm proud I
• 52:40
  Speaker 1: met me a beautiful young lady man. And uh, you know,
• 52:44
  Speaker 1: we're happy. Man. We're doing our thing. We you know,
• 52:46
  Speaker 1: we work together. And I tell everybody they gotta get
• 52:50
  Speaker 1: him to find him a good partner to make this
• 52:51
  Speaker 1: life work. There you go, some Kevin laws to me
• 52:54
  Speaker 1: that a long time ago. He said, I'm not gonna
• 52:55
  Speaker 1: tell you to get married. But I'm gonna tell you
• 52:57
  Speaker 1: to find somebody to share your life experiences. That's right,
• 53:00
  Speaker 1: you can do it with. Yeah, well you know anymore
• 53:03
  Speaker 1: I'm going, I'm going. I had to work a little bit.
• 53:05
  Speaker 1: I got some you know, my my special came out, yeah,
• 53:08
  Speaker 1: right after, right after the wedding, So I gotta put
• 53:11
  Speaker 1: the money back until you had to BT awards and
• 53:16
  Speaker 1: you had to special come out and you got married. Yeah. Yeah, yeah, Well,
• 53:19
  Speaker 1: I mean, you know, I got a couple of things
• 53:20
  Speaker 1: going on, so you know, I'm always trying to promote
• 53:23
  Speaker 1: and keep myself out there as much as I can.
• 53:26
  Speaker 1: I got plenty of time to honeymoon. We've been honeymooning
• 53:28
  Speaker 1: the whole time. Yeah, we been on a million trips.
• 53:32
  Speaker 1: Tell us about the wedding because I saw some pictures
• 53:34
  Speaker 1: from there, and so we saw a snoop dog was there?
• 53:38
  Speaker 1: Such the entertainer was there? No, suh not Cedric uh
• 53:42
  Speaker 1: t I and uh A couple other people you don't
• 53:47
  Speaker 1: know who's there. I mean, you know I know them
• 53:51
  Speaker 1: them to Tommy Davidsson was there, h and a couple
• 53:54
  Speaker 1: of my comedian friends, one of your cousins. Look like
• 53:59
  Speaker 1: I saw that. I started reading somewhere because then you
• 54:01
  Speaker 1: guys haven't released official picture. That was that was? That
• 54:06
  Speaker 1: was this one guy named Silkie. Okay he was there. Yeah,
• 54:13
  Speaker 1: so let's talk about the wedding. So did you have
• 54:16
  Speaker 1: a big wedding We haven't seen like official official. I
• 54:18
  Speaker 1: had a nice wedding. We had a wedding. We got
• 54:21
  Speaker 1: married in Newport Beach in LA at this hotel. It
• 54:26
  Speaker 1: was actually your hotel that Chance of Rapper got married at.
• 54:29
  Speaker 1: And it was beautiful. It overlooked the water. I had
• 54:31
  Speaker 1: my mama there and a hunted cousins from Indiana and
• 54:35
  Speaker 1: she's from Chicago. She had the whole West side of
• 54:38
  Speaker 1: Chicago there. So it was just fun. Man, it was
• 54:41
  Speaker 1: a real event. I like doing stuff like that because
• 54:44
  Speaker 1: people usually wait till you die and all want to
• 54:46
  Speaker 1: pile up. So, you know, weddings are kind of like
• 54:49
  Speaker 1: fun ceremonies that you get to have white both. Were
• 54:52
  Speaker 1: you in the planning because I know a lot of
• 54:54
  Speaker 1: times I've heard from my friends that are married, the
• 54:56
  Speaker 1: guys usually just be like, you handle everything. I'm gonna
• 54:59
  Speaker 1: show up. How for you not involved at all? Just
• 55:02
  Speaker 1: cut the check man, that that's it. I was sitting
• 55:05
  Speaker 1: there watching her going stressing out, and I'm like, oh man,
• 55:09
  Speaker 1: that's what man. The house was full of glitter because
• 55:13
  Speaker 1: you know, I got four or five girls, man, and
• 55:16
  Speaker 1: they just hey, man, they do women when they get together,
• 55:19
  Speaker 1: it's it's a real production. You got five girls make yeah, yeah,
• 55:22
  Speaker 1: or you was a whole I got three, you know man,
• 55:28
  Speaker 1: a junior. Yeah, five baby holls. Ain't got no sons
• 55:35
  Speaker 1: at all, man, My mother, that's what was crazy. When
• 55:38
  Speaker 1: we was at our wedding, I had all my bribesmen
• 55:41
  Speaker 1: together and they were all my brothers I got. I
• 55:43
  Speaker 1: got groomsman. I got eight brothers. Yeah, yeah, I got
• 55:47
  Speaker 1: eight brothers. So people was like, damn when you get
• 55:50
  Speaker 1: all them brothers. I was sitting there looking at my
• 55:52
  Speaker 1: poor mama. She was so mad she had all them sons.
• 55:56
  Speaker 1: So now I got all girls and flipped four. You know, girls,
• 55:59
  Speaker 1: take care you for the rest of your life. You
• 56:00
  Speaker 1: ain't gonna be end up in the home. Boy. I'm
• 56:02
  Speaker 1: telling you, that's why I tell brothers. With you, I'll
• 56:05
  Speaker 1: be seeing all the brothers taking pictures with their matching
• 56:07
  Speaker 1: clothes with their sons. I'm like, that little dude ain't
• 56:09
  Speaker 1: gonna take care of you. When you get grown cream. Yeah,
• 56:13
  Speaker 1: you get butter peca. What made you want to get
• 56:16
  Speaker 1: married again? So fast? So fast? That wasn't fast. I
• 56:19
  Speaker 1: thought you just got the boys five years ago. Oh
• 56:24
  Speaker 1: you gotta keep up with me a little bit more. No, no,
• 56:28
  Speaker 1: it's a little fast, though it did look fast. Yeah,
• 56:31
  Speaker 1: a little fast. But you know, I like to be married.
• 56:34
  Speaker 1: I don't like being single. I like to come home
• 56:37
  Speaker 1: to some structure, I mean, some food or something, somebody
• 56:41
  Speaker 1: to share my you know, my day with. I can't.
• 56:45
  Speaker 1: I can't day. The whole bunch of women, all my
• 56:47
  Speaker 1: single friends scratched up. I look at them, and I'll
• 56:49
  Speaker 1: be like, man, you ain't got nothing to go home to. Boy,
• 56:52
  Speaker 1: I'm telling you, end and out of different girls houses,
• 56:54
  Speaker 1: staying on town life, discretchful man, and about theotics and
• 56:57
  Speaker 1: all that. That's enough. Man, You're lucky. You got a
• 57:01
  Speaker 1: good hairline too. I said, look a little I got
• 57:09
  Speaker 1: a lot of jokes about feeling, but you still have
• 57:12
  Speaker 1: you don't look at a man. I'm fifty years old.
• 57:16
  Speaker 1: God damn for real. Yea congratulations man, A little little
• 57:22
  Speaker 1: sum that you can't have Beijing jokes now and didn't
• 57:24
  Speaker 1: have baby, You know, I don't put Beijing on. I
• 57:26
  Speaker 1: got a little I got a little marker that I'm
• 57:29
  Speaker 1: I'm really gonna brand for me and for real, because
• 57:33
  Speaker 1: when I put the Beijing, it blows me up, my
• 57:36
  Speaker 1: skin up, or I see that, I see that community
• 57:39
  Speaker 1: from the try like to burn his head. I put
• 57:44
  Speaker 1: it on my chin one time and my chin swelled
• 57:47
  Speaker 1: up and it got pussy. Oh man, So you tried
• 57:51
  Speaker 1: to Beijing once, Try to Beijing. So now I got
• 57:53
  Speaker 1: like a little creon that I just take them put
• 57:55
  Speaker 1: on there, but I can go wipe it off. I
• 57:58
  Speaker 1: think I'm gonna use that in a minute. Does that
• 57:59
  Speaker 1: get on the white pillowcases? No? No, No, let's draw up.
• 58:02
  Speaker 1: That's why I'm telling you. I'm about to sell this.
• 58:04
  Speaker 1: The old players gonna love this little mark rock guy.
• 58:07
  Speaker 1: And you just draw it on yourself. Just just just
• 58:10
  Speaker 1: put a little do a little tap on it. But
• 58:13
  Speaker 1: it don't wear off. All right. We got more with
• 58:15
  Speaker 1: Mike Epps when we come back, don't move. It's to
• 58:16
  Speaker 1: Breakfast Club, Good morning tuning. Everybody is DJ Envy Angela
• 58:21
  Speaker 1: Yee Chalomagne the guy. We are the Breakfast Club with
• 58:23
  Speaker 1: kicking it with Mike Epps, Charalomagne. So who who who
• 58:26
  Speaker 1: had to think that you that? Yeah? And you and
• 58:31
  Speaker 1: made you come up with that joke. I don't want
• 58:32
  Speaker 1: to tell the joke. Oh man. You know, back in
• 58:36
  Speaker 1: the day when I just was living in the hood,
• 58:39
  Speaker 1: sometimes I didn't wake up any more. I mean I
• 58:42
  Speaker 1: didn't brush my teeth any more. And I wake up
• 58:44
  Speaker 1: and get in the car and go straight over girls
• 58:46
  Speaker 1: house and wake her up. She'd be sleep and sucker.
• 58:49
  Speaker 1: So yeah, if you give it advice to the young
• 58:57
  Speaker 1: guys like little brush your teeth man too, though, we
• 59:00
  Speaker 1: don't like to wake up in the morning and roll
• 59:02
  Speaker 1: over and then you want us to perform or old
• 59:04
  Speaker 1: sex and we haven't brushed out. I don't tell that
• 59:07
  Speaker 1: fun ain't good. But they say, you really lest somebody
• 59:14
  Speaker 1: when you can have sex before you brush your teeth.
• 59:17
  Speaker 1: Yeah you do, you don't. I mean, it depends on
• 59:19
  Speaker 1: who you're in the bed with. Now. Have you in
• 59:21
  Speaker 1: the bid with a girl that got an undone rutal? Now, Lord, lord, Lord,
• 59:27
  Speaker 1: have mercy juice? How do you tell a woman that man,
• 59:31
  Speaker 1: it's set up the appointment and tell her I'm going
• 59:34
  Speaker 1: to the dentist, But I ain't gonna make it that day.
• 59:35
  Speaker 1: But I set you one up. You gotta say it like, yeah,
• 59:38
  Speaker 1: you involved in it too. You gotta be like, when's
• 59:41
  Speaker 1: the last time you've been to the dentist. Let my
• 59:45
  Speaker 1: uncle the dentist, so I could do that. I don't
• 59:47
  Speaker 1: think they've never done with a woman doing that to
• 59:49
  Speaker 1: a man though. Yeah, I'm a little to tell you. Yeah, man,
• 59:52
  Speaker 1: I didn't see a lot of people get fixed up, man,
• 59:55
  Speaker 1: never been fixed up. No, I've used somebody to fix
• 59:58
  Speaker 1: me up? What you mean, Like, you know, back in
• 1:00:02
  Speaker 1: the day when I was young man, and I you know,
• 1:00:05
  Speaker 1: when I was seventeen eighteen years old, a lot of
• 1:00:08
  Speaker 1: older women liked me, like my aunties friends and stuff
• 1:00:11
  Speaker 1: that had good jobs. We had secret relationships, you know
• 1:00:14
  Speaker 1: what I mean. But they would buy me me stuff
• 1:00:16
  Speaker 1: like that, and people didn't know where I was getting it,
• 1:00:18
  Speaker 1: but I knew, you know, like what kind of stuff sweaters?
• 1:00:23
  Speaker 1: You mean like that one of my aunts friends. Yeah,
• 1:00:30
  Speaker 1: I was depends what kind of car was it. It
• 1:00:34
  Speaker 1: was a Delta eighty eight. You know, I'm from the Midwest,
• 1:00:36
  Speaker 1: so that's like a Cadillac and you know Park Avenues
• 1:00:39
  Speaker 1: ninety eight. That the hustling about telling you slanging it.
• 1:00:51
  Speaker 1: Slanging it, man, That happened in the hood all the time.
• 1:00:54
  Speaker 1: There was always an older woman messing with a younger man. Yeah,
• 1:00:56
  Speaker 1: most guys in the hood first sexual experiences with an
• 1:00:59
  Speaker 1: older woman. Straight up. I was eight and the woman
• 1:01:02
  Speaker 1: was twenty something. What now that's illegal? I mean lying
• 1:01:06
  Speaker 1: like here eight, I was eight years old. Man. My
• 1:01:10
  Speaker 1: cousin's ex wife. Where's she had now? She's still around
• 1:01:13
  Speaker 1: the only reason I made her stop because she got
• 1:01:14
  Speaker 1: a jericho and I ain't like, I'm dead serious, stop
• 1:01:18
  Speaker 1: laughing at my molestation. Man. He's been in therapy though,
• 1:01:21
  Speaker 1: to find out how it's affected him. Is that right? Yeah,
• 1:01:25
  Speaker 1: that's what you ain't got to go to if I
• 1:01:35
  Speaker 1: try to talk a cern because that sounds crazy. Man,
• 1:01:41
  Speaker 1: you're still going through that, man, something I talk about.
• 1:01:45
  Speaker 1: That's why I looking at I'll be looking at tea.
• 1:01:49
  Speaker 1: I look at the news sometime and they'd be showing
• 1:01:51
  Speaker 1: some of them teachers to touch them kids, and the
• 1:01:54
  Speaker 1: teachers be cute, yeah, and I'd be like, man, they
• 1:01:58
  Speaker 1: wasn't doing that when I was a kid, not at all,
• 1:02:00
  Speaker 1: because I wouldn't have told nobody. Well to me, that's
• 1:02:05
  Speaker 1: what they tell you, they tell you. Don't say nothing.
• 1:02:07
  Speaker 1: Don't say nothing. I won't do it no more. That's
• 1:02:08
  Speaker 1: confusion to it confusing to a young man. I mean,
• 1:02:11
  Speaker 1: if you you know, if you're a young teenager thirteen,
• 1:02:13
  Speaker 1: fourteen years old, you know you it's going down. You
• 1:02:17
  Speaker 1: know it's different for girls, you know, but a little
• 1:02:21
  Speaker 1: boy's fast anyway. That's what we think though. First of all,
• 1:02:24
  Speaker 1: you're a sick individual, as a woman, as a grown
• 1:02:26
  Speaker 1: up team and look at a thirteen and be like,
• 1:02:30
  Speaker 1: well what if I get what I'm saying. You don't
• 1:02:31
  Speaker 1: think you don't think like that when you're a little boy.
• 1:02:33
  Speaker 1: Was fourteen A cigarettes hit hit a little powder right
• 1:02:37
  Speaker 1: now on me. I was wild at fourteen, So come
• 1:02:40
  Speaker 1: on then you're smoking into black? Are you sniffed? Put
• 1:02:44
  Speaker 1: it on the tip of a cigarette, and we call
• 1:02:46
  Speaker 1: them woodies. I hitt and get on a bike and
• 1:02:50
  Speaker 1: jump out of the bike. Everybody. I'll be funny, every
• 1:02:52
  Speaker 1: like what I did an the corn the garage, My
• 1:02:58
  Speaker 1: buddy fast rest in peace. So they thought you was normal.
• 1:03:02
  Speaker 1: You are the high the hey fourteen fifteen, you know
• 1:03:06
  Speaker 1: what I mean? But hey, I love it. That was
• 1:03:08
  Speaker 1: a good hide I smoked up for real cooking and
• 1:03:11
  Speaker 1: blood by acting it like man waiting for somebody that
• 1:03:19
  Speaker 1: was a good hide been a different Charlot Maine man.
• 1:03:22
  Speaker 1: He was only eight when it happened. No, I was
• 1:03:25
  Speaker 1: like sixteen seventeen. Blood that wood we should call it Woody.
• 1:03:29
  Speaker 1: I'll call it Wooty, the wooties man. We called him
• 1:03:31
  Speaker 1: up Uh premos, they called him all kind of crazy.
• 1:03:35
  Speaker 1: Are you paying attention to what's going on? Like when
• 1:03:38
  Speaker 1: all these people running for one of them for president
• 1:03:40
  Speaker 1: in twenty twenty, do you care about any of that?
• 1:03:42
  Speaker 1: Are you looking? Yeah? I don't care about all this.
• 1:03:46
  Speaker 1: I stopped keeping over politics after Ron Reagan was gone.
• 1:03:53
  Speaker 1: You missed the whole Obama, that whole Obama, he said,
• 1:03:56
  Speaker 1: you missed him on your special Man. Yeah, yeah, I
• 1:03:58
  Speaker 1: did miss some fum i of Obama. But I still
• 1:04:01
  Speaker 1: think Obama was a that was that was the one
• 1:04:03
  Speaker 1: American treat that that that they wanted to give black
• 1:04:07
  Speaker 1: people because they got tired of us screaming about it
• 1:04:09
  Speaker 1: will never be a black president. So they gave us
• 1:04:12
  Speaker 1: one for a couple of years while they figured out
• 1:04:15
  Speaker 1: who they was gonna use next. And you see who's
• 1:04:17
  Speaker 1: in office now. So you think they rocked this to
• 1:04:19
  Speaker 1: sleep feat. Yes they did, they did. And now the
• 1:04:22
  Speaker 1: older I'm getting I'm realizing ain't none of them worth shit? Yeah?
• 1:04:25
  Speaker 1: The Democrats is dirtier than they. All of them as dirty,
• 1:04:29
  Speaker 1: you know what I mean. So I'm like, kid, I
• 1:04:31
  Speaker 1: don't know who to vote for. Nobody can be voting
• 1:04:34
  Speaker 1: off character when it comes to a politician of them
• 1:04:37
  Speaker 1: and they street dudes too. They they be cutting each
• 1:04:40
  Speaker 1: other's tires and shooting at each other and off kind
• 1:04:43
  Speaker 1: of yeah, they do, the real politicians and to get
• 1:04:47
  Speaker 1: all to be running for Senate and all that. Yeah,
• 1:04:50
  Speaker 1: they will set you up and put a candy bar
• 1:04:52
  Speaker 1: in your gas tank, all kind of weird candy bart
• 1:04:55
  Speaker 1: the gas thank somebody's car straight up? Yeah you don't
• 1:04:59
  Speaker 1: did that a honey time? Yo? Man? Hell yeah what
• 1:05:03
  Speaker 1: sniggers twixts heyday? Yeah, peanuts a car and getting caught
• 1:05:10
  Speaker 1: up in that gas line. It's a rap, man, No
• 1:05:16
  Speaker 1: a rap for a minute, but bore you start smoke,
• 1:05:20
  Speaker 1: come out the back to what's the point of doing that?
• 1:05:24
  Speaker 1: Just le's somebody call up? I got about twenty cars
• 1:05:31
  Speaker 1: nobody ever up? Oh yeah I didn't had all kinds
• 1:05:35
  Speaker 1: of brickstone through the window and scratched. Man, got five girls. Man,
• 1:05:39
  Speaker 1: you know you didn't gotta call hell. Yeah, that's how
• 1:05:42
  Speaker 1: it is when you when you got it, when you
• 1:05:44
  Speaker 1: didn't mess with a lot of girls, you got a
• 1:05:45
  Speaker 1: lot of experiences. I woke up with a girl sitting
• 1:05:48
  Speaker 1: on the side of the bed taking medica. I'm like, well,
• 1:05:51
  Speaker 1: I don't know what kind of medication is that keep
• 1:05:55
  Speaker 1: me calm? I'm like, oh, lord, his own proSP What
• 1:06:03
  Speaker 1: advice you gonna give to your daughters, man, when they
• 1:06:04
  Speaker 1: get older? Because I would you want your daughter to
• 1:06:07
  Speaker 1: day the man like you? Depending on what age, right, yeah,
• 1:06:10
  Speaker 1: depending on what who the mic I ain't? Yeah, yeah,
• 1:06:14
  Speaker 1: this mighty what a young mic? Hell No? And that's
• 1:06:20
  Speaker 1: why I tell him. If you bring somebody in the
• 1:06:22
  Speaker 1: house like me, I'm gonna kick his ass. You know
• 1:06:25
  Speaker 1: the type. You can look at him. Yeah, you're bringing
• 1:06:27
  Speaker 1: me in the house. But that's usually what daughters gonna
• 1:06:30
  Speaker 1: look for their daddy. I think about that though, Like Graf,
• 1:06:33
  Speaker 1: she says, she brings somebody like you home, brings somebody
• 1:06:35
  Speaker 1: like be home young us. Yeah, we evolved though, you
• 1:06:38
  Speaker 1: know what I'm saying. Do you let mun let him
• 1:06:41
  Speaker 1: stick around with that guy, right right, right, right right right? No, No,
• 1:06:48
  Speaker 1: I mean it's all about the character. You know, you
• 1:06:50
  Speaker 1: can meet a person. I know he a knucklehead, but
• 1:06:53
  Speaker 1: I like him. You know, he got some potential. And
• 1:06:55
  Speaker 1: then some of them you're like, oh god, it's a
• 1:06:58
  Speaker 1: little boy. Don't like you and you can't tell him
• 1:07:00
  Speaker 1: don't hang out with him because my wife dad did
• 1:07:02
  Speaker 1: that to me. Don't. I don't want you run that
• 1:07:04
  Speaker 1: of you. Boy twenty two years later, Yeah, what he's
• 1:07:08
  Speaker 1: saying now, Oh he good. That's my man conjac together
• 1:07:11
  Speaker 1: and everything. He can't do nothing about it. Now, Wow,
• 1:07:14
  Speaker 1: I want to come on the show on everything. No,
• 1:07:18
  Speaker 1: bring me on your show. I don't move. We got
• 1:07:22
  Speaker 1: more with Mike Gaps when we come back. It's the
• 1:07:24
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club owning everybody is
• 1:07:30
  Speaker 1: DJ Envy Angela Yee, Charlemagne the guy. We are the
• 1:07:33
  Speaker 1: Breakfast Club. We're kicking it with Mike Epps Charlemagne. Now,
• 1:07:36
  Speaker 1: salute to Snoop Snoop skipped to be a tiar Wards
• 1:07:38
  Speaker 1: to come to your way. I love it. Did you
• 1:07:42
  Speaker 1: think about that before? Boy too? Best Gospel of Best
• 1:07:48
  Speaker 1: Gospel Kurt Franklin Mary Mary. He said, yeah, this is
• 1:07:57
  Speaker 1: a perfect time to skip up out of there. I'm
• 1:07:59
  Speaker 1: watching that, like franklinly beat. Did you think about that
• 1:08:05
  Speaker 1: when you're playing the wedding? No, you're like, Man, it's
• 1:08:07
  Speaker 1: BT Awards, I know something. My friends got to go
• 1:08:10
  Speaker 1: to the awards. No, we're playing the wedding. We wasn't
• 1:08:12
  Speaker 1: thinking about BT and being honest with you, and it
• 1:08:16
  Speaker 1: just happened to fall on the same day, you know,
• 1:08:19
  Speaker 1: which was cool, man. But I had my mother there,
• 1:08:22
  Speaker 1: which was man. My mother seventy five, seventy six. She
• 1:08:25
  Speaker 1: never come to see me, you know. And that's the thing.
• 1:08:27
  Speaker 1: That's another thing too. When you meet a good woman,
• 1:08:30
  Speaker 1: it brings all the people out your family that I've
• 1:08:33
  Speaker 1: been looking at you crazy. It'd be like, oh you
• 1:08:36
  Speaker 1: are all right. I'm like, oh, I had to go
• 1:08:38
  Speaker 1: get this beautiful woman for y'all to think it's a
• 1:08:42
  Speaker 1: good representation though it is. It is. Yeah, y'all loved
• 1:08:45
  Speaker 1: the award to come to your wedding too. In a helicopter. Damn,
• 1:08:48
  Speaker 1: that's a friend. That's a fly right there. Man. Man,
• 1:08:52
  Speaker 1: that's my partners. I love them, man, I love them
• 1:08:54
  Speaker 1: for that, you know, because I I don't really have
• 1:08:57
  Speaker 1: a lot of industry friends. The ones that I do,
• 1:09:00
  Speaker 1: you have, they real guys, you know, and we just
• 1:09:03
  Speaker 1: have real relationships like that we don't have. We ain't
• 1:09:06
  Speaker 1: out here proving everybody with friends either. Yeah, did you
• 1:09:09
  Speaker 1: do it? That's so fake? You know. We had a
• 1:09:12
  Speaker 1: bachelor part. Well, we just went to a strip club
• 1:09:14
  Speaker 1: when set up nothing. Couple older guys who never get
• 1:09:18
  Speaker 1: to go to the strip club, my uncles and stuff.
• 1:09:19
  Speaker 1: They were so yeah, nephew, and they fall in love
• 1:09:33
  Speaker 1: with them girls. I'm like, hey, man, that girl said
• 1:09:36
  Speaker 1: that to everybody. Mouncle told man, she told me to
• 1:09:39
  Speaker 1: how she felt. I said, man, that's her line. Yeah,
• 1:09:45
  Speaker 1: the girls are man, yeah, you being fell in love
• 1:09:47
  Speaker 1: with her. I didn't see some dudes being a strip
• 1:09:49
  Speaker 1: club with a girl and get a girl the money
• 1:09:51
  Speaker 1: and stuff and get up and go to the restaurom
• 1:09:54
  Speaker 1: and come back and the girl sitting with somebody else
• 1:09:56
  Speaker 1: and the dude look more more. It's like, that's her job.
• 1:10:00
  Speaker 1: She did a good job. She in love with your ass, man, No,
• 1:10:03
  Speaker 1: she just keeping you occupied. So what's your next passion project? Well,
• 1:10:08
  Speaker 1: I got a movie coming out with Eddie Murphy. I
• 1:10:10
  Speaker 1: got a chance to work with the king, you know
• 1:10:11
  Speaker 1: what I mean, called Dollar Miite August and he did
• 1:10:16
  Speaker 1: The Last Black Man in San Francisco too, right, Last
• 1:10:18
  Speaker 1: Black Man in San Francisco, which I think is gonna
• 1:10:21
  Speaker 1: win some awards. Really really good movie about gentrification, and
• 1:10:25
  Speaker 1: that's what the movie is about. It's about like damn yeah,
• 1:10:29
  Speaker 1: which is something that we are already knew, you know
• 1:10:32
  Speaker 1: if you were black, especially growing up in the crack era,
• 1:10:35
  Speaker 1: you know, and you see all these guys selling drugs
• 1:10:38
  Speaker 1: in these neighborhoods and not realizing that some houses was
• 1:10:41
  Speaker 1: five dollars a piece that you were selling crack out
• 1:10:44
  Speaker 1: of costs half a million dollars. Now some of them
• 1:10:47
  Speaker 1: houses had better. Joke, I was like, some of them
• 1:10:49
  Speaker 1: houses or are haunted and the white people don't know it.
• 1:10:53
  Speaker 1: They moved in these houses and some drug dealing thing
• 1:10:56
  Speaker 1: got killed in the one of them bad rooms, and
• 1:10:59
  Speaker 1: the kid can't eat because it's a dude with a
• 1:11:01
  Speaker 1: troop jacket on and a cane floating. There's a ghost.
• 1:11:08
  Speaker 1: To write that down. That's a movie. The Hunted Traffic
• 1:11:15
  Speaker 1: trap man. He got a nineties clothes That's where the
• 1:11:21
  Speaker 1: nigga died and on the white people. That's gentrifying. These
• 1:11:24
  Speaker 1: neighborhood y'alln't know what y'all on. They really don't, man,
• 1:11:27
  Speaker 1: they don't know what God. They go to due construction
• 1:11:34
  Speaker 1: and tear the wall down. It's fifty thousands of brown
• 1:11:37
  Speaker 1: old money in there, cocaine money in the wall. And
• 1:11:41
  Speaker 1: the ghost come back and he wanted back, and the
• 1:11:43
  Speaker 1: ghost come out. Look at my new clothing line. It's
• 1:11:45
  Speaker 1: called Renegade. I don't know if that's a joker nut,
• 1:11:48
  Speaker 1: that's real. That's the hell of a sage. You just said,
• 1:11:54
  Speaker 1: you take me about this trap house, and then you said,
• 1:11:57
  Speaker 1: look at my new clothing line talking what the ghost
• 1:11:59
  Speaker 1: was saying? Where you going to renegade that? Well, Renegade
• 1:12:03
  Speaker 1: is a clothing line that I started with a partner
• 1:12:06
  Speaker 1: my named London Renegade. Okay, you know it's a clothing
• 1:12:09
  Speaker 1: line that I want to start this you know this. Yeah,
• 1:12:16
  Speaker 1: people that just do what they're gonna do how they
• 1:12:17
  Speaker 1: want to do that, I'm a renegade. Yeah. What made
• 1:12:20
  Speaker 1: you that way though, like to really just not want
• 1:12:22
  Speaker 1: to be this industry person? You know a lot of
• 1:12:25
  Speaker 1: people have relationships in the industry and people that they
• 1:12:28
  Speaker 1: might not necessary associates, and they hang out and they
• 1:12:30
  Speaker 1: do things. But you've never been that way. The industry
• 1:12:33
  Speaker 1: is high school, and I was not good in high school.
• 1:12:37
  Speaker 1: The Hollywood remind me of a lunch room. Man. You
• 1:12:40
  Speaker 1: remember how you walk in the lunch room and they
• 1:12:42
  Speaker 1: got a popular table over there. They got a table
• 1:12:45
  Speaker 1: with some bad ass that don't nobody lightly dirty, and
• 1:12:50
  Speaker 1: then they got another table of kids that don't talk
• 1:12:52
  Speaker 1: to nobody, that's quiet nerds. That's what Hollywood is. Yeah,
• 1:12:57
  Speaker 1: and I ain't never said it. Then in one of
• 1:12:59
  Speaker 1: the table I might set it's a dirty top and
• 1:13:01
  Speaker 1: send it the dirty boy table forever. That's what all
• 1:13:04
  Speaker 1: the good jokes aid. That's what's fun at this fun. Yeah,
• 1:13:07
  Speaker 1: but it hurts because you know when when it's time
• 1:13:10
  Speaker 1: for the ceremonies and spelling bees. And that's how I
• 1:13:15
  Speaker 1: been in the seeds and a group of kids to
• 1:13:17
  Speaker 1: get I don't roll people that went on the row.
• 1:13:22
  Speaker 1: They look at kids that say special lad liked so
• 1:13:26
  Speaker 1: the special lad kids like, okay, I'm robbing you after
• 1:13:30
  Speaker 1: school because you acting better than me. I didn't did both.
• 1:13:32
  Speaker 1: I hadn't been on both sides. I don't mean on
• 1:13:34
  Speaker 1: a roll. And when I started getting bad feeling them
• 1:13:37
  Speaker 1: standardize testing, they put me righting them special right there. Yeah,
• 1:13:44
  Speaker 1: So that's that's that's what that's what renegade is. I'm
• 1:13:46
  Speaker 1: a renegade. Well listen, the only one Mike is on
• 1:13:49
  Speaker 1: Netflix right now, My man, Mike. I appreciate what laughing
• 1:13:52
  Speaker 1: because I hadn't planning it here. Everybody was cracking them.
• 1:13:55
  Speaker 1: He wasn't even doing work. Now. I was mad. I
• 1:13:56
  Speaker 1: had to search it last night though. Well, I wanted
• 1:13:58
  Speaker 1: to stand up the first they they had twenty fifteen
• 1:14:01
  Speaker 1: one on. That's some high school kid. That's we're in
• 1:14:03
  Speaker 1: high school and I ain't one of the I ain't
• 1:14:06
  Speaker 1: one of the honor roll students in Hollywood. But the
• 1:14:09
  Speaker 1: people like me. There you go, And I'll tell kids
• 1:14:11
  Speaker 1: all the time, it's okay if you just got two dollars. Kim,
• 1:14:16
  Speaker 1: he got one hundred dollars. But he they pinched him
• 1:14:18
  Speaker 1: on his ass for the hunted, licked his neck, they
• 1:14:22
  Speaker 1: did all kind of for that hunted. He guy, you
• 1:14:25
  Speaker 1: got the two in your pocket, wrapped in front of
• 1:14:27
  Speaker 1: his wife. They did all kind of shaking his ass
• 1:14:30
  Speaker 1: on Instagram. They did all kind of weird. They sold
• 1:14:33
  Speaker 1: everything for that hunted You know what I'm saying. I'm
• 1:14:37
  Speaker 1: still hanging out. What the dude was the hundred dollars? Yeah, yeah, yeah,
• 1:14:41
  Speaker 1: my man epste Micaps is the breakfast club. It's not
• 1:14:44
  Speaker 1: officially Friday until you hear it's Friday. It's it's Friday.
• 1:14:53
  Speaker 1: That's a stranger in my bad Keep out. Dad's a
• 1:14:56
  Speaker 1: pounding in my head. Hey, glared up all over the room.
• 1:14:59
  Speaker 1: Keep up PI the mingos in the pool. He I
• 1:15:01
  Speaker 1: smell like a mini bar DJ's passed out in the
• 1:15:04
  Speaker 1: yard at Barbie's on the barbecue is it's a hit
• 1:15:07
  Speaker 1: key hola bruise pictures off? Hey, last het night, he
• 1:15:11
  Speaker 1: can't hit up? Hey a hate night. I'm true what
• 1:15:14
  Speaker 1: you say? Oh wow, it's a blacked out blood but
• 1:15:19
  Speaker 1: bread he shot it rude damn Last Friday night. Yeah,
• 1:15:25
  Speaker 1: we deshed on table time saying we took too many shot.
• 1:15:28
  Speaker 1: He think we kiss bud out for god. Last Friday night. Yeah,
• 1:15:33
  Speaker 1: we mixed our trading card then got kicked out of
• 1:15:36
  Speaker 1: the bar, so we hit the bullet bar. Last Friday night,
• 1:15:40
  Speaker 1: we were streaching in the bar. See dipping in the dark.
• 1:15:44
  Speaker 1: Can't add on a nage wa. Last Friday night, Yeah,
• 1:15:48
  Speaker 1: I think we fo the light. Always say we're gonna
• 1:15:51
  Speaker 1: stop for a whoa, Hey what we do? Look? Listen
• 1:15:59
  Speaker 1: to myself. I look, I got you, I got you
• 1:16:01
  Speaker 1: right here we go? Way you went? Oh again the
• 1:16:07
  Speaker 1: whole no direction? It's back, baby, Yes, trying to connect
• 1:16:11
  Speaker 1: the dot come up. Don't know what to tell my boss?
• 1:16:13
  Speaker 1: Hate think the city told my car het Chander lyrics
• 1:16:16
  Speaker 1: on the floor. Hate with my favorite party dress I
• 1:16:19
  Speaker 1: wore in sout for my arrest. Hey think God need
• 1:16:22
  Speaker 1: to change your raft? That was such your epic failures off.
• 1:16:25
  Speaker 1: Hey last night he get hit up? Hey, Hey my
• 1:16:28
  Speaker 1: I'm screwed. What you say? Oh wow, it's some blacked
• 1:16:33
  Speaker 1: out blurt bart. I'm frad shure and grow damn. Last
• 1:16:39
  Speaker 1: Friday night, Yelly dance on table time and we took
• 1:16:43
  Speaker 1: too many shot. He think we chick burn out for God.
• 1:16:46
  Speaker 1: Last Friday night, we we steat being called ain't got
• 1:16:51
  Speaker 1: kicked out of the boy. So we hit the bullet bar.
• 1:16:54
  Speaker 1: Last Friday at night, we went streaking in the bote
• 1:16:58
  Speaker 1: me dipping in this dar. Hey can't add m N twine?
• 1:17:02
  Speaker 1: Last Friday night, Yeah, I think we both the low
• 1:17:05
  Speaker 1: always say we're gona this time or wo or WHOA?
• 1:17:11
  Speaker 1: Do it? White dude? We all again? You hit that harmony?
• 1:17:16
  Speaker 1: Did you hit that harmony? Watch this one? Do we
• 1:17:20
  Speaker 1: all again? No direction? Greatest boyfriend ever. I'm get it
• 1:17:25
  Speaker 1: low G I ft G I f t g I
• 1:17:31
  Speaker 1: f t G I f t g I f t
• 1:17:36
  Speaker 1: g I f t g I f t in Friday.
• 1:17:44
  Speaker 1: It's Friday, Friday. It's Friday, Friday, Friday, Friday, Friday. Good Fridays,
• 1:17:52
  Speaker 1: It's Fridays, It's Fridays. It's Friday, Friday, Friday, Friday, Friday. Now,
• 1:17:57
  Speaker 1: I'm gonna be honest with you. Well, I didn't sing
• 1:17:59
  Speaker 1: that with too much covivig. And the reason I didn't
• 1:18:01
  Speaker 1: sing it with too much conviction because I'm still disappointed
• 1:18:03
  Speaker 1: that Katy Perry fronted on us and gave us that
• 1:18:05
  Speaker 1: little petty ass phone call. She told us that she
• 1:18:08
  Speaker 1: was gonna come to the Breakfast Club, but then when
• 1:18:09
  Speaker 1: she came to I Heart, she went to Elvis Durrand,
• 1:18:12
  Speaker 1: and she went to Kattu. My people's Cutty, Cutty and
• 1:18:14
  Speaker 1: Cutty and Carolina, but they didn't come to the breakfast club. Okay,
• 1:18:17
  Speaker 1: even though she had the me goals on a single
• 1:18:19
  Speaker 1: and Katie Perry on a single. So you want to
• 1:18:21
  Speaker 1: lose hip hop culture to look cool but not actually
• 1:18:24
  Speaker 1: coming best some time into the actual culture. So you know,
• 1:18:27
  Speaker 1: I didn't really sing that with too much conviction. Now
• 1:18:29
  Speaker 1: I'm gonna kid you got seventeen, I got five five kids,
• 1:18:32
  Speaker 1: five kids, Okay, I got to So you got some
• 1:18:34
  Speaker 1: kids bob CD. I got kids, but I got a
• 1:18:36
  Speaker 1: bunch of kids bob CDs. Now it's a record on
• 1:18:38
  Speaker 1: the kids bob CD. That's an old deep with goodie.
• 1:18:40
  Speaker 1: It always makes me feel really good. And I would
• 1:18:43
  Speaker 1: love to sing that song and here with you this morning.
• 1:18:46
  Speaker 1: And I would love for the people out there listening.
• 1:18:48
  Speaker 1: If you got kids and you know this record, I
• 1:18:50
  Speaker 1: would like to sing. I would like for you to
• 1:18:52
  Speaker 1: sing along with us. Okay, you're ready? Are you ready? Hey? No? No, no,
• 1:18:57
  Speaker 1: you gotta start it over. Let the let the let
• 1:18:59
  Speaker 1: let it build up, alright, alright, and you come you
• 1:19:02
  Speaker 1: like build up a right man load. This song just
• 1:19:04
  Speaker 1: makes me feel good on a Friday. It's an oldieput goodie. Yes,
• 1:19:08
  Speaker 1: if you know this record, I want you to sing along.
• 1:19:11
  Speaker 1: I go by name of Charlomagne. They card I'm a
• 1:19:13
  Speaker 1: DJ and me together we are no direction, but this
• 1:19:16
  Speaker 1: is one direction. And if you know the worst, I
• 1:19:19
  Speaker 1: want you to sing out. Maybe it's the way why
• 1:19:22
  Speaker 1: she was, come on straight into my heart, and so
• 1:19:26
  Speaker 1: lad come on to the dozen pass the cards come
• 1:19:31
  Speaker 1: on just like she already day no boppy head, I said,
• 1:19:36
  Speaker 1: can you give it back to me? I'm getting this?
• 1:19:40
  Speaker 1: She said, it's never been your wildest dreams and what
• 1:19:43
  Speaker 1: we do and we dance all night to the best
• 1:19:47
  Speaker 1: song ever. We do it every time. Now. I can't
• 1:19:51
  Speaker 1: remember how we go, but I don't that I won't
• 1:19:55
  Speaker 1: forgetner because we dance all night to the best song ever.
• 1:20:00
  Speaker 1: I think they went oh oh oh. I think it
• 1:20:02
  Speaker 1: went yea, yeah, yeah, I think it goes oh. I
• 1:20:06
  Speaker 1: hope it's not over. It's not over. Share. Her name
• 1:20:10
  Speaker 1: was Georgia Rose, who and her daddy was a dandist.
• 1:20:16
  Speaker 1: PRESTI said, I had a dirty mouth fifty two times.
• 1:20:20
  Speaker 1: It's cold, but she kicks me like she meant it.
• 1:20:24
  Speaker 1: I say, I can't I take you home with me?
• 1:20:28
  Speaker 1: She saying, never in your wildest dreams. Bounce and we
• 1:20:33
  Speaker 1: dance all night to the best song ever in you
• 1:20:37
  Speaker 1: Ya every mine. Now, I can't remember we go, but
• 1:20:42
  Speaker 1: I know Dad, I won't forget her because we dance
• 1:20:46
  Speaker 1: all night to the best so never. I think it
• 1:20:49
  Speaker 1: went Oh oh oh, I think it went yeah, yeah, yeah,
• 1:20:52
  Speaker 1: I think it goes. Oh everybody whis for everybody? Whip took.
• 1:20:58
  Speaker 1: I know you know I remember you, and I know
• 1:21:02
  Speaker 1: you know. I know you remember paying I don't know
• 1:21:07
  Speaker 1: you know we remember you, and you know I know
• 1:21:12
  Speaker 1: you remember how we dance? Well, what, how we went
• 1:21:16
  Speaker 1: on a Friday? How we dance, How we did what
• 1:21:19
  Speaker 1: with the breakfast club on Pelp Drop, dance all night
• 1:21:23
  Speaker 1: till the best song ever? We do every life. Now,
• 1:21:27
  Speaker 1: I can't remember how it goes, but I know that
• 1:21:31
  Speaker 1: I won't for yet her. So we danced all night
• 1:21:35
  Speaker 1: send the best song ever, I think, oh yeah, yeah, yeah,
• 1:21:41
  Speaker 1: I think it goes. Oh who that Mord's bast to
• 1:21:46
  Speaker 1: all the fathers with kids and kids bop CD's God
• 1:21:48
  Speaker 1: damn it all right positive note Up next is the
• 1:21:50
  Speaker 1: Breakfast Club. Good Morning, I said morning. Everybody is DJ
• 1:21:57
  Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the Breakfast
• 1:22:00
  Speaker 1: Club all right, Now you guys have a great weekend.
• 1:22:03
  Speaker 1: Shout to everybody that picked up tickets to My car
• 1:22:05
  Speaker 1: show again are so appreciated. September seventh is the date.
• 1:22:09
  Speaker 1: And also Charlomagne, you got a positive note. Yeah, man,
• 1:22:11
  Speaker 1: I just want to say it doesn't matter where you are.
• 1:22:14
  Speaker 1: You are nowhere compared to where you can go. You
• 1:22:18
  Speaker 1: just gotta believe that you can get there and understand
• 1:22:21
  Speaker 1: that your life does not get better by chance, it
• 1:22:23
  Speaker 1: gets better by change. Breakfast Club