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Hitmaka Interview, Malcom Gladwell and More · The Breakfast Club

• 0:00
  Speaker 1: Right there, I don't. This is your wake up Hall
• 0:03
  Speaker 1: Up the Breakfast Club to show you love to hate
• 0:06
  Speaker 1: from the East to the West, Coat dj Envy, angel Charlomagne,
• 0:10
  Speaker 1: The Gut the Rulers show on the Planet. This is
• 0:12
  Speaker 1: where I respect this show because this is a voice
• 0:15
  Speaker 1: of society. James in the game. Guys are the coveted
• 0:18
  Speaker 1: morning show. What y'all earn? Impacting the coach shore? Wake
• 0:21
  Speaker 1: up in the morning and stayed. Want to hear the
• 0:24
  Speaker 1: Breakfast the World's most dangerous morning show? Wake up? Goddamn it?
• 0:39
  Speaker 1: What's happening, Charlomagne? They got here from the world most
• 0:42
  Speaker 1: day This morning show, The Breakfast Club, dj Envy and
• 0:44
  Speaker 1: Angela Yee are running late this morning. Oh it feels
• 0:47
  Speaker 1: good to say that. Dropping the clues bond for me
• 0:50
  Speaker 1: for being prompted on time. Okay, well I'm not really
• 0:53
  Speaker 1: gonna talking. My contract said six to five, so I'm
• 0:55
  Speaker 1: actually just early. I just happened to be in the building,
• 0:57
  Speaker 1: but I decided to blesh you off with my prayers
• 1:00
  Speaker 1: five minutes earlier. Okay, Happy Friday the thirteenth. We still
• 1:04
  Speaker 1: care about Friday the thirteenth? Is that's still a thing
• 1:06
  Speaker 1: like do people still look at that and feel like
• 1:08
  Speaker 1: it's superstitious. It's not right because every day of your
• 1:11
  Speaker 1: life you wake up and you try to avoid crazy,
• 1:13
  Speaker 1: and crazy can happen on any day. Friday the thirteenth
• 1:15
  Speaker 1: is just the market the day because of Jason Vorhees.
• 1:18
  Speaker 1: That makes us think that something bad can happen, But nah,
• 1:21
  Speaker 1: I don't subscribe to that. Now this morning on the show,
• 1:25
  Speaker 1: we have one of my favorite authors, somebody that I
• 1:28
  Speaker 1: thoroughly enjoy if you've ever read his books like David
• 1:31
  Speaker 1: and Goliath, Far Blank, Are the Tipping Point? Are the Outliers?
• 1:35
  Speaker 1: He had the new book out now called Talking to Scranges,
• 1:37
  Speaker 1: which I had the pleasure of reading a few weeks ago.
• 1:40
  Speaker 1: Malcolm Gladwell will be here this morning, okay, to talk
• 1:43
  Speaker 1: to us about how none of us know how to
• 1:45
  Speaker 1: communicate with each other. That's what this new book is about.
• 1:47
  Speaker 1: And also who else we got on the show this morning,
• 1:51
  Speaker 1: hit Maker formerly the artist formerly known as Young Burg,
• 1:54
  Speaker 1: or should we say to the executive formerly known as
• 1:56
  Speaker 1: the artist Young Burg. He'll be here this morning, and
• 1:59
  Speaker 1: we got Front News coming up next. I guess we're
• 2:01
  Speaker 1: gonna be talking about the Democratic debate, and I guess
• 2:03
  Speaker 1: I'll be here talking about it by myself. Who was
• 2:06
  Speaker 1: the most dangerous morning to show? The breakfast club? What
• 2:08
  Speaker 1: the hell are you beating me here? Hey man, I
• 2:11
  Speaker 1: didn't actually beat you here. My time to be here
• 2:13
  Speaker 1: six or five. I just happened to be early because
• 2:16
  Speaker 1: my bob is here, because my receding hairline is showing. Okay,
• 2:19
  Speaker 1: and you know it's Friday the thirteen, So that's bad
• 2:20
  Speaker 1: luck to have your receiving hairline showing on Friday to thirteen. Okay,
• 2:23
  Speaker 1: I just made that up on the fly. Let me
• 2:24
  Speaker 1: apologize everybody on the road this morning. I'm sorry. Why
• 2:27
  Speaker 1: would do was late? Who'd you kill? Brandy? I ain't
• 2:29
  Speaker 1: kill nobody, but I was late, so I had to
• 2:31
  Speaker 1: get here. Let's get in some front page news, sir.
• 2:37
  Speaker 1: What you gotta do front page news? Oh? Hold on,
• 2:39
  Speaker 1: it's too busy putting by you in my eye? All right?
• 2:41
  Speaker 1: Listen to Democratic debates was on last night. It's hard
• 2:44
  Speaker 1: not to watch those debates and think to yourself, Trump
• 2:47
  Speaker 1: twenty twenty. It's hard not to think, MAGA because it sucks, man,
• 2:52
  Speaker 1: Because those Democratic candidates seemed qualified, like they are all
• 2:55
  Speaker 1: better human than Trump, but sally, they just not entertaining
• 2:58
  Speaker 1: enough to get the cat US vote. Are excited, boy,
• 3:03
  Speaker 1: I mean it was it was cool. I mean we
• 3:05
  Speaker 1: had a lot of substance to it, but other enough
• 3:07
  Speaker 1: flare enough, okay, okay, But then you got Andrew yang
• 3:11
  Speaker 1: Um He expounded on his universal basic can come last night,
• 3:15
  Speaker 1: but he wants I guess, I guess to test it out.
• 3:17
  Speaker 1: My campaign will now give a freedom dividend of one
• 3:20
  Speaker 1: thousand dollars a month for an entire year to ten
• 3:23
  Speaker 1: American families. Someone watching this at home right now. If
• 3:27
  Speaker 1: you believe that you can solve your own problems better
• 3:29
  Speaker 1: than any politician, go to yang twenty twenty dot com
• 3:32
  Speaker 1: and tell us how one thousand dollars a month will
• 3:34
  Speaker 1: help you do just that. That'll get them ten extra votes. Absolutely,
• 3:38
  Speaker 1: I mean it's ten families. Yeah, yeah, absolutely? What else
• 3:41
  Speaker 1: you've got? Yeah? Doing this from page news thing pretty good?
• 3:43
  Speaker 1: What else you got? Bro? What else? I got? Maya Pete?
• 3:45
  Speaker 1: He was talking can we talk about that? And talking
• 3:47
  Speaker 1: about what though? Yeah, let's do Biden to Castro. Biden
• 3:51
  Speaker 1: and Castro had a nice little exchange. Okay, if you
• 3:53
  Speaker 1: want medicare, if you lose the job from your insurance
• 3:56
  Speaker 1: coming from your employer, you automatically can buy into this.
• 4:01
  Speaker 1: You don't have. No pre existing condition can stop you
• 4:03
  Speaker 1: from buying in. You get covered now. Casting response, The
• 4:08
  Speaker 1: difference between what I support and what you support, Vice
• 4:11
  Speaker 1: President Biden is that you require them to opt in,
• 4:13
  Speaker 1: and I would not require them to opt in. They
• 4:16
  Speaker 1: would automatically be enrolled. They wouldn't have to buy in.
• 4:19
  Speaker 1: They do not have to buy in. You just said
• 4:21
  Speaker 1: two minutes ago that they would have to buy in.
• 4:23
  Speaker 1: You said they would have to buy in to buy
• 4:25
  Speaker 1: in if you qualify. Are you forgetting what you sent him?
• 4:30
  Speaker 1: Best moment in the night, Julian Castro age shame and
• 4:33
  Speaker 1: Joe Biden accusing them of having to Mitia. Clearly put
• 4:37
  Speaker 1: too much sauce on that much and that's not like
• 4:39
  Speaker 1: he was accusing him of having to Mitia. No, boy,
• 4:42
  Speaker 1: then you'll get to may A Pete all right, This
• 4:44
  Speaker 1: is why debates are becoming unwatchable. Yea reminds everybody of
• 4:49
  Speaker 1: what they cannot stand about Washington scoring points against each other,
• 4:53
  Speaker 1: comoking at each other and telling each other that that
• 4:56
  Speaker 1: you're my plan, your play. Look, we all that's called
• 4:59
  Speaker 1: a democratic election election. Man People was solid last night.
• 5:04
  Speaker 1: But when Man People was last here, I told him
• 5:06
  Speaker 1: that you had to step it up. He had to
• 5:07
  Speaker 1: step it up because it kind of sucks in the debates.
• 5:09
  Speaker 1: And he didn't suck in the debate last night. He's all,
• 5:11
  Speaker 1: he's always solid, you know. But last night, when Julian
• 5:13
  Speaker 1: Castro told him, it's real, like, bro, this is the debates. Okay.
• 5:17
  Speaker 1: We here to throw dirt on each other and throw
• 5:19
  Speaker 1: mud on each other, all right, and question each other's records, right,
• 5:22
  Speaker 1: all right, that's what we're here to do. Okay, all right?
• 5:25
  Speaker 1: And then last night the Buccaneers beat the Panthers twenty
• 5:28
  Speaker 1: fourteen football on last night. Yeah, I watched a little
• 5:32
  Speaker 1: bit of it. I was on the plane coming back
• 5:33
  Speaker 1: from Milwaukee dropping a clue bump from Milwaukee. I was
• 5:36
  Speaker 1: in Milwaukee yesterday to Minority Health Film Festival talking about
• 5:41
  Speaker 1: my favorite subject, which is mental health. To health, they
• 5:44
  Speaker 1: gave me um a ploque yesterday a proclamation. Yeah, they
• 5:48
  Speaker 1: they gave me one when I was there a couple
• 5:49
  Speaker 1: of weeks ago. And shout to Milwaukee. If into real estate,
• 5:53
  Speaker 1: that's my next spot where I'm going Milwaukee has a
• 5:55
  Speaker 1: lot of property, a lot of inexpensive property. They're building
• 5:59
  Speaker 1: it up. There's a lot of hard working people in Milwaukee,
• 6:01
  Speaker 1: so it's a great area to look for real estate.
• 6:03
  Speaker 1: I just got it so much love from Milwaukee, slut
• 6:04
  Speaker 1: everybody that listens to us on you one hundred point seven,
• 6:06
  Speaker 1: because that was the first city in the country that
• 6:09
  Speaker 1: syndicated the breakfast club salute to barely salute the Reggie
• 6:12
  Speaker 1: every time were in Milwaukee. I just liked the city
• 6:14
  Speaker 1: of I love it too. Just a dope ass city.
• 6:16
  Speaker 1: Yes all right, and shout the mister GE's barbershop. Yeah
• 6:19
  Speaker 1: all right. Well that's the front page news. Get it
• 6:21
  Speaker 1: off your chest eight hundred five eight five, one oh
• 6:24
  Speaker 1: five one. If you're upset, you need to vent hit
• 6:26
  Speaker 1: us up right now. It's the breakfast Club. Good morning,
• 6:28
  Speaker 1: the breakfast Club. It is your time to get it
• 6:35
  Speaker 1: off your chests, whether you're man or blast. So you
• 6:38
  Speaker 1: better have the same industry. We want to hear from
• 6:40
  Speaker 1: you on the breakfast Club. Mark good morning, Mark, good morning.
• 6:45
  Speaker 1: Oh my goodness, I thought this was a different Mark,
• 6:47
  Speaker 1: but this is Marquisha Mark Quishia good morning. That's not
• 6:50
  Speaker 1: how many times I got to tell you, that's not
• 6:51
  Speaker 1: my n what's your name? Well, were not used to
• 6:53
  Speaker 1: hear a woman named Mark. That's not her full of
• 6:55
  Speaker 1: real name. It's short for somebody. Okay, nickname Mark? Yeah,
• 6:58
  Speaker 1: I think that we should call you quick. That is
• 7:01
  Speaker 1: not my name. You name my Quis? Right? No, it's
• 7:06
  Speaker 1: not Mark Quis. What's your name? Mark? Go ahead, Mark,
• 7:09
  Speaker 1: get it off your chest. I saw your interview on
• 7:12
  Speaker 1: Malik Yelbow. What you think he was rambling? Okay? They
• 7:17
  Speaker 1: give you clarity or you confused? No, I'm just as
• 7:20
  Speaker 1: confused as everybody that was in your comments. Yeah, we
• 7:23
  Speaker 1: definitely still confused. But you know what, it's not about
• 7:26
  Speaker 1: understanding their lifestyle. It's understanding that they have the right
• 7:29
  Speaker 1: to live and they should not be killed for simply
• 7:31
  Speaker 1: being transgender. Absolutely, I agree with that with any human being.
• 7:35
  Speaker 1: But exactly Chris though he did? What was Chris? I say,
• 7:39
  Speaker 1: you need to talk to Chris. Chris Who Chris Brown?
• 7:42
  Speaker 1: I'm not messing with you. Goodness gracious, Tim, Good morning, Tim, Hey,
• 7:51
  Speaker 1: good morning. How you doing for a little positivity today?
• 7:57
  Speaker 1: You know it's Friday the thirteenth. No, it's supposed to
• 7:59
  Speaker 1: be an unlucky day, but you know, want positivity. I
• 8:01
  Speaker 1: just want to take Charlotte pastimation for yesterday. I did
• 8:05
  Speaker 1: what yesterday told about your the proclamation. Oh thank you sir,
• 8:09
  Speaker 1: appreciate you. Sty in Milwaukee, Yeah, I follow I follow
• 8:13
  Speaker 1: you on Instagram and a DM do not too long
• 8:15
  Speaker 1: go on a little bit of organization that I have
• 8:18
  Speaker 1: here over on Long Island called it young and Motivated
• 8:20
  Speaker 1: and my Instagram is Paul Underscore tails the A L
• 8:25
  Speaker 1: Eazy and uh, you know, I basically I wanted to
• 8:28
  Speaker 1: tell to you a little bit more and see if
• 8:29
  Speaker 1: I can get you out here Torn Island or particularly
• 8:32
  Speaker 1: bright with New York, if I maybe raise a little
• 8:34
  Speaker 1: more awareness on mental health or you know what. Hold on,
• 8:37
  Speaker 1: let let me put you on hold and you talk
• 8:39
  Speaker 1: to his assistant and I'm sure if they got some
• 8:40
  Speaker 1: time free date this from back. I'm I'm gonna look
• 8:43
  Speaker 1: up your instagram, um because I don't be checking my dms.
• 8:46
  Speaker 1: But now that I know that you actually hit me,
• 8:47
  Speaker 1: I'm gonna reach back out to you. But yeah, a
• 8:50
  Speaker 1: matter of fact, contact the email on my I G.
• 8:52
  Speaker 1: Contact the email on my I G got you will
• 8:55
  Speaker 1: do all right, have a good one Darius. Good morning, Darius. Hey,
• 9:00
  Speaker 1: how are you doing? What's up? Get her off her chests? Hey?
• 9:03
  Speaker 1: Every morning I wake up lead a house at five
• 9:06
  Speaker 1: o'clock in the morning, and my girl stays in an
• 9:08
  Speaker 1: extra couple of hours, and all she does just rolls
• 9:10
  Speaker 1: over the bed and just sleeps on my site. And
• 9:13
  Speaker 1: it makes me angry every morning. How do you know
• 9:15
  Speaker 1: she rolls on your side? How you know that somebody
• 9:17
  Speaker 1: else is that on your side? Brother? Hey, come on on,
• 9:21
  Speaker 1: rolling on my side? But I know you're tikingbo lead
• 9:23
  Speaker 1: the house that I love you bath. She just sleeps
• 9:25
  Speaker 1: on on my side and just rolls over there and
• 9:26
  Speaker 1: makes it so mad because she can be getting up
• 9:28
  Speaker 1: with me. I don't know what the hell he's even
• 9:30
  Speaker 1: talking about. He's mad because he has to leave earlier
• 9:32
  Speaker 1: than this girls girl stays home all day and sleeps
• 9:34
  Speaker 1: in the bed and rolls over his side of the bed.
• 9:36
  Speaker 1: But I told him it's talking to somebody else in
• 9:37
  Speaker 1: that bed, brother, I don't think nobody else in the bed.
• 9:40
  Speaker 1: But what's wrong with your woman, your queen staying at
• 9:42
  Speaker 1: home while you go out and make the bread? What's
• 9:44
  Speaker 1: wrong with that? It ain't that I just get up
• 9:47
  Speaker 1: for early. You know how people get up early? You
• 9:48
  Speaker 1: just want to know stuffing you want? You now, we
• 9:50
  Speaker 1: don't know how people get up, brother, b We have
• 9:52
  Speaker 1: no clue on people getting up early, sir, none. Whatever
• 9:56
  Speaker 1: what it feel wake up at four in the morning
• 9:58
  Speaker 1: to have to be the work by I wouldn't know
• 10:01
  Speaker 1: the feeling. You know the feeling? I nope. Now, Hey,
• 10:04
  Speaker 1: we're on the real doll I want to shote. Oh
• 10:05
  Speaker 1: my god, I love her. We just closed on the household.
• 10:08
  Speaker 1: Congratulation on up. Congratulations bro, I love her too, thold man.
• 10:12
  Speaker 1: Y'all all right, bro? Trap what you want traffic? You
• 10:16
  Speaker 1: know what I say? What's up? You can talk about
• 10:19
  Speaker 1: anything you want trap, except for the cowboys. What you
• 10:21
  Speaker 1: talk about the cowboys? Trap? And not in the broke
• 10:24
  Speaker 1: Back Mountain type of way either, drawing the clue boss
• 10:27
  Speaker 1: for the dollars cowboys because you follow your Listen, We're
• 10:29
  Speaker 1: gonna walk the bum skins the dead skins. Ass. Yes
• 10:32
  Speaker 1: we are, Sunday, Yes we are. We got too many
• 10:35
  Speaker 1: weapons out there and our Wide Receiving Corps is ridiculous.
• 10:38
  Speaker 1: And if we can't use the wide Receiving Corps, we
• 10:40
  Speaker 1: got Ezekiel Elliot and Tony Pollard to run them down
• 10:42
  Speaker 1: to the ground all last, right, so yeah we can.
• 10:45
  Speaker 1: We're killing you all man traffic. Goodbye, This is all
• 10:47
  Speaker 1: year for real traffic. Hold on, hold on, hold on right,
• 10:51
  Speaker 1: quick talk about something real quick? You shot at your son?
• 10:53
  Speaker 1: You gotta sun ahead, Harry up traff celeb today? What
• 10:58
  Speaker 1: what I do? I let you know what you When
• 11:01
  Speaker 1: did y'all record? When did y'all record that Malikio? Two
• 11:03
  Speaker 1: days ago? Why? No? Two days ago? Get like two
• 11:06
  Speaker 1: three days ago? Yep, I don't remember. So it was
• 11:09
  Speaker 1: so it was this week? They recorded it like on
• 11:11
  Speaker 1: Monday or something. Yeah, it wasn't Monday. It wasn't Monday.
• 11:13
  Speaker 1: A matter of fact, it was Monday. It was Monday.
• 11:15
  Speaker 1: So what I mean? I called in and I asked you,
• 11:18
  Speaker 1: did y'all ask him about him touching that fourteen year
• 11:21
  Speaker 1: old girl? And you told me that you didn't even
• 11:24
  Speaker 1: hear about it on Monday? You called you, You called
• 11:27
  Speaker 1: after we had did the interview, and we told you
• 11:29
  Speaker 1: that we didn't ask him about it, that it wasn't
• 11:31
  Speaker 1: about that conversation, but it was. This was about transgenders
• 11:34
  Speaker 1: and open conversation. If you recorded it on Monday. And
• 11:38
  Speaker 1: but you recorded brilliant Idiot last week, and on Brilliant
• 11:42
  Speaker 1: Idiot you clearly said that you heard about it. I
• 11:46
  Speaker 1: recorded brilliantly. I recorded brilliant Idiots Wednesday. Yeah, and you
• 11:50
  Speaker 1: heard about it. No Wednesday this week? No, no, no, no, no,
• 11:53
  Speaker 1: no last your last brilliant idiot. Jaff. Yeah, I heard Jaff.
• 11:58
  Speaker 1: This seems like as the argument, I'm gonna have to up.
• 12:01
  Speaker 1: You don't know if you guys could all get home, okay,
• 12:03
  Speaker 1: good bye, get it off your chests. Eight hundred five
• 12:06
  Speaker 1: eighty five, one oh five one. If you need to vent,
• 12:08
  Speaker 1: hit us up now. It's the breakfast club. Good morning,
• 12:10
  Speaker 1: the breakfast Club. Wake up, wake up, wake your time
• 12:18
  Speaker 1: to get it off your chest. Whether your man or blased,
• 12:22
  Speaker 1: we want to hear from you on a breakfast club. Mark,
• 12:24
  Speaker 1: what's up? Mark? Or Mac? She ain't Marcom Mac, it's Mac,
• 12:29
  Speaker 1: all right, Mac, my bad Get you off a chess
• 12:30
  Speaker 1: bro all right? So yesterday I'll off the grand total
• 12:33
  Speaker 1: of one hundred eighty to about two hundred pounds. Got'm
• 12:35
  Speaker 1: a divorce decree? How you got your divorced yesterday? Yes?
• 12:38
  Speaker 1: I did congradulation. How come it didn't work. Oh, let's see,
• 12:41
  Speaker 1: she pulled out a gun on me three times. She
• 12:43
  Speaker 1: fired at one time as I was PCs from Fourhood
• 12:45
  Speaker 1: to Fort Stewart, like the day before I was leaving.
• 12:47
  Speaker 1: But why she do it though, Why she pulled out
• 12:48
  Speaker 1: a gun. You gotta head both sides, Okay, both sides.
• 12:52
  Speaker 1: The marriage was, I mean it was it was rocky
• 12:54
  Speaker 1: of toms. But she wasn't taking her in medication. Oh
• 12:58
  Speaker 1: she's she's in the military too, she's she's a veteran. Well,
• 13:01
  Speaker 1: she needed some out, she needed some out, she needed
• 13:02
  Speaker 1: to you know, people to say that, you know us.
• 13:05
  Speaker 1: She was getting help and taking her medication and then
• 13:07
  Speaker 1: she started to feel I'm better. And some people, when
• 13:09
  Speaker 1: they start to feel better, okay, I don't need my
• 13:11
  Speaker 1: medication anymore, that's when you need to keep taking your
• 13:13
  Speaker 1: medication because that's when they're starting to help them mote.
• 13:15
  Speaker 1: You know, some people say, when you know when your
• 13:17
  Speaker 1: spouse is going through their worst, that's when you're supposed
• 13:19
  Speaker 1: to hold it down even more. You know what, I
• 13:21
  Speaker 1: was holding her down for two years and two years
• 13:23
  Speaker 1: I was holding down two house thos in one income
• 13:25
  Speaker 1: and that that was rough. Yeah, but you know what
• 13:29
  Speaker 1: it says to death to us part through better or worse.
• 13:32
  Speaker 1: And you're in the military. You're in the military. She's
• 13:35
  Speaker 1: in the military. You should understand what she go what
• 13:39
  Speaker 1: she was going through is a veteran and I can't
• 13:41
  Speaker 1: tell you how to live your life. But you should
• 13:43
  Speaker 1: have helped her get some help. Did you least try
• 13:44
  Speaker 1: to help her get some help. You're talking about bills
• 13:45
  Speaker 1: and all kind of time. I'm talking about help for
• 13:47
  Speaker 1: her mental health. I'm talking about hope for her mental health. Yeah, okay,
• 13:51
  Speaker 1: all right. Well, well I'm glad if you got the
• 13:53
  Speaker 1: divorce and it makes you happy. And glad you're happy, brother,
• 13:57
  Speaker 1: enjoy your dead. Hello. Who's this? Three thousand? Sounds like
• 14:04
  Speaker 1: hello Tracy playing your flute? Oh yeah, I was telling
• 14:10
  Speaker 1: for you guys, what's going on? Tracy. I just wanted
• 14:14
  Speaker 1: to say the gentleman yesterday who wasn't talking about the football.
• 14:18
  Speaker 1: He was saying that certain athletes didn't get anything until
• 14:21
  Speaker 1: they heard it. It's about Stephen A. Smith. He didn't
• 14:24
  Speaker 1: say that. He said that too many people are being
• 14:25
  Speaker 1: celebrated and they haven't won anything yet. Okay, well, okay, well,
• 14:30
  Speaker 1: I understand what he's saying, but I'm saying that sport
• 14:33
  Speaker 1: is highly volatile, and even if they haven't really earned
• 14:36
  Speaker 1: anything yet, the fact that they step on that field,
• 14:39
  Speaker 1: they can lose their life. Then the mobility, anything that
• 14:42
  Speaker 1: they can get, not being u egregious or highly insensitives
• 14:47
  Speaker 1: to other people's feelings. This is being titled to because
• 14:50
  Speaker 1: you know they can lose their life the first day
• 14:52
  Speaker 1: to get on that field, right yeah, I mean, I
• 14:55
  Speaker 1: don't think whatever they can get, they can get because
• 14:57
  Speaker 1: similar or later they're gonna be exploited. It's just a
• 15:00
  Speaker 1: anyway in the high intensity fields where everybody sees you,
• 15:04
  Speaker 1: but you still have to change with you. And anytime
• 15:06
  Speaker 1: they can tell you what to do, where to do,
• 15:07
  Speaker 1: where to go, what the world, what to dress, what
• 15:10
  Speaker 1: to say, you're done, you're right, get get it and
• 15:12
  Speaker 1: then use it for your community. What's you're free? That's
• 15:15
  Speaker 1: what I say. I get. I give what Stephen was saying.
• 15:17
  Speaker 1: Stephen A was just like some of these guys are
• 15:19
  Speaker 1: just so popular that they get endorsement deals and stuff
• 15:22
  Speaker 1: like that. But it should be based off performance, not popularity.
• 15:25
  Speaker 1: But like she said, you step on that field, you get,
• 15:27
  Speaker 1: you get injured, that's it. Your career is over, you
• 15:29
  Speaker 1: know what I mean. And that's something that you get
• 15:30
  Speaker 1: your stupid It takes a little wrong for you to
• 15:32
  Speaker 1: actimate to those certain situations the way you say. You know,
• 15:35
  Speaker 1: I'm acting like couple food and I'm doing this. I
• 15:37
  Speaker 1: should earn it. You gotta do some to young guys.
• 15:39
  Speaker 1: You gotta give him some time to mature a little
• 15:41
  Speaker 1: bit now, Tracy. You know, and I think they'll make
• 15:44
  Speaker 1: it if you just leave them alone and just like
• 15:46
  Speaker 1: not harassing so much. Now, Tracy, do me a favor. Yes,
• 15:49
  Speaker 1: it's Friday. Play big pimpant on that flute? Okay, who
• 15:58
  Speaker 1: you didn't got the hold? Let me ain't getting the Yeah,
• 16:01
  Speaker 1: you gotta sit up. Just shot us again? Nah nah,
• 16:09
  Speaker 1: that's parking lot pemper. Yeah, thank you, Tracy. Goodness, Gracis,
• 16:14
  Speaker 1: get it off your chest. Eight hundred five eighty five,
• 16:16
  Speaker 1: one on five one. When we come back. We got
• 16:18
  Speaker 1: rumors on the way Swiss beats. He buys a whole home,
• 16:23
  Speaker 1: like a real home, and it kind of reminds you
• 16:26
  Speaker 1: of Tony stalks On. We'll explain him when we come back.
• 16:28
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Listen
• 16:34
  Speaker 1: this just oh Gosh reports with Angela. It's report breakfast club.
• 16:43
  Speaker 1: All right, well, Swiss beats. I'm sure by now y'all
• 16:46
  Speaker 1: have seen the new house as Swiz and Alicia half boy.
• 16:48
  Speaker 1: It looks incredible. Let me tell you, Swiss is my
• 16:50
  Speaker 1: inspiration when it comes to He inspires me to go harder.
• 16:54
  Speaker 1: He sent me a picture of that house about a
• 16:55
  Speaker 1: week ago, two weeks ago, and I couldn't even reply.
• 16:58
  Speaker 1: I was just like eight million dollars. Yes, and in
• 17:03
  Speaker 1: today's birthday too, shout to Swiss, be him around, hm
• 17:05
  Speaker 1: aploy and drop a bomb for him? Do both? That
• 17:09
  Speaker 1: is crazy? All right, Well here's what he told Angie
• 17:12
  Speaker 1: Martinez about their new mansion. Because the reports say it's
• 17:16
  Speaker 1: like the Tony Stark's house. Yeah, is this really what
• 17:19
  Speaker 1: it is? Yeah? But is it like recreation of it
• 17:23
  Speaker 1: where it's where Tony starts got the inspiration? So Wallace
• 17:26
  Speaker 1: Cunningham is the designer. The Razor House is very very
• 17:31
  Speaker 1: famous piece of architecture. And um, yeah this house and
• 17:34
  Speaker 1: you bought it. It's the house. It's in Arizona. So
• 17:37
  Speaker 1: I guess Swiss is moving to Arizona or I mean,
• 17:39
  Speaker 1: I want so much money. They're gonna probably live both.
• 17:41
  Speaker 1: But the house is amazing, has like a huge garage.
• 17:44
  Speaker 1: The views. It just to live to die for. I mean,
• 17:47
  Speaker 1: it's to live to die, Yeah it is. It's if
• 17:50
  Speaker 1: you haven't see that house, google it. I mean Swiss cheeh.
• 17:53
  Speaker 1: All right. Now, another good news, DJ Khaled and his
• 17:56
  Speaker 1: wife Nicole Tuck. They are expecting their second child to
• 17:59
  Speaker 1: get there. So congratulations to them. Congratulations to Caliban. Yes,
• 18:04
  Speaker 1: he wrote, God is the greatest and he did an
• 18:07
  Speaker 1: Instagram video of his wife receiving an ultrasound. That's dope.
• 18:10
  Speaker 1: Congratulations to Can you say another one? Yes he did,
• 18:13
  Speaker 1: he did. He had to. At the post he put
• 18:16
  Speaker 1: mama aside aside. We got another one. There you go.
• 18:20
  Speaker 1: You gotta do it, all right. And speaking of kids,
• 18:23
  Speaker 1: that's talk about Chrissy Teagan's daughter Luna. She is always
• 18:27
  Speaker 1: saying funny things and Christ He's always talking about the
• 18:29
  Speaker 1: funny things that her daughter says. Well, she posted this
• 18:31
  Speaker 1: video of her daughter Luna talking about her boyfriend always
• 18:38
  Speaker 1: listen to my family. Oh that's nice. What else does
• 18:42
  Speaker 1: he does? Is he cute? Yeah? Is he your boyfriend? Now?
• 18:51
  Speaker 1: Cute boy quanny so cute? And little kids say funny
• 18:58
  Speaker 1: daughter three. Okay, yeah, I'm with Charlemagne, not encouraging nothing
• 19:02
  Speaker 1: that from my daughter's Nope, a little bit. Nope, she
• 19:05
  Speaker 1: don't even know what she's really saying. That's right. It
• 19:08
  Speaker 1: just sounds cute. They could be friends, don't They could
• 19:10
  Speaker 1: be friends and excutes little things saying a friend as
• 19:13
  Speaker 1: a boy bro, he listens to my feeling. I love that.
• 19:17
  Speaker 1: It's really really cute. They only do that at that
• 19:19
  Speaker 1: age and then we come back around late in late
• 19:21
  Speaker 1: thirty so but enjoy it now, little. You only can't
• 19:25
  Speaker 1: about your feelings at that age in late thirties. All right,
• 19:27
  Speaker 1: And congratulations to david O and his girlfriend Chauma. They
• 19:30
  Speaker 1: are now engaged. So that's exciting news now for everybody
• 19:35
  Speaker 1: that's engaged as people that are getting divorced. And Adele
• 19:38
  Speaker 1: has filed for divorce from her husband and they've been
• 19:42
  Speaker 1: married after I guess more than seven years they've been together,
• 19:46
  Speaker 1: and the divorce filing was a long time coming, you know.
• 19:48
  Speaker 1: Back in April she announced that they were separated. They
• 19:50
  Speaker 1: do have one child together and they are committed to
• 19:53
  Speaker 1: raising their son together lovingly. They've been mostly out of
• 19:57
  Speaker 1: the spotlight with their relationships since they started dating. And
• 20:00
  Speaker 1: you know, they got married in a very secret ceremony.
• 20:02
  Speaker 1: She didn't even confirm that they were married until a
• 20:04
  Speaker 1: couple of years ago. And now I guess it didn't
• 20:07
  Speaker 1: work out, so it's over. Okay. But here's something that
• 20:10
  Speaker 1: is working out, a girlfriend's reunion Blackish. Come on, now,
• 20:15
  Speaker 1: what's girlfriend dropping a clue by for girlfriend's damn it.
• 20:17
  Speaker 1: Don't worry about it. If you don't know, you don't
• 20:19
  Speaker 1: need to know. And not what's girlfriends? I don't. I
• 20:21
  Speaker 1: don't know what that is. Talk to him, you well,
• 20:23
  Speaker 1: what they're doing. Of course you should know who that is.
• 20:25
  Speaker 1: But Tracy Ellis Ross said that basically she don't merged
• 20:29
  Speaker 1: the world of Blackish and girlfriend She said it was
• 20:31
  Speaker 1: surreal for me and so much fun. We got the audio.
• 20:35
  Speaker 1: So we have an extra special episode of Blackish, and
• 20:39
  Speaker 1: it's a feminist episode. And I brought in some backups
• 20:43
  Speaker 1: from some of my girlfriends. Yes what shut every door?
• 20:52
  Speaker 1: Oh yes, tell ye? Yeah yea God, look at God,
• 20:57
  Speaker 1: look at God? Won't he do it? This is gonna
• 20:59
  Speaker 1: get a girlfriends fanatics closer to the closure that we
• 21:03
  Speaker 1: all need. Because I'm gonna tell you what's gonna happen.
• 21:05
  Speaker 1: You saw how this story took off in the news yesterday, right,
• 21:08
  Speaker 1: and then when it airs, it's gonna be trending, and
• 21:11
  Speaker 1: then everybody's gonna be wanting to go watch reruns the
• 21:13
  Speaker 1: Girlfriends and the DVD sales gonna shoot up, and some
• 21:16
  Speaker 1: executive who's coachurally clueless, some white coachurally clueless executive, hopefully
• 21:21
  Speaker 1: some black executive who knows says, you know, it would
• 21:23
  Speaker 1: be good if we gave these women a mini series
• 21:25
  Speaker 1: and gave the fanatics of girlfriends the proper closure that
• 21:29
  Speaker 1: they deserve. Well, if you know how it ended, it
• 21:31
  Speaker 1: ended just open ended. We don't know what happened. Do
• 21:34
  Speaker 1: you want to know when it's airing? This episode? October? What?
• 21:37
  Speaker 1: October eighth? And Blackis Does returned for their sixth season
• 21:41
  Speaker 1: on September twenty four. Come on, it was funny. Let
• 21:44
  Speaker 1: me walk in today and his nipples were hard. I
• 21:46
  Speaker 1: was like, oh, because I got a hit, you know
• 21:47
  Speaker 1: what I mean? I thought it's looking at me, but
• 21:49
  Speaker 1: it was actually because girlfriends back nipples were not hard.
• 21:51
  Speaker 1: But I am very excited because I am a girlfriend's fanatic.
• 21:53
  Speaker 1: If you know, kay to watch a show full of
• 21:57
  Speaker 1: black women, who said that draw nip the guy who
• 22:01
  Speaker 1: hates to be high? Okay, all right, why do people
• 22:06
  Speaker 1: say that? Though? Being that I love girlfriends, they'd be like,
• 22:08
  Speaker 1: are you gay? He said, it's because your nipples are heard.
• 22:10
  Speaker 1: But that's not watching a show full of women makes
• 22:12
  Speaker 1: you gay? I'm gay? What are y'all even talking about?
• 22:17
  Speaker 1: I don't know being gay. I'll keep up ye and
• 22:21
  Speaker 1: loving girl. All right, Well, I manage that's your I mean,
• 22:24
  Speaker 1: malik yo, but did ask you? You didn't answer correctly?
• 22:27
  Speaker 1: He said, what are you when you? Yeah? I was
• 22:29
  Speaker 1: confused that that was a trick question. That was that
• 22:34
  Speaker 1: was a trick question. And by the way, what what
• 22:36
  Speaker 1: I what I've been calling myself all of these years?
• 22:38
  Speaker 1: They was like, nope, you're since gendered heterosexual something else
• 22:43
  Speaker 1: male loving male. But they didn't say that. Drunk confusion,
• 22:55
  Speaker 1: I can't even find Yeah, you confused me? Follow pretty good?
• 22:58
  Speaker 1: I'm good? All right? When we come back from page
• 23:00
  Speaker 1: news is to breakfast club, Good morning. Yeah, it's twelve mo.
• 23:02
  Speaker 1: Dare this morning show to Breakfast Club Charlomagne and God Angelie,
• 23:05
  Speaker 1: ye dj Envy. We got the front page news coming
• 23:08
  Speaker 1: up right, now an Yeah, so of course we're all
• 23:11
  Speaker 1: talking about the debates from last night. Did you watch?
• 23:14
  Speaker 1: I did watch. I'll caught the last two hours. When
• 23:17
  Speaker 1: I was on the plane. I saw a lot of
• 23:18
  Speaker 1: people talking about who were the big winners and losers?
• 23:21
  Speaker 1: Who did you like? I don't think that there was
• 23:23
  Speaker 1: any winners and losers last night. Like it's hard to
• 23:25
  Speaker 1: watch those elections and not think Trump twenty twenty, not
• 23:28
  Speaker 1: because the Democrats don't be speaking of things of substance,
• 23:31
  Speaker 1: but because none of them are entertaining. And I hate
• 23:34
  Speaker 1: to say it, but you got to be entertaining nowadays
• 23:36
  Speaker 1: to capture the casual voters, to get get people energized
• 23:39
  Speaker 1: about coming to the polls. I don't see anything transformative
• 23:41
  Speaker 1: up there. All right, well, i'll tell you what did happen.
• 23:43
  Speaker 1: We'll give you some highlights. Now. Andrew Yang, you know,
• 23:46
  Speaker 1: he's been talking about this dividend that he thinks people
• 23:48
  Speaker 1: should get the one thousand dollars, and he's going to
• 23:51
  Speaker 1: test it out. Here's what he said. My campaign will
• 23:53
  Speaker 1: now give a freedom dividend of one thousand dollars a
• 23:56
  Speaker 1: month for an entire year to ten American families. Some
• 24:00
  Speaker 1: watching this at home right now. If you believe that
• 24:02
  Speaker 1: you can solve your own problems better than any politician,
• 24:05
  Speaker 1: go to Yang twenty twenty dot com and tell us
• 24:07
  Speaker 1: how one thousand dollars a month will help you do
• 24:10
  Speaker 1: just that. Well, he'll get to an actor voters because
• 24:12
  Speaker 1: of that ten families, you got them on luck all
• 24:16
  Speaker 1: right now. Another thing that happened was Beato or work
• 24:18
  Speaker 1: people and everyone on stage is really commending him on
• 24:21
  Speaker 1: his stance when it comes to gun control. Are you
• 24:24
  Speaker 1: proposing taking away their guns? And how would this work?
• 24:27
  Speaker 1: I am if it's a weapon that was designed to
• 24:29
  Speaker 1: kill people on a battlefield. You know, Odessa, I met
• 24:33
  Speaker 1: the mother of a fifteen year old girl who was
• 24:36
  Speaker 1: shot by an AR fifteen, and that mother watched her
• 24:39
  Speaker 1: bleed to death over the course of an hour. Because
• 24:41
  Speaker 1: so many other people were shot by that AR fifteen
• 24:44
  Speaker 1: in Odessa in Midland, there weren't enough ambulances to get
• 24:47
  Speaker 1: to them in time. Hell, yes, we're gonna take your
• 24:50
  Speaker 1: AR fifteen, your AK forty seven. I forgot Beato or
• 24:53
  Speaker 1: Rooke is even on that stage last minute, you know what?
• 24:55
  Speaker 1: And I think because this is a debate, right, so
• 24:57
  Speaker 1: everybody was going back and forth and to play each other.
• 25:00
  Speaker 1: But everybody did pick him up, and I think it
• 25:03
  Speaker 1: shows also in a way that they're not feeling threatened.
• 25:05
  Speaker 1: He just gets lost man being a young sis gendered. Uh,
• 25:11
  Speaker 1: let that make Let's not make any assumptance about what
• 25:13
  Speaker 1: his gender or sexuality. We don't get very true. But
• 25:16
  Speaker 1: he got and he gets lost on that stage, all right. Now.
• 25:19
  Speaker 1: Joe Biden, he was asked about Barack Obama and the
• 25:22
  Speaker 1: deportation policies when they were in office, when Biden was
• 25:25
  Speaker 1: Vice president Obama was president, and all the negative backlash
• 25:28
  Speaker 1: they got. Here's what he said. You didn't answer, did
• 25:32
  Speaker 1: you make a mistake with those deportations? The president did
• 25:36
  Speaker 1: the best thing that was able to be done in
• 25:38
  Speaker 1: talk about you. I'm the vice President United States, all right,
• 25:43
  Speaker 1: And what people don't like about Joe Biden is that
• 25:45
  Speaker 1: he will invoke Barack Obama's name whenever it's to his benefit.
• 25:50
  Speaker 1: But whenever there's policies that are questioned, then it's all
• 25:52
  Speaker 1: of a sudden, Well, it wasn't my decision. And one
• 25:55
  Speaker 1: person that pointed that out was Julian Castro. My problem
• 25:58
  Speaker 1: with Vice President Biden, and Corey pointed this out last
• 26:00
  Speaker 1: time is every time something good about Barack Obama comes up,
• 26:04
  Speaker 1: he says, oh, I was there, I was there. I
• 26:06
  Speaker 1: was there. That's me too. And then every time somebody
• 26:09
  Speaker 1: questions part of the administration that we were both part of,
• 26:12
  Speaker 1: he says, well, that was the president. I mean, he
• 26:14
  Speaker 1: wants to take credit for Obama's work but not have
• 26:17
  Speaker 1: to answer to any questions. Point I did not say.
• 26:21
  Speaker 1: I don't stand out. I stand with Barack Obama all
• 26:24
  Speaker 1: eight years, good, bad and indifferent. It's a damn shame
• 26:28
  Speaker 1: that Joe Biden is the front running because you cannot
• 26:30
  Speaker 1: look on that stage and say to yourself he is
• 26:33
  Speaker 1: like the runaway top ten candidate that the Democrats should
• 26:37
  Speaker 1: be getting behind, because I don't know what the hell
• 26:38
  Speaker 1: Joe Biden be talking about ninety percent at the time,
• 26:40
  Speaker 1: he just be rambling. All right, Well, I'm Angela Yee
• 26:43
  Speaker 1: and that is your front page news. That's right. And
• 26:46
  Speaker 1: a man who doesn't ramble is coming up next. His
• 26:48
  Speaker 1: name is Malcolm Gladwell. Huh oh Hitmaker's coming up neck
• 26:52
  Speaker 1: Oh okay, well, I'm not as exciting formerly known as young,
• 26:56
  Speaker 1: but he's a great conversational list. I will tell you that. Yeah,
• 26:59
  Speaker 1: Hitmaker will about anything and he does not hold back. Yes,
• 27:02
  Speaker 1: he'll be here to talk about all the records that
• 27:05
  Speaker 1: in the past couple of years, I didn't even know
• 27:06
  Speaker 1: that he was doing all of this. This worked. Yeah,
• 27:08
  Speaker 1: he has a lot of number one records that he's produced,
• 27:10
  Speaker 1: So he's made that pivot from being an artist known
• 27:12
  Speaker 1: as Young Burg to being a producer hit Yeah. So
• 27:15
  Speaker 1: we'll talk to Hitmaker when we come back. It's the
• 27:17
  Speaker 1: world the most dangers. Wanted to show the Breakfast Club,
• 27:19
  Speaker 1: the Breakfast Club. I want to get everybody as DJ
• 27:25
  Speaker 1: Envy Angela Yee Sholamine the guy we are the Breakfast Club.
• 27:28
  Speaker 1: We got a special guest in the building. I don't
• 27:30
  Speaker 1: know if you should call him Young Burg or Hitmaker,
• 27:33
  Speaker 1: you prefer days hitmaker? Hitmakers in the building? What I'm shag?
• 27:38
  Speaker 1: How you feeling happy birthday? He's a virgo as well,
• 27:40
  Speaker 1: fellow Virgo. Yes, sir, you already know. So it's like
• 27:42
  Speaker 1: young Burg Dad kinda Young Burg dies. So Hitmaker, Caleb,
• 27:47
  Speaker 1: why din't you do like a whole ceremony, like really
• 27:48
  Speaker 1: play nig I mean the internet might have did it
• 27:52
  Speaker 1: for me already. You know what I'm saying, so I
• 27:54
  Speaker 1: had to do what I had to do. That was
• 27:56
  Speaker 1: one of the best rebranding situations I've seen. Yeah, I
• 27:59
  Speaker 1: think in a last ten years, it's probably be myself,
• 28:02
  Speaker 1: two Chains and Joe Budden and I was just crazy,
• 28:07
  Speaker 1: Like a lot of people didn't know. Like even when
• 28:08
  Speaker 1: I took the job to be vice president Atlantic Records,
• 28:11
  Speaker 1: like I never did like a press release. I never
• 28:13
  Speaker 1: did nothing like that because I knew this was gonna
• 28:15
  Speaker 1: hate you know what I'm saying. I think it's it's
• 28:16
  Speaker 1: better to stay low and keep firing job Atlantic Record President.
• 28:20
  Speaker 1: I had no idea. Yeah, when the hell that happened
• 28:23
  Speaker 1: two and a half years ago. Wow, by the way,
• 28:27
  Speaker 1: like we in Atlantic Market with you and you the
• 28:31
  Speaker 1: VP of Atlantic drive away after the breakfast club interview. Yeah,
• 28:36
  Speaker 1: after the breakfast club interview, what he became vice president
• 28:38
  Speaker 1: my last interview here. I took the job after that
• 28:41
  Speaker 1: and then we were up here talking. I think at
• 28:43
  Speaker 1: that point, like I had a couple number ones. I
• 28:45
  Speaker 1: did Big Sean bounce Back, I did Chris Brown Party
• 28:47
  Speaker 1: and then going to Atlantic Man. In the last two
• 28:49
  Speaker 1: and a half years as a writer and a producer,
• 28:51
  Speaker 1: I sold over fifteen million records with him and our
• 28:55
  Speaker 1: VP of and I gave a boogie his first number
• 28:57
  Speaker 1: one record? Did meet meal first number one record? So
• 29:00
  Speaker 1: because I talk so you you and Jeremiah are partners still, no,
• 29:06
  Speaker 1: Like that's my brother. He changed my life, like for real,
• 29:08
  Speaker 1: for real when nobody was rocking with me. He took
• 29:10
  Speaker 1: me on tour and everybody know Jeremiah bounced to to
• 29:12
  Speaker 1: be to his own drum like, so we never seen
• 29:14
  Speaker 1: them exactly. So I was able to have like fifty
• 29:18
  Speaker 1: Jeremiah records. Nobody has Jeremiah hooks and all that other stuff,
• 29:21
  Speaker 1: and I was able to run it up and that
• 29:22
  Speaker 1: really put me in a position and really like change
• 29:24
  Speaker 1: my life for real for real. Yeah, that's interesting because
• 29:26
  Speaker 1: I always thought you guys were partners kind of in
• 29:28
  Speaker 1: the or is it unofficially partners or it's just my
• 29:32
  Speaker 1: brother and we just worked like we're serial collaborators, like
• 29:34
  Speaker 1: and you know, we just work all the time. That's
• 29:36
  Speaker 1: what's funny. The funny is that the girl from Loving
• 29:38
  Speaker 1: Hip Hop hays will Eat, introduced me to Jeremiah and wow,
• 29:41
  Speaker 1: we went to the studio to do well. Jeremiah came
• 29:44
  Speaker 1: to do a record for her, and then it turned
• 29:46
  Speaker 1: into just me and him working and me giving a
• 29:47
  Speaker 1: song to meet and Meek and Chris Brown first collaboration.
• 29:50
  Speaker 1: So love and hip hop helped your life? I mean
• 29:52
  Speaker 1: here about some boys, But I mean, I mean, I'm
• 29:55
  Speaker 1: glad I made it out? Who is it? Me? Cardi
• 29:57
  Speaker 1: B I would say Cayman Chale, but she right back
• 30:00
  Speaker 1: in it anyway, So Joe, but Joe, Joe buttons right
• 30:03
  Speaker 1: back in it. Still he's talking about made it out?
• 30:05
  Speaker 1: What about Termory? No, I feel bad for tire. Yeah,
• 30:10
  Speaker 1: so she could pay fifty No, she ain't got it.
• 30:12
  Speaker 1: She ain't got it. What do you mean back in
• 30:15
  Speaker 1: the ships like me, back on the show, back on
• 30:17
  Speaker 1: a boy like I can just imagine what Joe was
• 30:19
  Speaker 1: gonna go through this season with him, you know what
• 30:21
  Speaker 1: I'm saying, and his baby mother and not being together
• 30:24
  Speaker 1: like they gonna they're gonna spice that up. I don't
• 30:26
  Speaker 1: understand why he's back on Loving hip The man told
• 30:29
  Speaker 1: him he got a million dollars to do it. I
• 30:31
  Speaker 1: still don't believe, no way, he's a liar. God damn it.
• 30:36
  Speaker 1: Still don't back you want to go back on the
• 30:38
  Speaker 1: show at one point? No, not after they tried to
• 30:41
  Speaker 1: trash me with that hole because I don't understand what
• 30:44
  Speaker 1: just be saying like that, as if we're not all
• 30:46
  Speaker 1: in this business and we can't fact check Joe John
• 30:48
  Speaker 1: around looking for cars. He might no million dollars to
• 30:51
  Speaker 1: be on the Loving Hip podcast. Mother please page one
• 30:55
  Speaker 1: wouldn't approve that, Vick. I want to prove nobody come
• 30:59
  Speaker 1: on bird getting fifteen hundred dollars episode enjoy it on
• 31:05
  Speaker 1: a million dollars or maybe they doubled up. Maybe they
• 31:09
  Speaker 1: gave him five and gave Sin five and that's how
• 31:11
  Speaker 1: you make five thousand. No, he's not doing a one
• 31:14
  Speaker 1: hundred thousand for the season five hundred thousand. You think
• 31:17
  Speaker 1: that so kind of high to who you think is
• 31:19
  Speaker 1: the most paid person on Love and Hip? I would
• 31:21
  Speaker 1: think Remy Mo and Pappoos right now. It depends. I mean,
• 31:24
  Speaker 1: I don't really watch this show right now, I don't
• 31:26
  Speaker 1: know the way the backs to risk dollars shut up.
• 31:29
  Speaker 1: But then you know what, you have a lot of
• 31:30
  Speaker 1: connections on there because a one you did. But I'm
• 31:34
  Speaker 1: saying you did have a lot of connections at all,
• 31:39
  Speaker 1: because like, um, they put me in a mix all
• 31:42
  Speaker 1: that Love and Hip hop. You know what I'm saying,
• 31:44
  Speaker 1: Like I was trying to separate myself from that because
• 31:47
  Speaker 1: I went through traumatic on a show like they tried
• 31:50
  Speaker 1: to like kill my whole career again, and like they
• 31:53
  Speaker 1: put me around a bunch of boys and I'm just like, yo,
• 31:56
  Speaker 1: keep that away from me. Then he went trademark like
• 31:58
  Speaker 1: I would always say, like to like that's my Then
• 32:01
  Speaker 1: he went trademark my behind my back? Isn't that your album? Yeah,
• 32:04
  Speaker 1: he went trademarket Peril and everything that says he gave us.
• 32:08
  Speaker 1: I don't know what told me, and I would think
• 32:10
  Speaker 1: that was after him. It's just like like it could
• 32:13
  Speaker 1: be used for multiple different things, you know, marketing, Yeah
• 32:18
  Speaker 1: he did. Y'all remember the video where they were in
• 32:21
  Speaker 1: live in the studio and people ran up in the studio.
• 32:25
  Speaker 1: That was cap though, that was loving hip hop cap
• 32:27
  Speaker 1: for them to add to the host because wow, So
• 32:32
  Speaker 1: that's what that's where we parted ways. Because I'm like, yo,
• 32:35
  Speaker 1: if y'all could use me for that type of bait,
• 32:38
  Speaker 1: just for whatever y'all doing, then ain't no telling what
• 32:40
  Speaker 1: y'all could do with me. And like I'm vice president
• 32:42
  Speaker 1: of Atlantic Records, I can't be having no like that
• 32:44
  Speaker 1: go on. You know what I'm saying, that's that was
• 32:46
  Speaker 1: literally my pace of business that Atlantic put me in
• 32:48
  Speaker 1: the studio to be it. So I had to cut
• 32:50
  Speaker 1: that off for it. So did you know it was?
• 32:52
  Speaker 1: It was? It was fake when it was happening. Um,
• 32:56
  Speaker 1: he was just on Instagram live, you know what I'm saying,
• 32:58
  Speaker 1: Like he would walk in and out the room and
• 33:00
  Speaker 1: be doing a lot of different stuff. I didn't know nothing.
• 33:02
  Speaker 1: So when they ran up and there, you thought it
• 33:03
  Speaker 1: was a real situation. Yeah, so that could have went bad. Yeah, yeah,
• 33:06
  Speaker 1: you could have had a gun. Something could have you
• 33:08
  Speaker 1: know what I mean, Your people could have shot somebody.
• 33:09
  Speaker 1: Like are you telling hip hop? So do you want
• 33:13
  Speaker 1: to rap again? You don't want to be an artist?
• 33:14
  Speaker 1: Absolutely not. See. The thing is that a lot of
• 33:17
  Speaker 1: people were like, yeah, I'm a writer, Yeah, I'm a producer,
• 33:19
  Speaker 1: but I'm about to be the biggest executive in the game,
• 33:21
  Speaker 1: Like Craig Colman gonna have to get up out that
• 33:23
  Speaker 1: seat for me, you know what I'm saying. One of
• 33:25
  Speaker 1: these days, like I'm about to be bigger than every
• 33:27
  Speaker 1: executive out here because I actually have the relationships and
• 33:30
  Speaker 1: I actually make these records, like when I created Dangerous
• 33:34
  Speaker 1: for me, like that was just something me just being
• 33:36
  Speaker 1: in the studio. We did that song in thirty minutes,
• 33:37
  Speaker 1: and then it turned into being a big record for them.
• 33:39
  Speaker 1: And I think that a lot of nrs, no disrespect
• 33:42
  Speaker 1: to them. A lot of them are glorified middlemen, you
• 33:44
  Speaker 1: know what I'm saying. They're just like, oh I I
• 33:46
  Speaker 1: know this person, or they're taking credit for records because
• 33:49
  Speaker 1: they put somebody in the studio with somebody when I'm
• 33:51
  Speaker 1: actually on the ground level getting my hands dirty with it,
• 33:53
  Speaker 1: you know. But there's a talent to hooking people up
• 33:55
  Speaker 1: and putting people with people as well. But my talent
• 33:59
  Speaker 1: is just bigger. I'm not you did on Craig Cament
• 34:02
  Speaker 1: just now, no one a job I'm to inspire to
• 34:06
  Speaker 1: that La Reid. I'm all these different executives I'm learning
• 34:09
  Speaker 1: from QCP coach K Like I looked them in the
• 34:12
  Speaker 1: face and be like, yo, I'm gonna be bigger than you.
• 34:14
  Speaker 1: And nothing wrong with that, nah. But I will say
• 34:17
  Speaker 1: it's very hard for creatives to be in those seats.
• 34:20
  Speaker 1: That's why a guy like Craig will be in that seat.
• 34:21
  Speaker 1: Like they don't put creators Lie Craig Calvin as a
• 34:24
  Speaker 1: co producer. I like it, like that Cardi B record
• 34:26
  Speaker 1: with j Balbot and Autumn. He actually didn't. Yeah, he
• 34:31
  Speaker 1: has vinyl like all covering all the water sample. Yeah,
• 34:35
  Speaker 1: La Reid. He's an executive too. He was a music creator.
• 34:38
  Speaker 1: He was a creator. So that's a talent. That's not
• 34:41
  Speaker 1: a talent like on your level as far as sitting
• 34:43
  Speaker 1: down actually doing them, yeah, like and really creating stuff.
• 34:46
  Speaker 1: I think that it's really more so like the blessed
• 34:48
  Speaker 1: thing about what I do is that, like I said,
• 34:51
  Speaker 1: like I really a bookie. Had never worked with nobody
• 34:53
  Speaker 1: like like that, like closely, because he just goes in
• 34:56
  Speaker 1: the studio and just kills these records and goes crazy
• 34:59
  Speaker 1: and they ploque up and they go stupid. I was
• 35:01
  Speaker 1: the first one for them and like really open the fold.
• 35:03
  Speaker 1: We went to Hawaii. He gave me his whole album
• 35:05
  Speaker 1: look back at It was a song that was like
• 35:08
  Speaker 1: we had that song for nine months so mebia Vice
• 35:10
  Speaker 1: Presidlantic Records. I was able to hear the record. He
• 35:12
  Speaker 1: was waiting on the sample to be clear. The song
• 35:14
  Speaker 1: was actually five minutes and some change long. I took
• 35:17
  Speaker 1: the record in Hawaii. I added the snaps to it
• 35:19
  Speaker 1: and our restructure the record and made it a three
• 35:21
  Speaker 1: minute record, and it was our first number one. Again.
• 35:23
  Speaker 1: Kraig got might be the except to the ruble. We're
• 35:24
  Speaker 1: not to sit there and act like these white executives.
• 35:26
  Speaker 1: We having talent. They come on stop. Charlo Maine said that,
• 35:29
  Speaker 1: and they be culturally cool. It's like a mother a
• 35:33
  Speaker 1: time a lot of people. It's a lot of nepotism
• 35:35
  Speaker 1: that go on with it, you know, like when one
• 35:37
  Speaker 1: person get it up, they get a little homie the job.
• 35:40
  Speaker 1: You know what I'm saying, which is nothing wrong with that,
• 35:42
  Speaker 1: as long as you qualify for the gig. You know,
• 35:44
  Speaker 1: all right? We got more with Young Bird, a ka
• 35:46
  Speaker 1: hit maker when we come back, don't move. It's to
• 35:48
  Speaker 1: Breakfast Club. Good morning morning. Everybody is DJ Envy Angela Yee,
• 35:53
  Speaker 1: Charlomagne the guy we all the Breakfast Club with, kicking
• 35:55
  Speaker 1: it with Young Burg and get a hit maker. Yeah,
• 35:58
  Speaker 1: let's talk about your project rights. You have thought Box
• 36:01
  Speaker 1: out now, Yeah, thought Boxes came out. He thought Box.
• 36:04
  Speaker 1: It's my serious all the time. I don't want to
• 36:07
  Speaker 1: be an artistic Huh. You said you don't want to
• 36:09
  Speaker 1: be antists, so colleague type thing. It's a producer album.
• 36:12
  Speaker 1: So I have the pleasure to work with on thought Box,
• 36:14
  Speaker 1: a Boogie, two Chains, meet mill while be in the Mirror,
• 36:17
  Speaker 1: an Tiger all on the record. So it's all up.
• 36:20
  Speaker 1: So I would assume that it's pretty easy for you
• 36:22
  Speaker 1: to get anybody to be on your album because you
• 36:24
  Speaker 1: work with a lot of these artists and they want
• 36:26
  Speaker 1: to get some beats from you. So did you like exchanges? Yeah,
• 36:29
  Speaker 1: we could, we could swap it out. That's what I
• 36:31
  Speaker 1: did with everybody. Well, first and foremost a lot of people. Well,
• 36:34
  Speaker 1: I didn't got so much money and I didn't got
• 36:35
  Speaker 1: so lit that I'm not really charging people, you know
• 36:38
  Speaker 1: what I'm saying, Like if I got a relationship with you,
• 36:40
  Speaker 1: like a two change. I've known him since he was
• 36:41
  Speaker 1: Titty Boy. His record with Ariana Grande ruled the World
• 36:44
  Speaker 1: his last head. I did that. I didn't charge him though,
• 36:46
  Speaker 1: you know what I'm saying. That's how I was able
• 36:48
  Speaker 1: for him to get on my record, and everybody that's
• 36:51
  Speaker 1: pretty much on that on that get your money from
• 36:53
  Speaker 1: Royal to Yeah. I remember when def Jam asked me,
• 36:55
  Speaker 1: I wish you be the single long too Change album
• 36:57
  Speaker 1: and I said that and he was like, no, a
• 36:59
  Speaker 1: matter of fact, they said anything but the Ariana Grande record,
• 37:02
  Speaker 1: And look at it, it's about to get a clock
• 37:03
  Speaker 1: right now. That's some of the people that don't know
• 37:05
  Speaker 1: what they're talking about. Shout out to everybody at death Jail.
• 37:08
  Speaker 1: Maybe they was going through you know, they just transition
• 37:10
  Speaker 1: and they've been hiring and firing people a lot, so
• 37:12
  Speaker 1: I mean maybe they were tripping and lost in the
• 37:14
  Speaker 1: sauce on that one. What did it hit maker learn
• 37:16
  Speaker 1: from young Bird? Bird made a lot of mistakes. Yeah,
• 37:20
  Speaker 1: keep the right people around you, never do too much.
• 37:23
  Speaker 1: You know, I was wilding back in the day, Like wow, yeah,
• 37:25
  Speaker 1: like I was, you on drugs, are drinking a lot?
• 37:27
  Speaker 1: Like what was it? I did extacy a lot back
• 37:29
  Speaker 1: in the day, and you know, like it was good
• 37:32
  Speaker 1: for me because I made all them hit records on it,
• 37:34
  Speaker 1: and it was bad for me because you know, you
• 37:36
  Speaker 1: get out of character when you're young and you just
• 37:38
  Speaker 1: get millions of dollars out of nowhere, like and you
• 37:40
  Speaker 1: don't have no ogs, you don't have nobody telling you
• 37:43
  Speaker 1: what to do, what not to do, how to move,
• 37:44
  Speaker 1: and how not to move, you end up in some
• 37:47
  Speaker 1: young birds and hopefully you work hard enough to become hitmaker.
• 37:50
  Speaker 1: You have the most random stories. I'm sure things that happened. Yeah,
• 37:54
  Speaker 1: my life is a real, like for real. Worked a
• 37:57
  Speaker 1: lot with Nicki Minaj. Yeah, what do you think about
• 38:00
  Speaker 1: her coming out saying that she's retiring? Um, the thing
• 38:03
  Speaker 1: is with Nikki, I think that people feel like she's
• 38:06
  Speaker 1: going through something right now. But everybody's sitting in this room. No,
• 38:09
  Speaker 1: that's just Nicki Minaj jo, Like you know what I mean.
• 38:11
  Speaker 1: Time she didn't curse me out and I said some
• 38:13
  Speaker 1: of the craziest to me in the world. But on
• 38:16
  Speaker 1: the oh she meek was gonna beat me up at
• 38:20
  Speaker 1: one point when they was dating and all those Yeah,
• 38:23
  Speaker 1: like she no, she called test eat it. I was
• 38:26
  Speaker 1: on a Nikki hate train. And but my thing is, like, yo,
• 38:28
  Speaker 1: how are you work for Atlantic? You know Atlantic had
• 38:31
  Speaker 1: a plot? No? Absolutely absolutely not. And at the end
• 38:34
  Speaker 1: of the day, I cannot say nothing bad about Nikki because, yeah,
• 38:37
  Speaker 1: she cursed me out and we did a lot of together.
• 38:39
  Speaker 1: Like when I was when I was working with her,
• 38:42
  Speaker 1: she really put her arm around me and really embraced me,
• 38:44
  Speaker 1: and like I got a lot of cloud like a
• 38:46
  Speaker 1: lot of cool points because I'm in nicki Mina studio
• 38:48
  Speaker 1: every day. I ended up doing six records on her
• 38:50
  Speaker 1: album and it was great time for me. Minus. But
• 38:53
  Speaker 1: now that I got money and I'm rich, like I
• 38:55
  Speaker 1: can't be taught. It won't be tolerated. Like talking to
• 38:58
  Speaker 1: me like that, I can't do it. That's a huge
• 39:00
  Speaker 1: you of being on the hate trank because you work
• 39:01
  Speaker 1: for Atlantic. No, not at all. She was. Yeah, she
• 39:04
  Speaker 1: was actually proud of me when I first got my gig,
• 39:06
  Speaker 1: Like I told her, she flew me down in Miami
• 39:08
  Speaker 1: because like for a while, like her and Meek were
• 39:11
  Speaker 1: dealing with each other and I'm gonna keep it a
• 39:13
  Speaker 1: hunted like Meek voted me off the island, you know
• 39:15
  Speaker 1: what I'm saying. At that time, it was his girl.
• 39:19
  Speaker 1: I was in the studio all the time with it,
• 39:21
  Speaker 1: and I just think that it was like, yo, he
• 39:22
  Speaker 1: got to move around, so they removed me. I moved
• 39:24
  Speaker 1: around and me and when they broke up, she hit
• 39:26
  Speaker 1: me back and we ended up working a little bit.
• 39:29
  Speaker 1: Why didn't remove you, I'm confused. Why did he remove
• 39:31
  Speaker 1: you from the studio. It's just crazy time. Charlotte man,
• 39:34
  Speaker 1: it was just real crazy time. So I thought that
• 39:36
  Speaker 1: you was trying to get with Nikki. Wasn't justifiable, becauld
• 39:38
  Speaker 1: you understand it. The truth of the matter is is
• 39:41
  Speaker 1: that I didn't know him and Nikki were dating. Tried
• 39:44
  Speaker 1: to no. So I would see Meek out and I'm like, yo,
• 39:47
  Speaker 1: I'm gonna go do this. I'm gonna go do this
• 39:50
  Speaker 1: with with some holes or whatever. I didn't know they
• 39:52
  Speaker 1: was dating. So I'm in the studio just talking like
• 39:55
  Speaker 1: you know what I'm saying. I've seen Meek earlier. You
• 39:57
  Speaker 1: know this that in the third ball I was kicking it.
• 39:59
  Speaker 1: She when snitched on me like it Like, I didn't
• 40:02
  Speaker 1: know that they were dating at all, and that's how
• 40:04
  Speaker 1: we got That's how it happened. But you would see
• 40:07
  Speaker 1: Meek with girls. No, now you're wrong. Now you wrong.
• 40:12
  Speaker 1: And Meek is my guy, So don't even do that.
• 40:14
  Speaker 1: Meek was just at my birthday dinner. That's my dog,
• 40:16
  Speaker 1: So don't even throw no. I say he was out
• 40:21
  Speaker 1: in the club and Meek was in the companies. Oh yeah,
• 40:23
  Speaker 1: was in the clubs. Host Meek was there. He might
• 40:24
  Speaker 1: not have been doing nothing, got using the club with
• 40:29
  Speaker 1: some hosts. God, you cleared that up for you, bro,
• 40:32
  Speaker 1: thank you. I'm a woman wearing for me too, because
• 40:34
  Speaker 1: Safari was actually around at the same time too, so
• 40:37
  Speaker 1: like I would be in the studio with Nikki and
• 40:39
  Speaker 1: Safari would be in the studio and then but she
• 40:42
  Speaker 1: was I don't know. It was during that transition period. Yeah,
• 40:46
  Speaker 1: it was a weird time. When did you make the
• 40:48
  Speaker 1: decision like I guess fully commit to the hit maker. Um,
• 40:52
  Speaker 1: I just realized that yo, Like, I got good product,
• 40:55
  Speaker 1: but people didn't want it from me. They didn't want
• 40:57
  Speaker 1: me to be the one that was delivering the message
• 40:59
  Speaker 1: of delivering a song. So my first big ones were
• 41:02
  Speaker 1: John by Rick Rossing Little Wayne. I was Grammy nominated
• 41:05
  Speaker 1: for that. Shout out to a ke yep Um. Then
• 41:08
  Speaker 1: my next big one was Tamar Braxton the one, and
• 41:11
  Speaker 1: that's what prompted me to fly back and move back
• 41:13
  Speaker 1: to La shout out to Vincent Herban and Tamar Braxton.
• 41:15
  Speaker 1: You know that was that was a good look for y'all,
• 41:17
  Speaker 1: for y'all, no boy like and Tamar It's funniest hair.
• 41:25
  Speaker 1: It's funniest here with Tamark because after I gave her
• 41:27
  Speaker 1: a hit like, she went on a rant that I
• 41:30
  Speaker 1: didn't do this and I didn't do that or whatever.
• 41:32
  Speaker 1: And then like I was at the b and my
• 41:34
  Speaker 1: awards and like I've seen her and I touched her
• 41:36
  Speaker 1: and she was like Vince, he touched me, and I
• 41:39
  Speaker 1: just touched her on the shoulder, and y'all, I was like, damn,
• 41:41
  Speaker 1: I just gave you a hit. And then from there
• 41:44
  Speaker 1: when when she did it was just like, hi, bird dog,
• 41:49
  Speaker 1: I don't want to look at no man with the mouth.
• 41:54
  Speaker 1: Listen man, she didn't realize that you worked on the song. Oh,
• 41:58
  Speaker 1: she knew Rest in peace les Sean Angles who just passed.
• 42:00
  Speaker 1: She for sure knew that what I did and what
• 42:02
  Speaker 1: my collaboration to the song was. They took my tag
• 42:05
  Speaker 1: off the song. They went crazy on one in the end.
• 42:08
  Speaker 1: I don't know. They ain't want to give me the credit.
• 42:10
  Speaker 1: You know, I wasn't. I wasn't big enough at that point,
• 42:12
  Speaker 1: I guess. And then she all of my pictures on
• 42:15
  Speaker 1: my likes, my comments, So I guess she want another
• 42:17
  Speaker 1: bird for you. Is it better for you to like
• 42:22
  Speaker 1: stay behind the scenes and just write and produce or yeah,
• 42:26
  Speaker 1: why would I want to work as hard as they
• 42:28
  Speaker 1: got to work? Yeah, Like I'm I'm I'm in a studio.
• 42:30
  Speaker 1: You think I want to run around like for my
• 42:32
  Speaker 1: single and for my stuff, I'm doing it strictly because
• 42:35
  Speaker 1: they stay Young Bird with finish, He'll never have another
• 42:38
  Speaker 1: hit record again. I went and I had hit records.
• 42:41
  Speaker 1: Now I'm about to have a hit record with exactly
• 42:45
  Speaker 1: not Young Bird no more. I mean, if I until
• 42:46
  Speaker 1: I get a face off or something like that, I'm
• 42:49
  Speaker 1: still gonna be me. You know what I'm saying. Huh
• 42:50
  Speaker 1: you're married? No, not at all. I see the ring
• 42:52
  Speaker 1: on you. That ring fingers to the game. I'm like
• 42:55
  Speaker 1: Marcus Graham right now, for real, for real, all right,
• 42:57
  Speaker 1: we got more with Young Bird, a k A hit
• 42:59
  Speaker 1: maker with we come back. Let's get into his new joint.
• 43:02
  Speaker 1: It's called Stop Box. It's the breakfast club. Good Morning.
• 43:07
  Speaker 1: That was Stop Box Morning. Everybody's DJ. Envy Angela Yee,
• 43:11
  Speaker 1: Charlomagne the guy we are the breakfast club hit maker.
• 43:14
  Speaker 1: Young Burg is hilly. Since you said that Levin hipp
• 43:17
  Speaker 1: tried to destroy you, that was the whole situation with
• 43:18
  Speaker 1: Mesica right where they said that you had attacked there,
• 43:20
  Speaker 1: things had gotten physical. Have you guys resolved that situation?
• 43:24
  Speaker 1: Since then, you and Mesica, Me and Mosica talk all
• 43:26
  Speaker 1: the time. In fact, she actually came up here and
• 43:28
  Speaker 1: told y'all and none of that happened, and Charlote Wayne
• 43:30
  Speaker 1: was sniffing her seat and all that other. I remember
• 43:32
  Speaker 1: that been a long time. I had to be about
• 43:35
  Speaker 1: seven years ago, about ago, about six. Mosica wasn't famous
• 43:39
  Speaker 1: seven years ago, BROI sniffing sea was about six years ago.
• 43:45
  Speaker 1: Loving hip Hop was twenty and fourteen, so it was
• 43:48
  Speaker 1: five years. But there were there were also rumors that
• 43:51
  Speaker 1: she was dating Jeremiah at a period of time. I think,
• 43:54
  Speaker 1: I don't know, So does that make you feel away
• 43:56
  Speaker 1: knowing that was your ex? And then she dated Jeremiah? No,
• 44:00
  Speaker 1: love Bird, This is this Hollywood like, so let's be clear,
• 44:03
  Speaker 1: like the whole cast, I probably smashed the whole cast
• 44:06
  Speaker 1: of Loving hip Hop when we was on it. It's
• 44:07
  Speaker 1: mad women. I won't even say because I'm not a
• 44:10
  Speaker 1: Kissing Tales type. Dude. I ain't say no names. I'm
• 44:15
  Speaker 1: just saying, like it's Hollywood. You know how it go? Man, y'all,
• 44:19
  Speaker 1: you know it's kind of like we all say it's weird,
• 44:22
  Speaker 1: but you know I'm not on that no more. I
• 44:24
  Speaker 1: will not be dealing with any leftovers from any of
• 44:27
  Speaker 1: my friends or colleagues that I work with. Just no,
• 44:30
  Speaker 1: I will be important and exporting to doing something out
• 44:33
  Speaker 1: the norm, because no, you most definitely don't disrespect the
• 44:41
  Speaker 1: seeker like that man, that's it. I don't. We might
• 44:45
  Speaker 1: have to go back and look at that footage. It
• 44:46
  Speaker 1: exists because we live in this era. Like you see
• 44:52
  Speaker 1: someone in the in and that you think that's it
• 44:53
  Speaker 1: all the time, Like you know, you make little Mama cry.
• 44:56
  Speaker 1: I watch I watch all the Breakfast club interviews. Yes
• 44:59
  Speaker 1: you did. I was a while boy back there, black man,
• 45:03
  Speaker 1: don't cheat. We've all wrong, We've all evolved, you know
• 45:05
  Speaker 1: what I'm saying. We are different people. Good morning, Mochica.
• 45:08
  Speaker 1: How are you? Yeah? I don't. I don't like him
• 45:10
  Speaker 1: saying that. He said no, he just said that, you
• 45:17
  Speaker 1: don't know. I don't know. Maybe I don't know. I
• 45:20
  Speaker 1: mean they did date. It was like him say that,
• 45:25
  Speaker 1: I thought that was something that was known, Like I
• 45:28
  Speaker 1: didn't know that. Okay, So like, hey, guys, if you're
• 45:30
  Speaker 1: dating and you're adult and then you're twenty nineteen, safe
• 45:35
  Speaker 1: to say you didn't got some some action. I mean
• 45:37
  Speaker 1: I wouldn't consider myself dating nobody. If I haven't slept
• 45:40
  Speaker 1: with him, you might not want to give it to you.
• 45:42
  Speaker 1: You might want Wait, you wouldn't be with somebody who's
• 45:43
  Speaker 1: selling it. Nah. See, I got to smash the first
• 45:47
  Speaker 1: night immediately because I don't Yeah, because I don't want
• 45:51
  Speaker 1: to waste my time. What if you put in like
• 45:53
  Speaker 1: two months in or something and not get something in it?
• 45:55
  Speaker 1: The sexual chemistry isn't there. But record in the past
• 45:58
  Speaker 1: two and a half years, I should't have for one
• 45:59
  Speaker 1: of the eight and a half million records Charlotte eight
• 46:03
  Speaker 1: number ones, so many top tens, I can't even really
• 46:05
  Speaker 1: count them, but I mean before them terribly. That first
• 46:08
  Speaker 1: night you asked for a do over. Do you ever
• 46:10
  Speaker 1: have to apologize? It depends on how I feel about
• 46:14
  Speaker 1: the chick, you know what I'm saying, Because like sometimes
• 46:16
  Speaker 1: you know, it could just be like an in and
• 46:18
  Speaker 1: out type situation, or if I really want to go in,
• 46:21
  Speaker 1: I would I would catch a redo. Don't you feel
• 46:23
  Speaker 1: like you have to represent in this climate because they'd
• 46:25
  Speaker 1: be like, yeah, I was with a hitmaker, and I
• 46:26
  Speaker 1: don't know why they call him that because that hit
• 46:28
  Speaker 1: did not make it. Nah. I mean, you got money,
• 46:35
  Speaker 1: you might not have to hit it as hard as
• 46:36
  Speaker 1: you think. So oh, come on, for real, people talk
• 46:41
  Speaker 1: know how much they can say it about me. I
• 46:43
  Speaker 1: do not care what nobody got to say about me.
• 46:45
  Speaker 1: Run my check. I'm happy. I there people that you'll
• 46:48
  Speaker 1: never forgive from during that era that might want to
• 46:50
  Speaker 1: work with you, that are big. But you're like, I'll
• 46:51
  Speaker 1: never work with that Trick. May No, it ain't no
• 46:54
  Speaker 1: reason to work with Trick Trick or may Know anyway
• 46:56
  Speaker 1: right now. I mean seriously, I mean, God blessed them
• 46:59
  Speaker 1: both of that careers. But I never what people didn't
• 47:02
  Speaker 1: know about the fact that I never met Trick Trick
• 47:04
  Speaker 1: the day of my life. I don't know that, man,
• 47:05
  Speaker 1: I don't know the people. And Mayno, you know what
• 47:07
  Speaker 1: I'm saying. He was He's a cool guy. Like I
• 47:09
  Speaker 1: just think that that guy blown out of proportion and
• 47:12
  Speaker 1: that was something that he kind of took and ran
• 47:14
  Speaker 1: with it on a little press publicity type of thing
• 47:16
  Speaker 1: or whatever. But there there's no reason to work with
• 47:17
  Speaker 1: them though. Yeah, Charlotte Mane, you're trying to get me
• 47:21
  Speaker 1: in trouble right now, he paused. I mean, I don't
• 47:27
  Speaker 1: listen to I like Mano music, I mean personally, I
• 47:30
  Speaker 1: just don't feel like they're relevant to what's going on.
• 47:32
  Speaker 1: I don't think I'm catching the number one with them.
• 47:34
  Speaker 1: I don't want to leave this out there because you know,
• 47:36
  Speaker 1: everybody's grown, everybody's evolved. People woren't think you took a
• 47:39
  Speaker 1: shot at me. Absolutely absolutely no. I have nothing but
• 47:44
  Speaker 1: love for Mayno and Trick Trick. Those are things that
• 47:47
  Speaker 1: happened over ten years ago. I cannot carry that type
• 47:50
  Speaker 1: of energy with me. No disrespect, I respect everybody. There
• 47:53
  Speaker 1: you go, and when is that Fall album coming out?
• 47:56
  Speaker 1: I'm gonna just drop single, out the single, out the single,
• 47:58
  Speaker 1: and go platinum with all of them, and then up
• 48:00
  Speaker 1: the album like Tiger and I gonna gold the first week.
• 48:03
  Speaker 1: And what's the name of the album? Big Tom? Who
• 48:05
  Speaker 1: else is on the album? The whole industry? Charlotte Maagne,
• 48:09
  Speaker 1: Little Duval, black Man, don't cheat, remix on my on
• 48:12
  Speaker 1: my own, Let's do it. I don't know if you
• 48:15
  Speaker 1: into that, if you're part of the Faithful Blackmail Association,
• 48:17
  Speaker 1: I can know you gotta believe in me. You know,
• 48:18
  Speaker 1: I gotta get a part of that. Do you got
• 48:20
  Speaker 1: a girl? You gotta woman? Know, So I mean at
• 48:23
  Speaker 1: some point, yeah, of course, at some point I got
• 48:25
  Speaker 1: to settle down. I'm getting old. I gotta share these
• 48:27
  Speaker 1: experiences with somebody that we Kevin allowed told me a
• 48:29
  Speaker 1: long time it was to share your experience exactly, because
• 48:32
  Speaker 1: like you can achieve all these goals and then get
• 48:35
  Speaker 1: all this wealth and get everything, and then have nobody
• 48:37
  Speaker 1: to share it with. And then you look back and
• 48:39
  Speaker 1: just be like, damn, I just worked my whole life
• 48:41
  Speaker 1: and now I don't got nothing. But I'm still young,
• 48:43
  Speaker 1: so probably like thirty five. You know what I'm saying.
• 48:45
  Speaker 1: I get active, can take girls like on vacation and
• 48:47
  Speaker 1: things like that. Yeah, of course, of course I'm just asking.
• 48:51
  Speaker 1: I haven't seen no pictures of that, so nah, see,
• 48:53
  Speaker 1: we keeping on it low. I ain't like Joe Button,
• 48:55
  Speaker 1: like how he was just saying, what, Yeah, I was
• 48:58
  Speaker 1: there that same weekend he was. I know you were together. No,
• 49:01
  Speaker 1: why wouldn't you be with Joe? What's wrong? My man?
• 49:03
  Speaker 1: But I wouldn't know, doant kids with Joe? No? First
• 49:07
  Speaker 1: of all, Joe was dumped off because Joe was with
• 49:10
  Speaker 1: woman I don't know who. Joe wasn't trying to run
• 49:14
  Speaker 1: into none of us. I've seen her. She was very voluptuous,
• 49:19
  Speaker 1: she was very easy. No, I mean I've seen it
• 49:22
  Speaker 1: on the ground. Just sorry I hit him. No, I
• 49:24
  Speaker 1: was like, you got He was like, let's go get me.
• 49:26
  Speaker 1: I said, let's go get then, and he was like
• 49:27
  Speaker 1: hit me back the next Money's like, man, I would
• 49:29
  Speaker 1: have went out, but I was knee defensive masks last night,
• 49:37
  Speaker 1: Charlottage with a thick woman. You just stuck with Charlotte
• 49:40
  Speaker 1: Maagne and man, that's film in love and hip hop
• 49:42
  Speaker 1: right now, come on, don't do that, Charlotte. Man, it's
• 49:47
  Speaker 1: the next thing right now? What kind of women are
• 49:49
  Speaker 1: you looking for? Um? Somebody? Well, it's hard. It's remember
• 49:53
  Speaker 1: last time you asked to ask don't even do that.
• 49:56
  Speaker 1: It's hard. It's hard dating, you know what I'm saying now,
• 49:58
  Speaker 1: because it's like you don't know if the woman. See
• 50:00
  Speaker 1: Charlotte Maagne's situation is different, your situation is different. You
• 50:04
  Speaker 1: both known your wives for ever, so y'all really came
• 50:07
  Speaker 1: from the mud together. Now meeting a chick like like,
• 50:11
  Speaker 1: I love the star Tenders, I love the girls in Starlars,
• 50:14
  Speaker 1: but I can't think that they can actually be one
• 50:16
  Speaker 1: of my girlfriends. They don't know me. They're gonna catch
• 50:17
  Speaker 1: me throwing money at them. In fact, I've never been
• 50:19
  Speaker 1: in Starlars and none of them clubs either. I'm never
• 50:21
  Speaker 1: going to your bar. I never give it lust lust
• 50:26
  Speaker 1: that crazy like the most Bernies. She got a Starlars
• 50:29
  Speaker 1: no more. No, they got new star tenders. Yeah, they
• 50:35
  Speaker 1: got new one Bird. It's one cup name the cold
• 50:37
  Speaker 1: as bad as one name Winny. That's bad and they
• 50:39
  Speaker 1: all cool people. They got a Graham. Yeah what I'm
• 50:44
  Speaker 1: just looking at your black man exactly what I would
• 50:55
  Speaker 1: make a hit maker bird. Yeah, I appreciate y'all having
• 50:58
  Speaker 1: me many. You didn't made it hot, you made it either.
• 51:04
  Speaker 1: Go get your bible, bro, I'm just looking all right.
• 51:06
  Speaker 1: It's the Breakfast Club? Is Bird hit maker? Yes, sir,
• 51:09
  Speaker 1: this is the rule of report with Angela Ye. Yes.
• 51:18
  Speaker 1: Stephen A. Smith and Mark Keith Morris started going back
• 51:21
  Speaker 1: and forth on Twitter, and it's over that butt slap
• 51:24
  Speaker 1: from back in twenty seventeen. Right now, Stephen A. Smith
• 51:27
  Speaker 1: was on the Breakfast Club and this is what happened.
• 51:30
  Speaker 1: Have any athletes ever tried to hold your commentary against you?
• 51:33
  Speaker 1: They don't try to press you, they do it every day,
• 51:34
  Speaker 1: like I'm talking about like press you press you like physically. Yeah,
• 51:38
  Speaker 1: it's a couple didn't you get smacked on the butt once? Oh?
• 51:40
  Speaker 1: That was by Morris for the Washington Wizards. He just
• 51:45
  Speaker 1: slapped me after they won a game. And you know,
• 51:47
  Speaker 1: I thought nothing of it until a couple of days
• 51:49
  Speaker 1: later he said publicly, well I just did that because
• 51:52
  Speaker 1: that's all I could do. And I was like, well,
• 51:54
  Speaker 1: wait a minute, paying around, that's what you were doing.
• 51:58
  Speaker 1: That's like that, like you were serious, like you really
• 52:01
  Speaker 1: And I went on National teathy said, let that happen again.
• 52:03
  Speaker 1: I'm not gonna lie. Somebody smacked me on my butt.
• 52:05
  Speaker 1: I don't know how to take that either. That actually happen.
• 52:07
  Speaker 1: That happened to me, though, that happened. Remember when I
• 52:09
  Speaker 1: was walking out the club and the god smapped me
• 52:10
  Speaker 1: on my asses. You know, it's different. He's an athletes
• 52:13
  Speaker 1: after a game, right, yeah. But Stephen A. Smith ain't playing,
• 52:16
  Speaker 1: I know. But he didn't think it was a big
• 52:17
  Speaker 1: deal at that time, you know, until he heard differently otherwise.
• 52:22
  Speaker 1: So Keith Morris went on Twitter and says Stephen A.
• 52:25
  Speaker 1: Smith stopped being a tough guy behind cameras and Mike's
• 52:28
  Speaker 1: have that same energy next time I see you like
• 52:30
  Speaker 1: you had on the Breakfast Club. Gee. Stephen A. Smith responded,
• 52:33
  Speaker 1: it ain't about being done tough guy, bro. I simply
• 52:36
  Speaker 1: pointed out how I thought you were playing around a
• 52:38
  Speaker 1: couple of years ago, and then you publicly stated what
• 52:41
  Speaker 1: your real intent was afterwards to someone in the media.
• 52:43
  Speaker 1: So I said, had I known, it wouldn't have gone
• 52:45
  Speaker 1: down like that. Period, Boy, don't smack me on my ass, Okay.
• 52:52
  Speaker 1: So yeah, so there was some back and forth about
• 52:54
  Speaker 1: that afterward. But yeah, I guess anything physical, you know,
• 52:58
  Speaker 1: it's like insulting. These guys are old. They ain't gonna
• 53:01
  Speaker 1: be out there fighting. They would look so stupid out
• 53:02
  Speaker 1: there fighting on the court. These guys are old, they
• 53:04
  Speaker 1: are they're older. Stephen A. Smith is fifty years old.
• 53:06
  Speaker 1: He look crazy out there fighting on the court. All right. Now,
• 53:09
  Speaker 1: little baby is going to stop smoking cigarettes. That's good news.
• 53:13
  Speaker 1: The reason why he's decided to stop smoking is because
• 53:15
  Speaker 1: he got his new teeth. He got his veneers in.
• 53:17
  Speaker 1: So he said he's determined today is the day I
• 53:19
  Speaker 1: started smoking cigarettes. And he said, plus I got new
• 53:23
  Speaker 1: teeth after the fact that it could give you cancer
• 53:26
  Speaker 1: and kill you. But damn, you don't want to miss
• 53:28
  Speaker 1: up the new teeth. Come on, a little baby, you
• 53:29
  Speaker 1: definitely want to miss up the new teeth. But whatever
• 53:31
  Speaker 1: it takes, I'm happy. I'm happy he stops smoking on
• 53:33
  Speaker 1: Shout the little Baby, all right? And Terrence Howard said
• 53:36
  Speaker 1: he's quitting acting after Empire. He said he's done. He
• 53:39
  Speaker 1: won't be pursuing anymore on camera rolls. And that's that,
• 53:43
  Speaker 1: he said, I'm done pretending. I don't know what's going on.
• 53:45
  Speaker 1: It sounds like he's having a lot of issues in
• 53:47
  Speaker 1: his personal life. I would hate to see him not
• 53:49
  Speaker 1: act anymore. Though he's in some great movies. He's light skinned,
• 53:52
  Speaker 1: he's like me, he's emotional. He overreacted. I'm sure he'll
• 53:55
  Speaker 1: be back and say, you know what, it was a
• 53:57
  Speaker 1: bad decision, a bad thought. He's just right now, like
• 53:59
  Speaker 1: you said, he's going through right all right. Now, let's
• 54:01
  Speaker 1: discuss Chance the rapper. Now. He did an interview. He
• 54:05
  Speaker 1: was on Big Boy, and he talked about a lot
• 54:07
  Speaker 1: of different things, including Cardi B and Nicki Minaj's beef.
• 54:10
  Speaker 1: Here's what he had to say. A lot of that
• 54:11
  Speaker 1: stuff is produced, like all the information the way that
• 54:14
  Speaker 1: they phrase it to us, the way that you know
• 54:16
  Speaker 1: that they pit people against it, And I think, I
• 54:18
  Speaker 1: don't want to speak for them at all, but I
• 54:19
  Speaker 1: feel like to a certain extent, they got pushed into
• 54:22
  Speaker 1: that too. And I don't think that all of that
• 54:23
  Speaker 1: was one hundred percent their feelings. I mean, I don't
• 54:26
  Speaker 1: know if it's manufactured. I mean, I think those two
• 54:29
  Speaker 1: ladies had a disagreement somehow, some ways, something didn't connect
• 54:32
  Speaker 1: and they just really don't like each other. Yeah, but
• 54:35
  Speaker 1: I think that labels probably feel like they benefit off
• 54:38
  Speaker 1: of it, if they definitely benefit off of the beef.
• 54:40
  Speaker 1: But I mean, there's there's a lot of people. I mean,
• 54:41
  Speaker 1: there's some people out there that you don't like eating.
• 54:43
  Speaker 1: It's not manufactured. You just don't like them, and that's cool.
• 54:45
  Speaker 1: We could be in the same It's not that it's
• 54:47
  Speaker 1: not on that level though, you know what I'm saying,
• 54:49
  Speaker 1: Like when I don't like you, I just ignore you
• 54:51
  Speaker 1: and you don't exist. You write me too, all right now. Also,
• 54:54
  Speaker 1: he talks about being inspired to get married after a
• 54:57
  Speaker 1: conversation that he had with Offset. He was like, everybody
• 55:00
  Speaker 1: doesn't know this, but like this thing between me and
• 55:03
  Speaker 1: Guardia isn't fake. We actually just got married in my
• 55:06
  Speaker 1: backyard like a couple of weeks ago, and we didn't
• 55:09
  Speaker 1: tell anybody. And this was before I got announced here, man,
• 55:12
  Speaker 1: this was before like everything that's happened through their relationship.
• 55:15
  Speaker 1: And he was like, this is my wife. This is
• 55:17
  Speaker 1: like who I'm gonna be with for the rest of
• 55:18
  Speaker 1: my life. So like, just keep it real with me
• 55:19
  Speaker 1: if you're gonna do this. And I was like, before
• 55:21
  Speaker 1: you said all that stuff, I wanted to do it,
• 55:23
  Speaker 1: but now I'm gonna do it death and I'm gonna
• 55:25
  Speaker 1: propose to my wife since Yeah, just being one hundred
• 55:30
  Speaker 1: percent clear about it. Offset Yeah, definitely one of the
• 55:33
  Speaker 1: big inspirations and me manning up, I mean that's what
• 55:35
  Speaker 1: it is. I mean, you want to get married in
• 55:37
  Speaker 1: the comfortability of your own house with your family around.
• 55:39
  Speaker 1: I'm not mad at that. Yeah, And that's inspiring when
• 55:42
  Speaker 1: somebody else, you know and respecting the business and has
• 55:44
  Speaker 1: done something that influenced him. So there you have it.
• 55:48
  Speaker 1: All right, Well, um Angela yee, and that is your
• 55:50
  Speaker 1: rumor report. All right, thank you, miss ye. Now when
• 55:53
  Speaker 1: we come back, Charlemagne's giving somebody donkey today Charlemagne will
• 55:56
  Speaker 1: give me that donkey too. Yes, what did young Charla
• 55:59
  Speaker 1: always tell you? The craziest people in America come from
• 56:01
  Speaker 1: the Bronx and all the Florida But Florida, you can
• 56:03
  Speaker 1: breathe easy. Today the Bronx has stepped up to challenge
• 56:07
  Speaker 1: the Crown. On this fine Friday, the thirteenth, we need
• 56:10
  Speaker 1: a young woman named Abe Opinion to come to in
• 56:11
  Speaker 1: front of the congregation. We'd like to have a world wader.
• 56:13
  Speaker 1: I don't move. It's to Breakfast cloub God Morning, the
• 56:16
  Speaker 1: breakfast Club. Your mornings will never be the same. Hiring
• 56:20
  Speaker 1: isn't easy, but there is one place you can go
• 56:23
  Speaker 1: where hiring is simple and smart. That place is zip recruiter,
• 56:26
  Speaker 1: where growing businesses connect to qualify candidates. Try it for
• 56:30
  Speaker 1: free at zip recruiter dot com slash breakfast zip recruiter
• 56:33
  Speaker 1: the smartest way to hire This don't be a dusk
• 56:37
  Speaker 1: because right now you want some real It's time for
• 56:42
  Speaker 1: Donkey of the Day. So if we ever feel I
• 56:44
  Speaker 1: need to be a dark man, give me with the heat.
• 56:47
  Speaker 1: Did she get a name? I had become Donkey of
• 56:51
  Speaker 1: the Day, the breakfast Club. Bitchy, Yeah, donk you today
• 56:56
  Speaker 1: for Friday, September thirteenth, Unlucky Friday the thirteenth goes to
• 57:00
  Speaker 1: a woman named Ava Painia, am I pronouncing that right?
• 57:04
  Speaker 1: Ava Painia. Now avas from the Bronx. And what did
• 57:06
  Speaker 1: your uncle Shula always tell you about the Bronx? Okay,
• 57:09
  Speaker 1: the craziest people in America come from the Bronx and
• 57:11
  Speaker 1: all of Florida, and Ava is no exception because Avia
• 57:14
  Speaker 1: is a sergeant for the NYPD. Now we all know
• 57:17
  Speaker 1: some police officers can be crooked. All cops aren't crooked,
• 57:20
  Speaker 1: but all aren't here to protecting the servisa all right,
• 57:22
  Speaker 1: Some cops abuse their power. Some cops think they are
• 57:26
  Speaker 1: above the law. With Sergeant Ava Painia abused her power
• 57:29
  Speaker 1: of people. Not only did she abuse her power, the
• 57:31
  Speaker 1: hypocrisy is real because Ava did something that she would
• 57:35
  Speaker 1: usually lock somebody else for somebody else up for. Let's
• 57:38
  Speaker 1: go to news to a Westchester for the report police
• 57:40
  Speaker 1: NYPD sergeant suspended after going on an alleged shoplifting spree
• 57:44
  Speaker 1: and west Chester Police. Instead of taking out her wallet
• 57:47
  Speaker 1: to pay, Ava Painia stuffed about three hundred and fifty
• 57:50
  Speaker 1: dollars ruth of items into her purse that happened at
• 57:53
  Speaker 1: a Macy's in Yonkers. Authorities say she didn't get far, though,
• 57:56
  Speaker 1: as she tried to leave the store, she was arrested. Painion,
• 57:59
  Speaker 1: now facing penny larceny charge, was suspended without pay from
• 58:02
  Speaker 1: her job as an NYPD sargeant. Now this is actually
• 58:06
  Speaker 1: an indictment against an NYPD because Aba paying your clearly
• 58:09
  Speaker 1: isn't making a lot of money. If she was, she
• 58:11
  Speaker 1: wouldn't have to shoplift. And that's a travesty because public
• 58:14
  Speaker 1: servants like teachers, cops, firefighters, they should be making top
• 58:18
  Speaker 1: dollars and they don't, and that's a damn shame because
• 58:20
  Speaker 1: it leads them to committing crimes like this. But I
• 58:22
  Speaker 1: don't have any empathy for her, the same way they
• 58:24
  Speaker 1: don't have empathy for people from the hood who sometimes
• 58:27
  Speaker 1: have to take criminal chances to provide for themselves and
• 58:30
  Speaker 1: their families. Now, I don't understand why Aba just didn't
• 58:33
  Speaker 1: rob some drug dealers. All right, pull over some guys
• 58:35
  Speaker 1: who got drugs on them, take their money and earn
• 58:37
  Speaker 1: your three hundred and fifty dollars the good old fashioned copboy.
• 58:40
  Speaker 1: Have you never seen training day? Now? I don't know
• 58:42
  Speaker 1: how long she's been on the force, but to starting
• 58:44
  Speaker 1: salary for an NYPD officers forty two thou five hundred
• 58:47
  Speaker 1: after five and a half years eighty five thousand plus.
• 58:50
  Speaker 1: So I totally understand why you probably needed to steal
• 58:53
  Speaker 1: a lot of Macy's. But the law is the law.
• 58:55
  Speaker 1: Now you got a petty larceny charge and desk appearance
• 58:58
  Speaker 1: ticket all because you decided to steal from Tommy Hill
• 59:01
  Speaker 1: figure pants, a beated guest shirt, and a lace guest dress.
• 59:05
  Speaker 1: What do you think of that? Fit? Ye? You ain't
• 59:07
  Speaker 1: that down down in Atlanta? For you know what's interesting?
• 59:09
  Speaker 1: Tommy Hill Figure is back. Really. Yes, when I was
• 59:12
  Speaker 1: actually in France, they had huge Tommy Hill Figure stores
• 59:15
  Speaker 1: and everything everywhere. So people are into it. I think
• 59:17
  Speaker 1: sen Days a Tommy Hill Figure spokesperson. Really, so excuse me. Yeah,
• 59:22
  Speaker 1: I don't know. I'm not mad at that now. Guests,
• 59:24
  Speaker 1: I don't know if that's bad. A beated guest shirt
• 59:26
  Speaker 1: and a lace guest I don't know if beads and
• 59:28
  Speaker 1: all of that is popping right now? Well add her
• 59:30
  Speaker 1: fit to the reason she's getting donkey all right, some
• 59:33
  Speaker 1: donkey of the days just sell themselves. Please give Aba
• 59:36
  Speaker 1: Painia the sweet sounds of the Hamletones. Oh no you
• 59:39
  Speaker 1: are dogee, oh gee, oh the day. Ye Now, I
• 59:56
  Speaker 1: do want to say, we don't know that she wasn't
• 59:58
  Speaker 1: stealing from these drug dealers. That is true, but if
• 1:00:00
  Speaker 1: you were stealing from the drug dealers, you would have
• 1:00:01
  Speaker 1: three hundred and fifty dollars to be able to go
• 1:00:03
  Speaker 1: buy out of Macy's. Yeah, but maybe she just likes
• 1:00:05
  Speaker 1: doing that Womania. Yeah, okay, could be but maybe or
• 1:00:10
  Speaker 1: maybe she's just addicted to it, like she's dealing from
• 1:00:13
  Speaker 1: these drug dealers. It's easy. Let me go to the
• 1:00:14
  Speaker 1: store steal a little something. I understand the feeling. I
• 1:00:17
  Speaker 1: still steal magazine is right right now. So now maybe
• 1:00:19
  Speaker 1: you need to give yourself Donkey today a magazine. No,
• 1:00:21
  Speaker 1: we haven't gotten caught, ye I get caught and arrested,
• 1:00:24
  Speaker 1: then yes, I'll definitely give myself watch this guy all
• 1:00:28
  Speaker 1: right now, coming up, my man, Malcolm Gladwell will be here. Okay,
• 1:00:31
  Speaker 1: if you've ever read the Outlies, if you ever read Blank,
• 1:00:33
  Speaker 1: if you ever read Tipping Point, if you ever read
• 1:00:35
  Speaker 1: David and Goliath, he's got a new book out called
• 1:00:38
  Speaker 1: Talking to Strangers, And I promise you this book is
• 1:00:42
  Speaker 1: so necessary for the times that we live in, because
• 1:00:44
  Speaker 1: none of us know how to communicate with each other.
• 1:00:46
  Speaker 1: We'll be talking to Milcolm Gladwell when we come back.
• 1:00:48
  Speaker 1: It's the breakfast club, The breakfast Club morning. Everybody is
• 1:00:55
  Speaker 1: DJ Envy Angela Yee, Charlomagne the guy We all the
• 1:00:58
  Speaker 1: breakfast club. We gotta spell who guests in the building? Oh? Man,
• 1:01:01
  Speaker 1: my very old brother. He was born on the same day,
• 1:01:04
  Speaker 1: September three as well. Wait, is there a connection that
• 1:01:07
  Speaker 1: is crazy? I'm born on September third, He's born September three.
• 1:01:10
  Speaker 1: Wax was born on September third. Charlemagne's assistant was born
• 1:01:13
  Speaker 1: up Sember. I think one of my holy friends was
• 1:01:16
  Speaker 1: born on September third. Napoleon was born in September th. Wow. Really,
• 1:01:20
  Speaker 1: Malcolm glad Well, ladies and gentlemen, welcome. Malcolm had the
• 1:01:24
  Speaker 1: new book out man, and some books are good read.
• 1:01:26
  Speaker 1: Some books and necessary manuals for the times that we
• 1:01:29
  Speaker 1: live in. And that's exactly what I think. Talking to
• 1:01:31
  Speaker 1: Scranges is man a manual for the times that we
• 1:01:35
  Speaker 1: live in. What we should know about the people we
• 1:01:37
  Speaker 1: don't know. I think this is your best work. Really,
• 1:01:40
  Speaker 1: I think first and foremost. But what is this book about.
• 1:01:43
  Speaker 1: It's well, it starts with the story of Sandra Bland,
• 1:01:47
  Speaker 1: which is what inspired the book, and it ends with
• 1:01:50
  Speaker 1: the story of Sandra Bland, and the middle is an
• 1:01:51
  Speaker 1: attempt to figure out what happened because for some reason,
• 1:01:56
  Speaker 1: I don't really have a good explanation why of all
• 1:01:58
  Speaker 1: of those cases in that I guess it was like
• 1:02:00
  Speaker 1: a three year run where all those cases were in
• 1:02:03
  Speaker 1: the news. That was the one that got me. You demanded,
• 1:02:07
  Speaker 1: Knox are used rock Turner. No, I'm talking about of
• 1:02:09
  Speaker 1: all those of all those police from Michael Brown on,
• 1:02:14
  Speaker 1: they were all horrifying in their own way, but that
• 1:02:16
  Speaker 1: one I could not get that one out of my head. Yeah,
• 1:02:19
  Speaker 1: because it was so I mean, it's the middle of
• 1:02:22
  Speaker 1: the day in a you know, in a college town
• 1:02:25
  Speaker 1: in Texas, a young professional woman driving down the street
• 1:02:30
  Speaker 1: pulled over for no reason, and then it just completely unravels. Yeah.
• 1:02:35
  Speaker 1: First they're there and the and the weird thing, of
• 1:02:37
  Speaker 1: course of that case is that we have the whole
• 1:02:40
  Speaker 1: thing is videotape, so there's no dispute about Usually in
• 1:02:43
  Speaker 1: those cases, as a dispute, the officer says, well, you know, Blue,
• 1:02:46
  Speaker 1: the other persons, Well, this one is like, we know
• 1:02:47
  Speaker 1: exactly what happened, right, And so I decided, and I
• 1:02:51
  Speaker 1: got obsessed with that tape, and I decided, it's so
• 1:02:54
  Speaker 1: weird to think that this completely trivial encounter could spiral
• 1:02:59
  Speaker 1: out of cont role and then in Sandra Blan being
• 1:03:01
  Speaker 1: dead three days later that I decided it was sort
• 1:03:04
  Speaker 1: of I also realized that that encounter was somehow typical
• 1:03:08
  Speaker 1: that an awful lot of the big, high profile cases
• 1:03:12
  Speaker 1: that we were obsessed with, we're all about the same thing,
• 1:03:15
  Speaker 1: which is about strangers meeting each other and something going
• 1:03:18
  Speaker 1: wrong and then misunderstanding each other, miscommunication. That's where that's
• 1:03:22
  Speaker 1: where the book begins. You said that the death of
• 1:03:24
  Speaker 1: Sandraw Blaine is what happens when a society does not
• 1:03:26
  Speaker 1: know how to talk to strangers. Like, expound on that
• 1:03:29
  Speaker 1: a little bit, Well, if you so. A lot of
• 1:03:33
  Speaker 1: what I'm focused on the book is what are the
• 1:03:35
  Speaker 1: ways in which we get other people wrong? What are
• 1:03:37
  Speaker 1: the things that lead us astray? When we're meeting Song
• 1:03:40
  Speaker 1: for the first time, And then that encounter with the
• 1:03:43
  Speaker 1: thing that becomes clear, particularly if you listen the cop
• 1:03:47
  Speaker 1: gives this deposition in journey investigation, and he is totally
• 1:03:52
  Speaker 1: weird deposition. But it becomes clear that he's terrified of
• 1:03:55
  Speaker 1: her because he becomes convinced that she's dangerous and he
• 1:04:00
  Speaker 1: completely misreads what she is is upset, but he completely
• 1:04:04
  Speaker 1: misreads someone's discomfort and anxiety and anger at being pulled
• 1:04:10
  Speaker 1: over as threatening behavior. But doesn't everybody get upset when
• 1:04:14
  Speaker 1: they get pulled on? Exactly? So wouldn't any cup feel
• 1:04:16
  Speaker 1: like I think nobody's ever really that pleasant when they
• 1:04:20
  Speaker 1: get pulled over, especially for something that lane change or
• 1:04:23
  Speaker 1: whatever it was she got pulled over for. I felt
• 1:04:26
  Speaker 1: like it was his ego because he didn't like the
• 1:04:28
  Speaker 1: fact that she lit the cigarette right, and he didn't
• 1:04:31
  Speaker 1: like the fact that she wouldn't get out of the car,
• 1:04:33
  Speaker 1: because it felt like his ego wanted him to wanted
• 1:04:36
  Speaker 1: her to just bow down to whatever it was that
• 1:04:39
  Speaker 1: he was telling her to do, and she was challenging him. Yeah, no,
• 1:04:43
  Speaker 1: he clearly he very quickly gets in over his head.
• 1:04:46
  Speaker 1: But he gets in over his head, I think because
• 1:04:48
  Speaker 1: he makes a series of very rapid assumptions about her
• 1:04:51
  Speaker 1: that are completely false, right, And that's what it's that
• 1:04:54
  Speaker 1: part of it. And also secondarily that he's been put
• 1:04:58
  Speaker 1: in a position like if you go into that Cops history,
• 1:05:01
  Speaker 1: you realize he was stopping everyone for everything. So this
• 1:05:04
  Speaker 1: is not some random encounter for him. This is part
• 1:05:07
  Speaker 1: of a practice not just of him, but of police
• 1:05:09
  Speaker 1: officers in general. They are in there's a philosophy of
• 1:05:13
  Speaker 1: policing that requires them to go out and stop anyone
• 1:05:15
  Speaker 1: who looks even remote suspicious on the off chance they
• 1:05:18
  Speaker 1: might be doing something wrong. If you do that, you're
• 1:05:20
  Speaker 1: gonna get into trouble, right, You're gonna force You're gonna
• 1:05:22
  Speaker 1: be put police officers in situations where they're they're required
• 1:05:26
  Speaker 1: to make very rapid assessments of people that are going
• 1:05:29
  Speaker 1: to be erroneous. And it's that kind of group of
• 1:05:33
  Speaker 1: factors that interests me, and I think that shows up
• 1:05:36
  Speaker 1: like I like Charlomie was saying, the book talks about
• 1:05:39
  Speaker 1: rock Turner and Sandusky and Amanda Knox and Bernie Madoff.
• 1:05:44
  Speaker 1: There are all versions of the same thing, which is
• 1:05:46
  Speaker 1: people meet a stranger and they just totally get them wrong. Right,
• 1:05:49
  Speaker 1: you really liked Bernie Madoff. Oh, I let that case
• 1:05:53
  Speaker 1: is it's fastly on so many levels because it's like
• 1:05:57
  Speaker 1: super super super smart people are people who consider themselves
• 1:06:01
  Speaker 1: really really smart. We're completely taken invite, which I just
• 1:06:03
  Speaker 1: find kind of hilarious, Like there's a certain superiority all
• 1:06:07
  Speaker 1: among people on Wall Street. They you think they're above
• 1:06:09
  Speaker 1: all this kind of stuff, and truth is, they're completely
• 1:06:12
  Speaker 1: not that the Friends fallacy would that be considered. But
• 1:06:15
  Speaker 1: so yeah, I have a chapter chapter six, Chapter six,
• 1:06:19
  Speaker 1: which is I start with an episode of Friends and
• 1:06:22
  Speaker 1: point out that you can follow an episode of Friends
• 1:06:24
  Speaker 1: with the sound off because every single emotion that any
• 1:06:29
  Speaker 1: character of Friends has is displayed perfectly in her face, right,
• 1:06:33
  Speaker 1: And I had a psychologist as an expert in facial expressions.
• 1:06:36
  Speaker 1: Go through the episode, and you know, if Joey is angry,
• 1:06:40
  Speaker 1: Joey's face looks angry. If Monica is like surprised, her
• 1:06:45
  Speaker 1: jaw drops and her eyes grow wide, and we if
• 1:06:48
  Speaker 1: you watch things like that, you get the impression that
• 1:06:50
  Speaker 1: that's the way the real world works, that you can
• 1:06:53
  Speaker 1: reliably predict how someone's feeling from their expressions. In fact,
• 1:06:56
  Speaker 1: that's not the way the real world brooks at all.
• 1:06:58
  Speaker 1: And this is a source of big trouble, particularly for
• 1:07:01
  Speaker 1: police officers who have a whole series of things in
• 1:07:03
  Speaker 1: their head about what guilt looks like, or what suspicion
• 1:07:06
  Speaker 1: looks like, or what nervousness looks like if you avert
• 1:07:09
  Speaker 1: your eyes. An incredible percentage of cops think that if
• 1:07:12
  Speaker 1: the person they're talking to averts their eyes, it means
• 1:07:15
  Speaker 1: that they are hiding something or they're guilty. That is
• 1:07:18
  Speaker 1: not what it means. On friends, that's what it means, right,
• 1:07:21
  Speaker 1: But in real life, people avert their eyes for all
• 1:07:24
  Speaker 1: kinds of reasons. Sometimes there was an incredible remember that show,
• 1:07:29
  Speaker 1: Remember Copsy, of course there's a guy as a psychologist
• 1:07:33
  Speaker 1: who is hilarious Dudy where he looks at like four
• 1:07:36
  Speaker 1: years of Cops episodes and he because in Cops you
• 1:07:39
  Speaker 1: always know whether the persons who's being interviewed is guilty.
• 1:07:42
  Speaker 1: You find out whether they're guilty or innocent. Right, So
• 1:07:45
  Speaker 1: he looks and it compares the facial expressions of the
• 1:07:47
  Speaker 1: guilty and the innocent people on Cops. It's real world
• 1:07:50
  Speaker 1: camera's running, is not in some lab. It's like and
• 1:07:53
  Speaker 1: what he finds is there's incredible differences in the way
• 1:07:56
  Speaker 1: that guilty white people, black people, and Hispanic behave and
• 1:08:01
  Speaker 1: also in credible differences in the way that that innocent
• 1:08:03
  Speaker 1: white people black people in his banks behave. It's just
• 1:08:06
  Speaker 1: different cultural ways of managing a situation when you're talking
• 1:08:10
  Speaker 1: to a police officer, right, But so you can't have
• 1:08:12
  Speaker 1: one fixed notion in your head about what innocence looks
• 1:08:16
  Speaker 1: like if you're out in the real world where people
• 1:08:18
  Speaker 1: are different at all. Even if I know I'm not
• 1:08:19
  Speaker 1: doing anything wrong and a cop pulls up next to
• 1:08:22
  Speaker 1: me or behind me, I get instantly a little nervous. Yea,
• 1:08:25
  Speaker 1: even though I'm not breaking any law. I'm not doing
• 1:08:27
  Speaker 1: anything wrong. I'm not on my phone, my seatbelts on,
• 1:08:29
  Speaker 1: all my paperwork is right, and I'm like, oh my god,
• 1:08:31
  Speaker 1: they're about to pull me over. The opposite, I don't
• 1:08:33
  Speaker 1: get nervous at all. I get more aggressive because I
• 1:08:35
  Speaker 1: know I did nothing wrong. So it's totally two different situations.
• 1:08:38
  Speaker 1: You know, I agree with you, But isn't that kind
• 1:08:40
  Speaker 1: of dangerous on both sides, Like, because you can judge
• 1:08:44
  Speaker 1: somebody off their demeanor, And a lot of times when
• 1:08:45
  Speaker 1: you grow up in a certain environment, that is actually
• 1:08:48
  Speaker 1: a survival tactic because a lot of times you are
• 1:08:50
  Speaker 1: correct about people like you even speak about in the
• 1:08:52
  Speaker 1: book how people cops can tell when somebody has a
• 1:08:55
  Speaker 1: gun on them, Well, they think they can't. I don't
• 1:08:57
  Speaker 1: know whether they're There was one cop who is really
• 1:08:59
  Speaker 1: good at this back in the day, but he couldn't
• 1:09:00
  Speaker 1: teach anyone how to do what he did. So I mean,
• 1:09:03
  Speaker 1: I think there are very limited, rare examples of people
• 1:09:07
  Speaker 1: that are good at that. But basically, I think a
• 1:09:10
  Speaker 1: lot of people in these professions are just way overconfident
• 1:09:13
  Speaker 1: in your ability to read people. And that's we have
• 1:09:16
  Speaker 1: to deal with that fact. I think if we're gonna
• 1:09:19
  Speaker 1: if we're going to prevent these kind of cases in
• 1:09:21
  Speaker 1: the future. We got more with Malcolm Gladwell, when we
• 1:09:24
  Speaker 1: come back, don't move. It's to breakfast Club. Good morning Morning.
• 1:09:27
  Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are
• 1:09:31
  Speaker 1: the breakfast Club. We're still kicking with Malcolm Glad Will Charlomage.
• 1:09:34
  Speaker 1: Let's let's talk about the Kansas City experiment a little bit,
• 1:09:36
  Speaker 1: cause you talk about the fundamental misconceptions that police officers carry.
• 1:09:40
  Speaker 1: It's not an individual problem, it's a system. It's a system.
• 1:09:43
  Speaker 1: So this is this is something I've been like banging
• 1:09:46
  Speaker 1: on a while on for a while and I thought
• 1:09:49
  Speaker 1: of this, Actually, this is a little jandred in that
• 1:09:52
  Speaker 1: when Donald Sterling is forced out as and it's because
• 1:09:57
  Speaker 1: he makes those comments to his girlfriend right about how
• 1:10:00
  Speaker 1: he doesn't want her posting pictures on him. And if
• 1:10:03
  Speaker 1: Ramona Shelburn has this amazing podcast about the case, I
• 1:10:05
  Speaker 1: listened to it and I was struck by the fact
• 1:10:07
  Speaker 1: that Shelby Sterling as someone who, over the course of
• 1:10:10
  Speaker 1: his career twice there were actions brought by against him
• 1:10:15
  Speaker 1: by the Department Justice and by the on the because
• 1:10:18
  Speaker 1: he was discriminated against black people in his housing developments,
• 1:10:21
  Speaker 1: right in his apartment buildings. The NBA doesn't do a thing.
• 1:10:24
  Speaker 1: No one says a peep, he's everyone's fine with it.
• 1:10:27
  Speaker 1: Life goes on, and then he makes these comments to
• 1:10:30
  Speaker 1: his girlfriend and boom, the world blows up. And Matt
• 1:10:33
  Speaker 1: Barnes God Blessed makes the most interesting and intelligent point
• 1:10:37
  Speaker 1: of an entire podcast, and he says, wait a minute,
• 1:10:40
  Speaker 1: like we knew about this guy for twenty five years,
• 1:10:43
  Speaker 1: and now you're getting upset. And it's it's this weird
• 1:10:47
  Speaker 1: thing in society with a personal If someone personally is racist,
• 1:10:52
  Speaker 1: we go crazy. But if they are systematically doing something.
• 1:10:57
  Speaker 1: We're like fine with it, Like it is one hundred
• 1:10:59
  Speaker 1: times worse if you don't let black people rent apartments
• 1:11:02
  Speaker 1: in your building, then if you say something racist to
• 1:11:05
  Speaker 1: your girlfriend, just as like it is a hundred times
• 1:11:08
  Speaker 1: worse that there is voter suppression in Georgia. Then the
• 1:11:11
  Speaker 1: governor of Virginia wore black face, Like who cares it?
• 1:11:15
  Speaker 1: I mean, are we really surprised at a middle class
• 1:11:18
  Speaker 1: a middle aged white guy from Virginia who was a
• 1:11:20
  Speaker 1: frat boy in college at some point in his life
• 1:11:22
  Speaker 1: was in black face in the seventies. I mean that
• 1:11:24
  Speaker 1: does not surprise me, right, Like we got upset about that.
• 1:11:27
  Speaker 1: But the fact that Stacey Abrams probably lost because of
• 1:11:32
  Speaker 1: some really nasties, that's something that like fades away after.
• 1:11:36
  Speaker 1: So there's this weird thing where stuff that's about systems
• 1:11:40
  Speaker 1: just goes over our heads and personal stuff gets us crazy.
• 1:11:45
  Speaker 1: We do it every day with Donald Trump. We do
• 1:11:47
  Speaker 1: it every day with everything obsessed with the so in
• 1:11:50
  Speaker 1: with cops. The real issue with Sandra Bland is, I mean,
• 1:11:53
  Speaker 1: it is an issue that this guy is a racist.
• 1:11:57
  Speaker 1: The larger question is that there is a philosophy of
• 1:12:00
  Speaker 1: leasing that says it is legitimate for police officers to
• 1:12:04
  Speaker 1: go everywhere, even neighborhoods with there is no crime, and
• 1:12:08
  Speaker 1: stop people just because they believe in the back of
• 1:12:11
  Speaker 1: their head there is a tiny chance they may be
• 1:12:13
  Speaker 1: doing something that is a That's not something that individual
• 1:12:16
  Speaker 1: cops do on their own. It is something they are
• 1:12:18
  Speaker 1: taught to do, right, And that part that's the that's
• 1:12:23
  Speaker 1: the outrage. Yeah, right, Who cares whether when this guy
• 1:12:27
  Speaker 1: goes home at night, here's a Confederate flag on his wall.
• 1:12:29
  Speaker 1: The issue is that there's a system that is that
• 1:12:32
  Speaker 1: is in place, and I what I want to do
• 1:12:33
  Speaker 1: with this book is kind of get our focus back
• 1:12:35
  Speaker 1: on the on the systematic things that I agree with you.
• 1:12:40
  Speaker 1: When you take somebody who when you when you have
• 1:12:42
  Speaker 1: a system like that, but then you take somebody who
• 1:12:45
  Speaker 1: maybe a racist or maybe a bigot, doesn't it make
• 1:12:47
  Speaker 1: them easier for them to, you know, exert that racism people?
• 1:12:52
  Speaker 1: It does. But I don't know. I always run up
• 1:12:54
  Speaker 1: against this thing with racism, was which is so some
• 1:12:58
  Speaker 1: percentage significant percentage of people, I don't know what it is,
• 1:13:02
  Speaker 1: no one does, but are probably on some level racist.
• 1:13:05
  Speaker 1: I don't know what you do about that, right, like
• 1:13:08
  Speaker 1: do you. I don't know how you get rid of them.
• 1:13:10
  Speaker 1: I don't know how you changed their minds. All you
• 1:13:12
  Speaker 1: can do is you can change the system in which
• 1:13:14
  Speaker 1: they're operating, or you can so that their racism doesn't
• 1:13:18
  Speaker 1: get hard. As much about your experience when Bernie Madeoff, Yeah,
• 1:13:24
  Speaker 1: and how you had to sit down with him, and
• 1:13:26
  Speaker 1: what your thoughts were, I sat down with, not with
• 1:13:28
  Speaker 1: made off with the guy who caught Harry Marcopolis. Yeah, Um,
• 1:13:33
  Speaker 1: who is you know? I think it can be said,
• 1:13:36
  Speaker 1: a very weird dude. Um, so he's the He's the
• 1:13:40
  Speaker 1: guy who, ten years before anyone else figured out that
• 1:13:43
  Speaker 1: made Off was crook, he knew, Um, he sort of.
• 1:13:47
  Speaker 1: But the problem with this guy, he's this kind of
• 1:13:50
  Speaker 1: He's a hedge fund guy from Boston's super smart, but
• 1:13:53
  Speaker 1: he's completely paranoid. And the reason he doubts made Off
• 1:13:57
  Speaker 1: is he doubts everyone, but you don't. My point in
• 1:14:00
  Speaker 1: that chapter is you actually don't want to be that guy.
• 1:14:03
  Speaker 1: You don't want to live your life thinking everyone is
• 1:14:06
  Speaker 1: potentially dangerous or batter. It's like, I think this guy,
• 1:14:10
  Speaker 1: he strikes me as the most deeply unhappy, But you
• 1:14:13
  Speaker 1: don't want to be the opposite either. You don't want
• 1:14:14
  Speaker 1: to be that guy that trust and believes in everybody either,
• 1:14:16
  Speaker 1: Why not, because that's what most people get got, That's
• 1:14:18
  Speaker 1: what most people get scammed, That's what most people get
• 1:14:20
  Speaker 1: taken advantage of our think. I think you could use
• 1:14:22
  Speaker 1: common sense and like, I like to think that you
• 1:14:26
  Speaker 1: trust people until they give you a reason. Not too
• 1:14:28
  Speaker 1: some people look at it. I don't trust anybody until
• 1:14:30
  Speaker 1: they until I know them better and I'll vet them out,
• 1:14:32
  Speaker 1: and it takes a long time to earn your trust.
• 1:14:34
  Speaker 1: But I feel like, Okay, what you show me is
• 1:14:37
  Speaker 1: what I'll take it at face value until you prove
• 1:14:39
  Speaker 1: to me otherwise. Yeah, I think I tend to err.
• 1:14:43
  Speaker 1: I mean, you're right, you don't want to be completely
• 1:14:45
  Speaker 1: gulpable you were. There's some middle ground here. But I
• 1:14:48
  Speaker 1: really think that happiness lies on the I would rather
• 1:14:53
  Speaker 1: be occasionally scammed and oh, you know, trusting than be
• 1:14:59
  Speaker 1: on the other side of the equation and be sort
• 1:15:01
  Speaker 1: of paranoid. What about can you get somebody based off
• 1:15:03
  Speaker 1: how they treat other people? Well? So this actually this
• 1:15:05
  Speaker 1: is an interesting question. So let's say you were journalists
• 1:15:09
  Speaker 1: basis question. All the time you're writing a profile of someone,
• 1:15:12
  Speaker 1: and you have a choice. You can either interview the
• 1:15:16
  Speaker 1: subject of the profile for as long as you want, however,
• 1:15:19
  Speaker 1: or you can never meet that person, which you get
• 1:15:22
  Speaker 1: unlimited access to everyone in their life, all their friends,
• 1:15:25
  Speaker 1: co workers. Which, if you want to write the most
• 1:15:27
  Speaker 1: accurate picture of this person, which do you choose? I
• 1:15:29
  Speaker 1: would say everybody else in their life? Yeah, I think
• 1:15:32
  Speaker 1: that's that's a better shot at who they are, right
• 1:15:35
  Speaker 1: because there you would meet someone for an hour. This
• 1:15:38
  Speaker 1: goes to my point in the book. It's really hard
• 1:15:39
  Speaker 1: to get to know a stranger quickly. You meet someone
• 1:15:41
  Speaker 1: for half an hour in a job interview and they
• 1:15:44
  Speaker 1: are putting on their best face, they're not being themselves.
• 1:15:47
  Speaker 1: But if you had unlimited access to every all their
• 1:15:50
  Speaker 1: former co workers, old employers, family, They're going to give
• 1:15:54
  Speaker 1: you a far more nuanced picture. There's my last question.
• 1:15:57
  Speaker 1: In chapter twelve titles Sandra Bland, you said, we are
• 1:15:59
  Speaker 1: in that one to come to talking to strangers, and
• 1:16:01
  Speaker 1: we think we can transform the stranger without cause the sacrifice,
• 1:16:04
  Speaker 1: into the familiar and then known, and we can't. Then
• 1:16:07
  Speaker 1: you ask the question what should we do? So what
• 1:16:09
  Speaker 1: should we do when it comes to talking to scrangers
• 1:16:11
  Speaker 1: making Gladwell we should be we should There is no
• 1:16:14
  Speaker 1: easy First of all, it is no simple. Um, this
• 1:16:16
  Speaker 1: is not a book that ends with this kind of person.
• 1:16:20
  Speaker 1: It ends in a pretty dark place. But um, I
• 1:16:23
  Speaker 1: think we have to be a lot more cautious in
• 1:16:25
  Speaker 1: the judgments we make of others, and we need be
• 1:16:31
  Speaker 1: a lot more humble in our in our understanding of
• 1:16:36
  Speaker 1: how good we are at meeting people. So don't jump
• 1:16:39
  Speaker 1: to the conclusion. You know, if you're a police officer
• 1:16:41
  Speaker 1: and you're walking up to Sandra Bland's window and you
• 1:16:44
  Speaker 1: think your face with this behavior you can't make sense of,
• 1:16:48
  Speaker 1: don't jump to a conclusion that she's dangerous enough to
• 1:16:51
  Speaker 1: get you right. Slow down, ask her questions, be a
• 1:16:55
  Speaker 1: nice person. I mean, there's this is simply the lesson
• 1:17:00
  Speaker 1: of all this is that we were just I don't
• 1:17:02
  Speaker 1: know why we're in such a hurry to to to
• 1:17:05
  Speaker 1: pigeonhole people and describe them and um and try and
• 1:17:10
  Speaker 1: identify their patterns and behaviors. Because I gotta get these retweets,
• 1:17:13
  Speaker 1: I gotta get these likes, Okay, I gotta get these
• 1:17:16
  Speaker 1: Instagram comments before everybody else. That's why I gotta jump
• 1:17:19
  Speaker 1: to conclusions. It's it's not it's not it's not healthy. Listen, man,
• 1:17:22
  Speaker 1: this is a great book. I think this is the
• 1:17:24
  Speaker 1: second most important book I read this year. That we're
• 1:17:26
  Speaker 1: not second best, but like you know, I read two
• 1:17:29
  Speaker 1: important books this year, Digital Minimalism by Cal Newport, great ready,
• 1:17:34
  Speaker 1: and this Talking to Scranges is a must read. So
• 1:17:36
  Speaker 1: I think everybody should read it. Thank you so much.
• 1:17:39
  Speaker 1: Don't you think it's your best work. I think it's
• 1:17:41
  Speaker 1: my angriest work. M I didn't get that. I got concerned. Yeah,
• 1:17:46
  Speaker 1: I didn't get angry. Well that's what I'm a very much.
• 1:17:48
  Speaker 1: You know, I'm a very mild Canadian. That's what anger
• 1:17:51
  Speaker 1: looks like. A mild Canadian. You can't read it the
• 1:17:54
  Speaker 1: same way on him as someone else exactly. All right,
• 1:17:56
  Speaker 1: Well the book just came out, so we just got
• 1:17:59
  Speaker 1: our copies. Thank you so much, Malcolm Gladwell talking to strangers.
• 1:18:02
  Speaker 1: All right, it's the Breakfast Club. Good morning, the Breakfast Club.
• 1:18:08
  Speaker 1: It's about some report angela need on the breakfast Club. Yes,
• 1:18:18
  Speaker 1: Dennis Rodman says that he thinks ten to twenty percent
• 1:18:21
  Speaker 1: of pro athletes are gay, and the NBA is ready
• 1:18:24
  Speaker 1: for an athlete to come out. So he said he
• 1:18:26
  Speaker 1: doesn't think that people will be shocked by an athlete
• 1:18:28
  Speaker 1: coming out and will be supportive, saying, as long as
• 1:18:30
  Speaker 1: he plays and performs doesn't even matter. Yeah, nobody cares, bro,
• 1:18:34
  Speaker 1: if you if you, and I don't mean nobody cares
• 1:18:38
  Speaker 1: about your life, nobody cares about your lifestyle. Like, well, no,
• 1:18:41
  Speaker 1: people do care. Let's be clear you think so, yes,
• 1:18:45
  Speaker 1: people are still getting beat up on the street, randomly
• 1:18:47
  Speaker 1: killed gay slurs. Just post something and say that you
• 1:18:49
  Speaker 1: come out and see all the people that comment under
• 1:18:51
  Speaker 1: your picture and say nasty, mean things. So yes, people
• 1:18:54
  Speaker 1: do care. Yeah, But in the NBA, it's a different
• 1:18:56
  Speaker 1: ball game because these guys are millionaires. These guys can ball.
• 1:18:59
  Speaker 1: If you can actually play ball, they're not gonna care
• 1:19:02
  Speaker 1: if you gay in the NBA. I mean, look, in
• 1:19:04
  Speaker 1: an ideal world that would be great. In the world
• 1:19:06
  Speaker 1: that we live in, I don't think that's the truth.
• 1:19:08
  Speaker 1: And then let's we click. Jason Collins, nobody knew his
• 1:19:11
  Speaker 1: name until he came out. One of your former Brooklyn Natzier,
• 1:19:14
  Speaker 1: nobody was. He came out and it was love. He
• 1:19:18
  Speaker 1: got to play another year or two, all right, Now,
• 1:19:20
  Speaker 1: Cardi B. She is leading the twenty nineteen BT Hip
• 1:19:23
  Speaker 1: Hop Awards. She has ten nominations, so congratulations to her.
• 1:19:27
  Speaker 1: That's a huge deal for Cardi B. Drake has seven nominations,
• 1:19:32
  Speaker 1: and Kurti B. By the way, she won four last
• 1:19:36
  Speaker 1: year at the BT Hip Hop Awards, so congratulations to her.
• 1:19:39
  Speaker 1: I'm pretty sure she's gonna win a lot this year
• 1:19:41
  Speaker 1: as well. Christie Emilion, she was talking about hacking into
• 1:19:45
  Speaker 1: Nick Cannon's phone. You know what, It's crazy. When I
• 1:19:47
  Speaker 1: used to work as serious a long time ago. I
• 1:19:49
  Speaker 1: remember this story because Nick Cannon told me about it,
• 1:19:51
  Speaker 1: and she has into his phone, and that had a
• 1:19:53
  Speaker 1: lot to do with them obviously breaking up because he
• 1:19:56
  Speaker 1: was doing a lot of stuff. Why are you talking
• 1:19:57
  Speaker 1: about that now? Though she was sucking to she was
• 1:20:00
  Speaker 1: on in news digital series just to sip, and she
• 1:20:02
  Speaker 1: looked back at the time when she did that, so
• 1:20:05
  Speaker 1: I guess it's just something that happened to her. She
• 1:20:08
  Speaker 1: thought things were going well. I remember he was telling
• 1:20:10
  Speaker 1: me about this. He was like filming a movie or something.
• 1:20:13
  Speaker 1: One of them was out of the country filming a movie.
• 1:20:15
  Speaker 1: And here's what she had to say. When I was
• 1:20:17
  Speaker 1: dating Nick cannadite, like the passwords somehow worked on the
• 1:20:20
  Speaker 1: sperm the first check and I was right, and then
• 1:20:22
  Speaker 1: the next thing, you know, I was reading for like
• 1:20:24
  Speaker 1: a month. I was reading messages. I was stuck in Romania.
• 1:20:27
  Speaker 1: I had time, so I was like, I cannot bust
• 1:20:29
  Speaker 1: him while I'm away. I need to bust him in person.
• 1:20:32
  Speaker 1: So in the meantime, I'm gonna get my intel make
• 1:20:35
  Speaker 1: sure that this was for real, for real. And it
• 1:20:37
  Speaker 1: was for real, so it was enough. Yeah, she was
• 1:20:39
  Speaker 1: in Romania filming something and he didn't think it was
• 1:20:41
  Speaker 1: a big deal. I remember him discussing it. But I'm
• 1:20:43
  Speaker 1: sure he's going to address it as well. All right, now,
• 1:20:46
  Speaker 1: Kanye West, the new Yeazy's. A lot of people are
• 1:20:48
  Speaker 1: laughing at those crocs, the Yeasy film runners. Yes they
• 1:20:51
  Speaker 1: are crocs, crocs to me, you like them? No? Are
• 1:20:54
  Speaker 1: you gonna wear them? No? But if they're comfortable, no? Oh.
• 1:20:57
  Speaker 1: Let see, that's the different ball Now. It's a different
• 1:21:01
  Speaker 1: ballgame because I'm at that age where comfortability means more
• 1:21:04
  Speaker 1: than meeting how something looks. Did you get rid of
• 1:21:05
  Speaker 1: those corns? I got? I got one shaved off my
• 1:21:10
  Speaker 1: left pinky toe. But it's starting to come back. But
• 1:21:12
  Speaker 1: she told me that was probably gonna happen. And when
• 1:21:14
  Speaker 1: I got a shaved it was months and months ago,
• 1:21:16
  Speaker 1: So I just need another shave. Okay, So you shave
• 1:21:18
  Speaker 1: your toe, all right. So maybe those easy cracks might
• 1:21:21
  Speaker 1: do the truck. Yeah, but they look stupid, all right.
• 1:21:25
  Speaker 1: And Odep Beckham Jr. He is, as you all know,
• 1:21:28
  Speaker 1: playing for the Browns Now and he talks about a
• 1:21:30
  Speaker 1: situation where he said that Brown's players were instructed by
• 1:21:34
  Speaker 1: their former coach Greg Williams to injure him during a
• 1:21:37
  Speaker 1: preseason game in twenty seventeen. So he's going to be
• 1:21:41
  Speaker 1: playing the Jets and right now, william still coaches his
• 1:21:44
  Speaker 1: players to hit dirty in his current position on the
• 1:21:46
  Speaker 1: New York Jets. According to Odell Beckham Junior, here's what
• 1:21:49
  Speaker 1: he said, like your preseason, like nobody in the NFL
• 1:21:52
  Speaker 1: is really out to do stuff like that. And you know,
• 1:21:54
  Speaker 1: I had players on this team telling me that that's
• 1:21:56
  Speaker 1: what he was telling them to do. Take me out
• 1:21:58
  Speaker 1: of the game and his preseason you just you just
• 1:22:01
  Speaker 1: know who he is. Well that's whack. Yeah, that is
• 1:22:04
  Speaker 1: the fact that you can have done that and then
• 1:22:07
  Speaker 1: get back into the league afterwards. Yeah, I don't think
• 1:22:09
  Speaker 1: that you truly love the support if you want to
• 1:22:11
  Speaker 1: see the best players in the league or any player
• 1:22:13
  Speaker 1: in the league, you know, get hurt on purpose, you
• 1:22:16
  Speaker 1: know what I mean? Like, that's why, right, And by
• 1:22:18
  Speaker 1: the way, why would you do it? Why would you
• 1:22:19
  Speaker 1: do that as a players should be a cold amongst players, Like, No,
• 1:22:22
  Speaker 1: I'm not gonna do because I don't want anybody to
• 1:22:23
  Speaker 1: do that to me. Absolutely mess that man's livelihood up.
• 1:22:25
  Speaker 1: He can't provide for his family. That's the lane because
• 1:22:27
  Speaker 1: it's already dangerous enough. Rob Gonkowski said he's probably had
• 1:22:30
  Speaker 1: twenty concussions in his life from playing football, and he
• 1:22:33
  Speaker 1: said he even had five blackout moments, so imagine that. Also,
• 1:22:38
  Speaker 1: I just want to make sure you guys know that
• 1:22:39
  Speaker 1: Angela Right is hosting a BT town hall on the
• 1:22:42
  Speaker 1: mass student debt crisis and voter empowerment and that's all
• 1:22:46
  Speaker 1: having to do with his whole presidential candidacy. So that's
• 1:22:48
  Speaker 1: going to be airing on Sunday at nine fifteen pm
• 1:22:50
  Speaker 1: on BT. That's right, y'all support my sister. I'm actually
• 1:22:53
  Speaker 1: headed to go see my sister right now. And DC
• 1:22:55
  Speaker 1: Congressional Black Caucuses this weekend. That's right. I'm moderating a
• 1:22:58
  Speaker 1: panel today for the Congressional Black Caucus and the panel
• 1:23:01
  Speaker 1: is brought to you by a Fourth Movement and it's
• 1:23:03
  Speaker 1: could cannabis licensing be reparations? That is the question that
• 1:23:07
  Speaker 1: they're asking. And Michael Eric Dyson and Kareem Web, Marquis Dawson,
• 1:23:11
  Speaker 1: Representative Karen Bass, Corey Audria Ron Holmes, they're on the panel.
• 1:23:15
  Speaker 1: So I'll be moderating that. So I'll see y'all in
• 1:23:17
  Speaker 1: DC in a couple hours. I meanwhile, I'm in Atlanta
• 1:23:21
  Speaker 1: for the Revolt Music Conference showing that support and the
• 1:23:24
  Speaker 1: Envisioned Conferences also this weekend back in New York, and
• 1:23:27
  Speaker 1: I have another surprise for you. We are giving you
• 1:23:29
  Speaker 1: the chance to win one of ten trips to New
• 1:23:31
  Speaker 1: York for Powerhouse NYC, complete with a round trip airfare
• 1:23:34
  Speaker 1: for two people. You get two nights Hotel accommodations, you
• 1:23:37
  Speaker 1: get those sweet tickets, and of course you get the
• 1:23:39
  Speaker 1: chance to meet the Breakfast Club. This all goes down
• 1:23:41
  Speaker 1: at the Pidential Center Outoba twenty six that features a
• 1:23:43
  Speaker 1: me Gooes, Micmilot Baby, a Buggy, the Baby, David omegan
• 1:23:47
  Speaker 1: Na Stallion, Seweedie, Polo G Little TJ M. Moore. So
• 1:23:50
  Speaker 1: make sure you just text today's keyword to three seven
• 1:23:54
  Speaker 1: nine one one. That's how you enter for a chance
• 1:23:56
  Speaker 1: to win. And of course this is presented by our
• 1:23:58
  Speaker 1: friends at AT and T. That's right, I gotta say
• 1:24:00
  Speaker 1: piece to revoke. Y'all be cool light. It's the Breakfast
• 1:24:03
  Speaker 1: Club owning everybody. It's DJ Envy Angela Yee, Charlemagne the guy.
• 1:24:08
  Speaker 1: We are the Breakfast Club. Now. We got to shout
• 1:24:10
  Speaker 1: out to Malcolm Gladwell for joining us this morning. Flute
• 1:24:12
  Speaker 1: to Malcolm Gladwell. Man, you have to get talking to scrangers.
• 1:24:15
  Speaker 1: It is a must read. It is a book that
• 1:24:17
  Speaker 1: is necessary for the times that we live in right
• 1:24:19
  Speaker 1: now right. And also shout to Hitmaker aka young Bird
• 1:24:23
  Speaker 1: for stopping through. Please Mayno and Trick Trick. Don't slap Hitmaker.
• 1:24:26
  Speaker 1: He knows not what he do. Man her you try
• 1:24:28
  Speaker 1: to clear it up for I know, but he knows
• 1:24:30
  Speaker 1: not what he do. You know what I'm saying. Good
• 1:24:32
  Speaker 1: By the time that message, get back to Mayno and
• 1:24:34
  Speaker 1: get back to Trick Trick, they're gonna be hitting off
• 1:24:36
  Speaker 1: phones asking us what he said and I'm gonna tell
• 1:24:38
  Speaker 1: him go watch the interview because you try to clean it.
• 1:24:41
  Speaker 1: I tried to cle hitmaker. Ain't had to do it,
• 1:24:43
  Speaker 1: but he don't know no better. Yeah, yeah, he can't
• 1:24:45
  Speaker 1: help it. All right. Hey, salute to everybody in DC too.
• 1:24:49
  Speaker 1: I'm gonna be in DC. I'm gonna be at the
• 1:24:51
  Speaker 1: Congressional Black Caucus two thy nineteen this afternoon. I'll be
• 1:24:56
  Speaker 1: in the Walter E. Washington Convention Center having a conversation
• 1:24:59
  Speaker 1: my rating, a conversation actually about could cannabis licensing be reparations?
• 1:25:06
  Speaker 1: You know, the doctor mikel Eric Dyson is on the panel,
• 1:25:09
  Speaker 1: My Man Marquis Dawson is on the panel. Representative Karen
• 1:25:13
  Speaker 1: Bass is on the panel. A Man Kareem Webb is
• 1:25:15
  Speaker 1: on the panel. Ron Holmes is on the panel, and
• 1:25:18
  Speaker 1: Corey A. Lagria is on the panel. And they're gonna
• 1:25:22
  Speaker 1: be discussing cold cannabis licensing be reparations, which is something
• 1:25:25
  Speaker 1: a lot of people have discussed. My man Killer Mike
• 1:25:27
  Speaker 1: has the best take on it, if you ask me,
• 1:25:29
  Speaker 1: I wish he was on the panel. He said that
• 1:25:31
  Speaker 1: it should be reparations for the drug war, but not
• 1:25:33
  Speaker 1: for overall African Americans, you know, because that should just
• 1:25:37
  Speaker 1: be a check. But you know we'll be discussing that today.
• 1:25:40
  Speaker 1: I'll be moderating the panel. All right. I'll be uh
• 1:25:42
  Speaker 1: today and tomorrow I'll be in Vegas for the Mister
• 1:25:45
  Speaker 1: Olympia competition. Okay. You know I've been working out so
• 1:25:49
  Speaker 1: I'm one of the contestants. So no, I'm just DJ.
• 1:25:53
  Speaker 1: Now you out there watching men and Speedo, You out
• 1:25:56
  Speaker 1: there watching oiled up menu and Speedo. But you know
• 1:25:58
  Speaker 1: what v what happens in stage in Vegas, I ain't judge.
• 1:26:01
  Speaker 1: I'll be out there shout the little blest of this Saturday.
• 1:26:03
  Speaker 1: I'll be out in Chicago, all right, Yes, and y'all
• 1:26:06
  Speaker 1: know I'm in Atlanta. It is the Revolte Music Conference.
• 1:26:08
  Speaker 1: So I'll be out here for today just because we
• 1:26:12
  Speaker 1: have a nice kickoff, which Diddy will be attending as
• 1:26:16
  Speaker 1: well as a CEO of Revolting all the executives from
• 1:26:18
  Speaker 1: AT and T and then we have a meet and
• 1:26:20
  Speaker 1: greet later today. I believe it's Remy Ma and Joe
• 1:26:22
  Speaker 1: Button and Ebony Kay Williams will be there. And in
• 1:26:26
  Speaker 1: addition to that, I have my juices out here, my
• 1:26:28
  Speaker 1: drink Fresh juice, So if you want to sample that,
• 1:26:30
  Speaker 1: I'd have some drinks. I'll be at the gathering spot
• 1:26:33
  Speaker 1: tonight out here in Atlanta. And then we also have
• 1:26:36
  Speaker 1: the Envisioned Conference this weekend, and that's going to be
• 1:26:39
  Speaker 1: back in New York, so make sure you look at
• 1:26:41
  Speaker 1: my instagram for details on that. But I'll be speaking
• 1:26:43
  Speaker 1: at Envision and I will also have my juices there
• 1:26:47
  Speaker 1: for sampling. Drink fresh juice when we come back. Positive note,
• 1:26:50
  Speaker 1: don't moves to breakfast Club. Good morning morning. Everybody is
• 1:26:53
  Speaker 1: DJ Envy Angela Yee, Charlomagne the guy. We are the
• 1:26:57
  Speaker 1: breakfast Club. It's time to get a batty here, Charlomagne.
• 1:26:59
  Speaker 1: You got a positive note? Yes? Uh? My positive note
• 1:27:02
  Speaker 1: comes from the good brother Michael Glidwell, who he had
• 1:27:04
  Speaker 1: on today. Man Michael Glidwell said, and outliers. Practice isn't
• 1:27:08
  Speaker 1: the thing you do once you're good. It's the thing
• 1:27:10
  Speaker 1: you do that makes you good. You'll finished for y'all,
• 1:27:15
  Speaker 1: dumb