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Fergie Baby on Empire Deal, Cam’ron Co-Sign, A$AP Rocky’s influence, & Top 5 Harlem Rappers · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: So, man, how I felt your your journey, know all that,
• 0:04
  Speaker 1: and you just did Summer Gym? How fell from them?
• 0:08
  Speaker 1: All the interns? She was talking about criminal justice, bachelor's degree,
• 0:13
  Speaker 1: getting fired from three jobs, getting signed to Empire, and
• 0:17
  Speaker 1: then you do Summer Gym.
• 0:18
  Speaker 2: How that felt? God, it's good man. You know what
• 0:21
  Speaker 2: I'm saying. It was.
• 0:22
  Speaker 3: It was a beautiful moment like shout out to funk Flex,
• 0:25
  Speaker 3: shout out to Nitty, shout out to hot now it was.
• 0:29
  Speaker 3: It was beautiful, bro, Like it's it was no feeling
• 0:32
  Speaker 3: like that, Bro, Like, this is Summer Gym. So we
• 0:34
  Speaker 3: all used to go there as a kid and watch it,
• 0:36
  Speaker 3: you know what I'm saying. So now I'm on stage,
• 0:38
  Speaker 3: it's crazy. It still feel fake. All of this still
• 0:41
  Speaker 3: feel fake. We talk about all the time, me and
• 0:43
  Speaker 3: my man occasion. It feel like a movie, bro, Like
• 0:45
  Speaker 3: last night, yesterday, feel like a movie. Don't like life
• 0:48
  Speaker 3: is just crazy. But it is fake because you ain't
• 0:51
  Speaker 3: do Summer Gym yet. It's pre recorded. I know that
• 0:55
  Speaker 3: this play all day.
• 0:58
  Speaker 2: Don't look for you all day. I'm trying to go
• 1:01
  Speaker 2: with the Bob crazy. He didn't get stiped, Okayrus get out.
• 1:24
  Speaker 4: Yeah, that's the talk of New York.
• 1:26
  Speaker 2: It's the boy Uncle Murder a k A leg Jed
• 1:29
  Speaker 2: Lenny and were here.
• 1:30
  Speaker 4: Introduce yourself, man, tell him who you are.
• 1:32
  Speaker 2: Man, it's Froggy baby, Halling baby. You know what's going on?
• 1:35
  Speaker 2: Called us some hall hall.
• 1:39
  Speaker 4: Shout to management jazz, you know love.
• 1:43
  Speaker 2: I told Murder that.
• 1:44
  Speaker 1: That's your little thing right there, that's your thing. Okay, yeah,
• 1:48
  Speaker 1: I heard it twice. You know, I might just make
• 1:53
  Speaker 1: it sw They got to know the hand you heard, you.
• 1:58
  Speaker 5: Know, hall them is in the building and you know
• 2:01
  Speaker 5: harllm when they come in. They it's all about fashion, man,
• 2:04
  Speaker 5: I told this nigga even it socks as fresh man.
• 2:06
  Speaker 2: What you out on? Man? Got the b B belt on,
• 2:08
  Speaker 2: I got the stolen noise belts, boom leather black shirts,
• 2:13
  Speaker 2: got the Lotto long sleeve. You know what had that
• 2:18
  Speaker 2: going on? Today?
• 2:19
  Speaker 3: I got my man full plate or got the break
• 2:21
  Speaker 3: by bricks. Nigel Sylvesters with the custom Nike socks.
• 2:24
  Speaker 5: Man the building, all of them, that's shout the hall
• 2:27
  Speaker 5: of Man, you know, because it's all about the drip
• 2:29
  Speaker 5: when it comes to HALLM. It's all about fashion and
• 2:31
  Speaker 5: been like that for a long time. But for me
• 2:35
  Speaker 5: like I love New York City. I love all the
• 2:37
  Speaker 5: new artists that's coming from New York City and Jersey,
• 2:40
  Speaker 5: you know. And you one of my favorites from Harlem.
• 2:42
  Speaker 5: When I heard the shout to Kim, when I heard
• 2:45
  Speaker 5: Harlem Rhythm Drive, that was it for me. The video
• 2:48
  Speaker 5: was crazy. You know what I'm saying. You in Harlem,
• 2:50
  Speaker 5: you out to you out to push, throwing the money.
• 2:52
  Speaker 5: You got to cheat the pin jacket. You're looking like
• 2:55
  Speaker 5: plenty already.
• 2:55
  Speaker 4: You know what I'm saying. Yeah, Yeah, shout out the
• 2:58
  Speaker 4: Sugar diigga too, man.
• 2:59
  Speaker 2: So it's like sugar.
• 3:01
  Speaker 4: When the Kim record came, and then I heard the
• 3:04
  Speaker 4: record We're Cool Money, I was fucking with that. You
• 3:07
  Speaker 4: know what I'm saying.
• 3:08
  Speaker 5: Niggas was both your niggas fresh and death on some
• 3:10
  Speaker 5: Harlem ship. You had to vancing on with the bucket.
• 3:12
  Speaker 5: I'm like with this niggas, you know, Hall of them
• 3:14
  Speaker 5: niggas gotta state fly. And then you came to Chris
• 3:17
  Speaker 5: Brown Joint and it was like, Nah, this nigga know
• 3:20
  Speaker 5: how to make records.
• 3:21
  Speaker 2: Got boss.
• 3:22
  Speaker 4: He's one of them.
• 3:23
  Speaker 5: Two of my favorites. And Hall of I told you
• 3:25
  Speaker 5: was you on Chuck Cash, appreciate it and the marketing
• 3:28
  Speaker 5: is crazy. Talk about the code sign from Kim and
• 3:31
  Speaker 5: everything like that.
• 3:32
  Speaker 3: Shout out the killer, like I said, man, shout out
• 3:34
  Speaker 3: to Sugar Dugger first and foremost. Because he put me
• 3:37
  Speaker 3: on km rado. He posted me one day like like that.
• 3:41
  Speaker 3: Kim like, who the fuck is that this new cut
• 3:43
  Speaker 3: out of home. He was like, no, no, we gotta
• 3:46
  Speaker 3: let's let's figure it out. Let me get him the
• 3:47
  Speaker 3: call with and he's been a mentor, like a big
• 3:50
  Speaker 3: bro figure Evin since you for me. He was like,
• 3:53
  Speaker 3: I'm getting on this record. We're going to ship the
• 3:54
  Speaker 3: towns and for me and he's still Hall of you
• 3:58
  Speaker 3: Frominis Okay.
• 4:01
  Speaker 4: Four fifth and Linux, I was all over.
• 4:03
  Speaker 3: Haul and I was on four third and Linux and
• 4:05
  Speaker 3: seventh and one thirty third and eighth, four fifth Linux.
• 4:08
  Speaker 2: I'm still here. You met can before, Yeah, Killing I took.
• 4:15
  Speaker 2: That was the top. You got the rec you got
• 4:19
  Speaker 2: the verse. I got the verse and it's it's out
• 4:21
  Speaker 2: stream that tribe. Yes, sir, Hall of Hall.
• 4:27
  Speaker 5: It was the balls to me because you was like,
• 4:29
  Speaker 5: I'm from the block with Big L and Tianna Taylor
• 4:32
  Speaker 5: from you know, she's wanting what she want to end
• 4:34
  Speaker 5: me a oscar?
• 4:34
  Speaker 4: What is it?
• 4:39
  Speaker 3: Man?
• 4:39
  Speaker 4: She wanted to oscar to Taylor?
• 4:40
  Speaker 2: Right.
• 4:41
  Speaker 4: So it's like when you said that, I'm like, you know,
• 4:43
  Speaker 4: I'm from the same block from big La Taylor from
• 4:46
  Speaker 4: like that ship.
• 4:47
  Speaker 2: Let's real.
• 4:48
  Speaker 4: Talk about that when you come up with them balls
• 4:50
  Speaker 4: like that, like big els from your block.
• 4:52
  Speaker 3: Uh, you on Linx here, I'm on four fifth. They
• 4:54
  Speaker 3: all on forty from thirty ninth. That's that's the way
• 4:56
  Speaker 3: they got. I mean it's real ship. Like literally, Linux
• 4:59
  Speaker 3: is like my starving ground. So I used to walk
• 5:01
  Speaker 3: that up and down all the time. And it's real
• 5:04
  Speaker 3: like they on forty, I from forty fifth. We're on
• 5:06
  Speaker 3: the same black Linx Lenux have legends are Yeah, it's.
• 5:09
  Speaker 5: Crazy because when you look at I know you got
• 5:11
  Speaker 5: these deals. I see true religion. You're doing stuff with
• 5:15
  Speaker 5: Nike and you're doing stuff with Vancon. Yes, when you
• 5:18
  Speaker 5: think of Harlem, you always think about fashion. Like we
• 5:21
  Speaker 5: be oversea, we see asap Rocky with a mon Claire deal.
• 5:25
  Speaker 5: We'll see asap Rocky with a ray Band deal. Like
• 5:29
  Speaker 5: what is it with Harlem and fashion and music?
• 5:31
  Speaker 2: For you?
• 5:32
  Speaker 3: Home of the Hustlers? We understand business. We understand your brand.
• 5:34
  Speaker 3: At the end of the day, it ain't just about
• 5:36
  Speaker 3: making music. It's about it's you, your likeliness. You a
• 5:39
  Speaker 3: brand at the same time too, So alongside of the music,
• 5:41
  Speaker 3: we're gonna get these brands. And we like to wear
• 5:43
  Speaker 3: clothes anyway. So while we can't collaborate, why we can't
• 5:46
  Speaker 3: exchange services with each other. So for me, so it's
• 5:49
  Speaker 3: like I like BBC, for example, like I'm kind of
• 5:52
  Speaker 3: like a brain ambasket of from They just give me
• 5:53
  Speaker 3: clothes and we're gonna wear it every time.
• 5:55
  Speaker 2: And that's my vulma with true religion. True religion is
• 5:57
  Speaker 2: another one. I'm a tier one.
• 6:00
  Speaker 3: I got the camp, the brand, backs of the campaign
• 6:02
  Speaker 3: until one right now. So basically it's things that they
• 6:05
  Speaker 3: give you, clothes, take pictures, videos, with any type of content,
• 6:08
  Speaker 3: and that's what I do. Supreme give me this everything
• 6:11
  Speaker 3: for me, So I understand that, and I want to
• 6:13
  Speaker 3: keep building with these same thing for g shot, you
• 6:15
  Speaker 3: know what I'm saying.
• 6:15
  Speaker 2: So you're wearing shit for free, not where if it's
• 6:18
  Speaker 2: fla for me.
• 6:19
  Speaker 3: But you know I'm still hall them at the same
• 6:21
  Speaker 3: time too. But it's also a business tool. We got
• 6:23
  Speaker 3: to understand that, Like it's it's both sides of this shit.
• 6:25
  Speaker 5: You know what I'm saying, what's your process in the studio,
• 6:28
  Speaker 5: Like cause I hear it's like it's really not drill rap.
• 6:32
  Speaker 4: It just feels like it's just falls.
• 6:33
  Speaker 5: But I'm an older nigga, and I was feeling the
• 6:36
  Speaker 5: beat and a thing that you were saying, And like
• 6:38
  Speaker 5: when you talk about legends like Big L, like like
• 6:41
  Speaker 5: like what made you come with that? Because you're young,
• 6:43
  Speaker 5: you in your twenties, so you know what I'm saying,
• 6:45
  Speaker 5: Like what made you like mention Big L? And like
• 6:47
  Speaker 5: the great from hallam It.
• 6:49
  Speaker 3: I mean, you gotta know your your lineage. You're like, yeah,
• 6:51
  Speaker 3: your you know the history of Hall of Them. It's
• 6:53
  Speaker 3: for me to be a hallm rap. And I'm always
• 6:55
  Speaker 3: rapping Hall Them. I'm halling baby. You gotta know what's
• 6:57
  Speaker 3: going on what I'm saying, So I always want to
• 6:58
  Speaker 3: pay homage at all times. And I'm on a big
• 7:00
  Speaker 3: out album as well, So yeah, I'm on the last
• 7:03
  Speaker 3: record put the mic down. A lot of people don't
• 7:04
  Speaker 3: know that, but yeah, I got to get that. That's
• 7:07
  Speaker 3: the last one.
• 7:10
  Speaker 4: I gotta get that.
• 7:11
  Speaker 2: It's me party Aldi and Big I'm going the hook?
• 7:14
  Speaker 4: How feel on a on a record with a legend
• 7:17
  Speaker 4: like the gut.
• 7:18
  Speaker 2: So real men, blessings, but it just shows it's like
• 7:22
  Speaker 2: a claw the baby the baby you are.
• 7:25
  Speaker 3: But it's full circle mean and this is an indication
• 7:28
  Speaker 3: and just letting us know that we were doing this
• 7:31
  Speaker 3: and we're supposed to be his already already wrote this
• 7:34
  Speaker 3: and now we're just walking in you know what I'm saying.
• 7:35
  Speaker 5: So we just crazy paying homage to the legends. When
• 7:39
  Speaker 5: I think of Big L, I always think of you Bonics.
• 7:41
  Speaker 3: That seven minutes, even that joint with Nons. They went
• 7:46
  Speaker 3: crazy on that, like, so you know, it's paying homage
• 7:48
  Speaker 3: to to who paved the way. And I'm glad to
• 7:51
  Speaker 3: take the torch as the new generation of all of them.
• 7:53
  Speaker 3: What's the process in the studio, Like me and my brother, Yeah,
• 7:57
  Speaker 3: my man cage shout out to my boy kme in.
• 8:00
  Speaker 2: You know, we're just going there and vibe like we
• 8:03
  Speaker 2: need some honey for me, right, yeah, yeah, what are
• 8:06
  Speaker 2: you doing? No cap, Yeah, that's why that's right. There's
• 8:10
  Speaker 2: another talking about you know, producers and what they get
• 8:14
  Speaker 2: no less he gets you doing the right thing, And
• 8:16
  Speaker 2: that's that's my that's my part.
• 8:17
  Speaker 3: That's my brother was sixty forty not with him, all
• 8:22
  Speaker 3: these other producers that with that and one that's my behalf.
• 8:24
  Speaker 2: You heard. But now in the studio we own we
• 8:26
  Speaker 2: need that, honey, you heard. We need a vibe and yeah,
• 8:29
  Speaker 2: I need that.
• 8:30
  Speaker 3: I got to get you on that branded, that brand
• 8:32
  Speaker 3: and give me that brands and give me that breas.
• 8:34
  Speaker 3: I need brands and get there, give me get me right,
• 8:35
  Speaker 3: get me right. But I'm keeping I'm letting you know
• 8:37
  Speaker 3: what I was on.
• 8:38
  Speaker 2: That's cool process. We got. That's called we just got
• 8:41
  Speaker 2: to get you the brands and we got right right,
• 8:43
  Speaker 2: get me right, We got you. We need a vibe
• 8:45
  Speaker 2: for me.
• 8:46
  Speaker 3: A lot of the times we listen to music or
• 8:48
  Speaker 3: we play beats and we just vibe, like you know
• 8:50
  Speaker 3: what I'm saying. We got to get that molde for us.
• 8:52
  Speaker 3: We might listen to some some lyricists like it might
• 8:55
  Speaker 3: throw on Bennie, or we might throw and bust a
• 8:56
  Speaker 3: rounds for creativity, dip set, and then we just start
• 8:59
  Speaker 3: getting money.
• 8:59
  Speaker 6: You know what.
• 8:59
  Speaker 2: I'm sat right there.
• 9:02
  Speaker 3: Yeah, I got mad inspirations, but just the thought process
• 9:06
  Speaker 3: of them in a studio sometimes I listen to certain
• 9:08
  Speaker 3: people like all bet got You know what I'm saying.
• 9:11
  Speaker 4: What gives you? What gives you the drive? Because a
• 9:13
  Speaker 4: lot of like artists.
• 9:15
  Speaker 5: You know, there's dope artists in every hood around the world,
• 9:19
  Speaker 5: but some of them like don't have to drive to
• 9:21
  Speaker 5: like go shoot the videos. Like when I see your videos,
• 9:23
  Speaker 5: I see Harlem. You know you out the car, You're
• 9:26
  Speaker 5: throwing the money. You got the bad beautiful women from Harlem.
• 9:28
  Speaker 4: You know what I'm saying.
• 9:29
  Speaker 5: First on You know what I mean, Like what gives
• 9:31
  Speaker 5: you the drive? Because a lot of artists are dope,
• 9:33
  Speaker 5: but they don't want to like they put it like this.
• 9:38
  Speaker 5: Even when you've seen Asap Rocky in his first videos,
• 9:40
  Speaker 5: he was on a motherfucking bike. It was all about
• 9:43
  Speaker 5: the visuals. Like what I liked about you is every
• 9:46
  Speaker 5: video is kind of more entertaining, even if you and
• 9:49
  Speaker 5: cool money is on the corner.
• 9:52
  Speaker 4: It just was shot crazy. You know what I'm saying.
• 9:54
  Speaker 3: Like me, he know the shot compositions, He know what
• 9:58
  Speaker 3: the people want from me, and he knows what I
• 10:00
  Speaker 3: like as far from video, so he understand. It's like
• 10:02
  Speaker 3: Cajun I have everybody tailored and it's all everything's in
• 10:05
  Speaker 3: the house, so we know what we're doing when we
• 10:07
  Speaker 3: do it. You know what I'm saying, So shout out
• 10:08
  Speaker 3: to Dre. But yeah, it's just like we want to
• 10:12
  Speaker 3: make sure that alongside of what you're hearing is appealing
• 10:15
  Speaker 3: to what you see, you feel what I'm saying.
• 10:17
  Speaker 2: So it's a whole package with us.
• 10:18
  Speaker 3: We want our videos to be engaging and creative and
• 10:21
  Speaker 3: different from everybody else. So we try to stay as
• 10:23
  Speaker 3: authentic as possible, but creative and out the box as possible,
• 10:26
  Speaker 3: but also stay in range of hallm and me.
• 10:28
  Speaker 2: You know what I'm saying.
• 10:29
  Speaker 3: So, and also shooting videos is fun for us. That's
• 10:31
  Speaker 3: like the aftermath. The hall part is making a song,
• 10:34
  Speaker 3: performing in videos. That's oh, it's celebration before let's everybody
• 10:38
  Speaker 3: come outside. Let's let's celebrate what we just put on wax.
• 10:41
  Speaker 3: That's how I look at this shit.
• 10:42
  Speaker 5: But how you learn the business side of it? Like
• 10:43
  Speaker 5: I see you got good management, good producer, videographer, shooting
• 10:48
  Speaker 5: and videos like what made you like think of the
• 10:51
  Speaker 5: business part of it too, because like we spoke on
• 10:53
  Speaker 5: his back there, like yo, there's a lot of artists
• 10:56
  Speaker 5: that's pretty dope put out dope music, dope producers, but
• 10:58
  Speaker 5: it's just not reaching. And your manager was like, sometimes
• 11:02
  Speaker 5: it's the team facts. What made you think, Like I
• 11:04
  Speaker 5: gotta get the team too, like.
• 11:06
  Speaker 3: You know, going away without a team, like we said
• 11:08
  Speaker 3: in in the other room, like the team is essential
• 11:10
  Speaker 3: and you gotta you gotta have people that understand you
• 11:13
  Speaker 3: and have your best interest in understanding how to switch
• 11:15
  Speaker 3: leaderships and roles whenever the moment is right.
• 11:18
  Speaker 2: Like my team understands me, like you fee.
• 11:20
  Speaker 3: What I'm saying, and they and they make sure they
• 11:22
  Speaker 3: got me whenever things need to be tightened up. And
• 11:24
  Speaker 3: that's what the team is for. Everybody got their own role,
• 11:26
  Speaker 3: you know know what I'm saying. So we all come
• 11:28
  Speaker 3: to the table with our own male and it's a
• 11:29
  Speaker 3: pot look after that. Everybody for me. So I really
• 11:33
  Speaker 3: genuinely love and believe in my team because they pushed
• 11:36
  Speaker 3: me into be the artist I am today, you know
• 11:38
  Speaker 3: what I'm saying. So I got a video and everything
• 11:40
  Speaker 3: is in the house.
• 11:40
  Speaker 2: I don't outsource.
• 11:41
  Speaker 3: I got a videography, yeah, assistant security, booking agent, manager,
• 11:46
  Speaker 3: I got everything I.
• 11:47
  Speaker 2: Don't want I see. You got a bachelor's degree right
• 11:50
  Speaker 2: in criminal justice. That this guy got a degree. You
• 11:59
  Speaker 2: got to your homework.
• 12:05
  Speaker 1: So for more or less school shit and doing stuff
• 12:07
  Speaker 1: like that, right, is that where you get the of
• 12:09
  Speaker 1: course me let me, let me structure this way and
• 12:12
  Speaker 1: moving like this. And then my upbringing to my mother
• 12:14
  Speaker 1: and father like those they own that business, so they
• 12:18
  Speaker 1: raised me to be that. And then when I went
• 12:19
  Speaker 1: to school, it's more of than now by myself. So
• 12:21
  Speaker 1: I have to learn and create the mechanism of being
• 12:24
  Speaker 1: a business man. And once I got into the music,
• 12:26
  Speaker 1: at first it was a hobby. But once I started
• 12:28
  Speaker 1: to get into it and really start getting money, you
• 12:30
  Speaker 1: got to learn the business.
• 12:31
  Speaker 2: But why did you go to school for criminal justice? No?
• 12:33
  Speaker 3: I mean it's two reasons. Because my moms, you know,
• 12:35
  Speaker 3: she was in a criminal field. She wanted she wanted me,
• 12:38
  Speaker 3: you know, just to be in that situation. And also
• 12:40
  Speaker 3: for me as a black man, I wanted to know
• 12:42
  Speaker 3: and have the knowledge of the love of the Lord,
• 12:44
  Speaker 3: you feel what I'm saying, and just having the resources
• 12:46
  Speaker 3: and connects to being that, you know.
• 12:48
  Speaker 4: Fergie being the hood, like yo, don't let that cop record.
• 12:52
  Speaker 3: Yeah, I'm fighting fighting the boys right now and a
• 12:56
  Speaker 3: little suit because they wild like I ain't playing with those,
• 12:58
  Speaker 3: so I'm really on that came for that. Like I
• 13:01
  Speaker 3: don't like police brutality. I don't like I don't like
• 13:04
  Speaker 3: none of that, you know what I'm saying. So I
• 13:05
  Speaker 3: just try to learn it and also use it when
• 13:08
  Speaker 3: the time is right in the cases like that.
• 13:10
  Speaker 2: So you wasn't trying to pursue it like as a career.
• 13:12
  Speaker 2: You just wanted to have it. At first, I did.
• 13:15
  Speaker 3: Yeah, Like you know, you're young, you don't know what
• 13:17
  Speaker 3: you want to do. So it was a time to
• 13:18
  Speaker 3: where it's like, I'm gonna take this seriously. I'm work
• 13:20
  Speaker 3: for the defense side. I worked for the supervisor relice program.
• 13:22
  Speaker 3: So instead of you getting time going.
• 13:23
  Speaker 2: Said the fish. Yeah, first to tell you side, I'm
• 13:31
  Speaker 2: going to help you to program outside of free. An
• 13:38
  Speaker 2: in the hood tells.
• 13:41
  Speaker 3: You gotta know, you gotta know because especially in Harlem
• 13:43
  Speaker 3: and New York, gott know these cops be bugging out.
• 13:45
  Speaker 2: So you was taking this serious at first? Yeah, first
• 13:48
  Speaker 2: I told you, like, this is what I do.
• 13:49
  Speaker 3: Until I got fired from three jobs, corporate jobs, and
• 13:51
  Speaker 3: I knew this wasn't that what you got fired for.
• 13:53
  Speaker 3: My brother going late. I don't like people telling me,
• 13:56
  Speaker 3: how to dress, how to talk, how to move. I
• 13:57
  Speaker 3: got to get up at eight o'clock to get that.
• 13:59
  Speaker 3: Now I got one hour lunch and I gotta get
• 14:01
  Speaker 3: off at five. By the time I get home, I
• 14:02
  Speaker 3: can't even do what I want to do.
• 14:03
  Speaker 2: I gotta go to sleep to get work the next day.
• 14:05
  Speaker 2: Like I don't like get you, I can't not but
• 14:09
  Speaker 2: to each his own, but none the fives wasn't for me.
• 14:11
  Speaker 2: But I get it.
• 14:12
  Speaker 4: I get it, so damn. I don't think I haven't
• 14:15
  Speaker 4: met a rapper with a bachelor's degree.
• 14:18
  Speaker 2: Now you messing it's a bunch. We met a few
• 14:20
  Speaker 2: went to Penn State.
• 14:21
  Speaker 4: I mean State Ship. I remember going to a football
• 14:25
  Speaker 4: game back in the days.
• 14:26
  Speaker 3: That's crazy football games just to be crazy State University
• 14:31
  Speaker 3: ps deal with Empire and all that too, Bobby Body,
• 14:42
  Speaker 3: my Ma.
• 14:42
  Speaker 5: And Fergie baby know how to read that contract, real
• 14:44
  Speaker 5: facts facts. That's crazy to have a bachelor's degree. I
• 14:48
  Speaker 5: feel like that as to be an artist, Like it's
• 14:50
  Speaker 5: going to get you in a lot more rooms. Definite
• 14:53
  Speaker 5: definitely know your business. So how does it deal with Empire?
• 14:57
  Speaker 2: Feeling over there?
• 14:59
  Speaker 3: I love Empire right now and shut out family. God
• 15:02
  Speaker 3: like you said, gods, he and Tina, Bobby cash Joya
• 15:05
  Speaker 3: our abe.
• 15:06
  Speaker 2: And like I said, I met the names. That's the family.
• 15:09
  Speaker 2: The family.
• 15:10
  Speaker 3: That's why I'm ca now maccasion there. Yeah, so I
• 15:13
  Speaker 3: got his home family. We took that, we took it over,
• 15:16
  Speaker 3: and I got full support from Empire at this point.
• 15:19
  Speaker 2: You know what I'm saying. So we're doing.
• 15:21
  Speaker 3: They understand me. They let me do whatever I want.
• 15:24
  Speaker 3: They trust the process, and they they fuel to the fire.
• 15:26
  Speaker 2: They get it, they get the manage.
• 15:31
  Speaker 4: Tell him, tell him, tell them how you got signs?
• 15:34
  Speaker 2: Tell him, tell him. So Empire get up on you.
• 15:39
  Speaker 2: All right. So I was an intern Empire okay, yeah
• 15:42
  Speaker 2: for me, I got a situation.
• 15:45
  Speaker 4: This niggas like Kanye.
• 15:49
  Speaker 2: Criminal justice.
• 15:51
  Speaker 3: It's turn about strateg strate. You got to move strategic
• 15:57
  Speaker 3: in me. But I got an intern, so I'm like,
• 15:59
  Speaker 3: I got a building a your internal empire.
• 16:00
  Speaker 2: Oh yeah, let's do this.
• 16:02
  Speaker 3: So that's why I met Cagy. And he was the
• 16:03
  Speaker 3: head producer and the engineer at the time. So basically
• 16:05
  Speaker 3: I'm assisting him as an intern, not getting no paper.
• 16:08
  Speaker 3: I'm in here whenever he not done, whenever he don't.
• 16:10
  Speaker 5: Claim intern, like I want to be in the field
• 16:14
  Speaker 5: you had. Obviously with a degree, you got a nice
• 16:17
  Speaker 5: corporate job.
• 16:18
  Speaker 2: I see why you're getting just making it beat put
• 16:23
  Speaker 2: them on. I understand. I get it though, I get it.
• 16:32
  Speaker 4: First of all, I'm just seeing the fly Hall of Nigga.
• 16:34
  Speaker 2: Just get money.
• 16:35
  Speaker 4: That's it.
• 16:36
  Speaker 5: That's what I'm thinking the video. And then yo, he
• 16:38
  Speaker 5: got a Besket's degree. Word, that's different. Then, Yo, I
• 16:43
  Speaker 5: had a corporate job. You could have just got corporate
• 16:45
  Speaker 5: money and made money and retired. Do whatever you want
• 16:47
  Speaker 5: to you young, but in the future, now, fuck that.
• 16:50
  Speaker 5: I can't be controlled. Then you're fucking intern for your producer.
• 16:58
  Speaker 5: So when we pull him a Vanessa and us, that's
• 17:04
  Speaker 5: so yeah, in the college graduate college graduate.
• 17:10
  Speaker 3: So when he done with his clients were going in
• 17:12
  Speaker 3: and record, and we kept running it up, doing my
• 17:15
  Speaker 3: mixtapes in their free studio time. Everybody that's coming in
• 17:17
  Speaker 3: from the top of the artist the top tier levels meeting, Hey,
• 17:20
  Speaker 3: my name is Fergy baby' an interns artist and introduced myself,
• 17:23
  Speaker 3: putting people on the radar. After I kept running it up,
• 17:26
  Speaker 3: there was an office side. If y'all been on Empire,
• 17:29
  Speaker 3: it was the studio sign. I would go on the
• 17:31
  Speaker 3: office side as an employee shoot videos? Am I supposed
• 17:34
  Speaker 3: to do that?
• 17:34
  Speaker 2: Handle on? Who is?
• 17:36
  Speaker 3: Who are you to going in the office and shoot
• 17:38
  Speaker 3: a video of your own music? Like you're supposed to
• 17:40
  Speaker 3: be working. So it went to HR and then went
• 17:43
  Speaker 3: to NIMA desk.
• 17:43
  Speaker 4: So you basically was hustling in Empire.
• 17:45
  Speaker 1: Liked went to desk.
• 17:50
  Speaker 2: They wanted to write me up and fire MEA was
• 17:53
  Speaker 2: ready to fire you. Hold on to HR.
• 17:55
  Speaker 3: It's like, we gotta report this going on over here.
• 17:58
  Speaker 3: So love fuck you think he is all right, but
• 18:02
  Speaker 3: go ahead. So so NeiMa goals, Wait, who's shooting it?
• 18:06
  Speaker 3: He's like, oh, he works, staying here all this he
• 18:09
  Speaker 3: all this? Wait he works for us?
• 18:10
  Speaker 2: He didn't even know.
• 18:11
  Speaker 3: He's like, he worked for us. He start going into
• 18:13
  Speaker 3: my music, my catalog. He nigas sign that signed him
• 18:17
  Speaker 3: right now, look at that.
• 18:18
  Speaker 2: And kept my job.
• 18:19
  Speaker 3: So now I'm an artist and I kept my job
• 18:21
  Speaker 3: as an intern, but they bumped me from an intern
• 18:23
  Speaker 3: to nine assistance, So I'm getting paid as an artist.
• 18:27
  Speaker 4: You out.
• 18:30
  Speaker 2: I was one of them?
• 18:33
  Speaker 4: Yeah, ever, so know what that is? That's that New
• 18:36
  Speaker 4: York Harlem hustle.
• 18:37
  Speaker 2: Man fact, I get itat gotta get to it man.
• 18:39
  Speaker 4: Intern and he was shooting videos in there.
• 18:41
  Speaker 3: How long he was rapping for to twenty eighteen for
• 18:44
  Speaker 3: him m hm. I got in there about like twenty twenty,
• 18:47
  Speaker 3: twenty twenty one, after the pandemic they opened back up
• 18:50
  Speaker 3: and twenty twenty one I started interning, and then from
• 18:53
  Speaker 3: that point on, we're like, Yo, we're gonna make a pack,
• 18:55
  Speaker 3: like we're gonna get this work done, and we're going
• 18:56
  Speaker 3: we're gonna run this whole office.
• 18:57
  Speaker 2: And exactly exactly what we did years later by I
• 19:01
  Speaker 2: was it like working one nigga at for oh shut
• 19:04
  Speaker 2: up for Bro.
• 19:04
  Speaker 3: That's another like Big Bro figure, legend, legend, and he
• 19:08
  Speaker 3: just been fully supportive with the record. Outside the record,
• 19:11
  Speaker 3: I pull up on him, we chop it up. We
• 19:13
  Speaker 3: have real conversations like shout out to me, like I
• 19:15
  Speaker 3: appreciate you.
• 19:17
  Speaker 4: How do you feel getting getting co sounds by all
• 19:19
  Speaker 4: these legends except for you know Cam you want Big
• 19:24
  Speaker 4: l album? How you feel as an autist?
• 19:26
  Speaker 2: Man, it's a testament.
• 19:27
  Speaker 3: Like I said, we're doing what we're supposed to do
• 19:30
  Speaker 3: and this is for us, like we're destined as we're gonna,
• 19:33
  Speaker 3: We're gonna, We're gonna keep up in it and being
• 19:35
  Speaker 3: authentic as possible.
• 19:36
  Speaker 2: But this is this is only the beginning. Bro, Like
• 19:39
  Speaker 2: we're about to turn off with.
• 19:40
  Speaker 1: Some of the young artists out there right now that
• 19:41
  Speaker 1: you're from New York. Who are you feeling right now, Kim,
• 19:45
  Speaker 1: shout out to my nigga, kick.
• 19:46
  Speaker 2: B y'all was putting me on the King, We're gonna
• 19:52
  Speaker 2: get you put him on. He definitely did. That's put
• 20:01
  Speaker 2: that fire. That's that's see. I saw y'all in the
• 20:05
  Speaker 2: doing your thing. I saw y'all going back and coming.
• 20:08
  Speaker 5: That's at this nigga from Harlem, he's one of them,
• 20:11
  Speaker 5: and he kept telling me King Bemo.
• 20:13
  Speaker 4: And y'are supposed to be doing the projects.
• 20:15
  Speaker 2: That's my brother.
• 20:16
  Speaker 3: We came in and ship together. So it's like we
• 20:18
  Speaker 3: made a pack to like whoever get there first, we
• 20:20
  Speaker 3: won't put each other on. So we were about to
• 20:22
  Speaker 3: run it up with us too. So shout out to him,
• 20:25
  Speaker 3: shout out, be more.
• 20:26
  Speaker 2: Doing something some of them to right, that's why both
• 20:29
  Speaker 2: of y'all doing something. How that feel? I know that
• 20:31
  Speaker 2: feels good? Marvelous.
• 20:34
  Speaker 3: Finally, man, finally, like I said, it's happening, man, definitely,
• 20:40
  Speaker 3: definitely everything.
• 20:43
  Speaker 5: Bro, you got a crazy story man crazy in turn
• 20:47
  Speaker 5: taking over the building that night, like.
• 20:50
  Speaker 3: Really really ship Shout out and shout out to the Empire,
• 20:53
  Speaker 3: because they could have dad curved.
• 20:54
  Speaker 2: They could have said, now you disrespected.
• 20:58
  Speaker 3: Because they understand independ they see what I was doing.
• 21:03
  Speaker 3: They supported it full way. So shout out Agains, Shout
• 21:06
  Speaker 3: out to Empire. Shout out to K two because without
• 21:08
  Speaker 3: K two we wouldn't be acting like a mad scientist
• 21:11
  Speaker 3: in there.
• 21:11
  Speaker 4: Because cooking man independent, it's better than major. You will
• 21:15
  Speaker 4: never go for a major.
• 21:15
  Speaker 3: Deal, app Like, it depends, like we talked about, depends
• 21:17
  Speaker 3: on your contract, depends what they offer. It depends on
• 21:20
  Speaker 3: when we negotiate.
• 21:21
  Speaker 2: So I ain't gonna sit here and shoot myself on
• 21:23
  Speaker 2: the foot.
• 21:23
  Speaker 1: Like Empire do great. Empire, Yeah, they do a great deal.
• 21:29
  Speaker 1: Shout out the Empire. They do great.
• 21:30
  Speaker 4: No, they given millions away? Cool too, Like it feels
• 21:33
  Speaker 4: like a major deal.
• 21:34
  Speaker 5: But I'm just saying, would you, like, as your career
• 21:37
  Speaker 5: goes on, would you ever think about going to a
• 21:38
  Speaker 5: major label if they had the right.
• 21:40
  Speaker 2: Money maybe and the right creative control. Yeah, the right
• 21:43
  Speaker 2: marketer and a lot yeah for sure.
• 21:46
  Speaker 3: But right now I'm content I'm good with Empire right
• 21:49
  Speaker 3: now until we financially out the deal that we could
• 21:51
  Speaker 3: see if we can negotiate or move the you know.
• 21:53
  Speaker 2: What I'm saying.
• 21:54
  Speaker 4: And they turn the lights on, So you're gonna have
• 21:55
  Speaker 4: a lot of loyalty.
• 21:57
  Speaker 1: Yeah, I know, niggas that left Empire. The grass is
• 22:00
  Speaker 1: green on the other side. And they regret it. The
• 22:04
  Speaker 1: regret like you've been in the game for block. You see,
• 22:07
  Speaker 1: they regretted. Shout out to guys, for sure, they do.
• 22:13
  Speaker 4: They don't opening for fifty in Corney, isla man, you.
• 22:17
  Speaker 2: Know, fifty man. Nah, shout out to you, fifty man.
• 22:21
  Speaker 2: Like I said, I was. I was raised in the
• 22:23
  Speaker 2: fifty house.
• 22:24
  Speaker 3: Like you know what I'm saying, y'all. It was so
• 22:25
  Speaker 3: seductive and then you know you got obviously it came
• 22:28
  Speaker 3: later with the wrap ups all my household. So it's
• 22:30
  Speaker 3: just like this is also a full circle moment. And
• 22:33
  Speaker 3: just to open up for fifty is like again it
• 22:36
  Speaker 3: is all written like it's just to happen. Well facts,
• 22:39
  Speaker 3: So I'm like even here, this is full circle.
• 22:42
  Speaker 5: You know, I gotta ask you this, and you know
• 22:45
  Speaker 5: I got to ask you this too. Let's think top
• 22:49
  Speaker 5: five hallm you gotta throw big L on.
• 22:54
  Speaker 2: Then what are you saying that top five artist or
• 22:58
  Speaker 2: lyricis No.
• 22:59
  Speaker 5: I'm saying I would say just the top five, like
• 23:03
  Speaker 5: because we could go. You know what I'm saying to
• 23:05
  Speaker 5: the new artist, But top five Harlem, you would say, Mace, right, it's.
• 23:13
  Speaker 2: Gonna give yours. You don't don't tell give it yours.
• 23:19
  Speaker 4: So I'm giving.
• 23:20
  Speaker 5: I say what's from your top that's me giving my
• 23:25
  Speaker 5: top five brothers. I would say, Mace, you gotta throw
• 23:30
  Speaker 5: cam on the big L. I always not because I
• 23:38
  Speaker 5: always get to the three and then I'm thinking more
• 23:42
  Speaker 5: artists in Harlem.
• 23:43
  Speaker 4: Oh who else?
• 23:47
  Speaker 5: Oh yeah, a sap a sad Mall, a sap Rocky
• 23:50
  Speaker 5: except for all of them as one.
• 23:54
  Speaker 2: Because yeah, no, no you should not.
• 24:00
  Speaker 4: You know what it was about. I'm gonna tell you.
• 24:05
  Speaker 5: I'm gonna tell you what I liked about a sap
• 24:07
  Speaker 5: Rocky and what made them special is because they was
• 24:11
  Speaker 5: Harlem niggas.
• 24:12
  Speaker 4: But they had a whole different sound.
• 24:14
  Speaker 5: It wasn't like a Kim or Mace or nothing like that,
• 24:17
  Speaker 5: or even the big It was I'm that haul that motherfucker.
• 24:20
  Speaker 5: They had like a more down south, slowed down ship.
• 24:24
  Speaker 5: They was fucking with the syrup and ship they was
• 24:26
  Speaker 5: on some down South shipped down there, and it not
• 24:30
  Speaker 5: only catch the hood, it called suburbia too.
• 24:33
  Speaker 4: The white kids. Everybody loved it.
• 24:36
  Speaker 3: Because it was dressing in Rick Owen's mare jelly and
• 24:38
  Speaker 3: all that. So I wasn't even remember that hot and fashion.
• 24:42
  Speaker 3: So they was already relating to the kids like the
• 24:44
  Speaker 3: sohos and like you said, the suburban kids and also
• 24:46
  Speaker 3: the hood tool because they're from Halem.
• 24:49
  Speaker 5: I'm gonna tell you a story about asp Rocky. He
• 24:52
  Speaker 5: was at an event, right, so it's me Snoop Dog fifty.
• 24:55
  Speaker 5: It's like a movie permit, right, So the nigga Asap
• 24:59
  Speaker 5: Rocky was the first nigga I seen with a man person.
• 25:02
  Speaker 4: Swear to god, niggas was laughing at him. I'm looking like,
• 25:07
  Speaker 4: what the fun is that? Looking like they never seen it?
• 25:10
  Speaker 5: You gonna ask a, said rock pull me to the
• 25:12
  Speaker 5: side and say, yeah, I know, niggas don't know what
• 25:15
  Speaker 5: I'm doing or watch. And that's when I was like, damn,
• 25:19
  Speaker 5: hall of niggas, no fashion, fast forward. Niggas got the
• 25:21
  Speaker 5: pistols and them ships.
• 25:23
  Speaker 2: You know what I'm saying about that? Keeping it real.
• 25:27
  Speaker 2: I seen what what you did?
• 25:29
  Speaker 4: You know what I'm saying.
• 25:31
  Speaker 3: Niggas got a pistole and fact facts, but he definitely
• 25:34
  Speaker 3: sets trains bro like you gotta give it up, especially
• 25:36
  Speaker 3: in the fashion vibe.
• 25:37
  Speaker 2: You gotta give it up to the mall and rocking.
• 25:40
  Speaker 2: So he ain't even got a top five for Harlem,
• 25:41
  Speaker 2: your top five, No just I talked about. I just
• 25:44
  Speaker 2: gave my order, no order, like you said, Mace King.
• 25:49
  Speaker 3: Now you're bigger, will I will put Joel's and then
• 25:59
  Speaker 3: I always very for my five is either gonna be
• 26:02
  Speaker 3: she not a rapper, but I gotta put t T
• 26:05
  Speaker 3: in it as far as hall the top five, like
• 26:09
  Speaker 3: t T Taylor like not rappers. If you want to say,
• 26:12
  Speaker 3: just impact and just figures as falls music.
• 26:16
  Speaker 2: I don't know.
• 26:17
  Speaker 3: That's just a personal faith for me. I might get
• 26:19
  Speaker 3: cut for that, but t T is on my five.
• 26:21
  Speaker 3: But exchanged from like the Rockies and first.
• 26:23
  Speaker 5: You got you gotta throw on it because you think
• 26:26
  Speaker 5: about this. You got Kim James, sat rock and big
• 26:33
  Speaker 5: and deep set.
• 26:35
  Speaker 4: Basically I can't knocks legendary.
• 26:38
  Speaker 2: You already know.
• 26:41
  Speaker 3: Dipset was like the Holy Girl waking up. I mean
• 26:44
  Speaker 3: not waking up, raising up in Harlem like they was dumb.
• 26:47
  Speaker 2: You know what I'm saying.
• 26:48
  Speaker 3: From from the lingo to the fashion anything, you know,
• 26:52
  Speaker 3: so shout out. They was wildent, it was wild. It
• 26:56
  Speaker 3: was ahead of the game fashion and norline.
• 26:59
  Speaker 2: Well that's the fact. Mm hmm.
• 27:04
  Speaker 3: Sh I'm not playing Duggie in my far you buggy
• 27:07
  Speaker 3: damn look that I know you're gonna say, fucking now,
• 27:11
  Speaker 3: nigga five, How.
• 27:13
  Speaker 2: You got dnugging out your file? What happened?
• 27:15
  Speaker 4: What nigga?
• 27:17
  Speaker 2: I'm still playing here bro y'all.
• 27:24
  Speaker 5: But I would put him in my top five of
• 27:26
  Speaker 5: like the eighties. But Dougie Fresh, definitely.
• 27:29
  Speaker 2: You got Nunky Fresh at all time. So you're taking out.
• 27:31
  Speaker 5: You gotta take out somebody, Dunkie, So you're taking out Yeah, no,
• 27:34
  Speaker 5: I'm not taking Look you got two errors.
• 27:36
  Speaker 4: I always got my top five, like in the eighties.
• 27:38
  Speaker 2: With a gold post man always.
• 27:41
  Speaker 5: Because really top five is really stupid because it's really
• 27:44
  Speaker 5: like more like a top ten, top twenty. But when
• 27:47
  Speaker 5: I say top five, like when I go to eighties,
• 27:49
  Speaker 5: I'm gonna go Douggie Fresh. You know what I'm saying,
• 27:52
  Speaker 5: Like fucking d you said.
• 27:55
  Speaker 2: I spoke to DJ self. He told y djself, And
• 27:59
  Speaker 2: now he's gonna say it because I put me all that.
• 28:03
  Speaker 1: I don't know, you know what I mean this nigga
• 28:05
  Speaker 1: asked every guest right pertaining to who they are, what
• 28:09
  Speaker 1: their top five is, right, and now he's gonna say
• 28:12
  Speaker 1: your top five is stupid.
• 28:14
  Speaker 2: But I just asked it anyway, you.
• 28:16
  Speaker 5: Know, because look, when you say top five, right, you
• 28:19
  Speaker 5: might get confused because we got a top five from
• 28:21
  Speaker 5: the eighties nineties and now no, niggas just asked for me.
• 28:26
  Speaker 2: That's my categ Look, that's how you break it down.
• 28:29
  Speaker 4: No, but this old time, like if you go to
• 28:31
  Speaker 4: the eighties, you're gonna put Dougie Fresh in there.
• 28:33
  Speaker 2: Niggas, Now you Putyed Dougy Fresh in my all time
• 28:35
  Speaker 2: top five.
• 28:36
  Speaker 4: I'm not I'm not saying, look from the eighties, not now.
• 28:39
  Speaker 3: I don't give it was in the sixty seventies. I'm
• 28:41
  Speaker 3: not putting respectfully smoke with no. No, no, that's the legend.
• 28:45
  Speaker 2: No not got smoke face.
• 28:48
  Speaker 4: I like this.
• 28:48
  Speaker 2: I knew I was gonna have that the legend.
• 28:52
  Speaker 6: Don't don't get it too, that was gonna happen, spectful,
• 28:56
  Speaker 6: that's the legend. Bro, I'm just not on my phone,
• 28:58
  Speaker 6: just watching yoga, y'all.
• 29:00
  Speaker 2: I'm a little younger, y'all. Donky Fresh is not in
• 29:02
  Speaker 2: my father saying in the eighties.
• 29:03
  Speaker 5: Yes, you're twenty five, so you don't know about twenty
• 29:06
  Speaker 5: twenty five, twenty six, whatever. Listen, you not you don't
• 29:11
  Speaker 5: know about Dugie Fresh to say, you know he's not
• 29:13
  Speaker 5: in my top I understand, but he's top five niggas.
• 29:17
  Speaker 2: You know he might have a top five from old
• 29:19
  Speaker 2: school Harlem bappers.
• 29:20
  Speaker 3: Dude.
• 29:21
  Speaker 2: He just said, if you don't know Duckie, you don't
• 29:23
  Speaker 2: know if my father is like the big.
• 29:27
  Speaker 1: Dunkie Fresh, Like he don't even want to hear about
• 29:29
  Speaker 1: Dougie Fresh right the way he was acting right respectfully, Man,
• 29:33
  Speaker 1: that's the legend.
• 29:34
  Speaker 2: He's not in my personal fixample that they gonna come
• 29:37
  Speaker 2: probably that'll be some fire they gonna come to you, man,
• 29:40
  Speaker 2: They're gonna come for you, yo.
• 29:42
  Speaker 5: Listen, Dougie Fresh nigga is the first nigga kind of
• 29:46
  Speaker 5: really when you really think about it, from Hall them,
• 29:48
  Speaker 5: the nigga had to dances to fly ship.
• 29:51
  Speaker 6: He had it.
• 29:51
  Speaker 3: He had it for what I know, he had hits
• 29:54
  Speaker 3: for sure, like he did he did. I will never
• 29:56
  Speaker 3: just try to him though, well, yeah, I ain't playing
• 29:58
  Speaker 3: yeah for me.
• 30:00
  Speaker 4: I want you like now because your cash any other artist.
• 30:04
  Speaker 3: Alto, I got who else? Cock cash, cocky k. You
• 30:11
  Speaker 3: know it's it's a couple of dope new new artists
• 30:14
  Speaker 3: right now. We got like the Nico Brahms. It's a couple,
• 30:18
  Speaker 3: a couple, you know, Like I said, Bemo based wag
• 30:22
  Speaker 3: based wag from Charlie Cash. Yeah, but I feel like
• 30:27
  Speaker 3: I'm I'm on a hip hop rapping. I'm leading that.
• 30:31
  Speaker 4: I'm talking about the album because I know you told
• 30:33
  Speaker 4: me you had a big record with Max.
• 30:35
  Speaker 3: Be got to from Harlem on the Way the album
• 30:39
  Speaker 3: got featured from Max cam Asap for Dave's Niak Bucks,
• 30:44
  Speaker 3: Fat Man's School.
• 30:48
  Speaker 4: School.
• 30:48
  Speaker 2: Yeah, I got beat.
• 30:52
  Speaker 3: I got beat from six Figgured Digger Dan Grease Occasion
• 30:56
  Speaker 3: of course hip boy el Man.
• 31:02
  Speaker 2: I got something this to be crazy.
• 31:04
  Speaker 4: You know about the producers, you know about you.
• 31:07
  Speaker 2: Gotta gotta know.
• 31:08
  Speaker 3: And then I got stitched from Freaky Ze Bloody Ooh,
• 31:11
  Speaker 3: I got straight halm everything it's going, You're gonna feel
• 31:15
  Speaker 3: like you You're gonna smell Hall them, gonna see Hall
• 31:17
  Speaker 3: them from the top to bottom of all features.
• 31:21
  Speaker 4: How did that come across?
• 31:23
  Speaker 3: Shout out to sea six Figured Digger Bobby Fisher were, Yeah,
• 31:28
  Speaker 3: six Figure did a record when we caught the HALLM
• 31:30
  Speaker 3: two step and it's it's going crazy funk flex playing
• 31:33
  Speaker 3: there and we're like, yo, something is missing on the hook.
• 31:35
  Speaker 2: So I guess.
• 31:35
  Speaker 3: Bobby was like, I gotta I got an idea. Let's
• 31:37
  Speaker 3: try to see if you get some fat man vocals.
• 31:39
  Speaker 3: So we hit up the state, We head up Sean
• 31:41
  Speaker 3: c and it was all down for it. They sent
• 31:43
  Speaker 3: it over and it's.
• 31:44
  Speaker 2: In the works.
• 31:45
  Speaker 4: I gotta learn how to do it, like get like.
• 31:47
  Speaker 2: Ship Now, I don't get like I got my man
• 31:49
  Speaker 2: Orion on to get like.
• 31:51
  Speaker 3: I don't get like I supported everything I supported to
• 31:54
  Speaker 3: get like community heavy, Like I'm just not like the
• 31:58
  Speaker 3: HALLM shaking all to like.
• 32:01
  Speaker 2: Is a new dance. Canna get light? You don't know
• 32:03
  Speaker 2: for real? Nothing bro you out they get light? He know,
• 32:11
  Speaker 2: but you don't know the name. But you saw the
• 32:13
  Speaker 2: definitely do.
• 32:14
  Speaker 4: I wish I knew how to do that. Ship.
• 32:16
  Speaker 2: You don't know about love now get Light. That's that's
• 32:20
  Speaker 2: the Uptown coach right there.
• 32:22
  Speaker 4: What's the what's the I know my homegirl from the
• 32:25
  Speaker 4: Chicken Noodle Soup? What's the name of.
• 32:28
  Speaker 2: Young Young Be?
• 32:29
  Speaker 4: Young b right, young Be? And I know she had
• 32:33
  Speaker 4: a beef with the other girl about that other song.
• 32:35
  Speaker 4: What's that song?
• 32:37
  Speaker 5: HU tell me Jazz, tell me about the beef with that?
• 32:42
  Speaker 5: But what they had two hit records though? What was
• 32:44
  Speaker 5: the hit record that?
• 32:45
  Speaker 2: The Chicken soup and five you know, Chicken Nodle Soup
• 32:48
  Speaker 2: five five? You can't do the five g's, Oh please,
• 32:53
  Speaker 2: I can't do the five gees?
• 32:58
  Speaker 3: Yeah, because I know she was coming out to that Yo,
• 33:00
  Speaker 3: I ain't I thought at first, I thought that was
• 33:04
  Speaker 3: one person. H.
• 33:05
  Speaker 2: I ain't gonna lie. I'm not gonna lie.
• 33:07
  Speaker 3: Until I met both of them recently, I'm like, oh okay,
• 33:10
  Speaker 3: and not just hard to scandal, but trying to get.
• 33:11
  Speaker 4: To know she was. I know she was bringing up
• 33:15
  Speaker 4: bringing theut to the five G song.
• 33:17
  Speaker 2: Mh. They doing their thing, man.
• 33:19
  Speaker 5: One thing about Harlem. It's all about like it's fashion,
• 33:22
  Speaker 5: the dancing and all pack. Just because the nigga get like,
• 33:26
  Speaker 5: don't mean, won't shoot you. A lot of gangsters get
• 33:30
  Speaker 5: like That's what I'm saying, Like just the whole energy.
• 33:33
  Speaker 5: So I know what you know the Fat Man's School
• 33:36
  Speaker 5: records out of here.
• 33:37
  Speaker 4: So you're excited. You excited about about the album. Talk
• 33:40
  Speaker 4: about the process and how house things going with Empire.
• 33:42
  Speaker 3: It's good, like the album has been taking a little man.
• 33:45
  Speaker 3: I'm ready to pass pass on. But it's it's a blessing.
• 33:47
  Speaker 3: It's a blessing just creating. This album's my debut album
• 33:50
  Speaker 3: song with with a label. You know, got some Harlem.
• 33:52
  Speaker 3: I want to make em.
• 33:53
  Speaker 2: Let's make this ship look good. They gotta make it
• 33:56
  Speaker 2: look good.
• 33:56
  Speaker 3: But it's like my love story that the good, the bad,
• 33:58
  Speaker 3: the ugly about Hall of Man and it's storytelling. You're
• 34:01
  Speaker 3: gonna hear me popping my ship as a regular all
• 34:03
  Speaker 3: the nigga and you're gonna feel me on that.
• 34:06
  Speaker 2: You know what I'm saying. Y're gonna roots or so.
• 34:09
  Speaker 5: As for the marketing, I know you've got the perfect team.
• 34:13
  Speaker 5: What's the plans? Because I see you like on the ground,
• 34:16
  Speaker 5: I see you shooting the videos.
• 34:17
  Speaker 4: Back to back.
• 34:18
  Speaker 5: Everything was crispy outfits, looks good, looking like rich and
• 34:21
  Speaker 5: ready millions come what Empire gave you the bags?
• 34:24
  Speaker 2: We know you're rich, But what's the plans?
• 34:28
  Speaker 4: When you want to drop, like what what how you
• 34:30
  Speaker 4: want to have to roll out?
• 34:31
  Speaker 2: Do you want to go?
• 34:31
  Speaker 4: I see you on the radar?
• 34:33
  Speaker 2: Yeah, yeah, out to them.
• 34:34
  Speaker 4: We're we're gonna go to flex. You're gonna try to
• 34:36
  Speaker 4: go to the radio.
• 34:37
  Speaker 2: Yeah, this is part of the rollout right here, respectful,
• 34:39
  Speaker 2: you know what I'm saying. So on the meetum right now.
• 34:41
  Speaker 3: Shout out to y'all for getting up here. Like I said,
• 34:44
  Speaker 3: all the all the new dope artists from New York City.
• 34:48
  Speaker 2: Be up here.
• 34:49
  Speaker 3: Next my man, you put me on he was supposed
• 34:52
  Speaker 3: to chill like he's supposed to come and just watch
• 34:53
  Speaker 3: an interview with me.
• 34:54
  Speaker 2: Child, but think it.
• 34:55
  Speaker 3: But regardless of the fact, Yeah, I'm coming, I'm going
• 34:58
  Speaker 3: to release party down once you did, it's gonna be
• 35:00
  Speaker 3: August sixth.
• 35:01
  Speaker 2: Were the whole church? What yeah, holler church.
• 35:06
  Speaker 4: What's the name of album?
• 35:10
  Speaker 1: So it ain't gonna be no smoking in there? Nah
• 35:14
  Speaker 1: damn man, she just going to be outside like this.
• 35:17
  Speaker 1: Turn that sh up, nigga. Amen, I definitely want.
• 35:26
  Speaker 4: What makes you think of stuff like that like that?
• 35:29
  Speaker 2: That's just us.
• 35:30
  Speaker 3: We were always thinking out the box, like we were
• 35:32
  Speaker 3: like who rents out the whole church for the release party.
• 35:35
  Speaker 3: So you know we're trying to be different. We want
• 35:37
  Speaker 3: your to fill our experience and walking y'all to our world.
• 35:40
  Speaker 1: It's taller, that's crazy. Man album listening to party with
• 35:44
  Speaker 1: no smoking, Nigga, that's tough.
• 35:46
  Speaker 2: That's tough. I ain't Yeah, I don't give a drinking,
• 35:50
  Speaker 2: that's no.
• 35:51
  Speaker 4: No.
• 35:51
  Speaker 2: We got liquor. We're gonna drink in the church. I
• 35:56
  Speaker 2: won't be there. God, I won't be there. He's smoking though,
• 36:00
  Speaker 2: you want to smoke. I said outside, I'm gonna be outside.
• 36:06
  Speaker 2: Go drink. We're drink if it ain't no man, Yeah,
• 36:11
  Speaker 2: God blessing us to be in me. Man, I'm you know.
• 36:19
  Speaker 5: I love the food right go to hall. There's so
• 36:23
  Speaker 5: much good food then. Man, you got the Spanish spots,
• 36:26
  Speaker 5: you got food spots, you got just all kinds of
• 36:30
  Speaker 5: food in Harlem. We'll not go to Harlem. We not
• 36:33
  Speaker 5: go for the best like chopped cheese, Jamaican food. Because
• 36:37
  Speaker 5: I keep going the Lighthouse and save that.
• 36:40
  Speaker 3: I was gonna say Melbourns. I was gonna say, huh uh,
• 36:44
  Speaker 3: you gotta go to They get me at this. You
• 36:47
  Speaker 3: gotta go to.
• 36:48
  Speaker 2: You gotta go to pandam you gotta go to Ricardos.
• 36:50
  Speaker 2: You know what I'm saying.
• 36:51
  Speaker 3: I like Angela hallm that's like a good brunch spot,
• 36:54
  Speaker 3: you know. Like again, Melbours is another one. You know
• 36:56
  Speaker 3: what I'm saying. There's a couple. There's a new place
• 36:59
  Speaker 3: called Lolas that replaced with skinny canteen. It's like the
• 37:02
  Speaker 3: upper echelon now, you know what I'm saying. The street
• 37:05
  Speaker 3: from Pandem. I don't eat cheese like that. I get
• 37:07
  Speaker 3: the baking nigga cheese. Don't you tell me somebody I
• 37:09
  Speaker 3: don't really eat. Yeah, they'll go hojis well, but for
• 37:15
  Speaker 3: baking cheese. I go to the Hall of Breast club
• 37:16
  Speaker 3: with dirty kitchen. Well you get the Spanish. Now, I
• 37:20
  Speaker 3: get lemon ginger tito with a lot of honey, some
• 37:24
  Speaker 3: couple of sugars, always gonna get you right, drank some tea, y'all,
• 37:31
  Speaker 3: carnation milk and all that ship.
• 37:35
  Speaker 2: What artists you want to work with that you ain't
• 37:37
  Speaker 2: work with yet? Man? Who you want to work with? Man?
• 37:39
  Speaker 2: Y'all niggas man? Okay, that's that's easy man. That's a layer. Man.
• 37:43
  Speaker 1: Now I know you are not so so you're gonna
• 37:45
  Speaker 1: say that. But besides us, nigga, who you want to
• 37:47
  Speaker 1: work with?
• 37:47
  Speaker 2: Man?
• 37:48
  Speaker 3: Now for real though that as you also too big
• 37:52
  Speaker 3: extra plug for me, I want to do one buster
• 37:56
  Speaker 3: school Boy Q Kendrick. It's a couple, bro, like even
• 38:02
  Speaker 3: with the girls Sexy Radt.
• 38:04
  Speaker 2: You know what I'm saying.
• 38:05
  Speaker 1: To get a lot of busting comparisons, right, Yeah, they
• 38:09
  Speaker 1: don't mind him a bust.
• 38:10
  Speaker 3: And all that, and I get the buses in respectfully,
• 38:13
  Speaker 3: bigger a lot. I get those comparisons. Got you, But yeah,
• 38:17
  Speaker 3: I want to I just want to get in this
• 38:20
  Speaker 3: industry and just make music with a lot of people.
• 38:22
  Speaker 2: Mean, it's like we could go wherever we go light
• 38:25
  Speaker 2: and we go pop games. You know what I'm saying. Whatever, bro,
• 38:28
  Speaker 2: course over That's what I like. Open open the game.
• 38:33
  Speaker 4: Up like big exter plug Like you know, he has
• 38:38
  Speaker 4: some hit records.
• 38:39
  Speaker 3: Now you're big is tough man. It's mad people out there,
• 38:42
  Speaker 3: g Herbo. You know, I want to talk. Been in
• 38:44
  Speaker 3: the butcher, you know what I'm saying. So I want
• 38:46
  Speaker 3: to talk. I want to talk. Man, Let's let's have fun.
• 38:49
  Speaker 3: Lest let's go on wax.
• 38:50
  Speaker 4: Let's let's let's talk to who mainly on the album
• 38:53
  Speaker 4: Max B.
• 38:54
  Speaker 3: Max B Cam for Davy's Niak Bucks uh fam Main's
• 38:58
  Speaker 3: school and because he's from Harlem as well. Banks is
• 39:02
  Speaker 3: on the deluxe that's anak. Yeah, that's for the most part,
• 39:07
  Speaker 3: that's straight home.
• 39:08
  Speaker 2: With the date. With that date August, I'm just say
• 39:11
  Speaker 2: August right now, August.
• 39:14
  Speaker 3: Yeah, because I keep telling y'all dates, I ain't going
• 39:16
  Speaker 3: and ain't going right right now you are, So I'm
• 39:18
  Speaker 3: gonna just let you out. Why you say that is
• 39:20
  Speaker 3: the way you want to roll it out? Yeah, we
• 39:22
  Speaker 3: ain't about to rush this my this is my baby.
• 39:24
  Speaker 3: It's my first album. So it's like if I gotta
• 39:25
  Speaker 3: keep pushing it back because this ship gotta this ship
• 39:28
  Speaker 3: gotta gotta be a statement, you.
• 39:30
  Speaker 2: Know what I'm saying.
• 39:30
  Speaker 3: For a couple more features something now the features is
• 39:33
  Speaker 3: dead now Actually, no, I want Tana Taylor World.
• 39:35
  Speaker 2: I'm gonna manifest that. Yeah, I know, I know it's
• 39:40
  Speaker 2: gonna happen at the right time. Yeah, right, that's the
• 39:44
  Speaker 2: fact said exist.
• 39:46
  Speaker 3: Yes, then I want you to open up for the table.
• 39:49
  Speaker 3: I need you to narrate something man man and I
• 39:53
  Speaker 3: would say, yeah, Rocky, what's uthing? So those are the
• 39:56
  Speaker 3: three but other than that, like the future part is done.
• 40:00
  Speaker 3: Got it's just to me, like, yo, I need two
• 40:02
  Speaker 3: more bengers. That's how I feel right now.
• 40:03
  Speaker 2: I need too much.
• 40:04
  Speaker 4: And this is what I mean about hallm in the
• 40:07
  Speaker 4: creative ship.
• 40:08
  Speaker 2: Right.
• 40:08
  Speaker 4: You want to do it in the church, right, even
• 40:10
  Speaker 4: though we can't smoke, I agree with you can't smoke
• 40:13
  Speaker 4: drink that's crazy.
• 40:15
  Speaker 2: Yeah, I was drinking in the church.
• 40:17
  Speaker 4: Drinking the church from me.
• 40:18
  Speaker 2: So if it was able to smoke, y'all to smoke
• 40:20
  Speaker 2: to the church, I wouldn't have did it.
• 40:24
  Speaker 1: The doors open man gardens really don't like. I respect
• 40:29
  Speaker 1: the house man, but we're gonna do it right.
• 40:31
  Speaker 5: We're gonna respect the little house because we came out, Me,
• 40:34
  Speaker 5: fifty and Murder. We came out for a Rocky show like.
• 40:39
  Speaker 4: It was some ship we never experienced.
• 40:42
  Speaker 2: Says a little different.
• 40:43
  Speaker 4: Open the marsh pit he had, Niggas was like white
• 40:45
  Speaker 4: teaser Nigga had.
• 40:48
  Speaker 2: The helicopter was crazy with.
• 40:50
  Speaker 4: Mic butker Mike, but mi pg Mike.
• 40:56
  Speaker 2: What the he rapped?
• 41:00
  Speaker 5: Except Rocky got the bull horned making fun sothing like
• 41:05
  Speaker 5: me and Shippy and Murder back.
• 41:06
  Speaker 4: They're looking like, Yo, we never seen no ship like this.
• 41:08
  Speaker 2: Like rapping or whatever experience and experience.
• 41:14
  Speaker 4: But stopping the niggas was like open the moss pit.
• 41:17
  Speaker 4: That was crazy.
• 41:18
  Speaker 5: It was the moss pitch ship with the niggas were
• 41:21
  Speaker 5: like the white teas, the ski masks. It was crazy
• 41:24
  Speaker 5: for me.
• 41:24
  Speaker 4: I'm like, yo, this nigga.
• 41:25
  Speaker 5: Asap Rocky is really sometimes yeah, like sometimes like people
• 41:32
  Speaker 5: that just I like artists that have that cult following
• 41:34
  Speaker 5: to Like I look at when I look at asap
• 41:36
  Speaker 5: rock acep Rocky and rest of piece of asap ms.
• 41:40
  Speaker 5: They got inferred, they got a cult following forever. You know,
• 41:44
  Speaker 5: they overseas everywhere they can perform. When you hear ferd
• 41:47
  Speaker 5: he makes you know, records that rocking the club for
• 41:50
  Speaker 5: life like ship, its just everything be just kind of
• 41:54
  Speaker 5: like a lot of creative ship going on. Or And
• 41:58
  Speaker 5: that's what I feel with you, Like when I seen
• 42:00
  Speaker 5: your videos and Hollow River Drive and you're throwing the
• 42:02
  Speaker 5: money out the car and you got to cheating print
• 42:05
  Speaker 5: jacket on and you're talking that ship and the beat
• 42:08
  Speaker 5: is crazy real money.
• 42:09
  Speaker 2: I was throwing out the.
• 42:11
  Speaker 4: Oh, why are you telling I murder that man?
• 42:15
  Speaker 3: He was about to say he was about the hell Yeah, nigga,
• 42:18
  Speaker 3: what the fun you think this nigga throw fake money?
• 42:19
  Speaker 2: Yeah, nigga fake after I was throwing man hundred dollar bills.
• 42:24
  Speaker 2: I'm gonna keep it a buck. I don't give from me,
• 42:26
  Speaker 2: No niggas.
• 42:29
  Speaker 4: Question about the visual you throw.
• 42:41
  Speaker 2: One hundred dollar bills is crazy.
• 42:46
  Speaker 4: You gotta plug us in, my man, are gonna plug
• 42:48
  Speaker 4: me in with vancing?
• 42:49
  Speaker 5: But I ain't gonna lie. Murder had a mean vancy jacket.
• 42:52
  Speaker 5: I need one of them ships.
• 42:53
  Speaker 2: Yeah, I had the Bronx one for me and I
• 42:55
  Speaker 2: got my own.
• 42:56
  Speaker 5: Said a lot of trends you think, they said, name
• 42:58
  Speaker 5: some trends. You think Vincent is one all set. There's
• 43:02
  Speaker 5: some trends you think all them set.
• 43:05
  Speaker 3: Biggiest East Hall them thing I don't like obviously, the lovers.
• 43:11
  Speaker 3: You know we I don't want to say we started it,
• 43:13
  Speaker 3: but we made it like the aver Rex, the Vincent,
• 43:15
  Speaker 3: the pa.
• 43:15
  Speaker 2: Argue with you see that nigga, that nigga I'm gonna
• 43:18
  Speaker 2: give you. I am to set you up.
• 43:22
  Speaker 3: But listen, you see what I said. I said, we
• 43:25
  Speaker 3: maybe then started, but we made it more prominent.
• 43:27
  Speaker 2: Yes, we did.
• 43:28
  Speaker 4: What the love this which one I would say?
• 43:30
  Speaker 2: I told you all the love this level.
• 43:32
  Speaker 5: Everybody been at Axel told to this young niggas wrong
• 43:38
  Speaker 5: with this.
• 43:38
  Speaker 2: I feel like I feel like another level. Though.
• 43:42
  Speaker 4: You're gonna give them biggies.
• 43:44
  Speaker 2: You gotta give us biggies, give you biggies vance.
• 43:47
  Speaker 4: I'll give you Vantin. I'm not giving you like aver
• 43:49
  Speaker 4: Rex and all that.
• 43:50
  Speaker 2: Ship and is and all that ship.
• 43:52
  Speaker 3: I said, we ain't started. I said we we took
• 43:54
  Speaker 3: it to another level. That's all I said.
• 43:57
  Speaker 2: Get away with that.
• 43:58
  Speaker 4: Yeah that y'all had vance and give me something else
• 44:00
  Speaker 4: there you yeah you.
• 44:06
  Speaker 3: Like that?
• 44:06
  Speaker 2: Yeah?
• 44:06
  Speaker 6: Yeah?
• 44:10
  Speaker 2: What else?
• 44:10
  Speaker 6: Man?
• 44:11
  Speaker 4: And I get another thing. Hall of niggas know how
• 44:13
  Speaker 4: to blake state sneakers.
• 44:15
  Speaker 2: The right way. Look at these ships, niggas.
• 44:20
  Speaker 4: That's the best that sneakers.
• 44:22
  Speaker 2: We don't. That's the problem. The ship just hang.
• 44:26
  Speaker 4: Yeah, but your niggas is known for that.
• 44:29
  Speaker 2: You flying man, and it's comfortable.
• 44:31
  Speaker 1: So man, how I felt your your journey, know all that,
• 44:36
  Speaker 1: and you just did Summer Gym? How the fucking fell
• 44:39
  Speaker 1: from them all the internship You was talking about criminal justice,
• 44:43
  Speaker 1: bachelor's degree, getting fired from three jobs, getting signed to Empire,
• 44:49
  Speaker 1: and then you do Summer Gym.
• 44:50
  Speaker 2: How that ship felt God, it's good man. You know
• 44:53
  Speaker 2: what I'm saying. It was.
• 44:54
  Speaker 3: It was a beautiful moment like shout out to funk Flex,
• 44:57
  Speaker 3: shout out to Nicky, shout out to Hot Now.
• 44:59
  Speaker 2: It was.
• 45:00
  Speaker 3: It was beautiful, bro, Like it's it was no feeling
• 45:04
  Speaker 3: like that. Bro, Like, this is Summer Gym. So we
• 45:06
  Speaker 3: all used to go there as a kid and watch it,
• 45:08
  Speaker 3: you know what I'm saying. So now I'm on stage,
• 45:10
  Speaker 3: it's crazy. It still feel fake. All of this still
• 45:13
  Speaker 3: feel fakeing we talked about all the time and my
• 45:15
  Speaker 3: man Cagion just feel like a movie. Bro, Like last night,
• 45:18
  Speaker 3: yesterday feel like a movie. Like life is just crazy.
• 45:21
  Speaker 3: But it is fake because you ain't do Summer Gym yet.
• 45:24
  Speaker 3: They it's pre recorded.
• 45:25
  Speaker 2: I know that this.
• 45:27
  Speaker 6: They're gonna play all day. Don't let this ship fool you.
• 45:31
  Speaker 6: This they're gonna play all day. I'm trying to go
• 45:32
  Speaker 6: with the vibe.
• 45:34
  Speaker 2: This nigga wan A sucking up a game. It's crazy. No,
• 45:38
  Speaker 2: I so love though. I have to say I got
• 45:43
  Speaker 2: to go with the strip. Myself was going. I was
• 45:45
  Speaker 2: going with there I put them on now You're Empire brothers.
• 45:50
  Speaker 2: I was going that world. Yeah, that's all good. I
• 45:53
  Speaker 2: love it.
• 45:53
  Speaker 4: I love it man.
• 45:55
  Speaker 5: Definitely fucking Harlems fun. Yes, sir fucker the new Gin
• 46:00
  Speaker 5: ration to Harlem. Shout out to everybody, make sure y'all
• 46:03
  Speaker 5: like wow and to all you new artists. If niggas
• 46:06
  Speaker 5: don't believe in your dreams.
• 46:08
  Speaker 4: Fuck them.
• 46:09
  Speaker 2: Are they talking about