Latest / The Breakfast Club / Classic Interview (Dave Chappelle and Nipsey Hussle)

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Classic Interview (Dave Chappelle and Nipsey Hussle) · The Breakfast Club

• 0:00
  Speaker 1: You want anywhere else, so you're friend fronds. The world's
• 0:08
  Speaker 1: most stagers want to sell the cameras. I don't agree.
• 0:12
  Speaker 1: What is this list? The city South with DJ Henvy
• 0:18
  Speaker 1: the captain of this the only one who can keep
• 0:21
  Speaker 1: these guys in chat charge. God is the breakfast club
• 0:25
  Speaker 1: pictation is your time to get it off your chests,
• 0:32
  Speaker 1: whether you're man or blessed, so so you better have
• 0:35
  Speaker 1: the same industry. We want to hear from you on
• 0:36
  Speaker 1: the breakfast club? Hello, who's this good chest brow? I
• 0:43
  Speaker 1: wanted to just spread some good news, and I wanted
• 0:45
  Speaker 1: to tell y'all thinks. I don't think y'all know how
• 0:48
  Speaker 1: I'm pointing. Y'all are out here, Charlomagne Henry, and yet
• 0:51
  Speaker 1: y'all sometimes feel like you just think of how y'all
• 0:53
  Speaker 1: what y'all do for people on a regularation? Thank you
• 0:55
  Speaker 1: someone all, but everybody got time to be thinking about
• 0:58
  Speaker 1: that bottom of like you do? Ask she when she
• 1:02
  Speaker 1: humbly talk to people and getting good as good advice.
• 1:04
  Speaker 1: Then she traveled to cities and countries, controvel to state
• 1:08
  Speaker 1: this country, doing seminars and powering our sisters, you know,
• 1:11
  Speaker 1: the short sisters what they can do how they can
• 1:13
  Speaker 1: become and they can grow up and blow up. Charlotte Magne,
• 1:15
  Speaker 1: you constantly big ingen up a pc us, right, Oh,
• 1:18
  Speaker 1: y'all do pretty much fund raisers, they help presidents to
• 1:20
  Speaker 1: go to college. Then you channel a mental awareness and
• 1:24
  Speaker 1: you donate the brothers and sisters are helping sisters and
• 1:26
  Speaker 1: brothers wood mental illnesses because you know how to fake
• 1:29
  Speaker 1: the you right, Yeah, definitely, we appreciate now, we appreciate
• 1:34
  Speaker 1: you for recognizing. We appreciate you for recognizing the work.
• 1:38
  Speaker 1: That's nice it is, and even envy you travel this
• 1:41
  Speaker 1: country polar seminars, you don't be probably be Boston, and
• 1:44
  Speaker 1: then you people ain't your family and friends? Y allay
• 1:46
  Speaker 1: do this to people? Y'all don't even know. I don't
• 1:48
  Speaker 1: want let y'all know. We appreciate y'all man, and we
• 1:52
  Speaker 1: have because we wouldn't even be in the position that
• 1:54
  Speaker 1: we're in without you. So that's right. We got your
• 1:56
  Speaker 1: Universal Basic income check coming in the mail for you know,
• 1:59
  Speaker 1: bigging us up this morning. Thank you for that. Thank you. Brother. Hello,
• 2:02
  Speaker 1: who's this? Hey, good morning man. This Jermaine out Atlanta
• 2:06
  Speaker 1: with Bombay Voda. We're going on guys, what's up, Jamaine?
• 2:10
  Speaker 1: Hey man, just want to send some positive vibes, positive
• 2:13
  Speaker 1: energy out there. Man, scar every time they prayed up,
• 2:17
  Speaker 1: we're gonna get through this. And man, just it was
• 2:20
  Speaker 1: trying time y'all, so like, let's just stick together on
• 2:23
  Speaker 1: the hey say nothing but pray for America. This is
• 2:24
  Speaker 1: exactly why Donald Trump is saying in America first we
• 2:27
  Speaker 1: should have led with pray for America. I pray for
• 2:29
  Speaker 1: us first, pray for us. Say America, y'all all of y'all, Man,
• 2:34
  Speaker 1: pray for America. Man, Like, how y'all doing though? How
• 2:38
  Speaker 1: y'all doing, because y'all we're doing good? Man, We blessed
• 2:40
  Speaker 1: with we love. We're talking to the good people. Man,
• 2:43
  Speaker 1: we are right. Man. Hello, who's this? He this Chandler
• 2:47
  Speaker 1: from CLEMSONIO. How y'all doing? Hey man, we're good morning,
• 2:52
  Speaker 1: high schood morning. Just wanting to let y'all know, you
• 2:54
  Speaker 1: know this, this coronavirus ain't scaring me. I still uber
• 2:58
  Speaker 1: all weekend, still my money. You know what I'm saying.
• 3:01
  Speaker 1: I'm still outside with its inside. I'm saying, chairless, stay
• 3:06
  Speaker 1: your ass inside, bro, there's no reason to be outside.
• 3:09
  Speaker 1: All you're doing is you probably you could be infecting people,
• 3:12
  Speaker 1: or you can get infected. Just stay your ass home, bro,
• 3:15
  Speaker 1: I'm gonna do my best. I'm gonna definitely do my best,
• 3:18
  Speaker 1: all right, brother. Hello, Who's this is Chris from Bloomfield,
• 3:22
  Speaker 1: New Jersey. I just want to give a shout out
• 3:24
  Speaker 1: to everybody who out here is still grinding. I want
• 3:27
  Speaker 1: to give a shout out to you guys at the
• 3:28
  Speaker 1: radio stations was keeping us, you know, calm and entertained,
• 3:32
  Speaker 1: and I want to give a shout out, Like I
• 3:33
  Speaker 1: said again to Bloomfield Police Department, Fire department. They holding
• 3:36
  Speaker 1: it down for us. Hello. Who's this? Warren from Norfolk, Virginia,
• 3:40
  Speaker 1: Warren from the seven five seven. Get it off your chest, bro,
• 3:43
  Speaker 1: how are you doing? Good morning to DJ Envy Sharpote
• 3:46
  Speaker 1: and God Angela even more. It's one to say, having
• 3:50
  Speaker 1: a tough week, got this coronavirus going around the world,
• 3:54
  Speaker 1: got a lot going on at work, got legal problems,
• 3:56
  Speaker 1: but everything's gonna be all right by the end of
• 3:58
  Speaker 1: the day. You got to keep your head up, keep
• 4:00
  Speaker 1: moving forward. There you go. It could be worse. You
• 4:02
  Speaker 1: could have the coronavirus, sir, Yes, yes, thank you. Charlotte Mane.
• 4:06
  Speaker 1: Men that's right, but we all got to get through it.
• 4:09
  Speaker 1: We gotta be come together. It don't matter about We
• 4:12
  Speaker 1: don't got no choice, no anything. Everybody got to come
• 4:15
  Speaker 1: together and be one. Get this out of the way
• 4:17
  Speaker 1: and get this stuff out of the way. And yeah,
• 4:20
  Speaker 1: that is very true. This is something that impacts us all.
• 4:23
  Speaker 1: Keep your head up, bro, Hello, who's this? All right?
• 4:26
  Speaker 1: This is Courtney Renette? How I is? Hey? Courtney Renette?
• 4:29
  Speaker 1: Get it off your chest, mama, Well, I don't have
• 4:32
  Speaker 1: anything on my chest. I just wanted to really wish
• 4:34
  Speaker 1: my sister, Brittany marshake I happy twenty nice birthdays. Happy birthday,
• 4:39
  Speaker 1: all right, well, happy birthday to her. She can't go
• 4:42
  Speaker 1: on the way to celebrate what y'all doing. No, we
• 4:44
  Speaker 1: already heard of. All weekend we had a couple of
• 4:47
  Speaker 1: house parties with all our family and friends. You know,
• 4:50
  Speaker 1: everybody was coornthizers and lifefall. Social distancing. No, no social distancing.
• 4:57
  Speaker 1: You're supposed to be six feet away from each other.
• 4:58
  Speaker 1: To shame on y'all. I know, but you know in
• 5:01
  Speaker 1: South Carolina, solive as you already know, get it off
• 5:04
  Speaker 1: your chests. Eight hundred five eight five one on five
• 5:06
  Speaker 1: one if you need to vent hit this up now.
• 5:07
  Speaker 1: It's the Breakfast Club. Good morning. It is your time
• 5:12
  Speaker 1: to get it off your chests, whether you're Man or blast,
• 5:14
  Speaker 1: so people to have the same. Anything we want to
• 5:16
  Speaker 1: hear from you on the Breakfast Club, he'll know who's this. Hey,
• 5:20
  Speaker 1: this was a lot of us as up. Bro. How
• 5:24
  Speaker 1: you feeling the day, man, I'm feeling fine. One love
• 5:27
  Speaker 1: to you all, One love to y'all in these get
• 5:30
  Speaker 1: it off your chests. Brother, man, I'm upset about that
• 5:34
  Speaker 1: black authors of sci Fire have no outlets really, like
• 5:37
  Speaker 1: we're kind of rejecting and thrown and loose from the
• 5:40
  Speaker 1: film industry to the book literaries, to the publishing companies.
• 5:44
  Speaker 1: You know, like we really need some some better outlets
• 5:47
  Speaker 1: with black Sci Fire authors. Now, I agree Smooth, my
• 5:50
  Speaker 1: dude's investor, he got this line call planet dead, But
• 5:52
  Speaker 1: I agree with you. It's only because they don't take
• 5:54
  Speaker 1: us serious in that space right now. They look at
• 5:56
  Speaker 1: black people and they think we're only supposed to be
• 5:58
  Speaker 1: writing about one thing, which is usually the screet life,
• 6:01
  Speaker 1: right and that's that's like like they want us just
• 6:03
  Speaker 1: to walk write an identity of corruption and nothing that
• 6:07
  Speaker 1: develops us or gives us some science about life. You know.
• 6:10
  Speaker 1: So like in my book The Black Rose, a coush,
• 6:13
  Speaker 1: we got everything in there from post traumatic slave syndrome.
• 6:17
  Speaker 1: Like with doctor J. M. Joy Degury puts in her book,
• 6:21
  Speaker 1: y'all definitely need to put her on your show. Have
• 6:23
  Speaker 1: y'all had doctor post traumatic slave syndrome. She is, She
• 6:29
  Speaker 1: is the I call her the female Malcolm mix of
• 6:32
  Speaker 1: this time. You got to really check her out, like
• 6:35
  Speaker 1: she is the truth for for post traumatic slave syndrome.
• 6:38
  Speaker 1: If I've heard that, yeah, I mean I've heard that term. Yeah,
• 6:43
  Speaker 1: I've definitely used that term. I don't maybe, man, maybe
• 6:47
  Speaker 1: I do know her. I don't know. I've definitely used
• 6:48
  Speaker 1: that term. Though. You like to go see the slave
• 6:51
  Speaker 1: play on Broadway, then well when it's whenever it's back
• 6:54
  Speaker 1: open again, it's kind of all about that too. But
• 6:56
  Speaker 1: I shout out to touch. We had him on the show.
• 6:59
  Speaker 1: He's a black sid think he wrote the book of
• 7:01
  Speaker 1: war Girls. Hello, who's this? This is Douglas Pond from
• 7:06
  Speaker 1: the top notch Mobile Salon and Detroit, Michigan. What's up, brother?
• 7:09
  Speaker 1: Get it off at chess bro I agree with Charlotte
• 7:12
  Speaker 1: mine man, man, my wife and now we worked together
• 7:14
  Speaker 1: all the time. Now we're home with the kids, and
• 7:17
  Speaker 1: I see it's a blessed man that you know all
• 7:19
  Speaker 1: the time, and the work I put it on my
• 7:21
  Speaker 1: kids as children, it's paying off because I can see
• 7:24
  Speaker 1: exactly what's going on with him. You know. Yeah, my
• 7:26
  Speaker 1: wife and I we were we uh, we really truly
• 7:30
  Speaker 1: appreciate each other's company. Now, man, you know now that
• 7:34
  Speaker 1: we out with sanitizing, with disrespecting the salon, getting ready
• 7:37
  Speaker 1: to go back to work. You know, it's just that,
• 7:39
  Speaker 1: like I agree with Charlotte mine, they never did liked
• 7:41
  Speaker 1: each other in the first place. For us, never liked
• 7:43
  Speaker 1: each other. You can't take this a couple of weeks.
• 7:46
  Speaker 1: You never liked the person you would. I'm witching, man,
• 7:49
  Speaker 1: I'm enjoying this so much. Thank you for calling brother. Hello,
• 7:51
  Speaker 1: who's this this? Missus? Sparkt Up. I go by the
• 7:55
  Speaker 1: name of kay mane it okay whatever, get it off
• 7:57
  Speaker 1: at chess bro Oh yeah, I just like, uh, let's
• 8:01
  Speaker 1: know that at the fifteen long months your boys finally
• 8:05
  Speaker 1: got his license clear your third number, dirty driving okay regulations, King, Yes, sir,
• 8:12
  Speaker 1: Thank y'all, Thank y'all very much. All right, we'll be
• 8:15
  Speaker 1: safe out there. Don't lose it again. Brother. Hey, one
• 8:17
  Speaker 1: more thing though, Hey, y'all gotta call our D. Go
• 8:20
  Speaker 1: ahead and say my number. So when I called this time,
• 8:23
  Speaker 1: y'all already we don't know damn call our D. But
• 8:27
  Speaker 1: we're not we're not storing this number. St number because
• 8:30
  Speaker 1: I can win. You gotta ask, ye, I got something
• 8:33
  Speaker 1: on to ask your numbers? The nine O four number
• 8:35
  Speaker 1: right your third? Yeah, we're not storing that though, but
• 8:38
  Speaker 1: have a good one. No, brother, who who've all got? Duvall? He? Oh? Hello?
• 8:45
  Speaker 1: Who's this? Just shapers man? What's up? Broke? Get it
• 8:48
  Speaker 1: off your chest? And man, I'm just black, you know,
• 8:50
  Speaker 1: woke up this morning, got a little work out man
• 8:53
  Speaker 1: at work? No blessing of a dog? Regulations, bro bro
• 8:57
  Speaker 1: that's it appreciated man, that's how you feel good? Yeah? Yeah,
• 9:01
  Speaker 1: I'm even gonna follow me on Instagram that case the
• 9:05
  Speaker 1: man or not? Okay? Brother? Hello, who's this Romeo? Romeo?
• 9:10
  Speaker 1: What's up? Make it off your chest? What's up? How
• 9:12
  Speaker 1: you doing? First? First? Because stay on blessed this morning
• 9:15
  Speaker 1: I'm having my first child, Thank you, thank you? But
• 9:20
  Speaker 1: um your suller man a guard man I love you.
• 9:22
  Speaker 1: Ain't enough wrong with a black buzzer? You love you
• 9:25
  Speaker 1: say I'm mad at you. I'm mad at you because
• 9:29
  Speaker 1: I can't believe you're surprised that on EMV lightskin ucy
• 9:33
  Speaker 1: so can't change some tires. Man. Well, I don't want
• 9:36
  Speaker 1: to stereotype people. But it's easy to take. To take
• 9:39
  Speaker 1: some tire, It's like, how do you care to say
• 9:41
  Speaker 1: some tire? You gotta be taught like my father had
• 9:43
  Speaker 1: to teach me. I mean I know how to. I mean,
• 9:44
  Speaker 1: I know the concept, but changing the time, never change.
• 9:49
  Speaker 1: It's a very easy thing to dizy concept. But I
• 9:51
  Speaker 1: just don't. I'm not sing and say it's easy now,
• 9:52
  Speaker 1: you know, I rather to do it. Were you from, brother,
• 9:56
  Speaker 1: I'm from Brooklyn. How many how many uh fixing fa
• 10:00
  Speaker 1: places by you? It's a whole lot. There you go.
• 10:02
  Speaker 1: That's why I gotta change the tie. That's what I
• 10:04
  Speaker 1: paid them to do. Thank you, though, brother, you might
• 10:05
  Speaker 1: not have the money. Hey, people are struggling, you know,
• 10:09
  Speaker 1: don't even does it. Some people don't even have actually
• 10:12
  Speaker 1: tire in their time. Now that's expensive around with extra tire.
• 10:19
  Speaker 1: Get it off your chest. Eight undred five eight five
• 10:21
  Speaker 1: one oh five one. If you need to vent, you
• 10:23
  Speaker 1: can hit us up at any time. Morning. Everybody is
• 10:27
  Speaker 1: J M. D Angela, Charlomagne, the guy, We all the
• 10:31
  Speaker 1: breakfast club. We got a special guest in the buildings. Indeed,
• 10:34
  Speaker 1: this is the first time man finally get the energy
• 10:39
  Speaker 1: right here. God damn Sugar. A K eighteen of Snow
• 10:43
  Speaker 1: in the Building album is out right now, let's let's
• 10:46
  Speaker 1: start it. For people that don't know, how did it
• 10:47
  Speaker 1: Meg the Stallion start out as a rapper? How did
• 10:49
  Speaker 1: you get into this rap game? So my mom was
• 10:51
  Speaker 1: a rapper, and like every day after school and when
• 10:55
  Speaker 1: she would get off work, I will see her in
• 10:56
  Speaker 1: her room writing and stuff. And then she would be
• 10:58
  Speaker 1: like going to the studio and I'll be in the
• 11:00
  Speaker 1: little waiting room and I'm pretty sure she thought I
• 11:02
  Speaker 1: was in there doing like little kids stuff. But I'll
• 11:04
  Speaker 1: be like listening at the door, like okay, yeah, And
• 11:06
  Speaker 1: I really thought it was normal. I kind of low
• 11:08
  Speaker 1: key thought everybody mama was doing that. Yeah I didn't know,
• 11:13
  Speaker 1: so like, I don't know, it was just normal. So
• 11:15
  Speaker 1: I would eventually like start stealing her CDs with like
• 11:17
  Speaker 1: all her instrumentals on there, and like start sneaking and writing,
• 11:20
  Speaker 1: and then she'll be like asking, like have you seen
• 11:21
  Speaker 1: my CDs? And I'll be like no, like and then
• 11:24
  Speaker 1: like eventually, when I graduated from high school, I was like,
• 11:27
  Speaker 1: I can wrap and she was like, no, you can't.
• 11:29
  Speaker 1: And I was like, yeah, I can't. She was like,
• 11:30
  Speaker 1: let me hear you. So I started rapping and she
• 11:33
  Speaker 1: was like, oh my god, like rapa. I really don't
• 11:38
  Speaker 1: remember what I was saying, but I remember wrapped over
• 11:40
  Speaker 1: like that, I'm different beat by two chains and she
• 11:43
  Speaker 1: was like, oh like so then ever since then, like
• 11:46
  Speaker 1: I don't think she still even took me seriously then,
• 11:49
  Speaker 1: so I started going to the studio on my own,
• 11:50
  Speaker 1: and so when she knew I was at the studio
• 11:52
  Speaker 1: by myself and stuff, she was like, oh, hell no,
• 11:53
  Speaker 1: I'm a manage you and we too. I was exactly
• 11:58
  Speaker 1: how I rapped now, like I was talking probably a
• 12:00
  Speaker 1: more crazy life. I was like, Mama, don't be mad,
• 12:04
  Speaker 1: I'm a curse okay, and she was she was like okay.
• 12:07
  Speaker 1: I don't think she knew exactly how hard I was
• 12:09
  Speaker 1: about to go. And she was like, I don't know
• 12:10
  Speaker 1: where your mouth came from. And the only thing my
• 12:12
  Speaker 1: mama ever played for me, was like PEMC U g
• 12:15
  Speaker 1: k oh. Yes, my daddy only played three six mo fia.
• 12:20
  Speaker 1: So understand why y'all not figuring out why I'm talking
• 12:23
  Speaker 1: like this. So I read somewhere that Pimc's wife wanted
• 12:27
  Speaker 1: to she had vocals for you that she wanted. Ye,
• 12:30
  Speaker 1: I mean I got the vocals. I got vocals from
• 12:32
  Speaker 1: her and Juicy J. So I mean I was working.
• 12:34
  Speaker 1: I'm still working on my album. Like I had to
• 12:37
  Speaker 1: hurry up and put together EP like of songs that
• 12:40
  Speaker 1: I just really liked that I recorded so far, but
• 12:42
  Speaker 1: like stuff like that, I really liked to take my
• 12:43
  Speaker 1: time because I really look up to PEMC. So I
• 12:46
  Speaker 1: really wanted to. I want to do the song right.
• 12:48
  Speaker 1: How long did it take for you to to I
• 12:50
  Speaker 1: don't want to say pop, but to actually pop because
• 12:52
  Speaker 1: it seems like on the outside world it seems like
• 12:55
  Speaker 1: it was fast. So it seems like it was a
• 12:56
  Speaker 1: little rumbling and then it was going. I feel like
• 12:59
  Speaker 1: I'm I'm still getting there, Like I don't feel like
• 13:02
  Speaker 1: I'm just like I don't feel like I've like popped.
• 13:05
  Speaker 1: How many platinum singles you got already? Three? I mean, no,
• 13:10
  Speaker 1: you got the right attitude that they don't only count
• 13:12
  Speaker 1: until you put out a debut out right, Yeah, I
• 13:15
  Speaker 1: feel like I just got a lot more work to do,
• 13:17
  Speaker 1: Like I like to work. I like to hustle. I
• 13:19
  Speaker 1: don't feel like nothing should just be given to me,
• 13:21
  Speaker 1: like I really do want to work for you think
• 13:22
  Speaker 1: that sometimes people are misjudged, like looking from the outside
• 13:25
  Speaker 1: with you know, hot girl and all of that, because
• 13:27
  Speaker 1: I looked at it and we were trying to have
• 13:28
  Speaker 1: this discussion on just being like somebody about your business
• 13:32
  Speaker 1: as a woman that is independent, taking care of yourself.
• 13:36
  Speaker 1: You go to school, TSU shout out to TSU shot
• 13:38
  Speaker 1: because they show proud of you. But sometimes people think
• 13:41
  Speaker 1: that means you just out here holing and that, and
• 13:43
  Speaker 1: then they think that that's what it is, um being
• 13:45
  Speaker 1: a hot girl. You know, it really started off as
• 13:48
  Speaker 1: me really just letting everybody know what type of summer
• 13:50
  Speaker 1: I was about to have, Like me just being unapolo, unapologetic,
• 13:54
  Speaker 1: me just doing what I want to do, not really
• 13:55
  Speaker 1: caring about anybody else's opinion, Like me just being me,
• 13:59
  Speaker 1: you know, just doing what we want to do as women,
• 14:00
  Speaker 1: Like we shouldn't be trying to fit into like a
• 14:03
  Speaker 1: certain standard that people try to put us in a
• 14:04
  Speaker 1: certain box. People try to put us and you should
• 14:06
  Speaker 1: just do what makes you happy. Now, when the boys
• 14:08
  Speaker 1: got involved, it was like, oh yeah, y'all on that
• 14:10
  Speaker 1: high girl, y'all think y'all this, and then it turned
• 14:12
  Speaker 1: into like a whole like ballo. Yeah. I was like,
• 14:15
  Speaker 1: whoa y'all making this? Something started that Yeah, well they
• 14:22
  Speaker 1: drunk it. I was like, damn like high girls like
• 14:24
  Speaker 1: I was saying, that was like, yeah, real high girl,
• 14:27
  Speaker 1: And I was like, what did you do for the fall?
• 14:32
  Speaker 1: I went it's high girl semester. Oh yeah, when we
• 14:36
  Speaker 1: went back school, we got more with Megan the Stallion.
• 14:38
  Speaker 1: When we come back, don't move. It's the Breakfast Club.
• 14:40
  Speaker 1: Come on, the Breakfast Club is back backs should thing
• 14:46
  Speaker 1: everybody in DJ Envy Angela Yee, Charlomagne the guy, we
• 14:50
  Speaker 1: are the Breakfast Club. We're still kicking it with Meg
• 14:52
  Speaker 1: the Stallion. Charlomagne. Do you think this is a situation
• 14:55
  Speaker 1: where major company is poaching off the work that A
• 14:59
  Speaker 1: fifteen on one day to help you get to this point? No,
• 15:02
  Speaker 1: like Rock Nation don't have nothing to do with the problems.
• 15:06
  Speaker 1: We was already going through. I don't like it. I
• 15:08
  Speaker 1: don't like that, you know, people bring up jay Z
• 15:11
  Speaker 1: like jay Z and I worried about them, like you're
• 15:15
  Speaker 1: saying names that I feel like, it's just you're just
• 15:17
  Speaker 1: trying to draw like attention to the situation, like facts
• 15:20
  Speaker 1: or public. I don't have to lie. Why would I lie?
• 15:23
  Speaker 1: Like I just I feel like people want to bully me,
• 15:26
  Speaker 1: like you don't have to gang up on me, like
• 15:28
  Speaker 1: I didn't do nothing in the y'ase. So I really
• 15:29
  Speaker 1: don't understand where it's coming from. I think I think
• 15:31
  Speaker 1: a lot of that came from I think you said
• 15:33
  Speaker 1: that that Rock Nation looked at the contract and told
• 15:36
  Speaker 1: you something. So when when I finally got real lawyers
• 15:40
  Speaker 1: and like you know, people around me that knew what
• 15:42
  Speaker 1: they were talking about, it was like, some things in
• 15:44
  Speaker 1: my contract are just uncomfortable in the state of Texas.
• 15:47
  Speaker 1: So it's like, well, let's just fix the things that
• 15:49
  Speaker 1: are wrong. So I just wanted to renegotiate my contract.
• 15:54
  Speaker 1: It look like things are going to move to our
• 15:56
  Speaker 1: dad direction. Are you feeling like, do you feel like
• 15:58
  Speaker 1: if you had a conversation. I tried to have a
• 16:01
  Speaker 1: conversation because he said he had cars that he hasn't
• 16:03
  Speaker 1: heard from you since August. He's like, I haven't had
• 16:06
  Speaker 1: heard from me before that. Like we just don't have
• 16:08
  Speaker 1: a relationship. So it's not nothing that's brand new. Is
• 16:10
  Speaker 1: not because of rock Nation. We just already didn't have
• 16:13
  Speaker 1: a relationship. Maybe call was the money guy, but he
• 16:15
  Speaker 1: wasn't the day to day guy. That's what it seems like.
• 16:18
  Speaker 1: I mean, like I said, like I couldn't well, I
• 16:21
  Speaker 1: know what's being said, it's not true, like all that
• 16:23
  Speaker 1: hundreds of thousands of dollars, like people not even you know,
• 16:27
  Speaker 1: putting it out there, Like we asked for the proof
• 16:30
  Speaker 1: and you're not even giving us the proof of that.
• 16:32
  Speaker 1: Like I gotta go back and look at some of
• 16:34
  Speaker 1: your old Instagram pictures. Thank god, we got an album
• 16:36
  Speaker 1: out today, So it's not even my album, Like it's
• 16:39
  Speaker 1: an EPP. So who is Sugar now? So Sugar? It's
• 16:43
  Speaker 1: basically just like a girl who is going through it,
• 16:46
  Speaker 1: but she getting through it. It's like me basically letting
• 16:48
  Speaker 1: people know that I'm not perfect. I'm a human. I
• 16:50
  Speaker 1: know I'll be fucking up, but I'll be trying. I'll
• 16:54
  Speaker 1: be getting through it. You know what, I'm saying, and
• 16:55
  Speaker 1: I just I don't like the I don't like the
• 16:57
  Speaker 1: fact that everybody be trying to seem so perfect. Why perfect,
• 17:03
  Speaker 1: But obviously people are online they just are all so
• 17:07
  Speaker 1: amazing and nothing's wrong with them and they've never been
• 17:10
  Speaker 1: through in their life. So I mean, that's more so
• 17:12
  Speaker 1: what I'm talking about. And then it whack. Know that
• 17:14
  Speaker 1: you gotta you gotta learn that in real time, like
• 17:17
  Speaker 1: you gotta that have to play out in front of
• 17:18
  Speaker 1: the world, you know what I'm saying, Those growing pains,
• 17:22
  Speaker 1: I mean, it's just all a part of being in
• 17:24
  Speaker 1: the light. So I can't complain. I knew knew what
• 17:27
  Speaker 1: I was getting into, so it's not nothing I'm upset about.
• 17:30
  Speaker 1: It's just I'm just learning as I go. So when
• 17:32
  Speaker 1: I put my head, I'll just be like, Okay, you
• 17:34
  Speaker 1: and the Baby make great records with each other. Yeah,
• 17:36
  Speaker 1: y'all doing an album together? Is that a plan to
• 17:38
  Speaker 1: do it a full project? I don't know if we're
• 17:40
  Speaker 1: gonna do a full project, but I know we definitely
• 17:42
  Speaker 1: got some music that's gonna come up and some other
• 17:45
  Speaker 1: things I don't want to say yet. Yeah, the Baby
• 17:47
  Speaker 1: always says if he could do a collab album with
• 17:50
  Speaker 1: somebody would be you I love him, Like, I really
• 17:52
  Speaker 1: think that will be fired if we actually did it.
• 17:54
  Speaker 1: What type of deal is making the Stallion looking for?
• 17:57
  Speaker 1: Not necessarily in that situation, but just in general at
• 18:00
  Speaker 1: this point in your career, what would be fair to
• 18:02
  Speaker 1: making a study? I just wanted to be fair and
• 18:05
  Speaker 1: I wanted to be you know, good for everybody, Like
• 18:08
  Speaker 1: nothing is gonna be perfect, but if we can both
• 18:10
  Speaker 1: come to agreement, like you gotta you gotta give a
• 18:12
  Speaker 1: little to get a little. You know what I'm saying.
• 18:14
  Speaker 1: And I understand that. So I just want everything to
• 18:15
  Speaker 1: be fair. Can you have a relationship with Jay Prince
• 18:18
  Speaker 1: at all? No? So have you ever met him in person? Though? Okay,
• 18:22
  Speaker 1: growing up, did you look up to rap a lot
• 18:24
  Speaker 1: in Jay Prince had to write in Houston? Oh? Really?
• 18:27
  Speaker 1: Like I didn't. I was young, so I didn't really
• 18:29
  Speaker 1: know anything about it. You see all of them though,
• 18:33
  Speaker 1: I only knew the music, Like, I didn't know the backstory.
• 18:36
  Speaker 1: I didn't know the background. I mean, you know, you're
• 18:39
  Speaker 1: from I'm from Houston. You know you hear things, But
• 18:41
  Speaker 1: it wasn't I didn't think it was gonna be anything.
• 18:44
  Speaker 1: I would ever have to deal with rights. I wanted
• 18:47
  Speaker 1: to talk about the song. Oh lord, what with Jay
• 18:50
  Speaker 1: accused you of lying this morning on this Instagram said
• 18:53
  Speaker 1: you're lying on him and court documents? What is that about? Like,
• 18:56
  Speaker 1: that's something that I definitely can't talk about. But I
• 18:59
  Speaker 1: don't lie though. Who helped you negotiate your original deal?
• 19:04
  Speaker 1: I'm just saying, I'm just yeah, I mean all of this,
• 19:07
  Speaker 1: I really would like to answer. It got you. So
• 19:10
  Speaker 1: hopefully you know, next time I come, I will be
• 19:13
  Speaker 1: able to talk about it. But right now, you know,
• 19:15
  Speaker 1: it's just in court. Like, so I can't say a
• 19:16
  Speaker 1: lot of stuff. All right, It's Meg the Stye, It's
• 19:18
  Speaker 1: the Breakfast Club. Good morning, It's time to shoot your shot.
• 19:30
  Speaker 1: To shoot your shot with the Breakfast Club. You just
• 19:32
  Speaker 1: want chance. Don't mess it up? Mess it up? Mess
• 19:35
  Speaker 1: what's up? What's up? Guys? Who are you trying to
• 19:38
  Speaker 1: shoot your shot with? Davante? This girl Lot she works
• 19:42
  Speaker 1: at the pharmacy. I go too, all right, now you
• 19:45
  Speaker 1: gotta go there to pick up your Vale trecks every
• 19:47
  Speaker 1: now and then. Maybe you know tricks an STD problem
• 19:49
  Speaker 1: because I'm letting you know if you got to pick
• 19:51
  Speaker 1: up your Vale treks. I don't think this is a
• 19:52
  Speaker 1: good idea to shoot your shot if she knows that
• 19:53
  Speaker 1: she's given you. Nah, she's just this dope man. I
• 19:56
  Speaker 1: don't even have a prescription there. I just go there
• 19:58
  Speaker 1: once a week to get like a packer or something,
• 20:00
  Speaker 1: and then you go with that pharmacy register just to
• 20:03
  Speaker 1: go see her. Yeah, she definitely did you have an
• 20:05
  Speaker 1: STD and too scared to get the prescription? Bro, I
• 20:07
  Speaker 1: don't know. I don't know. I'm scared to shoot my shot.
• 20:10
  Speaker 1: I was hoping y'all to help me. Why have you
• 20:12
  Speaker 1: ever had an Have you ever had a conversation? Dude?
• 20:15
  Speaker 1: You know, I get the gum, ask her how her
• 20:17
  Speaker 1: day is doing, what's going on? And she's going at
• 20:19
  Speaker 1: this for that concert? Not question. Do you put the
• 20:23
  Speaker 1: gum in your mouth before you talk to her? Oh?
• 20:26
  Speaker 1: You know, I usually get a piece of the offer
• 20:28
  Speaker 1: her one, because if you're talking to her before you
• 20:30
  Speaker 1: put the gum in your mouth, that's probably why she's
• 20:33
  Speaker 1: not interested, because your breath is clearly funcky. Now it's
• 20:36
  Speaker 1: like half a half half with gum, half without. Okay, okay,
• 20:40
  Speaker 1: all right, well let's get right into it. I mean
• 20:41
  Speaker 1: they've only had some brief conversations, though he doesn't see
• 20:44
  Speaker 1: her when he buys some gums, So I'll be interested
• 20:46
  Speaker 1: to see if she's noticed you. Does she say hi
• 20:48
  Speaker 1: when you walk in? Oh? Yeah, yeah, she's very friendly. Okay,
• 20:51
  Speaker 1: it's got to be a reason that you haven't shot
• 20:54
  Speaker 1: your shot yet other than just nerves. Maybe he's scared.
• 20:56
  Speaker 1: Maybe he got a small wee week. I don't know
• 20:58
  Speaker 1: damn about Okay, all right, well let's maybe maybe you
• 21:02
  Speaker 1: need some some zannies then for anxiety. I don't have
• 21:06
  Speaker 1: a prescription for it. You know where I could get something? Yeah,
• 21:08
  Speaker 1: the girl? Once you shoot your shot. We're in the
• 21:11
  Speaker 1: middle of shoot your shot. We have DeVante on the line.
• 21:16
  Speaker 1: Shoot your shot, man, make that phone call? Hello, Hey,
• 21:31
  Speaker 1: what's up with Tylier? Who's DeVante from the pharmacy? DeVante
• 21:38
  Speaker 1: from the pharmacy? How did you get my number? You
• 21:42
  Speaker 1: gave it to me? Remember No, I don't remember. I
• 21:45
  Speaker 1: never gave you one. Wait, please don't see what do
• 21:49
  Speaker 1: you want? Well, you didn't actually give me a number.
• 21:51
  Speaker 1: You actually gave me your name, and then our search
• 21:54
  Speaker 1: Facebook and your number came off. Jesus Christ, Okay, got stop.
• 21:58
  Speaker 1: You did not tell us this part. I'm sorry. Let's
• 22:00
  Speaker 1: have you ever from the Yes wait Djeli Charagne from
• 22:04
  Speaker 1: the Breakfast Club. Mama, yeah, we're doing because he is going.
• 22:07
  Speaker 1: We thought that you gave him your number, and so
• 22:09
  Speaker 1: he was calling to shoot his shot because he has
• 22:11
  Speaker 1: a crush on you. He said, he comes in there
• 22:13
  Speaker 1: all the time to buy gum. Oh my god, oh
• 22:17
  Speaker 1: my god, to du that bars gum. I don't even
• 22:20
  Speaker 1: put his change in his hand like I put it
• 22:22
  Speaker 1: on the Oh my god, he's the creepiest. Why is
• 22:27
  Speaker 1: he calling me? I don't understand why he still he's
• 22:29
  Speaker 1: still on the phone. He can hear he can hear you,
• 22:31
  Speaker 1: he's here. I got this point. I don't even care
• 22:34
  Speaker 1: because you're talking about too looked up my number on Facebook.
• 22:37
  Speaker 1: That's it's kind of weird. That's really because Facebook does
• 22:43
  Speaker 1: provide this kind of information. But I do think I
• 22:46
  Speaker 1: wish we would have asked him, you know, did he
• 22:48
  Speaker 1: get your number before? And but yeah, but wait, why
• 22:52
  Speaker 1: is he calling me? I'm not understanding. He wants to
• 22:54
  Speaker 1: have sex with no, No, he wants to take you
• 22:55
  Speaker 1: out on a date. He wants to take you out
• 22:57
  Speaker 1: on a date. Why would go out billion people on
• 23:00
  Speaker 1: the planet, and you think I would go out with
• 23:02
  Speaker 1: this dude? Speak no, no, no, no, no, no, Sea.
• 23:07
  Speaker 1: You have the name of America. I just want to
• 23:09
  Speaker 1: take such keep no, well, let me keep it one hundred.
• 23:18
  Speaker 1: DeVante has adult acne. I can't even get past that
• 23:22
  Speaker 1: because we're not even doing it like that. No, are
• 23:25
  Speaker 1: you kidding me? Trying to figure out? Figure me out? No? Please,
• 23:33
  Speaker 1: and let me tell you. I'm giving out medicine for diabetes,
• 23:37
  Speaker 1: for HIV, for cancer, and this is coming every day
• 23:40
  Speaker 1: buying gum. Do you know how creepy that she is? Listen,
• 23:46
  Speaker 1: why don't you prescribe him something for his adult acne?
• 23:48
  Speaker 1: Should he go see a dermatan? I have a great man.
• 23:51
  Speaker 1: I can't believe. I really don't know why she's being
• 23:56
  Speaker 1: like that. I always offer a piece of dumb when
• 23:58
  Speaker 1: I come, and that's creepy. I don't think. I don't
• 24:04
  Speaker 1: think you should tell a guy like this any last words.
• 24:06
  Speaker 1: They're creepy and you chew it it really okay to
• 24:12
  Speaker 1: it all nice and slow. Flirt with me. You know
• 24:14
  Speaker 1: you love the girl. Yeah, Why are you taking the
• 24:16
  Speaker 1: gun from him? Why are you leading him on by
• 24:18
  Speaker 1: taking the gun from gun from him. If you're never
• 24:20
  Speaker 1: taking a gun from him, I'm never taking fire. I
• 24:25
  Speaker 1: have a video I snapshotted Lata. Yeah, next time he
• 24:30
  Speaker 1: comes in there, I would call the policeman. He's creepy
• 24:32
  Speaker 1: as hell. Yeah, and the table, you might you might
• 24:34
  Speaker 1: need to get a rest. No, we didn't know. I'm sorry,
• 24:38
  Speaker 1: you know we didn't know. Hey, DeVante, your mother or
• 24:42
  Speaker 1: father was clearly a Jodasy fan. Okay, because they named Devant.
• 24:45
  Speaker 1: Are you familiar with DeVante swing from Jodas? Yeah, okay,
• 24:49
  Speaker 1: he did a juicy fru commercial back in the day.
• 24:52
  Speaker 1: Oh my god, La, I'm sorry, all right, we gotta go.
• 24:57
  Speaker 1: We got things to do. I'm sorry, good time, Bante,
• 25:01
  Speaker 1: have a blessed day. Stop stalking women. Okay, all right,
• 25:04
  Speaker 1: I'll see you. To see you next week, girl, Sorry, sorry,
• 25:12
  Speaker 1: all right. We got more coming up next with a
• 25:14
  Speaker 1: breakfast club for the best of the best of the best.
• 25:18
  Speaker 1: We'll be right back with our best of interviews morning.
• 25:21
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomine the guy. We
• 25:24
  Speaker 1: are the breakfast club. We got some special guests in
• 25:26
  Speaker 1: the building with now we have one special guy. Yeah,
• 25:29
  Speaker 1: we always say we got special guests. Right in the building.
• 25:32
  Speaker 1: We don't always apply to everybody. This this one definitely applied, dude.
• 25:39
  Speaker 1: When the start on show, like, yo, see we can
• 25:41
  Speaker 1: get Donelle to come in, buddy, I'm cool. We have
• 25:44
  Speaker 1: Ashley Larry, Donnelle Rawlins, and we have a special guest
• 25:47
  Speaker 1: that has in twelve man the legendary that's right, iconic
• 25:52
  Speaker 1: Dave Chappelle. Oh my god, good morning, Hey, good morning.
• 25:57
  Speaker 1: You feel you feel pressure to do a great radio
• 25:59
  Speaker 1: interview that you haven't done it in twelve years? Not really,
• 26:03
  Speaker 1: I mean yeah, I just you know, I want everybody
• 26:05
  Speaker 1: like me. I don't come out and try to do bad.
• 26:09
  Speaker 1: I saw you with the fight Charlotamagne. Yes, I was
• 26:12
  Speaker 1: at the Triple G Danny Jacob's fight, and I gotta
• 26:14
  Speaker 1: tell you, I got excited to see that. I realized
• 26:16
  Speaker 1: I've never met this person. That's how I felt. I
• 26:19
  Speaker 1: saw you a few rolls up, I'm like, that's Dave Chappelle,
• 26:21
  Speaker 1: and then you turned around and you saluted. But I'm like,
• 26:23
  Speaker 1: I don't think he's doing that to me. I didn't
• 26:25
  Speaker 1: want us to look back at first. I wanted to
• 26:30
  Speaker 1: look back out from like, oh he's talking to me.
• 26:32
  Speaker 1: I told my wife, say you see Dave Chappelle, just
• 26:34
  Speaker 1: say what's up to me? So I'm saying all that
• 26:36
  Speaker 1: to say, you know, I got really good flat show
• 26:38
  Speaker 1: that night because you said what's upthing, I didn't know
• 26:41
  Speaker 1: where that was gone. Marital Fla. Do you wake in
• 26:51
  Speaker 1: bake in the morning? Day? We do? You wait till
• 26:52
  Speaker 1: after breakfast? Yeah, I'm a waiter. I usually late at night.
• 26:56
  Speaker 1: Oh at night? Okay, okay, you said something interesting. You
• 26:58
  Speaker 1: said you don't ever want to just present something bad.
• 27:01
  Speaker 1: You still feel like you got something to prove because
• 27:03
  Speaker 1: you're like critically acclaimed, you're respected by your peers. You
• 27:07
  Speaker 1: feel still like you got something to proof. No, it's
• 27:10
  Speaker 1: not it's not necessary. You feel like you has something
• 27:12
  Speaker 1: to prove. I'm sure you guys feel the same way.
• 27:14
  Speaker 1: It's like quality control, right, yea. You want to make
• 27:16
  Speaker 1: sure that whatever you offer you put your best foot for.
• 27:20
  Speaker 1: You know, that's doesn't mean you want to prove anything.
• 27:22
  Speaker 1: It just means you respect the people that respect you,
• 27:25
  Speaker 1: and you want to reciprocate their respect with a good product.
• 27:28
  Speaker 1: You still get nervous when you do shows or this
• 27:30
  Speaker 1: is a piece of cake too. Well, one time it
• 27:32
  Speaker 1: didn't work out and sometimes don't worry. You know what
• 27:35
  Speaker 1: it's like and done. You can attested this. People ask me, like,
• 27:37
  Speaker 1: do you get nervous when you're going stage? It's like
• 27:39
  Speaker 1: asking a pilot if he gets nervous before a flight.
• 27:43
  Speaker 1: I might hit some weather, but I feel like you
• 27:49
  Speaker 1: normally are laying the plane. I don't think we've ever
• 27:52
  Speaker 1: not landed. Maybe Detroit, but other than that, By the way,
• 27:55
  Speaker 1: I would never want I would never want to know
• 27:57
  Speaker 1: if my pilot was nervous, by the way, you want
• 27:58
  Speaker 1: on nervous pilots. I'm just a little confused because everybody's
• 28:01
  Speaker 1: throwing so much respect and Dave, I've been on this
• 28:04
  Speaker 1: show four or five times. When I come in here,
• 28:06
  Speaker 1: they don't even look me at my face every time
• 28:11
  Speaker 1: I come here, y'all on social media, y'all everything. What
• 28:15
  Speaker 1: about that time you came in I told everybody that said,
• 28:17
  Speaker 1: no matter what Donelle says, do not laugh. It was
• 28:25
  Speaker 1: like it was like, I was like, oh, this looked
• 28:28
  Speaker 1: like the set up? What made you even like down
• 28:30
  Speaker 1: there was? It was? What was it down there that saying,
• 28:35
  Speaker 1: you know what? I could work with this guy up?
• 28:38
  Speaker 1: The first time I heard about you. I was. I
• 28:40
  Speaker 1: went home to DC and I went to the comedy
• 28:43
  Speaker 1: club when I asked some old comers like what's popping
• 28:45
  Speaker 1: around here? And everybody was like, yo, you gotta see
• 28:48
  Speaker 1: this new kid downe now rawlings. And then I met
• 28:51
  Speaker 1: you and we had we had a swell time that yeah,
• 28:55
  Speaker 1: I do all right, swell time. We're gonna leave me everywhere.
• 29:09
  Speaker 1: I watched the like, okay, like I watched your show
• 29:12
  Speaker 1: one line all the time, Like I watched all you
• 29:14
  Speaker 1: guys I've seen. I just watched an interview that you
• 29:17
  Speaker 1: did with Neil yeah faced, yeah, it's my guy. I
• 29:20
  Speaker 1: watched you on a real estate show. Yeah. And then
• 29:24
  Speaker 1: I and I saw you with the DJ Awards I
• 29:27
  Speaker 1: presented awards. Yeah, and you promise you said I'm gonna
• 29:30
  Speaker 1: come on the show. You said, you know, I need
• 29:31
  Speaker 1: a little time, but I'm gonna come. Yeah. That's right,
• 29:33
  Speaker 1: that's right. You definitely kept your work. Yeah. Man, s
• 29:35
  Speaker 1: to my guy, Neil, Why why do you think white
• 29:37
  Speaker 1: people have gravitated towards you your comedy because it's been
• 29:40
  Speaker 1: like that your whole career. Well, you know, I don't know,
• 29:42
  Speaker 1: I don't look at it that way. Like the whites
• 29:43
  Speaker 1: are really gravitating to it. I don't use those I
• 29:47
  Speaker 1: don't use those kinds of metrics. I think all of us,
• 29:52
  Speaker 1: at some point we have ventured into some kind of
• 29:55
  Speaker 1: cultural cross road with black people, with corporate people. And
• 30:00
  Speaker 1: we all smoke weed, We all smoke weed, we all,
• 30:02
  Speaker 1: you know, we traverse the American landscape. So I don't
• 30:05
  Speaker 1: think there's anyone in America that I'm incapable of communicating
• 30:08
  Speaker 1: to on some level. Now, if you think so sensitive,
• 30:10
  Speaker 1: Now do you think you could do the Dave Chappelle's
• 30:13
  Speaker 1: show and not have backlash? Because it seems like everything
• 30:16
  Speaker 1: is sensitive. You say a word and people are already
• 30:18
  Speaker 1: crying and pick it in outside of things. Hey man, president, grads, girls,
• 30:22
  Speaker 1: a boy. That's all you need to know, right, That's
• 30:25
  Speaker 1: what That's what I'm saying, you know, you know, and
• 30:30
  Speaker 1: comedians wipe out, you know everybody that sometimes you're gonna
• 30:34
  Speaker 1: say something that you might be wrong, but that's that's
• 30:36
  Speaker 1: the nature of the genre. You know, to not take
• 30:39
  Speaker 1: a chance for fear of that would be would not
• 30:42
  Speaker 1: be being true to the music. Would you ever apologize
• 30:45
  Speaker 1: if if you said something too far? If if if
• 30:48
  Speaker 1: I can see if I actually can see this too far.
• 30:51
  Speaker 1: But it's a it's a touchy line, you know what
• 30:54
  Speaker 1: I mean? I like, I like it harder I think
• 30:57
  Speaker 1: I think that. Yeah, no, I'm gonna say you have
• 30:59
  Speaker 1: you have quite possib be the greatest rape joke of
• 31:01
  Speaker 1: all time, Billy. What he says was that was that
• 31:07
  Speaker 1: an observation you was pondering? Or I mean, you know,
• 31:11
  Speaker 1: the thing is, this is a thing. It's tough to
• 31:13
  Speaker 1: talk about jokes because I don't want to open to
• 31:16
  Speaker 1: do it all these weird like analytics and like what
• 31:20
  Speaker 1: does he actually mean by that? That's a slippery slope. Well,
• 31:24
  Speaker 1: you know, I don't want to antagonize anybody or intentionally
• 31:28
  Speaker 1: offend somebody. Have you come up with an answer for
• 31:30
  Speaker 1: as far as like what should we do with Bill Cobby?
• 31:32
  Speaker 1: Should be still watch his work? Should we still appreciate
• 31:35
  Speaker 1: his art? To have an answer for that? Yeah, no,
• 31:39
  Speaker 1: the question, it's a kind of question that makes more questions.
• 31:42
  Speaker 1: Got you know what I mean, Like, it's a it's
• 31:43
  Speaker 1: a tough one, man, because you know Way's accused of
• 31:45
  Speaker 1: it is very serious. I don't I don't. I don't
• 31:47
  Speaker 1: like take that lightly. However, you know, I don't know.
• 31:51
  Speaker 1: It was seventies times. It's crazy. She's going on. I
• 31:54
  Speaker 1: don't know what. I don't know what to say. America's
• 31:57
  Speaker 1: dad is now America's rapists. Yeah, but what According to
• 32:00
  Speaker 1: The New York Post, Yeah, so it's a tough one.
• 32:03
  Speaker 1: We got more with Dave Chappelle and Donnelle Rawlins when
• 32:05
  Speaker 1: we come back. Don't move. It's the breakfast clo Good
• 32:07
  Speaker 1: morning morning. Everybody is DJ n Vy, Angela, Yee, Charlemagne
• 32:12
  Speaker 1: and Guy. We all the breakfast club. We have Dave
• 32:15
  Speaker 1: Chappelle and Donnelle Rawlins in the building. Yee. I did
• 32:18
  Speaker 1: appreciate on those specials that you didn't shy away from
• 32:21
  Speaker 1: any topics, because I do feel like everybody's so politically correct,
• 32:24
  Speaker 1: you know. And I also find it ironic that everybody's like,
• 32:27
  Speaker 1: he walked away from fifty millions, but then you came
• 32:29
  Speaker 1: back and got sixty million doing Netflix specials. Yeah, well
• 32:34
  Speaker 1: you know what. Yeah, thank god that there was a
• 32:36
  Speaker 1: happy ending to thee because I could have just never
• 32:40
  Speaker 1: worked again, you know, but I never stopped. Even when
• 32:43
  Speaker 1: I was like not in the public guy, I was
• 32:45
  Speaker 1: still playing comedy clubs, and I found the altitude that
• 32:48
  Speaker 1: I was comfortable with and you know, a good time.
• 32:52
  Speaker 1: How many times have theyd Donnelle call you and beg
• 32:54
  Speaker 1: you to come back? He didn't call. Were you guys
• 32:59
  Speaker 1: always in communication because Danielle did it for a while
• 33:02
  Speaker 1: he was in a state of depression. After Dannielle was Jesus,
• 33:06
  Speaker 1: I had a tough time myself, like what if the
• 33:11
  Speaker 1: he mean? I think, you know when I was gone,
• 33:15
  Speaker 1: I think I stayed. Daniell stay in touch with me
• 33:17
  Speaker 1: and Neil were cool the whole time. You know, it wasn't.
• 33:20
  Speaker 1: It wasn't as a bad blood of monkst like people
• 33:24
  Speaker 1: would assume that I left in a hub. It wasn't
• 33:26
  Speaker 1: like I mean, I didn't leave in a hub. I
• 33:28
  Speaker 1: wasn't mad at the guy. A lot of people like after,
• 33:30
  Speaker 1: you know, after he left a lot of people would
• 33:31
  Speaker 1: ask me, you know how I feel about it or whatever,
• 33:34
  Speaker 1: all you're upset? And I never was upset because I
• 33:37
  Speaker 1: was doing calmly for a while before I was introduced
• 33:39
  Speaker 1: to Dave Chappelle. Like with anything, you can be, You
• 33:42
  Speaker 1: could be as talented as you want, but until you
• 33:44
  Speaker 1: get the right platform, nobody never know about it got you,
• 33:46
  Speaker 1: so you know, just I don't know if I can't
• 33:48
  Speaker 1: being at Dave Chapelle's eating here, but go ahead what
• 33:57
  Speaker 1: you speak, so I know what happened. But you know everybody,
• 34:07
  Speaker 1: you know the one that I've been asked that question
• 34:09
  Speaker 1: a million times that I always felt that I was talented.
• 34:12
  Speaker 1: But again, you need the right opportunity, like even in sports,
• 34:16
  Speaker 1: you know you could be a talented person, but until
• 34:17
  Speaker 1: the coach put you in the game, nobody will never
• 34:19
  Speaker 1: see what you um so you do. So he gave
• 34:21
  Speaker 1: me a platform to do what I've been doing for years.
• 34:23
  Speaker 1: And I think there was an even exchange after all that. Okay, So, Dave,
• 34:26
  Speaker 1: do you have a favorite mumble rapper? Because you're hip hop? Hey,
• 34:33
  Speaker 1: do you appreciate anything from the generation? Uh? Yeah, I
• 34:36
  Speaker 1: appreciate it. I'm at party too. If I go out,
• 34:39
  Speaker 1: they playing me goos. I listened to that. Yeah, but
• 34:42
  Speaker 1: a favorite mumble rapper, I don't know about all that.
• 34:45
  Speaker 1: I like to build to say the lyrics too, well,
• 34:47
  Speaker 1: I can tell who you really like based on who
• 34:49
  Speaker 1: you have on tour. When you well, when you do
• 34:50
  Speaker 1: this residency that you're doing in New York City at
• 34:53
  Speaker 1: Radio City, I can see that you hand picked the
• 34:55
  Speaker 1: artist that you wanted to be there. Yeah, you know,
• 34:58
  Speaker 1: it's it's funny, man. So this year will be like
• 35:01
  Speaker 1: my thirtieth anniversary standard. I figured, like why I should
• 35:05
  Speaker 1: mark that occasion right, Like you know, it's you know,
• 35:07
  Speaker 1: this business is hard. You you existed in a long time,
• 35:11
  Speaker 1: and it's good to stop for a minute and just
• 35:13
  Speaker 1: appreciate the fact that you I'm still able to do
• 35:16
  Speaker 1: this and I'm very lucky to be successful. So it's
• 35:19
  Speaker 1: it's it's a it's a celebration. Like even now, you'll
• 35:24
  Speaker 1: see my next special the act I'm doing now. I
• 35:26
  Speaker 1: like it because he's joying, Like I'm really enjoying what
• 35:31
  Speaker 1: I'm doing right now. I really you know what I mean.
• 35:33
  Speaker 1: It's like I want skydiving once. Have you ever done? Okay,
• 35:37
  Speaker 1: I hated it, you know, Like what did you hate
• 35:41
  Speaker 1: about it? Because I hated going up? I hate people.
• 35:47
  Speaker 1: I enjoyed that part, but the whole going up part
• 35:49
  Speaker 1: I didn't like it was because it was terrifying the
• 35:52
  Speaker 1: time time. Like Okay, yeah, in the beginning, it's a
• 35:56
  Speaker 1: plane right then the door opens and you realize you
• 35:59
  Speaker 1: expected to jump about and I'm strapped to a guy
• 36:02
  Speaker 1: that I've never met before, and I didn't see the
• 36:04
  Speaker 1: shoot pack and oh my god, I have kids and
• 36:07
  Speaker 1: all this stuff. You're thinking as you edge up to
• 36:09
  Speaker 1: the door. Next you know, you're just in the sky.
• 36:11
  Speaker 1: There's no logical reason to be there. There's no you know,
• 36:16
  Speaker 1: my life didn't depend on any yet. I jumped out
• 36:18
  Speaker 1: of this plane and just falling. And then one says
• 36:21
  Speaker 1: it feels like flying, but to me, it felt like
• 36:24
  Speaker 1: falling about one hundred and twenty miles and I was terrified.
• 36:28
  Speaker 1: So what did you get out the situation other than
• 36:30
  Speaker 1: being terrified? Well, the point is when you when the
• 36:32
  Speaker 1: shoot lands and you survive it, you go home at night,
• 36:36
  Speaker 1: you eat then a food taste, but house is quiet
• 36:39
  Speaker 1: and still, and you feel comfortable in saving your house.
• 36:42
  Speaker 1: You're like, man, I'm glad to be home. Everything's good.
• 36:44
  Speaker 1: So that's what it felt like. It felt like coming
• 36:47
  Speaker 1: back and doing this Netflix special. All that felt like
• 36:50
  Speaker 1: my shoot open and everything's just good. Right. Yeah. I
• 36:53
  Speaker 1: don't got to do all that to get that feeling.
• 36:55
  Speaker 1: I'm black in America. All I gotta do is to
• 36:56
  Speaker 1: drive through the neighborhood that I live in and making
• 36:59
  Speaker 1: home without being I feel that I live in a
• 37:01
  Speaker 1: much nice and Neige. I I mean, we're all black,
• 37:11
  Speaker 1: you know what I mean? Like, I know what you mean.
• 37:13
  Speaker 1: But it's not like I'm gonna try to survive and
• 37:15
  Speaker 1: traffic stop just to get that feeling. I mean, it's
• 37:17
  Speaker 1: like it's the black experience. But I did it. I
• 37:20
  Speaker 1: don't know why I did it, but the point is
• 37:22
  Speaker 1: that now this is just I'm happy to be doing it.
• 37:26
  Speaker 1: Would you do it again? What quit my show? No?
• 37:31
  Speaker 1: Oh no, I don't think I would. Man, I mean,
• 37:36
  Speaker 1: like I get it. I know what it's about, you
• 37:37
  Speaker 1: know what I mean. I just think that you know
• 37:40
  Speaker 1: something's It's just one of those things that I didn't
• 37:42
  Speaker 1: even mean to do it the first time. It's a
• 37:44
  Speaker 1: long story, Dave. I hate to do this, but I
• 37:46
  Speaker 1: have to put you on the spot. But could you
• 37:48
  Speaker 1: explain to the breakfast club interviewing what you did to
• 37:52
  Speaker 1: my apple pie a year ago? Something? No, he's taught Okay.
• 37:58
  Speaker 1: So we're playing at the perhaps Blue Ribbon Theater and
• 38:02
  Speaker 1: the pastry chef and Donelle hit it off the first
• 38:05
  Speaker 1: night of engagement. She was white, no, no, no, but
• 38:13
  Speaker 1: but she just know she was an older woman, real
• 38:15
  Speaker 1: sweet woman. And she really liked. So I came to
• 38:18
  Speaker 1: work and she had baked him a pie and the
• 38:23
  Speaker 1: pipe had his name stencil and the crest. Wow. And
• 38:26
  Speaker 1: I was excited about it because every day she would
• 38:28
  Speaker 1: come of where she says that anything that you could
• 38:30
  Speaker 1: do for is there anything specially want? I was like,
• 38:32
  Speaker 1: make me a post. She was like, that's pretty simple.
• 38:34
  Speaker 1: I said, well, if that's so simple, make me a pie,
• 38:37
  Speaker 1: then put my name on the top of the pot.
• 38:42
  Speaker 1: Of the story that is correct. And I was excited
• 38:52
  Speaker 1: about the pie. No, no, I was sure. Everybody pipe,
• 38:56
  Speaker 1: I didn't actually put money in it. Well, you have
• 38:58
  Speaker 1: still leading the pipe day with put he kept going.
• 39:01
  Speaker 1: He was like, because somebody put that pie in a
• 39:03
  Speaker 1: mic way for three seconds. So it's a bunch of
• 39:07
  Speaker 1: people love Dave Chappelle. He's an evil friend. Man. That
• 39:10
  Speaker 1: was funny. Man, We got more with Dave Chappelle. When
• 39:13
  Speaker 1: we come back, don't move. It's the Breakfast Club. Good
• 39:15
  Speaker 1: morning morning. Everybody's DJ n v Angela Ye, Charlemagne the guy.
• 39:20
  Speaker 1: We all the breakfast Club. We have Dave Chappelle and
• 39:22
  Speaker 1: Donnelle Rawlings in the building. Charlemagne. When when the last
• 39:26
  Speaker 1: time you've been humbled, Dave humbled. Yeah, you mean like
• 39:29
  Speaker 1: what professionally or personally both? Yo, yo, man, life is humiliating, yeah,
• 39:37
  Speaker 1: for you, for everybody. Yo. You think if I'm walking
• 39:40
  Speaker 1: down the street and a lady says you gonna take
• 39:42
  Speaker 1: a picture and she don't know how to work her
• 39:44
  Speaker 1: camera and we all staying in there, but you do
• 39:46
  Speaker 1: that because you gotta you know, you gotta have empathy.
• 39:50
  Speaker 1: But life is humilly. Being a parents, humiliating, being a
• 39:53
  Speaker 1: husband's humiliating. All of it's humiliate. Hindsight is twenty twenty.
• 39:58
  Speaker 1: Was it was everything worth it? Like everything you went through,
• 40:01
  Speaker 1: like even the Chapelle Shaw experience, and even walking away
• 40:05
  Speaker 1: from it was at all worth it? Hey man, Yeah,
• 40:06
  Speaker 1: I was. I was happy to have that show. You know.
• 40:09
  Speaker 1: I'm sorry it end of the way it ended. But
• 40:11
  Speaker 1: I enjoyed making that show. It was a it was
• 40:15
  Speaker 1: an experience that very few people get. The head you
• 40:19
  Speaker 1: miss it, especially with everything going on and so much material. Yeah,
• 40:25
  Speaker 1: because I see something and I say, damn I misspell Yeah,
• 40:28
  Speaker 1: I miss it too, you know, but I think I
• 40:30
  Speaker 1: don't know if I could do it again though, because
• 40:32
  Speaker 1: I missed it. But then I remember what it was
• 40:33
  Speaker 1: like to do it and it just wasn't. It might
• 40:36
  Speaker 1: be easier now to make just because of technology, and yeah,
• 40:40
  Speaker 1: but the internet ruined because it won't be the same. Yeah,
• 40:43
  Speaker 1: stuff that you want to do, somebody will do on
• 40:45
  Speaker 1: YouTube ten times faster than ten times worse. Right, Yeah,
• 40:49
  Speaker 1: it's true, but you didn't play a lot of people.
• 40:52
  Speaker 1: It was great. Yeah, I worked with a lot of
• 40:54
  Speaker 1: great people that I was doing the showing at Lanta
• 40:56
  Speaker 1: the other night and bumped into like similar guys from
• 40:59
  Speaker 1: the crew. I hadn't seen those guys as I walked
• 41:00
  Speaker 1: up to set. It was good to see him. You know,
• 41:03
  Speaker 1: you remember people finally, like after it's all said and done.
• 41:06
  Speaker 1: So you know, I do have bad feelings about how
• 41:09
  Speaker 1: it ended, but I don't have bad feelings about what
• 41:12
  Speaker 1: it was. It was a great experience. How did Charlie
• 41:14
  Speaker 1: Murphy's pass and affect you? Because I know you guys
• 41:16
  Speaker 1: were pretty close. It was tough, man, it was. It
• 41:19
  Speaker 1: was a reality check. I feel very lucky that I
• 41:22
  Speaker 1: got to know him. I feel like he was a
• 41:25
  Speaker 1: very large part of the reason that I got to
• 41:27
  Speaker 1: be successful, Like literally changed my life just by saying
• 41:31
  Speaker 1: I fought Rick James. Many times we were like, what
• 41:34
  Speaker 1: fought James? Jesus who I didn't know? You can stay
• 41:50
  Speaker 1: on the radio, but no, he said he fought Rick James.
• 41:55
  Speaker 1: Many times we tell us his story of lunch and
• 41:57
  Speaker 1: it literally from then on to just change. It changed
• 42:00
  Speaker 1: your lives. You immortalized him. Yeah, man, But you know
• 42:03
  Speaker 1: I got to like meet and work with rig And
• 42:07
  Speaker 1: and the I mean, you know Charlie, and he was
• 42:09
  Speaker 1: an og Like Charlie's been around the block. You know,
• 42:12
  Speaker 1: his brother is Eddie Murphy. He's seen the epicenter of
• 42:17
  Speaker 1: like the fame that we all wanted to acquire. He
• 42:19
  Speaker 1: had great stories and he was also a real nurturend dude,
• 42:22
  Speaker 1: I think he gave me great advice. Uh, you know,
• 42:25
  Speaker 1: I got missage presents. Man, I'm really I was real
• 42:27
  Speaker 1: sad that year that doing a great job on Power
• 42:30
  Speaker 1: a great job job busted you in New York. Yeah,
• 42:38
  Speaker 1: but I will say, you know, like you when other
• 42:40
  Speaker 1: people get stuff away from yourself, it's hard to celebrate that.
• 42:44
  Speaker 1: But you know, when I found out that Charlie was
• 42:47
  Speaker 1: doing that role, I realized that he was probably perfect
• 42:50
  Speaker 1: person for him. And then the hindsight as far as
• 42:52
  Speaker 1: with him passing away or whatever. I just think this
• 42:54
  Speaker 1: is a nice thing for people to see him being
• 42:56
  Speaker 1: a part of a great body of work like that
• 42:58
  Speaker 1: he said. And he did a good job, did Charlie. Definitely,
• 43:01
  Speaker 1: y'all think about your own mortality because I know Donellill
• 43:03
  Speaker 1: called me one day random, He's like, y'all just want
• 43:04
  Speaker 1: to tell you, man, you know what I'm saying. You know,
• 43:06
  Speaker 1: people dying and you might die, So I just wanna
• 43:08
  Speaker 1: tell y'all love you. You're doing a good job. I'm like,
• 43:12
  Speaker 1: you know, I will say. I don't know, Daven have
• 43:14
  Speaker 1: different answers, like when someone passed away some specially with
• 43:16
  Speaker 1: somebody that you care about, it makes you think about
• 43:19
  Speaker 1: people important in your life, for the people that you respect.
• 43:22
  Speaker 1: And I don't know, I was probably you know, in
• 43:24
  Speaker 1: my feelings that day, but it was at a time
• 43:27
  Speaker 1: when you just dropped your book and I'm seeing like
• 43:30
  Speaker 1: your transition from not just doing urban stuff, but like
• 43:33
  Speaker 1: the media running you get oh, I'll keep it real.
• 43:36
  Speaker 1: All the white folks that you partnered up. I was like,
• 43:44
  Speaker 1: I was like, he's taking it to the next level.
• 43:46
  Speaker 1: And another thing in our community is not too often
• 43:48
  Speaker 1: to people read books. So the fact that you know,
• 43:51
  Speaker 1: a brother put a book out and he got people
• 43:53
  Speaker 1: that wouldn't normally pay attention to that. Like, I know,
• 43:57
  Speaker 1: it's hard to say. And I didn't say no homo
• 44:00
  Speaker 1: before I said that I loved and I know that's right.
• 44:05
  Speaker 1: And I didn't say pauls at the end, right, I
• 44:09
  Speaker 1: thought you were sick. No, no, when you called, I
• 44:12
  Speaker 1: thought he was sick. I thought he was like guys.
• 44:13
  Speaker 1: And that's the one time that we really appreciate people
• 44:17
  Speaker 1: in death, and when someone passed away, it makes you
• 44:20
  Speaker 1: think about so many times in our life. We get
• 44:22
  Speaker 1: to a point where you say to yourself, I wanted
• 44:25
  Speaker 1: to call that person just to say hi or just
• 44:27
  Speaker 1: say what's up. And you don't act on on those
• 44:29
  Speaker 1: films and didn't something tragically happened and then you're like, oh, man,
• 44:33
  Speaker 1: I was just supposed to call him. So that was
• 44:35
  Speaker 1: me and my mom. You know, sometimes on the tour bus,
• 44:37
  Speaker 1: Danielle gets drunk and looks at pictures of his son
• 44:39
  Speaker 1: and cry, oh, you just tell you that. I couldn't
• 44:46
  Speaker 1: believe that. That's cute. I called him doing it. You
• 44:49
  Speaker 1: haven't met Danielle, baby mama. Yeah, of course, Yeah, of course,
• 44:53
  Speaker 1: she's wonderful. Were vacation together. Yeah, I've seen that you
• 44:56
  Speaker 1: guys were on the yacht. Well, yeah, because I thought
• 45:02
  Speaker 1: it wasn't yacht until I saw puffy shit times that
• 45:09
  Speaker 1: we had a boat, that we had a boat. You
• 45:11
  Speaker 1: don't feel the need to compete with stuff like that though,
• 45:14
  Speaker 1: not at all. Yeah, I'm yeah, I'm really, like, really
• 45:17
  Speaker 1: really happy right now. And I you know, I appreciate it.
• 45:21
  Speaker 1: Like my kids are safe right now. I don't know
• 45:23
  Speaker 1: where they everyone's happy, everyone's fat and clean and skill. Look, man,
• 45:27
  Speaker 1: I'm just Yeah. We've seen you pop out with Chris
• 45:33
  Speaker 1: Rock a couple of times. Another legend, another icon. Yeah,
• 45:35
  Speaker 1: he's that's the homie man. There's only two of y'all
• 45:38
  Speaker 1: in that space though. Yeah, Chris is, he's definitely a
• 45:41
  Speaker 1: big brother. Though he's like he's killing it. I wasn't
• 45:44
  Speaker 1: so exact as soon as act a few times one
• 45:46
  Speaker 1: he's doing he's killing it right now. He's seen. Maybe
• 45:49
  Speaker 1: you guys would do a tour together, Well, we are.
• 45:52
  Speaker 1: We are gonna do two nights together at Radio City.
• 45:55
  Speaker 1: Would be the first time we've ever officially headlined to
• 45:57
  Speaker 1: show a co headline show. Together, and I'm very excited
• 46:01
  Speaker 1: about it because it's the first time any comic has
• 46:04
  Speaker 1: ever done a residency of a month at Radio City
• 46:09
  Speaker 1: Music Hall. Dave is a real humble dude. I'm not
• 46:11
  Speaker 1: gonna say, really a spectacle of what's about to go down,
• 46:14
  Speaker 1: but nobody's ever done a joint where like the entire
• 46:17
  Speaker 1: month of August, we're locking everything down. We got some
• 46:20
  Speaker 1: of the best show I don't don't let me get people,
• 46:35
  Speaker 1: don't let me. Don't let me. I do think y'all
• 46:39
  Speaker 1: need other comedians on those, and be quite honest, I'd
• 46:44
  Speaker 1: be quite honest you don't. But you know what I'm saying.
• 46:46
  Speaker 1: We got a team. I'm not. I'm not I'm gonna
• 46:48
  Speaker 1: do some of the shows, but do you know that
• 46:50
  Speaker 1: your show, y'all, well, in the event that I have
• 47:00
  Speaker 1: the opportunity, He's totally gonna be on it. We all
• 47:05
  Speaker 1: the Breakfast Club now coming up next. Usually we do rumors,
• 47:08
  Speaker 1: but I mean, damn it, man, Dave Chappelle's here. We're
• 47:10
  Speaker 1: gonna kick it with Dave Chappelle's some more soon. Don't move.
• 47:13
  Speaker 1: It's the Breakfast Club. Good morning Now. Usually we do
• 47:17
  Speaker 1: rumors right here, but I mean Donnell Rawlins and Dave
• 47:20
  Speaker 1: Chappelle's here. Dave Chappelle hasn't done radio in twelve years,
• 47:23
  Speaker 1: so we're kicking it with Dave Chappelle. Charlemagne ask you today,
• 47:26
  Speaker 1: where do you draw the line when it comes to
• 47:28
  Speaker 1: like a cultural appropriation. What do you mean white people
• 47:31
  Speaker 1: appropriating like black culture? Okay, this is a controversial question.
• 47:37
  Speaker 1: I'm not sure if the premise. I'm not sure if
• 47:41
  Speaker 1: the premise of the question is correct. Kylie and Kendall
• 47:45
  Speaker 1: today superimposed their images on Biggie and Tupac and they
• 47:49
  Speaker 1: got t shirt right, Okay, And as a black person
• 47:54
  Speaker 1: or person from that culture, you feel like they misrespectful disrespect. Yeah, yeah,
• 48:02
  Speaker 1: that's that's a tough one. Did you go see the
• 48:04
  Speaker 1: Tupac movie? No? Did you like it? I don't think
• 48:08
  Speaker 1: it was as terrible as everybody was saying. But it wasn't.
• 48:12
  Speaker 1: I haven't heard good things and it wasn't like it
• 48:15
  Speaker 1: starts before Tupac is born and it ends when he dies.
• 48:19
  Speaker 1: That's a long period of time to cover, and so
• 48:21
  Speaker 1: many things that happened in Tupac's life, and he was
• 48:23
  Speaker 1: such a complex person and so many different incident you
• 48:27
  Speaker 1: ever had a club when Tupac was there. No, never.
• 48:31
  Speaker 1: It wasn't that much fun really, Yeah, I just remember
• 48:37
  Speaker 1: being in part it just felt like a lot of
• 48:38
  Speaker 1: dark shoes around a guy. I liked them. I didn't
• 48:41
  Speaker 1: know well, but I felt like culturally that those were
• 48:44
  Speaker 1: darker time. Yeah, yeah, absolutely right, you know. And I'm
• 48:49
  Speaker 1: not saying this should be controversial. I don't even it's
• 48:51
  Speaker 1: just nothing to do with the question that you asked me.
• 48:53
  Speaker 1: I just thought you got out the question like a
• 48:54
  Speaker 1: UFC fighter. I didn't know what's good you have been
• 48:58
  Speaker 1: watching Charlotte Man was ready for you, was like, just
• 49:03
  Speaker 1: ignore him. I just didn't think, Yeah, you know, do
• 49:12
  Speaker 1: you plan to see it to just get an idea.
• 49:15
  Speaker 1: I'm gonna watch that at home probably, you know what
• 49:18
  Speaker 1: I mean. Like, I don't know, man, something the question
• 49:22
  Speaker 1: asking I think it is a very important question, but
• 49:25
  Speaker 1: I'm not sure how to answer that, you know what
• 49:28
  Speaker 1: I mean, Because at a certain point, I feel like
• 49:33
  Speaker 1: no one's gonna feel that way more than African American
• 49:36
  Speaker 1: because we create so much culture and oftentimes just sighting
• 49:40
  Speaker 1: from us, and it's almost all that we've ever had.
• 49:43
  Speaker 1: I'm we've never had, We've done many great things, but
• 49:45
  Speaker 1: you know what I mean. But but it is American
• 49:49
  Speaker 1: culture too. Kylie and Kenna, like they don't understand what
• 49:53
  Speaker 1: they had happened then too, they don't understand. I don't
• 49:55
  Speaker 1: think they were doing that maliciously. I just think that
• 49:58
  Speaker 1: they don't. They're never gonna black dude, I'm gonna see
• 50:01
  Speaker 1: the world. They if you have some glasses that someone
• 50:05
  Speaker 1: could put on this to see the world, how you
• 50:07
  Speaker 1: saw the world be terrified? Yeah, you know, I heard
• 50:13
  Speaker 1: the interview with you. I get it. I know what
• 50:15
  Speaker 1: you gotta get it. But that's a hard question to answer.
• 50:18
  Speaker 1: Do your kids think you're funny? Yeah? Yeah, I mean, look,
• 50:22
  Speaker 1: I'm gonna dance, so there's something about me that's corenty
• 50:25
  Speaker 1: to them. But but they but they yeah, they get it.
• 50:29
  Speaker 1: They know. Like my kids are teenagers. Then my youngest
• 50:32
  Speaker 1: son is as old as I was when I started
• 50:35
  Speaker 1: doing he's fourteen. He started at fourteen. Yeah, I started
• 50:38
  Speaker 1: really young. Wow, thirty years I'll be I'll be forty
• 50:42
  Speaker 1: four this this summer. Veteran seasoned. Yeah, and it'll be
• 50:47
  Speaker 1: my thirtieth anniversion. I'm like really proud of that. We
• 50:49
  Speaker 1: means you're get on stage at the age of fourteen.
• 50:52
  Speaker 1: The fear of death, Well you do? You do? You
• 50:55
  Speaker 1: have been thinking about your own mortality? Well, Yo, we're
• 50:58
  Speaker 1: black dudes in America. So right when I was in
• 51:00
  Speaker 1: high school. My freshman year of high school, I talked
• 51:03
  Speaker 1: about on an active studio, Oh, six hundred kids my
• 51:05
  Speaker 1: age got murdered in Washington, DC. You can't be in
• 51:09
  Speaker 1: an environment like that and they're not affected. Like, Yo,
• 51:12
  Speaker 1: you made me want to just do whatever it was
• 51:14
  Speaker 1: I wanted to do. I feel very lucky to get
• 51:17
  Speaker 1: to be forty four, right, which which you know. Now
• 51:21
  Speaker 1: I'm more ambitious and I'm looking forward to paying half
• 51:23
  Speaker 1: price at the movies. But before that I didn't. I
• 51:27
  Speaker 1: didn't know I was going to live this long, you know.
• 51:29
  Speaker 1: And I think the fear of not doing what I
• 51:31
  Speaker 1: want to do in life made me do what I
• 51:33
  Speaker 1: want to be. Even in Kevin Harts book, he talks
• 51:35
  Speaker 1: about doing comedy because he was just trying to survive too,
• 51:39
  Speaker 1: Like just being funny is what actually helped him. Not. Yeah,
• 51:42
  Speaker 1: I wonder what makes it? What makes you believe the
• 51:43
  Speaker 1: stage can save you, though it absolutely did. Look at
• 51:47
  Speaker 1: guy like Kevin Harts from Philly he is the number
• 51:51
  Speaker 1: one selling artist on tour on Earth from any jump.
• 51:57
  Speaker 1: You know, I'm very proud that somebody from my genre
• 51:59
  Speaker 1: is at the top of the food chains, right and
• 52:02
  Speaker 1: somebody I remember him starting out. It's amazing to see it.
• 52:06
  Speaker 1: And it's absolutely can save your life. What made you
• 52:09
  Speaker 1: think that you're fast talking? And and your liking of
• 52:13
  Speaker 1: controversial questions would take as far as that that's true?
• 52:17
  Speaker 1: And yeah, and then yeah, and I've never met you,
• 52:23
  Speaker 1: but you one of the few celebrities I've met a
• 52:25
  Speaker 1: long time. Like literally, I feel like I know you
• 52:28
  Speaker 1: and I've I've only seen you once. It means you're
• 52:31
  Speaker 1: very effective at what you do. In my opinion, I
• 52:33
  Speaker 1: would say it means you're very effective. But I still
• 52:35
  Speaker 1: feel like I can get shot because of my fast
• 52:37
  Speaker 1: talking you up. Yeah, but god forbid, no, man, you've
• 52:41
  Speaker 1: transcended that. I mean, look, anything terrible can happen to anybody.
• 52:45
  Speaker 1: But there's some people that get shot, that never get
• 52:48
  Speaker 1: a platform, they never get to write a book, that
• 52:51
  Speaker 1: never get there. I mean, everybody knows your name. You
• 52:53
  Speaker 1: meet famous people, they already know who you are. It's amazing,
• 52:57
  Speaker 1: you know, what's about that? I was so aware. Somebody
• 52:59
  Speaker 1: came up to me, want to take a picture. They
• 53:01
  Speaker 1: thought I was here. No, they didn't swear to God.
• 53:07
  Speaker 1: Not happen. I swear to God. He was like, are
• 53:10
  Speaker 1: you Charloman the god come? How are you feel mad
• 53:16
  Speaker 1: about that? You wasn't mad with Morris Chestnuts. That's Morris chestnuts. Mean,
• 53:21
  Speaker 1: it's a difference. You caught a Mars chester Nut. Mars
• 53:25
  Speaker 1: chestnut chestn give me take with you. That's the big day.
• 53:28
  Speaker 1: Then Chiel gotta go. So let's tell him about radio
• 53:30
  Speaker 1: get one more. I was driving Dave in twenty seventeen.
• 53:34
  Speaker 1: I was driving you right now, right now. It's a
• 53:36
  Speaker 1: gentleman named Nester. Let's get radio president. We look forward
• 53:49
  Speaker 1: to seeing the show. And when does gotta come? Man?
• 53:52
  Speaker 1: I'm uh, it's August. It's August first and fourth is
• 53:58
  Speaker 1: first for this me in the roots. All right, you
• 54:01
  Speaker 1: sound like Floyd Mayweather or not. I saw you. I
• 54:08
  Speaker 1: know this This starts August first first? Now? And who
• 54:16
  Speaker 1: do we here for tickets? Oh? You guys, you're good.
• 54:18
  Speaker 1: You're good money. Until we get to the door. I
• 54:25
  Speaker 1: was like, oh, never knock, I beg your I would
• 54:30
  Speaker 1: love to get that call. Yo. This is a breast.
• 54:32
  Speaker 1: We all saw Hi, what what what? What? What's that about?
• 54:37
  Speaker 1: What dare you have? Is Dave Chappelle? Come on, damn Donna?
• 54:43
  Speaker 1: All right, don row Is, it's the Breakfast Club. Good morning,
• 54:46
  Speaker 1: It's don't be a dusty because right now you are
• 54:48
  Speaker 1: some real It's time for Donkey of the Day. So
• 54:52
  Speaker 1: if we ever feel I need to be a dog man,
• 54:54
  Speaker 1: give me with the heat. Did she get? Please tell
• 54:58
  Speaker 1: me I had become Donkey of the Day. Past club bitches, you'dy?
• 55:04
  Speaker 1: Dunkya Today goes to the icon known is Ellen degenerous.
• 55:08
  Speaker 1: Safe to say, Ellen is one of the most successful
• 55:10
  Speaker 1: daytime talk show host of all time. Right, I have
• 55:13
  Speaker 1: to put her jersey in the rafters with the Oprah,
• 55:15
  Speaker 1: Winfreys and Donnie Hughes of the world, for sure. But
• 55:18
  Speaker 1: Donkey Today is all about giving people the credit they
• 55:20
  Speaker 1: deserve for being stupid. Doesn't mean they are stupid, but
• 55:23
  Speaker 1: we all have blind spots that make us sound stupid
• 55:26
  Speaker 1: at times. And that's why I love donkeya Today because
• 55:28
  Speaker 1: I get to correct people for saying something stupid. Okay,
• 55:31
  Speaker 1: just like I would hope someone would do for me. Well,
• 55:34
  Speaker 1: in this case of rich privileged white people say the
• 55:36
  Speaker 1: darnedest things. Ellen on Monday taped a new episode of
• 55:40
  Speaker 1: her Daytime Talk showing her mansion where she and her
• 55:42
  Speaker 1: wife have been self quarantining for weeks now. A very
• 55:45
  Speaker 1: important note, Ellen lives in a mansion that's over eight
• 55:49
  Speaker 1: thousand square feet, sits on eight point two four acres
• 55:51
  Speaker 1: of land. It has five bedrooms, a companner that doubles
• 55:54
  Speaker 1: as a gym, a two bedroom gastouse, and up a
• 55:57
  Speaker 1: salt pebble infinity pool that overlooks the ocean, and it
• 56:01
  Speaker 1: cost her twenty seven million dollars to buy. Dropping the
• 56:03
  Speaker 1: clue box for Ellen DeGeneres, listen, I'm not mad at her.
• 56:06
  Speaker 1: She has a skill set, a talent, and she has
• 56:09
  Speaker 1: made the most of death talent in order to be
• 56:11
  Speaker 1: able to secure the bag and live like that. So
• 56:13
  Speaker 1: I'm not mad at her for that. I'm not one
• 56:14
  Speaker 1: of those people who not people for what they have accomplished. Okay.
• 56:17
  Speaker 1: I see certain people get mad at rich folks for
• 56:19
  Speaker 1: acting their wage. If the celebrity takes a picture from
• 56:21
  Speaker 1: a yacht and says this is how I'm quarantining, well
• 56:24
  Speaker 1: that's just what it is. Okay. They put themselves in
• 56:26
  Speaker 1: that position. That's their life. Salute to them. We all
• 56:29
  Speaker 1: do what we can, and if you're able to afford
• 56:31
  Speaker 1: that lifestyle, God bless you. So I'm not giving her
• 56:33
  Speaker 1: donkey to day because she is quarantining from her mansion. No,
• 56:36
  Speaker 1: I'm giving her donkey of the day because Ellen Degenerous
• 56:39
  Speaker 1: insisted at her mansion feels like a prison. Don't believe me.
• 56:43
  Speaker 1: Listen to yourself. One thing that I've learned from being
• 56:45
  Speaker 1: in quarantine is that people this is like being in jail.
• 56:50
  Speaker 1: Is what it is. It's mostly because I've been wearing
• 56:52
  Speaker 1: the same clothes for ten days and everyone in here
• 56:54
  Speaker 1: is gay. Now I understand she's a comedian. She was joking,
• 56:58
  Speaker 1: terrible joke though, I even understand what she was trying
• 57:01
  Speaker 1: to go with it, because because if what you want
• 57:03
  Speaker 1: is to go outside but you're stuck in the house,
• 57:05
  Speaker 1: no matter what type of residence you're in, it's gonna
• 57:07
  Speaker 1: feel like you have a lack of freedom. Doesn't matter
• 57:10
  Speaker 1: if you're an a mansion or a one bedroom apartment.
• 57:12
  Speaker 1: If what you really want is to go outside, you're
• 57:14
  Speaker 1: gonna feel deprived of that during this time. But in
• 57:17
  Speaker 1: light of what's going on in prisons and jails all
• 57:20
  Speaker 1: around the country during this global pandemic called COVID nineteen.
• 57:23
  Speaker 1: Ellen degenerous sounds tone deaf as hell. I am so
• 57:26
  Speaker 1: glad that she said what she said because it provides
• 57:28
  Speaker 1: me an opportunity shine light on something that folks may
• 57:31
  Speaker 1: not know what is going on. Okay, Please, I'm sure
• 57:34
  Speaker 1: someone will send this to Ellen later, because Ellen, your
• 57:37
  Speaker 1: platform is way bigger than mine and you can help
• 57:39
  Speaker 1: shed some light on this problem. Okay, So let's start
• 57:42
  Speaker 1: with Aaron Campbell. He's a prisoner at FCI Elkton, a
• 57:45
  Speaker 1: low security federal prison in Ohio where three people have
• 57:48
  Speaker 1: already died from coronavirus. He posted this online from the jail. Listen, Ellen, literally,
• 57:57
  Speaker 1: Now they got this law. The care the car is
• 58:01
  Speaker 1: for people who not in game member, not a sexual offender,
• 58:05
  Speaker 1: and not on duff from If you at risk of
• 58:09
  Speaker 1: catching it and die like three people I know already
• 58:12
  Speaker 1: celt it and die, they can send you home on
• 58:14
  Speaker 1: home confirming. Right. So I went to talk to these
• 58:17
  Speaker 1: mornings to get on home confirming. They're not gonna let
• 58:19
  Speaker 1: us on home confirming why because they got to make
• 58:21
  Speaker 1: money off of us. So the nurse came in this
• 58:23
  Speaker 1: bitch today. I talked to this morning. This tell me
• 58:27
  Speaker 1: be prepared half the unit about to dine in this
• 58:29
  Speaker 1: bitch like. He literally told me that they put the
• 58:31
  Speaker 1: ten up everything. That's what they're stuck in. Dead bodies.
• 58:34
  Speaker 1: One dude, his moment was on his way out of here.
• 58:36
  Speaker 1: You feel me? He did serious? Bro, Look at that.
• 58:40
  Speaker 1: So y'all want to think of playing a mine? Let
• 58:43
  Speaker 1: me see bro, Bro? You all right? Oh, by the way,
• 58:48
  Speaker 1: Aaron has not been heard from since he posted that
• 58:50
  Speaker 1: Facebook live video. Twenty three residents and staff members at
• 58:53
  Speaker 1: that prison have tested positive for coronavirus, and I told
• 58:56
  Speaker 1: you already three have died. Now, Ellen, would you like
• 58:58
  Speaker 1: to hear what it sounds like with a family men
• 59:00
  Speaker 1: his home, worried, begging for their loved one to get
• 59:03
  Speaker 1: help in a prison. This is Teresa Massey and her
• 59:06
  Speaker 1: husband is Angelo Massey. Listen to what she had to say. Ellen,
• 59:09
  Speaker 1: My name is Teresa Massey. My husband, Angelo Massey, is
• 59:12
  Speaker 1: locked up and FCI helped him. Someone called me and
• 59:16
  Speaker 1: said my husband was real sick. No one has called
• 59:18
  Speaker 1: me from the jail. I tried to reach the jail.
• 59:21
  Speaker 1: No one has called on returned my calls. My husband
• 59:24
  Speaker 1: called me yesterday and said he wasn't feeling good. Now
• 59:27
  Speaker 1: today he did not call me. Someone's calling from inside
• 59:31
  Speaker 1: the jail on a cell phone, telling me he's sick,
• 59:33
  Speaker 1: that I need to call the warden, that I need
• 59:35
  Speaker 1: to contact somebody. He finally went over to the nurse.
• 59:38
  Speaker 1: He hasn't returned. They came and they packed up his
• 59:41
  Speaker 1: belongings and didn't tell no word where they was sending him.
• 59:44
  Speaker 1: I'm just reaching out to someone who can tell me
• 59:46
  Speaker 1: where my husband is, if he's okay, Just anything that
• 59:50
  Speaker 1: somebody could tell me, if somebody can help me, please,
• 59:53
  Speaker 1: like these minutes up there dying. My husband is locked
• 59:56
  Speaker 1: up on a drug charge. Ellen, I'm sure you get
• 59:58
  Speaker 1: the picture as to why you're statement was completely culturally clueless,
• 1:00:02
  Speaker 1: because you are simply not in this world. These things
• 1:00:05
  Speaker 1: aren't at your front doorsteps, so you're not thinking about them. Okay,
• 1:00:08
  Speaker 1: You've probably being watched all seven seasons of Oranges the
• 1:00:11
  Speaker 1: New Black and thought to yourself, well, prisonism so bad.
• 1:00:14
  Speaker 1: But Ellen, no, I want to play for you these
• 1:00:16
  Speaker 1: brothers who made this video from a prison in Alabama
• 1:00:19
  Speaker 1: and what they are currently experiencing California is releasing people
• 1:00:22
  Speaker 1: for the coronavirus. New York has started to release people
• 1:00:25
  Speaker 1: for the coronavirus. But Alabama is the most open, crowded
• 1:00:31
  Speaker 1: prison system in the nation, and they refuse to turn
• 1:00:36
  Speaker 1: people into it's gonna be a mass grave site. I'm
• 1:00:41
  Speaker 1: seventy one years old. I am a number of part
• 1:00:44
  Speaker 1: of illnesses that make me accessible even more so, they
• 1:00:49
  Speaker 1: are not giving us hand sanitizers. They're not giving us
• 1:00:53
  Speaker 1: proper so, they're not giving us mass my thing to
• 1:00:59
  Speaker 1: the outside. How world, it's killed. The moral of the
• 1:01:02
  Speaker 1: story is this is happening all over the country, Ellen,
• 1:01:04
  Speaker 1: de generous. Okay, in California where you live, damn there
• 1:01:07
  Speaker 1: thirty five hundred inmates have been released. And they aren't
• 1:01:10
  Speaker 1: just releasing random people, Okay, prisoners whose crimes were violent,
• 1:01:13
  Speaker 1: those registered sex offenders and domestic abuse abusers. They're not
• 1:01:17
  Speaker 1: eligible to see for this, Okay, all right. See, people
• 1:01:19
  Speaker 1: think when you're in jail, it's fu Okay, you do
• 1:01:22
  Speaker 1: the crime, you should do the time. True. In a
• 1:01:24
  Speaker 1: lot of cases, and a lot more cases, people are
• 1:01:26
  Speaker 1: in there for non violent drug offenses because they were
• 1:01:29
  Speaker 1: just simply trying to make kings meet. Okay, some folks
• 1:01:31
  Speaker 1: are in there innocent of the crime they committed and
• 1:01:33
  Speaker 1: might be awaiting trial because they can't afford to bail out.
• 1:01:37
  Speaker 1: It's all types of nuance to prison and why prisoners
• 1:01:39
  Speaker 1: are locked up, and those folks don't deserve to die
• 1:01:42
  Speaker 1: just because people don't know, don't show, or don't give
• 1:01:45
  Speaker 1: a damn about what's going on in America's jail. Since
• 1:01:48
  Speaker 1: did I even mention Rikers Island in New York City,
• 1:01:50
  Speaker 1: I saw a letter that tax don't wrote from jail,
• 1:01:53
  Speaker 1: wrote from Rikers where he spoke about the conditions and
• 1:01:56
  Speaker 1: Rikers and he started the letter by saying, I'm currently
• 1:01:58
  Speaker 1: in my grave with my eyes wide open. He said
• 1:02:02
  Speaker 1: that DA's in the head of the Board of Corrections
• 1:02:04
  Speaker 1: are playing judge, jury and executioner with people's lives because
• 1:02:08
  Speaker 1: this virus is spreading all through right because and nobody
• 1:02:10
  Speaker 1: seems to care. He said, the CEOs have no protective yet,
• 1:02:13
  Speaker 1: and they aren't giving them anything to protect themselves. Since then,
• 1:02:17
  Speaker 1: you know, Reform has stepped in and provided mask and
• 1:02:20
  Speaker 1: some other ppe. But Ellen, I think you understand now
• 1:02:24
  Speaker 1: why you saying your mansion feels like a prison. Didn't
• 1:02:27
  Speaker 1: sit well with people. So now, Ellen, since you know
• 1:02:30
  Speaker 1: the problems, what are the solutions? How can you fix this? Easy?
• 1:02:35
  Speaker 1: Use your platform to sign the alarm. Okay, I'll put
• 1:02:38
  Speaker 1: you onto some of the things that are happening. But
• 1:02:40
  Speaker 1: I'm a black male with a criminal record and a
• 1:02:42
  Speaker 1: list that can't pronounce words correctly. You are a white, privileged,
• 1:02:46
  Speaker 1: white woman, Ellen, I need you to use your privilege
• 1:02:48
  Speaker 1: to come back to this prejudice that is going on. Ellen,
• 1:02:51
  Speaker 1: I need you to act like your name is Karen. Okay,
• 1:02:54
  Speaker 1: reach out to someone who was on the front lines
• 1:02:56
  Speaker 1: fighting for these inmates, like Van Jones. All Right, have
• 1:02:58
  Speaker 1: Van Jones or CNN on your show, on your platform,
• 1:03:01
  Speaker 1: and let's see if we can get these brothers and
• 1:03:03
  Speaker 1: sisters some help. We should be calling for people to
• 1:03:05
  Speaker 1: be released from prisons in jails at a time like this,
• 1:03:08
  Speaker 1: because we don't need any more stories like Patrick Jones.
• 1:03:11
  Speaker 1: You know who Patrick Jones is, Ellen, Oh? Well, he
• 1:03:12
  Speaker 1: was the first federal prisoner to die from coronavirus. He
• 1:03:15
  Speaker 1: was locked up in Louisiana on a drug conviction, and
• 1:03:17
  Speaker 1: if I read right, I think he had a year
• 1:03:18
  Speaker 1: left on his sinis. Not to mention for other people
• 1:03:20
  Speaker 1: have died in that Louisiana jail from coronavirus since he died,
• 1:03:24
  Speaker 1: Simple and Plaine. There's a lot going on, Ellen that
• 1:03:27
  Speaker 1: clearly you don't know about, because if you did, you
• 1:03:29
  Speaker 1: would have never compared your mansion to a jail. Please
• 1:03:34
  Speaker 1: give Ellen Degenerous the sweet signs of the hamiltones. Oh
• 1:03:37
  Speaker 1: no you are dogee the day, do gee, oh the day.
• 1:03:54
  Speaker 1: And like I said, you know, there's a lot of
• 1:03:56
  Speaker 1: different ways to help. You know, if I was hurt,
• 1:03:57
  Speaker 1: I would reach out to Van Jones or CNN. Van
• 1:04:00
  Speaker 1: Jones it's part of the reform alliance, you know, him
• 1:04:04
  Speaker 1: and Meek Mill and jay Z. They all made sure
• 1:04:07
  Speaker 1: that right because Island got ppe and got you know,
• 1:04:10
  Speaker 1: the things that they needed to properly protect themselves. And
• 1:04:13
  Speaker 1: I think she needs to have somebody like that on
• 1:04:14
  Speaker 1: the show to highlight everything that's going on in the
• 1:04:18
  Speaker 1: prison in jail systems right now due to COVID nineteen.
• 1:04:22
  Speaker 1: Because if we don't ring the alarm for our brothers
• 1:04:24
  Speaker 1: and sisters behind those walls, nobody will. And Ellen, you
• 1:04:28
  Speaker 1: can be an ally and help us do that. Have
• 1:04:30
  Speaker 1: a blessed day, all right, Well, thank you for that.
• 1:04:32
  Speaker 1: Dawnke here to day, don't move. It's the Breakfast Club.
• 1:04:35
  Speaker 1: Good morning. The Breakfast Club is back with our best stuff, interviews, spoting,
• 1:04:42
  Speaker 1: everybody is DJ Envy, Angela Yee, Charlemagne the Guy. We
• 1:04:47
  Speaker 1: are the Breakfast Club again. Rest in peace to Nipsey Hustle.
• 1:04:50
  Speaker 1: It's like, it's a lot of things, you know, you
• 1:04:53
  Speaker 1: don't expect to say that definitely is one of them.
• 1:04:56
  Speaker 1: Right now. He was shot and murdered over the weekend,
• 1:04:59
  Speaker 1: and he stopped by here last February February. Yes, Victory
• 1:05:03
  Speaker 1: Lap came out of last year February. You know, Victory
• 1:05:06
  Speaker 1: Lap is my favorite rap album of twenty and eighteen.
• 1:05:09
  Speaker 1: I think that. I think he came here on like
• 1:05:10
  Speaker 1: the twenty if if I'm not mistaken, Yeah, February we
• 1:05:14
  Speaker 1: added on the twenty first. Yeah, so we're gonna get
• 1:05:16
  Speaker 1: that back on. We talk about so much of that interview.
• 1:05:19
  Speaker 1: So that was a great interview. Man, it's like an
• 1:05:21
  Speaker 1: hour long and we covered a lot of ground in
• 1:05:23
  Speaker 1: that interview, you know, but let's get into it. Now.
• 1:05:26
  Speaker 1: What up? What up? What up? What's up? My brother
• 1:05:28
  Speaker 1: del bro? Now, I don't know nothing about la politics,
• 1:05:30
  Speaker 1: but are you allowed to wear that much read I
• 1:05:32
  Speaker 1: could do it, I won't. Man, it's my brand. I'm saying. Absolutely,
• 1:05:37
  Speaker 1: I like I read look with gold. I mean people
• 1:05:39
  Speaker 1: tripped like that with the colors you wear or depend
• 1:05:42
  Speaker 1: like again, everybody knows who I am far as where
• 1:05:46
  Speaker 1: I belong, so you know I'll be seeing like internet
• 1:05:50
  Speaker 1: uh comments some time when I'll be flamed up. But
• 1:05:53
  Speaker 1: in La, you know what I mean, we grew up.
• 1:05:55
  Speaker 1: If you was a real one, you can wear what
• 1:05:57
  Speaker 1: you don't really apply, you know what I'm saying. Yeah,
• 1:06:01
  Speaker 1: it's still heavy like that though. I mean it's like
• 1:06:04
  Speaker 1: if I'm in somebody elsehood with a gang of red
• 1:06:06
  Speaker 1: on and I'm not a known face and I'm in
• 1:06:09
  Speaker 1: a crip hood, Yeah it'll probably I probably get addressed.
• 1:06:12
  Speaker 1: But I don't think I had that problem. They'd be like,
• 1:06:13
  Speaker 1: that's n it, you know what I'm saying. Congratulations on
• 1:06:16
  Speaker 1: the album, man, Yeah, Victory Lapping stores, don't grab that
• 1:06:21
  Speaker 1: stream that all that I've had to It took too long, right,
• 1:06:25
  Speaker 1: you had a lot to prove on that head. I did.
• 1:06:27
  Speaker 1: Let's talk about it now. The album's dope first and foremost.
• 1:06:30
  Speaker 1: You love the album. I hear a lot that you
• 1:06:32
  Speaker 1: don't like weirdo rappers. Well, I think you talk about
• 1:06:35
  Speaker 1: the line when I was like the saint this weird
• 1:06:36
  Speaker 1: rapping it's used to. Yeah, I just feel like, you know, um,
• 1:06:40
  Speaker 1: I felt pressure a little bit from where the game
• 1:06:44
  Speaker 1: is at, and there ain't no this to nobody specific,
• 1:06:46
  Speaker 1: just like it ain't in a direction of what we
• 1:06:49
  Speaker 1: grew up on in terms of like you gotta say something,
• 1:06:52
  Speaker 1: you know what I mean. You gotta be a man
• 1:06:54
  Speaker 1: of respect or a woman of respect, you know what
• 1:06:56
  Speaker 1: I mean, even from like just the drug stuff. Like
• 1:06:59
  Speaker 1: you know, I was never glorified in rap culture. We
• 1:07:02
  Speaker 1: could almost like led by Scarface, a jay Z or
• 1:07:06
  Speaker 1: Tupac lyrics. If we ain't had no principles, like a
• 1:07:10
  Speaker 1: man around, we could led by the lyrics and come
• 1:07:12
  Speaker 1: out as a solid individual. That's what I meant. Just
• 1:07:15
  Speaker 1: as far as, like, you know, just returning to that direction,
• 1:07:19
  Speaker 1: I don't know, like telling people what to do, but
• 1:07:22
  Speaker 1: just you know, try to represent the principles that I
• 1:07:26
  Speaker 1: grew up on in rap music. That's one thing I
• 1:07:28
  Speaker 1: like a bunch of music. It always has socially redeeming
• 1:07:30
  Speaker 1: value to it. On dedication, you know, Kendricks said that
• 1:07:33
  Speaker 1: this man, El said, do a song with nip here
• 1:07:36
  Speaker 1: better cryp. M. Kendricks said, here a man first, or
• 1:07:38
  Speaker 1: do you hear what these peaks about from black businesses?
• 1:07:40
  Speaker 1: The false imprisonments? And he said listen closest bigger than
• 1:07:43
  Speaker 1: deduces and four. So is that a challenge for you
• 1:07:45
  Speaker 1: to get people to see you for more than the
• 1:07:46
  Speaker 1: stereotypical West Coast gangster rapper? I mean people people received
• 1:07:50
  Speaker 1: me based on what I said, so I wouldn't I
• 1:07:52
  Speaker 1: wouldn't blame people for that. I came in and said,
• 1:07:55
  Speaker 1: it's where I'm from and it's when I represent. But
• 1:07:57
  Speaker 1: it was for a reason I wanted. I wanted to establish,
• 1:08:00
  Speaker 1: you know, what I belong to, and I looked at
• 1:08:02
  Speaker 1: it like jail. That's what I used to tell my
• 1:08:03
  Speaker 1: homies because even some of my homeboys would be like, well,
• 1:08:06
  Speaker 1: you can't come out talking about the hood and specifically
• 1:08:10
  Speaker 1: you know what I mean. When you walk into a dorm,
• 1:08:12
  Speaker 1: the first thing you establish is where are you from?
• 1:08:14
  Speaker 1: And then from there you get into the person behind this.
• 1:08:17
  Speaker 1: Just in case whoever got a problem with this, wherever
• 1:08:19
  Speaker 1: your enemies is, you go to the back. You hunt
• 1:08:21
  Speaker 1: of your business and then you get into like, Okay,
• 1:08:24
  Speaker 1: I could actually with you you you know what I mean,
• 1:08:26
  Speaker 1: We get to know each other, but you get that
• 1:08:28
  Speaker 1: out the way first. And so also I wanted to
• 1:08:32
  Speaker 1: I wanted my message to impact gang culture, you know
• 1:08:37
  Speaker 1: what I'm saying. I wanted what I had to say
• 1:08:38
  Speaker 1: to impact individuals like myself, young people. I was in
• 1:08:42
  Speaker 1: these areas that I was controlled by gang banging. I
• 1:08:44
  Speaker 1: didn't want appreciate the choir, but I wanted to be
• 1:08:46
  Speaker 1: able to say, you know, I'm one of you, and
• 1:08:49
  Speaker 1: where I'm gonna go, wherever I end up, you're gonna
• 1:08:52
  Speaker 1: You're gonna know that you can end up there too,
• 1:08:54
  Speaker 1: whether it's at the top of the game or in
• 1:08:56
  Speaker 1: a successful situation as a business owner. I came from
• 1:08:59
  Speaker 1: this and it's authentic, and I'm not on the outside
• 1:09:02
  Speaker 1: of this culture. That's why I came in like I
• 1:09:04
  Speaker 1: came in. I wasn't trying to like be on no
• 1:09:06
  Speaker 1: super tough guys, you know what I'm saying. I just
• 1:09:08
  Speaker 1: wanted to be clear that you know, wherever I take it,
• 1:09:12
  Speaker 1: I'm not I'm not different. I'm exactly the same. I've
• 1:09:15
  Speaker 1: been through everything you've been through, or you're gonna go
• 1:09:16
  Speaker 1: through as a somebody in that culture. What is it?
• 1:09:19
  Speaker 1: What is a better crip? What does that mean? I
• 1:09:21
  Speaker 1: don't know because I ain't saying, But what I would
• 1:09:23
  Speaker 1: assume Kendrick meant was that, um, somebody that is not
• 1:09:28
  Speaker 1: one hundred bias or outside of communicating with a blood
• 1:09:36
  Speaker 1: or somebody from the other side of the tracks. Maybe
• 1:09:38
  Speaker 1: that's what he meant. That's what I took it, as
• 1:09:40
  Speaker 1: you know, But we had to ask Kendrick his his
• 1:09:43
  Speaker 1: take on what he meant by that. You talk about
• 1:09:45
  Speaker 1: West Coach's infrastructure, it was a period when you needed adopted.
• 1:09:49
  Speaker 1: Drake co signed to get out of the West Why
• 1:09:51
  Speaker 1: why do you think that changed? Drake Man he built Uh.
• 1:09:54
  Speaker 1: I call it an island. If you look at music,
• 1:09:57
  Speaker 1: it's like three or four islands in rap Mus, you
• 1:10:00
  Speaker 1: know what I mean. And a lot of a lot
• 1:10:02
  Speaker 1: of the things that you might not know, well y'all know,
• 1:10:04
  Speaker 1: but that the people might not know are connected to
• 1:10:06
  Speaker 1: these islands. They connected. You got to like Jimmy Iveen
• 1:10:09
  Speaker 1: doctor dre Island, which you gotta let's stall the artist
• 1:10:12
  Speaker 1: Tupac came under that Drake snoop game. Um, Kendrick, well, Yeah,
• 1:10:18
  Speaker 1: Kendrick is a part of the top Dog thing as well.
• 1:10:20
  Speaker 1: But it connects, you know what I'm saying. And so
• 1:10:23
  Speaker 1: then you got like the Leoor def Jam Island and
• 1:10:26
  Speaker 1: that not the island records. I'm just saying, you know
• 1:10:30
  Speaker 1: what I'm saying. Yeah, and a rough frauder's murder ain't Rockefeller. Yeah,
• 1:10:35
  Speaker 1: you know, um Kanye, then all the artists that came
• 1:10:38
  Speaker 1: out to ya fall under that, and then you got
• 1:10:41
  Speaker 1: um whatever happened on Sony, you know what I mean.
• 1:10:43
  Speaker 1: And so it was one of them three options right
• 1:10:47
  Speaker 1: for artists, and unless you you wanted to go what
• 1:10:50
  Speaker 1: I call just taking the stairs and figuring out how
• 1:10:52
  Speaker 1: to how to get into one of those situations as
• 1:10:56
  Speaker 1: your own thing. Top Dog did it. You know what
• 1:10:58
  Speaker 1: I'm saying. Top Dog created his own thing. And so
• 1:11:00
  Speaker 1: that was my goal to build the island myself. You
• 1:11:03
  Speaker 1: know what I mean. I saw what even like Jay
• 1:11:05
  Speaker 1: they got rock Nation, I saw island right, Absolutely, that's
• 1:11:07
  Speaker 1: the own thing. Even though it came from then being
• 1:11:09
  Speaker 1: an artist connected to another situation, they have turned that
• 1:11:12
  Speaker 1: into its own operation. What kind of conversation did you
• 1:11:15
  Speaker 1: and did he have? Because you and did he? Yeah,
• 1:11:17
  Speaker 1: formed a relationship I assumed through Lauren London and Cassie
• 1:11:21
  Speaker 1: and yeah yeah yeah book through me too, you know Lauren. No,
• 1:11:26
  Speaker 1: I'm saying Lauren. Lauren introduced me to Puff. I mean
• 1:11:30
  Speaker 1: I knew Puff, but it was it was more of
• 1:11:31
  Speaker 1: a personal relationship out to you know. Uh we was
• 1:11:35
  Speaker 1: at Cassie something like that. You know who made you
• 1:11:37
  Speaker 1: want to get a old? Like? Did he and put
• 1:11:39
  Speaker 1: him on Young? That's crazy? Did he did? He chose Young?
• 1:11:42
  Speaker 1: I'll try to get you more rapper because I was.
• 1:11:45
  Speaker 1: I was referencing to Hate Me Now video and what
• 1:11:48
  Speaker 1: what what his his presence on that record with nas
• 1:11:51
  Speaker 1: brought to it. I'm like, look this this the record,
• 1:11:54
  Speaker 1: this rapp. I want you to get on this. Put
• 1:11:55
  Speaker 1: the mink one in the video. We're gonna make a movie.
• 1:11:58
  Speaker 1: He was like, um, he told the whole story behind that.
• 1:12:01
  Speaker 1: He like, Robbuster forty million out of check a week
• 1:12:03
  Speaker 1: before I did that movie, So I wouldn't. I mean
• 1:12:05
  Speaker 1: that video wow? So like that's that's the energy you
• 1:12:08
  Speaker 1: saw in that video, Like I wouldn't spend all this
• 1:12:10
  Speaker 1: dough on the chain and we got tigers. He's like,
• 1:12:12
  Speaker 1: I got the biggest check in my life. Yeah, so
• 1:12:15
  Speaker 1: he like, we probably gonna be able to recreate that,
• 1:12:19
  Speaker 1: but you know, um, when I played the rest of
• 1:12:21
  Speaker 1: the songs for him, he heard young and he chose
• 1:12:24
  Speaker 1: that record. Yeah, so you know he just went in
• 1:12:26
  Speaker 1: the booth and then start you know, yeah, start gassing,
• 1:12:30
  Speaker 1: you know, but even still like rappers. He gave me
• 1:12:33
  Speaker 1: some real production advice on that record. When I played
• 1:12:36
  Speaker 1: it for him, it was different than what y'all heard.
• 1:12:38
  Speaker 1: Loud enough, yeah, and he was like, listen, bro, he
• 1:12:40
  Speaker 1: pulled up Natural warn Killers, Boy ice Cube and Doctor
• 1:12:43
  Speaker 1: Dre like, this is what you're going for. This is
• 1:12:45
  Speaker 1: what y'all trying to do on this record, maximizing make
• 1:12:48
  Speaker 1: it sound like this. And we went back in the
• 1:12:50
  Speaker 1: studio and I played it for my producers and then
• 1:12:52
  Speaker 1: we turned it up and added a sin flead all
• 1:12:55
  Speaker 1: the way through so it sound more like West Coast violent,
• 1:12:58
  Speaker 1: you know what I mean. And I felt what he said.
• 1:13:00
  Speaker 1: After the fun I was a little set, like what
• 1:13:01
  Speaker 1: you mean, banging, but at reapproached it. It was room
• 1:13:07
  Speaker 1: to make the record better, all right. Well that was
• 1:13:09
  Speaker 1: part one of our interview with Nipsey Hustle Again, Rest
• 1:13:11
  Speaker 1: in peace, Nipsey Hustle. If you're just joining us, we're
• 1:13:14
  Speaker 1: reairing when Nipsey Hustle stopped. Though. When we come back,
• 1:13:16
  Speaker 1: we'll get into part two about interview keeping locked us
• 1:13:18
  Speaker 1: to Breakfast Club. Go Morning Money, Colin Morning, Everybody's DJ,
• 1:13:32
  Speaker 1: Envy Angela, Yee, Charlemagne the guy, we are the Breakfast Club.
• 1:13:36
  Speaker 1: If you just joined us, We're gonna reair our interview
• 1:13:38
  Speaker 1: with Nipsey Hustle. This is part two. Charlemagne, you said
• 1:13:42
  Speaker 1: with Hard Knocked Life on the album, Yeah, yeah, did
• 1:13:44
  Speaker 1: you have to clear? What do you have to clear? That?
• 1:13:45
  Speaker 1: With jay Z? Ok? Okay? Yeah? You know what's crazy
• 1:13:48
  Speaker 1: about that record? I thought you played the keys over
• 1:13:50
  Speaker 1: just the stuff where you have to clear. Let us
• 1:13:52
  Speaker 1: a hard motivation record. Hustling and motivation. Yeah. So when
• 1:13:56
  Speaker 1: jay Z got Annie to clear the record, I guess
• 1:13:59
  Speaker 1: when he ate him. He said, y'all gotta let every
• 1:14:01
  Speaker 1: other rap artists after me used it. Wow. Yeah, So
• 1:14:05
  Speaker 1: that was his that was his deal with with with whoever,
• 1:14:08
  Speaker 1: the producers and riding you know what I'm saying. Yeah,
• 1:14:11
  Speaker 1: so we benefited off his negotiation in nineteen ninety eight.
• 1:14:16
  Speaker 1: We just had to get jay Z to clear because
• 1:14:18
  Speaker 1: when he cleared it with the owners of the copyright.
• 1:14:21
  Speaker 1: He made it to where any hip hop artist after
• 1:14:23
  Speaker 1: him could use the rector. Jay did that, so hopefully
• 1:14:26
  Speaker 1: you don't have to go through that. I'm saying yeah
• 1:14:28
  Speaker 1: for everybody. Every hip hop artist gotta clear with Jay first,
• 1:14:31
  Speaker 1: where they just need skilled me, they just need the
• 1:14:33
  Speaker 1: jay Z clearance to any clearance as good long as
• 1:14:35
  Speaker 1: they are hip hop artist. Jays always showed you love it.
• 1:14:37
  Speaker 1: Didn't you buy like a thousand copies of your Crenshaw?
• 1:14:40
  Speaker 1: What album? With the he bought it? He bought a
• 1:14:41
  Speaker 1: hundred copies of Crenshaw That was one hundred dollars. Ok? Yeah, yeah,
• 1:14:45
  Speaker 1: And now you didn't even know him back then. Now.
• 1:14:47
  Speaker 1: I mean, you know, I met j in La years
• 1:14:49
  Speaker 1: ago at a concert. I was just backstage and I
• 1:14:52
  Speaker 1: you know, I ran up to I ain't run up
• 1:14:53
  Speaker 1: to him just like what's upthing, I'm nipp you know
• 1:14:55
  Speaker 1: what I mean? From at like bro Rolling sixties. He
• 1:14:57
  Speaker 1: actually bought a low rider. The story is I ain't
• 1:14:59
  Speaker 1: never I seem but he bought a low Rider from
• 1:15:01
  Speaker 1: one of my homeboys, Money Mike. That's into maya video
• 1:15:04
  Speaker 1: that's to me. Yeah, you know what I mean. He
• 1:15:06
  Speaker 1: bought that from one of my homeboys, one of my
• 1:15:08
  Speaker 1: j homies from La I was an old school hustling
• 1:15:10
  Speaker 1: that was really his hunt Yeah, that was here. He
• 1:15:12
  Speaker 1: bought that being so real. Yeah yeah, yeah, that's confirmed,
• 1:15:16
  Speaker 1: you know what I mean. Wow. So I just was like, yeah,
• 1:15:19
  Speaker 1: I'm I'm nim rolling sixties. He's like, nah, I know.
• 1:15:22
  Speaker 1: And you know, this was years before the Crenshaw thing.
• 1:15:24
  Speaker 1: He like, you know, y'all doing your thing. He keep going.
• 1:15:27
  Speaker 1: So that was the only count boy we ever had
• 1:15:29
  Speaker 1: until the Crenshaw thing. But um, yeah, Jake been a
• 1:15:33
  Speaker 1: hunted man. So you know what I know, a lot
• 1:15:35
  Speaker 1: of love and now Blue Laces too, one of my
• 1:15:37
  Speaker 1: favorite records on the album You make a spook who
• 1:15:40
  Speaker 1: Sat by the Door reference you know about that man? Yeah? Absolutely,
• 1:15:43
  Speaker 1: but I don't. I don't think you are spookle sat
• 1:15:45
  Speaker 1: by the door. I think your intention to pretty clip
• 1:15:46
  Speaker 1: Well now, I would say so, but even to the
• 1:15:48
  Speaker 1: to the point made earlier. That's one of the reasons
• 1:15:51
  Speaker 1: I was so vocal about where I was coming from
• 1:15:53
  Speaker 1: and what I represented, because I knew I knew who
• 1:15:56
  Speaker 1: I wanted to mobilize, you know what I mean? And
• 1:15:58
  Speaker 1: if anybody ain't seen that book, I mean, see that movie.
• 1:16:01
  Speaker 1: You read the book. It's about a gang member from
• 1:16:04
  Speaker 1: Chicago who uh, you know, presented himself in a way
• 1:16:08
  Speaker 1: he never kind of cases he was. He was. He
• 1:16:10
  Speaker 1: had a clean cut look, and he infiltrated the CIA,
• 1:16:14
  Speaker 1: and he became educated and became and basically he used
• 1:16:17
  Speaker 1: their agenda, which was to have a token in the
• 1:16:20
  Speaker 1: CIA for political reasons. You know, we're gonna speak blunt um.
• 1:16:25
  Speaker 1: He used it against him. And I think that in
• 1:16:28
  Speaker 1: terms of hip hop, you think of the message that
• 1:16:29
  Speaker 1: they embrace, I feel parallel with like, you know what
• 1:16:33
  Speaker 1: I mean the power structure. I don't mean the culture
• 1:16:36
  Speaker 1: of hip hop, but the power structure of music they
• 1:16:39
  Speaker 1: got prescribed personas they expect from us, you know what
• 1:16:42
  Speaker 1: I'm saying. So I feel like the way he used
• 1:16:45
  Speaker 1: their intention against him was was one of my underlying strategies.
• 1:16:49
  Speaker 1: You know, you gotta put the medicine in the candy.
• 1:16:51
  Speaker 1: And was interesting by that book. All his people used
• 1:16:53
  Speaker 1: to call him my uncle Tom and the coon, you
• 1:16:55
  Speaker 1: know what I'm saying. Yeah, but he was there working
• 1:16:57
  Speaker 1: for them the whole time. Yeah, and he and he
• 1:16:59
  Speaker 1: I don't want to up blow nothing up like he
• 1:17:01
  Speaker 1: did in the movie, you know what I mean. But
• 1:17:02
  Speaker 1: just in terms of being able to mobilize his homies
• 1:17:06
  Speaker 1: towards to a hard cause. You know, there's a lot
• 1:17:08
  Speaker 1: of little jewels that you're saying. And then that's what
• 1:17:10
  Speaker 1: I like, Like I said, the medicine really isn't the candy,
• 1:17:12
  Speaker 1: because Eve, when you drop a ball, like about doctor Seby. Yeah,
• 1:17:15
  Speaker 1: like just that one thing they killed doctor Seby will
• 1:17:17
  Speaker 1: make somebody go research undt doctor cebb Takettle doctor. I
• 1:17:27
  Speaker 1: never met him, I met his wife and I take
• 1:17:29
  Speaker 1: his products for sure. Why why do they kill all
• 1:17:32
  Speaker 1: holistic doctors messing up to the medicals? You short stopping
• 1:17:37
  Speaker 1: the ground? Why don't you get killed for hustling in
• 1:17:39
  Speaker 1: front of a spot? You're short stopping the grind? And
• 1:17:42
  Speaker 1: these they check his billions, You got that get flipped
• 1:17:46
  Speaker 1: for a couple hundred thousand, So you're playing with some
• 1:17:49
  Speaker 1: pharmaceutical money, you know. And what's crazy. I'm working on
• 1:17:52
  Speaker 1: doing a documentary on the trial. In nineteen eighty five,
• 1:17:56
  Speaker 1: doctor Seby went to trial against New York because he
• 1:17:59
  Speaker 1: put the newspaper cure age. Did he did? He beat
• 1:18:02
  Speaker 1: the case and he went to federal court the next
• 1:18:04
  Speaker 1: day and beat that case on record, and nobody talk
• 1:18:07
  Speaker 1: about it. We're still talking to Nipsey Hustle. He's in
• 1:18:10
  Speaker 1: the building right now now. What happened with reboking and
• 1:18:13
  Speaker 1: were you signed the reboking the rebok do the release
• 1:18:15
  Speaker 1: that you were there? Nah? I didn't. I didn't endorse
• 1:18:18
  Speaker 1: me with Puma right recently. Um, I don't want to
• 1:18:21
  Speaker 1: go too deep into that because man, I ain't. I
• 1:18:26
  Speaker 1: ain't uh faking nah, But I don't want to go
• 1:18:29
  Speaker 1: too far into details with the with the other thing
• 1:18:32
  Speaker 1: because it's something that we're gonna pursue. But um, you know,
• 1:18:36
  Speaker 1: it wasn't authorize, It wasn't authorized and they put all
• 1:18:39
  Speaker 1: money in on the shoe. They put rich Rolling on
• 1:18:41
  Speaker 1: the shoe. I don't even that's that's some gang. You
• 1:18:44
  Speaker 1: don't put rich Rolling on the shoe. You know, you
• 1:18:47
  Speaker 1: gotta pay thousands of people. It's doing life in jail
• 1:18:51
  Speaker 1: that you know what I mean, fall under that structure.
• 1:18:53
  Speaker 1: So you gotta be careful with that, you know. I don't.
• 1:18:56
  Speaker 1: I'm not even taking a check for nothing to say
• 1:18:58
  Speaker 1: rich Rolling. I would have told him out of total designers, no, bro,
• 1:19:02
  Speaker 1: stay clear of that. You can't copy right. It's like
• 1:19:04
  Speaker 1: putting crip on a shoe or something. Who are you
• 1:19:06
  Speaker 1: gonna pay? And that caused the problems for you. It's like, oh,
• 1:19:09
  Speaker 1: you got paid off. And even outside of that, because
• 1:19:12
  Speaker 1: if if I was right, I would I would stand
• 1:19:15
  Speaker 1: on being right. That's not right. I'm not I'm not
• 1:19:18
  Speaker 1: the beneficiary of that. You can't just pay me and
• 1:19:21
  Speaker 1: think that. And by the way, they didn't pay me.
• 1:19:23
  Speaker 1: But you can't just pay me and think that we
• 1:19:25
  Speaker 1: paid nip Man he speaked for the nah Ross got
• 1:19:29
  Speaker 1: they got a hundred years. You know what I'm saying,
• 1:19:31
  Speaker 1: what I looked like taking a check. I can't do that,
• 1:19:34
  Speaker 1: grinding all my life. You tell a story where somebody
• 1:19:37
  Speaker 1: got stomped out and you say, fifty and Midweather bounced
• 1:19:39
  Speaker 1: from y'all in Vegas? What was that? That was a
• 1:19:41
  Speaker 1: long time ago. Man at a club, Me and YG
• 1:19:43
  Speaker 1: was performing that in Vegas called strip Hot, and uh,
• 1:19:47
  Speaker 1: you know somebody Melee broke out and U you know
• 1:19:51
  Speaker 1: it ain't going nice favor that didn't that started it?
• 1:19:54
  Speaker 1: And uh just so happened. Fifty and Mayweather was in
• 1:19:58
  Speaker 1: the club. You know they had all the cars and
• 1:20:00
  Speaker 1: that was really just coming to show love and uh,
• 1:20:03
  Speaker 1: you know, it made the news. It was a big
• 1:20:05
  Speaker 1: old thing. But tried to robbers, you know what I mean.
• 1:20:08
  Speaker 1: Like somebody was waiting outside in my section. It was
• 1:20:10
  Speaker 1: all girls coming into section and take pictures. And you know,
• 1:20:13
  Speaker 1: you be in the section, your chain hang, you stand
• 1:20:15
  Speaker 1: on the couch, and you know, somebody was like, where
• 1:20:18
  Speaker 1: are you from? One of the things you're a fan.
• 1:20:20
  Speaker 1: I'm like, huh, you got my concert? You don't know
• 1:20:22
  Speaker 1: what I'm from? From La Bro. He's like, no, where
• 1:20:24
  Speaker 1: are you from? And I frowned. I guess my homeboys
• 1:20:27
  Speaker 1: seeing me frowning, dopfending and then it just a big
• 1:20:31
  Speaker 1: old melee broke out, you know what I'm saying. But yeah,
• 1:20:33
  Speaker 1: that's what that was about. It's on YouTube. The news
• 1:20:36
  Speaker 1: footage is on YouTube. But fifty and maywe a bound
• 1:20:39
  Speaker 1: for y'all, like they need they needed to get out
• 1:20:40
  Speaker 1: the club. Well, you that was probably taking out of context.
• 1:20:44
  Speaker 1: They left the same time, twenty thirty security and fifty
• 1:20:49
  Speaker 1: was it with fifty thirty people? So yeah, yeah, yeah,
• 1:20:52
  Speaker 1: that was good money on I wasn't saying like they
• 1:20:54
  Speaker 1: needed our help. It's just like you know a little
• 1:20:58
  Speaker 1: fact they was in the building and you know that
• 1:21:00
  Speaker 1: got footage and flooried on the end of arguing with
• 1:21:02
  Speaker 1: the police in the front of the club. You know,
• 1:21:05
  Speaker 1: I just I'll be trying to revolve around really that
• 1:21:07
  Speaker 1: took place, you know what I mean? Just to go
• 1:21:09
  Speaker 1: back to the doctor semi thing real quick? What makes
• 1:21:11
  Speaker 1: you want to do a documentary? Okay, get it right, man,
• 1:21:14
  Speaker 1: it makes you want to do a documentary about doctor Cebe.
• 1:21:17
  Speaker 1: I think the story is important. I think it's a
• 1:21:19
  Speaker 1: powerful narrative. It is, you know what I mean. And
• 1:21:21
  Speaker 1: I think if imagine this anybody in this room, if
• 1:21:24
  Speaker 1: I could say somebody cured a's, Ya'll be like, yeah, right,
• 1:21:28
  Speaker 1: And then I can show you an example of him
• 1:21:31
  Speaker 1: going a trial, improving in the court to a jury
• 1:21:35
  Speaker 1: that he cured a's. I'll be interested in that absolutely,
• 1:21:38
  Speaker 1: and y'all will look into the way he did it. Right,
• 1:21:41
  Speaker 1: So I feel like, more so than like champion his
• 1:21:44
  Speaker 1: products or explaining his methodology, put some light on that case.
• 1:21:49
  Speaker 1: Imagine being able to cure cancer, or being able to
• 1:21:52
  Speaker 1: cure any type of herpies and all kinds, and that's
• 1:21:55
  Speaker 1: what he do. Bout what he did yeah, yeah, yeah.
• 1:21:57
  Speaker 1: He used to send all types of vitamins up to
• 1:21:59
  Speaker 1: the state. Yeah herbes No, I said vitamin station. Hear me?
• 1:22:04
  Speaker 1: I said crazy? All right? That was part two of
• 1:22:09
  Speaker 1: our interview with Nipsey Hustle. With re airing our interview
• 1:22:12
  Speaker 1: he stopped through last year, and let's get on a
• 1:22:14
  Speaker 1: Nipsey Hustle mini mix. Let's play a couple of this joint.
• 1:22:16
  Speaker 1: So I said, don't move, it's to breakfast Club, good morning.
• 1:22:19
  Speaker 1: That wasn't Nipsey Hustle mini mix. If he just joined
• 1:22:21
  Speaker 1: us again, Rest in peace to Nipsey Hustle. He was
• 1:22:24
  Speaker 1: killed over the weekend, and we're replaying an interview that
• 1:22:26
  Speaker 1: we did with him a year ago. All right, so
• 1:22:28
  Speaker 1: let's get back into that now. Nipsey, you were talking
• 1:22:30
  Speaker 1: about Cardi and how wearing different colors and I wasn't. No,
• 1:22:34
  Speaker 1: that's not what I said. And you know what I mean,
• 1:22:37
  Speaker 1: he's a woman. Yeah, I like Cardi b Cardi B
• 1:22:40
  Speaker 1: DI diverse for me. I like, yeah, that's that's that's
• 1:22:43
  Speaker 1: a fact. Like anybody don't like Cardi that a hater.
• 1:22:47
  Speaker 1: I used to watch her ig clips and be laughing
• 1:22:49
  Speaker 1: like this girl crazy. But our personality is golden. You
• 1:22:53
  Speaker 1: know what I mean. But wrong is wrong? Right is right? Bro,
• 1:22:56
  Speaker 1: that's what I grew up on. That loved me brog
• 1:22:59
  Speaker 1: gonna tell me about you it's wrong, right, all right,
• 1:23:01
  Speaker 1: don't tell me that in public. Wait till we get
• 1:23:03
  Speaker 1: back to the hood. I might set off a melee
• 1:23:05
  Speaker 1: and we're gonna fight with me. But when we get
• 1:23:07
  Speaker 1: back to the hood, bro, that was but don't do that.
• 1:23:09
  Speaker 1: You're gonna have us. You're gonna get us in the wreck. Wrong,
• 1:23:11
  Speaker 1: it's wrong, right, it's right. That terminology she used is
• 1:23:14
  Speaker 1: like real. Look, let me just for the record, that's
• 1:23:17
  Speaker 1: how blood's talk. Blood says crab, bloods say flute, crips
• 1:23:22
  Speaker 1: say slod, crips say dead like the files. With all
• 1:23:26
  Speaker 1: my homeboys, I'd be like, bro, give me a dead bull.
• 1:23:29
  Speaker 1: That's how we talk. But I'll be intentionally respectful on
• 1:23:34
  Speaker 1: the record because we're talking about a public environment, which
• 1:23:39
  Speaker 1: is the music industry. You feel what I'm saying. We
• 1:23:42
  Speaker 1: saw what happened with death Row, so we're gonna set
• 1:23:46
  Speaker 1: trip in public. You're gonna get caught on camera squabbling.
• 1:23:49
  Speaker 1: You're gonna violate while you worth three hundred million sugar night.
• 1:23:52
  Speaker 1: You're gonna go to the pen. Pockey gonna die right.
• 1:23:56
  Speaker 1: A wrong that happened. That was game banging, that was
• 1:23:59
  Speaker 1: set trip publicly, so we would be bad leaders to
• 1:24:03
  Speaker 1: read create that. What about somebody like Takashi sixth nine.
• 1:24:07
  Speaker 1: I don't want to talk about other people for real,
• 1:24:10
  Speaker 1: you know what I'm saying. I feel I feel my
• 1:24:12
  Speaker 1: own way about it, but God bless everybody. Man, get
• 1:24:15
  Speaker 1: your money. You feel me what I said about Cardi
• 1:24:18
  Speaker 1: big ask me and so I spoke on it. But
• 1:24:20
  Speaker 1: I don't want to hate on Cardi. B get your money. Cardi.
• 1:24:22
  Speaker 1: I respect what you're doing. You know what I'm saying.
• 1:24:24
  Speaker 1: She done a verse for me. I see to me goes,
• 1:24:26
  Speaker 1: I shake their hand. You know what I'm saying. I
• 1:24:28
  Speaker 1: respect her. Come up, she came from the gutter about
• 1:24:32
  Speaker 1: saying disrespectful things on I G I'm gonna always be
• 1:24:37
  Speaker 1: like that. Ain't to move, that's not That's not what
• 1:24:39
  Speaker 1: you're supposed to do. Now. Do I tell you what
• 1:24:42
  Speaker 1: to do? Nah? You get it how you live. If
• 1:24:44
  Speaker 1: you like it, I love it. I just know me
• 1:24:46
  Speaker 1: and mine we're gonna move this way because I'm always
• 1:24:49
  Speaker 1: stand on what I do so that if I walk
• 1:24:51
  Speaker 1: into a room full of bloods and I ain't gonna
• 1:24:54
  Speaker 1: be like, oh, they go to slops. I'm not gonna
• 1:24:56
  Speaker 1: talk like that, because that's that's called being a sales
• 1:24:59
  Speaker 1: soldier on some jails. You know what I'm saying, Get
• 1:25:04
  Speaker 1: that's in the cell, popping it because you can't get touched.
• 1:25:07
  Speaker 1: You're hiding behind the cell. You know what I'm saying,
• 1:25:10
  Speaker 1: pop the gates. Talk like that. If you ain't gonna
• 1:25:13
  Speaker 1: talk like that, then keep it one way. I've been
• 1:25:16
  Speaker 1: in a tank with a hundred bloods before. I'm from
• 1:25:19
  Speaker 1: six old crib. I ain't even to call slaves to
• 1:25:22
  Speaker 1: kill me. But I ain't even that's where I'm from, homie.
• 1:25:25
  Speaker 1: You feel what I'm saying, And so same the other
• 1:25:28
  Speaker 1: way around. I've been in a dorm with a hundred
• 1:25:31
  Speaker 1: cribs in two or three bloods and it ain't using
• 1:25:35
  Speaker 1: that terminology. They not. That's just against the laws of nature.
• 1:25:39
  Speaker 1: This is just self preservation gonna prevent you from talking
• 1:25:42
  Speaker 1: like that. That's what I was speaking on. But for
• 1:25:44
  Speaker 1: the record, and just for the New York bangers, I
• 1:25:48
  Speaker 1: respect real everywhere in every city and state. You can't
• 1:25:52
  Speaker 1: take that from nobody. Gang culture came from out of LA.
• 1:25:56
  Speaker 1: I don't mean it ain't really in New York that
• 1:25:58
  Speaker 1: pushing on as bloods and crips. But we gotta be honest,
• 1:26:03
  Speaker 1: We gotta speak honestly. We can't be political about the
• 1:26:07
  Speaker 1: dead and doing life for you fee what I'm saying.
• 1:26:10
  Speaker 1: So that's that's that's my stance on it. But like
• 1:26:12
  Speaker 1: I said, everybody get money. Man. I respect CARDI, you
• 1:26:15
  Speaker 1: know what I mean. She linked up with Whacko. One
• 1:26:17
  Speaker 1: of my respect he had Paro and you know, I
• 1:26:22
  Speaker 1: ain't ad out of deal thing. I just my personal opinion.
• 1:26:25
  Speaker 1: It's in your interest not to be public dising gangs,
• 1:26:29
  Speaker 1: you know what I'm saying, unless you want to put
• 1:26:31
  Speaker 1: your security at risk, because it ain't gonna be you
• 1:26:33
  Speaker 1: shooting or getting shot at. You're gonna be pushed into
• 1:26:36
  Speaker 1: the car. You know, we were talking about checking in
• 1:26:39
  Speaker 1: and how do you feel about checking in? Because I mean,
• 1:26:41
  Speaker 1: it's it's a big thing, especially in LA, you know
• 1:26:43
  Speaker 1: what I mean, because it's so open and you mean,
• 1:26:45
  Speaker 1: you could drive in a block in LA one block,
• 1:26:47
  Speaker 1: it'd be a sunny, clean block, mixed block. You're in
• 1:26:49
  Speaker 1: the middle of the hood. Yeah, checking in is it
• 1:26:53
  Speaker 1: suggests friendly extortion when you say checking in. Our relationship
• 1:26:58
  Speaker 1: is different because we all need relationships. You know what
• 1:27:01
  Speaker 1: I'm saying. I'm sure when you travel you from New York,
• 1:27:04
  Speaker 1: but you got relationships all over the country, Charlotte, man,
• 1:27:06
  Speaker 1: you got relationships all over it and I'm sure you
• 1:27:08
  Speaker 1: do too, and a relationship I don't. I don't believe
• 1:27:12
  Speaker 1: in fake relationships. So it just established genuine relationships. Everywhere
• 1:27:16
  Speaker 1: you go, you'll be in a better position. And you
• 1:27:19
  Speaker 1: do that off being respectful and being you know you're reciprocated.
• 1:27:23
  Speaker 1: Some mighty come to your city. Bro, you need something,
• 1:27:25
  Speaker 1: whether it's a car, some weed, you know what I mean.
• 1:27:28
  Speaker 1: You want to go somewhere to eat what you need?
• 1:27:30
  Speaker 1: You out of town. I got you, not just some
• 1:27:32
  Speaker 1: protection you feel me? So I wouldn't say to check in.
• 1:27:36
  Speaker 1: I don't know know about that, but just I got
• 1:27:38
  Speaker 1: relationships in New York. That it's respect. When I pull up,
• 1:27:42
  Speaker 1: you know what I mean, to make sure I got
• 1:27:44
  Speaker 1: whatever I need. Same in La I can get you
• 1:27:46
  Speaker 1: from the airport. Bro. You could take my car. You
• 1:27:48
  Speaker 1: could come to my store. You could you meet my homeboys.
• 1:27:51
  Speaker 1: You could get numbers if you any problems or whatever,
• 1:27:54
  Speaker 1: just call in or you want to know where to
• 1:27:55
  Speaker 1: go eat at. That ain't because you had to. That's
• 1:27:58
  Speaker 1: because especially Yeah, we can strength numbers and we only
• 1:28:01
  Speaker 1: from one place. You know. My last question for Nip Man,
• 1:28:04
  Speaker 1: because I'm riding in the car and I'm like, boy,
• 1:28:06
  Speaker 1: Nip gonna get into for this. You said that your
• 1:28:08
  Speaker 1: mistress is creole? How do you get away with that? Man?
• 1:28:12
  Speaker 1: This music man, I said, I said, my wife is
• 1:28:14
  Speaker 1: a CEO. I said, this life is a free through
• 1:28:17
  Speaker 1: my life, my wife has a ce No, but my
• 1:28:20
  Speaker 1: mistress is creole. You know that was that was number one.
• 1:28:23
  Speaker 1: I recorded that before me, before I had a girl.
• 1:28:25
  Speaker 1: For real. That's that's a claim. That's a fact though.
• 1:28:30
  Speaker 1: I just but then again, this music man like my
• 1:28:34
  Speaker 1: girls an actress? If she kissing on camera, what I'm
• 1:28:36
  Speaker 1: gonna be mad? No, do your thing? I love. I
• 1:28:39
  Speaker 1: love the fact you said your girl. So you're back together,
• 1:28:41
  Speaker 1: y'all go? Yeah, yeah, yeah, we solid players up too. Man.
• 1:28:44
  Speaker 1: That's all I'm gonna saying about that. Never Eaven, I asked,
• 1:28:46
  Speaker 1: because she don't play. Yeah, no, run down on it. Yes,
• 1:28:49
  Speaker 1: she ran down on you know. Charlot Knight went hard,
• 1:28:51
  Speaker 1: you know what I'm saying. But yeah, boogie boogie, boogie man.
• 1:28:55
  Speaker 1: You know, she knows how to defend herself and stand up,
• 1:28:57
  Speaker 1: you know what I mean. And you know she La
• 1:29:00
  Speaker 1: she grew up. Um. A lot of people might think
• 1:29:02
  Speaker 1: she got a privileged background. She ain't got no privilege background.
• 1:29:05
  Speaker 1: I think she's new, new in real life. That's yeah, yeah, yeah, no,
• 1:29:08
  Speaker 1: but she comes from La Man, and you know what
• 1:29:10
  Speaker 1: I mean, She's seen Charlotte Magne zero then, but she
• 1:29:13
  Speaker 1: I told her, I told her from jump though. I'm like,
• 1:29:16
  Speaker 1: you're gonna meet Charlotte Magne and like Charlotte magn respect
• 1:29:18
  Speaker 1: Charlotte man, you know what I mean. Charlotte Magne known
• 1:29:20
  Speaker 1: for being honest and you know what I mean, ruffling feathers.
• 1:29:24
  Speaker 1: But I know his stance and I'm like, y'all got
• 1:29:27
  Speaker 1: the similar mentality in terms of like what's right? You
• 1:29:30
  Speaker 1: know what I'm saying. So, yeah, she she got a
• 1:29:32
  Speaker 1: lot of love and respect for you. We appreciate you
• 1:29:34
  Speaker 1: joining us, Yeah yeah, yeah yeah. And it's the Breakfast Club.
• 1:29:40
  Speaker 1: Good morning, yeah, mourning everybody a DJ Envy and Jela Yee,
• 1:29:46
  Speaker 1: Charlomagne the guy we are the Breakfast Club. Now, I'm Charlomagne.
• 1:29:50
  Speaker 1: You got a positive note now the positive note is
• 1:29:52
  Speaker 1: simply this. You can't be committed to your BS and
• 1:29:55
  Speaker 1: your growth. I repeat, you can't be committed to your
• 1:29:59
  Speaker 1: BS and your growth. It's one of the other. Choose
• 1:30:02
  Speaker 1: wisely the Breakfast Club.