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The People's Donkey · The Breakfast Club

• 0:03
  Speaker 1: It's your time to nominate a donkey of your own.
• 0:05
  Speaker 1: Remember now, that's it's how they choose.
• 0:09
  Speaker 2: I call in now eight hundred five eight five one
• 0:11
  Speaker 2: oh five one.
• 0:13
  Speaker 3: Donkey today for Friday, July twenty fourth is the people's donkey.
• 0:17
  Speaker 3: You know, every Friday we open up the phone lines
• 0:19
  Speaker 3: and allow you, the people, to give someone the credit
• 0:22
  Speaker 3: they deserve for being stupid. So one hundred and five
• 0:24
  Speaker 3: eight five, one oh five to one, Good morning.
• 0:26
  Speaker 1: Who's this?
• 0:27
  Speaker 2: Good morning?
• 0:28
  Speaker 1: This is Kiran man Carrien Min but Waguan Kiran.
• 0:32
  Speaker 2: Whyma Danaan.
• 0:35
  Speaker 3: Guan Kiran. I wanted to ask you something, Kiran, but
• 0:38
  Speaker 3: I can't even remember. Oh no, Kiran, I do want
• 0:40
  Speaker 3: to ask you something because I wanted to ask my
• 0:42
  Speaker 3: Jamaican brethren. Uh my good sister n Cole Spence. She's Jamaican.
• 0:46
  Speaker 3: She lives in Jamaica, and she sent me a popcorn
• 0:48
  Speaker 3: record yesterday.
• 0:49
  Speaker 1: You know popcorn?
• 0:50
  Speaker 4: Oh you mean.
• 0:53
  Speaker 1: I don't know mine? But what you men? He don't
• 0:55
  Speaker 1: know no popcorn you know, cause he no popcorn, but
• 0:57
  Speaker 1: popcorn said in the record. You know, No I do?
• 1:00
  Speaker 1: I mean, I know, but I don't know him like that?
• 1:02
  Speaker 3: And and he got a lyric when he says, you
• 1:04
  Speaker 3: got a song called insurgent, And he says, a whole
• 1:07
  Speaker 3: heap of warhead, whole heap of greens, unruly, no chat
• 1:11
  Speaker 3: like Charlemagne.
• 1:12
  Speaker 1: What that means?
• 1:13
  Speaker 2: Oh, well, that means that he's not trying to he's
• 1:17
  Speaker 2: not trying to disrest thinking it. He just say his mind,
• 1:20
  Speaker 2: just like you.
• 1:23
  Speaker 4: Got me.
• 1:25
  Speaker 2: The poet.
• 1:26
  Speaker 5: Okay, all right, you he's saying, he speaks his mind
• 1:29
  Speaker 5: like Charlemagne. That's all he's saying. Got you guys, mine
• 1:31
  Speaker 5: speaks the truth like Charlomage.
• 1:32
  Speaker 1: No, I'm beyond with you.
• 1:33
  Speaker 3: I couldn't even understand what the brother said just now,
• 1:35
  Speaker 3: but I didn't want to ask him when he made
• 1:37
  Speaker 3: I was.
• 1:39
  Speaker 1: But who you want to get the biggest?
• 1:40
  Speaker 2: Down a little bit, I'm gonna give you my American
• 1:43
  Speaker 2: accent now.
• 1:43
  Speaker 1: Okay, Hey, what's up?
• 1:44
  Speaker 4: Man?
• 1:47
  Speaker 1: You sound like Shaggy? Now you sound like Shaggy?
• 1:49
  Speaker 4: Now?
• 1:49
  Speaker 1: Who you want to get the biggest?
• 1:51
  Speaker 4: Yeah?
• 1:51
  Speaker 2: I want to get it to burn a boy? Man, boy,
• 1:55
  Speaker 2: let me ask what can I do? Because afrobeats all, Oh,
• 2:00
  Speaker 2: it's what it sounds like.
• 2:01
  Speaker 1: I mean, it sounds like reggae. But I mean, a
• 2:03
  Speaker 1: lot of afrobeats sound.
• 2:04
  Speaker 2: Like, oh oh, so it's not authentic, right, so he's
• 2:08
  Speaker 2: borrowing on what music? Well, I'm not.
• 2:12
  Speaker 1: Even well, I think gods like Burna beats.
• 2:16
  Speaker 3: You know, I've heard the term afrofusion, and afrofusion is
• 2:20
  Speaker 3: like afrobeats and dance hall, reggae and a.
• 2:23
  Speaker 4: Little bit of hip hop.
• 2:25
  Speaker 2: Charlamagne did No, this thing is did an offer beat,
• 2:28
  Speaker 2: but it's not authentically, it's not off. Then it's a
• 2:32
  Speaker 2: burrowed thing. They got to give the people, the critics,
• 2:35
  Speaker 2: it's the old reggaeton. Yes, so I'm saying the same
• 2:41
  Speaker 2: things burn A boy. I can't get a ristic from
• 2:43
  Speaker 2: No Jemmy Cunny because he's doing.
• 2:46
  Speaker 1: But what about what I mean?
• 2:47
  Speaker 3: I could be completely wrong, but I feel like I've
• 2:50
  Speaker 3: heard Bernard talk about afrofusion where he fuses all of
• 2:54
  Speaker 3: these different sounds and it's all black music from black people, right,
• 2:57
  Speaker 3: whether it's afrobeats, reggae, dancehall, hip hop, like, it's all
• 3:00
  Speaker 3: black culture from around the globe at But.
• 3:03
  Speaker 2: You've got to show the the people of your barrow drum.
• 3:06
  Speaker 1: Huh.
• 3:07
  Speaker 2: You got to show up the people you're borrowing it
• 3:09
  Speaker 2: from every time we call, he says, you key backing
• 3:13
  Speaker 2: as if you don't want to give us no credit,
• 3:15
  Speaker 2: let me tell us something. Burn a boy Jamaica be
• 3:18
  Speaker 2: thinking for Africa for years. You come on the stage
• 3:20
  Speaker 2: and your dance black, use your singing light up, and
• 3:23
  Speaker 2: you don't respect because I heard your mom and say,
• 3:28
  Speaker 2: we are from Africa. And it's just you know you
• 3:31
  Speaker 2: have the right to do anything.
• 3:32
  Speaker 4: Yeah, you do.
• 3:32
  Speaker 2: You can't borrow, but respect brother. We are Jamaican, been
• 3:35
  Speaker 2: singing for Africa, for Africa. That and you turn around
• 3:40
  Speaker 2: a slack for Philippius building shot put some respecting.
• 3:43
  Speaker 3: Yes, but I don't think Berna Boyd made no disrespect though,
• 3:47
  Speaker 3: But thank you for good morning?
• 3:49
  Speaker 1: Who's this good morning?
• 3:52
  Speaker 4: Detroit? Over and started first publishing what up?
• 3:54
  Speaker 1: Though? We want to get the biggest he haul to sir.
• 3:56
  Speaker 4: So I want to get a big hall. So all
• 3:58
  Speaker 4: of the restless executive producers and producers in the movie
• 4:03
  Speaker 4: industry in Detroit, the independent movie industry who don't pay
• 4:08
  Speaker 4: the accident y'all don't pay y'all production teams like yun
• 4:13
  Speaker 4: a playing contract to do a you know, an ex
• 4:17
  Speaker 4: for somebody like oh and it just don't go through like.
• 4:23
  Speaker 1: That's it. Uh so you got an independent phone, bro.
• 4:27
  Speaker 1: You know what I'm saying. Your phone need more of
• 4:28
  Speaker 1: a budget. Good morning? Who's this?
• 4:30
  Speaker 4: Good morning Charlemagne and God just as I ushould call
• 4:33
  Speaker 4: him from Brooklyn?
• 4:34
  Speaker 3: Piece, how ish it from Brooklyn? Who you want to
• 4:35
  Speaker 3: get the biggest he hart to? I ish it from Brooklyn.
• 4:37
  Speaker 4: I want to give the biggest heat hall to anybody
• 4:40
  Speaker 4: coming to the DMV today, not expect them.
• 4:43
  Speaker 2: To take a photo and not coming in with any documents.
• 4:47
  Speaker 1: Oh the DMV? Okay, got you got you?
• 4:49
  Speaker 2: Got you?
• 4:50
  Speaker 4: Yes?
• 4:50
  Speaker 1: Yes, yes, damn yes, Charlotte.
• 4:52
  Speaker 2: Everybody comes in every day.
• 4:54
  Speaker 4: Oh my god, I didn't know I had to take
• 4:56
  Speaker 4: a picture of my hand's not done. Oh my god,
• 4:59
  Speaker 4: I need my sexual security card. Yeah.
• 5:02
  Speaker 5: People don't go online to check the things that they
• 5:04
  Speaker 5: actually need when they have to go through it. And
• 5:06
  Speaker 5: I don't understand the picture like I think DMV should
• 5:08
  Speaker 5: allow women to put a face app on it because
• 5:11
  Speaker 5: a lot of women. I know I'm there when I
• 5:13
  Speaker 5: had to go to things, there was women that wanted better.
• 5:14
  Speaker 1: Can I get another picture? Can I get another pair?
• 5:16
  Speaker 1: But you s post to.
• 5:16
  Speaker 3: Look ridiculous on your license. I don't know when that
• 5:19
  Speaker 3: trend started that y'all want to look sexy on your
• 5:21
  Speaker 3: license picture.
• 5:22
  Speaker 4: So let me educate you guys now now that everyone
• 5:25
  Speaker 4: needs to have a real idea to travel. You guys
• 5:29
  Speaker 4: are carrying federal documents, so your photo needs to be
• 5:32
  Speaker 4: updated every time you come in.
• 5:35
  Speaker 3: I'm gonna tell you something. The bar should be Whitney
• 5:37
  Speaker 3: Houston's passport photo from seventy nine. Did y'all see that
• 5:39
  Speaker 3: on social media? Whitney Houston's pace or Whitney Houston looks
• 5:42
  Speaker 3: so goddamn flawless. I mean, skin just glisten and not
• 5:45
  Speaker 3: a blemish in sight, head just pulled back just so perfectly,
• 5:49
  Speaker 3: edges laid man. Wouldney look good on her passport? Forty
• 5:52
  Speaker 3: y'allsos looked at up? If y'all haven't seen it, that
• 5:54
  Speaker 3: should be the baar Whitney Houston's passport picture from seventy nine.
• 5:57
  Speaker 4: I know that's right. Well, you guys have an amazing.
• 6:00
  Speaker 1: Thank you for calling and listen.
• 6:02
  Speaker 3: I keep telling y'all every week that we got the
• 6:03
  Speaker 3: talk back feature. And the talk back feature is when
• 6:06
  Speaker 3: you can go to the breakfast club, go to the
• 6:08
  Speaker 3: iHeart Radio app, go to the Breakfast Club page and
• 6:10
  Speaker 3: hit the talkback feature and leave a message, and we
• 6:12
  Speaker 3: got a couple of those.
• 6:13
  Speaker 1: Let's listen.
• 6:14
  Speaker 5: I want to give a dunk here today to the
• 6:15
  Speaker 5: Mississippi Gulf Coast Coliseum for charge of Nolan Wills family.
• 6:21
  Speaker 4: Eighty two thousand dollars to have a funeral when they.
• 6:24
  Speaker 5: Only charged seventy five hundred per graduations.
• 6:28
  Speaker 1: Eighty two thousand for a funeral?
• 6:30
  Speaker 5: What the hell is going on on that funeral?
• 6:32
  Speaker 1: Mercy?
• 6:33
  Speaker 5: That's too much more than that, don't sound right?
• 6:35
  Speaker 3: And they charged for graduations. You know that's crazy. Okay,
• 6:40
  Speaker 3: what's the next one?
• 6:43
  Speaker 4: Good born?
• 6:44
  Speaker 2: In Breakfast Club?
• 6:45
  Speaker 6: I know I probably won't even make nick mix for
• 6:48
  Speaker 6: they airways today, but back here today, go to you,
• 6:52
  Speaker 6: Shama competitive these lives for the last fourteen years, talking
• 6:57
  Speaker 6: that you got part eyo, Jim Negro, please au less
• 7:03
  Speaker 6: love all that.
• 7:04
  Speaker 3: First of all, I haven't been pedaling these lives for
• 7:06
  Speaker 3: the last fourteen years. It's been more like thirty. And
• 7:08
  Speaker 3: they're not lies. Okay, I've been We've been doing Breakfast
• 7:12
  Speaker 3: Club for almost sixteen years. I've been doing radio for
• 7:14
  Speaker 3: twenty eight years. I haven't farted in my clothes since
• 7:17
  Speaker 3: probably the age of seventeen.
• 7:18
  Speaker 1: That's a lie. I'm just telling you the truth. You
• 7:20
  Speaker 1: know what I mean, even one slipped out like one
• 7:21
  Speaker 1: had to slip out.
• 7:22
  Speaker 3: No, no, And I'll tell you. I'll tell you why.
• 7:24
  Speaker 3: I learned that from a OG from around my way.
• 7:26
  Speaker 3: His name was Mike Wheeler. And Mike Wheeler said, I
• 7:29
  Speaker 3: don't fart in my clothes. And I was like, damn,
• 7:31
  Speaker 3: that makes so much sense. He said, why would you say?
• 7:33
  Speaker 3: Why would I walk around and fart in my clothes?
• 7:34
  Speaker 3: Ruin these good jeans or these brand new at tired
• 7:36
  Speaker 3: that I just wore. He said, you fought in the
• 7:38
  Speaker 3: bathroom and I said, man, that makes so much goddamn sense.
• 7:41
  Speaker 1: And I haven't farted in my clothes ever since.
• 7:43
  Speaker 5: Let me ask you a question. This is just a
• 7:44
  Speaker 5: side note. Why do we wash our hands after we
• 7:47
  Speaker 5: pee and not before?
• 7:49
  Speaker 1: Who I washed? I washed my hand before I pee.
• 7:52
  Speaker 1: I learned that from another og. My man, my man,
• 7:54
  Speaker 1: gentleman George in South Carolina, should wash your hands?
• 7:59
  Speaker 5: Yeah, you know your stuff and then p and n
• 8:01
  Speaker 5: you know, I mean you and.
• 8:03
  Speaker 1: Now you that's me.
• 8:04
  Speaker 3: I washed my hands before I pe. What are you
• 8:06
  Speaker 3: talking about? I don't farll in my clothes, and I
• 8:08
  Speaker 3: wash my hands before I pee. Y'all got a lot
• 8:10
  Speaker 3: to learn, I see, don't work, you get yoo.
• 8:13
  Speaker 2: Y'all learn.
• 8:13
  Speaker 1: That's what we hear for. We hear to teach y'all
• 8:15
  Speaker 1: on this radio.
• 8:16
  Speaker 3: And by the way, if you think some of these
• 8:17
  Speaker 3: things are impossible, just try and watch how your life change.
• 8:20
  Speaker 3: Stop farting in your clothes and watch how your life changes.
• 8:23
  Speaker 3: Wash your hands before you peek. Have some respect for
• 8:26
  Speaker 3: your peeingis man?
• 8:26
  Speaker 1: That's right?
• 8:27
  Speaker 3: Okay, Now that's the people's donkey. We do that every
• 8:29
  Speaker 3: Friday one hundred five five one oh five one. You
• 8:32
  Speaker 3: can call up and get somebody to credit they deserve
• 8:34
  Speaker 3: for being stupid every Friday. But when we come back, we're.
• 8:36
  Speaker 5: Gonna open up the phone lines eight hundred five and
• 8:38
  Speaker 5: five one oh five one. Yesterday a lady Duram just
• 8:41
  Speaker 5: fixed my mess.
• 8:42
  Speaker 2: Said this, How do I tell my daughter father I
• 8:46
  Speaker 2: need help? Okayah, why do you need to tell me?
• 8:53
  Speaker 1: I'm nervous?
• 8:54
  Speaker 5: Okay, it's okay.
• 8:57
  Speaker 2: Sixteen month and I'm having to keep you for her.
• 9:00
  Speaker 4: Maybe it's just help. Isn't money?
• 9:02
  Speaker 1: Is he on child support? Have you taken matters? Why
• 9:06
  Speaker 1: not because we were never together and I kind of
• 9:10
  Speaker 1: like trip them.
• 9:11
  Speaker 4: You trapped him, Yes, that's why I never took the
• 9:15
  Speaker 4: child's part. But they need to help.
• 9:16
  Speaker 3: It's my daughter's big you.
• 9:18
  Speaker 1: Know, and that's what matters, whether you trapped him or not.
• 9:21
  Speaker 1: So that's the question.
• 9:22
  Speaker 5: Eight hundred five A five one oh five to one.
• 9:24
  Speaker 1: This lady trapped this man. They had a child.
• 9:27
  Speaker 5: Uh, she's fifteen years old. She wants she wants the
• 9:31
  Speaker 5: boyfriend to play for the baby's father to pay for
• 9:33
  Speaker 5: the can see at up.
• 9:34
  Speaker 1: What are your thoughts?
• 9:35
  Speaker 4: What?
• 9:35
  Speaker 1: What do you think?
• 9:36
  Speaker 5: Let's discuss eight hundred five eight five one oh five one.
• 9:39
  Speaker 5: It's the breakfast Lipple.
• 9:40
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• 9:43
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• 9:51
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