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Lux Radio Theatre - "Two Years Before the Mast" (Old Time Radio, 1947) · Lux Radio Theater | Old Time Radio

• 0:00
  Speaker 1: In eighteen thirty four, the Merchant Brig Pilgrim leaves Boston
• 0:04
  Speaker 1: for California under Captain Francis Thompson, whose command has made
• 0:08
  Speaker 1: life aboard ship dangerous for the crew. Tonight, Lux Radio
• 0:13
  Speaker 1: Theater brings the Sea Voyage to radio. In two Years
• 0:17
  Speaker 1: Before the Mast episode five hundred eighty two, first heard
• 0:21
  Speaker 1: on CBS September twenty second, nineteen forty seven. Alan Ladd
• 0:26
  Speaker 1: and Howard da Silva repeat their paramount film roles as
• 0:30
  Speaker 1: Charles Stewart and Captain Thompson, joined by McDonald Carey, Wanda Hendrix,
• 0:35
  Speaker 1: Jeff Chandler, and William Johnstone. Sanford Barnett adapted Richard Henry
• 0:40
  Speaker 1: Dana Junior's account, with Fred McKay directing. Ladies and Gentlemen,
• 0:45
  Speaker 1: Lux Radio Theater Presents two Years Before the Mast, Now
• 0:50
  Speaker 1: back to the golden age of radio.
• 0:54
  Speaker 2: Lux presents Holly Wood, Leave your Brothers Company, the makers
• 1:05
  Speaker 2: of Lux Toilet so Hope bring you the Lux Radio Theater,
• 1:10
  Speaker 2: starring Alan Ladd, Howard Da Silva, McDonald Carey, and Wanda Hendrix.
• 1:15
  Speaker 2: In two Years Before the Mast, Ladies and Gentlemen, Your
• 1:20
  Speaker 2: producer Mister William.
• 1:22
  Speaker 3: Keeley readings from Hollywood ladies and gentlemen. While naturally I
• 1:33
  Speaker 3: don't know what your reading preferences are, I'm quite sure
• 1:37
  Speaker 3: that almost all of us have at some time in
• 1:39
  Speaker 3: our lives thrilled to the story of Two Years Before
• 1:43
  Speaker 3: the Mast, Richard Henry Dana's violent saga of adventure on
• 1:47
  Speaker 3: the High Seas. Tonight we present the first green version
• 1:51
  Speaker 3: of Two Years Before the Mast from Paramount Studios, with
• 1:55
  Speaker 3: four of Paramount's outstanding stars, Alan Ladd, Howard Da Sila McDonald, Carey,
• 2:01
  Speaker 3: and Wanda Hendrix. If you remember Dana's book, you may
• 2:06
  Speaker 3: recall that when he arrived in California from round the Cape,
• 2:10
  Speaker 3: one thing which impressed him was, and I quote, the
• 2:14
  Speaker 3: beautiful complexions of its women, which they guarded with large
• 2:18
  Speaker 3: man tears worn about the head. Well, I'm sure visitors
• 2:22
  Speaker 3: to California are still impressed by the loveliness of our women,
• 2:26
  Speaker 3: who nowadays God those beautiful complexions with luck soap rather
• 2:31
  Speaker 3: than with mantears. However, that can't be said of California.
• 2:34
  Speaker 3: Only luck soap and beautiful complexions go together.
• 2:39
  Speaker 4: Wherever wise and lovely women live.
• 2:42
  Speaker 3: It's time to weigh anchor with two Years Before the
• 2:45
  Speaker 3: Mast starring Alan Ladd as Charles Howard the Silvera as
• 2:49
  Speaker 3: Captain Thompson McDonald Carey as Dana, and Wanda Hendrix as Maria.
• 3:03
  Speaker 3: Boston Harbor eighteen hundred and thirty five, The Brig Children
• 3:08
  Speaker 3: has just tied up of the wars of the Stuart's
• 3:11
  Speaker 3: Shipping Company after a record breaking voyage from California. First
• 3:15
  Speaker 3: aboard her is the ship's owner who goes at once
• 3:18
  Speaker 3: to the cabin of Captain Thompson.
• 3:21
  Speaker 5: Captain Thompson, congratulations, congratulations.
• 3:25
  Speaker 4: Thank you, thank you, sir.
• 3:26
  Speaker 5: One hundred and thirty days out of Motterey. It'll be
• 3:29
  Speaker 5: a long time before anyone breaks this record.
• 3:31
  Speaker 4: I'll break it myself, missus Stewart.
• 3:33
  Speaker 6: Someday I intend to set a record that no sailing
• 3:35
  Speaker 6: ship will ever equal.
• 3:37
  Speaker 4: Here are the ship's papers, sir, oh and a death.
• 3:41
  Speaker 5: Certificate one of the crew another death yes, two days
• 3:44
  Speaker 5: off real I buried them at sea.
• 3:45
  Speaker 6: Couldn't you have put him ashore? That would have meant
• 3:48
  Speaker 6: entering and clearing a foreign port. It would have cost
• 3:51
  Speaker 6: five days of good wins without knowing if the man
• 3:53
  Speaker 6: would have benefited.
• 3:54
  Speaker 5: I don't question your judgment. Thank you, miss What are
• 3:57
  Speaker 5: you looking at mister Stewart comment on the wall. That
• 4:02
  Speaker 5: document is my dismissal from the United States Navy. Are
• 4:05
  Speaker 5: you unique on him?
• 4:06
  Speaker 4: And does it not? Let me read it to you.
• 4:09
  Speaker 6: Mister Francis Thompson, late Captain, United States Navy, New York, Sir,
• 4:13
  Speaker 6: you are hereby dismissed from the Naval Service of the
• 4:16
  Speaker 6: United States.
• 4:18
  Speaker 4: They waste no words, do they.
• 4:19
  Speaker 5: I'll sign your papers, Captain and missus Stewart, and I
• 4:25
  Speaker 5: would like very much for you to join us at
• 4:26
  Speaker 5: dinner this evening. I wish I could accept sebilon able
• 4:29
  Speaker 5: to My son is home for a change. I'd like
• 4:32
  Speaker 5: for Charles to meet you. If you do him good,
• 4:34
  Speaker 5: you will not be a board ship as long as
• 4:35
  Speaker 5: we're imported. He cares to visit the don't know Charles,
• 4:39
  Speaker 5: he has time only for gambling and carousing.
• 4:41
  Speaker 6: However, I consider it a favor if you'll have a
• 4:42
  Speaker 6: shiploaded for sea as soon as possible.
• 4:44
  Speaker 5: The cargo is already, you may say, as soon as
• 4:47
  Speaker 5: you signed the crew or where's one bothers some item
• 4:51
  Speaker 5: I've been asked to have you put in at Pernambuco,
• 4:53
  Speaker 5: Brazil and pick up two passengers for San Francisco passengers.
• 4:58
  Speaker 5: The ship isn't fitted to carry passenger I know, but
• 5:01
  Speaker 5: one of them is related to an important feature we
• 5:03
  Speaker 5: can't risk offending. May I put it up Monterey first?
• 5:06
  Speaker 5: I all means try for your record. I'm sorry about this, Captain.
• 5:09
  Speaker 5: It's bound to delay you. I'll still break the record.
• 5:13
  Speaker 4: Well, I will see you tomorrow, captain. Good day, sir,
• 5:17
  Speaker 4: mister Amazine, I said, come here.
• 5:21
  Speaker 6: Well, then, in luck, we'll sail before the end of
• 5:22
  Speaker 6: the week. We signed the old crew. I'll have trouble
• 5:24
  Speaker 6: doing that. Said, look, get those, you can replace the others.
• 5:27
  Speaker 6: We'll need fifteen new men. At least we'll see that
• 5:30
  Speaker 6: you get them, mister Amazine.
• 5:42
  Speaker 7: Now look here, Charles, I appreciate your showing us the
• 5:44
  Speaker 7: Boston waterfront, but after all, as a matter.
• 5:46
  Speaker 4: Harry, it's t having a little too rough for you.
• 5:48
  Speaker 4: I thought you were going to show us your father's ship, Yes,
• 5:51
  Speaker 4: the one that broke the record.
• 5:53
  Speaker 7: Later maybe, but you said she was sailing at midnight.
• 5:56
  Speaker 7: Let us sail right now. I'm going to have another drink,
• 6:00
  Speaker 7: oh waiter, not as serious thought in your head as
• 6:03
  Speaker 7: the Charles, When are you going to settle down and
• 6:05
  Speaker 7: go to work.
• 6:06
  Speaker 4: You know, I have it all figured out.
• 6:08
  Speaker 7: Never, I have all the time in the world, and
• 6:10
  Speaker 7: my father all the money he'll make it. I'll spend it.
• 6:14
  Speaker 7: I suppose you spend it in some other place than this.
• 6:16
  Speaker 7: Come on, let's get out of here. Oh, sit down,
• 6:18
  Speaker 7: my friend, we're going to have another drink.
• 6:25
  Speaker 8: Nah, don't have set yourself, mister Amazine. I promised i'd
• 6:29
  Speaker 8: plunge of fifteen men for the Pilgrim, and fifteen all
• 6:32
  Speaker 8: delivery a.
• 6:32
  Speaker 9: Pilgrim sales at midnight tonight, mister Bowler, tonight we're paying
• 6:36
  Speaker 9: you to get us a crew still to ours.
• 6:39
  Speaker 8: Let's see, we brought nine men aboard that floating piece
• 6:43
  Speaker 8: of perdition already, poor poor lad, it's wicked enough to shang.
• 6:48
  Speaker 8: I am in, mister Amazine, A little one to serve
• 6:50
  Speaker 8: on a pilgrim.
• 6:51
  Speaker 10: Shut apple, and you'll wake up and see what the
• 6:53
  Speaker 10: rest of them.
• 6:53
  Speaker 8: Eh. Now, then nine men, at twelve dollars each comes.
• 6:57
  Speaker 9: You'll get your money when we've cut the others. Come on,
• 7:00
  Speaker 9: let's get over.
• 7:00
  Speaker 10: To the bar.
• 7:05
  Speaker 11: Break out the rum barkie. I drink for every man
• 7:08
  Speaker 11: in the time. Draak up, mate, DrAk up. Compliments of
• 7:12
  Speaker 11: the finest break that I ever dropped in Boston Harbor.
• 7:15
  Speaker 4: Wait a minute, you wouldn't be looking for a crew,
• 7:17
  Speaker 4: would you.
• 7:17
  Speaker 9: I'm signing crack a jack seaman for a champion passage
• 7:20
  Speaker 9: around the horn.
• 7:21
  Speaker 4: Mister, we know your ship. He's a bad ship and
• 7:23
  Speaker 4: a hungry one. I don't have none of your rum.
• 7:25
  Speaker 4: Don't listen to him. Man, who'll drink with me? I
• 7:28
  Speaker 4: will you?
• 7:29
  Speaker 7: And what's more, I'll sail on your ship. You're mister Amazon. No,
• 7:34
  Speaker 7: I'm sure that's right.
• 7:35
  Speaker 4: Mate.
• 7:35
  Speaker 10: What's your name?
• 7:37
  Speaker 4: Richard Danon? I'll uh you make a mistake, sailor, I
• 7:40
  Speaker 4: don't think so. What did you say?
• 7:43
  Speaker 5: Oh?
• 7:43
  Speaker 4: I was just advising that gentleman not to sign on
• 7:45
  Speaker 4: the pilgrim.
• 7:46
  Speaker 10: Who are you now?
• 7:48
  Speaker 9: Look at him? Meets a daisy lace. Honey, shit, get
• 7:52
  Speaker 9: out of here in good time.
• 7:54
  Speaker 7: But first I'd like to talk to that sailor, I said,
• 7:56
  Speaker 7: get out of here overside, mister hamesy teaching up buddy
• 8:00
  Speaker 7: in fancy drawings.
• 8:03
  Speaker 4: Show he not fighter?
• 8:04
  Speaker 3: Is he?
• 8:05
  Speaker 11: Shann back glads and watched up fun all hand John Deck,
• 8:22
  Speaker 11: all hand, Don Deck, cruise, hon Deck, Captain Thompson, thank you,
• 8:26
  Speaker 11: thank you, mister Amazon, all.
• 8:27
  Speaker 4: Hand typhon, Hi titan.
• 8:32
  Speaker 6: Gentlemen, we've been at see a few hours only, but
• 8:35
  Speaker 6: it has already come to my attention that some of
• 8:37
  Speaker 6: you have stated that you're bone at my ship against
• 8:39
  Speaker 6: your will. That is a lie, and I will tolerate
• 8:43
  Speaker 6: no repetition of it. Every one of you has either
• 8:46
  Speaker 6: signed his name or made his mark agreeing to sail.
• 8:49
  Speaker 4: I made no mark, not in half of it. He
• 8:51
  Speaker 4: did it, Sir Shank.
• 8:52
  Speaker 6: I will pretend that neither of you men were so
• 8:54
  Speaker 6: foolish as to interrupt me. Those who and you aboard
• 8:57
  Speaker 6: will soon learn that I demand but one thing of
• 8:59
  Speaker 6: a crew, complete submission to authority, authority being vested in
• 9:05
  Speaker 6: myself in mister Amazine, the first officer, and a mister
• 9:10
  Speaker 6: Foster the second officer. Mister Foster, do you have the prisoner? Hi,
• 9:14
  Speaker 6: Sir Peter Bellamer, And what's the charge I'm finding himself
• 9:17
  Speaker 6: aboard ship? He attacked mister Amazon with a knife, Bellamer.
• 9:23
  Speaker 6: The punishment for attacking an officer is twenty e lashes
• 9:25
  Speaker 6: well laid on, and you will be confided in chains
• 9:27
  Speaker 6: on quarter rations until it is considered that you've learned your.
• 9:31
  Speaker 4: Lesson, mister Foster.
• 9:32
  Speaker 6: You will count the strokes, mister Ramazine, carry out your
• 9:35
  Speaker 6: orders him.
• 9:37
  Speaker 4: I Gray, Hi, Captain Thompson, what are you doing on
• 9:57
  Speaker 4: the quarter deck? Who are you?
• 9:58
  Speaker 7: I want to talk to you. I'm Charles Stewart. Get
• 10:01
  Speaker 7: back to your watch, I said. My name is Stuart.
• 10:03
  Speaker 7: My father owns a ship. So I demand that you
• 10:07
  Speaker 7: take me back to Boston for news show. How long
• 10:09
  Speaker 7: will it take?
• 10:10
  Speaker 4: About a year if we're lucky. There's no time for jokes.
• 10:13
  Speaker 6: One of the things I never take to see is
• 10:15
  Speaker 6: a sense of humor. Your mark is signed on the
• 10:18
  Speaker 6: ship's articles. I don't make marks. I signed my name.
• 10:22
  Speaker 6: I was Shanghai. The law doesn't require me to be
• 10:25
  Speaker 6: an authority on signatures. You'll serve as one of the
• 10:28
  Speaker 6: crew and be treated as one.
• 10:29
  Speaker 7: I don't intend living with that rabble. You'll take me
• 10:32
  Speaker 7: back and lose command.
• 10:33
  Speaker 4: Of the ship, mister Stewart.
• 10:37
  Speaker 6: Whether I remain in command of this ship or any
• 10:39
  Speaker 6: other ship is a little moment. But as long as
• 10:42
  Speaker 6: I do command her, you may be sure that I
• 10:46
  Speaker 6: I shall remain her captain and that she will stay
• 10:48
  Speaker 6: on her course.
• 10:50
  Speaker 4: This Ramazine turn him two with a crew. Yeah, Hey,
• 11:04
  Speaker 4: I'm autis.
• 11:05
  Speaker 11: Here's your group fight me also prepared for the finest COOKUPLI.
• 11:09
  Speaker 9: Help put the kettle down, Dullie. Come on, mates, you
• 11:12
  Speaker 9: gotta eat sooner or later, even this stuff.
• 11:14
  Speaker 4: Yeah maybe MOULDI Michael will think a bell. I'm a
• 11:17
  Speaker 4: change and the hold on quarter rations.
• 11:18
  Speaker 9: I haven't forgotten about Delaware in one of these days.
• 11:22
  Speaker 4: Mind your tongue.
• 11:23
  Speaker 10: That sneak and skunk Foster, he's just waiting to've been
• 11:25
  Speaker 10: something on us?
• 11:26
  Speaker 4: This food? Did they eat? This? Foster and Amazon Captain Thompson.
• 11:31
  Speaker 4: I don't laugh. Family, he's never been to sea before.
• 11:34
  Speaker 4: I'm a farmer. My wife, my children. They don't know
• 11:37
  Speaker 4: where I am or what to do.
• 11:39
  Speaker 9: Buck up, he's here, buck let them alone, Dana, come
• 11:43
  Speaker 9: and tell your plate. Besides, this is no time to
• 11:46
  Speaker 9: be writing letters home. This is no letter I'm writing.
• 11:49
  Speaker 4: What is it? Then? Well, it's a sort of diary.
• 11:53
  Speaker 7: I suppose you see, Unlike most of you, I signed
• 11:56
  Speaker 7: for this boy's voluntarily.
• 11:58
  Speaker 10: I don't do he was crazy.
• 12:01
  Speaker 7: I want to write about this ship and the men
• 12:04
  Speaker 7: who say it. Why Olo Steward, I thought you were
• 12:08
  Speaker 7: on watch. I am, but I'm hungry I'll go on
• 12:12
  Speaker 7: watch after you. Do you call this food?
• 12:16
  Speaker 12: Maybe you'll be feeding with the captain since you're the
• 12:18
  Speaker 12: owner's son.
• 12:19
  Speaker 9: Yeah, and since when have you been willing to sit
• 12:22
  Speaker 9: down with us with common sailors.
• 12:25
  Speaker 7: I've avoided it so far. I can avoid it still long.
• 12:29
  Speaker 7: I'm going up on deck, mister.
• 12:40
  Speaker 4: Stewart, Sir, mister Stewart, it meanster Stewart.
• 12:44
  Speaker 10: Over here in the door.
• 12:45
  Speaker 4: What are you doing in there? Mister Stewart? How do
• 12:49
  Speaker 4: you know my name?
• 12:50
  Speaker 10: I'm Sam Hooper, Sir.
• 12:51
  Speaker 13: I worked in your father's office, but I always wanted
• 12:54
  Speaker 13: to go to sea.
• 12:54
  Speaker 5: You.
• 12:55
  Speaker 4: I wanted to live on a ship, and now I'm
• 12:58
  Speaker 4: on one. Yes, and what a ship? Just what are
• 13:01
  Speaker 4: you going to do?
• 13:02
  Speaker 10: Well?
• 13:02
  Speaker 13: I thought you might explain to the captain and I
• 13:06
  Speaker 13: kind of he works for your father.
• 13:08
  Speaker 7: I'm afraid I can't, son, I don't seem to carry
• 13:11
  Speaker 7: much weight for the captain or someone's coming the cook
• 13:14
  Speaker 7: down the dory. So you don't like my cooking, mister Stewart, No,
• 13:19
  Speaker 7: I don't well, I don't play.
• 13:20
  Speaker 4: Yeah, it's the grub they give me.
• 13:22
  Speaker 10: That cook But this is different.
• 13:24
  Speaker 4: Here in the pot.
• 13:25
  Speaker 7: Take a sniff for this roast chicken, mister Stewart, and
• 13:28
  Speaker 7: the nearest you'll get to it till you're a sure again.
• 13:31
  Speaker 4: Who's that chicken? Form Bridgemachin is Captain Thompson. Oh, the
• 13:35
  Speaker 4: mates get fancy cooking too.
• 13:36
  Speaker 10: I take him there later he's gone, Sam, it was.
• 13:41
  Speaker 4: Chicken, wasn't it.
• 13:43
  Speaker 14: I never knew I could get so awful hungry.
• 13:45
  Speaker 4: When did you eat last?
• 13:46
  Speaker 13: It's been so long I can hardly remember.
• 13:49
  Speaker 7: So the mates get chicken later today, and it's in
• 13:51
  Speaker 7: the galley. Now stay where you are, Sam, I.
• 13:53
  Speaker 4: R I pay hands are on Deccent. Thank you, Thank you,
• 14:05
  Speaker 4: Miss Ramazine.
• 14:07
  Speaker 6: Gentlemen, this is the second occasion I found it necessary
• 14:11
  Speaker 6: to muster this crew for.
• 14:12
  Speaker 4: Reasons of discipline.
• 14:14
  Speaker 6: One of you has stolen the mate's food from the galley.
• 14:17
  Speaker 6: I do not propose to go to the trouble of
• 14:19
  Speaker 6: individual question and search. But if the thief does not
• 14:22
  Speaker 6: step forward at once, I shall presume the entire crew guilty,
• 14:27
  Speaker 6: and you will be put on hard attacking water until
• 14:29
  Speaker 6: further orders.
• 14:31
  Speaker 4: Well, very well, then so it shall be take over.
• 14:38
  Speaker 4: Mister Ramazin.
• 14:38
  Speaker 11: Oh, a lot of watch watch on deck turn two story.
• 14:45
  Speaker 4: What do you want get dirty?
• 14:46
  Speaker 9: Bills, right, won't you speak up and take what's coming
• 14:49
  Speaker 9: to you?
• 14:51
  Speaker 4: Why should I? All right?
• 14:52
  Speaker 10: A sailor alive would do with you, just to leadership, mats.
• 14:54
  Speaker 4: I shaw you you are standing there by the doory.
• 14:57
  Speaker 4: You're reading something.
• 14:58
  Speaker 7: Yes, yes, host chicken mac and I found it very tasty,
• 15:02
  Speaker 7: And now you're going aft and report it was.
• 15:04
  Speaker 10: You don't If you don't, will take carry right here?
• 15:06
  Speaker 10: Let him alone, man, turn him a little?
• 15:08
  Speaker 7: Why because you could beat him to a pulp, but
• 15:11
  Speaker 7: it wouldn't teach him anything.
• 15:13
  Speaker 4: He isn't worth dirty in your hands. Just keep out
• 15:17
  Speaker 4: of our way, Steward. That won't be too difficult. Then
• 15:21
  Speaker 4: come on, let's get fullow I inspected the dory. Captain
• 15:31
  Speaker 4: Harry was serious, this boy, Stowy you what's your name?
• 15:35
  Speaker 4: Sam Hooper? Sir? Pan with him, Sir, that's where our
• 15:38
  Speaker 4: chicken went. Did you steal it? Well? Yes, sir? I
• 15:43
  Speaker 4: was awful hungry. Why did you board this ship? I
• 15:46
  Speaker 4: want to be a sailor, sir, Oh.
• 15:50
  Speaker 6: Very laudable ambition. Sign him on as a cabin boy,
• 15:54
  Speaker 6: mister Foster. Oh, and you can put the crew back
• 15:57
  Speaker 6: on ration.
• 15:59
  Speaker 15: Thank you very much.
• 16:00
  Speaker 4: Come along you as your writing coming, Dana.
• 16:13
  Speaker 7: Oh, oh pretty good, Maxam, what's that you've just written?
• 16:18
  Speaker 4: This? This is about Bellamer.
• 16:23
  Speaker 9: His punishment was sickening, a human being made in God's
• 16:28
  Speaker 9: likeness lashed like a beast. How long he will live
• 16:32
  Speaker 9: is hard to say. Sometimes I'm able to steal into
• 16:36
  Speaker 9: the hole and give him a little bread and water.
• 16:39
  Speaker 9: That's as far as I've gone. I've been thinking about you, Dana.
• 16:44
  Speaker 9: We had a young fellow last trip called Dana too,
• 16:47
  Speaker 9: died a few days out. We buried him off Rio.
• 16:52
  Speaker 9: I know he was my brother, your brother. You almost
• 16:56
  Speaker 9: like writing, Dina, Yes, I do. Mister Foster, not off
• 17:00
  Speaker 9: and a man off what you'll spend his time writing?
• 17:04
  Speaker 9: It's going to be a book.
• 17:06
  Speaker 4: I don't know. Maybe can I.
• 17:09
  Speaker 7: See it sometimes? I hope you will, mister Foster sometime.
• 17:14
  Speaker 7: Thanks look forward to it. Hello Sammy, mister Dana.
• 17:21
  Speaker 4: Why don't you and the rest of the men like
• 17:23
  Speaker 4: mister Stewart.
• 17:24
  Speaker 7: Do you like him, Sammy, Yes, sir, I do, even
• 17:27
  Speaker 7: though he let you take the blame that day for
• 17:29
  Speaker 7: stealing the chicken.
• 17:30
  Speaker 13: But nothing happened to me, mister Dana. Besides, he stole
• 17:33
  Speaker 13: it from me, but he ate it. Just one piece,
• 17:35
  Speaker 13: mister Dana. He made me eat.
• 17:37
  Speaker 4: All the rest. Sam What are you trying to tell me?
• 17:40
  Speaker 13: Well, I was hiding in the door and I told
• 17:42
  Speaker 13: him how hungry I was. This the truth, Yes, sir,
• 17:45
  Speaker 13: it's the truth.
• 17:47
  Speaker 4: Thanks Sammy.
• 17:56
  Speaker 7: I want to apologize to it after Sammy told me
• 17:59
  Speaker 7: what really happened.
• 18:00
  Speaker 4: I get it. It doesn't matter, but.
• 18:02
  Speaker 7: It does matter, and I'm afraid you'll learn how much
• 18:04
  Speaker 7: it matters before this voyage is out.
• 18:07
  Speaker 4: Anything else? Do you nothing? Except that?
• 18:11
  Speaker 16: Oh God, battle station?
• 18:18
  Speaker 4: Just drill better look lively.
• 18:19
  Speaker 3: Though Maclin tells me the captain takes this very serious.
• 18:28
  Speaker 12: There ain't enough work on this ship. We got a
• 18:30
  Speaker 12: full with a cannon break.
• 18:32
  Speaker 10: Our backs so he can play.
• 18:33
  Speaker 4: He's still in the navy.
• 18:34
  Speaker 12: Instead of being kicked out. Oh watt here comes on?
• 18:37
  Speaker 4: Why you bills come?
• 18:39
  Speaker 10: You aren't fit to try the same tech with him?
• 18:41
  Speaker 4: I suppose it's being kicked out. It was a mistake.
• 18:44
  Speaker 9: It's no mistake when the captain of a twenty gun
• 18:46
  Speaker 9: slope sinks our forty eight gun frigate Santa there with
• 18:49
  Speaker 9: a quarter deck being shut, the splinters around him until
• 18:52
  Speaker 9: he goes down wounded. This master gunner runs to help him,
• 18:55
  Speaker 9: and the next day given a gunna twenty lashes for
• 18:57
  Speaker 9: leaving the station during action, and you gave him I
• 19:00
  Speaker 9: got the flog.
• 19:01
  Speaker 4: Number one gun practice, where.
• 19:05
  Speaker 10: They don't quit, much like singing the ship twice in size,
• 19:08
  Speaker 10: you know, but they do. He's always just abeying admirals.
• 19:10
  Speaker 9: But he knew more and fought better than all the
• 19:12
  Speaker 9: admirals put together.
• 19:13
  Speaker 4: Number two gun practice, where.
• 19:18
  Speaker 9: No very slovenly reload and stand by, mister Ramazine.
• 19:22
  Speaker 4: I'm a fog gun, ready to hold your fire. Where's
• 19:24
  Speaker 4: mister Foster? I?
• 19:25
  Speaker 10: Number three guns ten?
• 19:27
  Speaker 4: Mister Foster is not on deck.
• 19:28
  Speaker 9: Send the man below and find him.
• 19:37
  Speaker 4: Why why weren't you with your post, mister Foster? You
• 19:40
  Speaker 4: had six minutes to go to the powder magazine and return.
• 19:43
  Speaker 1: I was returning from the magazine, sir, when Stewart hit me.
• 19:46
  Speaker 4: There is this true Stewart, Yes, Sir, I hit him twice.
• 19:51
  Speaker 4: Mister Ramazine, Bring that man up. Why did you hit him?
• 19:54
  Speaker 14: Mister Stewart?
• 19:55
  Speaker 4: What happened? It doesn't matter now, better get Askestewar. Mister Ramazine.
• 20:00
  Speaker 6: Dismissed from battle stations, am all hands to witness punishment.
• 20:05
  Speaker 4: Secure an all hands buster stewards.
• 20:12
  Speaker 6: The punishment for striking an officers twenty lashes well laid
• 20:14
  Speaker 6: on disobedience to orders in battle practice ten lashes. If
• 20:18
  Speaker 6: the offense had been committed in battle, you would have
• 20:20
  Speaker 6: been hanged in view of the obvious fight. This is
• 20:23
  Speaker 6: your first voyage. I propose to remit ten lashes this ramazine.
• 20:28
  Speaker 9: Have the cook stand by with some Brian Mister Basta
• 20:31
  Speaker 9: held the twenty less strokes.
• 20:33
  Speaker 10: Get the sn cook and leave the cabin boy in
• 20:35
  Speaker 10: at galley ro.
• 20:36
  Speaker 9: Scene with a punishment. I say one, who, hey are
• 20:47
  Speaker 9: why it's a long neck boy?
• 20:51
  Speaker 4: Heaven? Hey, I wonder to see it.
• 20:57
  Speaker 9: Off you eleven and well.
• 21:05
  Speaker 10: Tomson.
• 21:19
  Speaker 3: In a moment, we'll return with the second act of
• 21:21
  Speaker 3: two Years before the Mast. Meanwhile, here's Libby Collins, our
• 21:25
  Speaker 3: Hollywood reporter.
• 21:26
  Speaker 4: What's on your list tonight, Libby?
• 21:28
  Speaker 15: Ride the pink horse, mister Kelley, A wooden horse on
• 21:31
  Speaker 15: a merry ground in a little New Mexican town.
• 21:34
  Speaker 3: Oh, you're talking about the new Universal International Picture.
• 21:37
  Speaker 15: That's it. I was completely charmed at the set the
• 21:40
  Speaker 15: studio had built, and as you know, mister Kelley, they
• 21:43
  Speaker 15: reproduced an entire new Mexican village at Fiesta Time.
• 21:46
  Speaker 3: Ride the Pink Horse has the unusual distinction of being
• 21:49
  Speaker 3: directed by its own star, Robert Montgomery, and Bob does
• 21:53
  Speaker 3: a wonderful job in both capacities. It's an exciting story
• 21:56
  Speaker 3: of a war veteran and a gang leader, with Andrea
• 21:58
  Speaker 3: King playing, of all things, a gangster sweetheart.
• 22:02
  Speaker 15: Such a delicate, lovely looking person, I could hardly imagine
• 22:06
  Speaker 15: her in such a role.
• 22:07
  Speaker 3: We'll see such a versatile actor as she makes the
• 22:09
  Speaker 3: part entirely convincing, and furthermore, in any role she plays,
• 22:13
  Speaker 3: I can say she has a glamour.
• 22:15
  Speaker 4: You know, Andrea King. What do you think, John Kennedy,
• 22:18
  Speaker 4: I'd enjoy seeing her in any role.
• 22:20
  Speaker 2: She has real beauty, cameo like features set off by
• 22:23
  Speaker 2: a lovely lux complexion.
• 22:25
  Speaker 15: And she told me just how she cares for that
• 22:27
  Speaker 15: delicate skin of hers.
• 22:28
  Speaker 4: Active leather officials with lux toilet soap lily.
• 22:31
  Speaker 15: You're right, John, every single day, here's what she does.
• 22:35
  Speaker 15: Smooth the fragrant lux soap lather well in, rinses with
• 22:39
  Speaker 15: warm water, then cold, and pats with a soft towel
• 22:43
  Speaker 15: to dry. She says, it's amazing the way skin takes
• 22:47
  Speaker 15: on fresh new loveliness, no wonder. Nine out of ten
• 22:51
  Speaker 15: famous screen stars recommend these beauty facials with Lux toilet soap.
• 22:56
  Speaker 15: There's such a wonderfully effective care.
• 22:58
  Speaker 2: Recent tests show that skin specialists found that actually three
• 23:03
  Speaker 2: out of four complexions improved in a short time with
• 23:06
  Speaker 2: daily lux soap care. So here's a suggestion for the
• 23:10
  Speaker 2: ladies in our audience. Try these active leather facials regularly.
• 23:14
  Speaker 2: Remember gentle luck. Toilet's hope is Hollywood's own complexion care.
• 23:20
  Speaker 2: Doesn't your complexion deserve it too? Here's mister Keeley at
• 23:25
  Speaker 2: the microphone.
• 23:26
  Speaker 3: We continue with two Years Before the Mast, starring Alan Laddis,
• 23:30
  Speaker 3: Charles Howard, the Silvera as Captain Thompson McDonald, Carey as
• 23:34
  Speaker 3: Dana and Wanda Hendrix as Maria. The brig Pilgrim, full
• 23:45
  Speaker 3: canvas for the wind whips through the South Atlantic ships
• 23:49
  Speaker 3: and crew alike under Captain Thompson's iron hand.
• 23:52
  Speaker 4: Straining for a new speed record.
• 23:54
  Speaker 3: Below in the folkso Charles Stewart lies on his bunk.
• 24:00
  Speaker 7: Let your dinner, yes, don't try to move your back
• 24:05
  Speaker 7: must feel like fire. Who brought me down here? Macklin
• 24:09
  Speaker 7: and Samini? Thanks, we do the same for any ship. Stewart,
• 24:15
  Speaker 7: when Battle Stations was sounded, I hit my book carefully away.
• 24:19
  Speaker 7: Now it's lying out on my front. That's what started
• 24:22
  Speaker 7: my fight with Foster eye. I saw him down here,
• 24:26
  Speaker 7: he's taking your book.
• 24:28
  Speaker 4: Why didn't you report him? You might have saved yourself
• 24:30
  Speaker 4: with flogging.
• 24:32
  Speaker 7: Hitting him was worth it, hospital man, he's dying down
• 24:37
  Speaker 7: that hole. Any idea that off Brazil. We'll be putting
• 24:42
  Speaker 7: in a Panambuco. Soon we'll be able to get ashore,
• 24:45
  Speaker 7: get fresh food. Things will be better. Stewart, well they danger.
• 24:51
  Speaker 4: I wonder glad am I nobody can eat this stuff,
• 25:02
  Speaker 4: not even us. It's been dead one hundred years. Smell
• 25:05
  Speaker 4: it yourself. What's going on on here?
• 25:07
  Speaker 7: I'm glad you stop buying, mister Foster. Look at our
• 25:10
  Speaker 7: places and stuff's crawling. We gotta write a decent food.
• 25:13
  Speaker 7: Sure your I'll tell the.
• 25:15
  Speaker 10: Captain you'd like to plap what goes on down here?
• 25:17
  Speaker 4: Wouldn't that knife put it on?
• 25:18
  Speaker 10: You? Put it through your throat.
• 25:22
  Speaker 4: I wasn't gonna to the captain. It was Amazon that's
• 25:24
  Speaker 4: gonna tell Tell him what, mister Foster, we need fresh
• 25:29
  Speaker 4: provisions and tell him. Tell him now, and in case you.
• 25:33
  Speaker 12: Change your mind, Faster, just remember while I may get
• 25:35
  Speaker 12: a flog and I'll be hanged maybe before I do.
• 25:38
  Speaker 4: You feel this knife right up to the hills. Get
• 25:41
  Speaker 4: out of here.
• 25:44
  Speaker 7: Come on, Steward, we better get on there. Then, what
• 25:53
  Speaker 7: about Foster? Will you tell about Brown pulling an I
• 25:57
  Speaker 7: don't think so. Faster is scared of us. Now what
• 26:00
  Speaker 7: if Brown had stabbed you before? He'd be hanging from
• 26:04
  Speaker 7: that yard. He'd have a trial first with me. No,
• 26:07
  Speaker 7: he wouldn't aboard any merchant ship. A sailor hasn't got
• 26:12
  Speaker 7: a chance. He's just an animal to be worked today,
• 26:16
  Speaker 7: star flow, But it's going to change sometimes, it has to.
• 26:24
  Speaker 7: Perhaps you've come to realize that I never thought much
• 26:28
  Speaker 7: about it until I thought that lash on my back.
• 26:31
  Speaker 4: That's why I'm writing my book, if only I can get.
• 26:33
  Speaker 10: It published, if people will read it.
• 26:36
  Speaker 4: The ship owners will be your worst enemies.
• 26:38
  Speaker 7: And my father, for one, outside of Thompson, your father
• 26:41
  Speaker 7: is my chief example.
• 26:43
  Speaker 4: I'm going to look over there, it's land.
• 26:51
  Speaker 17: Away, break out the navigation, your legs and the possil braces.
• 27:03
  Speaker 16: Later, Oh God, how do you feel better?
• 27:16
  Speaker 4: Not too good?
• 27:18
  Speaker 10: The ship you slowed down.
• 27:21
  Speaker 4: Yes, we're coming in the premium. We're stopping to take
• 27:24
  Speaker 4: on passengers.
• 27:25
  Speaker 14: You shouldn't have gone down here, Stewart.
• 27:27
  Speaker 10: If you're caught, you'll get the cat again.
• 27:30
  Speaker 4: You'll let me worry about that.
• 27:32
  Speaker 7: We're all bringing you something back from shore, fruit vegetables.
• 27:35
  Speaker 7: We'll get it down to you. You'll be all right, though,
• 27:39
  Speaker 7: You're gonna be fine.
• 27:40
  Speaker 4: Thanks.
• 27:42
  Speaker 7: Thanks.
• 27:46
  Speaker 6: We've decided from Chelms Travels in the setting.
• 27:48
  Speaker 10: Up rockets, where when I put the passengers.
• 27:51
  Speaker 4: In Foster's cab and tell him the birth of the crew,
• 27:53
  Speaker 4: I said, can I stand by with the anchor. We're
• 27:57
  Speaker 4: not going to anger.
• 27:57
  Speaker 6: The passengers will be rode out in the door, second
• 28:00
  Speaker 6: the board and moving back to Maine.
• 28:01
  Speaker 7: Thompson begging your pardon, Sep. But we're in need of
• 28:04
  Speaker 7: fresh provisions, my provision for this voyage in Boston.
• 28:07
  Speaker 10: Yes, but the salt horse is bad and there's grumbling
• 28:09
  Speaker 10: in the folksroom.
• 28:10
  Speaker 6: The salt horse is always bad, and there's always grumbling
• 28:12
  Speaker 6: on the folks.
• 28:12
  Speaker 4: Now there's short rations and there may be trouble.
• 28:15
  Speaker 6: I think I can handle any trouble on my ship.
• 28:18
  Speaker 6: Mister Amazone, stand by the pick of the passengers this
• 28:29
  Speaker 6: is your cabin, madam. I had not been informed my
• 28:33
  Speaker 6: passengers would be women.
• 28:35
  Speaker 14: The cabin would say nicely, Captain, thank you, at least.
• 28:39
  Speaker 4: You speak English. Where's the other woman? Your maid?
• 28:43
  Speaker 14: I believe worrying about our luggage.
• 28:44
  Speaker 6: I'll have it sent in directly. I should warn you,
• 28:47
  Speaker 6: missus Domingez, this is the first time ladies have been
• 28:50
  Speaker 6: carried on this ship. You would kindly stay in this
• 28:52
  Speaker 6: cabin as much as possible as you wish, and please
• 28:56
  Speaker 6: hold yourself completely aloof from any contact with the crew. Now,
• 29:00
  Speaker 6: if you'll excuse me, I'll see about your bugger.
• 29:06
  Speaker 4: That's all your bankage. Miss oh, just drop the box
• 29:08
  Speaker 4: in the corner.
• 29:09
  Speaker 14: Sam, Yes, come to yamas. He coming to yumas. My
• 29:14
  Speaker 14: neighbor wants to know your name.
• 29:16
  Speaker 4: Well, I'll be very happy, the boy me, oh, Sam.
• 29:20
  Speaker 13: Hooper, ma'am, I'm an apprenticed seman aboard this ship.
• 29:23
  Speaker 4: Mm hmm oh oh. And this is my friend, mister Stewart.
• 29:27
  Speaker 4: Thank you, Sam. So so you're going to Monterey No,
• 29:32
  Speaker 4: to San Francisco. You'll be with us the whole trip.
• 29:35
  Speaker 7: We hadn't expected ladies aboard it with had the cabin
• 29:38
  Speaker 7: much cleaner can I give any further help?
• 29:41
  Speaker 14: No? Thank you?
• 29:42
  Speaker 4: Oh yes, oh bummy for both of you. Look at
• 29:49
  Speaker 4: this coin, Sam, a picture of the Queen of Spain. Gosh,
• 29:53
  Speaker 4: she's beautiful. She looks like you.
• 29:55
  Speaker 7: Miss Save the compliment, Samurai. I think she wants us
• 29:58
  Speaker 7: to go if you don't mind, well, thanks for the tip.
• 30:01
  Speaker 14: Mis Domingus Maria Domingis.
• 30:04
  Speaker 7: Mister Mingus, I hope you'll be comfortable same your mind
• 30:10
  Speaker 7: if I keep this coming.
• 30:11
  Speaker 13: Oh no, you carried all the heavy things anyway.
• 30:14
  Speaker 7: Thanks all. Make it up to your lady, mister Mingers.
• 30:27
  Speaker 7: I didn't know your own deck.
• 30:29
  Speaker 18: It's not a stealthy cabin.
• 30:31
  Speaker 7: Mister Stewart, how's your made oos Still, let's say after
• 30:37
  Speaker 7: we passed Cape Horn the weather will be fine.
• 30:40
  Speaker 18: Don tells me the rounding Cape Horn is a great
• 30:42
  Speaker 18: event and the sail is nice.
• 30:44
  Speaker 4: This is turning out that way. Oh you know, I've
• 30:47
  Speaker 4: I wanted to talk to you ever since you came.
• 30:48
  Speaker 14: Ahore, won't you get into trouble?
• 30:51
  Speaker 4: It would be worth it.
• 30:54
  Speaker 14: I I should like to talk to you about Sam.
• 30:59
  Speaker 14: He seems so hungry.
• 31:01
  Speaker 4: He is hungry.
• 31:03
  Speaker 18: He didn't bring us on meals today.
• 31:04
  Speaker 14: We've been sharing them with him.
• 31:06
  Speaker 4: His sickness means not sick with something much worse.
• 31:10
  Speaker 18: Well, if it's you will need why can't you tell
• 31:12
  Speaker 18: the captain to put into the nearest pool.
• 31:14
  Speaker 4: You don't know our captain.
• 31:17
  Speaker 14: Why do you have to obey him? Your father owns
• 31:20
  Speaker 14: the building, he.
• 31:21
  Speaker 4: Does letter's see the captain's the law.
• 31:25
  Speaker 6: Yes, the wind is mounting. I must ask you to
• 31:28
  Speaker 6: go to your cabin, Stuart. What are you doing here.
• 31:31
  Speaker 4: Setting talk the lifeline? Sir? Have you finished?
• 31:35
  Speaker 7: Yes, sir, then get where you belong. Come in, Come in,
• 31:49
  Speaker 7: romas ramasing, have come the report. So there's sickness and
• 31:51
  Speaker 7: the crew. I've just looked at Hazen.
• 31:53
  Speaker 10: He's got it all right. Scurvy cabin boy.
• 31:56
  Speaker 4: Too, bella man the prison. He's been an iron hoot
• 32:01
  Speaker 4: since Boston. Oh yes, yes, he attacked you with a knife.
• 32:04
  Speaker 4: Very well. I conduct burial services the bills.
• 32:07
  Speaker 10: Yes, sir, the captain at the scurvy sprides. We can't
• 32:11
  Speaker 10: work that ship.
• 32:11
  Speaker 9: We're along past Cape Horns, and I thought of well,
• 32:14
  Speaker 9: we could put in some ship.
• 32:15
  Speaker 4: We'll not put in anywhere. The winds have failed. Listen.
• 32:16
  Speaker 6: We three days to make up. As it is, we've
• 32:18
  Speaker 6: sailed with a few cases of scurvy before mister Ramsey.
• 32:22
  Speaker 4: Yes, sir, how many fresh supplies are left?
• 32:25
  Speaker 10: One and a half bags of potatoes and one of onions.
• 32:26
  Speaker 10: We're running very short.
• 32:28
  Speaker 4: Very well from now on, not to be served only
• 32:29
  Speaker 4: to the passengers.
• 32:31
  Speaker 10: I'll tell the ship's cooks back to your watch Fosters.
• 32:36
  Speaker 4: We'll answer him. Why does he parster?
• 32:54
  Speaker 18: You were sell right, mister Stewart and then ship the
• 32:57
  Speaker 18: captain Neslaw?
• 32:58
  Speaker 4: What makes you say that?
• 33:00
  Speaker 14: Tonight?
• 33:00
  Speaker 18: After the dary ceremoney, I asked him what kind of
• 33:03
  Speaker 18: a man he killed human beings?
• 33:05
  Speaker 14: And then to stand and pray for that soul?
• 33:07
  Speaker 5: Oh?
• 33:07
  Speaker 4: Please, don't you make an enemy out of him too.
• 33:10
  Speaker 14: He sent me to my cabin, he said, I was overall.
• 33:12
  Speaker 4: He should have stayed in your cabin.
• 33:15
  Speaker 14: I wanted to see you. How is then no better
• 33:23
  Speaker 14: but the same.
• 33:25
  Speaker 18: Maybe the sickness will go away now the weather is.
• 33:27
  Speaker 4: Getting cooler, and you'll be home in six weeks. The
• 33:30
  Speaker 4: window is good.
• 33:33
  Speaker 14: Six mo weeks.
• 33:35
  Speaker 4: Well, you don't seem very happy about him.
• 33:39
  Speaker 18: It's merely that I had not been home for a
• 33:41
  Speaker 18: very long time. You see, I was sent to a
• 33:43
  Speaker 18: count into my drip when I was ten years old.
• 33:46
  Speaker 4: I think you'll find living in California a lot different
• 33:48
  Speaker 4: in Spain, I.
• 33:49
  Speaker 18: Suppose so the windows of my father's Actuendre there's nothing
• 33:53
  Speaker 18: to see but the California Hills. Because in the windows
• 33:56
  Speaker 18: of my school in Spain, I could say all Madrid,
• 33:59
  Speaker 18: even the King and Queen when I rode by.
• 34:02
  Speaker 7: Oh you know, I carry a picture of the Queen.
• 34:06
  Speaker 7: You do m this coin? Remember you gave this the
• 34:09
  Speaker 7: sam in the eye? Ask you if I could keep it?
• 34:14
  Speaker 14: You shouldn't.
• 34:16
  Speaker 4: Why not?
• 34:17
  Speaker 18: Two weeks after I arrived in California, I.
• 34:20
  Speaker 14: Shall be married.
• 34:23
  Speaker 4: How long has it been since you've seen since?
• 34:25
  Speaker 14: I love California. But you're only a child, and I'm
• 34:28
  Speaker 14: going to marry him.
• 34:30
  Speaker 18: Our marriage was arranged by his parents in my life?
• 34:33
  Speaker 4: Does that make it right?
• 34:35
  Speaker 14: Is you always the American way?
• 34:36
  Speaker 18: Any better? Trusting a daughter to anyone? She chooses, someone
• 34:41
  Speaker 18: you may never have seen, and whose name you do
• 34:43
  Speaker 18: not learn till.
• 34:43
  Speaker 4: She tells you what a bottle of doesn't let any
• 34:47
  Speaker 4: into it.
• 34:49
  Speaker 14: You mustn't talk like that, please, Maria.
• 34:54
  Speaker 4: Yes, I will always carry the likeness of the Queen
• 34:59
  Speaker 4: of Spain.
• 35:10
  Speaker 10: Hear what I got to show you down in this hold?
• 35:12
  Speaker 4: What do you find a hide round? Why'd you bring
• 35:14
  Speaker 4: me down here? When I like the candy? You see? Foster?
• 35:20
  Speaker 12: Foster's dead, mister Ramesey. I killed him a few minutes ago.
• 35:24
  Speaker 12: Look about you, mister Ramesey. Half a sack of potatoes
• 35:26
  Speaker 12: and a basket on yours. Foster stole it from the galley.
• 35:29
  Speaker 12: When I followed him in here, he offered me half
• 35:31
  Speaker 12: not to tell, and you killed him. Sick man and
• 35:33
  Speaker 12: a sick boy and a folks only he had this
• 35:35
  Speaker 12: all the time.
• 35:36
  Speaker 4: He had this.
• 35:36
  Speaker 10: When his shipmates were dieing a scurvy, they killed him.
• 35:40
  Speaker 4: And I do it again. Why are you telling me?
• 35:42
  Speaker 10: So you can take me to Thompson.
• 35:43
  Speaker 4: I want to get it over with. Take this food
• 35:45
  Speaker 4: to the folks, one, divide it. I'll take care of
• 35:47
  Speaker 4: Foster's body.
• 35:49
  Speaker 10: You're not reporting me. Just get this food to the
• 35:51
  Speaker 10: man and keep your mouth. It's amazing. And this isn't
• 35:59
  Speaker 10: your watch? What are you doing on deck?
• 36:01
  Speaker 4: Yeah? I talked to you right brown, Tell me about Foster?
• 36:05
  Speaker 4: What have you done about it? And dropped his body
• 36:08
  Speaker 4: overboard and told the captain and fall him from the ridging.
• 36:11
  Speaker 4: He said it was two dark to lower a boat
• 36:12
  Speaker 4: and try to find him.
• 36:14
  Speaker 7: Thanks Ancy, Oh there's something else, by Donald, be inside
• 36:18
  Speaker 7: of land, will be at the windows. Lacklin says that
• 36:21
  Speaker 7: the islands of Mexico. He says, I've got food there,
• 36:24
  Speaker 7: fresh food. I'm not the master of the ship, but
• 36:26
  Speaker 7: we've got to stop. Some of these matter have dead
• 36:28
  Speaker 7: get before. I'll do what I can show.
• 36:37
  Speaker 6: I'm quite aware that we've cited land, Miss Ramazine. Those
• 36:40
  Speaker 6: are the Clarion Islands we made up almost two days.
• 36:42
  Speaker 4: And shall I order course alter? Our course is Monterey,
• 36:47
  Speaker 4: mister Amazine.
• 36:48
  Speaker 9: Captain Thompson, as first made of the ship, it's my
• 36:50
  Speaker 9: duty to warn you that unless we take on supplies,
• 36:52
  Speaker 9: they'll be mutiny.
• 36:54
  Speaker 6: Thank you, Thank you, mister Ramazin. I'll enter your remarks
• 36:57
  Speaker 6: in the log. Who's in charge of the deck?
• 36:58
  Speaker 10: I am, sir, But I had danna take over what
• 37:00
  Speaker 10: I reported to you.
• 37:01
  Speaker 4: In view of the proximity of land.
• 37:03
  Speaker 6: Shouldn't the mate of the watch be absent as little
• 37:05
  Speaker 6: as possible from his responsibilities?
• 37:08
  Speaker 4: Very good?
• 37:09
  Speaker 10: Say, there's no use talking about it.
• 37:19
  Speaker 7: Thompson's not doing all our course, all right, Max, There
• 37:21
  Speaker 7: is no use talking. But we can do something about it.
• 37:24
  Speaker 7: We can go up on deck and take over the ship.
• 37:26
  Speaker 7: Would you rather stand by and see Sam and the
• 37:28
  Speaker 7: others dump overboard like Hayes and Bellama?
• 37:30
  Speaker 4: It hang from mutiny, Stewart. I'll have to wait Fursday now,
• 37:34
  Speaker 4: still with Sam.
• 37:35
  Speaker 7: And what has to be done can be done alone.
• 37:37
  Speaker 7: Thompson's on the quarter deck. This cabin's empty, and there
• 37:40
  Speaker 7: are guns in his cabin.
• 37:42
  Speaker 4: Wait, dear Ali, what's.
• 37:53
  Speaker 5: The course, mister Amazine? Oh, by nose man, very well.
• 37:57
  Speaker 5: We'll hold it as long as the wind.
• 37:59
  Speaker 4: Lasts are not. We're making for those islands. Where did
• 38:02
  Speaker 4: you get those pistols from your cabin?
• 38:05
  Speaker 11: I trust you know the penalty for mutiny. That's said
• 38:07
  Speaker 11: that my father owns this ship, and I demand you
• 38:09
  Speaker 11: make for land.
• 38:09
  Speaker 6: You're a fool, Stewart.
• 38:12
  Speaker 4: Are you going to change course? Yes?
• 38:16
  Speaker 6: Yes, I choose to remain alive to enjoy the pleasure
• 38:18
  Speaker 6: of turning you over to the proper authorities.
• 38:20
  Speaker 4: Mister Ramasin.
• 38:21
  Speaker 6: Eh, you will bear witness that everything I'm doing is
• 38:23
  Speaker 6: under duress.
• 38:25
  Speaker 11: Ready about I say, oh, hands the station mak ready
• 38:30
  Speaker 11: to come about.
• 38:33
  Speaker 4: Keep your hands at your side.
• 38:34
  Speaker 7: Mister Thompson, you'll come to noha, but I thank.
• 38:40
  Speaker 4: You, Thank you, mister Ramesein. You always were handy with
• 38:42
  Speaker 4: a blame pin. Pick them up.
• 38:45
  Speaker 16: And yes, Stuart, I hit you in that pain.
• 38:48
  Speaker 4: Whatever I am, I'm no mutanty.
• 38:51
  Speaker 6: I'd like to hang you now, Stewart, but mutanty demands
• 38:54
  Speaker 6: a trial before a proper court.
• 38:56
  Speaker 7: I had my chance to kill you when I didn't,
• 39:00
  Speaker 7: but someone will win it these days. When the people
• 39:04
  Speaker 7: back home learn the things I've learned, though, they'll run.
• 39:08
  Speaker 4: Butchers like you clear the seas they can be low.
• 39:10
  Speaker 6: Put them in irons, helmsman, we will hold the course study.
• 39:16
  Speaker 6: She goes.
• 39:28
  Speaker 2: We pause now for station identification. This is CBS, the
• 39:32
  Speaker 2: Columbia Broadcasting System.
• 39:55
  Speaker 3: In a moment, we'll return with Act three of two
• 39:57
  Speaker 3: years before the mast. Most girls, an eighteenth birthday is
• 40:02
  Speaker 3: a pretty important occasion.
• 40:03
  Speaker 4: Our guest tonight.
• 40:04
  Speaker 3: However, Miss Barbara Challice had special reason to celebrate hers, right, Barbara.
• 40:10
  Speaker 19: Yes, mister Keeley, that was the day I signed my
• 40:13
  Speaker 19: contract with Universal International.
• 40:15
  Speaker 4: And now you're a full fledged motion picture actress. Not
• 40:17
  Speaker 4: every girl achieved their ambitions are young, but.
• 40:20
  Speaker 19: Look how long I worked for it. I started at twelve,
• 40:23
  Speaker 19: modeling children's fashions, and I became a photographer's model and
• 40:27
  Speaker 19: a talent scout saw my picture. So here I am
• 40:30
  Speaker 19: in Hollywood, where I've always wanted.
• 40:32
  Speaker 4: To and enjoying your new career. I take it.
• 40:35
  Speaker 19: Oh, it's really exciting to see how pictures are made.
• 40:38
  Speaker 19: I spent hours watching and film The Last Moment.
• 40:40
  Speaker 4: A very interesting psychological drama.
• 40:43
  Speaker 19: Oh when the set was fascinating in itself, an ancient castle,
• 40:47
  Speaker 19: complete with high iron gates, secret rooms, and spiral staircasing.
• 40:51
  Speaker 4: It really was scary. Did you meet the stars Robert
• 40:54
  Speaker 4: Cummings and Susan Yward.
• 40:56
  Speaker 19: I did, misster A Killey, and they were very gracious
• 40:58
  Speaker 19: to me. It was to see Susan Hayward, who plays
• 41:01
  Speaker 19: a mysterious heroine of the Last Moment.
• 41:03
  Speaker 4: Susan, is you than beauty in person?
• 41:06
  Speaker 10: Oh?
• 41:06
  Speaker 19: Yes, mister Keeley, with her flaming red hair and gorgeous complexion,
• 41:10
  Speaker 19: Susan Hayward is strikingly lovely. I imagine mister Kennedy here
• 41:14
  Speaker 19: will be interested in what she told me about her complexion.
• 41:17
  Speaker 2: Care It's no secret Barber that Susan Hayward is an
• 41:20
  Speaker 2: enthusiastic lux girl. It'd be hard to find a lovelier
• 41:23
  Speaker 2: example of a lux complexion and hers.
• 41:25
  Speaker 19: I agree, mister Kennedy. One look that Susan Hayward's exquisite skin,
• 41:29
  Speaker 19: and any girl would be convinced that Luck's toilets soak
• 41:32
  Speaker 19: care really works.
• 41:33
  Speaker 2: It has to work when nine out of ten screen
• 41:36
  Speaker 2: stars depend on it.
• 41:37
  Speaker 19: So faithfully, and many a girl on the way up too.
• 41:40
  Speaker 19: Here's one who never neglects her daily Luck so care.
• 41:43
  Speaker 2: I wish our audience could see that radiant complexion of yours.
• 41:46
  Speaker 2: Thank you, miss Barbara Chelice for coming tonight. Now here's
• 41:50
  Speaker 2: something any woman who wants softer, smoother skin can do.
• 41:55
  Speaker 2: Get some of Hollywood's own beauty soap. Fragrant white Lux
• 41:58
  Speaker 2: toilet soap tomorrow. Use it regularly and see if you
• 42:02
  Speaker 2: don't agree. Lux girls are lovelier. Back now to William Keeley.
• 42:09
  Speaker 3: Here's the third act of Two Years Before the Mast,
• 42:12
  Speaker 3: starring Alan Ladders, Charles Howard the Silver as Thompson McDonald
• 42:17
  Speaker 3: carry as Dana, and Wanda Henrix as Maria. A few
• 42:27
  Speaker 3: days have passed and the Brig Pilgrim has now approached
• 42:30
  Speaker 3: the port of Monterey, California. Imprisoned in the hold Charles
• 42:35
  Speaker 3: Stewart has a visitor.
• 42:39
  Speaker 4: Maria, you should have come down here, nobody.
• 42:42
  Speaker 14: Sure, I brought you some food.
• 42:47
  Speaker 4: Oh thanks? Have you heard how sammons get.
• 42:51
  Speaker 7: A little stronger.
• 42:52
  Speaker 18: Poor boy, I've been sending him some of our food.
• 42:55
  Speaker 4: And mister Dennis, Maria, why did you really done?
• 43:02
  Speaker 14: Because I.
• 43:05
  Speaker 4: Thought you, even if you cared a little, you you
• 43:09
  Speaker 4: wouldn't tell me, would you.
• 43:11
  Speaker 14: He couldn't make any different.
• 43:13
  Speaker 18: I told you my whole life, husband planned.
• 43:15
  Speaker 14: It will always be that way.
• 43:17
  Speaker 4: Don't you understand. Perhaps I couldn't Spanish, but in English,
• 43:20
  Speaker 4: ye just doesn't make sense.
• 43:22
  Speaker 14: I know, I remember you said it.
• 43:26
  Speaker 4: You you'd better go.
• 43:29
  Speaker 14: Yes, we've been Montreal to me.
• 43:33
  Speaker 18: I see you again as soon as I can.
• 43:36
  Speaker 4: T Thank you, Maria.
• 43:44
  Speaker 6: There's the Port of Monterey, mis Ramazine, I say, we
• 43:47
  Speaker 6: like it here in the bed.
• 43:48
  Speaker 4: It's that's the best. To just come aboard and clear us.
• 43:50
  Speaker 6: You be taking the course, I said, Oh, we've established
• 43:53
  Speaker 6: a new record for the boys, Miss Ramazine.
• 43:55
  Speaker 4: You may hoist the record, tennant. Welcome to all the
• 44:03
  Speaker 4: pilgrim down Selbastian.
• 44:05
  Speaker 10: Captain Thompson, how good to see you again.
• 44:08
  Speaker 6: And this this is Senorita Maria Domingian's Don Sebastian Peralta,
• 44:13
  Speaker 6: mayor of Montroy.
• 44:14
  Speaker 10: Don Sebastian, Senorita. Before my men roared me to the ship,
• 44:18
  Speaker 10: I dispatched the messenger to your father in San Francisco.
• 44:21
  Speaker 10: How happy it will be to know you will soon
• 44:24
  Speaker 10: be home again.
• 44:25
  Speaker 14: Thank you, Don Sebastian.
• 44:26
  Speaker 10: And when will you proceed to San Francisco, Captain.
• 44:29
  Speaker 4: Also, as we have a lot of our cargo, i'd
• 44:31
  Speaker 4: like to drop on the morning tide. Here are my papers.
• 44:34
  Speaker 4: In addition a.
• 44:34
  Speaker 5: Complete report of a mutineer whose trial I wish it
• 44:37
  Speaker 5: would convene immediately.
• 44:38
  Speaker 14: Excellent.
• 44:40
  Speaker 10: See he goes to the Vedla.
• 44:43
  Speaker 18: Send your Stewart, she come off for a carpet coma say,
• 44:46
  Speaker 18: cannot be ala?
• 44:48
  Speaker 6: May I suggest, Madami? Since I cannot speak your tongue,
• 44:50
  Speaker 6: you might express yourself in English.
• 44:53
  Speaker 18: I was telling Don Sebatian he would never get a
• 44:55
  Speaker 18: fool from you. I was also going to say that,
• 44:58
  Speaker 18: in my opinion, mister Stuart, it's not guilty of anything.
• 45:01
  Speaker 18: You only tried to say the lies the sick men,
• 45:04
  Speaker 18: and two of them die. They died because of your brutality.
• 45:07
  Speaker 5: You'll find complete details in this paper down selvester, I
• 45:10
  Speaker 5: am sorry in your return that the captain has full
• 45:14
  Speaker 5: power to demand a trial.
• 45:15
  Speaker 4: Thank you. I trust they will.
• 45:16
  Speaker 10: We know the lay as you wish, Captain. Tomorrow morning
• 45:20
  Speaker 10: at eleven.
• 45:29
  Speaker 4: Stewart, are you awake?
• 45:32
  Speaker 10: Steward?
• 45:33
  Speaker 4: Who is it? I've got Macklin and Brown with me.
• 45:38
  Speaker 4: What are you doing down here? The Captain's just issued
• 45:40
  Speaker 4: orders there'll be no shore.
• 45:41
  Speaker 10: Leave, so we're jumping ship Steward, all of us, and.
• 45:44
  Speaker 4: You're coming with us. We'll have you free no time.
• 45:46
  Speaker 4: It's take a pretty long chance to know. We know that.
• 45:48
  Speaker 4: I mean helping me to escape before a jury. You
• 45:51
  Speaker 4: won't have a chance against Thompson. Where are we going?
• 45:54
  Speaker 4: We don't know yet. We'll take the door in, get
• 45:56
  Speaker 4: the shot. So what about the passages? The lingers and
• 45:59
  Speaker 4: the maid have.
• 46:00
  Speaker 7: No time for visiting students. It's get to work on
• 46:02
  Speaker 7: those change leg irons first, Brown, we'll cut the handcuffs later.
• 46:08
  Speaker 4: To report on the hold of the ship with ramazine
• 46:10
  Speaker 4: to prepare cargo front loading.
• 46:12
  Speaker 10: Yes, getting back to shaw leaves well.
• 46:15
  Speaker 5: If we're able to unload the food target tomorrow each
• 46:17
  Speaker 5: watch me have two two hours.
• 46:19
  Speaker 4: What is the what's that noise?
• 46:21
  Speaker 10: What's going on for it?
• 46:24
  Speaker 4: But it's a cruiser, blowder a boat. Order them to return,
• 46:28
  Speaker 4: mister Ramazine.
• 46:29
  Speaker 10: Oh get back on board, and what if.
• 46:32
  Speaker 9: We don't, you will take the consequences data.
• 46:35
  Speaker 4: I order you to put about something ship, Captain Thompson.
• 46:39
  Speaker 4: Very well, sam look down, boy, you've got a rifle.
• 46:43
  Speaker 5: Stand aside, mister Ramazine. Was that deliberate, mister Ramsey knocking
• 46:48
  Speaker 5: my rifle assigned?
• 46:49
  Speaker 4: Yes, very well. You take the rifle, then, miss Ramazine,
• 46:52
  Speaker 4: I'm ordering you to fire on that door.
• 46:54
  Speaker 3: Eh.
• 46:55
  Speaker 9: I've plogged and driven those men because that was my duty.
• 46:58
  Speaker 9: But I don't kill my shipmates for you, because that's murder.
• 47:00
  Speaker 9: Mister Amazine, you are no longer first made up his vessel.
• 47:03
  Speaker 9: That's all right with me, Captain Thompson. Dana, Dana, wait
• 47:07
  Speaker 9: for me, Amazoning, Amazone, come back here?
• 47:11
  Speaker 4: Do you hear me? I order you to refer.
• 47:18
  Speaker 9: I'm joining you, mate, I'm leaving the ship. I'm coming, Sammy,
• 47:26
  Speaker 9: send me your hands, George.
• 47:30
  Speaker 4: As the water just work to reload Amison. I never
• 47:40
  Speaker 4: thought he do that to me. He's dead. Amazone's dead,
• 47:49
  Speaker 4: all of you. Thanks for listen. Do you hear me?
• 47:55
  Speaker 10: He wants this back, does he?
• 47:57
  Speaker 7: I say, go back here, go back and take the ship.
• 48:00
  Speaker 7: Wait a minute, ask the men what they want. Do
• 48:02
  Speaker 7: we jump ship or to be put around to take over?
• 48:06
  Speaker 7: There's your answer, Dana.
• 48:08
  Speaker 4: We're coming back to the ship, Captain Thompson, Maria, Maria.
• 48:21
  Speaker 4: It's all right. You get open the door.
• 48:22
  Speaker 14: Now, what's take all? That's fighting and shooting. We're taking
• 48:27
  Speaker 14: the ship, Captain Thompson. He's dead, Charles, not not you.
• 48:32
  Speaker 4: No, they could have done it gladly. It was Macklin.
• 48:35
  Speaker 4: He's dead too.
• 48:38
  Speaker 7: We're putting you on your maide of shore, Maria, and
• 48:39
  Speaker 7: we're pulling out of here.
• 48:41
  Speaker 14: It would be dangerous getting us to shore. We can stay.
• 48:44
  Speaker 14: I don't care where we go, as long as you
• 48:46
  Speaker 14: are safe.
• 48:47
  Speaker 7: But you can't stay on the ship. I don't know
• 48:49
  Speaker 7: what's going to happen to me? Or do any of
• 48:50
  Speaker 7: the Stewart come here then, Kevin right stand by Stewart
• 48:56
  Speaker 7: with that rifle.
• 48:57
  Speaker 4: That's happened.
• 48:57
  Speaker 7: There's a skiff coming alongside with soldiers. It's the Harbor Patrol.
• 49:01
  Speaker 7: Now out of sight, man, all of you.
• 49:05
  Speaker 4: Bring pilgrim. I heard we were just celebrating our record voyage. Sorry,
• 49:12
  Speaker 4: we alarmed, Joe, where is your path?
• 49:15
  Speaker 8: Ben?
• 49:15
  Speaker 4: He's left orders not to be disturbed. I think they
• 49:19
  Speaker 4: had better come aboard.
• 49:22
  Speaker 9: You and your men, sir, stay just where you are,
• 49:25
  Speaker 9: Steward Brown Dully like I'm moving. We'll fire stand by
• 49:30
  Speaker 9: the slip anchor.
• 49:31
  Speaker 7: Man passengers day that the harbor patrol taking a shore,
• 49:34
  Speaker 7: then bring them here at once.
• 49:35
  Speaker 10: We can't tell them ruse. Now they's spill the whole story.
• 49:37
  Speaker 4: They won't matter. The winds with usteners and the ship
• 49:39
  Speaker 4: in the harbor of follow us. Get the girl in
• 49:40
  Speaker 4: her maid.
• 49:41
  Speaker 10: There's no time to lose.
• 49:43
  Speaker 4: M Marie I the promise me al, May we proceed?
• 50:02
  Speaker 4: Nothing up? Passed off and head for sure? Take the
• 50:05
  Speaker 4: wheels do it? Hold her as she goes a sair
• 50:10
  Speaker 4: not last blast man. We've been a full day at
• 50:20
  Speaker 4: sea for a while. We'll have nothing to worry about.
• 50:24
  Speaker 7: But here and now we've got to make up our
• 50:26
  Speaker 7: minds where we're going.
• 50:27
  Speaker 4: We know where we're going, Dana. First we're gonna put
• 50:29
  Speaker 4: in somewhere and get food aboard, and after that we
• 50:33
  Speaker 4: head for the Aureos. They'll hunt us down in every
• 50:35
  Speaker 4: port in the world.
• 50:36
  Speaker 7: You got a better idea, Yes, we should put about
• 50:41
  Speaker 7: for Boston, give ourselves up and tell them exactly what
• 50:43
  Speaker 7: happened in the why.
• 50:46
  Speaker 4: We're gonna sell a crock horn. For once we live
• 50:48
  Speaker 4: like human being, then we will be hudded down like pirates.
• 50:51
  Speaker 4: And people will go on saying that semens should have
• 50:53
  Speaker 4: no rights. But Dana says, makes sense.
• 50:55
  Speaker 7: Oh, that's all very well for you, stuar to ship
• 50:57
  Speaker 7: own a shun, but don't string us up. I may
• 51:01
  Speaker 7: be a shipowner's son, but I'm also a seeman now,
• 51:05
  Speaker 7: and I have an interest in that book that Dan
• 51:07
  Speaker 7: is writing. He can help American sailor's get a different
• 51:10
  Speaker 7: kind of life. But it's no use unless the many's
• 51:13
  Speaker 7: defending of the courage to back him up. Take this
• 51:16
  Speaker 7: ship back home like freeborn Americans face the chargers proved
• 51:20
  Speaker 7: of what we did was justify.
• 51:24
  Speaker 4: But you've got the ship. It's up to you. Thanks, Simmy,
• 51:29
  Speaker 4: I'm with you. I'll take a chance to what about you, Broom.
• 51:36
  Speaker 12: It's all all right as soon as there's sea room, Danie,
• 51:39
  Speaker 12: let's come about.
• 51:40
  Speaker 4: Thank you, Bron. We're going home, man, We're going back
• 51:44
  Speaker 4: to Boston.
• 51:51
  Speaker 8: Boston, Massachusetts, April ten, eighteen thirty six.
• 51:54
  Speaker 4: The Brig Pilgrim.
• 51:56
  Speaker 8: Stewart Shipping Company boarded my customs officials in Boston Harbor.
• 52:00
  Speaker 8: Mpney reported in Pacific Auction Captain Officer's dead.
• 52:03
  Speaker 4: Entire crew is under a wreck. You can see your
• 52:13
  Speaker 4: son and ar mister Stewart. Thank you Warden. Hello, father, Charles.
• 52:19
  Speaker 4: It's good to see you again, even under these circumstances. Now,
• 52:22
  Speaker 4: I don't want you to worry. My lawyer will have
• 52:24
  Speaker 4: you out of here tomorrow. Well, thanks, father, but I'm
• 52:27
  Speaker 4: staying here with the rest of the crew.
• 52:28
  Speaker 7: Stee. We'en here in prison. I want to face the charges.
• 52:32
  Speaker 7: What we did was justified. Dane's book will prove that
• 52:36
  Speaker 7: it's going to be public. Let's not go into it, Charles,
• 52:39
  Speaker 7: you'll be out on bail tomorrow.
• 52:41
  Speaker 4: No, Father, whatever happens to them, I'm showing it.
• 52:46
  Speaker 10: You've changed, Charles. I'm glad, Thank you.
• 52:50
  Speaker 4: Father.
• 52:58
  Speaker 8: Yppneer's books sold out and bust a public.
• 53:00
  Speaker 9: I guess that charge is made in book two years
• 53:03
  Speaker 9: before the mass center of great controversy.
• 53:05
  Speaker 3: United States Senate takes over investigation of mine.
• 53:14
  Speaker 4: Do you have anything further to tell us, mister Dana.
• 53:18
  Speaker 7: Yes, Senator Barnes, none of us can offer a better
• 53:21
  Speaker 7: defense than the testimony just delivered by mister Mingus.
• 53:25
  Speaker 4: Her time.
• 53:25
  Speaker 7: The arrival here in Washington was more than we even
• 53:27
  Speaker 7: dared hope, for I do have one thing more to say.
• 53:32
  Speaker 7: Though we all knew that the penalty for mutiny is hanging,
• 53:37
  Speaker 7: yet we willingly brought our ship home to face the
• 53:39
  Speaker 7: charges for the good of those who will continue to
• 53:42
  Speaker 7: sail American ships.
• 53:45
  Speaker 3: Mister Charles Stewart, Yes, the Attorney General is awaiting the
• 53:50
  Speaker 3: decision of this Senatorial committee.
• 53:52
  Speaker 4: You have a final statement, Please make it now.
• 53:56
  Speaker 7: Whether we'll never die, Senator is a matter of law.
• 54:00
  Speaker 7: But the only law that a sailor has ever known
• 54:02
  Speaker 7: is the personal decision of his captain. The sailor of
• 54:05
  Speaker 7: jetsa sends to starvation, flogging, or even death. Gentlemen, it
• 54:10
  Speaker 7: will stay that way as long as the government allows
• 54:12
  Speaker 7: it to, whether sailors die or not. If you believe
• 54:15
  Speaker 7: that we've told the truth, we beg you to make
• 54:18
  Speaker 7: just laws to protect the lives of the men who
• 54:20
  Speaker 7: serve our country on the seas.
• 54:24
  Speaker 4: We we leave that decision to you. This investigation sands adjourned.
• 54:36
  Speaker 9: If theirs of all charges, Attorney General Freese crew of Pilgrim.
• 54:41
  Speaker 9: Congress passes law protecting merchant seamen.
• 54:50
  Speaker 18: And you won't stay, mister Dan, not even for our wedding.
• 54:53
  Speaker 7: I can hardly do that, mister Mingus, now that I'm
• 54:55
  Speaker 7: first made at the Pilgrim we weigh anchor tonight.
• 54:59
  Speaker 4: Well, good luck to you both, Thanks Da A happy voys.
• 55:27
  Speaker 3: We have only one regret about tonight's play that two
• 55:31
  Speaker 3: years at sea must boil down to a single hour
• 55:34
  Speaker 3: on the air bot For that exciting hour, all our
• 55:38
  Speaker 3: thanks to Alan Ladd Howard, Da Silva McDonald carey and
• 55:41
  Speaker 3: won the Henrys.
• 55:45
  Speaker 4: And Alan a special thanks for your speedy return from
• 55:49
  Speaker 4: New York to take part in tonight's play. I wouldn't
• 55:51
  Speaker 4: have miss it. Bill. You know, the first picture I
• 55:54
  Speaker 4: ever made was a Sea Pictures small part. But it
• 55:57
  Speaker 4: took a lot out of me. What'd you do? Alan?
• 55:59
  Speaker 4: I got ceasick.
• 56:01
  Speaker 3: So realistically as I recall that you've got the Critics
• 56:05
  Speaker 3: Award for that performance. Howard, for such a congenial personality
• 56:10
  Speaker 3: in real life, you certainly make the most dispaithful villain
• 56:13
  Speaker 3: on the screen.
• 56:14
  Speaker 6: Bill, you haven't seen anything yet, will you see? This
• 56:16
  Speaker 6: will be the Mills unconquered.
• 56:18
  Speaker 14: What do you do in the picture? It's disilm you.
• 56:20
  Speaker 7: See, it's through Howard that Paul had got it gets
• 56:22
  Speaker 7: tortured at the state.
• 56:24
  Speaker 4: Yep. I even hit myself in that one.
• 56:29
  Speaker 7: So much so I understand you're off to see the
• 56:30
  Speaker 7: premier in Pittsburgh as soon as you finish the night's broadcast.
• 56:33
  Speaker 3: That's right, Alan, Well, Allan, I hope you treat Donrothy
• 56:36
  Speaker 3: mo the Moore better and you're a new paramount picture
• 56:38
  Speaker 3: of Wild Harvest, and.
• 56:39
  Speaker 4: I'd say Dorothy treats us pretty rough in that picture. Though.
• 56:42
  Speaker 4: Were you in New York in connection with that picture? Ellen?
• 56:45
  Speaker 4: Now ours making some location shots and doing some vacation.
• 56:48
  Speaker 18: I read it you attended the Harvest moon ball on.
• 56:50
  Speaker 4: Your bed and eighteen thousand people saying happy birthday to it.
• 56:53
  Speaker 4: Eighteen thousand happy birthdays. Say that's some sort of a record,
• 56:56
  Speaker 4: isn't it. Well, it really gave me a thrill.
• 56:58
  Speaker 3: Wonder here has a birthday coming up next week? You're nineteenth,
• 57:02
  Speaker 3: doesn't it?
• 57:02
  Speaker 4: Wonder?
• 57:03
  Speaker 14: That's right, mister Kelley.
• 57:05
  Speaker 4: Well, it's nice to know a woman who's so young
• 57:07
  Speaker 4: she doesn't have to lie about her age, and with
• 57:10
  Speaker 4: such a lovely complexion that is playing she uses.
• 57:12
  Speaker 18: Like, so why do Indeed, mister Killy and always will
• 57:16
  Speaker 18: Luck's Up's a wonderful complexion.
• 57:18
  Speaker 4: Care from a girl with a wonderful complexion, that's praise. Indeed,
• 57:22
  Speaker 4: what are you presenting next week in this theater bill?
• 57:24
  Speaker 3: Next Monday night, we put the accent on suspense with
• 57:28
  Speaker 3: Universal International spine Chilling hit the web and our stars
• 57:33
  Speaker 3: are Ella Rains, Edmund O'Brien and Vincent Price.
• 57:37
  Speaker 4: That was one of Vincent Price's best performance, I thought, bell.
• 57:41
  Speaker 3: Yes in a thrilling story of intrigue and detection and
• 57:45
  Speaker 3: a murder mystery that involves a man and woman in suspicion,
• 57:49
  Speaker 3: danger and romance.
• 57:50
  Speaker 4: Well, that sounds like a mighty exciting evening bill. I
• 57:52
  Speaker 4: wouldn't miss it.
• 57:53
  Speaker 18: We'll be listening, mister Kelly.
• 57:54
  Speaker 4: Good night night and for a four stars of fire.
• 58:04
  Speaker 3: Leave our brothers company, the makers of Lux Toilet Salt,
• 58:08
  Speaker 3: join me in inviting you to be with us again
• 58:10
  Speaker 3: next Monday evening, when the Lux Radio Theater presents Ella Rains,
• 58:14
  Speaker 3: Edmund O'Brien and Vincent Price in the web.
• 58:18
  Speaker 4: This is William Keeley saying good night to you from Hollywood.
• 58:33
  Speaker 2: Most of us think of home as the safest place
• 58:36
  Speaker 2: that we can be, Yet the National Safety Council finds
• 58:39
  Speaker 2: that two thirds of all accidental debts in the United
• 58:42
  Speaker 2: States occur at home through hazardous conditions and personal carelessness.
• 58:47
  Speaker 2: For your own sake and your families, check your home
• 58:50
  Speaker 2: for such unsafe conditions as bad light, dangerous stairways, cluttered rooms,
• 58:54
  Speaker 2: and unprotected play space, and cultivate habits of safe conduct, thoughtfulness,
• 58:59
  Speaker 2: and reason caution. McDonald Kerrey appeared by arrangement with Paramount
• 59:04
  Speaker 2: Pictures and is currently appearing in Paramount's thirty six star production.
• 59:08
  Speaker 10: Variety Girl.
• 59:09
  Speaker 2: Wanda Hendrix appeared through the courtesy of Paramount Studios and
• 59:12
  Speaker 2: is currently seen in Welcome Strangers, starring Bing Crosby. Heard
• 59:16
  Speaker 2: in our cast tonight were Bill Johnstone as Amazone, Louis
• 59:19
  Speaker 2: Van Ruton as Foster, William Roy as Sam and Pata
• 59:24
  Speaker 2: Hern Ira Grossel, Norman Field, Leo Cleary, Tyler McVeigh, Robert Griffin, Clark, Gordon,
• 59:31
  Speaker 2: George Sorell, George Nie, Eddie Marr, Don Morrison, and June Whitley.
• 59:37
  Speaker 4: Our music was directed by Lewis Silvers. This program is.
• 59:40
  Speaker 2: Rebroadcast to our servicemen and women overseas through the worldwide
• 59:44
  Speaker 2: facilities of the Armed Forces Radio Service. Our Lux Radio
• 59:49
  Speaker 2: Theater production of two Years Before the Mast has come
• 59:52
  Speaker 2: to you with the good wishes of the makers of
• 59:54
  Speaker 2: Lux Toilet Soap, Hollywood's own beauty soap, the Complexion Care,
• 59:58
  Speaker 2: used regularly by nine out of ten lovely screen stars.
• 1:00:02
  Speaker 2: And this is your announcer, John Milton Kennedy, reminding you
• 1:00:04
  Speaker 2: to join us again next Monday night to hear the
• 1:00:07
  Speaker 2: web with La Rains, Edmund O'Brien and Vincent Price.
• 1:00:19
  Speaker 1: Our Lux Radio Theater presentation of two Years Before the
• 1:00:22
  Speaker 1: Mast now concludes. Good Night, and thank you for joining us.