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Trailer Trash · Movie Meltdown

• 0:00
  Speaker 1: Hang on, hang on, hang on. Oh, Trailer 3. I
• 0:02
  Speaker 1: haven't seen this one. I am not looking forward to
• 0:05
  Speaker 1: this movie, but I want to go see it in
• 0:06
  Speaker 1: the theater so I can bitch about it.
• 0:09
  Speaker 2: Sounds about right.
• 0:11
  Speaker 3: Touch your mind.
• 0:13
  Speaker 4: Don't you cry.
• 0:15
  Speaker 3: It's cold asleep, you little baby.
• 0:19
  Speaker 5: This is J.T. Petty, and you're listening to Movie Meltdown.
• 0:22
  Speaker 6: We'll have cake and all.
• 0:24
  Speaker 2: Pray you won't.
• 0:29
  Speaker 5: The following feature has been rated R by the Motion
• 0:31
  Speaker 5: Picture Association of America. It is intended for mature audiences
• 0:35
  Speaker 5: and parental discretion is advised.
• 0:47
  Speaker 7: It's showtime folks.
• 0:49
  Speaker 5: Enjoy the show.
• 0:53
  Speaker 6: Our nuclear reactor, pumping out one million kilowatts of power.
• 1:23
  Speaker 1: What's up and welcome to Movie Meltdown.
• 1:25
  Speaker 7: I'm Brian.
• 1:25
  Speaker 3: I'm David.
• 1:26
  Speaker 1: I'm Patrick.
• 1:28
  Speaker 3: I'm Karen.
• 1:29
  Speaker 7: Karen's back.
• 1:49
  Speaker 4: Yeah.
• 1:50
  Speaker 2: The much requested. You guys got to send her emails
• 1:53
  Speaker 2: and let her know. We've told her she's beloved by
• 1:56
  Speaker 2: the entire internet.
• 1:58
  Speaker 1: Three guys in Irish land.
• 2:01
  Speaker 2: They also, in addition to the rest of the internet. Well,
• 2:05
  Speaker 2: before we get into whatever you want to call this segment,
• 2:09
  Speaker 2: just to throw it out there, I was going to say,
• 2:11
  Speaker 2: this week, John Wick comes out. Have any of you
• 2:15
  Speaker 2: seen that?
• 2:16
  Speaker 1: I'm not saying that it's on my computer right now,
• 2:18
  Speaker 1: but I have not watched it yet.
• 2:20
  Speaker 2: You need to. I just watched it this weekend. It's
• 2:25
  Speaker 2: everything I'd heard. It is exactly like, and I'm not
• 2:29
  Speaker 2: knocking this. It's not like it worries about story. It
• 2:32
  Speaker 2: does have a solid story, but it's about five minutes
• 2:36
  Speaker 2: set up. It's like all you need is this really
• 2:39
  Speaker 2: basic structure, and then it just goes to town and
• 2:42
  Speaker 2: just annihilates everything. So, it is a hell of a
• 2:45
  Speaker 2: lot of fun. Once you get past the... There's a
• 2:49
  Speaker 2: thing in the beginning. Everybody that's seen it knows what
• 2:51
  Speaker 2: I'm talking about. It needs to be there for the
• 2:54
  Speaker 2: entire movie to happen, so I won't go into it.
• 2:56
  Speaker 4: What's the basic premise? What's the basic... If you can
• 2:59
  Speaker 4: do it spoiler free.
• 3:00
  Speaker 1: Is it just Keanu Reeves being Keanu Reeves?
• 3:02
  Speaker 2: No, that's the thing. He's not bad in it. I've
• 3:05
  Speaker 2: heard some interviews with him lately that he actually doesn't
• 3:09
  Speaker 2: sound like an idiot. We've all done the Keanu voice
• 3:11
  Speaker 2: for so long that all we can say is, oh,
• 3:14
  Speaker 2: what an idiot. But he was behind that big documentary
• 3:18
  Speaker 2: about cinematography.
• 3:19
  Speaker 5: I think.
• 3:20
  Speaker 1: I love it when the camera moves.
• 3:22
  Speaker 2: It was super dedicated to preserving film. I was like,
• 3:27
  Speaker 2: Keanu Reeves?
• 3:29
  Speaker 1: You need real film it's so real and visceral.
• 3:34
  Speaker 2: But yeah so I was like at that point and
• 3:36
  Speaker 2: then I heard this whole interview and he again doesn't
• 3:38
  Speaker 2: sound like an idiot so I'm trying to like give
• 3:40
  Speaker 2: him a break.
• 3:41
  Speaker 4: I've always kind of felt that way it seems like
• 3:43
  Speaker 4: anytime he's being interviewed or he's like talking off you
• 3:46
  Speaker 4: know out of character yeah that's a good reference he
• 3:49
  Speaker 4: seems like intelligent and then you know you put him
• 3:52
  Speaker 4: in a part and it's like he seems like an
• 3:53
  Speaker 4: idiot wow We don't need that in porno. That'd be terrifying.
• 3:59
  Speaker 4: We're making Tai Chi porno. Imagine the Matrix camera style
• 4:02
  Speaker 4: things you could do with porn.
• 4:03
  Speaker 1: You can see the money shot from every angle it was.
• 4:06
  Speaker 4: It'd be like when the water drop hit in the
• 4:09
  Speaker 4: water and it ripples. It would be like that. The
• 4:11
  Speaker 4: whole money shot would be like the slowest motion ever.
• 4:14
  Speaker 4: And you would see every drop splatter.
• 4:16
  Speaker 1: Critics acclaim the 14 minute money shot because of slow motion.
• 4:21
  Speaker 1: What are we calling this segment, Brian?
• 4:23
  Speaker 2: I don't know. What would you like to come up with?
• 4:25
  Speaker 1: Well, not Taylor Cash because that's trademarked.
• 4:27
  Speaker 2: Well, I was like, I don't care. I mean, it's
• 4:30
  Speaker 2: not its own show. It's just a segment. So if
• 4:33
  Speaker 2: you don't want, you know, if you want to go
• 4:35
  Speaker 2: your entire different way, I think all of them are
• 4:37
  Speaker 2: taken though.
• 4:38
  Speaker 1: Trailer segment one.
• 4:41
  Speaker 2: The internet is already filled up with everybody using every
• 4:44
  Speaker 2: phrase that's ever been done.
• 4:46
  Speaker 1: We'll just name it like a comment. So this is
• 4:48
  Speaker 1: like a comment. So it's like VS2014B. That's good.
• 4:52
  Speaker 2: If you'd like to name this episode after a loved one,
• 4:56
  Speaker 2: send us $ 55. I heard that commercial.
• 5:00
  Speaker 3: The other day.
• 5:01
  Speaker 1: And you can watch it fade into the Earth's atmosphere
• 5:03
  Speaker 1: and burn up.
• 5:04
  Speaker 2: For Valentine's Day, name an episode after your loved one. Oh, gosh.
• 5:07
  Speaker 4: Who does that?
• 5:09
  Speaker 2: You get a package sent in the mail. Like what?
• 5:11
  Speaker 2: With a map of stars and shit.
• 5:13
  Speaker 4: Not to be too douchey, but what podcast is so
• 5:15
  Speaker 4: big that someone would mark out to have him go,
• 5:18
  Speaker 4: this episode is the David Lugo episode.
• 5:20
  Speaker 2: Did you see the David Lugo episode? I would totally
• 5:22
  Speaker 2: do that. If you guys would like to sponsor each
• 5:25
  Speaker 2: individual episode, just get a hold of me.
• 5:28
  Speaker 1: Or Dave's stage name, The Dark Lord.
• 5:33
  Speaker 5: All right.
• 5:34
  Speaker 2: So anything else before we fire into our trailers for
• 5:37
  Speaker 2: the week?
• 5:37
  Speaker 1: Go for it.
• 5:38
  Speaker 4: Anybody watched anything recently?
• 5:40
  Speaker 5: Movies?
• 5:41
  Speaker 2: That was mine. I didn't know if you'd seen anything.
• 5:44
  Speaker 2: Have we watched anything recently?
• 5:45
  Speaker 1: We've been watching The Wire.
• 5:47
  Speaker 4: Yeah, we've just been watching The Wire. That show's so good.
• 5:51
  Speaker 2: I can't believe how good it is.
• 5:52
  Speaker 1: And it's like, you know it's good because it's got
• 5:54
  Speaker 1: British black people in it.
• 5:55
  Speaker 2: Second season. I know.
• 5:58
  Speaker 1: That's exactly how it has to be. And that one
• 6:00
  Speaker 1: guy that's the douchebag from 300.
• 6:01
  Speaker 4: Oh, well, that did just make me think something. Did
• 6:05
  Speaker 4: you see the whole little conundrum Cumberbatch got himself into?
• 6:10
  Speaker 4: he used the term colored actors.
• 6:12
  Speaker 2: Oh my God. He's British.
• 6:13
  Speaker 4: And what was ironic though, well, here's what's ironic. The conversation,
• 6:18
  Speaker 4: his actual quote that that was in was saying how
• 6:22
  Speaker 4: there needs to be more African-American actors in big roles.
• 6:25
  Speaker 4: And just in the middle of his dream, he said
• 6:28
  Speaker 4: colored actors are, and of course, you know, like half
• 6:31
  Speaker 4: the internet blew up, like, Oh my God, you're being racist.
• 6:33
  Speaker 1: He's like, I did not hear that.
• 6:34
  Speaker 4: Sincerely apologize. Like crazy. And he's like, I feel extra
• 6:37
  Speaker 4: stupid because what I was talking about was literally about
• 6:42
  Speaker 4: how we need more African American, you know, but I
• 6:44
  Speaker 4: was trying to be not pretty. I was trying to
• 6:45
  Speaker 4: make this comment about the prejudice in the system. And
• 6:47
  Speaker 4: I made a prejudice.
• 6:49
  Speaker 2: And that's just a weird term because I was thinking lately,
• 6:52
  Speaker 2: like if you use the phrase person of color, it's fine.
• 6:55
  Speaker 2: And I'm like, Essentially, is that any different?
• 6:58
  Speaker 1: Splitting hairs. I understand it.
• 7:01
  Speaker 2: Has a lot of history. I know there's a real reason,
• 7:03
  Speaker 2: but I was like, that's not how he meant it.
• 7:05
  Speaker 2: You know that's not how he meant it.
• 7:06
  Speaker 1: So if you can't call them colored, like colored folk,
• 7:09
  Speaker 1: can you call them just black? Or is that bad too?
• 7:12
  Speaker 2: I think we have to have a setting because you
• 7:14
  Speaker 2: can't use African American when there's an entire world out there. Yeah,
• 7:18
  Speaker 2: and he's British, so he's not really referring to just
• 7:22
  Speaker 2: American actors.
• 7:22
  Speaker 1: Not Americans, it's like African and British.
• 7:24
  Speaker 4: So yeah, I was going to say, is there... African-Saxon? African-Irish? Like,
• 7:30
  Speaker 4: what is that?
• 7:32
  Speaker 2: I don't know.
• 7:32
  Speaker 1: We need more black people on film. I can't say
• 7:35
  Speaker 1: anything these days.
• 7:35
  Speaker 2: I would say black.
• 7:36
  Speaker 8: I would.
• 7:37
  Speaker 2: I don't think black's a bad word. I don't think
• 7:39
  Speaker 2: it is. I refer to stupid white people all the time.
• 7:42
  Speaker 4: Right, right.
• 7:42
  Speaker 2: I can make fun of white people. We need less
• 7:44
  Speaker 2: factors of no color.
• 7:46
  Speaker 1: And it's just descriptive.
• 7:47
  Speaker 2: I say that I'm brown. It's all just, yeah, just
• 7:52
  Speaker 2: identifying people.
• 7:53
  Speaker 1: Don't tell the internet that you're Asian. They'll go nuts.
• 7:57
  Speaker 1: I'm not mainland Asian. Don't tell them you're Asian and
• 8:01
  Speaker 1: in cosplay comic character costume right now.
• 8:02
  Speaker 4: I was going to say, they're going to be requesting
• 8:04
  Speaker 4: schoolgirl outfits with little skirts.
• 8:06
  Speaker 1: Did you get the English letterbox edition of the show
• 8:11
  Speaker 1: in Steelbook? It's got the Asian girl on the cover.
• 8:14
  Speaker 1: Oh my gosh. First trailer, Brian?
• 8:18
  Speaker 2: For this segment that we're calling?
• 8:19
  Speaker 1: V2S1W4B. Trailer trash.
• 8:24
  Speaker 2: Trailer trash.
• 8:27
  Speaker 1: What are you kids doing out there? Go get my
• 8:29
  Speaker 1: cigarettes and watch a movie trailer.
• 8:32
  Speaker 2: Bring my PBR in the house.
• 8:35
  Speaker 5: We have just seen rushes direct from Hollywood of pictures
• 8:38
  Speaker 5: being released in the coming weeks. And we are proud
• 8:41
  Speaker 5: to announce that this theater will soon bring you the
• 8:44
  Speaker 5: greatest array of pictures ever to.
• 8:45
  Speaker 9: Reach our screen.
• 8:47
  Speaker 5: You'll see the finest stars in exciting performances. We're thrilled
• 8:51
  Speaker 5: to the suspense.
• 8:52
  Speaker 6: Comedy.
• 8:54
  Speaker 5: Romance, and drama of world-famous stories. Here's a glimpse of
• 8:59
  Speaker 5: a few of them coming to this theater soon.
• 9:01
  Speaker 4: Let's all start off right there. Fantastic Four.
• 9:03
  Speaker 5: All right.
• 9:04
  Speaker 1: In this modern... You want.
• 9:06
  Speaker 4: Me to rant right away? That's cool.
• 9:08
  Speaker 1: Of the Fantastic Four franchise, Marvel is trying to wring
• 9:12
  Speaker 1: even more money out of something they burned previously.
• 9:14
  Speaker 4: Don't blame Marvel.
• 9:15
  Speaker 1: Well, I guess it's not the real Marvel. It's the
• 9:17
  Speaker 1: second-rate Marvel, right? They can use the fancy flipbook opening,
• 9:22
  Speaker 1: but they don't own.
• 9:25
  Speaker 4: They have none of the creativity. They can't share any
• 9:28
  Speaker 4: of the same content.
• 9:29
  Speaker 1: They just happen to own Spider-Man and X-Men.
• 9:31
  Speaker 2: See, I re-watched all the X-Men original trilogy, if you will.
• 9:37
  Speaker 2: And I forgot they open with that Marvel flip book.
• 9:40
  Speaker 2: I was like, oh yeah, this was before there was
• 9:41
  Speaker 2: a big.
• 9:42
  Speaker 1: But it's like, even if you watch it, it's different
• 9:44
  Speaker 1: comic cells than the real Marvel.
• 9:46
  Speaker 2: It's like, this was before Marvel became Marvel, essentially.
• 9:49
  Speaker 1: And it's like, why don't they just... Why doesn't real
• 9:51
  Speaker 1: Marvel go over to fake Marvel thoughts and say things like,
• 9:54
  Speaker 1: Wouldn't you all just love 1% gross off of a
• 9:58
  Speaker 1: movie that we put Spider-Man or Wolverine in? Maybe they
• 10:01
  Speaker 1: just make a Spider-Man Wolverine movie.
• 10:03
  Speaker 2: Especially Sony. Isn't Sony kind of hurting at this point?
• 10:06
  Speaker 1: Sony can't even keep their internets intact.
• 10:09
  Speaker 2: That's what I'm saying.
• 10:10
  Speaker 1: They need 1% gross profit.
• 10:12
  Speaker 2: They'd be like, hey, we have Disney money, so... We've
• 10:15
  Speaker 2: got Mickey behind us.
• 10:17
  Speaker 10: Yeah, fuckers!
• 10:20
  Speaker 1: Here we go.
• 10:21
  Speaker 2: Boop, boop, boop.
• 10:26
  Speaker 1: Sounds like a cat purring. That was nice. I tried.
• 10:29
  Speaker 2: The cat's back in the projection room.
• 10:31
  Speaker 4: You know, the cells were really kind of blocked out,
• 10:33
  Speaker 4: weren't they? You couldn't discern an actual superhero in the
• 10:37
  Speaker 4: flip book.
• 10:37
  Speaker 1: In a world of establishing shots.
• 10:40
  Speaker 4: Human beings have an immeasurable desire to discover.
• 10:48
  Speaker 5: To invent. To build. Our future depends on us furthering
• 11:02
  Speaker 5: these ideals.
• 11:06
  Speaker 4: A responsibility.
• 11:09
  Speaker 2: That rests on the shoulders of generations to come.
• 11:21
  Speaker 1: But with every new discovery, there is risk.
• 11:32
  Speaker 2: There is sacrifice.
• 11:36
  Speaker 4: And there are consequences. Hello, Star Trek.
• 11:46
  Speaker 5: I know.
• 11:47
  Speaker 2: Exactly.
• 11:48
  Speaker 1: Slow down, kid.
• 11:49
  Speaker 6: No!
• 11:49
  Speaker 4: Hello, Super 8.
• 11:51
  Speaker 8: Aw.
• 11:52
  Speaker 1: I like that it's a little steampunky.
• 11:54
  Speaker 4: Is it steampunky?
• 11:55
  Speaker 1: Well, you know, it's not like super major.
• 11:56
  Speaker 2: From the studio they brought in. No creative mind.
• 12:00
  Speaker 1: From the studio that fucked up everything else that you love.
• 12:03
  Speaker 2: From the bank that bankrolled.
• 12:06
  Speaker 1: But I'm glad she's in it. I'm just, I'm not
• 12:09
  Speaker 1: a big.
• 12:09
  Speaker 4: Fan of her.
• 12:10
  Speaker 1: I love her.
• 12:11
  Speaker 4: She was good in American Horror Story because she played
• 12:13
  Speaker 4: a crazy bitch. Did you see Frank Underwood?
• 12:15
  Speaker 2: House of Cards?
• 12:16
  Speaker 4: Oh, it's, you will know.
• 12:17
  Speaker 1: She's great in House of Cards. You should watch it.
• 12:20
  Speaker 4: But is she playing a crazy girl?
• 12:21
  Speaker 5: No.
• 12:23
  Speaker 1: Thank you, sunshine. We meant to go into space and
• 12:28
  Speaker 1: we actually went to the danger zone.
• 12:30
  Speaker 4: I've already heard a lot of chatter that this script
• 12:34
  Speaker 4: is incredibly close to, I think, Diversion? Some other... I
• 12:38
  Speaker 4: get all these urgent-ish movies mixed up, but there's some other...
• 12:43
  Speaker 4: Sci-fi movie that drops before it, and apparently the premise
• 12:47
  Speaker 4: is real close. It's already getting kind of pooped on.
• 12:49
  Speaker 4: I think it's Divergent?
• 12:51
  Speaker 2: Yeah, the next chapter of Divergent.
• 12:53
  Speaker 4: Like, apparently it's very similar.
• 12:56
  Speaker 2: It's some other word that sounds like the last time around.
• 12:59
  Speaker 1: That sounds right. Well, in this one, it's not the
• 13:01
  Speaker 1: typical Fox cop-out, put them in space and let them
• 13:04
  Speaker 1: get hit with a solar flare. It's the original story
• 13:06
  Speaker 1: where they go to the danger zone. I don't know
• 13:08
  Speaker 1: the name of it.
• 13:09
  Speaker 2: Was there a highway there? I don't know.
• 13:13
  Speaker 1: Because I think I took that one time.
• 13:15
  Speaker 2: No, but it was on the way to it.
• 13:17
  Speaker 4: Well, what I don't understand is how is Doom.
• 13:21
  Speaker 1: How does Doom.
• 13:23
  Speaker 2: Because that's the guy going down the hall, so the
• 13:25
  Speaker 2: internet has said. When you see him walking down the
• 13:28
  Speaker 2: hall from behind and people are dying in front of him,
• 13:30
  Speaker 2: it's Doom.
• 13:32
  Speaker 1: Is he not the main villain?
• 13:33
  Speaker 4: But he's a computer hacker. So how is he... On
• 13:37
  Speaker 4: the science team and on the side, he's a hacker?
• 13:39
  Speaker 4: How is he there for this stuff? If he's just
• 13:42
  Speaker 4: an anonymous computer troll, how is he around? And how
• 13:46
  Speaker 4: is his face going to get messed up?
• 13:48
  Speaker 2: Where is.
• 13:49
  Speaker 4: All of his motivations for being after Fantastic Four.
• 13:52
  Speaker 1: I'm worried about the mask.
• 13:53
  Speaker 2: Is it Doom? Oh, no. That can make it break.
• 13:55
  Speaker 1: Is it Doom but leet speak? Are we getting zeros
• 13:58
  Speaker 1: in there?
• 13:59
  Speaker 4: They leaked him in the Doom outfit. There's this image
• 14:02
  Speaker 4: of him, and it's not the greatest quality, but it's like,
• 14:05
  Speaker 4: because it's green screen, it's some scene where he's floating,
• 14:08
  Speaker 4: and it's very leathery. It almost looks more medieval.
• 14:14
  Speaker 2: Senator Doom.
• 14:15
  Speaker 4: He doesn't not look.
• 14:17
  Speaker 7: Medieval.
• 14:17
  Speaker 2: Yeah.
• 14:18
  Speaker 4: See those, those shots. It's very, very different.
• 14:24
  Speaker 1: Well, okay. So here's the thing.
• 14:26
  Speaker 2: Let's put it this way though.
• 14:30
  Speaker 1: Like I remember when before Marvel, real Marvel was Marvel
• 14:34
  Speaker 1: and we got the leaked photos of Tony Stark as
• 14:36
  Speaker 1: Iron Man. And I was like, they are going to
• 14:38
  Speaker 1: ruin this. And this is their one chance to do perfection.
• 14:40
  Speaker 1: And then looking back, we know that it was basically biblical.
• 14:42
  Speaker 4: But look at him. I mean, that's.
• 14:44
  Speaker 1: We don't know. I mean, we know it's going to suck.
• 14:46
  Speaker 4: Did you guys see Kingdom of Heaven?
• 14:47
  Speaker 5: Yeah.
• 14:48
  Speaker 4: He looks like the pauper king. Like, he looks like
• 14:50
  Speaker 4: the pauper king in like a silk onesie. Like, what
• 14:52
  Speaker 4: is going on?
• 14:53
  Speaker 1: I love how fake the hand looks. It's just so rough.
• 14:57
  Speaker 2: But can you really tell with just the green screenshots?
• 15:00
  Speaker 1: No, you can't.
• 15:01
  Speaker 2: You have no idea what they're dreaming up right now.
• 15:04
  Speaker 1: And you know half of it is going to be
• 15:05
  Speaker 1: computer generated.
• 15:05
  Speaker 2: Yeah, there's going to be so much added stuff.
• 15:07
  Speaker 4: Is he going to have moving CGI armor though? Like
• 15:09
  Speaker 4: how tricky is that going to be?
• 15:11
  Speaker 1: Well, it's going to look stupid because it's fake Fox
• 15:13
  Speaker 1: and they don't have Disney money. I told you, fuckers.
• 15:18
  Speaker 4: So have you heard like the bigger drama like with
• 15:22
  Speaker 4: like the actual comic books, what the Fantastic Four comic
• 15:25
  Speaker 4: books have done? in response to the movies. Like, apparently
• 15:28
  Speaker 4: when they... It's a fight already. No, it's been a fight.
• 15:32
  Speaker 4: This is crazy, because honestly, I didn't believe it. Like,
• 15:34
  Speaker 4: I actually, like, you know, kind of clicked links and
• 15:36
  Speaker 4: clicked links to kind of read more and more to
• 15:37
  Speaker 4: make sure this wasn't just one dude making some stuff up. Like,
• 15:41
  Speaker 4: back when the first two Fantastic Fours, the more recent ones,
• 15:44
  Speaker 4: the one with Alba, you know, and.
• 15:47
  Speaker 2: They all pale in comparison to Corman, but go ahead.
• 15:50
  Speaker 4: Apparently, at that time, Marvel was so kind of grumpy...
• 15:55
  Speaker 4: With those movies that they literally stopped making Fantastic Four comics.
• 16:00
  Speaker 4: There has not been a new Fantastic Four comic since.
• 16:03
  Speaker 4: Those characters appear in the other comics, but they stopped
• 16:06
  Speaker 4: Fantastic Four comics to the point where even when they
• 16:09
  Speaker 4: do like promo banners or big collage art pieces for
• 16:12
  Speaker 4: conventions and for stuff, they don't put the Fantastic Four
• 16:16
  Speaker 4: characters on it. They are so grumpy with Sony that
• 16:20
  Speaker 4: they don't want to even help advertise Fantastic Four. They
• 16:24
  Speaker 4: have literally snuffed out their own characters just to kind
• 16:29
  Speaker 4: of help Booby Trap.
• 16:32
  Speaker 2: Why do they keep lining up to make movies about them?
• 16:34
  Speaker 2: Are they that beloved?
• 16:37
  Speaker 1: I don't know.
• 16:38
  Speaker 2: I was never that.
• 16:39
  Speaker 4: Doom is Silver Surfer to only things that matter in
• 16:43
  Speaker 4: Fantastic Four.
• 16:44
  Speaker 1: Well, you know the thing that I heard that I've
• 16:46
  Speaker 1: Benedict Cumberbatch was really confused about was, can we call
• 16:50
  Speaker 1: him a colored actor because he's a flame in this one?
• 16:52
  Speaker 1: And that's a color.
• 16:54
  Speaker 5: Flame.
• 16:55
  Speaker 1: It wasn't funny.
• 16:56
  Speaker 2: Okay.
• 16:57
  Speaker 4: Next trailer. No, but what sucks is I like that guy.
• 17:01
  Speaker 4: We mentioned this before, but the guy playing Johnny Storm,
• 17:03
  Speaker 4: I don't know his name, but the guy from the
• 17:05
  Speaker 4: found footage, he had tons of charisma. I dig it.
• 17:10
  Speaker 4: And I don't have a problem with him being Johnny Storm.
• 17:12
  Speaker 4: It's just when you take... the dozen little changes that
• 17:16
  Speaker 4: they've made and you put all that together, it's like, it's,
• 17:20
  Speaker 4: is it really Fantastic Four anymore? Like you, this is
• 17:23
  Speaker 4: your origin story and your origin story is so divergent
• 17:28
  Speaker 4: from the core story that it's like, how do you
• 17:32
  Speaker 4: really call it Fantastic Four anymore?
• 17:34
  Speaker 1: I was hoping that like Captain America was secretly Johnny
• 17:36
  Speaker 1: Storm and that was going to like come out when
• 17:38
  Speaker 1: he's fighting old Johnny and he's like.
• 17:40
  Speaker 6: Flame off!
• 17:41
  Speaker 2: At some point they should cross over and make him
• 17:43
  Speaker 2: both characters.
• 17:43
  Speaker 1: And you know what? Just make him go Saiyan at
• 17:45
  Speaker 1: the same time.
• 17:46
  Speaker 4: And then make him ride a skateboard like his part
• 17:49
  Speaker 4: in Scott Pilgrim.
• 17:50
  Speaker 2: Onto a train.
• 17:51
  Speaker 1: Okay, that is one of the best scenes in Scott Pilgrim.
• 17:53
  Speaker 4: Oh my gosh, it is.
• 17:55
  Speaker 2: It is really good.
• 17:56
  Speaker 1: Ted too?
• 17:57
  Speaker 4: Yeah, sure. Let's do it.
• 18:00
  Speaker 1: I gotta keep this ADD like it's meant to be.
• 18:04
  Speaker 1: In a world where there's dolls.
• 18:06
  Speaker 4: I can't believe you guys didn't think of that. Did
• 18:07
  Speaker 4: you even think of, like, come on, the Flash Gordon stuff?
• 18:10
  Speaker 4: Did you at least think that was funny in part one?
• 18:11
  Speaker 4: It was funny.
• 18:13
  Speaker 5: Happily Ever After only exists in fairy tales.
• 18:17
  Speaker 4: Yet a talking teddy bear is about to marry his girlfriend.
• 18:21
  Speaker 1: I now pronounce you teddy bear and wife.
• 18:23
  Speaker 4: Let me kiss the bear. Proving that Americans don't give
• 18:27
  Speaker 4: a crap about anything.
• 18:31
  Speaker 5: So I got some big news.
• 18:32
  Speaker 2: Tammy Lynn and I are gonna have a baby.
• 18:34
  Speaker 1: That's awesome.
• 18:35
  Speaker 2: Wait, how do you guys? We need a sperm donut.
• 18:39
  Speaker 2: What is that?
• 18:39
  Speaker 5: What are you doing?
• 18:40
  Speaker 7: I'm getting ready to it.
• 18:40
  Speaker 4: What do you mean you're getting ready?
• 18:41
  Speaker 5: What are you doing?
• 18:42
  Speaker 4: It's so family-guided movie.
• 18:44
  Speaker 5: Yeah.
• 18:45
  Speaker 2: Okay, before anything even to do with the movie itself,
• 18:49
  Speaker 2: trailers in general, I kind of feel like I don't
• 18:51
  Speaker 2: need to see that movie now.
• 18:52
  Speaker 1: Yeah, I don't need to see the movie.
• 18:54
  Speaker 2: In two minutes and 37 seconds, it's told me the
• 18:56
  Speaker 2: entire movie.
• 18:57
  Speaker 1: You've summed up the whole thing.
• 18:59
  Speaker 2: That aside, what do you want to do?
• 19:01
  Speaker 4: I think the problem with the first one was plot.
• 19:03
  Speaker 4: I almost feel like it had to just be a
• 19:06
  Speaker 4: slice of life. Like, look, there's no... Because the last
• 19:09
  Speaker 4: half an hour of the first one was really bad.
• 19:11
  Speaker 4: The first hour, hour and a half, I thought it
• 19:13
  Speaker 4: was really funny. I was into it. And then I
• 19:15
  Speaker 4: even kind of forget what the plot was. The guy,
• 19:20
  Speaker 4: whatever reason they were chasing the guy, there was this
• 19:22
  Speaker 4: huge chase scene in the stadium. And I was just like, okay,
• 19:25
  Speaker 4: we haven't had a joke in over 20 minutes now.
• 19:27
  Speaker 4: This is a comedy. I don't care about wrapping up
• 19:30
  Speaker 4: the plot.
• 19:31
  Speaker 2: And if you're past an hour and a half, you're
• 19:33
  Speaker 2: already in trouble, probably, if it's a comedy. It's rare
• 19:35
  Speaker 2: that you can make a comedy work that long.
• 19:37
  Speaker 1: 90 pages, people. That's all you get. He jerks off
• 19:41
  Speaker 1: at the register. We just want more of that.
• 19:45
  Speaker 2: I don't know. So that's my issue is mostly Seth
• 19:48
  Speaker 2: MacFarlane because I feel like he has moments where he's
• 19:52
  Speaker 2: really smart and then he will completely dumb that down
• 19:56
  Speaker 2: for the other 75% of what he does and that's
• 19:58
  Speaker 2: for a family guy.
• 19:59
  Speaker 1: He's really smart when Star Wars is involved.
• 20:01
  Speaker 2: Even those I feel like are kind of lame oh
• 20:03
  Speaker 2: the robot chicken though the robot chicken's awesome that's not
• 20:06
  Speaker 2: Seth MacFarlane Seth Green is kind of awesome Seth MacFarlane.
• 20:10
  Speaker 2: I feel like those are so like, it's almost so
• 20:13
  Speaker 2: close to Star Wars. I'm like, I could just watch
• 20:16
  Speaker 2: the movie. Like why? I don't understand why he bothers.
• 20:19
  Speaker 2: It's like, not that funny. So I don't know. I, I've,
• 20:25
  Speaker 2: I have a lot of issues with him because I
• 20:26
  Speaker 2: feel like he dumbs so much stuff down and everything
• 20:29
  Speaker 2: has to be like the most guttural base humor ever.
• 20:33
  Speaker 4: Obviously having an entire, yeah. That first season of Family
• 20:37
  Speaker 4: Guy and it was just, yeah. Like, there was episodes.
• 20:41
  Speaker 4: I mean, things have really changed since the first time
• 20:46
  Speaker 4: Family Guy was on.
• 20:47
  Speaker 2: Because now they're super mainstream, really.
• 20:49
  Speaker 4: Yeah, I was going to say, you can do it
• 20:50
  Speaker 4: all day long. But back then, I remember, you know,
• 20:53
  Speaker 4: when it got cut, I kind of understood why. I
• 20:55
  Speaker 4: was like, you know, they didn't want to get sued. Like,
• 20:57
  Speaker 4: they were, the episode with the Million Man March and stuff,
• 21:00
  Speaker 4: I was like, oh, my gosh, they're so going to
• 21:01
  Speaker 4: get in trouble for this. And they didn't. But that
• 21:04
  Speaker 4: was what was so, I think, shocking it. at first
• 21:07
  Speaker 4: with it was just like, Oh my God, you can't
• 21:09
  Speaker 4: do this on TV. Like, how are you getting away
• 21:10
  Speaker 4: with it?
• 21:11
  Speaker 5: I don't know.
• 21:13
  Speaker 2: I feel like, again, it's just so dumbed down. And
• 21:17
  Speaker 2: so like, everything has to be like, does our comedy
• 21:21
  Speaker 2: not progress past 11 years old? Like the gross out
• 21:25
  Speaker 2: humor on almost all. That's why I like, I will
• 21:28
  Speaker 2: attack almost every modern comedy because they're all just stupid,
• 21:32
  Speaker 2: gross out stuff. And I'm like, Hmm. There's a fine
• 21:35
  Speaker 2: line for that. I'm not saying you can't find humor
• 21:38
  Speaker 2: in that, but I'm like, there's more than that, right?
• 21:41
  Speaker 2: I would hope.
• 21:42
  Speaker 4: Did you watch Million Ways to Die in the West?
• 21:45
  Speaker 5: No.
• 21:45
  Speaker 1: It was brilliant only once. I never need to see
• 21:48
  Speaker 1: it again, but seeing it was fucking phenomenal.
• 21:51
  Speaker 4: He hated it.
• 21:52
  Speaker 3: It's fine.
• 21:53
  Speaker 1: I don't give a fuck.
• 21:53
  Speaker 4: I was entertained.
• 21:55
  Speaker 1: But you don't want to ever watch it again?
• 21:56
  Speaker 4: It was almost the same thing.
• 21:57
  Speaker 2: Well, one.
• 22:00
  Speaker 4: Obviously this is personal just for me, I didn't really
• 22:02
  Speaker 4: dig him.
• 22:03
  Speaker 1: No, yeah. I hated him, but I loved everything else.
• 22:05
  Speaker 4: I don't think he should have been in it. I
• 22:06
  Speaker 4: think the things coming out of his mouth and everything
• 22:08
  Speaker 4: was funny, but he just kind of looks... This is
• 22:12
  Speaker 4: going to be bad, but he just looks creepy to me.
• 22:13
  Speaker 4: There's something weird.
• 22:15
  Speaker 1: He looks like Papa John.
• 22:17
  Speaker 4: He looks like someone who photoshopped someone in real life.
• 22:20
  Speaker 4: It's like somehow he's walking around photoshopping himself. It's like
• 22:23
  Speaker 4: you don't know what's going on.
• 22:26
  Speaker 2: He's a writer that wants to be a star. He's
• 22:28
  Speaker 2: a Tarantino. He wants to host the Oscars, and it's like,
• 22:31
  Speaker 2: you know what? You're not charismatic enough to be that
• 22:34
  Speaker 2: level of celebrity, but he thinks he is, and he keeps...
• 22:38
  Speaker 2: He's got enough money coming at him now that they'll
• 22:41
  Speaker 2: still back him to be the lead in his own thing.
• 22:43
  Speaker 2: I can buy my Oscar.
• 22:45
  Speaker 5: Yeah.
• 22:45
  Speaker 1: Get off my Oscar.
• 22:47
  Speaker 2: He's not going to get an Oscar, but he can
• 22:49
  Speaker 2: get his own movie, and he puts himself in the
• 22:51
  Speaker 2: center of it.
• 22:52
  Speaker 1: But about a million days to die, whatever it is.
• 22:54
  Speaker 4: A million ways to die.
• 22:54
  Speaker 1: Whatever. Can we just... confirm that like of the top
• 22:59
  Speaker 1: 10 cameos.
• 23:01
  Speaker 4: Oh that back to the future scene was awesome that
• 23:05
  Speaker 4: back to the future scene was.
• 23:07
  Speaker 1: And then even like it had that one and then
• 23:09
  Speaker 1: it had jamie foxx at the end which.
• 23:11
  Speaker 4: Oh right right i forgot about that.
• 23:13
  Speaker 1: So that for me was just like because when we
• 23:15
  Speaker 1: get to the back to the future reference i was
• 23:17
  Speaker 1: like already at a place where i'm like It's funny.
• 23:19
  Speaker 1: Like all the people dying for the bowl and all
• 23:22
  Speaker 1: the random shit.
• 23:23
  Speaker 4: Didn't you know it was coming though?
• 23:24
  Speaker 7: No.
• 23:24
  Speaker 4: As he's walking up on the shed.
• 23:26
  Speaker 2: Well, see, I didn't know.
• 23:27
  Speaker 4: But as he's walking up on the shed, you know,
• 23:29
  Speaker 4: and I heard the electrical sparks and stuff. I was like,
• 23:32
  Speaker 4: surely there's no way he's going to do a Back
• 23:34
  Speaker 4: to the Future thing here. I was like, oh my gosh.
• 23:37
  Speaker 1: It blew my mind. So that was genius. And then
• 23:39
  Speaker 1: it really got me with the Django Unchained thing at
• 23:43
  Speaker 1: the end. I was dying.
• 23:44
  Speaker 2: But again... When all you do is reference other things.
• 23:48
  Speaker 1: Well, that's all he does. That's all he's good at.
• 23:50
  Speaker 4: He's infamous for being the 80s throwback guy. Everything is like,
• 23:53
  Speaker 4: hey guys, remember this?
• 23:54
  Speaker 2: You have no original comedy of your own. That's what
• 23:58
  Speaker 2: all those lame date night and epic movie, all that crap.
• 24:04
  Speaker 2: What they're trying to do is what Airplane was doing.
• 24:06
  Speaker 2: But Airplane had nothing but original comedy. And it was
• 24:09
  Speaker 2: making fun of the premise. But all the jokes were
• 24:12
  Speaker 2: their own, and they were funny.
• 24:13
  Speaker 4: God, those movies still hold up, too. Airplane absolutely holds
• 24:16
  Speaker 4: up today.
• 24:17
  Speaker 1: You'd think it's not funny when I say he literally
• 24:19
  Speaker 1: throws poop at the fan.
• 24:20
  Speaker 2: Oh, my gosh.
• 24:21
  Speaker 1: But when you see it, it's hilarious. And, of course,
• 24:23
  Speaker 1: but don't call me Shirley, and I die to this day.
• 24:27
  Speaker 2: That stuff is funny because it's smartly written. Even when
• 24:30
  Speaker 2: it's dumb, like, 11-year-old humor, it's put together really smart.
• 24:35
  Speaker 1: So, like, seriously, though, the inflation of the autopilot... I
• 24:39
  Speaker 1: will go down in history forever.
• 24:40
  Speaker 2: Yes.
• 24:42
  Speaker 1: I'm pretty sure that's one of our wallpapers on our computer.
• 24:44
  Speaker 10: It is.
• 24:45
  Speaker 1: And it's so good. But also it's like the little things.
• 24:47
  Speaker 1: Like when he's like, they got sick from eating the
• 24:50
  Speaker 1: fish and it's the perfect fish skeleton. That for some
• 24:53
  Speaker 1: reason just gets me. It's like, that's a Looney Tunes humor.
• 24:57
  Speaker 2: Definitely.
• 24:57
  Speaker 1: But it works.
• 24:57
  Speaker 2: And well, again, Looney Tunes was written genius.
• 25:00
  Speaker 5: Yeah.
• 25:01
  Speaker 2: Like it's so damn smart.
• 25:02
  Speaker 1: It's so smart.
• 25:02
  Speaker 2: But then that's what I started looking at. Like when
• 25:05
  Speaker 2: you saw like, Top Secret was trying to do it.
• 25:08
  Speaker 2: Did it all right. Naked Gun started out doing it
• 25:11
  Speaker 2: all right.
• 25:11
  Speaker 4: The first Naked Gun.
• 25:12
  Speaker 2: Everything from that point wanted to rip off that style
• 25:15
  Speaker 2: and got worse and worse.
• 25:16
  Speaker 1: As he thrust his purple-headed warrior into her... Quivering mound
• 25:20
  Speaker 1: of love pudding.
• 25:21
  Speaker 2: Every time. I feel like that's what all the movies
• 25:24
  Speaker 2: became after that. Everything was like, oh, well, that's how
• 25:27
  Speaker 2: you do humor. You just reference crap that we've seen
• 25:29
  Speaker 2: before and do an exact ripoff.
• 25:31
  Speaker 1: Every sci-fi movie from henceforward will be that Harrison Ford
• 25:35
  Speaker 1: one with the androids.
• 25:36
  Speaker 2: That Blade Runner.
• 25:36
  Speaker 1: That Blade Runner.
• 25:37
  Speaker 4: How dare you forget the name of it.
• 25:39
  Speaker 1: Whatever. I've got the European steel.
• 25:41
  Speaker 4: Oh, you know that. Is it remake or sequel that's happening?
• 25:44
  Speaker 4: Ridley Scott keeps talking about all of it.
• 25:46
  Speaker 8: Yeah.
• 25:46
  Speaker 2: He keeps doing that with all of his. He's postponing Prometheus.
• 25:50
  Speaker 4: You know, he should just do the book. I mean,
• 25:52
  Speaker 4: was it Do Robots Count Electric Sheep? Whatever the book.
• 25:58
  Speaker 4: It's as great as Blade Runner is. There was a
• 26:00
  Speaker 4: lot of stuff. A lot more stuff in the book.
• 26:03
  Speaker 4: If they just did one based on the book, it
• 26:05
  Speaker 4: would be different enough to feel new, but still you
• 26:07
  Speaker 4: don't have to use the word reboot.
• 26:08
  Speaker 1: What do you think is going to happen when that
• 26:09
  Speaker 1: comes out the same time that Scarlett Johansson Ghost in
• 26:12
  Speaker 1: the Shell comes out? Because Ghost in the Shell is
• 26:14
  Speaker 1: Blade Runner.
• 26:16
  Speaker 4: How about that crossover?
• 26:19
  Speaker 1: There you go.
• 26:19
  Speaker 4: Harrison Ford. Harrison Ford's character can't tell if the ghost
• 26:23
  Speaker 4: in the shell girl is human or not.
• 26:24
  Speaker 1: There you go. Get off my police car.
• 26:28
  Speaker 2: Blade Runner played by Christopher Pratt.
• 26:31
  Speaker 1: No, it won't be Christopher Pratt. It should be Shia LaBeouf.
• 26:34
  Speaker 2: Oh, God, no. What have we done to deserve Shia LaBeouf? Oh,
• 26:47
  Speaker 2: be ready, for he is coming soon.
• 26:54
  Speaker 10: Now, all on one super horror showcase, over four and
• 26:59
  Speaker 10: a half hours of non-stop, all-scare terror, starring Christopher Lee,
• 27:05
  Speaker 10: Lex Barker, John Ashley. and the all dead inhuman creatures
• 27:10
  Speaker 10: from the tombs of doom. Chiller Carnival of Blood. Go
• 27:16
  Speaker 10: to see Chiller Carnival of Blood in super future color
• 27:21
  Speaker 10: rated G.E.
• 27:24
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• 27:26
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• 27:30
  Speaker 2: Look at that. That's wood right there.
• 27:32
  Speaker 4: That's actual wood.
• 27:34
  Speaker 2: Why would you use wood to make technology?
• 27:36
  Speaker 8: Because they're It's like they're steampunk.
• 27:40
  Speaker 2: Is steampunk really wood? I thought it was more of
• 27:42
  Speaker 2: a brass thing.
• 27:43
  Speaker 8: Well, you got to work the wood in to hold
• 27:45
  Speaker 8: the brass together. These are the fancy high-end steampunk versions
• 27:49
  Speaker 8: with a mic built in, mind you. But yeah, where
• 27:53
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• 27:55
  Speaker 6: Tweaked Audio.
• 27:59
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• 28:00
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• 28:05
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• 28:06
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• 28:09
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• 28:10
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• 28:13
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• 28:15
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• 28:19
  Speaker 2: I was like, oh, shit, that's right.
• 28:20
  Speaker 1: These are actually really good.
• 28:22
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• 28:25
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• 28:30
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• 28:32
  Speaker 2: You should really get a smartphone, not a dumb phone, right?
• 28:35
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• 28:41
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• 28:58
  Speaker 4: That's all I'm saying.
• 29:08
  Speaker 1: Hi, this is Robert Hayes, and I'm listening to Movie Meltdown.
• 29:12
  Speaker 6: It's part of your problem, you know.
• 29:23
  Speaker 2: You haven't seen enough movies.
• 29:25
  Speaker 5: All of life's riddles are answered in the movies. And now,
• 29:28
  Speaker 5: on with the show.
• 29:38
  Speaker 3: Wasn't already made in Africa with the show okay next
• 29:46
  Speaker 3: on trailer trash trademark another 80s throwback being remade by
• 29:51
  Speaker 3: the original guy who did the 80s one maybe now
• 29:54
  Speaker 3: that he got money so i'm just gonna go out
• 29:56
  Speaker 3: and preface this with this is my dream scenario.
• 30:01
  Speaker 1: And I can already say without a doubt, it's going
• 30:04
  Speaker 1: to be one of the greatest movies of all time.
• 30:05
  Speaker 4: I'm glad he got the funding to do a lot
• 30:07
  Speaker 4: of action. Cause early on it was talking about animation.
• 30:09
  Speaker 4: Cause apparently like, well.
• 30:11
  Speaker 1: It's too big scale to do live action without the budget.
• 30:14
  Speaker 1: But still it's like, I'm glad that he's, you know,
• 30:17
  Speaker 1: back when they did it, when was there? It was 72, 74,
• 30:19
  Speaker 1: something like that. It's whatever.
• 30:22
  Speaker 2: Somewhere in the mid seventies on that first one.
• 30:24
  Speaker 1: But it's like back then, you know, they wrote it,
• 30:27
  Speaker 1: To be like this whole thing that you could not
• 30:29
  Speaker 1: do CGI-wise. And it was like the Matrix reloaded or whatever.
• 30:32
  Speaker 2: And that's why the first one's so weird. Because they
• 30:34
  Speaker 2: didn't have a budget.
• 30:35
  Speaker 1: Exactly.
• 30:35
  Speaker 2: It's like there's times when it's normal. There's times when
• 30:38
  Speaker 2: it's post-apocalyptic.
• 30:39
  Speaker 1: It doesn't make sense. But now it's like not only
• 30:42
  Speaker 1: can it be continuous with the post-apocalyptic thing, but also
• 30:46
  Speaker 1: it can be fucking crazy.
• 30:48
  Speaker 4: Dude, it looks. It looks nuts. This trailer looks rad.
• 30:50
  Speaker 4: Like this is full chub.
• 30:53
  Speaker 1: Mad Max Fury Road starring racist Mel Gibson. He does
• 30:57
  Speaker 1: not mind saying colored people. My name is Max.
• 31:08
  Speaker 4: My world is fire and blood.
• 31:20
  Speaker 1: Welcome to the post-apocalyptic world. My name's Max.
• 31:25
  Speaker 4: Do you think they're going to get him the cameo
• 31:26
  Speaker 4: in it? Mel Gibson's not going to pop up somewhere necessarily.
• 31:29
  Speaker 1: I think he is.
• 31:30
  Speaker 4: I have a feeling most of this movie is going
• 31:31
  Speaker 4: to look just like that, though.
• 31:32
  Speaker 1: Oh, it's going to look like that, yeah.
• 31:34
  Speaker 4: It'll probably all be desert and desert hills.
• 31:36
  Speaker 7: Yep.
• 31:38
  Speaker 1: And one-armed Charlize Theron.
• 31:40
  Speaker 4: Man, these wrecks. Them doing the thing on the poles
• 31:43
  Speaker 4: to go from car to car. This stuff looks so fantastic.
• 31:49
  Speaker 1: Why would you step on a man in the desert
• 31:51
  Speaker 1: and then drag him behind a car? I like her
• 31:54
  Speaker 1: robot arm. Even Keanu Reeves would love this cinematography. This cinematography.
• 32:00
  Speaker 1: It is nuts, though, for real. Some of these shots
• 32:04
  Speaker 1: are just disgusting.
• 32:06
  Speaker 4: I'm just completely on board with the aesthetic. Just what
• 32:09
  Speaker 4: they're wearing, the way the cars are. It's so stylized.
• 32:11
  Speaker 4: It looks so fantastic.
• 32:12
  Speaker 1: And so stylized. It's so good. I love the visuals.
• 32:17
  Speaker 1: The visuals are phenomenal.
• 32:19
  Speaker 4: That shot right there with the double javelins.
• 32:22
  Speaker 1: It's like when those first Ong Bak movies came out,
• 32:25
  Speaker 1: you know, that they were just murdering the stunt doubles.
• 32:30
  Speaker 4: So not to completely bypass this, but does this mean
• 32:32
  Speaker 4: we're going to get a Thunderdome? We better get a Thunderdome.
• 32:35
  Speaker 4: Does that mean like when they do a future movie,
• 32:37
  Speaker 4: was Thunderdome canon to his core story or was that
• 32:40
  Speaker 4: just them doing whatever they wanted with Tina Turner?
• 32:44
  Speaker 2: Well, I mean, that was him too, right? Didn't he
• 32:47
  Speaker 2: already do Thunderdome? Because we're not rebooting, right? This is
• 32:50
  Speaker 2: a continuation.
• 32:52
  Speaker 4: Oh, is it?
• 32:52
  Speaker 2: I don't know. I don't know. But, I mean, it's
• 32:54
  Speaker 2: the same director. Why would he remake his own movie?
• 32:57
  Speaker 2: Not that that's never been done.
• 32:58
  Speaker 1: No, I think that they're making him remake it, but
• 33:00
  Speaker 1: I don't know for sure. I just feel like they
• 33:02
  Speaker 1: wouldn't continue on.
• 33:03
  Speaker 4: I don't know.
• 33:04
  Speaker 2: See, here's what I was hoping, and this obviously isn't
• 33:06
  Speaker 2: true because they have him playing Max. But I was like,
• 33:10
  Speaker 2: it would be so awesome, because they're bringing a different
• 33:12
  Speaker 2: actor in anyway, if he just is a new character-
• 33:15
  Speaker 2: And he's in that same world and you get like
• 33:17
  Speaker 2: this whole like his journey through the whole three-fourths of
• 33:20
  Speaker 2: it and you get to the end and there's an
• 33:22
  Speaker 2: old crazy Max played by Mel Gibson. That's like the
• 33:26
  Speaker 2: king of their new world. And like he has to like.
• 33:29
  Speaker 1: Spouting off racial slurs.
• 33:30
  Speaker 4: Yeah, probably.
• 33:32
  Speaker 1: It's a desert world, but it's better without the beep.
• 33:35
  Speaker 2: He's got to be like power mad.
• 33:37
  Speaker 1: We got rid of money because all the beep wanted it.
• 33:40
  Speaker 2: He's become the new king. He's taken over. Like he's
• 33:43
  Speaker 2: become power mad and he has to like destroy Max.
• 33:46
  Speaker 2: I thought that would have been like amazing. So I
• 33:48
  Speaker 2: don't think that's the way they're going, but it also looks, that.
• 33:51
  Speaker 1: Would be really good.
• 33:52
  Speaker 2: It would. Like, I'm like, why did they not do that?
• 33:54
  Speaker 2: They missed an opportunity there.
• 33:55
  Speaker 1: Keanu just heard that in his mind is blown.
• 33:58
  Speaker 4: See most of what I've, what I know about this
• 34:01
  Speaker 4: right now is, is just word of mouth and friends
• 34:03
  Speaker 4: and coworkers and stuff like that. And someone told me,
• 34:07
  Speaker 4: you know, I can't say this is fact, but someone
• 34:10
  Speaker 4: told me that this was like a reboot. Like, It
• 34:13
  Speaker 4: was him wanting to start over at full control, take
• 34:17
  Speaker 4: full advantage of the technology now, and do how he
• 34:21
  Speaker 4: really visualized it in his head. That sounds a little
• 34:24
  Speaker 4: too Lucas-y.
• 34:24
  Speaker 2: I don't like that.
• 34:25
  Speaker 4: That's not what I.
• 34:27
  Speaker 2: Really wanted to do.
• 34:27
  Speaker 4: Yes, Madam Maxon!
• 34:29
  Speaker 1: We'll go through the deserts!
• 34:31
  Speaker 2: Don't step in the poodoo.
• 34:33
  Speaker 4: There's always a bigger fish.
• 34:37
  Speaker 2: So, I don't know. I mean, that looks amazing. And again,
• 34:42
  Speaker 2: now he's got the budget to do it. So they
• 34:44
  Speaker 2: almost have to go out of their way to make
• 34:46
  Speaker 2: it terrible. They have to try. They have to try
• 34:49
  Speaker 2: really hard to screw this up.
• 34:50
  Speaker 4: Throw in a little lens flare. But again, sort of
• 34:53
  Speaker 4: contrary to what we were just kind of saying earlier,
• 34:55
  Speaker 4: I have no idea what that movie's about. That trailer
• 34:58
  Speaker 4: is so all action, is so all visual aesthetic that
• 35:02
  Speaker 4: I don't know what that movie's about at all.
• 35:05
  Speaker 2: I do like the little tribute there. Because if you watch,
• 35:09
  Speaker 2: you can catch that weird car with the spikes. that
• 35:11
  Speaker 2: is totally The Cars That Ate Paris. Really? Old Australian.
• 35:16
  Speaker 2: I just watched that about a year and a half ago,
• 35:19
  Speaker 2: and it's awesome. It's a weird middle-of-nowhere Australia movie, and
• 35:25
  Speaker 2: there's a bunch of cars that come in at the end,
• 35:27
  Speaker 2: most of which are just wrecked up, look like crash-up
• 35:31
  Speaker 2: derby kind of cars. But then there's this one that's
• 35:33
  Speaker 2: like a bug that's covered in these weird spikes for
• 35:36
  Speaker 2: no good reason. It just comes out of nowhere. It
• 35:38
  Speaker 2: is a weird movie. And they worked it in there.
• 35:42
  Speaker 2: Like there was a nice little Australian tribute there. So
• 35:45
  Speaker 2: I kind of like that.
• 35:47
  Speaker 4: So now we just need some Death Race 2000 tributes.
• 35:50
  Speaker 4: I'm all for that. The Machine Gun Joe. Frankenstein. I'm
• 35:54
  Speaker 4: on time.
• 35:55
  Speaker 2: I'm Frankenstein. But it was, we had, years ago we
• 35:59
  Speaker 2: had director JT Petty on. And he was, he's a
• 36:01
  Speaker 2: big fan of Mad Max. And he was like, he
• 36:04
  Speaker 2: was the one that told me this. And I was like,
• 36:05
  Speaker 2: oh God, he might be right. He said that Babe
• 36:08
  Speaker 2: is a retelling of Mad Max.
• 36:10
  Speaker 9: Actually, it's almost embarrassing for me watching my movies, how
• 36:13
  Speaker 9: much of an effect those two movies have. Yeah, and
• 36:17
  Speaker 9: from there, I mean, Babe is still a pretty touchstone movie.
• 36:21
  Speaker 9: So a lot of George Miller in there. That one's
• 36:24
  Speaker 9: visually amazing, really. You wouldn't see that coming.
• 36:27
  Speaker 5: No, absolutely.
• 36:28
  Speaker 9: It's also, I mean, shockingly touching for what it is.
• 36:30
  Speaker 7: Yeah.
• 36:31
  Speaker 9: And pretty much the same basic story as Road Warrior
• 36:35
  Speaker 9: or your Jimbo or any of those. I mean, it's like, yeah,
• 36:37
  Speaker 9: Road Warrior comes to town with one skill and uses
• 36:40
  Speaker 9: that to fight two warring factions, you know, and it's
• 36:43
  Speaker 9: Babe can talk. Babe's tongue is his sword.
• 36:46
  Speaker 4: Are we talking about the one with the pig?
• 36:48
  Speaker 5: Yeah.
• 36:49
  Speaker 2: Babe.
• 36:49
  Speaker 1: My mind is.
• 36:50
  Speaker 2: Well, keep in mind, it's directed by the same guy.
• 36:53
  Speaker 2: That's the same man who's making this movie.
• 36:55
  Speaker 4: He made Babe.
• 36:56
  Speaker 2: He made Babe.
• 36:57
  Speaker 1: That'll do, pig.
• 36:58
  Speaker 2: That's right.
• 36:59
  Speaker 4: See, now I'm trying to remember to plot to Babe.
• 37:01
  Speaker 4: It's been so long.
• 37:03
  Speaker 2: Our main character has special skills that he's the only
• 37:06
  Speaker 2: one that can do what needs to be done. He
• 37:08
  Speaker 2: comes in. He takes over. The more he went into it,
• 37:12
  Speaker 2: I was like, he's kind of right.
• 37:14
  Speaker 4: Oh, my gosh.
• 37:15
  Speaker 2: It's an interesting concept, at least.
• 37:17
  Speaker 4: So does that mean that we can do a weird
• 37:19
  Speaker 4: mashup where we take This Mad Max, but we grabbed
• 37:22
  Speaker 4: the audio from Babe, and we have him talking as
• 37:25
  Speaker 4: Babe the pig, and we have other people talking like
• 37:28
  Speaker 4: the sheep and the old man.
• 37:30
  Speaker 2: If you have free time.
• 37:31
  Speaker 4: Mad Babe.
• 37:31
  Speaker 2: You should put that together. Babe Max.
• 37:33
  Speaker 4: Max Babe. Max Babe.
• 37:35
  Speaker 5: Mad Babe.
• 37:36
  Speaker 2: Hashtag Max Babe.
• 37:39
  Speaker 1: Dave Lugo set us up with a controversy at Cannes
• 37:41
  Speaker 1: Film Festival.
• 37:42
  Speaker 4: Oh, all right. So, like, I've read two articles on
• 37:45
  Speaker 4: this so far. Like, I assume this happened recently.
• 37:50
  Speaker 5: So.
• 37:51
  Speaker 4: whoever has Jupiter ascending, is that another, is that Sony
• 37:54
  Speaker 4: Warner brothers? It doesn't matter. Whoever made Jupiter ascending thought
• 37:58
  Speaker 4: that they were going to kind of do this kind
• 38:00
  Speaker 4: of Easter egg ish kind of thing. And with like
• 38:04
  Speaker 4: no announcement show Jupiter ascending at the cans film festival
• 38:09
  Speaker 4: under some kind of mystery title, like essentially like when
• 38:11
  Speaker 4: they sold the tickets to it, it was essentially like,
• 38:13
  Speaker 4: you know, mystery project X from, you know, universal studios
• 38:17
  Speaker 4: or whoever it's from. So people, didn't know what they
• 38:20
  Speaker 4: were about to see. They just knew they were going
• 38:22
  Speaker 4: to see someone, a movie, you know, from these people.
• 38:24
  Speaker 4: So they go in there and it's Jupiter ascending. And
• 38:27
  Speaker 4: apparently it's so bad. People are walking out.
• 38:31
  Speaker 1: I believe that.
• 38:32
  Speaker 4: Like walking out. And it, it, the way that, um,
• 38:35
  Speaker 4: they legally kind of tied his stuff down. Like no
• 38:39
  Speaker 4: one can officially do a review on it yet. Even
• 38:42
  Speaker 4: though people were there that do reviews, they can't do
• 38:46
  Speaker 4: any reviews yet, but it's, like apparently kind of like the,
• 38:50
  Speaker 4: you know, just them questioning people on the way out
• 38:51
  Speaker 4: to theater and stuff. It tanked to the cans crowd.
• 38:55
  Speaker 4: Now I get that to kind of bougie elite kid crowd.
• 38:58
  Speaker 4: So maybe it's just that, but the fact that like
• 39:01
  Speaker 4: almost everyone came out, like apparently the biggest thing was
• 39:06
  Speaker 4: everyone said it's confusing. They said that the plot's confusing
• 39:09
  Speaker 4: and they don't quite understand what's going on.
• 39:12
  Speaker 2: So basically matrix two and three.
• 39:14
  Speaker 7: Yeah.
• 39:15
  Speaker 2: The same issue everyone had with Matrix 2 and 3.
• 39:18
  Speaker 2: What do they do?
• 39:19
  Speaker 4: Two, I could grip. Three was the one where I
• 39:21
  Speaker 4: was like, okay.
• 39:21
  Speaker 1: Why are they jumping?
• 39:22
  Speaker 4: I don't.
• 39:23
  Speaker 2: They need to, I don't know. They need to bring
• 39:25
  Speaker 2: in like a third party to be like hey does
• 39:28
  Speaker 2: this make sense.
• 39:28
  Speaker 4: I had to check their stuff writers i had to
• 39:31
  Speaker 4: read like these huge essays that people wrote about the
• 39:35
  Speaker 4: matrix trilogy to fully understand it like these people had
• 39:37
  Speaker 4: to like i mean these huge essays and all the
• 39:40
  Speaker 4: time reading like why am i reading all this just
• 39:42
  Speaker 4: to understand a movie But I got there and I'm like,
• 39:44
  Speaker 4: holy F. You completely failed to portray your story if
• 39:48
  Speaker 4: that is what that was supposed to be saying.
• 39:50
  Speaker 2: But they did have a huge overarching story from the beginning,
• 39:55
  Speaker 2: I've heard. Matrix was a giant plan that wasn't just
• 40:00
  Speaker 2: one movie.
• 40:00
  Speaker 4: It was all part of their original plan. Back in
• 40:03
  Speaker 4: the day, Suncoast, did you guys ever play The Matrix
• 40:06
  Speaker 4: in the store?
• 40:06
  Speaker 6: No.
• 40:07
  Speaker 4: The Matrix VHS tape we had was like some kind of,
• 40:11
  Speaker 4: it had some kind of bonus feature thing at the
• 40:13
  Speaker 4: end where it's interviews with the cast and stuff. Lawrence
• 40:16
  Speaker 4: Fishburne has this spot where they're just like, it's just
• 40:19
  Speaker 4: him just talking about what he thinks in a movie. And,
• 40:21
  Speaker 4: you know, when they first approached him with it. And
• 40:24
  Speaker 4: I remember, you know, this is all before the second,
• 40:26
  Speaker 4: third movie came out. And I've always remembered this and
• 40:28
  Speaker 4: it's always like just amplified in my head as the
• 40:30
  Speaker 4: movies came out. And I realized how right he was.
• 40:32
  Speaker 4: But with the first one, you know, he was talking
• 40:34
  Speaker 4: about how smart it is. And he's like, you know,
• 40:38
  Speaker 4: I know you won't think it now. He's like with
• 40:40
  Speaker 4: the first movie, you know, it's not a smart kid movie,
• 40:44
  Speaker 4: but he's like, the overall story is so smart. And
• 40:48
  Speaker 4: so many people are not going to get it. And
• 40:51
  Speaker 4: like his words, he's like, I'm shocked. We're making these movies.
• 40:54
  Speaker 4: Like he said, he's like, it's so smart. I'm shocked.
• 40:57
  Speaker 4: We're making these movies. Cause nobody's going to get it.
• 41:00
  Speaker 4: Nobody at all is going to get it. And he
• 41:02
  Speaker 4: was completely right. Like as two and three came out, Man,
• 41:06
  Speaker 4: it just turned to hate. With every additional movie, it
• 41:08
  Speaker 4: was just hate.
• 41:10
  Speaker 2: Yeah, it wasn't like they just slapped on.
• 41:12
  Speaker 4: Say it, the Dark Lord.
• 41:14
  Speaker 2: They didn't just slap on those stories. Because, yeah, that's
• 41:16
  Speaker 2: what I heard. They went into the pitch room with
• 41:19
  Speaker 2: the entire arc of all three movies. And they were
• 41:21
  Speaker 2: just like, okay.
• 41:23
  Speaker 1: Well, didn't they originally want to make just the second
• 41:25
  Speaker 1: one first? Because it had the most action. And then
• 41:27
  Speaker 1: they're like, the Wachowskis were fighting. Like, no, we have
• 41:29
  Speaker 1: to start off at one.
• 41:30
  Speaker 4: Or they did some stuff that I guess is technically... Again,
• 41:34
  Speaker 4: this is from the special stuff. The executive producer was
• 41:38
  Speaker 4: joking about how they kind of came in with this
• 41:42
  Speaker 4: mentality that here are scenes that cannot be cut, period.
• 41:47
  Speaker 4: These scenes have to be in the movie. And they're like,
• 41:50
  Speaker 4: you don't understand how editing works. You don't get to
• 41:52
  Speaker 4: come in and tell us what definitely stays in. Apparently,
• 41:55
  Speaker 4: they fought tooth and nail for the sex scene in
• 41:58
  Speaker 4: part two. When Trinity and Neo, during the rave, have that...
• 42:02
  Speaker 4: From day one, they're like, the rave scene in the
• 42:04
  Speaker 4: second movie will happen. Period. You will not cut that.
• 42:09
  Speaker 4: And it's just in retrospect, it's like, why was that
• 42:11
  Speaker 4: scene so important to you guys? That was the scene
• 42:14
  Speaker 4: that felt so weird. It became a music video in
• 42:16
  Speaker 4: the middle of the movie, and it's like, why are we...
• 42:18
  Speaker 4: Why is everybody dry humping? Why do they have to
• 42:21
  Speaker 4: see this?
• 42:22
  Speaker 2: It's an art in their brains.
• 42:25
  Speaker 1: And now back to Jupiter Ascending.
• 42:28
  Speaker 4: You're the perfect hunting machine.
• 42:32
  Speaker 7: Fearless.
• 42:34
  Speaker 2: Relentless.
• 42:37
  Speaker 5: You've been searching for one thing your whole life. And
• 42:42
  Speaker 5: she's down there.
• 42:46
  Speaker 4: Make sure this is the right one.
• 42:48
  Speaker 3: It's her.
• 42:49
  Speaker 7: Good.
• 42:50
  Speaker 5: Killer.
• 42:54
  Speaker 1: He's gonna die.
• 42:54
  Speaker 5: Yeah.
• 42:55
  Speaker 4: He dies in the first half hour. He dies in everything.
• 43:00
  Speaker 4: For England, Mila. It must be on his resume. Like,
• 43:04
  Speaker 4: you know, like, talent's dying. I'm great at dying in movies.
• 43:10
  Speaker 4: I'll give you half an hour. I'll get him to
• 43:12
  Speaker 4: like me just enough to be upset that I just died.
• 43:15
  Speaker 1: I got my flying shoes.
• 43:17
  Speaker 4: You know, even just from watching this trailer, I feel
• 43:19
  Speaker 4: like this is one of those things where it's... It's.
• 43:20
  Speaker 1: John Carter, too. Come on. It's going to suck.
• 43:23
  Speaker 2: No. John Carter was good.
• 43:25
  Speaker 4: Yeah, I was going to say. Dude, that's a whole
• 43:27
  Speaker 4: other conspiracy. Did you read about, like, the whole Disney
• 43:30
  Speaker 4: thing on that?
• 43:31
  Speaker 2: Oh, they did.
• 43:32
  Speaker 4: Disney was like, yeah, they shot themselves in the foot
• 43:35
  Speaker 4: on purpose. They were so upset that that movie did well,
• 43:39
  Speaker 4: they did everything they could to snuff it. It's so weird.
• 43:41
  Speaker 2: They went out of their way to screw that movie.
• 43:44
  Speaker 4: That movie is the inspiration for so much of what
• 43:48
  Speaker 4: is sci-fi today. And it's like they did not get
• 43:52
  Speaker 4: behind it at all.
• 43:53
  Speaker 2: So much.
• 43:55
  Speaker 4: See, I'm just confused. It's like we got dragons, we
• 43:57
  Speaker 4: got spaceships, we got jet shoes. I mean, I don't...
• 44:04
  Speaker 4: What is going on?
• 44:06
  Speaker 1: Mila Kunis.
• 44:08
  Speaker 4: I just feel like someone stole a video game script
• 44:11
  Speaker 4: and made a movie of it instead.
• 44:12
  Speaker 2: He might have it, actually.
• 44:14
  Speaker 1: We'll tie the CGI sequences together with Mila Kunis.
• 44:18
  Speaker 4: Is this Mass Effect 4?
• 44:19
  Speaker 1: I just don't know how they put Channing Tatum on it.
• 44:23
  Speaker 1: He's only good at dancing.
• 44:24
  Speaker 4: You know, I hate that I'm going to have to
• 44:25
  Speaker 4: watch him as Gambit. Because I love Gambit and I'm
• 44:28
  Speaker 4: going to have to watch that movie. Even if it sucks,
• 44:30
  Speaker 4: I'm going to have to watch it. But I'm not.
• 44:32
  Speaker 4: Unless he loses weight. I've never imagined Gambit that thick.
• 44:36
  Speaker 4: Gambit's like, he's a thief. He's like an average build
• 44:40
  Speaker 4: kind of guy. He's like not a muscle head. Like what?
• 44:44
  Speaker 2: And in this one, he looks more male strippery than
• 44:47
  Speaker 2: his male strippers. Like that weird makeup he's got going on.
• 44:50
  Speaker 2: Isn't that your stage makeup?
• 44:51
  Speaker 4: His facial hair feels so forced. His little goatee. Like
• 44:54
  Speaker 4: it doesn't look natural at all.
• 44:55
  Speaker 5: No, it's not.
• 44:56
  Speaker 4: There's a strangeness to it. It's almost like it's longer
• 44:58
  Speaker 4: than his hair because he's got a buzz cut and
• 45:00
  Speaker 4: it's like his facial hair is longer than his hair
• 45:03
  Speaker 4: and that always looks weird.
• 45:04
  Speaker 2: I don't know. Where do you think the problems are
• 45:06
  Speaker 2: with this movie?
• 45:08
  Speaker 4: I can tell just from the trailer it looks chaotic.
• 45:11
  Speaker 1: The first problem is that it's been episode two'd. It's
• 45:14
  Speaker 1: entirely CG'd.
• 45:15
  Speaker 2: Yeah, it looks so CG'd.
• 45:17
  Speaker 4: I have a feeling that is going to be 90% action,
• 45:20
  Speaker 4: 10% story and at 10% story it's probably not going
• 45:22
  Speaker 4: to matter.
• 45:23
  Speaker 6: Yeah.
• 45:25
  Speaker 2: Well, it just looks like the trailer looks convoluted. Like,
• 45:28
  Speaker 2: I don't even know where we're going in this trailer.
• 45:32
  Speaker 2: It just looks like a lot of like.
• 45:33
  Speaker 4: Which is by location. You know, it's like you have
• 45:35
  Speaker 4: all these spaces, all these shots in space and these spaceships.
• 45:38
  Speaker 4: And then all of a sudden you're back in New
• 45:39
  Speaker 4: York City flying around skyscrapers in your jet shoes.
• 45:43
  Speaker 1: Like, how is all this connected? I would want to
• 45:46
  Speaker 1: see it more if whoever tied the Interstellar trailer together
• 45:50
  Speaker 1: had done this. Where it's just. Matthew McConaughey driving and
• 45:53
  Speaker 1: crying in the spaceship.
• 45:56
  Speaker 2: See, I felt like that was a terrible trailer because
• 45:58
  Speaker 2: I almost didn't want to see Interstellar because of the trailer.
• 46:00
  Speaker 1: But it gave nothing away.
• 46:01
  Speaker 2: Yeah, but at the same time, it doesn't even look
• 46:03
  Speaker 2: like they go to space. I thought the whole thing
• 46:06
  Speaker 2: was lead up to him launching and that was the
• 46:08
  Speaker 2: entire movie. And so much of the movie is in
• 46:10
  Speaker 2: space and that's what I ended up liking. So I'm like,
• 46:13
  Speaker 2: I almost didn't go see it because of what they
• 46:15
  Speaker 2: presented in that trailer. There's a fine line of like, yes,
• 46:18
  Speaker 2: please don't tell me too much. But at the same time,
• 46:20
  Speaker 2: At least give me an idea of where we're going
• 46:22
  Speaker 2: to be for the movie. Like, I don't know. That
• 46:24
  Speaker 2: one was almost on the wrong side of that line
• 46:27
  Speaker 2: for me.
• 46:27
  Speaker 1: At least with this trailer, I don't have to go
• 46:28
  Speaker 1: see the movie.
• 46:29
  Speaker 4: It's true.
• 46:30
  Speaker 2: Because you won't understand it even if you do.
• 46:32
  Speaker 1: And Janning Tatum doesn't strip, so I'm not interested in going.
• 46:36
  Speaker 2: The next one's coming, don't worry.
• 46:37
  Speaker 4: But does Mila Kunis strip? Mila Kunis.
• 46:41
  Speaker 1: We have nothing good to say about this.
• 46:43
  Speaker 4: It's just not my kind of movie. To me, you know,
• 46:47
  Speaker 4: I don't. I can't really back it up, but my
• 46:50
  Speaker 4: gut impression tells me it's going to be a very generic, sci-fi,
• 46:55
  Speaker 4: get butts in a theater kind of movie. No integrity.
• 46:58
  Speaker 4: It's not a movie. Even if you liked it this summer,
• 47:01
  Speaker 4: it won't be a movie you like next summer. There's
• 47:04
  Speaker 4: nothing long-lasting. I really kind of don't have time for
• 47:07
  Speaker 4: those kind of movies anymore.
• 47:08
  Speaker 1: Because nobody goes back and watches Ben Affleck's Paycheck.
• 47:13
  Speaker 2: Hey, it's no Reindeer Games, but what are you going
• 47:14
  Speaker 2: to do?
• 47:15
  Speaker 1: That was rough.
• 47:17
  Speaker 2: Rough. So do we want to round out with Jurassic World?
• 47:20
  Speaker 1: Do you want to round out with Age of Ultron instead?
• 47:22
  Speaker 2: I don't know. What do you think?
• 47:24
  Speaker 1: I think it's getting too loud in here for you
• 47:25
  Speaker 1: to do many more of these.
• 47:26
  Speaker 5: I don't think.
• 47:27
  Speaker 2: Pick one and go out and we'll save the next
• 47:29
  Speaker 2: one for the next.
• 47:30
  Speaker 4: You know what's ironic is there's a lot of rumors
• 47:33
  Speaker 4: that they're going to sneak a Batman vs. Superman trailer
• 47:36
  Speaker 4: into Super Bowl. Apparently there's a lot of internet chatter
• 47:39
  Speaker 4: that like that's going to be the big surprise is
• 47:42
  Speaker 4: that the trailer is going to be during the Super Bowl.
• 47:45
  Speaker 2: I don't know if I can.
• 47:45
  Speaker 7: Yeah.
• 47:47
  Speaker 2: Like, I'll see it, I guess, but I don't know
• 47:50
  Speaker 2: why they need to be salivating over it. Like, it'll
• 47:53
  Speaker 2: be out when it comes out.
• 47:54
  Speaker 4: This is like the greatest train wreck ever about to happen.
• 47:57
  Speaker 2: What, there's Ultron?
• 47:58
  Speaker 4: No, Batman v Superman. It's going to be the age
• 48:00
  Speaker 4: of Ultron.
• 48:01
  Speaker 6: Right?
• 48:02
  Speaker 5: The real Michael.
• 48:02
  Speaker 4: I can't believe it's only like three, four months now. Like,
• 48:04
  Speaker 4: it's so close. It's so close.
• 48:08
  Speaker 5: May?
• 48:08
  Speaker 4: Isn't it May?
• 48:09
  Speaker 1: And then it's going to be so horrible when Apocalypse
• 48:11
  Speaker 1: comes out.
• 48:13
  Speaker 4: Oh, did you hear about the casting? For Jean Grey, Cyclops,
• 48:19
  Speaker 4: and Storm. Yeah, they're young. Sansa from Game of Thrones
• 48:22
  Speaker 4: is Jean Grey. That's how young we're talking. That's how young.
• 48:26
  Speaker 4: They're making them young. The other two, I didn't recognize
• 48:29
  Speaker 4: the names, but I looked at the pictures and they
• 48:31
  Speaker 4: are all like teenagers. Jean Grey, Cyclops, and Storm.
• 48:36
  Speaker 2: Teenagers.
• 48:37
  Speaker 1: X and Magneto are their age groups. Fassbender and whatever
• 48:40
  Speaker 1: his name is. Then it makes sense.
• 48:42
  Speaker 2: It also makes sense now, and we've seen this with
• 48:44
  Speaker 2: Harry Potter, if you're going to make a whole bunch
• 48:45
  Speaker 2: of movies, you better cast them young enough that you
• 48:47
  Speaker 2: can keep them around. If it's a two, three year
• 48:50
  Speaker 2: break in between each, that you can come back and
• 48:53
  Speaker 2: they're not 30 and 40 years old when they're already
• 48:55
  Speaker 2: too old to be playing the parts anymore. Or for
• 48:58
  Speaker 2: anybody to go see them.
• 48:59
  Speaker 4: Well, that's why, from what I understand, that's why in
• 49:03
  Speaker 4: Game of Thrones, Bran's character in a TV show, they
• 49:07
  Speaker 4: already have him at the point where he is in
• 49:10
  Speaker 4: the last book. Way ahead of where the show, where
• 49:13
  Speaker 4: he would be with the rest of the show because
• 49:15
  Speaker 4: he's growing so quick. They're like, we need to hurry
• 49:17
  Speaker 4: up and get you through your parts before you just
• 49:20
  Speaker 4: straight up look like a grown man because he's supposed
• 49:22
  Speaker 4: to be a little kid whose legs don't work and
• 49:25
  Speaker 4: yeah he's getting so big they're like we're just gonna
• 49:27
  Speaker 4: you know streamline your plot part to the end so
• 49:31
  Speaker 4: we can just leave you off screen for a couple
• 49:33
  Speaker 4: years because he's just growing too big.
• 49:37
  Speaker 2: When you're dealing with actors getting older, making sequels.
• 49:41
  Speaker 4: Growing pubic hair. Depends on what kind of movie you're making.
• 49:44
  Speaker 4: But my question, again, being a comic kid, so does
• 49:50
  Speaker 4: this mean that we're going to get Hugh Jackman making
• 49:52
  Speaker 4: out with Sansa? Absolutely.
• 49:54
  Speaker 1: It has to happen.
• 49:56
  Speaker 4: I mean, think about that love triangle. Because the kid
• 49:59
  Speaker 4: playing Cyclops looks like a kid. So you're going to
• 50:01
  Speaker 4: have this grown-ass Hugh Jackman trying to steal this 17-year-old,
• 50:05
  Speaker 4: 17-year-old girlfriend. That's going to be super creepy.
• 50:11
  Speaker 2: Having just rewatched that first one, I was like, they're
• 50:14
  Speaker 2: definitely playing that Rogue is totally kind of crushing on him.
• 50:19
  Speaker 2: And he at least pulls out that he's more into
• 50:22
  Speaker 2: Jean Grey. But I kind of forgot how much They
• 50:25
  Speaker 2: were sort of setting that up where like she was
• 50:27
  Speaker 2: into him and like she was really.
• 50:30
  Speaker 4: If you're making a Gambit movie, then you need to
• 50:33
  Speaker 4: straighten out your rogue Gambit. And because it like it's
• 50:37
  Speaker 4: Rogan Gambit. It's not Rogan Wolverine. It's Rogan Gambit. You
• 50:40
  Speaker 4: need to get that shit straight if you're doing a
• 50:42
  Speaker 4: Gambit movie. And we don't need we don't need. paquin
• 50:46
  Speaker 4: anymore she can she can go on we can recast
• 50:48
  Speaker 4: we can you can go do your your true.
• 50:50
  Speaker 2: Blood stuff during the last time she had her little cameo.
• 50:53
  Speaker 4: You had your chance with redneck vampires she had like
• 50:55
  Speaker 4: 10 seconds what was it just her like kissing johnny
• 50:58
  Speaker 4: in a hallway or something it was just like 10 seconds.
• 51:00
  Speaker 2: And like her name was way up in the credits
• 51:02
  Speaker 2: too because now she's a vampire star you.
• 51:05
  Speaker 4: Know because she blows vampires so you know butts in
• 51:09
  Speaker 4: seats that's what are we ready for age of ultron
• 51:13
  Speaker 4: So ready.
• 51:14
  Speaker 2: If you think you can handle it.
• 51:17
  Speaker 4: This vulnerable world needs something more powerful than any of us.
• 51:26
  Speaker 4: Everyone creates the thing they dread. Ultra in the flesh.
• 51:37
  Speaker 10: No matter who wins or loses, trouble always comes around.
• 51:43
  Speaker 2: You've meddled with something you don't understand.
• 51:47
  Speaker 8: We have no place in the world.
• 51:58
  Speaker 2: Oh, boy. $ 300 million.
• 52:03
  Speaker 4: So, as we're watching this... Okay, wait. There might be
• 52:06
  Speaker 4: a throw-in. Someone said that, you know, how geeks are.
• 52:11
  Speaker 4: We're gonna, like, go frame by frame through trailers and
• 52:14
  Speaker 4: try to see everything.
• 52:15
  Speaker 2: Everyone has, yes.
• 52:16
  Speaker 4: I think it's the third one. There is a claim
• 52:20
  Speaker 4: that you can see a Grey Hulk at some point.
• 52:22
  Speaker 4: Someone claims that if you go frame by frame.
• 52:25
  Speaker 1: During the Super Bowl.
• 52:26
  Speaker 4: This is going to be so good. Oh, South Africa.
• 52:30
  Speaker 1: God, I just really hope they kill Hawkeye.
• 52:33
  Speaker 4: I hate Hawkeye so much.
• 52:34
  Speaker 5: Shut up.
• 52:35
  Speaker 1: I hate Hawkeye.
• 52:36
  Speaker 4: Shut your face. God, James Spader's voice is so perfect.
• 52:40
  Speaker 2: Oh, yeah.
• 52:41
  Speaker 4: An Olsen. I love that Olsen so much.
• 52:44
  Speaker 2: I love Elizabeth Olsen. She is so awesome.
• 52:46
  Speaker 1: Oh, that other kid. Is this Godzilla again? I'd be
• 52:49
  Speaker 1: sick if Godzilla was in this movie.
• 52:52
  Speaker 2: Gollum.
• 52:53
  Speaker 4: I wonder who he's going to be. You don't know
• 52:56
  Speaker 4: who he's going to be?
• 52:57
  Speaker 8: No.
• 52:57
  Speaker 1: He's a set up for Black Panther. He's Black Panther's villain.
• 52:59
  Speaker 4: Oh, shut your face.
• 53:01
  Speaker 5: I promise.
• 53:02
  Speaker 1: Not him. He's the villain from Black Panther.
• 53:04
  Speaker 5: Oh, okay.
• 53:04
  Speaker 4: I thought you said he was going to be Black Panther.
• 53:05
  Speaker 1: He's not black.
• 53:06
  Speaker 4: He's not colored.
• 53:07
  Speaker 1: He's not colored.
• 53:09
  Speaker 4: So word on the street is that Scarlet Witch takes
• 53:13
  Speaker 4: control of the Hulk.
• 53:14
  Speaker 2: Nice.
• 53:15
  Speaker 4: And that's why this fight's going on. And if you look,
• 53:18
  Speaker 4: his eyes look red or something. There's something to kind
• 53:20
  Speaker 4: of show he's under an influence. I'm very excited. Hulkbuster
• 53:26
  Speaker 4: armor looks so awesome.
• 53:27
  Speaker 1: Hulkbuster is going to be the cosplay of the next decade.
• 53:31
  Speaker 3: Oh, God.
• 53:31
  Speaker 4: You're not going to be able to walk in conventions
• 53:34
  Speaker 4: because there's going to be so many big Hulk-y people
• 53:37
  Speaker 4: under Hulkbuster armor.
• 53:39
  Speaker 1: Battle Damage Hulkbuster.
• 53:40
  Speaker 2: How will they make that into a bikini shape? That's
• 53:43
  Speaker 2: your job. Get on that. Internet has requested.
• 53:48
  Speaker 4: Someone will find a way. For sure.
• 53:51
  Speaker 2: There's probably somebody with one right now.
• 53:54
  Speaker 1: It probably just involves paint.
• 53:56
  Speaker 4: I'm so stoked for this. And the thing is, you know,
• 53:58
  Speaker 4: with Whedon and everybody involved with stuff, there's so much
• 54:01
  Speaker 4: you don't see in these trailers.
• 54:02
  Speaker 1: Yeah, it's the best.
• 54:02
  Speaker 4: I mean, it's the thing. As excited as you got
• 54:04
  Speaker 4: for the first Avengers trailer and this trailer, You got
• 54:07
  Speaker 4: in the theater and there was so much that wasn't
• 54:10
  Speaker 4: in the trailer that you know that's happening. Like, you
• 54:12
  Speaker 4: haven't seen Vision at all. And Vision's in it. Like,
• 54:15
  Speaker 4: Vision will be in it. So, you have a whole
• 54:19
  Speaker 4: character you haven't shown at all. He was a big
• 54:21
  Speaker 4: deal character. Vision's a very big deal.
• 54:24
  Speaker 2: Yeah, Emily Olsen's awesome. That was one of the few. Like,
• 54:27
  Speaker 2: I was kind of surprised at first when she started
• 54:29
  Speaker 2: taking these huge properties. But I'm like, I don't care
• 54:32
  Speaker 2: because she's such a good actress that I'm like, They
• 54:35
  Speaker 2: can put her in all that stuff. I don't care.
• 54:37
  Speaker 4: Well, and Kick-Ass Kid playing Quicksilver. How awesome was that?
• 54:41
  Speaker 2: It wasn't awesome last time.
• 54:42
  Speaker 1: It wasn't awesome in Godzilla.
• 54:46
  Speaker 4: I like him. I like him in Kick-Ass.
• 54:48
  Speaker 2: I liked him.
• 54:49
  Speaker 4: In the first Kick-Ass.
• 54:50
  Speaker 1: When he's like a little skinny nerd, I like him.
• 54:53
  Speaker 4: Although I do think X-Men kind of set the bar
• 54:55
  Speaker 4: in Quicksilver because I liked the kid from American Horror Story.
• 54:59
  Speaker 4: I thought he was fantastic. I thought that might have
• 55:02
  Speaker 4: been the best part of of that movie was his character.
• 55:07
  Speaker 2: It's also played really smart because it definitely leaves you
• 55:09
  Speaker 2: wanting more. If they would have, like, drug him along
• 55:11
  Speaker 2: and made him, like, well, maybe we'd have gotten tired
• 55:13
  Speaker 2: of it. But because we get maybe that 15-minute run,
• 55:15
  Speaker 2: it's like, dude, that was awesome.
• 55:17
  Speaker 4: Well, and that scene, you know, when they're escaping from
• 55:21
  Speaker 4: the Pentagon was so genius because... Going back to the
• 55:28
  Speaker 4: last episode again, that was one of those things that
• 55:31
  Speaker 4: justifies the power. Because again, with Flash, you're like, cool,
• 55:34
  Speaker 4: you can run fast. Quicksilver, cool, you can run fast.
• 55:37
  Speaker 4: But this is what running fast and moving fast can do.
• 55:40
  Speaker 4: It was like, this is how that power is significant.
• 55:44
  Speaker 4: He just fucked that room up in like half a second.
• 55:48
  Speaker 4: I mean, they were about to be gunned down. It
• 55:52
  Speaker 4: was a really good way of establishing Quicksilver and making
• 55:54
  Speaker 4: him seem like someone that matter, not just a gimmick power.
• 55:57
  Speaker 2: Yeah.
• 55:58
  Speaker 4: And so it'll be interesting to see if Marvel can
• 56:00
  Speaker 4: back that up too. And cause he's not really in
• 56:03
  Speaker 4: that trailer. You see Scarlet Witch, but.
• 56:06
  Speaker 2: She's such a marketable person in general. She's a name now.
• 56:11
  Speaker 4: And she's really strong in the Marvel universe.
• 56:13
  Speaker 2: She's very strong.
• 56:14
  Speaker 1: Is it amazing that they haven't really shown her, you know,
• 56:17
  Speaker 1: how she makes people think other people are dead. They
• 56:19
  Speaker 1: haven't like sold the cracked shield from Captain America or
• 56:24
  Speaker 1: the busted shield. Iron Man armor, it's like, I cannot
• 56:27
  Speaker 1: wait till we get closer to the movie and they
• 56:29
  Speaker 1: start releasing that shit. And then with Vision, it's like.
• 56:32
  Speaker 4: It's going to be awesome. It's going to go down.
• 56:34
  Speaker 4: I cannot wait. I just, I wonder what, what would
• 56:38
  Speaker 4: your teaser be at the end of the second one?
• 56:40
  Speaker 2: Because, you know, like.
• 56:41
  Speaker 1: They're probably going to not go towards Thanos and go
• 56:43
  Speaker 1: towards all of the new properties that are coming. I
• 56:46
  Speaker 1: guarantee it's going to be Black Panther because the guy,
• 56:48
  Speaker 1: Andy Serkis, is like the bad guy from Black Panther.
• 56:51
  Speaker 1: So it's got to tie into.
• 56:52
  Speaker 4: Do you think that hidden clip at the end is
• 56:54
  Speaker 4: going to be.
• 56:55
  Speaker 1: Linking up Black Panther? It wasn't Iron Man. When they
• 56:59
  Speaker 1: get Tony Stark, maybe it wasn't Iron Man 2 or something.
• 57:03
  Speaker 1: They got him in the room and you can see
• 57:04
  Speaker 1: all the TVs with all the maps. That was the
• 57:09
  Speaker 1: thing for that movie.
• 57:09
  Speaker 2: Right.
• 57:10
  Speaker 1: And it shows Africa and this.
• 57:12
  Speaker 10: Yeah.
• 57:12
  Speaker 4: Yeah, they've been hinting at it for a while.
• 57:15
  Speaker 1: So I think it's going to be more of that.
• 57:16
  Speaker 4: Wasn't in the first Avengers when Tony Stark's first pulling
• 57:20
  Speaker 4: up all the footage of the other superhero stuff, isn't
• 57:22
  Speaker 4: one of those in Africa?
• 57:24
  Speaker 1: Yeah.
• 57:25
  Speaker 4: Because it looks like news footage around the world and
• 57:27
  Speaker 4: he sees a lot of stuff and I think... The ore...
• 57:30
  Speaker 4: The vibranium?
• 57:31
  Speaker 1: Yeah, I think it's vibranium.
• 57:33
  Speaker 4: Yeah, I'm stoked. Why can't we have Angela Bassett as Storm?
• 57:37
  Speaker 4: That's all I want. I just want Angela. She would
• 57:39
  Speaker 4: be awesome.
• 57:40
  Speaker 1: She would be awesome.
• 57:41
  Speaker 4: And she could still do it. She could still kill it.
• 57:44
  Speaker 2: I'm okay with it. We missed the window for Iman.
• 57:48
  Speaker 2: Because somebody suggested that years ago. I was like, that's
• 57:50
  Speaker 2: a good look. I don't know about her acting, but
• 57:52
  Speaker 2: that's a good look. But she's way too old now.
• 57:55
  Speaker 2: Anything else we need to cover in this episode? I
• 58:01
  Speaker 2: don't think we can. Patrick's house is a party 24-7.
• 58:07
  Speaker 2: All right. I guess that is enough for trailer trash
• 58:10
  Speaker 2: this week. Are we still calling it that? That's enough
• 58:12
  Speaker 2: for Pete71258. Otherwise, that about does it. We will return
• 58:17
  Speaker 2: next time. Same geek feed. Thanks for listening.
• 58:42
  Speaker 3: Like in the morning.
• 58:43
  Speaker 6: Of a crazy night Like.
• 58:47
  Speaker 3: Some mother and daughter in a night of chaste No way,
• 58:56
  Speaker 3: no way, no way, no way Coming soon.
• 59:02
  Speaker 1: Coming soon Oh yeah.
• 59:00
  Speaker 3: The same old babies with the same old toys They
• 59:04
  Speaker 3: were screaming when.
• 59:25
  Speaker 6: Bye. Bye.
• 1:00:27
  Speaker 3: Coming soon Coming soon On the other side On the
• 1:00:34
  Speaker 3: train Coming soon Coming soon.
• 1:01:06
  Speaker 1: So we're going to record something.
• 1:01:07
  Speaker 5: Nice.
• 1:01:09
  Speaker 1: So you can't talk too loud. And we're going to
• 1:01:11
  Speaker 1: be nerds and talk to the TV.
• 1:01:12
  Speaker 4: What are you going to record?
• 1:01:14
  Speaker 1: It's an internet show. I don't know how to make
• 1:01:16
  Speaker 1: it make sense. You just got to be quiet. I
• 1:01:18
  Speaker 1: don't know how to make it. You got to be quiet.
• 1:01:20
  Speaker 1: I don't understand the concept. Three more trailers.
• 1:01:23
  Speaker 2: What's it about?
• 1:01:23
  Speaker 1: We just make fun of the trailers.
• 1:01:25
  Speaker 2: I think he needs to get a mic. Mic him up.
• 1:01:30
  Speaker 2: He will talk to anybody.
• 1:01:32
  Speaker 5: Mic him up.
• 1:01:35
  Speaker 1: You just watch it, and then we comment on it.
• 1:01:38
  Speaker 1: I think you need to run it over with the Tacominators.
• 1:01:42
  Speaker 6: Okay, here we go.
• 1:01:43
  Speaker 4: I'm sorry about this.
• 1:01:45
  Speaker 1: It means our episode's going to end real quick.
• 1:01:47
  Speaker 2: Are you doing karaoke?
• 1:01:49
  Speaker 7: Yes.
• 1:01:50
  Speaker 2: I like karaoke.
• 1:01:51
  Speaker 7: This episode is a production of Movie Meltdown, produced and
• 1:01:54
  Speaker 7: edited by The Oddity Studios, with opening music performed by
• 1:01:57
  Speaker 7: The Empires. For more on how to sponsor or support
• 1:02:00
  Speaker 7: the show, email producer at moviemeltdown.com.
• 1:02:03
  Speaker 2: Talk hard!