Latest / Satanic Youth Kenya (SatanYK) / SatanYK EP LXX Vintage Audio Plays From Early 1900s prt 1
Transcript
- 0:15Speaker 1: Welcome back to Satanic Youth Kenya. As you have noticed,
- 0:22Speaker 1: we are on our 70th episode. And among our 70s
- 0:29Speaker 1: We will be taking you back to early 1900s or
- 0:34Speaker 1: even earlier, maybe 1800s, by bringing you audio recordings or
- 0:42Speaker 1: audio plays that were normally played on radio stations or
- 0:48Speaker 1: even songs as plays as we will be doing on
- 0:53Speaker 1: our current episode. Let's begin. Today, we will be playing
- 1:02Speaker 1: an audio by Francesco Tamagno, since Fabius Othello's death scene
- 1:13Speaker 1: on 1903.
- 1:24Speaker 2: I love a sailor, but sailor loves me, and sails
- 1:28Speaker 2: every night to my home. He's not a sailor, but
- 1:32Speaker 2: sails over the sea, far over the.
- 1:35Speaker 3: Wild, blinding pool.
- 1:37Speaker 4: For he owns an end, he sends sails.
- 1:40Speaker 5: Upon ice, he's just like a bird of the wind.
- 1:44Speaker 5: And when the shadows of evening.
- 1:46Speaker 2: Grow night, he'll sail to my window and sing. Come
- 1:52Speaker 2: take a trip in my airship. Come take a sail
- 1:56Speaker 2: from the stars.
- 1:58Speaker 3: Come have a ride around Venus.
- 2:02Speaker 6: Come have a.
- 2:02Speaker 7: Spin around Mars.
- 2:05Speaker 4: No one to watch while we're busy. No one to
- 2:09Speaker 4: see while we're cool.
- 2:11Speaker 7: Come take a trip in my airship.
- 2:14Speaker 4: And we'll visit the man in the blue.
- 2:19Speaker 2: Will the audience please.
- 2:20Speaker 5: Join me in whistling the chorus?
- 2:22Speaker 8: © BF-WATCH TV 2021.
- 2:51Speaker 4: Take a trip with my auntie, come take a sip
- 2:55Speaker 4: of the sun.
- 2:57Speaker 2: Come have a ride around Venus, come have.
- 3:01Speaker 4: A drink around us.
- 3:03Speaker 2: No one can work while we're busy, no one can
- 3:07Speaker 2: see while we're sad.
- 3:10Speaker 4: But take a trip with my auntie.
- 3:12Speaker 8: Come take a sip of the sun.
- 3:25Speaker 1: When Giuseppe Verdi's opera Othello first opened on 5 February 1887,
- 3:36Speaker 1: it was the great tenor Francesco Tamagno who took the
- 3:43Speaker 1: lead role. Here he is in 1903, two years after
- 3:50Speaker 1: Verdi's death, and two years before his own, singing the
- 3:57Speaker 1: death sense, singing the death seal of Othello. Niamh Miitema,
- 4:08Speaker 1: it is worth listening to the very end to catch
- 4:12Speaker 1: the strange groan, which we can only assume Mr. Magno
- 4:19Speaker 1: bringing some theatrical drama of a death throb to the
- 4:25Speaker 1: recording or he's just remembered something rather terrible important he
- 4:33Speaker 1: forgot to do. This second recording named Interruptions performed by
- 4:46Speaker 1: Tom Woodwell 1909 is a comedic song performed by the
- 4:56Speaker 1: music hall performer, as we said, Tom Woodward, who lived
- 5:05Speaker 1: from 1865 to 1941. The lyrics for the song, as
- 5:12Speaker 1: well as other well-known numbers from the heydays of the
- 5:18Speaker 1: music halls, can be found or the website that I
- 5:24Speaker 1: put the link below. The music all started off with
- 5:31Speaker 1: taverns and public houses holding performances in the 1830s where
- 5:38Speaker 1: people could eat and drink while they listened to the
- 5:43Speaker 1: songs being performed.
- 5:52Speaker 7: Yes, Satanist. Thank you. Can you see me?
- 6:51Speaker 9: Can you?
- 6:59Speaker 7: Can you find me?
- 7:00Speaker 8: Can you find me? I'm here. Behind you, look.
- 7:06Speaker 7: Behind you. I believe I can.
- 7:25Speaker 9: I saw love shining through the blue sky. When trust
- 7:43Speaker 9: lies within and.
- 7:59Speaker 7: Thank you.
- 8:41Speaker 1: Barbara Allen performed by Frank Luther. American country singer Frank Luther,
- 8:53Speaker 1: born Francis Luther Crowe, 18 to 1980, performing the folk
- 9:04Speaker 1: song Barbara Allen. The earliest mention of the song can
- 9:11Speaker 1: be found in a diary entry of Samuel Pepys from
- 9:16Speaker 1: January 1666, while the first printed version of the song
- 9:24Speaker 1: in the United States is from 1836. Originally from England
- 9:32Speaker 1: and Scotland, the song is a traditional ballad which with
- 9:39Speaker 1: various versions to the lyrics but with the central theme
- 9:45Speaker 1: of the song remaining the same. A young man lies
- 9:50Speaker 1: down when he tells his servants to bring a woman
- 9:54Speaker 1: to Barbara Allen to see him. The lovers have had
- 10:00Speaker 1: a quarrel and the young man dies with Barbara taking
- 10:05Speaker 1: pity on him only when it is too late. She
- 10:12Speaker 1: dies shortly afterwards and the lovers are united as the
- 10:17Speaker 1: rosebush and Briar that grow on their graves are intertwined.
- 10:27Speaker 7: Enjoy.
- 10:29Speaker 1: Yes, sir.
- 10:43Speaker 10: It was in the merry month of May when flowers
- 10:47Speaker 10: were a-bloomin'. Sweet Willie on his deathbed lay for the.
- 10:52Speaker 2: Love of Barbara Allen.
- 10:55Speaker 10: He sent his servant to the town, the town where
- 10:59Speaker 10: she did dwell in, saying, Master, dear has sent me
- 11:03Speaker 10: here if your name.
- 11:04Speaker 2: Be Barbara Allen.
- 11:18Speaker 10: Then slowly, slowly, she got up and slowly she went
- 11:23Speaker 10: to him.
- 11:24Speaker 2: And all she said when she.
- 11:26Speaker 10: Got there, young man, I think you're dying. Oh, don't
- 11:31Speaker 10: you remember the other day when we were in the tavern?
- 11:36Speaker 10: You drank a health to the ladies there and slighted
- 11:40Speaker 10: Barbara Alleyan. He turned his face unto the wall. He
- 11:57Speaker 10: turned his back upon her. Adieu, adieu to all my friends.
- 12:02Speaker 10: Be kind to Barbara Allen. She went on through and
- 12:07Speaker 10: through the town.
- 12:08Speaker 2: She heard his death bells ringing.
- 12:11Speaker 10: And every stroke they seem to say, O cruel Barbara Alleyan.
- 12:29Speaker 2: She looked to the east, she looked to the west,
- 12:32Speaker 2: she saw his corpse come in.
- 12:35Speaker 10: Oh, set him down for me, she cried, that I
- 12:38Speaker 10: may gaze upon him. The more she looked, the more
- 12:43Speaker 10: she grieved. She bursted out to crying, saying, pick me
- 12:48Speaker 10: up and carry me home, for I feel like I
- 12:51Speaker 10: am dying. They buried Willie in the old churchyard and
- 13:07Speaker 10: Barbara in the new one. And from Willie's grave there
- 13:12Speaker 10: grew a rose and from Barbara's a green briar.
- 13:16Speaker 2: They grew, they.
- 13:17Speaker 10: Grew to the old church wall and could not grow
- 13:20Speaker 10: any higher. And there they tied in a true love
- 13:24Speaker 10: knot the rosebush and the briar.
- 13:48Speaker 1: Adelina Patti singing the last rose of summer in 1905.
- 13:55Speaker 2: Enjoy.
- 14:12Speaker 5: I've come to give you warning That on a Sunday
- 14:17Speaker 5: morning You should never send your kids out with a
- 14:20Speaker 5: jug Do without your dinner beer For it's sure to
- 14:25Speaker 5: make you queer Stick to the dear.
- 14:29Speaker 2: Old water mug Water mug! Who said that? For drinking
- 14:35Speaker 2: is a curse Going without it.
- 14:37Speaker 5: May be worse I've never tasted, so it's hard to tell.
- 14:43Speaker 5: When you want to quench your thirst, you can drink
- 14:46Speaker 5: until you burst.
- 14:48Speaker 2: If in your garden you have got a well. Got
- 14:51Speaker 2: a where?
- 14:52Speaker 5: Hark, I hear sweet voices calling. They remind me of
- 15:01Speaker 5: our Coleman shouting Coke.
- 15:12Speaker 2: Now the root of evil's.
- 15:13Speaker 5: Money, and although it may sound funny, everybody tries to get.
- 15:18Speaker 2: The root of less.
- 15:21Speaker 5: And although I know it's bad, don't I often wish
- 15:25Speaker 5: I had.
- 15:26Speaker 2: The cash that my Uncle Simon has? I'm an ass.
- 15:31Speaker 2: What's that?
- 15:33Speaker 5: In church I tried to rob Uncle Simon of Dubov.
- 15:38Speaker 2: Our holy friar witnessed my disgrace. I was young and
- 15:43Speaker 2: led astray.
- 15:44Speaker 5: Ah, but ever since that day, I never could our dear.
- 15:49Speaker 2: Old friar face. Friar face! That voice I shall never forget.
- 15:59Speaker 11: Sounds like a tomcat in pain.
- 16:09Speaker 2: There's my little nephew, Teddy.
- 16:12Speaker 5: Yesterday when he got weddy, took a girl that's far
- 16:15Speaker 5: too big for him to wed. When I saw the
- 16:19Speaker 5: little chap sitting on her great big lap, I said.
- 16:24Speaker 2: Why, she's far too big for Ted. Big fat head!
- 16:29Speaker 2: I won't have these interruptions. No person. When they walked.
- 16:35Speaker 5: In the church, when I fell clean off me perch,
- 16:38Speaker 5: no wonder all the congregation rose.
- 16:43Speaker 2: The scores were there that day, who could soon give
- 16:46Speaker 2: her away? Why, even our old organ blower knows. Blower knows?
- 16:52Speaker 2: It sounds... to.
- 16:55Speaker 11: Me like a mother's voice.
- 17:00Speaker 5: Singing in paradise At our Sunday school excursion Oh, we
- 17:13Speaker 5: had a great diversion Down at Slosh and on the
- 17:16Speaker 5: Slosh and mud last year And to.
- 17:20Speaker 2: One little creature I said, come on with your teacher
- 17:24Speaker 2: And we'll go.
- 17:25Speaker 5: On a fishing smack, me dear Smack, me dear.
- 17:30Speaker 11: If I find the interrupter I shall have him expelled
- 17:32Speaker 11: from the congregation Of course, there's nothing wrong So I
- 17:38Speaker 11: took the girl along We played at honey pots and
- 17:41Speaker 11: chibi chase.
- 17:44Speaker 5: But I fear I went astray. When to her I
- 17:47Speaker 5: chance to say. May I plant a kiss upon your face?
- 17:52Speaker 2: On your face. Out you run. What do you say?
- 17:58Speaker 5: I'll jump on your chest if I come round your way.
- 18:17Speaker 1: The final one today we will be playing.
- 18:21Speaker 7: Yes. Sakpata, relax. All right.
- 18:27Speaker 1: The last audio we'll be playing today from the past
- 18:32Speaker 1: is Come Take a Trip in My Airship. Sakpata, will
- 18:39Speaker 1: you come take a trip on my airship?
- 18:41Speaker 7: Yes, you are right.
- 18:47Speaker 1: Until next time enjoy and hey sata.
- 19:24Speaker 6: E con la fine.
- 19:30Speaker 4: Del mio cammino E con la fine The.
- 19:41Speaker 6: Glory of the Lord.
- 20:17Speaker 4: E tu, come sei pallida, estanca e muta, e bella.
- 20:46Speaker 3: Io creo cura nata sotto una ricca stella.
- 21:07Speaker 8: Retta.
- 21:11Speaker 4: Come la costa tua.
- 21:15Speaker 2: Vita E in.
- 21:16Speaker 4: Cielo porta Del termina, del termina Porta.
- 21:44Speaker 3: Morta, morta, morta Ria.
- 21:52Speaker 4: Tu t'idelti Cosa ti facciai Amore Nell'ombra in cui mi
- 22:17Speaker 4: caccio Oh, oh. © transcript Emily Beynon