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One Piece, 640-642 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one piece episodes six forty through six forty two
• 0:16
  Speaker 1: explore Fairies, Island, Green Bit, the Unknown World, the Tontata Kingdom,
• 0:24
  Speaker 1: and the Stratagem of the Century. Do Flamingo makes his
• 0:28
  Speaker 1: move in these episodes? I am very excited because these
• 0:35
  Speaker 1: three episodes have very little of the whole contest in them,
• 0:39
  Speaker 1: and we get to see what's happening with everybody else,
• 0:41
  Speaker 1: which made me very relieved. Also, they're nomes according to
• 0:47
  Speaker 1: the subtitles. Welcome to spoil Me, Welcome to the show everyone.
• 1:11
  Speaker 1: I am Natasha. Thank you very much to Florian for
• 1:14
  Speaker 1: commissioning this episode. So yeah, they're called fairies in the
• 1:20
  Speaker 1: actual dialogue, but then in the subtitles they are well,
• 1:24
  Speaker 1: I don't know if it's called I guess it would
• 1:26
  Speaker 1: be the closed captioning that's different. They are called gnomes repeatedly,
• 1:33
  Speaker 1: and I was just not sure if it's like a
• 1:38
  Speaker 1: translation thing and nomes is more accurate to what they
• 1:41
  Speaker 1: say in the show, or if it's you know, it's
• 1:46
  Speaker 1: the other way and they got it wrong for the
• 1:49
  Speaker 1: closed captioning instead. But I just wanted to mention that
• 1:53
  Speaker 1: because I'm going to keep calling them fairies unless one
• 1:57
  Speaker 1: of you all tells me to differently, because to me
• 2:02
  Speaker 1: like it. The thing is that I keep thinking of
• 2:07
  Speaker 1: is when you lose something like traditionally, what people would
• 2:11
  Speaker 1: say is it was stolen by one of the little folk.
• 2:15
  Speaker 1: And that doesn't really call to mind fairies or gnomes specifically,
• 2:22
  Speaker 1: but I guess it does call gnomes slightly more than
• 2:27
  Speaker 1: just fairies. Like when I think fairies, I think wings.
• 2:32
  Speaker 1: I think like butterflies or hummingbird type creatures. Mostly, even
• 2:38
  Speaker 1: though I have read all of the Dress and Files books,
• 2:40
  Speaker 1: that's still what I think. And when I think gnomes,
• 2:44
  Speaker 1: I do think like small statued creatures that live in
• 2:49
  Speaker 1: the ground, kind of hobbit like. So maybe gnomes is
• 2:53
  Speaker 1: more correct, but I don't know. I guess I'll go
• 2:57
  Speaker 1: with gnomes after all. Maybe. I uh, I'm curious how
• 3:02
  Speaker 1: what you guys think about all of this, The fact
• 3:04
  Speaker 1: that it's called Fairies Island in the title, But I
• 3:07
  Speaker 1: know that sometimes with the dub that the titles have
• 3:11
  Speaker 1: been changed, you know, like Binks's Brew was called Binks's
• 3:16
  Speaker 1: Beer or something. It was just slightly different. Anyway, I
• 3:21
  Speaker 1: just really would like to hear from y'all about what
• 3:25
  Speaker 1: you think on this, because it's not hugely important, but
• 3:29
  Speaker 1: I would rather go with whatever the fandom has sort
• 3:32
  Speaker 1: of agreed upon in general, because you know, that just
• 3:36
  Speaker 1: makes it easier to listen to. I think, when you're
• 3:38
  Speaker 1: not constantly having to fight against a word that feels
• 3:41
  Speaker 1: wrong for the subject better. So, yeah, let's let's talk
• 3:46
  Speaker 1: about green Bit. This was such a weird storyline, and
• 3:52
  Speaker 1: I'm not entirely clear still on like some of the
• 3:55
  Speaker 1: way things work with them because of the way they
• 3:59
  Speaker 1: behave with Robin. But we pick up, like you know
• 4:05
  Speaker 1: how the show like always starts the episode with a
• 4:07
  Speaker 1: little bit of the end of the previous episode, and
• 4:12
  Speaker 1: this one picks up reminding us about how they were
• 4:16
  Speaker 1: like fishing and caught one of those giant fish and
• 4:19
  Speaker 1: like saved our friends, it seems inadvertently, and they arrive
• 4:24
  Speaker 1: on the island and this is once again USOP law Robin,
• 4:28
  Speaker 1: and oh my god, the mad scientist guy. I cannot
• 4:34
  Speaker 1: believe I forgot his name. But what I thought was
• 4:38
  Speaker 1: funny is that Usop's first line in this episode, looking
• 4:41
  Speaker 1: up at all of this is I've got to say
• 4:44
  Speaker 1: the landscaping leaves a lot to be desired. And I
• 4:47
  Speaker 1: was genuinely taken aback by this because when he started
• 4:50
  Speaker 1: to say the landscaping, I thought he was gonna comment
• 4:52
  Speaker 1: on how similar this place looks to the island that
• 4:55
  Speaker 1: he lived on for two years where he like learned
• 4:58
  Speaker 1: how to do a bunch of things. It just seemed
• 5:01
  Speaker 1: to me like it looked so very very similar, and yeah,
• 5:07
  Speaker 1: for him to just be like, well, this place looks
• 5:09
  Speaker 1: like shit, I was like, oh, well, Jesus, so all
• 5:15
  Speaker 1: of that. It's sort of weird because like you would
• 5:18
  Speaker 1: think everything would feel huge to the little people and
• 5:24
  Speaker 1: be normal sized to the humans, But everything here is
• 5:29
  Speaker 1: so enormous that the humans themselves are fairy sized, it
• 5:35
  Speaker 1: seems to me, And that was very very unexpected. This
• 5:40
  Speaker 1: was sort of reminding me a little bit of that
• 5:43
  Speaker 1: one piece movie that one of you commissioned for me
• 5:47
  Speaker 1: to watch. I can't remember, but it had that like
• 5:52
  Speaker 1: weird vine that like absorbed people and they have this
• 5:58
  Speaker 1: humongous rose on the end of like a rose vine
• 6:02
  Speaker 1: with a bunch of thorns, and it just that kept
• 6:05
  Speaker 1: making me think of it. So what we have here
• 6:10
  Speaker 1: is this weird situation where a navy battleship I mentioned
• 6:15
  Speaker 1: this last time is clearly here, and it's like recently here,
• 6:19
  Speaker 1: it's somehow stuck in the actual undergrowth of the island,
• 6:24
  Speaker 1: like it jumped onto shore somehow, and they're trying to
• 6:27
  Speaker 1: figure out how that could even happen. And it's like,
• 6:33
  Speaker 1: this should all signal that something isn't right about the
• 6:37
  Speaker 1: way this plan is going, but evidently we're just gonna
• 6:41
  Speaker 1: go along with it anyway. So when they get here,
• 6:49
  Speaker 1: they have I love that Caesar, that's his name. I
• 6:53
  Speaker 1: don't know how I forgot that. Caesar just keeps on
• 6:56
  Speaker 1: yelling to be saved by the Joke. There's a couple
• 7:02
  Speaker 1: things about this that I find really funny. First of all,
• 7:06
  Speaker 1: it's like it seems to me that he appears to
• 7:12
  Speaker 1: believe that the Joker personally cares about him, Like it
• 7:19
  Speaker 1: kept sounding to me as if he were yelling out
• 7:23
  Speaker 1: like hey buddy, I'm here, Hey my friend. You know
• 7:26
  Speaker 1: like that he really thought you are going to want
• 7:32
  Speaker 1: to personally make sure that I am okay, which is adorable,
• 7:37
  Speaker 1: because of course Joker doesn't care about him personally. He
• 7:41
  Speaker 1: just wants like, whatever the information is that is in
• 7:44
  Speaker 1: Caesar's head, and then I'm sure he could give a
• 7:47
  Speaker 1: shit whether the man lives or dies. But also that
• 7:51
  Speaker 1: he just keeps like shouting and trying to like manage
• 7:57
  Speaker 1: the situation on his own without really knowing what what's happening.
• 8:01
  Speaker 1: Caesar is just so so much goofier then I keep
• 8:07
  Speaker 1: expecting him to be. And there's a part of me,
• 8:12
  Speaker 1: not a big part, but there's like a part of
• 8:15
  Speaker 1: me that does kind of want Caesar to do a
• 8:19
  Speaker 1: mister too and like become a friend to the group.
• 8:24
  Speaker 1: I it like the fact that he seems to really
• 8:28
  Speaker 1: believe that he and Joker are on the same side
• 8:35
  Speaker 1: has me wondering if he's going to be suddenly disillusioned
• 8:39
  Speaker 1: by the way maybe Joker treats him as disposable eventually,
• 8:45
  Speaker 1: and then he will turn a corner and be like, oh, well,
• 8:50
  Speaker 1: screw this guy. Then never mind, I'm gonna throw in
• 8:54
  Speaker 1: with these guys. But you know, I will say again,
• 9:02
  Speaker 1: it feels like we don't want to just do that
• 9:05
  Speaker 1: a second time after doing it with Mister two. It's
• 9:09
  Speaker 1: it's a little bit predictable, but I just I do
• 9:14
  Speaker 1: kind of enjoy Caesar and his dynamic with everybody else
• 9:18
  Speaker 1: and how it's he's just clearly not somebody who is
• 9:22
  Speaker 1: used to working in a way that requires him to
• 9:25
  Speaker 1: be on the d L at all. So there's just
• 9:28
  Speaker 1: this sense of him being very out of his depth,
• 9:31
  Speaker 1: and after having seen him in his own domain, in
• 9:35
  Speaker 1: charge of everything and super confident and just the you know,
• 9:39
  Speaker 1: ruling the roost, for him to have this moment where
• 9:44
  Speaker 1: it just feels like he doesn't know what to do
• 9:47
  Speaker 1: and he's just sort of yelling out into the you know,
• 9:50
  Speaker 1: middle distance, going like can somebody help please? I find
• 9:53
  Speaker 1: it genuinely very funny. So yeah, the thing that Caesar
• 10:03
  Speaker 1: keeps saying is like, well, if the fucking Marines are here,
• 10:06
  Speaker 1: this changes everything, Like what are they going to do
• 10:08
  Speaker 1: if they get a hold of me? Like, that's the
• 10:10
  Speaker 1: last thing that I can afford to have happened. If
• 10:15
  Speaker 1: Joker has resigned, then there's no authority that'll protect me.
• 10:20
  Speaker 1: So if you leave me in these handcuffs, then they'll
• 10:23
  Speaker 1: find me, and also keeps yelling at him to be
• 10:26
  Speaker 1: fucking quiet. So Robin, she says to Law, what's going
• 10:36
  Speaker 1: on with these guys being here? How would they even
• 10:39
  Speaker 1: know where we were? I think you're hiding something, and
• 10:43
  Speaker 1: he's like, no, I'm not, and then we have the
• 10:46
  Speaker 1: flashback to him actually telling Smoker that I'm heading over
• 10:50
  Speaker 1: to Green Bit maybe the straw hats will be useful
• 10:53
  Speaker 1: or maybe I'm the one who's useful to them, and
• 10:56
  Speaker 1: he walks away. So I love the fact that Robin
• 11:01
  Speaker 1: is sort of on to him. Guys. I just I
• 11:06
  Speaker 1: just want a little bit more from Robin, you know.
• 11:11
  Speaker 1: I just want to like her more. I want there
• 11:14
  Speaker 1: to be more for her to do. I just these
• 11:21
  Speaker 1: little moments where like, and I know that you guys
• 11:24
  Speaker 1: have talked about how she has a sort of like
• 11:27
  Speaker 1: morbid sense of humor and that it doesn't come through
• 11:30
  Speaker 1: in the translation. I definitely see what you're talking about,
• 11:33
  Speaker 1: because there have been a couple of times where it
• 11:36
  Speaker 1: has come through in the translation a little bit and
• 11:39
  Speaker 1: I'm like, oh, that's what they're talking about, And yeah,
• 11:41
  Speaker 1: it just wasn't translated very well at all. But I
• 11:45
  Speaker 1: just wish that somebody had worked a little harder on
• 11:48
  Speaker 1: getting that right, because these moments where she is able
• 11:52
  Speaker 1: to suss out something isn't right in a way nobody
• 11:55
  Speaker 1: else has seems to put together. You guys, know how
• 11:58
  Speaker 1: much I respond to and tell legs in a character
• 12:01
  Speaker 1: like this is exactly my jam. So when she kind
• 12:05
  Speaker 1: of zeroed in and was like that's weird, I was like, yes,
• 12:09
  Speaker 1: thank you. Uh. And he says, let's see what do
• 12:17
  Speaker 1: I stand to gain from the straw hats being captured?
• 12:20
  Speaker 1: And Caesar says, well, if we're all on the same side,
• 12:23
  Speaker 1: why don't you just take off my handcuffs. So Las says,
• 12:28
  Speaker 1: you two go hide somewhere and be prepared to snipe,
• 12:32
  Speaker 1: stay on guard, and because they may be in the
• 12:35
  Speaker 1: forest as we speak, if you find anything, let me
• 12:37
  Speaker 1: know as soon as you can. So they go into
• 12:41
  Speaker 1: the forest and oos Up is like cowering as Robin
• 12:47
  Speaker 1: just casually walks through, which makes it very funny because
• 12:52
  Speaker 1: eventually she's acting as if he's being ridiculous about being
• 12:57
  Speaker 1: so afraid, but like she does get got so maybe
• 13:00
  Speaker 1: he had a point actually, and they hear some yelling
• 13:05
  Speaker 1: and then we get to see this group of marines
• 13:08
  Speaker 1: who are being encircled by the fairies. And the fairies
• 13:13
  Speaker 1: are so small. I think it's meant to be more
• 13:15
  Speaker 1: that they're just tiny enough that you don't see them
• 13:18
  Speaker 1: right away, and that they move super fast, but not
• 13:20
  Speaker 1: that they're literally invisible. Correct me if I'm wrong on that,
• 13:24
  Speaker 1: But I get the impression that it's just sort of
• 13:26
  Speaker 1: like if you can catch one, then you're good, but
• 13:29
  Speaker 1: not that they can actually make themselves impossible to see.
• 13:35
  Speaker 1: So Robin and Oosup are watching what's going on with
• 13:39
  Speaker 1: these uh marines, and all of a sudden, like one
• 13:43
  Speaker 1: of them fires is gone into the air to try
• 13:46
  Speaker 1: and scare off whatever's like taunting them, and that pretty
• 13:51
  Speaker 1: much instigates the whole thing where the fairies jump in
• 13:55
  Speaker 1: and begin to like take their weapons, take their clothing.
• 13:58
  Speaker 1: Eventually these guys are standing there in their underwear and
• 14:01
  Speaker 1: they just run away. Really honestly, I love this solution
• 14:06
  Speaker 1: to aggression, the idea that like, Okay, you're gonna come
• 14:10
  Speaker 1: at me with a gun, I am going to strip
• 14:12
  Speaker 1: you literally down to your skivvies and make you run
• 14:16
  Speaker 1: home to your mommy. Like I feel like that's not
• 14:19
  Speaker 1: a bad method of coping overall, and I support it.
• 14:28
  Speaker 1: So one of the fairies is yelling like, that'll teach
• 14:32
  Speaker 1: you big people to boss us, and this is when
• 14:35
  Speaker 1: we see this like movement in the grass, and Robin
• 14:41
  Speaker 1: uses her ability to get her hands all coming up
• 14:44
  Speaker 1: out of the ground and catches one of the creatures,
• 14:48
  Speaker 1: and USAP can't quite see it, so he does this
• 14:51
  Speaker 1: like long drawn out, like oh, I guess you're joking
• 14:53
  Speaker 1: around kind of thing. But eventually he sees it and
• 14:57
  Speaker 1: is like, oh shit, it really is a person, and
• 15:03
  Speaker 1: we jump from there over to Zoro and it's sort
• 15:08
  Speaker 1: of I was a little bit surprised at the way
• 15:12
  Speaker 1: they have been telling this story. I'm not averse to
• 15:15
  Speaker 1: it at all, just to be clear, I actually kind
• 15:17
  Speaker 1: of like this, but the way that they are in
• 15:21
  Speaker 1: the past, when the crew has been split up and
• 15:24
  Speaker 1: we have had everybody dealing with a different kind of storyline,
• 15:28
  Speaker 1: usually what they each have going on is really distinctly
• 15:32
  Speaker 1: separate from everybody else. They're dealing with like a particular
• 15:35
  Speaker 1: bad guy or you know, some kind of specific obstacle,
• 15:40
  Speaker 1: maybe something more personal, and it's told in a very
• 15:46
  Speaker 1: linear fashion. But here, because of the way that like
• 15:52
  Speaker 1: we are moving around in time, we're having to like
• 15:58
  Speaker 1: kind of back up a little bit whenever we jump
• 16:00
  Speaker 1: to somebody else and or when we rejoin them, some
• 16:05
  Speaker 1: shit has already happened that has been off screen and
• 16:10
  Speaker 1: that isn't usual. Oftentimes we see like the whole thing
• 16:14
  Speaker 1: going on with somebody else except for a couple very
• 16:17
  Speaker 1: small moments. But like Zoro, the last time that we
• 16:20
  Speaker 1: saw him, we saw him like falling off that building
• 16:26
  Speaker 1: and this creature like squeaking, and when we come back,
• 16:31
  Speaker 1: he's already running and talking to somebody. Eventually we do
• 16:35
  Speaker 1: go back and we do see it like it's not
• 16:38
  Speaker 1: like this is just told to us secondhand. The narrative
• 16:43
  Speaker 1: does one of those sort of like flashback things, But
• 16:47
  Speaker 1: I just sort of liked handling it this way where
• 16:51
  Speaker 1: we are meeting with him sort of in media res
• 16:55
  Speaker 1: and then get filled in and it what it was
• 16:59
  Speaker 1: that happened was this creature like lands on him. Apparently
• 17:04
  Speaker 1: it's like very frowned upon for these fairies to let
• 17:08
  Speaker 1: a human being see them, So as soon as they
• 17:12
  Speaker 1: were spotted by Zoro, it was like very embarrassing, and
• 17:17
  Speaker 1: they felt like they were going to get in trouble
• 17:20
  Speaker 1: and they wanted to just run away and let Zoro
• 17:23
  Speaker 1: like not like trust that he wouldn't tell anybody or
• 17:27
  Speaker 1: wouldn't be believed or whatever. But it turns out that
• 17:30
  Speaker 1: they have injured themselves in their fall and are unable
• 17:34
  Speaker 1: to run, and it's the like it reminded me a
• 17:43
  Speaker 1: little bit of the way that belongings are handled by
• 17:49
  Speaker 1: goblins in Harry Potter. If you don't remember, goblins don't
• 17:56
  Speaker 1: really believe that a wizard can purchase an object that
• 18:03
  Speaker 1: a goblin has made. Basically, they believe you pay to
• 18:09
  Speaker 1: own it while you are alive, and then once you
• 18:13
  Speaker 1: are dead, it goes back to the goblins, who then
• 18:16
  Speaker 1: have the prerogative to resell it or whatever. And there's
• 18:25
  Speaker 1: like a kind of similar like, well, we do a
• 18:28
  Speaker 1: lot for this island and the community, so anything that
• 18:35
  Speaker 1: we take is actually a gift in reward for the
• 18:41
  Speaker 1: services that we do, which, of course, like he does
• 18:45
  Speaker 1: not live here and he doesn't understand this custom and
• 18:48
  Speaker 1: is fully like that is super not how this works.
• 18:52
  Speaker 1: What are you talking about? But I will admit that
• 18:56
  Speaker 1: I kind of love this idea of it, just being like, oh, yeah, well,
• 19:00
  Speaker 1: if the little folk do it, it's fine, because honestly
• 19:04
  Speaker 1: we sort of owe them anyway. I don't hate it,
• 19:07
  Speaker 1: I'll be real. But when we join him, we haven't
• 19:13
  Speaker 1: seen any of this yet, and Zoro is just running
• 19:16
  Speaker 1: down the street yelling to himself. It looks like but
• 19:19
  Speaker 1: it's because he has the fairy like in the front
• 19:21
  Speaker 1: of his shirt and nobody else can see it. I
• 19:24
  Speaker 1: did find it funny when there's a kid asking like
• 19:26
  Speaker 1: who is he yelling at mom, and his mother saying
• 19:29
  Speaker 1: don't look at him money, and I was like, yeah,
• 19:31
  Speaker 1: that's basically whenever you're around people who seem like they
• 19:35
  Speaker 1: are not stable, that is pretty much how parents treat
• 19:39
  Speaker 1: their children. It's just like, don't make eye contact. I mean,
• 19:41
  Speaker 1: that's just how a lot of us behave. Let's being real.
• 19:46
  Speaker 1: So yeah, we jump back in time here for a second,
• 19:52
  Speaker 1: and the whole thing with like her yelling at him.
• 19:56
  Speaker 1: Her name is Wicca according to the subtitles. I'm not
• 19:58
  Speaker 1: sure if she ever actually introduces herself to him, but
• 20:02
  Speaker 1: she has a really weird look to her. I'm not
• 20:07
  Speaker 1: I kind of like these designs of these little guys.
• 20:13
  Speaker 1: They're a cross between a sort of like ah, it's
• 20:22
  Speaker 1: like a little no mish, but also like a bird,
• 20:25
  Speaker 1: which is what gives it that very ish sort of feel.
• 20:29
  Speaker 1: But she's wearing this like top hat, and she's got
• 20:33
  Speaker 1: blue hair and like a blue tail. I think I
• 20:37
  Speaker 1: think it's a tail and like a blue double breasted
• 20:40
  Speaker 1: suit jacket. Yeah, she's really like specific looking. She has
• 20:48
  Speaker 1: such a big head. I find her actually kind of adorable.
• 20:53
  Speaker 1: And the way that she just starts crying is like,
• 20:55
  Speaker 1: I'm stupid and dumb. I knew this would screw I
• 20:58
  Speaker 1: would screw this all up somehow. Oh yeah, it says Wicka,
• 21:02
  Speaker 1: a member of the scouting unit. That's what it is.
• 21:04
  Speaker 1: So that's it. Yeah, And she's like, don't tell anybody
• 21:07
  Speaker 1: you saw me, please, And Zorro immediately starts to get
• 21:10
  Speaker 1: like kind of it feels like he's feeling a little
• 21:15
  Speaker 1: protective of her. Eventually he puts her down and she
• 21:18
  Speaker 1: starts to kind of throw a tantrum and she like
• 21:22
  Speaker 1: breaks the shit out of the road. And I think
• 21:25
  Speaker 1: that he got impressed by that. It seemed like he
• 21:28
  Speaker 1: was really oh damn, because you know Zoro, he respects strength.
• 21:35
  Speaker 1: So the fact that she is this small but she's
• 21:38
  Speaker 1: pulverizing the cobblestones, I feel like that's pretty notable. And
• 21:47
  Speaker 1: you know, he's asking her like what is even going
• 21:49
  Speaker 1: on here? And she tells him, I'm not even allowed
• 21:52
  Speaker 1: to tell you, Like I can't tell big people. I
• 21:55
  Speaker 1: need you to see. Take me to see my commander
• 21:57
  Speaker 1: as quickly as possible. This whole thing's kind of your
• 22:00
  Speaker 1: fault when you get right down to it, which is
• 22:04
  Speaker 1: when the whole subject of the sword comes up and
• 22:08
  Speaker 1: it being a gift. My orders are to report to
• 22:10
  Speaker 1: my commander on the whereabouts of the don Quixote family.
• 22:14
  Speaker 1: We're running out of time, please, I saw them. I
• 22:17
  Speaker 1: know for a fact they're on their way to attack
• 22:19
  Speaker 1: the straw Hat ship right now. So we've got a
• 22:22
  Speaker 1: hurry and Zorro is like, wait, excuse me. So, yeah,
• 22:26
  Speaker 1: we're getting a lot of information from different people. Eventually
• 22:30
  Speaker 1: when we jump over to Sanji, we get a little
• 22:34
  Speaker 1: bit more here. But I do want to note that Zorro,
• 22:38
  Speaker 1: as he's like getting this information, is thinking to himself
• 22:42
  Speaker 1: about who all is out there, law, Robin, Oosop, and Caesar,
• 22:50
  Speaker 1: and he thinks to himself those four, huh, that's not
• 22:55
  Speaker 1: a strong team, you guys. I was so offended, like, look,
• 23:04
  Speaker 1: they're not the team that I would choose. But Trefalcar
• 23:09
  Speaker 1: is no slouch. Robin has a pretty bonker's power. Oos
• 23:15
  Speaker 1: Up is like your mileage may vary, Caesar, it remains
• 23:21
  Speaker 1: to be seen. I really don't know what to think
• 23:23
  Speaker 1: of him, because like we just haven't seen him in
• 23:26
  Speaker 1: a real kind of combat forward situation. He has always
• 23:30
  Speaker 1: been coming from a different place, I guess. But yeah,
• 23:36
  Speaker 1: I just I felt like that assessment was a little harsh.
• 23:43
  Speaker 1: I just you know what I'm saying anyway, So okay,
• 23:50
  Speaker 1: I'm sorry. I'm trying to like make sure that I
• 23:52
  Speaker 1: cover everything, because she says, like a bunch of things
• 23:56
  Speaker 1: sort of mixed in. Let's see, if those guys knew
• 24:01
  Speaker 1: where to find us, they must have been following our
• 24:06
  Speaker 1: movements for a while now, is that right? And she says,
• 24:08
  Speaker 1: but we've been keeping a pretty close eye on them too.
• 24:12
  Speaker 1: You mean you fairies have a beef with Do Flamingo
• 24:15
  Speaker 1: And she says, that's right. Oh, just forget I told
• 24:18
  Speaker 1: you that. Okay, So I wonder what's going on there,
• 24:22
  Speaker 1: the fact that Do Flamingo has the Fay on his
• 24:25
  Speaker 1: bad side. Like, I kind of love this idea anytime
• 24:34
  Speaker 1: that you have got like a group of beings that
• 24:37
  Speaker 1: seem as if they don't really have the wherewithal to
• 24:40
  Speaker 1: defend themselves, and somebody takes them for granted or steps
• 24:44
  Speaker 1: all over them, and then it turns out that they
• 24:46
  Speaker 1: are getting got you know that, I can't resist that,
• 24:50
  Speaker 1: Like That's just a fun little come up, and so
• 24:53
  Speaker 1: I'm always gonna be rooting for the underdog and just overall,
• 24:58
  Speaker 1: how do you dislike that? So okay, oh right, we
• 25:04
  Speaker 1: jump back to the coliseum for a little while, and
• 25:08
  Speaker 1: it's like a lot of this is just nothing. We
• 25:10
  Speaker 1: have so much of Chinjau just being like when do
• 25:13
  Speaker 1: I get to fight? When is the tournament starting? YadA YadA,
• 25:16
  Speaker 1: trying to pick a fight with everybody, and once again
• 25:19
  Speaker 1: his nephews or grandsons or whatever are We're like, dude,
• 25:22
  Speaker 1: stop it, you're gonna get disqualified, and him being like yeah, yeah, yeah,
• 25:25
  Speaker 1: you're right, Okay, never mind. And then we have also
• 25:30
  Speaker 1: like eventually a whole thing with like Loofy. I'm gonna
• 25:37
  Speaker 1: I'm gonna just kind of talk about a lot of
• 25:40
  Speaker 1: that right now. But like Cavendish just keeps yelling that
• 25:44
  Speaker 1: that's loofy. Obviously that's that straw hat, and the way
• 25:51
  Speaker 1: that everybody in the audience is reacting to him, it's
• 25:54
  Speaker 1: very clear that it's making things worse in Cavendish's eyes.
• 25:58
  Speaker 1: Like Lufy is just leaning into so it appears we
• 26:03
  Speaker 1: know that he's not because he doesn't give a shit
• 26:04
  Speaker 1: about that stuff, but it seems like he is leaning
• 26:07
  Speaker 1: into being like a fan favorite. Lufy manages to like
• 26:13
  Speaker 1: pretty much lay out everybody he comes across, and he
• 26:17
  Speaker 1: keeps using his rubber powers, and I was like, I
• 26:22
  Speaker 1: brought this up when he entered. I was like, how
• 26:24
  Speaker 1: is he going to restrain himself from doing that? And
• 26:28
  Speaker 1: at the time my thought was that it was because
• 26:31
  Speaker 1: you can't have a devil fruit power and be in
• 26:34
  Speaker 1: this contest, which then since had realized like, oh, that's
• 26:37
  Speaker 1: not a problem at all, actually, but now it's about him,
• 26:42
  Speaker 1: like his power being so notorious that the moment he
• 26:47
  Speaker 1: begins to use the rubber power, people figure out who
• 26:50
  Speaker 1: he is. Now Louviy keeps sort of stopping and being like,
• 26:56
  Speaker 1: never mind, and then says something like totally normal punch
• 26:59
  Speaker 1: when he punched somebody, which is genuinely it's very fun
• 27:04
  Speaker 1: to me. You guys know that when I first started
• 27:07
  Speaker 1: the series, the fact that everybody just yelled whatever technique
• 27:11
  Speaker 1: it was they were using right before they used it
• 27:13
  Speaker 1: felt pretty goofy to me. At this point, I am
• 27:17
  Speaker 1: quite used to that, but it's way more fun to
• 27:20
  Speaker 1: have him yell at when it's just a regular punch
• 27:23
  Speaker 1: and to just say, like a totally normal punch. I
• 27:27
  Speaker 1: love the idea of, like, if we just were to
• 27:31
  Speaker 1: watch some like a boxing match today, and if they
• 27:35
  Speaker 1: just yelled the punch they were about to do every time,
• 27:38
  Speaker 1: it would be uh an unfair advantage to their adversary,
• 27:43
  Speaker 1: but it would be very funny in its weird way.
• 27:46
  Speaker 1: But louviy like, he keeps starting to say gum gum
• 27:50
  Speaker 1: and then they're like see and he realizes stops himself.
• 27:54
  Speaker 1: But you've already said gum gum and your arm has
• 27:57
  Speaker 1: already stretched, and it just it. He feels like by
• 28:02
  Speaker 1: the end of this, he says, I almost blew my cover,
• 28:05
  Speaker 1: And I come on, like, he didn't almost blow his cover.
• 28:08
  Speaker 1: He blew his cover and nobody is like paying attention,
• 28:13
  Speaker 1: and Cavendish is the one yelling like, is am I
• 28:17
  Speaker 1: the only sane person here? What the fuck is the
• 28:20
  Speaker 1: matter with you? Guys? I keep telling you that's loofy.
• 28:23
  Speaker 1: You can see it's loofy, Like what are you doing?
• 28:27
  Speaker 1: And nobody is listening to him? And I kind of
• 28:32
  Speaker 1: I the only reason that I liked. This is because
• 28:37
  Speaker 1: we are sort of lampshading the fact that everybody should
• 28:42
  Speaker 1: have figured out that this is loofy by now, with
• 28:44
  Speaker 1: the fact that Cavendish is so irate at how nobody
• 28:49
  Speaker 1: is acknowledging it. I do actually like that. But anyway,
• 28:55
  Speaker 1: so this uh jumps over from a brief interlude where
• 29:02
  Speaker 1: we are at the contest to Violet and Sanjy and
• 29:06
  Speaker 1: it turns out that Violet has eaten the Glare Glare fruit.
• 29:14
  Speaker 1: Now it's very this is the first time that a
• 29:27
  Speaker 1: power for me has seemed like it wasn't really being utilized.
• 29:35
  Speaker 1: The way that the author is trying to suggest what
• 29:40
  Speaker 1: I mean is when we come back to her, you know,
• 29:46
  Speaker 1: Sanji is all tied up, has just been beaten up,
• 29:50
  Speaker 1: and Violet says, I've read your every thought from the
• 29:54
  Speaker 1: moment we met. No one can hide from my all
• 29:58
  Speaker 1: seeing eyes. And thus she is like alleging, I am
• 30:11
  Speaker 1: just using you because I know that you are like
• 30:15
  Speaker 1: not a great guy. But if she were really reading
• 30:19
  Speaker 1: his mind, don't you think like, we know Sanji and
• 30:24
  Speaker 1: we know what he's been thinking this whole time, and
• 30:26
  Speaker 1: it was just like that he is in love with her.
• 30:28
  Speaker 1: And wants to run away with her and how they
• 30:30
  Speaker 1: could like live on the run together and he could
• 30:33
  Speaker 1: be happy with her. Now is that like real? No,
• 30:37
  Speaker 1: but that's what he was thinking. And so the fact
• 30:41
  Speaker 1: that she is asserting that she read his mind from
• 30:45
  Speaker 1: the moment they met doesn't make any sense to me
• 30:50
  Speaker 1: in light of what we were literally in his head,
• 30:54
  Speaker 1: like as the audience, we got to see the images
• 30:58
  Speaker 1: floating across our screen that were floating through his mind.
• 31:02
  Speaker 1: So why are we pretending that we don't know what
• 31:11
  Speaker 1: he was thinking? And that anything, she if she were
• 31:14
  Speaker 1: reading his mind, she should never have betrayed him. She
• 31:17
  Speaker 1: would have realized that he was actually sincere before this.
• 31:24
  Speaker 1: The whole way that this goes down is just it
• 31:26
  Speaker 1: doesn't make any sense to me, And if anybody has
• 31:30
  Speaker 1: an explanation for it, I am open to it, because, like, overall,
• 31:35
  Speaker 1: I am pretty into the plot line here. Like, I
• 31:40
  Speaker 1: love the fact that he fell for this girl right away.
• 31:48
  Speaker 1: I love the fact that she thought that like she
• 31:51
  Speaker 1: could play him and it turns out he is totally sincere.
• 31:54
  Speaker 1: I love the fact that all of the guys on
• 31:56
  Speaker 1: her side of things really thought that, like they were
• 32:01
  Speaker 1: going to see another chump get got because they didn't
• 32:03
  Speaker 1: understand how fully invested Sonjy was. There's there's a lot
• 32:08
  Speaker 1: of this that in a vacuum. I think is a
• 32:13
  Speaker 1: great idea, it's just the execution of it doesn't really
• 32:17
  Speaker 1: work for me. So she starts off saying I heard
• 32:21
  Speaker 1: you had a soft spot for women, but I didn't
• 32:24
  Speaker 1: expect it to be that soft. We had a close
• 32:26
  Speaker 1: up of her legs as she crosses her legs. I
• 32:29
  Speaker 1: almost pity you. You're nothing but a failure. And how
• 32:34
  Speaker 1: could you ever think that you could a worm like
• 32:37
  Speaker 1: you could get the heart of a woman like me.
• 32:41
  Speaker 1: You're such a joke. How did you not know it
• 32:45
  Speaker 1: was a trap? And Soanji says, Violet, tell me it's
• 32:50
  Speaker 1: not true. You wouldn't do this, And when he says that,
• 32:53
  Speaker 1: she kind of gasps in response. And then it like
• 32:59
  Speaker 1: that was the first moment that I realize, Oh okay,
• 33:01
  Speaker 1: I think I see what we're doing here. Is like
• 33:04
  Speaker 1: he's going to keep on saying our love was real
• 33:07
  Speaker 1: and she is not ready for that, which is basically
• 33:09
  Speaker 1: what happens. But he yells to her, deep down, you
• 33:14
  Speaker 1: have a great and beautiful heart. I can tell, and
• 33:18
  Speaker 1: she gets up and comes over and says, how could
• 33:20
  Speaker 1: you say such a thing after all this, and has
• 33:25
  Speaker 1: him pulled to his feet, and she says, someone must
• 33:29
  Speaker 1: have put you or no, he says, someone must have
• 33:31
  Speaker 1: put you up to this. You don't want to be
• 33:32
  Speaker 1: a part of it? Do you violate? And she says,
• 33:35
  Speaker 1: you'd think that you still think this is some kind
• 33:37
  Speaker 1: of love story, Give me a break, and she kicks
• 33:41
  Speaker 1: him in the face, which, honestly, considering that his whole
• 33:45
  Speaker 1: thing is kicking, I kind of loved that she just
• 33:47
  Speaker 1: decided to serve him up some of his own shit.
• 33:52
  Speaker 1: So he's on the floor and she says, then you're
• 33:54
  Speaker 1: only pretending to care about me when really you're looking
• 33:57
  Speaker 1: for a chance to escape. And again, I'm like, you're
• 34:04
  Speaker 1: saying this so certainly, but you haven't actually read his
• 34:07
  Speaker 1: mind just now, you're just saying it. So why do
• 34:10
  Speaker 1: we have the mind reading thing when she's not using it?
• 34:16
  Speaker 1: And then do you honestly think you can fool me
• 34:18
  Speaker 1: with your lies? I ate the glare glare fruit. Thanks
• 34:23
  Speaker 1: to that, I've become quite observant. I can see through
• 34:28
  Speaker 1: anything now, and you men are all liars. And she
• 34:35
  Speaker 1: holds her fingers up in that like just putting an
• 34:37
  Speaker 1: o to her eye and slowly pans across each of
• 34:43
  Speaker 1: the men that are standing in front of her, and
• 34:46
  Speaker 1: we see them each like there's like a literal image
• 34:50
  Speaker 1: at their heart that indicates what they prize the most,
• 34:54
  Speaker 1: I guess, and what their priority is. So one guy
• 34:57
  Speaker 1: is like up to his waist and treasure. There's another
• 34:59
  Speaker 1: guy who as this beautiful woman, another dude who's got
• 35:02
  Speaker 1: tons of booze, another guy who has like money that's
• 35:05
  Speaker 1: falling from wherever I'm trying to see. There's one more
• 35:09
  Speaker 1: that's like just barely out of frame, and I do
• 35:12
  Speaker 1: kind of want to see what that one was. I'm
• 35:13
  Speaker 1: trying to catch it before it goes away. I think
• 35:17
  Speaker 1: it might have been food, but it's unclear. It's too quick.
• 35:21
  Speaker 1: So she holds her fingers over him and says, let
• 35:23
  Speaker 1: me see inside your mind, not that it'll be worth
• 35:26
  Speaker 1: a damn, and she begins to read his mind, and
• 35:31
  Speaker 1: we get like the really quick sort of flashes of
• 35:35
  Speaker 1: a lot of the bigger parts of the plot and everything,
• 35:39
  Speaker 1: and then says, well, we'll figure out all of like
• 35:44
  Speaker 1: the reasons why you joined up with your foulger law,
• 35:48
  Speaker 1: and she looks at him. Her men are like so
• 35:51
  Speaker 1: excited about her doing this, and uses peeping mind. So
• 35:57
  Speaker 1: we see the crew, we see your algar La, all
• 36:01
  Speaker 1: of his friends, and then we get this like pink
• 36:07
  Speaker 1: background and all of these silhouettes of sexy women, and
• 36:15
  Speaker 1: she screams, and then she says, so dirty. His mind
• 36:25
  Speaker 1: is totally pink. I've never seen anything like it. And
• 36:34
  Speaker 1: I've got to admit, guys, this has to be a
• 36:37
  Speaker 1: translation thing, right, His mind is totally pink. I like,
• 36:43
  Speaker 1: it feels like it must mean something, and you know,
• 36:48
  Speaker 1: I'm assuming that this is all just his He's just
• 36:51
  Speaker 1: so lustful because she follows it up right away with
• 36:54
  Speaker 1: so dirty. But it's just such a weird way to
• 36:57
  Speaker 1: say that. And then she says, what's your purpose here?
• 37:02
  Speaker 1: What could you possibly be thinking about at a time
• 37:05
  Speaker 1: like this? I can't begin to fathom. I don't understand
• 37:10
  Speaker 1: how she can say that when she's literally just read
• 37:12
  Speaker 1: his mind. What do you mean you can't fathom? I
• 37:17
  Speaker 1: thought that was the whole thing that you just did.
• 37:20
  Speaker 1: You just read his mind? Do you know what I'm saying?
• 37:26
  Speaker 1: Like it just feels like I'm assuming this whole time
• 37:29
  Speaker 1: as I'm relating this all of you, that all of
• 37:32
  Speaker 1: this is a translation problem. And then actually, if I
• 37:37
  Speaker 1: were to like watch the sub I would understand what
• 37:41
  Speaker 1: they're really getting at here. But it just feels like
• 37:45
  Speaker 1: we're saying on the one hand that she reads minds,
• 37:48
  Speaker 1: but then she hasn't and doesn't know that he's sincere.
• 37:52
  Speaker 1: But then she does it and realizes that he's like
• 37:55
  Speaker 1: a pervert. But then she doesn't and is like, well,
• 37:58
  Speaker 1: what are you what is it that you're even after
• 38:00
  Speaker 1: and what do you want? And so then he has
• 38:02
  Speaker 1: to like explain to her I'm thinking of you, and
• 38:06
  Speaker 1: she's taken aback and seems to not get it, and
• 38:10
  Speaker 1: he says about the way you looked at me, and
• 38:16
  Speaker 1: that takes her by surprise. I don't understand how her
• 38:20
  Speaker 1: power works. If she doesn't see what's happening here, what
• 38:25
  Speaker 1: is it that she even does? It just doesn't make
• 38:30
  Speaker 1: any sense to me. You guys, I don't get what
• 38:32
  Speaker 1: we're doing here. It feels like we told the things
• 38:36
  Speaker 1: out of order. It's like the scenes got put in
• 38:39
  Speaker 1: a bag and shaken up and poured out, and everything
• 38:42
  Speaker 1: kind of happened in the wrong order. So her her
• 38:48
  Speaker 1: men are surrounding her, him and her and saying like,
• 38:54
  Speaker 1: you got to get to like come to terms with
• 38:56
  Speaker 1: the fact that you got played. She pulled one over
• 38:58
  Speaker 1: on you, and that's all there is to it. And
• 39:02
  Speaker 1: she is like clearly moved by what he said and
• 39:07
  Speaker 1: is sitting there like crying, kind of deciding what it
• 39:11
  Speaker 1: is that she's going to do. And one of the
• 39:13
  Speaker 1: men says, if you don't want to deal with him,
• 39:15
  Speaker 1: we'll take care of him for you, and when she
• 39:18
  Speaker 1: doesn't respond, they take that as a yes, and they
• 39:21
  Speaker 1: start to come forward and attack, and she says, she
• 39:26
  Speaker 1: turns around and uses her ability. I don't remember what
• 39:30
  Speaker 1: it's called whale tear. She calls it hero lagrima in
• 39:36
  Speaker 1: the eye whale, that's what it is. Yeah, And I
• 39:41
  Speaker 1: was just sort of like, if you had only actually
• 39:44
  Speaker 1: communicated with him, you wouldn't need to do this in
• 39:48
  Speaker 1: order to stop them. Also, I cannot help but laugh
• 39:53
  Speaker 1: at the fact that, like Sanja keeps saying, a woman's
• 39:56
  Speaker 1: tears are all the proof I need and she can
• 40:03
  Speaker 1: use her tears as an actual weapon. Like guys, it's
• 40:08
  Speaker 1: a very it feels very pointed because for those who
• 40:14
  Speaker 1: aren't aware, people of color often talk about the weaponization
• 40:20
  Speaker 1: of white women's tears. It is a very well documented
• 40:26
  Speaker 1: phenomenon and it's really gross when you see it in action.
• 40:32
  Speaker 1: I have personally seen this happen with a member of
• 40:35
  Speaker 1: the unspoiled community actually, who decided that they were going
• 40:40
  Speaker 1: to use them their tears and pretend they were a victim,
• 40:44
  Speaker 1: and a lot of people believed them, And it was
• 40:47
  Speaker 1: honestly so sad to watch how effective it was for
• 40:53
  Speaker 1: this person to do this, and this woman actually having
• 41:00
  Speaker 1: tears that turn into physical weapons. Is It's like, I
• 41:07
  Speaker 1: wish that this were being done with the consciousness of
• 41:11
  Speaker 1: the white women's tears thing, Like, I think this is
• 41:14
  Speaker 1: kind of amazing in terms of being a literal analogy, metaphor.
• 41:21
  Speaker 1: I'm not even sure the word I want here, but
• 41:24
  Speaker 1: I know that it isn't and so a part of
• 41:29
  Speaker 1: me is kind of grossed out by it, do you
• 41:31
  Speaker 1: know what I'm saying. So I'm very torn on this.
• 41:35
  Speaker 1: There's a part of me that thinks that this is genius,
• 41:37
  Speaker 1: and yeah, another part of me that is sort of like, ooh,
• 41:40
  Speaker 1: but I don't know. So her tears like they're pouring
• 41:45
  Speaker 1: out of her eyes and they become whale shaped and
• 41:51
  Speaker 1: become the size of whales and also turn bright red
• 41:56
  Speaker 1: like they are super heated. And then she like pinches
• 42:01
  Speaker 1: them at the end so that they are released from
• 42:03
  Speaker 1: her eyes and they just go flying after these men,
• 42:08
  Speaker 1: and it seems like crash into them, and that's kind
• 42:11
  Speaker 1: of all they do, is just like pound them into
• 42:15
  Speaker 1: the ground. If I'm not mistaken, I might be missing
• 42:18
  Speaker 1: something else, but it seems like it's basically just there's
• 42:21
  Speaker 1: sheer masks and weight of them landing on these guys
• 42:24
  Speaker 1: and knocking them out. So this is when she releases
• 42:31
  Speaker 1: Sanjy from his what do you columns? Oh my god
• 42:38
  Speaker 1: handcuffs and is like, so you didn't want to work
• 42:41
  Speaker 1: for do Flamingo, right? I was right all along? And
• 42:46
  Speaker 1: she tells him you have to forget me and get
• 42:48
  Speaker 1: the hell away from here, and he's like, don't say that.
• 42:51
  Speaker 1: How can I just leave you here? And she says,
• 42:55
  Speaker 1: because there's no way your plan will work. You're walking
• 42:58
  Speaker 1: straight into a trap, and you were trying to protect
• 43:03
  Speaker 1: one of your own enemies. You're hopeless. I don't know
• 43:08
  Speaker 1: why you believed in me. And then she makes eye
• 43:13
  Speaker 1: contact with him and is like, let me show you
• 43:15
  Speaker 1: what's going on here. And it's really fun to me
• 43:22
  Speaker 1: that we have this means of communicating, because I've always
• 43:26
  Speaker 1: been sort of a fan. Anytime that this is one
• 43:31
  Speaker 1: of those things that when I stop and think about it,
• 43:32
  Speaker 1: I'm like, this probably comes from that like neurodivergent part
• 43:36
  Speaker 1: of me that is extremely afraid of being misunderstood. I
• 43:40
  Speaker 1: am a person who wants to over explain everything, and
• 43:46
  Speaker 1: my father, when I was crowing up, always interpreted me
• 43:49
  Speaker 1: attempting to explain things as arguing or excuses, and like,
• 43:54
  Speaker 1: maybe that's some of it, but I also just deeply
• 43:57
  Speaker 1: want to give somebody every piece of information that they need,
• 44:02
  Speaker 1: because I think that context really matters. So I want
• 44:07
  Speaker 1: to describe them like as much as I can, and
• 44:12
  Speaker 1: that way, it feels like they're coming into things with
• 44:14
  Speaker 1: all the information and they can make a judgment and
• 44:18
  Speaker 1: understand why I made the judgment that I made. And
• 44:21
  Speaker 1: so anytime that I run into a character in fiction
• 44:25
  Speaker 1: who's got this sort of power where they can just
• 44:27
  Speaker 1: show you what happened without having to use words, it's
• 44:33
  Speaker 1: like such a relief, you know. This is something also
• 44:36
  Speaker 1: in the Ray Bearer story, she is able to see
• 44:39
  Speaker 1: what has happened to people or show them things that
• 44:42
  Speaker 1: have happened to her via touch, and it just it's
• 44:46
  Speaker 1: also a much more interesting storytelling device as well, like
• 44:49
  Speaker 1: not having to just rely on an info dump and
• 44:52
  Speaker 1: a monologue. Not that that really applies here because we
• 44:58
  Speaker 1: don't actually see what it is that she shows Sangy.
• 45:02
  Speaker 1: She just holds his face and says, gaze into my mind.
• 45:06
  Speaker 1: You're going to see that everything is going according to
• 45:09
  Speaker 1: do Flamingo's plan. And she does her like fingers around
• 45:15
  Speaker 1: his eye, and that way he is able to like
• 45:19
  Speaker 1: get the history of things. Here's my memory from dress
• 45:22
  Speaker 1: Rosa this morning. And he says it can't be and
• 45:26
  Speaker 1: we get a lot of like little bits of you know,
• 45:30
  Speaker 1: something that he's seeing some kind of image, and then
• 45:34
  Speaker 1: he says this is bad, which combined with what's going
• 45:36
  Speaker 1: on with Zorro, we've got a bunch of people working
• 45:38
  Speaker 1: with pieces of information. So I want to jump over
• 45:43
  Speaker 1: really briefly over to Frankie because I guys, I just
• 45:49
  Speaker 1: really don't understand why we have this toy that Frankie
• 45:56
  Speaker 1: is talking with say you need to learn the history
• 45:59
  Speaker 1: of Rosa in this dramatic fashion. End the episode on
• 46:03
  Speaker 1: that and we have still not gotten that history. This
• 46:08
  Speaker 1: is so bizarre the way that they set this up.
• 46:12
  Speaker 1: It's like, so we come back to him and he's
• 46:15
  Speaker 1: like fading into view and he says, until the day
• 46:20
  Speaker 1: your heart is filled with happiness once more, I will
• 46:24
  Speaker 1: always be by your side, and just like a falling
• 46:28
  Speaker 1: flower pedal. And I thought we were doing a sort
• 46:33
  Speaker 1: of similar thing that we had just done with Zorro,
• 46:35
  Speaker 1: where we're coming in on the end of a story
• 46:38
  Speaker 1: and we're going to eventually get filled in on what
• 46:42
  Speaker 1: the rest of the story is, but we're just seeing
• 46:45
  Speaker 1: like the romantic, tragic end of it. But then it
• 46:49
  Speaker 1: fades out and it's actually focused on this girl that's
• 46:53
  Speaker 1: going to be fighting in the tournament, Rebecca, and she
• 47:00
  Speaker 1: says to herself that dream and I'm like, so wait,
• 47:08
  Speaker 1: we're not even coming back in on their conversation. He
• 47:11
  Speaker 1: says this thing to Frankie about how like you need
• 47:14
  Speaker 1: to learn this history, and then we just depart and
• 47:19
  Speaker 1: it's just such a strange what why are we handling
• 47:24
  Speaker 1: things this way? And when she turns and looks at
• 47:30
  Speaker 1: the window, eventually she sees him and it seems like
• 47:34
  Speaker 1: her and this toy soldier are in love with each other.
• 47:38
  Speaker 1: You guys, I do not know what to think about
• 47:43
  Speaker 1: these two, Like, I am deeply uncomfortable with this humans
• 47:51
  Speaker 1: and toys having sexual relationships story. It's so weird and
• 47:57
  Speaker 1: uncomfortable and I do not like it. Also, this soldier
• 48:00
  Speaker 1: seems very short, and it may just be that in
• 48:02
  Speaker 1: comparison with Frankie, who is giant, maybe he's the exact
• 48:07
  Speaker 1: right size for her, but it gives him the appearance
• 48:09
  Speaker 1: of being like a child, and I just the whole
• 48:13
  Speaker 1: dynamic here feels really really creepy, like she has a
• 48:19
  Speaker 1: flashback to her being a child herself, and it looks
• 48:26
  Speaker 1: like he is the same height as her in the memory.
• 48:32
  Speaker 1: So then we hear Frankie and he's like, are you
• 48:35
  Speaker 1: gonna tell me about this flower field place? And the
• 48:38
  Speaker 1: toy soldiers just keep running you'll find out soon enough,
• 48:41
  Speaker 1: and I was just like, oh my god, come on.
• 48:45
  Speaker 1: So they're passing under her window and she yells down
• 48:52
  Speaker 1: and is like soldier, which, uh, he doesn't have a name.
• 48:58
  Speaker 1: I guess that sucks, but yeah, he looks up and
• 49:02
  Speaker 1: she's crying, and it's just like I entered the tournament
• 49:07
  Speaker 1: because I'm gonna win, and I just want the two
• 49:11
  Speaker 1: of us to be together, and he says, if you
• 49:15
  Speaker 1: cry this easily, how can you expect to win, which
• 49:18
  Speaker 1: is cold blooded honestly, And then it's just like, come on,
• 49:24
  Speaker 1: let's hurry up, and Frank is like, are you sure, okay?
• 49:28
  Speaker 1: And they just keep going, and I was like, that
• 49:30
  Speaker 1: was such a bizarre interaction, like are we supposed to
• 49:34
  Speaker 1: think that there's this tragic love story between the two
• 49:36
  Speaker 1: of them. I just cannot care about that. I just
• 49:39
  Speaker 1: just for the record, guys, this is going to not
• 49:42
  Speaker 1: interest me at all, I think, and it's gonna be
• 49:44
  Speaker 1: tragic anyway. Yeah, the tragedy will be how little I
• 49:48
  Speaker 1: give a shit. So we jump back to Oosap and
• 49:52
  Speaker 1: Robin and the two of them get gassed by the
• 49:57
  Speaker 1: fairies who are using some kind of like flower and
• 50:01
  Speaker 1: esthetic I think is what they call it to hit
• 50:04
  Speaker 1: the two of them, and the fairies are gathered around them,
• 50:10
  Speaker 1: and it's weird because like they're saying, we must eliminate them.
• 50:14
  Speaker 1: But later on, I don't know what's going on with Oosop.
• 50:18
  Speaker 1: It seems like they have only tied her down and
• 50:21
  Speaker 1: it is the most like fetishy thing I have ever seen,
• 50:25
  Speaker 1: so first of all, she is tied down. Secondly, these
• 50:33
  Speaker 1: creatures are like climbing all over her and are very
• 50:38
  Speaker 1: much like under her clothing, climbing over her boobs. And
• 50:42
  Speaker 1: it just was y'all, know, especially like the sounds that
• 50:47
  Speaker 1: she's making because she's sort of like coming back to
• 50:50
  Speaker 1: consciousness and it's very sexual sounding. The whole thing is
• 50:55
  Speaker 1: just so incredibly creepy, and it looks fully like there's
• 51:00
  Speaker 1: somebody's hand under her shirt. But then they climb out
• 51:04
  Speaker 1: and it's like a person. So she screams when she
• 51:08
  Speaker 1: wakes up. They all scream in response, and then you
• 51:12
  Speaker 1: get to see the fact that she's like sewn to
• 51:14
  Speaker 1: the ground because one of them has like a weird
• 51:17
  Speaker 1: stitch power, and we have this interaction that I cannot
• 51:24
  Speaker 1: figure out. So they're talking to her about how like,
• 51:28
  Speaker 1: you don't hurt yourself by moving because you're stitch down
• 51:33
  Speaker 1: pretty snug with the stitch to power, so you're not
• 51:35
  Speaker 1: going anywhere. I'm assuming because it's a double word stitch
• 51:39
  Speaker 1: stitch that this was a double fruit and it's interesting
• 51:45
  Speaker 1: to me, like a fairy eating a double fruit power.
• 51:46
  Speaker 1: I kind of like this, but once someone gets a
• 51:49
  Speaker 1: taste in my trusty needle. They can't move an inch.
• 51:51
  Speaker 1: You people were up to no good again, weren't you?
• 51:54
  Speaker 1: And she tries to say, I'm not your enemy. I
• 51:57
  Speaker 1: don't even know who you are. And he says I'm
• 52:01
  Speaker 1: Leo of the Tanata tribe, a warrior, and she's like, okay,
• 52:06
  Speaker 1: well where are we and where's Oosop and realizes that
• 52:13
  Speaker 1: he isn't here. Is he all right, your tall friend
• 52:18
  Speaker 1: with the long nose? You mean we captured him too,
• 52:21
  Speaker 1: in accordance with our kingdom's rules. Okay, so they did
• 52:26
  Speaker 1: get him. I could not remember exactly how that went down.
• 52:30
  Speaker 1: This place is known as the Tanata Kingdom, and it's underground.
• 52:36
  Speaker 1: It lies under the great forest, which we made with
• 52:38
  Speaker 1: our own hands. So you grow those giant plants, the
• 52:44
  Speaker 1: ones that cover the whole island. That's right. There's no
• 52:47
  Speaker 1: plant great or small the Tanata can't grow. And this
• 52:53
  Speaker 1: is the thing where she starts arguing with him and
• 52:59
  Speaker 1: says like, I'm not going to hurt you, and they
• 53:02
  Speaker 1: don't believe her until finally she says I mean it.
• 53:07
  Speaker 1: And immediately as soon as she says but I mean it,
• 53:12
  Speaker 1: they stop say, okay, and then unstitch her and everybody
• 53:19
  Speaker 1: is like, wow, what a relief, because apparently they did
• 53:23
  Speaker 1: not want to kill her. This was not something that
• 53:26
  Speaker 1: they like were excited about doing. They just thought they
• 53:29
  Speaker 1: had to do it. And Robin is left sitting there like, wait,
• 53:33
  Speaker 1: that's it? Like it how what? So I'm a little
• 53:37
  Speaker 1: confused because it's not long before they're yelling at her again,
• 53:41
  Speaker 1: and one of them eventually, when us up comes back around,
• 53:46
  Speaker 1: they say something like he said, he means it. And
• 53:48
  Speaker 1: I was like, is that just like the magic word?
• 53:51
  Speaker 1: If you say you mean it, then they believe you.
• 53:55
  Speaker 1: It's like, you know, I don't know. Uh, she said
• 54:00
  Speaker 1: she means it, so it's true, right, Okay, then works
• 54:04
  Speaker 1: for me. That's right. They say this to the leader
• 54:07
  Speaker 1: and Robin is like, this is wild. This is how
• 54:11
  Speaker 1: they work. So their leader comes forward and is just
• 54:14
  Speaker 1: like we don't get to see a big person close up,
• 54:17
  Speaker 1: so just saying hi, I'm the chief gun show and
• 54:23
  Speaker 1: you can stay down here as long as you like.
• 54:27
  Speaker 1: They offer her food and everything, and eventually when she
• 54:33
  Speaker 1: gets in touch with like I think Law is the
• 54:36
  Speaker 1: person that she calls. She explains that they are underground,
• 54:39
  Speaker 1: but It's very adorable how they're having like these tiny
• 54:43
  Speaker 1: little lunches and tea parties, and they keep offering her
• 54:46
  Speaker 1: these huge serving bowls, which for her are just like
• 54:48
  Speaker 1: a little thimbleful of food. I'm trying to find, Oh, yeah,
• 54:55
  Speaker 1: the transponder snail. It has been released into the wild.
• 55:01
  Speaker 1: And we see that there's like a piece of metal
• 55:06
  Speaker 1: on the ground in front of him, So I'm assuming
• 55:08
  Speaker 1: that basically they for to make a transponder snail, they
• 55:12
  Speaker 1: like install something into the snail and it's been undone.
• 55:18
  Speaker 1: This transponder snail looks really happy, And now I'm kind
• 55:22
  Speaker 1: of upset, guys at the notion that are all transponder
• 55:27
  Speaker 1: snails like unwilling slaves that have been genetically altered or
• 55:31
  Speaker 1: something like. I don't like this idea at all. I
• 55:35
  Speaker 1: was very much into the idea of transponder snails as
• 55:39
  Speaker 1: a means of communication, just for the novelty and it's fun.
• 55:43
  Speaker 1: But now I'm just sort of like, wait, is there
• 55:44
  Speaker 1: something sort of terrible happening here? But she's looking at
• 55:49
  Speaker 1: her clock and she's like, oh my god, I have
• 55:52
  Speaker 1: to figure out how to get out of here so
• 55:54
  Speaker 1: I can talk to Law and This is when he's,
• 55:57
  Speaker 1: wait a second, you can't be leaving already here. I
• 56:00
  Speaker 1: thought you were nice if you leave and hand over
• 56:02
  Speaker 1: your weapon, and she's like, I don't have a weapon,
• 56:06
  Speaker 1: and they argue again until Leo says, then you leave
• 56:09
  Speaker 1: me no choice, and Leo says, we're gonna bleed you dry,
• 56:17
  Speaker 1: take it all, and they like jump up and take
• 56:22
  Speaker 1: all of her possessions. It's like a really weird way
• 56:27
  Speaker 1: to say this. The whole interaction, you guys, it's back
• 56:32
  Speaker 1: and forth so much. I don't know what the vibe
• 56:36
  Speaker 1: is at all, Like it feels as if they're saying,
• 56:40
  Speaker 1: we're going to hurt you. But then when they just
• 56:42
  Speaker 1: take her sunglasses, Initially I think bleed you dry just
• 56:45
  Speaker 1: means like we're gonna strip you of all your possessions.
• 56:49
  Speaker 1: But it's still such an aggressive way to say it.
• 56:52
  Speaker 1: And I assume that had she said I don't have
• 56:55
  Speaker 1: a weapon, I mean it, that would have solved the problem.
• 56:58
  Speaker 1: But she doesn't seem to have caught on that. That's
• 57:00
  Speaker 1: like the magic words, I guess. And finally another one
• 57:05
  Speaker 1: of the fairies runs up and is like, her friend
• 57:08
  Speaker 1: is our greatest hero. You can't hurt her the person
• 57:12
  Speaker 1: with the long nose told me, and he said he
• 57:15
  Speaker 1: meant it too. He's a legendary hero come to save
• 57:18
  Speaker 1: us at last. Finally, finally, our hero came when we
• 57:24
  Speaker 1: needed him most. And I think they're talking about Louviy.
• 57:29
  Speaker 1: I don't know what is going on here, but yeah,
• 57:33
  Speaker 1: Robin is just kind of like, wait, us up, what
• 57:37
  Speaker 1: did you say to them? Like, I don't think she
• 57:40
  Speaker 1: seems to believe that they are correct. She's just assuming
• 57:42
  Speaker 1: that us Up came up with some sort of story, which,
• 57:46
  Speaker 1: like he's a giant liar. That makes sense. So maybe
• 57:50
  Speaker 1: it's more likely that he just made up some shit
• 57:53
  Speaker 1: than it is that they got this right. I don't
• 57:56
  Speaker 1: know anyway. So this is when we have the final
• 58:01
  Speaker 1: scene out on the beach, the transponder snail starts ringing.
• 58:06
  Speaker 1: I don't know if she had like a second snail.
• 58:08
  Speaker 1: I think she must have had. But oh no, no, no,
• 58:12
  Speaker 1: Sanji's the one calling law here. That's right, I'm sorry,
• 58:15
  Speaker 1: And Sanji's yelling to him, you've got to get out
• 58:18
  Speaker 1: of there. It's a trap. The factory is the least
• 58:20
  Speaker 1: of our concerns right now. And just as he is
• 58:24
  Speaker 1: saying this, Oh my god, you guys, I'm making sure
• 58:28
  Speaker 1: that I got to the right Did I get to
• 58:30
  Speaker 1: the right episode here? Yes? Okay, we have the revelation
• 58:36
  Speaker 1: that Do Flamingo did not actually like resign his position.
• 58:43
  Speaker 1: They just circulated the rumor that he had resigned so
• 58:48
  Speaker 1: that they could lure Law out. And actually this makes
• 58:55
  Speaker 1: so much sense, and it is kind of funny that
• 58:57
  Speaker 1: Law didn't foresee that he could work with the Marines
• 59:02
  Speaker 1: and do this and circulate this misinformation. Eventually, Law is like, well,
• 59:09
  Speaker 1: then it has to be the celestial dragons that you're
• 59:12
  Speaker 1: working with, and he says, as if it's like this
• 59:14
  Speaker 1: giant revelation. I'm like, you knew that he worked with
• 59:17
  Speaker 1: the most powerful people, Like, that's the point of what
• 59:19
  Speaker 1: you're doing. So the fact that you were not prepared
• 59:25
  Speaker 1: for this eventuality in him being able to trick you
• 59:27
  Speaker 1: is actually kind of sad, Like I didn't expect him
• 59:32
  Speaker 1: to do it, and when he did it, I took
• 59:34
  Speaker 1: it seriously. But really Law should have been thinking ahead
• 59:39
  Speaker 1: a little bit more. And I'm trying to like jump
• 59:47
  Speaker 1: ahead here because there's a lot of filler of like
• 59:50
  Speaker 1: the whole thing with the the CP zero guys, I
• 59:54
  Speaker 1: think is what they're This group is called like informing
• 59:57
  Speaker 1: everybody that the information in the newspaper was incorrect. And
• 1:00:03
  Speaker 1: then the pirates that are chasing Sanjy and Violet and
• 1:00:09
  Speaker 1: Robin uses like that her ability to make a clone
• 1:00:12
  Speaker 1: of herself so that she can go up and talk
• 1:00:15
  Speaker 1: to him on the surface. I forgot that's the way
• 1:00:17
  Speaker 1: that she does this, which is actually really fun, and
• 1:00:20
  Speaker 1: I wish that she had used this power more because
• 1:00:22
  Speaker 1: this is a really efficient way of communicating. So, yeah,
• 1:00:28
  Speaker 1: he is yelling about how like the deal is going
• 1:00:31
  Speaker 1: to be off if what he's saying about Do Flamingo
• 1:00:33
  Speaker 1: is true. But it's just too fucking late, man, You
• 1:00:36
  Speaker 1: only have like minutes left, and Do Flamingo is already here,
• 1:00:39
  Speaker 1: so they're about to turn around and run off, and
• 1:00:41
  Speaker 1: it's like, Bud, we're literally on an island. She is
• 1:00:47
  Speaker 1: underground with Oosop, like what do you think is going
• 1:00:51
  Speaker 1: to happen here? And she's like, if you're gonna escape,
• 1:00:55
  Speaker 1: you're gonna have to do it without us. We'll just
• 1:00:58
  Speaker 1: catch up with you when we are able too. This
• 1:01:03
  Speaker 1: is when Fuji Toura shows up. I forgot that he
• 1:01:06
  Speaker 1: is also here. This whole thing is so like, there
• 1:01:10
  Speaker 1: are so many people involved, and I have honestly sort
• 1:01:14
  Speaker 1: of like lost the thread a little bit at this point.
• 1:01:18
  Speaker 1: I love when Caesar celebrates because Joker is here. He
• 1:01:20
  Speaker 1: just really assumes that this guy is gonna save his ass.
• 1:01:26
  Speaker 1: Let's say, I'm trying to find the spot where must
• 1:01:29
  Speaker 1: have taken an effort to get an actual Navy admiral
• 1:01:32
  Speaker 1: to show up, and since I'm no longer a war lord,
• 1:01:35
  Speaker 1: I'm really shaking in my boots. But he's a liar haa.
• 1:01:43
  Speaker 1: So let's see, I'm trying to make sure that I
• 1:01:45
  Speaker 1: didn't miss anything because like pretty much the rest of
• 1:01:47
  Speaker 1: this episode is like taken up with the the Colisseum stuff,
• 1:01:52
  Speaker 1: and I talked about all of that already. Uh yeah,
• 1:01:58
  Speaker 1: that's basically it. It's like tons of posturing. The third
• 1:02:02
  Speaker 1: of these three episodes really has like very little going
• 1:02:06
  Speaker 1: on in total. It's just people relating to one another
• 1:02:09
  Speaker 1: the things that we have already started to figure out.
• 1:02:12
  Speaker 1: So all right, everybody, I am going to wrap this
• 1:02:15
  Speaker 1: one up, but I'm engaged in the story, so I'm
• 1:02:18
  Speaker 1: eager to see where we go with this, and I
• 1:02:21
  Speaker 1: just I want some explanations for some of the weirdness
• 1:02:24
  Speaker 1: that's going on with Sanchis story, and if you have them,
• 1:02:27
  Speaker 1: let me know. All right, everybody, thank you so much
• 1:02:30
  Speaker 1: for listening. Appreciate you all. Until next time to the
• 1:02:33
  Speaker 1: Loo motherfuckers. That was an unspoiled Network podcast.