Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Philip Marlowe: The Hiding Place (EP1685)

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Philip Marlowe: The Hiding Place (EP1685) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.
• 0:33
  Speaker 1: This is your host, Adam Graham. If you have a comment,
• 0:37
  Speaker 1: email it to me Box thirteen at Great Detectives dot net,
• 0:42
  Speaker 1: follow us on Twitter at Radio Detectives, and become one
• 0:45
  Speaker 1: of our friends on Facebook, Facebook dot com slash Radio Detectives.
• 0:51
  Speaker 1: Before we do get started, I do want to let
• 0:53
  Speaker 1: you know this program is brought to you by the
• 0:55
  Speaker 1: financial support of our listeners, and I particularly want to
• 0:58
  Speaker 1: thank Desiree for her support. She became a Patreon supporter
• 1:03
  Speaker 1: at the Detective Sergeant level, which is with a donation
• 1:06
  Speaker 1: of seven dollars and fourteen cents or more per month,
• 1:09
  Speaker 1: and that puts us very close to the two hundred
• 1:11
  Speaker 1: dollars level and Patreon support, So thanks so much for that, Desiree.
• 1:17
  Speaker 1: I also have some changes to the Patreon program to announce.
• 1:21
  Speaker 1: For those of you who do contribute at the fifteen
• 1:24
  Speaker 1: dollars level, the Master Detective or more, We've added a benefit.
• 1:29
  Speaker 1: You can record a bumper to be played on the
• 1:32
  Speaker 1: show and we'll put it in rotation. We actually had
• 1:36
  Speaker 1: a separate level called the Radio Operator level that could
• 1:41
  Speaker 1: record bumpers, but I basically combined things in there so
• 1:46
  Speaker 1: you can record it. And that is at the master
• 1:50
  Speaker 1: detective level, and we also removed a level called the
• 1:53
  Speaker 1: commissioner level. And talk more about those changes in detail
• 1:58
  Speaker 1: after the show. Also, for the those of you with
• 2:00
  Speaker 1: small businesses, we have a new small business advertising program
• 2:06
  Speaker 1: using bumpers. But all that after the show. Let's go
• 2:10
  Speaker 1: ahead and take a listen today's episode of the Adventures
• 2:13
  Speaker 1: of Philip marlow The original air date May the announced
• 2:16
  Speaker 1: in nineteen fifty and the tunnle is the hiding place.
• 2:23
  Speaker 2: Get this, get it straight. Crime is a sucker's road.
• 2:27
  Speaker 2: Those who travel it wind up in the gut of
• 2:29
  Speaker 2: the prison of the grave. There's no other end. But
• 2:32
  Speaker 2: they never learn.
• 2:34
  Speaker 3: From the pen of Raymond Chandler, outstanding author of crime
• 2:37
  Speaker 3: fiction comes his most famous character in the Adventures.
• 2:41
  Speaker 2: Of Philip marlow.
• 2:51
  Speaker 3: Now, with Gerald Moore starred as Philip Marlowe, we bring
• 2:55
  Speaker 3: you tonight's exciting story The Hiding Place.
• 3:21
  Speaker 4: Missus Bryan's gip Shop. Oh yes, yes, mister Waltman, the
• 3:28
  Speaker 4: book ends. Well, let me see now that was the
• 3:31
  Speaker 4: little Dutch figurines, wasn't it? The boy and the girls?
• 3:35
  Speaker 4: All right, fine, Well, I'll have to. Oh, hold hold
• 3:43
  Speaker 4: the line a minute, mister Waltman, mister Marlow, you you're back, Yes,
• 3:51
  Speaker 4: Missus Bryant, did you find him? Mister Marlow, did you
• 3:56
  Speaker 4: find Chipper?
• 3:58
  Speaker 2: Chipper is dead, Missus Bryant. Oh, take easy, Missus Brian. Maybe,
• 4:04
  Speaker 2: but I sit down here.
• 4:06
  Speaker 4: No, I'm all right. There's a customer waiting on the phone.
• 4:11
  Speaker 4: I'll finish that.
• 4:13
  Speaker 2: Then.
• 4:13
  Speaker 4: I want you to tell me everything you found out
• 4:15
  Speaker 4: about my son. Sure, sure, I'll long be a moment.
• 4:24
  Speaker 2: As Martha Brian went to the telephone, I braced myself
• 4:26
  Speaker 2: for the story I had to tell her. I tried
• 4:29
  Speaker 2: to figure some last minute way of making hard facts
• 4:31
  Speaker 2: a little softer for a sweet, brave, gray haired lady.
• 4:35
  Speaker 2: I deserved a better break. I first thought about what
• 4:39
  Speaker 2: had happened, brought the whole ugreat business rushing back at
• 4:42
  Speaker 2: me again, turned my mind back like a clock to
• 4:45
  Speaker 2: where it had all begun yesterday morning in my office.
• 4:48
  Speaker 2: And that's say Martha Brian, full of hope and quiet courage.
• 4:51
  Speaker 2: He walked up to my desk, handed me a letter
• 4:53
  Speaker 2: and asked me to find her son.
• 4:55
  Speaker 4: His name is Chip, mister Marlowe, or rather Chip now
• 4:59
  Speaker 4: that he's a grown man and he's twenty two, he
• 5:02
  Speaker 4: laughed suddenly, without a word. Six months ago, I've heard
• 5:06
  Speaker 4: nothing until this morning when that letter they addressed a
• 5:08
  Speaker 4: Chip came in the.
• 5:09
  Speaker 2: Mail, post mark Saint Louis obispo Oh, sit down, won't you?
• 5:13
  Speaker 2: Missus Brian?
• 5:14
  Speaker 4: Thanks you. Maybe I shouldn't have opened it, but well,
• 5:19
  Speaker 4: you see, it's the first indication I've had and all
• 5:21
  Speaker 4: that time that he's eaten alive.
• 5:26
  Speaker 2: Good ship. It's been a long drag with the waiting.
• 5:28
  Speaker 2: Is finally over, Darling. Time is now meet me at
• 5:31
  Speaker 2: eleven thirty Monday night at the House with the Big wheels.
• 5:34
  Speaker 2: Signed Toby House with the big wheel What does that mean, missus.
• 5:38
  Speaker 4: Brian, I have no idea, but for some reason it
• 5:42
  Speaker 4: flattens me.
• 5:43
  Speaker 2: Oh, eleven thirty Monday night, Monday night, that must be
• 5:47
  Speaker 2: to night. Who is this Toby?
• 5:49
  Speaker 4: Toby Padler. She's a very very beautiful young woman, platinum blond,
• 5:54
  Speaker 4: oh Chip. I believed he was in love with her.
• 5:56
  Speaker 4: I'm afraid. Oh please don't miss understand me, mister Marlowe.
• 6:01
  Speaker 4: I'm not a possessive mother. I knew i'd give Chipper
• 6:05
  Speaker 4: up some day only I hoped it would be too
• 6:08
  Speaker 4: nice and see.
• 6:09
  Speaker 2: A girl Toby Packler isn't.
• 6:11
  Speaker 4: She's much too fast. The kind of us is too much, Masscara,
• 6:16
  Speaker 4: and wears things like those little anklet chains they called
• 6:19
  Speaker 4: slave bracelets. I tried to find her after Chip left,
• 6:23
  Speaker 4: but she was gone too.
• 6:24
  Speaker 2: Oh tell me, did you and your son argue about Toby, Missus.
• 6:27
  Speaker 4: Bryant, No, no, I only saw her once. He knew
• 6:32
  Speaker 4: I didn't think much of her. But that didn't drive
• 6:35
  Speaker 4: him away. Mister Marlow, what did I've never been able
• 6:40
  Speaker 4: to understand. After his father died, Chip became irresponsible and
• 6:46
  Speaker 4: a little while, perhaps especially since I had to spend
• 6:50
  Speaker 4: all my time running our gift shop on Ivar. But
• 6:53
  Speaker 4: but he was a good boy.
• 6:55
  Speaker 2: Really.
• 6:56
  Speaker 4: I've tried to convince myself that he left just to
• 6:59
  Speaker 4: prove his independence, to taste his wings, you know.
• 7:05
  Speaker 2: But now now what, Missus Brian, Now.
• 7:08
  Speaker 4: I'm worried. That letter puzzles me. I don't like it.
• 7:13
  Speaker 2: Well, it may mean nothing more than you're getting a
• 7:15
  Speaker 2: daughter in law. Uses too much, mass car.
• 7:17
  Speaker 4: I hope you're right. I want you to be happy,
• 7:21
  Speaker 4: to settle down. I want to turn my business over
• 7:24
  Speaker 4: to him, and will you try to locate him for me? Here?
• 7:31
  Speaker 4: I have this picture here in my wallet.
• 7:34
  Speaker 2: See the chip looks a lot like his mother, doesn't it.
• 7:42
  Speaker 4: Please find out if my son is all right.
• 7:44
  Speaker 2: Sure, I'll do my best. My office window I watched
• 7:54
  Speaker 2: to leave the building. So I stopped politely and answer
• 7:57
  Speaker 2: a question for an oily sidewalk passive and a black
• 8:00
  Speaker 2: pinstriped suit, and moved quietly on down the street toward
• 8:04
  Speaker 2: a shop. And I've a neat gentle, very lonely woman.
• 8:11
  Speaker 2: I hoped I'd find a happy story for her in
• 8:13
  Speaker 2: San Luis Obispo. She had one coming. I was still
• 8:17
  Speaker 2: hoping five hours later when I pulled into a mobile
• 8:19
  Speaker 2: gas station in the little town at the foot of
• 8:21
  Speaker 2: the Santa Lucia Mountains, two hundred miles up the coast.
• 8:25
  Speaker 2: I filled up, asked a few questions, and found out
• 8:27
  Speaker 2: that there were only four good hotels, five not so good,
• 8:30
  Speaker 2: and two or three dozen motor corts, and that ran
• 8:33
  Speaker 2: the gamut. So even with nothing but the name Toby
• 8:36
  Speaker 2: to go on, the job wasn't completely impossible. By the
• 8:47
  Speaker 2: time I'd worked my way down into the motor courts,
• 8:49
  Speaker 2: the sun was sneaking off between the rocky hills toward
• 8:51
  Speaker 2: the ocean, and I was still collecting negative answers until
• 8:56
  Speaker 2: I tried to mirror neon combination bar, restaurant and motel
• 8:59
  Speaker 2: called Pinkies on the north edge of tom Sorry, mister,
• 9:03
  Speaker 2: not Tooby Packler registered here. I wait a minute, You
• 9:05
  Speaker 2: sure she's a lovely platinum blonde about me? About what? Huh?
• 9:11
  Speaker 2: I never mind skipped pinky Maybe this is better. When
• 9:18
  Speaker 2: I glanced across the lobby at the bar, i'd caught
• 9:20
  Speaker 2: a man watching me. It was the same Oily character
• 9:23
  Speaker 2: in a black pinstriped suit that I'd seen stop missus
• 9:25
  Speaker 2: Bryant on the street outside my office back in la.
• 9:28
  Speaker 2: He ducked away and I beat it into a bar,
• 9:31
  Speaker 2: just in time to see him slip out of side door.
• 9:34
  Speaker 2: So I followed him outside a gravel path, where him,
• 9:38
  Speaker 2: through a groove of dejected pepper trees, wound up in
• 9:40
  Speaker 2: a lonely walled patio. And when I got there, Oily
• 9:44
  Speaker 2: was out of sight. The reason was simple. The nose
• 9:47
  Speaker 2: of his gun in my back said he was behind me.
• 9:49
  Speaker 5: I don't move my low well, well name and all,
• 9:53
  Speaker 5: sure I've been telling you every inch of the way
• 9:56
  Speaker 5: since old Lady Bryant went to see you this morning.
• 9:58
  Speaker 2: That's connection oily.
• 9:59
  Speaker 5: Exactly six long months of watching him waiting for what
• 10:02
  Speaker 5: for a move, I knew two skunks that'd have to
• 10:04
  Speaker 5: make some time. From the way you've been working. You
• 10:06
  Speaker 5: don't know enough to do yourself, and you go to
• 10:08
  Speaker 5: me any harm. So take some advice, go back to
• 10:11
  Speaker 5: leave it alone, Leave what alone. That's none of your business.
• 10:13
  Speaker 2: People. I'll take over from the here.
• 10:15
  Speaker 5: But just in case you're running the Chip Bryant or
• 10:17
  Speaker 5: tob me on your way out of town, tell them
• 10:19
  Speaker 5: from me. They're not cutting Lou Race out of his
• 10:21
  Speaker 5: share of one hundred and ten grand. I'm gonna get
• 10:23
  Speaker 5: it one way or another. And Soldier won't forget your
• 10:28
  Speaker 5: rest for a right mind.
• 10:40
  Speaker 2: When the brick floor of the patio finally stopped pushing,
• 10:44
  Speaker 2: I was alone except for my ugly thoughts. I knew
• 10:49
  Speaker 2: I was on the right track, but from the sound
• 10:50
  Speaker 2: of things, Chip O'Brian was much less a mama's boy
• 10:52
  Speaker 2: than his mama believed, and made sure Lou Race was
• 10:56
  Speaker 2: nowhere around the motel, and I went into the bar
• 10:59
  Speaker 2: again to see what a double Scotch would do for
• 11:02
  Speaker 2: my headache. The bar tender, obviously was the type of
• 11:05
  Speaker 2: got around, so I took a chance and asked him
• 11:07
  Speaker 2: about Toby Packby. It was no good when I described
• 11:12
  Speaker 2: Toby as a beautiful platinum blonde. A girl sitting alone
• 11:15
  Speaker 2: two stools down, a girl with a short, ragged mouse
• 11:19
  Speaker 2: brown hair and extremely flat, misformed face, dropped her eyes
• 11:23
  Speaker 2: and looked away. I suddenly felt very cheap. I flipped
• 11:28
  Speaker 2: the silver buck on the bar and got up. You know,
• 11:30
  Speaker 2: it was a kind of dumb stunch. You can't apologize for.
• 11:33
  Speaker 2: You just leave. I was halfway to my cop before
• 11:36
  Speaker 2: I realized that the girl had followed me out. Are you?
• 11:42
  Speaker 2: I turned and watched to come toward me. The garish
• 11:46
  Speaker 2: neon light her face was jarringly unreal, the color and
• 11:48
  Speaker 2: texture of hard putty.
• 11:51
  Speaker 4: I heard you inside when you asked about Toby.
• 11:55
  Speaker 2: Yeah, I thought you had. Do you know her, miss, Yeah?
• 12:01
  Speaker 6: I know her.
• 12:01
  Speaker 4: She's one of my few friends. What do you want
• 12:04
  Speaker 4: with Toby?
• 12:05
  Speaker 2: Well, my name is Marlow and I'm from LA. I
• 12:07
  Speaker 2: want to talk to her about a fellow named Chip Bryan.
• 12:08
  Speaker 2: She's my only lead.
• 12:10
  Speaker 7: Chip Bryant. Yeah, she never mentioned that name of lead. Anyway,
• 12:14
  Speaker 7: you're too late, mister Marlow. What do you mean Toby
• 12:18
  Speaker 7: left town this morning. No, she's going up north to Seattle.
• 12:22
  Speaker 4: I think on some kind of personal business.
• 12:24
  Speaker 2: I listen. Did she ever say anything new about a
• 12:27
  Speaker 2: house with a big wheel where it was what it means.
• 12:30
  Speaker 4: House with a big wheel? Yeah, no, I'm afraid not.
• 12:34
  Speaker 4: I'm sorry, mister Mordow. I guess I'm not much help.
• 12:37
  Speaker 4: I oh, good.
• 12:41
  Speaker 2: Night, thanks anyway, and good night miss miss Yeah, yeah, Palmer,
• 12:49
  Speaker 2: good night. As the girl walked back to the bar,
• 12:54
  Speaker 2: the little gold chain I'd spotted around her ankle glinted
• 12:56
  Speaker 2: in the brittle light. It was like an echo of
• 12:59
  Speaker 2: her memory. A slave bracelet on her was as out
• 13:02
  Speaker 2: of place as a morning glory and a bit of toadstools.
• 13:05
  Speaker 2: But that gave me a crazy hunch, a hunch that somehow,
• 13:08
  Speaker 2: in the last six months, a gorgeous blond named Toby
• 13:11
  Speaker 2: Packer had become a drab brown head with a flat,
• 13:13
  Speaker 2: stiff face. So I didn't chase wild geese to see
• 13:16
  Speaker 2: atl Instead, I got in my car and I waited.
• 13:19
  Speaker 2: Now all went by, and it was almost dark before
• 13:21
  Speaker 2: she finally came out again, stepped down into a sleek
• 13:23
  Speaker 2: new convertible and drove north out of town. I followed
• 13:26
  Speaker 2: that she turned off a neglected side road and for
• 13:29
  Speaker 2: eight miles twisted through jagged rocky hills toward the mountains.
• 13:32
  Speaker 2: Then suddenly, from the crest of a small rise, I
• 13:34
  Speaker 2: saw what she'd been heading for, an old stone house
• 13:37
  Speaker 2: squatting in a grove of eucalyptus trees. The girl, I
• 13:40
  Speaker 2: figured to be Toby Packler, had slowed almost to a stop.
• 13:44
  Speaker 2: I watched the creep along until she was out of sight.
• 13:47
  Speaker 2: When I got out of my car and I went
• 13:49
  Speaker 2: down for a closer look. Round, brown shingled couplers reared
• 13:53
  Speaker 2: proudly out of choking overgrowth, and on a huge rusty
• 13:55
  Speaker 2: iron gate in front was the name Escobar. Put in
• 14:00
  Speaker 2: the trees. Behind the house, I saw more turning slowly
• 14:04
  Speaker 2: in the stream. There was a giant water wheel, a
• 14:07
  Speaker 2: big wheel rod fast back to town and stop. It
• 14:16
  Speaker 2: the only place I could figure for a quick answer.
• 14:18
  Speaker 2: The opposite of the San Luis Obisco Daily Eagle, the
• 14:21
  Speaker 2: night editor was strictly old school and green ice shaded
• 14:23
  Speaker 2: a sleeve goddess, but still very much on the ball.
• 14:27
  Speaker 8: Sir, you want to see the issues of exactly six
• 14:29
  Speaker 8: months ago?
• 14:30
  Speaker 2: His head?
• 14:30
  Speaker 8: Yeah, and that'd be November about the eighth, nineteen ten.
• 14:36
  Speaker 2: Yes, thanks, thanks a lot. I'm right the sort of sentire.
• 14:41
  Speaker 8: In care for that rip those copies. So, by the way,
• 14:45
  Speaker 8: what stir? Are you looking for?
• 14:46
  Speaker 2: A small something on a party named Toby Packway? It's
• 14:51
  Speaker 2: not here. Wait a minute, maybe it'll be in Yeah, sure, sure,
• 14:55
  Speaker 2: this is it. On page three, a woman identified as
• 14:58
  Speaker 2: Toby Packer of Los Angeles suffered severe injuries they head
• 15:02
  Speaker 2: and face today when the car she was driving skidding
• 15:04
  Speaker 2: into a bridge. I bought my two miles north of here,
• 15:07
  Speaker 2: so that's how come to face. This packless condition was
• 15:10
  Speaker 2: announce as critical by Clark Emergency Hospital at ten. Yeah
• 15:14
  Speaker 2: is that all you want? That's enough?
• 15:16
  Speaker 8: If that answers your question, young man, I put these
• 15:18
  Speaker 8: copies away.
• 15:19
  Speaker 2: Had to be careful that headline, Eh, what was that?
• 15:23
  Speaker 2: Let's see that Santa Barbara jewelry store, rob caring thieves
• 15:27
  Speaker 2: escapable gems valued it AE hundred and ten thousand, one
• 15:30
  Speaker 2: hundred and ten grand.
• 15:32
  Speaker 8: I remember that two men and a woman got away
• 15:34
  Speaker 8: clean too. Never caught a one of them. You don't
• 15:38
  Speaker 8: mean there's a connection between these stories, dude.
• 15:40
  Speaker 2: I don't know. Ask me again after I've checked in
• 15:43
  Speaker 2: at the old Eskebar place, Evan Escabar's place.
• 15:46
  Speaker 8: Out in the hills before you are jokings And what
• 15:49
  Speaker 8: in the world could that crack pot possibly have to
• 15:51
  Speaker 8: do with the jewel robber and the car wreck six
• 15:53
  Speaker 8: months ago?
• 15:54
  Speaker 2: It beats me, But the some time you can count
• 15:56
  Speaker 2: on it. I think you're crazy.
• 15:58
  Speaker 6: But if you're going off.
• 15:59
  Speaker 2: There, he should be. What's that supposed to mean?
• 16:02
  Speaker 8: You have something in common with that? He's living his
• 16:05
  Speaker 8: own private dream world for so long he's forgotten what
• 16:09
  Speaker 8: the real world's all about. Goodbye, son, I'll see you later,
• 16:17
  Speaker 8: I hope.
• 16:36
  Speaker 3: In just a moment. The second act of Philip Marlowe.
• 16:39
  Speaker 3: But first, the fun is always fresh and furious. When
• 16:42
  Speaker 3: Graucho Marx takes over on CBS Wednesday Nights with his
• 16:45
  Speaker 3: wonderful quiz you bet your life, Groucho the master of
• 16:49
  Speaker 3: ad lib, teams up pairs of opposites and then goes
• 16:52
  Speaker 3: to work with his quips and questions, very very solid
• 16:55
  Speaker 3: with laughter. This Groucho Mark show here at this Wednesday
• 16:58
  Speaker 3: and every Wednesday and most of the same CBS stations,
• 17:03
  Speaker 3: now with our star Gerald Moore, the second actor Philip Marlowe,
• 17:06
  Speaker 3: and Tonight's story The Hiding Place.
• 17:18
  Speaker 2: From the Road. I had thought of Adam Escaba's place
• 17:20
  Speaker 2: as just another one hundred year entry home, you know,
• 17:22
  Speaker 2: the kind bigger loop frinkle, like an aging nobleman who
• 17:25
  Speaker 2: had retired long ago with his memories. But now that
• 17:28
  Speaker 2: I was there and at the rusted iron gate, it
• 17:30
  Speaker 2: resented my intrusion out loud. I changed my mind. I
• 17:34
  Speaker 2: saw now it had to be a degenerate nobleman. Also,
• 17:37
  Speaker 2: a nobleman had to be flat broke. I saw it everywhere.
• 17:40
  Speaker 2: An am escabar on the gate, and copper lettering had
• 17:42
  Speaker 2: turned a sickly spotted green. The scuff faded family crest
• 17:46
  Speaker 2: in laden tile, and the cement walk was cracked and crumbled.
• 17:50
  Speaker 2: The exquisite stained glass door was cracked all the way
• 17:53
  Speaker 2: down the middle. Only the engraved card in the slot
• 17:57
  Speaker 2: under the knocker that sat adamsco Bia Squire was neat
• 18:00
  Speaker 2: new Landed Gentry's last ditch stand. I was about to
• 18:05
  Speaker 2: knock one.
• 18:06
  Speaker 9: You need not bother knocking sirt. I saw you coming
• 18:10
  Speaker 9: up the walk. I am Adam Ascobald.
• 18:13
  Speaker 2: He was a small, slight man of maybe sixty plus,
• 18:15
  Speaker 2: with a large head held high in spite of the
• 18:17
  Speaker 2: frayed cuffs, the pattern of the slippers that were cracked
• 18:20
  Speaker 2: and pealing. I introduced myself and followed the meadow a
• 18:23
  Speaker 2: musty living room there while he apologized for no longer
• 18:27
  Speaker 2: having any servants and forts each some brandy mccut plastic cande,
• 18:30
  Speaker 2: I told them all about my search for Chip Bryan,
• 18:33
  Speaker 2: complete with Toby and little Race.
• 18:35
  Speaker 9: Frankly, mister Marlowe, I am puzzled. Your drink, sir, oh confused?
• 18:41
  Speaker 9: What does all this have to do with me?
• 18:43
  Speaker 2: Or maybe nothing, mister escobarb But the only guess around
• 18:46
  Speaker 2: is that the jewels were hidden here on your property,
• 18:48
  Speaker 2: the house for the big water wheel, and I had
• 18:50
  Speaker 2: the robbery six months ago.
• 18:51
  Speaker 6: Why for what reason, sir?
• 18:53
  Speaker 2: The police probably Treyo wouldn't want to be picked up
• 18:56
  Speaker 2: with the staff on him, salut and do yours sir
• 18:59
  Speaker 2: thig you.
• 19:02
  Speaker 9: Then, then, mister marlow soon after they did that hit
• 19:06
  Speaker 9: the jewels. I mean, the girl, the one with the
• 19:08
  Speaker 9: injured face, had that accident.
• 19:11
  Speaker 2: Those are the circumstances, oh more or less, and if
• 19:14
  Speaker 2: I've ad it right, companies coming by eleven thirty. It's
• 19:17
  Speaker 2: ten thirty now. It might be a good idea if
• 19:19
  Speaker 2: he left the home grounds for a while.
• 19:20
  Speaker 9: Me leave my own home because of some thieves, because
• 19:23
  Speaker 9: of three commons.
• 19:24
  Speaker 2: You get to Reska. It's that or the police. And
• 19:26
  Speaker 2: I'd rather not have a minute for a while. I
• 19:28
  Speaker 2: still owe my client a slight benefit of the doubt
• 19:30
  Speaker 2: that's left.
• 19:30
  Speaker 6: You think I am afraid that's what you are doing to.
• 19:33
  Speaker 2: Say, No, of course not. But I don't see why
• 19:35
  Speaker 2: you should stake your neck out. These people have nothing
• 19:37
  Speaker 2: to do with you.
• 19:38
  Speaker 6: You are wrong, sir.
• 19:39
  Speaker 9: Every onnest man has something to do with every criminal
• 19:42
  Speaker 9: his duty.
• 19:43
  Speaker 6: I know that now, mister Marlowe.
• 19:46
  Speaker 9: If I had known it many years ago, I might
• 19:49
  Speaker 9: still have both my wealth and my property intact.
• 19:53
  Speaker 2: Okay, who knows when I come back at my b back?
• 19:57
  Speaker 6: But where are you going?
• 19:58
  Speaker 2: So in a town it's still like to catch up
• 20:00
  Speaker 2: the chip Bryan before the reunion. I don't think there's
• 20:03
  Speaker 2: going to be the time or place for conversation.
• 20:05
  Speaker 6: Conversation with that Brian hoodlum about what.
• 20:08
  Speaker 2: Sort about a mother? Mister Escobar, A nice old lady
• 20:13
  Speaker 2: who doesn't deserve a kick in the teeth. Back in
• 20:23
  Speaker 2: San Luis Obispo, I returned to the missing person door
• 20:25
  Speaker 2: to door canvas for the third time that night. Only
• 20:28
  Speaker 2: now I can find myself to the wrong side of
• 20:30
  Speaker 2: the tracks exclusively, and the deeper the dive, the better.
• 20:33
  Speaker 2: I didn't figure the Chip Ryan would show anywhere else,
• 20:36
  Speaker 2: and after a half a dozen quick stops, number seven
• 20:39
  Speaker 2: proved lucky. It was a cramped, greasy bar with a
• 20:42
  Speaker 2: sawdust and cigarette butt floor and a single customer. I
• 20:45
  Speaker 2: hadn't found Chip, but I was close to the depth
• 20:47
  Speaker 2: of mister lou Race, the bar keep, a ball of
• 20:50
  Speaker 2: fat wearing a sweatshirt the size of a tent at
• 20:52
  Speaker 2: his back to me. When I ended, so did Race.
• 20:56
  Speaker 2: So when I tapped the tricky man on his padded
• 20:58
  Speaker 2: shoulder and he turned surprised to see me. Sweet, that's
• 21:03
  Speaker 2: like I was an old dad. I cat got your tongue.
• 21:07
  Speaker 2: I'll get up, get ready to answer a few simple questions.
• 21:11
  Speaker 2: What do you think you're doing? Your buster much head?
• 21:13
  Speaker 2: I'll play you for it unless you want to be
• 21:14
  Speaker 2: up ther rolling chins in trouble with the Lawdsjun, you
• 21:16
  Speaker 2: don't try to help the client tell the cops. Okay, okay,
• 21:20
  Speaker 2: why didn't you say so? I don't know nothing about
• 21:22
  Speaker 2: this guy and I don't know enough. Now come on,
• 21:24
  Speaker 2: race you talk or eat sawt uSwitch. No, no, I'll
• 21:28
  Speaker 2: tell you.
• 21:28
  Speaker 6: What do you want?
• 21:29
  Speaker 2: One? You Chip Brian Untilby packed my stock up at
• 21:31
  Speaker 2: Santa Barbara jewelry store six months ago.
• 21:33
  Speaker 5: Right, yeah, yeah, well we did it, but they crossed
• 21:36
  Speaker 5: me up and it was one of the cops were
• 21:38
  Speaker 5: coming and we.
• 21:38
  Speaker 2: Split the splitter. You played hoorray filu race and ran
• 21:41
  Speaker 2: without worrying about the others. What's the difference? A reason
• 21:43
  Speaker 2: Toby and Chip Brian won't tell you where they hit
• 21:45
  Speaker 2: the jewels. That's a difference.
• 21:46
  Speaker 6: Nuts. You're standing on one of ear people.
• 21:49
  Speaker 5: Toby had a different reason for crossing like what ah like,
• 21:52
  Speaker 5: I've fallen in love with that lous Bryant.
• 21:54
  Speaker 6: The kit she baited and they're coming along with us,
• 21:57
  Speaker 6: but flapping.
• 21:57
  Speaker 2: The baby blues.
• 21:58
  Speaker 6: The kit was supposed to the car period.
• 22:01
  Speaker 2: That's how she crossed me. Anyone else, Yeah, that's happened.
• 22:05
  Speaker 2: Where's Brian now?
• 22:06
  Speaker 10: One of two places either with Toby Pakla with good
• 22:15
  Speaker 10: Knight Sweetheart.
• 22:18
  Speaker 2: By the time I made it to the door of
• 22:20
  Speaker 2: the second company, Sam Spade was across the street behind
• 22:22
  Speaker 2: a park car and streaking for an alley in the
• 22:24
  Speaker 2: middle of the block. Just as I thought I was
• 22:26
  Speaker 2: gonna lose, and became the breast of a dark doorway,
• 22:28
  Speaker 2: and I saw it, and I'm raised quickly, the grint
• 22:31
  Speaker 2: of a knife played, the arm dropped sharply. Whoever had
• 22:38
  Speaker 2: done it slid away in the dark as suddenly as
• 22:40
  Speaker 2: he appeared. When I was next to a race, there
• 22:42
  Speaker 2: was only the caller's card, the black ivory handled knife
• 22:45
  Speaker 2: driven to the hilt in between the dapper man's shoulders.
• 22:48
  Speaker 2: He was going out fast.
• 22:50
  Speaker 6: Holy car, How it happened?
• 22:52
  Speaker 2: Mantrace? Race? Do you know who got you? Yeah? Dark
• 22:59
  Speaker 2: black eye every handle? Yeah? Why? Why? What was it mean?
• 23:01
  Speaker 2: Who's belonged to race?
• 23:04
  Speaker 9: What?
• 23:04
  Speaker 2: Kid? Ryan?
• 23:09
  Speaker 6: He's dead? Huh?
• 23:11
  Speaker 2: Yeah? And so we're all the prayers of one missus
• 23:15
  Speaker 2: Martha Bryant. Oh she never mind, never mind. Listen, call
• 23:19
  Speaker 2: the cops telling. My name is Philip Marlow. I'm a
• 23:21
  Speaker 2: private detective, and I may be able to explain all
• 23:22
  Speaker 2: this later. Right now, I'm doing a house with a
• 23:24
  Speaker 2: water wheel and explain that later too, if I'm lucky.
• 23:42
  Speaker 9: Oh, mister Marlow, I'm glad you're here, sir. It is
• 23:45
  Speaker 9: almost eleven.
• 23:46
  Speaker 2: I know, have you seen anyone? Miss ask and I have.
• 23:48
  Speaker 6: Been watching very close. Ready nice, my father owned these pistols.
• 23:52
  Speaker 2: Oh, I hope it's been oil since Now look I
• 23:55
  Speaker 2: didn't locate chip right. Wait a minute, isn't that a car?
• 23:58
  Speaker 2: They're turning off a row without any lights on, Yes.
• 24:00
  Speaker 6: And going along the side of my property line.
• 24:03
  Speaker 9: But Tody, what would we could you a woman, mister Malone.
• 24:06
  Speaker 2: No doubt, named Tony Peckler. Now look, you stay here,
• 24:09
  Speaker 2: mister Escobar, and keep that blunder bus ready. Don't forget
• 24:11
  Speaker 2: ship Bryan's due out here, Tony, he said, killer, keep
• 24:13
  Speaker 2: your eyes open. We'll stand a better chance meeting him
• 24:16
  Speaker 2: one at a time. I went around to the side
• 24:24
  Speaker 2: of the house quickly, then kept close into a long
• 24:26
  Speaker 2: line of eucalyptus trees that ended at a crumbling building
• 24:28
  Speaker 2: that had once been servants quarters. After that, it was
• 24:31
  Speaker 2: only twenty yards the water wheel, twenty open yards the
• 24:34
  Speaker 2: huge ancient circle of hand hewn wood that complained against
• 24:38
  Speaker 2: the side of a dreary squad stone mill that had
• 24:40
  Speaker 2: long ago died of old age. There in the faint
• 24:43
  Speaker 2: half light of a hazy moon, I saw Toby Packler
• 24:46
  Speaker 2: kneeling at the corner of the building with both hands
• 24:49
  Speaker 2: working curiously to loosen a stone the size and shape
• 24:51
  Speaker 2: of a football. There was a gun on the ground
• 24:53
  Speaker 2: next to her. I moved close to my hand, tight
• 24:56
  Speaker 2: on the thirty eighth of my pocket. Then I waited
• 24:58
  Speaker 2: till she had the stone out, and that baby hands
• 25:01
  Speaker 2: a six months old secret. It wasn't bad, Aim, just
• 25:05
  Speaker 2: a warning, Toby.
• 25:07
  Speaker 4: How do you know my name?
• 25:08
  Speaker 2: I read your mail. I get back over to your
• 25:10
  Speaker 2: homespun safety deposit box there and take the jewels out.
• 25:13
  Speaker 1: Go on, all right?
• 25:15
  Speaker 4: Why shouldn't I soldier?
• 25:17
  Speaker 7: You won't go any place with them. Chip will see
• 25:19
  Speaker 7: to that.
• 25:19
  Speaker 2: Hell they're God, get back, they're up here.
• 25:22
  Speaker 4: I'll tell you.
• 25:23
  Speaker 2: You understand the God God. I'll tell me. Is this
• 25:28
  Speaker 2: why you hit them? Nobody else knew? Raise the chip, Bryan.
• 25:31
  Speaker 4: Race didn't even know about this place?
• 25:34
  Speaker 6: And a d up your gun?
• 25:40
  Speaker 2: Do it? Miss Peckler? Mister Adam esca bar es quiet, quiet,
• 25:47
  Speaker 2: so cheap?
• 25:47
  Speaker 6: Brian? How's the jewels all the time? What do you
• 25:52
  Speaker 6: know about jewels.
• 25:54
  Speaker 9: You'll see the Speckler that night six months ago when
• 25:57
  Speaker 9: you stood over there on the other side of the
• 25:58
  Speaker 9: water wheel and told Bryan that you had hiden the
• 26:00
  Speaker 9: jewels and would tell him where later on.
• 26:03
  Speaker 2: I was listening, you know they were here. I don't
• 26:06
  Speaker 2: tell anything to anybody.
• 26:07
  Speaker 9: It was, of course, quite by chance that I overheard you.
• 26:10
  Speaker 9: But after you had that accident with your car, I
• 26:12
  Speaker 9: searched as diligently as though a partner, searched Miss Peckler
• 26:15
  Speaker 9: for money.
• 26:17
  Speaker 6: That could mean so so much to me that I
• 26:20
  Speaker 6: found naughty.
• 26:21
  Speaker 4: Where are they?
• 26:22
  Speaker 2: You really tell me?
• 26:24
  Speaker 4: Well, do you know.
• 26:25
  Speaker 6: That I see this?
• 26:26
  Speaker 9: I think place is it was where Chip Bryan stood
• 26:31
  Speaker 9: there for the jewels and not not buried.
• 26:35
  Speaker 4: What do you mean?
• 26:37
  Speaker 2: I think, Toby, that he killed Chip Bryan almost six
• 26:40
  Speaker 2: months ago, and that he buried him here on these grounds,
• 26:42
  Speaker 2: without knowing that Shep had already found the jewels.
• 26:44
  Speaker 6: Why ship then quite there? I killed him two days
• 26:52
  Speaker 6: after your accident. I found him searching for the jewel.
• 26:55
  Speaker 3: Now, no, you're lying.
• 26:58
  Speaker 4: She was supposed to go back a lost Andrews.
• 27:00
  Speaker 9: Wait until I was.
• 27:01
  Speaker 7: Well, wait for my leadder.
• 27:03
  Speaker 2: Didn't Toby come out here, found the jewels and was
• 27:05
  Speaker 2: killed by our host.
• 27:08
  Speaker 9: No one that I couldn't find them these months type
• 27:10
  Speaker 9: search daydn't day.
• 27:11
  Speaker 6: I'll scratch them dog and Corning and Rain.
• 27:15
  Speaker 2: I buried him, but you didn't burry his knife? Did you? That?
• 27:18
  Speaker 2: You captain news down a little race tonight? Why so
• 27:23
  Speaker 2: you can shoot me then him? Or so that if
• 27:25
  Speaker 2: I'd very lucky, I can run away to live some more?
• 27:29
  Speaker 2: A smashed face.
• 27:32
  Speaker 4: To face, one.
• 27:42
  Speaker 2: Escabar turn around point that gun at me? Missed them
• 27:47
  Speaker 2: my lord, now it's self defense. Toby.
• 27:56
  Speaker 4: Toby is bad, real bad. I had so much once
• 28:06
  Speaker 4: wet face, a guy name.
• 28:10
  Speaker 11: Chip, jewels, everything, I was a big wheel.
• 28:24
  Speaker 2: It was nice.
• 28:27
  Speaker 4: Uh yes, yes, mister workman. The book ends will be
• 28:43
  Speaker 4: sent out to you this afternoon at the lady. Thank
• 28:47
  Speaker 4: you for calling. Goodbye. I'm sorry to have kept you.
• 28:53
  Speaker 4: Mister Marlow. Well, it may be hard for you to believe.
• 29:03
  Speaker 4: In the minute I was on the phone, and even
• 29:07
  Speaker 4: while I talked, I think I saw Chipper's whole life
• 29:11
  Speaker 4: before me.
• 29:12
  Speaker 2: I know what you mean. Well, missus, Bryan, I found
• 29:17
  Speaker 2: out that.
• 29:19
  Speaker 4: Your son Chip, Yes, you found out what mister Marlow?
• 29:26
  Speaker 4: What are you staring at.
• 29:28
  Speaker 2: Oh I had showcase there.
• 29:32
  Speaker 4: Oh, our mother's stayed displayed. It's attractive, isn't it.
• 29:42
  Speaker 2: Yeah, yeah, very missus. Bryan Chip was killed in a
• 29:49
  Speaker 2: storm at sea a week a week after you saw him.
• 29:53
  Speaker 2: It was off San Francisco. His body was never recovered.
• 29:57
  Speaker 2: I was told that he was on his way to
• 29:59
  Speaker 2: a new job Canada at the time. And incidentally, that
• 30:03
  Speaker 2: letter from San Luis Obispo that that was all a mistake.
• 30:06
  Speaker 2: That girl never saw a chipping outside. I left my
• 30:21
  Speaker 2: car where i'd pocket and walked through the busy city street.
• 30:25
  Speaker 2: You know, it's a funny thing. Lies can cause more
• 30:29
  Speaker 2: trouble in this world than almost anything else they say,
• 30:32
  Speaker 2: and at the same time can sometimes bring them most happiness.
• 30:59
  Speaker 3: The Adventures Philip Marlowe Bringing You Raymond Chandler's most famous characters,
• 31:03
  Speaker 3: star Gerald Moore, are produced and written by Norman McDonald
• 31:07
  Speaker 3: and written for radio by Robert Mitchell and Gene Levitt.
• 31:10
  Speaker 3: Featured in the cast, where Virginia Gregg, Joan Banks, Herb Butterfield,
• 31:14
  Speaker 3: Louis Gene Height, Bob Griffin, Howard mcneer, and Lee Malar.
• 31:18
  Speaker 3: The special music is composed and conducted by Richard urunt,
• 31:25
  Speaker 3: be sure and be with us again next week when
• 31:27
  Speaker 3: Philip Marlowe say.
• 31:29
  Speaker 2: It started at down in the Los Angeles taxi and
• 31:32
  Speaker 2: wound up that night on a cliff in the middle
• 31:33
  Speaker 2: of the Pacific, all because of a Dutchman with five
• 31:36
  Speaker 2: three thousand dollars, a corpse in a lily pond, and
• 31:38
  Speaker 2: an Oriental with a chow fore who wanted a cloak
• 31:40
  Speaker 2: may have nothing but feathers.
• 31:53
  Speaker 3: This is CBS, the Columbia Broadcasting System.
• 32:24
  Speaker 12: This is Andrew from Otrwesterns dot com. I wanted to
• 32:27
  Speaker 12: invite you to come take a look at our site.
• 32:29
  Speaker 12: We stream live OTR Westerns twenty four hours a day,
• 32:32
  Speaker 12: seven days a week, along with putting out podcasts of
• 32:36
  Speaker 12: old time radio Westerns. Check us out at OTR Westerns
• 32:39
  Speaker 12: dot com. You're listening to the great detectives of Old
• 32:42
  Speaker 12: Time Radio with Adam Graham. Now let's get back into
• 32:45
  Speaker 12: the show.
• 32:52
  Speaker 1: Welcome back.
• 32:54
  Speaker 2: Well.
• 32:54
  Speaker 1: Obviously, in the episode itself, the his referencing Sam Spade
• 33:01
  Speaker 1: was because the thug had told him good night, sweetheart,
• 33:04
  Speaker 1: which was one of Sam Spade's key catchphrases from the
• 33:09
  Speaker 1: nineteen forties and fifties radio. This was a really well
• 33:15
  Speaker 1: done episode. There are few radio programs that really when
• 33:21
  Speaker 1: they are written with that intent. A detective show that
• 33:26
  Speaker 1: can really break your heart is Philip Marlowe. It's definitely
• 33:30
  Speaker 1: a very well done, but downbeat ending that ends with
• 33:33
  Speaker 1: marlow a very out of character not telling the client
• 33:38
  Speaker 1: the full story. But it's hard to blame him too
• 33:41
  Speaker 1: much in this particular instance. Well, we turned out a
• 33:44
  Speaker 1: listener comments and feedback, and we have a new review
• 33:47
  Speaker 1: on iTunes from Lewis from Miami, who rots thank you
• 33:50
  Speaker 1: for posting these classic old time radio programs for people
• 33:54
  Speaker 1: like me to appreciate. I'm twenty seven year old and
• 33:57
  Speaker 1: listen to this podcast every day. I go to sleep
• 34:00
  Speaker 1: to this podcast each night. I give it ten out
• 34:03
  Speaker 1: of ten. Well, thanks so much, Lewis, and I appreciate
• 34:06
  Speaker 1: you listening out there twenty seven. I was just a
• 34:11
  Speaker 1: little bit younger than that when I started podcasting, so
• 34:15
  Speaker 1: I can definitely relate, and thanks so much for listening.
• 34:19
  Speaker 1: All right, Well tomorrow, Nick Carter. Next Wednesday, another episode
• 34:24
  Speaker 1: of Philip marlow and be sure Monday a new program
• 34:27
  Speaker 1: and Tuesday a new program will be leading off with
• 34:30
  Speaker 1: Michael Shane and the Crime Files of Lamont. Now we're
• 34:33
  Speaker 1: going to discuss changes to our Patreon program and also
• 34:38
  Speaker 1: our new small business advertising program. If neither of these
• 34:42
  Speaker 1: topics are interests of interest to you, then it's all
• 34:46
  Speaker 1: We'll see you tomorrow for everyone else. When we started
• 34:50
  Speaker 1: the Patreon program several months back, I believe we started
• 34:55
  Speaker 1: mid June. I based it on kind of combining elements
• 35:00
  Speaker 1: from a couple other of shows whose Patreon pages I saw,
• 35:06
  Speaker 1: and I came to reflect that the podcast that I'd
• 35:14
  Speaker 1: used as a model weren't in some ways many of
• 35:17
  Speaker 1: the rewards they used didn't work too well for our show,
• 35:21
  Speaker 1: and so I did go ahead and I removed the
• 35:25
  Speaker 1: Commissioner reward, and I also removed the Radio Operator reward,
• 35:31
  Speaker 1: which basically let people record a bumper that would be
• 35:36
  Speaker 1: guaranteed to be used twice a month. And what I've
• 35:39
  Speaker 1: done instead is I've added a feature to the Master
• 35:43
  Speaker 1: Detective reward, which is at the fifteen dollars level, where
• 35:47
  Speaker 1: you can record a bumper and it will be played
• 35:49
  Speaker 1: no more than once a month. And I also thought
• 35:52
  Speaker 1: that in addition, over the years, a lot of people
• 35:56
  Speaker 1: with small businesses have emailed me interested in advertising on
• 36:04
  Speaker 1: the show, and I have really not had a program
• 36:09
  Speaker 1: that would work for I've had programs in the past
• 36:15
  Speaker 1: that were kind of based on some of the advertising
• 36:18
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• 36:23
  Speaker 1: the old time Dragnet show had sponsors way back in
• 36:28
  Speaker 1: the day two thousand and nine and before, and that
• 36:33
  Speaker 1: just doesn't work for small business budgets, so we rarely
• 36:37
  Speaker 1: hear back on it. So I decided to just design
• 36:40
  Speaker 1: a program for people who have small businesses would like
• 36:45
  Speaker 1: to reach our audience, which is ten thousand people plus
• 36:49
  Speaker 1: on average per episode worldwide, and so I wanted something
• 36:54
  Speaker 1: that would be affordable. And so we're going to start out.
• 36:58
  Speaker 1: We'll see how successful this with a bumper ad. Now,
• 37:02
  Speaker 1: these ads will air just like what you heard today
• 37:06
  Speaker 1: from Andrew. They'll air between the episode and my commentary.
• 37:11
  Speaker 1: These won't be very involved and they'll basically have the
• 37:15
  Speaker 1: purpose of bringing people back to the show. The example
• 37:19
  Speaker 1: I have on the website is if your name is
• 37:22
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• 37:27
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• 37:31
  Speaker 1: peanut butter cookies you can order online. Ask about our
• 37:34
  Speaker 1: seasonal specials. You're listening to the great detectives of old
• 37:38
  Speaker 1: time radio. So something that's very short, sweet, succinct, and
• 37:42
  Speaker 1: just simply lets people know about your business and a
• 37:45
  Speaker 1: few short words. And you also have the option you
• 37:49
  Speaker 1: can have me read an ad and I would say
• 37:54
  Speaker 1: something such as, our commentary today is brought to you
• 37:57
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• 38:00
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• 38:03
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• 38:06
  Speaker 1: great detectives of old time Radio, so one of those
• 38:09
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• 38:13
  Speaker 1: an advertiser interested in running one of these ads, what
• 38:18
  Speaker 1: you need to know is that one all ads are
• 38:21
  Speaker 1: subject to host approval, and any ads that are for
• 38:25
  Speaker 1: anything that's not family friendly or for financial services will
• 38:29
  Speaker 1: not be accepted. Or if it's just an advertiser, I
• 38:31
  Speaker 1: don't think would fit the show, but I'm fairly open
• 38:34
  Speaker 1: as to what I will consider as long as the
• 38:37
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• 38:41
  Speaker 1: that you run the ad for at least two months,
• 38:45
  Speaker 1: and your ad will air four times during the month,
• 38:48
  Speaker 1: each time on a different program. Though at least one
• 38:52
  Speaker 1: episode is guaranteed to be an episode of Yours Truly
• 38:55
  Speaker 1: Johnny Dollar, our most popular series, and we will actually
• 39:00
  Speaker 1: only except three advertisers at one time. If you're interested
• 39:05
  Speaker 1: in doing this, we need to hear from you by
• 39:08
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• 39:12
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• 39:14
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• 39:18
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• 39:21
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• 39:26
  Speaker 1: that will do it for today, and you can also
• 39:30
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• 39:33
  Speaker 1: from Boise, Idaho, this is your host, Adam Grahamson and
• 39:37
  Speaker 1: off