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Sherlock Holmes Radio The Scarlet Worm Basil Rathbone, Nigel Bruce, Conway, · Meine Liebe zu Hörspielen

• 0:01
  Speaker 1: Now that, Watson, how about your new Shallock Holmes story,
• 0:03
  The Adventure of the Scarlet Worm, where.
• 0:05
  Speaker 2: Mister Bell that singer affair took place in Paris.
• 0:08
  Speaker 3: I supposed the story really began on an October evening.
• 0:11
  Speaker 4: In Baker Street, a long long time ago.
• 0:15
  Speaker 2: I've been more than usually busy with my practice that day,
• 0:18
  and I returned to our lodging shortly after nine.
• 0:20
  Speaker 4: I remember as I entered.
• 0:22
  Speaker 2: The living room, Sherlock Holmes was seated at his side table,
• 0:25
  clad in his dressing.
• 0:26
  Speaker 3: Gown, and working hard over a chemical investigation. A large
• 0:30
  curved rick trot was boiling.
• 0:32
  Speaker 2: Furiously in the bluish flame of a Bunsen burner.
• 0:36
  Speaker 3: Finally, he brought a test tube containing a solution.
• 0:38
  Speaker 2: Over to the table. In his right hand he held
• 0:41
  a slip of liftless paper.
• 0:43
  Speaker 5: You will come at a crisis, Watson. If this flip
• 0:46
  mustafer remains blue, all is well. If it turns red,
• 0:49
  it means a man's life with Lord Holme's really ah,
• 0:53
  as I thought it turns red, an out of center
• 0:56
  telegram was cutton jat and I need have no further
• 0:58
  connection with the case.
• 0:59
  Speaker 4: Well, you didn't tell me if you were working on
• 1:00
  a UK's home.
• 1:01
  Speaker 5: It was a shot, a little affair. My dear Watson,
• 1:04
  an orthopedic shoemaker Wapping became somewhat fretful with his wife.
• 1:07
  He added poison to her morning pot of tea and
• 1:09
  was stupid enough to leave a sample of the deadly brew.
• 1:12
  It's purely a routine matter. Let's forget it. You wiok
• 1:15
  tried old jab.
• 1:17
  Speaker 3: Visit.
• 1:18
  Speaker 5: I hope you won't be too tired to accompany me
• 1:20
  to Paris tomorrow.
• 1:21
  Speaker 3: To Paris.
• 1:22
  Speaker 5: Why this afternoon I received a very rare visitor in
• 1:25
  these rooms? My brother Microft all is not well at
• 1:29
  the Foreign Office. They need our help.
• 1:31
  Speaker 4: What's wrong? Home?
• 1:33
  Speaker 5: And international spiring is at work. In the past few
• 1:36
  months important secrets have leaked out, vital secrets that might
• 1:39
  bring this country to the bird of war. Is two
• 1:41
  of the Foreign Officer's brightest young men have committed to
• 1:44
  his side. Rather than about how they betrayed their trust,
• 1:47
  Microft tells me he has reason to suspect a beautiful
• 1:49
  and dangerous young lady in Paris who inspired these men
• 1:53
  in these men a loyalty even about Patrick.
• 1:56
  Speaker 3: And they want you to try and Trapper?
• 1:57
  Speaker 5: Is that it no Watson, they want us, oh micraft,
• 2:01
  and I agree that you would be perfect faith to
• 2:03
  use in such a trap. Right, it just sounds like
• 2:05
  a piece of cheese, only metaphorically. Watson. You must agree
• 2:09
  that your imposing appearance, your open countenance and hearty manner
• 2:12
  would attract the attention of any female spy.
• 2:15
  Speaker 4: Yes, I see what you mean. But if you're right, in.
• 2:17
  Speaker 5: Any case, we shall make you doubly desirable by entrusting
• 2:20
  you with a certain invaluable naval secret Master.
• 2:25
  Speaker 2: Master, you will entrust me with uctually worthless documents, spread
• 2:28
  the stories that are valuable, and wait for the woman
• 2:30
  to approach me precisely.
• 2:32
  Speaker 5: I shall accompany you as a bodyguard, but leave you
• 2:35
  largely to your own devices. Yes, Watson, I have high
• 2:38
  hopes of this trip to Paris. With you as the
• 2:41
  worm and me as the hook. I think we may
• 2:44
  snare this evil loveliness, miss Holmes. Doctor Watson, sure me
• 3:00
  your credentials and explain your mission. We are aware of aspiring.
• 3:03
  We are on concert watch, but I think you would
• 3:06
  have done better to have stayed in your own country.
• 3:08
  We of the Paris Police are perfectly capable of handling
• 3:11
  such an affair. Ourselves. I are sure you, Inspectory go.
• 3:15
  The fact remains that two foreign office men died here
• 3:17
  under sinister circumstance.
• 3:19
  Speaker 3: And as the business you know prettice officials.
• 3:21
  Speaker 6: Monsieur, I myself investigated the deaths. They were both self inflicted.
• 3:26
  We of the Jersey and bro cannot fatten the mind
• 3:28
  of a suicide quite. But I doubt if the deaths
• 3:31
  were coincidental. Surely there must be some connecting link between them.
• 3:35
  Speaker 3: Inspecton.
• 3:35
  Speaker 6: The only facts I can give you, Monsieur Avis, both
• 3:38
  men frequented an American owned gambling casino in Monow. The
• 3:42
  name of it please slitters on hoom Forday. The only
• 3:46
  other fact I can give you is that both that
• 3:47
  dead men were seen there in the company of a
• 3:49
  certain mademoiselle l Virah.
• 3:52
  Speaker 5: Micross pots of Can you describe her, Inspector, Oh, what
• 3:55
  are a woman? Though she is very young, princes have
• 3:59
  duel fire paper.
• 4:02
  Speaker 4: At the moment, the.
• 4:03
  Speaker 6: High official of the Bank de France lies in a
• 4:05
  prison cell because he appropriated funds that he lavished on her.
• 4:09
  She's a fatal massieu, but she is as elusive as
• 4:13
  the win Well Watson.
• 4:15
  Speaker 5: Our first move is obvious tonight, WI shall visit Slater's
• 4:18
  gambling casino on the Ruffontaine and try our luck.
• 4:33
  Speaker 3: I say, Holmes, is your our residing Paris.
• 4:36
  Speaker 2: At Knight, run our way to an American gambling casino
• 4:39
  in the hopes of meeting a beautiful young spy named Elvera.
• 4:43
  Speaker 3: It's just like a novel.
• 4:44
  Speaker 5: Quite incidentally, since the young lady apparently moves in high society,
• 4:49
  I think it wouldn't wisely if we give you a
• 4:50
  more impressive name, a fictitious title, perhap.
• 4:54
  Speaker 4: Well how about the title I used once before?
• 4:56
  Speaker 5: So William Norton spend it? So William Norton itch will
• 4:59
  be And I trust that Sir William remembers the role
• 5:02
  he used to play.
• 5:03
  Speaker 3: Here's indeed, Holmes, if I do meet the young.
• 5:05
  Speaker 4: Lady, I'm to appear very susceptible to.
• 5:07
  Speaker 5: Her beauty and not too hard for you, I imagine, And.
• 5:11
  Speaker 7: I'm to drop dark hints about the valuable secrets that
• 5:13
  I'm carrying precisely, Watson, And if the lady proves as
• 5:17
  intrigued as I hope she will, you will follow the
• 5:20
  matter through to its logical conclusions.
• 5:23
  Speaker 4: A good conclusion, Homes is how to take this.
• 5:26
  Speaker 5: Ah, here's the casino courage Watson and good luck, good evening.
• 5:33
  I'm standing Slater, You gentlemen, haven't been here before. No,
• 5:36
  mister Slator, my name is Charlocke Holmes, and this is
• 5:39
  sir William Norton.
• 5:40
  Speaker 3: Now you know Holmes, Sherlock Holmes are detective.
• 5:44
  Speaker 5: Not here drumming up business. I oh no, just showing
• 5:47
  Sir William some of the sites of Paris. Fine, then
• 5:50
  relax and enjoy yourself. Gentlemen, forget your professionist to Holmes.
• 5:53
  Speaker 3: In Paris at night.
• 5:54
  Speaker 5: There's no crime, or as there is, the police are
• 5:57
  conveniently blind to it.
• 5:58
  Speaker 3: Glad to have you plase Harms.
• 6:01
  Speaker 4: I think perhaps I'll take a little flat at the tables. Yes,
• 6:03
  that do you?
• 6:05
  Speaker 5: You wish to speak to me as yes, I could
• 6:07
  not help. But over here Slater mention your name. It
• 6:10
  is a great honor to meet Shelock Holmes. He permit
• 6:13
  see to introduce myself. I am Andrea Landon. How do
• 6:17
  you do? And this is a William Norton.
• 6:20
  Speaker 3: That perhaps you have heard of me. My poetry has
• 6:23
  been published in England Poetry.
• 6:26
  Speaker 5: No, mister Landon, I'm afraid it's escape me.
• 6:28
  Speaker 3: You have not heard my first as monk charon?
• 6:34
  Speaker 5: Do you not think quite?
• 6:36
  Speaker 4: Though?
• 6:36
  Speaker 5: The metaphor seems a little involved, if you don't mind
• 6:39
  my saying, so, what do you think? So William, As
• 6:41
  far as.
• 6:41
  Speaker 4: I'm concerned, there is only one language, not saying you
• 6:43
  have born?
• 6:44
  Speaker 6: Then I shall recite a poem of mine in English
• 6:46
  Translats monsieur, I said.
• 6:49
  Speaker 2: Hams, look at that stunning creature sitting by yourself at the.
• 6:51
  Speaker 4: Shamanda fir table.
• 6:53
  Speaker 5: She's smiling at your fortunate William. That is Mademoiselle elviera.
• 6:57
  Speaker 3: Oh nod and no gentlemen. In translation, Michaelin begins a.
• 7:04
  Speaker 6: Craves the grave August at August cheek, because I think.
• 7:08
  Speaker 4: I'll climb my luck at the tables over there. I've
• 7:10
  seen you lay at home much later, I hope, Sir William.
• 7:15
  Speaker 8: Ringia noting, is it not?
• 7:18
  Speaker 4: Yes? It is like, can't think how you recognize me?
• 7:21
  Speaker 3: Miss madame.
• 7:23
  Speaker 8: You may call me as you do? You know me,
• 7:30
  Sam Slater, tell me who you were? He knows that
• 7:33
  I have a certain pasha for distinguished English.
• 7:38
  Speaker 3: That's extremely flattering.
• 7:39
  Speaker 4: Perhaps you care to join me in glass of champagne.
• 7:41
  Speaker 8: Oh, yes, I would like that. Let's direct his teeth that.
• 7:48
  Speaker 4: Champagne bond Champagne too.
• 7:52
  Speaker 8: You are here in times I'm.
• 7:54
  Speaker 3: Doing me, yes impossibly.
• 7:57
  Speaker 4: You see, I'm.
• 8:00
  Speaker 2: Ending an extremely delicate and confidential matter of Libertish government.
• 8:05
  Speaker 8: And I suppose you would be too busy to let me.
• 8:07
  Sure you're some of beside, I don't think.
• 8:11
  Speaker 4: So work no play enough. We're scared to escort you
• 8:15
  with it.
• 8:15
  Speaker 8: Good then if we are to be then I can't go.
• 8:20
  I'm calling you, sir William. I think I shall call
• 8:24
  you really, think.
• 8:36
  Speaker 4: Well, we muster think of toast.
• 8:39
  Speaker 8: I suppose one to really a man of misty.
• 8:44
  Speaker 2: Oh, thank you, my dear, and I shall drink two
• 8:48
  elder and to a better acquaintance.
• 9:01
  Speaker 8: Good night, Really, I shall see you tomorrow.
• 9:06
  Speaker 4: Have our breakfast.
• 9:08
  Speaker 8: Sign now it is, of course, Mada, that's an important
• 9:14
  mission for the British government. When you are come to that.
• 9:20
  Speaker 4: Uh, good night, mother, come here really.
• 9:25
  Speaker 8: So good night?
• 9:30
  Speaker 3: Why so you'll kissed me, you little darling. Thanks awfully.
• 9:40
  Speaker 5: You're doing splendidly, Watson, spendidly.
• 9:42
  Speaker 3: Keep it up. She's a three little thing.
• 9:44
  Speaker 4: Homes.
• 9:45
  Speaker 3: It's hard to believe that she's a spy.
• 9:46
  Speaker 2: I tell her that I was here on a secret
• 9:48
  and confidential mission. I even tell her that I was
• 9:51
  carrying important naval plans. She didn't seem particularly interested.
• 9:55
  Speaker 5: Of course not. She is much too clever to as
• 9:57
  the comesy approach. She'll work slowly, she will wait until
• 10:00
  she thinks she's got you completely captivated before she goes
• 10:03
  after that secret.
• 10:04
  Speaker 3: Then I'm just to carry on the world it last night.
• 10:06
  Speaker 5: Yes, okay? Oh good, wind her, dine her, send her flowers,
• 10:09
  buy her jewelry, make I think your head over heels
• 10:12
  in love with her.
• 10:13
  Speaker 4: I suspect that you.
• 10:14
  Speaker 5: Won't find the job to one second.
• 10:16
  Speaker 4: I'm sure for three days now there you've been showing
• 10:29
  me first.
• 10:29
  Speaker 3: But this is the first time I've actually been in
• 10:32
  your flirt.
• 10:33
  Speaker 8: You like it, really, I thought it would be much
• 10:37
  prior to here. You know, you said you were going
• 10:40
  to explain some of your important business to me. You're
• 10:44
  going to show me what a secret treaty looks like.
• 10:48
  Speaker 3: Yes, I know I said that, but they're pretty good.
• 10:51
  Like you wouldn't be interested in matters.
• 10:56
  Speaker 5: You have the treaty with you?
• 10:57
  Speaker 8: Yes, please let me see ye oh please, silly, I can't.
• 11:03
  Speaker 3: Go through this musquerde no longer musker.
• 11:07
  Speaker 1: What do you mean?
• 11:08
  Speaker 4: I've been really fun of you on these last few
• 11:10
  days over I can't let you walk into a trap.
• 11:13
  Speaker 8: Chap, what are you talking about, Willie?
• 11:16
  Speaker 4: I'm not William. I'm not Sir William Nolton.
• 11:18
  Speaker 3: My name is Watson, Doctor John H.
• 11:20
  Speaker 5: Watson, like Truss's friend is the detective Sholock Holmes.
• 11:23
  Speaker 4: We came to Paris to.
• 11:24
  Speaker 2: Try and track your Oh, my dear girl, you're suspected
• 11:27
  of being mixed up in Aspiring.
• 11:29
  Speaker 3: Well, that's why I pose is an important numbers from England.
• 11:33
  Speaker 8: Chap, are you dadding all food?
• 11:39
  Speaker 3: Put down that revolver I'm going to.
• 11:43
  Speaker 4: You're going to drop it, My dear, I can't do it.
• 11:51
  Speaker 8: I'm just a stupid, weak female Aussle. I've gone friend
• 11:57
  of you too, bumbling on. You remind me of my father.
• 12:06
  She was such a sentimental fool like you, just to
• 12:11
  sweep You're young.
• 12:14
  Speaker 4: I know you don't really want to stay mixed up
• 12:17
  with a bunch of criminals.
• 12:18
  Speaker 2: No, no, no, look here, you tell Sharock Homes and
• 12:22
  me what you know about perspiring and we will see
• 12:24
  that no harm comes to you.
• 12:26
  Speaker 8: My dear, I wanted to get out of it for months.
• 12:29
  Speaker 9: It was not a glamours and exciting at first, and
• 12:33
  they paid me well, but I hate them now.
• 12:38
  Speaker 8: And yet when I told him I wanted.
• 12:39
  Speaker 4: To get away, this will take care of you.
• 12:44
  Speaker 3: Just tell us who's at the head of the organization.
• 12:46
  Speaker 9: That I don't know, but I can tell you a
• 12:49
  lot about some of the members.
• 12:51
  Speaker 2: Let's spend it and step on your coat, up a
• 12:53
  little bullet and we'll go over and talk to Shark
• 12:55
  Homes and had him.
• 12:57
  Speaker 8: See me looking like this, lacking.
• 13:02
  Speaker 9: No, you're gon and doing him here.
• 13:05
  Speaker 8: That's the time you get back.
• 13:08
  Speaker 5: I'll be more presentable, all right, I'll go and get
• 13:11
  him at once.
• 13:24
  Speaker 4: Watson.
• 13:25
  Speaker 5: I'm occasionally astonished at the many classics to your carrot.
• 13:28
  Speaker 3: Oh, thank you very much, Homes.
• 13:29
  Speaker 4: It's nice you to say so.
• 13:30
  Speaker 3: Your personal charm has apparent.
• 13:32
  Speaker 5: It's and vinced a dangerous woman. The crime does not pay.
• 13:35
  It's remarkable if it's true. What do you mean If
• 13:37
  it's true, surely it must have occurred, even to a
• 13:40
  man burning with a zeal of one who has snatched
• 13:42
  a convert from the fiery flames, that this could be
• 13:45
  a press for us to walk into the delay while
• 13:47
  the young lady makes herself presentable, would provide an excellent
• 13:50
  opportunity for her to summon her a social upon my
• 13:53
  soul homes, your ugly cynical I don't believe you have
• 13:55
  a heart, possibly not, but I do have a hit.
• 13:58
  Speaker 4: Oh here's her.
• 13:58
  Speaker 2: Place, now stop, kevitt, I met your hundred past to
• 14:03
  a shilling, which she's still waiting for us and alone.
• 14:06
  Speaker 5: Long art buttons, very long hard.
• 14:10
  Speaker 3: Look look, look the concierge is sweeping up the steps.
• 14:13
  He'll be able to tell us if anyone's been here
• 14:15
  since I left.
• 14:15
  Speaker 5: True, that's her, Yes, she.
• 14:21
  Speaker 4: Llow follows over the ooka we were we were calling
• 14:23
  her Mademoiselle al Vera. Has anyone been to see her
• 14:26
  in the last half an hour? We hey, man, she
• 14:30
  left ready only five minutes ago.
• 14:32
  Speaker 3: Do I do not think she wished to go?
• 14:35
  Speaker 5: You mean that she was taken away by for exactly issue.
• 14:38
  Speaker 4: But I could swear on this, so coulccur.
• 14:41
  Speaker 3: The man who accompanied her was holding a pistol to
• 14:44
  her by a.
• 14:44
  Speaker 4: Few a minute.
• 14:45
  Speaker 3: I think she has been you say, kidnap.
• 15:01
  Speaker 1: In just a moment, we'll rejoin Sherlock Holmes and doctor Watson.
• 15:04
  Every man who takes pride in his appearance should know
• 15:07
  that handsome, healthy looking hair needs a hygienic scalp.
• 15:11
  Speaker 5: That's why when you buy a hair tonic, be sure
• 15:13
  to get.
• 15:13
  Speaker 1: Your money's worth. Don't settle for just any hair dressing
• 15:16
  when you can enjoy the extra advantages of Cremmel hair tonic.
• 15:20
  This highly specialized hair tonic contains an amazing combination of
• 15:24
  hair grooming ingredients which is found in no other hair timeing.
• 15:27
  Crammel keeps dry, stubborn hair neatly in place all day
• 15:31
  and always gives hair such your natural, well groomed appearance,
• 15:35
  never sticky or greasy. But men, Crammel does lots more
• 15:38
  than keep hair looking handsome. Trammel leaves your scalp feeling
• 15:42
  alive and tingling. At the same time it removes itchy,
• 15:45
  loose dandris It's simply great to lubricate a dry scalp,
• 15:49
  and if your hair is so dry it breaks and
• 15:51
  falls when you comb it, Cremell actually helps condition the
• 15:55
  hair in that it makes it feel softer, more pliable.
• 15:58
  So men a bottle of Cremel at any drug counter
• 16:02
  for an application.
• 16:03
  Speaker 5: At your barbershop.
• 16:04
  Speaker 1: Let Kremmel, help keep your scalp HYGIENI your hair always
• 16:08
  looking handsome, always looking at the very best k R
• 16:13
  E M L.
• 16:15
  Speaker 5: Kremmel hair. Time.
• 16:17
  Speaker 1: Well, doctor Watson, once again you left me on the
• 16:19
  edge of my chair. So when you went back to
• 16:21
  the girl's flat, she'd been kidnapping.
• 16:23
  Speaker 5: What did you do next?
• 16:24
  Speaker 3: Well, Fortunately the concierge was able to give us a
• 16:26
  good description of the.
• 16:27
  Speaker 2: Cab driver, and with the aid of Inspector Rego, we
• 16:30
  were able to find the man.
• 16:31
  Speaker 3: Question him.
• 16:33
  Speaker 4: He'd give him the couple. He told us to.
• 16:34
  Speaker 2: Valla pashe Den in the Elizamo mark a club known
• 16:39
  as the Scarlet Worm.
• 16:41
  Speaker 4: Holmes and I, accompanied by.
• 16:43
  Speaker 2: The French inspector, lost no time in taking a cab
• 16:46
  to places.
• 16:48
  Speaker 6: I should not admit you to visit lever Scarlet Worm,
• 16:52
  as you would say, without my protection, Hunt, it is
• 16:55
  a cesspool of evil. Underweller may have been known to
• 16:59
  enter there, make their exit by back door.
• 17:02
  Speaker 5: It burst into the sewers.
• 17:03
  Speaker 4: Lord, they've taken a poor little girl.
• 17:05
  Speaker 5: Inspector. It go as I said. Mademoiselle Alvira told my
• 17:09
  friend that she does not know who is at thehead
• 17:11
  of this organization. Have you any suspicion? Yes, but little less,
• 17:15
  my friends.
• 17:17
  Speaker 6: One thing, we are sure this man of mystery, the
• 17:20
  brain behind these caminals, is not French, probably.
• 17:24
  Speaker 4: Is English, and englishman Or says sure not.
• 17:28
  Speaker 6: That Lebet Carlott is waiting for m See on the alert,
• 17:33
  my friends, and keep close to me.
• 17:38
  Speaker 4: I tell you we didn't want to do the Tamon Slator,
• 17:42
  the man who who owns the casino we went to
• 17:45
  the other night.
• 17:45
  Speaker 5: Yes, and he seems to be involved in a violent argument.
• 17:48
  Speaker 4: Yeah, a rattle like that.
• 17:50
  Speaker 5: You don't know what you're doing, but you know what
• 17:53
  you're in here.
• 17:54
  Speaker 4: Hang your uncle.
• 17:55
  Speaker 5: And this guy who's the man that Slater's argument with
• 17:58
  inspector that is Shadea this establishments.
• 18:01
  Speaker 4: Later is leaving. I wonder what he was doing in
• 18:03
  a place like this.
• 18:04
  Speaker 5: Come here, speak to Chavez and find out if I
• 18:11
  am an with a visit from the place the teacher.
• 18:16
  Speaker 6: Since when does a visitor from the Jersey m Duro
• 18:18
  have to explain his business? Shab Tell me why was
• 18:22
  later here? And why did you argue that?
• 18:26
  Speaker 7: Sure you can't here to try and as some of
• 18:29
  my appass he has traveled, electing his gambling beds.
• 18:34
  Speaker 5: I spit at him in his class meets that I
• 18:38
  can't stick to their sands. I'm not positive there. Let's
• 18:44
  set to the table. Shall win? Mycope is on?
• 18:46
  Speaker 6: The truth is a possible I shall I join you
• 18:48
  in a moment, Missiew, I wish to make some investigation.
• 18:53
  Speaker 5: Wats you seem to be a positive magnet towards the
• 18:55
  fair sex. Look at this young lady heading for.
• 18:59
  Speaker 4: You read hair, very painted face? Not my time.
• 19:02
  Speaker 3: I'm afraid one is you? Run along? Young ladio.
• 19:07
  Speaker 4: Don't sit there?
• 19:08
  Speaker 5: Oh no, no, Watson, where's your chivalry? Please sit down,
• 19:11
  won't Joe.
• 19:14
  Speaker 8: Gener don't recognize no story formal.
• 19:16
  Speaker 5: Life, whereas I've been keeping silence. Mademoiselle al Vida help hera.
• 19:20
  The wig is excellent in the use of makeup, superb mademoiselle.
• 19:24
  But I recognized you at once by the confirmation of
• 19:26
  your ear lobes vero.
• 19:28
  Speaker 4: Why are you disguised?
• 19:29
  Speaker 5: Why they bring you here?
• 19:31
  Speaker 8: I cannot speak now? You must get me away once,
• 19:35
  be careful, and they watched. We can't let that the
• 19:38
  front way. They're not back staircase that leaves Mosella. But
• 19:42
  the ntic table.
• 19:43
  Speaker 5: You take a watson, I'll guard the retreat. When the
• 19:46
  music starts again, dance with her. When you get to
• 19:48
  the back of the hall, slip out. I'll join you
• 19:50
  at the hotel.
• 19:52
  Speaker 2: Look, look, look, homes, Look who's turm me to our table,
• 19:54
  said gasted poet.
• 19:55
  Speaker 3: Fellow we met of the casino.
• 19:57
  Speaker 5: Andre Flandon, pay no attention. I'll the care you no
• 20:00
  once again, I meet my friends.
• 20:02
  Speaker 3: Shall a home. I have a new poem that I've
• 20:04
  composed in your especial.
• 20:06
  Speaker 5: Dance Watson and good luck, ride your home? Come on,
• 20:09
  come on your friends, please, no, I shall tell you
• 20:12
  my poet.
• 20:13
  Speaker 3: It begins, Oh my dear, I can't tell you how
• 20:20
  relieved I am to find you.
• 20:21
  Speaker 8: All right, depend to dance some girl that you don't
• 20:25
  know that dance me told that door in the corner.
• 20:35
  That's the truth. Don't see a thing, follow me done,
• 20:43
  stays here, careful, where's careful? Stairs? Turn here?
• 20:56
  Speaker 5: My god, I have the steps. You could live so easily.
• 21:01
  Did you that I'm waiting for you?
• 21:06
  Speaker 4: And he can't step without his lantern? Run over?
• 21:11
  Speaker 3: I'll follow you. Run one round?
• 21:13
  Speaker 4: Oh won tie? How do you like that? You felt
• 21:17
  his wine.
• 21:18
  Speaker 5: What's you all right?
• 21:19
  Speaker 4: Yes, Homes, I'm quite all right, and run over chap.
• 21:21
  I'll take care of it and see that the girl
• 21:23
  is safe.
• 21:32
  Speaker 2: Now that we're all safely back at you tell I
• 21:34
  can tell your homes that I.
• 21:36
  Speaker 5: Hated leaving you in that fifty dead Inspector Gool had
• 21:39
  a revolver. It's more efficient than the knife the inspect him.
• 21:42
  It was near being with your homes. You fought bravely,
• 21:45
  and so did you.
• 21:46
  Speaker 6: Are acumbent friend on the sofa, there only poet.
• 21:50
  Speaker 4: I wonder why you brought him back here.
• 21:52
  Speaker 5: For a poet, he uses his fists with surprising skill.
• 21:54
  Speaker 4: He must be hurt.
• 21:56
  Speaker 3: He seems to be unconscious.
• 21:57
  Speaker 5: I think he's suffering from the effects of a trifle
• 21:59
  too much. I hadn't the heart to lead him. Ah,
• 22:03
  there you are, mademoiselle.
• 22:04
  Speaker 3: Be around.
• 22:05
  Speaker 5: You're feeling no ill effects, I hope no, mister Holmes splendid. Then,
• 22:09
  now that we're all assemble, supposing you tell us your story.
• 22:12
  Who kidnapped you tonight?
• 22:13
  Speaker 9: It was one of Chavez's men. They made me disguise
• 22:16
  myself and swear never to see either of you again,
• 22:19
  on pain of death.
• 22:20
  Speaker 3: For the which we came to see you.
• 22:22
  Speaker 5: We knew that Travia was connected with disguise. Mary, you're
• 22:25
  safely under lock and key, but we still don't know
• 22:27
  who is at the head of this organization. Can you
• 22:30
  give us any clues, mademoiselle.
• 22:31
  Speaker 8: I think that the man you want was waiting in
• 22:34
  the cab that took me to the Scarlet Worm. But
• 22:37
  he was asked and he never spoke.
• 22:39
  Speaker 5: Can't you recall anything that might give us a clue?
• 22:41
  Speaker 9: Oh, one incident, if it means anything, Shade's men said
• 22:46
  to him, we go to the scarlet worm. Eh that
• 22:50
  is could you also you make a worm's no?
• 22:55
  Speaker 5: And then he laughs He said this in French, of course, yes,
• 22:58
  yes he did. Then the case is I'm an idiot.
• 23:01
  I should have spotted it sooner. The man you want, Inspector,
• 23:04
  is lying asleep on it. Look out, He's not asleep,
• 23:07
  wasn't He's got a revolver?
• 23:08
  Speaker 2: I know you don't.
• 23:09
  Speaker 3: Oh, he's gone to sleep again.
• 23:11
  Speaker 5: Really, what's in your insplendid form tonight? But monsieurs, why
• 23:15
  do you say that man is the cubert you yourself
• 23:18
  gave with the clue, Inspector when you told me that
• 23:20
  the criminal was an Englishman posing as a Frenchman. You
• 23:22
  are not the fall on two occasions, and then not
• 23:24
  from all a few minutes it was long enough to
• 23:26
  realize that Flanta was really an Englishman. The first time
• 23:30
  we met him, he quoted a poem that he said
• 23:32
  was translated from the French. The translation was grave as
• 23:36
  the grave, August as august heat The poem could not
• 23:41
  have been translated from the French, because both of those
• 23:43
  puns are possible only in the English language.
• 23:45
  Speaker 8: But how did my repeat in the conversation in the
• 23:47
  cab give you a clue, mister Horn.
• 23:50
  Speaker 5: Because it was another pun in French. The word for
• 23:53
  worms and for verses is the same. There spelt a
• 23:57
  v rs.
• 23:58
  Speaker 4: I see it now.
• 24:00
  Speaker 7: When the man in the cab said you make worms,
• 24:03
  he also meant you make verses, precisely wanton, and thereby
• 24:07
  pointed directly at the police.
• 24:08
  Speaker 3: There.
• 24:09
  Speaker 5: With Andre Flanton or whatever his real name is, in prison,
• 24:13
  I'm sure my craft will have no more trouble with
• 24:16
  his firing