Latest / Arroe Collins Like It's Live / MMA Mixed Martial Artist Michael Bisping Rocks The Movie Screen In Atlas King
Transcript
- 0:00Speaker 1: I guess you could say it's old time radio fun
- 0:02Speaker 1: where you take a song and you break it up
- 0:04Speaker 1: and you share the story and see if you the
- 0:07Speaker 1: listener can identify it because you live with these songs
- 0:10Speaker 1: more than what we do. Oh sure we play them,
- 0:13Speaker 1: but you add them to your lifestyle. It's called Music's
- 0:16Speaker 1: Lost History. You can find it on Aero dot net,
- 0:19Speaker 1: Arrooe dot net. Enjoy your exploration, Michael Michael Michael. I
- 0:26Speaker 1: have experienced this movie, and I'm glad we've got eighteen
- 0:28Speaker 1: minutes to share it because this is an experience.
- 0:32Speaker 2: Sir. Wow, thank you. RO appreciate it, sir, well what you.
- 0:36Speaker 1: Do with this movie, it combines so many different things
- 0:39Speaker 1: because I want to sit down with other mema people
- 0:42Speaker 1: that I studied with and grew into combat karate with,
- 0:45Speaker 1: because this is the kind of stuff. The fighting was
- 0:48Speaker 1: so authentic. It wasn't flying through the air like pigeons
- 0:51Speaker 1: or anything like that, and you made it very real.
- 0:53Speaker 1: Did you have a lot to do with that?
- 0:55Speaker 3: Yeah, you know what I did actually because we had
- 0:58Speaker 3: a great stunt team that kara graph the scenes. But
- 1:01Speaker 3: then kind of when I showed up, you know, given
- 1:04Speaker 3: my background in mixed martial arts. I assume a lot
- 1:07Speaker 3: of that community is going to watch this film, and
- 1:10Speaker 3: you know, it's going to be realistic. You know, it's
- 1:13Speaker 3: got to be true to what I do. And I've
- 1:16Speaker 3: done martial arts my entire life, and I know what
- 1:18Speaker 3: works and I know what doesn't work, and I know
- 1:20Speaker 3: what's nonsense. And I often find myself scratching my head
- 1:24Speaker 3: when I watch a film and I think that's just pathetic,
- 1:26Speaker 3: that's just kind of weak. So so I definitely added
- 1:30Speaker 3: in my own flavor here and there and made it
- 1:31Speaker 3: a bit more realistic and a bit more gritty. And
- 1:34Speaker 3: I'm very lucky that the you know, the team around
- 1:37Speaker 3: was willing to let me do that. So yeah, I'm
- 1:41Speaker 3: really proud of it. Obviously, it's my first ever lead role,
- 1:44Speaker 3: so that brought a lot of pressure with it, working
- 1:46Speaker 3: alongside people like Cuba Good and Juny and that's.
- 1:48Speaker 2: An Oscar winner as well.
- 1:50Speaker 3: So yeah, you know, it comes out in August twenty first,
- 1:53Speaker 3: as you said, and yeah, we're really pleased with it.
- 1:56Speaker 1: Well, I was really taken back right there in the
- 1:58Speaker 1: very beginning. I mean the fight scene right there at
- 2:00Speaker 1: the start, I'm going, oh my god, hold on now,
- 2:03Speaker 1: I forgot to put my seatbelt on. I mean, you guys,
- 2:06Speaker 1: go at it right from the start and set the tone.
- 2:10Speaker 2: Yeah, that's right.
- 2:11Speaker 3: That's why it starts with like a flashback scene of
- 2:15Speaker 3: my fighting days, because my character in the film was
- 2:18Speaker 3: a street fighter that was kind of involved with shall
- 2:21Speaker 3: we say, like the mob in Los Angeles, and my
- 2:24Speaker 3: character ends up getting shots and then he disappears back
- 2:28Speaker 3: to England to save his life. And then fifteen years later,
- 2:33Speaker 3: my mentor and best friend has died, so I come
- 2:36Speaker 3: back to Los Angeles for the funeral, and I find
- 2:39Speaker 3: out that his son has kind of fallen into the
- 2:41Speaker 3: same trap with the same people that I was involved with,
- 2:45Speaker 3: and I kind of owe it to my dead friend
- 2:46Speaker 3: that I can't allow his son and his whole family
- 2:49Speaker 3: to fall into the same.
- 2:50Speaker 2: Trap that I was involved with.
- 2:52Speaker 3: So yes, straight away we opened up with a flashback
- 2:55Speaker 3: fight scene where you know where I'm kicking ass if
- 2:58Speaker 3: you will, and then I come by for the funeral
- 3:01Speaker 3: and then I discover what's going on, and then yeah,
- 3:04Speaker 3: from there, it's not really an mma movie. It's more
- 3:06Speaker 3: of a heist movie. We've got, yeah, we got we
- 3:10Speaker 3: got a lot of gun play We've got a lot
- 3:12Speaker 3: of action, We've got a lot of robberies in heist
- 3:15Speaker 3: and stuff like that. So yeah, it's it's a cool film,
- 3:18Speaker 3: and I'm really proud of it.
- 3:20Speaker 1: I'm so glad that you said that about the MMA
- 3:22Speaker 1: and a heist film, because I wrote in my notes,
- 3:24Speaker 1: I said, I went to a fight movie and it
- 3:26Speaker 1: came out as a as a heist movie. And to me,
- 3:29Speaker 1: that was the twist in it, the unexpected journey, and
- 3:32Speaker 1: all of a sudden you thought you were attached to
- 3:35Speaker 1: the movie before. Now you're really dug in and it's like, okay,
- 3:38Speaker 1: let's get to the bottom of this and let's figure
- 3:40Speaker 1: out what's going on.
- 3:42Speaker 3: Yeah, yeah, no, exactly. You know, I mean, listen, you
- 3:45Speaker 3: know I'm all for MMA movies. Don't get me wrong.
- 3:47Speaker 3: I'm an MMA fighter formerly, so you know that that
- 3:50Speaker 3: holds a special place in my heart. But this is
- 3:53Speaker 3: like your typical corny you know, straight to DVD action film.
- 3:57Speaker 3: You know, it's definitely got a lot more subs, it's
- 4:00Speaker 3: got a great script, and in fact, you know, originally
- 4:03Speaker 3: this film, you know, we had a couple of sales
- 4:06Speaker 3: companies that were going to sell the film for us,
- 4:08Speaker 3: but they wanted to bring in different actors, they wanted
- 4:10Speaker 3: someone else as the lead, they wanted to change the
- 4:12Speaker 3: script and make a lot of changes, and slowly but
- 4:16Speaker 3: surely started to become the film that wasn't written, that
- 4:20Speaker 3: we didn't want to make. So the director and my
- 4:23Speaker 3: partners we formed our own production company and we sourced
- 4:27Speaker 3: outside finance, which wasn't easy to do, but we managed
- 4:30Speaker 3: to pull it off, and then we made the film
- 4:32Speaker 3: that we wanted to make, So we're really proud of that.
- 4:36Speaker 3: You know, we bootstrapped it, we found the finance ourselves,
- 4:39Speaker 3: and as I said, we made the authentic film that
- 4:41Speaker 3: we wanted to make.
- 4:43Speaker 2: And yeah, it's a really.
- 4:44Speaker 3: Good story, lots of twists and turns, and yeah it's
- 4:48Speaker 3: not just mma action. There's a lot of gunplay and
- 4:50Speaker 3: stuff like that, as I said, And it's more about
- 4:53Speaker 3: our heist and a revenge story than anything else.
- 4:56Speaker 1: So what was that like for you to do that
- 4:57Speaker 1: gun play? Because you know how it is as martial artists,
- 5:00Speaker 1: what we're supposed to do with arkadas or our pumsays
- 5:03Speaker 1: and things, and it does involve a lot of gunplay.
- 5:05Speaker 1: But now when you're in this movie, I mean you're
- 5:07Speaker 1: physically using that gun more than the martial art itself.
- 5:10Speaker 2: Yeah, yeah, that's right. Yeah, I was very lucky.
- 5:12Speaker 3: I went up to a place called Tarrant Tactical, which
- 5:15Speaker 3: is like a legendary gun range where Keanu Reeves trained
- 5:20Speaker 3: for when he did the John Wick films and stuff
- 5:23Speaker 3: like that, and it's where all the big names go
- 5:26Speaker 3: up and train. So we spent a few days up
- 5:28Speaker 3: there learning how to use the guns to make sure
- 5:30Speaker 3: it's realistic in moving, our speed of readloading and things
- 5:35Speaker 3: like that. So obviously it's got to look authentic on
- 5:38Speaker 3: the film, and being a brit you know, I'm not
- 5:42Speaker 3: overly familiar with guns. I've used guns on saying on
- 5:45Speaker 3: sets before, but like there was a lot in this
- 5:48Speaker 3: and I've got to be able to reload and make
- 5:49Speaker 3: it look realistic and hold the gun properly and hold
- 5:53Speaker 3: the rest of it. So where everything was very there
- 5:56Speaker 3: was a lot of attention to detail. So yeah, we
- 5:58Speaker 3: work with tarant Tactical, who has I say, he's a
- 6:01Speaker 3: legendary gun guy.
- 6:02Speaker 2: He's the fastest shooter in the world, who's will not belt.
- 6:05Speaker 3: Tasled many many times, and him and his partner you
- 6:08Speaker 3: had to spend a lot of time making sure that
- 6:10Speaker 3: we look realistic doing what we're doing.
- 6:13Speaker 2: So yeah, it came out really well.
- 6:15Speaker 1: Well, I love the idea that you're using that word
- 6:17Speaker 1: realistic because right away that's taken me back to my sense. Hey,
- 6:19Speaker 1: Julio Hildegra, who used to tell me all the time
- 6:22Speaker 1: it is martial arts arts, make sure they believe when
- 6:27Speaker 1: you go over the hip, when you go over someone's shoulder,
- 6:30Speaker 1: make it all about the arts. And I felt that
- 6:33Speaker 1: in this movie, is that you truly understood the martial
- 6:36Speaker 1: arts side of movie making.
- 6:38Speaker 2: Yeah, yeah, absolutely.
- 6:39Speaker 3: As I said, I was very lucky enough to have
- 6:42Speaker 3: the five choreogras graphers allow me to insert a little
- 6:47Speaker 3: bit of myself because, as I said, you know, a
- 6:48Speaker 3: lot of the MMA world are watching this, so they
- 6:50Speaker 3: don't want some kind of nonsense stuff. They don't want
- 6:53Speaker 3: stuff that looks unbelievable, people flying through the air. And
- 6:57Speaker 3: you know, it's not a komfi film. This is a real,
- 7:01Speaker 3: gritty kind of highestrama, you know. So I wanted the
- 7:05Speaker 3: action to be real, to be impactful, to be violent,
- 7:10Speaker 3: and yeah we pulled it off.
- 7:11Speaker 2: So yeah, really proud.
- 7:12Speaker 1: Of it, dude. I was really afraid of Klay Emerson.
- 7:15Speaker 1: I mean Cuba Gooding, Oh my god, I mean he
- 7:18Speaker 1: puts so much of his Oh. I mean it's because
- 7:21Speaker 1: right away it starts affecting your emotion and you go, oh,
- 7:25Speaker 1: this is going to be a good ride here. And
- 7:27Speaker 1: then because you have to be able to read into
- 7:29Speaker 1: every character and each one has their own personality and balance.
- 7:33Speaker 3: Yeah, yeah, that's right. I mean Cuba showed up and
- 7:35Speaker 3: he was so down to worth, you know. I mean,
- 7:37Speaker 3: the man was an Oscar winner for crying out loud.
- 7:39Speaker 3: So I felt a lot of pressure, you know, performing
- 7:42Speaker 3: with someone of that kind of caliber, you know. And
- 7:44Speaker 3: on the first day, I had like three or four
- 7:47Speaker 3: pages of dialogue and I'm like, I hope I deliver.
- 7:49Speaker 3: I don't want him thinking what is this movie that
- 7:52Speaker 3: I'm doing here? Because this guy can't even act.
- 7:54Speaker 2: But he was so cool. He put me at ease
- 7:57Speaker 2: straight away.
- 7:58Speaker 3: And I certainly learned a lot from him because every
- 8:01Speaker 3: single time we did a take, his take was completely different,
- 8:05Speaker 3: and the words that he was using were completely different
- 8:08Speaker 3: as well. They still had the same message in the sentiment,
- 8:11Speaker 3: but the sentences and the words were completely different. He
- 8:14Speaker 3: was just odd libbing and making them up as he
- 8:16Speaker 3: went along. So I didn't realize you could do that. So, Yeah,
- 8:21Speaker 3: certainly learned a lot from the guy. He's an absolute legend,
- 8:24Speaker 3: and he certainly brought a lot to the character.
- 8:27Speaker 2: You know.
- 8:27Speaker 3: I mean, he's got a wealth of experience and knowledge,
- 8:31Speaker 3: and yeah, he showed up.
- 8:32Speaker 2: Man. He really did.
- 8:34Speaker 1: One of the most powerful scenes throughout the entire movie.
- 8:36Speaker 1: You're talking about keeping it authentic for MMA fighters, and
- 8:39Speaker 1: that is when you stepped into that ring all by
- 8:42Speaker 1: yourself and the lighting was dimmed. We all saw ourselves
- 8:47Speaker 1: in that in there by by doing the you know,
- 8:49Speaker 1: the shadow boxing and the kicking and just to be
- 8:52Speaker 1: alone in that ring. That is a powerful statement that
- 8:55Speaker 1: you put in the center of this movie.
- 8:58Speaker 2: And yeah, well thank you.
- 8:59Speaker 3: Yeah mean, turning to my roots after being out of
- 9:02Speaker 3: the country for fifteen years and then I go back
- 9:04Speaker 3: to the old gym where I used to train, and
- 9:07Speaker 3: just a bunch of memories come flooding back to me,
- 9:10Speaker 3: and I get in the ring and I'm just like,
- 9:12Speaker 3: you know, I'm just I'm just reminiscing and thinking about
- 9:15Speaker 3: old times and everything I've been through and all the
- 9:18Speaker 3: experiences and the relationships that I've built and all the
- 9:21Speaker 3: training camps I've been through in this building, and then
- 9:23Speaker 3: of course my own friends show up, and then then
- 9:26Speaker 3: I start to discover and learn what's been going on
- 9:28Speaker 3: whilst I've been away, the trouble that they've all fallen into,
- 9:32Speaker 3: the kind of the money that sold the stakes, you know,
- 9:37Speaker 3: that are cost here, and people's lives are on the
- 9:40Speaker 3: line and things like that. So yeah, it's kind of
- 9:42Speaker 3: a heavy film, but it turned out really good.
- 9:45Speaker 1: As I say, well, and well, let's get back to
- 9:47Speaker 1: the highest part of the story here, because it's all
- 9:48Speaker 1: about the payroll. Let's make sure that everybody is getting paid.
- 9:51Speaker 1: If you're going to participate, you got to pay. I mean,
- 9:53Speaker 1: you guys really do go into the darkness of what
- 9:56Speaker 1: it's like to be in a situation like this, because
- 9:58Speaker 1: there is an underground here that we we all have
- 10:00Speaker 1: talked about but we've never really felt it until Atlas
- 10:04Speaker 1: King and you feel the impact.
- 10:08Speaker 3: Yeah, yeah, you know, certainly for myself sadly, growing up
- 10:12Speaker 3: in the northwest of England mixed martial arts back in
- 10:15Speaker 3: the day, it was kind of the wild West and
- 10:18Speaker 3: there was a lot of unsavory characters and the first
- 10:21Speaker 3: management team that I was involved with.
- 10:23Speaker 2: They were full.
- 10:25Speaker 3: On gangsters, you know, and then they were high level
- 10:28Speaker 3: and I had no idea. I had no idea what
- 10:30Speaker 3: I was getting involved with. So I certainly had a
- 10:33Speaker 3: lot of motivation and real life circumstances to draw up on.
- 10:36Speaker 3: And I think you can see that in the film,
- 10:38Speaker 3: because you know, I went through some tough times trying
- 10:42Speaker 3: to get away from these guys. And yeah, I mean
- 10:45Speaker 3: in this one here I show up in LA and
- 10:48Speaker 3: you know, my friend's family are all like their neck
- 10:51Speaker 3: deep in a lot of trouble. The consequences are high.
- 10:53Speaker 3: They're going to be killed as they don't come up
- 10:55Speaker 3: with this money and this and that. So we develop
- 10:58Speaker 3: a bit of a scheme, uh and you know, to
- 11:01Speaker 3: con some people and rip some people off and we
- 11:04Speaker 3: pull off a heist and then you know, there might
- 11:06Speaker 3: be some double crossing along the way and stuff. But yeah,
- 11:09Speaker 3: I mean, it all works out in the end. But
- 11:11Speaker 3: I don't want to ruin the film.
- 11:13Speaker 1: Please do not move. There is more with Michael Bisping
- 11:16Speaker 1: coming up next. The name of this unbelievable movie is
- 11:21Speaker 1: called Atlas King. We are back with actor and MMA
- 11:26Speaker 1: star Michael Bisping. What's so fun about this is the
- 11:29Speaker 1: fact that those of us that have studied martial arts
- 11:31Speaker 1: and we have done those little fights behind the scenes,
- 11:34Speaker 1: because they do exist in the real world. I'll never
- 11:37Speaker 1: forget mine because I was taken to a doctor. I
- 11:39Speaker 1: had no freaking clue where they even took me. All
- 11:41Speaker 1: I knew was is that I shattered my ribs. And
- 11:44Speaker 1: that's what I liked about this, and I fell deeper
- 11:45Speaker 1: in love with his story because you do show that
- 11:48Speaker 1: shadowed area of the MMA story.
- 11:51Speaker 3: Oh yeah, listen, you know, I mean, fighting is a
- 11:53Speaker 3: tough business and it's not for everybody, and suddenly along
- 11:56Speaker 3: the way, injuries are a part of it. You know,
- 12:00Speaker 3: people do get hurts. Let's be honest. The objection of
- 12:03Speaker 3: a fight is to knock out your opponents, to render
- 12:05Speaker 3: them unconscious or so made them submit, you know, So
- 12:08Speaker 3: along the way, you know, stuff does happen. I mean,
- 12:11Speaker 3: I had a long career in the octagon for almost
- 12:14Speaker 3: twenty years, and you know I see here now with
- 12:17Speaker 3: seven next surgeries, two total knee replacements, one fake. I
- 12:21Speaker 3: so I've certainly walked to the walk, and now I
- 12:25Speaker 3: can talk the talk. And then now hopefully I've got
- 12:28Speaker 3: the experience to bring it on and portray it on
- 12:30Speaker 3: the screen. And you know, we had a great team
- 12:32Speaker 3: around us, great actors, great stunt guys and everything.
- 12:35Speaker 2: All in all, it all camps together and as I say,
- 12:39Speaker 2: really proud of it. You know.
- 12:40Speaker 1: One of the things that this movie offers and it
- 12:42Speaker 1: just really does have that tinge to it in the
- 12:45Speaker 1: way that you guys deliver one lines. And what I
- 12:47Speaker 1: mean by that is is that one line comes through,
- 12:50Speaker 1: and that the impact of that one sentence was that
- 12:52Speaker 1: Cuba Gooding Junior working through you guys in the way
- 12:55Speaker 1: that he's also known for one line, like, for instance,
- 12:58Speaker 1: can I pat you down? I don't want you to
- 12:59Speaker 1: pack down because I know you're going for something here.
- 13:02Speaker 1: So therefore it's like, you guys deliver things here one
- 13:06Speaker 1: word or one sentence at a time, and we feel
- 13:08Speaker 1: the impact.
- 13:10Speaker 2: Yeah. Yeah, Well it's the intensity.
- 13:12Speaker 3: And because we're walking into a meeting in the scene
- 13:14Speaker 3: that you're talking about, and we're going to discuss how
- 13:16Speaker 3: things are going to go down, and they're trying to
- 13:18Speaker 3: pay me down, and I'm like, you ain't gonna pay
- 13:19Speaker 3: me down. And what I mean by that is you ain't.
- 13:21Speaker 3: You ain't paying me, You're not patting me down. You
- 13:25Speaker 3: know I don't need patting down. I'm not here to
- 13:27Speaker 3: do what you think I have. If I have got
- 13:29Speaker 3: a gun, that's my business. If I haven't got a gun,
- 13:32Speaker 3: then I haven't got a gun. But regardless, you ain't
- 13:35Speaker 3: paying me down, buddy. We're not here for that. We're
- 13:37Speaker 3: here to all like men. And you have a trust
- 13:39Speaker 3: me or you don't trust me. And as I say,
- 13:41Speaker 3: it's kind of you know that threatening tone, but also
- 13:45Speaker 3: you know setting you stole out.
- 13:47Speaker 2: That you're not scared, even though I.
- 13:49Speaker 3: Should be because this guy's a serious man. But like
- 13:52Speaker 3: you gotta hold your ground in these situations if you're
- 13:54Speaker 3: going to be respected.
- 13:56Speaker 1: You know when you when you're into the movie making now,
- 13:58Speaker 1: because I guarantee you're gonna be doing a ton more
- 14:00Speaker 1: because I can feel your emotion and your intent in
- 14:02Speaker 1: making sure that people really do get authentic fighting movies.
- 14:05Speaker 1: But the thing is is that when when you look
- 14:07Speaker 1: at the entire picture, I see the trophies, the belts,
- 14:09Speaker 1: I see the in the ring experiences. Do you ever
- 14:12Speaker 1: look at your martial arts training throughout the years as
- 14:15Speaker 1: being still that celebration of knowledge that they drove into
- 14:18Speaker 1: our heads as students. It is a celebration of knowledge.
- 14:22Speaker 1: And now acting, is that not part of the celebration
- 14:25Speaker 1: of knowledge?
- 14:26Speaker 3: Yeah, yeah, absolutely, you know, I mean, I mean, and
- 14:30Speaker 3: that's why this whole acting phase of my life has
- 14:33Speaker 3: kind of come around, because I never considered myself an
- 14:37Speaker 3: ice and I got an opportunity along the way, and then.
- 14:39Speaker 2: Slowly but surely I enjoyed it.
- 14:42Speaker 3: But it's everything that I did in mixed martial arts
- 14:45Speaker 3: and now I have those skills that I can use
- 14:48Speaker 3: in another realm, which is great. But then on top
- 14:51Speaker 3: of that, it's also the work ethic. It's also the discipline.
- 14:54Speaker 3: It's also the preparation. You know, I mean, showing up
- 14:58Speaker 3: to do a movie like this, and you know, you
- 15:00Speaker 3: got to know the dialogue of an entire film. There's
- 15:03Speaker 3: a lot of prep that goes into that. Well, there's
- 15:05Speaker 3: a lot of prep that goes into fighting at the
- 15:08Speaker 3: highest level.
- 15:09Speaker 2: And if you've got the discipline to do that and
- 15:12Speaker 2: see the course and stick.
- 15:14Speaker 3: To it and do your homework and sit there and
- 15:16Speaker 3: spend many many nights reading the script by yourself, you know,
- 15:21Speaker 3: there's a lot of work it's not just show what
- 15:23Speaker 3: be a tough guy and try and look convincing on camera.
- 15:26Speaker 2: You've got to do the work.
- 15:27Speaker 3: Behind the scenes. And it's exactly the same for a
- 15:30Speaker 3: lot of things in life. But certainly if you're preparing
- 15:32Speaker 3: for a fight at the highest level a Madison Square
- 15:36Speaker 3: guard who with twenty thousand people watching, you got to
- 15:39Speaker 3: do the work.
- 15:40Speaker 2: My friend.
- 15:42Speaker 1: I've got to give kudos to your editing department because
- 15:44Speaker 1: when the scenes are taking place in Chinatown, I think
- 15:47Speaker 1: the average human is going to automatically connect it to
- 15:50Speaker 1: San Francisco, but your editing team capt reminding us with
- 15:53Speaker 1: that skyline of Los Angeles. No, this is La La.
- 15:58Speaker 1: And that's what I love about what you do with
- 15:59Speaker 1: this movie is that if we miss something, you come
- 16:02Speaker 1: back to it and you remind us of where we are.
- 16:06Speaker 2: Yeah.
- 16:06Speaker 3: Yeah, And we're really proud of that because these days,
- 16:08Speaker 3: not a lot of films get shot in LA for
- 16:11Speaker 3: various reasons, and we really wanted to showcase that, you know,
- 16:14Speaker 3: so we shot the film in downtown LA which just
- 16:17Speaker 3: looks unbelievable on camera. Obviously, it's you know that there's
- 16:21Speaker 3: nice areas and there's a lot of gritty areas, and
- 16:24Speaker 3: it just looks so good on film, and then obviously
- 16:27Speaker 3: around the LA area, there's so many people that are
- 16:30Speaker 3: passionate about film and TV. So we had an amazing
- 16:33Speaker 3: crew and everyone on there, they cared for this.
- 16:36Speaker 2: Film so much, you know.
- 16:38Speaker 3: I mean, we had a decent budget, but it certainly
- 16:40Speaker 3: wasn't a budget of like some of these blockbusters.
- 16:43Speaker 2: But everyone showed up. They gave it the role.
- 16:45Speaker 3: The sets looked amazing, the locations were phenomenal, and downtown
- 16:50Speaker 3: Los Angeles, as I said, just on camera, looks phenomenal.
- 16:54Speaker 1: Oh it does. You guys did such a fantastic job.
- 16:56Speaker 1: You got to tell me when you're going to come
- 16:58Speaker 1: back to this show, because we're just scratching the surface.
- 17:00Speaker 1: You're onto yourself, onto something here that's going to be
- 17:03Speaker 1: so freaking big, and I just I just feel that
- 17:06Speaker 1: the future belongs to your decisions.
- 17:09Speaker 3: Well I hope everyone else feels the same way here
- 17:12Speaker 3: as you do, my friend, because you're very complimentious. So
- 17:15Speaker 3: thank you for the kind words, and I can feel
- 17:16Speaker 3: the genuine enthusiasm, so thank you. And yeah, I mean
- 17:20Speaker 3: it comes out next week, so I guess we'll see
- 17:22Speaker 3: what the wider masses.
- 17:23Speaker 2: Say, because you know how people can be.
- 17:25Speaker 3: Because I think a lot of people are going to think,
- 17:27Speaker 3: you know, oh, this is an MMA film and this
- 17:30Speaker 3: guy can't act and things like that, which which which listen,
- 17:34Speaker 3: I get it.
- 17:35Speaker 2: I understand.
- 17:36Speaker 3: I am a former fighter, so some people who just
- 17:38Speaker 3: said this guy's a knucklehead. But I have been working
- 17:41Speaker 3: at this for twenty years. I did work very closely
- 17:43Speaker 3: with the director. There was a tremendous amount of prep.
- 17:46Speaker 3: We've got a good cast, the script is good, the
- 17:49Speaker 3: story is good, the executions there and we're really happy
- 17:53Speaker 3: with it. So yeah, and we will see what people say.
- 17:56Speaker 3: We'll see how it's received. But I certainly hope there's
- 17:58Speaker 3: more to come in the future.
- 18:00Speaker 1: You've bet will you be brilliant today? Okay, sir?
- 18:03Speaker 2: Oh well, thank you iar. Likewise,