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S1-Ep.2: Rough and Tumble · The Teamup Play Show Podcast

• 0:00
  Speaker 1: You're listening to a lily Pad production.
• 0:04
  Speaker 2: This is the Team Up Play Show podcast.
• 0:27
  Speaker 3: Previously in the City of Bones.
• 0:40
  Speaker 2: You also see all the people chained to their desks
• 0:44
  Speaker 2: and workspaces. Bursting through the south wall, you see a
• 0:50
  Speaker 2: beast who has the body of a rhino, and where
• 0:54
  Speaker 2: the rhino's head should be, there is instead the torso
• 0:59
  Speaker 2: of a man. Flapping down and landing on his back
• 1:03
  Speaker 2: is a scrawny man in a gymnast leotard. Out of
• 1:07
  Speaker 2: his back sprout gray wings that flutter in his descent.
• 1:12
  Speaker 2: Gabrielle shouts back, how about them. We want to see
• 1:15
  Speaker 2: what you can.
• 1:16
  Speaker 4: Do, because I think maybe the intent of these animal
• 1:19
  Speaker 4: people is to hurt the folks that were just chained up.
• 1:24
  Speaker 3: I think I'm picking up on that too.
• 1:29
  Speaker 5: I just look at both of you as like, can
• 1:30
  Speaker 5: we kill them?
• 1:45
  Speaker 2: The air buzzes with electricity and starfire as the warehouse
• 1:51
  Speaker 2: feels the energy and the power of Ronnie and jimiir
• 1:57
  Speaker 2: jumping down from the walkway. In between the monsters and
• 2:01
  Speaker 2: the helpless now behind you, there is also a phantom
• 2:06
  Speaker 2: who waits in the rafters, smiling at the foolishness of
• 2:12
  Speaker 2: those that would face him In a building with so
• 2:14
  Speaker 2: much paper Ti quanta jimiir. You two look forward. You
• 2:21
  Speaker 2: see a man who is half rhino in the bottom
• 2:26
  Speaker 2: half and his upper half is man. And then a
• 2:30
  Speaker 2: man with gray, dirty wings flapping on his back. The
• 2:35
  Speaker 2: two of you stand here in your sweatpants, faces covered
• 2:39
  Speaker 2: with what you could find at home, struck by the
• 2:44
  Speaker 2: thought that before you jump down here, you didn't really
• 2:47
  Speaker 2: know how big a rhino is. Now you know, how
• 2:54
  Speaker 2: are the two of you feeling in this moment?
• 2:57
  Speaker 4: Veronica jumps down and then immediately her are overwhelmed with
• 3:02
  Speaker 4: all the feelings around her close up. So the people
• 3:06
  Speaker 4: that are frightened, some of them who have probably given
• 3:09
  Speaker 4: up and are despairing, those who you know, want to
• 3:13
  Speaker 4: do something to save themselves, those who are panicking. And
• 3:18
  Speaker 4: then I assume also the emotions of the cruel people
• 3:22
  Speaker 4: here to watch and the monsters here to hurt these people,
• 3:28
  Speaker 4: And I think, for a moment, it's really overwhelming. And
• 3:32
  Speaker 4: she's surprised by all that feeling and almost gets like
• 3:36
  Speaker 4: swallowed up in that.
• 3:38
  Speaker 1: And then she reaches down to her.
• 3:39
  Speaker 4: Hip where she has a VHS player and puts on
• 3:42
  Speaker 4: some headphones to a place of music to help drown.
• 3:46
  Speaker 2: It out all right.
• 3:49
  Speaker 3: Samir is confused, his heart is racing, his brow is
• 3:56
  Speaker 3: sweaty as he's trying to take in these creatures in
• 4:01
  Speaker 3: front of him and what they might mean, but also
• 4:03
  Speaker 3: these incredible people that he just met up above, and
• 4:08
  Speaker 3: is the tiniest bit hopeful having met these folks, that he's.
• 4:15
  Speaker 2: Not alone in this. And what is Jason feeling? Looking down?
• 4:21
  Speaker 6: Jason looks sees more powered people than he's ever seen.
• 4:27
  Speaker 6: He's seen what he's seen in himself, and he's curious, excited,
• 4:32
  Speaker 6: has has questions for these people, wants to know things,
• 4:35
  Speaker 6: hungry for knowledge, but the phantom is tugging him.
• 4:40
  Speaker 2: Saying, we know some of them are bad, some of
• 4:45
  Speaker 2: them need to be punished. Hochi dok Gabrielle sees the
• 4:50
  Speaker 2: two of you dropped down, and in his own surprise,
• 4:54
  Speaker 2: he looks to the onlookers here, the ones that are
• 4:57
  Speaker 2: meant to bid on this, these monsters as they kill
• 5:04
  Speaker 2: the slaves, and he says, oh, very well, it looks
• 5:08
  Speaker 2: like we have some more contenders for tonight. The highest
• 5:13
  Speaker 2: bidder gets the winning team and he kind of does
• 5:16
  Speaker 2: a little clap, and the rhino man who has been
• 5:22
  Speaker 2: pawing at the ground, starts to charge and the flapping
• 5:34
  Speaker 2: man starts to flap up a little bit into the air.
• 5:38
  Speaker 2: He says, very well, you take on these newcomers rough.
• 5:45
  Speaker 3: And I'll deal with our target. Let's go ahead and
• 5:49
  Speaker 3: roll order.
• 5:53
  Speaker 2: Right, I'm ready, ready. The stage has been set and
• 5:59
  Speaker 2: the day woman with lightning reflexes gets to go first.
• 6:05
  Speaker 2: What are you doing in quanta?
• 6:06
  Speaker 4: How far is the pigeon as I'm going to call him,
• 6:11
  Speaker 4: is two l's away from you?
• 6:13
  Speaker 1: Great?
• 6:14
  Speaker 4: I would like to attempt with control electricity to block
• 6:21
  Speaker 4: his brain to his wings so he can't fly.
• 6:24
  Speaker 2: Very smart. Are you going to do this through just
• 6:28
  Speaker 2: utility action or you're going to do it through an
• 6:30
  Speaker 2: attack utility? Great? Yeah, so you'll be rolling a knowledge
• 6:38
  Speaker 2: check versus his guts check.
• 6:42
  Speaker 1: Okay.
• 6:44
  Speaker 4: I look at him starting to fly away, and I
• 6:46
  Speaker 4: think he said he'll go after the targets or the target,
• 6:52
  Speaker 4: so having him grounded might help the folks here. Oh
• 7:03
  Speaker 4: what do you get?
• 7:03
  Speaker 1: Eight?
• 7:04
  Speaker 2: I got a seven? So you beat him by one?
• 7:07
  Speaker 1: Amazing?
• 7:08
  Speaker 2: So you block his wings for one turn?
• 7:11
  Speaker 1: Okay?
• 7:12
  Speaker 2: Or asking me one one phase? You won one phase
• 7:14
  Speaker 2: from him? So how do you? Yeah? How do you
• 7:17
  Speaker 2: do that? What do you do?
• 7:18
  Speaker 1: Yeah?
• 7:18
  Speaker 4: I think I just look up at him, focus in
• 7:21
  Speaker 4: on him in particular. See this the strange connections. I
• 7:26
  Speaker 4: haven't seen before a humanoid human with wings, but I
• 7:30
  Speaker 4: see the part of his brain controlling them, and just
• 7:34
  Speaker 4: give it a zapp to shut it down.
• 7:37
  Speaker 2: As he's flapping and looking like he wants to fly up,
• 7:41
  Speaker 2: his wings freeze in the air and he falls down
• 7:45
  Speaker 2: on the back of his friend, the rhino man. This
• 7:49
  Speaker 2: is what is Who are these these people? Jamiir? Your turn?
• 7:55
  Speaker 3: Jamir, seeing this rhino man as a main threat, is
• 8:02
  Speaker 3: going to try to get his attention and kind of
• 8:04
  Speaker 3: take try to take some heat off of these people.
• 8:09
  Speaker 3: So I'll say, big guy, start here, and Jamiir is
• 8:16
  Speaker 3: going to rush up toward this rhinoman using my movement.
• 8:22
  Speaker 2: Got it? You want to get within his l Oh, yeah,
• 8:25
  Speaker 2: I want to get right up in his face. As
• 8:28
  Speaker 2: you rush up into his face, he says, come on, sir, hold.
• 8:34
  Speaker 1: Oh, I forgot about the Shakespeare.
• 8:36
  Speaker 2: Thing paper Phantom. Your turn? All right, So I'm still
• 8:41
  Speaker 2: up in the rafters. Have they have they seen me?
• 8:44
  Speaker 6: Am?
• 8:44
  Speaker 2: I still sneaking around. You are hidden?
• 8:48
  Speaker 6: And then remind me did Quanta take her face coverings off?
• 8:53
  Speaker 1: My glasses got shattered when I.
• 8:57
  Speaker 2: Left, like hood and okay, so can you stop her
• 9:00
  Speaker 2: because she was on the news, right she was, okay,
• 9:03
  Speaker 2: but I haven't seen her face all right?
• 9:06
  Speaker 4: So?
• 9:08
  Speaker 6: And how far away is a bird boy? If I'm
• 9:10
  Speaker 6: up in the rafters and he's down there now, he
• 9:12
  Speaker 6: is four l's.
• 9:13
  Speaker 2: Away from hails? Yeah?
• 9:15
  Speaker 6: Nice, Yeah, I'm gonna pieces of the highest quality paper
• 9:20
  Speaker 6: from my cloak, from courtesy of Elisa's creases. We'll shred off,
• 9:25
  Speaker 6: twist up into a series of floating swords made of
• 9:30
  Speaker 6: paper in the shadows of the catwalk above.
• 9:33
  Speaker 2: I'm just gonna charge charge.
• 9:34
  Speaker 7: Up, you charge up?
• 9:45
  Speaker 2: Sounds good. It is Rough's turn. This giant rhino man
• 9:51
  Speaker 2: holding a mace of rebar and concrete. You did him
• 9:55
  Speaker 2: the favor of running up to him. He pulls this
• 10:00
  Speaker 2: thing like an axe behind his head and says, draw.
• 10:04
  Speaker 2: If you be men, Gregory, remember thy swashing blow, and
• 10:09
  Speaker 2: he brings it down right on top of your head.
• 10:12
  Speaker 3: Jimmy, all right, let's let's tango Shakespeare's second most famous quilt.
• 10:22
  Speaker 2: Let's let go. I wouldn't be surprised like they did
• 10:27
  Speaker 2: in jolly holding. I wouldn't be surprised if Shakespeare did
• 10:33
  Speaker 2: come up with the tango. Who's to say? All right, Ben,
• 10:40
  Speaker 2: only three damage coming at you? Okay, Jimi.
• 10:46
  Speaker 3: Rolled a nice, a nice, well cut two nice that
• 10:52
  Speaker 3: gets halfd to one, so I'll take two damage, Jamir.
• 10:57
  Speaker 3: This thing falls on you, and you've been in fights before,
• 11:03
  Speaker 3: your shoot kid, you grew up dustin knuckles with the locals,
• 11:08
  Speaker 3: but this should kill you.
• 11:12
  Speaker 2: It strikes you. You kind of catch it, but it
• 11:14
  Speaker 2: still hits your head, and you know what You're okay.
• 11:27
  Speaker 2: It is Tumble's turn. Tumble can't fly, which is a
• 11:34
  Speaker 2: bummer for him. That's what he wants to do. This
• 11:36
  Speaker 2: turn bummer for Tumble. Tumble He's mad he can't fly,
• 11:46
  Speaker 2: so instead he is going to charge up himself. You see,
• 11:50
  Speaker 2: he stands from kind of riding his rhino friend like
• 11:55
  Speaker 2: it's a horse. He stands up on top of its
• 11:58
  Speaker 2: back and flips off these two like leather bags that
• 12:03
  Speaker 2: are on his feet, and it reveals these claws with
• 12:08
  Speaker 2: protruding and growing talents. He chink sharpens those on the
• 12:14
  Speaker 2: tough rhino hide to charge them up for an attack.
• 12:21
  Speaker 6: Of course, birds and rhinos have such synergy, especially the
• 12:25
  Speaker 6: ones on the back of the other.
• 12:28
  Speaker 2: Yeah, probably clean each other. Yeah, that's why they're friends.
• 12:34
  Speaker 2: They're specials. Okay, it is the slave Stern, which is big.
• 12:42
  Speaker 2: They are going to run away. So how I've done
• 12:46
  Speaker 2: this is they're they're all in groups there. They are
• 12:48
  Speaker 2: in big groups, but the groups can split up, so
• 12:51
  Speaker 2: they're going to get as far back as they can.
• 12:53
  Speaker 2: They start hiding under desks. They that means they're going
• 12:56
  Speaker 2: to get some resilience. They start just freaking out because
• 13:02
  Speaker 2: as much as a shock as this stuff is to
• 13:05
  Speaker 2: you guys who are powered people, these unmpowered people in
• 13:09
  Speaker 2: this world that is is that that that heroes and
• 13:15
  Speaker 2: wonders have abandoned. They are in shock, so they start
• 13:18
  Speaker 2: running in panic, they start hiding.
• 13:22
  Speaker 3: Now sorry, just as we as we're getting a lay
• 13:25
  Speaker 3: of the land down here, we and Quanta, who have yes,
• 13:29
  Speaker 3: as we're kind of looking around. We came in. We
• 13:32
  Speaker 3: entered from way above, so this is kind of like
• 13:35
  Speaker 3: a basement vibe, so there's not like a clear exit
• 13:39
  Speaker 3: for them to try to book to.
• 13:41
  Speaker 2: Probably right, so this is this is kind of a
• 13:44
  Speaker 2: ground level warehouse. You guys jumped in from the ceiling,
• 13:49
  Speaker 2: so there is a door that would lead it leads
• 13:53
  Speaker 2: to the office area. There's a door there. You did
• 13:56
  Speaker 2: see Gabriel Lockett on his way in knowing what is
• 14:00
  Speaker 2: going on. Also, Rough busted a hole inside the back
• 14:06
  Speaker 2: of the wall, so the way they came in, there's
• 14:08
  Speaker 2: a big hole in the wall as well. Just out
• 14:11
  Speaker 2: to the alley or out to the alley. Great, okay,
• 14:14
  Speaker 2: that's the end of phase one. Baby, Oh we did it.
• 14:17
  Speaker 2: A couple of still.
• 14:19
  Speaker 1: Stand cut twos.
• 14:22
  Speaker 2: We're just looking for cuts.
• 14:26
  Speaker 1: Quante your okay, Ryan, it's our charged up too.
• 14:29
  Speaker 2: No, he attacked jam Tumbo charged up. That's okay, don't
• 14:34
  Speaker 2: be sorry.
• 14:35
  Speaker 1: Okay. I see Jamiir. I don't know his name.
• 14:38
  Speaker 4: I see this man in the do rag mask take
• 14:43
  Speaker 4: this hit and not fall and I'm surprised by that.
• 14:48
  Speaker 1: Whoa, but he did get hit.
• 14:51
  Speaker 4: So I'm gonna follow his lead and say like, yeah, yeah,
• 14:56
  Speaker 4: between the two of us, were your size, pick on
• 14:59
  Speaker 4: someone your own us, right, I will just move towards them.
• 15:06
  Speaker 2: Also great, So get in there, L yes, get l
• 15:10
  Speaker 2: perfect that four of you scrunch in this one L
• 15:14
  Speaker 2: and are bottlenecking this entryway right now.
• 15:19
  Speaker 3: Jamiir you're up, all right, Jamiir is just gonna rare
• 15:24
  Speaker 3: back full telegraph, not disguising this punch at all. I'm
• 15:29
  Speaker 3: just gonna see what I can do. I've been testing
• 15:32
  Speaker 3: with my strength over the last several days, but I
• 15:36
  Speaker 3: haven't really just let loose on another living thing. But
• 15:40
  Speaker 3: this seems to be the safe place to do that.
• 15:43
  Speaker 3: So I'm gonna try to punch this Rhinoman grit, all right.
• 15:48
  Speaker 3: So I I'm gonna use my strength to attack my
• 15:53
  Speaker 3: powadise a D six and I got a five.
• 15:57
  Speaker 2: You get to roll with precision, Yes I do.
• 16:00
  Speaker 3: I'm in the same mail and I got a second five.
• 16:03
  Speaker 2: Oh no way. Sometimes sometimes I hate this game. I
• 16:13
  Speaker 2: made things for that reminder. GD Okay, So he just
• 16:18
  Speaker 2: whacked you and saw that you didn't throw up a defense.
• 16:22
  Speaker 2: In his pride, he's going to do the same as you.
• 16:25
  Speaker 2: The two of you just start trading these blows. These
• 16:29
  Speaker 2: blows that these two strong men are dealing out. It's
• 16:33
  Speaker 2: not like going to see a boxing match where they
• 16:35
  Speaker 2: have to add in the punch sounds. These are reverberating
• 16:39
  Speaker 2: off the walls, and you where do you you punch
• 16:44
  Speaker 2: this guy? Probably just right in the stomach, like where
• 16:46
  Speaker 2: the where the rhino meets the man the weeks.
• 16:51
  Speaker 4: Yeah, I went, says if like that's the balls, and
• 16:54
  Speaker 4: I'm like, wait what.
• 16:55
  Speaker 2: His rhido plexus. A thunderous punch ripples through his rhino body.
• 17:06
  Speaker 2: He rolls his resilience, gets a four, which turns into two,
• 17:10
  Speaker 2: so you do eight damage with this thunderous Wow. His
• 17:16
  Speaker 2: man part folds over and he then looks up at
• 17:22
  Speaker 2: you and his head is right in your face after
• 17:24
  Speaker 2: this punch, and he says, cowards die many times before
• 17:29
  Speaker 2: their deaths. The valiant never taste of death, but once
• 17:35
  Speaker 2: I'm not scared of you man, a paper phantom.
• 17:39
  Speaker 6: All right, I got a bunch of charged up paper swords.
• 17:42
  Speaker 6: I'm above these guys. A bunch of these these paper
• 17:46
  Speaker 6: blades are gonna rain down. Specifically, I wanna cut up
• 17:51
  Speaker 6: this bird fella. I don't know if it's the leotard
• 17:55
  Speaker 6: or the leather bags he had on his feet before,
• 17:57
  Speaker 6: but something about his vibe is upsetting, and yeah, I'm
• 18:02
  Speaker 6: just gonna rain. That's tons of paper, dawns him. So,
• 18:06
  Speaker 6: because that's charged upping, taking energy from each of my
• 18:11
  Speaker 6: powers that are charging the other. That is gonna be
• 18:16
  Speaker 6: seven damage total.
• 18:17
  Speaker 2: Oh seven damage he sees at the last minute. No, wait,
• 18:23
  Speaker 2: you're hidden, he can't react. That's right, Oh my goodness.
• 18:28
  Speaker 2: All right, this is turning into a good ass.
• 18:31
  Speaker 6: Whooping, a good ass good good ass whipping, or a
• 18:36
  Speaker 6: good ass whipping. I guess they both weren't. Yeah, that's good.
• 18:39
  Speaker 2: He's gonna roll his resilience. He gets a two, which
• 18:42
  Speaker 2: turns into one. You do six damage to the bird.
• 18:45
  Speaker 2: Many nice paper beats bird. You hear from Yeah, I
• 18:53
  Speaker 2: say it real loud paper beats bird, and you are
• 18:56
  Speaker 2: no longer hidden, uh Shakespeare?
• 18:58
  Speaker 3: Oh yeah, oh yeah.
• 19:00
  Speaker 2: At this point, after this first few rounds, you guys
• 19:03
  Speaker 2: are feeling good. You're feeling strong playing with these new powers.
• 19:09
  Speaker 2: The large gentleman who Quanta you know, is camp screams out, hey,
• 19:16
  Speaker 2: you better get in there. Boys looking bad and coming
• 19:20
  Speaker 2: from the corners are the four guards that were here
• 19:24
  Speaker 2: guarding these prisoners. They all pull out pistols and are
• 19:30
  Speaker 2: getting into the initiative. Two of them are gonna go
• 19:33
  Speaker 2: ahead and take shots at Quanta and Jamier. The other
• 19:37
  Speaker 2: two are gonna just take their movements. All right. Four
• 19:41
  Speaker 2: damage for you, Jamir. Three damage coming to you Quanta.
• 19:45
  Speaker 1: All right, I'll just with zeal Zeisle Razil.
• 19:49
  Speaker 2: I rezeal for zero two all four damage Jamir, and
• 19:53
  Speaker 2: one damage for you, Quanta. It's Rough's turn. He looks
• 19:57
  Speaker 2: at you, Jamir, breeze. From this punch, the anger in
• 20:03
  Speaker 2: his eyes spreads up to the red pulsing horn on
• 20:08
  Speaker 2: his head and it sends out a blast. He's going
• 20:13
  Speaker 2: to use a utility action to try to make everyone
• 20:18
  Speaker 2: here afraid of him, and by that I mean just
• 20:22
  Speaker 2: Quanta and well, no, he'll he knows you're here now,
• 20:26
  Speaker 2: so he's gonna try to make the three of you
• 20:28
  Speaker 2: afraid of him. Okay, so utility he'll roll cokes to
• 20:33
  Speaker 2: get you afraid. You'll rope guts. He's adding his horn.
• 20:37
  Speaker 2: So if you have something that would keep you from
• 20:39
  Speaker 2: being afraid, you're welcome to add that.
• 20:41
  Speaker 4: I think my control electricity or lightning reflexes, controlling the
• 20:46
  Speaker 4: own my.
• 20:46
  Speaker 2: Head, Like yeah, I think controlling your own electrical pathways.
• 20:49
  Speaker 6: Certainly, what if there was like just imagine if there
• 20:52
  Speaker 6: was a bunch of paper between No, that's not gonna
• 20:55
  Speaker 6: do anything.
• 20:56
  Speaker 2: That's a load of crap.
• 20:57
  Speaker 1: All right, And you said, what was the skill kill
• 21:00
  Speaker 1: his guts? Guts.
• 21:01
  Speaker 2: I'm rolling that too, Yes, I got a six. Are
• 21:04
  Speaker 2: you empowering it anyway by Jamir? No, I don't think so. Okay,
• 21:11
  Speaker 2: I rolled two ones on my die so I got
• 21:14
  Speaker 2: two eight three. This pulse of red energy goes out
• 21:19
  Speaker 2: for a moment, you do start to feel fear, fear
• 21:22
  Speaker 2: of everything, like today and tomorrow and what's going to
• 21:26
  Speaker 2: happen and this strange rhino tarn If this is true,
• 21:30
  Speaker 2: if what you're seeing is true, then what else is true?
• 21:32
  Speaker 2: But you all push it down and stay in the fight.
• 21:35
  Speaker 2: It's tumbles turn. He is finally going to fly up.
• 21:39
  Speaker 2: He is leaving your l Jamir and Quantus. So if
• 21:43
  Speaker 2: there's anything you want to do here, you can take
• 21:46
  Speaker 2: a pursuit attack as a reaction, or you can do
• 21:49
  Speaker 2: a trap action, which is trying to keep him here.
• 21:53
  Speaker 2: I'm going to pursuit attack. I'll use my reaction for that.
• 21:56
  Speaker 4: Yeah, I'll I'll shoot out a lightning whip around his
• 22:00
  Speaker 4: waist and try to trap him. Trap him, yeah, okay,
• 22:02
  Speaker 4: take him down like a hot air balloon.
• 22:05
  Speaker 2: Okay, so we have a hot air balloon trap and
• 22:08
  Speaker 2: a pursuit attack, Jamiir. Pursuit attack is any normal attack
• 22:12
  Speaker 2: rolled low.
• 22:13
  Speaker 3: Okay, I'm just gonna I'm just gonna try to jump
• 22:17
  Speaker 3: up and punch at him before he can flap too far.
• 22:22
  Speaker 3: I rolled two D fours and I got two fours. Oh,
• 22:29
  Speaker 3: I'll take a picture.
• 22:30
  Speaker 2: I've not I believe in the first combat we've ever had.
• 22:36
  Speaker 2: I feel like critting in team up is not as
• 22:39
  Speaker 2: normal as I thought it would be.
• 22:43
  Speaker 3: But maybe it is.
• 22:45
  Speaker 2: I don't know.
• 22:46
  Speaker 1: I'm not a stat person.
• 22:48
  Speaker 2: Anybody got stats something, well, So if he's rolling D four's,
• 22:51
  Speaker 2: he's got a twenty five, it's more likely with D four's.
• 22:54
  Speaker 3: That's for true D fours probably do crit more.
• 22:57
  Speaker 2: Absolutely, which that's I think the fun part of Yeah, yeah, okay, Well, geez,
• 23:05
  Speaker 2: he's got to defend against that, which will use up
• 23:09
  Speaker 2: his reaction. This is the second phase, right, yep, So
• 23:13
  Speaker 2: he still has a reaction, so he is gonna defend
• 23:16
  Speaker 2: against it because he has to. His wings come down
• 23:18
  Speaker 2: and try to block you and do get in between
• 23:21
  Speaker 2: your punch and him. But and they are tougher than
• 23:25
  Speaker 2: just normal flesh. You feel that as you strike. So
• 23:29
  Speaker 2: he's gonna roll his defense against that eight. He rolls
• 23:34
  Speaker 2: a D eight for defense. His wings are strong. Okay,
• 23:37
  Speaker 2: Oh I got a six that saved my ass. Sorry,
• 23:40
  Speaker 2: that's okay. Everyone knows paper beats burn, not punch. And
• 23:48
  Speaker 2: he got two on his resilience. He beats all of
• 23:52
  Speaker 2: this damage. But you did use his next action, which
• 23:55
  Speaker 2: he has a charged up attack for, so that's big.
• 23:58
  Speaker 2: That is big. And then going to try to trap him,
• 24:01
  Speaker 2: you can use uh, this is a this is a
• 24:05
  Speaker 2: this is a mite check plus your whip plus my whip.
• 24:11
  Speaker 2: He's using his swift and his wings. Oh boy, what
• 24:15
  Speaker 2: did you get? You got twenty?
• 24:17
  Speaker 1: Oh totally miss yep.
• 24:22
  Speaker 2: Your whip just flings up missus grabs air and he
• 24:26
  Speaker 2: beats off this attack and also gets up into the air.
• 24:31
  Speaker 2: It is the turn of the prisoners and the slaves.
• 24:35
  Speaker 2: They are just going to hang out here and keep
• 24:40
  Speaker 2: barricaded there there. You could interact with the slaves in
• 24:44
  Speaker 2: order to maybe give them some more bonus, like like
• 24:48
  Speaker 2: a greater barricade, but they start like piling up the
• 24:52
  Speaker 2: desks and just putting themselves with as much distance in
• 24:56
  Speaker 2: between them and the chaos. Quanta Europe, I use my reaction,
• 25:02
  Speaker 2: jamiir Europe. I used my reaction, paper Phantom, I have
• 25:07
  Speaker 2: not used my reaction? Nice?
• 25:11
  Speaker 7: Uh uh?
• 25:12
  Speaker 2: Is Tumble in the same l as me?
• 25:13
  Speaker 3: Now or now?
• 25:14
  Speaker 2: No? So you're still in the middle of the warehouse.
• 25:18
  Speaker 2: He's three l's away from you. He just flew up,
• 25:21
  Speaker 2: all right. Cool.
• 25:22
  Speaker 6: Yeah, I'm just gonna I'll use my cloak and I'm
• 25:24
  Speaker 6: just gonna streak towards him. Get in the scene now,
• 25:29
  Speaker 6: God Tumble, even if he's mid air. Yep, you guys,
• 25:32
  Speaker 6: two flying creatures in the middle of the air. It
• 25:36
  Speaker 6: is the guard's turn. Two of them are going to
• 25:39
  Speaker 6: take shots at Quanta and Jamir again. Okay, okay, three
• 25:46
  Speaker 6: damage to you Quanta, two damage to you?
• 25:48
  Speaker 3: Jamir?
• 25:49
  Speaker 1: How much? Three?
• 25:50
  Speaker 2: Enemy three?
• 25:51
  Speaker 1: I rezeal for two.
• 25:52
  Speaker 2: Okay, so you take one. I for one, so you
• 25:55
  Speaker 2: take one. Okay. The other two guards are using another
• 25:59
  Speaker 2: movement to getting closer, so they are all using a
• 26:02
  Speaker 2: little They're all using one energy here to do this stuff.
• 26:05
  Speaker 2: It's Rough's turn. He didn't use a reaction, did he.
• 26:09
  Speaker 2: He just used an attack and a Yeah, he didn't
• 26:11
  Speaker 2: defend against He just got punched in the man part.
• 26:18
  Speaker 2: Sometimes you get punched in the man part. He'll use
• 26:23
  Speaker 2: an energy to go ahead and smash down on Jamiir
• 26:26
  Speaker 2: again three three damage coming to you, Jimir. Okay, I
• 26:32
  Speaker 2: reseal for two, so I take one more. Yep, Okay,
• 26:35
  Speaker 2: it's Tumble's turn. He already used a reaction, so he's done,
• 26:39
  Speaker 2: and the slaves won't do anything extra either, so we
• 26:43
  Speaker 2: are fully reset here in round two. Round two, Ding
• 26:49
  Speaker 2: Ding takes round two to tango. Thanks Shakespeare. Round monte up?
• 27:03
  Speaker 1: Are you looking Jamir?
• 27:04
  Speaker 3: Jamir's Jamiir's hurt. Jamir is more just surprised at how
• 27:09
  Speaker 3: hurt he isn't having speaking multiple blows that last round,
• 27:14
  Speaker 3: Jamir's like not looking too bad, okay, And yeah it's
• 27:20
  Speaker 3: shocks by that, Okay, I read that.
• 27:23
  Speaker 1: On my ally and go for the rhinos.
• 27:29
  Speaker 4: Are I'm going to attack him by just putting my
• 27:31
  Speaker 4: hand out so I can like be in contact more
• 27:35
  Speaker 4: with the electricity in his body. So maybe just on
• 27:37
  Speaker 4: the same spot that Jamir just punched and just like
• 27:42
  Speaker 4: short him out, got it, m hm, So in the
• 27:46
  Speaker 4: hopes of making him pass out.
• 27:48
  Speaker 2: Sounds good?
• 27:49
  Speaker 3: Yeah, go for it, all right.
• 27:50
  Speaker 2: He sees you reaching out, I don't think he registers
• 27:53
  Speaker 2: this as an attack, all right, because you're just like
• 27:56
  Speaker 2: trying to touch his stumach stummy yeah, rhino rhino man.
• 28:00
  Speaker 1: Those as.
• 28:04
  Speaker 2: I rolled two fours, Oh my god, Okay, he's gonna
• 28:11
  Speaker 2: roll his resilience. He toughens up the skin. The toughness
• 28:16
  Speaker 2: of a rhino starts to creep into his man parts
• 28:20
  Speaker 2: and he tries to just slough this off, but you
• 28:24
  Speaker 2: do start to find nerves of pain and damage inside
• 28:29
  Speaker 2: his body. He gets four, which turns into two. So
• 28:37
  Speaker 2: how much damage?
• 28:38
  Speaker 1: Eight?
• 28:39
  Speaker 2: Two six six? Dang y'all critten y'all hitting in critten
• 28:47
  Speaker 2: on me? Just hit it and Jami or here up?
• 28:51
  Speaker 1: I say, oh, happy zapper, happy, happy zapper?
• 28:57
  Speaker 4: This?
• 28:57
  Speaker 3: She know how far away from me is Birdman at
• 29:03
  Speaker 3: this point he is two l's above you?
• 29:06
  Speaker 2: Okay.
• 29:08
  Speaker 3: Seeing that Quanta is now kind of like mixing it
• 29:10
  Speaker 3: up with Rhinoman and is like doing some damage, I'm
• 29:15
  Speaker 3: gonna look up at bird Guy and say where are
• 29:19
  Speaker 3: you going? And I'm gonna shoot a magic blast at him.
• 29:25
  Speaker 3: Nice yeah and ip whine not I'm gonna burn. I'm
• 29:31
  Speaker 3: gonna try to do a p A, try to do
• 29:35
  Speaker 3: a power attribute with my attack. So I'm just gonna
• 29:40
  Speaker 3: charge up this magic. I kind of breathe out from
• 29:44
  Speaker 3: my chest. I feel the energy kind of flowing from
• 29:49
  Speaker 3: this my center down my arm into my hand, and
• 29:53
  Speaker 3: I kind of plush it out of my palm and
• 29:56
  Speaker 3: I throw it at this bird freak, and I do
• 30:03
  Speaker 3: three damage with that?
• 30:05
  Speaker 2: Got it? He reseals for two of those? No, sorry,
• 30:10
  Speaker 2: just one of those? So you do two damage? Hey?
• 30:13
  Speaker 2: Just a nice cut, too, nice cut, too, a.
• 30:16
  Speaker 4: Nice cut to be We're not cut too exterior?
• 30:25
  Speaker 2: And what did you already say what kind of damage
• 30:29
  Speaker 2: you were doing, Jamir? I did not.
• 30:31
  Speaker 3: I rolled a four for what kind of damage? It
• 30:34
  Speaker 3: is acid?
• 30:37
  Speaker 2: And what was the PA connected to acid? Is it?
• 30:41
  Speaker 3: The PA connects to acid, is mar But I need
• 30:43
  Speaker 3: to do at least three damage for large to take effect,
• 30:47
  Speaker 3: So I only did the two.
• 30:48
  Speaker 2: I believe very close. The acid gets on his feet
• 30:52
  Speaker 2: and starts to eat away, but he has these bird
• 30:55
  Speaker 2: feet that are tough and it can't quite hurt him
• 31:00
  Speaker 2: over time. But you do a couple of damage to him.
• 31:03
  Speaker 2: Nice paper, phantom, your turn. All right. So I'm in
• 31:07
  Speaker 2: the same l as bird boy. How's he? How's he looking?
• 31:10
  Speaker 4: Just? Uh?
• 31:11
  Speaker 2: How's his feathers ruffled? His feathers are ruffled? Hell yeah, dude,
• 31:14
  Speaker 2: all right.
• 31:15
  Speaker 6: I'm gonna get up behind him with my big old
• 31:19
  Speaker 6: paper cloak, and I want to try I'm going to
• 31:21
  Speaker 6: attack him, but I'm also gonna use my pa on
• 31:25
  Speaker 6: my clothes, which is to blind I want to cover
• 31:28
  Speaker 6: his whole face with paper, like you know, like the
• 31:31
  Speaker 6: falcons that wear the little hats so they go nine high.
• 31:35
  Speaker 3: Nice.
• 31:36
  Speaker 2: Perfect, that's a six plus one seven seven nice. As
• 31:41
  Speaker 2: you get behind him and cover him with try to
• 31:45
  Speaker 2: cover him with your paper cloak. He is going to defend,
• 31:48
  Speaker 2: using his wings to just try to blast your cloak
• 31:51
  Speaker 2: out of his whole area. He got three on the defense.
• 31:57
  Speaker 2: Now his resilience is zero. So how much does he
• 32:02
  Speaker 2: take four? Four damage? Which is enough to blind him?
• 32:06
  Speaker 2: I needed a deal four damage. Your clothes fully goes
• 32:11
  Speaker 2: around his head and begins to suffocate him. Not only
• 32:16
  Speaker 2: does he is he blinded, he also is knocked out
• 32:24
  Speaker 2: and he starts falling to the ground, taking some of
• 32:27
  Speaker 2: his death point damage. He takes three death points out,
• 32:30
  Speaker 2: so he is at three to six death point so
• 32:32
  Speaker 2: he's not doing great. Wait was that from the fall
• 32:35
  Speaker 2: damage from him? Yes? The ground? Nice? Wow, Quanta and Jimier,
• 32:40
  Speaker 2: you guys have just been duking it. Out with this
• 32:44
  Speaker 2: rhin atar. The paper phantom above you has fully encompassed
• 32:50
  Speaker 2: this man's head in his cloak and he falls from
• 32:53
  Speaker 2: the ground like a shot bird and smashes into the
• 32:56
  Speaker 2: ground next to you, saying we better get paid for this,
• 33:05
  Speaker 2: and he passes out. Shut up, it is The guards turn.
• 33:11
  Speaker 2: The guards look up at Gabrielle and Camp and Utah
• 33:16
  Speaker 2: and all those guys that are here. One of them
• 33:19
  Speaker 2: shouts out, uh, boss, do we stay in this? What's
• 33:23
  Speaker 2: going on? Yetto says yes, stay in the fight, but
• 33:28
  Speaker 2: we ought to go. The group of men starts heading
• 33:31
  Speaker 2: to the front door to leave. Okay, but the guards
• 33:34
  Speaker 2: are gonna shoot at y'all. One is gonna shoot at
• 33:37
  Speaker 2: the paper Phantom, two are gonna shoot at Quanta, and
• 33:40
  Speaker 2: one is gonna shoot at Jamir. Two damage to you,
• 33:42
  Speaker 2: Paper Phantom. Six damage coming to you, Quanta, and two
• 33:47
  Speaker 2: damage coming to you Jamir.
• 33:49
  Speaker 4: Okay, I'm going to defend with my lightning reflexes. I
• 33:53
  Speaker 4: move in time to the music I'm listening to around
• 33:57
  Speaker 4: the bullets hopefully, and I got.
• 34:00
  Speaker 6: A four on my resilience dice hard thick card stock.
• 34:06
  Speaker 6: He's gonna absorbaltu damage.
• 34:08
  Speaker 2: Baby nice very nice.
• 34:10
  Speaker 1: I defend for three and rezeal for zero. It's my
• 34:13
  Speaker 1: take three, got it?
• 34:15
  Speaker 2: It's rough stern. He looks down as his friend crumbles
• 34:19
  Speaker 2: in the ground beside him. He says, I will fight
• 34:23
  Speaker 2: with him upon this theme until my eyelids will no
• 34:27
  Speaker 2: longer wag ra and he'll strike down upon Jamier again.
• 34:35
  Speaker 2: Are you know what?
• 34:36
  Speaker 4: No?
• 34:36
  Speaker 2: I think he'll use that action to anger himself and
• 34:40
  Speaker 2: charge up so he gets a little bit more damage
• 34:43
  Speaker 2: in the next or tumble is down. Here is the
• 34:47
  Speaker 2: rule I've made, by the way for villains and get
• 34:50
  Speaker 2: up checks. If they have a D ten or higher
• 34:55
  Speaker 2: in guts, they are able to make get up checks,
• 35:00
  Speaker 2: whereas heroes can always do it because there's a level
• 35:03
  Speaker 2: of being a hero that is, you know, gutsy. Oh yeah,
• 35:08
  Speaker 2: but he has a D six in guts.
• 35:10
  Speaker 1: So stay down.
• 35:12
  Speaker 2: He's down. It's all. It's all about the gullet for
• 35:15
  Speaker 2: those birds, no guts, Just give it all. Quanta your turn. Okay.
• 35:25
  Speaker 1: I see these men leaving.
• 35:29
  Speaker 4: I think about my parents, especially my father not knowing
• 35:34
  Speaker 4: where he is and Gabe and in a moment of panic,
• 35:40
  Speaker 4: trying to fix a mistake I made.
• 35:41
  Speaker 1: I would like to make utility action to make them forget.
• 35:45
  Speaker 2: They saw me here. Oh, memory, memory, memory rager. Yeah,
• 35:54
  Speaker 2: I think that is certainly a branching power for I
• 35:57
  Speaker 2: think so. But that's exciting. Yeah, I love a branch Yes,
• 36:03
  Speaker 2: so from you. It's a knowledge check, all right, as
• 36:07
  Speaker 2: well as your control electricity.
• 36:10
  Speaker 1: And you have to succeed on a one godly check.
• 36:15
  Speaker 2: One godly check. So I'm rolling a D twenty plus
• 36:18
  Speaker 2: a D four.
• 36:19
  Speaker 1: All right, I'm rolling a D six plus a D four. Okay,
• 36:22
  Speaker 1: I can't tell if it's good or bad. It is
• 36:24
  Speaker 1: it good or bad?
• 36:24
  Speaker 5: Is it good or bad?
• 36:26
  Speaker 1: He's oh, it's good, it's good.
• 36:29
  Speaker 2: Okay, here we go. Seven. I rolled a one on
• 36:35
  Speaker 2: my D four and a one on my D twenty.
• 36:42
  Speaker 2: There's always a.
• 36:43
  Speaker 1: Chance, always a chance to branch.
• 36:49
  Speaker 2: These men who thought you dead. You revealed yourself to
• 36:54
  Speaker 2: them as you jumped down, and they were terrified that
• 36:59
  Speaker 2: you were back. You reach into their minds and you
• 37:03
  Speaker 2: pluck away a few of the things that are keeping
• 37:08
  Speaker 2: you in their memory. As they walk out of the door. Jamir,
• 37:15
  Speaker 2: your turn, Jamir is ready though the row some hams.
• 37:21
  Speaker 2: So I'm just gonna keep punching at this rhino guy.
• 37:25
  Speaker 2: So I'm gonna have to burn a an energy point
• 37:29
  Speaker 2: right because I do not I already used my attack
• 37:33
  Speaker 2: action for the first phase to do my magic blast,
• 37:37
  Speaker 2: So this time I'm gonna burn some juice. But I'm
• 37:40
  Speaker 2: gonna just punch at this guy who's still up, and
• 37:44
  Speaker 2: I got a four. Okay, he sees your punch coming.
• 37:48
  Speaker 2: He understands that it can do some real damage. He
• 37:52
  Speaker 2: thought nothing in the world could be stronger than a
• 37:54
  Speaker 2: rhino tar. But here you are, Jamir. And as the
• 37:59
  Speaker 2: punch comes in, he turns a part of his rhino
• 38:03
  Speaker 2: hide to you in order to reseal against you. He
• 38:07
  Speaker 2: rolls a four on his resilience, which takes him to two.
• 38:10
  Speaker 2: So how much did you do? Four?
• 38:11
  Speaker 3: Four?
• 38:12
  Speaker 2: So he takes two damage from that. Hey, he's looking
• 38:16
  Speaker 2: beat up, bruised paper Phantom at your turn. Okay, there
• 38:21
  Speaker 2: are guards closing in on you, guys. The Birdman is
• 38:25
  Speaker 2: crumpled on the ground, and the Rhino tar is still
• 38:30
  Speaker 2: raging at jamr and Quanta.
• 38:32
  Speaker 6: I've seen Quanta use electric power here to try and
• 38:36
  Speaker 6: lasso him and to cut her way into this room.
• 38:41
  Speaker 6: And a little little light bulb goes off for Jason
• 38:45
  Speaker 6: and he's going to use paper manipulation here, gonna give
• 38:51
  Speaker 6: four support pips to Quanta. Specifically, Jason has a little
• 39:01
  Speaker 6: bit of gold leaf paper, the only thing that can
• 39:05
  Speaker 6: conduct anything. And he's just gonna just from above, like
• 39:11
  Speaker 6: a sheet of gold leaf paper is gonna come out
• 39:13
  Speaker 6: of his cloak, folding neatly and nicely around the rhinos horn.
• 39:18
  Speaker 6: Oh very nice, and I'll yell down from above get him.
• 39:25
  Speaker 2: I think that's Shakespeare. It's the guard's turn. Or did
• 39:30
  Speaker 2: you want to say something, just.
• 39:32
  Speaker 1: Tell yeah, that's it.
• 39:34
  Speaker 2: Hell, yeah, that's Shakespeare. Yeah, it's the guard's turn. They
• 39:39
  Speaker 2: are gonna run in on you guys and just try
• 39:42
  Speaker 2: to grapple and tackle you. So they're using a movement.
• 39:45
  Speaker 2: One of them says that's enough, let's calm this down,
• 39:49
  Speaker 2: and they're they're acting like mal cop so like there's
• 39:52
  Speaker 2: a fight that's broken out in our food court. We
• 39:55
  Speaker 2: gotta stop it. So they're just like, hey, let's calm down, everybody,
• 39:59
  Speaker 2: and they're gonna try to get a hold of you.
• 40:00
  Speaker 2: So they're all using a movement and they get within
• 40:03
  Speaker 2: this l that is busy, busy, busy l. It's Rough's turn.
• 40:10
  Speaker 2: The rhino tar mm in desperation with a charged power,
• 40:22
  Speaker 2: he is going to raise up this mall. He has
• 40:28
  Speaker 2: the red from his horn, now sparkling with gold, leaks
• 40:33
  Speaker 2: into his head and then down his neck, into his
• 40:36
  Speaker 2: shoulders and up his arms, and he is going to
• 40:41
  Speaker 2: smash his mall into the ground, forming a crater that
• 40:46
  Speaker 2: rubs and ripples out and is going to hit everyone
• 40:50
  Speaker 2: within this l including Birdman who is down and the guards.
• 40:58
  Speaker 3: Yikes.
• 40:59
  Speaker 2: So he's so he's gonna add a one to this role.
• 41:02
  Speaker 2: That's his charge up this Jamiir will defend against Oh,
• 41:07
  Speaker 2: he rolled an eight plus one is nine. So here's
• 41:10
  Speaker 2: how this works. Everybody nine is coming up against everyone, Jamiir,
• 41:14
  Speaker 2: you can defend everyone in your l nice who I
• 41:19
  Speaker 2: want to defend? Correct, But it's minus one for each
• 41:23
  Speaker 2: person you want to defend. So I think I just
• 41:26
  Speaker 2: want to defend Quanta, right, everybody else that don't correct?
• 41:30
  Speaker 1: That would be really great, would be so great.
• 41:33
  Speaker 3: So I just do minus one, yes, okay? And then
• 41:37
  Speaker 3: what do I What do I add when I do
• 41:39
  Speaker 3: my defense reaction GD?
• 41:41
  Speaker 2: So it's just whatever power you have set up for
• 41:44
  Speaker 2: defending that power dive right, So you defend and then
• 41:48
  Speaker 2: you'll also roll your resilience.
• 41:51
  Speaker 3: Okay. So I'm using my magic as my defense, so
• 41:58
  Speaker 3: I push out the magic to try to shield myself
• 42:04
  Speaker 3: in quanta. So I roll for a resilience with power. Wow,
• 42:13
  Speaker 3: I roll two fives. So do I have the resilience die?
• 42:18
  Speaker 2: Yes, you always have resilience, so yeah, always have you
• 42:21
  Speaker 2: kind of first roll your defensive dye and then that
• 42:24
  Speaker 2: cuts off however much it would, So rolling a five
• 42:28
  Speaker 2: would turn into four damage coming at you and four
• 42:33
  Speaker 2: damage coming at quanta okay, and then your resilience would
• 42:38
  Speaker 2: turn into six, which goes down to three, so you
• 42:41
  Speaker 2: only take one damage from this huge hit to me? Wow,
• 42:45
  Speaker 2: do you need help? I have?
• 42:48
  Speaker 1: So four is coming at me, I have to roll
• 42:51
  Speaker 1: a four. M I D four.
• 42:52
  Speaker 6: I'm i'll, I am I close enough to also defend
• 42:55
  Speaker 6: you are three two l's away. Okay, I don't have
• 43:00
  Speaker 6: a defensive power with that range, so I know got it?
• 43:04
  Speaker 1: Oh yeah, I rolled a three. Wait that becomes a
• 43:07
  Speaker 1: two also, yes?
• 43:08
  Speaker 2: Yeah three two?
• 43:10
  Speaker 1: I take two?
• 43:10
  Speaker 3: Yes?
• 43:11
  Speaker 2: Great?
• 43:12
  Speaker 3: Still up take two?
• 43:14
  Speaker 2: Jamir. Against this massive mall coming down and rending the
• 43:19
  Speaker 2: air and the ground around you, what do you do
• 43:21
  Speaker 2: to defend against it? You and Quanta.
• 43:24
  Speaker 3: Yeah, so Jamir is still just experimenting with this newfound magic.
• 43:30
  Speaker 3: So yeah, he's just gonna try to push the magic
• 43:33
  Speaker 3: out of him. But instead of to hurt to try
• 43:36
  Speaker 3: to shield.
• 43:41
  Speaker 2: This mall erupts. Jamir's magic shield blocks the incoming damage
• 43:48
  Speaker 2: from you and Quanta. Quanta, you still feel a bit
• 43:51
  Speaker 2: of the searing red energy heat off of this, but
• 43:55
  Speaker 2: I see.
• 43:55
  Speaker 1: It get stopped by what the guy next to me did.
• 44:00
  Speaker 1: I just look over and do a quick nod, thank you.
• 44:05
  Speaker 2: Yeah. Yeah, Tumble the birdman, crumpled on the ground is
• 44:09
  Speaker 2: eviscerated in this red light and is gone ash. The
• 44:15
  Speaker 2: guards also running in are going to defend against this,
• 44:19
  Speaker 2: but it doesn't look good in their defense. They just
• 44:24
  Speaker 2: they're just normal guys, so they just they're just like
• 44:28
  Speaker 2: one of them shoots at the red coming at him.
• 44:31
  Speaker 2: The other ones just kind of like ball up and
• 44:34
  Speaker 2: curl up trying to stop this wave of energy. No,
• 44:39
  Speaker 2: two of them are completely eviscerated. The other two get
• 44:43
  Speaker 2: to roll resilience the one. Another one is eviscerated that
• 44:48
  Speaker 2: the last one does survive this wave, but three of
• 44:51
  Speaker 2: the guards burn up in red light. Wow. Nice, they
• 44:56
  Speaker 2: seemed okay, they seem like very evil sleeved Rough looks
• 45:02
  Speaker 2: down as this energy, this power eviscerated his friend. He says,
• 45:09
  Speaker 2: when sorrows come, they come not single spies, but in battalions.
• 45:18
  Speaker 2: He seems sad to lose his only friend.
• 45:22
  Speaker 3: Dude, get fucked.
• 45:25
  Speaker 2: Quanta your turn. There's one guard left and a giant
• 45:29
  Speaker 2: rhinotar still.
• 45:31
  Speaker 1: I used my reaction.
• 45:32
  Speaker 2: Okay, Jamir, you also used your reaction. I did paper phantom.
• 45:38
  Speaker 2: I have not used my reaction. Wow, classic paper phantom.
• 45:42
  Speaker 3: Classic peep.
• 45:46
  Speaker 2: At this point.
• 45:47
  Speaker 6: So I'm just sort of gliding above the situation. I
• 45:50
  Speaker 6: think I'm gonna get down into the fray.
• 45:52
  Speaker 2: At this point, I'm gonna.
• 45:54
  Speaker 6: Square up with with with uh, these two two sweat
• 45:59
  Speaker 6: panted people that I've been fighting with, and just get
• 46:03
  Speaker 6: in the same space back to back.
• 46:06
  Speaker 2: Great. A phantom drops down next to the two of you.
• 46:10
  Speaker 2: It's the last guard's turn. He has a gun shaking,
• 46:15
  Speaker 2: looks at the three of you that are fine, and
• 46:19
  Speaker 2: he starts to book it. Got you right on the dick.
• 46:24
  Speaker 2: What nothing, nothing, It's Rough's turn. Raises his head to
• 46:30
  Speaker 2: the sky and you see a large rhino tier running
• 46:34
  Speaker 2: down his face. That's from Hamlet, and he's going to
• 46:42
  Speaker 2: turn around and try to run out of this warehouse,
• 46:47
  Speaker 2: out of the hole that he knows, sir, So he
• 46:52
  Speaker 2: gets he gets to move yep, because nobody has a reaction.
• 46:57
  Speaker 1: No, sadly, how far does he get?
• 47:00
  Speaker 2: Let me see how fast he is? He's not fast?
• 47:05
  Speaker 2: Oh good, he gets one l out of here? No
• 47:13
  Speaker 2: is rhino ass.
• 47:15
  Speaker 4: I really thought he'd be faster, I say, just really
• 47:20
  Speaker 4: really thought rhinos moved faster.
• 47:22
  Speaker 2: I thought I made him. I thought I made him
• 47:25
  Speaker 2: have like a charge speed.
• 47:26
  Speaker 1: You know what's fast, hippopotamus?
• 47:29
  Speaker 3: Really? Yeah? Really yeah?
• 47:31
  Speaker 2: Birds like to hang out on their backs too. Next time, Quanta,
• 47:35
  Speaker 2: your turn.
• 47:36
  Speaker 4: All right, top of the round. Yes, I see him leaving,
• 47:40
  Speaker 4: and I aim for the gold tip on his horn.
• 47:45
  Speaker 1: With my lightning whip.
• 47:47
  Speaker 2: Awesome, roll your damage.
• 47:49
  Speaker 1: So he's only one l away?
• 47:52
  Speaker 4: Yes, okay, then I do not have precision because he's
• 47:56
  Speaker 4: got to be three if it's range, yes.
• 47:58
  Speaker 1: That's four plus four plus us one is nine?
• 48:02
  Speaker 2: Wow? Four plus four him? Yeah, name damage. He has
• 48:09
  Speaker 2: his back turned you and he's running away, moaning into
• 48:13
  Speaker 2: the air. This whip comes out, strikes his face the
• 48:19
  Speaker 2: horn that you can still see protruding off the top
• 48:22
  Speaker 2: of his human head. He only gets to roll his resilience,
• 48:26
  Speaker 2: the toughness of his rhino skin against this attack. He
• 48:33
  Speaker 2: rolled a one, which turns into zero. Now comes the
• 48:37
  Speaker 2: important choice for our fledgling heroes. In Team up, you
• 48:43
  Speaker 2: always have the choice to do lethal or non lethal damage,
• 48:49
  Speaker 2: classic superhero style. What do you do?
• 48:52
  Speaker 1: Oh, they did not want this to be my choice.
• 48:56
  Speaker 4: Seems to Kwanta that no one got hurt here except
• 48:59
  Speaker 4: for or the bad guys, the people who are going
• 49:04
  Speaker 4: to do these folks harm, and so as like the
• 49:10
  Speaker 4: lightning whip is connected to her hands, connected to the horn,
• 49:13
  Speaker 4: she feels everything like shutting down in this guy's odd body,
• 49:21
  Speaker 4: but she stops it. She stops it from completely shutting down.
• 49:40
  Speaker 2: You knock out rough the man, Rhino man, rhino.
• 49:46
  Speaker 1: Rhin no man.
• 49:47
  Speaker 2: Man crumples into the ground, and I.
• 49:50
  Speaker 1: Say good night, sweet ladies with hamlet, I tell you.
• 49:57
  Speaker 2: And we come out of combat. The three of you
• 50:02
  Speaker 2: standing here at this hole, smashed into the wall. What
• 50:07
  Speaker 2: do you do?
• 50:09
  Speaker 6: I'm gonna grab I guess Jimmy or I don't know
• 50:12
  Speaker 6: his name, but I'm just gonna grab him by the collar.
• 50:14
  Speaker 5: What do you know?
• 50:14
  Speaker 2: It's like shaking.
• 50:15
  Speaker 1: Oh hey, hey, hey, hey, get to get off.
• 50:18
  Speaker 3: Of me, freak. Hey.
• 50:21
  Speaker 4: I uh am kind of concerned about that. But then
• 50:23
  Speaker 4: I turn around, remembering that there's a whole crowd of.
• 50:26
  Speaker 3: People in here, and yeah, I'm not gonna hurt the
• 50:30
  Speaker 3: pep this this strange paper clad man. But I will
• 50:36
  Speaker 3: use my strength to just pull his hands off me
• 50:42
  Speaker 3: and say, I don't know anything.
• 50:49
  Speaker 1: My mind is blak.
• 50:52
  Speaker 2: Yeah, you know, paper fantay no without a role. Two
• 50:58
  Speaker 2: things that one this man is so much stronger than
• 51:01
  Speaker 2: you God, and two that he doesn't know anything.
• 51:07
  Speaker 6: All right, great, yeah, just pull my cloak up over
• 51:11
  Speaker 6: my face to hide my shame.
• 51:14
  Speaker 2: Okay, okay, cool, what about you? What do you know?
• 51:19
  Speaker 4: I take off my headphones and say, can we can
• 51:22
  Speaker 4: we say this from maybe after everyone here is okay.
• 51:29
  Speaker 1: I turn around and look at all these people.
• 51:32
  Speaker 2: Yeah, there's a lot of people here. They most of
• 51:35
  Speaker 2: them are in shock. One of them comes up to
• 51:38
  Speaker 2: you guys and starts a conversation. He says, hey, even
• 51:44
  Speaker 2: by the color, do you.
• 51:48
  Speaker 1: Kick the paper phantom?
• 51:51
  Speaker 2: You guys, show the paper phantom of the Guy's like, hey,
• 51:56
  Speaker 2: keep that guy away. From me. I don't this and
• 52:00
  Speaker 2: this has been a weird night.
• 52:01
  Speaker 1: Are you okay?
• 52:03
  Speaker 2: Well no, I mean no, we're not okay, right, this
• 52:08
  Speaker 2: is our what we what are we supposed to do?
• 52:13
  Speaker 2: This is we live here, This is we get food
• 52:16
  Speaker 2: from here?
• 52:18
  Speaker 1: Oh this is your home?
• 52:20
  Speaker 2: Well kind of yeah, most of us criminals are or homeless.
• 52:28
  Speaker 2: This is how well, this is how we eat right now.
• 52:32
  Speaker 2: They keep us, they keep us high, and they keep
• 52:34
  Speaker 2: us happy.
• 52:37
  Speaker 1: They were going to kill you in a horrible way.
• 52:40
  Speaker 2: When the Rhinoman busted in. I think a lot of
• 52:43
  Speaker 2: us had a little bit of a revelation.
• 52:47
  Speaker 7: Yeah.
• 52:48
  Speaker 3: I can't promise anything, but if you're willing to work,
• 52:55
  Speaker 3: if you go to the shoot, maybe someone from the core.
• 53:00
  Speaker 3: We'll take you guys in find something for you guys
• 53:03
  Speaker 3: to do. If you have any skills that would be useful,
• 53:07
  Speaker 3: that helps. We could someone can get you set up
• 53:12
  Speaker 3: in a communal living pod. There's options.
• 53:16
  Speaker 2: Okay, Yeah, I mean they trained us how to do
• 53:18
  Speaker 2: this stuff so we can make clothes, fancy clothes. Is
• 53:22
  Speaker 2: that all you were doing here? Making clothes? Yeah, go
• 53:27
  Speaker 2: to the chute.
• 53:28
  Speaker 3: You don't need papers there or anything.
• 53:31
  Speaker 1: Nothing, nothing else, just making clothes for Gabrielle.
• 53:35
  Speaker 2: Right, he I was. He looks at all the people.
• 53:42
  Speaker 2: I was kind of the I don't know his foreman, Yeah,
• 53:47
  Speaker 2: foreman he talked most to me. He deals with people
• 53:55
  Speaker 2: in the city that are no good but sometimes they
• 53:59
  Speaker 2: need to be dressed nice and he can give them
• 54:03
  Speaker 2: a good price because us. Either of you know this, Gavrielle, No, I.
• 54:08
  Speaker 4: Just give a small nod. I look back to the
• 54:11
  Speaker 4: man who's been speaking with us. What about those other
• 54:14
  Speaker 4: men who were here? Have you seen them often?
• 54:18
  Speaker 2: Yeah? Sometimes, those are the guys that he dresses up.
• 54:21
  Speaker 1: Do you know anything about them?
• 54:22
  Speaker 2: He shakes his head. No, okay, Gavrielle's got an office, though,
• 54:26
  Speaker 2: you should check it out.
• 54:28
  Speaker 4: They were leaving, so I don't know if they they
• 54:31
  Speaker 4: might have taken things, they might have deleted things. I
• 54:36
  Speaker 4: just immediately start searching the electricity in the building to
• 54:39
  Speaker 4: lead me towards like a computer in office, that kind
• 54:42
  Speaker 4: of thing.
• 54:42
  Speaker 3: Mm hm.
• 54:43
  Speaker 2: As you do that, as you start to search, the
• 54:46
  Speaker 2: gentleman you've been talking to comes up to you, Jimir,
• 54:48
  Speaker 2: and he just says, is there anybody I should talk
• 54:52
  Speaker 2: to specifically in the shoot or he said, the core?
• 54:55
  Speaker 2: Where did I find them?
• 54:58
  Speaker 3: It won't be hard. They run things over there. They're
• 55:02
  Speaker 3: not perfect, but they'll get your work. If you work,
• 55:06
  Speaker 3: they'll get your food, place to sleep, get you set up. Okay,
• 55:10
  Speaker 3: we're just gonna let them go. He said they were
• 55:13
  Speaker 3: criminals too. I mean, I kind of look at these huddled,
• 55:18
  Speaker 3: scared people and say, I'm.
• 55:23
  Speaker 2: Okay letting them go.
• 55:25
  Speaker 4: We do.
• 55:26
  Speaker 1: I calls I'm running.
• 55:27
  Speaker 2: You get off free this time if I see you
• 55:31
  Speaker 2: again as part of the city. Got you right on
• 55:35
  Speaker 2: the dick. Okay, hey, get this guy away from me.
• 55:39
  Speaker 4: What the hell.
• 55:41
  Speaker 2: He comes up to you, Jimmy one more time, and
• 55:44
  Speaker 2: he says, Okay, I'll try to lead as many of
• 55:46
  Speaker 2: these people out of here as I can. We'll take
• 55:48
  Speaker 2: them to the station. But there's something you should know.
• 55:52
  Speaker 2: None of us got here on accident. There's a like
• 55:56
  Speaker 2: a food bank. They tell us come there for a
• 56:01
  Speaker 2: night's sleep, come there for a warm meal, and then
• 56:05
  Speaker 2: they choose certain of us to bring here or other
• 56:08
  Speaker 2: places in the city. It's on the north side, all right,
• 56:14
  Speaker 2: of course, Yeah, in between right on the line, I ask,
• 56:19
  Speaker 2: and kono. It's connected to the Catholic church there. Thank
• 56:24
  Speaker 2: you for telling us this. Yeah, He turns around to
• 56:27
  Speaker 2: everybody and says, hey, everybody, we got a plan. Now
• 56:30
  Speaker 2: we had food and work here. They say, there's another
• 56:33
  Speaker 2: place we could give food and work.
• 56:35
  Speaker 3: Follow me.
• 56:37
  Speaker 2: He's gonna make his own glory check to try to
• 56:40
  Speaker 2: get people to follow him.
• 56:42
  Speaker 1: What was his name.
• 56:44
  Speaker 2: I don't know if he said, but his name is Robbie.
• 56:47
  Speaker 2: Come on. Robbie rolled a four. Everyone else rolled a
• 56:50
  Speaker 2: two against this, So he is going to lead a
• 56:56
  Speaker 2: good number of these people out of here and towards
• 56:59
  Speaker 2: the shoot.
• 57:00
  Speaker 4: Ok.
• 57:00
  Speaker 2: Quanta, you sense the energy in the building, Go ahead
• 57:05
  Speaker 2: and roll a vision check plus your sense. This is
• 57:09
  Speaker 2: an average check for you.
• 57:11
  Speaker 1: Three three.
• 57:13
  Speaker 2: That's a failure. You don't sense a computer. You don't sense.
• 57:19
  Speaker 2: I mean you can sense the rooms, you can see
• 57:22
  Speaker 2: where there are doors, but nothing stands out. Ah.
• 57:26
  Speaker 4: I am feeling the pain of where bullets hit me.
• 57:32
  Speaker 4: I'm feeling and noticing, like the adrenaline still pumping through
• 57:36
  Speaker 4: my body, and as much as I tried to drown
• 57:41
  Speaker 4: it out, all the emotions present during that, the rhino
• 57:45
  Speaker 4: man's grief at killing the pigeon man, our anxiety, and
• 57:53
  Speaker 4: I just fall to my niece wherever I am.
• 57:57
  Speaker 1: In the building.
• 58:17
  Speaker 2: Do any of the people, are there any of them left?
• 58:20
  Speaker 2: They've all followed Robbie away. There's a few that are
• 58:24
  Speaker 2: just kind of hanging out. You see, a crowd does
• 58:26
  Speaker 2: go out the whole, but then also some of them
• 58:30
  Speaker 2: split off and don't follow the group. But you could
• 58:33
  Speaker 2: catch someone if you want.
• 58:34
  Speaker 6: Yeah, I wanna. I want to try and catch someone.
• 58:38
  Speaker 6: I'll approach someone and kind of away from everyone else
• 58:42
  Speaker 6: and away from the group. The paper around Jason's mouth
• 58:46
  Speaker 6: kind of folds away.
• 58:48
  Speaker 2: Are you okay? Yeah, yeah, I'll be okay. Hey, do
• 58:53
  Speaker 2: you know if there's an office somewhere here? Yeah, there's
• 58:58
  Speaker 2: there's If you go out to the front, there's the store,
• 59:02
  Speaker 2: and there's just a staircase to the left. It takes
• 59:06
  Speaker 2: you up to the office. I think, thanks, appreciate your help.
• 59:11
  Speaker 2: And I fold him up a little paper crane and
• 59:13
  Speaker 2: to him, oh all right bye. My paper refolds around
• 59:17
  Speaker 2: my face. It's up the stairs. You start like drifting
• 59:22
  Speaker 2: my feet, don't move. You're just watching my cloaks go
• 59:25
  Speaker 2: that way towards the office.
• 59:29
  Speaker 1: Left myself up standing and go up the stairs.
• 59:34
  Speaker 2: Tamir, what are you doing to me?
• 59:36
  Speaker 3: Or is kind of watching these people all walking out
• 59:42
  Speaker 3: is watching the paper Phantom with his powers, just manipulating
• 59:48
  Speaker 3: these things around him. I definitely am like checking my
• 59:52
  Speaker 3: do Rag and Pandana, making sure that my face is
• 59:56
  Speaker 3: somewhat obscured as I'm kind of observing when when when
• 59:59
  Speaker 3: I get a lull, I do want to try to
• 1:00:02
  Speaker 3: walk up to Quanta or to this day woman.
• 1:00:06
  Speaker 2: So yeah, you follow them up the they both gone
• 1:00:10
  Speaker 2: up to the office. You follow them up there.
• 1:00:12
  Speaker 3: Yeah, I'm just kind of watching and following at a distance,
• 1:00:15
  Speaker 3: but I definitely don't want to like lose lose them.
• 1:00:18
  Speaker 3: I definitely want to like talk to them a little more.
• 1:00:20
  Speaker 2: Right. Yeah, you you walk up to Quanta as you
• 1:00:23
  Speaker 2: guys open the office door.
• 1:00:26
  Speaker 3: Hey, hey, I don't know what's going on here, but
• 1:00:32
  Speaker 3: thank you for your help with all that insanity.
• 1:00:38
  Speaker 4: Yeah that was I put my hand tentatively on his shoulder.
• 1:00:44
  Speaker 4: I don't know who you are, but I'm really really glad.
• 1:00:47
  Speaker 1: You showed up.
• 1:00:48
  Speaker 3: Same. Sorry, I don't know how to do this, but
• 1:00:54
  Speaker 3: who are you?
• 1:00:59
  Speaker 1: I'm a dead odd That was? That was That was
• 1:01:03
  Speaker 1: really weird.
• 1:01:04
  Speaker 4: Let's let's uh, let's see what's going on here and
• 1:01:07
  Speaker 4: then maybe we all could go somewhere we could talk.
• 1:01:11
  Speaker 3: Yeah, yeah, okay, I'll let you guys go ahead. I
• 1:01:15
  Speaker 3: gotta step back and let the rifle through this office. Yeah,
• 1:01:22
  Speaker 3: I am going to the office. What are we What
• 1:01:23
  Speaker 3: are we see in here? There's a nice desk. It's
• 1:01:27
  Speaker 3: not that fancy or elaborate.
• 1:01:30
  Speaker 2: The downstairs is very beautiful and like beautiful mannequins and
• 1:01:35
  Speaker 2: beautiful clothes. Up here, it's very simple. It's just a desk.
• 1:01:40
  Speaker 2: There is filing cabinets that seemed to keep some sort
• 1:01:45
  Speaker 2: of ledger of what has gone on? What are you
• 1:01:50
  Speaker 2: guys looking for?
• 1:01:51
  Speaker 6: I'm gonna run my hand over the desk and the
• 1:01:54
  Speaker 6: file cabinets, and I want to try and sense all
• 1:01:56
  Speaker 6: the paper paper, Give me that, Give you that paper,
• 1:02:00
  Speaker 6: tell me what's on that paper?
• 1:02:01
  Speaker 2: Is there? And seek and it's not a paper?
• 1:02:06
  Speaker 1: WHOA, I didn't know you were a what's I called
• 1:02:08
  Speaker 1: an auctioneer?
• 1:02:09
  Speaker 2: Yeah?
• 1:02:10
  Speaker 8: Gone on, going to the paper going. I got a
• 1:02:12
  Speaker 8: three three beds walls. If I do see six, roll
• 1:02:16
  Speaker 8: an investigation check plus your paper. This is wait, hold
• 1:02:23
  Speaker 8: on before you do that.
• 1:02:25
  Speaker 2: Okay. I could roll a difficult check, or I could
• 1:02:29
  Speaker 2: roll a challenging check. M O.
• 1:02:33
  Speaker 1: I love a gamble.
• 1:02:34
  Speaker 2: Yeah, let's go for it. Let's go crazy. Why not
• 1:02:39
  Speaker 2: so difficult? Difficult? It's the harder one. Oh sorry, that's
• 1:02:42
  Speaker 2: what I want. Okay, So I'm rolling a D twelve. Okay,
• 1:02:46
  Speaker 2: got a D eight and a D four.
• 1:02:48
  Speaker 3: Okay, this I believe, according to math, you have the advantage.
• 1:02:55
  Speaker 3: I should, but I didn't do great three I rolled ten. Ah,
• 1:02:59
  Speaker 3: don't come on, man, you stand in here. Both of
• 1:03:02
  Speaker 3: you have used your powers to try to gain information.
• 1:03:06
  Speaker 3: You stand here, run your hands across the paper, paper, phantom.
• 1:03:11
  Speaker 3: You realize that quantus fear has been realized, that they're
• 1:03:17
  Speaker 3: the important. Stuff has been taken, and you don't gain
• 1:03:20
  Speaker 3: anything other than numbers for imports and kind of a
• 1:03:26
  Speaker 3: track of what has been spent and what has been sold,
• 1:03:30
  Speaker 3: et cetera.
• 1:03:31
  Speaker 6: Damn it, slam my fist down on the desk. What
• 1:03:36
  Speaker 6: It's just a bunch of numbers gobbledygook as far as
• 1:03:39
  Speaker 6: I can tell.
• 1:03:41
  Speaker 3: While they're kind of looking through this, Yeah, Jamir's gonna
• 1:03:45
  Speaker 3: just quietly step out the office, throw down a flight star,
• 1:03:51
  Speaker 3: and I'm gonna hover down over to where the rhinoman is. Yeah,
• 1:03:58
  Speaker 3: do I see some kind of chains? I want to
• 1:04:01
  Speaker 3: try to tie him up in some way. Yeah, while
• 1:04:05
  Speaker 3: he's knocked out. Yeah, there are definitely chains around. Go
• 1:04:09
  Speaker 3: ahead and make a street Smart's check to tie him
• 1:04:12
  Speaker 3: up good with chaino cool. Yeah, I'm gonna try to
• 1:04:17
  Speaker 3: use my strength and my ingenuity to tie this guy up.
• 1:04:22
  Speaker 3: It's a challenging check. I rolled a D ten.
• 1:04:24
  Speaker 2: I also rolle a D ten on my Street Smarts.
• 1:04:26
  Speaker 2: I got a six. I rolled a three. Hey, you're
• 1:04:29
  Speaker 2: able to tie him up. You feel pretty secure about
• 1:04:32
  Speaker 2: it while you're doing so. Make an investigation check on
• 1:04:35
  Speaker 2: this this monstrosity.
• 1:04:38
  Speaker 3: Okay, let's good at that. I got a three, all right,
• 1:04:43
  Speaker 3: I also rolled a three. It's a close fail for you.
• 1:04:46
  Speaker 2: You look over this body and nothing really sticks out
• 1:04:50
  Speaker 2: other than the craziness that it is, you know.
• 1:04:54
  Speaker 3: Yeah, with that is he he like made it outside
• 1:04:59
  Speaker 3: to the alley, right, I just want to drag him
• 1:05:04
  Speaker 3: just to be like under a street lamp so that
• 1:05:07
  Speaker 3: he's seen and hopefully taken care of.
• 1:05:11
  Speaker 2: Yeah. You use the combination of your flight star and
• 1:05:15
  Speaker 2: your strength to just kind of brute force this giant
• 1:05:20
  Speaker 2: beast into a street light.
• 1:05:23
  Speaker 3: Yeah, glow, And I think after I do that, I
• 1:05:26
  Speaker 3: will collect the remains of the Birdman and toss it
• 1:05:32
  Speaker 3: out there too.
• 1:05:34
  Speaker 2: Yeah, he's mostly eviscerated. You find some bones and some feathers, Yeah,
• 1:05:40
  Speaker 2: some feathers, they're definitely hollow from the wings.
• 1:05:44
  Speaker 3: And again, as someone who's fascinated by superheroes and by
• 1:05:52
  Speaker 3: this whole world, Yeah, Jamir is like kind of putting
• 1:05:55
  Speaker 3: us out there, like hoping like some of his friends,
• 1:05:58
  Speaker 3: you know, might like about this, thinking like this is
• 1:06:03
  Speaker 3: this is big. People have to know something's going on.
• 1:06:07
  Speaker 2: The three of you have had your first fight as
• 1:06:09
  Speaker 2: heroes in the city, and unfortunately doors to more information
• 1:06:15
  Speaker 2: have been closed. What are you guys doing?
• 1:06:20
  Speaker 1: I am, look at this paper clad lad in the
• 1:06:23
  Speaker 1: office with me.
• 1:06:25
  Speaker 2: It's mad, paper clad lad.
• 1:06:28
  Speaker 4: I am, I have to go get my friend who's
• 1:06:33
  Speaker 4: up in the rafters. Do Let's go get the other
• 1:06:38
  Speaker 4: guy and maybe go up there friend kind of, I
• 1:06:44
  Speaker 4: don't just just come on, Okay, we go back to
• 1:06:47
  Speaker 4: where the warehouse where Jamira is, and I lasso strike
• 1:06:56
  Speaker 4: myself up to where Dirk presumably still is, yes, crouched
• 1:07:00
  Speaker 4: in the rafters, and wait for the other two to
• 1:07:02
  Speaker 4: follow me.
• 1:07:03
  Speaker 2: Yeah. As soon as I get up there, I see
• 1:07:05
  Speaker 2: Dirk see dead.
• 1:07:10
  Speaker 1: No, just kind of sleeping. I I don't think I
• 1:07:16
  Speaker 1: can carry him you, I point to Jamir.
• 1:07:21
  Speaker 2: Yeah, I hover up and I uh, I said, I
• 1:07:25
  Speaker 2: got him.
• 1:07:25
  Speaker 1: Thanks. Either of you know somewhere we can go to talk.
• 1:07:29
  Speaker 3: I know a few places.
• 1:07:32
  Speaker 2: I'll follow you go right behind them as well, silently drifting.
• 1:07:38
  Speaker 1: I kboom.
• 1:07:46
  Speaker 2: Every time that Quanta lashes a lightning whip to the
• 1:07:50
  Speaker 2: next building, a thunderclap as the sound barrier is broken.
• 1:07:56
  Speaker 2: Jamir glides along, carrying us large day man streaking in
• 1:08:03
  Speaker 2: blue fire of a paper phantom, silent as the night
• 1:08:07
  Speaker 2: floats behind and Jamiir, where are you taking them? Okay?
• 1:08:14
  Speaker 2: I think I'm.
• 1:08:17
  Speaker 3: I don't want to take them to the shoot, but
• 1:08:19
  Speaker 3: I think maybe like somewhere in the station, some abandoned,
• 1:08:25
  Speaker 3: broken down warehouse rooftop where we might be We're knowing
• 1:08:30
  Speaker 3: at this hour of the night, would be watching.
• 1:08:35
  Speaker 2: I think would be my first instinct. Great, Jamiir, you
• 1:08:38
  Speaker 2: know a place, a place that you and Jackie and
• 1:08:42
  Speaker 2: Taylor used to smash bottles and get up to get
• 1:08:47
  Speaker 2: up to some teen Shenanigans, the three of you. A
• 1:08:50
  Speaker 2: light on this rooftop powers fizzling out into the night air,
• 1:08:58
  Speaker 2: a fog sets in and a light rain begins to
• 1:09:03
  Speaker 2: grace the city of New Babel. All three of you
• 1:09:10
  Speaker 2: have found darkness here, darkness that has affected your lives
• 1:09:17
  Speaker 2: the lives of your friends and family, and now together
• 1:09:22
  Speaker 2: in war, you have seen true evil in the shackling
• 1:09:28
  Speaker 2: of other humans. A gathering here, you'll have to discuss
• 1:09:33
  Speaker 2: the future of these strange acquaintances. And that's where we'll
• 1:09:39
  Speaker 2: end this episode.
• 1:09:42
  Speaker 1: So close to talking to each other.
• 1:09:46
  Speaker 2: Man, Hey, we'll talk about this over on the chat cave.
• 1:09:52
  Speaker 2: Come join us over there first, discus christ.
• 1:10:00
  Speaker 1: Please three, that's wild.
• 1:10:02
  Speaker 3: Hey, we kicked some ass guys.
• 1:10:08
  Speaker 9: That was Ethan Goldman as the Paper Phantom, Stephanie Facler
• 1:10:13
  Speaker 9: as Quanta Ben as Riijel, and Johnny Wilson as your
• 1:10:17
  Speaker 9: game director.
• 1:10:19
  Speaker 2: Join us next week as the story continues.
• 1:10:22
  Speaker 9: For ad free episodes, origin stories, and behind the scenes
• 1:10:26
  Speaker 9: content from our cast, join us on our Patreon Patreon
• 1:10:30
  Speaker 9: dot com slash Team Up RPG. That's patreon dot com
• 1:10:35
  Speaker 9: slash Team Up rpg. To tell these stories, we are
• 1:10:40
  Speaker 9: using Team Up, the brand new superhero tt rpg created
• 1:10:45
  Speaker 9: by Johnny Wilson. If you'd like to bring Team Up
• 1:10:48
  Speaker 9: to your tables, you can access the manual over on
• 1:10:52
  Speaker 9: our Patreon as well. Thank you so much for listening,
• 1:10:55
  Speaker 9: you absolute heroes. We'll see you on the Patreon.
• 1:11:18
  Speaker 6: All Right, an awesome episode of Team Up in the books,
• 1:11:21
  Speaker 6: but now we get to shout out some of our
• 1:11:23
  Speaker 6: amazing superheroes. Shout out to Crank, bill Us, touch Tips.
• 1:11:29
  Speaker 6: That's what I'm supposed to say. Also, big old shout
• 1:11:33
  Speaker 6: out to Korn, who sometimes I'm told runs an eight
• 1:11:37
  Speaker 6: minute mile. Whoa, this is another shout out. Hey, it's
• 1:11:43
  Speaker 6: Geo and Brain they we love the podcast and Team
• 1:11:46
  Speaker 6: Up keep it up.
• 1:11:48
  Speaker 2: Please Shout out Detroit Davidson no notes.
• 1:11:52
  Speaker 6: Shout out to Matt who's really trying to become.
• 1:11:56
  Speaker 2: An American this year and we don't know why.
• 1:11:59
  Speaker 6: Shout Out out to Audre, who just demolished to get
• 1:12:02
  Speaker 6: another bowl of mashed potatoes. Everybody give it up, everybody, Yeah,
• 1:12:07
  Speaker 6: flip for Shout out to Jen who still prefers the
• 1:12:12
  Speaker 6: Star Wars prequels to the trilogy.
• 1:12:15
  Speaker 2: I think that's fair.
• 1:12:15
  Speaker 6: I think that people have come around and you're Jen,
• 1:12:19
  Speaker 6: you know what you're right, Missennials.
• 1:12:22
  Speaker 5: Yeah.
• 1:12:23
  Speaker 2: Shout out to Chris, who's currently looking at IMDb.
• 1:12:26
  Speaker 6: Cat your red handed Chris, tack out of your hand, Chris.
• 1:12:32
  Speaker 2: He's a superhero.
• 1:12:36
  Speaker 6: Stop looking at for it depends how you're looking at IMDb, Chris,
• 1:12:40
  Speaker 6: but I know what you're doing, okay. Shout out to
• 1:12:43
  Speaker 6: pac Man, Pigey, Norm and Stettna mckringle for saving Christmas
• 1:12:48
  Speaker 6: in twenty twenty four from the Yule Lads and Santa's
• 1:12:52
  Speaker 6: evil twin brother.
• 1:12:53
  Speaker 2: I have no follow up questions about that.
• 1:12:57
  Speaker 6: Shout out to Farmer Bob and Mama Robin, Birds and Seahorses.
• 1:13:02
  Speaker 6: Big shout out to Brian the Home Hero. You are
• 1:13:06
  Speaker 6: our superheroes also, so shout.
• 1:13:08
  Speaker 2: Out to you. We couldn't have done this without you.
• 1:13:10
  Speaker 6: We could say a million thank yous and it wouldn't
• 1:13:13
  Speaker 6: be enough, and you'd probably feel awkward after the millionth
• 1:13:16
  Speaker 6: one and we would be dead. I think if I
• 1:13:18
  Speaker 6: had to think about how long it would take to
• 1:13:20
  Speaker 6: say a million, But either way, we appreciate you. Thank
• 1:13:23
  Speaker 6: you so much for helping our dreams come true. If
• 1:13:26
  Speaker 6: you'd like to join this courageous group of people that
• 1:13:28
  Speaker 6: we say words at, you can do so by joining
• 1:13:31
  Speaker 6: our superhero to your Patreon. Other than that, see you later, Chris,
• 1:13:36
  Speaker 6: Stop touching, stop it to quit it.
• 1:13:48
  Speaker 1: This has been a lily Pad production