Latest / Cosmic Peach / Sacrificial 1960's (Feat. Grey Pilled Podcast)

Transcript

Sacrificial 1960's (Feat. Grey Pilled Podcast) · Cosmic Peach

• 0:00
  Speaker 1: Baby, you're my game statue. It takes out a tangle.
• 0:04
  Speaker 2: You don't want to mess with me? Mess with me, baby,
• 0:07
  Speaker 2: you're a gangstato.
• 0:12
  Speaker 1: Ohuch, baby, you're a game statoo.
• 0:23
  Speaker 2: For good warning, This podcast is designed to take you
• 0:26
  Speaker 2: outside of your comfort zone and make you question reality.
• 0:30
  Speaker 2: Listening discretion is a vibe.
• 0:38
  Speaker 3: The fellas.
• 0:41
  Speaker 1: This ain't my first time at the Rodeosh.
• 1:13
  Speaker 2: What is going on? Everybody? Welcome back to the Gray
• 1:17
  Speaker 2: Pill Podcast. Good evening, I guess, good evening, and welcome
• 1:20
  Speaker 2: back to the Great Pul Podcast. I am your host, Jules,
• 1:24
  Speaker 2: the Mississippi Mystic sound Scientists, the eloheem Etymologist. You know
• 1:31
  Speaker 2: why I'm here, you know what we're here to do.
• 1:34
  Speaker 2: Here for another banger of an episode. Guys, before we
• 1:37
  Speaker 2: get started, be sure to like the stream, share it
• 1:41
  Speaker 2: with your friends and your family at at your own risk.
• 1:46
  Speaker 2: Like I said, have a banger lined up for us tonight.
• 1:49
  Speaker 2: We are joined by my friend and fellow reject, a
• 1:54
  Speaker 2: cult reject that is Julia of the Cosmic Peak podcast. Julia,
• 2:01
  Speaker 2: how are we doing this evening?
• 2:04
  Speaker 4: I'm good.
• 2:07
  Speaker 2: Are trying to work kind of work for the soundboard.
• 2:09
  Speaker 2: We're trying to trying new things here. I'm grateful. I
• 2:12
  Speaker 2: like it, I love it.
• 2:14
  Speaker 4: I feel appreciated already, So thank you for having me.
• 2:18
  Speaker 2: We should guys. This is Julia. She's the host of
• 2:23
  Speaker 2: the Cosmic Peach podcast. I've been meaning to get her
• 2:26
  Speaker 2: on for a minute. We both are on the Occult
• 2:29
  Speaker 2: Rejects panel together, so we we do some shows together,
• 2:33
  Speaker 2: but we've never, you know, been a guest on each
• 2:36
  Speaker 2: other's respective show. So h Julia, tell us a little
• 2:43
  Speaker 2: bit about it. For people who don't know you, I
• 2:45
  Speaker 2: know you've been in this game for a minute now,
• 2:50
  Speaker 2: you know.
• 2:51
  Speaker 4: Yeah. Actually sometimes well, I mean I think about it
• 2:57
  Speaker 4: sometimes and it feels like you haven't been doing it
• 2:59
  Speaker 4: very long, and then sometimes I feel like I've been
• 3:01
  Speaker 4: doing it forever. But yeah, when people ask like, oh,
• 3:06
  Speaker 4: what do you do and I say, oh, I have
• 3:07
  Speaker 4: a podcast, people think like it's just a hobby, something
• 3:10
  Speaker 4: that I do for fun on the side. But I've
• 3:13
  Speaker 4: been working at it for several years now. It definitely
• 3:16
  Speaker 4: didn't just pop off overnight. It's been like a slow,
• 3:20
  Speaker 4: gradual rise, you know. But I'm really appreciative for the
• 3:24
  Speaker 4: people who have listened to my show from the very
• 3:27
  Speaker 4: beginning because It's like with any conspiracy theory journey. I
• 3:31
  Speaker 4: started off like real skeptical about everything, and then I
• 3:35
  Speaker 4: started like discovering like Neffeline stuff, and then I talked
• 3:39
  Speaker 4: to like Gary Wayne and I did like the Genesis
• 3:43
  Speaker 4: six conspiracy stuff, and then you know, I got into
• 3:47
  Speaker 4: like Dave McGowan's work in the Laurel Canyon and Program
• 3:52
  Speaker 4: to Kill, and it's just been it's been a ride,
• 3:55
  Speaker 4: and I feel like the people that listen to my
• 3:57
  Speaker 4: show have kind of like went along with me on
• 3:59
  Speaker 4: the ride, because like at first, you you think like
• 4:03
  Speaker 4: Bigfoot's just Bigfoot, and like there's actually maybe there's actually
• 4:07
  Speaker 4: extra terrestrials and shit like that. But now I'm to
• 4:10
  Speaker 4: the point where everything's like some type of weird nephulum
• 4:14
  Speaker 4: creature and hybrid counts and us some type of trimera.
• 4:20
  Speaker 4: Yeah yeah, yeah, basically.
• 4:22
  Speaker 2: We can get into talking about that too. I know
• 4:24
  Speaker 2: we had kind of talked earlier. You had some presentations
• 4:28
  Speaker 2: I think that you wanted to pull up we were
• 4:30
  Speaker 2: going to get into Laurel Canyon, some MK ultra stuff.
• 4:33
  Speaker 2: So again, guys, share share the show and be sure
• 4:37
  Speaker 2: to hit that like button. But before we get started
• 4:42
  Speaker 2: talking about anything. So you've been doing this how long
• 4:45
  Speaker 2: you said?
• 4:45
  Speaker 4: You said, I think like twenty twenty two.
• 4:51
  Speaker 2: Really, yeah, it feels like, yeah, see, it feels like
• 4:53
  Speaker 2: you've been doing it a lot longer. I think we've
• 4:55
  Speaker 2: had this discussion before.
• 4:57
  Speaker 4: Yeah, well, I feel like sometimes it does feel like
• 5:00
  Speaker 4: a long time, especially when you're looking for new topics
• 5:03
  Speaker 4: and new guests and like fun new things to cover.
• 5:09
  Speaker 4: Since twenty twenty two, I've you know, sometimes it's like
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  Speaker 4: I want to cover the same stuff other people are
• 5:15
  Speaker 4: talking about, but then I don't want to sound like,
• 5:17
  Speaker 4: you know, I'm just writing their coat tails. So I
• 5:20
  Speaker 4: try to find like my own interesting shit to talk about,
• 5:24
  Speaker 4: and so yeah, I mean sometimes it feels like a
• 5:26
  Speaker 4: real struggle. Sometimes I can't even listen.
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  Speaker 2: Half the time because I'm like, dude, if I hear
• 5:32
  Speaker 2: something and it's even remotely close to what I have
• 5:37
  Speaker 2: to say about this subject, and then it didn't come
• 5:39
  Speaker 2: to me, you know, yeah, yeah you have to. Yeah.
• 5:44
  Speaker 4: I think a good podcast host always like listens to
• 5:48
  Speaker 4: other podcasts and they'll like get ideas and stuff. But
• 5:52
  Speaker 4: I want it to be my own ideas about it,
• 5:55
  Speaker 4: don't you know?
• 5:56
  Speaker 2: And tell because you're a like totally authentic person you
• 5:59
  Speaker 2: and Kolby both and like, you know, yeah, no, I
• 6:06
  Speaker 2: could tell when I when I first when I first
• 6:08
  Speaker 2: met you guys, and uh, you know, you have a
• 6:12
  Speaker 2: very authentic following. It seems organic following. That's how that's
• 6:17
  Speaker 2: how it is for me, and I struggle to get
• 6:20
  Speaker 2: past a certain amount of followers. But uh, and I've
• 6:22
  Speaker 2: had people tell me that, yeah, find you, like I
• 6:25
  Speaker 2: search you up, I can't find you. You have to go,
• 6:27
  Speaker 2: like you have to, I guess, type in the link.
• 6:29
  Speaker 2: You gotta you gotta get the link. So I've been
• 6:33
  Speaker 2: I just printed some uh QR code stickers, guys, sending
• 6:36
  Speaker 2: those out with sticker packs.
• 6:37
  Speaker 4: Oh that's so smart.
• 6:39
  Speaker 2: Yes, yes, I thought about it, and I was like,
• 6:41
  Speaker 2: you know, mm hmm, yeah, no.
• 6:43
  Speaker 4: That's so smart because I don't know, I don't get
• 6:46
  Speaker 4: a lot of people say that they can't find me.
• 6:48
  Speaker 4: But it's like some of the like bigger, bigger shows
• 6:55
  Speaker 4: that I've been on, I I feel like really lucky
• 6:59
  Speaker 4: to get to be a part of the show or whatever.
• 7:01
  Speaker 4: And then afterwards, I'm like, I don't know if that
• 7:04
  Speaker 4: was like the right topic to cover. Like I try
• 7:06
  Speaker 4: I always try to like bring the heat when I
• 7:08
  Speaker 4: go on bigger shows, because I want to give them
• 7:11
  Speaker 4: a taste of like what it would be like to
• 7:13
  Speaker 4: listen to my show. And sometimes I get really nervous
• 7:17
  Speaker 4: and then I'm like, oh, I fucked up. No, he's
• 7:19
  Speaker 4: gonna come fucking listen to my show now. I sounded
• 7:23
  Speaker 4: like a retard the whole time. So it took a
• 7:26
  Speaker 4: while for me to like be able to relax and
• 7:29
  Speaker 4: just like enjoy the conversation without am I saying this?
• 7:33
  Speaker 2: Right?
• 7:33
  Speaker 4: Am I doing this?
• 7:34
  Speaker 3: Right?
• 7:34
  Speaker 4: Am? I?
• 7:35
  Speaker 2: You know?
• 7:35
  Speaker 4: Coming in?
• 7:36
  Speaker 2: I am an anxious son of a bitch too. I
• 7:41
  Speaker 2: am spastic at times.
• 7:43
  Speaker 4: Probably that like mannic, that's how I get to Yeah,
• 7:48
  Speaker 4: Like I went on Tinfoil Hat two times, and both
• 7:52
  Speaker 4: times I felt like I was gonna throw up the
• 7:54
  Speaker 4: entire time. And then after I got done with the show,
• 7:57
  Speaker 4: I was like, nobody's gonna come find my shit? Now
• 7:59
  Speaker 4: I sounds talking stupid. I just like, you know, I'm
• 8:03
  Speaker 4: a nervous wreck the entire time. And Yeah, but it
• 8:07
  Speaker 4: took it took a while for me to just relax
• 8:09
  Speaker 4: and not worry so much about if if people come
• 8:13
  Speaker 4: to find the show, because if they want to find it,
• 8:15
  Speaker 4: they will, and I'm really opinionated on a lot of stuff,
• 8:19
  Speaker 4: and probably it lose a lot of people because of it,
• 8:22
  Speaker 4: you know what I mean?
• 8:23
  Speaker 2: Me too, Yeah, I've seen it happen.
• 8:27
  Speaker 4: Kobe Ye. Well, I was talking to Colby this morning
• 8:31
  Speaker 4: about coming on the show tonight, and he said he
• 8:34
  Speaker 4: heard you on the White Rabbit podcast and that you
• 8:36
  Speaker 4: have an interesting take on Christianity.
• 8:40
  Speaker 2: And I was just curious what that is man was
• 8:44
  Speaker 2: was he was he referring to me talking about Christian mysticism.
• 8:50
  Speaker 4: Probably probably because he was like, you should ask him
• 8:54
  Speaker 4: about it, and because I have my own thoughts on
• 8:56
  Speaker 4: it too, and I feel like I lose a lot
• 8:58
  Speaker 4: of people because of that. But I was curious what
• 9:00
  Speaker 4: you guys had talked about.
• 9:03
  Speaker 2: Uh well, you know we Uh well, he was asking
• 9:06
  Speaker 2: me a lot about my first when I first started podcasting,
• 9:10
  Speaker 2: I was real big Well, I had read a lot
• 9:12
  Speaker 2: of Sitchen right, a lot of Sitchen and Lawrence Gardner, uh,
• 9:17
  Speaker 2: a little bit of Michael Heiser, but I agreed more
• 9:21
  Speaker 2: with Sitchen because I was doing research on other pantheons
• 9:24
  Speaker 2: as well, and I was like comparing names. I have
• 9:26
  Speaker 2: charts and everything, and like who like the symbols who
• 9:29
  Speaker 2: they were worshiped as what their name meant, and like
• 9:31
  Speaker 2: what it was translated to and how and uh, you know,
• 9:35
  Speaker 2: I was like, well, wait a minute, all these mainly
• 9:38
  Speaker 2: like when you look back into the Bible and stuff,
• 9:41
  Speaker 2: you see all these different deities mentioned, and like most
• 9:45
  Speaker 2: fundamentalists Christians believe that there is like a Satan, right,
• 9:48
  Speaker 2: and I I think there are many different deities trying
• 9:54
  Speaker 2: to like fighting, you know, for for power, like devils
• 10:01
  Speaker 2: like yeah, well, I mean you know it means adversary, right,
• 10:06
  Speaker 2: and not necessarily fighting each well, fighting each other in
• 10:09
  Speaker 2: the spiritual realm. They use other people to do their
• 10:11
  Speaker 2: bidding here in the physical plane. But you know, just
• 10:16
  Speaker 2: the fact that like I don't know, there's so much
• 10:19
  Speaker 2: there's so many similarities between all these ancient stories of
• 10:23
  Speaker 2: these uh, these beings that came from heaven to earth. Right,
• 10:29
  Speaker 2: it's all translated different, you know ways. You have these names,
• 10:33
  Speaker 2: the the anechem, the uh the sons of a knock,
• 10:36
  Speaker 2: the onnake, you know, and you see it in all
• 10:41
  Speaker 2: in all these cultures, right, they have all these stories
• 10:43
  Speaker 2: of of the gods and uh, you know, it could
• 10:48
  Speaker 2: all be metaphysical and symbolic. I I I dive into
• 10:53
  Speaker 2: that a lot too. You know, I'm big into esoteric symbolism.
• 10:57
  Speaker 2: And uh, I think maybe people who have translated books
• 11:05
  Speaker 2: in the past didn't understand what they were translating.
• 11:09
  Speaker 4: You know, well, do you think this might be a
• 11:12
  Speaker 4: good segue, but do you think that our government is
• 11:15
  Speaker 4: working with these entities the CIA? Yeah, like all the
• 11:21
  Speaker 4: three letters, the weirdos.
• 11:24
  Speaker 2: I believe that these entities are actually adverse to each other.
• 11:28
  Speaker 2: I believe there's two sides to them, now, I don't
• 11:33
  Speaker 2: I think that they're both kind of neutral and one
• 11:37
  Speaker 2: more towards like mysticism in the arts, and the other
• 11:41
  Speaker 2: is more of like a warlike you know what I mean.
• 11:44
  Speaker 2: So you have that of like yeah, you know the
• 11:48
  Speaker 2: ice here and the vanir or like the Rustic gods
• 11:51
  Speaker 2: and then you know the gods of war. But and
• 11:55
  Speaker 2: you see the same in these Semitic pantheons, so you know,
• 11:58
  Speaker 2: maybe they're just you know, there's all these aspects to
• 12:01
  Speaker 2: these different pantheons with these different archetypes, because you know,
• 12:04
  Speaker 2: they could just be characteristics of humanity right described in
• 12:13
  Speaker 2: this divine state, you know what I mean? Drawn up
• 12:17
  Speaker 2: and worshiped, and I've talked about Eggrigor's and all that
• 12:20
  Speaker 2: good stuff and how things can be created over time, you.
• 12:24
  Speaker 4: Know, m hm, Yeah, No, I agree because I know
• 12:29
  Speaker 4: NASA works with them. In my opinion, I think that
• 12:32
  Speaker 4: they do. I think that our government is definitely tapped
• 12:38
  Speaker 4: into some shit and they're working with like some Babylonian
• 12:42
  Speaker 4: rituals and shit like that. And I think, Okay, like
• 12:47
  Speaker 4: your opinion then, because this is what I think and
• 12:51
  Speaker 4: I could be wrong. But people talk about the Laurel Canyon, right,
• 12:55
  Speaker 4: and they talk about how the sixties movement was like
• 13:00
  Speaker 4: a fabricated like it wasn't about peace and love and
• 13:04
  Speaker 4: like all this this shit that we're supposed to think, right,
• 13:08
  Speaker 4: it was the facade, right. And they were mostly military kids,
• 13:13
  Speaker 4: not mostly like all of them are military kids. And
• 13:16
  Speaker 4: their dads were like, you know, like Frank Zappa's dad
• 13:20
  Speaker 4: worked at Edgewood Arsenal and was doing some like weird
• 13:24
  Speaker 4: stuff for the government. And it's like, could they have
• 13:31
  Speaker 4: used this hippie movement quote unquote this new sound with
• 13:37
  Speaker 4: music and the lyrics, it was almost like it changed culture.
• 13:43
  Speaker 4: But it's almost like they were trying to Dredge something
• 13:49
  Speaker 4: up like it, like ritualistically that they literally changed culture,
• 13:53
  Speaker 4: they changed everything with the sixties. I mean, like, what
• 13:56
  Speaker 4: do you think about that?
• 13:58
  Speaker 2: Well, think about I mean the fact that it's music, right,
• 14:01
  Speaker 2: and everything is felt through sound resonance, right, That's what
• 14:07
  Speaker 2: I'm basically and spiritually, you know. So yeah, I mean,
• 14:15
  Speaker 2: I I think I think the first time I heard
• 14:18
  Speaker 2: you talk, I may have been on ten foot No, no,
• 14:21
  Speaker 2: it was on Reality is Ours?
• 14:23
  Speaker 4: Oh cool, that was I think Jim Carrey.
• 14:26
  Speaker 2: Yeah, it was with Nate Thomas, and I think that
• 14:29
  Speaker 2: was when Tony was still doing the show with him.
• 14:32
  Speaker 2: I think you were talking about Marilyn Monroe.
• 14:34
  Speaker 4: Oh okay, yeah, yeah, with them a couple of times.
• 14:38
  Speaker 2: I think, I don't want to spoil.
• 14:40
  Speaker 4: Anything, Yeah, no, we'll save that.
• 14:43
  Speaker 3: Yeah.
• 14:43
  Speaker 2: Yeah, but no, I definitely think. And then when you
• 14:47
  Speaker 2: look at all these these stars, their parents are implicated
• 14:54
  Speaker 2: in the military or some kind of government agency.
• 14:57
  Speaker 4: Absolutely every single one. Well, this is this is what
• 15:03
  Speaker 4: I think if you look at music and culture before
• 15:06
  Speaker 4: this hippie movement, right, this slural canyon weirdo ship, it
• 15:12
  Speaker 4: was like Buddy Hawley, which he died pretty ritualistically, let's
• 15:17
  Speaker 4: just say along with like two other dudes.
• 15:19
  Speaker 2: Yeah about those Plaine wrecks that are very ritualistic. I
• 15:25
  Speaker 2: don't know who to talk to about it, but that's
• 15:28
  Speaker 2: funny you bring that up. I was thinking about skinnerd.
• 15:31
  Speaker 4: And uh Skinner and Aliyah and.
• 15:36
  Speaker 2: The thing with Alia is crazy that. I mean, it
• 15:38
  Speaker 2: was the same year she did Queen of the Damned,
• 15:41
  Speaker 2: where she is clearly doing blood rituals in the movie. Yes,
• 15:45
  Speaker 2: you're speaking ancient like it's based off of ancient sum
• 15:48
  Speaker 2: like straight up. That's it's some Uh. I love that movie, dude, movies.
• 15:54
  Speaker 4: Like that again she was she was fucking jay Z
• 15:57
  Speaker 4: and doing all kinds of stuff, and it's like, for me, jahove,
• 16:03
  Speaker 4: if you look, if you look at the plane, the
• 16:05
  Speaker 4: weird plane crashes, that could be its own episode. But
• 16:08
  Speaker 4: like right before this big boom of the hippie culture
• 16:14
  Speaker 4: and like love who you want to love, and take
• 16:17
  Speaker 4: birth control and just you know, braid each other's pit
• 16:20
  Speaker 4: hair and like just show off your vagina to the
• 16:24
  Speaker 4: public like whatever it was that they were doing this
• 16:27
  Speaker 4: free love shit. Think about the culture and the music
• 16:31
  Speaker 4: and like the the general vibe of the fifties, like
• 16:36
  Speaker 4: the forties.
• 16:37
  Speaker 2: And the fifties coming down you know that post war
• 16:42
  Speaker 2: era too, right, yeah, yeah, yeah, and yeah you know
• 16:46
  Speaker 2: that the feeling of like it sounds like a real
• 16:49
  Speaker 2: good thing, right. But you had all these boomers that
• 16:51
  Speaker 2: were real I guess they weren't boomers at the time.
• 16:53
  Speaker 2: They would be considered boomers now, but they were like,
• 16:56
  Speaker 2: you know, what's this this hippie queer shit. You know
• 16:59
  Speaker 2: what I mean? Yeah, your hair, you fag.
• 17:03
  Speaker 4: They would call them, like long hairs and ship like that,
• 17:06
  Speaker 4: and I.
• 17:07
  Speaker 2: Love your hair, Scott, don't cut your hair, Scott. Sorry,
• 17:10
  Speaker 2: it's one of my own.
• 17:11
  Speaker 4: No, I mean it's like normal now, but like for
• 17:13
  Speaker 4: the time, it was the Beatles who started off as
• 17:19
  Speaker 4: like kind of bubblegummy ship like that, like the Buddy
• 17:23
  Speaker 4: Holly stuff.
• 17:24
  Speaker 2: And like you know, unpopular. Not a fan of the Beatles,
• 17:28
  Speaker 2: but well.
• 17:28
  Speaker 4: I mean there's so many stories about the Beatles and
• 17:32
  Speaker 4: whether or not it's the real Paul and like all
• 17:34
  Speaker 4: that ship which I have talked about before.
• 17:37
  Speaker 3: But.
• 17:39
  Speaker 2: You can look at that as biblical as well, with
• 17:43
  Speaker 2: two Pauls in the Bible neremon, Oh my god, that
• 17:49
  Speaker 2: Bible conspiracy theories. Like I said, well, and there's.
• 17:52
  Speaker 4: Like physical evidence, like he grew six inches and ship
• 17:55
  Speaker 4: like that. It's like things that you can't make me.
• 17:58
  Speaker 2: Which could be uh, you know, esotery, right, I don't know.
• 18:04
  Speaker 2: So you see that number six a lot, as well
• 18:07
  Speaker 2: as three maybe, and seven and twelve, and it's it's
• 18:10
  Speaker 2: how the numbers are used, right. But you're I think
• 18:12
  Speaker 2: you're spot on about this stuff being a ritual, and
• 18:15
  Speaker 2: I think this whole movement definitely could have been a
• 18:18
  Speaker 2: ritual in in itself.
• 18:20
  Speaker 4: I think so.
• 18:22
  Speaker 2: Yeah, I mean yeah, I mean I'll shut up and
• 18:26
  Speaker 2: let you talk.
• 18:27
  Speaker 4: No, no, no, I mean I you're good. I definitely
• 18:31
  Speaker 4: think so this is this is what I'll say. Uh,
• 18:39
  Speaker 4: Crosby Stills in Nash, Jim Morrison, Frank Zappa, The Birds,
• 18:43
  Speaker 4: Jackson Brown, cant He, The Moms and the Papas, the
• 18:47
  Speaker 4: actors of the time, Jack Nicholson, Warren Batty, Dennis Hopper,
• 18:51
  Speaker 4: Peter fon Fonda, like all the ship, it's all military.
• 18:57
  Speaker 4: A lot of them grew up on the same military
• 19:00
  Speaker 4: complex as each other, and then they it's like, oh,
• 19:03
  Speaker 4: they just found each other at a bar and like
• 19:06
  Speaker 4: they formed No, they didn't. They they literally grew up
• 19:10
  Speaker 4: in military schools together. All their parents are military and
• 19:14
  Speaker 4: they hid that from the public because they're supposed to
• 19:18
  Speaker 4: be anti establishment, right and peace and no war and
• 19:23
  Speaker 4: love and all this. And you're it's like your dad's
• 19:26
  Speaker 4: like literally, like Jackson Brown's dad was a part of
• 19:30
  Speaker 4: the OSS, which was the precursor to the CIA. It's like,
• 19:33
  Speaker 4: all you fucks come from military background.
• 19:36
  Speaker 2: You're telling the enemy your dad is selling guns to
• 19:42
  Speaker 2: the enemy while you're out there, you know, putting flowers
• 19:44
  Speaker 2: and the bar.
• 19:46
  Speaker 4: That's the problem. And if the government, as I suspect,
• 19:51
  Speaker 4: works with these weird entities, then the whole movement is probably,
• 19:57
  Speaker 4: in my opinion, some type of rich sualistic, you know,
• 20:01
  Speaker 4: because everything changed after that. I mean, Jim Morrison's dad
• 20:05
  Speaker 4: was literally responsible for like the Tonkin Gulf incident which
• 20:09
  Speaker 4: started the Vietnam War, which, by the way, the Vietnam
• 20:14
  Speaker 4: War going on around Laurel Canyon times, big ass fucking
• 20:18
  Speaker 4: blood ritual that didn't need to happen whatsoever. We did
• 20:22
  Speaker 4: that shit, We started that ship and for what It's
• 20:28
  Speaker 4: just yeah, I.
• 20:29
  Speaker 2: Mean, what what do you think about that about Vietnam? Yeah, well,
• 20:34
  Speaker 2: besides the opium trade being set up through that I
• 20:38
  Speaker 2: mean that's how it all. You know, Frank Lucas the
• 20:40
  Speaker 2: whole if you've seen American Gangster, but I mean it
• 20:46
  Speaker 2: was being supplied to him, I think by you see.
• 20:50
  Speaker 2: I mean, it's the same thing with Freeway Rick Ross,
• 20:54
  Speaker 2: you know that guy too. But the the Vietnam War,
• 21:01
  Speaker 2: you know, especially, I don't know, it just seems to
• 21:07
  Speaker 2: me that we shouldn't I don't know, we shouldn't be
• 21:11
  Speaker 2: fighting any of these wars. There's not one war I
• 21:14
  Speaker 2: don't think that we should have ever really been in.
• 21:18
  Speaker 1: Not one.
• 21:19
  Speaker 4: They're all like huge blood rituals. But it was like
• 21:22
  Speaker 4: they needed the bodies to power the ritual of what
• 21:25
  Speaker 4: they were trying to pull off in the sixties. They
• 21:27
  Speaker 4: needed the bodies. And you know, even besides that, if
• 21:31
  Speaker 4: you look at like all the fucking people that just
• 21:34
  Speaker 4: turned up fucking dead in the Laurel Canyon, there's like
• 21:37
  Speaker 4: one hundred people.
• 21:40
  Speaker 2: M damn. Yeah, that surprised me.
• 21:44
  Speaker 4: That's there's like a whole murderless Oh oh, bless them.
• 21:48
  Speaker 2: Well, I was gonna say, I mean, think about war.
• 21:50
  Speaker 2: There's gods that are dedicated to war. So war in
• 21:54
  Speaker 2: itself is a ritual. You know, the entire like the
• 21:58
  Speaker 2: war and then the blood, you know, depending on where
• 22:01
  Speaker 2: you're fighting, is it being uh you know shed on
• 22:04
  Speaker 2: on in Vietnam, it's being shed all over the earth, right,
• 22:08
  Speaker 2: more than buildings and uh you know and and uh
• 22:12
  Speaker 2: some city. But uh, you know, I I definitely think
• 22:16
  Speaker 2: there's something to that that's actually something to look into.
• 22:20
  Speaker 2: This is one of the never really touched, to be
• 22:24
  Speaker 2: quite honest with you.
• 22:25
  Speaker 4: I mean, it's just it goes along with everything that
• 22:29
  Speaker 4: we talk about. I mean there's like weird murders, weird
• 22:34
  Speaker 4: serial killers, the Manson family, all that shit came out
• 22:37
  Speaker 4: of the sixties, Laurel Canyon, Vietnam, all of it. It's
• 22:41
  Speaker 4: like a weird fucking program they were running.
• 22:45
  Speaker 2: Yeah. Yeah, I mean I don't know that. So was
• 22:49
  Speaker 2: Laurel Canyon tied into the Vietnam War.
• 22:55
  Speaker 4: Yeah, because it was all like hippies and like with
• 22:58
  Speaker 4: their signs and like we want peace and love and
• 23:01
  Speaker 4: I will hang on.
• 23:03
  Speaker 2: You're no. I told you look, look look everyone here knows.
• 23:11
  Speaker 2: They've seen they've heard, my kids, my dog, my wife,
• 23:17
  Speaker 2: my family. It's it's fine. You're you're on Gray Pield.
• 23:21
  Speaker 4: Yeah, gets contankerous when I'm talking he wants to be
• 23:27
  Speaker 4: a part of the show. But yeah, that's when that's
• 23:31
  Speaker 4: when Maryland comes into it, because it's like she was
• 23:35
  Speaker 4: part of the Laurel Canyon scene and part of the sixties.
• 23:39
  Speaker 4: And I talked to people about all these weird ritualistic
• 23:42
  Speaker 4: deaths that came out of the sixties, like you know,
• 23:47
  Speaker 4: movie stars, James Dean and like a lot like Jim Morrison.
• 23:51
  Speaker 2: Ooh guy, man, it seemed like those guys were just
• 23:55
  Speaker 2: nothing but a sacrifice, right, That's what I'm saying.
• 23:58
  Speaker 4: If if they're even dead, they could have like staged.
• 24:02
  Speaker 2: Some shit, you know what I'm saying that that you
• 24:05
  Speaker 2: have to look at. But if they are dead, Julia,
• 24:07
  Speaker 2: then like think about the how many of those I mean,
• 24:12
  Speaker 2: they were all probably sacrifices right on some level, these people.
• 24:19
  Speaker 2: And I think these people may have they were so
• 24:22
  Speaker 2: spun out on LSD and and you know, opium and
• 24:28
  Speaker 2: even harder shit. And yes, they they I think they
• 24:33
  Speaker 2: definitely knew what they were doing. I mean what Jim
• 24:35
  Speaker 2: Morrison called himself, the lizard came right, oh.
• 24:39
  Speaker 4: Yeah, and he called everybody slaves and like whatever.
• 24:42
  Speaker 2: And see, before we didn't know how to look at
• 24:45
  Speaker 2: it through the same lens we look at it today.
• 24:48
  Speaker 2: If he did that shit today, guaranteed he would I mean,
• 24:53
  Speaker 2: I don't know. I think somebody would have gone and
• 24:55
  Speaker 2: dragged him off the fucking stage. And you know, I
• 24:58
  Speaker 2: don't know, probably not, because if you think about it,
• 25:01
  Speaker 2: the people that go to the mainstream events, you know,
• 25:05
  Speaker 2: the big concerts, they are in some way slaves. I'm
• 25:08
  Speaker 2: not going to say all of them, because some are
• 25:10
  Speaker 2: you know, they want to take their kids. I personally
• 25:14
  Speaker 2: will not after seeing the Astro World thing and and uh,
• 25:20
  Speaker 2: you know, all all these other festivals and shows where
• 25:23
  Speaker 2: there's weird energy there and just like like, I don't
• 25:27
  Speaker 2: I don't want my kid to know that these people
• 25:31
  Speaker 2: even exist, you know what I mean, Like it is
• 25:33
  Speaker 2: these people are freaks, and uh yeah, so that's all
• 25:38
  Speaker 2: my son. He can go to a show with me
• 25:41
  Speaker 2: or something. I don't know, it's the.
• 25:43
  Speaker 4: Same, yeah, because he might get sacrificed in the middle
• 25:46
  Speaker 4: of a crowd. You never know.
• 25:48
  Speaker 2: I mean, hey, Travis Scott, That's what I was saying,
• 25:51
  Speaker 2: you know. And it seems like so it seems like
• 25:55
  Speaker 2: music has always in some way kind of carried on
• 25:59
  Speaker 2: some some sort of sort of a sacrificial dark sacrificial ride.
• 26:06
  Speaker 4: Well before before Astro World or whatever it was, they
• 26:10
  Speaker 4: there was the Ultamont in Laurel Canyon with the rolling
• 26:13
  Speaker 4: stones because they threw like a free concert or whatever,
• 26:17
  Speaker 4: and they had the Hell's Angels there and a dude
• 26:20
  Speaker 4: was literally stabbed to death, just bled out in the
• 26:23
  Speaker 4: middle of the crowd while everybody was jumping around and singing.
• 26:27
  Speaker 4: And that was like, it's like I said, it's just
• 26:30
  Speaker 4: it's all part it's all weird and ritualistic and shit.
• 26:34
  Speaker 4: And then you know the song American Pie, like bye
• 26:37
  Speaker 4: Bye Miss American Pie. Yeah, they talk about the Ultimont
• 26:41
  Speaker 4: concert in that song, about how it was a ritual
• 26:44
  Speaker 4: and how it was for the devil and all this shit.
• 26:50
  Speaker 2: I mean that surprise me.
• 26:52
  Speaker 4: Google the lyrics, pull them up.
• 26:54
  Speaker 2: Okay, okay, did you said you had like a presentation
• 26:57
  Speaker 2: or something?
• 26:59
  Speaker 4: Yeah, I do.
• 27:00
  Speaker 2: Hang on, just Don Don what what's his.
• 27:02
  Speaker 4: Name McCleary.
• 27:07
  Speaker 2: Or I thought I was Don my fucking what's wrong
• 27:14
  Speaker 2: with me?
• 27:15
  Speaker 4: Hold on?
• 27:15
  Speaker 2: Now that's the Eagles guy, right?
• 27:19
  Speaker 1: Yeah?
• 27:20
  Speaker 4: Up American Pie lyrics.
• 27:24
  Speaker 2: Oh my god, Uh I'm sorry, Yeah, it's it's Don McLean. Sorry,
• 27:39
  Speaker 2: that's that's all me. Julia, all right, all right, I'm
• 27:42
  Speaker 2: gonna pull these lyrics up. Oh she's there doing something
• 27:48
  Speaker 2: the baby. All right, I'm gonna pull these lyrics up. Guys.
• 27:51
  Speaker 4: Yeah, if you go, if you go down. I think
• 27:54
  Speaker 4: it's like the last this is.
• 27:57
  Speaker 2: So there's somebody pop ups on that one. Hold on,
• 27:59
  Speaker 2: let me, oh there's there's a is it on?
• 28:06
  Speaker 1: No?
• 28:07
  Speaker 3: Fuck?
• 28:07
  Speaker 2: Why would you even pull that up? Then?
• 28:09
  Speaker 3: For me?
• 28:10
  Speaker 2: Google? Fuck the lyrics. I'm trying to find the lyrics,
• 28:16
  Speaker 2: but it's just given me quorra and Facebook. Okay, we're
• 28:20
  Speaker 2: just gonna go to genius. There we go. But yeah,
• 28:24
  Speaker 2: a bunch of pop ups. That's great. All right, share this,
• 28:35
  Speaker 2: I mean, think about it. It's probably some of the
• 28:37
  Speaker 2: most happy melody you know, harmonic songs that have the
• 28:44
  Speaker 2: darkest energy behind them. You feel me. Not in every case,
• 28:51
  Speaker 2: but I think when on very popular songs that that
• 28:56
  Speaker 2: you know, people sing for generations, there has to be
• 28:59
  Speaker 2: some kind of hypnotic h some kind of hypnotism that
• 29:05
  Speaker 2: they do with people to have that happen, right, I
• 29:07
  Speaker 2: mean they can't. Song's not that good? Am I wrong? Julia?
• 29:14
  Speaker 2: You good?
• 29:17
  Speaker 4: You good?
• 29:18
  Speaker 5: Oh?
• 29:24
  Speaker 2: The baby? Okay? So we're gonna take a look at
• 29:30
  Speaker 2: the lyrics. Guys, I should be waiting for Julia's dealing
• 29:34
  Speaker 2: with the baby. I completely feel it. Let's see baby screaming. Well, hey,
• 29:43
  Speaker 2: I literally got in the car and headed home and
• 29:47
  Speaker 2: call my wife. And that's the first thing I heard
• 29:49
  Speaker 2: was my daughter screaming because she wanted my dog to
• 29:52
  Speaker 2: come with her and he didn't want to. She may
• 29:56
  Speaker 2: I think he may be terrified of her.
• 29:57
  Speaker 3: I don't know.
• 29:59
  Speaker 2: She shouldn't heard of her or any thing. She just
• 30:00
  Speaker 2: chases him around.
• 30:01
  Speaker 4: He doesn't like it. He's small.
• 30:04
  Speaker 2: Julia is tending to her infant. God bless the little baby.
• 30:13
  Speaker 2: We love babies, especially. You know, we need more white babies.
• 30:20
  Speaker 2: You know, I have two arrows. I have to you
• 30:28
  Speaker 2: and my wife have too. We want to have another one,
• 30:31
  Speaker 2: but we just know that we can't right now.
• 30:34
  Speaker 4: It would just be okay. So if you scroll all
• 30:39
  Speaker 4: the way down to the bottom of this, I can
• 30:41
  Speaker 4: show you exactly where it is. And thanks for your patients.
• 30:44
  Speaker 2: Sorry, you're good, You're good. I have small talk. It's fine,
• 30:49
  Speaker 2: Like I said, no more about it. So, yeah, these
• 30:53
  Speaker 2: lyrics right here.
• 30:57
  Speaker 4: Everybody knows this song too. That's the crazy thing and
• 31:00
  Speaker 4: they like sing it and it's just like part of
• 31:04
  Speaker 4: the you know, this is oldies everybody knows.
• 31:09
  Speaker 2: Right, right, That's what I was saying, one of those
• 31:10
  Speaker 2: could classics. They call it a could classic.
• 31:16
  Speaker 4: Yeah yeah, and you know to say, okay, so how
• 31:22
  Speaker 4: many times have you heard this song? And how many
• 31:25
  Speaker 4: times have you realized he makes references to the Manson family.
• 31:30
  Speaker 4: He makes references to like literally is this this is
• 31:36
  Speaker 4: like literally from the top, Yeah, yeah, yeah, Okay, keep
• 31:40
  Speaker 4: going down. I'll show you a couple of references here.
• 31:43
  Speaker 2: Okay, so I remember hold on.
• 31:48
  Speaker 4: And he mentions Buddy Holly's plane crashing here.
• 31:57
  Speaker 2: And the coat he barred from James Dean.
• 32:01
  Speaker 4: Oh there, yep, there goes a James Dean reference.
• 32:05
  Speaker 2: When the Jester sang for the King and Queen and
• 32:07
  Speaker 2: a coachy bar from James.
• 32:09
  Speaker 4: Dean, and then okay, keep going okay, The Day the Music, Yeah,
• 32:20
  Speaker 4: the Day the Music died.
• 32:22
  Speaker 2: What a morbid title?
• 32:25
  Speaker 4: Well, yeah, the Day the Music Died Buddy Holly, right,
• 32:28
  Speaker 4: because that was like the end of an era. That
• 32:31
  Speaker 4: was the end of the you know, American graffiti esque
• 32:37
  Speaker 4: like holding hands and bubble gum, and then it was
• 32:42
  Speaker 4: total debauchery after that. Yeah, yeah, okay, keep scrolling, scroll, scroll,
• 32:51
  Speaker 4: helter skelter in a summer swelter. So that's about the
• 32:55
  Speaker 4: Manson family. And then the birds obviously are the birds
• 33:00
  Speaker 4: from the Laurel Canyon era. Keep going the band, right,
• 33:04
  Speaker 4: like the band, And then I think the Sergeant's played
• 33:07
  Speaker 4: a marching tune that could be a Beatles reference.
• 33:11
  Speaker 2: And Sergeant Pepper, who's on the cover of Sergeant.
• 33:13
  Speaker 4: Pepper, well, lots of people actually I know lots of people,
• 33:19
  Speaker 4: but you know, you know, I know who and they're
• 33:23
  Speaker 4: standing over a fucking grave.
• 33:25
  Speaker 2: So in the Sergeant Peppers, you know, I'd I'd always
• 33:29
  Speaker 2: just seen Crowley on there and been like, oh, they
• 33:31
  Speaker 2: got Crowley on there, But now it's like.
• 33:32
  Speaker 4: They have like they have well we can get into
• 33:36
  Speaker 4: that in a minute, but keeps.
• 33:37
  Speaker 2: Yeah, no, I'd love to take a look at who
• 33:38
  Speaker 2: else they got. I never even you know, once I
• 33:40
  Speaker 2: saw I was like, oh that's all that's yeah, you
• 33:44
  Speaker 2: know that's you see that, you know?
• 33:49
  Speaker 4: Okay, So the jack be nimble, Jack be quick. Yeah,
• 33:55
  Speaker 4: that's uh, the jack be nimble, Jack be quick. That's
• 33:59
  Speaker 4: I want to say, jumpin jack flash. That's a rolling
• 34:02
  Speaker 4: Stones reference right here. It says, okay, go up just
• 34:08
  Speaker 4: a little bit. Yeah, so the jack be nimble, Jack
• 34:13
  Speaker 4: be quick. That's a Rolling Stone song. The Rolling Stones
• 34:16
  Speaker 4: were putting on a free concert at Altamont when that
• 34:19
  Speaker 4: guy was stabbed to death, and it says Jack Flash
• 34:22
  Speaker 4: sat on a candlestick. They had that song jumping Jack
• 34:26
  Speaker 4: Flash or whatever, and it says cause fire is the
• 34:30
  Speaker 4: Devil's only friend. And as I watched him on the stage,
• 34:35
  Speaker 4: my hands were clinched and fists of rage. No angel
• 34:38
  Speaker 4: born in Hell, because the Hell's angels were the security
• 34:41
  Speaker 4: could break that Satan spell. And as the flames climbed
• 34:46
  Speaker 4: high into the night to light the superficial, right, I
• 34:51
  Speaker 4: saw Satan laughing with the light. The music died, Like
• 34:56
  Speaker 4: how many times have you sang that song and not
• 34:58
  Speaker 4: known what the fuck was?
• 35:00
  Speaker 2: Yeah?
• 35:02
  Speaker 4: Bye bye Miss American five. Everybody knows this song, but
• 35:06
  Speaker 4: this whole last paragraph, Yeah yeah, it's a dude getting
• 35:13
  Speaker 4: literally stabbed and sat out in the middle of a
• 35:16
  Speaker 4: Rolling Stones concert. So that's why I say, like, when
• 35:20
  Speaker 4: you look at the Laurel Canyon era, the sixties of
• 35:22
  Speaker 4: Vietnam War and all the ritualism that went on with
• 35:27
  Speaker 4: the uh, the music, the culture. If you can't be
• 35:34
  Speaker 4: with the one you want, be with the one you're with,
• 35:36
  Speaker 4: just fuck whoever be with whoever. Birth control pills were
• 35:40
  Speaker 4: rolled out. I mean it was just like you know,
• 35:43
  Speaker 4: free love whatever. And all of their fucking parents were
• 35:48
  Speaker 4: in the military. I'm telling you all of them. And
• 35:52
  Speaker 4: like with David Crosby, his family line goes all the
• 35:55
  Speaker 4: way back to like signers of the Declaration of Independence.
• 36:00
  Speaker 2: Do you remember John Todd, the crazy Schizzo guy or well,
• 36:05
  Speaker 2: he was a meth addict who claimed he was part
• 36:07
  Speaker 2: of the Collins family, like the elite bloodline, and then
• 36:11
  Speaker 2: he found Christ and exposed the Illuminati, but then was
• 36:15
  Speaker 2: like locked up. There was there's those tapes of him
• 36:18
  Speaker 2: on YouTube. You ever you ever heard of him?
• 36:21
  Speaker 4: No, but I know of the Collins elite family actually
• 36:23
  Speaker 4: have a whole conspiracy about them.
• 36:27
  Speaker 2: Well, well it's it's it's the show that uh, what's
• 36:31
  Speaker 2: the show that was based off of them? Dark Shadows
• 36:35
  Speaker 2: was based off the family.
• 36:36
  Speaker 4: That's part of my theory. I'm so glad you know
• 36:38
  Speaker 4: about that.
• 36:39
  Speaker 2: Okay, you need to watch me. Here a North American
• 36:44
  Speaker 2: and Annie Asaru did an episode on John Todd where
• 36:49
  Speaker 2: we go through. We listened to some of like his
• 36:53
  Speaker 2: interview and his speech and we go through. I have
• 36:56
  Speaker 2: like three pages of notes on them that I took.
• 36:58
  Speaker 2: It was one of the first things I ever wanted
• 37:01
  Speaker 2: to do a deep dive on, and I finally finally
• 37:03
  Speaker 2: did it.
• 37:06
  Speaker 4: Yeah, I mean the Collins Family Dark Shadows.
• 37:10
  Speaker 5: My mom.
• 37:11
  Speaker 2: I grew watch the shows. Yeah, I grew up. It
• 37:15
  Speaker 2: would come on TMC yeah in the mornings, and I'd
• 37:19
  Speaker 2: wake up at like six in the morning and the
• 37:21
  Speaker 2: sun would be like not up yet, real eerie Dark
• 37:27
  Speaker 2: Shadows would be on and I would just sit there
• 37:30
  Speaker 2: and love it and love it, love the feeling of
• 37:33
  Speaker 2: being scared and just oh man, oh my god.
• 37:36
  Speaker 4: I loved it. So my mom loved it. We watched
• 37:39
  Speaker 4: it all the time. But when they came out with
• 37:41
  Speaker 4: the Tim Burton one, of course it's Scott Johnny Depp
• 37:45
  Speaker 4: playing Barnabas and like whatever. But they made it into
• 37:49
  Speaker 4: a comedy, which I was cool with because it was funny, but.
• 37:54
  Speaker 2: They could have justice with drama. Yeah, horror.
• 37:59
  Speaker 4: Dra based it in like the Laurel Canyon era.
• 38:04
  Speaker 2: Two.
• 38:05
  Speaker 4: Yeah, you think, and all the soundtrack is Laurel Canyon
• 38:09
  Speaker 4: music like fucking.
• 38:12
  Speaker 2: You know programming or was that like done on I think?
• 38:14
  Speaker 4: So that's what I'm saying. It's about this Collinsilly bloodline
• 38:18
  Speaker 4: and all this ship. Right in the Vampire, it's got
• 38:20
  Speaker 4: fucking Johnny Depp playing the main and soundtrack is Laurel Canyon.
• 38:27
  Speaker 2: Yeah, I was gonna say, if most people don't know,
• 38:29
  Speaker 2: he is a I think a very uh high ranking
• 38:35
  Speaker 2: wizard and whatever covin or oh sure, initiate one. He
• 38:42
  Speaker 2: is a part of I think he is, you know,
• 38:45
  Speaker 2: and has been for some time. That's why he's in
• 38:47
  Speaker 2: so many movies. But what I was saying was John Todd,
• 38:52
  Speaker 2: John Collins whatever he called himself. Like I said, the
• 38:55
  Speaker 2: guy was kind of skitzo because he had been on meth.
• 38:57
  Speaker 2: But apparently like he had there's he this whole story
• 39:01
  Speaker 2: and it's a it's crazy. His story is you should definitely.
• 39:05
  Speaker 4: Oh, I'll check it out for sure.
• 39:09
  Speaker 2: But yeah, he runs into David Crosby from Crosby, Stills,
• 39:14
  Speaker 2: Nash and Young and he asked him, Hey, so, uh,
• 39:19
  Speaker 2: do y'all still do the ritual when you put the master,
• 39:23
  Speaker 2: when you put the master on, when you put it
• 39:25
  Speaker 2: all you like when you do the final product. And
• 39:28
  Speaker 2: he's like yeah, and he's asked him all these questions
• 39:30
  Speaker 2: and he's like, well, so he asked him something. He
• 39:34
  Speaker 2: goes yes, she like he basically tells him, Uh, you
• 39:39
  Speaker 2: have to be in initiated which or wizard to be
• 39:42
  Speaker 2: a part of Hollywood fabulous taman industry. And that's I
• 39:48
  Speaker 2: think that, you know, I mean that we know how
• 39:52
  Speaker 2: many mystery schools exist, how many different types of magic
• 39:57
  Speaker 2: there are in practitioner, you know, how many things people
• 40:01
  Speaker 2: can practice, and how many deities they can they can worship, right, Like,
• 40:05
  Speaker 2: people don't understand it's it's not all to the same deity.
• 40:08
  Speaker 2: I mean, I mean some in some cases, but so yeah,
• 40:14
  Speaker 2: I definitely think there is some. Now that's interesting that
• 40:18
  Speaker 2: you bring up. And that's so funny that it's always
• 40:21
  Speaker 2: the seventies vibe that gets brought back right every time
• 40:27
  Speaker 2: in the nineties. I guess it's a generation.
• 40:30
  Speaker 4: Because because because the punk, the punk shit, the Nirvana
• 40:34
  Speaker 4: shit it was, it's the It's Laurel Canyon two point zero.
• 40:38
  Speaker 2: Okay.
• 40:38
  Speaker 4: People need to understand that is they ran game on
• 40:42
  Speaker 4: us in the sixties and seventies, but they ran the
• 40:45
  Speaker 4: same game with the grunge, weird punk stuff like all
• 40:53
  Speaker 4: of that is. I want to say, they've ran game
• 40:56
  Speaker 4: on us like multiple times throughout different generations. It's like
• 41:00
  Speaker 4: the first one was maybe Laurel Canyon, and then it
• 41:04
  Speaker 4: was like grunge, and then it was like my generation
• 41:07
  Speaker 4: with all the boy bands and like yeah, the Britney
• 41:10
  Speaker 4: Spears is and like the Christina Aguileras and stuff like that.
• 41:14
  Speaker 4: It's just it's the same program. It's just like repeated
• 41:20
  Speaker 4: multiple times throughout.
• 41:23
  Speaker 2: Yeah, I grew up playing I talked about all of them.
• 41:26
  Speaker 2: I know, people, I'm beating a dead horse. He's dead,
• 41:31
  Speaker 2: dead and gone. Now I'm beating the horse ghosts. But
• 41:35
  Speaker 2: I played drums growing up in hardcore and a few
• 41:40
  Speaker 2: hardcore bands, punk hardcore, you know, metal, whatever you want
• 41:43
  Speaker 2: to call it. There was. It was very like obscure
• 41:48
  Speaker 2: genres of underground they music. It's something I've I've always
• 41:54
  Speaker 2: been into both. I was a rapper at one point too, Julia,
• 41:58
  Speaker 2: very dark time in my life, me and I both.
• 42:03
  Speaker 2: But uh, you know, so, it seems to me now
• 42:06
  Speaker 2: that the punk rock scene was a si op. It
• 42:10
  Speaker 2: was most of those guys are fags.
• 42:12
  Speaker 4: Oh sure.
• 42:13
  Speaker 2: The COVID thing happened. They were all licking the boot.
• 42:20
  Speaker 2: Oh yeah, that had been on their damn neck their
• 42:24
  Speaker 2: entire life that they have been raging against, like you know,
• 42:28
  Speaker 2: the rage for the machine now or whatever. I'm pretty sure.
• 42:31
  Speaker 1: Uh.
• 42:32
  Speaker 2: Sam Tripley had a shirt that that's a you know,
• 42:37
  Speaker 2: just calling calling it out because I mean it's it's uh.
• 42:40
  Speaker 2: But when when you think about it, it's like, was
• 42:43
  Speaker 2: that set up to be like that, to make all
• 42:45
  Speaker 2: these people, you know, be rebellious towards their parents, and
• 42:48
  Speaker 2: then now they're cutting their.
• 42:49
  Speaker 4: Dicks off and you oh, they're doing all kinds of
• 42:52
  Speaker 4: stuff that they're supporting, like the jabs and like something
• 42:57
  Speaker 4: that I just recently was talking to my husband about
• 43:02
  Speaker 4: because I was listening to the Ramones and he was like,
• 43:05
  Speaker 4: I can't even listen to the Ramones. They have like
• 43:07
  Speaker 4: a Pfeiser commercial and so it's like another one that
• 43:13
  Speaker 4: really bothered me was I love nineties country. I'm a
• 43:16
  Speaker 4: nineties country girl all the way and Dolly Parton all
• 43:20
  Speaker 4: of those shitheads they had vaccine songs and like they
• 43:25
  Speaker 4: were promoting this ship and it bothered me, And it's
• 43:28
  Speaker 4: like you can't never look at them the same.
• 43:30
  Speaker 2: Now and do vaccine. Yeah she did.
• 43:35
  Speaker 4: She redid did Joe Lene, and she said vaccine vaccine.
• 43:41
  Speaker 2: Yeah.
• 43:42
  Speaker 4: So that's why. That's what I'm saying, is like you can't.
• 43:46
  Speaker 4: There's nothing sacred anymore, not even not even Dolly. And
• 43:50
  Speaker 4: I fucking love Dolly.
• 43:51
  Speaker 2: I love it. I love it all. You know. My
• 43:56
  Speaker 2: wife loves Dolly, dude. My daughter doesn't even know who
• 43:59
  Speaker 2: Dolly is and has a name Dolly parton shirt.
• 44:01
  Speaker 4: Oh I have a Holly Dolly Christmas setup with Dolly's
• 44:06
  Speaker 4: face and like a little Santa hat, and like, you know,
• 44:09
  Speaker 4: it's just it sucks because you can't enjoy anything anymore.
• 44:12
  Speaker 2: It's all.
• 44:13
  Speaker 4: And I think even like part of the Satanic Panic,
• 44:16
  Speaker 4: it was all a program because the music that was
• 44:22
  Speaker 4: coming out at the time, the murders, the weird stuff
• 44:27
  Speaker 4: with like the West Memphis Three, all that. My husband
• 44:31
  Speaker 4: and I have talked about that before because obviously, for
• 44:34
  Speaker 4: those who don't know, he also is a conspiracy theories
• 44:37
  Speaker 4: pod has a conspiracy theory. But yeah, we're just too
• 44:42
  Speaker 4: Weirdo's in love. But that's awesome, he thinks, Yeah, you
• 44:48
  Speaker 4: have to find someone who can match your crazy. Some
• 44:51
  Speaker 4: kinds especially in twenty five. Yeah, and to raise.
• 44:56
  Speaker 2: Kids, I would be I'd be a probably celibate, right,
• 45:02
  Speaker 2: but uh, you know, I would uh slippery slope. Now
• 45:08
  Speaker 2: I feel it's I'm truly yeah, I don't want to
• 45:12
  Speaker 2: stay scared, but like, you know, kind of like for
• 45:14
  Speaker 2: my son, I'm like, you know, these well, he are okay,
• 45:16
  Speaker 2: he already has a girlfriend and her parents didn't know
• 45:21
  Speaker 2: until recently. But uh, I think she may be older
• 45:24
  Speaker 2: than him.
• 45:25
  Speaker 1: I don't know.
• 45:26
  Speaker 2: Well, hopefully she's she's in his grade though, But.
• 45:31
  Speaker 4: I mean, there's enough conspiracy theory conspiracy theorists out there
• 45:38
  Speaker 4: that are having kids. I think there could be hope
• 45:41
  Speaker 4: for the future. But we'll have to start like a
• 45:43
  Speaker 4: dating app for them so they can find each other
• 45:48
  Speaker 4: because we're all spread out right, they're gonna they're gonna
• 45:52
  Speaker 4: be homeschooled weirdos on a conspiracy theory dating site somewhere
• 45:57
  Speaker 4: in the near future.
• 45:59
  Speaker 2: That's a great idea we should, uh we could capitalize
• 46:03
  Speaker 2: on that. You should do that, Julia.
• 46:05
  Speaker 4: I mean, I'm bouncing my baby right now. I don't
• 46:08
  Speaker 4: think he's gonna be dating anytime soon. But I think
• 46:11
  Speaker 4: for your kids, and like the kids.
• 46:13
  Speaker 2: Have arranged marriages and yeah, I've already talked with with
• 46:19
  Speaker 2: Restore Christen, the Nephel and Murder Crew. God bless the
• 46:23
  Speaker 2: Pere because I think they may have betrothed their daughter
• 46:26
  Speaker 2: to my son. I don't know. So you got kid.
• 46:31
  Speaker 2: He can move the yard, and he can he can
• 46:33
  Speaker 2: change the oil and and and the jeep.
• 46:36
  Speaker 4: So that's all you need.
• 46:38
  Speaker 2: Yeah, he's a good kid. Uh, rough around the edges sometimes,
• 46:44
  Speaker 2: you know, he has a mouth on him.
• 46:46
  Speaker 4: That's all right.
• 46:48
  Speaker 2: He's opinion very much like me when I you know,
• 46:52
  Speaker 2: when your parents say, like, you need to be nice
• 46:54
  Speaker 2: to me because you know your kids will treat you
• 46:57
  Speaker 2: absolutely fucking right. There's anybody watching right now, I have
• 47:03
  Speaker 2: any God forbid, I have any teenage fans. Be nice
• 47:11
  Speaker 2: to your parents. Listen to them because they know what's
• 47:14
  Speaker 2: best for you, unless they are telling you that you
• 47:18
  Speaker 2: were the opposite.
• 47:18
  Speaker 4: Gender, unless they're trying to stab you with heavy metal vaccines.
• 47:26
  Speaker 2: That too, maybe distance.
• 47:29
  Speaker 4: Cut your penis off.
• 47:30
  Speaker 2: Well that yeah, yeah, anyway, I let's get back to uh.
• 47:37
  Speaker 4: You know, well, I so the whole thing, like with
• 47:41
  Speaker 4: that song and shit like that, is that there was
• 47:44
  Speaker 4: so many like weird sacrifices and shit going on around
• 47:48
  Speaker 4: the sixties, and I think it's continued on to today.
• 47:51
  Speaker 4: It just looks different, like Amy Winehouse and like some
• 47:55
  Speaker 4: shit like that. You can still find them if you
• 47:57
  Speaker 4: look for him, But the sixties was just rampant with
• 48:00
  Speaker 4: that shit. And one of the weirdest suicides that I
• 48:03
  Speaker 4: can't believe people still think is a suicide came from
• 48:07
  Speaker 4: the sixties, which was Marilyn Monroe. How people still think
• 48:12
  Speaker 4: that's a genuine suicide after all this time. I will
• 48:15
  Speaker 4: never fucking understand the breakdown.
• 48:18
  Speaker 2: What was like they said happen and then what you
• 48:22
  Speaker 2: found really happened.
• 48:24
  Speaker 4: Yeah, yeah, So you know, she was discovered supposedly working
• 48:31
  Speaker 4: in a factory during World War Two, but her backstory
• 48:35
  Speaker 4: is all hazy because she grew up in like an
• 48:37
  Speaker 4: orphanage or some shit like that. And I think they
• 48:40
  Speaker 4: look for kids and orphanages. I think they look for
• 48:43
  Speaker 4: like broken people and people that are easily manipulated to
• 48:48
  Speaker 4: turn them into these megastars, use them in programs, and
• 48:54
  Speaker 4: then later they become like weird sacrificial lambs. But Maryland,
• 49:00
  Speaker 4: all those boxes, like had no family already was fucked
• 49:06
  Speaker 4: up in the head, was desperate for attention, willing to
• 49:10
  Speaker 4: do anything for a successful career. I mean, she literally
• 49:14
  Speaker 4: checks all those boxes. And they changed her name, they
• 49:20
  Speaker 4: changed her face, they bleached her hair, they did all
• 49:23
  Speaker 4: of like the weird sex getting stuff to her, and
• 49:28
  Speaker 4: she ends up hanging out with like politicians. She's fucking
• 49:33
  Speaker 4: John F. Kennedy and his brother. Okay, some people don't
• 49:37
  Speaker 4: realize that she was fucking both of them and she
• 49:43
  Speaker 4: the police department even knew about it. They had some
• 49:46
  Speaker 4: kind of weird Marilyn Monroe file, uh, and it was
• 49:50
  Speaker 4: documented in there that she was fucking both of them
• 49:52
  Speaker 4: and that it was some type of national security full
• 50:00
  Speaker 4: because she was also fucking this guy that was a
• 50:02
  Speaker 4: part of the Soviet Union or something like that, a
• 50:06
  Speaker 4: Soviet spy. His name was Frederick Field. And so they
• 50:12
  Speaker 4: had this file on her, and she was fucking a
• 50:15
  Speaker 4: Chicago mafia boss name Sam g and Kannas. So she
• 50:20
  Speaker 4: was fucking the mob and our president and some Soviet
• 50:25
  Speaker 4: Union guy. And they had to keep tabs on her
• 50:29
  Speaker 4: because she was doing some weird sex kit and stuff
• 50:32
  Speaker 4: and obviously being used as an asset in some way,
• 50:38
  Speaker 4: and they needed to keep track of her so the
• 50:41
  Speaker 4: US government and separately the mob had her house and
• 50:46
  Speaker 4: her phone tapped, so they they heard all of her
• 50:50
  Speaker 4: phone calls and any conversation that went in the house.
• 50:56
  Speaker 4: So not only were the mob keeping tabs on her,
• 51:05
  Speaker 4: the US government was, so she was getting double tapped,
• 51:08
  Speaker 4: literally double tapped by the President and his brother, double
• 51:12
  Speaker 4: tapped by the mob, and the government double like literally
• 51:17
  Speaker 4: getting trained ran on her from all directions. Her phone's tapped,
• 51:22
  Speaker 4: her house is bugged place, even like her friends' houses
• 51:28
  Speaker 4: that she would like frequently go and spend time, their
• 51:31
  Speaker 4: houses were all bugged, and so they were keeping a
• 51:34
  Speaker 4: really close eye on her. And she pulled this stunt
• 51:40
  Speaker 4: at the President's birthday where everybody knows this. She wore
• 51:45
  Speaker 4: like a completely transparent see through dress saying happy birthday
• 51:51
  Speaker 4: to the president. She was actually uninvited from his birthday party,
• 51:58
  Speaker 4: and she was like, well, fuck you, I'm Marilyn Monroe.
• 52:01
  Speaker 4: I'm gonna show up. Anyways. Not only did she show up,
• 52:04
  Speaker 4: she showed up in a transparent dress. You could see
• 52:08
  Speaker 4: her whole ass in vagina hanging out and she was
• 52:13
  Speaker 4: hanging all over. Well that's I mean, that's a power move.
• 52:16
  Speaker 4: If I ever saw one. It's like, we disinvited you
• 52:19
  Speaker 4: from the party, and she's like, fuck you. Not only
• 52:22
  Speaker 4: am I coming, I'm gonna show up naked basically, and
• 52:26
  Speaker 4: I'm gonna sing to the president. So she pulled that
• 52:29
  Speaker 4: little stunt and it was like a like a month
• 52:33
  Speaker 4: later something like that, she shows up dead. Now they
• 52:38
  Speaker 4: say that she committed suicide. There is This is my problem,
• 52:43
  Speaker 4: and this is what I'll start with for anybody who's
• 52:45
  Speaker 4: gonna argue with me about this, because there is no argument. Really.
• 52:50
  Speaker 4: There is probably twenty thirty Marilyn Monroe documentaries out there
• 52:55
  Speaker 4: that people can tell me to watch, like, oh, look
• 52:57
  Speaker 4: how sad she was, Look how depressied she was. Look
• 53:01
  Speaker 4: she had a horrible life. Oh she had a bunch
• 53:03
  Speaker 4: of miscarriages and she just could never get over it.
• 53:05
  Speaker 4: That's why she killed herself. That's fine. And I'm sure
• 53:09
  Speaker 4: netflixon Hulu and Amazon Prime and HBO Max would love
• 53:14
  Speaker 4: for you to believe that Marilyn was just a severely
• 53:17
  Speaker 4: depressed pill head who just couldn't take one more fucking
• 53:25
  Speaker 4: undercover operation and she just had to end it. Whatever,
• 53:29
  Speaker 4: that's what they want you to believe. The forensic evidence,
• 53:35
  Speaker 4: not my opinion. My opinion would be, you know, I
• 53:41
  Speaker 4: think she didn't kill herself. This is different. This is
• 53:45
  Speaker 4: forensic evidence. This is not an opinion. She couldn't have
• 53:51
  Speaker 4: killed herself, so right, that's different. That's different from me
• 53:57
  Speaker 4: saying I believe she might have been like a sacrificial lamb.
• 54:03
  Speaker 4: That's an opinion. The evidence is they found that she
• 54:08
  Speaker 4: had sixty to seventy nimbutah in her system in nineteen
• 54:15
  Speaker 4: to twenty chloral hydrate tablets in her system. So let's
• 54:20
  Speaker 4: just break that down. The amount of nimbutol and chloral
• 54:27
  Speaker 4: hydrate found in her system, particularly her liver, would suggest
• 54:35
  Speaker 4: that she swallowed sixty to seventy nimbutah, which is a
• 54:38
  Speaker 4: sleeping pill, and nineteen to twenty chloral hydrate tablets. Fine,
• 54:45
  Speaker 4: that's a massive overdose. And I don't know anybody who
• 54:50
  Speaker 4: can dry swallow sixty to seventy nimbutah in nineteen to
• 54:54
  Speaker 4: twenty chloral hydrate tablets. And I'll tell you why she
• 54:57
  Speaker 4: would have had to dry swallow them in a minute.
• 55:01
  Speaker 4: But congrats for her if she was able to do that.
• 55:05
  Speaker 4: The problem is when they cracked her stomach open, there
• 55:10
  Speaker 4: were no tablets found in her stomach, No trace of
• 55:17
  Speaker 4: a tablet, no uh, fragments of a tablet, No refractive crystals,
• 55:24
  Speaker 4: which is what pills break down, as you know, as
• 55:29
  Speaker 4: they're digested, they turn into these refractive crystals. So no tablets,
• 55:35
  Speaker 4: no refractive crystals. And nimbutohl has like this weird yellow dye.
• 55:41
  Speaker 4: I guess that coats. It's like a candy coated motherfucker.
• 55:44
  Speaker 4: And there was none of that. So how then if
• 55:50
  Speaker 4: she killed herself by swallowing pills, which is what they
• 55:53
  Speaker 4: want you to believe, how is it then that she
• 55:56
  Speaker 4: has no trace whatsoever of any tablets in her stomach period.
• 56:06
  Speaker 2: Well, someone in the chat is saying that they shoved
• 56:08
  Speaker 2: them up her her ass.
• 56:12
  Speaker 4: They did, And I don't know a lot of people
• 56:17
  Speaker 4: who commit suicide by liquefying nimbutol and chlorohydrate and then
• 56:26
  Speaker 4: squirting it up their ass. I don't know a lot
• 56:28
  Speaker 4: of people who commit suicide that way. If you look
• 56:31
  Speaker 4: at all the newspapers, they took a picture of her
• 56:36
  Speaker 4: face down, completely naked, with the sheet barely covering her,
• 56:41
  Speaker 4: and some weirdo pointing at a bottle of pills next
• 56:45
  Speaker 4: to the nightstand, and the headline was like Maryland dead,
• 56:50
  Speaker 4: swallowed pills. They made sure to emphasize that she swallowed
• 56:55
  Speaker 4: pills and pointed at the pill bottle for this photo
• 56:58
  Speaker 4: shoot or whatever, and they kept like driving at home
• 57:04
  Speaker 4: that Maryland committed suicide by swallowing pills, swallowing pills. And
• 57:11
  Speaker 4: the officer, the first officer on the scene, his name
• 57:16
  Speaker 4: was Sergeant Jack Clemens. He said, when he arrived at
• 57:20
  Speaker 4: the scene, there was already a house full of people
• 57:23
  Speaker 4: there before they ever called the cops. They called like
• 57:28
  Speaker 4: her psychiatrist, and her primary care provider, and her publicist,
• 57:33
  Speaker 4: and like her maid was there, and there was just
• 57:36
  Speaker 4: a house full of people. And he said, there was
• 57:40
  Speaker 4: no pill bottle any fucking where when he got there.
• 57:46
  Speaker 4: There's no pill bottle in the room, there was no
• 57:48
  Speaker 4: pill bottle on the nightstand, there was no fucking pills anywhere.
• 57:54
  Speaker 4: There was no drinking glass anywhere. And actually Marylyn was
• 58:00
  Speaker 4: renovating her house at the time, and they had shut
• 58:02
  Speaker 4: the water off to her house. So if this is
• 58:06
  Speaker 4: what we're supposed to believe, and she dry swallowed sixty
• 58:11
  Speaker 4: to seventy nmbutah in nineteen to twenty chloral hydrate, she
• 58:16
  Speaker 4: would have had a dry swallow them, and there was
• 58:18
  Speaker 4: no drinking glass in the room, and there was no
• 58:21
  Speaker 4: bottle of pills in the room, and there's no tablets
• 58:25
  Speaker 4: in her stomach when they do the autopsy. So you
• 58:27
  Speaker 4: explained to me how that fucking makes sense at all
• 58:30
  Speaker 4: for a classic suicide case. And right before, like the
• 58:36
  Speaker 4: uh newspaper people and all, like the tabloid whatever, before
• 58:43
  Speaker 4: they got there, Sergeant Jack Clemens left the room to
• 58:48
  Speaker 4: interview the housekeeper, and when he got back, there goes
• 58:51
  Speaker 4: a drinking glass and a bottle of pills next to
• 58:54
  Speaker 4: the nightstand, right before its fucking photo shoot time. So
• 59:00
  Speaker 4: I mean literally, and this guy wasn't allowed to testify, disallowed.
• 59:06
  Speaker 2: To kind of like that guy from January sixth, right,
• 59:09
  Speaker 2: uh ray uh ray Epps. You remember that guy that
• 59:13
  Speaker 2: had the maga hat on was telling everyone to go
• 59:16
  Speaker 2: in the capitol and then you know everyone was calling
• 59:19
  Speaker 2: him a fed and he was kind of like.
• 59:22
  Speaker 4: Right, I mean, if you have something, if you have
• 59:26
  Speaker 4: anything worthwhile to say at all, you're gonna be disallowed
• 59:30
  Speaker 4: from fucking saying anything because this sergeant, he said, in
• 59:37
  Speaker 4: his experience when he has responded to a murder scene,
• 59:44
  Speaker 4: crime scene death scene whatever, And the person has overdosed
• 59:49
  Speaker 4: themselves on like orally on sedative drugs or whatever. Your
• 59:58
  Speaker 4: body goes into like evacuation mode. Halfway through digesting the.
• 1:00:05
  Speaker 2: Amount of can you start shitting everywhere?
• 1:00:08
  Speaker 4: You start puking everywhere? Nice, because your body's like trying
• 1:00:14
  Speaker 4: to keep you alive. So like halfway through digesting that
• 1:00:17
  Speaker 4: overload of medication you just took, you start fucking projectile
• 1:00:22
  Speaker 4: vomiting everywhere. And the sergeant that responded to the nine
• 1:00:27
  Speaker 4: to one to one call or whatever for Maryland, he said,
• 1:00:31
  Speaker 4: it was the cleanest death scene i've especially if this
• 1:00:37
  Speaker 4: is supposed to be a suicide by oral overdose. There's
• 1:00:41
  Speaker 4: no vomit anywhere. The sheets look freshly cleaned. It was
• 1:00:47
  Speaker 4: like when he got there, the housekeeper was on. She said,
• 1:00:51
  Speaker 4: like her third load of laundry or something like that,
• 1:00:54
  Speaker 4: so the sheets looked freshly laundered. There's no vomit anywhere,
• 1:00:59
  Speaker 4: There's no nothing on her face. Nothing. I mean, when
• 1:01:02
  Speaker 4: you when your body starts evacuating this ship, you almost
• 1:01:06
  Speaker 4: have to wonder if part of your death is an aspiration,
• 1:01:10
  Speaker 4: because you're you're.
• 1:01:12
  Speaker 2: Just did anyone see her that night?
• 1:01:16
  Speaker 4: Robert Kennedy saw her that morning.
• 1:01:18
  Speaker 2: That's that's that's where I was getting to. What do
• 1:01:22
  Speaker 2: you think the Kennedy brothers besides uh, double teaming her?
• 1:01:31
  Speaker 2: It's interesting, what do you think they are? I mean,
• 1:01:37
  Speaker 2: what knowledge did they give to her? Because they I
• 1:01:39
  Speaker 2: think it was definitely things that they told her that
• 1:01:43
  Speaker 2: other people figured out she knew and they were.
• 1:01:45
  Speaker 4: Like, hey, definitely, definitely and if.
• 1:01:50
  Speaker 2: You get on you gotta go and your brother. Yeah.
• 1:01:55
  Speaker 4: The fact that the Kennedy brothers died not long after Marylyn,
• 1:02:01
  Speaker 4: A lot of people want to go, oh, it was
• 1:02:03
  Speaker 4: the Kennedy brothers that got Marylyn killed. I don't think so,
• 1:02:06
  Speaker 4: because they got killed too. It's actually a third party
• 1:02:12
  Speaker 4: that wanted all of them dead. Yeah. Probably, And he's
• 1:02:19
  Speaker 4: a mass murderer. If people don't know that, there was
• 1:02:23
  Speaker 4: this guy I think his name was Mac something or
• 1:02:26
  Speaker 4: other that used to be like his hit man, and
• 1:02:30
  Speaker 4: he murdered this dude. He sent this Lyndon B. Johnson
• 1:02:34
  Speaker 4: sent his hit man, his name is Mac something, to
• 1:02:38
  Speaker 4: this dude's house that had discovered he was laundering money.
• 1:02:43
  Speaker 4: He blasted him in the chest with a shotgun like
• 1:02:46
  Speaker 4: eight times, and then they had it ruled a suicide.
• 1:02:53
  Speaker 4: So I don't know how in the world after you've
• 1:02:55
  Speaker 4: loaded and blasted yourself in the chest with a shot gun,
• 1:03:00
  Speaker 4: once you get back up and then you seven more
• 1:03:05
  Speaker 4: times should blast your own self in the chest and
• 1:03:10
  Speaker 4: all while having he had like a chloroform rag over
• 1:03:17
  Speaker 4: his face, so he chloroformed himself and then blasted his
• 1:03:22
  Speaker 4: own chest out with a shotgun eight times. According to
• 1:03:24
  Speaker 4: Lyndon B. Johnson, like the guy's the scumbag. The guy's
• 1:03:29
  Speaker 4: literally a mass murderer for those who don't know. So
• 1:03:34
  Speaker 4: who then is responsible for Maryland's death if it wasn't
• 1:03:39
  Speaker 4: the Kennedy brothers, because I think that they were set
• 1:03:41
  Speaker 4: up to make it look like it was the Kennedy brothers.
• 1:03:45
  Speaker 4: John F. Kennedy had really pissed off the mob in
• 1:03:49
  Speaker 4: more ways than one. He said that, you know, he
• 1:03:53
  Speaker 4: got all of their support when it was like time
• 1:03:56
  Speaker 4: to like run for office and shit, and then when
• 1:03:58
  Speaker 4: he got in there, yeah, he basically like.
• 1:04:04
  Speaker 2: Attorney general and then he went after.
• 1:04:07
  Speaker 4: Them and he yeah, like he went after them after
• 1:04:12
  Speaker 4: they fucking helped him out, So you know, stay with dad.
• 1:04:16
  Speaker 2: Joe Kennedy was a bootlegger bloodline and Illuminati bloodline allegedly right, yeah, and.
• 1:04:29
  Speaker 4: He's supposedly gay. Their dad had like some weird guy
• 1:04:34
  Speaker 4: that was just like lived with them at the White
• 1:04:37
  Speaker 4: House and ship like that or wherever they were living.
• 1:04:43
  Speaker 4: But because Robert visited Maryland that morning, the neighbors reported
• 1:04:49
  Speaker 4: them fighting and hearing them screaming at each other, and
• 1:04:54
  Speaker 4: then he left and she died that night, and a
• 1:04:57
  Speaker 4: lot of people think, oh, it had to be the
• 1:04:59
  Speaker 4: Kennedy brother I mean, she was fighting with them, she
• 1:05:01
  Speaker 4: was doing whatever I heard. House was tapped by the
• 1:05:05
  Speaker 4: government and the mob. I think that the mob set
• 1:05:10
  Speaker 4: it up to look like it was the Kennedy brothers.
• 1:05:15
  Speaker 4: But they had actually made a habit out of killing
• 1:05:20
  Speaker 4: people by deadly enemas. That was like one of their things.
• 1:05:23
  Speaker 4: That was like their go to thing. If they wanted
• 1:05:27
  Speaker 4: like an untraceable type of death, not to stab them
• 1:05:31
  Speaker 4: or shoot them or whatever, they would give people deadly enemas.
• 1:05:38
  Speaker 4: And that's what Marilyn got. Her colon was purple, it
• 1:05:43
  Speaker 4: was swollen, it was twice the size that it should
• 1:05:46
  Speaker 4: have been. She had bruises on the back of both
• 1:05:51
  Speaker 4: of her legs like she had been held down. She
• 1:05:54
  Speaker 4: had bruises on her butt cheeks, and so I don't
• 1:05:57
  Speaker 4: know a lot of people who commit suicide by holding
• 1:06:02
  Speaker 4: their own self down, Like how was she a contortionist
• 1:06:06
  Speaker 4: to she gave herself bruises on the backs of her
• 1:06:10
  Speaker 4: legs and her butt cheeks. And she also then like
• 1:06:15
  Speaker 4: shoved a huge dildo up her ass, but took it
• 1:06:17
  Speaker 4: out right before she died, Like why, Like the forensic
• 1:06:20
  Speaker 4: evidence does not suggest that this was a suicide whatsoever.
• 1:06:24
  Speaker 4: And she actually she had called her hair girl like
• 1:06:35
  Speaker 4: thirty minutes before she died and was like, hey, girl,
• 1:06:39
  Speaker 4: just want to let you know I'm gonna make it
• 1:06:41
  Speaker 4: to my appointment tomorrow morning, looking forward to it. Whatever.
• 1:06:44
  Speaker 4: And that was like the last phone call she made.
• 1:06:47
  Speaker 4: And it's like, why would you, like in the throes
• 1:06:50
  Speaker 4: of murdering yourself, why are you gonna call and like
• 1:06:53
  Speaker 4: confirm your hair appointment for the next day and shit
• 1:06:55
  Speaker 4: like that, Like none of it made sense whatsoever. She
• 1:07:00
  Speaker 4: also had something called.
• 1:07:04
  Speaker 2: Oh what is it.
• 1:07:09
  Speaker 4: Where you die so fast cyanosis? You die so rapidly
• 1:07:13
  Speaker 4: that like your blood vessels burst and if you if
• 1:07:19
  Speaker 4: you take it like a sedative overdose, you die real
• 1:07:23
  Speaker 4: slow as your body digests the medications, and then you
• 1:07:27
  Speaker 4: go through like the agonal phases where you're vomiting and
• 1:07:31
  Speaker 4: like shitting or whatever. None of that was none of
• 1:07:34
  Speaker 4: that was clear in Marylyn's death. Actually it was the
• 1:07:39
  Speaker 4: opposite where if you, if you like, took a massive overdose,
• 1:07:44
  Speaker 4: like if you like injected yourself with a massive overdose,
• 1:07:47
  Speaker 4: you would have cyanosis.
• 1:07:48
  Speaker 2: I would just say, shout out another fellow reject of ours,
• 1:07:54
  Speaker 2: Robbie Marsh. He says, injections behind the knees and underarm.
• 1:08:00
  Speaker 2: So I mean that mm hmm, that lines. I mean
• 1:08:05
  Speaker 2: that's probably how most people, you know, when when it's
• 1:08:08
  Speaker 2: made to look a certain way, you know it's it's
• 1:08:12
  Speaker 2: it's the opposite, right.
• 1:08:13
  Speaker 4: It is the opposite. I mean, and they're they're so
• 1:08:17
  Speaker 4: slick about it too. But if you know what you're
• 1:08:18
  Speaker 4: looking for, obviously, like with the autopsy, it's not there's
• 1:08:23
  Speaker 4: no indication that she killed herself whatsoever. She had lividity markings.
• 1:08:30
  Speaker 4: That so, lividity is when your blood settles after you die.
• 1:08:35
  Speaker 4: Every dead body is going to have lividity markings. But
• 1:08:38
  Speaker 4: what the lividity markings in Maryland's case showed is that
• 1:08:42
  Speaker 4: she died face down in what's called the soldier's position,
• 1:08:46
  Speaker 4: with her arms and legs down and at the sides,
• 1:08:51
  Speaker 4: with her head hanging off the bed, and then at
• 1:08:54
  Speaker 4: some point after her death, she was rolled over onto
• 1:08:57
  Speaker 4: her back for a considerable period of time they say,
• 1:09:00
  Speaker 4: probably four hours, and then at some point before Sergeant
• 1:09:04
  Speaker 4: Clemens arrived, she was rolled back into the face down
• 1:09:08
  Speaker 4: death position. So again not my opinion, this is the forensic.
• 1:09:14
  Speaker 4: Her fucking body showed lividity markings, showed that she had
• 1:09:19
  Speaker 4: been moved several times after how many fucking dead people
• 1:09:22
  Speaker 4: do you know that just rolls around like are you
• 1:09:25
  Speaker 4: kidding me? Like bloated and like I don't know, Oh,
• 1:09:29
  Speaker 4: I mean, it's like she killed herself. She committed suicide,
• 1:09:33
  Speaker 4: she took all these pills, and then after she died,
• 1:09:35
  Speaker 4: she rolled around in the bed for a couple hours,
• 1:09:38
  Speaker 4: Like none of this is making sense for the story.
• 1:09:41
  Speaker 2: And well, I was gonna ask you we we had
• 1:09:46
  Speaker 2: the keen kill ritual that that we've seen with JFK
• 1:09:49
  Speaker 2: and like Franz Ferdinand and like all these other people,
• 1:09:54
  Speaker 2: is there I wonder if there's some kind of uh,
• 1:10:00
  Speaker 2: I don't know, feminine occult like to some kind of
• 1:10:05
  Speaker 2: I will tell you that I think that.
• 1:10:09
  Speaker 4: I think that there is. And this is where I
• 1:10:13
  Speaker 4: kind of talk about eyes wide shut and like the
• 1:10:16
  Speaker 4: weird rituals they have with women, and like being naked.
• 1:10:21
  Speaker 4: And she was a sex symbol. She was known for
• 1:10:24
  Speaker 4: being gorgeous, beautiful, could have whoever she wanted, literally the president.
• 1:10:30
  Speaker 4: And in the death photos, she's naked, no makeup on,
• 1:10:35
  Speaker 4: her hair's all matted to her head. She looks horrible,
• 1:10:39
  Speaker 4: she looks almost like unrecognizable. And I do think it
• 1:10:45
  Speaker 4: was like a humiliation ritual for her. And the address
• 1:10:51
  Speaker 4: in the house where she was murdered was six oh
• 1:10:55
  Speaker 4: five Helena Drive or something like that.
• 1:10:58
  Speaker 2: Let me find it, and clockwasse says the horror Babylon archetype. Yeah,
• 1:11:04
  Speaker 2: but you could also put Princess Diana under.
• 1:11:08
  Speaker 4: The same yeah.
• 1:11:09
  Speaker 2: Ye, and she wasn't really the same boat, but she wasn't.
• 1:11:12
  Speaker 2: She was more of like a U. And this is
• 1:11:16
  Speaker 2: just a what would be like a euphemism or metaphor,
• 1:11:19
  Speaker 2: because Mother Teresa, we know now, was a terrible person,
• 1:11:23
  Speaker 2: but like a Mother Teresa type figure, you know.
• 1:11:28
  Speaker 4: But yeah, I mean so she definitely was like the
• 1:11:33
  Speaker 4: horror of Babylon or whatever she was in these weird
• 1:11:37
  Speaker 4: sex kitten operations, and so the address was one two
• 1:11:43
  Speaker 4: three oh five fifth Helena Drive. And the little girl
• 1:11:49
  Speaker 4: in Eyes Wide Shut that gets sacrificed at the end
• 1:11:52
  Speaker 4: in my opinion, because she's being led off by two
• 1:11:55
  Speaker 4: dudes at the end of the movie and her mom
• 1:11:59
  Speaker 4: is Alice. Right, And I don't know if you've paid
• 1:12:02
  Speaker 4: much attention to that movie, but it's like just a
• 1:12:04
  Speaker 4: big it's all about like weird ritualistic shit. But the
• 1:12:08
  Speaker 4: little girl in Eyes White Chat her name is Helena,
• 1:12:11
  Speaker 4: and I do think that there is like some it's
• 1:12:14
  Speaker 4: they could have really murdered her anywhere.
• 1:12:16
  Speaker 2: Well they that's they took her at at the end, right,
• 1:12:20
  Speaker 2: They Yeah, they did.
• 1:12:21
  Speaker 4: The little girl. They took her at the very end
• 1:12:24
  Speaker 4: of the movie.
• 1:12:25
  Speaker 2: You know, no one if you don't know what to
• 1:12:28
  Speaker 2: look for. I'm sure they first saw that in theaters,
• 1:12:32
  Speaker 2: saw that and were just like, you know, just like, oh,
• 1:12:35
  Speaker 2: they're just in a toy store.
• 1:12:37
  Speaker 3: Well.
• 1:12:37
  Speaker 4: The crazy part about that too, is like if you
• 1:12:40
  Speaker 4: look in the toy store as they're walking down the aisles,
• 1:12:44
  Speaker 4: there's a there's a gentleman. Gentleman's preferd Blondes, Marilyn Monroe,
• 1:12:48
  Speaker 4: Barbie and it's like right there in in like the
• 1:12:54
  Speaker 4: side of the isle, and you know, you talk about
• 1:12:58
  Speaker 4: Princess Diana. The song Candle in the Wind is Elton John.
• 1:13:05
  Speaker 4: He talks a lot about writing his songs in which language.
• 1:13:09
  Speaker 4: He wrote Candle in the Wind for Maryland, and then
• 1:13:12
  Speaker 4: when Princess Diana died, he rewrote the lyrics and sang
• 1:13:16
  Speaker 4: it at her funeral. So it's just it's all connected.
• 1:13:21
  Speaker 4: It's all ritualistic. And I know Diana didn't die in
• 1:13:26
  Speaker 4: the sixties, but Maryland did, and so did you know JFK.
• 1:13:31
  Speaker 4: And it's again, it's like this weird like people getting
• 1:13:36
  Speaker 4: stabbed to death of concerts, Hippie movement, Vietnam War, Marilyn
• 1:13:42
  Speaker 4: Monroe's suicide, like all this stuff. It's like what a
• 1:13:46
  Speaker 4: time to be alive. Really in the nineteen sixties. I'm
• 1:13:50
  Speaker 4: surprised anyone even made it the fuck out.
• 1:13:56
  Speaker 2: And I mean you could say that, I'm sure. I
• 1:13:59
  Speaker 2: mean people made it out mentally.
• 1:14:01
  Speaker 4: You know, right, And like that's got to play a
• 1:14:04
  Speaker 4: part in like the way that like how we've ended
• 1:14:08
  Speaker 4: up here, because it was so successful that they just
• 1:14:11
  Speaker 4: kept repeating it.
• 1:14:12
  Speaker 2: Well, I think there was a veil that was opened
• 1:14:14
  Speaker 2: up during that time, and then a veil a little
• 1:14:17
  Speaker 2: later on with nine to eleven, and uh, you know
• 1:14:20
  Speaker 2: they're shorely uh completing these smaller like all these smaller
• 1:14:27
  Speaker 2: sacrificial rides in these little rituals here and there for
• 1:14:31
  Speaker 2: this much larger uh much larger ritual.
• 1:14:36
  Speaker 4: Oh yeah. And the thing too is like the guy
• 1:14:41
  Speaker 4: who did Marilyn's autopsy, he he couldn't believe his eyes
• 1:14:48
  Speaker 4: basically when he saw all this because he was like, oh,
• 1:14:50
  Speaker 4: she didn't kill herself. And he went to like retest
• 1:14:54
  Speaker 4: all the samples of her organs, and somebody had fucking
• 1:14:57
  Speaker 4: taken them all and they were gone. They had this
• 1:15:00
  Speaker 4: disappeared and some guy from like the Pentagon took the
• 1:15:04
  Speaker 4: file with all the shit and they he never saw
• 1:15:07
  Speaker 4: it again, and her body went missing for like four
• 1:15:10
  Speaker 4: hours or something like that before her funeral. And you know,
• 1:15:17
  Speaker 4: it's like you it's like, literally, for anybody who pays
• 1:15:20
  Speaker 4: like thirty minutes of attention to Marilyn's suicide quote unquote,
• 1:15:25
  Speaker 4: we'll find out that they've been running game on us,
• 1:15:29
  Speaker 4: suiciding people for forever long. I mean, like, that's why
• 1:15:34
  Speaker 4: I don't know.
• 1:15:34
  Speaker 2: This information and still think it and think anything different
• 1:15:38
  Speaker 2: than than she was. Becuse they come out with the
• 1:15:40
  Speaker 2: sacrificed by.
• 1:15:42
  Speaker 4: The Netflix documentaries.
• 1:15:44
  Speaker 2: Fucking Netflix, because oh, she was.
• 1:15:47
  Speaker 4: So sad and she was depressed. You know, sometimes I
• 1:15:50
  Speaker 4: feel a little blue. Okay, sometimes I'm having a bad day.
• 1:15:54
  Speaker 4: I'm not even Marilyn Monroe. I can't imagine the type
• 1:15:57
  Speaker 4: of life she had, or how fucked up she was,
• 1:15:59
  Speaker 4: or how sad she was. But she didn't kill herself, right, Like,
• 1:16:05
  Speaker 4: you can be depressed and not kill yourself. Like those
• 1:16:08
  Speaker 4: two things can exist at the same time. You can
• 1:16:11
  Speaker 4: be Marilyn Monroe. You can be depressed, you can have
• 1:16:15
  Speaker 4: a shitty life and still not want to kill yourself.
• 1:16:21
  Speaker 4: I mean, she was getting help, like she was having
• 1:16:25
  Speaker 4: trouble sleeping and shit like that. But all of her
• 1:16:28
  Speaker 4: psychiatrist sessions were taped, and when you listen back to
• 1:16:32
  Speaker 4: those tapes, she was actually really hopeful for the future.
• 1:16:35
  Speaker 4: She was working on like a bunch of like new
• 1:16:39
  Speaker 4: projects and movies and all this shit, and she was
• 1:16:43
  Speaker 4: you know, it's like people who are hopeful for the future,
• 1:16:47
  Speaker 4: who confirmed their hair appointment for the next morning, Like,
• 1:16:52
  Speaker 4: these aren't usually the people that suicide themselves, right, Yeah,
• 1:16:59
  Speaker 4: it's so funny.
• 1:17:00
  Speaker 2: You see that happened so much in that in that industry, right,
• 1:17:04
  Speaker 2: and it's because you know, maybe some some of the
• 1:17:07
  Speaker 2: people were really sad and trying to escape demons that
• 1:17:12
  Speaker 2: that they really couldn't shake.
• 1:17:14
  Speaker 4: Okay, yeah, but you can say that about Kurt Cobain, and.
• 1:17:18
  Speaker 5: He didn't kill himself either, right, Right when you look
• 1:17:23
  Speaker 5: at it, it's like, well wait a minute, I mean,
• 1:17:26
  Speaker 5: you know, yeah, that could be true, but the evidence
• 1:17:30
  Speaker 5: it's like your your your eyes aren't lying to.
• 1:17:32
  Speaker 2: You, you know what I mean.
• 1:17:34
  Speaker 4: He pulled the trigger with his fucking shoe on his
• 1:17:38
  Speaker 4: fucking like the way that he would have had to
• 1:17:40
  Speaker 4: have killed himself, he would have had to use his
• 1:17:42
  Speaker 4: toe to pull the right before he shot himself. He
• 1:17:46
  Speaker 4: also went downstairs and slashed his own tires. And like
• 1:17:50
  Speaker 4: it's like, okay, like I said, you can be a
• 1:17:53
  Speaker 4: tortured soul, Okay, you can be a terribly miserable person
• 1:17:58
  Speaker 4: but still get murdered, right, Amy Winehouse, Britney Murphy, Kurt Cobain,
• 1:18:05
  Speaker 4: Marilyn Monroe. People need to look at this shit. They
• 1:18:08
  Speaker 4: did not kill themselves.
• 1:18:10
  Speaker 2: You could say it was ritualistic, but at the same time,
• 1:18:13
  Speaker 2: it could have been because they were trying to speak
• 1:18:16
  Speaker 2: up about something.
• 1:18:17
  Speaker 4: You know, and or it was time to pay the
• 1:18:20
  Speaker 4: fiddler who fucking knows.
• 1:18:22
  Speaker 2: Yeah, they could have known, like I said earlier, they
• 1:18:24
  Speaker 2: could have known that they were gonna be offered up
• 1:18:27
  Speaker 2: for a sacrifice. M hmm one day.
• 1:18:30
  Speaker 4: You know, like they didn't know when their time was
• 1:18:35
  Speaker 4: gonna come, but they knew that it was gonna come
• 1:18:39
  Speaker 4: around eventually. But I you know, they used music and
• 1:18:43
  Speaker 4: movies and actresses and whatever. We fall in love with
• 1:18:48
  Speaker 4: these people. We idolize these people like the you know,
• 1:18:52
  Speaker 4: they say golden idols or whatever, and then they murder
• 1:18:56
  Speaker 4: them in front of us. And then they say, like
• 1:18:58
  Speaker 4: they killed themselves and how sad it is, And it's
• 1:19:04
  Speaker 4: all part it's all part of the programming. It's all
• 1:19:06
  Speaker 4: part of like the trauma based mind control. You know,
• 1:19:12
  Speaker 4: all of the people that you idolize as a kid,
• 1:19:16
  Speaker 4: you grow up and realize that they were their parents
• 1:19:19
  Speaker 4: were in the military, and this it was all fake
• 1:19:22
  Speaker 4: and staged and they you know, it's just it's a shame, really.
• 1:19:28
  Speaker 2: It's it's sad. Yeah, No, it's it's actually very sad.
• 1:19:33
  Speaker 2: And it's like, you know, where these people's souls at
• 1:19:36
  Speaker 2: when when this happens, Like where are where are they? Spiritually?
• 1:19:41
  Speaker 4: M Yeah, And I mean it's kind of like what
• 1:19:47
  Speaker 4: you were saying at the beginning of the episode. And
• 1:19:49
  Speaker 4: that's why I asked you. I do think at some level,
• 1:19:54
  Speaker 4: Hollywood industry, you know, like the entertainment industry, the government, uh,
• 1:20:03
  Speaker 4: they're NASA, they're all in cahoots with spiritualism that we
• 1:20:11
  Speaker 4: don't understand. There is a war for your soul and
• 1:20:18
  Speaker 4: we're victims of it. Even someone like you and I
• 1:20:24
  Speaker 4: who try to like understand this shit, we still get
• 1:20:27
  Speaker 4: caught up in it, right because we all have music
• 1:20:30
  Speaker 4: and movies and shit that we like to like listen
• 1:20:32
  Speaker 4: to and watch and whatever. And it's it's like they
• 1:20:38
  Speaker 4: if it wasn't successful, they wouldn't do it. If it
• 1:20:42
  Speaker 4: if they weren't getting results, they would stop doing it.
• 1:20:47
  Speaker 4: Laurel Canyon. Music is great and everybody loves it. It
• 1:20:50
  Speaker 4: sounds wonderful. Nirvana was great. Everybody loved it. It was wonderful.
• 1:20:57
  Speaker 4: Disney Channel, everybody loved it was wonderful. I mean, like
• 1:21:03
  Speaker 4: they they literally draw us in with like magic.
• 1:21:07
  Speaker 2: Oh sorry, you're good, You're good. No, well, speaking of magic,
• 1:21:12
  Speaker 2: yeah no, And that's one main component behind it, I think.
• 1:21:18
  Speaker 2: And it's been like this since antiquity.
• 1:21:20
  Speaker 4: Oh yeah, this old black magic.
• 1:21:25
  Speaker 2: Yeah, there's been the rulers and the elite class, and
• 1:21:28
  Speaker 2: people think that, you know, they're at the top. What
• 1:21:31
  Speaker 2: they don't know is that the people really pulling the
• 1:21:34
  Speaker 2: strings are the priests, the king priests, so to say,
• 1:21:40
  Speaker 2: of these ancient of these ancient cults, these ancient mystery cults,
• 1:21:45
  Speaker 2: and uh, you know, they are the ones that communicate
• 1:21:49
  Speaker 2: with the gods or with their God, with their certain
• 1:21:53
  Speaker 2: deity whoever they worship.
• 1:21:57
  Speaker 4: And well it's just like in the Bible, you know,
• 1:22:00
  Speaker 4: Psalms means songs, and David danced before the Lord and
• 1:22:07
  Speaker 4: sing a new song, and like there is so many
• 1:22:10
  Speaker 4: references to like dance and singing and vibration, and.
• 1:22:16
  Speaker 2: There's references to I mean, there's stuff that aligns with
• 1:22:20
  Speaker 2: the Druidic mystery schools. And people may not know this,
• 1:22:26
  Speaker 2: but Jacob when he wrestles with God, is he is
• 1:22:28
  Speaker 2: going through an initiation the Yeah, it's Moses was doing
• 1:22:36
  Speaker 2: magic in the desert. He was, he was out there
• 1:22:40
  Speaker 2: talking to multiple entities and they were.
• 1:22:45
  Speaker 4: Tricks and ship by fire, blittant.
• 1:22:47
  Speaker 2: Fire at night, by clouds that day. And you know,
• 1:22:52
  Speaker 2: I mean he came from kimm It, where alchemy was created.
• 1:22:56
  Speaker 2: You know, I have a theory that he was an
• 1:22:59
  Speaker 2: out chemists. He's been portrayed with the alchemical horns coming
• 1:23:03
  Speaker 2: from his uh you know, his light. You know, some
• 1:23:05
  Speaker 2: people why is Moses portrayed with horns? And it's like, yeah,
• 1:23:08
  Speaker 2: well why was he holding the caduceus?
• 1:23:11
  Speaker 4: And he was raised as a prince of Egypt.
• 1:23:15
  Speaker 2: He was raised in the mystery schools.
• 1:23:19
  Speaker 4: That's what I'm saying.
• 1:23:20
  Speaker 2: Yeah, yeah, yeah, all the all the he was raised
• 1:23:24
  Speaker 2: in the uh the main castle or you know, the
• 1:23:28
  Speaker 2: main the main uh palace. All the elite, Yeah, all
• 1:23:33
  Speaker 2: the royalty and the elite were all involved in the mysteries.
• 1:23:37
  Speaker 2: And they themselves would you know, they didn't, like I said,
• 1:23:40
  Speaker 2: they didn't communicate with the gods. That was for the priests.
• 1:23:43
  Speaker 2: They still they had to say and and and everything.
• 1:23:48
  Speaker 4: Uh.
• 1:23:48
  Speaker 2: That's well that's if if you know the or the
• 1:23:56
  Speaker 2: if the god was not there physically, you know, manifesting
• 1:24:01
  Speaker 2: or whatever, that's that's another story, because you know, once
• 1:24:05
  Speaker 2: in Egypt the gods walked among men.
• 1:24:08
  Speaker 4: So but that's because they don't they don't want you
• 1:24:13
  Speaker 4: to think that the hieroglyphics could be literal, but they probably.
• 1:24:18
  Speaker 2: Are the literal and symbolic, you know, the ave so
• 1:24:22
  Speaker 2: below the microcosm macrocosm. You know, I definitely think what
• 1:24:30
  Speaker 2: happens in other realms manifest here for sure.
• 1:24:37
  Speaker 4: Yeah, I think this is about all the time I'm
• 1:24:40
  Speaker 4: gonna have with little stinker.
• 1:24:42
  Speaker 1: I know, I know.
• 1:24:43
  Speaker 2: I was about to say, we're probably gonna get out
• 1:24:45
  Speaker 2: of here, here and here in a minute. Guys, Julia,
• 1:24:47
  Speaker 2: this was fun and we need to get together sometime
• 1:24:53
  Speaker 2: some other time, maybe on on a weekend when I
• 1:24:55
  Speaker 2: haven't when I haven't worked all day. I you know,
• 1:24:57
  Speaker 2: I always give myself a hard time, and I'm like
• 1:24:59
  Speaker 2: I I never think that I do a good job
• 1:25:02
  Speaker 2: during the week, but then my audience tells me differently.
• 1:25:06
  Speaker 2: So wow, I think it.
• 1:25:09
  Speaker 4: Was a great conversation. It was last I love talking
• 1:25:14
  Speaker 4: about football.
• 1:25:16
  Speaker 2: Well, there's so much more that we could get into.
• 1:25:18
  Speaker 2: So if you want to go ahead and tell people
• 1:25:20
  Speaker 2: where they can find you, and you can go ahead
• 1:25:23
  Speaker 2: and get out of here. If you need to just
• 1:25:25
  Speaker 2: tell people where they can find you, and if there's
• 1:25:27
  Speaker 2: anything that you got coming soon. Yeah, I am a.
• 1:25:33
  Speaker 4: New mom, so I'm doing the best I can every day.
• 1:25:37
  Speaker 4: But yeah, Cosmic podcasts wherever you listen to podcasts, we have.
• 1:25:42
  Speaker 2: It pulled up and I'll put it in the description.
• 1:25:44
  Speaker 2: So and uh, I'll have to get you back on again.
• 1:25:49
  Speaker 2: I need to introduce you to my wife and maybe
• 1:25:52
  Speaker 2: you can go on her podcast. She barely has time
• 1:25:54
  Speaker 2: to do it, but she's trying. She'll she'll be trying
• 1:25:58
  Speaker 2: here soon to do a few episodes, so Honor trying
• 1:26:02
  Speaker 2: to hook her up with some people.
• 1:26:03
  Speaker 4: So I would love to have her on my show
• 1:26:09
  Speaker 4: or go on her show whichever.
• 1:26:11
  Speaker 2: Yeah, for sure, for sure, And yeah we could definitely
• 1:26:14
  Speaker 2: do that. Me and you could do a swapcast. You
• 1:26:15
  Speaker 2: have Colby Khan and you know we can. I'm sure
• 1:26:18
  Speaker 2: I'll see you soon on an Occult Reject show. But
• 1:26:22
  Speaker 2: I appreciate you coming hanging out with me tonight. I'm
• 1:26:25
  Speaker 2: glad you finally booked. I'm glad I finally made a
• 1:26:27
  Speaker 2: callen Lee so you could because before that, my scheduling
• 1:26:30
  Speaker 2: was dog shit but anyway, thank you Julia. Guys, go
• 1:26:37
  Speaker 2: subscribe to Julia's channel, and yeah, go to her patreon.
• 1:26:42
  Speaker 2: Let her patreon support her, support her baby, her beautiful
• 1:26:47
  Speaker 2: little baby who got to join us for the episode
• 1:26:51
  Speaker 2: tonight as well. Y'all have a good, good rest of
• 1:26:54
  Speaker 2: your week and I'm sure I'll see you all this weekend. Guys,
• 1:26:57
  Speaker 2: stay great, pilled later.
• 1:26:59
  Speaker 1: When to Sponge.
• 1:27:02
  Speaker 2: To be no Joe and then you.
• 1:27:13
  Speaker 3: Dies, don't you and somebody in love? Don't to need
• 1:27:19
  Speaker 3: somebody in love. And to that somebody love, you find
• 1:27:26
  Speaker 3: somebody in the love
• 1:27:29
  Speaker 1: Love