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Angela Rye and more · The Breakfast Club

• 0:00
  Speaker 1: It's time time to wake up teaching Intel and Charlott,
• 0:06
  Speaker 1: I mean the doctor to practice club bitching, the voice
• 0:09
  Speaker 1: of the culture. People watch The Breakfast Club for like
• 0:12
  Speaker 1: news to really be tuned in. It's one of my
• 0:14
  Speaker 1: favorite shows to dude, just because y'all all wish keeping
• 0:17
  Speaker 1: one hunting, y'all, keep it real. They might not watch
• 0:19
  Speaker 1: the news, but they're on Twitter, they're on Facebook, they're
• 0:22
  Speaker 1: you know, they're listening to the break of the Club.
• 0:24
  Speaker 1: Gets your ass, wake up, wake up, wake y'all, as
• 0:30
  Speaker 1: this is your time to get it off your chat
• 0:33
  Speaker 1: with your man of Blake. We want to hear from
• 0:35
  Speaker 1: you on the Breakfast Block. We got on the line. Oh,
• 0:37
  Speaker 1: good morning and good morning. I just want to know
• 0:40
  Speaker 1: what type of name is Endzo for a dog? What
• 0:42
  Speaker 1: is that? Actually ends up? And that was the name
• 0:45
  Speaker 1: of the dog when I purchased it. Different words. The
• 0:48
  Speaker 1: dog is a year old and that's the dog's name.
• 0:52
  Speaker 1: Why don't you like her name? I mean that's weird.
• 0:54
  Speaker 1: I'm actually mad at you too. Um antheline. You said
• 0:58
  Speaker 1: you said something about somebody running up on empty for autographs.
• 1:02
  Speaker 1: I mean, he isn't no celebrity. You keep bus humble,
• 1:12
  Speaker 1: baby us humble. There you go, my brother, keep us humble.
• 1:17
  Speaker 1: Damn it. You ain't no damn celebrity. I know I'm
• 1:19
  Speaker 1: trying to get there. Hello, who's this? Hey? What's up? Man?
• 1:23
  Speaker 1: Tell about you mad? The reason I'm mad? I'm not
• 1:27
  Speaker 1: at myself? It couldn't be this launch red line, the
• 1:29
  Speaker 1: same dude who played porn Stash oranges New blank with
• 1:32
  Speaker 1: the car, who played a leper crn in American Guy.
• 1:35
  Speaker 1: You out of your damn mind? How you just realizing that? Man?
• 1:38
  Speaker 1: I don't know how they him realize himself for it.
• 1:41
  Speaker 1: That's good acting, though, That's that's a little good acting. Yeah,
• 1:45
  Speaker 1: that's that's exactly what you and I ain't catch more
• 1:49
  Speaker 1: until it was mad late. Hey, I'm gonna tell you
• 1:51
  Speaker 1: what's even stranger when you see them out in public
• 1:53
  Speaker 1: and don't even realize they tell later, Hey, ain't that
• 1:56
  Speaker 1: boy Stash? My goodness? Chandler, good morning, And how you're doing.
• 2:00
  Speaker 1: I ain't called you chanting the lad this time? Man?
• 2:03
  Speaker 1: You got it right. I appreciate it. I appreciate Tell
• 2:05
  Speaker 1: them why you mad? B well? Mad well? One? I
• 2:07
  Speaker 1: wanted to tell you and Charlottagne that Tupac did perform
• 2:11
  Speaker 1: mcavelli before he died. He only performed at that House
• 2:14
  Speaker 1: of Blues. But that was okay, yeah right, and that's
• 2:18
  Speaker 1: the only place you know he performed that. He made
• 2:21
  Speaker 1: that song before, like one of his first songs. But anyway,
• 2:24
  Speaker 1: for the albums now, I'm gonna be honest. Now, I've
• 2:26
  Speaker 1: seen a lot of tupockets story and say that never happened,
• 2:28
  Speaker 1: but I'll take your word for it. But it was. Yeah,
• 2:31
  Speaker 1: it was only at the House of Blues. But I'm
• 2:33
  Speaker 1: mad because the NBA is trash, man. They only letting
• 2:36
  Speaker 1: two teams. Uh, Like they got two super teams and
• 2:39
  Speaker 1: then all the other teams just trash. What's the point
• 2:41
  Speaker 1: of watching the NBA until the NBA Finals and the
• 2:44
  Speaker 1: NBA Finals is even wax. I'm just mad that the
• 2:46
  Speaker 1: commissioners letting all these super teams come by. Yeah, man,
• 2:49
  Speaker 1: I was taking the same, like, they gotta start nicking
• 2:51
  Speaker 1: some of these moves. Can they decline tries the NBA
• 2:53
  Speaker 1: can Clintries? I mean I've seen him do it before.
• 2:55
  Speaker 1: They did it with Chris Paul. I don't know why
• 2:57
  Speaker 1: they did it, what they did it. And back to
• 2:58
  Speaker 1: the Tupac movie with they I spoke to them and
• 3:00
  Speaker 1: what they said took them over the top with the
• 3:02
  Speaker 1: finances was clearing on the Tupac music. They didn't get
• 3:06
  Speaker 1: the forty five million though I talked I talked NT yesterday.
• 3:08
  Speaker 1: They didn't get the forty one. Now he's saying that's
• 3:10
  Speaker 1: what took him over the top though, that's why it
• 3:12
  Speaker 1: was so expensive to clear the must It was about
• 3:15
  Speaker 1: thirty and then with the music being cleared, that's another
• 3:18
  Speaker 1: fifteen million. All right, get it off your chests. Eight
• 3:21
  Speaker 1: hundred five eight five one oh five one. If you're upset,
• 3:23
  Speaker 1: you need to vent, call us now or you feel blessed.
• 3:26
  Speaker 1: Phone lines are wide open. It's to breakfast club. Good morning,
• 3:28
  Speaker 1: the breakfast club, to pick up the mother mother phone
• 3:34
  Speaker 1: and down. This is your time to get it off
• 3:36
  Speaker 1: your chat nother. You're mad less. You want to hear
• 3:40
  Speaker 1: from you on the breakfast club, so you better have
• 3:42
  Speaker 1: the same energy. Well Jackson, good morning, yo, yo, I
• 3:46
  Speaker 1: made it. Oh my god, it's crazy I'm talking about
• 3:48
  Speaker 1: right now. You call it from Chicago, right well, yeah, yeah, yeah,
• 3:51
  Speaker 1: Chicago music saying nobody worked together. I'm a rapper here
• 3:53
  Speaker 1: for I'm a nice thing. But nobody else wants to
• 3:56
  Speaker 1: do anything. So you're not me but uh yo mad
• 3:59
  Speaker 1: because you can't get into the music industry. Uh, nobody
• 4:02
  Speaker 1: wants to do any thing goes besides rap, like uh
• 4:05
  Speaker 1: for example, that there's no engineers, no producers, no uh,
• 4:09
  Speaker 1: guys don't want to be their manses, you know, just
• 4:12
  Speaker 1: the person they're hype man. Nobody wants to run the
• 4:14
  Speaker 1: streets for tickets. Whatever. That's your lane. Brother. You always
• 4:17
  Speaker 1: got to remember where there's rappers and singers, then there's
• 4:20
  Speaker 1: gonna always be a need for engineers and all that
• 4:22
  Speaker 1: other good stuff. So figure it out. That's your lane. Well,
• 4:24
  Speaker 1: we'll let you spit gus for a quick sixteen. Oh
• 4:26
  Speaker 1: you want a rappers you want to be engineer? I
• 4:28
  Speaker 1: think he's a rapper. You're a rapper, right, yeah, I'm
• 4:30
  Speaker 1: a rapper. Hit myself, that's fit. Uh all right, listen.
• 4:35
  Speaker 1: I have a book out called Black Privilege Opportunity. They
• 4:39
  Speaker 1: didn't one of the chapters. No, one of the principles
• 4:43
  Speaker 1: in my book is after your dreams. Okay, go rap
• 4:46
  Speaker 1: gd man, look back on dirt, back on say still
• 4:49
  Speaker 1: tuck their chains, attack their wings and felt their dirt
• 4:52
  Speaker 1: and right It's too early for that. Man. If your
• 4:55
  Speaker 1: dreams bro go, figure out something else to do with
• 4:57
  Speaker 1: your life. Man, maybe you want to trust something else.
• 5:00
  Speaker 1: You want to be behind the scenes engineer. Ain't bad?
• 5:02
  Speaker 1: Learn to make some beach or something. Jesus Christ. Yes,
• 5:04
  Speaker 1: it's always hired. Chris. Hello, what's up? Yes? Hey, what's up? Man?
• 5:09
  Speaker 1: Was going on? You blessed? Why are you so blessed
• 5:11
  Speaker 1: this morning? Yo? I'm blessed because I got a job.
• 5:13
  Speaker 1: You feel me. I'm about to be a first time father.
• 5:16
  Speaker 1: You know what I'm saying. My girlfriends too much pregnant,
• 5:19
  Speaker 1: and we got a YouTube, so we're gonna show the
• 5:21
  Speaker 1: whole world that you know our YouTube pateam the Dream
• 5:24
  Speaker 1: Challenge to Perteam the Dream. Why why, no, no no, no?
• 5:27
  Speaker 1: Why do you need a YouTube? Man? You gotta have
• 5:31
  Speaker 1: four sorts of incoming on to make it right. It
• 5:33
  Speaker 1: looks are rich, so you're trying to get video hits
• 5:37
  Speaker 1: to make some money. Yes, do you exploit your wife
• 5:40
  Speaker 1: every twenty You're exploiting me, your wife, vagina and your
• 5:43
  Speaker 1: wife's birth. Yes, yeah, I get that. I got a
• 5:47
  Speaker 1: job on my laborhood at CC. And why you know
• 5:50
  Speaker 1: I got a girlfriend that loves me. I got a
• 5:52
  Speaker 1: baby that I love that that she's too much pregnant
• 5:55
  Speaker 1: right now. And we got a YouTube where we do
• 5:57
  Speaker 1: pranks and challenges and stuff like that. So we're hoping
• 5:59
  Speaker 1: to build our brain. We want more than just this.
• 6:01
  Speaker 1: You know, everybody want to be a freaking star boy.
• 6:04
  Speaker 1: Y'all gonna learn the hard way. Let him make his money,
• 6:07
  Speaker 1: all right, Hey, what money? He said, he's doing prink
• 6:10
  Speaker 1: you too, ain't even paying like that. No more pranks, yes, prank?
• 6:12
  Speaker 1: All right, Well, I hope your white pranks you in
• 6:14
  Speaker 1: the delivery room and said, guess what it's not yours.
• 6:15
  Speaker 1: Hope a little white boy comes out of her vagina
• 6:18
  Speaker 1: all right, and she said, gotcha? And he said, you
• 6:21
  Speaker 1: want to do a prank? All right, get it off
• 6:23
  Speaker 1: your chest eight hundred and five eight five one on
• 6:25
  Speaker 1: five one. If you're upset, you need to vent or
• 6:27
  Speaker 1: if you feel blessed, you can hit it up. It's
• 6:29
  Speaker 1: the Breakast Club the morning, the Breakfast Club turning. Everybody
• 6:35
  Speaker 1: is dj Enzy Angela Yee, Charlomagne, the guy. We are
• 6:39
  Speaker 1: the Breakfast Club. We got a special guest in the building.
• 6:44
  Speaker 1: What's happening? What's up? What's going on? Man? To sign high?
• 6:47
  Speaker 1: I always wanted to know what did you mean when
• 6:49
  Speaker 1: you said, really don't do breakfast club interviews? Oh no,
• 6:52
  Speaker 1: real gangsters don't do Yeah, because um, you know now,
• 6:56
  Speaker 1: I used to see a lot of artists come up
• 6:57
  Speaker 1: here man be like, don't want to answer the question
• 7:00
  Speaker 1: when you asking, you know what I mean? Like they'd
• 7:03
  Speaker 1: be like trying to act all tough about be like, man,
• 7:04
  Speaker 1: you're an artist, bro. Yeah, if you like, we don't
• 7:10
  Speaker 1: do no interviews, you should bring your attorney with you.
• 7:14
  Speaker 1: I'm just saying that's if that's how, if that's what
• 7:17
  Speaker 1: we're really doing. So it's just like I'd be wondering.
• 7:19
  Speaker 1: I'd be fans of the artists. I'd be like, they
• 7:21
  Speaker 1: ain't answer that one that was Yeah, you're not being interrogated,
• 7:24
  Speaker 1: it's an interview. Yeah. So it's like, if you really
• 7:27
  Speaker 1: a street dude, you really don't want to come and
• 7:28
  Speaker 1: talk about what's your life and what made you an
• 7:31
  Speaker 1: artist and what inspired you, then this ain't the interview.
• 7:34
  Speaker 1: This ain't the place for that. Yeah. Absolutely. Now let's
• 7:36
  Speaker 1: know you you're a writer as well as an artist.
• 7:39
  Speaker 1: A lot for Kanye, yes, sir, Now like balls of hooks, uh,
• 7:43
  Speaker 1: more of everything. It's more just brainstorming, like it ain't
• 7:47
  Speaker 1: more so like hey like bow wow, and I'm like okay,
• 7:51
  Speaker 1: I mean you know what I'm saying, Like right, wrapped
• 7:54
  Speaker 1: that like that. No, it's more so half of the
• 7:57
  Speaker 1: time were just being there talking about the record. The
• 7:59
  Speaker 1: record Man Pablo was done probably in like seven days.
• 8:04
  Speaker 1: The whole Life of Bablo. He wrapped all at the
• 8:07
  Speaker 1: Jungle Studio. He wrapped twelve verses before the Pablo thing
• 8:11
  Speaker 1: in the Madison Square Guard. Really he just rapped all
• 8:14
  Speaker 1: two over. Didn't go to sleep. It was just him
• 8:16
  Speaker 1: killed me a chance and were just sitting there and
• 8:18
  Speaker 1: made him wrap everything. But we've just been talking about
• 8:21
  Speaker 1: it for two years though we didn't even had a
• 8:24
  Speaker 1: lyrics laid. So it was just like he did twelve
• 8:26
  Speaker 1: records in one week. I mean, like you know, it
• 8:28
  Speaker 1: might not even then one week. He might have been
• 8:30
  Speaker 1: like three days. He stayed up like straight and went
• 8:33
  Speaker 1: straight to Madison Square. Gard was your favorite, Yeah yeah, yeah,
• 8:38
  Speaker 1: I love that record too. Yeah yeah. So when Cuttie
• 8:41
  Speaker 1: came in there, it was just like man, that's like
• 8:43
  Speaker 1: the Holy Trinity. I was just in the bag, like wow,
• 8:46
  Speaker 1: I've never seen him work together before, and so that
• 8:48
  Speaker 1: was the first for me. You um, well, he discovered
• 8:53
  Speaker 1: me on the ind ofnet I did a song guy
• 8:55
  Speaker 1: named Pelle and yellow Wolf Pills. Yeah, so I was
• 8:59
  Speaker 1: if I don't got nam against him, I don't rock
• 9:06
  Speaker 1: with you know what I'm saying. I didn't. I just
• 9:07
  Speaker 1: had to find some guys that was like in my
• 9:09
  Speaker 1: lane because in Atlanta was tough for me to like
• 9:12
  Speaker 1: do what type of music I wanted. So I just
• 9:13
  Speaker 1: kind of got fed up with my situation. It was like,
• 9:15
  Speaker 1: you know, I' much gonna gona rap with dudes who wrapped,
• 9:18
  Speaker 1: even if they ain't that poblo or whatever. So we
• 9:20
  Speaker 1: did this record and we did a little you know
• 9:22
  Speaker 1: fifteen on all the video and ya seen it on
• 9:24
  Speaker 1: the internet, and just kind of start putting on this
• 9:26
  Speaker 1: tumbler and then a week lady flew me to a
• 9:28
  Speaker 1: wire and it was just and we've been conversations. What Arrow?
• 9:32
  Speaker 1: Was just say, yeah, what Arrow? This my beautiful dart
• 9:35
  Speaker 1: twister fantas. Okay. Yeah, So that's when I first met him.
• 9:37
  Speaker 1: During that album, I always wondered where you frustrated, like
• 9:40
  Speaker 1: just trying to put out that solo album, I mean
• 9:42
  Speaker 1: that debut album or was it you being patient and saying, okay,
• 9:45
  Speaker 1: it's not time, it's not time. Well, one thing for me, man,
• 9:48
  Speaker 1: I'm like, I experienced the streets in on a sober level.
• 9:52
  Speaker 1: So I was just happy to not have to go
• 9:54
  Speaker 1: back to the trap I would have gave. I would
• 9:57
  Speaker 1: have delivered waters in turn saying Carrie quit me, I
• 10:01
  Speaker 1: wouldn't even tripping so a lot of time. That may
• 10:03
  Speaker 1: be my fault because I was just I'm just happy
• 10:05
  Speaker 1: not you know, they have to do what I used
• 10:07
  Speaker 1: to do so then, and I understand the fans was like,
• 10:10
  Speaker 1: you know, very adamant about it. So I definitely wanted
• 10:12
  Speaker 1: to do this for them too as well, not just
• 10:14
  Speaker 1: for myself. But I was never frustrated because I hadn't
• 10:17
  Speaker 1: worked on his last five albums. I'm pretty absolutely okay, Yeah,
• 10:23
  Speaker 1: I definitely gotta play. Oh no, he overly paid. That's
• 10:27
  Speaker 1: an issue for no issue like he had come like
• 10:32
  Speaker 1: he is overly paid me. Okay, all right, A dude
• 10:35
  Speaker 1: walked in the studio with some leather black jeans on,
• 10:39
  Speaker 1: and here's a thing song and jeans on. Get a
• 10:44
  Speaker 1: part of the song that I helped, you know what
• 10:46
  Speaker 1: I'm saying, putting together. Yes, bro, he if you're delivering waters,
• 10:50
  Speaker 1: if you the engineer, if you're the cameraman, if he
• 10:53
  Speaker 1: actually one thing about this song, your name is on
• 10:55
  Speaker 1: the record. That's why I'd be so many people. Really,
• 10:59
  Speaker 1: all you got to do is be in the brainstorming.
• 11:01
  Speaker 1: If you was in the brain store room, you get
• 11:03
  Speaker 1: part of the record. Ain't like everybody wrote on the record.
• 11:06
  Speaker 1: It's just everybody who was in there get pieces of
• 11:08
  Speaker 1: you the piano player. That's so interesting because you wonder,
• 11:10
  Speaker 1: like like sometimes Kanye seems so narsistic and it seems
• 11:15
  Speaker 1: like he had such a big ego and he seems
• 11:16
  Speaker 1: so self centered that you wouldn't think he would be
• 11:19
  Speaker 1: such a giving person like that. Yeah, man, because you
• 11:22
  Speaker 1: already you know, the samples already taken up. He got
• 11:25
  Speaker 1: three samples, so that's all. It's fifteen twenty people gotta
• 11:30
  Speaker 1: chop up. But that's just how he is. He just
• 11:33
  Speaker 1: you know what I mean. So I appreciate them, you
• 11:34
  Speaker 1: know what I'm saying, because a lot of times, you know,
• 11:36
  Speaker 1: people don't do that, people don't even recognize nobody, but
• 11:39
  Speaker 1: he overly recognized. I'm talking. If you answering the door,
• 11:42
  Speaker 1: you're asking what you're publishing. Wax, He first deal was
• 11:47
  Speaker 1: with Acon. Yeah, now how did you look up with
• 11:50
  Speaker 1: Acon or what happened with that situation? Well, my first
• 11:53
  Speaker 1: deal was actually with Nuni and Jazz Fay. I was
• 11:55
  Speaker 1: in a group, but damn they take me back with
• 11:58
  Speaker 1: that one. Yeah, I got my first dude like fifteen,
• 12:02
  Speaker 1: So you know what I mean. I was always like
• 12:03
  Speaker 1: one of the best rappers in my opinion, but um, yeah,
• 12:07
  Speaker 1: I knew Booth through my potting, you know what I'm saying.
• 12:13
  Speaker 1: So I knew Booth through Bach, you know what I mean.
• 12:15
  Speaker 1: So I was just a dude. I was just trying
• 12:17
  Speaker 1: to get out of my situation. I was signing some gangsters,
• 12:20
  Speaker 1: you know what I'm saying. They were just like, Okayn,
• 12:21
  Speaker 1: you want to get out of this, we need this.
• 12:23
  Speaker 1: So I'm like, okay. So I'm trying to figure out
• 12:25
  Speaker 1: somebody that it helped me, you know what I mean,
• 12:28
  Speaker 1: you know, give me a check on something. So Boots like,
• 12:29
  Speaker 1: no what, y'all loved it. So I always got a
• 12:33
  Speaker 1: place even though our situation that all the way work
• 12:35
  Speaker 1: out because you know, the deaf jam regime and you
• 12:37
  Speaker 1: know La Reads and all that. I just always appreciated
• 12:40
  Speaker 1: him for just taking a chance to like get me
• 12:42
  Speaker 1: out of my situation. I ain't need nothing else from Boot.
• 12:45
  Speaker 1: It didn't kind of go right because once I got
• 12:47
  Speaker 1: to death Jam, it was like Boot left booing La
• 12:50
  Speaker 1: Red left and like four months after that, so it
• 12:52
  Speaker 1: was like, damn stuck. I'm stuck. But then people know
• 12:56
  Speaker 1: Yay just started, so they're like, Okay, we don't want
• 12:58
  Speaker 1: to let them go. Yeah, and I'm like, nah, it ain't.
• 13:00
  Speaker 1: This ain't the people who signed me. So Yay was
• 13:02
  Speaker 1: just like, yo, man, come over and write from me.
• 13:04
  Speaker 1: You know what I'm saying, do this, do this, and
• 13:06
  Speaker 1: then we'll get you some cachet and then you we
• 13:08
  Speaker 1: can come back and you know, get you out of
• 13:10
  Speaker 1: that situation. And that's why I'm here today. No Dope
• 13:12
  Speaker 1: on Sundays. He was with def Jam before Good Music.
• 13:15
  Speaker 1: Yeah yeah, I was already on Death Jam. It just
• 13:18
  Speaker 1: you know, I wasn't making trap records, so me and
• 13:21
  Speaker 1: you know convit was kind of butting heads about that
• 13:24
  Speaker 1: you're from Atlantic, he should be making the bounce Yeah yeah, yeah,
• 13:26
  Speaker 1: but I didn't. I couldn't listen to rap growing up,
• 13:29
  Speaker 1: I didn't start listening to routs. How about fifteen, Yeah,
• 13:31
  Speaker 1: I heard your parents were scrick Was it a religious thing?
• 13:33
  Speaker 1: Oh yeah, yeah. Well, I mean I just grew up
• 13:35
  Speaker 1: in the church and I was like, probably bad, more
• 13:37
  Speaker 1: badder than I should have been at that age. So
• 13:40
  Speaker 1: they were just trying to keep it away from me.
• 13:41
  Speaker 1: But I always heard it, like when I went to
• 13:43
  Speaker 1: SKA ring or I went to like out to the
• 13:45
  Speaker 1: club or whatnot. But my first CD I purchase was
• 13:49
  Speaker 1: Reasonable Doubt And it was written because this dude for
• 13:52
  Speaker 1: Philly was teaching me how to wrap, and I just
• 13:55
  Speaker 1: thought this man was the most prolific well year old
• 13:57
  Speaker 1: thirty yard heard because you have to rap, Like, nah,
• 14:00
  Speaker 1: I was wrap. You know what I'm saying to me,
• 14:04
  Speaker 1: I'm trying to I don't wrap him. One time he
• 14:08
  Speaker 1: hit me with how you like me? Naw, I go
• 14:12
  Speaker 1: that move crowd, getting in the middle of a a cipher
• 14:15
  Speaker 1: and he's killing me. Always he's like telling me, how
• 14:18
  Speaker 1: I made you give you ain't gonna do me like
• 14:23
  Speaker 1: me on the und So about four or five years later,
• 14:26
  Speaker 1: I'm in the call my one of my other New
• 14:28
  Speaker 1: York dudes. I'm in high school now and then I
• 14:30
  Speaker 1: just here, come on, how you like me? Na. I'm like,
• 14:32
  Speaker 1: oh oh man, that's my Potner record. They're like, well,
• 14:36
  Speaker 1: you know, not like nas my potn We got more
• 14:42
  Speaker 1: with Side How the Prince, Where we come back, don't move.
• 14:44
  Speaker 1: It's to Breakfast Club, Good morning, the Breakfast Club. Everybody
• 14:50
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the guy. We are
• 14:54
  Speaker 1: the Breakfast Club. Side How the Princess in the building.
• 14:56
  Speaker 1: Now you kid nap Kanye West and you shot up
• 14:58
  Speaker 1: to death gym office the song Elephant in the Room.
• 15:01
  Speaker 1: Let's talk about no man, Well, a lot of people
• 15:06
  Speaker 1: don't know. Ya gave me that beat and we came
• 15:08
  Speaker 1: up that topic together. Okay. So the thing we was
• 15:10
  Speaker 1: about to do like this eminem Doctor Dre album, and
• 15:12
  Speaker 1: he had some controversions that he was going through. People
• 15:15
  Speaker 1: would like keep asking me, like, you know, different things
• 15:17
  Speaker 1: they asking me. That was like the biggest thing, Like, man,
• 15:20
  Speaker 1: why ya you won't put your own up? Why anyone
• 15:22
  Speaker 1: never yave fault? It was just like depth jam on
• 15:24
  Speaker 1: a power struggle. So I just decided to write a
• 15:28
  Speaker 1: rapper about because I was just tired of going the
• 15:29
  Speaker 1: grocery store. Tired and going it when people keep asking me,
• 15:32
  Speaker 1: like bro, like ask me something else, you know what
• 15:34
  Speaker 1: I mean? So I made a song that I thought
• 15:37
  Speaker 1: actually would cut the air was like a parody almost
• 15:39
  Speaker 1: to me, because you know, Meek and Drake were going
• 15:41
  Speaker 1: through these things. I just threw it out there, just
• 15:43
  Speaker 1: like throw it off, and it just the disrecord from
• 15:46
  Speaker 1: something that was a disrecord, like oh okay. So I
• 15:48
  Speaker 1: had to really explain it. But Noah me and Ya
• 15:50
  Speaker 1: was good. He actually had a verse to it. And
• 15:52
  Speaker 1: if we never finished the actual album, so, I mean,
• 15:55
  Speaker 1: I sit on so many records i'd be mad. So
• 15:57
  Speaker 1: sometimew we'll just let something go that probably once for
• 16:00
  Speaker 1: to go. Y'all gonna do a whole project called Elephant
• 16:02
  Speaker 1: in the Room. No, I was gonna be like an eminem.
• 16:04
  Speaker 1: I don't know what the name of its gonna be,
• 16:05
  Speaker 1: but it was gonna be like, you know, like a
• 16:07
  Speaker 1: mutue conscious Yeah, who take advice with somebody who slapped
• 16:10
  Speaker 1: people like we're going back and forth. Let maybe ran
• 16:12
  Speaker 1: on stage with old girl. How are you gonna give me?
• 16:14
  Speaker 1: You know what I mean? So that's how we was
• 16:16
  Speaker 1: just kind of really starting to brew it. But it
• 16:18
  Speaker 1: just never came to fluish or something not because like
• 16:21
  Speaker 1: I mean, you know, man, one thing about bro Man
• 16:24
  Speaker 1: he's a free artist, so I can't you can't even
• 16:26
  Speaker 1: rush his greatness in so many senses. It's like, man,
• 16:30
  Speaker 1: I didn't seen him come up with the last minute
• 16:32
  Speaker 1: that we've been trying to get him a code with
• 16:33
  Speaker 1: for six months. And they'd be like, oh, like Famous,
• 16:37
  Speaker 1: the famous record. That's really yeah, like he just but
• 16:42
  Speaker 1: we've been talking to it, like, bro, we gotta have it. Bro,
• 16:45
  Speaker 1: they got all like other records on the album. Yeah,
• 16:48
  Speaker 1: he'll just like people just don't understand. People think when
• 16:51
  Speaker 1: they see him, they think that he got a bunch
• 16:53
  Speaker 1: of goals, right, none of that happens without him, Like
• 16:56
  Speaker 1: all of us could be there and he ain't there
• 16:57
  Speaker 1: and it it ain't gonna come out like that. Oh so
• 16:59
  Speaker 1: y'are not writing stuff beforehand and saying yea saying say
• 17:03
  Speaker 1: as as a thing like yeah, well say say you
• 17:07
  Speaker 1: know you're gonna jump on the jet this time and
• 17:10
  Speaker 1: take it out of that line. He's like, okay, ye
• 17:12
  Speaker 1: that dude kind of go better. Like it's just like
• 17:13
  Speaker 1: stuff like that. It ain't like just like I said,
• 17:17
  Speaker 1: and I'm like rights not. He doesn't care about people
• 17:21
  Speaker 1: knowing he got ghostwriters. I think it's been pretty open
• 17:24
  Speaker 1: about it. I don't think I don't think it's he
• 17:26
  Speaker 1: don't look at it a ghost right though. It's like,
• 17:28
  Speaker 1: because you got to think about tell people this is
• 17:30
  Speaker 1: once you already conquered rap or body wrap, you can
• 17:34
  Speaker 1: have ghostwriters. That's to me because I go to the Grammys.
• 17:37
  Speaker 1: I'm at the Grammys every year. They'll walk on stage.
• 17:40
  Speaker 1: It's fifteen people who helped up with this record. You're
• 17:43
  Speaker 1: gonna stay saying all these other pop or they got
• 17:46
  Speaker 1: twenty people on stage, but then rap, it just got
• 17:49
  Speaker 1: to be you and the engineer. It's like, how do
• 17:51
  Speaker 1: you compete with twenty great musical minds and it's just
• 17:55
  Speaker 1: you and the engineer. Also benefits the people that are,
• 17:58
  Speaker 1: you know, artists that work with you on your labor,
• 17:59
  Speaker 1: because they get to make some money. Is there in
• 18:01
  Speaker 1: the room helping you write. So now that he contributed
• 18:03
  Speaker 1: to the chack, he contributed, we were having a conversation
• 18:06
  Speaker 1: and now everybody gets paid. But back in the day,
• 18:09
  Speaker 1: unless unless we don't know, those guys were creating immaculate records.
• 18:13
  Speaker 1: I guess by themselves. Yeah, yeah, nas what it was mad?
• 18:16
  Speaker 1: They called Jay early on Reasonable Dial, Biggie, you're ready
• 18:19
  Speaker 1: to die? Wu Tang Like I don't think they had ghostwriters, Yeah,
• 18:22
  Speaker 1: but I think. I mean, I'm pretty sure they had
• 18:25
  Speaker 1: some partners in their feeding, like I know Biggs through
• 18:27
  Speaker 1: j A few lines like yo say this, say that,
• 18:31
  Speaker 1: like it just even your partner in their smoking. Oh,
• 18:34
  Speaker 1: I like that one. Just if you don't even react
• 18:37
  Speaker 1: to a line that might be like count right that line.
• 18:39
  Speaker 1: I'm partner didn't react how I wanted to react. So
• 18:42
  Speaker 1: you know, a lot of times it's just more side
• 18:44
  Speaker 1: about vibes. It ain't really more so about the actual lyrics.
• 18:48
  Speaker 1: They said that you exposed that you too was ready
• 18:50
  Speaker 1: and it was the playlist on Spotify. What happened with that? No,
• 18:54
  Speaker 1: I don't know what that is. I thought I thought
• 18:56
  Speaker 1: that was something that um first of all, First of all,
• 18:59
  Speaker 1: I thought somebody had my computer. So I'm over getting
• 19:01
  Speaker 1: all this, guys. I'm saying that's why I was nervous.
• 19:07
  Speaker 1: But I think it's a playlist that I was about
• 19:10
  Speaker 1: to put up from my album that kind of is
• 19:12
  Speaker 1: gonna massage you, you know, get my album kind of gets.
• 19:15
  Speaker 1: You just happen to title stuff from Yes's too. I
• 19:17
  Speaker 1: ain't even that computer saying. He didn't say I'm just
• 19:20
  Speaker 1: gonna keep you all with them or with you, But
• 19:22
  Speaker 1: I still I'm still penciling ping, So I don't know
• 19:24
  Speaker 1: how I got up there. I was were trying to
• 19:26
  Speaker 1: figure that out. Now I'm just making sure my stuff then,
• 19:28
  Speaker 1: because I do have those type of records on my
• 19:31
  Speaker 1: computer if the story is correct. I remember that for
• 19:33
  Speaker 1: the first season's album, when YA bought Rick Rubin and
• 19:35
  Speaker 1: they said it was like six records, he cut off
• 19:37
  Speaker 1: the album that he was gonna use for the sequel,
• 19:40
  Speaker 1: and you just happened to put up six records. I mean,
• 19:43
  Speaker 1: I might have about twenty of them, to be honest
• 19:46
  Speaker 1: in computer right now, I mean stashed away. You know
• 19:50
  Speaker 1: what I'm saying. But I'm just saying, like the six
• 19:52
  Speaker 1: is selling me short. So I don't I know the name.
• 19:55
  Speaker 1: Mean you know I inter rested in that Elephant in
• 19:57
  Speaker 1: the Room project man, because I want to know what
• 19:58
  Speaker 1: Kanye was hitting about. Don't yeah, I mean that man.
• 20:02
  Speaker 1: He was just talking about a lot, like you know me,
• 20:04
  Speaker 1: I don't really be knowing the folks you were talking
• 20:06
  Speaker 1: about Elon Musk and Phoebe f from Atlanta. Bro, I
• 20:11
  Speaker 1: know black people, really, I don't really know all of
• 20:14
  Speaker 1: you know what I mean England designers, no disrespect. But
• 20:17
  Speaker 1: he'd be going in on me a bottom like you
• 20:19
  Speaker 1: know this mother who who told me I can't have it?
• 20:21
  Speaker 1: He like? Who is that? I'm like, who a yeah,
• 20:23
  Speaker 1: but let's make I'm a god. We got these headphones
• 20:28
  Speaker 1: for you right here. Oh yeah, oh yeah, you are
• 20:30
  Speaker 1: a rapper. Everybody don't who don't know if Prince can
• 20:34
  Speaker 1: really rap it? Like and there talking about he wrote
• 20:35
  Speaker 1: for ya with this guy. We don't know when you're ready.
• 20:40
  Speaker 1: I wrapped. I wanted too many blunts. I'm apologized. Here
• 20:43
  Speaker 1: we go, let go. How so how the Prince no
• 20:49
  Speaker 1: dope on Sundays? Yes? Can you hear me? Okay, huh?
• 20:57
  Speaker 1: How about this rot? Because I could never force I
• 21:00
  Speaker 1: had dreams of me being on the Forbes list and
• 21:02
  Speaker 1: the fortress with so much shrugs in that bitch. You
• 21:06
  Speaker 1: gotta move it with a forkliff. I always say my
• 21:08
  Speaker 1: grace before my forkcliff. This four fifth for my waist.
• 21:11
  Speaker 1: I go to the war with or if I try
• 21:13
  Speaker 1: to take away the lords give the man talking world peace.
• 21:17
  Speaker 1: Don't hit the fan rappers out hit faked beats and
• 21:19
  Speaker 1: wears bisman man. I never threw a rock and den
• 21:22
  Speaker 1: hit my hand. Y'all should come castes because I'm in
• 21:25
  Speaker 1: the man. Every floor was unecut dope. I wrapped it
• 21:27
  Speaker 1: in san let's go u okay, Yeah, I say mine
• 21:33
  Speaker 1: up an outlaw. I'm a diamond without flaws. I doubt
• 21:36
  Speaker 1: y'all ever heard them with a south draw that can
• 21:38
  Speaker 1: out ball anybody in this town. Dog, I say that
• 21:41
  Speaker 1: comfort the balls out shopping in the town hall. Huh.
• 21:43
  Speaker 1: I run the underground. I'm the ground hall, neil all strong,
• 21:47
  Speaker 1: waiting on my downfall. They shooting shots, pootie tanking with
• 21:50
  Speaker 1: the bounce off, all out the window, oozy hanging shoot
• 21:53
  Speaker 1: the south path. Even your fans could catch it. That's
• 21:55
  Speaker 1: a foul ball. You don't want to see them. Guys
• 21:57
  Speaker 1: pull up with them golf clubs nine or the four
• 22:00
  Speaker 1: or ironess a toss up. Scared do drive bys, they
• 22:03
  Speaker 1: do walk ups. How you're tough? Tough? Two or two
• 22:05
  Speaker 1: dollars state ahead of my time. Y'all didn't know I
• 22:07
  Speaker 1: was two. I was late. Huh you suckers better move
• 22:09
  Speaker 1: out the way, because on my birthday I wish it would.
• 22:12
  Speaker 1: Then I blew out the cake celebration toast to the
• 22:16
  Speaker 1: good life, huh, because I can die the night knock
• 22:18
  Speaker 1: on wood twice as the kushlight. I walk around like
• 22:21
  Speaker 1: I'm bush white. I try to stay down the earth,
• 22:23
  Speaker 1: but out of took flight, just like an old school Sheville,
• 22:26
  Speaker 1: like got hood stripe. You could tell a lot about
• 22:28
  Speaker 1: the bitch by how she cooked rice, which I would
• 22:30
  Speaker 1: might tell the chart before this good pipe. What I
• 22:32
  Speaker 1: looked like. That bitch must have must stook my kindness
• 22:35
  Speaker 1: for weakness, silence for meekness, sleepless nights, trying not to
• 22:38
  Speaker 1: die in the street. Baby girl, I don't mean to
• 22:41
  Speaker 1: be facetious. I cut a bitch y'a off at the
• 22:43
  Speaker 1: gym if I see fit. But on some g I
• 22:46
  Speaker 1: still get your weed. Fis you want to be a
• 22:48
  Speaker 1: fund on my arm? But I'm trying to speech stick
• 22:50
  Speaker 1: enough about these chicken heads come like I'm three six
• 22:52
  Speaker 1: When the weed lit, the rappers is in some deep
• 22:55
  Speaker 1: just can't keep a secret, but I want to sneak this.
• 22:57
  Speaker 1: But the side of the jolly ranchers thinking I'm gonna
• 22:59
  Speaker 1: sweet upbraiding from my amg. Two more horses than the
• 23:03
  Speaker 1: finish line at the Preakness. I used to break them down,
• 23:06
  Speaker 1: make sure what was remixed, then then surfing up the
• 23:09
  Speaker 1: street from Eastwick. I was the lord of rap Way
• 23:12
  Speaker 1: before I toward the Math. I got too much to lose.
• 23:14
  Speaker 1: I can't afford to trap. The FBI got me bugged,
• 23:17
  Speaker 1: even my water tap. Now I'm done with you. Press
• 23:26
  Speaker 1: is out right now, Yes, go get it. No dope
• 23:28
  Speaker 1: on Sundays. Man, If I appreciate your breakfast club man,
• 23:31
  Speaker 1: but let me bring this message to your platform. Tell
• 23:33
  Speaker 1: Kanye if he don't post your album morning Instagram. He
• 23:36
  Speaker 1: don't got an Instagram Twitter. He ain't got that on
• 23:38
  Speaker 1: the morning, but I might. I might have him revigorate.
• 23:40
  Speaker 1: He got something. Absolutely you heard Charlemagne. All right, there
• 23:46
  Speaker 1: you have it. It's the breakfast cloak of morning. Hey,
• 23:52
  Speaker 1: it's time to shoot your shot. To shoot your shot
• 23:54
  Speaker 1: with the breakfast club. Just want chance, don't mess it up,
• 23:58
  Speaker 1: mess it up right now this morning. You have somebody
• 24:00
  Speaker 1: on the phone lines. His name is big Les. You there, sir,
• 24:03
  Speaker 1: yo yo, a little bit show man. I love you.
• 24:08
  Speaker 1: Oh my goodness, you sound like you're about forty five
• 24:10
  Speaker 1: fifty years old. Hey, man, I mean, ain't nothing gonna
• 24:14
  Speaker 1: number all right? Okay, less, now let's explain it to us. Now,
• 24:19
  Speaker 1: you have a crush on your daughter's best friend. You
• 24:22
  Speaker 1: got that right? How old are you, big lass? Forty six?
• 24:26
  Speaker 1: How old is your daughter's friend? She's about twenty two?
• 24:29
  Speaker 1: Twenty three? A right? You got relax, My goodness, you
• 24:33
  Speaker 1: gotta relax, all right. So you you have a crush
• 24:35
  Speaker 1: on you? How long have you known your daughter's friend?
• 24:38
  Speaker 1: Since long? How long? I have a normal? How long?
• 24:41
  Speaker 1: You marmal? Little kid? That's so you've been watching your
• 24:48
  Speaker 1: daughter's friend grow up since she was a little kid,
• 24:50
  Speaker 1: and you had a crush on her. Well you know
• 24:53
  Speaker 1: what she you know she? You know? You sound like,
• 24:57
  Speaker 1: oh wait a minute now, wa you don't go down.
• 25:01
  Speaker 1: Don't go there. I'll expect you a lot. I love you,
• 25:04
  Speaker 1: but you sound like a pedophile. You've been playing on
• 25:08
  Speaker 1: recruiting this girl since she was in elementary school. That's
• 25:10
  Speaker 1: the way. It's the way your voice is warbling. Also,
• 25:13
  Speaker 1: that's illegal that Charlotte. Man, No, no, let's fast forward this.
• 25:20
  Speaker 1: You know what I'm saying. Wow, whoa okay, twenty twenty two,
• 25:24
  Speaker 1: twenty three years old. If you see this girl, man,
• 25:28
  Speaker 1: you know she put Coca Cola out of business. By
• 25:30
  Speaker 1: the way, you've watched American Beauty one too many times.
• 25:32
  Speaker 1: And the reason you want to fast forward this conversation
• 25:34
  Speaker 1: because you're trying to fast forward this girl's life. Now
• 25:36
  Speaker 1: she's of age. You want her and that's disgusting. I don't.
• 25:38
  Speaker 1: I want to task that, that's what I want. I
• 25:42
  Speaker 1: can't talk to you no more. I'm not I'm not
• 25:43
  Speaker 1: talking about I want to tapad. I ain't feel right
• 25:47
  Speaker 1: trying to set this up. I will check it out.
• 25:49
  Speaker 1: I got an older uncle that I want to hook
• 25:50
  Speaker 1: up with your daughter. He's fifty seven, So you're gonna
• 25:53
  Speaker 1: go there. Yeah, it's an old as man out here
• 25:55
  Speaker 1: lusting for your daughter the same way you lusting for
• 25:57
  Speaker 1: this little young girl. Well, you know what, you know what,
• 26:00
  Speaker 1: she's a grown woman. I taught her, well she can
• 26:03
  Speaker 1: handle stop it. But how would you feel? How would
• 26:08
  Speaker 1: you feel if your daughter's friend, if her dad tried
• 26:12
  Speaker 1: to talk to your daughter that's a little awkward. Well,
• 26:15
  Speaker 1: you know what I mean, Like, you know, she's crown.
• 26:17
  Speaker 1: I gave her everything and all the ammunitions. She needs
• 26:22
  Speaker 1: to be a grown ass woman. Yeah, now I beat
• 26:24
  Speaker 1: your ass. But hold on, when we're gonna call on,
• 26:26
  Speaker 1: is he trying to tell us that he taught his
• 26:27
  Speaker 1: daughter how to pop that poom poom old boom. But
• 26:29
  Speaker 1: we're gonna call this young lady. Hold on, I don't
• 26:32
  Speaker 1: want no part of this. No, no, we're gonna tell
• 26:34
  Speaker 1: her young lady that she can't do this. But I
• 26:36
  Speaker 1: would whoop his ass absolutely well if my daughter brought
• 26:39
  Speaker 1: home a guy my age, I ain't even talking about wife.
• 26:43
  Speaker 1: Let me rephrase that, I'm knowing near that but older
• 26:45
  Speaker 1: than me. I'm whooping his ass. He ain't even talking
• 26:48
  Speaker 1: about wife and her. He just talking about wanting to smash.
• 26:51
  Speaker 1: That's what's discussing. And in fact, he knew her since
• 26:53
  Speaker 1: he was a kid, that she was a kid. That's
• 26:56
  Speaker 1: all right. Well, when we come back, we're gonna call
• 26:58
  Speaker 1: this young ladys Jasmine and keep it locked. This bad pointing.
• 27:04
  Speaker 1: Everybody is DJ Envy Angela Yea, Charlomagne the guy. We
• 27:07
  Speaker 1: are the Breakfast Club. If you just joined us, we're
• 27:09
  Speaker 1: doing shoot your shot now. That's when you can call.
• 27:13
  Speaker 1: You can email us the Breakfast Club am at gmail
• 27:15
  Speaker 1: dot com. If there's somebody that you know that you
• 27:17
  Speaker 1: are interested in and you want to try and see
• 27:20
  Speaker 1: if it could work out, we're gonna let you call
• 27:22
  Speaker 1: him live on air. Now we have Big Les on
• 27:25
  Speaker 1: the phone lines right now. He's actually calling his daughter's
• 27:29
  Speaker 1: best friend. Now Big Less is probably in his fifties.
• 27:31
  Speaker 1: His daughter's best friend. I'm guessing this is around twenty
• 27:34
  Speaker 1: early twenties. But we told big Les we're gonna let
• 27:37
  Speaker 1: him shoot his shot. So let's let's dial the number.
• 27:40
  Speaker 1: All right, Hello, Hey, hey, Jasmine, this is big Less.
• 27:53
  Speaker 1: What's up? Hey? What's up about you? Knowing? Oh? I'm
• 27:57
  Speaker 1: doing all right, baby girl? What's home that I'm good?
• 28:01
  Speaker 1: What's up? Oh? Man? You know like you know? Uh?
• 28:07
  Speaker 1: You know you you busy this weekend? Um? Just for
• 28:13
  Speaker 1: what hey, let's just cut to the chase. I'm gonna
• 28:17
  Speaker 1: take you out. You know, are you feeling it? What? Oh? Okay,
• 28:23
  Speaker 1: okay girl, this is the Bractice Club. Come on in jazz.
• 28:26
  Speaker 1: What the hell you mean? Okay? You're giving this old
• 28:28
  Speaker 1: man some play? Um? Yeah, Actually, you had your eye
• 28:36
  Speaker 1: on your friend's daddy all these years. I mean, maybe
• 28:40
  Speaker 1: not all Theasiers. But I mean I feel is he
• 28:43
  Speaker 1: an attractive old man? Yes? He is a good looking
• 28:46
  Speaker 1: on man. Okay, well what about your friend? How's she
• 28:47
  Speaker 1: gonna feel about you going out with her dad? I
• 28:52
  Speaker 1: don't think that she's gonna mind. Oh my goodness, who
• 28:58
  Speaker 1: doesn't like a nice silver fox? Okay? What about your daddy?
• 29:01
  Speaker 1: Is your daddy? Yes, your daddy should whoop his ass?
• 29:05
  Speaker 1: What what would your daddy think if you got down
• 29:08
  Speaker 1: here for a minute? Then, because we all getting up
• 29:10
  Speaker 1: in the NH, you never know what our futures may hold.
• 29:13
  Speaker 1: I'm not gonna sit here and knock this man if
• 29:15
  Speaker 1: he can. Bag of twenties, young twenties something yo, tender.
• 29:19
  Speaker 1: It may have sounded worse than it. It may have
• 29:21
  Speaker 1: sounded worse than Okay, it's been but but jasmine, technically jasmine, jasmine.
• 29:28
  Speaker 1: Do you feel had anything weird ever happened like when
• 29:31
  Speaker 1: you were growing up at your friend's house with the dads? No, no,
• 29:38
  Speaker 1: no way, nothing like that. I mean no, nothing like that.
• 29:42
  Speaker 1: This is Diddy and cass This is Diddy and Cassie. Man,
• 29:45
  Speaker 1: he didn't help raise Cassie, did he didn't? It wasn't
• 29:48
  Speaker 1: there with Cassie. He didn't know when she was underage.
• 29:50
  Speaker 1: It doesn't matter when she was twelve. She was twelve
• 29:52
  Speaker 1: at some point in her life. Are you a dirty
• 29:54
  Speaker 1: old man? This girl was twelve at some jabbing. You
• 29:56
  Speaker 1: was twelve at some point in your life. Cassie was
• 29:57
  Speaker 1: twelve at some point in her life. Did he was
• 29:59
  Speaker 1: with Jo when Cassy was too It don't matter, Okay.
• 30:02
  Speaker 1: So basically it's none of our business. Now if they
• 30:04
  Speaker 1: want to go out with each other, they're both of age. Yeah,
• 30:08
  Speaker 1: I mean, there's an age difference. But I mean just
• 30:10
  Speaker 1: think what if I didn't know him when I was younger? Right, Okay,
• 30:14
  Speaker 1: that's right. You probably wou end up getting worms from somebody,
• 30:17
  Speaker 1: why not somebody that you know, and my daddy. My
• 30:21
  Speaker 1: daddy would just be like, is he treating me right? Really? Yeah?
• 30:26
  Speaker 1: I mean that that's what most daddies donna live with
• 30:28
  Speaker 1: their kids say. You know what I'm saying. They check,
• 30:30
  Speaker 1: they checking every notthing. They're you good y'all boy, already
• 30:33
  Speaker 1: treating You're right? Okay, I'll see you on next Tuesday.
• 30:36
  Speaker 1: Damn you're talking about that daddy? Now, you guys are
• 30:39
  Speaker 1: gonna tell you guys are gonna go on a date.
• 30:41
  Speaker 1: What's the plan? Well, um, you know, I'm gonna go
• 30:45
  Speaker 1: with her flow. But if she doesn't have anything in mine,
• 30:48
  Speaker 1: I'm gonna wine and ye that little lady. Well, I
• 30:53
  Speaker 1: hop on Fridays is over sixty five you get free
• 30:56
  Speaker 1: pancakes and it's over you guys, you guys, you know
• 31:00
  Speaker 1: y'all need to chill out. Man, just let people literally
• 31:03
  Speaker 1: yeah five, ain't old, brothers. I get you. And listen, man,
• 31:07
  Speaker 1: you taking the apple beas you get that two for twenty.
• 31:09
  Speaker 1: You know what I'm saying, and you all enjoy? Okay?
• 31:12
  Speaker 1: All right, wow, all right, yeah, you gotta tt fun.
• 31:16
  Speaker 1: How are you? How are you gonna bake the news
• 31:18
  Speaker 1: to your daughter? Oh? Well, you know, I'm just gonna
• 31:22
  Speaker 1: tell her I'm taking taking Jasmine outlet find out on Instagram, Facebook. No, no,
• 31:29
  Speaker 1: I'm a grown ass man. I'll feel I'm taking. I'm taking.
• 31:34
  Speaker 1: Oh you're dying already. He died thinking about that young Jack,
• 31:39
  Speaker 1: that young v Johnny. Thinking about it got you about
• 31:41
  Speaker 1: to have a heart attack. All right, I can't wait
• 31:43
  Speaker 1: to hear how this goes. Good luck, guys, do you
• 31:45
  Speaker 1: eat the butt? Alright? What? Okay? All right? Man, that's
• 31:52
  Speaker 1: all you gotta say. Do you eat ass? All right?
• 31:55
  Speaker 1: All right? Now, all right, all right, all right, all right,
• 32:00
  Speaker 1: well thank you guys, thank you. I can't really hate
• 32:04
  Speaker 1: on that situation. Man, we're all getting up in the age.
• 32:06
  Speaker 1: You never know the future, manhole, all right, So let's
• 32:08
  Speaker 1: let's let's switch it a little bit. Your daughter turn
• 32:09
  Speaker 1: twenty two, she brings home a man that's forty six. Nah,
• 32:12
  Speaker 1: you're not having it. That's what I'm personally. I'm personally
• 32:15
  Speaker 1: not having it. I speaking about my daughter. I'm thinking
• 32:17
  Speaker 1: about me and my own selfish as when I'm fifty
• 32:19
  Speaker 1: something years old and just say me and my wife
• 32:22
  Speaker 1: don't work out, I'm going to get me something young
• 32:23
  Speaker 1: and tender. I'm telling you that right now, you're going
• 32:25
  Speaker 1: to get me a fresh twenty two, twenty three year old. Okay,
• 32:28
  Speaker 1: fresh attic college? What would your degree? You made it
• 32:32
  Speaker 1: in journalism? Will come talk to the radios. You're gonna
• 32:34
  Speaker 1: be a spot say, you're gonna be basically going to
• 32:38
  Speaker 1: be a sponsor. Keep it loft as a breakfast club.
• 32:40
  Speaker 1: In the morning, it's time to shoot your shot. To
• 32:46
  Speaker 1: shoot your shot with the breakfast club. Just one chance,
• 32:49
  Speaker 1: don't mess it up. Mess it up, mess it up? DeVante?
• 32:52
  Speaker 1: What's up? Guys? Who are you trying to shoot your
• 32:55
  Speaker 1: shot with? Davante? This girl? She works at the pharmacy.
• 33:00
  Speaker 1: I go too, all right, you got to go there
• 33:03
  Speaker 1: to pick up your vale Trecks every now and then. Oh,
• 33:04
  Speaker 1: maybe you know, fix a STD problem, because I'm letting
• 33:07
  Speaker 1: you know if you got to pick up your vale treks.
• 33:08
  Speaker 1: I don't think this is a good idea to shoot
• 33:09
  Speaker 1: your shot if she knows that she's given you. No,
• 33:11
  Speaker 1: she's just this dope man. I don't even have a
• 33:13
  Speaker 1: prescription there. I just go there once a week to
• 33:15
  Speaker 1: get like a pack or dumb or something. And then
• 33:18
  Speaker 1: you go in this pharmacy register just to go see her. Yeah,
• 33:21
  Speaker 1: she definitely did should have STD and too scared to
• 33:23
  Speaker 1: get the prescription. Bro, I don't know. I don't know.
• 33:26
  Speaker 1: I'm scared to shoot my shot. I was hoping y'all
• 33:28
  Speaker 1: can help me. Why have you ever had a Have
• 33:30
  Speaker 1: you ever had a conversation? Dude? You know, I get
• 33:32
  Speaker 1: the gum and ask her how her day is doing,
• 33:34
  Speaker 1: what's going on? And she's going at this for that concert?
• 33:37
  Speaker 1: Nothing to me? Now, question, do you put the gum
• 33:40
  Speaker 1: in your mouth before you talk to her. Oh you know,
• 33:44
  Speaker 1: I usually get a piece of the half of her one,
• 33:46
  Speaker 1: because if you're talking to her before you put the
• 33:48
  Speaker 1: gum in your mouth, that's probably why she's not interested,
• 33:50
  Speaker 1: because your breath is clearly funky. Now it's like half
• 33:53
  Speaker 1: a half, half with gumb half without gum. Okay, okay,
• 33:57
  Speaker 1: all right, well let's get that into it. I mean
• 33:58
  Speaker 1: they've only had some big conversations. Though. He doesn't see
• 34:01
  Speaker 1: her when he buys some gums, So I'll be interested
• 34:03
  Speaker 1: to see if she's noticed you. Does he say hi
• 34:05
  Speaker 1: when you walk in? Oh? Yeah, she's very friendly. Okay,
• 34:08
  Speaker 1: it's gotta be a reason that you haven't shot your
• 34:11
  Speaker 1: shot yet other than just nerves. Maybe he's scared. Maybe
• 34:13
  Speaker 1: he got a small wee week. I don't know, damn. Okay,
• 34:18
  Speaker 1: all right, well let's maybe maybe you need some some
• 34:20
  Speaker 1: zanies then for anxiety. I don't have a prescription for it.
• 34:23
  Speaker 1: You know why I could get something? Yeah, the girl,
• 34:26
  Speaker 1: once you shoot your shot, when we come back, we're
• 34:29
  Speaker 1: gonna call the TV. That's the name. Right, Let's let's
• 34:32
  Speaker 1: don't move, right, MC CALLAVA when we come back, So
• 34:35
  Speaker 1: don't move it's to Breakfast Club, Go Morning Turning. Everybody
• 34:37
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the gud. We are
• 34:40
  Speaker 1: the Breakfast Club. We're in the middle of shoot your shot.
• 34:44
  Speaker 1: We have DeVante on the line. Shoot your shot, man,
• 34:48
  Speaker 1: make that phone call? Hello, Hey, what's up with Tylier's
• 35:05
  Speaker 1: Devant from the pharmacy? DeVante from the pharmacy? How did
• 35:11
  Speaker 1: you get my number? You gave it to me? Remember No,
• 35:15
  Speaker 1: I don't remember. I never gave you one. Wait, please
• 35:18
  Speaker 1: don't say what do you want? Well, you didn't actually
• 35:21
  Speaker 1: give me a number. You actually gave me your name,
• 35:23
  Speaker 1: and then our church Facebook and your number came off.
• 35:26
  Speaker 1: Jesus Christ. Okay, you gotta stop. You did not tell
• 35:29
  Speaker 1: us this part. I'm sorry this. Let's have you from
• 35:31
  Speaker 1: the Hello. Yes, wait Djelagne from Breakfast Club. Mama, yeah,
• 35:36
  Speaker 1: we're doing is going? Oh we thought that you gave
• 35:39
  Speaker 1: him your number, and so he was calling to shoot
• 35:41
  Speaker 1: his shot because he has a crush on you. He said,
• 35:43
  Speaker 1: he comes in there all the time to buy gum.
• 35:45
  Speaker 1: Oh my god, oh my god. The dude that buys gum.
• 35:50
  Speaker 1: I don't even put his change in his hand like
• 35:52
  Speaker 1: I put it on the Oh my god, he's the creepiers.
• 35:57
  Speaker 1: Why is he calling me? I don't understand what he
• 35:59
  Speaker 1: still he's still on the phone. He can hear he
• 36:01
  Speaker 1: can hear you. He's here. I got this point. I
• 36:04
  Speaker 1: don't even care because you're talking about too looked up
• 36:07
  Speaker 1: my number on Facebook. It's kind of weird that, no, really,
• 36:13
  Speaker 1: because Facebook does provide this kind of information. But I
• 36:16
  Speaker 1: do think I wish we would have asked him, you know,
• 36:18
  Speaker 1: did he get your number before? And but yeah, but wait,
• 36:22
  Speaker 1: why is he calling me? I'm not understanding. Wants to
• 36:24
  Speaker 1: have sex with No, no, he wants to take you
• 36:26
  Speaker 1: out on a date. He wants to take you out
• 36:27
  Speaker 1: on a date. Why would I go out? Hives billion
• 36:31
  Speaker 1: people on the planet and you think I would go
• 36:32
  Speaker 1: out with this dude? Speak no, no, no, no, no, no,
• 36:36
  Speaker 1: Vante Sneak. You have the name of America. I just
• 36:39
  Speaker 1: want to have sex with Oh my goodness, he keeping
• 36:45
  Speaker 1: it on. No, well, let me keep it one hundred.
• 36:49
  Speaker 1: DeVante has adult acne. I can't even get past that
• 36:52
  Speaker 1: because we're not even doing it like that. No, are
• 36:55
  Speaker 1: you kidding me? He's trying to figure out and figure
• 37:01
  Speaker 1: me out. Please and let me tell you I'm giving
• 37:06
  Speaker 1: out medicine for diabetes, for HIV, for cancer, and this
• 37:10
  Speaker 1: is coming every day behind gum. Do you know how
• 37:13
  Speaker 1: creepy that she is? Listen, why don't you prescribe him
• 37:17
  Speaker 1: something for his adult acting? Should he go see a
• 37:19
  Speaker 1: dermat I have a great man. I can't believe. I believe.
• 37:26
  Speaker 1: I don't know why she's being like that. I always
• 37:28
  Speaker 1: offer a piece of gum when I come, and that's creepy.
• 37:32
  Speaker 1: I don't think. I don't think you should tell a
• 37:35
  Speaker 1: guy like this any last words. That creepy and it
• 37:40
  Speaker 1: really okay, all nice and slow flirt with me. You
• 37:44
  Speaker 1: know you love the girl? Yeah? Why are you taking
• 37:46
  Speaker 1: the gun from him? Why are you leading him on
• 37:48
  Speaker 1: by taking the gun from gun from him? If you've
• 37:50
  Speaker 1: never taking gun from him, I'm never taking fire. I
• 37:56
  Speaker 1: have a video, I snapshot it. What next time he
• 38:00
  Speaker 1: comes in there, I would call a policeman. He's creepy
• 38:02
  Speaker 1: as hell. Yeah, and the table you might you might
• 38:04
  Speaker 1: need to get a rest. Now, we didn't know. I'm
• 38:09
  Speaker 1: sorry we didn't know. Heyvante, your mother your father was
• 38:13
  Speaker 1: clearly a jodasy fan. Okay, because they named you DeVante?
• 38:16
  Speaker 1: Are you familiar with vantage swing from Jodice. Yeah, okay,
• 38:20
  Speaker 1: he did a Juicy fo commercial back in the day. Right,
• 38:22
  Speaker 1: Oh my god, I'm sorry. All right, we gotta go.
• 38:28
  Speaker 1: We got things to do. I'm sorry, Vante, have a
• 38:32
  Speaker 1: blessed day. Stops stalking women. Okay, all right, I'll see you.
• 38:35
  Speaker 1: To see you next week, girl, Sorry, sorry, geez, all right,
• 38:44
  Speaker 1: shoot your shot. The Breakfast Club I was born a donkey.
• 38:54
  Speaker 1: It's the Donkey of the Death that ne Devil Breakfast Club.
• 39:13
  Speaker 1: All right, listen, man, Charlomagne the God here. I'm on
• 39:15
  Speaker 1: vacation until twenty eighteen. I don't give a damn what
• 39:18
  Speaker 1: y'all think about that, because I deserve it. Now. The
• 39:20
  Speaker 1: Breakfast Club is in eighty plus markets in a one
• 39:22
  Speaker 1: hundred and fifty countries, so we have a lot of
• 39:24
  Speaker 1: new listeners who probably don't even know who Charlomagne the
• 39:26
  Speaker 1: God is. So use my time off to catch up
• 39:29
  Speaker 1: on some of my past work. Okay, okay, if you
• 39:32
  Speaker 1: knew here, I do a segment every day called Donkey
• 39:34
  Speaker 1: to Day Donkey as in jackass, and that's when I
• 39:36
  Speaker 1: give someone the credit they deserve for being stupid. So
• 39:39
  Speaker 1: if you've never heard of it. This is new to you.
• 39:41
  Speaker 1: But if you are a regular listener and this is
• 39:42
  Speaker 1: an oldiep but goody because it's the best of the
• 39:45
  Speaker 1: Donkey of the day, Donkey to day goes to can
• 39:47
  Speaker 1: do Isaacs? You know who can do it? Is right? Yeah?
• 39:50
  Speaker 1: Mary J. Blige just form a husband slash manager. Now,
• 39:53
  Speaker 1: as the story goes can do Isaacs and Mary J.
• 39:55
  Speaker 1: Blige y'are getting a divorce? Apparently they are. Are they divorced?
• 39:58
  Speaker 1: Getting divorce the project? Yeah, they're in the process apparently
• 40:02
  Speaker 1: because they can do the leged to fair with her
• 40:04
  Speaker 1: young artist named Starshell. She was signed to marriage label
• 40:07
  Speaker 1: Matriarch Entertainment. A Page six actually reported this back in April.
• 40:11
  Speaker 1: In fact, in courting the Page six, Mary claimed in
• 40:13
  Speaker 1: court documents that kend spent four and twenty grand on
• 40:16
  Speaker 1: his little girlfriend and to add insult to injury, Mary
• 40:19
  Speaker 1: would bring her the Red Carpete and other events to
• 40:21
  Speaker 1: increase her profile. Now, when the legend Mary J. Bligees
• 40:24
  Speaker 1: on the Breakfast Club, she spoke on it, but didn't
• 40:26
  Speaker 1: say the young lady's name. Let's hear it. But I
• 40:29
  Speaker 1: started recording the album like a year ago, started writing
• 40:32
  Speaker 1: it from a perspective of a woman fighting for her marriage.
• 40:35
  Speaker 1: I wanted it no matter what I wanted to keep it.
• 40:38
  Speaker 1: I loved him. I wanted to stay. But then, of
• 40:41
  Speaker 1: course it didn't turn out that way. So everything you know,
• 40:45
  Speaker 1: he don't wanted as much as you did. He didn't
• 40:47
  Speaker 1: when someone loved someone else, it's not you could do.
• 40:51
  Speaker 1: That's that's what I'm suffering through right right now. What
• 40:53
  Speaker 1: was the turning point where you knew it was going
• 40:55
  Speaker 1: down the wrong road? Um? When everything I said didn't
• 40:59
  Speaker 1: mean anything, and I was Nothing I ever did was
• 41:02
  Speaker 1: good enough and I was never smart enough. He knew
• 41:05
  Speaker 1: he loved someone else. He knew he wanted a hair
• 41:08
  Speaker 1: on man up. You know, he knew he wanted what
• 41:10
  Speaker 1: he what he wanted. Now, if he had kept it
• 41:11
  Speaker 1: honest with you, you think you'd been able to be
• 41:13
  Speaker 1: one of those women who can let that man have
• 41:15
  Speaker 1: another woman. No, I don't think so. I mean, not
• 41:19
  Speaker 1: this particular person, anybody but her. You do treat the
• 41:23
  Speaker 1: one that you love him with the same respect that
• 41:24
  Speaker 1: you treat the one that you jumping. That ain't about nothing.
• 41:27
  Speaker 1: Mary also spoke on the situation on her VAH one
• 41:29
  Speaker 1: documentary screenful of a woman when she went into a
• 41:32
  Speaker 1: little more detail when she was talking to Neil. Let's
• 41:33
  Speaker 1: hear it. And just when we clear, you have a
• 41:35
  Speaker 1: studio over in the other place, right, do not let
• 41:39
  Speaker 1: do you know, do not let her knowwhere near what
• 41:43
  Speaker 1: you're doing for me? Okay, because she's she's the reason
• 41:46
  Speaker 1: for all of it. That's my Becky with the good hair,
• 41:50
  Speaker 1: wow well kind, who was originally asking for one hundred
• 41:54
  Speaker 1: and twenty nine thousand and nineteen dollars a month and
• 41:57
  Speaker 1: spousal support, was granted by a judge already grand a month,
• 42:00
  Speaker 1: which I think is way too much for a grown
• 42:02
  Speaker 1: ass man to be getting from his ex wife. He's
• 42:04
  Speaker 1: now asking for sixty five grand a month, okay, can do?
• 42:07
  Speaker 1: Isaac's wants sixty five grand and spousal support because, according
• 42:11
  Speaker 1: to the blast who dug up the court documents, can
• 42:13
  Speaker 1: do needs his spousal support doubled because Mary's divorce songs
• 42:18
  Speaker 1: tarnished his reputation and he can no longer find work
• 42:21
  Speaker 1: with cheating turnish your reputation? Can do? Can do? Come on, brother, listen,
• 42:27
  Speaker 1: Yes you're right, Angelie. These songs didn't tarnish can do
• 42:30
  Speaker 1: his reputation? He tarnished his reputation because he broke Mary J.
• 42:34
  Speaker 1: Blige's heart by cheating on her. And now we see you,
• 42:36
  Speaker 1: Robin Mary with no gun in spousal support, and the
• 42:39
  Speaker 1: general public just doesn't respect that. If Mary never made
• 42:42
  Speaker 1: a record about what happened, we still would be looking
• 42:44
  Speaker 1: at you funny, because honestly, what you doing is lame.
• 42:48
  Speaker 1: Mary jy Blige is an icon, a legend. She's beloved
• 42:50
  Speaker 1: in these creeps, Okay, the coach who protects her at
• 42:52
  Speaker 1: all costs. Of course you can't find work because if
• 42:55
  Speaker 1: people have to choose between you and Mary J. Blige,
• 42:58
  Speaker 1: of course they're gonna choose Mary. That's just the way
• 43:00
  Speaker 1: the game goes. It's not like you've shown that you
• 43:02
  Speaker 1: can have success on your own. All your success is
• 43:05
  Speaker 1: tied with Mary. So if you're not working with Mary,
• 43:07
  Speaker 1: why would anyone work with you? A simple map to me, Now,
• 43:10
  Speaker 1: what are these divorce songs can do? Is speaking of whatever.
• 43:13
  Speaker 1: We're all featured on Very Scrimpable Woman album. One is
• 43:17
  Speaker 1: titled Love Yourself. That's the one with Kanye West. I
• 43:19
  Speaker 1: love that record, by the way, and set me Free.
• 43:21
  Speaker 1: And now we have a we have a clipper set
• 43:23
  Speaker 1: me free. Let's hear it. Tell man, how you fig
• 43:25
  Speaker 1: if that's your naming and your gaming? Well I have
• 43:28
  Speaker 1: before I'm met you and don't have it when you're gone?
• 43:31
  Speaker 1: And how you fix your enough to say I owe
• 43:33
  Speaker 1: you when you had another bit of taking trips and money?
• 43:37
  Speaker 1: So all right, Mary, by all you gonna get you bad.
• 43:42
  Speaker 1: I can't get back time. Man. That is clearly about
• 43:45
  Speaker 1: can do. But so what? Okay, this is Mary's life
• 43:48
  Speaker 1: as much as this can does, and if she wants
• 43:50
  Speaker 1: to sing about it, she can sing about it. Mary
• 43:52
  Speaker 1: always puts her life in her music. That's why we
• 43:54
  Speaker 1: love Mary J. Blige. Hell, when I heard she was
• 43:55
  Speaker 1: getting divorced, I was happy because I was like, oh Mary,
• 43:58
  Speaker 1: next album about to be fire. I just want to know,
• 44:00
  Speaker 1: can do? How are you trying to shake Mary J
• 44:02
  Speaker 1: Blige down? Because she sang about you, and you gave
• 44:05
  Speaker 1: her the content to sing about. If you hadn't allegedly
• 44:08
  Speaker 1: cheated with her artist Starshell, none of this would have happened.
• 44:11
  Speaker 1: Can do? You caused all of this on yourself? If
• 44:13
  Speaker 1: you was getting money you was old from management or
• 44:16
  Speaker 1: managerial things cool? But asking for all this spousal support
• 44:19
  Speaker 1: because you can't find work without Mary. That's all the
• 44:22
  Speaker 1: more reason you shouldn't have cheated Fellas. Here's a guy
• 44:26
  Speaker 1: cold pro tip from your uncle Schaula. If your wife
• 44:28
  Speaker 1: is your primary source and income, sit your dumbass down,
• 44:32
  Speaker 1: eat this slice of PhD and be quiet. Okay. A
• 44:34
  Speaker 1: man's job is to protect and provide. If you're not
• 44:36
  Speaker 1: the primary provider financially, then you have to provide in
• 44:39
  Speaker 1: other ways emotionally, mentally, spiritually, physically, and you have to
• 44:43
  Speaker 1: protect her emotional, mental and spiritual well being. Can do?
• 44:47
  Speaker 1: You didn't do that. You actually hurt her and broke
• 44:49
  Speaker 1: her heart. Now you're twisting the knife and asking for
• 44:51
  Speaker 1: sixty five grand and child support. Sorry, can do? Nobody
• 44:55
  Speaker 1: feels sorry for you, No empathy, no sympathy. You did
• 44:58
  Speaker 1: this to yourself. And if you want to fix your
• 44:59
  Speaker 1: repute and get people to possibly work with you again,
• 45:02
  Speaker 1: do what's right and stop trying to shake Mary J.
• 45:05
  Speaker 1: Blige down because you was wrong. Please give ken do
• 45:09
  Speaker 1: Hidas the sweet sounds of the ham On tones. Please.
• 45:11
  Speaker 1: Oh no, you are dogee. Oh the day, the dogee,
• 45:22
  Speaker 1: oh the day. Ye all right, thank you for that.
• 45:28
  Speaker 1: Donkey to day the Breakfast Club morning. Everybody is DJ
• 45:36
  Speaker 1: Envy Angela Yee, Charlomnea God. We are the Breakfast Club.
• 45:39
  Speaker 1: We got a special guest in the building. Yes, ma'am,
• 45:41
  Speaker 1: miss Angela Ry fifteen. Welcome back, violent, Thank you. I'm
• 45:46
  Speaker 1: happy to be here. You better learn how to give
• 45:47
  Speaker 1: violent because when i'm a Rosa, come for your face.
• 45:49
  Speaker 1: She ain't gonna come for me Rosa nor Marshal arch
• 45:51
  Speaker 1: I heard you laugh for me that it's a black
• 45:53
  Speaker 1: woman civil war. No. She she said that after Robbin,
• 45:57
  Speaker 1: so she she knows not to mention my name. I'm Rose,
• 46:00
  Speaker 1: No Karate, right, I don't give it. She said it
• 46:03
  Speaker 1: when she was up here. I forgot you was up there.
• 46:04
  Speaker 1: She wasn't bet Yeah, ago years ago. I was like,
• 46:10
  Speaker 1: I'm not taking credit. I forgot Rose. But it's like
• 46:13
  Speaker 1: six or seven years ago. And I wouldn't watch the
• 46:16
  Speaker 1: end of You Live Nation. That's when she was still
• 46:17
  Speaker 1: a Democrat. That's cute. I don't know what she was doing.
• 46:21
  Speaker 1: Claudia Jordan was beef and it was weird. But she
• 46:23
  Speaker 1: know Karate. That's all you need to know. I'm not
• 46:25
  Speaker 1: worried about it. She can run about me and she
• 46:26
  Speaker 1: wants and she gonna catch her case. I don't fight.
• 46:30
  Speaker 1: We know you, but I don't think we know you
• 46:34
  Speaker 1: have the inside school. So do you believe that she
• 46:37
  Speaker 1: really resigned or do you believe that she was let go? So,
• 46:40
  Speaker 1: just to clarify for the culture, what I do not
• 46:44
  Speaker 1: inside scoop on the White House. Yeah, I don't be
• 46:48
  Speaker 1: up in there, but um, but but I do know
• 46:50
  Speaker 1: a few things um to that point. What I believe,
• 46:54
  Speaker 1: based on what I saw um in her interview with
• 46:57
  Speaker 1: Michael Strahan is that she did not resign. Um you
• 47:00
  Speaker 1: will if I don't know if you all saw it.
• 47:02
  Speaker 1: But there are a number of conflicting points in her interview.
• 47:06
  Speaker 1: One of the funniest things to me was when she
• 47:08
  Speaker 1: talked about having certain access restrictions after you resign, which
• 47:14
  Speaker 1: is not true. You turn your badge in the day
• 47:17
  Speaker 1: that you quit, are fired or whatever at the White House,
• 47:20
  Speaker 1: just like you would in any other At the video,
• 47:22
  Speaker 1: if we go like they're not gonna give they're not
• 47:24
  Speaker 1: gonna take y'allad till January twentieth, and so we'll let
• 47:27
  Speaker 1: you in the building, but we're not gonna let you upstairs.
• 47:29
  Speaker 1: That doesn't happen anywhere, and it definitely doesn't happen on
• 47:32
  Speaker 1: the campus of the White House. So Secret Service tweeting
• 47:34
  Speaker 1: that they removed her credentials means she cannot get on
• 47:37
  Speaker 1: the campus of the White House, including the Eisenhower Executive
• 47:41
  Speaker 1: Office Building, which is across the street from the White House,
• 47:43
  Speaker 1: which is where she sat. She was she did not
• 47:45
  Speaker 1: have a desk in the White House. She can she
• 47:48
  Speaker 1: can request it to her from her member of Congress,
• 47:50
  Speaker 1: like every other American citizen. Camp. That means maybe she's
• 47:53
  Speaker 1: getting paid till January twenty. Absolutely, that's exactly what it means.
• 47:57
  Speaker 1: Do you know exactly what it is? So I'm like, may,
• 48:00
  Speaker 1: he's pulling the whool of our eyes at every turn.
• 48:01
  Speaker 1: Who Um, I'm not sure. Um. I think that she
• 48:08
  Speaker 1: is dramatic. Um. I think that she's caused a lot
• 48:12
  Speaker 1: of issues there. Um. But I also think that she
• 48:15
  Speaker 1: is you know, when they talk about birds of a
• 48:17
  Speaker 1: feather flock together. She acts just like Donald Trump. So
• 48:20
  Speaker 1: this is hyperboally dramatic mass there. There's always some distraction
• 48:25
  Speaker 1: being thrown out there. I have heard from some black
• 48:28
  Speaker 1: Republicans who I trust a little more than on Morosa
• 48:31
  Speaker 1: that she's made it very difficult for other people of
• 48:34
  Speaker 1: color who work not only in the White House but
• 48:36
  Speaker 1: also in the administration, because she's threatened by their real
• 48:39
  Speaker 1: political credential. So what is her job part of my exaction,
• 48:43
  Speaker 1: But I don't know. I don't, Yeah, I don't. No,
• 48:49
  Speaker 1: so so, and just for clarification on that too. So
• 48:52
  Speaker 1: when you work in the administration, in the White House,
• 48:55
  Speaker 1: there are titles that you have. So there's a special
• 48:58
  Speaker 1: assistant to the President, and most people in senior roles,
• 49:02
  Speaker 1: depending on what your pay range is, you're called a
• 49:06
  Speaker 1: special assistant to the President. Most assistants to the president
• 49:09
  Speaker 1: work in the actual White House. So I think I'm
• 49:14
  Speaker 1: just saying not any Eeobi, which again is Eisenhower Executive
• 49:18
  Speaker 1: Office building. I think that they gave her that title
• 49:20
  Speaker 1: because they knew from an optic standpoint, there were no
• 49:24
  Speaker 1: other black people there. There's no Asian people that roll them,
• 49:27
  Speaker 1: and especially and she said black people. The only black
• 49:29
  Speaker 1: other black person or other black people in the administration
• 49:32
  Speaker 1: senior level of the certain Surgeon General and Ben Carson,
• 49:35
  Speaker 1: the Secretary of Hood. Feel like she said she was
• 49:37
  Speaker 1: like the only black woman's in the senior role. So
• 49:41
  Speaker 1: I'm saying there are literally three senior black folks. She's
• 49:43
  Speaker 1: the only one in the White House, so it's black people.
• 49:46
  Speaker 1: It was something urban like head of Urban Music or
• 49:48
  Speaker 1: something that she was in the Office of the Public
• 49:53
  Speaker 1: Liaison under the Obama administration was called the Office of
• 49:56
  Speaker 1: Public Engagement. They made her a senior communications advisor. There
• 50:00
  Speaker 1: was no communication shop in OPE under Barack Obama because
• 50:03
  Speaker 1: there's a communications department. It's this made up role of
• 50:06
  Speaker 1: Hodge Hodge issue. How do you think she got paid?
• 50:09
  Speaker 1: She was paid one hundred it's public knowledge is one
• 50:10
  Speaker 1: hundred and one hundred and eighty thousand dollars a year. Yeah,
• 50:15
  Speaker 1: that's high for that. I know that you you do
• 50:17
  Speaker 1: get rid. You know, you're we know you cashing Trump
• 50:20
  Speaker 1: checks like Nini. But I'm saying that's great, that's a
• 50:23
  Speaker 1: great money. But no, but but it's it's very we
• 50:27
  Speaker 1: don't know, we don't know, but that's what I'm telling you.
• 50:29
  Speaker 1: She was paid because there's no other black people that senior.
• 50:32
  Speaker 1: So she was paid at that rate, but she wasn't
• 50:34
  Speaker 1: given a job description that matched that rate. So nobody
• 50:37
  Speaker 1: everybody's like, what did she do it? Everybody's like, we
• 50:40
  Speaker 1: fresh out our cable news on that we're like, we
• 50:42
  Speaker 1: don't really know. What we do know is that she
• 50:43
  Speaker 1: actively worked to oppose UM black folks in the administration,
• 50:47
  Speaker 1: some folks who I think were more well meaning and
• 50:49
  Speaker 1: honestly people that I had conversations like, why are you
• 50:51
  Speaker 1: going into that role? Like why are you gonna go
• 50:53
  Speaker 1: work for somebody who was who's not only um suggestively
• 50:57
  Speaker 1: hated us, but I think done things that are just
• 50:59
  Speaker 1: down right hateful. That's why I made a no, That's
• 51:02
  Speaker 1: why I made a figure. I'm like, you sell your
• 51:03
  Speaker 1: soul for that chap. That's right, that's that's exactly right.
• 51:06
  Speaker 1: But we know that that's happened since we got here
• 51:09
  Speaker 1: on slave ship. She's that type of black person. So
• 51:11
  Speaker 1: you think she'll get a big paycheck for that first
• 51:13
  Speaker 1: interview after January twentieth, I think that she absolutely was
• 51:17
  Speaker 1: working to sell a book, or absolutely working and figure
• 51:20
  Speaker 1: out what her news contributor deal would be. Maybe she's
• 51:22
  Speaker 1: working on her next reality show. She's definitely gonna need
• 51:25
  Speaker 1: a check. Um. She is as an active first lady
• 51:28
  Speaker 1: of a church in Jacksonville, where her husband is a pastor. UM,
• 51:32
  Speaker 1: I have heard. I don't know this for a fact,
• 51:34
  Speaker 1: but I have heard that members have left the congregation
• 51:37
  Speaker 1: because they're not checking for or what she represents. Yeah,
• 51:40
  Speaker 1: it's amazing how she said that. She now all of
• 51:42
  Speaker 1: a sudden, she's claiming to be the only African American
• 51:44
  Speaker 1: in the White House. Like she's she's like, oh, she said,
• 51:49
  Speaker 1: I know, she said my people, and I was like, oh, people,
• 51:51
  Speaker 1: that's where your people at? Because you haven't been checking
• 51:53
  Speaker 1: first of all times, you know, you don't know that.
• 51:55
  Speaker 1: She went on air on Tucker Crossing showed defending Donald
• 51:58
  Speaker 1: Trump's actions during Charlottesville, and now she's yeah, now she
• 52:02
  Speaker 1: has Armstrong Williams caping for her, saying she had issues
• 52:05
  Speaker 1: with what it. You not only did you defend it.
• 52:09
  Speaker 1: You went on air talking about how Barack Obama handled
• 52:13
  Speaker 1: the Black Lives Matter the person who said he was
• 52:16
  Speaker 1: affiliated with Black Lives Matter or was influenced by Black
• 52:18
  Speaker 1: Lives Matter in Dallas. Compare that nonsense to how Donald
• 52:22
  Speaker 1: Trump handled Charlotte'sville. And she should have had issues with
• 52:26
  Speaker 1: him from when he ran and that's why she shouldn't
• 52:28
  Speaker 1: have supported his campaign. Right, So, I just I'm not
• 52:31
  Speaker 1: checking for her, And the main thing is I have
• 52:33
  Speaker 1: been this frustrated with her actions since the campaign. During
• 52:38
  Speaker 1: the election, she was asking people who know me if
• 52:41
  Speaker 1: we could have a sister girl talk because she was
• 52:43
  Speaker 1: upset that I was dragging her. I'm like, he for
• 52:46
  Speaker 1: you lost the sister girl opportunity when you started campaigning
• 52:49
  Speaker 1: for this man. No, you just call her a hellful
• 52:52
  Speaker 1: she is, But no, to me, it's personally frustrat because, y'all,
• 53:00
  Speaker 1: I'm serious, there are black folks who have sold us
• 53:03
  Speaker 1: out from the beginning of time who operate in that mode.
• 53:06
  Speaker 1: You cannot put your culture, your people, your community under
• 53:10
  Speaker 1: your opportunity. You will never make a good decision. And
• 53:13
  Speaker 1: that is just it's frustrating. It's hurtful to me. So
• 53:16
  Speaker 1: people have been like, why are you so amped about it?
• 53:18
  Speaker 1: Why are you so mad? I'm like, because you're trying
• 53:20
  Speaker 1: to tell me one thing and you're doing something else.
• 53:22
  Speaker 1: I see your actions, I hear the words that you're speaking,
• 53:25
  Speaker 1: and they don't align with someone who represents what I
• 53:27
  Speaker 1: believe are our best interests. So yeah, I'm gonna drag
• 53:30
  Speaker 1: you every time. That's when you say skinful, telling with
• 53:32
  Speaker 1: you when you say skin folk. So Zornil Hurston has
• 53:35
  Speaker 1: a famous quote that says, all all my skin folk
• 53:38
  Speaker 1: ain't my kin folk. And what that means is that
• 53:41
  Speaker 1: everyone who has black skin, regardless of the hue, don't
• 53:44
  Speaker 1: start with the waffle colored nonsense. I five, you're not
• 53:49
  Speaker 1: that dark either is. But the point is, you know,
• 53:53
  Speaker 1: just because you're of a certain who doesn't mean that
• 53:55
  Speaker 1: you're going to represent what's in the best interests of
• 53:57
  Speaker 1: that And that doesn't mean that we're always gonna align.
• 54:00
  Speaker 1: But my one rule is like cause no harm, Just
• 54:03
  Speaker 1: cause no harm. And we can debate whether or not
• 54:06
  Speaker 1: this policy is best for us, but don't deliberately cause harm.
• 54:10
  Speaker 1: Right and she I feel like she's done that in life.
• 54:13
  Speaker 1: We got more with Angela right when we come back,
• 54:15
  Speaker 1: keep a lot This to breakfast club. Good morning, the morning.
• 54:18
  Speaker 1: Everybody is DJ envy Angela, Ye, Charlomagne the guy. We
• 54:22
  Speaker 1: all the breakfast club. We have Angela right in the building.
• 54:25
  Speaker 1: That question, do I have to pay for internet now?
• 54:30
  Speaker 1: Unless you hacking into something and you got free Wi
• 54:32
  Speaker 1: Fi at your house, at which point we all need
• 54:34
  Speaker 1: to edit your house like we pay for the internet now.
• 54:36
  Speaker 1: What's frustrating about net neutrality is the conversation has been
• 54:40
  Speaker 1: had in such a wonky way that people have disengaged,
• 54:43
  Speaker 1: like I kind of just don't understand it, so I'm
• 54:44
  Speaker 1: afraid to touch it. The bottom line is what eliminating
• 54:49
  Speaker 1: those net neutrality rules does is it makes it more
• 54:51
  Speaker 1: different or makes it easier for companies to slow down
• 54:55
  Speaker 1: certain services to put some of their products at an advantage. Right, Um,
• 54:59
  Speaker 1: so if you have Netflix and they slow down to Netflix,
• 55:02
  Speaker 1: that might put another company at an advantage because you're
• 55:05
  Speaker 1: trying to watch a Netflix but it's buffering. It's buffering,
• 55:08
  Speaker 1: it's not working. We're trying to pay for it to
• 55:10
  Speaker 1: go faster. Yes, and so you'll have to pay for
• 55:13
  Speaker 1: certain services to go faster after you've already paid for
• 55:16
  Speaker 1: your subscription to handle this's points. So there are all
• 55:18
  Speaker 1: of these things that make the Internet more financially lucrative
• 55:22
  Speaker 1: for them because they've been trying to figure out ways
• 55:23
  Speaker 1: to bolster some of their revenue since the Internet is
• 55:26
  Speaker 1: coming out. It's like, what do we do. We're losing money,
• 55:28
  Speaker 1: you know, We've seen that with record labels and all
• 55:30
  Speaker 1: of that. So I think the one thing that people
• 55:33
  Speaker 1: need to know is it's going to be a more
• 55:34
  Speaker 1: costly space. And it's frustrating because there are still folks
• 55:39
  Speaker 1: who look like me and you who don't even have
• 55:41
  Speaker 1: access just to baselining or just don't even have access.
• 55:45
  Speaker 1: So it's this is really frustrating to watch, but you
• 55:47
  Speaker 1: see it every turn, whether it's the tax reform build
• 55:49
  Speaker 1: that they're pushing or the healthcare measure that they were pushing.
• 55:53
  Speaker 1: Now this that at every turn they're looking out for
• 55:55
  Speaker 1: people who are the haves and the have nots are
• 55:58
  Speaker 1: continually being screwed. Under this illustration. Do you think I
• 56:01
  Speaker 1: think people are concerned about social media? How's that gonna
• 56:04
  Speaker 1: affect social media? Um? I don't know. I don't I
• 56:06
  Speaker 1: don't know of a direct impact that I can think
• 56:09
  Speaker 1: of right now. I know that it can impact search
• 56:12
  Speaker 1: certain search engines like Google Chrome versus like a Yahoo
• 56:16
  Speaker 1: you know, or Verizons search and page, that kind of thing,
• 56:19
  Speaker 1: But I don't know what the direct impact would be
• 56:21
  Speaker 1: on social media. I need to ask somebody that really
• 56:24
  Speaker 1: knows the ins and outs and is it true that
• 56:26
  Speaker 1: neutrality one that's how so much messaging gets out nowadays,
• 56:28
  Speaker 1: especially for all communities. It's no question we over index
• 56:31
  Speaker 1: on social media use on every single platform. Like black
• 56:34
  Speaker 1: and brown folks are the ones that like have made
• 56:36
  Speaker 1: all of it about and that's why there's a thing
• 56:38
  Speaker 1: called black Twitter. So we definitely use it. It is
• 56:40
  Speaker 1: a free platform. It's the one space, I think where
• 56:44
  Speaker 1: communication has kind of been democratized and to the point
• 56:47
  Speaker 1: where you know, we've seen all types of organizing happening online.
• 56:50
  Speaker 1: So yeah, there's no question about it. Now, you know that.
• 56:52
  Speaker 1: I would love to get you to weigh in on
• 56:54
  Speaker 1: I see the rest of Simmons is now doing this
• 56:56
  Speaker 1: whole campaign not me has tag not me, taking polygraph
• 56:59
  Speaker 1: tests to prove that he didn't do anything with anything
• 57:02
  Speaker 1: wrong in his vision with these women that are accusing
• 57:06
  Speaker 1: him of sexual misconduct, sexual assault, even rape. And so
• 57:11
  Speaker 1: we were having a discussion up here behind the scenes
• 57:13
  Speaker 1: about what happens with these men that are being falsely
• 57:18
  Speaker 1: accused and what happens with these women that are coming
• 57:20
  Speaker 1: forward and saying things. But maybe, you know, you might say,
• 57:24
  Speaker 1: because the guys were saying behind the scenes, like what
• 57:26
  Speaker 1: if it was a situation where you know, afterward you
• 57:29
  Speaker 1: didn't want to do it, or everybody was high drunk
• 57:32
  Speaker 1: or whatever, and everything went down the way that it did,
• 57:34
  Speaker 1: and then now there's this pushback like not me, and
• 57:37
  Speaker 1: there's people like to have a smiley coming forward and
• 57:40
  Speaker 1: saying that he feels like that investigation was wrong, they
• 57:43
  Speaker 1: did him dirty. What do you think about watching everything
• 57:45
  Speaker 1: that's happening just your point of view? So I actually
• 57:49
  Speaker 1: and I think you know Christy Henderson pretty well. But
• 57:52
  Speaker 1: Christy and I were going round on the phone, not fighting,
• 57:56
  Speaker 1: but just like being tormented by the fact that you
• 57:58
  Speaker 1: are fully black, fully women and the conflicts that exist
• 58:02
  Speaker 1: just within that. And then we ended up taking it
• 58:04
  Speaker 1: onto my podcast because You're like, we can't wrestle with
• 58:06
  Speaker 1: this alone, like, let's be honest, And I think there
• 58:09
  Speaker 1: are a lot of folks who disagreed, like with my
• 58:12
  Speaker 1: interpretation and hers. What's really difficult for me Angela as
• 58:16
  Speaker 1: a lawyer even and the reason why I wanted to
• 58:18
  Speaker 1: become a lawyer. So often we've seen black folks period
• 58:23
  Speaker 1: wrongfully accused of things, and the reason why there's supposed
• 58:27
  Speaker 1: to be a justice system is so that you can
• 58:29
  Speaker 1: litigate the facts and determine whether or not someone is
• 58:32
  Speaker 1: innocent or guilty what has happened. And it feels like
• 58:39
  Speaker 1: that in some ways until I'm really torn because I
• 58:41
  Speaker 1: know for years, like I know women who have been
• 58:43
  Speaker 1: sexually assaulted or have been sexually harassed. I know for me,
• 58:46
  Speaker 1: even on Capitol Hill, we would tell young interns to
• 58:50
  Speaker 1: stay away from such a sen which makes us all
• 58:52
  Speaker 1: complicit too in some ways. But at some point you
• 58:56
  Speaker 1: do want to give people the strength they need to
• 58:58
  Speaker 1: be courageous enough to step up and say this happened
• 59:00
  Speaker 1: to me. And I can't imagine what that feels like
• 59:02
  Speaker 1: because I've never been assaulted, but I do think that
• 59:08
  Speaker 1: I'm concerned about the precedent it sets for people to
• 59:12
  Speaker 1: no longer have to go through a process to determine
• 59:15
  Speaker 1: whether someone is guilty or innocent. That's said, if it
• 59:19
  Speaker 1: was just one, I don't give a damn. If it
• 59:21
  Speaker 1: was eleven and there was just one, but I was saying,
• 59:25
  Speaker 1: you still are accountable for that one. I don't care
• 59:29
  Speaker 1: like you can litigate the facts on if it would
• 59:31
  Speaker 1: Bill Cosby, Let's say he said it wasn't six to
• 59:34
  Speaker 1: three of him, it was ten. That's still ten to
• 59:37
  Speaker 1: damn many, you know what I mean. And so we
• 59:38
  Speaker 1: just have to figure out what the balance is. But
• 59:42
  Speaker 1: it does feel like it's swaying all the way back
• 59:44
  Speaker 1: over here, and it terrified I think about Emmett Till.
• 59:47
  Speaker 1: I think about black men who've recently been exonerated because
• 59:50
  Speaker 1: they did not rape that white woman who said that.
• 59:52
  Speaker 1: You know what I mean. I'm inherently conflicted. I know
• 59:55
  Speaker 1: there's a difficult situation. It's not difficult if you're being
• 59:58
  Speaker 1: an objective about it because as a man, and it's simple,
• 1:00:00
  Speaker 1: It's like, I just want to know the man. How
• 1:00:04
  Speaker 1: do I prove I didn't do You can't prove Russell
• 1:00:07
  Speaker 1: saying he didn't do it, and Tavis somebody saying he
• 1:00:09
  Speaker 1: didn't do it. Why why do I we have to
• 1:00:11
  Speaker 1: discredit them. We shouldn't discredit him, and we shouldn't discredit
• 1:00:14
  Speaker 1: the people that are accusing him, because I think the
• 1:00:17
  Speaker 1: challenge with Um with I'm not going to speak to
• 1:00:20
  Speaker 1: Tavis because I have other issues with Tavis Um, like
• 1:00:23
  Speaker 1: where the hell has he been through the whole Trump administration?
• 1:00:26
  Speaker 1: Not saying anything but he was dragging, But I digress.
• 1:00:29
  Speaker 1: I don't know what his personal life looks like. But
• 1:00:32
  Speaker 1: with Russell Simmons, I can say what bothered me about
• 1:00:35
  Speaker 1: some of his statements is I don't recall our night
• 1:00:38
  Speaker 1: together like that, But that doesn't mean it didn't happen
• 1:00:42
  Speaker 1: that way to that said it might have been consensual.
• 1:00:45
  Speaker 1: Also also said that he used a lot of drugs,
• 1:00:48
  Speaker 1: but that doesn't excuse but that doesn't excuse for sex,
• 1:00:52
  Speaker 1: and it doesn't excuse you not taking no for no.
• 1:00:55
  Speaker 1: I don't know if it happened or not, but I'm
• 1:00:57
  Speaker 1: saying the narrative around it, like whoever is helping him
• 1:01:00
  Speaker 1: with his pr and his messaging it's been off. And
• 1:01:03
  Speaker 1: I also feel like women are coming forward and it's
• 1:01:05
  Speaker 1: not like they're pressing charges, are getting anything out of it,
• 1:01:07
  Speaker 1: Like what do Samahayak get out of telling her story
• 1:01:09
  Speaker 1: about Harvey Weinstein and what happened? If anything, some people
• 1:01:13
  Speaker 1: might feel more ostracize. It's a hard story to tell,
• 1:01:16
  Speaker 1: so for them to come forward, it just makes you
• 1:01:19
  Speaker 1: feel like, well, what do these women get out of it.
• 1:01:21
  Speaker 1: It's not like they're getting the fame that they want
• 1:01:23
  Speaker 1: to get revenge. But part of it could be we
• 1:01:28
  Speaker 1: don't know if these folks been able to sleep at
• 1:01:30
  Speaker 1: night since whatever happened. We also have to acknowledge y'all,
• 1:01:33
  Speaker 1: like whether you're a man, woman or identify as you
• 1:01:36
  Speaker 1: know neither. There are people who are attention seeking. One
• 1:01:41
  Speaker 1: of them just left the White House. There are no Seriously,
• 1:01:44
  Speaker 1: there are people who are attention seeking. There are people
• 1:01:46
  Speaker 1: who will do anything for a check, and that is
• 1:01:50
  Speaker 1: happening too. I know of a member of Congress who's
• 1:01:52
  Speaker 1: being accused right now, and this same person accused someone
• 1:01:55
  Speaker 1: in a prior job. Like that. Sometimes that stuff doesn't
• 1:01:59
  Speaker 1: just happen, you know what I mean. So we have
• 1:02:01
  Speaker 1: to take all of that into account. And that's why
• 1:02:02
  Speaker 1: I feel so torn. I know, as a woman, I
• 1:02:05
  Speaker 1: can't imagine what it's like. I know what it's like
• 1:02:07
  Speaker 1: to be cut off, you know, on air. I know
• 1:02:09
  Speaker 1: what it's like for you to say something inappropriate, for
• 1:02:11
  Speaker 1: me to feel like you're dirty because you're addressing me
• 1:02:13
  Speaker 1: with your eyes. I know all those feelings. So I
• 1:02:15
  Speaker 1: can't imagine the strength that it takes to have to
• 1:02:17
  Speaker 1: report something that's real. But I also know that there
• 1:02:20
  Speaker 1: are some trifling people of all genders in this life
• 1:02:24
  Speaker 1: who will accuse and jump on a bandwagon. And so
• 1:02:26
  Speaker 1: I don't know what the balance is, but I know
• 1:02:27
  Speaker 1: we have to find one quickly. I just want to
• 1:02:29
  Speaker 1: do process, that's all I want. That's why when I
• 1:02:31
  Speaker 1: hear these stories, I love to hear that an investigation happen.
• 1:02:34
  Speaker 1: It can't happen as soon as as soon as you accuse,
• 1:02:36
  Speaker 1: it goes to the paper, an automatic queue. But sometimes
• 1:02:43
  Speaker 1: the very round for a woman when she goes and
• 1:02:45
  Speaker 1: then people like she's a liar. She you know, you
• 1:02:47
  Speaker 1: never get a job again. So it's hard for right now,
• 1:02:53
  Speaker 1: but I do think that there's something to be said
• 1:02:55
  Speaker 1: for both things can be true and the one the
• 1:02:59
  Speaker 1: one thing that I that's really frustrating about this moment
• 1:03:01
  Speaker 1: right now is that it's so black or white, but
• 1:03:04
  Speaker 1: truly there is a gray. Truly there is a gray
• 1:03:06
  Speaker 1: because there are many of us who have been complicit
• 1:03:08
  Speaker 1: in allowing rate culture to be pervasive, and we need
• 1:03:12
  Speaker 1: to look at the foundation of the thing to really
• 1:03:14
  Speaker 1: figure out what our next steps will be that are constructive.
• 1:03:17
  Speaker 1: Because this is a it's a tough space. It's a
• 1:03:19
  Speaker 1: really uncomfortable space. A lot of us will be personally
• 1:03:22
  Speaker 1: hurt because we know some of the people who have
• 1:03:24
  Speaker 1: been accused and will be frustrated and want to fight
• 1:03:27
  Speaker 1: for the people who we know who are the accusers.
• 1:03:29
  Speaker 1: So it's a tough space. We got more with Angela
• 1:03:31
  Speaker 1: right when we come back, keep a lock. This to
• 1:03:33
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club Morning. Everybody is
• 1:03:40
  Speaker 1: DJ Envy Angela Ye, Charlomagne, the guy. We all the
• 1:03:43
  Speaker 1: Breakfast Club. We have Angela right in the building, Charlemagne.
• 1:03:47
  Speaker 1: We talk about voting in Alabama. Yes, okay, silver Lighting.
• 1:03:51
  Speaker 1: Now I'm glad that Christmas gift. I'm glad Doug Jones one. Right,
• 1:03:55
  Speaker 1: But you know everybody's saying that black women are the
• 1:03:58
  Speaker 1: reason that he won that election. You agree with that.
• 1:04:02
  Speaker 1: I think, Um, I want to shout out black people.
• 1:04:05
  Speaker 1: That's what I'm saying. I want to shout out black people.
• 1:04:07
  Speaker 1: And that's not to take away black women. Um at all,
• 1:04:10
  Speaker 1: black women voted at higher margins than even black men.
• 1:04:14
  Speaker 1: But but it was higher though, don't don't be trying
• 1:04:17
  Speaker 1: to take yes, so that give me my sixth bl Okay,
• 1:04:26
  Speaker 1: so I'm just saying, but no, it for real. But
• 1:04:28
  Speaker 1: we are constantly setting the standard. We saw that with
• 1:04:31
  Speaker 1: the twenty sixteen election with Hillary Clinton. We've seen it.
• 1:04:34
  Speaker 1: We saw it with Barack Obama in twenty twelve and
• 1:04:36
  Speaker 1: two thousand and eight. We always show up and show out,
• 1:04:38
  Speaker 1: and too often we're treated as invisible. So this is
• 1:04:41
  Speaker 1: my expectation for Doug Jones. Doug Jones will be sworn
• 1:04:44
  Speaker 1: in because he won this special election. Doug Jones was
• 1:04:48
  Speaker 1: doing his press conference talking about how um black people
• 1:04:51
  Speaker 1: definitely showed up and it's because they know him. Also
• 1:04:54
  Speaker 1: shout out to Congresswoman Terry Sewell from Alabama who worked
• 1:04:57
  Speaker 1: her behind off for Doug Jones. Doug Jones, I'm gonna
• 1:05:00
  Speaker 1: need thirty percent of your staff to be black like
• 1:05:03
  Speaker 1: the electorate. Doug Jones, I'm gonna needs you to ensure
• 1:05:06
  Speaker 1: that there are superpacks and packs created and stood up
• 1:05:10
  Speaker 1: by black people. Ensure their funded packs, our political action
• 1:05:13
  Speaker 1: committees to ensure that we can run other candidates support
• 1:05:16
  Speaker 1: issues that we care about. I'm gonna need for the
• 1:05:18
  Speaker 1: Democratic Party through the Democratic Governors Association, the Association, the DNC,
• 1:05:23
  Speaker 1: the Democratic National Committee, the d tripleC. That's the Democratic
• 1:05:27
  Speaker 1: Congressional Campaign Committee d SEC, that's the Democratic Senatorial Campaign Committee.
• 1:05:32
  Speaker 1: All of those entities need to be hiring black vendors.
• 1:05:35
  Speaker 1: They need to be hiring black staff in senior roles,
• 1:05:38
  Speaker 1: not just in black outreach. Lastly, they need to make
• 1:05:41
  Speaker 1: sure they're coming to our communities way before a week
• 1:05:44
  Speaker 1: before or two weeks before election. Day. There's an entity
• 1:05:46
  Speaker 1: now called Collective Pack that's doing great work in these spaces,
• 1:05:49
  Speaker 1: bolstering candidates, supporting some of their work, ensuring that their
• 1:05:53
  Speaker 1: names are getting out there. That needs to happen as well.
• 1:05:55
  Speaker 1: So Doug Jones, we get the work is just beginning.
• 1:05:59
  Speaker 1: It's time for accountability. And we're not gonna just celebrate
• 1:06:03
  Speaker 1: the fact that black women showed up. You're gonna start
• 1:06:04
  Speaker 1: rewarding just black women, black and black men. We need
• 1:06:07
  Speaker 1: to be focused on the fact that we showed up
• 1:06:09
  Speaker 1: as a community and we came out and tweet about that.
• 1:06:12
  Speaker 1: But you let me have help swinging an election. But
• 1:06:14
  Speaker 1: that's just silly, Like, we'll get more accomplished if we
• 1:06:16
  Speaker 1: stop worrying about who get the credit for it. No,
• 1:06:18
  Speaker 1: I think that because you can't you get credit, because
• 1:06:21
  Speaker 1: all black men can't just win an election, and all
• 1:06:23
  Speaker 1: black women can't just win an election. We did not
• 1:06:25
  Speaker 1: win it alone, like, but we made up thirty Oh
• 1:06:29
  Speaker 1: come on, I'm not be a victim today. I'm not
• 1:06:33
  Speaker 1: trying to. I told in my tweet, I said, thank
• 1:06:36
  Speaker 1: you black people. Yeah so, but I'm also thinking black
• 1:06:39
  Speaker 1: women we set the standard if we if we're in
• 1:06:41
  Speaker 1: the first place. Why can't we get our first places glorious.
• 1:06:45
  Speaker 1: I'm telling you get way more accomplished if you stop
• 1:06:47
  Speaker 1: worrying about who get the credit for it, I can
• 1:06:50
  Speaker 1: have a global moment. Black chunk of people came out
• 1:06:55
  Speaker 1: right later. Black a right, but you're black. Black, that
• 1:07:00
  Speaker 1: was black. It's hell, that's exactly where it need. That's
• 1:07:02
  Speaker 1: the Republican state though. No, but let's look at what
• 1:07:04
  Speaker 1: happens when we use our collective power influence. And that's
• 1:07:08
  Speaker 1: what I'm trying to see to calm down, because just
• 1:07:10
  Speaker 1: me celebrating black women doesn't take away from black men.
• 1:07:15
  Speaker 1: It's just devisive. No, it's just a black it's inaccurate.
• 1:07:20
  Speaker 1: It is you know, it's it's not inaccurate to say
• 1:07:24
  Speaker 1: this group was first place. Black men were second place.
• 1:07:27
  Speaker 1: What they're saying, let me read it to you. Let
• 1:07:29
  Speaker 1: me tell you that's not what I said. Thank you
• 1:07:32
  Speaker 1: black women, that's what it says. There's nothing wrong with
• 1:07:34
  Speaker 1: thank you black women were first place. Oh does that
• 1:07:37
  Speaker 1: make you man? It doesn't make me matter. It's just
• 1:07:39
  Speaker 1: it sends out the wrong message. We need, we need
• 1:07:42
  Speaker 1: black people. We doing that doesn't take away from that
• 1:07:45
  Speaker 1: that black women are black women, black people, very good.
• 1:07:49
  Speaker 1: Watch watch. This is gonna come up later. It's gonna
• 1:07:52
  Speaker 1: be divisive amongst people. It shouldn't be. Device it's already
• 1:07:55
  Speaker 1: starting an argument that or not an argument, but it
• 1:07:57
  Speaker 1: debate that it shouldn't be. It shouldn't be about black
• 1:07:59
  Speaker 1: man black women. We came out together and got Doug
• 1:08:02
  Speaker 1: Jones in that the black community came out and supported them.
• 1:08:08
  Speaker 1: All right, black men, thank you black people. But he's
• 1:08:11
  Speaker 1: riding on this thing like it's blue lives. Man. I'm
• 1:08:13
  Speaker 1: trying to figure out why this. Black women. Listen, it's
• 1:08:16
  Speaker 1: very tough in to state like Alabama get ninety two
• 1:08:18
  Speaker 1: percent of black men to come out of the vote.
• 1:08:20
  Speaker 1: It wasn't ninety two percent of black men that came
• 1:08:22
  Speaker 1: out and vote. It was. But that's a lot of
• 1:08:26
  Speaker 1: people black men. Yes, it was a lot of black women.
• 1:08:29
  Speaker 1: It's both. This is silly once again. Get way more
• 1:08:35
  Speaker 1: accomplish when we stop worrying about who get the credit for.
• 1:08:37
  Speaker 1: So I don't think there's anything. Do you know what
• 1:08:40
  Speaker 1: I'm saying, like, can you get black men credit? Did
• 1:08:43
  Speaker 1: you not hear me say that? Okay, good Night can't
• 1:08:47
  Speaker 1: help himself that question. I was we were listening to
• 1:08:50
  Speaker 1: the Rumor Report and Angela reported that you have a
• 1:08:53
  Speaker 1: bull What that's what you're doing today? How we talked
• 1:08:57
  Speaker 1: about this last time? You don't even know why. I
• 1:08:58
  Speaker 1: don't even know why we talk about this last time
• 1:09:01
  Speaker 1: because when you left, I was like, I wonder okay,
• 1:09:04
  Speaker 1: maybe not when you what do you wonder about? How?
• 1:09:07
  Speaker 1: Oh is this woman report before that? That's congratulation to
• 1:09:16
  Speaker 1: congratulation color you in the color complex of now. He is.
• 1:09:21
  Speaker 1: He is a wonderful human being. Um. I have learned
• 1:09:24
  Speaker 1: a lot from I learned a lot from him. I
• 1:09:26
  Speaker 1: also heard Anela called him a starter boyfriend, UM, and
• 1:09:30
  Speaker 1: he's he's not at all. And he's been supportive of y'all.
• 1:09:35
  Speaker 1: Don't starting, no, mass it is a starter jacket. He's
• 1:09:38
  Speaker 1: not a starter boyfriend. We love common up here, So
• 1:09:41
  Speaker 1: you should apologize to him for that because that's hurtful.
• 1:09:44
  Speaker 1: But UM, yeah, I think that it's important to know
• 1:09:47
  Speaker 1: UM from just being around him, Like I am definitely
• 1:09:50
  Speaker 1: a better human being, and I appreciate UM just all
• 1:09:54
  Speaker 1: he does for the community, for the people, UM, for
• 1:09:58
  Speaker 1: the example that he sets for challenge Jimmy. He's just
• 1:10:00
  Speaker 1: a good, good guy. It's a great dude. Yeah, dance
• 1:10:04
  Speaker 1: a breakdancere y'all, y'all have a breakdance. You got no
• 1:10:13
  Speaker 1: dance about dance all the time when you're rolling up
• 1:10:22
  Speaker 1: in twists. I don't know what. You don't even know.
• 1:10:25
  Speaker 1: He got that from like an eighties white people show
• 1:10:28
  Speaker 1: us where he got that? I don't know what. Don't
• 1:10:33
  Speaker 1: becoming for his breakdancing either, Mike gonna let us to
• 1:10:35
  Speaker 1: come and start a boyfriend gonna let you come for
• 1:10:37
  Speaker 1: his breakdance. Now come me. This is my guy, that's
• 1:10:40
  Speaker 1: my guy. Don't be talking about his breakdance anyway. I'm
• 1:10:44
  Speaker 1: sure he still got it. He still dance video here today?
• 1:10:54
  Speaker 1: How my phone at you? Thanks for joining us again exactly.
• 1:10:58
  Speaker 1: Happy New Year and happy holiday fifteen? Happy quanza? Did
• 1:11:06
  Speaker 1: you say happy on the road? Don't can be happy
• 1:11:08
  Speaker 1: for the holiday? No? I always make fun of quants
• 1:11:10
  Speaker 1: because it's not like it doesn't sound like I'm like, no,
• 1:11:13
  Speaker 1: it doesn't. What are you talking about? This is why
• 1:11:16
  Speaker 1: you begin dragged for saying sometimes like, what are you
• 1:11:20
  Speaker 1: talking about? That doesn't sounds like that? That's why full
• 1:11:23
  Speaker 1: I'm a rosa don't sound like Swahili. Good night, you
• 1:11:25
  Speaker 1: know what the Breakfast Club