Latest / Tecuento / Tecuento T3 P24 - El poder de la música
Transcript
- 0:01A whole program to share. Drive Daniel billinsonic Friday Vitrice to fourteen hours by
- 0:12radio train topic with the stories. He takes it from Homer' s we
- 0:41gayelamos so desh come on. I write my way without thinking, without thinking
- 0:51where I know. We' re little, sotify as on sblamos XL.
- 1:07I know what we' re like. Those pictures are hello how they are
- 1:19very good afternoon. Thank you for being with us again like every Friday.
- 1:27Today we are here in Argentina, on a bridge holiday, and in the
- 1:36rest of the countries of the world, I imagine they are at the doors
- 1:42of the weekend. We appreciate that you are with us and hope to give
- 1:53you a horita of something different from what is usually heard. As always they
- 1:57accompany me in the operation and music Juan Grico. Remember that for messages and
- 2:05suggestions is open the Whatsapp eleven twenty- six, forty- two, twenty
- 2:10forty- two and from the outside to that same number add the prefix fifty
- 2:17- four and nine to send us your opinions, ideas and so on.
- 2:27We are live on YouTube, Radio thirty Topic or, if they said otherwise,
- 2:36we are also on YouTube, I tell you on Radio Treintopic. Remember
- 2:44that everything you want can inform us, questions, consultations on the topics,
- 2:53propose something new through the different programs. We have worked on poetry, writers,
- 3:07stories, personal stories and much more, although it has always been present
- 3:14and accompanying us. We haven' t talked about music and how it can
- 3:17improve our lives. Music language is one of the purest and most direct means
- 3:23of influencing the brain. Music reaches the weapon without any coding stockings. The
- 3:32notes pulsate our consciousness by acting positively on it. For a few years now,
- 3:40music therapy has been organized, arranged, formations and master' s degrees
- 3:51are given while the healing effects of music are confirmed day by day, both
- 3:57in psychiatry and in general medicine. Lowering the excessive heartbeat, acting as a
- 4:02sedative and palliative, or preventing cognitive impairment are some of the effects of music
- 4:09on us. A musical melody can reduce cortisol levels in the blood or enhance
- 4:15endorphin secretion. For many elderly or adults, recovering their musical history serves to
- 4:26reactivate circuits that we had forgotten or inactive. That questionable music is part of
- 4:35us. Music connects us to our memories, awakens senses, cleanses the brain
- 4:44to return us to our essence. There' s something magical and ancient about
- 4:50it. The power of music seems to have no limits. Daniel Les,
- 5:00a neuroscientist and musician, in his book The Musical Brain, proposes six kinds
- 5:06of songs as a backbone that has shaped human nature, those of friendship,
- 5:14those of joy, those of comfort, those of knowledge, those of religion
- 5:20and those of love. I' m sure each of us has a list
- 5:29of favorite or important music to listen to at certain times. The list can
- 5:34be endless and the classification good any other, but it is unquestionable that music
- 5:43has made us, made us and is part of us as therapy. A
- 5:50music bath with instrumental piano can open a healing space and bring the barriers of
- 5:56the mind closer, like a harp, can be extremely sedative or comforting In
- 6:01work with children and babies. The capacity of the Moxzart effect is known to
- 6:11stimulate cognitive benefits and intelligence. In other words, music can cheer us up
- 6:19one day, unlock encumbered emotions or elevate us to the best of the moods
- 6:27socially, improve our relationships and bring us together individually to connect us with our
- 6:34emotions and personal memory. Few cultural expressions have had such an impact on us.
- 6:43Music is not just a distraction or a hobby, but a basic element
- 6:47of our identity. As a species, discovering that heals us invites us to
- 6:56continue filling our lives with good music. During the program I will put in
- 7:01the air of different musical pieces and invite them to let themselves be carried away
- 7:10by their sounds, feeling how it affects them in their body mind and spirit.
- 7:15I mean, listen to the music, give yourselves up and sit down
- 7:23and live with it. How he anticipated it and I know it' s
- 7:30not like he' s gonna put it here. I' m going to
- 7:33mention some compositions that marked the time, For example, the string adage in
- 7:40Samuel Barber' s nine hundred and thirty- six year, a beautiful composition
- 7:46that, from the warmth of the string instruments, taps the soul with an
- 7:51intimate melody, lens and deep, serves to open emotions, go through duels
- 8:00or simply open the heart. The cinema used it immortalizing it in Finch as
- 8:09Oliver Stone' s platoon. Another important piece is the miserrere, or miserrere
- 8:18directly from the eighteenth century of Alegre. It is a heavenly music, a
- 8:26choral song that takes human nature to mystique. For some it is a musicalization
- 8:35of David' s sámodo in the Old Testament here in this program last year.
- 8:43If I remember correctly, we have told the story of how it arises
- 8:50according to what has transcended the miserrere, What story is behind it, who
- 9:00originally writes it and who takes it later. To come to this name,
- 9:07my remember what it means or God forgive us, gentlemen, it is something
- 9:18of rest, trespass, meditation, upliftment. This music is heard at the
- 9:26New Year' s Eve party in the Sistine Chapel. Another important visa is
- 9:33Debora tem of the eighty- four thousand nine hundred and eighty- four of
- 9:39Nio Morricone, one of the most beautiful compositions of the Italian master who is
- 9:43part of the Sonora band of eras. Once in America, full of pauses
- 9:50and silences, it rises as a song to the life and love of a
- 9:54teenager Robert de Nino by a young woman in his neighborhood, lyrical melody that
- 10:01moves and opens the heart. Here we have love, melancholy, purity,
- 10:07loneliness, hope, fragility. Possibly, Morricone was the only one in the
- 10:16art of touching our deepest emotions. In this show we' ll hear another
- 10:22piece of Morricone. Ons appon Etame in the Wess long ago in the West,
- 10:33which has its particularities. I leave you with Ennio Morricone. S.
- 11:01S. Yeah? Yeah? Yeah? Yeah? Yeah? Yeah? Yeah?
- 12:07Yeah? Or? Yeah? Or? Yeah? Or? Yeah?
- 13:54Yeah? Yeah? Yeah? Yeah? Yeah? Yeah? In this stressful
- 14:11world, where mental health challenges are on the rise, it is comforting to
- 14:18know that there is a low- cost or no- cost remedy that can
- 14:22help relieve the soul, repair a broken heart, and improve physical and emotional
- 14:28well- being. That remedy is music. In moments of deep despair or
- 14:35moments of anxiety or depression, the music and its resonance in the body.
- 14:41They have had the power to heal in ways that words alone cannot. I
- 14:54invite you to hear in My Life of one thousand nine hundred and sixty-
- 15:01five by the Beatles. The whole work of the Beatles is healing, from
- 15:09the time of the Cheerful Mercede Vid to the release of the Sargent Peppers,
- 15:16through more intimate albums such as the White Album. The song chosen is part
- 15:24of the Rumberhou Soul and is a short song that Lennon and McCartney sing to
- 15:31capella. The lyrics recall the episodes of a life. Here we have nostalgic,
- 15:46reflective joy, it is luminous. Life can be beautiful when you look
- 15:52back. The friendships and the loves floating between the notes of a car composed
- 16:03it as a long poem about his random childhood listen bad touch, saya or
- 16:27bad, they are pobana for shoes or come out white they walk good dip
- 18:27as ny to laumo, but what to do of the music, such a
- 18:47powerful tool for healing. From a psychological perspective, music has the ability to
- 18:52go beyond the rational mind and reach deeper than the dirty one. According to
- 19:00one study, in Finland, when we listen or make music, we not
- 19:04only assimilate sound through our ears, all our brains get involved. The study
- 19:11showed that music involves the motor series of the brain, which makes our fingers
- 19:18and bodies move to the active rhythm. The emotional brain of the emotional center
- 19:26of the brain, which raises our spirits and reduces our stress levels and stimulates
- 19:32the creative part of the brain, allowing the mind to wander and dream and
- 19:38wake up. When we are depressed in mourning or traumatized, it can be
- 19:48difficult to get excited about anything. And yet, when we hear music,
- 19:52sound activates our center of pleasure that deep part of the brain that secretes from
- 19:59the armone of happiness. A particularly fascinating study pointed out that simply to anticipate
- 20:07or remember a particular song can increase dopamine levels. Even after listening to the
- 20:15song. These levels can stay elevated up to 15 minutes after the music ends.
- 20:25That means we continue to feel happy longer when we suffer from anxiety,
- 20:33fear, or panic attack. Listening to music can help calm our nervous system
- 20:38and lower cortisol levels. Stress armone has also been found to reduce blood pressure,
- 20:47improve sleep, and decrease physical and emotional pain. By releasing endorphins the
- 20:55natural kimulcos of well- being, here I invite you to listen to pianist
- 21:04Raúl Divlacio on Luna de Paris. One of their beautiful works I leave with
- 21:12them. O n o n o s o s o s. The following
- 24:47account is the one from Gustavo Adolfo Becker' s book Rimas and Legends.
- 24:57It is an original text and its name is El Miserere. It was published
- 25:03in one thousand eight hundred sixty- two and tells this story. On a
- 25:11Thursday night Santos arrived at the gates of the abbey of Fitero, Spain.
- 25:17A traveler, in the midst of a terrible storm of water, wind and
- 25:21cold, came to ask for shelter, some fire to dry his clothes food.
- 25:27Hostel until morning and then continue your path. His actions were very particular.
- 25:34It was like he was accompanied by an enigma. While he was recovering,
- 25:41he told the group of monks and peasants present that he was a musician,
- 25:47that he had been born far from there and that in the country he
- 25:52had enjoyed prestige in his youth, that he had made his art a weapon
- 26:00of seduction, that he had spread passions and had only dragged into a crime.
- 26:03Now in his old age, he wished for the same way of his
- 26:08art to be redeemed, but in trying to ask God for mercy, he
- 26:17could not find words to express his repentance worthily, until one day, in
- 26:22a book of psalms he found a cry of true constriction, a psalm of
- 26:30David who begins by saying have mercy on my God, miserreme deos. From
- 26:36that moment on, his only thought was to find such a magnificent musical form,
- 26:42so sublime that he could express and contain that grand anthem of pain.
- 26:48I hadn' t found him yet. I had heard so many misereres,
- 26:53that is, songs of mercy that I could assure that I had listened to
- 27:00all of them. One of the peasants asked that the misere of the mountain
- 27:04is not yet heard. I don' t know what misere is. Many
- 27:12centuries ago, in the mountains surrounding this valley there was a famous monastery,
- 27:19the Monastery of Astol, which had built a powerful lord with the goods that
- 27:25his son was to inherit, to whom he disinherited as punishment for his malicious
- 27:30conduct. Knowing the son that his castle had become a church, he gathered
- 27:36his cronies to run and one holy Thursday night when the monks were in the
- 27:41choir and at the time they had begun the miserere set fire to the monastery,
- 27:48entered the church with fury, killed them all and threw them into the
- 27:53cliff. Then the flames disappeared. They reduced to the church' s rubble
- 28:03monastery that lay some ruins on a rock where a waterfall is born that feeds
- 28:08the stream of the valley. Every year in the night that this event was
- 28:15consumed, you see lights shining through the broken windows of the church. If
- 28:21there is some kind of strange music and some gloomy and terrifying songs that are
- 28:27perceived through the gusts of the air, it is said that it is the
- 28:32monks who die such to see themselves unprepared to appear at the Court of God.
- 28:40Clean of all guilt, they return from purgatory to ask for his mercy.
- 28:45Interpreting the misserile. Livingly impressed by the traveller' s account, he
- 28:51asked how much that happened, to which he was told that in three hours,
- 28:57because today it is Holy Thursday took a leap and without taking into account
- 29:03the fierce storm nor the comments of his companions for the madness that he was
- 29:10going to do, the traveler departed towards the ruins. After almost two hours
- 29:15on the way, the rest of the old monastery arrived. The rain had
- 29:19ceased and the clouds were spreading as in turns letting the moon light pass.
- 29:30The atmosphere was dantesque, but at the moment there was no different noise.
- 29:34To fall of drops on the bowls slabs shouted to the animals of the night
- 29:41murmurs of the field, already the man thought that they had deceived him.
- 29:48But just in that instant a new and inexplicable noise was heard as if a
- 29:52machine began to set in motion noises of noises that turned chains that tore and
- 30:00sounded a bell two three to eleven had not paid the echo of the last
- 30:10bell, that the whole atmosphere began to light without being seen toorche to,
- 30:17Syrian or lamp justifying it as in a fiction. The temple was rebuilt and
- 30:23began to feel a distant chord that was brought by the air. It was
- 30:30a set of distant and grave voices that seemed to leave the earth rising more
- 30:36and more to become more perceptible. The traveler was afraid of what he was
- 30:42witnessing. He stood at the edge of the abyss, to which the water
- 30:48fell from the slope, and his hair stood with horror the figure of the
- 30:55monks involved, his habits and hoods came out from the bottom of the cliff
- 31:00from which they had been thrown, saying in a low voice and spulcrating with
- 31:04the expression of pain. Have mercy on me, O God, for your
- 31:08love? Have mercy on me, O God, for your love? The
- 31:14monks formed in two rows entered the temple until they knelt down in the choir.
- 31:21The music and words were taking volume to flood the brilliantly unreal scene,
- 31:26leading to a state of total abstraction of the traveler and musician. A strong
- 31:33sagudon pulled him out of that state. When the monks pronounced I was born
- 31:40guilty, I was conceived in sin weave more everything that could be described in
- 31:47images pain feelings. Little was like feeling the cry of humanity, all asking
- 31:52for mercy. At that moment a dazzling clarity blinded the old man' s
- 32:00eyes, his hundreds beat violently, buzzed his ears and fell without knowledge.
- 32:08The next day and the monks of the abbey saw the pale traveler come in
- 32:13and outside asked him if he had listened to the miserede, at which age
- 32:19he felt. They asked him to tell them, to which he replied,
- 32:22that they should give him asylum for a while to write it and that he
- 32:27would leave them an immortal work of art a miserrere that would erase his guilt
- 32:32in the eyes of God, eternalize his memory and that of the abbey with
- 32:37her. The abbot who agreed and the musician dedicated himself day and night to
- 32:45the composition. He spoke only wrote notes in feverish form, but when he
- 32:51came to the point of concretizing what he had heard in the monastery, it
- 32:55was impossible for him to put it into music. His notes on the place
- 33:00of traditional expressions in Italians such as mastoso, retardando, piu vivo or apiehr.
- 33:09They said things so hard to interpret, how they creak the bones.
- 33:19Metal thunders, without deafening all its humanity that I am yey jime and in
- 33:24the end strength, strength and sweetness. The man wrote hundreds of drafts.
- 33:34It was all useless. He became mad today, died without being able to
- 33:39finish the miserere and there were the scores and the request for clemency. Without
- 33:46concretizing this story, of course, it refers to and has the title of
- 33:57the miserere. The note is that in a thousand six hundred and thirty-
- 34:07eight it was musicalized by Gregorio Alegre, Italian priest and singer and composer.
- 34:13Since its date of composition it is sung in the Sistine Chapel in the week
- 34:22of Holy Thursday and Friday and for some years the ruins of the Monastery of
- 34:27Astol are represented. A thousand and a hundred meters away, he' s
- 36:47starting to choose. It is a subject that is always present, we always
- 37:15come working, sometimes trying to give encouragement, encouraging people, stimulating, as
- 37:25I said just now. If we don' t do it, who does.
- 37:30And for that, in general, you don' t have to be
- 37:34afraid. Fear can hinder our growth, our development. Life is full of
- 37:45situations that, in many cases, escape our control. That is why there
- 37:53is too much concern about the future. What' s going to happen to
- 38:00us, what' s going to happen, I' m going to be
- 38:02able to sell it, I' m going to be able to do this
- 38:07and I' m going to be the other thing, but it' s
- 38:15in the future, yes, but it' s worrying us here in the
- 38:22present, and that fear of the future about what can happen to us is
- 38:22actually a negative emotional response. To what, to uncertainty, to the possibility
- 38:28that negative events occur, but dear friends, why we consult so much horoscope
- 38:37cards. We see a lot of who can orient us, who can give
- 38:46a certain certainty to what is coming. And this is all over the world,
- 38:52it' s not just here in Argentina, from my departure, from
- 38:57the current political environment, but always in personal life changes. Besides, the
- 39:06world is changing. That is, we can measure something, we can take
- 39:13care of ourselves in some situations, but we cannot handle everything or be in
- 39:23all that situation, or that fear comes to dominate us and has a very
- 39:31strong impact with us in what sense, in the quality of life, because
- 39:38when we feel that we do not have control of our life, of the
- 39:49future situation, we begin to have behavioral physiological cognitive problems, for example,
- 40:00insomnia, for example, those obstructive thoughts, I get up and keep thinking
- 40:04about this, about that, about the other thing, and we must and
- 40:08we start to ruminate to turn. There are papacy, dizziness, panic attacks,
- 40:14panic attacks, among other things. It arises out of a great fear
- 40:21of what is coming and I am not talking about what is coming tomorrow or
- 40:25in a week, what is happening right now. Yeah, that situation,
- 40:35for example, happens to us in our lives when we' re at a
- 40:40time limit, for example, when we finish high school, by setting a
- 40:51date, a time, what' s coming. And after that I have
- 40:54to go to work, I have to keep studying if I want to build
- 41:02something in my favor and I' m starting to have responsibilities that I'
- 41:07m going to have to handle. I don' t handle it anymore,
- 41:10and those who can have mom and dad, someone backs it up. If
- 41:15the family is, friends, it is, the context is, but the
- 41:21one with the uncertainty is one in that problem. If we continue in this,
- 41:35we can see three very strong situations. One that we mentioned that translates
- 41:39directly into stress, headaches, gastrointestinal complications, hopelessness, disorders. We have
- 41:52how to handle stress. There' s a way to handle stress. There
- 42:00is also another situation, another consequence of this fear. We started avoiding situations.
- 42:07That' s the point of fear we have that we don' t
- 42:12go to one side. In case this or that happens, in case or
- 42:17not I still relate to someone by themselves or I' m sure he'
- 42:24s angry. I mean, they' re assumptions. No one gives me
- 42:30certainties. Yeah, and when I stop going to certain places, what happens?
- 42:38I happen to lose opportunities. I' m moving one thing away,
- 42:45I mean, well, they' re getting through stages and I have to
- 42:47change. And another thing that out of fear, out of fear of exposure,
- 42:55does not do yes or the other, which is procrastination. We focus
- 43:04on obstacles and possible failures. We started to justify negatively why we didn'
- 43:13t move forward. Then there begins a lack of motivation, lack of initiative
- 43:20and so on, what strategy we can use, because the diagnosis was good,
- 43:27everything else very nice. There is a situation that we saw also in
- 43:37business and entrepreneurship, identifying irrational thoughts. I have to realize what the crazy
- 43:45thought I have that generates this fear. I have to identify it, because
- 43:53if I' m not inside a snowball, it' s all negative,
- 43:59well, but what' s the real negativity, what you have, what
- 44:02' s going on, what' s contributing to that. And once I
- 44:15' ve identified him, I have to start replacing him with positive thoughts,
- 44:20more realistic, not assumptions. The other one is that we saw it is
- 44:29how to handle stress. Well, we know that there are relaxation techniques,
- 44:32regular exercise, you have to unload that tension that you have inside, that
- 44:38is, not leave it inside and cook one in your own broth. Let
- 44:44' s get her out. Then exercises, meetings. Now that there are
- 44:52so many races of five kilometers, twenty- five kilometers, two kilometers,
- 44:58three, that helps us n n n nimos to do a training and helps
- 45:02us to be part of a group of people, go to the squares,
- 45:07participate, taichi, take out that attention and when we are relaxed already the
- 45:15thing of fear begins to dissipate, learn to live. The present is another
- 45:21situation, for we are concerned about the future. Well, let' s
- 45:25do today what we have. Let' s achieve our goals, but girls
- 45:30remember that when we were talking about goals they have to be short, they
- 45:37have to be realistic, they have to be accessible. We can do a
- 45:4324- hour program If we can do it, there' s no doubt
- 45:49we can do it now. We' re going to do well, I
- 45:52don' t know I prefer an hour- long program and I' ll
- 45:55have some material left for the next one and I won' t be there
- 46:00by 24 hours because what happens now happens. We missed our throats and that
- 46:01' s where we went with those goals. Those goals must be realistic and
- 46:09achievable. This is what people are told and entrepreneurs are told, SMEs are
- 46:15told, big organizations are told. In big organizations when they set their goals,
- 46:23when they set their goals and some get delirious and then they arrive at
- 46:29the end of the month that usually when they make the barance or in the
- 46:34middle of the year and we do not reach the goal. Okay, but
- 46:36from the way we go, we knew the target was gonna hit us.
- 46:42Let' s not be liars, let alone lie to ourselves. No.
- 46:46The other interesting situation is to seek support, because things cannot be done alone.
- 46:53In general. If I go to a group to train myself and so
- 46:59on, well look from behind the people who teach me how to train and
- 47:04relax, but there are also health specialists who help me do this. All
- 47:13this I mentioned to you we can see in a lot of publications, in
- 47:20a lot of situations. I' m asking you to start taking it.
- 47:24Start doing it. It is based, among other things, on a note
- 47:30made by Milenk Caduarte, a journalist and psychologist at the Universidad Peruana Cayetano.
- 47:37Heredia very clear, very good, but see what is complemented with another research
- 47:49with another note by Gustavo Ibarra, who is an expert in body language,
- 47:55personal development, which is going to be in a statistic. Statistics lead him
- 48:05to say that one hundred percent of all the concerns we have every day,
- 48:10only four percent is our reach to solve. Because it analyzes that statistic that
- 48:21there are forty percent that are things that are not going to happen. Thirty
- 48:27percent are relating to the past. That' s another situation. You remember
- 48:35and you' ll see it in the nets and so on. Let go,
- 48:37let go, let go. What you have in the past was already.
- 48:43We can' t correct it. If I' m going back to
- 48:47the future, well, I' m going back to the future. No,
- 48:49you can' t. It can' t be corrected. We can
- 48:51do it in the movies, yes, but in reality it' s already
- 48:54happened, it' s already happened. Then I have to sit in the
- 48:58present. The present is here today, now and then beginning to be reduced
- 49:07to situations related to personal health, which one can sometimes handle something, but
- 49:13not the whole organism has its own. Fear, as we talked about before,
- 49:20generates situations that we don' t control or are shot at, unless
- 49:30we begin to reduce that situation of fear and then it' s all of
- 49:40those deductions that gives eight percent that comes down to four why. Because four
- 49:45percent are things we can' t control. So we' re putting all
- 49:54our energy into things that aren' t going to happen in most of them.
- 50:00It didn' t happen to me well, let' s put the
- 50:05energy in that four percent of situations that we can handle, that we can
- 50:09handle. Yeah, so finish the tool pack, the toolbox, because that
- 50:17' s the diagnosis. We' re giving the picture a little bit.
- 50:23But we have to give tools. And one is to live one day at
- 50:29a time as if we were addicts. We are addicted to work, addicted
- 50:36to live, addicted to love a lot of things, but what makes our
- 50:42life in general live one day at a time. There' s a thinker
- 50:50who said do what you can with what you have is where you are and
- 50:55don' t worry so much Sometimes I say well, if I' m
- 51:01so worried, what happens. If this is what we' re going to
- 51:05do, I' m not worried. Today I don' t care And
- 51:09I see what happens and I see that nothing happens, the world doesn'
- 51:15t fall, nothing happens, well, I was worrying badly and foolishly.
- 51:21The other tool is to investigate itself, to ask if I have a situation
- 51:25with someone I think is angry at a group, a situation out there are
- 51:31assumptions. And if I ask, I know cases of people who thought the
- 51:42other one was angry and that' s why they didn' t talk,
- 51:46so they didn' t share situations until one of them decided to ask the
- 51:53other that something happens to you with me, you' re angry, that
- 51:59I did wrong that I don' t have anything angry. And then because
- 52:01and I didn' t suppose and I assumed bye, there it dissipated and
- 52:08there they regrouped a relationship that was stagnated by an assumption. And the third
- 52:15is the tool, and the most important is to act with a purpose beyond
- 52:24moving towards a great goal, to which I immediately have. Then let us
- 52:34remember the tools, mention and advance without fear to our life, because not
- 52:44moving forward or giving rise to fear is not good for me. Good show.
- 52:52We wanted to give it a different touch, a different approach to the
- 53:01other theme, because everything is a combo. Just as we cannot do things
- 53:09alone, as we have spoken in other programs, as we need the help
- 53:15of the other. Humanity. Throughout the thousands of years he has shown that
- 53:22art, in all its expressions, drawing, painting, sculpture, texts,
- 53:32stories, stories, were accompanied by music. In many times, new radio,
- 53:49network, television transmissions were singers and for the peoples, singing their own
- 54:00creations, but telling stories of what happened elsewhere, in the village on the
- 54:07side or oral broadcasts. That was always the case and it will go away
- 54:23for the times of time. They' ll change fashions, they' ll
- 54:27change styles. If I hear a rapper today, what the rapper is telling
- 54:31me with his way of breaking structures, but with a text that, if
- 54:39he paid attention to him, you' re telling me his story, my
- 54:49story, our story. So we thank you for joining us. Remember that
- 54:55you can listen to us in the different res is, not only live,
- 55:02but also one of man and that we have also incorporated live and a deman
- 55:09on the radio site Radio Trein Topic com ar to be able to visualize us
- 55:19directly from our channel if they do not go through YouTube or others. But
- 55:23YouTube is the one that broadcasts friends. I was telling them a good week.
- 55:30I' m going to leave them in Alvarez' company with him,
- 55:37Alejandro, with news Pin told them a very good week. Take care of
- 55:43yourself and I can keep coming back to have a clearer voice and, as
- 55:52always, a strong hug to all of you. So much, there are many so