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Tink Interview and Freestyle · The Breakfast Club

0:01
Speaker 1: Real people, real celebrity join the breast morning. Everybody is
0:08
Speaker 1: DJ n vi Agela Yee, Charlomagne the guy. We all
0:10
Speaker 1: the breakfast club special guests in the room. It's our
0:14
Speaker 1: favorite new rapper. That's right. I'm a fan of hers, absolutely, Tink.
0:18
Speaker 1: Ladies and gentlemen, what's up, Tink? What's up? Y'all? Think
0:21
Speaker 1: there's a lot of pressure around you. Yeah, I understand
0:25
Speaker 1: all put on you by Timberland. Yeah. Tim is excited
0:29
Speaker 1: like me. He's uh, he's passionate. You know what I'm saying.
0:33
Speaker 1: We know what what we got that's going on? Now,
0:36
Speaker 1: explain the name Tink. Tink is a it's a nickname.
0:39
Speaker 1: My friends gave it to me when we were young
0:42
Speaker 1: as a kid. My real name is Trinity. So um,
0:45
Speaker 1: I don't know. I guess they just got me Tink
0:47
Speaker 1: one day and it's stuck. I said it on the
0:48
Speaker 1: mic and I kind of like like like poor little Tink.
0:51
Speaker 1: Take Yeah, I get that a lot time. No, it
0:54
Speaker 1: has nothing to do with a comedian, nothing do with
0:57
Speaker 1: a tinker bell. It's just it's my ain. Think now,
1:01
Speaker 1: you from Chicago, why I know, drill music or rapping
1:04
Speaker 1: the ball, killing people and every other song or what
1:06
Speaker 1: game you rep. I just think it's more more to
1:09
Speaker 1: talk about than that. Um coming out of Chicago. That's
1:13
Speaker 1: all people from Chicago. No, So it's almost like I
1:18
Speaker 1: had to separate myself in order to, you know, get
1:21
Speaker 1: that recognition because for the most part, it's violence in
1:25
Speaker 1: Chicago and growing up there, it is it is a
1:27
Speaker 1: very tough city to come from. So it's like my
1:30
Speaker 1: responsibility to like let kids know, like, that's not all
1:32
Speaker 1: you gotta be about. UM. It's okay to be different,
1:36
Speaker 1: you know, it's okay to have a message. So yeah,
1:39
Speaker 1: that's just that was my way to just stand out
1:40
Speaker 1: and make myself different from everybody else coming out of Chicago.
1:45
Speaker 1: Did you feel like you had to do that, especially
1:46
Speaker 1: being what you were surrounded with, Like somebody had to
1:49
Speaker 1: tell the kids something different. You know. In my earlier
1:51
Speaker 1: years of rapping, I was doing drill music like UM.
1:54
Speaker 1: When I first started rapping Chief Keith, I had remixed
1:57
Speaker 1: his three hundred and he had noticed it and he
2:00
Speaker 1: retweeted it on his timeline. So that was like my
2:03
Speaker 1: buzz at the moment was drill. But then the order
2:06
Speaker 1: I got him, like, you know, I'm kind of tired
2:08
Speaker 1: of just you know, blending in with everybody. I felt
2:10
Speaker 1: like I was a follower and you don't want to
2:11
Speaker 1: get shot and I don't want to get shot all
2:13
Speaker 1: that because people will go there with you in Chicago.
2:16
Speaker 1: So yeah, I had to grow up. You know. That's
2:20
Speaker 1: that's growing up in you only twenty. Yeah, that's true.
2:24
Speaker 1: I'm an older twenty though. Like I'm I'm very much
2:27
Speaker 1: sure for my age. I get that. You know, let's
2:29
Speaker 1: talk about your old soul. Like when when the first
2:31
Speaker 1: time I heard your music, I was told timer and
2:33
Speaker 1: I was like, she might be nineteen, but she's fifty.
2:35
Speaker 1: Like you have an old soul, like the stuff that
2:37
Speaker 1: you rap about and talk about it, it seems like
2:39
Speaker 1: you've almost been here before. Wow, I can understand that. Um.
2:43
Speaker 1: When I was growing up, I listened to a lot
2:46
Speaker 1: of the records my dad had in the basement. When
2:48
Speaker 1: I first started singing, he would record me, so really
2:51
Speaker 1: all I knew was what he listened to. And I
2:53
Speaker 1: would like a classic artist older people like who this
2:57
Speaker 1: is gonna make us feel old? Like who Man? I
2:59
Speaker 1: listened like Joda see TLC. You know, Luther Van Draws,
3:07
Speaker 1: Uh Jackson five, You know, just real old school music,
3:14
Speaker 1: you know, the nineties. Yeah, there's also been a lot
3:17
Speaker 1: of comparisons as you know, I'm sure you heard all
3:19
Speaker 1: the time to Lauren Hill. You know. Is that something
3:22
Speaker 1: that you embrace? Oh, I definitely embraced that. Um, if
3:26
Speaker 1: that was anybody I would want to be compared to,
3:28
Speaker 1: it would be Lauren Hill. And she was pretty young.
3:30
Speaker 1: She was about your age when she was you know. Yeah.
3:33
Speaker 1: And I think it comes a lot of times because
3:35
Speaker 1: I singing our rap, you know, and also because I
3:38
Speaker 1: got I have a message within my music and I'm
3:40
Speaker 1: not just uh just here to be a gimmick, but
3:43
Speaker 1: just uh saying what's popular or what's you know, what's
3:48
Speaker 1: not like trying to be sexy n you know myself.
3:51
Speaker 1: I think, uh, that's where so many females go wrong.
3:54
Speaker 1: You know. They try to mimic what they see on
3:56
Speaker 1: TV or what everybody else is doing instead of just
3:59
Speaker 1: you know, being an individal. There's a lot of pressure though,
4:01
Speaker 1: when they say, like you did the next Lauren Hill.
4:03
Speaker 1: You think that creates like an expectation that you may
4:06
Speaker 1: or may not live up to, like this, let me
4:07
Speaker 1: be tanked. Yeah, I feel like that sometimes you know,
4:10
Speaker 1: like when the block's kind of just throw it in
4:12
Speaker 1: every every piece they write, it's always, you know, you
4:15
Speaker 1: see the name. So sometimes I do feel like that, like, uh,
4:18
Speaker 1: you know, just let me, let me get in and
4:21
Speaker 1: we'll take it from there. But like I say, I don't,
4:23
Speaker 1: I don't look down on it. Lauren Hills, she was
4:26
Speaker 1: one of the greats. So it's it's a compliment. Now,
4:28
Speaker 1: what did you study it as rapping? Because I like,
4:30
Speaker 1: it's talking to Charlemagne and I haven't stole records in
4:33
Speaker 1: a long time. I came from the mixtape days. Yeah,
4:35
Speaker 1: and when tim Oland was here, I stole your records.
4:39
Speaker 1: Why you got tim in trouble with that moving base? Well,
4:41
Speaker 1: besides that, I haven't had a feeling like that in
4:45
Speaker 1: a long time. So when you know, you talked about
4:47
Speaker 1: some of the singers like rapping, who did you follow
4:49
Speaker 1: as rappers? Because you the way you break words down
4:52
Speaker 1: and go back and forth, it's something that we haven't
4:54
Speaker 1: heard for a long time. I listened to a little
4:58
Speaker 1: bit of everything, U. You know, I listened to Lauren,
5:01
Speaker 1: I listened to Biggie I did when I was like
5:03
Speaker 1: a kid. I listened to NICKI Minaj and um. I
5:07
Speaker 1: listened to a bit of everything you know, and my
5:09
Speaker 1: style kind of just it's just now molding into what
5:13
Speaker 1: it is. I started, like I said, I started talking
5:16
Speaker 1: about drill drill things, and now it's more so of
5:19
Speaker 1: a message in my music. So it was something I
5:21
Speaker 1: worked that, you know, I didn't. It didn't happen overnight.
5:25
Speaker 1: My first rap was probably terrible. M Do you remember it? No,
5:29
Speaker 1: and I don't want to remember. I'm sure it wasn't.
5:32
Speaker 1: It wasn't nothing to talk of. Hell, a lot of
5:35
Speaker 1: men have embraced you. Do you think it's harder for
5:37
Speaker 1: women to do that? Do you feel like women aren't
5:39
Speaker 1: reaching out like the men have been? For sure? Yeah,
5:44
Speaker 1: it's definitely like that. I think females we have, like
5:47
Speaker 1: a lot of females have a mindset that, you know,
5:50
Speaker 1: if if something is something is better than I can't
5:54
Speaker 1: or I'm in competition or everything, I have to be
5:56
Speaker 1: number one, you know. So it's harder for a female
5:59
Speaker 1: to reach out and say you're good, because you know,
6:02
Speaker 1: it's almost like a self esteem thing. You know, if
6:05
Speaker 1: if you feel like somebody is a bit maybe a
6:07
Speaker 1: bit better than you, you don't want to have as
6:10
Speaker 1: coming from my spot, you think, man, but there's so
6:12
Speaker 1: much room, Like, I don't even know why people think
6:15
Speaker 1: she's coming from my spot. You know, everybody thinks that
6:18
Speaker 1: has to be one female in charge or uh, they
6:20
Speaker 1: put us in competition so much that we can't even
6:23
Speaker 1: support each other. It's, uh, we're scared to say, hey,
6:27
Speaker 1: you're pretty good, jump on my song, or you know,
6:30
Speaker 1: just reach out, reach out and said that jump on
6:33
Speaker 1: my song, or you're good, or like what you're doing
6:36
Speaker 1: Missy Elliott big Sis. Uh. Other than that, No, why
6:41
Speaker 1: do you think female mcs always get compared to other
6:43
Speaker 1: female mcs? Hm hmm. I'm honestly not sure. I think
6:49
Speaker 1: goes back to just being the sport, like being a
6:52
Speaker 1: female in the rap game. You know, I think it
6:55
Speaker 1: is a sport to it, you know what I mean.
6:56
Speaker 1: It's Nikki, I think Niggi or any artists out there,
7:01
Speaker 1: it has to see well, let me see what she
7:02
Speaker 1: does for us, let me see how nice he is,
7:04
Speaker 1: let me make sure somebody's out and be like, oh
7:10
Speaker 1: behind the trees. They make it seem like you can't
7:12
Speaker 1: sign a female unless she has certain quality, she has
7:14
Speaker 1: to look at certain ways. Yeah, and they make it
7:17
Speaker 1: seem like women are a lot more difficult because financially,
7:19
Speaker 1: you gotta get your hair done, you gotta get your
7:21
Speaker 1: makeup done, you gotta have a lot of them all.
7:23
Speaker 1: You know, if you look at History, you look at
7:25
Speaker 1: Little Kim, you look at Foxy Brown, these women were
7:28
Speaker 1: hard to get around and hard to move around and
7:31
Speaker 1: hard to work with it times, and everybody says that,
7:33
Speaker 1: you know, so it's you know, it's history. I got
7:36
Speaker 1: a point, But at the same time, like that's what
7:39
Speaker 1: I'm trying to bring to the game, like a real,
7:41
Speaker 1: a true individual. I don't I don't look at anybody
7:44
Speaker 1: and say I have to look like you to make it,
7:47
Speaker 1: or you know, I don't pay attention a lot of times,
7:50
Speaker 1: I really don't pay attention to what other female artists
7:52
Speaker 1: are doing, because then you get lost. You get lost
7:54
Speaker 1: in a in a sauce. You start it's not even
7:56
Speaker 1: that as you looking at it, as people coming to
7:57
Speaker 1: you like, well, you know she's good and she has talent,
8:00
Speaker 1: but I just need her to do this, this and that,
8:02
Speaker 1: because this is what's winning right now, you know, pressure
8:05
Speaker 1: tor asshots, right na, Na, And it's crazy. When I
8:09
Speaker 1: got my deal, I really just wanted to, um, you know,
8:13
Speaker 1: I just wanted to get things like my my gear
8:15
Speaker 1: and um, you know, I wanted to get my teeth
8:18
Speaker 1: fixed and all that. And they were like, don't get
8:20
Speaker 1: no ashots. I'm like, no, I'm not. I'm definitely not
8:22
Speaker 1: going to get that. That's the last thing I was
8:24
Speaker 1: thinking about. So definitely no encourage. They told me. No.
8:30
Speaker 1: My team, they they're behind me. They know, don't get that.
8:33
Speaker 1: You know, you know, I appreciate that because some people
8:36
Speaker 1: might have, uh, you know, well he might need a Yeah.
8:39
Speaker 1: It wasn't like that, you know, it was ironic. I
8:41
Speaker 1: was watching UM the last time I Team Love and
8:43
Speaker 1: hip Hop and your song was on there. Yeah, right,
8:46
Speaker 1: and you got a song and everybody else like it
8:52
Speaker 1: was perfect timing right right, And I'm like, do they
8:54
Speaker 1: know that you're kind of talking about them in that song. Well,
8:58
Speaker 1: I think that's why they minded threw it in. I
9:01
Speaker 1: saw an article that said, your song The Ratchet Commandments
9:04
Speaker 1: is sex shaming. Women are shaming women? What you what
9:07
Speaker 1: you think about that? It's not see if that's the thing.
9:11
Speaker 1: When I made that song, it was more so let's
9:14
Speaker 1: be aware of what's going on. Nobody's talking about this.
9:18
Speaker 1: Let's uh, let's put it out there that this is
9:20
Speaker 1: what's going on. This is somebody has to say it,
9:23
Speaker 1: you know what I mean. And for the most part,
9:25
Speaker 1: we have so much of the shake your ass songs
9:29
Speaker 1: or um watch me twork type of type of music.
9:32
Speaker 1: So why not? Why Why am I, you know, being
9:34
Speaker 1: criticized for being the one out of a million songs
9:38
Speaker 1: that goes against what everybody's talking about. Everybody doesn't have
9:42
Speaker 1: to do that. And it's not that you're saying things.
9:43
Speaker 1: You're like, yo, if a girl, if a guy got
9:45
Speaker 1: a girl, and I talked about males as well. Yeah,
9:48
Speaker 1: it wasn't just all putting shame on women. And my
9:52
Speaker 1: thing was, you know, when I made Ratchet Commandments, I
9:54
Speaker 1: was talking to myself three years ago, you know what
9:56
Speaker 1: I mean. It's not like I'm trying to say I'm
9:58
Speaker 1: perfect or everybody he has to think this way, or
10:01
Speaker 1: you're you're you're wrong. It's not like that. I just
10:03
Speaker 1: want people to be aware. You know, young girls growing up,
10:06
Speaker 1: they need to hit this type of stuff. You are
10:08
Speaker 1: working on social media, uh man. When I was maybe
10:11
Speaker 1: in like junior high high school type of days, everybody
10:14
Speaker 1: has the moment. But when you know better, you supposed
10:17
Speaker 1: to do a better right. What do you think about
10:18
Speaker 1: something like Amber roses SlutWalk that she's organizing, teach us all.
10:24
Speaker 1: I wouldn't partake in a SlutWalk, you know, it's just
10:28
Speaker 1: not something I think. It's not something other jew. You know,
10:33
Speaker 1: it's kind of unfair to do this interview. The reason
10:35
Speaker 1: I say that is because we've heard so much music,
10:37
Speaker 1: and there's so much music I want to talk about,
10:39
Speaker 1: because we've actually heard the music and I'm excited about it,
10:42
Speaker 1: but I can't talk about it yet. Well, let's talk
10:43
Speaker 1: about tink there. What's the what's the female experience like
10:46
Speaker 1: in Chicago? Do women go through the same thing guys
10:48
Speaker 1: go through, like pressure to join gangs and stuff like that. Yeah,
10:51
Speaker 1: for sure, Like females in Chicago. Man, a lot of
10:54
Speaker 1: times it's like females and guys did the same um
10:58
Speaker 1: And that's just because the drill saying in Chicago is
11:01
Speaker 1: so heavy and influential. Like females almost they feel like
11:06
Speaker 1: if I don't if I don't rock with this gang,
11:08
Speaker 1: you know, I ain't cool. You know, it's not a
11:11
Speaker 1: it's not cool to be to say no, I'm not
11:13
Speaker 1: not a part of the gang, or you have to.
11:15
Speaker 1: It's almost like a family type of thing. You feel
11:17
Speaker 1: like you disloyal if you're not out here, you know,
11:20
Speaker 1: gang banging. So yeah, that's what I'm saying, and it
11:24
Speaker 1: comes across in the music. A lot of female rappers
11:26
Speaker 1: from Chicago they are they're drill and I was at
11:29
Speaker 1: one point too, a part of that people with drillers.
11:32
Speaker 1: Some people might not know what drillers. Drill music is
11:34
Speaker 1: really just like a gritty sound. It's about a you know, violence. Uh,
11:38
Speaker 1: it's very vulgar. Um dirt Keith, you know that whole movement,
11:44
Speaker 1: the little reci um y'all know. Now you had to
11:50
Speaker 1: pick a number. Never. Um, I wouldn't even let put
11:53
Speaker 1: myself in that position where somebody's you know, never like
11:56
Speaker 1: never was that with Timerland? Is it is it harder
11:58
Speaker 1: to work with Timerland? Or is it easier? Do you
12:00
Speaker 1: have to prove yourself more? Or I got with him.
12:05
Speaker 1: Um he heard a record idea called Don't Tell Nobody
12:08
Speaker 1: in La and Um he got me on the phone
12:10
Speaker 1: and he flew me out the next day to talk
12:13
Speaker 1: to me, and from there we got in the studio
12:15
Speaker 1: and it was just it was just like a real
12:17
Speaker 1: genuine chemistry with him. So it is very easy to
12:20
Speaker 1: work with him. He uh. You know a lot of producers,
12:23
Speaker 1: they all get in the studio and they tell you
12:25
Speaker 1: like they know it all, or you have to sound
12:29
Speaker 1: like this, you're not doing that right. And with Tim,
12:31
Speaker 1: it's like a partnership. It's the teamwork is a team effort.
12:34
Speaker 1: So he listens just as much as he talks. Now
12:37
Speaker 1: with with him, is it you know, with with some
12:39
Speaker 1: of the doors that are opening, is it do you
12:41
Speaker 1: feel like you have to prove yourself even more than
12:43
Speaker 1: the people or is it is a little easier to
12:45
Speaker 1: getting a feature or to getting something done. It's a
12:47
Speaker 1: bit of both, um, you know. Tim definitely he has
12:51
Speaker 1: those uh tricks in the bag that have helped me
12:54
Speaker 1: a whole lot, you know. Um. But at the same time,
12:57
Speaker 1: that push and that pressure is motivation. Like I go
13:00
Speaker 1: on the studio with Tim, I know I can't I
13:02
Speaker 1: can't do what I was doing ten years ago, well,
13:03
Speaker 1: you know five years ago. I'm sorry. I have to
13:06
Speaker 1: be better, you know, and every I think every artist
13:08
Speaker 1: needs that. You know. Sometimes we get so comfortable with
13:11
Speaker 1: what we were doing. We forget. You know, I gotta evolve,
13:15
Speaker 1: I gotta I gotta switch it up a bit to
13:17
Speaker 1: be greater. He said, you clean them up a little
13:19
Speaker 1: bit too. He said, big white ya y'all, y'all look
13:25
Speaker 1: like you. Yeah. He always telling me like you're making
13:30
Speaker 1: me young again, And it makes me laugh because Tim
13:33
Speaker 1: is a cool guy. Like if you ever talked to him,
13:35
Speaker 1: he is just a silly person. He is a kid
13:37
Speaker 1: at heart. So yeah, you have to tell him sometimes
13:40
Speaker 1: and that be is kind of whack. I would never
13:44
Speaker 1: say that, you know, I would never say that be
13:47
Speaker 1: this whack, you know what I mean. I wouldn't say
13:49
Speaker 1: it's a whack, but I'm like, uh, okay, Tim, let's
13:51
Speaker 1: change this part up, or let's mix this beat. You
13:53
Speaker 1: know what I'm saying. It's a it's an effort, the
13:54
Speaker 1: team effort. I would never say it's whack, though. Is
13:56
Speaker 1: it true? He always wanted to work with him? I did,
14:00
Speaker 1: and you'd be surprised. Growing up, I listened to a
14:02
Speaker 1: lot every artist that he worked with, Missy. I watched
14:05
Speaker 1: our videos sitting on the couch every single day, Missy
14:08
Speaker 1: Aliyah justin Timberlake, and uh, and I was telling to him.
14:12
Speaker 1: A month before I met him, he was working with
14:14
Speaker 1: an artist um her video was on TV. I think
14:17
Speaker 1: her name is now you must Supreme, and I was, man,
14:19
Speaker 1: what did she do to get with him? You know,
14:21
Speaker 1: I just wanted to know, how do you get to Timberland?
14:23
Speaker 1: And a month later it was like, man, it was
14:26
Speaker 1: some destiny type of type of thing going on, because
14:28
Speaker 1: he called me a month later after. I was thinking
14:30
Speaker 1: that watching as the law of attraction, your thoughts become
14:32
Speaker 1: things do you watch or anything like that. I watched
14:36
Speaker 1: a few episodes, you know, I caught a few tend
14:39
Speaker 1: to get material right, tend to get material right now?
14:42
Speaker 1: That didn't embarrass you when Timberland like jumps out there
14:45
Speaker 1: and says things like Alia came to him in a
14:47
Speaker 1: dream and said you one because I saw him do
14:51
Speaker 1: that on stage. No, I wasn't embarrassed. I was more
14:58
Speaker 1: so just thinking about just the reaction because I know,
15:03
Speaker 1: you know, for Tim to say that on a on
15:04
Speaker 1: a big stage, a big platform like that, so many
15:06
Speaker 1: cameras people are recording. I had I really automatically knew
15:10
Speaker 1: people were gonna take it as if Tim saying uh,
15:13
Speaker 1: tink is the next Aliyah, and and my thing was
15:16
Speaker 1: Tim never said that. In fact, if you watched the
15:18
Speaker 1: video before he said that, he was like, I'm not
15:20
Speaker 1: saying Tink is better than Ala. He said that, and
15:23
Speaker 1: I want people to know that will never be another Aliyah.
15:25
Speaker 1: She is a legend in her own right. What Tim
15:28
Speaker 1: basically was saying, and he's talked to me about this before,
15:30
Speaker 1: it wasn't like he was just babbling on the mic. Basically,
15:34
Speaker 1: it was confirmation he had a dream that Eliah came
15:36
Speaker 1: and said she's the one, not not she's the next me,
15:40
Speaker 1: the one, meaning you know what we're doing, You're going
15:43
Speaker 1: on the right path. It's gonna be something big. So
15:45
Speaker 1: I believe that for sure. My city shows me so
15:49
Speaker 1: much love. It's a good feeling because Chicago is a
15:53
Speaker 1: very it's a very hateful city, like we hate on
15:56
Speaker 1: our own in Chicago. So coming up, I did struggle,
15:59
Speaker 1: you know, trying to get on my feet coming out
16:01
Speaker 1: of Chicago. But now it's it's a different type of
16:04
Speaker 1: love because they see where I'm calling and what I'm
16:06
Speaker 1: trying to do for my city. You wanted to be
16:08
Speaker 1: a radio host growing up, right, Yeah? I did. I
16:10
Speaker 1: like the way y'all sound how y'all hype people up
16:13
Speaker 1: in the morning. When I was every day my parents
16:16
Speaker 1: would take me to take care and I'd be like
16:18
Speaker 1: a kid in the backseat hearing voices and they just
16:20
Speaker 1: kind of made the day. Pick up the radio people.
16:23
Speaker 1: You had to see a therapist. So what's up the voices?
16:26
Speaker 1: You was here the voices on the radio. When I
16:32
Speaker 1: first started playing your record in the morning. You know,
16:33
Speaker 1: timber Land came up here. He played it for Charlemagne
16:36
Speaker 1: and Famine told me about and Timberland was invite me
16:38
Speaker 1: to the studio, came up. He played the record when
16:39
Speaker 1: we played it that first day, and I mean we
16:41
Speaker 1: played it over and over again. What was the reaction?
16:43
Speaker 1: Were you listening or people hitting you? I was getting
16:46
Speaker 1: all type of type of love. I was definitely listening. Um.
16:50
Speaker 1: I was in Chicago at the moment um and everybody
16:53
Speaker 1: was kind of hitting my Twitter and I think I
16:55
Speaker 1: jumped up at least like six thousand followers just off
16:59
Speaker 1: of what y'all did in this room. Okay, Okay, Yeah,
17:02
Speaker 1: shout out to the Breakfast club. Y'all really like gave
17:04
Speaker 1: me a big push, um, and I didn't expect it.
17:07
Speaker 1: To be like that, you know, and it's crazy how
17:09
Speaker 1: to music just hit people and affected people to the
17:13
Speaker 1: point when everybody calls and wants now, they be like,
17:15
Speaker 1: can you do what you did for Tink? I'm like,
17:17
Speaker 1: Tink got music. We're gonna want you to spit this
17:21
Speaker 1: more days to have good music. What's up? We want
17:23
Speaker 1: you to spit you tweeted, Um, I want you to
17:25
Speaker 1: take me serious. Do you feel like people want taking
17:27
Speaker 1: you serious? Oh? No, I was in my feelings. I
17:30
Speaker 1: was listening to a song. It wasn't I knew people
17:34
Speaker 1: would look at it like that. Um, it was a
17:36
Speaker 1: big sean. I think, Uh, what's the name of that song?
17:38
Speaker 1: He has a record play No Games? Oh yeah, yeah,
17:42
Speaker 1: that's what Kanye. No. No, it's with Chris Brown and
17:44
Speaker 1: Todd Dolla sign. So that was That's that's what that
17:47
Speaker 1: was about. I think people do take me serious though, um,
17:50
Speaker 1: And if they don't, I really do want you to feelings.
17:54
Speaker 1: You just feel like, was that about the industry or dude?
17:57
Speaker 1: It's about a guy? The song was. It's a cute song.
17:59
Speaker 1: It's aw, don't you get caught up in those boys? Now? Okay,
18:03
Speaker 1: it's not like that. I just liked the I like
18:05
Speaker 1: the message behind that, that simple phrase. I want you
18:08
Speaker 1: to take my serious. What about the braids. You don't
18:11
Speaker 1: have them in today, but I don't have my brains.
18:14
Speaker 1: I switch it up sometimes I do rock my brains
18:17
Speaker 1: and it's crazy. I saw I got love for my braids.
18:20
Speaker 1: But at the same time, I didn't understand why people
18:22
Speaker 1: were offended by my braids. Yeah, like I got a
18:27
Speaker 1: couple of comments, you know, like you know, just people
18:30
Speaker 1: saying you're trying to be the brad or you you
18:33
Speaker 1: think take those beads out. And I didn't understand because
18:37
Speaker 1: it's like, you know, honestly, if you if you it's
18:40
Speaker 1: a hairstyle, but if you really man, if you do
18:42
Speaker 1: your research, beads actually for our culture, beads mean a lot,
18:46
Speaker 1: a lot of positive things beads mean, and people don't
18:50
Speaker 1: really understand that this is a part of our culture.
18:52
Speaker 1: We were wearing beads hundreds of years ago. So I
18:56
Speaker 1: took it and I really didn't care. You know, I'm
18:58
Speaker 1: gonna really do what I want to do because I
19:00
Speaker 1: like my beats, my brains absolutely all right, when we
19:04
Speaker 1: come back, we're gonna get some music on. We want
19:05
Speaker 1: you to spit a little bit, all right, that's what
19:07
Speaker 1: I'm excited about, Okay, okay, to have some bars when
19:10
Speaker 1: we come back. We're gonna get that on. Don't go anywhere.
19:12
Speaker 1: It's the Breakfast Club. Good morning, yep, you know what
19:15
Speaker 1: it is. DJ Envy Angela Yee, Charlomagne the guy, we
19:18
Speaker 1: are the Breakfast Club. I'm excited about this, me too.
19:20
Speaker 1: We have never done this before. Absolutely, I've never ever
19:24
Speaker 1: done this before. Tink, don't make us look bad. I'm
19:26
Speaker 1: out here saying you're like your favorite rapper Tinks in
19:29
Speaker 1: the building. You're gonna spend some bars. Nby still got
19:32
Speaker 1: it a far being a good DJ J eight hundred
19:35
Speaker 1: five eight five one five one at Breakfast Club right
19:37
Speaker 1: now at DJ Tinks here, m h V all right
19:50
Speaker 1: this once he years for my knees and the chevying
19:52
Speaker 1: polos chasing them dollars twenty ms, laying on your skin,
19:55
Speaker 1: got the Dipper things given, the goose bumps, the Briely.
19:58
Speaker 1: Don't show no pity for these hoot lumps. Strip it down,
20:00
Speaker 1: get doing the ground. What the fuck is my money?
20:02
Speaker 1: You are? Show up when you cut me, gotta show
20:04
Speaker 1: the hopes when that don't looking funny. Stick it do
20:06
Speaker 1: on them like honey, kock it back and then let
20:08
Speaker 1: it go. Hit them up for his pockets running this
20:10
Speaker 1: while it we yelled to through. I'm gonna take to
20:12
Speaker 1: get involved, make a call and have it done. Make
20:14
Speaker 1: room for my dudes. You gohar him when they come,
20:16
Speaker 1: get them when they run, Wipe it off and twist it.
20:18
Speaker 1: When you've done this is you know. Um, I'm gonna
20:20
Speaker 1: have your money in the morning. Kick. None of these
20:22
Speaker 1: get a pass in my book, So he the ellis
20:24
Speaker 1: be your witness as the title gets took. Well, how
20:26
Speaker 1: does that look. She's still young with a record of proof.
20:28
Speaker 1: Go check in that booth. Then don't come in correct
20:30
Speaker 1: when you do, um fame, my circle remains. Keep it
20:33
Speaker 1: the same feed my people. Don't give up. If it's legal.
20:36
Speaker 1: This is grind time. You might get shot up for
20:38
Speaker 1: your pet up. Yes for them, the lips on that
20:40
Speaker 1: Jemina chips in my foot water for the flip left
20:43
Speaker 1: and on my hip kiss a girl run up for
20:45
Speaker 1: me while I'm riding Champagne slipping no tickets. We fly
20:47
Speaker 1: in private. Came up on these ses. I told him,
20:50
Speaker 1: may no reclining menk first hanging down my ass in
20:52
Speaker 1: the winter, and this this been dog, it's my nine
20:55
Speaker 1: miller meets up. I just tell them go when they
20:57
Speaker 1: hopping out on the curb, take you out and leave
20:59
Speaker 1: like nothing but occurred. It's the sick world. Headshots down
21:02
Speaker 1: and make your head try sleeping on me so a
21:04
Speaker 1: deathbad what he got? I am the general. We're creeping
21:07
Speaker 1: up in that fea call the sun marks you got
21:09
Speaker 1: twenty four before the gun sparks were donna keep going
21:14
Speaker 1: to huh, what's up? Let's go? Okay, okay, now this one.
21:20
Speaker 1: I do this for my girls in the hood who
21:22
Speaker 1: ain't never had it? Good three jobs and you up
21:24
Speaker 1: on your sh be the elis, be the ellis, who's
21:26
Speaker 1: the witness, who's the witness on? Let's go, let's go,
21:29
Speaker 1: okay okay. I do this for my girls in the
21:31
Speaker 1: hood who ain't never had it good three jobs in
21:34
Speaker 1: the Yellow Nation. This is for my girls living in
21:36
Speaker 1: their own world. Don't depend upon a man. You are
21:39
Speaker 1: grown ass, bitch. This is for my girls who are
21:41
Speaker 1: not really in the arm, really in the really in
21:44
Speaker 1: the arm. This is for my girls who are not
21:46
Speaker 1: really in the kim Meg sat them hos real when
21:48
Speaker 1: you know you ain't nothing that, Let's go abroad for Take.
21:54
Speaker 1: We appreciate you for joining us time. Follow her on
21:57
Speaker 1: Twitter art official Taker, It's out of your Underscore team
22:00
Speaker 1: Official Underscore and Instagram is official Underscore Underscore thing. Okay
22:06
Speaker 1: we have never done that before. Yeah, man, you know
22:09
Speaker 1: not too many times. We have lyrical artists up here,
22:11
Speaker 1: and I can see the hungry and now we don't
22:13
Speaker 1: have that many lyrical artists out anymore. So when you
22:15
Speaker 1: do have a lyrical artists up here, you want bars
22:18
Speaker 1: it take my new favorite rapp Absolutely, I like Tink
22:20
Speaker 1: and I like a queer Leo. Those my new favorite artists. Okay,
22:24
Speaker 1: we appreciate you for joining us to thank y'all for
22:27
Speaker 1: having me Angela Envy. Y'all support me and I love
22:30
Speaker 1: it man, thank you. Do they have a release date
22:33
Speaker 1: for the album all the time. This summer, y'all, this summer,
22:35
Speaker 1: it's coming Tink. Now, if they stopped front, don't don't forget.
22:39
Speaker 1: I got the album. You just say you'll eat and
22:40
Speaker 1: I'm gonna push the god. I'll push the button and
22:44
Speaker 1: XXL Freshman list. Is that's something you want, it'll be
22:48
Speaker 1: It'll be great. To be on that cover. You better
22:49
Speaker 1: be on that list. You hands down better be on
22:52
Speaker 1: that You better be on that list. Man, make that happen. Absolutely,
22:57
Speaker 1: it's the breakfast club shot towns oh to m