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The Electric Stork with Library of the Untold · The Occult Rejects

• 0:02
  Speaker 1: You see somethings are going to happen. What what's gonna happen?
• 0:15
  Speaker 2: What a.
• 0:24
  Speaker 3: Welcome to the Cult Rejects.
• 0:27
  Speaker 4: This episode, we got a favorite, one of the favorite
• 0:29
  Speaker 4: returning guests. It's always a blast when we have this
• 0:32
  Speaker 4: guy on, and I'm always excited when he hits me up.
• 0:34
  Speaker 4: But he's got a new topic because it's always a banger.
• 0:37
  Speaker 4: But before we introduce Joey p he's excited when he
• 0:40
  Speaker 4: hits me up. He got a new topic because it's
• 0:42
  Speaker 4: always a banger. Sorry, my thing is repeating in the background.
• 0:45
  Speaker 4: Know if you guys were doing my apologies, all right,
• 0:48
  Speaker 4: uh yeah, but before we introduce Joey, please, uh let's
• 0:52
  Speaker 4: introduce the other rejects.
• 0:53
  Speaker 3: And Headless isn't here.
• 0:54
  Speaker 4: He's supposed to be showing up, but uh yeah, I know, right,
• 0:58
  Speaker 4: But first we're gonna Julia.
• 1:01
  Speaker 3: What is going on?
• 1:02
  Speaker 5: Julia?
• 1:02
  Speaker 3: So happy you can make it. This is awesome. I
• 1:04
  Speaker 3: always love you here.
• 1:05
  Speaker 6: Yeah, so even the little bit we talked before we
• 1:09
  Speaker 6: got started live. I'm very excited and can't wait to
• 1:14
  Speaker 6: get into it. But thanks for having me, Nick.
• 1:16
  Speaker 4: Of course, no, thank you for making it. And we
• 1:18
  Speaker 4: got Ethan Indigo with us. What is going on, sir.
• 1:21
  Speaker 3: Always a pleasure to have you join us.
• 1:23
  Speaker 7: Salut all. I'm excited for this. Joey is always dropping
• 1:27
  Speaker 7: knowledge and wisdom. This is going to be great, I
• 1:30
  Speaker 7: know it. Ethan Indigo Smith, easy to find on the
• 1:34
  Speaker 7: interwebs and got a few books out there and a
• 1:37
  Speaker 7: bunch of articles and appreciate you guys.
• 1:40
  Speaker 3: Well, yeah, thank you, sir. I appreciate you. Man.
• 1:42
  Speaker 1: Send me a link to your books. I didn't know
• 1:44
  Speaker 1: you had books out No, yeah, I will do it.
• 1:46
  Speaker 1: We'll do a.
• 1:46
  Speaker 4: Bunch of them, all right, cool, yes, Joey. I mean
• 1:50
  Speaker 4: for people who don't know, you know, let them know, please,
• 1:53
  Speaker 4: what's up with Joey? P From the Library of the Untold.
• 1:56
  Speaker 1: I host a show called Library of the Untold on YouTube,
• 2:00
  Speaker 1: and every time I have a new episode idea, it's
• 2:04
  Speaker 1: been traditioned as of the last three or four now
• 2:07
  Speaker 1: to hit up Nick and say let me practice anya,
• 2:10
  Speaker 1: And then I stumble across my words and make a
• 2:14
  Speaker 1: fool of myself trying to utter the things that I've
• 2:17
  Speaker 1: already written down. And I'm gonna try to do that
• 2:19
  Speaker 1: again today for you guys.
• 2:21
  Speaker 3: Oh, come on, you do a great job.
• 2:23
  Speaker 4: Sir, but uh yeah, if people don't know, uh I
• 2:26
  Speaker 4: don't know if his channel yet, please go check it
• 2:28
  Speaker 4: out and I will say the production is off the charts,
• 2:31
  Speaker 4: and his music he makes out all himself. Go check
• 2:34
  Speaker 4: out this guy's shit for real. I mean I was
• 2:37
  Speaker 4: like listening to uh, you know the episode. You know,
• 2:39
  Speaker 4: it's something that he sent me recently, and I was like, yo,
• 2:42
  Speaker 4: like no, lie, do this. It was like fucking The
• 2:43
  Speaker 4: intro was like art bro.
• 2:45
  Speaker 3: I was like between the music and everything else. Yeah, yeah, yeah, yeah,
• 2:49
  Speaker 3: you had to share in there. But I was just like, yo,
• 2:51
  Speaker 3: like this is fucking deep man. It was just I
• 2:53
  Speaker 3: don't know.
• 2:54
  Speaker 1: So that's all. I don't use background music. I like
• 2:57
  Speaker 1: to actually compose. Ye, I'll talk it and then I'll
• 3:01
  Speaker 1: actually write, play the keyboard saying and then turn it
• 3:05
  Speaker 1: into tubas or whatever. So I write the scores to it.
• 3:07
  Speaker 1: That's why it kind of seems kind of cinematic.
• 3:09
  Speaker 3: Oh no, that's yeah. It was like he made this shit.
• 3:12
  Speaker 1: Yeah, especially for the intros.
• 3:14
  Speaker 6: It makes me major props to that because I use
• 3:17
  Speaker 6: like non copyright background.
• 3:23
  Speaker 1: I would love to send you some musical scores because
• 3:25
  Speaker 1: all my music is free.
• 3:27
  Speaker 3: To use oh shure, So yeah, hit me up on that.
• 3:30
  Speaker 4: Oh yeah, definitely, definitely cool. Cool all right, man, So,
• 3:34
  Speaker 4: uh the electric store. Do you want to tell us
• 3:36
  Speaker 4: how you got stumbled upon this idea?
• 3:39
  Speaker 1: Man, I'll do stumbled upon is correct, but not unlike
• 3:43
  Speaker 1: anything else I guess. But a while back, I was
• 3:48
  Speaker 1: this was two years ago. I was talking to a
• 3:50
  Speaker 1: woman who is a no nonsense, non occult, not an
• 3:54
  Speaker 1: esoteric woman, and she kind of saw what I was into,
• 3:59
  Speaker 1: and she was like, I gotta tell you this, and
• 4:02
  Speaker 1: she was like, when I was seven months pregnant, my
• 4:06
  Speaker 1: guy went out to go get me some ice cream,
• 4:09
  Speaker 1: some chocolate mint ice cream, which is awful, to be clear,
• 4:13
  Speaker 1: And about five minutes later, she felt him sit down
• 4:18
  Speaker 1: on the edge of the bed and she was pissed
• 4:20
  Speaker 1: because she thought that, you know, he changed his mind.
• 4:22
  Speaker 1: But she pretended to sleep, but he was just sitting there,
• 4:25
  Speaker 1: not saying anything, and so she opened her eyes to
• 4:29
  Speaker 1: look and it was someone else. Entirely it wasn't her guy.
• 4:34
  Speaker 1: It was a tall, black, jet black figure that looked
• 4:37
  Speaker 1: like a shadow sitting at the edge of her bed,
• 4:40
  Speaker 1: and she froze in absolute terror. Admittedly kind of half
• 4:45
  Speaker 1: asleep and whenever it felt her notice it, it kind
• 4:52
  Speaker 1: of felt a disturbance. And then turned around and looked
• 4:56
  Speaker 1: at her and she was telling me the story. I
• 4:59
  Speaker 1: could that she was like, has shiverus from it, dude,
• 5:03
  Speaker 1: But when they made eye contact, it got frightened, jumped
• 5:08
  Speaker 1: up off the bed and ran out of the room
• 5:11
  Speaker 1: to where she was like frozen in fear. About ten
• 5:15
  Speaker 1: minutes later, her guy walked in and they searched the house.
• 5:19
  Speaker 1: They refrained from calling the police because of the circumstances,
• 5:24
  Speaker 1: you know, they didn't want to invite police into their
• 5:28
  Speaker 1: place for premature reasons. But she told me the story
• 5:34
  Speaker 1: and I looked into it, and this is actually so
• 5:38
  Speaker 1: common that it's called hypnogogic hallucinations. Doctors have a word
• 5:43
  Speaker 1: for it because women don't like to talk about it
• 5:46
  Speaker 1: with their friends, but they'll tell their doctors about it.
• 5:50
  Speaker 1: And a hypnogogic hallucination during pregnancy happens at about seven
• 5:54
  Speaker 1: weeks in. And what's weird about it is with a hallucine,
• 6:02
  Speaker 1: especially with sleep deprivation, you see a wide variety of
• 6:06
  Speaker 1: different visions, but with these it's very specific. It's usually
• 6:10
  Speaker 1: something that revolves around a tall black figure that often
• 6:15
  Speaker 1: it seemed like the hat man, sunderman, these kind of things.
• 6:18
  Speaker 1: But she was telling me. She was like, I'll admit
• 6:23
  Speaker 1: it was a hallucination now, but I'm telling you there
• 6:27
  Speaker 1: was something about it that was visceral. It was for real,
• 6:31
  Speaker 1: and when it ran out the door, there was something
• 6:34
  Speaker 1: symbolic about it. So I looked into this. I was
• 6:38
  Speaker 1: curious about it, and so turns out a couple of
• 6:42
  Speaker 1: facts here, the pineal gland of the human being develops
• 6:48
  Speaker 1: at seven weeks in This is when hypnagogic hallucinations start
• 6:54
  Speaker 1: for women. So I was like, kind of out on
• 6:57
  Speaker 1: a limb. I was like, what is the myth of
• 7:00
  Speaker 1: the stork? We see the stork nowadays in cartoons it
• 7:05
  Speaker 1: carries the baby to the mother. What did that want?
• 7:08
  Speaker 1: Because everything is a simulacrum, a copy of a copy.
• 7:11
  Speaker 1: Now everything has an origin. So did you know that
• 7:15
  Speaker 1: the original stork mythology originates in Egypt? Dude? Check this out.
• 7:21
  Speaker 1: This is the Ba and the Ca. The bird is
• 7:26
  Speaker 1: the Ba, and the black figure in the doorway is
• 7:30
  Speaker 1: the cow that was fast Nick, Dude, you're fucking good, Doug.
• 7:35
  Speaker 1: So I stumbled across this and I looked into it
• 7:40
  Speaker 1: and immediately just off of sheer face value, that's that
• 7:45
  Speaker 1: dude in the doorway. That's the CA and he is
• 7:49
  Speaker 1: the earthly version of the BA. The It's what brings
• 7:54
  Speaker 1: the soul to the fetus in the mother's womb at
• 7:58
  Speaker 1: seven weeks in, when the eye of horce develops in
• 8:01
  Speaker 1: the baby. I was blown away, dude, So maybe it
• 8:07
  Speaker 1: was hypnogogica hallucination, sure, but this is this is the
• 8:13
  Speaker 1: story of the bon Ka. So when a child is conceived,
• 8:17
  Speaker 1: Canoum gets to work shaping their earthly life force on
• 8:20
  Speaker 1: his potter's wheel. He needs to have this CA ready
• 8:25
  Speaker 1: because the BA is on its way to imview it
• 8:27
  Speaker 1: with soul flown in long distance. The bird is what
• 8:31
  Speaker 1: does this best at, you know, the changing of the seasons,
• 8:34
  Speaker 1: out with the old into the new. Unlike the CA
• 8:38
  Speaker 1: that is applicable to all human people, the BA is
• 8:40
  Speaker 1: that person's individual personality and psyche, that is, their wondering soul.
• 8:46
  Speaker 1: The BA arives from the land of spirits, lands gently
• 8:49
  Speaker 1: on the bed, and breathes its essence into the new
• 8:52
  Speaker 1: child to be What are the chances that this thing
• 8:55
  Speaker 1: comes to the mother while she's sleeping or seemingly sleeping,
• 9:00
  Speaker 1: and then sometimes these women catch it in the act, right,
• 9:03
  Speaker 1: So this set me down a huge rabbit hole. And
• 9:06
  Speaker 1: I got to ask Julia, considering that she's got a
• 9:09
  Speaker 1: new baby, I mean, if she did you have anything
• 9:12
  Speaker 1: like this.
• 9:12
  Speaker 6: Or I had so many weird things like that happened
• 9:16
  Speaker 6: to me when I was pregnant, and I would tell
• 9:19
  Speaker 6: my husband about them, and I really told him several
• 9:24
  Speaker 6: times that being pregnant was such a spiritual experience. It
• 9:30
  Speaker 6: was the craziest thing I've ever been through in my life.
• 9:35
  Speaker 6: And I had visions I had and so before I
• 9:40
  Speaker 6: was pregnant, I actually never dreamed. I never dreamed. I
• 9:46
  Speaker 6: would just go to sleep, blackout, wake up. It was
• 9:49
  Speaker 6: the next day, right. I think I was like four
• 9:53
  Speaker 6: weeks pregnant, and I started having the most wild dreams ever,
• 10:01
  Speaker 6: and I felt like my baby Hank was actually showing
• 10:05
  Speaker 6: me things and telling me things, and I had dreams
• 10:08
  Speaker 6: about and he would this is I know it sounds crazy, but.
• 10:12
  Speaker 1: I love.
• 10:15
  Speaker 6: Right, It's like you're listening to the occult rejects. So
• 10:17
  Speaker 6: maybe not I would have dreams where like Hank was
• 10:23
  Speaker 6: telling me about, I was always with you, and I
• 10:28
  Speaker 6: was always with Colby, and he would show me Colby
• 10:31
  Speaker 6: like in weird times through his life and that he
• 10:34
  Speaker 6: was always with him and always with me. And I
• 10:38
  Speaker 6: literally was having like paranormal experiences while I was pregnant.
• 10:43
  Speaker 6: And you know, that's not something you just go and
• 10:47
  Speaker 6: just share with people, because unless you listen to the
• 10:49
  Speaker 6: occult rejects, you're not gonna You're gonna be like, are
• 10:52
  Speaker 6: you on or something? But yeah, I mean it was
• 10:58
  Speaker 6: a very very spear tool experience.
• 11:02
  Speaker 1: There's a public stigma about weird shit that has been
• 11:06
  Speaker 1: imposed upon us that you can't talk about it at
• 11:08
  Speaker 1: the water cooler at the office, but you tell your
• 11:11
  Speaker 1: doctor about it, and then the doctors have to come
• 11:14
  Speaker 1: up with something. So they say hormonal changes and sleep
• 11:17
  Speaker 1: deprivation causes visions or hallucinations. But like placebo, what is
• 11:23
  Speaker 1: a hallucination? You know? I mean, these women are awake
• 11:27
  Speaker 1: and these this explanation doesn't satisfy the women anymore than
• 11:32
  Speaker 1: the scientists men do, so yeah, pun intended, but like.
• 11:37
  Speaker 6: Sleep paralysis, right, because they see the hat man and
• 11:39
  Speaker 6: the slender Man and the shadow man. But they say
• 11:42
  Speaker 6: it's because your brain is still sleeping. But your physical
• 11:47
  Speaker 6: body is awake, so you see things because you're you're
• 11:50
  Speaker 6: actually in a dream state. Bullshit to all of that.
• 11:55
  Speaker 1: It's not like the Yeah, to say that the brain
• 11:59
  Speaker 1: generates these visions is like saying that the brain generates consciousness.
• 12:03
  Speaker 1: It just doesn't hold up under scrutiny. I think the
• 12:08
  Speaker 1: whole thing is electromagnetic. And this even ties into Egypt
• 12:14
  Speaker 1: as well, which is this is where we could get
• 12:17
  Speaker 1: kind of weird, because like the story that we're telling
• 12:20
  Speaker 1: here is a story and it's mythological, and it's an
• 12:25
  Speaker 1: urban legend until you until you start to consider the
• 12:29
  Speaker 1: body's electromagnetic weight, which is important here. So all right,
• 12:38
  Speaker 1: another thing that's weird. All every culture doesn't matter which
• 12:43
  Speaker 1: culture Native American and across the ocean, Indian, which is
• 12:47
  Speaker 1: literally the swan. By the way, they talk about a
• 12:51
  Speaker 1: bird bringing the soul, and this is the mythology of
• 12:55
  Speaker 1: the stork. What is interesting about the bird is that
• 12:59
  Speaker 1: it can see electromagnetic forces of the earth, and it
• 13:04
  Speaker 1: can see things that we don't. It's literally guided by
• 13:08
  Speaker 1: an electromagnetic force the same way our mitochondria is. And
• 13:13
  Speaker 1: so it's easy to say, oh, these ancient people associated
• 13:17
  Speaker 1: with birds because the soul is weightless or whatever. But
• 13:20
  Speaker 1: that's a modern conception. It doesn't hold up if you
• 13:24
  Speaker 1: think about where did that soul come from the first place?
• 13:26
  Speaker 1: Why did it not just emerge in the brain like
• 13:29
  Speaker 1: science contends today.
• 13:32
  Speaker 4: You know, Joe, you're going on about like electromagnetic stuff,
• 13:36
  Speaker 4: and like you know, when it comes to birds, that's
• 13:39
  Speaker 4: it's a huge thing with them that well, for one,
• 13:42
  Speaker 4: any any a lot of animals that I see used,
• 13:45
  Speaker 4: especially in Egyptian you know, art and stuff, a lot
• 13:50
  Speaker 4: of those animals actually have eyes that will pick up
• 13:52
  Speaker 4: more of that field than we do. And even with birds,
• 13:55
  Speaker 4: you know, you're talking about like this is gonna kind
• 14:00
  Speaker 4: like I'm trying not to try to say this without like
• 14:02
  Speaker 4: making a mess out of it. You know, with birds,
• 14:05
  Speaker 4: there's one thing that's interesting with them that they're starting.
• 14:09
  Speaker 1: To a diagram by the way, Uh, I think you
• 14:11
  Speaker 1: have that picture.
• 14:12
  Speaker 4: But okay, uh, with birds nowadays, they are starting to
• 14:16
  Speaker 4: notice too that when it comes to them making noises
• 14:20
  Speaker 4: in the in the morning, the morning chorus, it is
• 14:23
  Speaker 4: because now they're also thinking that their eyeballs can actually
• 14:28
  Speaker 4: hear that coming off of the sun. And basically what
• 14:32
  Speaker 4: they're doing is chirping back what they think it's saying.
• 14:36
  Speaker 4: Now you're talking about like all this stuff with these birds,
• 14:38
  Speaker 4: and they're they're they're very uh special with this stuff.
• 14:41
  Speaker 4: And then if you actually kind of look at how
• 14:45
  Speaker 4: you know, the birth is even done, the the the
• 14:49
  Speaker 4: you know, the woman's thing is actually sending out a signal, right,
• 14:54
  Speaker 4: and it just seems like very much like again like
• 14:56
  Speaker 4: the messenger of birds. It's associated with air electromagnetic fe
• 15:00
  Speaker 4: you just saw wondering if there's actually science actually being
• 15:03
  Speaker 4: depicted in all this stuff, like what you're saying.
• 15:06
  Speaker 1: So, uh, the Egyptians depicted the plasmatic electricity of the
• 15:12
  Speaker 1: soul entering the mother's womb quite literally in their Coffer texts,
• 15:19
  Speaker 1: and today we see, uh, the the nickel flash they
• 15:24
  Speaker 1: call it a zinc flash. Actually whenever there's a conception
• 15:28
  Speaker 1: and this repeats whenever the seven weeks of the pineal
• 15:32
  Speaker 1: gland is formed, there's there's a flash of light.
• 15:35
  Speaker 3: And you go watch that. It looks like an eclipse.
• 15:38
  Speaker 1: Yeah, dude, it looks like an eclipse. Dude. As above,
• 15:41
  Speaker 1: so below this is what we're dealing with.
• 15:43
  Speaker 4: You you come out and you come in a flash
• 15:45
  Speaker 4: of light you go out with one man right.
• 15:49
  Speaker 7: There actually is beyond an eclipse too, there's the what's
• 15:54
  Speaker 7: known as the green flash of a sunset over the
• 15:59
  Speaker 7: ocean when it's totally clear out and you've got to
• 16:02
  Speaker 7: be looking at it and on it, and conditions have
• 16:05
  Speaker 7: to be like I said, clear and just right, but
• 16:08
  Speaker 7: there'll be what's called the green flesh, right, which.
• 16:13
  Speaker 1: Is similar in the microcosm macrocosm idea. Anyway, it's exactly
• 16:18
  Speaker 1: that because the Egyptians considered Earth to be green, not
• 16:22
  Speaker 1: because the plants were green, but because of the heart chakra,
• 16:25
  Speaker 1: which is green, and that happens to be the center
• 16:28
  Speaker 1: of the above and below worlds, you know. And they
• 16:31
  Speaker 1: say that the soul is carried by the ba from
• 16:34
  Speaker 1: the above world, but it can it can descend down
• 16:37
  Speaker 1: into the below. The kind of weird because Signess, you know,
• 16:44
  Speaker 1: the constellation of stars that it's called Signus. Uh. Signess
• 16:48
  Speaker 1: is a swan to all every culture across the board,
• 16:52
  Speaker 1: except for the cultures who didn't have a swan, but
• 16:54
  Speaker 1: they still called it a bird. The swan happens to be, uh,
• 17:02
  Speaker 1: the Signess happens to be where they say the soul
• 17:04
  Speaker 1: came from in the in the first place, and that
• 17:07
  Speaker 1: one depiction was actually a really good one there. But uh,
• 17:12
  Speaker 1: well we'll get to those Hindu temples in a minute now.
• 17:15
  Speaker 1: But uh, every culture depicts this this fucking same thing.
• 17:20
  Speaker 1: They call it Signus, and Signas happens to be uh,
• 17:23
  Speaker 1: a neutron star, which is what ancient people went into
• 17:27
  Speaker 1: caves about in order to commune with. That's where they
• 17:31
  Speaker 1: said the soul comes from. But what is weird about
• 17:35
  Speaker 1: Signus is that as a neutron star, it creates gold.
• 17:38
  Speaker 1: Our sun does lead, and it won't create gold until
• 17:43
  Speaker 1: it goes super nova, like Signus led into gold. This
• 17:47
  Speaker 1: is the story of the elo Him. So if I
• 17:50
  Speaker 1: might like jump kind of ahead here, Uh, if you
• 17:53
  Speaker 1: know the story of Zara Sutra, uh, he's like big
• 17:57
  Speaker 1: in the esoteric fucking thing. He was a man, He
• 18:00
  Speaker 1: was a gangster dude. He was a slippery, dangerous motherfucker.
• 18:05
  Speaker 1: And Zarasutra met with these light beings called Elohim, and
• 18:10
  Speaker 1: they Elohim means spirits of the sun, of the sun.
• 18:16
  Speaker 1: So what they did was they poured lead or yeah,
• 18:21
  Speaker 1: they poured lead onto his chest, liquid lead to see
• 18:24
  Speaker 1: if he could suffer in silence. It's the metal of Ahreman, right,
• 18:29
  Speaker 1: and then if he could pass that initiation, they would
• 18:32
  Speaker 1: turn that to gold, which is very interesting. But what's
• 18:36
  Speaker 1: more interesting is that the Elohim are called the spirits
• 18:39
  Speaker 1: of the Sun. Their goal was to alchemize the entire
• 18:44
  Speaker 1: earth into an entire body of light. Whenever Zarasutra told
• 18:48
  Speaker 1: that to the king, the king was obviously very afraid
• 18:51
  Speaker 1: of change and had him locked up into jail, but
• 18:56
  Speaker 1: he was slippery he got out. This is, by the way,
• 18:59
  Speaker 1: I can't stress is enough. Zarasuthra is a person, He's
• 19:02
  Speaker 1: a man, He's a flesh and blood dude. That was
• 19:05
  Speaker 1: such an immense character that he became mythology later. But
• 19:11
  Speaker 1: he taught a whole street gang from the Gotto how
• 19:15
  Speaker 1: to use their magic from within, making him the archetype
• 19:19
  Speaker 1: for the first wizard. But the whole idea was he
• 19:22
  Speaker 1: got his initiation from the Elohim plural, which are spirits
• 19:28
  Speaker 1: of the sun. So this is what started me down
• 19:31
  Speaker 1: this whole rabbit hole about our soul maybe originating from
• 19:37
  Speaker 1: the sun. Just like this and a million other alchemical
• 19:40
  Speaker 1: diagrams depict this is where I shake its fucking weird dude.
• 19:45
  Speaker 3: Oh Joey, real quick.
• 19:46
  Speaker 4: I just wanted to add this is just real quick,
• 19:48
  Speaker 4: and I thought it was weird when it could just
• 19:50
  Speaker 4: with Jamatria.
• 19:52
  Speaker 3: Yeah, I put stork in. I just wanted to see
• 19:54
  Speaker 3: if it hit anything interesting.
• 19:55
  Speaker 4: Uh, it matches in Hebrew's son and then in English
• 19:59
  Speaker 4: it matches black.
• 20:01
  Speaker 1: Black son. Shut up.
• 20:06
  Speaker 7: About the first image.
• 20:07
  Speaker 3: Yeah, that was a black son.
• 20:09
  Speaker 5: Yeah.
• 20:09
  Speaker 3: I wanted to say it.
• 20:10
  Speaker 7: That it seemed maybe like a pupil too, but also
• 20:15
  Speaker 7: a black son in that first image.
• 20:17
  Speaker 1: Riley, what do you know what that is about? The
• 20:20
  Speaker 1: black son in alchemy is the stage of complete disarray
• 20:25
  Speaker 1: with the human soul, the dark knight of the soul,
• 20:28
  Speaker 1: where everything is scattered to pieces and we are left
• 20:32
  Speaker 1: with no identity. We have to literally overcome the black
• 20:37
  Speaker 1: son in order to alchemize it into you know, let
• 20:40
  Speaker 1: into gold. That's the whole idea of it. But I mean,
• 20:46
  Speaker 1: the black son is is synonymous with the black cube
• 20:50
  Speaker 1: because and that's what this all kind of comes down to,
• 20:53
  Speaker 1: is that we live in the cube versus the circle,
• 20:57
  Speaker 1: the squaring the circle. This is the idea of the
• 21:00
  Speaker 1: heavens are a circle and then the earth is a
• 21:03
  Speaker 1: cube or a square, and between the two is the
• 21:06
  Speaker 1: triangle that pierces its point into the into the cube.
• 21:12
  Speaker 1: Which is weird because Hermes Thoth, all these all these
• 21:16
  Speaker 1: communions between man and the heavens happens through mercurial figures.
• 21:23
  Speaker 1: Mercury is not just a metal, it's it's uh, it's
• 21:27
  Speaker 1: the planet between us and the Sun. It's almost as
• 21:31
  Speaker 1: if what the alchemists were trying to say was our
• 21:34
  Speaker 1: soul is that of heaven, but our body is that
• 21:38
  Speaker 1: of earth. We are both God and man simultaneously. And
• 21:43
  Speaker 1: if that's realized, the alchemy takes place to turn the
• 21:48
  Speaker 1: entire earth into a vast body of light. But we
• 21:51
  Speaker 1: can't do that. We can't do that on our own
• 21:53
  Speaker 1: though as animals we have to.
• 21:55
  Speaker 3: H damn.
• 21:56
  Speaker 1: Vincent is in this fucking chat going wild. Uh But so, okay,
• 22:03
  Speaker 1: the Ba is the bird. Here in the k is
• 22:06
  Speaker 1: this black figure. Right, there's another rhyming word within this
• 22:11
  Speaker 1: Egyptian fucking pantheon that is raw. So the Ba the ka,
• 22:15
  Speaker 1: and the ra Ra is the Sun. And this is
• 22:19
  Speaker 1: where it kind of gets fucking weird, because Elohim spirits
• 22:23
  Speaker 1: of the Sun all mercurial messenger is between us and
• 22:26
  Speaker 1: the Sun. I think that the Sun is where our
• 22:33
  Speaker 1: soul comes from, and we are fractals of the Sun
• 22:38
  Speaker 1: itself trying to experience itself. And if we can experience
• 22:44
  Speaker 1: it in this fucking grotto, in this hell hole that
• 22:48
  Speaker 1: we call Earth that is ruled by the Arkans, inside
• 22:50
  Speaker 1: the orbit of Saturn, we can transcend that and join
• 22:56
  Speaker 1: the netter in the in the ether, in the stars
• 23:00
  Speaker 1: speak with sickness X two and all them. To that point.
• 23:06
  Speaker 7: The Egyptians had eight aspects of the soul, which reminds
• 23:10
  Speaker 7: me of what you're seeing as far as the spectrum
• 23:12
  Speaker 7: of light, right, there's the seven, so it's approximation, but
• 23:17
  Speaker 7: it's just this you know, lfe force coming through a
• 23:20
  Speaker 7: relationship anyway.
• 23:23
  Speaker 1: Yeah, there's there's been as above so below alchemy taking
• 23:29
  Speaker 1: place here that I feel like it can't be ignored.
• 23:32
  Speaker 1: And the fact that these ancient people knew of these
• 23:36
  Speaker 1: things before our modern day science is very telling because
• 23:41
  Speaker 1: it's a hint that maybe they knew what they were
• 23:44
  Speaker 1: talking about. So, so, the Sun is made out of plasma,
• 23:49
  Speaker 1: as even mainstream we'll admit. So David Bohm was the
• 23:55
  Speaker 1: first physicist to talk about plasma in a lie ab
• 24:01
  Speaker 1: is alive, It acts on its own a chord, and
• 24:03
  Speaker 1: it creates its own dust, just like suns create their
• 24:06
  Speaker 1: own planets. He didn't say that second part, but he
• 24:09
  Speaker 1: did notice that it creates its own dust and it
• 24:11
  Speaker 1: acts on its own a chord. And then another physicist,
• 24:15
  Speaker 1: uh uh, some Russian physicists I'd have to find the name,
• 24:20
  Speaker 1: talks about, well, if plasma does this in labs, that
• 24:24
  Speaker 1: means directly it must the masses of plasma up in
• 24:29
  Speaker 1: space must also do the same thing. Therefore, the plasma
• 24:34
  Speaker 1: in space must also be alive, indicating like Rupert Sheldrake
• 24:39
  Speaker 1: talks about the stars and the suns are alive. Rupert
• 24:43
  Speaker 1: Sheldrake's hard to ignore. I mean, he's not like Neil
• 24:46
  Speaker 1: de grass Tyson and fucking Neil bill Ny the science guy.
• 24:50
  Speaker 1: He doesn't just talk shit. He actually does the experiments.
• 24:54
  Speaker 1: He does the experiment talks about.
• 24:58
  Speaker 3: Yeah, he does does right.
• 25:00
  Speaker 1: The sun is reactive, and it's and it's it's a
• 25:03
  Speaker 1: self regulating system that's not very nuclear explosion y. The
• 25:08
  Speaker 1: sun is most likely electrical. If the sun is electrical,
• 25:13
  Speaker 1: that means that it matches the body and we shouldn't
• 25:16
  Speaker 1: be surprised about that. If the body is electrical, then
• 25:19
  Speaker 1: the Sun should be electrical as well, and it holds
• 25:22
  Speaker 1: the Earth in place with electromagnetism, just the way that
• 25:25
  Speaker 1: electrons are held into place by atoms. We are literally,
• 25:31
  Speaker 1: we are literally a constellations as human beings that are
• 25:35
  Speaker 1: carbon copies of our solar system, just like Manly P.
• 25:39
  Speaker 1: Hall said with the atom cadmus. All right, so it
• 25:51
  Speaker 1: was just there.
• 25:52
  Speaker 7: There was an earthquake and a solar eruption that happened
• 25:57
  Speaker 7: at exactly the same time two or three days ago.
• 26:01
  Speaker 1: I forget it.
• 26:01
  Speaker 7: It was an earthquake in California or Japan, but a
• 26:04
  Speaker 7: major solar eruption and a pretty substantial earthquake happened at
• 26:09
  Speaker 7: the exact same time to the electrical idea, right, That.
• 26:13
  Speaker 1: Is weird, dude. Human blood clots according to the sun.
• 26:18
  Speaker 1: And there's a lot there's a lot of weird shit
• 26:21
  Speaker 1: about blood and the sun. The arc of the covenant
• 26:26
  Speaker 1: uh in in in uh In Jewish mythology reacts to blood.
• 26:33
  Speaker 1: Whenever blood is put on the mercy seat, which sounds
• 26:36
  Speaker 1: a lot like mercury. Uh you can commune with God
• 26:40
  Speaker 1: at that point which is very mercurial in the first place.
• 26:44
  Speaker 1: But there's a there's a direct connection there between us
• 26:48
  Speaker 1: and the Sun that's kind of hard to avoid. It's
• 26:51
  Speaker 1: almost as if the Earth is a daughter to the Sun,
• 26:55
  Speaker 1: so to speak. It's almost as if our solar system,
• 27:01
  Speaker 1: the planets are ar cons and the entire solar system
• 27:06
  Speaker 1: is a demiurge, and the Sun itself is Sofia, who
• 27:10
  Speaker 1: gave birth just like plasma gives birth to dust and laboratories,
• 27:16
  Speaker 1: these suns, which are plasma, no mistake about it, give
• 27:19
  Speaker 1: birth to dust themselves, which are planets. Sofia gave birth
• 27:23
  Speaker 1: to the demi ergos, but she imbued its children with
• 27:28
  Speaker 1: her soul, saying even the mineral world needs to be saved.
• 27:33
  Speaker 1: I think that's the soul. I think our bodies are
• 27:36
  Speaker 1: the dust. We are a copy of a copy of
• 27:40
  Speaker 1: that ARCon of the Demiurgos, which we act like the
• 27:43
  Speaker 1: demi ergos all day. Look at politics, right, But our
• 27:46
  Speaker 1: soul is imbued by Sophia, which is the Sun. If
• 27:50
  Speaker 1: we consider the fact that the Sun used to be female,
• 27:55
  Speaker 1: and uh, well, the Sun is now considered male. Used
• 27:58
  Speaker 1: to be female. That got switched around in like the
• 28:01
  Speaker 1: dark ages. That's really confusing. So that's conjecture at that point.
• 28:06
  Speaker 1: But we were birthed by this this mother figure that
• 28:10
  Speaker 1: might have been the Sun, and it abused us with soul,
• 28:13
  Speaker 1: hoping that we wake up to it, to its knowing.
• 28:19
  Speaker 1: It's alchemy basically the nosis of knowing that we are
• 28:22
  Speaker 1: part of the greater whole because we're separated. Right now.
• 28:26
  Speaker 6: What do you think about when they say you get
• 28:30
  Speaker 6: to choose who your parents.
• 28:33
  Speaker 1: Are if according to the Egyptians, that's exactly what we did,
• 28:39
  Speaker 1: because the Bob comes to earth this bird guy, and
• 28:43
  Speaker 1: then it chooses a body based on what it needs
• 28:46
  Speaker 1: to learn, which I mean, that's sole alchemy right there.
• 28:51
  Speaker 6: Yeah, So I was looking into this obviously because I'm
• 28:55
  Speaker 6: interested in it because I just had a baby. But
• 28:58
  Speaker 6: it's not so much which you choose your parents based on, Oh, well,
• 29:04
  Speaker 6: I'm going to choose them because they're going to give
• 29:06
  Speaker 6: me the best life. It's like, I'm going to choose
• 29:08
  Speaker 6: them because they are going to teach me the things
• 29:13
  Speaker 6: that I need to learn this time around, Like you
• 29:17
  Speaker 6: might choose the shittiest parents anybody's ever had ever because
• 29:22
  Speaker 6: you needed to have that experience this time around. It's
• 29:27
  Speaker 6: an interesting concept to think about.
• 29:30
  Speaker 1: And we are described as orphaned souls by Manley P.
• 29:34
  Speaker 1: Hall when he talks about the Adam Gadnus. And just
• 29:38
  Speaker 1: like Sophia when she went into her amnesic type of forgetting,
• 29:43
  Speaker 1: she wanted to see if she could create while separated
• 29:47
  Speaker 1: from source and forgetful of it. So coming into this
• 29:51
  Speaker 1: body with say, hypothetically some of us shit parents were
• 29:57
  Speaker 1: to see if we could create out any sort of help.
• 30:04
  Speaker 1: Because Sophia was alone, no doubt about it. That's why
• 30:07
  Speaker 1: she created the archons in the first place.
• 30:09
  Speaker 5: You know.
• 30:11
  Speaker 1: Oh, so we talked about Rupert Sheldrake, the son is
• 30:18
  Speaker 1: alive blah blah blah. Okay, so h Hindu temples and
• 30:26
  Speaker 1: this seems like a bit of a stretch, but follow
• 30:29
  Speaker 1: me on this. Uh So this is this is called
• 30:34
  Speaker 1: a a door gy. I'm pronouncing that wrong, but that's okay.
• 30:39
  Speaker 1: And scholars maintained that this is decorative. I don't think
• 30:44
  Speaker 1: this is decorative. It's got faces on it, and outside
• 30:49
  Speaker 1: of the faces which obviously represent it being alive, it
• 30:54
  Speaker 1: it looks like electricity. It looks like lightning, it looks
• 30:57
  Speaker 1: like plasma in a lab that takes on the shape
• 31:01
  Speaker 1: of the Taurus, which it very well does and can
• 31:05
  Speaker 1: be looked up. So this is the same shape that
• 31:10
  Speaker 1: happens to take place whenever plasma is exposed to electromagnetic
• 31:16
  Speaker 1: forces in a laboratory, especially those that are replicating the
• 31:21
  Speaker 1: radiation from sidneys X two. This is what gets fucking
• 31:25
  Speaker 1: really weird because scholars will also maintain that these Hindu
• 31:31
  Speaker 1: temples are decorative just like this. I don't think so,
• 31:36
  Speaker 1: because I'm going to bring up a couple quotes here
• 31:43
  Speaker 1: and this will make sense. In a second. I'm going
• 31:47
  Speaker 1: to directly quote from from Hindu from Hindu ancient texts.
• 31:56
  Speaker 1: As the sun gives light, the temple gives liberation. That's
• 32:01
  Speaker 1: I'll try to pronounce it. Viznu dar maarata pearana. I
• 32:07
  Speaker 1: fucked that up. Don't listen to me, okay. Second quote,
• 32:11
  Speaker 1: he who builds a temple builds a bridge to Heaven
• 32:14
  Speaker 1: agne Purana forty two to three. The temple is a
• 32:18
  Speaker 1: diagram of the universe Silpa Sastra Mahamarata, chapter one. Sorry,
• 32:27
  Speaker 1: all right. The temple is a purifier of all beings.
• 32:30
  Speaker 1: This one's important. The temple is a purifier of all
• 32:34
  Speaker 1: beings scanned. Uh Purana, I don't know kung Fu Panda
• 32:39
  Speaker 1: one three thirty seven. So I if just to back
• 32:44
  Speaker 1: myself up here in case someone has doubts, you can
• 32:47
  Speaker 1: screenshot this and that's the correct pronunciations of each. Hindu
• 32:54
  Speaker 1: temples are weird. They look like electricity, first of all,
• 32:58
  Speaker 1: but they also take on the s shape of titmatics.
• 33:01
  Speaker 1: As we're looking at right there. That sound and the pillars,
• 33:05
  Speaker 1: the beams, they they look like machines. They look like mitochondria.
• 33:12
  Speaker 1: So I'm gonna pull this up real quick on my
• 33:14
  Speaker 1: pictures and you can if it matches. So this is, uh,
• 33:19
  Speaker 1: this is a mitocandria as above so below right like
• 33:22
  Speaker 1: this is one of these. Uh, this is happening within
• 33:26
  Speaker 1: us to create us as we speak, right, So that's
• 33:32
  Speaker 1: happening within us right now, dude, right, look at this,
• 33:41
  Speaker 1: look at look at that, and then look at some
• 33:43
  Speaker 1: of these They First of all, they look like turbines
• 33:48
  Speaker 1: that we use today to create energy, electromagnetic energy, right,
• 33:56
  Speaker 1: that's that's not decorative what we're looking at right there.
• 33:59
  Speaker 1: That is, if I didn't know any better, that's some
• 34:02
  Speaker 1: d MT shit. These pillars spin and they move and
• 34:09
  Speaker 1: the ship that doesn't spin and move in these Hindu temples. Dude,
• 34:13
  Speaker 1: they hovered up.
• 34:15
  Speaker 3: I was gonna ask you if you if you heard
• 34:17
  Speaker 3: of that.
• 34:17
  Speaker 1: Yeah.
• 34:18
  Speaker 4: Yeah, they don't even think you could slit a piece
• 34:19
  Speaker 4: of paper underneath them.
• 34:21
  Speaker 1: Dude. Uh, you could get Jessica Alba to fucking get
• 34:25
  Speaker 1: her ass underneath one of these fucking things because it's
• 34:27
  Speaker 1: hovering so high above the ground. Uh. But these fucking
• 34:32
  Speaker 1: pillars are electrodes. Uh. Now, by the way, I can't
• 34:38
  Speaker 1: take I can't take all credit for this. Uh. Base
• 34:41
  Speaker 1: Forge Static in the Attic, under the name of base Forge,
• 34:45
  Speaker 1: makes a bunch of reels and shorts. I wish he
• 34:48
  Speaker 1: would make long form, but uh, I got this idea
• 34:51
  Speaker 1: from him. And then there's uh, oh, man, if I
• 34:56
  Speaker 1: can remember his damn name. Uh, there's there's an Indian
• 35:01
  Speaker 1: dude who makes videos about these Oh my goodness, proven.
• 35:08
  Speaker 3: Is his name? Provine?
• 35:09
  Speaker 1: Provine. Yes, I did my whole Coral Castle episode on
• 35:14
  Speaker 1: Provine's work, just piggybacking off of him. So this whole,
• 35:18
  Speaker 1: this whole next segment is kind of picking backing off
• 35:22
  Speaker 1: of Provine and Static in the Attic of base Fords.
• 35:26
  Speaker 1: But these Hindu temples are first of all, absolutely incredible.
• 35:31
  Speaker 6: I was just going to say, like, all right, we're
• 35:34
  Speaker 6: looking at them in the correlation between like what happens
• 35:37
  Speaker 6: inside the body and like electric and another aspect of
• 35:43
  Speaker 6: this is how the fuck did they make it right,
• 35:46
  Speaker 6: because they're going to tell you that they took a
• 35:48
  Speaker 6: little chisel and they fucking chiseled this shit and it
• 35:52
  Speaker 6: took them seventeen thousand years to chisel one little column,
• 35:55
  Speaker 6: and they were in there with some little pickaxe.
• 35:57
  Speaker 1: And that's the thing is, they don't say it takes
• 36:00
  Speaker 1: seventeen thousand years, which is what it would take. Basically,
• 36:03
  Speaker 1: it's like twenty years to do, which yeah, completely, it
• 36:07
  Speaker 1: would take twenty years just to remove the dirt around.
• 36:11
  Speaker 1: These are built into the fucking stone. These temples are
• 36:15
  Speaker 1: one piece of stone, one one unit. They're not separate
• 36:21
  Speaker 1: columns brought in like in Egypt. This is what fucks
• 36:24
  Speaker 1: us up. This is what you're looking at right now
• 36:28
  Speaker 1: is in the ground and it's one They dug into
• 36:31
  Speaker 1: the into the fucking granite, the fucking limestone into the earth.
• 36:36
  Speaker 6: With the pickax and the donkey and a horse, and
• 36:40
  Speaker 6: they did it all like that's just like, right, even if.
• 36:45
  Speaker 1: You made a mistake, you got to make it four
• 36:47
  Speaker 1: times on the other side and on the back.
• 36:49
  Speaker 3: Right.
• 36:49
  Speaker 6: But if even if you can get past how they
• 36:53
  Speaker 6: made it, why did they make it? Why would they
• 36:57
  Speaker 6: put and why did they make it look like this?
• 37:00
  Speaker 1: Right? So I have a theory about it which ties
• 37:03
  Speaker 1: us into the whole thing today, which, by the way,
• 37:06
  Speaker 1: I would love to do a whole episode on how
• 37:09
  Speaker 1: they did it. But I have no fucking idea that
• 37:13
  Speaker 1: is outside of everything I've ever like.
• 37:16
  Speaker 6: I think you're the first person who I've ever met
• 37:19
  Speaker 6: that can admit that, because I say that all the time.
• 37:22
  Speaker 6: As long as we can agree it wasn't Ropes and
• 37:24
  Speaker 6: Pulleye no, Okay, But I don't know what the fuck
• 37:28
  Speaker 6: they were doing, you know what I'm saying.
• 37:31
  Speaker 1: Thing about these Hindu temples is okay. The Egyptian pyramids,
• 37:35
  Speaker 1: which are made out of pieces, were impossible for us
• 37:38
  Speaker 1: to build today. No one's done it ever since, so
• 37:43
  Speaker 1: not likely. These are not like that. You can imagine, Okay,
• 37:48
  Speaker 1: if they could find a way to lift a stone
• 37:51
  Speaker 1: into the air, then maybe they could, YadA YadA. These
• 37:56
  Speaker 1: are different. These must have been done with some kind
• 37:59
  Speaker 1: of three printing or some kind of laser technology. There's
• 38:02
  Speaker 1: no way around it. You can't have multiple people doing it.
• 38:07
  Speaker 1: That's what's fucking weird. It has to be one person
• 38:11
  Speaker 1: because it's all the same.
• 38:14
  Speaker 6: It's like a fingerprint.
• 38:16
  Speaker 1: It's like a yes, there's a fingerprint happening here. And
• 38:20
  Speaker 1: all these pillars make different pitches. Notice their different sizes.
• 38:25
  Speaker 1: They make perfect chords a fifth of one another octaves.
• 38:30
  Speaker 1: So we have a problem about how they did it.
• 38:36
  Speaker 1: I'm gonna step over that because that's outside my pay grade.
• 38:41
  Speaker 1: What I'm here to say is why they did it,
• 38:44
  Speaker 1: which again I've never seen online, the same as the
• 38:49
  Speaker 1: stork shit. I think I have an idea of why
• 38:53
  Speaker 1: they did it. So I have a little chart here.
• 38:57
  Speaker 1: So yeah, one of them, Yeah, this one I actually
• 39:00
  Speaker 1: on Google. So we can agree that these temples are machines,
• 39:09
  Speaker 1: and we can also agree they look like turbines. We
• 39:11
  Speaker 1: can also agree that they look like mitochondria that's happening
• 39:14
  Speaker 1: within us today. So the question becomes, Okay, they created
• 39:19
  Speaker 1: an enormous amount of energy from the sun. Sure, what
• 39:24
  Speaker 1: were they trying to power with these machines? This is
• 39:28
  Speaker 1: where we get tricky. What I think is why power
• 39:34
  Speaker 1: your fucking airfier on a big screen TV when you
• 39:38
  Speaker 1: can tune your soul that very electromagnetic energy called kundalini
• 39:45
  Speaker 1: by these very same cultures, by the way that serpent
• 39:49
  Speaker 1: within man that comes up from the dick or vagina
• 39:54
  Speaker 1: and then into the pineal gland to die for three
• 39:56
  Speaker 1: days called the crystos and just a little bit east
• 40:00
  Speaker 1: of India, west of India, these machines were meant to
• 40:06
  Speaker 1: be devices that tuned the soul into enlightenment before we
• 40:14
  Speaker 1: had that uh, the chemical the chemical uh uh ratio,
• 40:22
  Speaker 1: Amazonian ayahuasca, DNT all this shit right, there's a lot
• 40:27
  Speaker 1: of different ways, but these these devices match up with
• 40:32
  Speaker 1: the human, the human vessel absolutely perfectly. Not only they
• 40:37
  Speaker 1: do they match the human vessel perfectly, but they are
• 40:40
  Speaker 1: maps of the cosmos itself. Fibonacci, all that shit, golden ratio, uh,
• 40:49
  Speaker 1: squaring the circle, all this impossible ship sematics, all these things,
• 40:53
  Speaker 1: and these the somatic patterns taken on by these pillars
• 40:57
  Speaker 1: are that these uh frequencies that we see on YouTube
• 41:02
  Speaker 1: now that represent our chakras four three, two, five to eight, eight,
• 41:07
  Speaker 1: fifty two, nine thirty six. It goes up right as
• 41:12
  Speaker 1: you into the temple. It goes up your spine. As
• 41:16
  Speaker 1: you enter the temple, it goes up your spine until
• 41:20
  Speaker 1: you get to this and Nick, if you'll scroll a
• 41:23
  Speaker 1: little bit, you'll uh you get to the end where
• 41:29
  Speaker 1: you fall underneath this big fucking ufo looking uh circular
• 41:36
  Speaker 1: seimatic pattern where there's a seat underneath it to sit
• 41:43
  Speaker 1: beneath it. I'm sure it's zaz And style. Keep going here,
• 41:50
  Speaker 1: I'll I'll find one.
• 41:53
  Speaker 3: Uh completely different picture.
• 41:54
  Speaker 1: Correct, Yeah, one of one of these, one of these
• 41:57
  Speaker 1: which also spin, by the way, it's the ceiling and
• 42:07
  Speaker 1: there's fucking dude, tons of them all over the place.
• 42:13
  Speaker 1: By the way, a Nick, real quick awe thumb thumbnail.
• 42:16
  Speaker 1: I could not have envisioned a better thumbnail. Thank you
• 42:19
  Speaker 1: for last minute changing that for me. I hope I'm
• 42:23
  Speaker 1: not a pain in your ass.
• 42:25
  Speaker 4: But no, no, no, I normally would make eventually make
• 42:27
  Speaker 4: a thumbnail anyway.
• 42:29
  Speaker 1: Oh yeah, so these ceiling pieces. Directly above these ceiling
• 42:37
  Speaker 1: pieces is a temple like a cathedral that goes into
• 42:42
  Speaker 1: the sky. There's no doubt about it. That was meant
• 42:46
  Speaker 1: to pick up electromagnetic energy from the sun to beam
• 42:51
  Speaker 1: it into a funnel down into the human being that
• 42:56
  Speaker 1: was sitting beneath this fucking cimatic, dick looking simatics fucking
• 43:01
  Speaker 1: thing right here, to tune your soul into its optimum,
• 43:06
  Speaker 1: most prime position, to realize bliss and to commune with
• 43:10
  Speaker 1: God itself, just like the Mercury of the Ark of
• 43:14
  Speaker 1: the Covenant, just like the Tower of Babel. We're trying
• 43:18
  Speaker 1: to do but failed because that's fallen angel tech into
• 43:21
  Speaker 1: the hands of human beings who are confused. These guys
• 43:25
  Speaker 1: got it though. I believe that these Hindu temples, everyone's
• 43:31
  Speaker 1: asking the question what did they power? They powered the Kundalini,
• 43:35
  Speaker 1: their serpents, snakes and stone everywhere around this, but they're
• 43:41
  Speaker 1: not here. They're on the outside of the temple. These
• 43:47
  Speaker 1: machines tuned our soul to be able to commune with
• 43:50
  Speaker 1: God on a one to one, face to face basis,
• 43:55
  Speaker 1: and also gave us shamanic powers and in the most
• 44:02
  Speaker 1: literal way possible. It's like a forced Cunulini awakening, as
• 44:07
  Speaker 1: if d MT is rumored to be. Oh really, if
• 44:11
  Speaker 1: you can imagine drinking some blue lotus, if you know
• 44:14
  Speaker 1: what I'm saying, and then sitting underneath this fucking bitch.
• 44:18
  Speaker 1: You're gonna have some shit to say afterwards, and those
• 44:21
  Speaker 1: who are gifted might give birth to say the yupanashats,
• 44:26
  Speaker 1: you know, the Ramayana, the fucking Bogavegita, the you know,
• 44:32
  Speaker 1: this is this is where these things came from. But
• 44:36
  Speaker 1: just alone looking at this image right here, we know
• 44:40
  Speaker 1: that that that's not decor. Decor is never symmetrical in
• 44:45
  Speaker 1: that way. This was a machine, This was advice. These
• 44:48
  Speaker 1: items spin. We have lost the technology ever since, just
• 44:53
  Speaker 1: like the moon landing, and we are no longer doing this.
• 45:00
  Speaker 1: I think if we were to wake these machines up,
• 45:06
  Speaker 1: we would be in a completely different world today. But
• 45:11
  Speaker 1: we're in the Cali yoga, just emerging out of it.
• 45:15
  Speaker 1: When these machines were built, we were in the Prana yoga.
• 45:19
  Speaker 1: I'm saying that wrong. That's my bad, But you know
• 45:22
  Speaker 1: I'm saying the Golden age, and it's been decent ever
• 45:25
  Speaker 1: since the thirteen hundreds, when these things, you know, went away.
• 45:32
  Speaker 4: Do you think these things stop working for a specific
• 45:35
  Speaker 4: reason or do you think maybe, depending on how the
• 45:39
  Speaker 4: Earth is aligned with everything else, this will only work
• 45:41
  Speaker 4: in a certain time cycle.
• 45:45
  Speaker 1: Of coording.
• 45:46
  Speaker 3: I could have turned back on, say, two thousand years
• 45:49
  Speaker 3: from them.
• 45:50
  Speaker 1: That's I love that question. Asha Nanda, that old eighty
• 45:55
  Speaker 1: eight year old woman in the in the blue dress
• 45:57
  Speaker 1: who she teaches, she's a direct student of Yoga Nanda.
• 46:03
  Speaker 1: She told me that the that the sun moves on
• 46:06
  Speaker 1: a sine wave. So there's a galactic center and the
• 46:10
  Speaker 1: and the sun moves on a sine wave around the
• 46:13
  Speaker 1: galactic center, and when we are lined up with it,
• 46:16
  Speaker 1: we get a direct shotgun from the galactic center. Now
• 46:22
  Speaker 1: that lines up with Signess by the way, which if
• 46:24
  Speaker 1: you look in the sky, that bird of Signess is
• 46:27
  Speaker 1: literally crossing the galactic center where that black hole is.
• 46:32
  Speaker 1: They say it's a black hole. I don't think it is.
• 46:36
  Speaker 1: But she says, when we're aligned with that is the
• 46:38
  Speaker 1: Golden Age, and when we're drifting from that is the
• 46:41
  Speaker 1: Kali Yuga. People have said it's not the Galactic Center,
• 46:46
  Speaker 1: but it's Signess itself. But again, that's that's in the
• 46:51
  Speaker 1: same path. It's so who's to say which it is? Uh,
• 46:55
  Speaker 1: Sickness happens to be a neutron star, so that could
• 46:57
  Speaker 1: be it. So the last time we were aligned with
• 47:02
  Speaker 1: the galactic center was forty thousand years ago. That's the
• 47:08
  Speaker 1: same age that cave paintings not only started but exploded.
• 47:14
  Speaker 1: We started painting on cave walls forty thousand years ago.
• 47:17
  Speaker 1: We can carbon date cave paintings. We can't carbon date
• 47:21
  Speaker 1: the stone, but the paint we can. Forty thousand years ago,
• 47:25
  Speaker 1: cave painting was invented. That's the last time we were
• 47:30
  Speaker 1: down the barrel of that sign wave in the Galactic center, maybe.
• 47:37
  Speaker 3: Sugg out.
• 47:39
  Speaker 6: Yeah, I think that they've destroyed a lot of stuff.
• 47:44
  Speaker 6: I think that whenever the flood came through, it fucked
• 47:47
  Speaker 6: a lot of stuff up. I think it was like
• 47:49
  Speaker 6: a global flood, dude, you know. Yeah, I think that
• 47:55
  Speaker 6: they've destroyed it a lot on purpose so that we
• 47:58
  Speaker 6: could never know about this stuff. But if you look
• 48:02
  Speaker 6: at even the pyramids in Egypt, they say that they're
• 48:05
  Speaker 6: burial chambers, and it's like, dude, there's not. All the
• 48:10
  Speaker 6: bodies are in the Valley of the Kings, right right,
• 48:13
  Speaker 6: So these pyramids with all these weird chambers and shit,
• 48:17
  Speaker 6: it's not a fucking casket, like I don't And if
• 48:22
  Speaker 6: you look at it, it's like it was designed to
• 48:26
  Speaker 6: have like these chambers where they would resonate sound and
• 48:29
  Speaker 6: like if you were fucked up, you would go into
• 48:33
  Speaker 6: like one chamber and they would like blast you with
• 48:36
  Speaker 6: sound and it would like heal your body, and like
• 48:39
  Speaker 6: they had it was very They of course hide like
• 48:43
  Speaker 6: all of the real shit to make it seem like, oh, well,
• 48:48
  Speaker 6: they just built them for like the Pharaohs, and it's okay.
• 48:51
  Speaker 6: Then why are most of them in the Valley of
• 48:54
  Speaker 6: the Kings? Then right, why did they put all the
• 48:57
  Speaker 6: bodies in the Valley of the Kings? And then we
• 48:59
  Speaker 6: have these three pyramids with all these weird connecting chambers
• 49:02
  Speaker 6: and like all this intricate It's like, no, this is
• 49:06
  Speaker 6: not a burial chamber like that. It just doesn't make sense.
• 49:11
  Speaker 1: What's crazy is Egypt has burial chambers, they have tombs,
• 49:15
  Speaker 1: and they're decorative. The the Ocerion, the pyramids, all of
• 49:23
  Speaker 1: these machine looking structures were not decorative. They were they
• 49:28
  Speaker 1: were square punintended so to speak. They were blocks. They
• 49:34
  Speaker 1: were not decorated. I would even argue that this is
• 49:37
  Speaker 1: not decorative. This is a I agree pattern. Have you
• 49:42
  Speaker 1: have you ever heard an audio clip of the so
• 49:48
  Speaker 1: called sarcophagus in the King's Chamber getting hit with someone's fist.
• 49:53
  Speaker 1: There is there's an audio of that and you put
• 49:58
  Speaker 1: it on on a piece them with subs and it's
• 50:02
  Speaker 1: it really is something else.
• 50:04
  Speaker 6: That's what I'm saying, though, is like that is not
• 50:08
  Speaker 6: They were not designed to just hold a dead person, right, Like,
• 50:13
  Speaker 6: why would you go through the lengths of doing all
• 50:16
  Speaker 6: that to just put a sarcophagus in there? It doesn't
• 50:20
  Speaker 6: make sense.
• 50:21
  Speaker 1: I have a theory about that as well. But it's
• 50:23
  Speaker 1: the opposite of these Hindu temples, which is where it
• 50:26
  Speaker 1: gets fucking weird, because the same mathematics are used in
• 50:31
  Speaker 1: both in this intricate design that we're looking at right now,
• 50:36
  Speaker 1: versus the pyramids, it's the same, they look different, same mathematics.
• 50:44
  Speaker 1: So in the Coffer texts in Egypt they talk about
• 50:47
  Speaker 1: the pharaohs rockets hit their souls out of the uh,
• 50:55
  Speaker 1: out of the shafts the king's chamber shaft and then
• 51:00
  Speaker 1: too draco or fuck what's the serious? Serious? Yes? Oh
• 51:13
  Speaker 1: what is it? Pladies? Yeah, that's another one, and then
• 51:18
  Speaker 1: there's there's a third one.
• 51:20
  Speaker 7: Uh fuck the dog was the dog star one of them?
• 51:24
  Speaker 1: Or yeah, yeah, that's that's the dog star?
• 51:26
  Speaker 3: Right?
• 51:27
  Speaker 1: Which one is a dog star?
• 51:28
  Speaker 6: Serious? Is the dog star?
• 51:30
  Speaker 1: And then they said to join the nets her. They
• 51:35
  Speaker 1: rocketed their souls out of By the way, the shaft
• 51:39
  Speaker 1: that comes out of the pyramid is about it's about
• 51:43
  Speaker 1: this bit literally, and it goes through I mean how
• 51:48
  Speaker 1: many meters of granted, So there's something there's something of
• 51:54
  Speaker 1: a utility happening there. What they said they were doing
• 51:58
  Speaker 1: was joining them net her. They would bypass the Sun,
• 52:02
  Speaker 1: leave somesoraw some sara as an Indian word, but I'm
• 52:04
  Speaker 1: using it here. I guess an Egyptian culture it would
• 52:08
  Speaker 1: be called the you know, I fuck it. I'm not
• 52:14
  Speaker 1: writing a script right now. It's hard to right for it. Yeah,
• 52:21
  Speaker 1: I don't know it on the fly, but there is
• 52:23
  Speaker 1: a word parallel to that. And they would leave some sorrow.
• 52:29
  Speaker 1: They would leave. They would bypass the Sun, they would
• 52:31
  Speaker 1: bypass Saturn, which is what's important, and they would join
• 52:36
  Speaker 1: the netter, which the netter were the stars Draco, Sirius,
• 52:42
  Speaker 1: these guys, and then they would have direct influence on
• 52:50
  Speaker 1: our solar system, which is what drives me fucking bananas,
• 52:58
  Speaker 1: because every time we we go to the Sun and
• 53:03
  Speaker 1: then reincarnate through the moon. But when the pharaohs died,
• 53:09
  Speaker 1: they left and then they fucked with us ever since
• 53:13
  Speaker 1: good or bad. I don't know. This is where we
• 53:17
  Speaker 1: get kind of off the rails here, because we can
• 53:21
  Speaker 1: join the netter as well, but we have to realize
• 53:26
  Speaker 1: what's been imposed upon us artificially, and we don't know
• 53:31
  Speaker 1: what that is. The Tibetan Book of the Dead talks
• 53:35
  Speaker 1: about it, Jesus talked about it, and the Book of Jah,
• 53:40
  Speaker 1: which is a whole nother fucking rabbit hole. But speaking
• 53:44
  Speaker 1: of books of the dead, there's a book of the
• 53:47
  Speaker 1: Dead almost in damn near every culture, and they talk
• 53:49
  Speaker 1: about the same thing, but they always use their own
• 53:54
  Speaker 1: symbolic nature to understand what they're talking about. We don't
• 53:58
  Speaker 1: have scientific terminology today to represent what they're talking about,
• 54:02
  Speaker 1: so it gets confusing. I don't know what it takes
• 54:05
  Speaker 1: to leave some Sara, or if it's even worth it.
• 54:12
  Speaker 1: I know Nick has done this, you know, earth shit,
• 54:14
  Speaker 1: like a thousand times. You can tell look at him
• 54:16
  Speaker 1: smoking that fucking cigarette, like damn, like he's just native
• 54:21
  Speaker 1: here at this point, you know. But me, I'm I'm
• 54:23
  Speaker 1: a brand new baby. I'm a I'm a baby dough
• 54:26
  Speaker 1: deer here, you know, trying to change things up a bit.
• 54:30
  Speaker 7: But I wanted to. I had a thought about how
• 54:35
  Speaker 7: these temples manipulate light and sound. And there's the there's
• 54:43
  Speaker 7: the idea of the photon, and then there's also uh,
• 54:50
  Speaker 7: forgive me, I've forgot how it's pronounced.
• 54:52
  Speaker 3: What is it.
• 54:52
  Speaker 7: There's the sound equivalent, which is the phone on And
• 54:58
  Speaker 7: these are like the beginning quantum material of light and sound.
• 55:07
  Speaker 7: And I wonder, you know, we're we're at the point
• 55:10
  Speaker 7: now where we're kind of postulating quantum computers and quantum
• 55:18
  Speaker 7: machines based on actually phonons and photons. And I wonder
• 55:24
  Speaker 7: if they were doing something like this in a totally
• 55:28
  Speaker 7: different way that than we might have might perceive to
• 55:33
  Speaker 7: do it now, and enhancing sound and light to produce
• 55:37
  Speaker 7: electromagnetic effects and so on.
• 55:40
  Speaker 1: Just just just throwing it out there, Ethan, I'm no,
• 55:44
  Speaker 1: don't just throw it up there. That's fucking great, And
• 55:46
  Speaker 1: I'm glad you said that. Uh So, Okay, what you
• 55:50
  Speaker 1: just said kind of summarizes the question that's answered in
• 55:55
  Speaker 1: these two books here, So where this whole shit started
• 55:58
  Speaker 1: in the first place. So I got the body electric,
• 56:02
  Speaker 1: which I'm not quoting from directly, but is very important
• 56:06
  Speaker 1: to the subjects but more importantly, this book is called
• 56:11
  Speaker 1: The Secret of Life. Straight up called the Secret of Life.
• 56:14
  Speaker 1: It's by George Lakowski, who is a disgraced scientist. No
• 56:21
  Speaker 1: one wants anything to do with him anymore. That's how
• 56:24
  Speaker 1: you know it's good, So okay to lead into what
• 56:31
  Speaker 1: you're saying. He talks about birds in this way, no
• 56:37
  Speaker 1: clear explanation has yet been given. My theory of radiation
• 56:42
  Speaker 1: in living beings is in perfect harmony with the facts. Similarly,
• 56:47
  Speaker 1: the role of orientation in the flight of birds and
• 56:52
  Speaker 1: migration are explicable by the phenomenon of auto electrification and
• 56:59
  Speaker 1: living beings. These fundamental principles cover the whole field of biology.
• 57:06
  Speaker 1: But why are the important to biology? So just before
• 57:09
  Speaker 1: I move on real quick, that's fucking The Secret of
• 57:12
  Speaker 1: Life by George Georgie's he's multiple George's, I don't get
• 57:18
  Speaker 1: that all right? Cool? And then so everyone has heard
• 57:25
  Speaker 1: of uh uh Schwaller d Lubics and Chris Dunn came
• 57:31
  Speaker 1: to my house and was like, if you don't have
• 57:35
  Speaker 1: ship on Swaller, then what why the fuck am I here?
• 57:39
  Speaker 1: And old man Chris done, I respect him and uh
• 57:44
  Speaker 1: he turned me onto this ship. So now I've got
• 57:46
  Speaker 1: several books by Schwaler, which I'll go into in a minute.
• 57:49
  Speaker 1: But check this. Check this fucking shit out, dude. So
• 57:54
  Speaker 1: first of all, just sink in these diagrams real quick.
• 57:59
  Speaker 1: That's the sun. Admittedly maybe the sun. Schwaller. I hate
• 58:08
  Speaker 1: his name, like I wish he would just fucking be
• 58:11
  Speaker 1: Nick or something like Kevin damn. But uh, he coins
• 58:18
  Speaker 1: in on some of these hieroglyphics. As she says, our
• 58:23
  Speaker 1: old laws no longer apply to the atom, the constituent
• 58:28
  Speaker 1: of matter. They remain valid for matter, but in the atom,
• 58:33
  Speaker 1: Newtonian gravitation no longer plays a part. It is electromagnetic
• 58:38
  Speaker 1: effects that come into play. This is a fact, but
• 58:42
  Speaker 1: one that needs to be studied, for we are still
• 58:45
  Speaker 1: confronted with the unknown that the affenities represent. Energy cecilessly
• 58:51
  Speaker 1: creates matter through the atmosphere. Nitrogen is transmuted into an
• 58:57
  Speaker 1: isotope of carbon, which is the and it nourishes all
• 59:03
  Speaker 1: vegetation on Earth, a fact that throws a curious light
• 59:07
  Speaker 1: onto the vital phenomenon of the Earth's surface. Right So,
• 59:14
  Speaker 1: a couple of pages later he shows this diagram right here,
• 59:19
  Speaker 1: which many people have seen in museums, but didn't get
• 59:23
  Speaker 1: the same explanation as.
• 59:25
  Speaker 7: Schwallower will forgive me, is that what is not depicting
• 59:31
  Speaker 7: some some god with snakes three snakes on each side?
• 59:35
  Speaker 1: Which one the second one or the first one? That
• 59:37
  Speaker 1: was the second one that you just assumed me. Sorry,
• 59:41
  Speaker 1: it looks like it is Horrus, but with damn whichever
• 59:49
  Speaker 1: whichever god represents that jackal. And then there's three a
• 59:57
  Speaker 1: Newbis okay that yeah, that's a Nubis. Yeah. And then
• 1:00:02
  Speaker 1: on each side is three of Pappus. So Apappus would
• 1:00:08
  Speaker 1: be our DNA, so to speak. It is in fact
• 1:00:14
  Speaker 1: a question of cosmic influence to which the Earth, along
• 1:00:18
  Speaker 1: with everything it is, subjected. A phase in the gestation
• 1:00:24
  Speaker 1: of the planetary particle of our solar system planetary particle
• 1:00:29
  Speaker 1: of our solar system is completed, quote a mutation of
• 1:00:35
  Speaker 1: the spirit unquote. A new period must begin, and this
• 1:00:40
  Speaker 1: is heralded by seismic movement, movement, climatic changes, and finally,
• 1:00:46
  Speaker 1: above all, by the spirit that animates man. But where
• 1:00:51
  Speaker 1: did the spirit that animates man come from in the
• 1:00:54
  Speaker 1: first place? So leaving this book behind, jumping to another
• 1:01:01
  Speaker 1: Schwaller d Lubis, which, by the way, again, I don't
• 1:01:04
  Speaker 1: know if I mentioned this, hate his name, quit it
• 1:01:09
  Speaker 1: like fuck lubics bitch.
• 1:01:14
  Speaker 7: All right, that's it's crazy that he these concepts about energy,
• 1:01:21
  Speaker 7: especially that one that really strikes me as the uh
• 1:01:25
  Speaker 7: sub atomic or whatever he used exactly, but the maybe
• 1:01:29
  Speaker 7: the atom is not affected by gravity, it is merely
• 1:01:33
  Speaker 7: electromagnetism that drives it. It's right that that really is
• 1:01:38
  Speaker 7: striking its It amazes me that he came up with
• 1:01:40
  Speaker 7: this by studying.
• 1:01:42
  Speaker 1: Egypt, which not only studying Egypt, but he studied his
• 1:01:46
  Speaker 1: own uh shit about birds, which uh Owski. But that
• 1:01:55
  Speaker 1: ties into uh Schwaller quite a bit. So all that
• 1:02:01
  Speaker 1: shit I just read leads be into so here in
• 1:02:04
  Speaker 1: Saint Louis, we have a museum called the Saint Louis
• 1:02:09
  Speaker 1: Relics Museum. I think it's called the museum or whatever.
• 1:02:14
  Speaker 1: But we went and we noticed that all the head
• 1:02:16
  Speaker 1: dresses of the Egyptian motherfuckers are. By the way, Nick,
• 1:02:22
  Speaker 1: you can get rid of this image. I think I
• 1:02:25
  Speaker 1: don't have an image for the next part, but there
• 1:02:31
  Speaker 1: there is something really weird about the uh the headdresses,
• 1:02:38
  Speaker 1: and they tie into what Schwaler brings forth here And
• 1:02:44
  Speaker 1: sorry Nick, I didn't. I didn't send you an image
• 1:02:46
  Speaker 1: of this. But you see how there's three fucking things
• 1:02:51
  Speaker 1: right there. So there's a holy trinity in every religion.
• 1:02:58
  Speaker 1: Christianity has the Holy Trinity, the Hinduism has the Trimurti, Brahma, Vishnu,
• 1:03:07
  Speaker 1: and Shiva, and they all represent the same thing. As
• 1:03:12
  Speaker 1: I've always said, the names have changed, but the story
• 1:03:18
  Speaker 1: stays the same. Did you know that the Egyptian pantheon
• 1:03:24
  Speaker 1: has a Holy Trinity as well? I didn't know this
• 1:03:28
  Speaker 1: until literally a week ago, again diving into this all
• 1:03:32
  Speaker 1: this stork shit, but they described with this trinity. I'm
• 1:03:37
  Speaker 1: boring Julia at this point, but how the soul enters
• 1:03:42
  Speaker 1: the body and it's through the trinity. It's fucking crazy.
• 1:03:49
  Speaker 1: These three symbols in succession, the uas, the Ankh and
• 1:03:55
  Speaker 1: the jed It are a gesture of influx which can
• 1:04:01
  Speaker 1: be well, can well be seen as a celestial netter.
• 1:04:07
  Speaker 1: That's what we are, a carbon copy of the celestial netter.
• 1:04:14
  Speaker 1: This gets weird. The sideposts of the temple at the
• 1:04:18
  Speaker 1: great entrance of the doors, they show all three every time,
• 1:04:26
  Speaker 1: generally read prosperity for the uash. So number one was
• 1:04:30
  Speaker 1: life for the ankh that number two, and stability for
• 1:04:34
  Speaker 1: the jed that's us. Carbon is number three. The jed
• 1:04:39
  Speaker 1: is carbon. It looks like a spine, doesn't it. So
• 1:04:45
  Speaker 1: it's a descent of a god into human form. So
• 1:04:52
  Speaker 1: there are three principles. Yeah, not yet manifest into human form.
• 1:04:57
  Speaker 1: The uas commonly called the key of the Nile, is
• 1:05:00
  Speaker 1: represented in the toot and common panopoly of a cane
• 1:05:06
  Speaker 1: and scepter. Which is that right there? This has gone somewhere,
• 1:05:13
  Speaker 1: I promise it's a branch of a tree. Symbolically it
• 1:05:18
  Speaker 1: pertains to a living branch conducting the vivifying sap. But
• 1:05:23
  Speaker 1: this sap only ascends without again descending, as it must
• 1:05:30
  Speaker 1: do in order to take on the body beneath the bark.
• 1:05:33
  Speaker 1: Think about our Kundalini energy, right that goes down the spine,
• 1:05:38
  Speaker 1: but we can't send it back up yet. We need
• 1:05:42
  Speaker 1: that heat below from seeming retention or whatever it is,
• 1:05:47
  Speaker 1: to bring it back up into our pituitary gland to
• 1:05:50
  Speaker 1: die for three days in YadA YadA. The die for
• 1:05:53
  Speaker 1: three days thing is not Egyptian. It's Egyptian two. But
• 1:05:59
  Speaker 1: the second symbol of this trinity is the anc giving
• 1:06:05
  Speaker 1: life to the king, either through the neck or with
• 1:06:09
  Speaker 1: breath through the nose. This anc is presented as a
• 1:06:13
  Speaker 1: loop crossed by a horizontal bar, but the two elements
• 1:06:17
  Speaker 1: are not truly not it. Think of a triangle. You
• 1:06:20
  Speaker 1: can't have a shape yet there's only two. We're not
• 1:06:24
  Speaker 1: in three D yet you can there's only there's no
• 1:06:28
  Speaker 1: The triangle is the first shape. This crux a nata,
• 1:06:34
  Speaker 1: as the ANC is called, is thus not really a cross,
• 1:06:39
  Speaker 1: but a symbol of the intention to not together two
• 1:06:43
  Speaker 1: elements without having truly done so. So there's a shape
• 1:06:48
  Speaker 1: in the ether that mathematically exists, but it has not
• 1:06:55
  Speaker 1: yet come into form into our mineral world that the
• 1:07:01
  Speaker 1: Sophia gave birth to. So this is what happens in
• 1:07:10
  Speaker 1: this Egyptian trinity, presenting an intangible appearance, which the ancient
• 1:07:18
  Speaker 1: sage is called the odor of the gods. It is
• 1:07:22
  Speaker 1: said that the soul ties to the body, to the spirit,
• 1:07:26
  Speaker 1: and the soul, although invisible but not tangible, it is
• 1:07:32
  Speaker 1: the eye of Horace pineal glam seven weeks. Thus, the
• 1:07:38
  Speaker 1: not of the anc, indicated but not executed, is that
• 1:07:42
  Speaker 1: which gives life to the spirit of the uas the
• 1:07:45
  Speaker 1: first one when linked to the third symbol, the Jed.
• 1:07:51
  Speaker 1: The ANC is not life, but it is the ANC
• 1:07:55
  Speaker 1: that gives life to that too. Principles spirit and body,
• 1:08:00
  Speaker 1: they exist the three symbols. Is the image itself an
• 1:08:07
  Speaker 1: explanation of these three principles, and not yet the thing
• 1:08:11
  Speaker 1: quote unquote. Hence the jed or column of Osiris the
• 1:08:16
  Speaker 1: principle of stability bearing the four elements, which makes the
• 1:08:20
  Speaker 1: formal existence. But the Jed is not yet the ka
• 1:08:24
  Speaker 1: or the ba. The Jed will be caa as soon
• 1:08:29
  Speaker 1: as there is corporeality. Corporeality through the distinction of spirit,
• 1:08:37
  Speaker 1: of soul and of body, which is a direct quote
• 1:08:40
  Speaker 1: from the actual pillars, which makes their intersection possible. The
• 1:08:46
  Speaker 1: jed next becomes the actual k remember the bar and
• 1:08:51
  Speaker 1: the cow from earlier, the fixed support giving corporelial I
• 1:08:57
  Speaker 1: must say that word every fucking time wrong corporeal form
• 1:09:02
  Speaker 1: those spirit and the soul or specific tincture. And then
• 1:09:07
  Speaker 1: the last bit here the Ossyrian column that's the jed
• 1:09:13
  Speaker 1: as a fixed support. Here becomes the sheath like a
• 1:09:17
  Speaker 1: plasma sheath containing the ANC and the oas it is
• 1:09:23
  Speaker 1: no longer the image of the Trinity born and it's
• 1:09:27
  Speaker 1: borne by the woven basket DNA. But the reunion of spirit,
• 1:09:33
  Speaker 1: soul and body within a new oneness and is end
• 1:09:38
  Speaker 1: indicated by the jed as incarnated unity capable of going
• 1:09:43
  Speaker 1: out going toward resurrection. So it can go toward resurrection,
• 1:09:51
  Speaker 1: but it can also go toward xcarnation as well, which
• 1:09:56
  Speaker 1: is not mentioned in the book, but is mentioned in
• 1:09:59
  Speaker 1: the Coffer tech next UH from from outside of this
• 1:10:04
  Speaker 1: book that I read from another fucking thing. But there's there's,
• 1:10:08
  Speaker 1: there's a Holy Trinity. This is what is crazy. The
• 1:10:12
  Speaker 1: Holy Trinity in UH Christian mythology is symbolic. The Holy
• 1:10:17
  Speaker 1: Trinity in Hindu mythology is symbolic. The Holy Trinity in
• 1:10:22
  Speaker 1: Egyptian mythology is quite literally plasma. She's in a lab
• 1:10:29
  Speaker 1: and displayed as such as if they had a laboratory
• 1:10:34
  Speaker 1: of their own, and damn it, dude, I wouldn't doubt
• 1:10:37
  Speaker 1: it if they did, because look at that shit. It's
• 1:10:42
  Speaker 1: the plasma, the electricity and the mind behind it, just
• 1:10:47
  Speaker 1: like we have in cymatics, the plate, the sand and
• 1:10:51
  Speaker 1: the tone that brings a shape to the sand.
• 1:10:58
  Speaker 3: Fuck.
• 1:10:59
  Speaker 6: I think they were doing all kinds of stuff with genetics.
• 1:11:05
  Speaker 1: Time youra beings weltering DNA, I think.
• 1:11:09
  Speaker 6: To altering DNA. I think someone in the chat just said,
• 1:11:14
  Speaker 6: your blood has plasma. It's all connected. And then they
• 1:11:18
  Speaker 6: said ps do not sell your plasma, which is also
• 1:11:22
  Speaker 6: correct because fuck that. I don't know if anybody has
• 1:11:24
  Speaker 6: ever done that. But the fifty bucks ain't worth it
• 1:11:29
  Speaker 6: whatever they give you, right, But yeah, I think that
• 1:11:33
  Speaker 6: the same way. We don't know how they built the stuff.
• 1:11:37
  Speaker 6: We don't know we don't have an iota of a
• 1:11:41
  Speaker 6: clue what they were into, like how advanced they were,
• 1:11:46
  Speaker 6: what they were working on, Like we aren't even there today.
• 1:11:53
  Speaker 6: We are not even advanced as advanced as they were today.
• 1:11:58
  Speaker 1: Like barely there. It's day because like, uh, whenever we
• 1:12:03
  Speaker 1: look at Egyptian headdresses, ah shit, we notice that, dude,
• 1:12:14
  Speaker 1: it looks like plasma in a lab. And anyone anyone
• 1:12:18
  Speaker 1: here who watches Thunderbolts Project, we'll see what plasma does
• 1:12:26
  Speaker 1: when entering our earthly atmosphere, which is the womb suggestively
• 1:12:31
  Speaker 1: that we're talking about here, it looks like these headdresses.
• 1:12:38
  Speaker 1: Quite literally, here we go. So this is this is
• 1:12:40
  Speaker 1: the Egyptian book the Dead, and this is not a rendition.
• 1:12:45
  Speaker 1: This is the literal Egyptian book the Dead. And if
• 1:12:49
  Speaker 1: you look at these headdresses, each one quite literally represents
• 1:12:57
  Speaker 1: a different uh formation of pinched plasmas in a laboratory.
• 1:13:06
  Speaker 1: So we have the Holy Trinity that is no longer
• 1:13:14
  Speaker 1: it's no longer symbolic, it's literal. Egyptian hieroglyphs might this
• 1:13:20
  Speaker 1: I'm gonna sound fucking crazy, dude, They might be fucking literal,
• 1:13:26
  Speaker 1: And this is anatomy.
• 1:13:27
  Speaker 6: I've always said that. I've always said that. And I
• 1:13:30
  Speaker 6: also think that they knew something that we don't understand,
• 1:13:35
  Speaker 6: which is how to combine science in spirituality, right because
• 1:13:42
  Speaker 6: it's the same shit. And what has happened is there's
• 1:13:45
  Speaker 6: this big schism where it's like, well, you either believe
• 1:13:48
  Speaker 6: in the science or you believe in spirituality when it's
• 1:13:52
  Speaker 6: the same fucking shit.
• 1:13:53
  Speaker 1: Yes, literally, that's the main point of this whole thing,
• 1:13:59
  Speaker 1: is like these these are scientific equations. That's why they
• 1:14:04
  Speaker 1: took so much time to make them.
• 1:14:06
  Speaker 6: This is they knew how to put the spirit in them, right.
• 1:14:11
  Speaker 1: See. That's why that's what makes Egypt special, I think
• 1:14:14
  Speaker 1: is it's both literal and allegory, which we were missing
• 1:14:19
  Speaker 1: out on today, was.
• 1:14:23
  Speaker 7: Nick, what were gonna say something?
• 1:14:24
  Speaker 3: Just real yeah, real quick.
• 1:14:25
  Speaker 4: There was headdresses that I had covered in the Eyeball
• 1:14:28
  Speaker 4: series that even looked like cones and rods in the
• 1:14:30
  Speaker 4: back of our rybles some Egyptian I saw.
• 1:14:34
  Speaker 3: I was like, what the fuck? What's the odds of that?
• 1:14:37
  Speaker 1: Right?
• 1:14:38
  Speaker 3: I mean, that's out there. But the definitely the headdresses
• 1:14:41
  Speaker 3: really looked a lot like sanction.
• 1:14:44
  Speaker 1: Well, it happens within, but it also happens on a
• 1:14:47
  Speaker 1: celestial scale as well with these plasmachines, And I mean,
• 1:14:52
  Speaker 1: what are the chances of that? They Egypt they claimed
• 1:14:56
  Speaker 1: that they were the center, the green of the I mean,
• 1:15:00
  Speaker 1: it's worth mentioning that that green is the center of
• 1:15:03
  Speaker 1: the color spectrum, and the heart chakra is green, like
• 1:15:10
  Speaker 1: it's it's the center. We are in the center, and
• 1:15:13
  Speaker 1: we get to choose which way this thing goes, which
• 1:15:17
  Speaker 1: really comes down to the main wager of what we're
• 1:15:20
  Speaker 1: doing here. We get to collectively choose which way that
• 1:15:25
  Speaker 1: we go, and that's alchemy, and that's what it is,
• 1:15:29
  Speaker 1: both difficult and simple at the same time.
• 1:15:32
  Speaker 7: You know, really dope breakdown of the trinity there with
• 1:15:38
  Speaker 7: the wasps and the Chad and the unk. And I
• 1:15:42
  Speaker 7: wanted to say too as far as like building energy
• 1:15:45
  Speaker 7: within the Eastern arts talk about the trinity of the high,
• 1:15:52
  Speaker 7: middle and low dante Enne or center points, and and and.
• 1:15:59
  Speaker 3: Also the.
• 1:16:01
  Speaker 7: Of course we don't get this from the old teachings,
• 1:16:03
  Speaker 7: but the implications of chi is essentially the building up
• 1:16:11
  Speaker 7: of our mitochondria to be more active and stable.
• 1:16:15
  Speaker 1: Right, And.
• 1:16:18
  Speaker 7: There's a really powerful jed more unlikely. It looks exactly
• 1:16:23
  Speaker 7: like a jed in the Pyramid of Giza. It has
• 1:16:28
  Speaker 7: it has a design and between the kings and queen's
• 1:16:32
  Speaker 7: chambers where it's really unnecessary and doesn't look an engineering sound.
• 1:16:41
  Speaker 7: But once you know about the dijed, you'll see you'll
• 1:16:44
  Speaker 7: see it in the Great Pyramid. So it's and to
• 1:16:49
  Speaker 7: the point of the Egyptians being so excellent at bringing
• 1:16:54
  Speaker 7: science and spirituality together and even somehow expressing numerous things
• 1:17:00
  Speaker 7: within the same structure, right like, yeah, different rules of
• 1:17:04
  Speaker 7: interpretation and presentation in the same series of hieroglyphics.
• 1:17:09
  Speaker 1: Profound. Yeah, there's a uh, there's it seems like there's
• 1:17:16
  Speaker 1: a trinity in everything. It seems to always be there's
• 1:17:20
  Speaker 1: a lesson, a right and a sensor. There's a north
• 1:17:23
  Speaker 1: in the south and there's a sensor and I don't
• 1:17:28
  Speaker 1: know if my fucking thing is delayed. Here Nick pulled
• 1:17:31
  Speaker 1: this up, right, am I in the future in the past?
• 1:17:34
  Speaker 1: Like what the fuck? Uh? I just zapped that to
• 1:17:39
  Speaker 1: him right before you. I guess you pulled it up.
• 1:17:41
  Speaker 1: Maybe I guess I don't see it on my chat,
• 1:17:43
  Speaker 1: but I see it. Oh damn, Okay, so my chat's
• 1:17:46
  Speaker 1: behind Okay, But yeah, that's that. That's that trinity right
• 1:17:49
  Speaker 1: there is like there's always polarity ones and zeros plus
• 1:17:56
  Speaker 1: and minuses like one way or another.
• 1:17:59
  Speaker 6: I have a question for you since we're talking about
• 1:18:02
  Speaker 6: all this, but I did want to add something that
• 1:18:08
  Speaker 6: might not be related. But when you're pregnant, you start
• 1:18:12
  Speaker 6: figuring out all kinds of stuff about how to make
• 1:18:14
  Speaker 6: yourself feel better and whatever. And I started getting kind
• 1:18:18
  Speaker 6: of into like the Chinese medicine, and I was really
• 1:18:23
  Speaker 6: trying to go into labor and I went to an acupuncturist. Yeah,
• 1:18:27
  Speaker 6: and she literally jabbed me with a bunch of needles
• 1:18:30
  Speaker 6: and I went into labor like a day later. But yeah,
• 1:18:36
  Speaker 6: they talk about how your body is connected with the
• 1:18:41
  Speaker 6: spirit and your chi if you will, and how when
• 1:18:46
  Speaker 6: you give birth, there's this coldness inside your body and
• 1:18:51
  Speaker 6: the wound inside where you've literally given birth in your
• 1:18:56
  Speaker 6: uterus is still huge and it's empty, and it creates
• 1:18:59
  Speaker 6: like a within you and it's cold. So in order
• 1:19:03
  Speaker 6: to heal yourself, you eat your placenta and it warms
• 1:19:08
  Speaker 6: your body and it balances the cold and the heat,
• 1:19:12
  Speaker 6: and it returns you to a like a neutral zone.
• 1:19:16
  Speaker 6: And people just discard their placenta. They throw it away,
• 1:19:20
  Speaker 6: or the hospital takes it and sells it on like
• 1:19:22
  Speaker 6: the black market or something like that. But it's just
• 1:19:26
  Speaker 6: it's just we've gotten so far away from understanding science
• 1:19:31
  Speaker 6: and spirituality and how those two things work together that
• 1:19:36
  Speaker 6: it's like everything is just modern medicine, medicine quote unquote
• 1:19:43
  Speaker 6: that ends up killing you eventually. But I just had
• 1:19:48
  Speaker 6: a quick question for you about simulation theory, like how
• 1:19:54
  Speaker 6: could this be integrated? How could that matrixy weird zero ones,
• 1:20:01
  Speaker 6: Like how can that be integrated into this? You think
• 1:20:04
  Speaker 6: because a lot of people subscribe to that, like this
• 1:20:06
  Speaker 6: is all a simulation, right?
• 1:20:10
  Speaker 1: Well okay, so okay, So first of all, when I
• 1:20:14
  Speaker 1: started laughing there, I was laughing at Nick for coughing
• 1:20:18
  Speaker 1: after he took a bong rip. So it wasn't in
• 1:20:21
  Speaker 1: your direction.
• 1:20:22
  Speaker 6: Ohat yeah, no, I didn't need it as.
• 1:20:23
  Speaker 1: Mike and he took a bong rip and he started coughing,
• 1:20:27
  Speaker 1: and that's hilarious to me.
• 1:20:29
  Speaker 3: All Right.
• 1:20:31
  Speaker 1: The simulation theory thing, dude, Okay, So to run it backwards, Uh,
• 1:20:36
  Speaker 1: I think that simulation theory quote unquote is a modern
• 1:20:43
  Speaker 1: rendition of what the ancients were talking about in the
• 1:20:46
  Speaker 1: first place. It's not literally a computer, but it's also
• 1:20:50
  Speaker 1: not literally atoms. So like modern science will have us
• 1:20:56
  Speaker 1: believe it's either atoms or it's a simulation, you get both,
• 1:21:02
  Speaker 1: which is very, very silly.
• 1:21:04
  Speaker 7: Uh.
• 1:21:05
  Speaker 1: There's always a middle, middle ground. There's always a middle ground.
• 1:21:08
  Speaker 1: But that means that if you were to use the
• 1:21:10
  Speaker 1: video game analogy, we can level up or we can
• 1:21:13
  Speaker 1: level down. And that's kind of the idea here, I think,
• 1:21:19
  Speaker 1: and just just has it's been displayed in these in
• 1:21:22
  Speaker 1: the anc the jed, the fucking whip and the staff
• 1:21:25
  Speaker 1: of the pharaoh to keep your uy because look at
• 1:21:29
  Speaker 1: the whip and the staff of the pharaoh, right, Uh,
• 1:21:31
  Speaker 1: the whip is to keep your mind subjugated. You own
• 1:21:36
  Speaker 1: it like twenty one Pilot says, your your my mind
• 1:21:40
  Speaker 1: is not as tied to a tree, and you must
• 1:21:42
  Speaker 1: obey me. I forgot the exact line, but twenty one
• 1:21:44
  Speaker 1: Pilots is fucking amazing and uh and the Shepherd hooks
• 1:21:49
  Speaker 1: on on on the uh. The Pharaoh is also to
• 1:21:54
  Speaker 1: keep your your thoughts kind of shepherded in. And whenever
• 1:22:00
  Speaker 1: you do that, you're you are now qualified to make
• 1:22:06
  Speaker 1: more people. And when you make more people, you teach
• 1:22:10
  Speaker 1: them those things, and then that human condition continues up
• 1:22:18
  Speaker 1: and forward and up and forward. Is alchemy. That's what
• 1:22:24
  Speaker 1: alchemy is. There is no other definition of alchemy. People
• 1:22:30
  Speaker 1: can say it's lead ins of gold. People can say
• 1:22:32
  Speaker 1: it's your spirit and to your soul, or vice versa.
• 1:22:35
  Speaker 1: People can say it's this into that all of those
• 1:22:39
  Speaker 1: things point to one direction, up and forward. It's always
• 1:22:44
  Speaker 1: lesser in some more And that's the idea we make it.
• 1:22:48
  Speaker 6: But don't you think like when people say like simulation theory,
• 1:22:53
  Speaker 6: like what goes through my mind is like the opening
• 1:22:56
  Speaker 6: scene of the Matrix where it's all like nineteen nineties
• 1:22:59
  Speaker 6: graph of like weird green zeros and ones, and like
• 1:23:03
  Speaker 6: for me, it just feels so I don't know, Like
• 1:23:09
  Speaker 6: when you have a baby and you look at them
• 1:23:12
  Speaker 6: and you look at their face, you realize what a spiritual, magical, mysterious,
• 1:23:20
  Speaker 6: mystical place we're living in. Right, And when I think
• 1:23:24
  Speaker 6: of simulation theory, I can't get past that. It's like
• 1:23:28
  Speaker 6: somebody's just plugged us into a computer game somewhere and
• 1:23:31
  Speaker 6: they're just like playing us and like living out our
• 1:23:34
  Speaker 6: lives for us or something. And I don't know, it
• 1:23:37
  Speaker 6: just seems nasty to me to think that we're just
• 1:23:40
  Speaker 6: in a simulation by a video game or something.
• 1:23:45
  Speaker 1: Right, But the person behind signed the hedgehog is invested
• 1:23:49
  Speaker 1: in his success, so they want him to do as
• 1:23:54
  Speaker 1: well as he can. I think that we're meant to
• 1:23:58
  Speaker 1: pass that down, of course, but to become Mario or
• 1:24:03
  Speaker 1: Luigi or whatever, you have to like give up your
• 1:24:08
  Speaker 1: own self gratitude to pass that torch onto another person
• 1:24:16
  Speaker 1: who will succeed you, not only succeed you, but like
• 1:24:21
  Speaker 1: to surpass you. And that's the point of it is.
• 1:24:25
  Speaker 1: Have you ever noticed death metal vocalists since the nineties
• 1:24:29
  Speaker 1: get fucking crazier or figure skaters get do nonsensically bonkers
• 1:24:39
  Speaker 1: compared to what their predecessors did, and then people will
• 1:24:42
  Speaker 1: say I couldn't do it, but then I saw that
• 1:24:47
  Speaker 1: it was possible, and now I can do it. This
• 1:24:50
  Speaker 1: is the morphic resonance. This is what Rupert Sheldrake is
• 1:24:53
  Speaker 1: talking about. The reason we have babies. This is not
• 1:24:57
  Speaker 1: what Rupert childre that was. But what I'm saying is
• 1:25:02
  Speaker 1: with Rupert Shelt's morphic resonance, meaning that rats can solve
• 1:25:08
  Speaker 1: puzzles on the other side of the world easier if
• 1:25:11
  Speaker 1: we do the puzzle here first, which is fucking crazy,
• 1:25:14
  Speaker 1: but a fact means that the entire, the entire purpose
• 1:25:22
  Speaker 1: of our existence is to do as good as we
• 1:25:27
  Speaker 1: can to see if our predecessors can do it too,
• 1:25:34
  Speaker 1: and they will, and they'll do it better, and when
• 1:25:37
  Speaker 1: they do it better, we're gonna be like, holy fuck,
• 1:25:39
  Speaker 1: have you seen Laurena Shore compared to Cannibal Corpse? Like
• 1:25:43
  Speaker 1: damn Like they can not only do it better, but
• 1:25:46
  Speaker 1: they have upgraded the entire process. So that's I think it.
• 1:25:55
  Speaker 1: That's it. We're not meant to complete anything. We are
• 1:26:01
  Speaker 1: meant to give birth to those who will carry it
• 1:26:04
  Speaker 1: on better and higher than we once were. Up and forward,
• 1:26:11
  Speaker 1: always up and forward. We're gonna fuck up. They're gonna
• 1:26:15
  Speaker 1: fuck up. We're gonna make birth to people who fucked up.
• 1:26:20
  Speaker 1: Our parents fucked up. But we're curious, can we fuck
• 1:26:25
  Speaker 1: it up too? That's the magic of it. Can we
• 1:26:29
  Speaker 1: can we create something that's never been done before? If
• 1:26:35
  Speaker 1: no one's if I know Nick does, but from from
• 1:26:41
  Speaker 1: Chris Barnes and Cannibal Corpse in the nineteen nineties, who
• 1:26:46
  Speaker 1: had to write in his album no vocal effects were
• 1:26:50
  Speaker 1: used on this album and he sounded like an idiot today,
• 1:26:55
  Speaker 1: Oh I fucking you know to Lorna Shore or care
• 1:27:00
  Speaker 1: Decapitation today who sound like literal fucking monsters with effects
• 1:27:05
  Speaker 1: from Hollywood and the movies used like they they did
• 1:27:12
  Speaker 1: what was impossible and then upgraded into what is not
• 1:27:16
  Speaker 1: considered possible, and then pass the buck to the next generation.
• 1:27:21
  Speaker 1: To do something that was utterly impossible moving into today
• 1:27:28
  Speaker 1: would be uh fuck. I don't know who the newest
• 1:27:34
  Speaker 1: whatever is, but uh, there's some new death metal bands
• 1:27:37
  Speaker 1: that fit the bill. But uh, But that's the idea,
• 1:27:43
  Speaker 1: is that we are not meant to complete anything before
• 1:27:50
  Speaker 1: we die. We are meant to give as much as
• 1:27:55
  Speaker 1: possible to the next guy as we pass the torch
• 1:27:59
  Speaker 1: before we die. Our meaning of life is not to
• 1:28:03
  Speaker 1: do fucking good. It's for them to do fucking good
• 1:28:07
  Speaker 1: and then them to pass it on to do what's good.
• 1:28:11
  Speaker 1: The whole universe gets better and sharper better, and sharper
• 1:28:15
  Speaker 1: better and sharper that's alchemy.
• 1:28:18
  Speaker 6: So but do you think it's like a circle though? So,
• 1:28:20
  Speaker 6: like you start at caveman, you know, like scratching their
• 1:28:27
  Speaker 6: bee hole with an acorn, and then you get to
• 1:28:30
  Speaker 6: like Starbucks workers, and then you get to like.
• 1:28:37
  Speaker 1: Back around there.
• 1:28:39
  Speaker 6: You went down one not okay, but it's like it's like, okay,
• 1:28:42
  Speaker 6: you get from drawing on cave walls to Egypt, which
• 1:28:48
  Speaker 6: was way more advanced than we are now, and then
• 1:28:51
  Speaker 6: somehow it went back down to like zero, and then
• 1:28:54
  Speaker 6: now we have to like build. It's like a circle,
• 1:28:57
  Speaker 6: Like we're getting to the top at some point right
• 1:29:00
  Speaker 6: like back to Egyptian times, and then it's we're going
• 1:29:03
  Speaker 6: to have like some cataclysmic event happen, and then we're
• 1:29:06
  Speaker 6: going to go back down to zero and b cavemen
• 1:29:09
  Speaker 6: scratching our b holes with an acorn, and then we're
• 1:29:12
  Speaker 6: gonna like we have to keep doing this weird circle
• 1:29:15
  Speaker 6: of like gradual. You know what I'm saying, Kelly.
• 1:29:19
  Speaker 7: You mentioned the Collie Yuga earlier, and the Yugas operate
• 1:29:23
  Speaker 7: very much like that. And I think golden or going
• 1:29:28
  Speaker 7: to golden, but golden, bronze, silver.
• 1:29:32
  Speaker 1: There's there's four yugas.
• 1:29:35
  Speaker 7: We are in the most difficult one, right, and they
• 1:29:39
  Speaker 7: say that meditation in the Colie Yuga, which is the
• 1:29:44
  Speaker 7: Angry Goddess Yuga, is worth more than in other time periods.
• 1:29:51
  Speaker 7: So it's in fact very difficult to go into the
• 1:29:55
  Speaker 7: light and so forth in the Calie Yugas that they said.
• 1:30:00
  Speaker 1: That's that's a day on fact and if we can,
• 1:30:03
  Speaker 1: if we can like remember our divine certitude while in
• 1:30:09
  Speaker 1: this calleague the physical flesh, apparently that's the whole idea,
• 1:30:14
  Speaker 1: and uh, that's how we make it. And uh now
• 1:30:20
  Speaker 1: I don't know why it resets, but damn it does.
• 1:30:26
  Speaker 6: It seemed I mean it has to write, right if
• 1:30:29
  Speaker 6: you look back in the past, that these megalithic structures,
• 1:30:36
  Speaker 6: it had to have reset at some point because and
• 1:30:40
  Speaker 6: I think there may have been another one when you
• 1:30:43
  Speaker 6: see like what they call the mud flood era with
• 1:30:46
  Speaker 6: these cathedrals and these like oh, they just built it
• 1:30:51
  Speaker 6: for like it's a church. Okay, yeah, it's just a church.
• 1:30:56
  Speaker 1: Every since, dude, I want to do a whole episode
• 1:30:59
  Speaker 1: on Talk tay Area, but every time I dive into it,
• 1:31:03
  Speaker 1: I find a fucking roadblock. Like but I'm going to eventually.
• 1:31:07
  Speaker 1: But they say it's a six thousand year cycle, which
• 1:31:10
  Speaker 1: the great flood would be twelve thousand years ago, you know,
• 1:31:14
  Speaker 1: the younger Driyat, and then there'd be a miniature one
• 1:31:18
  Speaker 1: six thousand years ago, which would consider the biblical flood
• 1:31:22
  Speaker 1: and that Oh, I mean that opens up some doors,
• 1:31:25
  Speaker 1: but damn, Like every time, so I went through Saint
• 1:31:31
  Speaker 1: Louis and I saw these cathedrals and I can dude,
• 1:31:35
  Speaker 1: I looked into it. Dude, the companies that build the
• 1:31:39
  Speaker 1: cathedrals right down the street from me in Saint Louis,
• 1:31:42
  Speaker 1: they never existed, that's a fact.
• 1:31:45
  Speaker 6: There's never any pictures either. It's always like a drawing
• 1:31:48
  Speaker 6: of them building the there's one in like I want
• 1:31:53
  Speaker 6: to say, it's Mexico or Spain or something like that,
• 1:31:59
  Speaker 6: and they're like, well, look we're renovating it and they've
• 1:32:02
  Speaker 6: got like scaffoldings and we're fixed, you're not doing shit
• 1:32:06
  Speaker 6: up there. Okay, that place has existed for probably a
• 1:32:10
  Speaker 6: thousand years, and you're just like.
• 1:32:13
  Speaker 1: You know, yeah.
• 1:32:18
  Speaker 7: Among all the interesting things about Tartaria, there's one that
• 1:32:21
  Speaker 7: strikes me that kind of insinuates that there's a lot
• 1:32:26
  Speaker 7: going on there. There is a diplomatic cable of the
• 1:32:31
  Speaker 7: United States diplomat for Russia during the Cold War or
• 1:32:35
  Speaker 7: some period close to that fifties or sixties. I believe
• 1:32:40
  Speaker 7: it might have been earlier than that, but I believe
• 1:32:43
  Speaker 7: that time period. And it says essentially, you know how,
• 1:32:47
  Speaker 7: these cables are just very factual and simple, and they
• 1:32:52
  Speaker 7: dictate something that happened, and it's said Russia has stopped
• 1:32:58
  Speaker 7: teaching about Tartara. Yeah, and it's and it's and so
• 1:33:03
  Speaker 7: it just kind of like is very strange and suggests
• 1:33:07
  Speaker 7: that it's a matter of importance that they're even mentioning it,
• 1:33:10
  Speaker 7: because if they if they stopped teaching about something about
• 1:33:14
  Speaker 7: the Tartars or something about that, they.
• 1:33:16
  Speaker 1: Wouldn't be mentioned.
• 1:33:18
  Speaker 7: It seems kind of to suggest that it's a lot
• 1:33:22
  Speaker 7: going on.
• 1:33:24
  Speaker 1: That's my issue with Tartaria is like for every piece
• 1:33:28
  Speaker 1: of fucking crazy evidence that can't be explained, there's another
• 1:33:33
  Speaker 1: piece of evidence that knocks it down, and I'm trying
• 1:33:37
  Speaker 1: to find the fucking the center point of it because
• 1:33:41
  Speaker 1: there is a lot of things that can't be explained,
• 1:33:44
  Speaker 1: and they outweigh the ship that can be explained. And
• 1:33:48
  Speaker 1: I'm just waiting for that moment of pivot because.
• 1:33:51
  Speaker 7: I think it might be suggestive of communities that were
• 1:33:56
  Speaker 7: just less oligarchical, less quite a few, and that the
• 1:34:02
  Speaker 7: powers that be, whether they're Russian, Soviet, or American or wherever,
• 1:34:07
  Speaker 7: they don't like that idea being proliferated, right that this
• 1:34:11
  Speaker 7: this was a global community that wasn't hostile and wasn't oligarchical.
• 1:34:16
  Speaker 7: I could see that they would want hide that, but
• 1:34:20
  Speaker 7: I guess.
• 1:34:20
  Speaker 6: That would also open the door to like the weird
• 1:34:23
  Speaker 6: World's Fair stuff in the crystal palaces that they built overnight,
• 1:34:28
  Speaker 6: and like where are they getting this stuff from? Why
• 1:34:31
  Speaker 6: are the doors so big? Why are their trains with
• 1:34:35
  Speaker 6: infants on them that are like what is all of this?
• 1:34:39
  Speaker 6: And like when did it reset? Because fuck dude.
• 1:34:43
  Speaker 1: The trains with the infants and the fucking plaster buildings
• 1:34:48
  Speaker 1: drives me nuts. What why were they shipping babies over
• 1:34:54
  Speaker 1: trains tracks? And why were they building fucking buildings to
• 1:34:59
  Speaker 1: take to tear down out of plaster. So and and
• 1:35:04
  Speaker 1: by the way, where did twenty thousand infants come from?
• 1:35:08
  Speaker 7: It?
• 1:35:09
  Speaker 6: Right, dude, that's because let's just say, let's just say
• 1:35:15
  Speaker 6: that they were real infants and that this really happened.
• 1:35:23
  Speaker 6: They have had the technology to grow babies in some
• 1:35:27
  Speaker 6: type of way for a long time. There's no way
• 1:35:29
  Speaker 6: they got twenty thousand babies that came out of twenty
• 1:35:32
  Speaker 6: thousand human being mothers right to get on this train
• 1:35:36
  Speaker 6: to ship them across to Chicago or like where, like
• 1:35:42
  Speaker 6: they have a freaking baby farm somewhere, like a cabbage
• 1:35:45
  Speaker 6: patch kid farm, and they're literally growing babies and they
• 1:35:50
  Speaker 6: would ship That's my opinion, though obviously obviously well.
• 1:35:56
  Speaker 1: That's not just your opinion. But I mean read Carl
• 1:35:59
  Speaker 1: you around the end of his life like there was
• 1:36:04
  Speaker 1: something fucking weird going on. He didn't know what it
• 1:36:06
  Speaker 1: was either, And it almost seems like, and I'm gonna
• 1:36:10
  Speaker 1: sound crazy here, it almost seems like World War two
• 1:36:15
  Speaker 1: was meant to erase history and then there was a.
• 1:36:20
  Speaker 6: Big distraction, is what it was.
• 1:36:24
  Speaker 1: Right in my opinion, right, do you know how many
• 1:36:29
  Speaker 1: how many uh Iraqi artifacts that is on your KNOCKI bullshit,
• 1:36:38
  Speaker 1: by the way. Just I'm gonna say this, but I
• 1:36:40
  Speaker 1: don't agree with Zacharaiacichian and I don't to make clear,
• 1:36:47
  Speaker 1: Zacharai Sisian, I don't, I do not, but uh, but
• 1:36:51
  Speaker 1: there was something important about sum area. The American government
• 1:36:56
  Speaker 1: hired the Taliban to destroy Iraqi artifacts, including I'm knocky ones. Uh.
• 1:37:05
  Speaker 1: And that's that's that's a damn fact. There was no
• 1:37:08
  Speaker 1: money involved, there was no there's nothing to gain, just
• 1:37:11
  Speaker 1: destroy them, destroy it. And that was not World War two.
• 1:37:16
  Speaker 1: That's that's today. That's nine to eleven response. Shit. It
• 1:37:22
  Speaker 1: seems like the the winners write the history and sometimes
• 1:37:28
  Speaker 1: they're sloppy and sometimes they play catchup, and they always
• 1:37:36
  Speaker 1: expected to be sloppy. But now we have the Internet,
• 1:37:41
  Speaker 1: and now we have nick and now we have motherfuckers
• 1:37:45
  Speaker 1: tied together and we're putting the pieces together and how
• 1:37:48
  Speaker 1: scary and and I mean, I shouldn't go too far,
• 1:37:52
  Speaker 1: but like, damn, you.
• 1:37:54
  Speaker 6: Know, if there weren't podcasts like this, I feel like
• 1:38:00
  Speaker 6: I would actually be like needing to be in a
• 1:38:04
  Speaker 6: straight jacket or like doing this looking at the wall,
• 1:38:07
  Speaker 6: like you know what I mean, Because the thoughts that
• 1:38:12
  Speaker 6: run through my head on a daily basis should end
• 1:38:15
  Speaker 6: me up like you know, padded room style, like where
• 1:38:21
  Speaker 6: where the pyramids belt?
• 1:38:22
  Speaker 1: Where? Ye?
• 1:38:25
  Speaker 3: All of it.
• 1:38:25
  Speaker 6: It's just like but that's why I think they're legitimately
• 1:38:30
  Speaker 6: are like NPC people. You know, when you're at Walmart,
• 1:38:34
  Speaker 6: just look around. You go to Target, take a look. Okay,
• 1:38:38
  Speaker 6: sometimes you check out and you're like was there even
• 1:38:40
  Speaker 6: an interview with this person? Like how did they get here?
• 1:38:44
  Speaker 6: Like they're just like weird, like just floating through. And
• 1:38:49
  Speaker 6: if you work a nine to five job, which I
• 1:38:51
  Speaker 6: have in the past, like you have the same conversations
• 1:38:54
  Speaker 6: with people every morning, like oh the coffee's cold again,
• 1:38:58
  Speaker 6: and it's just like the same like needed and it's
• 1:39:02
  Speaker 6: just like where are like what are we living? What
• 1:39:06
  Speaker 6: is Yeah, That's what I'm saying, Nick. It's just like
• 1:39:09
  Speaker 6: you see little like fractals of like what is this really?
• 1:39:15
  Speaker 6: You know? And that's why I love podcasting is because
• 1:39:19
  Speaker 6: it's like an outlet. It's like a therapy session and
• 1:39:23
  Speaker 6: connecting with people who you know, like I said, go
• 1:39:27
  Speaker 6: to fucking McDonald's on a Tuesday night and just look
• 1:39:32
  Speaker 6: and see that's what you're that's what we're dealing with.
• 1:39:36
  Speaker 1: You're correct, Like that's what uh so that that is
• 1:39:41
  Speaker 1: what Nick has become for me, because like I'm I'm
• 1:39:45
  Speaker 1: fucking I'm kind of chumped up over here. I'm writing
• 1:39:50
  Speaker 1: my script and I'm like this is crazy. And then
• 1:39:53
  Speaker 1: I run up by Nick and he's like, fuck that, Yeah,
• 1:39:56
  Speaker 1: come on the show. And so but you're right, like,
• 1:40:00
  Speaker 1: if you want to if you want to see these
• 1:40:03
  Speaker 1: fucking arcons, these reptilians with your own eyes, go to McDonald's. Dude.
• 1:40:11
  Speaker 6: Just go through the drive through. The person at the
• 1:40:14
  Speaker 6: window is gonna give you.
• 1:40:17
  Speaker 1: Need to know. What is about art? What is the
• 1:40:21
  Speaker 1: mythology of the reptilian ARCon? Right? It fees on children? McDonald's.
• 1:40:27
  Speaker 1: It's a shape shifter McDonald's. It fucking it's uh. It
• 1:40:32
  Speaker 1: exists in the underworld where.
• 1:40:34
  Speaker 7: He poisons you and he makes you happy about it.
• 1:40:38
  Speaker 6: Yes, dude, my husband, my husband's mother went to a
• 1:40:46
  Speaker 6: McDonald's and found a fucking human tooth, or at least
• 1:40:50
  Speaker 6: somebody she knew, or her friend or somebody they found
• 1:40:53
  Speaker 6: a human tooth in the McDonald's burger. Okay, it oh
• 1:41:00
  Speaker 6: fucking it was a fucking bicuspid fucking human, fucking caneine tooth.
• 1:41:09
  Speaker 1: Someone needs to find out in the McDonald's.
• 1:41:11
  Speaker 8: Okay, Alternatively, when I was traveling around the country, whenever
• 1:41:18
  Speaker 8: I wanted to go meet someone meet, I would go
• 1:41:21
  Speaker 8: to the most organic place I could find, and everyone
• 1:41:26
  Speaker 8: was always super friendly and welcoming and communicative and so like,
• 1:41:31
  Speaker 8: the opposite can be true.
• 1:41:33
  Speaker 7: For you know, whatever I say, organic place, but just
• 1:41:37
  Speaker 7: different different like a.
• 1:41:39
  Speaker 6: Like a like a food co op or something like that.
• 1:41:42
  Speaker 6: They're always like super nice. I have a food co
• 1:41:44
  Speaker 6: op near my house and I always love going there
• 1:41:46
  Speaker 6: because I got great chia seed pudding. But fly fly
• 1:41:51
  Speaker 6: from like I literally just I took two flights from
• 1:41:54
  Speaker 6: Oregon to Oklahoma. I had to stop in Dinver, get
• 1:41:57
  Speaker 6: on another just fly look at your comfort.
• 1:42:00
  Speaker 3: Oh yeah yeah, get.
• 1:42:02
  Speaker 6: The people flying across the country.
• 1:42:06
  Speaker 3: I should you I should you die? I swear to God.
• 1:42:08
  Speaker 4: When I was when I went to this event, I
• 1:42:11
  Speaker 4: was on the phone with somebody and I said, if
• 1:42:12
  Speaker 4: you want a good way to understand where humanity's at is,
• 1:42:15
  Speaker 4: watch people get off an airplane.
• 1:42:18
  Speaker 6: Literally, I had a baby.
• 1:42:20
  Speaker 3: You'll realize, how are we talking to my chest?
• 1:42:23
  Speaker 6: Okay? Had an infant tied to my chest with a
• 1:42:26
  Speaker 6: diaper bag, and I got ran over by two guys
• 1:42:30
  Speaker 6: in a cowboy hat and cowboy boots are supposed to
• 1:42:32
  Speaker 6: be Southern gentlemen, and they're running me over with an
• 1:42:36
  Speaker 6: infant strapped to my chest holding a diaper bag, trying
• 1:42:39
  Speaker 6: to get off this sister state of America. And then
• 1:42:45
  Speaker 6: there's a fat bitch and some jammie pants and a
• 1:42:48
  Speaker 6: fucking old lady with like seventy can't get her fucking
• 1:42:52
  Speaker 6: carry on bag out of the thing. Nobody's helping her,
• 1:42:55
  Speaker 6: like this is the state of the country. When when
• 1:42:59
  Speaker 6: a when a new mom with a baby strapped to
• 1:43:02
  Speaker 6: her chest and a diaper bag is helping the old
• 1:43:05
  Speaker 6: lady get her fucking carry on bag out of the thing,
• 1:43:08
  Speaker 6: like this is this is pathetic. We got fat bitches
• 1:43:13
  Speaker 6: and jammi pants flying on United with It's like, what
• 1:43:17
  Speaker 6: are you doing?
• 1:43:19
  Speaker 1: Yeah, I mean the first problems United your pajamas, I
• 1:43:25
  Speaker 1: don't get it, dude, pajamas on the airports.
• 1:43:31
  Speaker 3: I've seen that.
• 1:43:32
  Speaker 1: It's like almost a bit about that.
• 1:43:37
  Speaker 6: And these are the same ones that if you ask
• 1:43:39
  Speaker 6: their they got COVID vacs, They've gotten all their boosters.
• 1:43:44
  Speaker 6: They love Kamala. They got their blue hairs and all
• 1:43:47
  Speaker 6: wearing their jammi pants. At the airport, people.
• 1:43:51
  Speaker 3: Still with the masks on. It was like, Yo, that's
• 1:43:53
  Speaker 3: that's what I'm saying.
• 1:43:55
  Speaker 6: I want to see the state of the country go
• 1:43:59
  Speaker 6: on United Okay, right somewhere spirits rough. And I literally
• 1:44:10
  Speaker 6: just heard Tim Dillon talking about this on his show
• 1:44:13
  Speaker 6: before I flew, and I was like, Oh, you're so right,
• 1:44:15
  Speaker 6: Like they hire retards in the baggage claim. It's like,
• 1:44:19
  Speaker 6: why are people so mean at the airport because they
• 1:44:21
  Speaker 6: hire retards. But the problem is it's like, all that's
• 1:44:27
  Speaker 6: what I'm saying, and so it's that's what I'm stay yin. Yeah, okay,
• 1:44:35
  Speaker 6: why is everybody so mean at the Walmart? I don't know.
• 1:44:37
  Speaker 6: There's these weird fluorescent bulbs baking my brain and there's
• 1:44:42
  Speaker 6: just like all of it, all of it, all of it.
• 1:44:46
  Speaker 6: But I mean, it's just this is you get out
• 1:44:51
  Speaker 6: in the world, you see what the world has to offer,
• 1:44:54
  Speaker 6: and then you have all these thoughts cooking in your brain,
• 1:44:57
  Speaker 6: especially with a new baby, and it just feels so
• 1:45:00
  Speaker 6: good to like get it all out, like in a
• 1:45:02
  Speaker 6: safe space, you know, with other people who don't wear
• 1:45:06
  Speaker 6: their jammi pants to the airport. But I mean it's
• 1:45:11
  Speaker 6: you know, it's weird and I it's like I said,
• 1:45:15
  Speaker 6: being pregnant was one of the most spiritual things that
• 1:45:18
  Speaker 6: ever happened to me. And it just makes you concerned
• 1:45:21
  Speaker 6: over everything, Like what world did I bring them in?
• 1:45:24
  Speaker 6: Like how what if something happened to me? What would
• 1:45:27
  Speaker 6: their life be?
• 1:45:28
  Speaker 1: Like?
• 1:45:29
  Speaker 6: Like I need to get I need to download some
• 1:45:31
  Speaker 6: good theories into him, you know, I need him to
• 1:45:34
  Speaker 6: at least get old enough so I can start downloading
• 1:45:37
  Speaker 6: some stuff into his brain before something happens to me.
• 1:45:41
  Speaker 1: Well, that's that's why I signed Nick over to be
• 1:45:44
  Speaker 1: my kid's godparents. Oh fuck that way, if anything happens
• 1:45:47
  Speaker 1: to me, he's got obligation to them pretty much directly.
• 1:45:51
  Speaker 1: He doesn't know this yet, but there's going to be
• 1:45:55
  Speaker 1: a shipment that takes place if and when the.
• 1:45:58
  Speaker 6: Event too little old headed kids, Yeah, they're gonna uh huh.
• 1:46:04
  Speaker 1: I already see it with me in my in my
• 1:46:06
  Speaker 1: temple or back of the head twice, which is very popular,
• 1:46:10
  Speaker 1: very popular. Uh, my kids go straight to Nick. They'll
• 1:46:14
  Speaker 1: have to breastfeed them. It's just going to be it's
• 1:46:18
  Speaker 1: gonna be an er deal that he'll have to deal with.
• 1:46:21
  Speaker 1: And I know he'll do great. I can tell because
• 1:46:24
  Speaker 1: I mean, look at that beer dude. He's almost as
• 1:46:27
  Speaker 1: great as I am. So like he's gonna do a
• 1:46:30
  Speaker 1: good job.
• 1:46:31
  Speaker 6: I think they'll be I think they'll do good. I
• 1:46:33
  Speaker 6: think they'll be okay because we have a little community
• 1:46:36
  Speaker 6: set up, We got back ups. You know, we're here
• 1:46:39
  Speaker 6: for each other. Oh, so I think I think it'll
• 1:46:42
  Speaker 6: work out just fine. I actually probably have to get
• 1:46:45
  Speaker 6: off here soon and go be a mom, But I'm
• 1:46:48
  Speaker 6: with you. I think that. I mean, everything you touched
• 1:46:51
  Speaker 6: on was amazing. I enjoyed it.
• 1:46:56
  Speaker 3: Yeah, it was a fun talk.
• 1:46:58
  Speaker 4: I was really surprised way he took it to because
• 1:47:02
  Speaker 4: you know, I have said myself that I've questioned if
• 1:47:04
  Speaker 4: the Egyptian Pyramids were like a way of shooting your
• 1:47:06
  Speaker 4: soul out, like I thought it might have been a
• 1:47:09
  Speaker 4: device actually like give you a magical experience. So you
• 1:47:13
  Speaker 4: kind of like went on when you know, ended with that,
• 1:47:15
  Speaker 4: I was like, oh fuck, I thought that myself. But
• 1:47:18
  Speaker 4: I have no idea how, but it just seems like
• 1:47:20
  Speaker 4: that it makes sense somehow to me.
• 1:47:23
  Speaker 2: I've heard the idea that the if you if you
• 1:47:28
  Speaker 2: look above the pyramid, the Great Pyramid on the solstices, right,
• 1:47:34
  Speaker 2: you would notice I believe it said even when there
• 1:47:38
  Speaker 2: were the casing stones, that you would notice the eight
• 1:47:44
  Speaker 2: aspect of the pyramid rather than just the four faces.
• 1:47:48
  Speaker 2: There's actually eight ye, And this would only have been
• 1:47:52
  Speaker 2: noticed if someone was above the pyramid on those dates.
• 1:47:58
  Speaker 1: And they red they were.
• 1:48:00
  Speaker 7: Just if they were just whacking stones with you know,
• 1:48:03
  Speaker 7: other stones, that wouldn't have been the case.
• 1:48:05
  Speaker 1: So they say, that's kind of pointing to the idea.
• 1:48:08
  Speaker 7: That souls were rising out and above it.
• 1:48:12
  Speaker 1: Four minutes, four minutes during the equinox. I'm sorry, fuck sorry,
• 1:48:18
  Speaker 1: four minutes during the solstice. Four minutes. That's fascinating, dude.
• 1:48:23
  Speaker 1: The pyramids have eight sides for four minutes during the solstice.
• 1:48:29
  Speaker 1: Like that's that's wild. But it also it's the same
• 1:48:34
  Speaker 1: four minutes as as cocoa con coming down the uh
• 1:48:39
  Speaker 1: the azpect pyramids same four minutes shadow effect at that
• 1:48:45
  Speaker 1: you know what's bugged out. I'm obsessed with four.
• 1:48:48
  Speaker 7: But the pyramid is kind of like a four, right,
• 1:48:54
  Speaker 7: It's like a cross with a slice and you put
• 1:48:56
  Speaker 7: two or three fours together, I mean theoretically, just abstractly,
• 1:49:01
  Speaker 7: and it's like a pyramid.
• 1:49:03
  Speaker 1: Well, if if you're going to put something on onto
• 1:49:06
  Speaker 1: d Earth, like on the ground, it's got to have
• 1:49:09
  Speaker 1: four sides for north, south, east west. If you're outside
• 1:49:14
  Speaker 1: of the Earth realm, you got three. You've got the trinity.
• 1:49:18
  Speaker 1: But uh, but that's Earth is where the first shape
• 1:49:23
  Speaker 1: takes place. That that triangle. So we have the triangle,
• 1:49:27
  Speaker 1: but that triangle happens to be on Earth, which is
• 1:49:32
  Speaker 1: the quad the four. So it's like heaven meets Earth,
• 1:49:36
  Speaker 1: triangle meets square. There's there's a heaven meets Earth element
• 1:49:42
  Speaker 1: to that. And there's a reverse notion of that as well,
• 1:49:46
  Speaker 1: is that we might be a square here, but we
• 1:49:50
  Speaker 1: can triangle into the circle above. And that seems to
• 1:49:55
  Speaker 1: be the whole purpose of all these megalists in the
• 1:49:59
  Speaker 1: first place.
• 1:50:00
  Speaker 4: You know, I think we can wrap it up here
• 1:50:06
  Speaker 4: for you guys don't mine, But I think we could
• 1:50:08
  Speaker 4: wrap it up here if you guys don't mine. Yeah,
• 1:50:11
  Speaker 4: there was one thing I did want to add real quick,
• 1:50:13
  Speaker 4: you guys talking about United Airlines.
• 1:50:14
  Speaker 3: Just fun fact. It's something I noticed this last time
• 1:50:17
  Speaker 3: flying Julia.
• 1:50:18
  Speaker 4: They do not have section thirty three on their airplanes. Yeah, yeah, yeah,
• 1:50:25
  Speaker 4: because every time I went to go, yeah there's no
• 1:50:29
  Speaker 4: row thirty three, Because every time I got a chance
• 1:50:31
  Speaker 4: to pick a seat, I was like, fuck it, I'm
• 1:50:32
  Speaker 4: gonna go through thirty three. And I'm looking at the
• 1:50:33
  Speaker 4: thing and I'm like, why does it go from thirty
• 1:50:35
  Speaker 4: two to thirty four? It did it on the way there,
• 1:50:37
  Speaker 4: It did it on the way back then, And then
• 1:50:40
  Speaker 4: I came home and checked it and I think I
• 1:50:42
  Speaker 4: found something where they actually, for some weird reason to
• 1:50:45
  Speaker 4: round it out to a certain number, they actually take
• 1:50:49
  Speaker 4: that out. I don't know, there was a it was
• 1:50:52
  Speaker 4: fucking weird explanation about why they took that rollout it.
• 1:50:58
  Speaker 8: Yeah.
• 1:50:58
  Speaker 4: It was just like, but wouldn't it just I'm like,
• 1:51:01
  Speaker 4: it just would still work the same way. It was
• 1:51:03
  Speaker 4: weird because it wanted it to end on a specific number,
• 1:51:07
  Speaker 4: but I was just like, well they just put a
• 1:51:08
  Speaker 4: less roast seats.
• 1:51:09
  Speaker 3: I don't know. It was fucking weird. It seemed like
• 1:51:12
  Speaker 3: some weird bullshit fuckery.
• 1:51:14
  Speaker 1: That's like that weird ship where they take story thirteen
• 1:51:17
  Speaker 1: out of a building.
• 1:51:19
  Speaker 3: No, yeah, it wasn't even for anything.
• 1:51:21
  Speaker 1: Yeah, it tells Yeah, I both skyscrapers for a living,
• 1:51:26
  Speaker 1: and they take they take out thirteen still twelve to fourteen.
• 1:51:30
  Speaker 3: Yeah, yeah, yeah, it was a fourth floor.
• 1:51:36
  Speaker 1: Mhm.
• 1:51:37
  Speaker 7: In some parts of Asia they do the same with
• 1:51:40
  Speaker 7: the fourth floor.
• 1:51:41
  Speaker 1: They disappear. Damn, oh shoot, damn.
• 1:51:46
  Speaker 4: All right, guys, Uh Joey, please let everybody know what
• 1:51:49
  Speaker 4: they can find your amazing channel.
• 1:51:52
  Speaker 1: Well, uh, it is library of the end told and
• 1:51:57
  Speaker 1: uh it's probably it might be the description of this
• 1:52:02
  Speaker 1: video afterwards.
• 1:52:04
  Speaker 3: Maybe, Yeah, I don't have anybody.
• 1:52:08
  Speaker 1: Some people aren't description guys.
• 1:52:09
  Speaker 3: But you know I used to be used to.
• 1:52:12
  Speaker 1: I fill out. I fill out my descriptions every every
• 1:52:15
  Speaker 1: time I put out a video, I put a fucking
• 1:52:18
  Speaker 1: description in that bitch, like I put every little bit
• 1:52:21
  Speaker 1: of what I did in the description. Because your description
• 1:52:25
  Speaker 1: is the algorithm. So just as your description is the algorithm,
• 1:52:30
  Speaker 1: that's where it finds its people. Oh by the way,
• 1:52:33
  Speaker 1: also your uploads, uh you're the name of your upload
• 1:52:38
  Speaker 1: finds the algorithm first. So just heads up. That's a
• 1:52:42
  Speaker 1: YouTube thing. I don't know, but uh, yeah, I have
• 1:52:45
  Speaker 1: library that I'm told I do. The music The music
• 1:52:49
  Speaker 1: is by Void Stares Back and that's available online too,
• 1:52:53
  Speaker 1: and That's all I got going on, besides all of
• 1:52:57
  Speaker 1: this fucking ship right here that is ever changing and
• 1:53:04
  Speaker 1: will be enunciated to Nick every month.
• 1:53:11
  Speaker 3: Appreciated. Man, that was an awesome, awesome show, Joey.
• 1:53:16
  Speaker 4: There was a lot of shit in there, and I.
• 1:53:19
  Speaker 3: I like entertained all of it like anything. Any of
• 1:53:22
  Speaker 3: it was crazy actually, So.
• 1:53:23
  Speaker 1: I just hope that you and your viewers will stick
• 1:53:27
  Speaker 1: around for the episode when that comes out about three
• 1:53:29
  Speaker 1: weeks from now. Hopefully you guys will actually.
• 1:53:32
  Speaker 3: See well, yeah, well is are you gonna premiere it
• 1:53:36
  Speaker 3: or anything? Or is it just.
• 1:53:39
  Speaker 1: Like so whenever we did Entities in Gray, that little
• 1:53:42
  Speaker 1: game abduction or dant thing we did that happened about
• 1:53:48
  Speaker 1: three three weeks later, I think this episode that we
• 1:53:53
  Speaker 1: talked about today will be premiering exactly the same way
• 1:53:56
  Speaker 1: about three weeks from now.
• 1:53:58
  Speaker 3: Nice.
• 1:53:58
  Speaker 4: Nice, Yeah, I let people. I'll make sure I tweet
• 1:54:01
  Speaker 4: it out and share it or whatever. It's coming up.
• 1:54:04
  Speaker 4: Thanks my man, Uh.
• 1:54:06
  Speaker 3: Julia, thank you so much for jumping on.
• 1:54:08
  Speaker 4: It was great to have you as usual, So please
• 1:54:11
  Speaker 4: let everybody know where they can find your amazing show.
• 1:54:14
  Speaker 6: Thanks for having me, Nick, I have Cosmic Peach podcast.
• 1:54:20
  Speaker 6: If you haven't found it already, never will. But I
• 1:54:23
  Speaker 6: got Menindez Brothers three part series up right now if
• 1:54:27
  Speaker 6: you want to check that out. And I'm thinking about
• 1:54:31
  Speaker 6: covering something that you know that Rob Rein or whatever
• 1:54:35
  Speaker 6: just died and they said that his son killed him,
• 1:54:38
  Speaker 6: and for me, it was like hashtag Menindez Brothers. Uh
• 1:54:42
  Speaker 6: so we'll see, we'll see. I'm going to look into
• 1:54:44
  Speaker 6: that a little bit. But thanks so much for having me.
• 1:54:46
  Speaker 6: Super interesting stuff tonight. Always a blast.
• 1:54:50
  Speaker 1: Definitely hold up with Julia. What's your channel called Cosmic Peach?
• 1:54:55
  Speaker 3: Okay, I don't think you're on YouTube though, are you? Oh? Yeah,
• 1:55:00
  Speaker 3: you are right.
• 1:55:01
  Speaker 6: I took myself off YouTube because the bitches had already
• 1:55:06
  Speaker 6: given me two strikes, and so hi, I am on
• 1:55:13
  Speaker 6: you know, Apple, Spotify.
• 1:55:15
  Speaker 1: Our height search for a Cosmic Peach.
• 1:55:19
  Speaker 6: Oh yeah, us right now.
• 1:55:23
  Speaker 1: Us literally right now.
• 1:55:24
  Speaker 6: But yeah, all the videos for my show are on Patreon,
• 1:55:28
  Speaker 6: but if you just want to listen, you can find
• 1:55:31
  Speaker 6: it on Spotify. iHeartRadio, Apple, whatever you podcast whatever?
• 1:55:38
  Speaker 3: All right, Yeah, thank you very much, Geez and Ethan.
• 1:55:44
  Speaker 3: Then to what is going on, sir.
• 1:55:46
  Speaker 7: Well, that was awesome. Thank you so much, Joey for
• 1:55:48
  Speaker 7: sharing that. That's a really fascinating group of information and ideas.
• 1:55:54
  Speaker 7: Always appreciate being on the occult rejects. It's stimulating and soothing, right,
• 1:56:00
  Speaker 7: So I appreciate you guys easy to find on the internet,
• 1:56:04
  Speaker 7: Ethan Indigo Smith and writing articles frequently, books infrequently. And yeah,
• 1:56:11
  Speaker 7: I appreciate everybody.
• 1:56:13
  Speaker 4: Yeah, thank you all and again, Joey, that was an awesome, awesome,
• 1:56:17
  Speaker 4: awesome presentation.
• 1:56:18
  Speaker 3: You always get crazy and water.
• 1:56:23
  Speaker 1: Julia, keep up with Ethan. You gotta will, all right,
• 1:56:27
  Speaker 1: like on, I don't know what you're doing over there, Okay,
• 1:56:35
  Speaker 1: we do shadow babies, all right, shadow, I will subscribe.
• 1:56:41
  Speaker 3: Thanks, all right, thanks to everybody.
• 1:56:43
  Speaker 4: Yeah, yeah, of course, and uh, everybody in the chat.
• 1:56:46
  Speaker 4: There was a lot of people there. I think a
• 1:56:47
  Speaker 4: lot from from you also, Joey. I appreciate that. Maybe
• 1:56:50
  Speaker 4: you said something about coming on whatever, but there was
• 1:56:52
  Speaker 4: definitely people here that were from your channel. That's what's up.
• 1:56:55
  Speaker 4: I appreciate it, and thank you everybody for the comments.
• 1:56:59
  Speaker 4: There was a lot of lot of comments in there's
• 1:57:01
  Speaker 4: sometimes I get lost in that, but yeah, there was
• 1:57:03
  Speaker 4: some good ship to read. And thank you everybody again,
• 1:57:06
  Speaker 4: and until the next one, everybody be well laa bye.
• 1:57:10
  Speaker 1: Guys.
• 2:02:31
  Speaker 5: Close your eyes, look into the darkness, find the blazing star,
• 2:02:41
  Speaker 5: focus on and it become the eclipse. Don't fear that
• 2:02:51
  Speaker 5: the show will be dead in death, very show.
• 2:03:00
  Speaker 4: Baby girl.
• 2:03:05
  Speaker 5: I don