Latest / Carne Cruda Podcast / Iñaki Gabilondo inaugura la República Independiente de la Radio (CARNE CRUDA 1322)

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Iñaki Gabilondo inaugura la República Independiente de la Radio (CARNE CRUDA 1322) · Carne Cruda Podcast

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You' re going to put the guillotine on the sun door, by the
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way, the guillotine. The guillotine. I' m going to follow him
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my whole life writing pamphlet and then you stay against the buns. Yes,
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sir, the quiltina. The Queen za guillotina the pimps of the Queen zazas
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and I throw away the king' s pimps. It is guillotine to the
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Chulas ministers that I throw the Obísorge surrounds it that I here ink, which
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has not all lies. I do, I do, the guillotine is over.
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Yes, sir We' re going to eat Walt like a card We
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' re going to eat him exactly. It' s raw days, Violeta,
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how are you? All right, raw day, Javier, how about
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me great because today we have a party to present. On the first day
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of this month of February we inaugurated the space of the Independent Republic of the
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radio for compañeros media, collaborators and friends, and we did it all the
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way up with the great voice of the radio, Iñaki Gaviron, with the
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live music of some dear friends and of the program Varieties Azafrán and another musical
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surprise that I will not reveal, because if we would not go to surprise.
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That' s all we recorded so you wouldn' t miss it.
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So on our last day of broadcasting this month, we upload it to you
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to listen to it and to see it, because the party started with a
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video in which we presented our brand new studio inside raw video afternoons, forgive
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me that I greet you from a plasma like Mariano Rajoy, but it is
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not that you all end up here in and before starting this inauguration of the
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Independent Republic of the Radio. I wanted to show you our brand new studio,
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the first in our country, funded entirely by its listeners. As you
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can see, it is a studio on the street, overlooking the street where
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they can hear us from outside, they can even hear us from there connecting
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to the broadcast in a QBR code. But also, obviously, you can
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listen from within and watch from anywhere, because we not only record and broadcast
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sound as well video. So here you have this studio and that space for
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what you want and what you need, and we thank you very much that
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you wanted to come to the inauguration of this independent Republic in which there could
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be no better godfather than a name that means radio in this country, but
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that is also much more than radio. It' s an institution, it
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' s a myth in journalism, it' s like the boat. It
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' s more than a club. Just like us, we' re more
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than just a radio show. We are a family, a community, a
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history of resistance and we are a study and a space. We are now
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an independent republic, something that was the dream of this team and that has
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come true. And besides, there can be no better godfather, because he
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' s the son of butchers. So, to inaugurate the Republic of raw
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meat from the butcher shop with all of you, Luis del Olmo Inaki Gabylondo,
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you have once opened a station. Yeah, like that and it doesn
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' t smell many. So, realize I' m many years old and
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I was on a radio. Fifty- five has given me time and in
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some such small accounts one and the other already, but also a musical line,
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of classical music that made the chain until long ago digital and such I
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did also sun and how a radio is inaugurated. What did this tell you,
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no idea, no idea? Don' t ask me things about me
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I' m not young enough to know everything. I said it was cool,
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I mean. I know what I know, but I' m not
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very young. Good, but you' ve started a lot of projects,
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you' ve started a lot of shows, you' ve directed a lot
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of radios. You know how you start a project like how you start an
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adventure, so look. Some believe that you start knowing where you want to
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get there. But I don' t think it starts that way, you
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know, you know what engine drives you, and then we' ll see.
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No, because if the route is a little long, it ends up
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making different swings. Those who become obsessed with a destination point will surely end
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up first not right with him and also obsess. I think we have to
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have an engine inside. The illusion you have at the beginning is the one
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that pushes you. We' ll see how far it goes, not you
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how you opened up on the radio, since you were a little boy.
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Little Tiny' cause of course when I was a kid there was no TV.
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The TV appeared in my life when I was in college, but not
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because I lived in a lost village, but when the TV came in it
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came and it was up to me so we loved each other with the radio.
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We grew up on the radio. The radio was the home electro that
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we had there at home. It was he, moreover, a country of
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the mettle dictatorship. It was like a barracks. It was all black and
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white and suddenly expensive. The radio. I' d open the window,
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the window to the dream, the magic, the viticent verdu used to say
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ilversun te. You found there on that Creton radio that had names of cities
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and it was, because that was the dream of the technicolor dream, that
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you wanted to more or less live on the radio. And everyone had gathered
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him in the family around the furniture that you had because of that you had
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not been with your family. You even huge family. I made it clear
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to you, until I went to college, there was no TV. Not
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only do I call José Sacristán one day, for example, people more or
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less your fifth or José Luis Garcí and they will start singing ads of the
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time, just like me, because, like me, they were raised at
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that time fascinated by that was their vehicle of communication with the outside world and
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with the world that they wanted to dream also in what made you dream.
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And that' s where it made us clear how I wanted to live there
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and I' ve lived until old, so, man, I' m
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being privileged uncle, there that Colombia, the radio, in my life you
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don' t remember the first day on the radio, that' s what
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happens, is that I have a very rare story, but I don'
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t think there' s a biography like the way on the radio to see
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why my first paid job was to run a station? My second paid job
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was running another station? My third paid job was running another station? My
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fourth paid job was directing the news series. The fifth says turn the news
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on TV It' s this and then one day they plant me in front
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of the microphone. I mean, I was a manager' s guy.
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Ah always that state of three. Of course, people usually take another tour,
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they do programs and, perhaps, one day they get older and the
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norm to the manager of something they didn' t put me in, they
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already plugged me in in that world of management 27 years old. I think
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he directs the most powers the sea is still minted, yes, twenty-
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six. If you know what happens is that they noticed a kind of great
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trait that companies have a radar to detect that is the sense of responsibility.
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I, as older brother of nine brothers in the butcher shop of not so
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many of raw meat, know a little yes, yes, because I have
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three, nine because so other eight good and one more, because we had
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the sense of responsibility almost of factory, of a center of responsibility of factory.
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And all seem to species detect this and in general, because they have
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always entrusted me with tasks giving, of course, that either bad or regular,
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I was of course going to carry them out as I could not,
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and then, already because of some circumstances of life, I ended up finding
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myself in front of a microphone doing programs. But when it didn' t
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go through my mind that it was going to be my life that wasn'
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t and you remember that the first time you put yourself in front of a
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microphone and you have to tell in a story, you have to tell the
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reality to the listeners today. When I was the director of Radio Sevilla,
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when Franco was still alive the broadcaster of the team of the plain, because
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there were sometimes that intervened in scene appear some kind of comments, some observation
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or the thing And so yes, but I do not remember as a great
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solemnity, nothing very concrete. Then he also directed Ara twenty- five and
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suddenly I found myself officio stuck the drug And it was especially when after being
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director of Spanish television news, that that is a matter that caught you to
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the State drip, that asked the State drip for example, I realized one
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thing that I had not noticed and that is what happens to the coaches.
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I' m a coach, I mean, I was on the bench and
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others were playing and their success was your success and their failure was your failure.
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Uh, then, I' m always running things later. You say
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that discovery and I said today, at that time we are on Spanish television,
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we were doing well, but without the political circumstances they are of such
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caliber that it was a gale that made us all to fly And from now
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on, I triumph or I fail. I just, I mean, I
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play the field. I' ll go far or I won' t go
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far, but I' m not sitting on the bench telling people what I
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think needs to be done and waiting for it to be right or wrong to
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see if I' ve succeeded the loser. And then, above all,
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when he told me one day José María González Sinde, the father of the
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laquerologist, was a minister, who was a very friendly, honest friend of
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Chaval and such that he had been on the PC for quite a few years
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And Mira told me, I left the PC to not go to any more
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meetings. Hahaha, and I wasn' t on the PC, but I
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also got out of there so I wouldn' t go to any more meetings,
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because the management world is devastating. It' s one thing to write
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a book. It' s awful, it' s hairy. I mean,
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I ran away from there in this life. Well, and some of
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you here are witnesses to Berlin, good friend, and you' ve seen
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me get so off the rebound from that world of management and the man in
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office. Secretary of these things, it' s not clear that later I
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objected in principle to having office for nothing, that is I in thirst was
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going to be very early like him. There was no one introduced me wherever
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I wanted. I didn' t have such a thing, I didn'
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t have any slow ones and I didn' t want to have any offices.
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Never you and when I left the show, after being eight hundred years,
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what they tell you, take your stuff and go I had no drawer
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to open to take something that could take me away. And that was the
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one they said office. No. No, no, I want to fly
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to friend, to my ball and as I was lucky that at the time
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I was going to be all the free table sitting good. You' ve
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already said that you succeed or fail alone. But in the end lightning is
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a very team work, totally team work. But by saying yes, but
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it' s a team job you' re playing at. Well, no,
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it' s not quite equipment, but I differentiate it from the role
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of sitting on an instruction bench, giving instructions that others execute or not.
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I wasn' t. I participate in the fight with my colleagues, in
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a perfectly organized team. No one can do it alone, but you'
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re taking part in the fight, you' re playing on your moustaches there
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you' re not sitting. No, and that' s what I'
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m saying. I got away with it. You' ve sung a part
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of your story that I wanted to ask you about. I think when you
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were on Radio Sevilla, you got a fine of twenty- five thousand pesetas
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for saying something you shouldn' t have given a piece of that information.
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We have many, but the fattest of that is worth telling, because people
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who don' t know what a dictatorship was. With this anecdote I have
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seventy eh, but this can be very revealing. Look you couldn' t
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give information until the year seventy- six it was forbidden at two and a
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half and ten at night. All the stations in Spain connected with Radio Nacional
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and there it was given the only information that could be broadcast in Spain.
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The other stations gave local things, sports, reports, contests, music,
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but we all started to give a little bit for a sack and so with
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the problem and we had to occupy ruo that is called José María Rincón.
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That one day he caught and told on the radio, as well as that
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when he discredited a problem of money in the Provincial Council of Seville, that
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is, a problem of money the diputación polidad of Seville, with the small
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detail that the president of the diputación was the son- in- law of
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Carrero Blanco, resident of returning with this, well the Vice- President of
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the Government notice us that they see things, This gentleman of yes yes,
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well, this is the white raced hierno. The president of the council sent
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a note through information and tourism, by which that boy was fired to eternal
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for life. Outside seek another breadwinner to live, another country not to be
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forgiveness, forgiveness, truth. And then, after that had already been done,
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you tell a boy guy guy from now on you won' t be
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able to work. And then there' s a message that tells me unless
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you, the station' s director, are going to apologize. Dude,
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and here you see a servant going to the silution, to ask her forgiveness,
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because I went to ask her forgiveness. My partner was playing the bread,
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and when I got there I thought that a guy who was kind of
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just seeing me get there might already appreciate the gesture and save me. No,
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no, I didn' t wait for him to get there and apologize.
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What you didn' t hear is what I was saying inside. But
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that' s how it was. One of the small displays of moderation that
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could allow a gentleman to say that journalist that I didn' t like to
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the fucking street, but to the street not a month or, five days,
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no no In addition, in a sada sanction I could put a company,
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no, no, no, an administrative decision. So, yes,
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and then I became interested. I don' t remember, but we had
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enough of those. Well, and another of the moments I was counting on
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is that it' s that moment when you' re directing the Spanish radio
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and television news outlets, and at a stroke of this one already in democracy,
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that you hadn' t stood in front of the House until then,
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and you have to make that decision that day is perhaps one of the most
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tense, most difficult moments you' ve ever lived in your career. Well,
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for starters, I' ve already told you a lot about that,
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but the 23rd faith was the hardest day of my life for so many reasons.
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There was only one TV and I was the news director of that TV
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that there was only one and I was the only Spanish. I think he
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saw the coup d'état live without being in Congress of the deputies,
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because, as I told society, that act was not happening live because there
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was only one TV like. There was no mystery, because it was a
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second vote that already resulted. Inexorably, it was a voting routine and was
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being recorded so that it could be given on the television. I, in
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my office had the monitors from all the channels you have there are recording of
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grovisión and whatever and I saw that at the time it happened and always invited.
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Fernando has smelled me say this many times. I invite people to imagine
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what they' ve seen many times without knowing how it ends. Sure,
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you imagine you' re watching it and you don' t know how it
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ends and you see those shots and then they had all that mess there.
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So one day began, a day enormously complicated and it was very, very
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long and very very difficult for many reasons. And then, on that long
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day so many things happened that God would already need an hour to tell her
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that in the end the decision was made that I would go out to tell
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that the soldiers who had come to occupy them because they came to occupy them
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and then they left and so made the decision that it would be me who
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would say it. And then I went there to make my debut. I
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never think that aya, but there will never have been in the history of
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television anyone who debuted less worried about knowing how he was getting away with saving
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his life was enough. No cat man and there was the first time I
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saw myself on screen. I see myself now and I look like a three
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- year- old. I was thirty- eight years old. Not anymore,
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no, not little. Okay. We' ve come to talk about
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radio more than television for you that without radio there' s nothing that means
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to anyone. For me on the radio is a mechanism that establishes a natural
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communication like breathing. So when he talks about the future of the media,
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I don' t know what the radio is. He doesn' t have
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any problems. I do not know whether it will be developed with one technology
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or another, with one technical toy shop or another, if it will have
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an organizational structure of one type of enterprise of the other. But as long
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as there' s someone who has something to say to someone who has to
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listen to it. It is natural that a human being communicates in an oral
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way and that is part of social breathing. And that' s right.
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That' s why I usually define the radio, to begin with, the
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only means of communication that lives in hours, minutes and seconds like man and
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doesn' t take over you to read a book, to open the computer,
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to watch a movie. You have to leave everything to do it.
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The radio is a modest and formidable second voice. He' s seeing what
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he' s living, doing what he' s doing. And the radio
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is by your side as a company. I usually define it as a kind
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of tik tak, like a second heart that' s there I touch,
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touch, everything, while you go looking. It' s a task.
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It' s a second voice. You know, and you don' t
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need it sometimes, plus you just hear it, sometimes you listen to it,
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it' s not the same thing, and sometimes you take it away,
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but it' s not the power of your life. It doesn'
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t make you the protagonist of your life. You can be cooking, eating,
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and then you have that particularity of living with people in real time and,
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in addition, getting used to it at any angle of life. And
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the other day, Andreo from the fountain, I told him I' m
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going to entrust you with a task. Look for a name for the radio
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' s relationship with the listeners, because of course realize that a listener takes
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a radio to the kitchen, to the car, to the bed, to
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the bathroom, Uncle, that' s a family relationship. That' s
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a lot of people who go to bed and look at a ra intimacy.
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But we are not brothers, nor cousins and nephews. But we are something.
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Andre says put a name on that relationship, because that' s a
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clearly familiar ration. It establishes a very particular relationship intimacy. It wasn'
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t, because it was very easy. Eh Iñaki is worth the name.
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No. In fact, I think that for a large part of Spaniards,
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during a very long time in that country, Iñaki was synonymous with radio.
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That is to say, today was and has been the most heard program in
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the history of Spanish radio. What it meant to You, because besides,
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we all have the anecdote that Iñaki said it, that the sun has risen
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you have seen it, not that Iñaki said it. What that meant,
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what responsibility it meant for you to have on men. For me, the
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responsibility is going to be one, I mean, I' ve always said
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it to myself is enough for a person to listen to me and trust me
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and believe I' m being playing fair with him. That person fills all
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my responsibility, that is to say that there are one hundred and zero million
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more, not multiplying by one hundred thousand responsibility weighs on me one person suffices
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to me. Besides, I roll the reform from my routine. My routine
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was to tell you guys. Today his name is José Luis and he is
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from Burgos and is forty- four years old and he will wake up or
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the radi I will say hello it is six in the morning. That'
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s the raison d'être of our work. He is there, concludes,
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is born and dies our work. No polanco, no soe, no
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milk, no world, no comb. That' s great. It'
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s part of the general uproar. Children who don' t forget that our
18:25
business is there and tomorrow is Mari Carmen and tomorrow it is pepe that the
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fireman and that is the afternoon. And with that, don' t tell
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me that that doesn' t hold me responsible to imagine that a person was
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going to be in a bar in the afternoon defending a point of view that,
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perhaps, I didn' t have and that I had fed him counterbalanced
18:44
by something that I was saying to myself. That filled me with absolute responsibility
18:45
and I didn' t care. If it were eight or eight billion.
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It didn' t change It can' t change that. You think an
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actor who' s doing a deeply important function for him is going to do
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the worst because there are three empty rows in the seating yard or because it
19:04
' s full. Well, no, I' ve never noticed the crowd
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of me I' ve perceived a listener to someone who hears you struggling and
19:15
believing you and or who feels treacherous about you, or who feels deceived or
19:18
hates you because you' ve said a lot of people about yourself, but
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you don' t know. The number of people is that if I could,
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I' ve cut my head off, that is, and it also
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lets me know You think I can imagine it. I don' t understand
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that when I had a guy on the street and he still tells me that
19:34
you' re an old and retired astor and on the street I had you
19:37
tell me, since you leave Spain, he says well, yes, I
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guess they weren' t very good. Yeah, well. And in that
19:48
play you played every day in one thing that has always impressed me very much
19:51
that I have been told by colleagues who have worked with you and colleagues is
19:55
that you have never had a script until the editorial you were doing in the
19:59
morning. I don' t take four notes and let it go like that,
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well, like I' ve never done an interview with papers, but
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you don' t know the papers you have to read to do a paperless
20:08
interview. I mean, you didn' t have an interview script. Neither
20:11
did I, but I kept reading and studying and being up to date.
20:15
I did take had an action skeleton, but I had a respoxyon. Just
20:21
what I was doing. I didn' t interview anyone who wrote a book.
20:23
If I hadn' t read the book to myself, I know how
20:26
to do an interview by reading only to the solaba. We' re sleeping
20:29
and you' re still having a lot of experience. It doesn' t
20:30
seem decent to me that the work of a writer is the job of a
20:34
journalist holding an interview because he came out of the flap and that he wanted
20:37
more than my colleagues to go up and everyone knew it. It was part
20:40
of our code of good manners. And then I, when I started talking
20:44
to the writer, I didn' t need to have a lot of notes.
20:45
I was talking to an author of a book that I had read that
20:48
I had happened the same with cinema, with things, and I was trying
20:52
to inform myself and everything I could and I was trying to be aware of
20:56
the royals and have judgment. My wife often told me that it was very
20:59
funny in the time of the war of the old self, Goslavia, that
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I went crazy like everyone else, but I did, I mean, I
21:06
took, I drew some plans, some maps there to see Bosnian. Bosnian
21:10
servo servo Croatians to try to understand that formidable hieroglyphic that the next morning we
21:15
were going to comment. I was doing all day and I was saying joa
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after being here for an hour, I know how to talk five minutes about
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this subject and tomorrow all the radios are going to be talking about this for
21:26
three hours. But, but if you can' t be too complicated,
21:30
then I' m telling you. The key was to have all the information
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you could and then to give communication the spontaneity of a communication that you want,
21:38
that sprouts from you from your knowledge and not to read the interviews.
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For example, I don' t know how to do some interviews with papers
21:48
because I discovered a long time ago that people only answer if they know how
21:53
to listen to someone who doesn' t know how to listen, doesn'
21:56
t answer, corresponds to the zero doubts and almost you ask a question and
22:00
when you' ve already thrown it out and start the answer, you start
22:04
already disinteresting yourself from the answer to look for the next question. You think
22:04
that' s the interview. You don' t notice that the communication circuit
22:08
has broken. Then of course, but you have to read a lot of
22:12
interview papers, some extremely difficult on very delicate, running the risk that you
22:17
will forget something, but making sure that this is going to happen at a
22:23
point of real communication, not at a point forged by a articulation of something
22:29
written. It' s my point of view. I insist a lot.
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I don' t have a universal recipe. I know great fellows who do
22:34
wonderful perfectly written interviews. I say what happens to me and it happens to
22:38
me that I don' t know how to do that, so I take
22:44
a lot of trouble to do an interview, a lot of annoying. I
22:45
' ve refueled to lulver. Then I start making them without having any paper.
22:49
I don' t want to have any or. I' ve had
22:51
no part here, but if I hadn' t remanded myself to ask the
22:52
questions, I' m sorry. Javier, I' m going to give
22:56
you a lot of remodeling for raw meat. Ever since he came to Evole,
23:00
I' ve had the gusto. I' ve gone to row you.
23:00
We work nine more here. Yeah, it' s really ho of
23:03
them jeres. I see little representation. Yeah, I could, maybe I
23:07
' ll ask you some key questions. Two of those three you want to
23:11
come. Tell me according to all of you. Violeta Muñoz, don'
23:17
t add her, because I' m leaving the channel i Naki. Violeta
23:18
Violeta Iñaki, two stars on the radio. I, unlike Iñaki, have
23:22
to wear a script not, but because I have a question. It'
23:26
s been a long time since I explained I' m in those days that
23:29
it' s not very hot, because you' re with the jsei of
23:32
high coyo and they' re giving you a seal on your face. But
23:32
we' re going to finish and pre- see I have a key question.
23:34
Like we' re saying. Javier used to say he was a butcher
23:37
' s son, and nine children came out of that butcher' s shop,
23:42
namely, to see if I' m not misinformed, Lourdes helps people
23:45
in Korea. Pedro sports journalist with nine Olympic Games to the Ramón Executive Back
23:48
of Communication Luis and Aranza Doctors. Javier continued the family business. Jesus worked
23:53
with clarity. Jesus worked with a person to compare them and Cerebral and Angel
24:00
has come to defend the people. Well, you and that butcher shop you
24:03
ate and what we have to eat here to have so much of if you
24:07
look at a family of nine who also had grandmothers. My great- grandmother
24:11
died when I was twenty years old to want nine if you weren' t,
24:14
thirteen or fourteen and over in an open house like the houses used to
24:17
be. Then there was no cousin uncle or people with difficulties who will not
24:19
go that way. And then and we all went to the butcher shop to
24:22
run errands and we were all going to leave with them for some advice for
24:26
the meat, not trusting that the piece is beautiful. There' s attention
24:32
to this. There are a lot of pieces that are very nice and very
24:33
dry. You have to count on that pieces like I know the back,
24:38
for example, if rich, what game is very good back. Yeah,
24:44
no alub gets fucked up in a family like ours getting a little ranch going.
24:48
No, frankly, my poor mother was doing what she could, but
24:52
we didn' t get a little bit more guurbs than much success. There
24:57
some of my brothers bought themselves in the first clothes they bought, bought or
25:00
got married before they were picking clothes from the boat and school book just the
25:07
same and you loved yourself. Only that I had the advantage to the large
25:11
family that we learned to divide before to read clearly, that is, there
25:15
was no other you put, a tray of croquettes in the middle of the
25:18
direct and the brothers until I didn' t know how to say ah I
25:22
already knew he had five. The life of such a large family. Vers
25:26
is a great game, which produces very formidable movements. Or I was wondering
25:33
that we' re also a large family. A family of ours is named
25:34
on horseback between the radio, the radio and the little one, because I
25:37
wanted to ask you listen podcast you like, yes, of course, podcasts,
25:41
you listened to them since I was seven years old, because now we
25:45
have called podcast to what in the radio, before the information became possible,
25:49
had greatly developed the expressive creative capacity of the radio, with sounds, with
25:55
planes, with background music, with special effects, which now, fortunately,
25:59
has recovered to complete already all the prosibilities of the radio. Before, when
26:03
it wasn' t going to be information, it was an amputated radio and
26:08
when after the information we fell in love with it so much that we forgot
26:11
the expressive possibilities of the radio. And now that' s back again and
26:15
we call it Podcast, which I find formidable, because suddenly we already have
26:18
the whole market. Only there' s no reason for those who believe that
26:22
podcast is the radiofonic reality and the other is already dead. It' s
26:26
not part of the same thing. In fishing you already have fishing or fresh
26:29
is that frozen fishing you can make, but that you have Here there is
26:33
no one of the industry. If you mean he' s fed up with
26:36
few conversationals, he can say nothing has happened. If you have an obligation
26:40
to listen to them. Everyone would tell you, but at the moment no
26:42
one had felt, since the younger youth no longer go to the radio,
26:47
to look for the radio, they go to the podcast, well, as
26:49
they go wherever they want. But what I' m telling you is that
26:53
the chances of seeing so many death announcements, he dies on the radio,
26:59
so he dies. I have not stopped attending burials that later it turns out
27:02
that the dead you kill were in very good health. The reality is that
27:07
you remember her, although she still didn' t touch me as a man
27:11
of the profession, I don' t remember. When that radio that I
27:14
told you before, which was a radio locked in the kitchen, suddenly disappeared,
27:18
because it appeared on the radio, the radio that we now have as
27:23
a stair on the radio this and for a while the listener disappeared, that
27:30
is, the radio that had seen the listener always placed, had identified him
27:34
in his house, in the family, at the kitchen table, there was
27:37
suddenly where the listener was had lost the listener and from that apparent feeling of
27:41
panic in the room, this is over. It turns out that he was
27:48
now in the car, in the kitchen, in the short roadways he had
27:51
never been able to be and suddenly appeared on the radio used in another way
27:56
and acquired nothing more a dimension than he had never had before. And then
27:57
now the radio is followed in one way or another, podcast or not podcast
28:02
through the mobile, other metal or through whatever, but the communication game that
28:03
goes through fashions by styles and by things remains the key to the play.
28:12
I' ve always said. If anyone wants to know what the future is
28:17
going to be like radio, that explains to me what society is like and
28:18
that gives me ten minutes. If you explain to me what society is like
28:22
and you measure ten minutes, I tell you we go radio, because it
28:25
adapts like a glove in one hand, gets up without any difficulty. So,
28:27
of course, it may not have anything to do with the structures we
28:30
know. I don' t guarantee that there' s going to be the
28:34
SER or the COPE or the BBC or idea for the best. No,
28:37
no, I don' t know what' s gonna exist. I don
28:38
' t know if it' s going to deserve independent public, but everything
28:41
else is, but it can disappear or this, the rest, can disappear.
28:45
But it will be done and I don' t know how it will
28:47
be done? But I don' t even know if they' ll call
28:49
him a radio, but that' s what we see on the radio.
28:52
I remember when the television began, the morning television, they said the radio
28:56
is over and the aim is no more. But what takes place is also
29:03
transformations. Right now, a very successful TV show now has a million viewers.
29:11
This until very few years ago had so many more. I' ve
29:14
distributed in other ways. Eh it makes another sense, another value, because
29:17
look, if there is transformation, is that we that start being a radio
29:19
program, that we pass through one station and then we pass through another station.
29:22
In the end we have ended up setting up a podcast, which is
29:26
a radio program that at the same time is this space that at the same
29:29
time has a study that to proclaim the Republic within the monarchy you notice an
29:36
absolute creativity, absolute creativity and I believe that this must be inaugurated. I
29:37
' m not happy that I mentioned that, because he' s late author
29:41
looking for a perfect scissors for Iñaki, who now opens more stuff with mayor.
29:45
Why have I seen you out there how you have to cut off what
29:48
I' ve seen you inaugurate a lot of things and I have a perfect
29:51
scissors for You and I have the tape. I got the tape. We
29:52
' re going to inaugurate this swamp. Too bad I thought I was bringing
29:56
something else. You wanted to cut something because we have guillotine. As you
30:02
know, the whole Republic has been based on a guillotine. Is it a
30:04
good invention, the best invention Europe has had in the last two centuries?
30:07
Yeah, three centuries. Well, what do I remind you of this swamp?
30:11
I have to say, you can say, this swamp is open.
30:14
Please stick to the mic because this is going to be recorded for posterity.
30:17
He can already say a few words, because of the baptism of the creature.
30:22
I know you want to tell him dear posterity. I' ll get
30:26
you in the name of the north, the south, the east and the
30:29
west. Brava, eda inaugurated this swamp. But good and this you tire
30:53
San John g his sas s h I chi Hi what are neither the musical
33:52
surprise for singing herms Sun as did the plasm we performed years ago in a
34:00
unemployment office. It was almost as exciting to live it back as when I
34:05
saw it on video the first time. I, by then was not yet
34:07
here for those who have not seen it, can still be found on YouTube
34:12
putting flashmop office of the raw meat stop, as this was almost the same.
34:15
But with the musicians of variety of Azafran who also performed at the party,
34:19
giving a hilarious concert, but missing it go to you. We leave
34:22
with it very good afternoon, dear friends and friends of raw meat. Of
34:30
justice, that a place like this is a place for music and for us
34:37
varieties azafran is an honor, a pride that we have been called to make
34:45
a few coplites, inaugurate this wonderful space, this independent republic. We are
34:54
very chaste, we are great valtors of the roads of this city. And
35:01
well, in our task of internationalizing and disseminating all our values, our chairs
35:07
and also to help sell this city to international tourism, a question that is
35:14
much needed and strongly supported by that town council by the Community. We composed
35:20
chotis and in a mortal leap, we composed, we created the first chotis
35:25
in Shakespeare' s noble language in English, it is a subject called chotis
35:34
your name that we intend to interpret. Here is plenty of room to dance
35:40
or T or The play O O O O O O O O O The
38:00
city of partners Son, The lit Solf, The Down Town, The The
38:20
st Crown On, t My Like or D O O O W Silver street
39:15
ay good shows the Real This too much thanks for its very wide audience of
39:35
raw meat. The following song is a genre that we practice a lot,
39:39
because we really like tango. The tango for what it has always has in
39:45
mind a nostalgia for something that is lost is a tango very tango and speaks
39:53
of something that little by little. We' re losing visual acuity. We
40:00
are in a moment of life in which to sing to what is before us
40:04
and we see it becoming more and more cloudy. It' s called MM
40:31
presbyopia. But my master noticed that for a while there has been something strange
40:40
about my way of acting. I look like I' m missing like I
40:46
' m running away from this body. I live in limbo where no one
40:50
else is to the neighbors. We greeted on the street the acquaintances always so
40:59
why of this attitude between the latter and the desair that I wanted to be
41:06
the air more seems from desperate I sheltered in the reading and earth the book
41:15
Spenas comment I am tired of inventing so many things. It will be that
41:22
the worst rose if I don' t understand the half proves tired, chased,
41:37
must look so much and see nothing. Proebidlia seen tired. Now you
41:43
know what I mean. This look provided tired life, letter, small,
41:52
not fragrant on a paper with the look of the cast cats, before the
42:20
mockery of the whore. Reality is worth a thousand words, my vowels are
42:27
free, my second unit and self- medication with prospects murderer buys food that
42:37
I do not intend to consume paying properties that are abusive, because sometimes I
42:45
can not see even the obsolete and to me the questos rachinando the look and
42:52
long the arm, pulling away the jar. Sometimes I think that nothing happens
42:58
to me and it is the world that spends so much rotating for it.
43:06
Brevitia, tired vein, you' re going to get out of so much
43:17
looking good, not seeing anything, previdia, tired vein. Now you know
43:23
he' s hiding such a Brevitia look, all tired. Letran small,
43:31
do not coracan a father in arazafran We are very given to the galleries of
43:46
urban idols, galleries as I would say that I eat of neighborhood superheroes and
43:54
among all and all of them we have on our altar to the mutan,
44:01
because who has drunk on the trail in a room without elevator and has run
44:05
out of chocolate someday in the morning knows what it is of him. That
44:09
character in this song is called the last butanero. The last boater will arrive
44:31
in the last neighborhood of tomorrow scaring the stars in his path with the echo
44:43
of honey brass, bells or health dana de leco the silence that comes out
44:52
of the portals, the walks of an dawned magpie and the first two dogs
45:01
of the street and big God silvandona. A sharp t like a toothpick will
45:12
enter the inner courtyard. Come look for your last customers tonando their mop whoranos
45:35
a fourth port any way through the courtyard of lights cheers up that is peace
45:46
masters. The last hooker, like a triumphant atlas with his waiting on his
45:58
bona fide and right back, walks into the ladder. I take money pours
46:12
out each step as one less, each carrying his cross. In this life.
46:20
The chocolates are his Nazarene cross and whistling the arrow of who is not
46:30
will see affection or propensity. It goes with sun color route, will bend
46:40
with its truck the last corner the usual cast and then the skies will open
47:04
and a great angelic choir of cherubs will ask for four butanero chocolates while the
47:28
harps and clarinet sound. It will bring down the infinite a ladder in three
47:40
perfumed clouds of whoranus. It' ll be just like the last butanero.
47:50
It will leave the mortal world of humans. No good, good varieties to
49:42
good fran, friends and friends. And to close this little intervention, let
49:55
' s touch on a very special theme. Let' s explain ourselves first
50:00
We are very happy to be here in the Republic of Crude Meat. We
50:05
' ve been through all the places where raw meat was in your history.
50:08
That' s where we' ve been. We have intervened some time before,
50:12
and perhaps our intervention in the program the most memorable, the one we
50:16
remember most with affection, was one that was not in any of the places
50:20
it was on the phone from our house and it was in those strange months
50:27
that all of us were in the pandemic. We had made a song that
50:31
Javier and his people premiered with great affection and decided that we wanted to improvise
50:37
in that Saint Isidro, which was not a raw meat chotis. And it
50:40
' s a very peculiar song that wasn' t released on cassette, CD
50:45
or mp three, because it premiered on the phone, like the stories of
50:58
shooting with all of you today, with all of you, and besides,
51:00
we expect you to make us many choruses. When we say that little done,
51:05
they have to say eye that half raw, bey oburo and the chotis
51:15
called little made half raw, the raw chotis of raw meat. Original version
51:35
in my mind there is no confinement, because I don' t care a
51:40
pepper that I have buried while I have well opened in the window, a
51:50
coffee in the morning and the raw meat next to it, which is arraqueo
51:55
eat ahol that itches that this radio doesn' t criticize so or believes it
52:05
opinion a program with spark and good vibe songs that are the monda with guts
52:09
and heart. Or half raw bribery against funnel law with decency and rock and
52:21
roll? Ogo made half raw already shined the guillotine put on the door of
52:31
the sun? Little fact of giving raw this hypogram is paid by the one
52:43
who lights the transistor and in a world in which cacl goes his own,
52:49
I tell you with pride I will become producer. Oco made half raw against
53:00
funnel law with since encierrock and roll? Or half raw bribe already shines guillotine?
53:14
Just the door of the sun or bribe, I raw this programmed roams
53:24
you here in the good of the transistor and in a world in the cacaulva
53:31
to your own. I tell them with the rogullo I' m going to
53:37
become a producer. Yes, sir, but let' s have a good
53:40
time, uh, violet, well, well, it' s a shame
53:46
we won' t record karaoke later, too I' m telling you things
53:46
happened. Yes, but what happens in the Republic in the late hours stays
53:50
the Republic a pity that they cannot enjoy your version of Nino Bravo. No,
53:54
it' s already been enjoyed by the neighbor who calls the police.
53:58
But that' s another story. So I' ll say, as he
54:00
told the officers that oak, a party isn' t a full party,
54:05
whole and well party if you don' t sing to Nino Bravo. That
54:07
' s true too. So I hope you enjoyed the party and have a
54:10
good party this weekend, but don' t leave yet, because there'
54:15
s still more. There will be more parties next March 6th. Of the
54:19
listeners who put more for the Republic will collect their gift a visit to our
54:22
study at the inauguration that we owe them will be next March 6th, as
54:27
I said, will be with Alberto San Juan and the band that accompanies him
54:30
in his last male show screams. That party will also be broadcast the next
54:36
day, March 7. The one that we like a party, we like
54:38
very much come let' s go health and Republic and that the radio accompanies
54:45
you s s s o