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Paris is Always a Good Idea Episode 1 "Paris Revisted" (Hallmark+) · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:11
  Speaker 1: Welcome to Girls Gone Hallmark, a homemark review podcast. I'm
• 0:13
  Speaker 1: Megan and I'm a longtime Hallmark fan. I'm Wendy, I'm
• 0:16
  Speaker 1: a former homemark hater. Today we're kicking off our review
• 0:19
  Speaker 1: series of the brand new Hallmark Plus exclusive series Paris
• 0:24
  Speaker 1: is always a good idea. The first two episodes are
• 0:26
  Speaker 1: now streaming on Hallmark Plus, with the new episodes dropping weekly.
• 0:31
  Speaker 1: We invite you to keep up with us over on Instagram,
• 0:33
  Speaker 1: where we are Girls Gone Hallmark. We're also on Facebook
• 0:36
  Speaker 1: under the same name if that's your preferred platform it
• 0:40
  Speaker 1: has been lately for some people. Indeed, Hey, we would
• 0:43
  Speaker 1: love to do a special mailbag episode for Paris is
• 0:46
  Speaker 1: always a good idea, So if you have thoughts on
• 0:49
  Speaker 1: this series weekly or whatever, email us hello at Girls
• 0:53
  Speaker 1: Gone Hallmark dot com. We had a great book club.
• 0:58
  Speaker 1: I was just thinking it would be so fun to
• 1:00
  Speaker 1: hear people because episode one diverts from the book, yes,
• 1:06
  Speaker 1: and so I'd be really curious to hear people's thoughts
• 1:08
  Speaker 1: on that. Yes, so please email us. Maybe you know
• 1:12
  Speaker 1: I remember somebody in the book club asking like, hey,
• 1:14
  Speaker 1: can we circle back and discuss the show when it
• 1:18
  Speaker 1: comes out? So I don't I don't know how to
• 1:21
  Speaker 1: do that exactly. It can be group driven. We don't
• 1:26
  Speaker 1: need to be guiding those discussions. They can just use
• 1:28
  Speaker 1: that as a place to discuss the show. Love it,
• 1:30
  Speaker 1: Love it. Why don't we kick off our discussion of
• 1:34
  Speaker 1: episode one of Paris is always a good idea with
• 1:37
  Speaker 1: a synopsis. Nonprofit executive Chelsea is in Paris to secure
• 1:43
  Speaker 1: a major donor, but begins an unexpected journey across Europe
• 1:47
  Speaker 1: to reconnect with her past loves. We're going to run
• 1:51
  Speaker 1: down some of the major players in this. We'll dig
• 1:53
  Speaker 1: into them a little bit later in this series, but
• 1:56
  Speaker 1: first up, we have Lazy Sherbert as Chelsea. Michael Foster
• 2:00
  Speaker 1: plays Jason, Rebecca Hansen plays sister Annabel. Henry's Zernie plays
• 2:06
  Speaker 1: Dad Glenn. Barbara Nivin appears as Sherry. Anna Wilson Jones
• 2:11
  Speaker 1: appears as Chelsea's mom, Christine. The teleplay is by Lauren
• 2:15
  Speaker 1: Muir and Heidi Cole McAdams and it is based on
• 2:18
  Speaker 1: the book by Jen McKinley. And this episode was directed
• 2:22
  Speaker 1: by Emmer Conroy. Hey, Wendy, what is your first impression
• 2:27
  Speaker 1: of Episode one, Paris Revisited? I don't know what shocked
• 2:31
  Speaker 1: me more how good this pilot was, or hearing the
• 2:35
  Speaker 1: word lovers on Hallmark every five minutes. Well, my first
• 2:40
  Speaker 1: impression is kind of in the same vein. It's whoa
• 2:43
  Speaker 1: was that Jason Knightley or Christian Gray in the nightclub? Dude, dude,
• 2:48
  Speaker 1: thank you so much for saying that. I was like,
• 2:51
  Speaker 1: whoa Hallmark Plus after dark? It was giving yes, fifty shades?
• 2:57
  Speaker 1: Was it not? Yes? I thought I was alone in
• 3:01
  Speaker 1: this moment, and I'm so glad you said it. Yeah,
• 3:07
  Speaker 1: and that's not Oh gosh, you know, full disclosure. We're
• 3:11
  Speaker 1: recording this review before the show has. Actually I can't
• 3:16
  Speaker 1: wait to see the reaction on Hallmark Plus and so like,
• 3:19
  Speaker 1: it's not even like internet chatter. No, you know there's
• 3:23
  Speaker 1: a similarity here. Yes, ma'am what hello? No, it's yes, ma'am. Yeah,
• 3:29
  Speaker 1: it was dirty. I was like, what is happening? Book talk? Here?
• 3:37
  Speaker 1: We come totally Okay, let's can I just say I
• 3:43
  Speaker 1: really thought this was very good. I would watch this
• 3:48
  Speaker 1: one hundred percent without like, I would continue watching this
• 3:52
  Speaker 1: if we were not reviewing it, Like I would turn
• 3:54
  Speaker 1: it on and look forward to watching it every week.
• 3:57
  Speaker 1: Me too, This is so in the of what I've
• 4:00
  Speaker 1: been watching lately, like I loved lle I know you
• 4:03
  Speaker 1: hated it, but it was like light and frothy, five
• 4:05
  Speaker 1: Star Weekend, just these like female driven fun series. Yes,
• 4:11
  Speaker 1: I love it. Yeah, I really liked it. I hope
• 4:15
  Speaker 1: it lands well with Hallmark audiences. I don't know if
• 4:19
  Speaker 1: it's going to I hope so too. And because the
• 4:21
  Speaker 1: thing that for me that I like is it's really
• 4:24
  Speaker 1: walking that line. There's nothing inappropriate about it when you
• 4:28
  Speaker 1: watch it, Like, there's no nudity, there's no sec right,
• 4:32
  Speaker 1: there's no bad language. But there are going to be
• 4:35
  Speaker 1: some people who feel like it's walking a line, and
• 4:37
  Speaker 1: for me, I love that line. I'm like, push the
• 4:39
  Speaker 1: envelope a little bit. It makes it not so like hallmarkified. Yes,
• 4:45
  Speaker 1: but it could go either way. And I wonder if
• 4:48
  Speaker 1: they're like, well, it's on the streamer, so we can
• 4:51
  Speaker 1: we can push the envelope a little bit. Well, hey,
• 4:53
  Speaker 1: I'm here for it. If you're familiar with our reviews
• 4:56
  Speaker 1: of the Way Home. If you're not, you should go
• 4:57
  Speaker 1: listen to them. But if you're familiar with those, these
• 5:00
  Speaker 1: episodes are going to follow a similar format where we
• 5:02
  Speaker 1: run through kind of the major plot point beats and
• 5:06
  Speaker 1: riff on those. One thing that's not in my notes
• 5:10
  Speaker 1: because I'm not really sure where we want to put
• 5:12
  Speaker 1: it is our opening and closing bookends of the bridal Suite. Okay, yes,
• 5:18
  Speaker 1: let's just do it here. Okay, So we open with
• 5:21
  Speaker 1: our main character Chelsea. In my notes, I was like,
• 5:23
  Speaker 1: what appears to be a bridal suite At the end
• 5:25
  Speaker 1: of the episode, it very clearly is there's a wedding
• 5:27
  Speaker 1: dress hanging and she's recording a voice note for someone
• 5:32
  Speaker 1: right about how their love story came to be her
• 5:36
  Speaker 1: and whoever she's with. Correct, and then we flash back
• 5:41
  Speaker 1: to the beginning of her story. Two things. Yes, we
• 5:46
  Speaker 1: get this opening bridal suite scene, and then we get
• 5:51
  Speaker 1: into we get like the opening like the what is
• 5:55
  Speaker 1: it called, you know, like the credits and stuff. Oh yes,
• 5:58
  Speaker 1: super cute love and then they play that really cute
• 6:02
  Speaker 1: don't get me wrong, but it's like a different version
• 6:05
  Speaker 1: of it. Yeah, like if it's giving a lot of personality,
• 6:10
  Speaker 1: which I didn't expect up top. You know, we've talked
• 6:13
  Speaker 1: about a you hook us when you have a good opening. Indeed,
• 6:19
  Speaker 1: so it felt very contemporary. I loved that, But then
• 6:22
  Speaker 1: back to this bridal scene thing. I I was a
• 6:25
  Speaker 1: little discombobulated because I was like, I was expecting what
• 6:31
  Speaker 1: happened in the book. Mm hmm. You know we get
• 6:35
  Speaker 1: a bridle store in the book. Yeah, right, yeah, like
• 6:41
  Speaker 1: you know, and none of that is happening, So I'm like,
• 6:43
  Speaker 1: what what you know? I think this is a nice
• 6:48
  Speaker 1: framing device. We immediately know that Chelsea's going to end
• 6:51
  Speaker 1: up at a wedding, and she's telling the story of
• 6:53
  Speaker 1: how they get there. We just don't know who, right,
• 6:58
  Speaker 1: And I'm assuming when it we get the end scene
• 7:02
  Speaker 1: it's her wedding because we see the wedding dress in
• 7:05
  Speaker 1: the background. But maybe we could be wrong. Maybe I
• 7:09
  Speaker 1: don't know. You're right, we don't know. There is discussion
• 7:12
  Speaker 1: of another proposal in this episode, so we don't know
• 7:15
  Speaker 1: for sure. I want to talk really quickly about the
• 7:18
  Speaker 1: book versus the show and not going into comparison detail,
• 7:23
  Speaker 1: but yeah, I have only watched the first episode. To me,
• 7:27
  Speaker 1: it feels like the setup is very similar. They're telling
• 7:30
  Speaker 1: the same story, but they're framing it differently. They're setting
• 7:34
  Speaker 1: it up differently, and I am not bothered by it.
• 7:37
  Speaker 1: I loved this episode. I thought they did a really
• 7:39
  Speaker 1: nice job with all of this setup. Annabelle plays a
• 7:42
  Speaker 1: much bigger role in the series, which makes sense because
• 7:48
  Speaker 1: in a you can't have internal dialogue on the page.
• 7:52
  Speaker 1: In the show, she needs that person to bounce things
• 7:56
  Speaker 1: off of. So I like this setup a lot because
• 8:00
  Speaker 1: it tells us what we need to know in a
• 8:02
  Speaker 1: way a book, the character can do a lot of
• 8:05
  Speaker 1: thinking and we can remember these things. Yeah, I like
• 8:08
  Speaker 1: this setup. And I know there's going to be book
• 8:10
  Speaker 1: traditionalists who are not going to love that setup, and
• 8:13
  Speaker 1: I would love to hear from you how you feel
• 8:15
  Speaker 1: about that. But I'm not bothered by it at all.
• 8:18
  Speaker 1: Me neither. I loved it. I actually do think it's
• 8:22
  Speaker 1: better because the book starts off really contentious. It starts
• 8:25
  Speaker 1: off in a really negative place, and they have to
• 8:28
  Speaker 1: work backwards from that, and there is some of that
• 8:33
  Speaker 1: in this, but it doesn't set the tone for the
• 8:37
  Speaker 1: entire thing. I can't even imagine if we had started
• 8:39
  Speaker 1: off in the same place the book did, I know? Agree? Agree?
• 8:43
  Speaker 1: So why don't we get into the meat of the episode. Okay,
• 8:47
  Speaker 1: we kick it off with Chelsea at work, walking into
• 8:50
  Speaker 1: her bright, beautiful office. I mean I don't know if
• 8:54
  Speaker 1: you've ever worked for a nonprofit, but this is a
• 8:56
  Speaker 1: nice office space. I gotta say, worked for a nonprofit
• 9:01
  Speaker 1: or too, and our office spaces did not look like this.
• 9:04
  Speaker 1: That's hilarious. Yeah, it was nice. I really enjoyed her.
• 9:08
  Speaker 1: She kind of had a uniform a little bit. I
• 9:11
  Speaker 1: don't know if you noticed it later on pencil skirt.
• 9:15
  Speaker 1: I mean, that's a lazy go to, but really cute
• 9:19
  Speaker 1: tank top. But she was kind of wearing the same
• 9:21
  Speaker 1: sort of tank top later on in the episode too,
• 9:23
  Speaker 1: and I was like, Okay, girlfriend, you look good in
• 9:26
  Speaker 1: the tank top. Were are the tank top? You know,
• 9:27
  Speaker 1: Jennifer Andison has a uniform too. I'm into it with
• 9:31
  Speaker 1: Jennifer Anderson's uniform white T shirt and jeans pretty much,
• 9:35
  Speaker 1: or black T shirt and jeans and pretty I mean, hey,
• 9:39
  Speaker 1: where what works? Right? I gotta tell you this is
• 9:42
  Speaker 1: where the show instantly wins me over because we have
• 9:45
  Speaker 1: now introduced Scott, Michael Foster and Lacey. Right. We talk
• 9:49
  Speaker 1: a lot about like, oh, people having chemistry. These two
• 9:54
  Speaker 1: wow the gates chemistry. They can banter banter her He
• 10:00
  Speaker 1: is so good the pace of it too. You know,
• 10:03
  Speaker 1: you and I have talked a lot about like we
• 10:05
  Speaker 1: are from the school of Gilmour. Yes, we want that
• 10:08
  Speaker 1: rapid pace dialogue and this deliver Oh they're so good.
• 10:13
  Speaker 1: Like she comes in, he's walking on the walking pad
• 10:16
  Speaker 1: and they're instantly into it. I loved it. And you know,
• 10:21
  Speaker 1: I hate the trope of enemies to lovers, right, I
• 10:26
  Speaker 1: cannot stand it. But here I'm buying into these enemies.
• 10:32
  Speaker 1: Well see, I hate enemies to lovers too because I
• 10:35
  Speaker 1: think it's so hard to execute well. And I think somehow,
• 10:41
  Speaker 1: in spite of the fact that they are not being
• 10:43
  Speaker 1: nice to each other, there is something about their chemistry
• 10:46
  Speaker 1: that's drawing me to the two of them. It's because
• 10:49
  Speaker 1: there's this like low key sexual tension between right, yes,
• 10:53
  Speaker 1: and so it is done in a way where you're like, oh, well,
• 10:57
  Speaker 1: I'm rooting for these two already, and it's not a secret,
• 11:01
  Speaker 1: like they're the two leads. You know, they're supposed to
• 11:03
  Speaker 1: end up together. Let me make it comparison here, okay,
• 11:06
  Speaker 1: real quick. When we watched Mystery one oh one, uh huh,
• 11:11
  Speaker 1: those two were not enemies, right. They didn't come out
• 11:15
  Speaker 1: for anner, They weren't didn't start as enemy. The lovers,
• 11:17
  Speaker 1: but there was this low level sexual chemistry between them
• 11:21
  Speaker 1: that drew us in. Yes, so I kind of feel
• 11:25
  Speaker 1: like it's the same, similar in some sort of way,
• 11:29
  Speaker 1: and you can't write for that. I mean, you can
• 11:31
  Speaker 1: only write for that so far. Right, Yes, the writing
• 11:34
  Speaker 1: has to be there, the storytelling has to be there,
• 11:37
  Speaker 1: but you've got to get give the credit to Lazy
• 11:39
  Speaker 1: and Scott Michael Foster in this moment. And I think
• 11:42
  Speaker 1: Scott Michael Foster is excellent. I think they're both excellent casting.
• 11:46
  Speaker 1: Like Lazy plays like the buttoned up type a so well,
• 11:50
  Speaker 1: but Scott Michael Foster it is a plus casting and
• 11:56
  Speaker 1: someone who loved the series Greek, the progression from him
• 12:00
  Speaker 1: as Cappy on Greek to this is a thing of beauty.
• 12:04
  Speaker 1: I'm all in. Yeah, me too, I'm all into. But
• 12:07
  Speaker 1: you know, it's funny you say, like, oh, Lacey's this
• 12:09
  Speaker 1: type a buttoned up, and she is, but she's different
• 12:13
  Speaker 1: from we've seen her type a buttoned up in other
• 12:17
  Speaker 1: Hallmark things. Here she's a little bit more like lived
• 12:20
  Speaker 1: some life and has dealt with some shit. Sorry, you
• 12:24
  Speaker 1: know that feels like she's the character is so different
• 12:29
  Speaker 1: than who she's played in the Past on Hallmark to Me,
• 12:31
  Speaker 1: to Me, Yeah, she plays a romantic a lot of
• 12:34
  Speaker 1: times on All Yeah, uh huh, sweet, Like I just
• 12:38
  Speaker 1: loved it. I loved it so much. I love that
• 12:39
  Speaker 1: they like really challenge each other, they interrupt each other.
• 12:43
  Speaker 1: He's ambitious and smug, but also like emotionally intelligent underneath
• 12:50
  Speaker 1: it all. I agree, And in the early voiceover from
• 12:53
  Speaker 1: the Bridal Sweet, the big takeaway is, yes, she's telling
• 12:56
  Speaker 1: the story of her love story, but she's also telling
• 12:59
  Speaker 1: a how it came from a broken hearted place. Like
• 13:02
  Speaker 1: she's talked about how she left Europe broken hearted, and
• 13:05
  Speaker 1: she left broken and that has put her in the
• 13:07
  Speaker 1: place she is today where she's very closed off to
• 13:10
  Speaker 1: the idea of love. So she is not bantering from
• 13:15
  Speaker 1: like a flirty perspective, yes, uh huh at all, Nightly,
• 13:19
  Speaker 1: I would argue, is a little bit for sure. Yeah,
• 13:22
  Speaker 1: I think she's kind of more like tightly wound and
• 13:27
  Speaker 1: emotionally you know, closed off, close off, Yeah, exactly. And
• 13:31
  Speaker 1: he's trying to use his charms to get what he
• 13:34
  Speaker 1: wants and she's not having it. She's not having it.
• 13:37
  Speaker 1: I love it. Also, a question for you, is this
• 13:39
  Speaker 1: a duncan sponsorship in this moment, of course. I mean
• 13:42
  Speaker 1: it's like bright orange, enormous black coffee, black and boring.
• 13:48
  Speaker 1: I laughed out loud. I loved it. I was like, oh, hey, Duncan,
• 13:53
  Speaker 1: I'm you know, it is giving Kings Hawaiian a little bit.
• 13:57
  Speaker 1: But it's going to be hard to turn me off
• 13:59
  Speaker 1: of this show. I think me too. But I was like, Okay,
• 14:01
  Speaker 1: we're in Boston. I got it, Duncan, got it. Check check. Yeah,
• 14:05
  Speaker 1: it makes sense. It's perfect product placement, totally, totally, totally.
• 14:11
  Speaker 1: Basically like the net net of this office scene is
• 14:13
  Speaker 1: Chelsea does her presentation. Sophie Arno is this like executive
• 14:18
  Speaker 1: who's also kind of like can't be bothered. It was
• 14:21
  Speaker 1: very weird. She's like got her dog, she's distracted, but
• 14:24
  Speaker 1: everyone's like afraid of her. She pulls all the strings
• 14:27
  Speaker 1: and she's like, all right, you got to come to
• 14:28
  Speaker 1: Paris to pitch me. Here Chelsea spins out a little bit.
• 14:32
  Speaker 1: She's like, I can't go back to Paris. I loved
• 14:34
  Speaker 1: how her boss was like, all right, I'll just said
• 14:37
  Speaker 1: nightly and she's like, nope, I can do it. I
• 14:39
  Speaker 1: can do it. I loved her boss. I love I
• 14:41
  Speaker 1: love aiden a great casting again, and the way that
• 14:46
  Speaker 1: the dialogue is written and the interactions between the two.
• 14:49
  Speaker 1: They have a phone call later on too, that I
• 14:51
  Speaker 1: loved very much. Are you gonna make me use my
• 14:54
  Speaker 1: boss voice? I loved it, loved it all right. So
• 14:57
  Speaker 1: let's move into the family dinner scene where she has
• 15:01
  Speaker 1: to tell her dad and sister that she has to
• 15:04
  Speaker 1: go to Paris. Huh. What I liked about here is
• 15:09
  Speaker 1: that what I didn't understand at first is like I
• 15:12
  Speaker 1: was like, Oh, Chelsea's not afraid of Paris, Like she's
• 15:15
  Speaker 1: afraid of saying goodbye to her mother and revisiting all
• 15:18
  Speaker 1: of that emotional baggage again. I thought, Okay, here's the
• 15:24
  Speaker 1: meat of the show, Like the emotional aspect of the show.
• 15:27
  Speaker 1: It's not just going to be you know, Chelsea like
• 15:31
  Speaker 1: revisiting these lovers or having this new connection with Jason
• 15:36
  Speaker 1: Knightley or whatever it's about, like dealing with the loss
• 15:41
  Speaker 1: of her mom. Yes, and I really liked it. Yeah,
• 15:46
  Speaker 1: that framing is so much more obvious in the series
• 15:49
  Speaker 1: than in the book. Yes, I like it too. I
• 15:52
  Speaker 1: think it it deepens our connection to the characters and
• 15:55
  Speaker 1: it tells a more emotionally rich story. Right, let me
• 16:00
  Speaker 1: talk about Sherry in this scene. Yes, for sure. I
• 16:02
  Speaker 1: think they do a really nice job of setting up
• 16:05
  Speaker 1: Sherry as this perfectly lovely woman who as the audience,
• 16:11
  Speaker 1: it makes us hard to dislike her, even when we
• 16:14
  Speaker 1: see what happens a little later when there's some pushback
• 16:18
  Speaker 1: from Chelsea, because immediately Sherrie's lovely. To Chelsea, she's like,
• 16:23
  Speaker 1: we ordered your favorite. And then as soon as she
• 16:25
  Speaker 1: can sense tension at the dinner table, she's like, oh,
• 16:28
  Speaker 1: this is not a moment for me, and she bows
• 16:30
  Speaker 1: out gracefully. Yeah, And I think, Okay, now we've set
• 16:33
  Speaker 1: her up as this woman who is a good partner
• 16:36
  Speaker 1: for your dad and understands like, hey, he needs this
• 16:40
  Speaker 1: moment with his daughters, and I'm gonna bounce and it's
• 16:42
  Speaker 1: not heavy handed, and so to me, I'm like, I'm
• 16:46
  Speaker 1: team Sherry. I'm team Sherry too, and I know Chelsea
• 16:48
  Speaker 1: will get there even in this moment, like she says
• 16:51
  Speaker 1: something like sny Ter her sister, like didn't they just
• 16:54
  Speaker 1: meet two weeks ago at the auction or whatever? Yeah,
• 17:00
  Speaker 1: but I'm rooting for Sherry here, of course, And Barbara
• 17:04
  Speaker 1: and Nevin can you stop being so impossibly gorgeous, like,
• 17:08
  Speaker 1: stop it right now. Question for you, sister. Annabelle seems
• 17:14
  Speaker 1: incredibly young to me. I don't know if it's like
• 17:18
  Speaker 1: casting or wardrobe that they put her in that. I
• 17:22
  Speaker 1: know she's younger, but she seems very young. Now. I
• 17:27
  Speaker 1: googled the age of the actress that plays her. Uh huh.
• 17:31
  Speaker 1: Her name is Rebecca Hanson. She's thirty two in real
• 17:34
  Speaker 1: life according to The Lazy forty forty ish. Yeah, something
• 17:39
  Speaker 1: like that. I mean, it works, But she just looks.
• 17:42
  Speaker 1: She looks like a teenager, this girl, she looks. I agree,
• 17:45
  Speaker 1: she looks younger than Lazy. I think it is both that.
• 17:49
  Speaker 1: A she is younger than Lazy, and like you said,
• 17:52
  Speaker 1: she's very sporty and so she's not wearing a ton
• 17:56
  Speaker 1: of makeup. Her outfits are very casualable. So I think
• 18:01
  Speaker 1: it's a combination of all of those factors. Now, with
• 18:05
  Speaker 1: that said, I love Annabelle me too. I love Annabelle,
• 18:10
  Speaker 1: and I love the Chelsea and annabel scenes together. I'm
• 18:13
  Speaker 1: so glad this character was elevated in the series because
• 18:17
  Speaker 1: I'm having not seen the rest. I'm like, oh, she's
• 18:19
  Speaker 1: gonna be Chelsea's partner throughout all of this, and you know,
• 18:22
  Speaker 1: I hope she's in every episode because they're so good together.
• 18:26
  Speaker 1: They have such nice sisterly vibes, and in spite of
• 18:30
  Speaker 1: annabel being the younger sister, she's the more emotionally mature
• 18:34
  Speaker 1: one because Chelsea has been so closed off. And they
• 18:39
  Speaker 1: do make like a therapy reference, like Annabelle's in school
• 18:42
  Speaker 1: to become a therapist. But at one point when she's
• 18:45
  Speaker 1: talking to her dad, she's like, that's my own therapy.
• 18:48
  Speaker 1: They didn't just make me rehab my knee. So like
• 18:50
  Speaker 1: she's dealt with her stuff in a way that Chelsea hasn't. Yeah,
• 18:55
  Speaker 1: so good. Are you ready to talk about the Paris
• 19:07
  Speaker 1: revisited envelope? Let's do it. When they get to the
• 19:11
  Speaker 1: hotel in Annabelle's unpacking our step and Chelsea sees the envelope. Now,
• 19:17
  Speaker 1: we had gotten a little bit of flashback scene at
• 19:20
  Speaker 1: the dinner, so that was giving a little bit of
• 19:22
  Speaker 1: context of they were supposed to be in Paris at
• 19:25
  Speaker 1: some point to say goodbye to their mother who passed.
• 19:31
  Speaker 1: I didn't know if it was like leaving her ashes
• 19:33
  Speaker 1: somewhere or what it was exactly then we get to
• 19:38
  Speaker 1: Chelsea sees the envelope on the bed and she's pissed.
• 19:45
  Speaker 1: She feels a little bamboozled in this moment. She asks Annabel, like,
• 19:48
  Speaker 1: are you just trying to spring this on me? You're
• 19:50
  Speaker 1: on my work trip. You know, we didn't talk about it.
• 19:53
  Speaker 1: But Annabel gets his great idea like, oas let us
• 19:55
  Speaker 1: go to Paris with you. We're there as your support team. Yah. Right,
• 20:00
  Speaker 1: So Dad and Annabel go on this trip with her,
• 20:02
  Speaker 1: which is maybe a little bit unbelievable, but also I
• 20:07
  Speaker 1: kind of love it. Yeah, of course. So I'm curious, Megan,
• 20:13
  Speaker 1: would you feel bamboozled if you saw that your sister
• 20:17
  Speaker 1: had brought this? Well. I was watching it and I
• 20:20
  Speaker 1: was like lazy, immediately lazy. Chelsea immediately jumps to conclusions,
• 20:24
  Speaker 1: and in the moment I was like, wait, just let
• 20:26
  Speaker 1: her talk, like hear her out, ask like find out
• 20:28
  Speaker 1: why it's there. But I can kind of understand her
• 20:31
  Speaker 1: point of view, like what are you doing? Like I
• 20:33
  Speaker 1: couldn't do it then, what do you mean you think
• 20:35
  Speaker 1: I can do it now? But then I think the
• 20:37
  Speaker 1: reveal is so much worse because Annabel and Glenn told
• 20:42
  Speaker 1: Chelsea like no, don't worry. We did it after you left. Yeah,
• 20:45
  Speaker 1: And now Chelsea's finding out like, oh, we didn't do
• 20:48
  Speaker 1: it without you, and I feel like that's an extra
• 20:50
  Speaker 1: layer of guilt. She's like, oh, man, not only was
• 20:52
  Speaker 1: I not able to do it, but I stopped my
• 20:54
  Speaker 1: family from right right. And then in this scene, she
• 21:00
  Speaker 1: just happens to look out the window of the hotel
• 21:02
  Speaker 1: and what does she see. It's just like a double
• 21:05
  Speaker 1: whammy of you know, bs that she has to deal with. Yeah,
• 21:10
  Speaker 1: and she feels like nightly arriving, there is a sign
• 21:13
  Speaker 1: that her boss doesn't trust her to close the deal. Right,
• 21:18
  Speaker 1: he is there to close the deal. Yeah, And I
• 21:22
  Speaker 1: got to tell you when he's like I'm your closer,
• 21:24
  Speaker 1: I was like, it's kind of hot. Total there is
• 21:27
  Speaker 1: something about it. But like you said, I do love
• 21:29
  Speaker 1: the conversation she has with her boss. And I love
• 21:31
  Speaker 1: it for two reasons. One, Chelsea advocates for herself. She's
• 21:35
  Speaker 1: not a shrinking violet. She's like, I got us here
• 21:39
  Speaker 1: like I always gets here. I did the work. But
• 21:44
  Speaker 1: then her boss is like, do I need to pull
• 21:46
  Speaker 1: the boss card? Like I'm gonna put on my deep
• 21:49
  Speaker 1: voice and be like you're gonna do it, And I
• 21:52
  Speaker 1: like his perspective. He's like, look, it's just extra help.
• 21:55
  Speaker 1: It's not gonna hurt to have an extra person on hand.
• 21:58
  Speaker 1: I trust you, but it's too big for me to
• 22:01
  Speaker 1: not put everybody on the team that could possibly benefit, right,
• 22:05
  Speaker 1: I don't know. I liked it. I liked it too.
• 22:08
  Speaker 1: So then we see like Chelsea and Jason they have
• 22:11
  Speaker 1: She's basically like showing this was really funny. I didn't
• 22:15
  Speaker 1: realize that was her at the beginning that she was
• 22:18
  Speaker 1: listening to herself, like, oh, grab the bull by the
• 22:21
  Speaker 1: balls kind of she's listening like to her own presentation
• 22:26
  Speaker 1: presentation exactly. The grab the bull by the Balls is
• 22:29
  Speaker 1: a reference to a movie called Never Been Kissed where
• 22:33
  Speaker 1: she is listening to her own self help of her
• 22:35
  Speaker 1: own voice. Do you know what I'm talking about? I do,
• 22:37
  Speaker 1: remember I do? Anyway, So she's got Jason listening to
• 22:41
  Speaker 1: like her presentation, right, and he's like, you do this
• 22:45
  Speaker 1: every time. I just thought it was so funny. And
• 22:47
  Speaker 1: here they have this great banter again and she tells, man,
• 22:54
  Speaker 1: the way I got choked up in this scene when
• 22:57
  Speaker 1: she tells because he's given her hard time, like what's
• 22:59
  Speaker 1: your family doing here? Like this doesn't make any sense, right,
• 23:03
  Speaker 1: and she's she explains, my mom died and she's like,
• 23:06
  Speaker 1: don't give me your pity party. It was ten years ago, again,
• 23:09
  Speaker 1: totally showing how she's like closed off right. But when
• 23:12
  Speaker 1: she says, like they were supposed to do this ten
• 23:15
  Speaker 1: years ago, go to the city she loves and leave
• 23:18
  Speaker 1: her there, ye, I crumbled just into a ball of
• 23:25
  Speaker 1: weeping mess. Who am I former hallmarketer? I just thought
• 23:29
  Speaker 1: this was so good, so so good. Then he says
• 23:35
  Speaker 1: they need closure and you're not allowing them to do that.
• 23:39
  Speaker 1: I know. Tough love from Jason Knightley totally. And then
• 23:42
  Speaker 1: when she like she pauses and like taps her I'm like,
• 23:45
  Speaker 1: I watched this scene so closely. She taps herself on
• 23:48
  Speaker 1: her like chest yes, and she's like I actually do
• 23:51
  Speaker 1: hate you and walks away. I just was like, this
• 23:54
  Speaker 1: is so freaking good. I loved it. I love that.
• 23:59
  Speaker 1: He was like, hello, they got on a plane, no notice,
• 24:03
  Speaker 1: Like who is able to do that? And you're just
• 24:06
  Speaker 1: out here? Oh, like, get it together, Chelsea. I loved it.
• 24:10
  Speaker 1: Or get it together Martin as he would say, I
• 24:12
  Speaker 1: love it. Yeah. When a dude calls someone by their
• 24:15
  Speaker 1: last name, Oh do you? Yeah, it does something for me. Funny.
• 24:20
  Speaker 1: That was really funny. So of course we see from
• 24:25
  Speaker 1: here Chelsea hears his advice basically, and then they set
• 24:30
  Speaker 1: out to open the Paris Revisited envelope with her family,
• 24:34
  Speaker 1: and like they go and do the things right. This
• 24:39
  Speaker 1: is hard to watch for a couple things. For me.
• 24:43
  Speaker 1: We're listening to like recorded voice memos basically, right. I
• 24:50
  Speaker 1: know we're not doing wishes, but here's my wish. I
• 24:52
  Speaker 1: wish here they would have the listening to these long
• 24:58
  Speaker 1: audio recordings isn't cinematic, and I do wish we would
• 25:03
  Speaker 1: have had a little bit of a flashback of the
• 25:05
  Speaker 1: mom recording them or something to just make it visually richer.
• 25:09
  Speaker 1: We're sitting on like this you know, subway or tube
• 25:13
  Speaker 1: or whatever train, listening to everybody's like surrounded listening to
• 25:18
  Speaker 1: this tape. It's not it. I'm as a viewer having
• 25:23
  Speaker 1: a hard time following it. Yeah, I mean I didn't
• 25:27
  Speaker 1: find it hard to follow, but I do agree with
• 25:28
  Speaker 1: your point that it would be nice if we had
• 25:32
  Speaker 1: the mom or like even just a visual of her
• 25:34
  Speaker 1: recording this. Yeah, you know, I felt terrible for Annabel,
• 25:39
  Speaker 1: and then I felt terrible for Chelsea in these scenes here,
• 25:42
  Speaker 1: you know, Annabel the mom wants Annabel to go to
• 25:45
  Speaker 1: this bakery and have this whatever. It's a cheese shop,
• 25:50
  Speaker 1: but yeah, okay, and it's closed permanently. And if they
• 25:54
  Speaker 1: would have done it ten years before when they were
• 25:57
  Speaker 1: supposed to, she would have had this experience. And then
• 26:01
  Speaker 1: the message goes on about her being this great soccer
• 26:04
  Speaker 1: superstar and now we've known that, like she's had a
• 26:08
  Speaker 1: career ending injury, and you know, all this stuff could
• 26:12
  Speaker 1: have been said ten years ago, and Annabel is wrecked
• 26:15
  Speaker 1: about it and kind of pissed about it. Chelsea, to me,
• 26:22
  Speaker 1: feels guilt about it. Yes. Uh, it's a hard watch,
• 26:26
  Speaker 1: but it's done so well. So Annamel doesn't listen to
• 26:29
  Speaker 1: her whole She's like, I can't listen to this anymore.
• 26:32
  Speaker 1: And I'm curious, do you think there's a point at
• 26:35
  Speaker 1: which the rest of that voice message comes into play? Oh? Maybe,
• 26:41
  Speaker 1: because the thing that upsets her is she's like, I'm
• 26:44
  Speaker 1: not even this person anymore, Like, yeah, you know, this
• 26:47
  Speaker 1: person that she was so excited about and so proud
• 26:49
  Speaker 1: of doesn't even exist. And Chelsea makes the point like
• 26:52
  Speaker 1: it wasn't she was just proud of who you were
• 26:54
  Speaker 1: and who you were in this moment played soccer. But
• 26:58
  Speaker 1: just because that's not part of your life doesn't mean
• 26:59
  Speaker 1: she was like I take it all back. But of
• 27:02
  Speaker 1: course for Annabel, hearing her mom say those things after
• 27:06
  Speaker 1: the fact isn't helpful. So I wonder if there's an
• 27:10
  Speaker 1: end to that message that will help Annabel reconcile what
• 27:15
  Speaker 1: she's feeling. I hope, so now to that because you
• 27:19
  Speaker 1: know what happens. No, I don't, okay, I do not. Okay.
• 27:23
  Speaker 1: This goes along with Chelsea's voice memo which is listened
• 27:27
  Speaker 1: to at the Eiffel Tower about Chelsea being a romantic
• 27:31
  Speaker 1: and she always follows her heart and Annimel's like, get
• 27:33
  Speaker 1: out of here. Who's that? Like, I don't even know
• 27:36
  Speaker 1: who that person is. And so they're all, I think,
• 27:40
  Speaker 1: in some ways not living up to the promise and
• 27:44
  Speaker 1: dreams that her their mother had for them, and that's
• 27:48
  Speaker 1: a tough pill to swallow totally. And then of course
• 27:54
  Speaker 1: we get the dad's memo read in the park. Do
• 27:58
  Speaker 1: they even play it? They do? Right? Can they do? Yeah?
• 28:02
  Speaker 1: She's like I had a full life because of you,
• 28:05
  Speaker 1: because of my daughters. She basically tells them like, I
• 28:10
  Speaker 1: keep living, keep living. Yeah, And this is when he
• 28:14
  Speaker 1: tells them, like, you know, he's like I found love again.
• 28:19
  Speaker 1: And they're like, what do you mean love? It's only
• 28:21
  Speaker 1: been three months. And he's like, I'm gonna propose, and
• 28:23
  Speaker 1: Annabell knew, and Chelsea feels betrayed. And Chelsea walks off
• 28:28
  Speaker 1: because she's like, first of all, feeling left out because
• 28:30
  Speaker 1: she's like, it's the Dad and annabel show all over again,
• 28:33
  Speaker 1: because obviously Chelsea was more like her mom. Annabelle's more
• 28:36
  Speaker 1: like her dad. She's like the sports girl. But I
• 28:39
  Speaker 1: like that Annabel and Chelsea squashed their beef about this
• 28:43
  Speaker 1: very quickly. Yeah, Like Annabel finds Chelsea on the roof
• 28:47
  Speaker 1: an a robe, drinking wine straight out of the bottle.
• 28:49
  Speaker 1: This is one of the greatest scenes ever and so
• 28:53
  Speaker 1: not Hallmark, no drenking out of that wine bottle like that.
• 28:57
  Speaker 1: I loved it. She's like, I couldn't find a glass
• 28:59
  Speaker 1: and I love that they used to snap right into
• 29:03
  Speaker 1: sister mode because Annabel's like, I would have told you,
• 29:06
  Speaker 1: but he told me I couldn't. And then she wants
• 29:08
  Speaker 1: a Pink Park shaped diamond and Chelsea's like, it's nothing
• 29:12
  Speaker 1: like Mom. I don't understand. And I think, if you're
• 29:16
  Speaker 1: in this situation, do you really want your parent to
• 29:19
  Speaker 1: remarry someone just like the parent that has passed away,
• 29:25
  Speaker 1: Like you don't want to replacement, you would want Chelsea's
• 29:28
  Speaker 1: having a hard time. I get having a hard time
• 29:29
  Speaker 1: with it, but I just think it's like, oh, it's
• 29:31
  Speaker 1: nothing like Mom. I don't understand. Yeah, it's an interesting sentiment.
• 29:35
  Speaker 1: It is, it is. But this is what I loved
• 29:37
  Speaker 1: is like they apologize to each other, then they just
• 29:41
  Speaker 1: get right into sister mode like they're teasing, they're honest,
• 29:44
  Speaker 1: like it's all very lived in. Annabelle says this line
• 29:49
  Speaker 1: she's talking about grief or pain, and she's like, you
• 29:51
  Speaker 1: have to feel it if you want to heal. Like
• 29:54
  Speaker 1: so that's their like catalyst to for Chelsea to move forward.
• 29:58
  Speaker 1: I think I just love this scene so much. And
• 30:03
  Speaker 1: I don't you know, you probably know this, but Lacy
• 30:06
  Speaker 1: Shipara lost her sister. Her sister died a couple of
• 30:10
  Speaker 1: years ago, and I wonder how how this was for
• 30:14
  Speaker 1: her to film this scene here, or these sister scenes,
• 30:18
  Speaker 1: because the sister scenes are really good. Yeah, and I'm
• 30:21
  Speaker 1: just wondering, like is this is she how much is
• 30:25
  Speaker 1: she bringing like of real life into this, you know,
• 30:27
  Speaker 1: like how she agree with She's just really good, really good.
• 30:32
  Speaker 1: They're both really good in this all right, Now, let's
• 30:34
  Speaker 1: talk about the Jason Knightley slowburne of it all. It
• 30:38
  Speaker 1: piggybacks off the scene before when they're on their rooftop.
• 30:41
  Speaker 1: Annabel's like you owe me basically, so Chelsea takes her
• 30:45
  Speaker 1: out to dinner. They go out to dinner and they're
• 30:47
  Speaker 1: having like this like great you know, great conversation over
• 30:50
  Speaker 1: dinner or whatever, and then they decide to go dancing.
• 30:54
  Speaker 1: This is the scene where I think maybe you might
• 30:57
  Speaker 1: be It's very sexy without being it's sensual. Yeah, exactly.
• 31:03
  Speaker 1: So like we have like Annabelle and Lacey are dancing
• 31:07
  Speaker 1: and we don't really see annabel but like Lacey's like
• 31:09
  Speaker 1: lost in Lacey. Chelsea's lost in memory of the dude
• 31:14
  Speaker 1: that she once knew in Paris, right, and you know,
• 31:19
  Speaker 1: she like lets her hair down and she's like really
• 31:23
  Speaker 1: into it, and then like she sees Jason watching her,
• 31:30
  Speaker 1: which is almost like I would have died a little
• 31:34
  Speaker 1: bit inside. Of course, if you're having like this moment, right.
• 31:37
  Speaker 1: But Chelsea's like thinking about like the guy that she
• 31:41
  Speaker 1: knew from Paris, Like those scenes are feel very sensual
• 31:45
  Speaker 1: to you, and it's lighting. It's not even anything. It's
• 31:50
  Speaker 1: like a close up of her face, like their two
• 31:53
  Speaker 1: body emotion and have like they're glowy, like not sweaty,
• 31:57
  Speaker 1: but like the suggestion of sweat. Yeah, I mean it
• 32:02
  Speaker 1: was we talk about it. You know, you mentioned it
• 32:04
  Speaker 1: before in Providence Falls, where like the zipper scene or
• 32:09
  Speaker 1: the chair chair pulling scene, these are so nuanced, but
• 32:14
  Speaker 1: they really do something in the scene, and I thought
• 32:18
  Speaker 1: the way this was shot was was like that as well.
• 32:20
  Speaker 1: I agree. Then we see Jason comes over and he's like,
• 32:24
  Speaker 1: I didn't even like notice it was you, you know,
• 32:27
  Speaker 1: I ever have your hair down, blah blah blah whatever.
• 32:29
  Speaker 1: And it gets a little like testy between these two
• 32:33
  Speaker 1: a little, well a lot. She's like, first of all,
• 32:37
  Speaker 1: she snaps right into me and mommy mode and she
• 32:42
  Speaker 1: is like yeah, She's like you're infuriating and irresponsible, and
• 32:47
  Speaker 1: then she puts her hand on his chest and says,
• 32:50
  Speaker 1: you don't get to be lazy. And this is when
• 32:53
  Speaker 1: like the whole scene, just like and he says his yes, ma'am,
• 32:58
  Speaker 1: and oh, my god, is that Yeah? It's I I
• 33:04
  Speaker 1: rewound it because I'm like, am I did I just
• 33:06
  Speaker 1: see what I saw? Like? Am I taking it it
• 33:11
  Speaker 1: the way that it's supposed to be? Or am I
• 33:13
  Speaker 1: reading to my watched the episode twice and I think
• 33:15
  Speaker 1: you're taking it the way it's intended. Yeah, I mean
• 33:18
  Speaker 1: I loved it. And then the sister comes over and
• 33:20
  Speaker 1: she's like, we hate him, right, I Actually this kind
• 33:24
  Speaker 1: of hurt me a little bit because she's like, we
• 33:27
  Speaker 1: hate him, and Chelsea agrees, and he's like the feeling's mutual.
• 33:29
  Speaker 1: And I was like, oh, man, like accept Chelsea's giving
• 33:34
  Speaker 1: him sex eyes as he walks away, you know, and
• 33:37
  Speaker 1: Annabel's like, do we really hate him? But I kind
• 33:41
  Speaker 1: of was like, I understand that he's infuriating to her,
• 33:45
  Speaker 1: especially based on past action, because she sets him up
• 33:48
  Speaker 1: as this guy who, like you know, uses her for
• 33:50
  Speaker 1: her research and then takes credit and all of this.
• 33:53
  Speaker 1: But he hasn't really been acting in an infuriating way
• 33:57
  Speaker 1: to the outside observer. There's no reason to you assume
• 34:01
  Speaker 1: that he's not going to get the work done. She
• 34:03
  Speaker 1: just thinks he doesn't work as hard as she does
• 34:05
  Speaker 1: because he doesn't work the same way she does. So
• 34:09
  Speaker 1: I hate you of it. All that kind of hurts me. Well, all,
• 34:15
  Speaker 1: hopefully they'll rebound from that. I mean, I assume they will.
• 34:20
  Speaker 1: It's the next morning and Else's like scrolling through all
• 34:23
  Speaker 1: her old photos and has all these memories of all
• 34:25
  Speaker 1: the men of her trip. And then we learn that
• 34:27
  Speaker 1: Sophie has pushed their meeting and Chelsea's like so typical,
• 34:30
  Speaker 1: and she's like, well, time for a vacation, and she
• 34:34
  Speaker 1: asked Cenabel to come. They make nice with the dad,
• 34:37
  Speaker 1: Like dad shows up with coffee and he apologizes for
• 34:41
  Speaker 1: springing it on them. I kind of feel like the
• 34:43
  Speaker 1: girls owe him an apology, or at least Chelsea for
• 34:48
  Speaker 1: her reaction. But you know, he's like, I will always
• 34:52
  Speaker 1: love your mom, but I love Sherry too, and I
• 34:54
  Speaker 1: you know, he does deserve to continue living his life.
• 34:59
  Speaker 1: Chelsea doesn't even Rea act that though, she like, he
• 35:01
  Speaker 1: says like, all, I love Sherry too, and Chelsea doesn't
• 35:05
  Speaker 1: say anything, Yeah, she just says like we're gonna do
• 35:08
  Speaker 1: the mom thing, like yeah, she wanted me to go
• 35:11
  Speaker 1: back and revisit these guys, and we're going to go
• 35:13
  Speaker 1: do that. And so the closing scene is, you know,
• 35:17
  Speaker 1: she's voiceovering this is still her bridal sweet voice memo.
• 35:23
  Speaker 1: She like, I closed the door to my heart when
• 35:24
  Speaker 1: I came home from my last Europe trip, but I
• 35:27
  Speaker 1: came home with questions about my life and my loves.
• 35:30
  Speaker 1: And she and annabel are off to Ireland. Yeah, we
• 35:34
  Speaker 1: get like the tiniest bit of Ireland. I just like
• 35:38
  Speaker 1: setting it up of like who Colin is and but
• 35:42
  Speaker 1: it's just like a little bit of a cliffhanger for
• 35:46
  Speaker 1: the next episode, right. I love that she takes Annabelle
• 35:50
  Speaker 1: on this. Yes, with her, I'm again like I know
• 35:54
  Speaker 1: I've talked about the between them. Their scenes are so great. Yeah,
• 36:00
  Speaker 1: I cannot wait for episode two. How many episodes are there?
• 36:04
  Speaker 1: Six eight? It's only six, but I mean, let's not
• 36:08
  Speaker 1: drag it out. But it's so good it is. And
• 36:13
  Speaker 1: I just we cut back to the bridal suite at
• 36:14
  Speaker 1: the very end. Yes, and this is when it's very
• 36:17
  Speaker 1: clear that it's a bridal suite. There's a wedding dress
• 36:19
  Speaker 1: in the background. So the thing I notice is it's
• 36:22
  Speaker 1: very pink and we know that Sheerry wanted a pink diamond.
• 36:26
  Speaker 1: Oh yeah, But she's telling the story of her love
• 36:30
  Speaker 1: story and she's alone in this bridal suite, So I
• 36:34
  Speaker 1: don't know which direction we're going here, got it? Got it?
• 36:38
  Speaker 1: Here's my biggest surprise from the series. As much as
• 36:43
  Speaker 1: like I as I'm saying, like, I love the pace
• 36:46
  Speaker 1: of the dialogue, and I love the scenes with the
• 36:48
  Speaker 1: sister and the sexiness of it with Jason. It's much
• 36:53
  Speaker 1: heavier than I expected in terms of grief. Yeah, and
• 36:57
  Speaker 1: I applaud Hallmark for like diving into that. You know,
• 37:03
  Speaker 1: Ripple was supposed to be a Hallmark Plus show, right,
• 37:07
  Speaker 1: which was very centered on grief. I think this is
• 37:10
  Speaker 1: like a whiff of Ripple, you know what I mean,
• 37:14
  Speaker 1: But we get romance plus grief. I'm just it's much
• 37:20
  Speaker 1: more interesting than I thought it was going to be,
• 37:22
  Speaker 1: you know, I agree with you. And in the book
• 37:25
  Speaker 1: there's an additional storyline that we don't see developing yet,
• 37:28
  Speaker 1: and I'm not sure that we will. I think they've
• 37:30
  Speaker 1: swapped that for focusing more on the mom and the sister,
• 37:35
  Speaker 1: and it involves Aiden. I'm very excited to continue. We're
• 37:40
  Speaker 1: doing doubleheader episodes today, so both episode one and two
• 37:43
  Speaker 1: are available in the feed right now since they both
• 37:47
  Speaker 1: dropped on the same day, so you can give those
• 37:50
  Speaker 1: both a listen, and then we will be back with
• 37:52
  Speaker 1: weekly reviews of Paris is always a good idea. Send
• 37:55
  Speaker 1: us your thoughts on this series to Hello at Girls
• 37:58
  Speaker 1: Gone Hallmark dot com.
• 38:00
  Speaker 2: Goodbye bye, all.
• 38:14
  Speaker 1: Right friends, before we go, just a quick heads up,
• 38:16
  Speaker 1: you're about to hear some ads. These little gems help
• 38:18
  Speaker 1: us keep the show running and the Hallmark love flowing.
• 38:22
  Speaker 1: So do with that info what you will, Grab a snack,
• 38:25
  Speaker 1: hit the skip button, or maybe just maybe listen in
• 38:28
  Speaker 1: and discover your new favorite product. Bye.