Latest / The Art of Costume Podcast / Ever After: A Cinderella Story

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Ever After: A Cinderella Story · The Art of Costume Podcast

• 0:12
  Somehow Leonardo da Vinci did like a wardrobe change in
• 0:17
  between being robbed. Only a wardrobe change but he
• 0:21
  went to like the salon and got his beard done.
• 0:24
  He conditioned it. He was like I can't do this real
• 0:27
  quick. Yeah, he looks fresh.
• 0:30
  Shhhh and welcome to the art of costume.
• 0:44
  Blogcast, I'm lives with joy glass and I'm Spencer Williams
• 0:48
  Elizabeth, what's good? Oh, you know life is staying
• 0:53
  warm? Staying warm.
• 0:55
  I'm down to one day. Jobs life is good.
• 0:57
  Spencer. No wonder you're in a good mood.
• 1:03
  What's the temperature like over there?
• 1:05
  30 I believe and the positives are the negatives positive.
• 1:11
  Okay. So it's not - oh it's 26.
• 1:16
  Yeah today it's like seventy two in Los Angeles.
• 1:20
  The birds are chirping. You know, I hate you Pasadena.
• 1:24
  We have to tear it, so there's like, tropical parrots flying
• 1:27
  around that sounds. So nice.
• 1:29
  Nice. Yeah, except last night.
• 1:31
  It was so windy. I thought my house is going to
• 1:33
  blow away. Yeah.
• 1:35
  What is happening. That's so Santa Ana winds, you
• 1:38
  know? Oh yeah.
• 1:40
  And I'm allergic to everything. So of course as soon as the wind
• 1:43
  kicked up, I text you and I was like I don't think I'm gonna
• 1:46
  make it you're like I do not feel good, you're like I was
• 1:50
  like I must be bad if he took a covert testing you.
• 1:56
  I mean everyone is getting covid around me, you know?
• 1:58
  And just like I sneezed once and I was like, oh like this is it.
• 2:03
  I got up and took one of my tests and I was like, oh okay,
• 2:05
  it's just allergies that's a fair assumption.
• 2:08
  Yeah. So if you're listening like,
• 2:10
  stay safe everyone, keep wearing your mask trying to stay home as
• 2:14
  much as you can. Right now, listen to our
• 2:15
  podcast, if you must just, you know, be careful because yeah,
• 2:20
  it's really going around right now.
• 2:22
  So anyways, we are condemned, bring the energy.
• 2:29
  Back up, we are still in the midst of our fantasy fairy tale
• 2:35
  romance. Month Valentine's Day is coming
• 2:39
  up. Happy Valentine's Day.
• 2:41
  This comes out the day after. Oh.
• 2:44
  Mmm. Right.
• 2:45
  Right, right. So that means I just turned 27.
• 2:48
  Oh yeah. Happy birthday.
• 2:53
  Oh my gosh. The future.
• 2:54
  Happy birthday. Yeah.
• 2:56
  That means a just celebrate a birthday.
• 2:58
  Yeah. Well that's Fun birthday.
• 3:01
  The Valentine's Day. The perfect birthday episode.
• 3:05
  Yeah, ever After A Cinderella Story.
• 3:08
  Yeah, everybody this week we watch Ever After A Cinderella
• 3:12
  Story to continue our fairytale romance month.
• 3:16
  Spencer, had you ever seen this before?
• 3:19
  I just saw it for the first time this morning, you know, it was
• 3:24
  okay. I like that.
• 3:26
  Hi, I love this movie, but it's also like, Childhood Nostalgia
• 3:31
  for me, my mom made her like her fancy dress for me one for
• 3:38
  Halloween one year. So it's like all the nostalgic
• 3:41
  feels for me in this movie. I definitely like heard of this
• 3:45
  movie and I know like my mom collects a lot of movies and
• 3:49
  DVDs and VHS has, I've definitely seen this like on VHS
• 3:54
  and my house at some point. I've just never actually put it
• 3:57
  in the whatever they call that contraption.
• 4:00
  In the DVD player? No.
• 4:02
  Well, the VHS, there's a DVD player and there's oh, Fox the
• 4:06
  VCR right there, you go. Yeah, that's yeah.
• 4:11
  Oh my gosh. So we sound like, we sound like
• 4:16
  Jen's ears, when we are definitely more money.
• 4:19
  All right, I'm sorry, it's been a long time?
• 4:23
  Yes, I've never seen a movie. I liked it.
• 4:26
  It was good. I'm just not like a big, you
• 4:28
  know, Bromance fan, but But I liked it.
• 4:31
  I definitely think that Prince Harry had a lot of red flags and
• 4:36
  Prince Henry. Is that what, Ike, what did I
• 4:39
  say, Harry, I think his Harry has it not seems Henry.
• 4:44
  Oh man, I'm already messing it up Prince 7%.
• 4:49
  We had a lot of red flags but Prince Henry had a lot of red
• 4:54
  flags that. Yeah, but you know what, let's
• 4:58
  get into it. Give us your summer.
• 5:01
  Alright ever After A Cinderella Story, Danielle de barbarac
• 5:05
  lives a seemingly wonderful life until the world's favorite
• 5:09
  stepmother Anjelica Huston Comes to Town.
• 5:15
  The baroness rodmilla de Ghent comes to town shortly after
• 5:20
  Danielle's. Father marries a baroness and
• 5:23
  coincidentally, he passes away about 10 minutes later.
• 5:26
  So that was really sad, ten years later, we watch his den.
• 5:29
  Yell becomes a servant to the baroness one day Prince so is it
• 5:34
  Harry or Henry Henry? Oh man, one day Prince Henry
• 5:39
  runs into Danielle beginning A Cinderella Story.
• 5:42
  We all know and love. That was cute.
• 5:45
  That was very cute. And if in the past 20 years, you
• 5:49
  haven't seen this movie too bad? We're spoiling it.
• 5:52
  Yeah. Well that was the spoiler
• 5:54
  warning and yeah, pretty much. Let's do it.
• 5:58
  Let's get behind the words. Elizabeth.
• 6:01
  So let's go behind the Wardrobe. This was brought to us by
• 6:05
  director, Andy tenant, and one of our favorite costume
• 6:09
  designers here at the artists blogcast, Jenny, beavan, Jenny,
• 6:13
  beavan your back. What's going on?
• 6:16
  Oh, what just happened? I almost knocked over a photo.
• 6:20
  Oh my goodness. Throwing my hands around and
• 6:23
  celebration for Jenny, beavan, one of our favorites, you know
• 6:27
  her from Room with a View, View for which she won her first
• 6:31
  Oscar Gosford, Park. Alexander Sherlock Holmes.
• 6:35
  Its sequel Game of Shadows, The King's Speech, Mad Max Fury Road
• 6:40
  for which she got her second Oscar, the Nutcracker in the
• 6:43
  four Realms, and Cruella karela. The, our very first episode that
• 6:49
  article seemed Black cast was with gorillas and Jenny beavan.
• 6:52
  Whoa, it really was and unlike Cruella.
• 6:57
  Jenny beavan has done like zero interviews.
• 6:59
  This film. Seriously.
• 7:03
  I, that is where my behind the word row, facts.
• 7:05
  And there are so little I had to keep them all in the episode
• 7:10
  because, I mean, this movie is over about 20 years old, at this
• 7:15
  point. Oh yeah.
• 7:17
  Over 20 years old, it came out in 1998.
• 7:19
  So back then, people like really weren't interested in costume.
• 7:25
  The way we are. Now, they really weren't
• 7:28
  interested in filmed the way we are now we're Where I feel like
• 7:30
  there's a niche for like every department.
• 7:33
  So, like creators of films or interviewed a lot more impact,
• 7:38
  then, unless you were like the director or the actor, you
• 7:41
  simply weren't right. I mean, that's, that's kind of
• 7:44
  the beauty of this podcast to and why we do it, you know, to
• 7:47
  shine light on the incredible costume designing Through the
• 7:50
  Ages. So I'm excited to get into Ever
• 7:52
  After and talk about all these crazy costumes because the
• 7:56
  costumes were really good in this film.
• 7:58
  So I'm ready to talk. Of them.
• 8:00
  Oh yeah. This is a costume flick, if
• 8:03
  nothing else. Let's take a quick break and
• 8:07
  when we come back, we're going to take a journey back in time,
• 8:11
  I guess. Yes, we are Spencer.
• 8:13
  Yes, we are. We'll be right back.
• 8:38
  All right, welcome back, everybody.
• 8:41
  Spencer. Are you ready to dive in?
• 8:44
  I'm ready. Let's do it well ever after our
• 8:48
  movie starts not with our heroes.
• 8:52
  Cinderella but with one of her great-great-great
• 8:56
  great-great-great, great-great-great granddaughter
• 8:58
  who's, who has called The Brothers Grimm ter Palace so she
• 9:05
  can put them right as to the story of Cinderella.
• 9:10
  She starts the story by saying once upon a time and we got into
• 9:15
  the story of young, Danielle, who is excited at the prospect
• 9:21
  of getting a You stepmother, and stepsisters but is quickly
• 9:27
  heartbroken, when her father dies leaving her the ward of her
• 9:32
  stepmother, the baroness who is more concerned with the
• 9:35
  upbringing of her, two young daughters.
• 9:39
  I love the kids in this movie. You always do Elizabeth's a fan
• 9:45
  of, like, any kid, we seen any film we watch because I don't
• 9:50
  know because a lot of movies just like do Don't feature
• 9:52
  children, right? Like, unless like it revolves
• 9:55
  around the child it's like or it's a kids movie.
• 9:58
  Like we're not going to a lot of children in film because they're
• 10:01
  hard to work with. Yeah.
• 10:03
  These child actors are really cute.
• 10:06
  I loved how Danielle runs up and still is like covered in mud,
• 10:09
  though. I was like, oh no, this is
• 10:11
  already not going well. I know it's so cute and I love
• 10:16
  it starts from like clearly why like Danielle and her father
• 10:19
  they aren't Aristocrats there. Clearly extremely wealthy.
• 10:24
  She has that beautiful dress with like the Velvet bust and
• 10:31
  just the broke a dress. And then we have her little
• 10:35
  friend. I just forgot his name.
• 10:37
  Gustav. Clearly just the child of one of
• 10:42
  the servants and his like rough-and-tumble.
• 10:45
  They did a good job. Casting that little Gustave
• 10:48
  though, because he looks like older Gustav.
• 10:50
  Yeah, he really Really does, that's good.
• 10:54
  And what I also like, seeing all of the characters we're going to
• 11:00
  get to know later on, so we have more resplendent by Walter
• 11:07
  sparrow. And anyway, we have more reefs
• 11:13
  and the to household Maids that are basically raising Danielle
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  and I love you can tell their father like Use them.
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  Well, takes care of them. Like, no, they don't look fancy,
• 11:27
  but it's like their clothes are all clearly fairly new.
• 11:31
  Well, you know, cleaned and cared for.
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  Yeah. They, you could tell they love
• 11:37
  their jobs, which is cool. Yeah, and we have Danielle's
• 11:40
  father, who is clearly very fancy trying to be very fancy.
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  I like his hat with the little, like the side flalf.
• 11:48
  Yeah, baby. That's that's like a recurring
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  theme in this film, but I'm So Into To the medieval hats here
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  so good. Yes.
• 11:56
  But then we are introduced to the baroness.
• 11:59
  Levi are very the beautiful Angelic Anjelica Huston.
• 12:06
  I did not know she was in this film.
• 12:09
  I didn't look anything up. I just turned it on and I was
• 12:12
  like okay here comes the stepmother and she steps out and
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  I about passed out I was like oh oh no it's our Lord and savior
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  jelica Houston Looks like I knew you would be excited.
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  If you didn't already know. She was in it.
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  I was suddenly thrilled. I was like, oh, okay.
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  Like we're gonna be okay. Yes, she's the perfect person to
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  play the evil stepmother. I mean, it's written for her.
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  She is, she really is, and I just love this, how you first
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  see her? Because it's like, you know,
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  she's a baroness. Clearly, she like comes from
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  some Any. So she has like the like rich
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  velvets on like the very gathered chemise underneath with
• 12:59
  the necklace and the headdress, but I love how it's like this
• 13:03
  pearly gray color because I'm like, I bet her husband didn't
• 13:07
  die that long ago so I'm not joking.
• 13:13
  So she's probably like oh, I'm still like kind of and morning
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  but then I just married this other dude.
• 13:17
  So right. Oh man, and this is Film
• 13:22
  sponsored by velvet. I mean there's so much good
• 13:25
  Velvet and this film and I'm a sucker for velvet, I know.
• 13:29
  Like just looking at Jaqueline stress that green head-to-toe
• 13:36
  velvet dress, she has on that just like full fully green
• 13:40
  velvet gown, beautiful. And then also Marguerite with
• 13:46
  the Velvet and the brocade in the bright red and you'll notice
• 13:51
  About the rest of the film. Those are like Jaclyn and
• 13:55
  Marguerite's colors. Yeah, they're really good at
• 13:58
  like, doing the two different color schemes.
• 14:00
  It helped me remember who each one was?
• 14:04
  Well, they are trying to be a big happy family in the dads
• 14:08
  like oh I hope y'all get along because he's just like just off
• 14:13
  like oh he's like I'm off to go somewhere and even Danielle's.
• 14:17
  Like can you make it one week? Shoot, he was like 32.
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  And you've literally just left these people here and are
• 14:24
  leaving. Well, I'd have been so mad
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  fathers back in the medieval days, you know just always
• 14:33
  abandoning their children and Karma gets him.
• 14:36
  He has a heart attack. He had it coming.
• 14:44
  He rolls over and chokes within five minutes of leaving.
• 14:48
  Now, it's very sad. He has a heart.
• 14:50
  Attack is sad. And from that moment on the
• 14:55
  baroness was just pissed at Dad. Yeah, right.
• 14:58
  But I was like confused because for a minute, I was like, oh,
• 15:01
  does the baroness like actually loved him?
• 15:03
  She looks sad. But then she didn't care.
• 15:06
  I was really kind of, I'm still at this moment tour.
• 15:09
  And I'm like, did she care for him?
• 15:10
  Or did she not? Because she's a great actress?
• 15:13
  Yes. I think the baroness did care
• 15:17
  for the dad a little bit. I think she probably married him
• 15:20
  out of control. Vini.
• 15:22
  Intense. Because back in those days,
• 15:24
  since she didn't have a son with her other husband, she probably
• 15:28
  like did not inherit any of her husband's money, so, she kind of
• 15:32
  had to like get married. He's clearly wealthy.
• 15:37
  I feel like he's probably a merchant of some sort, so she
• 15:41
  probably was just like, I'm gonna jump on that, the save me
• 15:45
  and my daughters butt from here. We fast-forward, 10 years later.
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  Danielle is a servant for her stepmother and sisters.
• 15:54
  When a chance encounter with Prince Henry, who is trying to
• 15:58
  escape his duty leaves her with enough money to save her friend,
• 16:02
  Maurice From Slavery. Oh man, this is dark.
• 16:07
  This is a dark Cinderella Story by the way.
• 16:10
  Well, it's like Renaissance France.
• 16:12
  Dark Times dark time. Also, maybe you should try
• 16:16
  sleeping next to your fireplace. So keep you warmer at night, we
• 16:19
  don't use our fireplace like that, it's not that.
• 16:21
  Of fireplace. This is what I have an electric
• 16:24
  blanket for. So I don't have to be sleeping
• 16:26
  in a fireplace Cinderella Elizabeth.
• 16:30
  Yeah, reading Utopia. Yeah.
• 16:33
  Yeah. I love how her father brings her
• 16:37
  that book. He's like, it might be a bit
• 16:38
  dense for an eight-year-old, but here have it anyway and it's
• 16:41
  like, yeah, that is too dense for together all.
• 16:43
  But okay, yeah, thanks Dad, we get Danielle her.
• 16:51
  Look For basically most of the film, unless she's like running
• 16:54
  into Prince Harry or Henry. Now, you have me saying it
• 16:58
  unless she's running into Prince Henry, she has this, like, very
• 17:02
  basic, like, teal Renaissance style dress with the white
• 17:09
  chemise and apron, and I believe it's the costume House cost,
• 17:16
  prop in the, you a, are you a in the UK, I believe is what it's
• 17:20
  called. Is the costumes from this.
• 17:23
  And they also, if you go on the Wayback machine, you can also
• 17:28
  see some of Jenny Bevins original inspiration boards.
• 17:33
  So here we have just like it's kind of like basic like medieval
• 17:38
  paintings of like a woman with her hair Unbound, the detached
• 17:44
  sleeves very similar bodice and then some just attached fabric
• 17:50
  samples. With the brocade and the linen.
• 17:55
  We see on Danielle, it's beautiful.
• 17:58
  I'm obsessed with like, the Renaissance style, like puffed
• 18:01
  sleeve. It looks so cool.
• 18:03
  It looks so beautiful. And on Drew Barrymore, it just
• 18:06
  like it really suits her, right somehow.
• 18:08
  I'm like, Drew Barrymore. Do another like period piece
• 18:11
  like this, right? Actually, this is our first time
• 18:14
  having like a Drew Barrymore film and she kills it in this
• 18:17
  role, she does kill this role and she talks about it
• 18:21
  sometimes. That this was her favorite role
• 18:23
  in the role. She learned the most from
• 18:25
  because as we all know, she was the child star of movie stars.
• 18:32
  And she was like, you know, I had a difficult time growing up
• 18:36
  and you know when she got back into acting she like made
• 18:40
  herself like the bad girl kind of because she's like, oh people
• 18:43
  see me as a kid. I need them to not see me as a
• 18:45
  kid. So she did the, you know, play
• 18:48
  all the sexy roles that. A child actor does.
• 18:52
  And then she was like, oh crap, I'm gonna like be Typecast and
• 18:57
  that's when she came across Ever After and she's like this really
• 19:00
  like got her career going in the direction.
• 19:02
  She wanted it to she loved the message it sent and it's just it
• 19:07
  remains one of her favorite roles.
• 19:10
  Wow, that's awesome. Yeah, I mean and she did amazing
• 19:13
  in it. She really does also amazing our
• 19:20
  her stepsister Is um I like cannot get over Jaqueline played
• 19:28
  by Milani lynskey and Marguerite played by Megan Dodds they are
• 19:35
  hilarious in this. They're hilarious and they're
• 19:38
  really good up to that these characters.
• 19:41
  Yeah. And I was happy that one of them
• 19:43
  wasn't like as evil as I thought.
• 19:45
  You know, I could kind of tell like, oh, one of them is
• 19:48
  definitely worse than the other. Yeah.
• 19:51
  Yeah, Jack leans. Very sweet.
• 19:54
  And again she has those those wonderful Renaissance like
• 19:59
  layered puff sleeves, which I'm like, oh yes.
• 20:03
  And like that, like really beautiful, like greenish brocade
• 20:07
  and then Margaery, she's just like I I'm just the most
• 20:10
  beautiful person in the room with her.
• 20:12
  Like, it's like almost like a, an orange e color dress.
• 20:16
  And of course, the baroness Anjelica Huston just rocking the
• 20:20
  black Just sitting at the head of the table.
• 20:23
  Just looking as beautiful as ever.
• 20:26
  I'm just obsessed with her. I know.
• 20:28
  And we get to see the maids who have raised Danielle again and
• 20:33
  they are looking rough compared to when we last saw them.
• 20:38
  Yeah. They're definitely not getting
• 20:40
  paid as much as they used to if at all, if at all, I kind of
• 20:45
  feel like they might be indentured servants or serfs
• 20:49
  technically and that's why. She was able to sell Maurice but
• 20:55
  they're clearly not as well. Taken care of as they were under
• 20:58
  Danielle's father, but we got to take a quick little detour cuz
• 21:03
  Prince Henry, hates being a prince and decided to escape and
• 21:08
  his parents find this out because the king just decided to
• 21:10
  March into his room in the middle of the night.
• 21:16
  I love seeing them in their bed where because it's like the king
• 21:19
  and queen. It's just like It's and like
• 21:22
  Furs and I'm just like, yes, it's opulent, but it's huge.
• 21:28
  Okay. The Queen's robe is basically a
• 21:31
  comforter. I mean, it's huge.
• 21:33
  This thing could go over my bed and keep me warm for the rest of
• 21:37
  my life. It's ginormous.
• 21:39
  It's insane, it's hilarious. And like, same goes for the
• 21:44
  king, like, I feel like if you like actually pulled it
• 21:47
  together, it would probably look just as comforter, like, yes.
• 21:51
  Queen, but the prince like does not get very far because while
• 21:57
  running away, he not only runs into Danielle who throws apples
• 22:04
  at him before for stealing, her father's horse, but he also runs
• 22:11
  into Leonardo da Vinci being robbed and agrees to chase down
• 22:16
  the robber. Who has stolen one of his
• 22:18
  paintings. It's so funny when I was
• 22:21
  watching This and they ran into him.
• 22:24
  I was like, oh my gosh, that guy looks like Leonardo da Vinci,
• 22:27
  isn't that funny? And then I was like, oh, it's
• 22:30
  actually on our adventure, you okay?
• 22:33
  It is Leonardo DaVinci and I love his like, his skull cap
• 22:38
  with just like kind of like, this isn't exactly travel where
• 22:42
  but okay, it work. He's just like, like you said,
• 22:47
  brought to you by velvet, just like a, he's velvet coat and
• 22:51
  then Very like simple clothes underneath, I'm like, do you
• 22:54
  have money or do you not the Velvet?
• 22:57
  That's good Velvet, I'm obsessed with it if I love they do a very
• 23:01
  good job of mixing velvet and brocade in this.
• 23:04
  Hmm, chefs chaos. Yes.
• 23:09
  But now that Danielle has the money to save Maurice.
• 23:14
  She's like, okay. I got to dress up like a
• 23:16
  courtier and go save Maurice and the baroness is We gotta get a
• 23:22
  brooch to bring attention to Marguerite's cleavage.
• 23:28
  It worked, it worked. This scene is hilarious.
• 23:33
  First off the merchant. I'm just like, where is this hat
• 23:37
  from? Like, I need a medieval hat.
• 23:41
  A Renaissance hat. Like I need, I need this.
• 23:44
  Like they really pull out all the best of the Renaissance Era.
• 23:48
  They do be so good. I want.
• 23:51
  It. I need it.
• 23:53
  We all want it and need it. Also Anjelica Huston is looking
• 23:57
  good in her, like, going out where I love this little Cape,
• 24:01
  she has on, it's so good. I mean, I'm trying not to just
• 24:05
  talk about Anjelica Huston for the remainder of this podcast
• 24:08
  because she's clearly my favorite this costume.
• 24:12
  She greets the merchant with it's so good too.
• 24:15
  I'm obsessed with it. I love black on her.
• 24:18
  I love the darker colors and I love, I don't.
• 24:20
  What do you call this? Head wrap hat.
• 24:23
  Think it's, it's a, it's a headpiece.
• 24:25
  I forget the name of it, but um, with the veil off the back of
• 24:29
  it, it totally works for her. She should do that.
• 24:32
  Today, should we should prevails back?
• 24:36
  Should know. We should remember when we
• 24:39
  watched Dune. Like that is what we should be
• 24:42
  doing Avail. Hmm.
• 24:45
  I think about how I can make this work in my day today.
• 24:47
  Anyway, I love this little scene with Gustav and Danielle where
• 24:54
  she's like, taking the dress, he's painting and dressing up as
• 24:59
  a courtier and I'm just like Hurricane Gustav.
• 25:01
  Just how, like, the cutest little relationship.
• 25:04
  Yeah, thank you. This messy guy that comes over
• 25:08
  but I love her like guy that comes with.
• 25:11
  Yeah, I mean, look at this haircut.
• 25:13
  He has like, he's a painter, he's an artist, right?
• 25:17
  He's poor, he's not have enough money for a good haircut.
• 25:20
  Spencer He's that he's a painter guy with the messy hair cut from
• 25:25
  Silver Lake. We all know.
• 25:28
  But I love Danielle's like 70 garbs she has on.
• 25:32
  I just I like the blue theme That should kind of carries
• 25:35
  throughout all of it. It's like a subtle nod to like
• 25:37
  the Cinderella colors, we know, but it's subtle.
• 25:40
  It's a very subtle. I also love in this scene you
• 25:44
  can see like the different layers.
• 25:45
  She has on Gustav. I feel like he just has like a
• 25:49
  like blown up version of what he has.
• 25:51
  As a kid that's like slightly nicer.
• 25:56
  And I love her her board for Gustav, because it's just like a
• 26:02
  little kid on the ground, right? It's the messy kid, that's you
• 26:07
  kid, but other prince, he was caught by the Royal Garden is
• 26:13
  like, I'm like I said, God, I go return this horse.
• 26:16
  So, the baroness takes this opportunity to introduce her
• 26:21
  daughters. To him.
• 26:22
  Oh man. Wait isn't this the same costume
• 26:25
  from earlier, though? I don't think so.
• 26:28
  I think she might wear this later on, but it's definitely a
• 26:31
  different head piece, right? I mean, this black and gold.
• 26:34
  Oh shoot. That's that's a good one.
• 26:37
  It's just the textiles on the hat and the sleeves but then
• 26:42
  like the multiple layered sleeve that's going down as man.
• 26:47
  Yeah, with the gauntlets. It's beautiful.
• 26:51
  It's just Because it's again, it's like the Velvet The Velvet
• 26:54
  and then it has this like l'm a wish it's probably more of a
• 26:58
  brocade. But it almost looks like Le
• 27:00
  mace, like, under sleeve coming out and like puffing and I'm
• 27:03
  like, oh it's so good. It's so good.
• 27:08
  I hate it. It's so good and Marguerite.
• 27:13
  Definitely found a brooch to uh draw some attention.
• 27:18
  Well, Jack lien was like IMA stick a feather in my my Up and
• 27:22
  I was like, hmm. And I love how you can tell that
• 27:26
  like Margaery is the favorite daughter because like, okay, she
• 27:30
  had something different on it breakfast.
• 27:33
  Then when they were going to the market and then this is an
• 27:35
  entirely different dress where it's like, Jacqueline has
• 27:39
  clearly just been wearing the same thing all day, right?
• 27:43
  Her sleeves are huge, huge bellowing bellowing, the whole
• 27:48
  things made of this like Brocade But Danielle.
• 27:52
  She's like, all right, we gotta go, we gotta go, get Maurice.
• 27:56
  She's looking beautiful. And she is able to secure more
• 28:02
  Reese's release. After having a philosophical
• 28:05
  debate, with Prince Henry, who somehow does not recognize her?
• 28:11
  I have a question, she doesn't recognize him and he's like, oh,
• 28:17
  who is this? Like hot girl who likes to Tell
• 28:21
  me I'm wrong about things and she gives him her mother's name
• 28:27
  and Nicole drunk Ray. If you don't love me at my Apple
• 28:33
  throwing he don't deserve me at my green that velvety dress.
• 28:37
  I'm just saying she looked fairly different.
• 28:40
  I mean, come on right. This dude Prince Henry, get it
• 28:44
  together. I know that's part of the whole
• 28:47
  like class discussion in this movie.
• 28:50
  It's like he did. I recognize her because he
• 28:52
  didn't even look at her right when she was throwing his head.
• 28:59
  Oh man, red flag, red flag number one.
• 29:05
  Number two, because stealing a horse is red flag.
• 29:09
  Number one, he totally could have gotten a horse before
• 29:11
  leaving the castle. Let's be real.
• 29:14
  Come on man. But she wears this, it's
• 29:17
  beautiful gold with the green velvet.
• 29:21
  It's very simple, but it definitely makes her look like a
• 29:25
  courtier when she pairs it with the gold and Pearls snood over
• 29:31
  her hair. Like, it's like she upgraded
• 29:34
  herself in like, two minutes. Oh, yeah, that was quick.
• 29:38
  She would have pulled us right together.
• 29:39
  I was like, how does she do that?
• 29:42
  I'm just gonna comment on the Velvet sleeves again, just
• 29:45
  velvet on velvet on velvet, I love it.
• 29:48
  It's great. Like the Velvet, the Okay, like
• 29:52
  you hardly see unless it's for like the the like shifts, you
• 29:58
  hardly see like a regular piece of fabric in this movie, it's
• 30:02
  all brocade and satin and then even the prince.
• 30:06
  It's like I feel like the first outfit we see him in is like
• 30:11
  almost like leathery, right? It is, it's very, it's just
• 30:15
  tannin simple, but I'm like with the crest and like the purple.
• 30:21
  That cave. How did like you expect to get
• 30:23
  very far? I love the thing across the
• 30:27
  prints. It almost looks like a bib.
• 30:29
  It comes up multiple times in this film, and I'm like, is he
• 30:32
  wearing a bib, right? For those listening at home, I'm
• 30:36
  referring to a literally, a bib that you use to protect your
• 30:39
  shirt eating. It sounds like a Viv, and I'm
• 30:45
  like, In comparison to his guard, buddy.
• 30:49
  I'm like he kind of looks like kind of dumpy why like, right?
• 30:54
  He does his cart, buddy. He literally looks like a French
• 30:57
  painting. Like, I'm obsessed with it.
• 31:01
  He does. And it's like, oh my gosh you're
• 31:03
  even putting like it looks like the guards are wearing velvet to
• 31:06
  like they are fancy. Oh man with just like the
• 31:10
  slashed sleeves can imagine when Jenny beavan showed up to these
• 31:15
  fabric store. Cause she's like hi I'll take
• 31:18
  300 yards of all of your velvet. Actually I'll just take all your
• 31:22
  velvet. Give me all your velvet and
• 31:23
  they're like really okay all right, all of it, get it now
• 31:30
  take it off the shelf. I need it somehow Leonardo da
• 31:34
  Vinci did like a wardrobe change and between being robbed only a
• 31:40
  wardrobe change but he went to like the salon and got his beard
• 31:43
  done right and he I'm so like a nice Snoo little hat and like
• 31:49
  hit like his heat, that's clearly the same like coat.
• 31:52
  He was wearing before but like his like shirt and stuff, it has
• 31:55
  this great little woven pattern to it.
• 31:57
  It looks very nice, it looks really nice.
• 32:01
  I was like, look at his beard, he just got a nice shower to he
• 32:05
  conditioned it. He was like, I gotta do this
• 32:07
  real quick. Yeah, he looks fresh and
• 32:12
  different. I love how he's the First, he's
• 32:17
  the only one to notice her shoes, don't fit.
• 32:20
  And I'm like, DaVinci knew from the beginning that she was not a
• 32:24
  noble woman. He knew, right?
• 32:27
  But back again, just like the detail, Jenny beavan shows in
• 32:32
  this movie and I feel like the mark of a truly good costume
• 32:36
  designer is how well they dress their background because it's
• 32:41
  like not only do you have a good Vision, but you have really
• 32:45
  good. Management skills, because
• 32:48
  that's usually, you know, assigned to like their assistant
• 32:51
  or like one of the other people on set to address the background
• 32:55
  and they just approve it. But it's like, she has great
• 32:59
  management skills. And because these background
• 33:03
  extras, in the featured extras, like this, this older woman gets
• 33:07
  featured a lot. They look incredible.
• 33:11
  And yeah, I mean, it's amazing. If but was she nominated for an
• 33:14
  Oscar for this one. No.
• 33:16
  Wow, that's crazy. I mean, it's you talking about
• 33:20
  Jenny beavan, she did the same thing in karela, like even like
• 33:23
  we're talking about all the extras in that film and like the
• 33:25
  punk Revolution, it felt so real.
• 33:27
  She did the same exact thing back then, with Ever After every
• 33:30
  single costume is gorgeous. If you look around in a
• 33:32
  background, must have been so many costumes.
• 33:36
  I can't even imagine. So it's yeah, oppressive.
• 33:39
  Yeah. And she's even dressing them in
• 33:41
  velvet. I'm like, okay, Jenny beavan,
• 33:45
  The Velvet But while Danielle is off with Marie's, The King, The
• 33:52
  Prince and the Queen have an argument.
• 33:55
  The baroness is like super mad that Danielle didn't tell her
• 33:59
  about the prince stealing their horse, but this doesn't matter
• 34:03
  because Henry's like I gotta find out who this Nicole woman
• 34:08
  is because I think I love her and the Kings like, well, you're
• 34:12
  supposed to marry the princess infanta of Spain.
• 34:16
  But I guess we can have a masked ball for Leonardo da Vinci and
• 34:20
  if you can find someone else to marry before that you can marry
• 34:23
  them. Yeah.
• 34:24
  So chop chop chop, chop Henry. The the Royal costumes are
• 34:30
  incredible on the king and queen though.
• 34:32
  They are incredible and they have a very specific theme with
• 34:37
  the red and the gold. It's like who you want everyone
• 34:40
  to know you're royalty. I also love that they can't
• 34:44
  stand each other to I like It's the worst.
• 34:48
  I hate this guy. I love Henry.
• 34:50
  He's like arranged marriage. Never made anybody in this room
• 34:53
  very happy and like oh it's called your fingertips out the
• 34:58
  trauma. He's like you hate each other.
• 35:01
  I hate you. This whole situation sucks.
• 35:04
  Oh man! Yeah, but the king and queen.
• 35:06
  They look great. I love the Kings doublet with
• 35:10
  that gold embroidery. I'm like this is kind of like
• 35:14
  their main costumes throughout the film.
• 35:15
  They don't Get like a ton of changes but that's like a very
• 35:19
  like little attention to detail that really just like UPS the
• 35:24
  status of his character and a really good way, right?
• 35:27
  I love the jewelry. It's at they look so expensive,
• 35:31
  I do look so expensive. And the queen is just like
• 35:33
  blinged-out head-to-toe in every single scene.
• 35:36
  I love it as she deserves because she's a queen literally,
• 35:40
  she does deserve it and she's the only one who's like, can
• 35:43
  everyone just calm down? Yeah.
• 35:47
  And her and Henry they're like having a discussion.
• 35:50
  She's like contest, Nicole. She's like, I don't know who
• 35:53
  that is, but we see Henry's kind of like main costume for the
• 35:58
  rest of the film, which is this beautiful black?
• 36:03
  I guess, like, a doublet, with white, white pants, white
• 36:09
  undershirt, and Like These tannish Boots, which I'm like.
• 36:13
  This is like, very like, he's clearly like I'm the cool Prince
• 36:17
  the, the princes, like he has like stages healer looks like
• 36:23
  really dumpy, or he looks nice. And I feel like right now, he's
• 36:27
  in between, I like the blacktop pants aren't really doing it for
• 36:31
  me. I don't know.
• 36:32
  But like the prince. He's just, he's confused right
• 36:35
  now. He doesn't know what to do with
• 36:36
  his life and I just feel like you threw this on.
• 36:38
  Yeah. But I do love when we get to see
• 36:43
  Danielle harvesting Honey with these great old-fashioned
• 36:49
  beekeeping suits. This word stressed, me out
• 36:53
  because they're wearing, they're wearing to be keeping a hat,
• 36:57
  right? They take care of the bees then
• 37:00
  they lift the Hat up and basically take it off.
• 37:02
  But the bees are still there, I mean they still swarming around.
• 37:07
  Yeah. But like if because the hives
• 37:09
  not actively open anymore so if they're just like walking
• 37:13
  through calmly, the bees aren't going to bother them.
• 37:15
  That's what They think never trust a b.
• 37:20
  If you think the views are just seeking revenge on all of us.
• 37:23
  That's exactly what I think every time I see a b.
• 37:29
  Well, the baroness very quickly receives news of the potentially
• 37:34
  cancelled engagement with Spain and the ball and she is like,
• 37:41
  all right ladies, especially Marguerite, you got to look
• 37:45
  good. You hate.
• 37:46
  Your dresses, I'm going to show you Daniel's Dowry which is this
• 37:51
  beautiful, beautiful gown right? How dare they I was I was so mad
• 37:57
  at this moment. I put that shit down as does not
• 38:00
  belong to you. It's so beautiful, though.
• 38:03
  I was like, oh, I know where that dress is going to be used,
• 38:06
  like just knowing Cinderella. You like oh okay.
• 38:09
  So that's the dress for later. We'll save it.
• 38:11
  I know. And they are, so mean to
• 38:13
  Jaqueline, I'm just like, Why you gotta be mean like she looks
• 38:19
  so cute in this little green number and they're just like no.
• 38:24
  Yeah they're mean but I do like the scene though because we see
• 38:27
  like the different color schemes in each of them.
• 38:29
  So I also feel like this is also like a callback to like the
• 38:32
  Cinderella story we all know where the like 11 characters,
• 38:35
  one color they all have like their own color.
• 38:38
  Yes, definitely. But of course Danielle
• 38:42
  interrupts them because it's like she's around the house.
• 38:44
  What were you thinking The Queen's like oh, if you get all
• 38:48
  your chores done, you can totally come with us.
• 38:52
  Yeah, sure. That was never going to happen.
• 38:55
  No, but tell me I was like, okay cool.
• 38:57
  Let me go like hunt for some Truffles and go for a swim and
• 39:02
  she runs into the prince and Leonardo DaVinci for a third
• 39:06
  time while swimming in the lake. Oh my gosh.
• 39:09
  That feels like fate. Also I'm obsessed.
• 39:13
  If DaVinci's water walking shoes.
• 39:16
  I mean, I'm into it. He looks like he had a good
• 39:18
  thing going. I was like, thinking about this
• 39:20
  last night, I was like, I wonder if he really liked made boat
• 39:23
  shoes, because like that, man, he develops so many like wacky
• 39:25
  things in his life and he did, they were, it would have been,
• 39:30
  it was like, shoes with like little, like ski ski sticks.
• 39:36
  That's like why he was imagining like boat shoes and ski sticks
• 39:40
  to get us walking on water. That's a great idea.
• 39:43
  I'm behind it. I like we get to see the
• 39:47
  princess purple cape here and I'm like, you really tried to
• 39:51
  run away in that to come on man. Yeah, I love the purple to it's
• 39:56
  funny that, you know, purple's like the color of royalty yet.
• 39:59
  We don't see it a lot in this film, but I did love this purple
• 40:03
  robe. I feel like that's what I would
• 40:05
  wear if I were royalty and this crazy fairy tale.
• 40:08
  Yeah, I find it funny. Like maybe maybe it was
• 40:12
  different back then, but I believe the like Royal oh French
• 40:16
  color was blue makes sense. And England was red and gold but
• 40:23
  I don't know because this this movie does what a lot of movies
• 40:27
  movies and shows. Do were all like the French
• 40:30
  people have English accents, right?
• 40:33
  So I feel like maybe there wasn't the strictest attention
• 40:37
  to historical accuracy, or geographical accuracy.
• 40:42
  I mean, even still like the film, I just saw The last duel,
• 40:47
  you know, the new Really Scott one, they're all friends and
• 40:51
  that takes place in France. Right, right.
• 40:53
  And it's all English accents. I mean it's hardly an English
• 40:56
  accent, it's Adam Driver. So I dare to say there was
• 40:59
  barely an accident because he's out on the driver.
• 41:02
  He doesn't need to do much else right?
• 41:05
  But the prince after once again, not recognizing who she is come
• 41:11
  on it's like okay I gotta go play a tennis match and And who
• 41:16
  shows up but Marguerite looking fine.
• 41:21
  Margaret does like find this is one of my favorite costumes of
• 41:24
  the entire film like that raspberry velvet.
• 41:27
  That just Sparkles and shines. So nicely, I for second, I was
• 41:32
  like, oh, I think this might be my favorite costume of the film.
• 41:34
  It's so good. You are right.
• 41:36
  This is beautiful and it's very opulent clearly to show, like,
• 41:40
  look, see we have money, like, pay attention to us because I'm
• 41:45
  like, Without the money, I don't see how like a princess ever
• 41:50
  going to marry Margaery. Like, right?
• 41:53
  That's just it happened back then even just Aristocrats for
• 41:57
  no reason. Like, right?
• 42:00
  I love to all the like extras, though, in the tennis scene
• 42:03
  because literally, there's a part where all of the girls like
• 42:06
  are in order almost like in rainbow colored dresses.
• 42:09
  It's almost like there's just this rainbow of opportunities
• 42:13
  for the difference for him. This I also love this because
• 42:18
  first I love seeing old-timey sportswear because it doesn't
• 42:22
  make any sense. It's not like functional for
• 42:25
  sports and anyway, no but it's what they were and I love how he
• 42:30
  has this. Just like all like white and
• 42:33
  cream tennis Ensemble and I'm just like, is that really
• 42:37
  practical? Sir, it looks like what the
• 42:40
  Marquis wearing is a little more practical.
• 42:44
  He looks like he's wearing something like Harry Styles.
• 42:46
  Yells what we're today like to play tennis the Marquis.
• 42:50
  Yeah, definitely. And I also love from Prince
• 42:54
  Henry falls into the, to the audience and they put like,
• 42:57
  stuff his shirt with like their handkerchiefs those favors and
• 43:00
  I'm like, I know tracking down any of you.
• 43:04
  What are you thinking? Yeah, this is just messy.
• 43:07
  It's just messy and through my research online scouring, many a
• 43:13
  website, I found this beautiful. Ooh, portrait that I'm like,
• 43:17
  that was definitely the inspiration for her dress.
• 43:20
  Oh yeah, that's so cool. Jenny beavan was definitely
• 43:23
  looking at like a lot of old old old, old old old portraits.
• 43:27
  I mean, this to the point from this old portrait that red of
• 43:31
  raspberry velvet. It's so beautiful, such a great
• 43:34
  dress, so beautiful. Not, so beautiful.
• 43:38
  Is the unwelcome guests that Danielle is forced to receive it
• 43:44
  is Pierre. Le Pew played by Richard
• 43:48
  O'Brien. This guy sucks.
• 43:53
  He's the worst. He is like so creepy weirdly
• 43:58
  sexual with her and I'm like sir sir, this is not appropriate.
• 44:03
  I love when he's like yeah, I'm old enough to be your dad.
• 44:06
  Yeah, don't want to marry, you know, it's like I knew he was
• 44:09
  evil when I saw the earring. I was like, oh man, that's like
• 44:13
  a piratey earring. Don't trust this guy.
• 44:16
  Why? I know this is gross, like he
• 44:19
  kind of they styled him kind of like a skunk like so gross, but
• 44:25
  it's so funny because he's riffraff from Rocky Horror
• 44:27
  Picture Show. Oh my gosh, he is I didn't even
• 44:32
  isn't that wild? That's crazy.
• 44:34
  I mean he might as well look like his character from riffraff
• 44:37
  because that's all I saw was like this evil little lurking
• 44:40
  guy coming out of the Shadows so nice.
• 44:43
  Good connection Elizabeth. Yeah.
• 44:46
  Um, we also have Danielle with the other servants there and I
• 44:53
  love how they like kind of upgraded their wardrobe a little
• 44:55
  bit because they're like, oh we're going into town, we should
• 44:57
  probably look a little nicer. Yeah, the don't want to look too
• 45:00
  poor. But Danielle has to like run
• 45:04
  away, throw a chicken and run away because the prince decided
• 45:07
  to go on a little walk. You walk through the market with
• 45:10
  Marguerite, this is not the chicken.
• 45:16
  Like how does he not put two and two together in this movie?
• 45:19
  I don't know the prince red flag red flag, kind of not smart.
• 45:24
  He's not, he's really not everyone listening right now,
• 45:28
  who is like obsessed with the prince there?
• 45:30
  Like man. Red flags people, red flags.
• 45:33
  I mean, he's got his looks at least.
• 45:36
  Yeah. That's, he's a prince, does he
• 45:38
  really need much else? I do?
• 45:41
  Like, I wish you could see the baroness this dress more than
• 45:44
  this because this is like the only Tell her she wears in the
• 45:47
  entire movie, is this this like burnt gold velvet dress with the
• 45:55
  beautiful veil? Yeah, I love the veil on her.
• 45:58
  I love that, this one's a little bit more transparent so you
• 46:00
  could see her hair and it's just such a good shape on Anjelica
• 46:05
  Huston. She just she knows her angles.
• 46:08
  Just the costumes just fit her. So well later that night, the
• 46:13
  baroness is Rahman, some beautiful.
• 46:16
  Awful night, where and like, kind of tries to have a
• 46:19
  heartfelt conversation with Danielle a little bit, kind of,
• 46:24
  I started to fall for it. I was like, see, I knew that
• 46:27
  she's a good person. I wanted to believe it and I was
• 46:30
  like, hmm, I don't know, but then I kind of feel like the
• 46:33
  baroness feel. I feel like she feels like she
• 46:37
  actually had like a good heartfelt conversation.
• 46:39
  Like I feel like the baroness walked away from it and she's
• 46:42
  like, wow, that was so sweet of you.
• 46:44
  I felt like for a Second, she imagined the life, they would
• 46:48
  have had if her father hadn't died like she probably would
• 46:52
  have gotten to like care about Danielle and you know have maybe
• 46:58
  like have some sort of relationship with her if money
• 47:01
  wasn't such an issue. So I think she's kind of like,
• 47:05
  like sucks that your dad died. Can I just say that I would pay
• 47:10
  any amount of money to brush Angelica Houston's hair, though?
• 47:14
  That's okay, that's okay. I mean, come on.
• 47:17
  You were thinking it. I wasn't but she does have good
• 47:22
  hair so it would be nice to know what that's like.
• 47:25
  Oh just me. I guess.
• 47:28
  There's no way. I'm sure everyone listening to
• 47:30
  this podcast degrees of me, they're like yes.
• 47:33
  Sure, yeah. But I love her her chemise for
• 47:37
  for bed because it's just it's so voluminous and that she has a
• 47:42
  good a good road. Brocade robe with a fur trim.
• 47:46
  And I'm just like, how are you affording this?
• 47:49
  Like, she clearly only cares about herself when Danielle is
• 47:53
  wearing the same shabby dress day in and day out.
• 47:58
  Oh my gosh, her sleeves. Oh, they're so tight.
• 48:01
  I can't imagine wearing something like that to bed.
• 48:04
  Well, I mean, how else was she going to keep them up?
• 48:08
  They would have like, flown all around in her arms would have
• 48:10
  gotten cold I guess, I don't know.
• 48:14
  But let's take a little. Let's take a little nappy.
• 48:17
  Nap ourselves. Go on a little break and come
• 48:20
  back for the rest of this. Amazing film.
• 48:23
  I'm gonna go brush my hair, get that out of my system.
• 48:26
  Okay yeah I think that's a good idea for you.
• 48:28
  Spencer we'll be right back. Are you ready to get into the
• 48:55
  rest of this movie? Let's do it.
• 48:57
  I want to go to a ball. You want to go to a ball?
• 49:00
  A ball is coming up. The first off Prince Henry, kind
• 49:06
  of surprised. Izes Danielle at her house and
• 49:09
  is like, hey, you want to go on a date?
• 49:13
  Is that how it works? These things apparently he's
• 49:16
  like, I'm going to a monastery. That's, that's a hot hot
• 49:20
  location for a steamy dating Prince.
• 49:26
  She's like a library. Sure, I like you weren't gonna
• 49:30
  go out with him till he said library, but she's wearing one
• 49:34
  of her sisters dresses and It's funny because it's the one the
• 49:39
  baroness held up when they were looking for something for
• 49:43
  Marguerite to wear to the ball and fairness was like, blue is
• 49:46
  Henry's favorite and it's like now she's wearing his favorite
• 49:50
  color. Oh, I didn't even notice that
• 49:53
  they all of a sudden Danielle just has the nerve.
• 49:55
  She's like do you know what? I'm going to make this happen.
• 49:58
  Yeah, but the baroness and her stepsisters are at church and we
• 50:05
  get to see a character A little better that we saw once before,
• 50:10
  it is the Royal page played by Toby Jones.
• 50:14
  I'll Toby Jones not this guy. Every time I see him, I'm like,
• 50:18
  oh no, the evil guy's back, I love his character and he is
• 50:23
  being bribed by the baroness to kind of get them information and
• 50:29
  an in with the palace. And he's like, oh I have an inn
• 50:33
  for you, give this to the queen, she'll think it fell off or and
• 50:36
  you can Tea with her tomorrow. Oh nice, those are good.
• 50:40
  One, did you know? Toby Jones says the voice actor
• 50:42
  for Dobby the house elf. You're joking.
• 50:46
  Yeah, I'm not joking. I love him.
• 50:49
  Oh, that makes it like a thousand times better.
• 50:51
  I forgive him for being dr. Zola.
• 50:55
  Evil I forgive him for all his evil roles for simply being
• 50:59
  Dhabi. I don't I don't trust this guy
• 51:03
  just like Timothy spall for us. No trust at all but I love the
• 51:11
  guards outfits because they're just like kind of silly.
• 51:14
  I don't like ya friends would just kind of have like silly
• 51:17
  royal guard and Page outfits. Yeah, that makes sense.
• 51:21
  It's believable. It just looks ridiculous on him
• 51:25
  and I love it. Excuse me, it is so great.
• 51:27
  But he does what Anjelica Huston tasks.
• 51:30
  And they have secured tea with the Queen, the next day, but
• 51:36
  Danielle. Prints are not having quite as
• 51:38
  good, a time they get lost on their way back and are attacked
• 51:44
  by robbers until Danielle makes them laugh.
• 51:48
  So they all go party together. It was so funny.
• 51:52
  She's straight like he says, you can walk away if anything you
• 51:55
  could carry. So she picked up the prince and
• 51:57
  I was like, yeah, I love it. This movie has a couple really
• 52:02
  good, like, comedic moments that are just like perfect.
• 52:07
  T'. Oh yeah.
• 52:07
  So good. That is one of them.
• 52:10
  I loved all the costumes in this scene.
• 52:12
  The robbers so believable. She they did a great job.
• 52:16
  Costuming the robbers. Yeah, cuz it's like it's
• 52:19
  leathery. It's woodsy.
• 52:21
  Everything they really took like the time to de-stress everything
• 52:24
  and make it just feel like, yeah.
• 52:26
  We've just been like, roaming around the woods like just
• 52:30
  looking for people to steal stuff from.
• 52:32
  But then there's so much fun. Yeah, that was a good time.
• 52:36
  It made me want to I am like you.
• 52:37
  I want to party with some robbers and burglars, right?
• 52:41
  Just the way it looks like they're in a cave.
• 52:43
  Having a good old time, but I also like this scene because you
• 52:48
  get to see, like, Danielle's like shimmies.
• 52:51
  I'm like, kind of like the, it's almost like a half corset.
• 52:55
  She has underneath her dress and I'm like that, I just like it
• 53:00
  because it's like, you don't get to see that very often.
• 53:02
  I also love how she never brings back her sisters dress clearly
• 53:06
  cuz Cuz they do not come back in their own clothes.
• 53:10
  No, it's so confused by that. Okay, I was like, the prince
• 53:15
  house. One of the robbers, like Jerkins
• 53:18
  on. She has something on from the
• 53:20
  robbers, like it looks cute on her.
• 53:22
  I will say, that's like a very good.
• 53:24
  Look with the Bell, right? The like leathery jacket, and
• 53:28
  the belt good look. But I'm also like they clearly
• 53:31
  had a good time. They clearly had a good time.
• 53:34
  They fell in love in that, in that cave.
• 53:37
  But the baroness is like it's super mad that she stayed out
• 53:42
  all night and it's like well you can't go to the ball and she
• 53:47
  decides to also whip Danielle for punching Margaery after they
• 53:52
  were like yeah our stealing your Dowry.
• 53:54
  Would you going to do about it? Punch.
• 53:56
  Marguerite is what she's going to do about it.
• 53:59
  She had it coming. I was very pleased about that
• 54:03
  this part. Yeah she totally had it coming
• 54:06
  but Then she's like, okay, I got to go meet the prince, tell him
• 54:09
  who I am, she can't do it. And meanwhile the queen is
• 54:14
  having tea with the baroness and Marguerite.
• 54:17
  And the baroness is like oh I know this contest you're looking
• 54:21
  for, she's she's leaving today. She's marrying a Belgian
• 54:25
  throwing the prince at a heartbreak but this is like when
• 54:30
  they go to their ruin Palace, I think this might be my favorite
• 54:35
  dress on her. Red velvet.
• 54:39
  Yeah, I mean, it's a great color on her.
• 54:41
  It's a Greek. The fit is great like this nude
• 54:45
  for some reason, like it really compliments, the dress she's
• 54:48
  wearing. I think it's a really beautiful
• 54:51
  piece. That doesn't really get used.
• 54:56
  Yes, you look stunning. And you know, the neckline is
• 54:59
  perfect. I love the white poking out of
• 55:01
  the sleeves to like this combination of red and white
• 55:04
  work so well together as she just looks Beautiful and the
• 55:07
  light hits her just perfectly in the palace.
• 55:10
  She's glowing even though she's like sad it's just it all works
• 55:14
  great. It works great but she's like
• 55:17
  real fast. Got to run away Coast.
• 55:19
  She's like but this scene where the queen is having tea with
• 55:26
  them. I was like this is a moment when
• 55:28
  costume just make something so funny when Marguerite has her
• 55:33
  little fit and she's like, throwing her dress around, I'm
• 55:39
  just like, oh my gosh. I was so shocked by this.
• 55:43
  I was like, Margaery keep it together.
• 55:45
  You're so. So so so close and yet she threw
• 55:48
  like a little bit on. How come on, it's over now.
• 55:52
  And I'm just like clearly there was no be it was like you just
• 55:57
  had a little hissy fit and I'm like, didn't the queen.
• 56:00
  I'm like, I'm starting to see where Henry gets it.
• 56:02
  Like the queen did not put two and two together that they
• 56:04
  weren't happy about Talent. Whatever doesn't fire, fire.
• 56:12
  I can't say it. But Marguerite's, come with me
• 56:17
  sir. See Vibes right now.
• 56:19
  No wonder she's your favorite. So I didn't say she's my
• 56:22
  favorite. You are saying.
• 56:24
  This is like your favorite costume.
• 56:26
  It's a good costume. Okay, thank you right.
• 56:32
  UAlbany blond. Thank God.
• 56:41
  No, you did not just say that was way too deep.
• 57:02
  My back hurts. I'm very sorry, so, sorry.
• 57:15
  Didn't mean to hurt you like that?
• 57:18
  Wow, it's okay. Anyways, can we change the
• 57:24
  topic? It's Rama.
• 57:31
  So the Veritas Lots blocks up Danielle, so she can't go to the
• 57:34
  mall and fall in love with the prince.
• 57:36
  So the servants send you stopped get to Vinci who Freeze Danielle
• 57:40
  and gets her ready for the ball. Okay.
• 57:46
  Yeah let's get to the ball. I'm loving all the costumes,
• 57:49
  just even outside of the ball. We're just looks so nice.
• 57:54
  Everyone looks nice. There were great masks.
• 57:57
  I also love this. This guy Gustav comes up to who
• 58:00
  he thinks is DaVinci. He had definitely has like a
• 58:05
  DaVinci look about him but like clearly that's not too bitch.
• 58:10
  Yeah, even I was like that's not the Vinci.
• 58:12
  He doesn't have the DaVinci beard might I say Gustav looks
• 58:15
  good too. In the scene it's about time.
• 58:18
  I don't know how that outfit fit him but okay.
• 58:23
  Right I'm not to point something out but I don't think the
• 58:29
  casting works on both characters but whatever.
• 58:32
  No, they see you to be different sizes.
• 58:35
  But you know what, that's one of those things were just going to
• 58:37
  skip over, I gotta go. I think my favorite costume here
• 58:44
  is Jacqueline's horse costume. Yeah that's a good one except I
• 58:50
  was so uncomfortable when she was making horse noises with the
• 58:54
  other guy. That was a little uncomfortable
• 58:56
  but I was also, it's a Nice Hue. Like clearly, they were both
• 59:01
  abandoned at this ball. No one's looking at them.
• 59:05
  And they're like, oh someone else who likes a horse.
• 59:08
  Okay, let's make this work. My favorite costume has to be
• 59:14
  stepmother. Baroness Angelica Houston's,
• 59:18
  look with the horns. She looks like the devil and I
• 59:21
  love it, right? Like they don't like play up or
• 59:24
  anything but it's like she's not.
• 59:25
  She's nothing in particular. She's the devil.
• 59:28
  What she is. She's the devil, like
• 59:30
  Marguerite's a peacock because that's exactly what Margaery is,
• 59:34
  yes. And she's the devil Lily and I
• 59:37
  guess Jack leans a horse really. Is that what?
• 59:44
  Is that? What the stepmother?
• 59:46
  Decided that's fucked up, right? She's so mean to her daughter so
• 59:51
  mean. Oh man, but none of this matters
• 59:56
  because right before the king announces Henry's engagement,
• 1:00:01
  Danielle walks into the ballroom.
• 1:00:04
  Oh yeah, this is so good. Good stuff looking stunning.
• 1:00:10
  So I was able to get information about this dress from Ever After
• 1:00:15
  costume.com. All right, let's hear it.
• 1:00:19
  The creator of this website was emailed by a woman called Jane
• 1:00:25
  law who actually created the Earth.
• 1:00:28
  With dress is what it's referred to as she is a very accomplished
• 1:00:34
  seamstress cutter and pattern. ER, and she had never worked
• 1:00:38
  with Jenny beavan before, but she was referred to one of Jenny
• 1:00:44
  Bevins assistants referred her for this film because they
• 1:00:49
  needed some extra costumes for Anjelica Huston.
• 1:00:52
  So, Jenny, beavan, she called Law.
• 1:00:56
  And while she was on vacation, Florida and was like, Hey can
• 1:01:00
  you like fit Anjelica Huston? 42 gallons real quick.
• 1:01:04
  We start filming in France in two weeks and JLo.
• 1:01:08
  I was like, yeah, sure why not nice.
• 1:01:13
  It's so funny because Jane Wall she's from England and she's
• 1:01:16
  like well I'm in the states. Anyway, I guess I'll go for a
• 1:01:22
  fitting with Anjelica Huston and like she didn't even have her
• 1:01:25
  Jenny beavan, like they go to the spitting and they didn't
• 1:01:27
  even have a Measure, they had to go buy one.
• 1:01:30
  Oh, come on. They were not prepared.
• 1:01:34
  She gots to of Angelica's beautiful gowns finished and
• 1:01:40
  onset and Jenny Bevins. Like, hey, could you go talk to
• 1:01:44
  Drew Barrymore for a second and in her email to Ever After
• 1:01:51
  costume.com, Jane law said she Jenny, beavan had already
• 1:01:56
  created the special dress for her, Drew was very sweet about
• 1:02:02
  it, but she just felt that it wasn't special enough, it wasn't
• 1:02:06
  wasted. She wears that elsewhere in the
• 1:02:07
  film. So this was not supposed to be
• 1:02:09
  the dress, she wore to the ball. Oh, there's another dress.
• 1:02:14
  I wonder what it was. A lot of people think it's the
• 1:02:17
  blue dress. She wears to the library with
• 1:02:20
  him. Mmm.
• 1:02:22
  But the conspiracy? I costume conspiracy.
• 1:02:25
  Is this our first one? I think so.
• 1:02:29
  Yeah, it's not confirmed which one it is.
• 1:02:31
  But okay. Well people believe it is.
• 1:02:34
  The blue Library dress. Do you see how just perked up?
• 1:02:38
  I was like conspiracy. Yeah.
• 1:02:41
  But like she said, Drew Barrymore was very sweet about
• 1:02:45
  it, but she's like, this is not special enough for this, like
• 1:02:49
  big moment. And I gotta say, none of the
• 1:02:51
  dresses she wears before. This are like, I agree.
• 1:02:56
  None of them would have been as impactful in this moment, as
• 1:03:00
  this gorgeous piece is like, look at all this detail, it's
• 1:03:05
  stunning. I mean, there's so much to it.
• 1:03:07
  I'd my eye doesn't even know where to look, because it's just
• 1:03:10
  all brilliant there. There's pearls, there's little
• 1:03:14
  seed beads. There's a lot of this is like,
• 1:03:16
  antique fabric, it's silk and like, some of the fabric had
• 1:03:21
  like, metal threads in it, and it's just like gorgeous piece
• 1:03:25
  after gorgeous piece. I love like the drape of it too,
• 1:03:30
  and, like, the, like such detailed pleading in it.
• 1:03:34
  It's just, it's so good. Oh, yeah.
• 1:03:37
  It's like it's, it's very like, it's a very slender dress, but
• 1:03:42
  it still manages with all that, pleading to have so much fabric
• 1:03:45
  in it. And it's one of those things
• 1:03:47
  that's like, it doesn't, it doesn't look super detailed and
• 1:03:51
  then you start to look at it and it's like, oh my gosh.
• 1:03:55
  Like it's covered in like embroidery.
• 1:03:58
  And little little Pearl accents. Like it's insanely gorgeous.
• 1:04:03
  It's it's a museum piece, it's stunning.
• 1:04:06
  It is and the shoes of the glass slippers.
• 1:04:10
  What we all know Cinderella for Jane law said, a few figures,
• 1:04:15
  give an idea of the work involved to produce the slipper.
• 1:04:19
  All strictly hand done by Ferragamo Florentine Craftsman,
• 1:04:24
  50 hours of Labor, two hundred silver Girls, 1,000 tiny glass,
• 1:04:31
  beads and meters and meters of Silver Thread.
• 1:04:35
  The upper was woven and embroidered by the expert hand
• 1:04:39
  of a haute couture embroiderer. Wow.
• 1:04:43
  I mean, that is so much detail into like, two little slippers.
• 1:04:48
  Yeah, and it's like, they're definitely like a story Point,
• 1:04:51
  like, right? It's not how he finds her, but
• 1:04:54
  it's kind of like they had no perfect.
• 1:04:57
  They have to be perfect it. The momento he keeps of her
• 1:05:00
  clearly in these shoes made it through even the French
• 1:05:03
  Revolution for her great. Great great.
• 1:05:06
  Great granddaughter to still have one of them but it's like
• 1:05:10
  the glass heel and just like the work like a haute couture
• 1:05:14
  embroiderer. Like for a pair of shoes.
• 1:05:17
  Okay, it's it's insane. I have I just can't even imagine
• 1:05:22
  this would take forever. I mean, they said 50 hours of
• 1:05:25
  Labor. I just can't even imagine
• 1:05:28
  Another interesting part of her costume is the makeup because
• 1:05:32
  it's a mass Ball but she doesn't have a mass.
• 1:05:35
  She has this beautiful subtle glittery makeup and Kim green,
• 1:05:40
  who was Drew Barrymore's, makeup artists on the film.
• 1:05:44
  She actually has a tutorial of how she did it online, and she
• 1:05:47
  kind of talks through the process of how they got to this
• 1:05:51
  look. And after Kim was brought onto
• 1:05:54
  the film, they made a change to the script where they were Have
• 1:05:59
  DaVinci paint on Daniel's mass for the ball.
• 1:06:03
  And this made Kim just like freaked out.
• 1:06:07
  She was like I'm not Leonardo DaVinci.
• 1:06:11
  Like this is not my skill set. I don't know what you want me to
• 1:06:16
  do. She says in the video she was
• 1:06:18
  like I was ready to tell Drew I'm gonna hop on a plane and go
• 1:06:21
  back home because she was like I know like I don't want to do
• 1:06:26
  this but Russia was like, she calmed her down and they did
• 1:06:31
  some tests Drew Barrymore. She really wanted a butterfly
• 1:06:34
  mask, but the studio said, no, you can see like the test.
• 1:06:39
  They did on the side, which I'm kind of like, I can see why they
• 1:06:42
  said no. Yeah, I looked messy.
• 1:06:44
  It looks a little messy, but they have two different reasons.
• 1:06:48
  First, they were like DaVinci, never, drew or painted
• 1:06:51
  butterflies, so no, I'm not. Right?
• 1:06:58
  The Nerds nerds at the studio. So they were like, no, no, to
• 1:07:04
  the butterfly and second, they were like, we can't see her
• 1:07:08
  face. She's the star of our movie.
• 1:07:10
  We want to be able to see her face.
• 1:07:13
  So more subtle approach was decided on that is inspired by a
• 1:07:19
  butterfly. So we get this very beautiful
• 1:07:22
  subtle makeup over her eyes and forehead.
• 1:07:26
  And also, You can't you can kind of tell him the scene, but it's
• 1:07:30
  not really something you think about.
• 1:07:32
  She doesn't have any lipstick on in this scene, right?
• 1:07:36
  I didn't notice it. Yeah.
• 1:07:38
  Because they were like where was she going to get lipstick?
• 1:07:41
  So they were like, no, she's not wearing any make sense?
• 1:07:46
  I mean, it looked beautiful without it.
• 1:07:49
  Oh yeah. Oh yeah.
• 1:07:50
  It's the the work that goes into this.
• 1:07:54
  Look when she doesn't in her tutorial on like that's a lot of
• 1:07:57
  work for something. Very subtle.
• 1:07:59
  Like it's the amount of work that goes into things that you
• 1:08:02
  think are like. So like delicate and subtle in,
• 1:08:05
  these movies is insane but at the ball, the baroness
• 1:08:11
  embarrasses her. And she literally Clips her
• 1:08:14
  wings, which I thought was such a great symbolic moment.
• 1:08:18
  Yes, she reveals Danielle's identity and just embarrasses
• 1:08:23
  her and Henry in front of everybody.
• 1:08:27
  And Daniel's like okay, whatever.
• 1:08:30
  Like I guess that's over. I'm just going to work and live
• 1:08:34
  and hope to have a good life, but the baron house is like,
• 1:08:38
  well, he still might marry Margaery.
• 1:08:40
  So in exchange for everything, she had sold to Pierre lepew.
• 1:08:48
  She gives him Danielle. Oh, so sweet, right?
• 1:08:54
  I was like the baroness is so evil because she keeps like Like
• 1:08:58
  blaming all these missing objects on like, on the servants
• 1:09:03
  and like, garnishing their wages.
• 1:09:04
  And it's like, you are selling them and then like, getting
• 1:09:09
  double money for them. What is wrong with you?
• 1:09:12
  Right, I was so confused by that.
• 1:09:13
  Even I didn't see that coming. Yeah, but now we have Pierre
• 1:09:18
  lepew showing up and you look so evil and is all black.
• 1:09:23
  I don't like this guy. Yeah, yeah, yeah.
• 1:09:27
  Who's his twirled mustache? I'm just like sir not Silver
• 1:09:31
  Lake. Like I don't know what you're
• 1:09:35
  doing here. Oh, but then we get to one of
• 1:09:39
  the best scenes in the entire movie.
• 1:09:43
  When Henry is about to marry the Spanish and Fanta and realizes
• 1:09:51
  he can't marry her and leaves to go save Danielle.
• 1:09:57
  Right. I just had this is when I was, I
• 1:10:00
  think I texted you like this movie is so dark.
• 1:10:03
  Like the fact that this film was like, totally like, oh, women
• 1:10:07
  are properly in this film. This is so disturbing.
• 1:10:10
  But yeah, that's how it was. This is a dark Cinderella Story.
• 1:10:17
  Hmm, But it's great because we have the two, the two sets of
• 1:10:23
  kings and queens, which I'm like surprised the Spanish King and
• 1:10:27
  Even came because most times princesses just got like shipped
• 1:10:31
  off and like that. Was that they would like Amazon
• 1:10:35
  Prime a princess over to France. Basically.
• 1:10:38
  Yeah, I loved the Spanish king and queen though because I love
• 1:10:42
  the colors of their garbs because that to me was like very
• 1:10:45
  Spain I could totally see it, the Blake blackish golden.
• 1:10:50
  It I thought it was really cool. Yeah, with like that charcoal
• 1:10:53
  gray color, it's really good the king and queen.
• 1:10:57
  Queen who have been at 100 this whole time, turn it up to, like,
• 1:11:01
  110 their wedding outfits. I love the Queen's, the white, I
• 1:11:10
  guess Shaw, she has with the fleur-de-lis embroidered on it,
• 1:11:16
  very beautiful, very like yeah, I'm the queen of France and then
• 1:11:20
  everybody again, everybody else in this, in this scene, is
• 1:11:24
  looking great. I love all the different kinds
• 1:11:26
  of Ships and how Margaery and the baroness acts like they're
• 1:11:31
  in mourning at this wedding? I know they're very nice was
• 1:11:36
  raining. They both are wearing like Black
• 1:11:38
  Veils so dramatic, so dramatic and I love I love Jack leans
• 1:11:45
  black hat because they clearly wanted her to wear like a veil
• 1:11:49
  to and she probably just refused to do it and was like I'll wear
• 1:11:55
  a hat. Okay.
• 1:11:56
  Yeah. Yes, it was like this is stupid,
• 1:11:58
  but the best costume of this scene has to go to the Spanish
• 1:12:04
  and Fanta. This actress.
• 1:12:07
  Oh my gosh, she nailed. It was so good and just that
• 1:12:12
  costume was like, well I loved loved the trains on both of
• 1:12:17
  their costumes. I know the cape's they're
• 1:12:20
  wearing like there are million mile miles long first off and
• 1:12:26
  then they're just Filled with detail even her veil has these
• 1:12:30
  like little gold stars on it and head right?
• 1:12:35
  The crown she basically where's I'm like well this is definitely
• 1:12:40
  Spain that just like went and consequent conquered Mexico.
• 1:12:45
  Oh man that is stolen. Oh no, not again.
• 1:12:51
  Yeah but just it's still was also stunning though and even
• 1:12:54
  the prince looks good who I haven't been a big Fan of but
• 1:12:57
  his costume was killing it in this moment.
• 1:13:00
  Yeah. The the red and gold.
• 1:13:03
  I'm like this is the best. He's looked this entire time.
• 1:13:06
  Like clearly his mother dressed him, he looks great in a red
• 1:13:11
  flag, red, it just glowing. Yeah, it tells you exactly who
• 1:13:16
  he is, red flag red flag, but just like this whole scene.
• 1:13:23
  And like, as you watch the costumes, like, go slowly down
• 1:13:26
  and All in just like wrinkle around the two of them.
• 1:13:29
  I'm just like this could not get any funnier till you see the
• 1:13:32
  man. She is pining for right.
• 1:13:37
  What's happening here? He had the nice little like robe
• 1:13:39
  though is like just in case he did get married you know?
• 1:13:43
  But yeah it's this like beautiful black with this like
• 1:13:47
  Rich gold embroidery and it's like clearly he's like some sort
• 1:13:52
  of noble for him to be there in the first place, right?
• 1:13:56
  She just runs Uber to him. Like this is an actual option,
• 1:13:59
  but you do get to see her gown which is has their red, which
• 1:14:06
  I'm like, okay, that makes sense because she's wearing red,
• 1:14:10
  because clearly, that's what they've decided Frances colors
• 1:14:12
  are. And then that like a goal that
• 1:14:15
  like orange eat gold, which I feel like just like really makes
• 1:14:19
  her like glow and pop in this scene, we're back to Maurice
• 1:14:25
  because the princess like where's Danny Our Nicole,
• 1:14:29
  Nicole? Wait no.
• 1:14:30
  Don't ya off because he keeps forgetting what her name is.
• 1:14:35
  And Maurice is like she was sold and he acts like this is like
• 1:14:40
  some impossible situation that she should be sold to somebody
• 1:14:44
  and it's like dude do you not live in this time to?
• 1:14:48
  He's like suddenly all Disturbed even though he just a couple
• 1:14:51
  days ago or months ago like had a full freak out red flag moment
• 1:14:56
  and like Is her from the entire Kingdom, but whatever, whatever.
• 1:15:01
  I love the storyboards for Maurice, though.
• 1:15:04
  Like yeah, very just like this very like dignified painting
• 1:15:10
  alongside the these like illustrations of someone who's
• 1:15:13
  just like a Haggard and beat down by life.
• 1:15:17
  And it's like, at this point, he's a combination of those two.
• 1:15:21
  It's so good. He's like, like you said
• 1:15:24
  earlier, they're going into town, so they have to look like
• 1:15:26
  presents. All, but they're not nice.
• 1:15:29
  They're just they're durable. Yes.
• 1:15:34
  Well, Henry's on her his way to save Danielle, she is busy
• 1:15:41
  saving herself because she is not gonna put up with Pierre, Le
• 1:15:45
  Pew's, disgustingness. All right, if she was a
• 1:15:49
  swordsman, why didn't she help the prince back when they were
• 1:15:52
  being attacked by the robbers? She clearly knows her way around
• 1:15:55
  a sword. I don't think she had a sword.
• 1:15:58
  Oh, someone should have tossed. Her 10 should have tossed her
• 1:16:01
  one. But remember in this, Movie.
• 1:16:03
  Women are property. It don't know how to do anything
• 1:16:06
  so the rest of the world. Well, I'm so glad that she got
• 1:16:09
  away from Pierre because like I sex I know and I love how he's
• 1:16:14
  like, I want to marry you but he like won't even treat her.
• 1:16:18
  Well it's like maybe if you treated her well.
• 1:16:21
  Like she would. Marry you.
• 1:16:23
  Like maybe give her some new clothes.
• 1:16:27
  Like I know she's wearing that dumpy outfit from earlier man.
• 1:16:31
  Yeah and she doesn't even have For cool sleeves anymore.
• 1:16:34
  Like oh man, she's deflated symbolic reference.
• 1:16:39
  She is she is deflated but it doesn't matter because she
• 1:16:45
  doesn't need to print the prince to save her.
• 1:16:47
  She is saved herself, but the baroness unaware of Danielle and
• 1:16:53
  Henry's marriage, gets a summons to the castle which they think
• 1:16:59
  it's all about Marguerite, possibly marrying, the prince
• 1:17:03
  But she is summoned to the Palace to answer for her
• 1:17:07
  behavior. Oh yeah.
• 1:17:09
  And she does but she answers though, no really great costume
• 1:17:14
  that like they showed up. She was wearing white on her
• 1:17:17
  head. What She Likes never done.
• 1:17:19
  Like, oh so good. I love how the palace guard is.
• 1:17:22
  Like, you should come and style like, this was clearly, the
• 1:17:27
  wrong way to present herself. Let's talk about Danielle's
• 1:17:31
  costume though. For a second.
• 1:17:33
  Looked good. Oh my goodness, she did blow up.
• 1:17:38
  Oh wait, here are some some pictures of the baroness's
• 1:17:43
  outfit? Mmm.
• 1:17:45
  Yeah that's look at that. Look at the slashing in those
• 1:17:48
  sleeves. Oh man, that's just young and
• 1:17:51
  puffing. That's what it's called.
• 1:17:53
  Mmm. My education just came back to
• 1:17:55
  me. I'm obsessed with this last
• 1:17:59
  thing and puffing. It's brilliant.
• 1:18:00
  Brilliant. But they really went all in on
• 1:18:05
  this last dress for the baroness like it's a museum piece so it's
• 1:18:10
  it is a museum piece. The brocade, The Velvet the
• 1:18:14
  Lemay just like these like capes leave.
• 1:18:16
  She has incredible. Awesome.
• 1:18:19
  In this scene we get a good look at Jaqueline, who again, just
• 1:18:23
  very Renaissance inspired. As you can see in her
• 1:18:27
  storyboard, like Jenny Bevins research was like spot-on.
• 1:18:33
  And it was even more spot-on for Danielle's final look where she
• 1:18:38
  is now, royalty and ranks above the baroness the colors that
• 1:18:44
  Daniel chose, she like never wears these colors and it
• 1:18:48
  suddenly just like appears like she was just like born for this
• 1:18:50
  moment. Like she is the Royal that
• 1:18:53
  everyone was saying that she couldn't and she so clearly.
• 1:18:55
  Can I love the red on her? And I love the inspiration Jenny
• 1:19:01
  beavan took for this look Look it's inspired by the visitation
• 1:19:08
  by Domenico Journal T. I'm sorry to any history, buff.
• 1:19:13
  Who says I'm saying that wrong, but it was painted between 1486
• 1:19:18
  and 1490 and it's like almost look for, look, the painting.
• 1:19:24
  That's so good. It's so good.
• 1:19:26
  And I especially love this costume because it's kind of
• 1:19:30
  like two costumes in one like this is her like Official.
• 1:19:33
  I'm at the court taking care of business look.
• 1:19:37
  But then in the final scene when she is presented with her
• 1:19:40
  wedding gift from DaVinci, which is one of his famous.
• 1:19:45
  I believe it's an unfinished painting of his.
• 1:19:47
  I forget the name of it, but in that scene she is.
• 1:19:52
  She's wearing the same thing just - this like overdress.
• 1:19:56
  It's just the red velvet with that.
• 1:19:59
  You'll notice the necklace. She's wearing is the same one.
• 1:20:03
  Marguerite was given to give to the queen.
• 1:20:05
  Hmm, I didn't notice that the family, it's the family heirloom
• 1:20:10
  that was very precious. So, that is Everett they live
• 1:20:14
  happily ever after. That's a great film.
• 1:20:18
  I love that. Yeah.
• 1:20:19
  I turned around by the end of it.
• 1:20:21
  Yeah, it's like, it takes, it does take a second to get into,
• 1:20:27
  but once, once you're into it, it's like, you're there, right?
• 1:20:32
  I mean, Still feel like Danielle, married a red flag.
• 1:20:35
  I just don't she really broke my trust my the end of it.
• 1:20:40
  But, you know, if they were, if they lived happily ever after,
• 1:20:43
  then I'm happy for them. I they did live happily ever
• 1:20:48
  after. I'm sure.
• 1:20:50
  But, you know, I'm interested in which costume ruled them, all in
• 1:20:55
  this movie. Oh man, are you ready to play?
• 1:20:59
  I'm ready to play. Let's Do It.
• 1:21:03
  The one costume to rule them all.
• 1:21:09
  Okay, Lisbeth. Do I know my choice?
• 1:21:12
  I do want to know your choice. Spencer, this one was easy for
• 1:21:16
  me. It has to be the black and gold
• 1:21:19
  costume that the baroness wears. When she first meets the Prince
• 1:21:23
  at first I thought my one costume ruled them out was the
• 1:21:26
  very first costume we saw her and when she came out of the
• 1:21:28
  carriage, I wrote it down, I was like, okay, that's a costume.
• 1:21:31
  I was only five minutes into the film and then this one came up
• 1:21:34
  with like, No, actually that's it.
• 1:21:36
  I just love it. I love the headpiece.
• 1:21:39
  Love the puffing of the sleeves, the gold on it.
• 1:21:43
  She just looks like a beautiful portrait.
• 1:21:45
  I just want to keep this forever.
• 1:21:47
  I will agree. This is a great one, if she
• 1:21:51
  shows the baroness as she truly is which is evil evil.
• 1:21:57
  It's so Anjelica Huston to like, if Angelica Houston where the
• 1:22:01
  live and like the Renaissance, this is what she would wear.
• 1:22:04
  Yeah, it really is. But I gotta disagree with you,
• 1:22:08
  my choice. Choice is, of course, the
• 1:22:11
  breathe dress. Oh yeah.
• 1:22:13
  That screams Elizabeth Danielle's, beautiful gown that
• 1:22:18
  she wears the ball not just because it's gorgeous.
• 1:22:21
  A lot of work went into it but it's such a story point in the
• 1:22:25
  entire thing. Yeah, I loved it and I actually
• 1:22:29
  thought it was going to be the end of the movie.
• 1:22:30
  Like I thought they're going to get together at that part and
• 1:22:33
  that would be it, but then when the evil stepmother, rips her
• 1:22:37
  the wink off of it, I just That was so cool like symbolically,
• 1:22:41
  so I definitely love this dress. Yeah, it's just like from the
• 1:22:45
  very first moment you see it being pulled out of the trunk.
• 1:22:48
  It's like, oh, like that's the dress and it's just like the
• 1:22:53
  fighting over it. Like what it means to Danielle,
• 1:22:57
  like the history of the dress, and just how it makes her look
• 1:23:01
  in those those moments at the ball.
• 1:23:03
  It's like, ooh that this is what the movie was working up to.
• 1:23:07
  So good. As soon as I pulled out, Out of
• 1:23:09
  that trunk. I was like, oh, that's the
• 1:23:11
  dress. Just like you said and I was so
• 1:23:13
  excited. I, you know, I love that.
• 1:23:15
  It wasn't like typical Cinderella, you know, that way
• 1:23:18
  with the huge huge skirt like yeah.
• 1:23:22
  This is way more simple, but way more detailed, which made it
• 1:23:24
  beautiful. Absolutely.
• 1:23:27
  But everybody, you let us know which, look ruled this film.
• 1:23:32
  Spencer, I had a great time with this movie.
• 1:23:35
  How about you me, too? I love the fairytale romance
• 1:23:39
  forever. Really doing it.
• 1:23:41
  We are really doing it and we're just going to keep doing it.
• 1:23:44
  Spencer, you want to know we're watching next week.
• 1:23:48
  I do is Anjelica Huston in it. No.
• 1:23:52
  But our favorite elf. Isn't it next week?
• 1:23:55
  We are watching. Carnival row starring Orlando
• 1:23:58
  Bloom. Okay, I'm interested.
• 1:24:05
  I am so excited. I really I went Went into this
• 1:24:10
  show, not expecting very much out of it and I was pleasantly
• 1:24:16
  surprised. Well, I have yet to see it.
• 1:24:19
  So I'm really excited. Does Orlando Bloom have a bow in
• 1:24:23
  this show? No, no.
• 1:24:28
  Okay. Well I'm excited anyway.
• 1:24:30
  Excited Carla delevingne's in it.
• 1:24:31
  She's great. This was the thing that made me
• 1:24:34
  realize she actually could act. It's a great show everybody.
• 1:24:40
  Go watch it before next week's episode.
• 1:24:43
  And if you like what you heard, please give us a five-star text
• 1:24:47
  review and the follow wherever you are listening to us, we
• 1:24:51
  would really appreciate it. Spencer have a great week.
• 1:24:56
  Oh I will. And if you leave us a five star
• 1:24:58
  review, you'll probably live happily ever after just like
• 1:25:02
  Danielle so consider it. We can't make those kind of
• 1:25:06
  guarantees, but you never know what life will bring.
• 1:25:09
  So, everybody set out to have an happily ever after week.
• 1:25:16
  The art of costume, blogcast is hosted, and produced by
• 1:25:19
  Elizabeth Joy, glass, and Spencer Williams.
• 1:25:22
  Our audio engineering and editing is done by Dan White.
• 1:25:27
  Follow us on Instagram, at the art of costume pod or visit the
• 1:25:32
  art of costume blogcast.com. For all blogcast updates, if you
• 1:25:36
  want to support the show, go to the art of costume.com pot store
• 1:25:41
  or you can head over to The art of costume for some bonus
• 1:25:48
  content for more costume. Reviews deep, Dives and
• 1:25:52
  interviews, head over to the art of costume.com a Blog dedicated
• 1:25:57
  to highlighting the best in costume design.
• 1:26:09
  All right. All right.
• 1:26:11
  You ready? Let's do it.
• 1:26:14
  Are you showing slides today for this one?
• 1:26:17
  Yes, I could do Fellowship. All right, sounds good here.
• 1:26:22
  Let me share my screen. Good.
• 1:26:24
  I was has disabled participation screen sharing Spencer.
• 1:26:30
  How can this have happened? All right.
• 1:26:11
  All right. You ready?
• 1:26:13
  Let's do it. Are you showing slides today for
• 1:26:16
  this one? Yes, I could do Fellowship.
• 1:26:20
  All right, sounds good here. Let me share my screen.
• 1:26:24
  Good. I was has disabled participation
• 1:26:27
  screen sharing Spencer. How can this have happened?