Latest / Movie Meltdown / Live from Videodrome

Transcript

Live from Videodrome · Movie Meltdown

• 0:06
  Speaker 1: Hi, this is Nick from the Found Footage Festival. You're
• 0:12
  Speaker 1: listening to Movie Meltdown, the meltingest podcast around.
• 0:16
  Speaker 2: Oh, wouldn't you be in.
• 0:20
  Speaker 3: Good shape if your life was on videotape? The following
• 0:32
  Speaker 3: feature has been rated R by the Motion Picture Association
• 0:35
  Speaker 3: of America. It is intended for mature audiences and parental
• 0:38
  Speaker 3: discretion is advised.
• 0:50
  Speaker 2: It's showtime, folks.
• 0:52
  Speaker 4: Enjoy the show.
• 0:55
  Speaker 5: Our nuclear reactor, pumping out one million kilowatts of power.
• 1:25
  Speaker 2: Provide more cooling in the containment chamber.
• 1:27
  Speaker 4: To your stations, we have a movie meltdown.
• 1:30
  Speaker 2: What's that werewolf movie with E.T.
• 1:32
  Speaker 6: 's mom in it?
• 1:33
  Speaker 7: The Howling Horror, straight ahead.
• 1:35
  Speaker 2: Okay, thanks.
• 1:45
  Speaker 7: What's up, and welcome to Movie Meltdown. I am Brian,
• 1:47
  Speaker 7: and we're coming to you live via digital recording from
• 1:50
  Speaker 7: in Atlanta, Georgia. We're still on our Atlanta adventures. And
• 1:54
  Speaker 7: this week, I was glad to be able to put
• 1:57
  Speaker 7: this together. We are coming to you live in the
• 2:00
  Speaker 7: middle of a Videodrome video store. So, joining me, you
• 2:04
  Speaker 7: guys can throw yourselves out there. Introduce yourselves.
• 2:09
  Speaker 2: I'm Matt Booth. I'm the owner of Videodrome, the last
• 2:11
  Speaker 2: video store in Atlanta, Georgia.
• 2:14
  Speaker 8: And I'm Tommy Morgan, and I've been working here for about,
• 2:18
  Speaker 8: we've been open, what, 21 years now?
• 2:19
  Speaker 9: I've been working here about 19, so I've been here
• 2:22
  Speaker 9: for the long haul.
• 2:23
  Speaker 7: Yeah, it's a lifestyle. Once you get into it, it's, yeah.
• 2:28
  Speaker 2: And Tommy also worked at a different video store, Atlanta.
• 2:30
  Speaker 9: Yeah, I worked at a store up the street.
• 2:33
  Speaker 8: Movies were seen, which has since closed, but he stole
• 2:36
  Speaker 8: me from there, and I moved over here.
• 2:38
  Speaker 7: Are there still, like, harsh feelings?
• 2:40
  Speaker 9: No, it wasn't really like that.
• 2:42
  Speaker 8: I mean, I think there I was more of sort
• 2:43
  Speaker 8: of just a clerk, you know, just ringing people up,
• 2:45
  Speaker 8: putting movies up.
• 2:47
  Speaker 9: Here it was more of a brand new store.
• 2:49
  Speaker 8: We were going to build it and have a lot more...
• 2:54
  Speaker 8: you know a lot more impact on the actual business
• 2:56
  Speaker 8: yeah he's.
• 2:57
  Speaker 2: A decision maker over here.
• 2:58
  Speaker 9: And just bringing people up yeah it's a new adventure.
• 3:01
  Speaker 7: It's a different type of video story even and that's
• 3:04
  Speaker 7: the thing of this is of the sad situation that
• 3:07
  Speaker 7: there are so few but even even in the heyday
• 3:10
  Speaker 7: like even when i was when i was growing up
• 3:12
  Speaker 7: going to all these like you could tell which one
• 3:13
  Speaker 7: was like the chain and which one like you know
• 3:16
  Speaker 7: got in the new releases and then Even the ones
• 3:19
  Speaker 7: that were, like, not super independent, there'd be, like, obviously
• 3:22
  Speaker 7: some cleric working there that had, like, a weird, like,
• 3:24
  Speaker 7: I'm going to set up my cult section. I'm going
• 3:26
  Speaker 7: to be ordering.
• 3:27
  Speaker 2: I was that guy.
• 3:28
  Speaker 10: Yeah.
• 3:28
  Speaker 2: I mean, when I moved, I got out of college
• 3:31
  Speaker 2: and I had worked at Video Sports in high school.
• 3:32
  Speaker 7: Yeah.
• 3:33
  Speaker 2: And I was living in Atlanta. I moved to Atlanta
• 3:37
  Speaker 2: in 96 and didn't really have a ton of job opportunities,
• 3:41
  Speaker 2: you know, post-college. And I was... working with my girlfriend's
• 3:46
  Speaker 2: dad and helping him. He owned an apartment and I
• 3:48
  Speaker 2: was helping him fix things, but I just had a
• 3:49
  Speaker 2: lot of time, so I started working at a corporate
• 3:52
  Speaker 2: video store called Video Update, which was one of the chains.
• 3:54
  Speaker 2: I think it was in the Midwest, too. It was also.
• 3:58
  Speaker 7: It was called... At one time, it was.
• 4:00
  Speaker 2: Movies with the Cows. I don't know if you remember
• 4:02
  Speaker 2: that video store.
• 4:03
  Speaker 7: Wait, how did... It was Movies.
• 4:07
  Speaker 2: And they wanted you to wear cow print.
• 4:09
  Speaker 7: That is bad.
• 4:10
  Speaker 2: Cow print vests.
• 4:12
  Speaker 6: They had.
• 4:13
  Speaker 2: Everything was themed. Moo Dunnets and Moo releases. It's just
• 4:18
  Speaker 2: a painful pun. Yeah, but luckily I got on at movies,
• 4:23
  Speaker 2: but the store I worked at, they refused to wear
• 4:26
  Speaker 2: the vest. And then Video Update bought it almost within
• 4:29
  Speaker 2: a month of when I worked there. And it became
• 4:32
  Speaker 2: Video Update, which is I think a Minnesota-based company. And
• 4:37
  Speaker 2: when you work at stores like that and you get
• 4:39
  Speaker 2: there and you're just show up on time. They eventually,
• 4:42
  Speaker 2: you get promoted pretty quickly. And, um, I had some.
• 4:46
  Speaker 7: Always the most responsible group.
• 4:47
  Speaker 6: Yeah.
• 4:47
  Speaker 2: I had some passion for the, for the industry, but
• 4:50
  Speaker 2: I asked, so they moved me. I was a manager
• 4:52
  Speaker 2: within a couple months. And then, uh, this is pretty
• 4:56
  Speaker 2: much the heyday of video stores. So I was getting,
• 4:59
  Speaker 2: I got moved to a really big store in little
• 5:01
  Speaker 2: five points, which is only maybe a mile from here,
• 5:04
  Speaker 2: just over there. And, uh, it had a really, uh,
• 5:07
  Speaker 2: little five points, uh, This whole area of Atlanta that
• 5:10
  Speaker 2: was really eclectic at that time had a lot of people.
• 5:13
  Speaker 2: What's funny?
• 5:13
  Speaker 7: Yeah, I didn't realize how close it was when I
• 5:16
  Speaker 7: got here this weekend. I'm like, half the CDs I
• 5:19
  Speaker 7: bought in the 90s were recorded down the street. Like,
• 5:22
  Speaker 7: Little Five Points Pub is where they recorded all these things. Yeah,
• 5:25
  Speaker 7: it was sort of a cultural sentiment.
• 5:27
  Speaker 2: So it definitely had a different clientele for a corporate
• 5:31
  Speaker 2: video store. And I really felt like they weren't. they
• 5:34
  Speaker 2: weren't hitting the indie stuff and the foreign stuff the
• 5:36
  Speaker 2: way that those people really wanted it, the neighborhoods that
• 5:39
  Speaker 2: were adjacent to there. And I actually worked long enough
• 5:43
  Speaker 2: where I got to like, they let me start doing
• 5:45
  Speaker 2: the ordering for that store. And I increased the, I
• 5:48
  Speaker 2: increased the, you know, bottom line. I got bonuses and
• 5:51
  Speaker 2: actually did really well for like two years as a,
• 5:55
  Speaker 2: just a corporate video store manager and saved enough money.
• 6:00
  Speaker 2: And I had an employee there that was, one of
• 6:02
  Speaker 2: my friends who was also with a co-manager and we
• 6:05
  Speaker 2: came over here and opened this store just based on
• 6:09
  Speaker 2: what we had, you know, what, what we had gotten
• 6:10
  Speaker 2: done over there and brought a lot of the customers
• 6:12
  Speaker 2: and did it even weirder version, you know, like when
• 6:17
  Speaker 2: we opened, it was, um, 1998. We were all VHS. Um,
• 6:22
  Speaker 2: there was a blockbuster on one side of us, a
• 6:25
  Speaker 2: video update on the other side of us, movies we're
• 6:27
  Speaker 2: seeing that Tommy worked at down the street. So, um,
• 6:31
  Speaker 2: you know, we had five stores within, which was pretty
• 6:33
  Speaker 2: common back then. And there was even a more culty
• 6:36
  Speaker 2: video store called Blast Off in Little Five Points that
• 6:40
  Speaker 2: was just the weird stuff.
• 6:42
  Speaker 10: Like, completely.
• 6:42
  Speaker 7: They were so culty they took themselves out. Yeah, basically.
• 6:46
  Speaker 7: They were so culty. They were so weird they didn't
• 6:48
  Speaker 7: show up one day.
• 6:49
  Speaker 2: Well, you know, you didn't even know their hours. They
• 6:51
  Speaker 2: would just, they would just like, you would just be there.
• 6:54
  Speaker 2: They would be there sometimes. They wouldn't be there. They'd
• 6:56
  Speaker 2: be at the bar. You know, like they'd, yeah, yeah. Um,
• 7:00
  Speaker 2: So there were a lot of video stores just in
• 7:02
  Speaker 2: this area, and we were kind of... We didn't... We
• 7:07
  Speaker 2: really concentrated on indie, foreign... Lots of kung fu. Hong
• 7:11
  Speaker 2: Kong was really.
• 7:12
  Speaker 8: The store I worked at was an indie store, but
• 7:16
  Speaker 8: it was more, say, classic-based and also European-based.
• 7:21
  Speaker 7: Which is another sub-genre kind of market. Art House. Art
• 7:25
  Speaker 7: House has its own group of fans that are pretty dedicated, too.
• 7:29
  Speaker 9: So we were the edgier.
• 7:30
  Speaker 2: We did a lot of... Yeah, Italian horror was really
• 7:32
  Speaker 2: big at that moment when Anchor Bay was pumping out stuff.
• 7:36
  Speaker 2: And Dragon Con, which you're here for, was like we
• 7:39
  Speaker 2: would go buy all the bootlegs at Dragon Con every
• 7:42
  Speaker 2: year and stock up. We were kind of the edgier... If.
• 7:48
  Speaker 2: We didn't have Titanic. We didn't have Forrest Gump. We
• 7:50
  Speaker 2: didn't have.
• 7:51
  Speaker 7: Never mind. That's what I came here for.
• 7:53
  Speaker 2: But now we've moved... Now that we're the only video store...
• 7:56
  Speaker 2: We kind of have to have that, too. We've really
• 7:58
  Speaker 2: expanded our library, you know, over the last few years.
• 8:02
  Speaker 9: And also, you know, with DVD.
• 8:05
  Speaker 8: The switching from, you know, sell-through, you know, VHS to
• 8:11
  Speaker 8: DVD was.
• 8:11
  Speaker 9: The game-changer where everything was... Now everything's available on Blu-ray, too.
• 8:14
  Speaker 2: Now everything's just.
• 8:16
  Speaker 9: The floodgates have opened and it's just like, oh my God,
• 8:18
  Speaker 9: you can get anything you want now.
• 8:20
  Speaker 7: It's just, yeah, it is.
• 8:21
  Speaker 8: And you can't get them and they don't have it
• 8:22
  Speaker 8: on Amazon or Netflix or whatever.
• 8:25
  Speaker 7: Especially yeah especially when stuff goes out of print and
• 8:27
  Speaker 7: most people in the normal world don't understand out of
• 8:29
  Speaker 7: print like it completely like but i want it why
• 8:32
  Speaker 7: can't i have it especially.
• 8:33
  Speaker 2: Now and out of print can change in a matter
• 8:35
  Speaker 2: of days yeah it's like suddenly it's a hundred dollars
• 8:38
  Speaker 2: now it's 1999 now it's now it's like now there's
• 8:42
  Speaker 2: a perfect uncut print of it that's ready you know
• 8:45
  Speaker 2: like you can get anywhere.
• 8:46
  Speaker 7: It's the most desirable thing six months later you know
• 8:50
  Speaker 7: you might have six copies now because nobody cares anymore
• 8:53
  Speaker 7: But I think that is the difference once you get
• 8:56
  Speaker 7: from the indie video stores versus the chain. But I
• 9:01
  Speaker 7: think so much of it for me was also just
• 9:03
  Speaker 7: the people that it brought in. Because I was telling... Again,
• 9:07
  Speaker 7: I ran into one of our... On previous episodes, one
• 9:10
  Speaker 7: of our listeners, and he was asking of my weird history.
• 9:15
  Speaker 7: And he was talking about where I'd originally worked. And
• 9:18
  Speaker 7: then I had worked at a chain store. But then...
• 9:22
  Speaker 7: We made joke of Blockbuster, and I was like, I attempted.
• 9:26
  Speaker 7: There was a time when I wasn't able to work
• 9:28
  Speaker 7: where I wanted to, and I was like, oh, there's
• 9:30
  Speaker 7: a Blockbuster over here, I guess. It's still movies is
• 9:33
  Speaker 7: what I was thinking as a movie geek. I worked
• 9:35
  Speaker 7: there for one four-hour shift.
• 9:38
  Speaker 3: Wow.
• 9:40
  Speaker 7: The manager, which was the most dorky corporate manager guy
• 9:43
  Speaker 7: you've ever seen in his blue shirt and his khakis,
• 9:46
  Speaker 7: And he was just– he sat in the back room
• 9:48
  Speaker 7: the whole time doing whatever, books or computer. I don't
• 9:51
  Speaker 7: know what he was doing. He just sat back there.
• 9:53
  Speaker 7: But as he was explaining the rules there, it was
• 9:56
  Speaker 7: just product. Like it was just a rectangle. box that
• 10:00
  Speaker 7: I was gonna put on the wall and it did
• 10:02
  Speaker 7: not matter what it was he had no connection to
• 10:05
  Speaker 7: it like he and then my other favorite thing was
• 10:07
  Speaker 7: then he like left at some point and the other
• 10:09
  Speaker 7: girl that was there that I guess was the at
• 10:11
  Speaker 7: least shift manager because she was supposed to be showing
• 10:14
  Speaker 7: me what to do there was one spot again because
• 10:17
  Speaker 7: they're blockbusters so they already had video cameras and There
• 10:19
  Speaker 7: was one spot in the store that wasn't on camera,
• 10:23
  Speaker 7: and she went and stood in it and did not
• 10:25
  Speaker 7: move the entire rest of that four-hour shift because then
• 10:27
  Speaker 7: she'd have to go do something.
• 10:28
  Speaker 9: Wow.
• 10:29
  Speaker 7: So she stood there and hid from the cameras, and
• 10:32
  Speaker 7: we didn't talk about movies because she obviously wasn't– it
• 10:35
  Speaker 7: was just a job.
• 10:35
  Speaker 2: It was a job.
• 10:36
  Speaker 9: Yeah, this is a lifestyle.
• 10:37
  Speaker 11: Yeah.
• 10:37
  Speaker 7: It's a totally different thing. And that was the point
• 10:39
  Speaker 7: I was just like, this is why I don't– it's
• 10:42
  Speaker 7: sad overall that the system has changed, but I'm like,
• 10:45
  Speaker 7: the loss of Blockbuster– eh, you know, for geeks it
• 10:48
  Speaker 7: didn't matter.
• 10:49
  Speaker 2: It's funny there's so much nostalgia for it because I
• 10:51
  Speaker 2: always felt like they were just, they were always trying
• 10:53
  Speaker 2: to sell you something else like DirecTV or Radio Shack or.
• 10:56
  Speaker 7: Video Rewinder? Add-on sales.
• 10:58
  Speaker 2: That's what it was all about. And I never really
• 11:01
  Speaker 2: considered them competition because their whole model was about moving
• 11:05
  Speaker 2: stock prices and, you know, gaining traction. I mean, they
• 11:09
  Speaker 2: were doing deals with Enron at one time, remember? I
• 11:11
  Speaker 2: don't know if you remember. That whole, look into that.
• 11:13
  Speaker 2: That's like a crazy story.
• 11:14
  Speaker 7: That doesn't surprise me.
• 11:15
  Speaker 2: But like, Enron had... Claimed that they were developing the
• 11:21
  Speaker 2: infrastructure to stream movies, essentially. And so they went ahead
• 11:25
  Speaker 2: and got Blockbuster more and announced the deal. Because Enron
• 11:27
  Speaker 2: was just doing anything to push stock prices at one time.
• 11:31
  Speaker 7: It was desperate moves at that point. When they saw
• 11:34
  Speaker 7: the end coming, and it was pretty early on, everybody did,
• 11:37
  Speaker 7: because that's the only other one. And I wonder what
• 11:39
  Speaker 7: your feelings are on this. To me, they weren't ever
• 11:41
  Speaker 7: competition because it was all sales, but I also started
• 11:44
  Speaker 7: at Suncoast years before, which is funny. One of my
• 11:47
  Speaker 7: co-hosts is much younger than us, and we were reminiscing
• 11:50
  Speaker 7: about stories there, and she went, what's Suncoast? I'm like, Jesus,
• 11:53
  Speaker 7: it's not been that long, has it?
• 11:55
  Speaker 2: Every moment in America.
• 11:56
  Speaker 7: Nobody, yeah, nobody.
• 11:58
  Speaker 2: They had a great Kung Fu thing going on.
• 11:59
  Speaker 7: They had a lot of stuff.
• 12:00
  Speaker 2: Like, they were, that was my first, definitely, you know,
• 12:05
  Speaker 2: my introduction to Kung Fu movies, I think, came either
• 12:07
  Speaker 2: from Suncoast or like a corporate video store. And then
• 12:11
  Speaker 2: I went deeper and found some Asian groceries and some crazy,
• 12:14
  Speaker 2: you know.
• 12:15
  Speaker 7: But for a corporate run thing, they went, once it
• 12:18
  Speaker 7: went out of their hands, like the managers running it,
• 12:20
  Speaker 7: if you've got a good store, which yeah, ours was cool.
• 12:22
  Speaker 7: And like, you would get a lot of really weird
• 12:24
  Speaker 7: foreign movies and are again, everybody that worked there was
• 12:27
  Speaker 7: a horror fan. So like, that was my first introduction
• 12:30
  Speaker 7: to like working with a bunch of geeks. And I
• 12:32
  Speaker 7: was just like, this is, this is my family. Like,
• 12:34
  Speaker 7: these are my people. Like, so that one, being corporate
• 12:37
  Speaker 7: run still had that fan base of like movie fans
• 12:40
  Speaker 7: that like worked there and knew their clientele and talk
• 12:43
  Speaker 7: to them. And like people would come in looking for
• 12:45
  Speaker 7: recommendations and like would just blind buy it because the
• 12:49
  Speaker 7: guy that works over here that I talked to all
• 12:50
  Speaker 7: the time said it was good. And like that, I
• 12:53
  Speaker 7: think that kind of thing. Yeah. Is, is sort of what,
• 12:55
  Speaker 7: what separates like the, you know, you get to blockbuster
• 12:58
  Speaker 7: and they couldn't even tell you, I don't know. I
• 13:00
  Speaker 7: haven't watched that. Like, you know, they, so yeah, it
• 13:02
  Speaker 7: was such a different world looking at that.
• 13:05
  Speaker 2: We had some, I guess.
• 13:06
  Speaker 4: Yeah.
• 13:07
  Speaker 2: We had a chain called Turtles here, too, that had
• 13:08
  Speaker 2: a pretty good movie selection that was the, it was
• 13:11
  Speaker 2: a local record store, but, you know, that was a big,
• 13:14
  Speaker 2: big record store, and it was kind of a tower.
• 13:17
  Speaker 2: I mean, and Tower Records.
• 13:18
  Speaker 7: Yeah.
• 13:18
  Speaker 6: Tower.
• 13:18
  Speaker 2: Tower had great, great selection. I mean, they had, like,
• 13:21
  Speaker 2: massive selections of movies and good tastes.
• 13:24
  Speaker 6: Yeah.
• 13:24
  Speaker 9: And they would sell stuff. Or what was it?
• 13:26
  Speaker 8: What was the other video store that we bought a
• 13:28
  Speaker 8: ton of VHS from that? hollywood yeah stuff they were
• 13:32
  Speaker 8: like we don't need this.
• 13:33
  Speaker 2: Yeah you know that was another weird time when when
• 13:36
  Speaker 2: hollywood and and blacklist were trying to do deals with
• 13:40
  Speaker 2: ifc or with some of these like um sundance and
• 13:44
  Speaker 2: they would have they would have movies that we could
• 13:47
  Speaker 2: you know exclusive i still remember like um i was
• 13:50
  Speaker 2: really into like scandinavian noir and like this um icelandic
• 13:54
  Speaker 2: movie jar city came out and i I was desperate
• 13:57
  Speaker 2: to see that movie, and it was only available at Blockbuster,
• 13:59
  Speaker 2: which seemed like the– and I would just go there
• 14:01
  Speaker 2: every day waiting for it to go on sale because
• 14:04
  Speaker 2: I knew they didn't– and.
• 14:05
  Speaker 7: They're all– They're going to get rid of them, yeah.
• 14:06
  Speaker 7: You know, whatever, and I would.
• 14:07
  Speaker 6: Just– I don't know.
• 14:08
  Speaker 2: I mean, but we would– or Hollywood had like the
• 14:12
  Speaker 2: two-week– do you remember those scams like sideways renting and
• 14:16
  Speaker 2: stuff when– Again, they just started trying– Well, Hollywood had
• 14:20
  Speaker 2: like a two-week rental, but then indie video stores would
• 14:23
  Speaker 2: go rent the new releases from them and.
• 14:24
  Speaker 7: Then re-rent their copy.
• 14:27
  Speaker 2: We never tried anything like that. But I remember reading
• 14:29
  Speaker 2: about this kind of video.
• 14:29
  Speaker 7: Genius and underhanded.
• 14:31
  Speaker 2: I love this kind of indie video. Because you've got
• 14:32
  Speaker 2: to hustle as an indie video store.
• 14:34
  Speaker 7: You have to.
• 14:34
  Speaker 2: You've got to make every dollar counts. And if you
• 14:39
  Speaker 2: can take it from them, it's better.
• 14:42
  Speaker 7: But that was the weird of the side deals. That
• 14:44
  Speaker 7: was how... Cause we, we did a whole episode, like
• 14:48
  Speaker 7: of the, the couple of guys that I used to
• 14:50
  Speaker 7: work with there got together and like, we started telling
• 14:52
  Speaker 7: these stories and we thought we were just going to
• 14:53
  Speaker 7: make fun of our regulars because we had a lot
• 14:55
  Speaker 7: of weird regulars. And then we went into this weird
• 14:57
  Speaker 7: deep dive of like how they like dug their own
• 15:01
  Speaker 7: grave and like completely because they started like, again, the
• 15:05
  Speaker 7: add on sales, like they killed people with these weird
• 15:07
  Speaker 7: side things of like, you need blank tape. Like you'd
• 15:10
  Speaker 7: all these weird things that people are like, that's not
• 15:12
  Speaker 7: what I'm here for. Leave me alone. But then they
• 15:14
  Speaker 7: started making all those side deals. So they were pushing
• 15:16
  Speaker 7: like Dish Network.
• 15:17
  Speaker 2: They were pushing.
• 15:19
  Speaker 7: Yeah, they had all these weird little side. And the
• 15:22
  Speaker 7: one that killed me when I thought about it, and
• 15:23
  Speaker 7: that's what brought it up that last time when I
• 15:25
  Speaker 7: mentioned it, was we were talking about Netflix. And Suncoast
• 15:29
  Speaker 7: was the first place that started pushing it. They had
• 15:32
  Speaker 7: a display there. They had a card that they had
• 15:34
  Speaker 7: people sign up because nobody knew what it was. And
• 15:36
  Speaker 7: it seemed like this crazy idea. Why would you mail
• 15:39
  Speaker 7: movies to what the– it made no sense back then pre-streaming.
• 15:43
  Speaker 6: Right.
• 15:43
  Speaker 7: And, but they were the ones pushing it. And I'm
• 15:46
  Speaker 7: like that.
• 15:47
  Speaker 6: Yeah.
• 15:47
  Speaker 7: And I'm like, think about that in the long, you're
• 15:49
  Speaker 7: taking where all these people used to come in and
• 15:51
  Speaker 7: spend 20 or more dollars to buy a movie half
• 15:54
  Speaker 7: the time. Cause they weren't cheap with a lot of
• 15:56
  Speaker 7: their stuff, but like they were willing to buy movies
• 15:59
  Speaker 7: and you just hand them this way that it comes
• 16:02
  Speaker 7: to your house. You have to don't, you put no
• 16:04
  Speaker 7: effort in, it costs you next to nothing comparatively. And like,
• 16:07
  Speaker 7: we just handed it to them. Just like you, as
• 16:11
  Speaker 7: a corporation, you, You shot yourself in the foot, and
• 16:14
  Speaker 7: then you bled out. Because, yeah, I watched that happen
• 16:18
  Speaker 7: and went, this is a bad idea. And, like, within
• 16:22
  Speaker 7: a few years, they were gone.
• 16:23
  Speaker 2: I mean, how about, you know, guaranteeing Reynolds to be there?
• 16:26
  Speaker 2: That was another blockbuster move.
• 16:28
  Speaker 8: When they had, like, 800 copies.
• 16:30
  Speaker 7: Yeah, they would just buy a wall.
• 16:32
  Speaker 2: But guaranteeing that Flubber is going to be there for
• 16:35
  Speaker 2: you or whatever.
• 16:36
  Speaker 7: I can't live without my Flubber. Or, um.
• 16:39
  Speaker 2: Or ending late fees. Remember, what's the number one complaint?
• 16:42
  Speaker 2: Late fees. We're going to end them. Well, that's 30%
• 16:44
  Speaker 2: of your income.
• 16:45
  Speaker 7: I feel like that was a late, desperate move. I know,
• 16:48
  Speaker 7: but no late fees.
• 16:49
  Speaker 8: Also, late fees back then were really high. $ 1 a day,
• 16:53
  Speaker 8: $ 4 a day because VHS was so expensive.
• 16:55
  Speaker 7: And people would forget and sit in the car for
• 16:57
  Speaker 7: melting probably for seven, eight days.
• 17:00
  Speaker 6: At a time.
• 17:01
  Speaker 8: We got tons of melted fees. I used to repair them.
• 17:04
  Speaker 8: I would take them out of the shell. Get a
• 17:06
  Speaker 8: heat gun, take the label off. That's a whole other
• 17:09
  Speaker 8: world you're talking now. And then put it together and, like,
• 17:11
  Speaker 8: splice it and put it back in a new case.
• 17:13
  Speaker 6: Physically.
• 17:14
  Speaker 9: Because it's like, this is $ 150.
• 17:15
  Speaker 2: Yeah, people don't realize that either, too. Before Suncoast, I mean,
• 17:20
  Speaker 2: Tower of Suncoast and all these, and when Walmart started
• 17:23
  Speaker 2: selling VHS, I think Matrix was maybe the first VHS
• 17:25
  Speaker 2: I remember being, like.
• 17:26
  Speaker 7: $ 19.
• 17:26
  Speaker 6: But, like.
• 17:28
  Speaker 2: VHS used to cost us $ 90. I remember that. And
• 17:31
  Speaker 2: they were better made. They were thicker. They had screws
• 17:34
  Speaker 2: in them. They weren't meant to be. They were metal pieces.
• 17:38
  Speaker 2: They were interchangeable, actually. We used to change them out
• 17:40
  Speaker 2: all the time.
• 17:40
  Speaker 8: There were some that had a special screw that you
• 17:43
  Speaker 8: had to require a special screwdriver that you couldn't get
• 17:45
  Speaker 8: anywhere because they didn't want people taking them apart specifically
• 17:47
  Speaker 8: for that reason.
• 17:48
  Speaker 9: People were going to take them out and like, oh,
• 17:49
  Speaker 9: I'm going to keep this movie. And put some other
• 17:51
  Speaker 9: thing in. Put my home movies in there.
• 17:53
  Speaker 7: It does sound like stuff that movie geeks would do, yes.
• 17:56
  Speaker 2: But yeah, when someone breaks or loses your $ 90 thing,
• 17:59
  Speaker 2: it's a loss for the store. It's a huge investment
• 18:01
  Speaker 2: for you.
• 18:02
  Speaker 7: It's a small business, yeah.
• 18:03
  Speaker 2: We're talking, you know, these things, they rent for a
• 18:05
  Speaker 2: year and they make money the second year, which is,
• 18:08
  Speaker 2: you know, that's... Unusual.
• 18:09
  Speaker 7: For a business.
• 18:10
  Speaker 11: Yeah.
• 18:11
  Speaker 7: That your investment is still making you money that far
• 18:13
  Speaker 7: down the line.
• 18:14
  Speaker 2: And then suddenly they were all sell through. They were
• 18:16
  Speaker 2: all really cheap. We made, they were, you know, they
• 18:19
  Speaker 2: would snap and, and you know, they were.
• 18:22
  Speaker 7: Good times video.
• 18:23
  Speaker 2: Well, those were EP. Like that's a whole, I couldn't even,
• 18:26
  Speaker 2: you can't rent those, you know.
• 18:27
  Speaker 7: It was garbage and we sold them all day long.
• 18:30
  Speaker 2: Good times have made a ton of money.
• 18:32
  Speaker 7: 999. I'll take it. You'll be bringing it back tomorrow too.
• 18:35
  Speaker 6: Wow.
• 18:37
  Speaker 2: But, Yeah, we went through. And then you get the
• 18:41
  Speaker 2: change over to DVD, and then now DVD is really cheap.
• 18:44
  Speaker 2: We're having that problem now where DVDs are separating. There's
• 18:51
  Speaker 2: disc rot in a DVD, and they're separating.
• 18:54
  Speaker 9: You look at it, and it looks perfectly fine.
• 18:56
  Speaker 8: There's no scratches on it, but you put it in,
• 18:57
  Speaker 8: and it doesn't play because it's super cheap. But then
• 19:00
  Speaker 8: ones we have from 20 years ago that are totally
• 19:04
  Speaker 8: beat to hell, and they work fine, and it's crazy.
• 19:07
  Speaker 3: It's weird.
• 19:07
  Speaker 7: It's a couple of years before we realize Blu-rays implode. Well,
• 19:11
  Speaker 7: secretly planting that in.
• 19:13
  Speaker 8: The Blu-rays' quality is definitely better.
• 19:15
  Speaker 2: As of right now, they don't seem to scratch.
• 19:18
  Speaker 8: I also kind of think that your typical Blu-ray runner
• 19:21
  Speaker 8: is more cautious because they're more into the thing. I mean,
• 19:25
  Speaker 8: this will change over time.
• 19:28
  Speaker 7: Well, I don't know. I feel like that's the last
• 19:31
  Speaker 7: wave of... fins you know with physical media yeah it's
• 19:34
  Speaker 7: like i don't know what else there are we gonna
• 19:36
  Speaker 7: have any other physical everything's still trying to be streaming
• 19:43
  Speaker 7: yeah for for the geeks that want to hold a
• 19:45
  Speaker 7: thing in their hand and i want a booklet that
• 19:47
  Speaker 7: comes with it and i want to like even if
• 19:49
  Speaker 7: i pay a hundred 130 dollars for it i want
• 19:51
  Speaker 7: it to be a collectible item because that's what makes
• 19:54
  Speaker 7: it geek so.
• 19:55
  Speaker 2: Yeah blu-ray it's a really impressive product it's like they're
• 19:58
  Speaker 2: at we're at the i feel like we're the golden
• 20:01
  Speaker 2: age of blu-ray releases right now you know yeah with
• 20:03
  Speaker 2: like what's like the amount of films that are coming out,
• 20:07
  Speaker 2: all these boutique, boutique labels that are doing such a
• 20:09
  Speaker 2: great job. I mean, everyone knows Criterion and Arrow and
• 20:12
  Speaker 2: some of those, but I mean, Kino, look at what
• 20:15
  Speaker 2: Kino's doing.
• 20:17
  Speaker 7: Yes.
• 20:17
  Speaker 2: I mean, there's, uh, Severin's a good one. Shop factory,
• 20:23
  Speaker 2: screen factory doing a great job. It's like some of them,
• 20:26
  Speaker 2: I mean, and then there's all these boutique British labels too,
• 20:30
  Speaker 2: that are putting stuff out. And those are usually all
• 20:32
  Speaker 2: region or at least like 50% all region. I mean,
• 20:36
  Speaker 2: I'm our, our new release. We can't keep up with it.
• 20:39
  Speaker 2: It's just con it's like, and I'm watching more old
• 20:41
  Speaker 2: movies than ever that I haven't seen since VHS days.
• 20:46
  Speaker 7: That was the difference with DVD is there were so,
• 20:49
  Speaker 7: and geeks would always go on about that is like,
• 20:50
  Speaker 7: there's so many things on VHS that didn't get put
• 20:53
  Speaker 7: on DVD. And now we're finally, I think hitting that
• 20:56
  Speaker 7: point of like, okay, we put out all the basic
• 20:57
  Speaker 7: stuff that regular people want to buy onto Blu-ray and
• 21:01
  Speaker 7: What else have we got? We still have to make money.
• 21:03
  Speaker 7: Let's find a weird collector's version to put out.
• 21:05
  Speaker 8: Every week I look at the table and I'm like,
• 21:07
  Speaker 8: there's eight movies here that I've never heard of.
• 21:09
  Speaker 7: They did this?
• 21:09
  Speaker 9: I've actually just never even heard of the movie.
• 21:12
  Speaker 2: But then there's stuff like Night of the Demon that
• 21:14
  Speaker 2: comes out and there's four versions of a movie that
• 21:16
  Speaker 2: you thought you'd never see or whatever. I love when
• 21:20
  Speaker 2: they do that stuff. It's crazy now.
• 21:23
  Speaker 7: Every week.
• 21:25
  Speaker 2: I have trouble ordering now. It's overwhelming. like they tell
• 21:29
  Speaker 2: me I'm going crazy all the time. And I'm like,
• 21:32
  Speaker 2: I just feel like I have to get it though.
• 21:34
  Speaker 2: I mean, I feel, I don't know. And, and it's
• 21:38
  Speaker 2: really hard to tell which ones I'm going to take on.
• 21:40
  Speaker 8: I think it brings people in. It's bringing people in though,
• 21:42
  Speaker 8: more so than like you think about like the new
• 21:45
  Speaker 8: release wall, not being, I mean, as far as like,
• 21:49
  Speaker 8: you know, the big hits that.
• 21:51
  Speaker 2: Are coming out, like never, it really makes us look.
• 21:54
  Speaker 9: It's not people. I don't, I don't, it's interesting to
• 21:57
  Speaker 9: have people come in and be like, Oh, you, You
• 21:58
  Speaker 9: have Twins of Evil on Blu-ray.
• 22:00
  Speaker 6: I'm like, okay, great.
• 22:01
  Speaker 8: It might only be like two or three people, but
• 22:03
  Speaker 8: that's two or three people who probably wouldn't have come
• 22:05
  Speaker 8: here otherwise.
• 22:06
  Speaker 2: And even if they point at it and laugh and
• 22:08
  Speaker 2: get Avengers, do you know what I'm saying?
• 22:10
  Speaker 7: It does– It's still– it at least plants that seed
• 22:12
  Speaker 7: of like when they're looking for something that's maybe not
• 22:14
  Speaker 7: super weird, but just out of the norm that Walmart's
• 22:17
  Speaker 7: not going to have. They'll be like, oh, yeah, what
• 22:19
  Speaker 7: about that one place we went that time? And like
• 22:20
  Speaker 7: it gives them a place to go that you– you
• 22:23
  Speaker 7: have their back.
• 22:24
  Speaker 2: But it also freshens the story. Like when you're looking
• 22:26
  Speaker 2: around right now, the Blu-rays pop, you know, like compared
• 22:29
  Speaker 2: to this.
• 22:29
  Speaker 6: Yeah.
• 22:30
  Speaker 2: Like, cause it's newer, they just don't look 15 years old.
• 22:33
  Speaker 7: And especially they, they keep hiring acting like artists to
• 22:37
  Speaker 7: do these weird new artwork.
• 22:39
  Speaker 8: A lot of people who don't know what they're getting into.
• 22:41
  Speaker 8: I'm like, think that the, the box is reflecting what
• 22:44
  Speaker 8: the movie is. It's really not like that at all.
• 22:47
  Speaker 7: But that's an old trick anyway. I've been doing that
• 22:49
  Speaker 7: since one sheets that had nothing to do with the
• 22:52
  Speaker 7: movie you were about.
• 22:53
  Speaker 2: To go see. So that's a B movie thing.
• 22:55
  Speaker 10: Yeah.
• 22:55
  Speaker 7: That's like, that's an art form in and of itself.
• 22:58
  Speaker 7: So what has been like, I guess, you know, you've
• 23:00
  Speaker 7: hit some of the basics, but like what, what has
• 23:03
  Speaker 7: been sort of that staple that, that brings people in?
• 23:06
  Speaker 7: Cause I know again, working, I just kind of hit
• 23:08
  Speaker 7: the tail end of, of wild and wooly, but we
• 23:10
  Speaker 7: had like, He had built it on such specific– again,
• 23:14
  Speaker 7: he started in a store that was the size of
• 23:17
  Speaker 7: this little section. Like it was tiny.
• 23:20
  Speaker 6: Right.
• 23:20
  Speaker 7: And it was mostly martial arts stuff. It was a
• 23:23
  Speaker 7: lot of foreign titles that most people in the neighborhood
• 23:26
  Speaker 7: had never heard of. And like it kind of– yeah,
• 23:28
  Speaker 7: a lot of weird stuff that just sort of became
• 23:31
  Speaker 7: their brand. And then that became the fan base where
• 23:34
  Speaker 7: everybody knew that's the stuff you had. So I guess
• 23:36
  Speaker 7: what is kind of the stuff that's become your signature thing? sections.
• 23:40
  Speaker 2: I did a little research. I listened to you guys
• 23:42
  Speaker 2: end of the year show, the, your movie award show
• 23:44
  Speaker 2: from last year. And I think it's, that's really our
• 23:47
  Speaker 2: core best. If you, if you line up our best
• 23:50
  Speaker 2: runners last year, we're Mandy, we're hereditary, we're annihilation.
• 23:55
  Speaker 4: Yeah.
• 23:55
  Speaker 2: I mean, like we might skew a little more art
• 23:58
  Speaker 2: house and foreign than that.
• 24:00
  Speaker 7: Um, which we had some of that stuff come in too,
• 24:03
  Speaker 7: but it's.
• 24:03
  Speaker 2: But your winners, but your winners would be very similar.
• 24:07
  Speaker 6: Yeah.
• 24:07
  Speaker 2: Like that list of winners would be the, the best
• 24:10
  Speaker 2: i mean i think black clansman was a really big
• 24:12
  Speaker 2: hit for us that year yeah um sorry to bother
• 24:15
  Speaker 2: you yeah which i don't know yeah you did you
• 24:18
  Speaker 2: did mention that a little bit and then uh so
• 24:20
  Speaker 2: i mean that's really what our what our core i
• 24:23
  Speaker 2: mean a24 is huge for us now like i do
• 24:26
  Speaker 2: a studio deal with lionsgate where i can um revenue
• 24:31
  Speaker 2: share on those movies so i can get more copies
• 24:32
  Speaker 2: you know and and uh And that's... Anything A24 just, like,
• 24:37
  Speaker 2: jumps off the shelf for us, you know?
• 24:40
  Speaker 4: Possession.
• 24:41
  Speaker 2: Well, yeah, that's another thing. It's like Possession, Paprika. There's...
• 24:47
  Speaker 2: Miyazaki movies. Miyazaki is... Miyazaki is.
• 24:52
  Speaker 7: People who come with their own fan base. Miyazaki in particular. Like,
• 24:56
  Speaker 7: if you're into that, you're into that. Like, there's rarely a...
• 25:00
  Speaker 7: Maybe the kid that grew up with my neighbor, Totoro.
• 25:02
  Speaker 7: But most people, it's like, if you're a fan... you're
• 25:04
  Speaker 7: all in. Like, so that, that helps you guys. Cause
• 25:07
  Speaker 7: then they're like, Oh, I need to see this one.
• 25:08
  Speaker 2: I need to see this one. And then directors like,
• 25:11
  Speaker 2: you know, David Lynch or Wes Anderson or, you know,
• 25:14
  Speaker 2: this kind of in Cronenberg does really well here because,
• 25:17
  Speaker 2: and I mean, we've kind of created our own, you know,
• 25:20
  Speaker 2: favorites to over the years by like, we show movies
• 25:24
  Speaker 2: around the corner at the Plaza theater and, um, a lot,
• 25:27
  Speaker 2: all those movies, people are constantly coming in for like
• 25:31
  Speaker 2: everything we've ever shown. Like, pretty much rents forever at
• 25:33
  Speaker 2: that point, too.
• 25:34
  Speaker 7: That's what I think is interesting, because people, again, would
• 25:37
  Speaker 7: tell you the opposite. It's like, once you... Well, now
• 25:39
  Speaker 7: they've all seen it. They're not just like, no, no, that's...
• 25:42
  Speaker 7: All you got to do is get it out there,
• 25:43
  Speaker 7: and then, like, they want to share it with their friends.
• 25:46
  Speaker 7: They want to watch it again. Like, it really does
• 25:49
  Speaker 7: nothing but fuel that fire.
• 25:50
  Speaker 8: I think we could play Howzoo once in a while,
• 25:52
  Speaker 8: and then it would still have 250 people.
• 25:54
  Speaker 2: Yeah, that was our... We... That's one thing, you know,
• 25:58
  Speaker 2: over the years, we've had some changes around here.
• 26:00
  Speaker 6: Maybe.
• 26:02
  Speaker 2: Three and a half years ago, we had a, we, we.
• 26:06
  Speaker 9: Uh, you know, the end was near.
• 26:08
  Speaker 2: So we hit, yeah.
• 26:10
  Speaker 7: Again, that's when Todd gave up.
• 26:12
  Speaker 6: Yeah.
• 26:12
  Speaker 2: We were a late video store. So we started at
• 26:16
  Speaker 2: the 2008, the downturn really started around 2006, 2007 when
• 26:20
  Speaker 2: they started because video stores started closing. 2008 was also
• 26:25
  Speaker 2: the financial crisis, which was a bad for everybody. And, um,
• 26:29
  Speaker 2: And especially, I mean, as you could tell, people were
• 26:31
  Speaker 2: really thinking about every time they spend a dollar, you know?
• 26:34
  Speaker 2: And so, um, I would say about three and a
• 26:38
  Speaker 2: half years ago, we, we really, we sat down and
• 26:40
  Speaker 2: we had a meeting and we said, you know, are
• 26:42
  Speaker 2: we going to do this? Are we going to not?
• 26:43
  Speaker 2: And we just, we were like, if we're going to
• 26:46
  Speaker 2: do this, we're going to see if we can expand
• 26:48
  Speaker 2: our brand outside the store. promote as much as possible.
• 26:52
  Speaker 7: I think that's a big part of it.
• 26:53
  Speaker 2: And I mean, and so we, so we went social media,
• 26:56
  Speaker 2: kind of crazy. We all took our own sort of
• 26:59
  Speaker 2: talents to different social media.
• 27:01
  Speaker 6: Um, thing.
• 27:02
  Speaker 2: We have a Twitter that's followed, you know, we, that
• 27:05
  Speaker 2: does pretty well. We do as much Facebook and.
• 27:07
  Speaker 7: Technically that's how I learned about you because I saw
• 27:10
  Speaker 7: someone else posted on, on Facebook. I was like, Oh,
• 27:13
  Speaker 7: I'm going there.
• 27:14
  Speaker 3: Yeah.
• 27:14
  Speaker 2: So Matt Owensby who works here does a really nice
• 27:17
  Speaker 2: job with our Twitter. And he has a lot of,
• 27:19
  Speaker 2: followers um and it's he's got a hilarious voice and
• 27:22
  Speaker 2: it works really well um and then we kind of
• 27:27
  Speaker 2: developed a partnership with turner at that time it was
• 27:30
  Speaker 2: starting a streaming service called filmstruck which we didn't see
• 27:34
  Speaker 2: necessarily as too much competition but when we felt like
• 27:37
  Speaker 2: we could that the people who liked filmstruck would want
• 27:40
  Speaker 2: to come in here too because they want more than
• 27:42
  Speaker 2: what filmstruck was because it was so curated yeah and
• 27:44
  Speaker 2: it had criterion stuff and it had.
• 27:46
  Speaker 8: Sort of similar to the idea of the people pushing
• 27:49
  Speaker 8: i mean pushing netflix in their own right yeah kind
• 27:52
  Speaker 8: of like it's sort of working but at the same
• 27:54
  Speaker 8: time we were introducing content on that like on a
• 27:57
  Speaker 8: stream so that's it's no bad publicity.
• 28:00
  Speaker 7: Especially those specialized ones because they really do you only
• 28:03
  Speaker 7: get like you know 30 movies sometimes if it's really
• 28:06
  Speaker 7: curated so like then it's just like okay you like
• 28:09
  Speaker 7: this but here's 10 other things that director did, or
• 28:12
  Speaker 7: here's several other things in the same genre. So like,
• 28:15
  Speaker 7: then this can like open the door and they can
• 28:17
  Speaker 7: come in here and just, it's a playground at that point.
• 28:19
  Speaker 2: So yeah, they, yeah, they started a show for us
• 28:22
  Speaker 2: called video, video drum dialogues and that we would, we'd
• 28:26
  Speaker 2: shoot two a month or so back to back. We'd
• 28:28
  Speaker 2: shoot two and it was just, they filmed us for
• 28:30
  Speaker 2: 30 minutes talking about a director or a, or actor
• 28:33
  Speaker 2: or a group of films, however they wanted to present them.
• 28:35
  Speaker 2: They would always have a group of 10 films coming out. And, um,
• 28:38
  Speaker 2: they would cut it down to like a 10 minute
• 28:40
  Speaker 2: segment and put it on there. And it, and it, yeah,
• 28:43
  Speaker 2: it was, it was good. We got paid for it
• 28:45
  Speaker 2: and that worked really well. And even the film sucks
• 28:47
  Speaker 2: out there. We're continuing our relationship with Turner and we're doing,
• 28:52
  Speaker 2: we're showing a movie with TCM underground, hard ticket to Hawaii,
• 28:55
  Speaker 2: which I don't know if you know, that was one
• 28:57
  Speaker 2: of the worst movies ever made, but like, it's a
• 28:59
  Speaker 2: sort of a B like it's like Baywatch meets a
• 29:03
  Speaker 2: team with a hard, hard R ratings.
• 29:06
  Speaker 8: Yeah.
• 29:07
  Speaker 2: Um, it's, it's terrible, but hilarious if no one's check
• 29:11
  Speaker 2: out the trailer. Um, but yeah, we're showing that this,
• 29:14
  Speaker 2: this Thursday and then we're all the TC underground people
• 29:17
  Speaker 2: are coming in here and they're filming a interview that
• 29:19
  Speaker 2: they're going to cut up and use for promotion during
• 29:21
  Speaker 2: the year that they're going to film the event too
• 29:23
  Speaker 2: and use that. So we did some bigger things like that.
• 29:27
  Speaker 2: We started our, we went over to the Plaza who
• 29:29
  Speaker 2: had just recently had new owners and we started a
• 29:33
  Speaker 2: screening series over there called plazadrome where we were showing
• 29:37
  Speaker 2: movie once a month and now it's kind of expanded
• 29:39
  Speaker 2: where we're showing two and three movies a month sometimes
• 29:41
  Speaker 2: now we have three movies this month.
• 29:43
  Speaker 8: That's been a real big i think that's been a
• 29:45
  Speaker 8: real big deal for us and it should have been
• 29:48
  Speaker 8: a thing a relationship all along you know it's an
• 29:49
  Speaker 8: old art house theater yeah and it's on the corner
• 29:52
  Speaker 8: it's got the cool neon sign.
• 29:53
  Speaker 7: Again that's our problem we bulldozed ours in my town.
• 29:56
  Speaker 8: And well it's gone through a series of owners and
• 29:58
  Speaker 8: nobody and it's never we've never really been a partner
• 30:00
  Speaker 8: with some of them.
• 30:01
  Speaker 2: Thought of as competition some of them yeah you know
• 30:03
  Speaker 2: which is now we're actually kind of ridiculous really we're
• 30:06
  Speaker 2: a good thing for them and they're a good thing for.
• 30:07
  Speaker 7: Us yeah you can only kind of help each other so.
• 30:10
  Speaker 2: Yeah those are really fun and we're trying to move
• 30:12
  Speaker 2: those into more even event style ones where we like
• 30:16
  Speaker 2: last year we did an art show slash movie screening
• 30:19
  Speaker 2: with deadly prey gallery, which I don't know, which is a,
• 30:22
  Speaker 2: everyone should look that up too. Like deadly prey is
• 30:25
  Speaker 2: like a, it's a gallery in Chicago. It's our friend Brian,
• 30:29
  Speaker 2: who also owns a video store in Chicago called odd
• 30:31
  Speaker 2: obsession video. And, um, it's, he, uh, they're hand drawn
• 30:38
  Speaker 2: posters from Ghana, movie posters from Ghana. And they're unbelievable.
• 30:42
  Speaker 7: It has become like a pastime at this point of like,
• 30:45
  Speaker 7: finding ones that I haven't seen before. And I'm just like,
• 30:47
  Speaker 7: this is insane. You wouldn't think you could even come
• 30:52
  Speaker 7: up with some of these things that they do. And
• 30:54
  Speaker 7: I'm like, I don't, where did that come from?
• 30:56
  Speaker 2: Like the ideas and the, well, the original ones, they
• 31:00
  Speaker 2: usually didn't have, they sometimes had a conversation on the
• 31:03
  Speaker 2: phone and then drew it like they, or they had
• 31:05
  Speaker 2: the title and you know, the, and the actor maybe,
• 31:08
  Speaker 2: but they had an idea. So they put it in
• 31:10
  Speaker 2: Sylvester Sloan from a different movie into that movie or,
• 31:14
  Speaker 2: Even selected in any other movie. And now they're more...
• 31:20
  Speaker 2: A lot of those guys, now that Brian's been... A
• 31:22
  Speaker 2: lot of those artists are back just doing posters full-time
• 31:27
  Speaker 2: for the first time in their life. They were painting
• 31:29
  Speaker 2: houses or doing all kinds of weird jobs, and now
• 31:31
  Speaker 2: they're full-time artists again.
• 31:32
  Speaker 7: It's great.
• 31:33
  Speaker 8: You can basically get custom whatever. I mean, Conan O'Brien
• 31:37
  Speaker 8: has one, like I saw.
• 31:39
  Speaker 2: We have one on... we commissioned one of our store
• 31:42
  Speaker 2: we sent a logo that's amazing that's the video drone
• 31:45
  Speaker 2: yeah that's actually for video drone but we had commissioned
• 31:47
  Speaker 2: one for like us where we sent pictures of us
• 31:49
  Speaker 2: but it hasn't come yet but i'm waiting you need
• 31:51
  Speaker 2: one of these i'm waiting for uh we're waiting for
• 31:53
  Speaker 2: that but it's but we're also going to do a
• 31:56
  Speaker 2: we're doing another that again next year but like yeah
• 31:58
  Speaker 2: that that event we had we had the posters up
• 32:01
  Speaker 2: in the lobby of the plaza for two weeks we
• 32:03
  Speaker 2: showed The Devil's Sword, which is a really strange Indonesian
• 32:06
  Speaker 2: kung fu movie, which we actually had 220 people come
• 32:10
  Speaker 2: see The Devil's Sword, which is, I guarantee that's like
• 32:12
  Speaker 2: the biggest crowd outside of Indonesia that's ever seen that movie.
• 32:15
  Speaker 7: We can't get anybody to do anything. Like, I've given
• 32:18
  Speaker 7: up trying to do live events, so that's amazing.
• 32:20
  Speaker 2: And super fun, showed the restoration of Escape from New
• 32:25
  Speaker 2: York during that week, and then capped it off with
• 32:27
  Speaker 2: a plaza drone where we showed Near Dark, and That
• 32:30
  Speaker 2: worked really well. We tried to keep the vibe with
• 32:32
  Speaker 2: what would have been in those posts. What those artists
• 32:36
  Speaker 2: would like. That was super successful. We're going to do
• 32:41
  Speaker 2: it again hopefully early next year.
• 32:43
  Speaker 7: I think that's kind of the only way anything at
• 32:46
  Speaker 7: this point is going to work. If you just do
• 32:50
  Speaker 7: the norm and just do the same thing that you
• 32:53
  Speaker 7: can get at home. If you can just sit at
• 32:55
  Speaker 7: home and stream something, why is anybody ever going to leave?
• 32:58
  Speaker 7: When we start making it more of social event or
• 33:01
  Speaker 7: we start making it more of a event where there's
• 33:03
  Speaker 7: like a draw where you have like oh one of
• 33:05
  Speaker 7: the actors came here or the director came to talk
• 33:07
  Speaker 7: about this terrible movie they made or like when you
• 33:09
  Speaker 7: add an actual like element to it that you have
• 33:12
  Speaker 7: to be there for it's almost the only thing that
• 33:15
  Speaker 7: brings people out of the house then is making it
• 33:17
  Speaker 7: something that's a reason to be there and to have
• 33:21
  Speaker 7: it be part of like the social event aspect that
• 33:24
  Speaker 7: you have to have.
• 33:24
  Speaker 9: Now I also think.
• 33:28
  Speaker 8: You know everybody who works here really cares about this
• 33:31
  Speaker 8: place yeah and that makes a huge difference in like
• 33:33
  Speaker 8: an attitude and as far as like helping customers and
• 33:36
  Speaker 8: i think customers like that that they it's.
• 33:38
  Speaker 7: You don't get that most places like just about every
• 33:41
  Speaker 7: store you go in it's just somebody like what i
• 33:43
  Speaker 7: don't know over there like you know i.
• 33:45
  Speaker 8: Mean i'm sure we give that off sometimes to some
• 33:46
  Speaker 8: people but you know i mean like it's still a
• 33:48
  Speaker 8: job i mean you say sometimes you're really gonna but
• 33:50
  Speaker 8: everybody here really puts a lot of effort in and
• 33:52
  Speaker 8: you're not getting you're not getting paid for it you
• 33:55
  Speaker 8: know everybody here works another job you know, it's so.
• 33:58
  Speaker 7: Yeah, it is.
• 33:58
  Speaker 2: It's a passion project. It's me full time. And then
• 34:03
  Speaker 2: everyone else who hasn't worked here has another job too.
• 34:06
  Speaker 2: You know, like, so a lot like Tommy works the
• 34:08
  Speaker 2: most besides me, but everyone else separate job used to
• 34:12
  Speaker 2: work here, works here one shift or two.
• 34:14
  Speaker 7: Yeah.
• 34:15
  Speaker 2: You know, because they want to be around here.
• 34:17
  Speaker 7: Yeah. I mean, that's what I, and I worked one
• 34:19
  Speaker 7: shift a week for a while there. And it's just like,
• 34:21
  Speaker 7: it's because it's, it was my home. Like it's where
• 34:23
  Speaker 7: I wanted to be at least once a week.
• 34:25
  Speaker 2: I needed to go like, And that's, and come, you know,
• 34:28
  Speaker 2: on the flip side, we have a really engaged customer base. Like,
• 34:31
  Speaker 2: and they're, it's, I mean, I don't know. I don't
• 34:34
  Speaker 2: ever have any of those bad stories about customers. I
• 34:36
  Speaker 2: can never do like, no one complains.
• 34:38
  Speaker 9: No, everyone, everyone's super nice.
• 34:40
  Speaker 2: Like they're waiting for you to help them. Like they,
• 34:42
  Speaker 2: they give them a break.
• 34:44
  Speaker 9: .
• 34:46
  Speaker 7: .
• 34:49
  Speaker 9: .
• 34:51
  Speaker 6: I don't know.
• 34:51
  Speaker 2: It's really, it's almost hard now to get my other
• 34:54
  Speaker 2: work done during a shift. Cause I've, I'm so personally
• 34:56
  Speaker 2: involved with so many customers now that I'm constantly in
• 35:00
  Speaker 2: this conversation about their movie choices, but also their life.
• 35:05
  Speaker 11: Yeah.
• 35:06
  Speaker 9: Like literally little kids who are like, yeah, they are
• 35:09
  Speaker 9: come back. They're back from college now.
• 35:11
  Speaker 11: Yeah.
• 35:11
  Speaker 7: Yeah.
• 35:11
  Speaker 2: So that's, and, and, I think we just try to
• 35:20
  Speaker 2: diversify as much as possible. We sort of... Even like
• 35:23
  Speaker 2: selling drinks or selling snacks or selling buttons or... We
• 35:26
  Speaker 2: just like.
• 35:26
  Speaker 7: That becomes a big help.
• 35:28
  Speaker 2: Because there's so many people that will just walk in
• 35:30
  Speaker 2: here that are like, oh, I can't believe there's a
• 35:31
  Speaker 2: video store. But even if they spend $ 2 on a
• 35:33
  Speaker 2: button or a shirt or they buy a shirt, that's great.
• 35:36
  Speaker 8: Or they get a sticker and they stick it on something.
• 35:40
  Speaker 2: I don't know how many thousands of stickers we've given
• 35:42
  Speaker 2: away in our time period. You know, we've had... Yeah.
• 35:45
  Speaker 2: But so we just... We really.
• 35:49
  Speaker 2: We tried to do a thing on Sundays where we
• 35:51
  Speaker 2: have dinner and a movie where we have to go
• 35:54
  Speaker 2: to Molly's or we have to go to something where
• 35:56
  Speaker 2: local people come in. Because Sundays were getting rough because
• 35:59
  Speaker 2: Game of Thrones.
• 36:02
  Speaker 8: TV killed Sundays. It used to be the biggest night
• 36:04
  Speaker 8: of the week. Now it's probably one of the slowest
• 36:06
  Speaker 8: nights of the week.
• 36:07
  Speaker 7: I mean, I think that changed things. At the time,
• 36:10
  Speaker 7: I think that's also kind of what saved... that concept
• 36:13
  Speaker 7: in the, in the beginning before it became such an
• 36:16
  Speaker 7: easy thing. But like, I remember the first wave of
• 36:19
  Speaker 7: series that start Game of Thrones being one of them
• 36:22
  Speaker 7: and Sopranos and like people were, it's the first time
• 36:25
  Speaker 7: since I was like a kid almost since like the
• 36:29
  Speaker 7: olden days of VHS that people were fighting over movies
• 36:32
  Speaker 7: coming back in. Like I remember those at the return
• 36:34
  Speaker 7: table and they'd put it out and people would really
• 36:37
  Speaker 7: almost to get to like a shoving match to get
• 36:39
  Speaker 7: to whatever they wanted. And it got like that with
• 36:41
  Speaker 7: Game of Thrones. It's like, I need season two. Where's
• 36:43
  Speaker 7: it at? And they would lose it. So I think
• 36:46
  Speaker 7: that was one of those that it was taking away,
• 36:48
  Speaker 7: but it was adding that fan base to it.
• 36:49
  Speaker 8: It takes away that night, but it brings it back
• 36:51
  Speaker 8: because people are like, oh, the new season's coming out.
• 36:53
  Speaker 2: I need to watch.
• 36:54
  Speaker 7: I need to burn through all of these again.
• 36:55
  Speaker 9: Yeah, my boyfriend hasn't watched these.
• 36:58
  Speaker 7: That was a weird balance because I feel like series
• 37:00
  Speaker 7: helped in the long run, but yeah, on the Sunday night,
• 37:03
  Speaker 7: it's going to take away your business.
• 37:04
  Speaker 2: Series are great because people repeat customers. You know what
• 37:07
  Speaker 2: you're going to get. It's easy. It's quick. You know, whatever.
• 37:10
  Speaker 2: But now that TV has gotten so streaming-oriented now that
• 37:14
  Speaker 2: it's hard to explain to people that, sorry, this is
• 37:18
  Speaker 2: on this channel, and they release them on DVD, but
• 37:22
  Speaker 2: this channel doesn't release them on DVD. Or even it's
• 37:25
  Speaker 2: on this channel, but owned by this company, so that
• 37:27
  Speaker 2: specific company releases them.
• 37:29
  Speaker 7: People don't even understand the waiting a week for a
• 37:31
  Speaker 7: new episode of something. It upsets them if they can't
• 37:34
  Speaker 7: just stream through six things in a row.
• 37:36
  Speaker 8: Well, that's happening a lot, too, with series. That's where
• 37:38
  Speaker 8: we'll buy the first season because it's so hot. And
• 37:41
  Speaker 8: then by the time the second season comes out, or
• 37:43
  Speaker 8: the third season.
• 37:44
  Speaker 9: It takes so long to get the season on.
• 37:45
  Speaker 2: It takes a year.
• 37:46
  Speaker 8: Either people have figured out a way to watch it
• 37:49
  Speaker 8: another way, or they just lost interest.
• 37:51
  Speaker 7: Or, yeah, they've moved on to six new series because
• 37:53
  Speaker 7: there's a new one coming out every day.
• 37:55
  Speaker 2: There's no way that we can continue to make this.
• 37:58
  Speaker 2: I mean, they're all.
• 37:59
  Speaker 7: They're all pretty good.
• 38:00
  Speaker 8: Yeah, you can get.
• 38:01
  Speaker 2: Involved in them really quick. And, like, I watch way
• 38:04
  Speaker 2: too much TV now. Like, it does take away from
• 38:08
  Speaker 2: my movies. Like, it really does.
• 38:10
  Speaker 6: But.
• 38:12
  Speaker 2: it's, and there's nights where I'm like, oh, I don't
• 38:14
  Speaker 2: have time for a movie and then I'll watch three
• 38:16
  Speaker 2: of the episodes.
• 38:18
  Speaker 9: Yeah.
• 38:19
  Speaker 2: And I do, I do kind of, I do like
• 38:22
  Speaker 2: the whole thing, but also they're kind of forgettable really
• 38:24
  Speaker 2: quickly too. I feel like a lot of TV shows,
• 38:26
  Speaker 2: Buster ones.
• 38:27
  Speaker 11: Yeah.
• 38:27
  Speaker 2: I feel like movies I remember way more about, or I,
• 38:31
  Speaker 2: I go back to, I rarely want to go back
• 38:33
  Speaker 2: to a plot line of a TV show and rewatch it. It's,
• 38:36
  Speaker 2: there's only a few that I would do that with.
• 38:38
  Speaker 7: I think that's where I've stayed because I know how,
• 38:40
  Speaker 7: what a slippery slope it is. So like, I do
• 38:43
  Speaker 7: still focus on like, I just want to watch a
• 38:44
  Speaker 7: movie and that I just want to focus and watch
• 38:47
  Speaker 7: that movie. Whereas TV is just sort of going on
• 38:49
  Speaker 7: in the background. So I try not to like get
• 38:52
  Speaker 7: too involved in too many series because then I know
• 38:55
  Speaker 7: how much time I have to invest versus 90 minutes,
• 38:57
  Speaker 7: you know.
• 38:58
  Speaker 2: If I'm watching a show, I'll have my laptop open
• 39:00
  Speaker 2: and my workout. If I'm watching a movie, I turn
• 39:03
  Speaker 2: the lights off.
• 39:03
  Speaker 3: Yeah.
• 39:04
  Speaker 2: You know, I watch a movie. I mean, and there's
• 39:07
  Speaker 2: a difference. I mean, you know.
• 39:10
  Speaker 7: It's, yeah, it's a whole different experience. So on that, again,
• 39:14
  Speaker 7: we'll throw it out again at the end, but what's,
• 39:16
  Speaker 7: you know, for people out there that are learning about
• 39:18
  Speaker 7: it the way that I did, what's the best way
• 39:20
  Speaker 7: to keep up with you guys or find out more
• 39:23
  Speaker 7: or start making the pilgrimage to get themselves here?
• 39:26
  Speaker 2: Instagram, Facebook, and Twitter. we're all pretty active on. If
• 39:31
  Speaker 2: you're in Atlanta, we have week rentals. You can be
• 39:34
  Speaker 2: pretty far away and still get here. We have people
• 39:39
  Speaker 2: mail stuff back. Like I said, Atlanta has changed so
• 39:45
  Speaker 2: much since we've been here that Atlanta is went from
• 39:48
  Speaker 2: a tiny city to a big city.
• 39:50
  Speaker 7: In, in a very movie oriented city now.
• 39:54
  Speaker 2: And that helps a little bit too. There's more people
• 39:56
  Speaker 2: engaged in movies.
• 39:57
  Speaker 6: Yeah.
• 39:57
  Speaker 8: We don't have people coming in and being like, um,
• 40:00
  Speaker 8: my director, my producer needs these five movies because he's
• 40:03
  Speaker 8: trying to, you know, learn a certain shot.
• 40:05
  Speaker 7: Yeah.
• 40:06
  Speaker 6: That happens.
• 40:07
  Speaker 7: So I guess start at the website. Is that the
• 40:09
  Speaker 7: best place to, I.
• 40:10
  Speaker 2: Mean, the website is social media is, is pretty good. Um,
• 40:18
  Speaker 2: I mean, if you live in Atlanta, yeah, we have
• 40:20
  Speaker 2: events a good bit. We also show movies in bars
• 40:23
  Speaker 2: around town and some stuff like that, sponsor some of
• 40:26
  Speaker 2: that stuff. Like I said, I'm trying to get our
• 40:29
  Speaker 2: events at Plaza to be more even event-y. I'm definitely doing...
• 40:33
  Speaker 2: At the end of this month, on the 26th, we
• 40:35
  Speaker 2: have a screening with Lunch Meat, which is a VHS
• 40:39
  Speaker 2: magazine out of North Carolina.
• 40:40
  Speaker 3: Yeah. And.
• 40:43
  Speaker 2: Um, we're going to have a VHS marketplace in the
• 40:45
  Speaker 2: lobby and then screen a movie on VHS for the
• 40:48
  Speaker 2: first time.
• 40:48
  Speaker 7: It's crazy how much that fan base has come back.
• 40:51
  Speaker 6: Yeah. Rapid.
• 40:52
  Speaker 7: Those fans are again.
• 40:54
  Speaker 6: Yeah.
• 40:54
  Speaker 2: We're screening a really bad shot on video movie called
• 40:57
  Speaker 2: video violence. Um, and then, so yeah, our events are
• 41:02
  Speaker 2: really fun and they're worth coming to. Um, you know, I, it's,
• 41:07
  Speaker 2: it's really, I would say, um, try to find a
• 41:09
  Speaker 2: video store in your area. If you're listening from somewhere else,
• 41:12
  Speaker 2: get involved in that.
• 41:13
  Speaker 7: At this point, I only say this because I know
• 41:18
  Speaker 7: someone who's been a friend of the show for years
• 41:20
  Speaker 7: and just put up a fundraising Kickstarter Indiegogo kind of
• 41:25
  Speaker 7: thing to open his store. He wants to do mostly VHS.
• 41:29
  Speaker 7: It is something you can do a smaller, weird version of.
• 41:34
  Speaker 2: It's coming back a little bit. There's a new store
• 41:36
  Speaker 2: in Baltimore called Beyond Video. There's Video Vortex. The new
• 41:43
  Speaker 2: Alamo Drafthouses are opening with a video store attached. Like
• 41:47
  Speaker 2: a video store, cafe, bar concept. And there's one in
• 41:53
  Speaker 2: LA now that just opened. There's one in North Carolina, Raleigh,
• 41:56
  Speaker 2: I think. I think that is part of it, too.
• 41:58
  Speaker 7: Adding a different aspect to it and making it a bar.
• 42:02
  Speaker 7: So it is a social event. And yet you can
• 42:04
  Speaker 7: go rent a movie.
• 42:06
  Speaker 2: We wish we had the space for something like that.
• 42:08
  Speaker 8: One of the limitations of doing that now is square footage.
• 42:13
  Speaker 7: Yeah.
• 42:14
  Speaker 8: I mean, we've got a lot of stuff faced out,
• 42:17
  Speaker 8: but we have, you know, probably 90% of it is sideways.
• 42:20
  Speaker 9: But we've got a pretty big spot. Most of the
• 42:22
  Speaker 9: stores aren't that big.
• 42:23
  Speaker 7: A huge amount of stock. And that's what I said
• 42:25
  Speaker 7: when I was walking around earlier and you were watching
• 42:27
  Speaker 7: me just drooling.
• 42:28
  Speaker 2: I was just.
• 42:29
  Speaker 7: I forgot how much I missed it. Like, it's only
• 42:31
  Speaker 7: been a few years since I was in the middle
• 42:32
  Speaker 7: of it regularly.
• 42:33
  Speaker 9: But yeah, space is a premium. We just keep going up.
• 42:37
  Speaker 9: I'm like, well, eventually we're not.
• 42:39
  Speaker 7: Going to have those library ladders you get to roll around.
• 42:41
  Speaker 9: Yeah, basically. All right.
• 42:44
  Speaker 7: Well, definitely.
• 42:45
  Speaker 6: Yeah.
• 42:45
  Speaker 7: Come come find you guys and check it out. We'll
• 42:48
  Speaker 7: take our break here and we'll come back and talk
• 42:50
  Speaker 7: about a movie.
• 43:11
  Speaker 12: Hi, I'm Brandi Little, and I'll be taking you through
• 43:13
  Speaker 12: the Blockbuster Customer Service Program. In the last few years,
• 43:17
  Speaker 12: the retail business has become increasingly competitive. More and more
• 43:21
  Speaker 12: retailers have been struggling just to stay alive. The survivors
• 43:26
  Speaker 12: follow a simple formula, listening to their customers and meeting
• 43:30
  Speaker 12: their expectations. That's not a formula for success. That's a
• 43:34
  Speaker 12: formula for survival.
• 43:36
  Speaker 7: Excuse me, what do you know about this movie?
• 43:38
  Speaker 5: Uh, nothing.
• 43:40
  Speaker 7: Haven't seen it. Sorry.
• 43:45
  Speaker 11: Yes, there's an air about hot coffee that's hard to resist. Full-bodied,
• 43:51
  Speaker 11: refreshing hot coffee makes any time a pleasant interlude. Won't
• 43:57
  Speaker 11: you have some now?
• 43:58
  Speaker 7: We should have our coffee. I know you like coffee.
• 44:05
  Speaker 5: Oh my god, is this a segue to something?
• 44:08
  Speaker 6: What?
• 44:09
  Speaker 7: You don't want to run out to Heine Brothers right now?
• 44:11
  Speaker 5: Actually, you know, now that you mention it, I'm drinking
• 44:13
  Speaker 5: some fine coffee here, but... I feel like enjoying a
• 44:16
  Speaker 5: nice hot cup from my local Heine brothers might actually
• 44:19
  Speaker 5: be an even better idea.
• 44:20
  Speaker 7: Well, really, you don't even have to leave the house.
• 44:23
  Speaker 7: You could just have it ordered right to your doorstep.
• 44:26
  Speaker 9: Really?
• 44:27
  Speaker 3: Yeah.
• 44:27
  Speaker 5: They can do that now?
• 44:28
  Speaker 7: It's not just something you can do. You can also
• 44:30
  Speaker 7: get a deal from your friends at Movie Meltdown.
• 44:33
  Speaker 6: No way.
• 44:34
  Speaker 5: Movie Meltdown?
• 44:35
  Speaker 9: That's the show we're on, right?
• 44:36
  Speaker 7: Yeah, this one right now.
• 44:38
  Speaker 6: Oh, that's awesome.
• 44:39
  Speaker 5: Hey, insert a sound of me kicking over this table
• 44:41
  Speaker 5: with this substandard coffee.
• 44:43
  Speaker 7: There right there yeah yeah you.
• 44:45
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• 44:48
  Speaker 5: out jump in the car and then screech sound effect
• 44:50
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• 44:53
  Speaker 5: there man subtle subtle segue i.
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• 45:34
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• 45:36
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• 45:36
  Speaker 7: Just go to MovieMeltdown.com and look on the right-hand side
• 45:39
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• 45:49
  Speaker 7: Coming soon to own on videocassette.
• 45:51
  Speaker 4: They just stole the absent-minded professor's greatest invention.
• 45:56
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• 45:57
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• 45:58
  Speaker 11: Has other plans.
• 46:01
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• 46:10
  Speaker 9: I don't know where it comes from.
• 46:12
  Speaker 11: It will give you one heck of a headache. Robin Williams.
• 46:17
  Speaker 4: Lover.
• 46:18
  Speaker 9: Rated PG.
• 46:19
  Speaker 4: Starts Wednesday, November 26th.
• 46:29
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• 46:31
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• 46:32
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• 46:36
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• 46:37
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• 46:40
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• 46:43
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• 46:46
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• 46:52
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• 47:12
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• 47:14
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• 47:15
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• 47:17
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• 47:20
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• 47:24
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• 47:31
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• 47:34
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• 47:37
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• 47:39
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• 47:39
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• 47:47
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• 48:10
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• 49:05
  Speaker 6: What do you mean I returned my last video late?
• 49:08
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• 49:10
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• 49:11
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• 49:15
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• 49:26
  Speaker 2: I'm listening to Movie Meltdown.
• 49:38
  Speaker 8: It's time for Sofa Theater.
• 49:40
  Speaker 5: Jackie Chan.
• 49:42
  Speaker 8: Hold it!
• 49:42
  Speaker 11: Dynamic. Dauntless.
• 49:44
  Speaker 7: Resource-friendly.
• 50:13
  Speaker 3: A lady's man. He's no average cop. But he gets
• 50:26
  Speaker 3: the job done. At first, he was hailed as a hero.
• 50:35
  Speaker 2: Lock him in the cells. Yes, sir.
• 50:37
  Speaker 4: Book him.
• 50:39
  Speaker 3: For murder. Until he got set up.
• 50:44
  Speaker 11: Get in!
• 50:46
  Speaker 3: Now his whole police precinct is after him. To clear
• 50:55
  Speaker 3: his name, his only chance is to get the crooks
• 50:57
  Speaker 3: who framed him. Jackie Chan is a one-man battalion. As
• 51:12
  Speaker 3: he sets his record straight in Police Story.
• 51:30
  Speaker 8: All right.
• 51:33
  Speaker 7: So we are back, and we've kind of tag-teamed out here.
• 51:36
  Speaker 7: So would you like to introduce yourself? Matt, you're still here, but.
• 51:39
  Speaker 6: Yeah. My name is Ian Deaton. I have a lot
• 51:43
  Speaker 6: of jobs. I work at Videodrome. I'm a maintenance man.
• 51:47
  Speaker 6: I'm also a composer of low-budget films. I write stuff.
• 51:57
  Speaker 6: I play music in town. Yeah. You know, music and
• 52:04
  Speaker 6: movies is pretty much all I give a shit about. Yeah. Yeah,
• 52:08
  Speaker 6: that's it. And that's all I do with my time.
• 52:11
  Speaker 7: That sounds like more than enough. That should keep you busy. Alright,
• 52:15
  Speaker 7: well then you've decided to sit in for this week's movie.
• 52:18
  Speaker 7: So we had a few different options, but I thought
• 52:20
  Speaker 7: this just sort of represents such a subsection of video
• 52:24
  Speaker 7: stores that, like this one, that took off. And it's
• 52:27
  Speaker 7: like the kind of stuff you would never find at
• 52:30
  Speaker 7: a Blockbuster. So I thought this was just a nice
• 52:32
  Speaker 7: tie-in for the kind of things that you guys work
• 52:35
  Speaker 7: with and what built the independent video store kind of market, basically.
• 52:39
  Speaker 6: Yeah.
• 52:40
  Speaker 7: So, yes, this week's Sofa Theater feature is Police Story.
• 52:43
  Speaker 7: The year is 1985. The director is, surprise, Jackie Chan.
• 52:48
  Speaker 7: And it also credits Chi-Hwan Chin. And they plot according
• 52:52
  Speaker 7: to IMDb. And I already argue. I argue every week
• 52:55
  Speaker 7: with IMDb. But a virtuous Hong Kong police officer must
• 52:59
  Speaker 7: clear his good name when the drug lord he is
• 53:02
  Speaker 7: after frames him for the murder of a dirty cop.
• 53:05
  Speaker 7: Spoiler alert and virtuous? I don't know about virtuous. He's
• 53:11
  Speaker 7: an okay guy, but like.
• 53:13
  Speaker 2: That's close. Otherwise, it's... He's not quite Dirty Harry.
• 53:17
  Speaker 6: No.
• 53:17
  Speaker 7: He probably thinks he is. I think they're playing with
• 53:20
  Speaker 7: that little dynamic.
• 53:21
  Speaker 2: There's a Buster Keaton meets Clint Eastwood thing going on
• 53:24
  Speaker 2: with Jackie Chan in that movie, but I think... And
• 53:28
  Speaker 2: he does go out on his own and disobey some
• 53:29
  Speaker 2: orders or whatever.
• 53:32
  Speaker 7: It's almost like it's sort of like lampooning that type
• 53:36
  Speaker 7: of movie at the same time. It's at moments doing
• 53:40
  Speaker 7: a genuine version of it, and then sometimes he's like,
• 53:43
  Speaker 7: and I'm going to fight with my commanding officer because
• 53:45
  Speaker 7: that's what cops do in these movies. It almost is
• 53:47
  Speaker 7: self-aware of that, sort of. Even though as early as
• 53:51
  Speaker 7: it is, we didn't have near as many of them yet.
• 53:53
  Speaker 7: But there are moments when it feels very Stallone-ish. It's
• 53:57
  Speaker 7: every Cobra movie that he made that he's a cop
• 54:00
  Speaker 7: with an attitude. And I'm like, it feels like it's
• 54:03
  Speaker 7: almost making fun of that. But again, this is so
• 54:06
  Speaker 7: early on, he barely had a chance to be doing that.
• 54:08
  Speaker 7: But it does kind of, at moments, play like a
• 54:10
  Speaker 7: weird Stallone movie.
• 54:12
  Speaker 6: Yeah, he was actually friends with Sylvester Stallone. And Sylvester Stallone... God, I.
• 54:20
  Speaker 2: Keep forgetting.
• 54:21
  Speaker 6: The guy who directed Tango and Cash is like a
• 54:24
  Speaker 6: Scandinavian filmmaker that made the movie. I think he was
• 54:27
  Speaker 6: fired from it. But anyways, they asked Jackie Chan permission
• 54:30
  Speaker 6: if they could do, in Tango and Cash, the stunt
• 54:33
  Speaker 6: from Police Story where he stands in front of the bus.
• 54:37
  Speaker 6: It stops and the crooks fly out and they do
• 54:40
  Speaker 6: that in Tango and Cash.
• 54:42
  Speaker 7: Okay.
• 54:45
  Speaker 6: Those guys did not have to go to the hospital afterwards,
• 54:47
  Speaker 6: whereas in Police Story.
• 54:48
  Speaker 7: Because they were heavily trained in Harness to Stuntman, probably.
• 54:52
  Speaker 6: Yeah, and in Police Story, they didn't really have a
• 54:54
  Speaker 6: lot of time, and even though his friends were trained,
• 54:58
  Speaker 6: they still... He said a lot of the setups that
• 55:00
  Speaker 6: they would do, they didn't even have time to rehearse.
• 55:02
  Speaker 6: He would just sketch out a premise for the stunt,
• 55:05
  Speaker 6: and they would just go for it because they were
• 55:11
  Speaker 6: losing light or they had to keep moving or something
• 55:14
  Speaker 6: like that.
• 55:15
  Speaker 7: I guess we can also kind of look at the arcs.
• 55:18
  Speaker 7: I mean, I guess just for people like where– because
• 55:20
  Speaker 7: this is kind of midway in on his early days.
• 55:23
  Speaker 7: Like he already established himself in more of the traditional
• 55:26
  Speaker 7: martial arts, drunken masquerade kind of stuff. So he was
• 55:30
  Speaker 7: already kind of a star in that world, but he
• 55:32
  Speaker 7: was like obviously like dying to break through to the
• 55:34
  Speaker 7: American market.
• 55:35
  Speaker 6: Yeah. And he was, oh, I'm sorry.
• 55:37
  Speaker 7: No, go ahead.
• 55:38
  Speaker 6: He kind of played like, you know, random, you know,
• 55:41
  Speaker 6: like thug number one and stuff and a lot of
• 55:43
  Speaker 6: the early stuff. And then when he started to be, um,
• 55:46
  Speaker 6: you know, moving up the ranks to sort of like
• 55:48
  Speaker 6: second banana in some of the movies. And then, um,
• 55:51
  Speaker 6: when he actually got in the position of being leading man,
• 55:55
  Speaker 6: Robert Close, uh, who directed Enter the Dragon, like it
• 55:58
  Speaker 6: was kind of like, I'm going to make this guy
• 55:59
  Speaker 6: the next Bruce Lee and very much an exploitation cinema
• 56:03
  Speaker 6: kind of fashion. Um, And he made, yeah, a couple,
• 56:08
  Speaker 6: I think two films with him. And then did Cannibal
• 56:11
  Speaker 6: Run 1 and 2.
• 56:13
  Speaker 2: My first interaction with Jackie Chan was seeing him in
• 56:15
  Speaker 2: Cannibal Run. And as a kid, you know, I was, what,
• 56:19
  Speaker 2: 9 or something, you know, when that came out. I mean,
• 56:21
  Speaker 2: I think I saw that, not in a theater, but
• 56:24
  Speaker 2: maybe on VHS when I was 10 or 11. That's
• 56:26
  Speaker 2: my introduction to Jackie Chan personally.
• 56:27
  Speaker 7: It shows how much crossover there was before. and how
• 56:30
  Speaker 7: well established he was somewhere else in the world before
• 56:33
  Speaker 7: he got, because I think my first, at least, again,
• 56:36
  Speaker 7: I think I'd seen Cannonball Run already on cable, and
• 56:39
  Speaker 7: I didn't really know who it was. The first time
• 56:41
  Speaker 7: I knew the name was because I remember he had
• 56:44
  Speaker 7: an 8-bit Nintendo game that came out that was imported in,
• 56:48
  Speaker 7: and I think got pretty, because it was at, like,
• 56:50
  Speaker 7: Toys R Us, and it had his name slapped on
• 56:52
  Speaker 7: the title. And I'm like, well, who's this guy? You know,
• 56:56
  Speaker 7: I'm like, this isn't, you know, it's, nobody else had
• 56:59
  Speaker 7: broke through in America really that like was mainstream other
• 57:02
  Speaker 7: than Bruce Lee. So it's like, who's this guy that
• 57:04
  Speaker 7: gets his own video game? Like, so that he was
• 57:06
  Speaker 7: that famous there to already have a video game named
• 57:09
  Speaker 7: after him seemed strange to me. And then it was
• 57:12
  Speaker 7: like a year or two later, like I kept seeing
• 57:14
  Speaker 7: all these movies come out and I was like, okay,
• 57:16
  Speaker 7: this was just, this kind of beat the push of
• 57:18
  Speaker 7: VHS making its way over here. And before they started
• 57:21
  Speaker 7: importing all the other stuff, again, the video stores hadn't
• 57:24
  Speaker 7: caught up yet. Like the indie movement, still hadn't really hit.
• 57:28
  Speaker 7: The mom and pop stores weren't really buying into the
• 57:30
  Speaker 7: martial arts fully at that point.
• 57:32
  Speaker 2: I mean, yeah. And really his time in America was
• 57:35
  Speaker 2: kind of a disaster for him. So, so he came here,
• 57:37
  Speaker 2: he thought of himself, thought of himself as failing because,
• 57:41
  Speaker 2: you know, we didn't make movies the same way that
• 57:43
  Speaker 2: they made there. And you know, he needed more freedom.
• 57:46
  Speaker 2: He didn't more.
• 57:47
  Speaker 10: Yeah.
• 57:47
  Speaker 6: Even on, uh, I'm sorry. I was going to say
• 57:50
  Speaker 6: the protector, the, I think, um, forgot that guy's name. Uh,
• 57:55
  Speaker 6: Glicken house, I believe was the director. And he almost
• 57:59
  Speaker 6: got fired and or walked from the project because he
• 58:03
  Speaker 6: would watch how he would do the setups for the
• 58:06
  Speaker 6: action sequences. And he straight up was like, you don't
• 58:08
  Speaker 6: fucking know how to direct action. This is lazy. It's bad.
• 58:11
  Speaker 6: Like it's not going to have like the hits that
• 58:13
  Speaker 6: you need when you string it all together. And he
• 58:17
  Speaker 6: tried to walk off the project. And yeah, kind of
• 58:20
  Speaker 6: like what we were talking about earlier before the podcast,
• 58:22
  Speaker 6: it's like essentially sort of, you know, was going back
• 58:27
  Speaker 6: and forth between Hong Kong and Hollywood. And then after the,
• 58:31
  Speaker 6: you know, not being able to break through because of
• 58:34
  Speaker 6: his Hollywood projects, he kind of, you know, returns to
• 58:37
  Speaker 6: Hong Kong with his tail between his legs, sort of like, fuck, like, and,
• 58:40
  Speaker 6: you know, he started to direct movies and, you know,
• 58:44
  Speaker 6: get creative control, but nothing really like hit. And then, yeah, police.
• 58:49
  Speaker 2: Stories and big sort of comeback. Like it's his, He's
• 58:53
  Speaker 2: like I'm gonna put everything into this movie.
• 58:55
  Speaker 7: Yeah, I've got and possibly kill myself.
• 58:57
  Speaker 6: Yeah, like most of.
• 58:58
  Speaker 2: His yeah I'm he's really went for it, you know,
• 59:01
  Speaker 2: and as you can see police stories built around two
• 59:03
  Speaker 2: three major stunt Yeah, you know and and and that's
• 59:07
  Speaker 2: what he had in his head is these stunts where
• 59:09
  Speaker 2: he wanted to do them you know and he he
• 59:12
  Speaker 2: then he got scriptwriters to tie it all together yeah
• 59:15
  Speaker 2: and you can feel that but it's still a really
• 59:18
  Speaker 2: effective comedy too yeah um and it works as a
• 59:21
  Speaker 2: movie i think better than A lot of Jackie Chan
• 59:25
  Speaker 2: movies do. Like, there's a, you know, you feel for
• 59:28
  Speaker 2: the character a little bit more.
• 59:29
  Speaker 6: Yeah.
• 59:29
  Speaker 2: I mean, not that you don't always feel for, Jackie
• 59:32
  Speaker 2: Chan's a great whatever, but the supporting cast is good.
• 59:35
  Speaker 7: He's almost just become his own persona. Like, it doesn't
• 59:38
  Speaker 7: matter what you call his character. Like, it's Jackie Chan.
• 59:40
  Speaker 10: Yeah.
• 59:40
  Speaker 7: And, like, he's almost always, at least in the more
• 59:43
  Speaker 7: modern era, again, if you go back to the older ones,
• 59:45
  Speaker 7: maybe it's different. But everything I've seen him in that's, like,
• 59:48
  Speaker 7: in a modern day setting, it's like he's still kind
• 59:50
  Speaker 7: of that guy. Yeah. Which I think has worked in
• 59:52
  Speaker 7: his favor for just bringing in a basic general fan.
• 59:56
  Speaker 2: They're like, oh, it's that guy.
• 59:57
  Speaker 7: It's Jackie Chan. I know him. I think it makes
• 59:59
  Speaker 7: it easier to kind of just join into any movie
• 1:00:01
  Speaker 7: and you'll be like, you know who he is. So
• 1:00:04
  Speaker 7: you can just throw yourself in the movie. You don't
• 1:00:06
  Speaker 7: need any history. Oh, it's Jackie Chan. And he's playing
• 1:00:09
  Speaker 7: essentially that same character.
• 1:00:10
  Speaker 6: Absolutely. Yeah, and you can even see, I know that
• 1:00:13
  Speaker 6: definitely American and some European cop thrillers were popular in Asia.
• 1:00:19
  Speaker 6: So you can see little touches where especially the score
• 1:00:22
  Speaker 6: to Police Story.
• 1:00:24
  Speaker 2: Great score.
• 1:00:24
  Speaker 6: Yeah, really great synthesized score. And there's even parts, like,
• 1:00:29
  Speaker 6: for example, when he's, like, moonwalking after that, like, whole
• 1:00:34
  Speaker 6: noodle telephone kind of Buster Keaton gag, and it busts
• 1:00:38
  Speaker 6: into this, like, Harold Faltermeyer-ish Herbie Hancock, like, do-do-do-do-do-do-do-do-do sort
• 1:00:43
  Speaker 6: of thing, like, and it's obviously that's a reference to
• 1:00:46
  Speaker 6: Beverly Hills Cop.
• 1:00:47
  Speaker 7: Yeah.
• 1:00:48
  Speaker 6: So... I don't know, it's interesting listening to the score
• 1:00:52
  Speaker 6: and some of the action sequences definitely either are kind
• 1:00:59
  Speaker 6: of touching a little bit on some stuff that was
• 1:01:01
  Speaker 6: popular in Asia or, even better, wound up heavily influencing
• 1:01:06
  Speaker 6: American and European action cinema later on. More specifically with
• 1:01:11
  Speaker 6: something like Point Break, where that movie would not be
• 1:01:16
  Speaker 6: as popular and as awesome anymore. if it had not
• 1:01:19
  Speaker 6: been for Jackie Chan and a lot of his friends
• 1:01:21
  Speaker 6: making Hong Kong action flicks, I mean the foot chase
• 1:01:24
  Speaker 6: alone between Keanu Reeves and, um, Patrick Swayze, like when
• 1:01:29
  Speaker 6: I first saw that, um, yeah, as an adult, after
• 1:01:34
  Speaker 6: watching Hong Kong stuff, I was like, Oh shit. Like,
• 1:01:37
  Speaker 6: this is a straight up Jackie Chan sequence. Like no
• 1:01:40
  Speaker 6: questions asked.
• 1:01:41
  Speaker 7: Like again, the audiences don't know where they're pulling from.
• 1:01:43
  Speaker 3: Yeah.
• 1:01:44
  Speaker 7: Filmmakers grew up as, as movie geeks and we're like
• 1:01:47
  Speaker 7: watching these, whatever they could get imported at that point.
• 1:01:49
  Speaker 2: Yeah, absolutely.
• 1:01:50
  Speaker 10: Yeah.
• 1:01:51
  Speaker 2: I mean, I've always thought police stories, Jackie Chan's best film,
• 1:01:53
  Speaker 2: you know, overall and, and the sequels I like, I
• 1:01:57
  Speaker 2: like police story two and super cop. I mean, that
• 1:01:59
  Speaker 2: gets a little weird when they started coming back 10
• 1:02:01
  Speaker 2: years later, I think, but for the, whatever the fifth
• 1:02:03
  Speaker 2: and sixth or, rebooting their own series I mean and
• 1:02:06
  Speaker 2: I've always kind of thought of Police Story as like
• 1:02:08
  Speaker 2: the gateway to Hong Kong cinema for a lot of
• 1:02:10
  Speaker 2: people like if I want to I mean my I
• 1:02:13
  Speaker 2: think I saw The Killer maybe first John was The
• 1:02:15
  Speaker 2: Killer and like that got me on a Hong Kong
• 1:02:18
  Speaker 2: cinema and really quickly in the 90s you know video
• 1:02:23
  Speaker 2: stores were starting to get some of that early 90s
• 1:02:25
  Speaker 2: starting to get some of that stuff but I found
• 1:02:29
  Speaker 2: I found a group of friends who were heading out
• 1:02:30
  Speaker 2: to Buford Highway is like an area in town it's
• 1:02:33
  Speaker 2: like a that it's like a, maybe a 15 mile
• 1:02:36
  Speaker 2: strip of businesses that serves the immigrant community in Atlanta
• 1:02:40
  Speaker 2: and it's noodle houses and taco, taquerias. And it's amazing.
• 1:02:44
  Speaker 2: It's a really amazing place in Atlanta and it's been
• 1:02:47
  Speaker 2: there for years and it just gets crazier. It grows
• 1:02:50
  Speaker 2: a little bit more every year and there's, it gets
• 1:02:53
  Speaker 2: more smaller countries and more restaurants, but there were all
• 1:02:56
  Speaker 2: these sort of Asian markets that also rented videos. And
• 1:03:00
  Speaker 2: I would, go up there and you could rent 10
• 1:03:02
  Speaker 2: movies for for two weeks for a dollar piece and
• 1:03:05
  Speaker 2: they were just dubbed hong kong movies and you know
• 1:03:08
  Speaker 2: we get 10 at a time and i think i
• 1:03:11
  Speaker 2: would always if i wanted to get someone into that
• 1:03:13
  Speaker 2: i would show them the police story first and i
• 1:03:15
  Speaker 2: feel like that was like once you're into that you
• 1:03:18
  Speaker 2: understand what hong kong is all you know what that
• 1:03:21
  Speaker 2: style of filmmaking is about it's just pure entertainment non-stop
• 1:03:24
  Speaker 2: a mix of comedy a mix of you know everything
• 1:03:27
  Speaker 2: and i think And I got so many people into
• 1:03:30
  Speaker 2: Hong Kong cinema from Lee story.
• 1:03:32
  Speaker 6: Yeah. When you, when you show somebody, um, who likes
• 1:03:36
  Speaker 6: action cinema and they've never seen a Hong Kong flick, like, yeah,
• 1:03:42
  Speaker 6: I agree. It is the gateway, but also like most
• 1:03:45
  Speaker 6: of the time they've never seen anything.
• 1:03:47
  Speaker 2: For me, it was like I was watching Mar something
• 1:03:50
  Speaker 2: on Mars or aliens or something. I've never seen a
• 1:03:52
  Speaker 2: place like that. And, uh, I mean the, I mean,
• 1:03:56
  Speaker 2: the openings... Another thing about this Great Wall Police story
• 1:03:58
  Speaker 2: is it really gives you a view of the life
• 1:04:01
  Speaker 2: and geography of Hong Kong.
• 1:04:04
  Speaker 7: Yeah, when you said that, I was like, it's such
• 1:04:05
  Speaker 7: a window into the world, especially in America.
• 1:04:07
  Speaker 2: We never.
• 1:04:08
  Speaker 7: That shantytown. I'm like, we can't even imagine something like that.
• 1:04:12
  Speaker 7: And that's normal life for a lot of people.
• 1:04:14
  Speaker 2: It was at that time. I mean, those are all
• 1:04:17
  Speaker 2: gone now. But there were squatter villages on the whole
• 1:04:20
  Speaker 2: side of the island. And they essentially, I think, bought a.
• 1:04:24
  Speaker 7: bought the village and destroyed it, you know? Especially because
• 1:04:27
  Speaker 7: it's just so acknowledged. Like, it's not like we don't have,
• 1:04:30
  Speaker 7: I mean, we have a ridiculous homeless problem here, but like,
• 1:04:34
  Speaker 7: it's not, well, yeah, I guess LA is pretty accepted.
• 1:04:37
  Speaker 2: I went to LA last year and every underpass is
• 1:04:40
  Speaker 2: a squatter.
• 1:04:42
  Speaker 7: Maybe we're getting to this point, actually.
• 1:04:43
  Speaker 2: It's really interesting, actually, that it's, whatever, but, and I
• 1:04:47
  Speaker 2: went to Hong Kong two years ago and that place
• 1:04:52
  Speaker 2: You know, I know Hong Kong from movies, you know, and,
• 1:04:55
  Speaker 2: you know, Wong Kar Wai and all the different, you know,
• 1:04:59
  Speaker 2: the gangster movies and whatever. Hong Kong, 90s Hong Kong
• 1:05:03
  Speaker 2: is really one of my favorite genres. And that part
• 1:05:07
  Speaker 2: of Hong Kong is certainly disappearing. Like, you can find it,
• 1:05:11
  Speaker 2: I mean, but they're clearing out street after street of
• 1:05:14
  Speaker 2: the food stalls. There's none of the shanty town. That
• 1:05:19
  Speaker 2: doesn't exist at all anymore in Hong Kong. Hong Kong
• 1:05:21
  Speaker 2: is almost a giant shopping mall now.
• 1:05:23
  Speaker 7: Well, that's, I mean, it is another thing that I
• 1:05:25
  Speaker 7: love about film in general is, like, we do capture
• 1:05:28
  Speaker 7: these time and play. It's like you can't find that
• 1:05:30
  Speaker 7: 70s era Times Square anymore either. But you've got a
• 1:05:33
  Speaker 7: decade worth of movies that, like, made use of that. And, like,
• 1:05:36
  Speaker 7: now you go there and, again, it's so cleaned up. But, like,
• 1:05:39
  Speaker 7: so this is that same thing. It's like you get
• 1:05:41
  Speaker 7: a weird little window into what was going on then.
• 1:05:44
  Speaker 10: Yeah.
• 1:05:45
  Speaker 7: Again, how much it wasn't really a big deal for
• 1:05:48
  Speaker 7: them to drive cars down the side of the Shanty town.
• 1:05:50
  Speaker 2: And a look at the socioeconomic thing. Because you've got,
• 1:05:53
  Speaker 2: you know, he's kind of a working class cop. You've
• 1:05:56
  Speaker 2: got this dynamic with his bosses. You've got the gangsters.
• 1:06:00
  Speaker 2: And you kind of, there's a little, you learn a
• 1:06:02
  Speaker 2: lot about the society from watching those movies. And Police
• 1:06:06
  Speaker 2: Story has a lot of that built into them.
• 1:06:08
  Speaker 7: Well, this one definitely maybe more than most gives you
• 1:06:11
  Speaker 7: the entire spectrum because you've got shantytown with like people
• 1:06:15
  Speaker 7: just living, cooking over an open flame on the side
• 1:06:18
  Speaker 7: of a hill. And then we have a completely modern
• 1:06:20
  Speaker 7: mall that looks like probably the same one that I
• 1:06:22
  Speaker 7: went into in the mid 80s. So it's like the
• 1:06:26
  Speaker 7: fact that both of those are existing in this country,
• 1:06:28
  Speaker 7: it kind of shows you what you're dealing with. It
• 1:06:30
  Speaker 7: is ancient in some ways and it's got all this
• 1:06:33
  Speaker 7: history to it, but it was super modernized. if you
• 1:06:36
  Speaker 7: had money to live in that part of the world.
• 1:06:38
  Speaker 7: So it is a nice little kind of balance of
• 1:06:40
  Speaker 7: that time and place too.
• 1:06:42
  Speaker 2: And I also should say that we were finding, the
• 1:06:45
  Speaker 2: reason why we were able to get these Hong Kong
• 1:06:48
  Speaker 2: movies is that there was still a law from British
• 1:06:52
  Speaker 2: occupation where they had to subtitle all their movies in English.
• 1:06:55
  Speaker 2: So it was a carryover from that occupation and it
• 1:06:57
  Speaker 2: made it so those movies were available to us. I
• 1:07:01
  Speaker 2: would also go to Japanese video stores and try to
• 1:07:03
  Speaker 2: watch Japanese stuff and we had to watch them not subtitled.
• 1:07:05
  Speaker 2: Like we were getting there early.
• 1:07:07
  Speaker 7: Kind of guessing at the plug.
• 1:07:08
  Speaker 6: Yeah.
• 1:07:09
  Speaker 2: Or you would hope there'd be a fan sub one
• 1:07:11
  Speaker 2: that came out and like, look for that or whatever.
• 1:07:13
  Speaker 2: But really it's funny that this like kind of oppressive
• 1:07:18
  Speaker 2: thing that, that made it so that they, because usually
• 1:07:21
  Speaker 2: they're subtitled in either Mandarin or Cantonese, depending on what
• 1:07:24
  Speaker 2: language it is. And then also English. So you've got
• 1:07:26
  Speaker 2: these three layers that the talking plus the two layers
• 1:07:30
  Speaker 2: of subtitles. And then, You know, and it made it
• 1:07:33
  Speaker 2: available for the rest of the world. So it became
• 1:07:35
  Speaker 2: a big hit in England and became a big hit
• 1:07:36
  Speaker 2: in the U.S. And, like, it kind of opened those
• 1:07:38
  Speaker 2: movies up to everybody. It's kind of a strange coincidence
• 1:07:43
  Speaker 2: that that happened, sort of. But that's what made it
• 1:07:46
  Speaker 2: so our friends could watch it.
• 1:07:47
  Speaker 7: That's what's funny, too, is, like, now that we've gotten so, like,
• 1:07:50
  Speaker 7: used to the, even just going back to DVDs, but
• 1:07:54
  Speaker 7: the layering where you could just turn on and off subtitles. Yeah.
• 1:07:57
  Speaker 7: But like VHS days, it's like you got subtitles. And
• 1:08:00
  Speaker 7: then when it got imported and imported, you would have
• 1:08:02
  Speaker 7: two and three subtitles on the same screen sometimes.
• 1:08:05
  Speaker 2: And I would say dodgy subtitles. Normally, they're not.
• 1:08:12
  Speaker 2: Subtiles are so much better on DVDs now.
• 1:08:14
  Speaker 6: And sometimes they were the wrong color, too. They were
• 1:08:18
  Speaker 6: white and it wasn't widescreen underneath the mat. Yeah, exactly.
• 1:08:22
  Speaker 6: You'd have to guess.
• 1:08:23
  Speaker 2: I've seen so many Hong Kong movies that way where
• 1:08:25
  Speaker 2: I get to guess large parts of the dialogue, but
• 1:08:29
  Speaker 2: that's not what it is. You can catch it, what's
• 1:08:32
  Speaker 2: going on.
• 1:08:33
  Speaker 7: And again, that's not as important. Because even if you
• 1:08:37
  Speaker 7: ask Jackie, I'm sure when he started this, he had
• 1:08:40
  Speaker 7: the set pieces. the set pieces are what he, I'm
• 1:08:42
  Speaker 7: assuming was really more concerned about and staying alive, hopefully.
• 1:08:47
  Speaker 7: But like, yeah, he's handing off the dialogue to somebody
• 1:08:50
  Speaker 7: else because he's busy going, okay, we're going to drive
• 1:08:52
  Speaker 7: down this. We're going to jump on a bus. We're
• 1:08:54
  Speaker 7: going to go to the mall. Like he's got these
• 1:08:56
  Speaker 7: things in mind as like the focus of the movie.
• 1:08:59
  Speaker 7: And then like, you fill in the blanks with the
• 1:09:01
  Speaker 7: cops and the robbers and you know whatever else is
• 1:09:03
  Speaker 7: like not near as important as watching and i think
• 1:09:06
  Speaker 7: that's what i noticed so much this time because in
• 1:09:09
  Speaker 7: in i've seen some years ago but it's been a
• 1:09:11
  Speaker 7: while since i've seen much of even any of jackie
• 1:09:13
  Speaker 7: chan's stuff And in that time period, I've gotten to
• 1:09:16
  Speaker 7: be such a big Buster Keaton fan.
• 1:09:18
  Speaker 6: Oh, yeah.
• 1:09:19
  Speaker 7: And, like, watching him, like, as soon as he grabbed
• 1:09:21
  Speaker 7: the umbrella, I was just like, okay, we're about to see.
• 1:09:25
  Speaker 7: And it is the kind of stuff, like, there are
• 1:09:27
  Speaker 7: few people that in the entire history of cinema were
• 1:09:30
  Speaker 7: insane enough to do that. And Buster Keaton was one
• 1:09:32
  Speaker 7: of those that would, like, the grabbing onto a moving
• 1:09:35
  Speaker 7: car is something he would have done and did. And, like,
• 1:09:38
  Speaker 7: so Jackie Chan's that same level of guy that's just, like,
• 1:09:41
  Speaker 7: I'll jump onto a bus with an umbrella and hang
• 1:09:43
  Speaker 7: off the side of it as it's moving.
• 1:09:45
  Speaker 6: And there's very few filmmaking tricks, too. A lot of
• 1:09:47
  Speaker 6: times they're done in wide shots with no cuts. So
• 1:09:50
  Speaker 6: it's not like something where you're like, oh, they're just editing.
• 1:09:53
  Speaker 6: And it's like, no. Like, they shoot it like that
• 1:09:55
  Speaker 6: on purpose. No, I did it.
• 1:09:57
  Speaker 7: Those are Hollywood movies. That's not what Jackie does.
• 1:10:00
  Speaker 6: Yeah, absolutely. And it's interesting, too, even how he... times
• 1:10:08
  Speaker 6: his edits with action sequences. Um, if they're actually getting
• 1:10:12
  Speaker 6: into like, you know, fist fighting and stuff like that,
• 1:10:15
  Speaker 6: I watched this guy break it down. They, him and
• 1:10:19
  Speaker 6: I can't remember what his editor was, but they would
• 1:10:22
  Speaker 6: sit there and experiment with like different angles and stuff and,
• 1:10:26
  Speaker 6: you know, assemble them and watch and observe what was
• 1:10:29
  Speaker 6: like the hardest hitting thing. So if you actually break
• 1:10:32
  Speaker 6: down his fight sequences, um, he'll insert extra punches, um,
• 1:10:38
  Speaker 6: from different angles into very quickly. So your brain, uh,
• 1:10:43
  Speaker 6: doesn't even process that there might've been two or three
• 1:10:46
  Speaker 6: punches from different angles. You just see one and you
• 1:10:49
  Speaker 6: hear that sound. And then you're like, Holy shit. That,
• 1:10:52
  Speaker 6: why is that so hard hitting? Like you don't understand it.
• 1:10:54
  Speaker 6: And it's like, they sat down for like months and
• 1:10:57
  Speaker 6: tried to get this kind of, you know, little, um, uh,
• 1:11:03
  Speaker 6: math problem figured out and they're like alright when we
• 1:11:05
  Speaker 6: add two or three punches from these certain angles like
• 1:11:08
  Speaker 6: it's really hits the audience very hard so.
• 1:11:12
  Speaker 2: They do things like wear white shoes or white socks.
• 1:11:14
  Speaker 6: Yeah so the kicks you can follow them quicker but
• 1:11:17
  Speaker 6: it's a small thing but it's a big deal yeah
• 1:11:20
  Speaker 6: absolutely and whereas you know you watch no knocking on
• 1:11:24
  Speaker 6: Christopher Nolan but you watch one of his actual sequences.
• 1:11:26
  Speaker 7: And they're a fucking dark mess.
• 1:11:28
  Speaker 6: Like you can't you're like it's in an alleyway it's
• 1:11:31
  Speaker 6: low lit Everybody's wearing black clothes. I have no idea
• 1:11:34
  Speaker 6: if those are fists or feet. And someone's getting kicked. And,
• 1:11:38
  Speaker 6: you know, yeah, it's really frustrating as just a fan
• 1:11:43
  Speaker 6: of action cinema, especially with somebody like that, where it's
• 1:11:45
  Speaker 6: like he's a good director. Like, you know, if there's nothing,
• 1:11:49
  Speaker 6: he could pull it off if he wanted to. It's just,
• 1:11:52
  Speaker 6: I don't know. It's like, why even have the fight
• 1:11:54
  Speaker 6: at all if you're going to, because he pays so
• 1:11:56
  Speaker 6: much attention to everything else. And then it's kind of like,
• 1:12:00
  Speaker 6: it feels like he just was like, I don't know,
• 1:12:03
  Speaker 6: second unit, go out. We got this other shit to shoot.
• 1:12:05
  Speaker 6: You guys do whatever the fuck you want.
• 1:12:07
  Speaker 2: Come back.
• 1:12:07
  Speaker 6: And we'll cut it together. And then you watch it
• 1:12:10
  Speaker 6: on screen and you're like, where am I in this alleyway? Like,
• 1:12:12
  Speaker 6: I don't know. So, I don't know. Yeah, those really
• 1:12:16
  Speaker 6: small details. And especially, you know, reading about Jackie Chan's life,
• 1:12:21
  Speaker 6: like him. Oh, geez. What's the really big? Sammo Hung.
• 1:12:26
  Speaker 6: Sammo Hung. And some of his other friends, they all
• 1:12:32
  Speaker 6: met each other growing up in the Peking Opera. And
• 1:12:35
  Speaker 6: they all excelled in their classes and became part of
• 1:12:39
  Speaker 6: the Peking Opera traveling troupe and traveled all around Asia
• 1:12:43
  Speaker 6: from a very young age doing acrobatics and martial arts shows.
• 1:12:47
  Speaker 6: So it's like they were in the trenches together. They
• 1:12:49
  Speaker 6: got hurt. They did this kind of carnival-esque sort of thing.
• 1:12:53
  Speaker 6: And by the time they're making movies, that was just...
• 1:12:57
  Speaker 6: ingrained the the idea of showmanship and what they knew
• 1:13:02
  Speaker 6: certain things that really made the audience go okay great
• 1:13:05
  Speaker 6: so it's great to see that kind of like you
• 1:13:08
  Speaker 6: know i mean buster keaton comes from vaudeville and comes
• 1:13:11
  Speaker 6: from acrobatic so yeah exactly same kind of thing from
• 1:13:14
  Speaker 6: a purely performance aspect and you know police story because
• 1:13:18
  Speaker 6: it was so popular kicked off a whole run of
• 1:13:22
  Speaker 6: what some people refer to maybe insultingly as, like, gun-fu
• 1:13:26
  Speaker 6: or cop-fu movies. And, yeah, there's a bunch of incredibly
• 1:13:33
  Speaker 6: wonderful classics that came out of that cycle and obviously
• 1:13:36
  Speaker 6: kind of, you know, sort of went into John Woo's, like,
• 1:13:41
  Speaker 6: action cinema and stuff like that. But you got shit like,
• 1:13:44
  Speaker 6: you know, Yes, Madam, 1 and 2 with Cynthia Rothrock
• 1:13:46
  Speaker 6: and Michelle Yeoh. Like, just, you know... sometimes not the
• 1:13:51
  Speaker 6: greatest plots, but again, the action sequences cannot be beat.
• 1:13:54
  Speaker 6: I mean, you just are not going to see anything
• 1:13:56
  Speaker 6: like that anywhere else. Maybe some of the, you know, more,
• 1:14:01
  Speaker 6: it seems like those sequences are so difficult to pull
• 1:14:06
  Speaker 6: off from a filmmaking and performance perspective that it's like,
• 1:14:09
  Speaker 6: just now I'm starting to see American films. So they're
• 1:14:12
  Speaker 6: shooting it like that and doing it. And it's like,
• 1:14:15
  Speaker 6: that must be really difficult.
• 1:14:16
  Speaker 2: So like, john wick's the ultimate yeah i mean john
• 1:14:19
  Speaker 2: wick is that is a straight up hong kong movie
• 1:14:21
  Speaker 2: absolutely where they just focus like so much colors the
• 1:14:25
  Speaker 2: fights yeah yeah i.
• 1:14:26
  Speaker 7: Was thinking the i remember how much attention it got
• 1:14:29
  Speaker 7: um that first season of daredevil came out yeah that
• 1:14:32
  Speaker 7: fight you know in the hallway and it's just like
• 1:14:36
  Speaker 7: okay obviously somebody like but yeah it's like that's recent
• 1:14:39
  Speaker 7: to get into something like you know mainstream American TV
• 1:14:42
  Speaker 7: series kind of stuff that have gotten to that level finally.
• 1:14:45
  Speaker 2: Atomic Blonde.
• 1:14:45
  Speaker 7: Yeah, Atomic Blonde is amazing.
• 1:14:47
  Speaker 2: That whole up and down the stairwell. But those are
• 1:14:49
  Speaker 2: Hong Kong level things. But guys like.
• 1:14:52
  Speaker 6: There's stunt people who make those movies.
• 1:14:53
  Speaker 2: I mean, John Liu and Johnny To and... Ring of
• 1:14:56
  Speaker 2: the Lamb and those guys were conceiving things like that
• 1:14:59
  Speaker 2: in the late 80s, early 90s.
• 1:15:01
  Speaker 7: And doing it without any protection. No studio would back
• 1:15:07
  Speaker 7: that in this country.
• 1:15:09
  Speaker 6: Jackie Chan said that when all is said and done paperwork-wise,
• 1:15:14
  Speaker 6: the movie cost about $ 2 million and he invested most
• 1:15:18
  Speaker 6: of that himself. And then he also used his own
• 1:15:21
  Speaker 6: car and his own house in the movie. Because they
• 1:15:24
  Speaker 6: had to save as much as they possibly could. And
• 1:15:26
  Speaker 6: he was like, if we had made this movie, you know,
• 1:15:29
  Speaker 6: like The Protector in the U.S., he's like, it would
• 1:15:33
  Speaker 6: have easily cost $ 100 million. Like, no question asked. Wow.
• 1:15:37
  Speaker 7: That is, I mean, that's just indie filmmaking right there.
• 1:15:40
  Speaker 7: I mean, cause you, I, again, I talked to so
• 1:15:42
  Speaker 7: many indie directors and like, there are ones that are like, yeah,
• 1:15:44
  Speaker 7: we shot at my house. Like, you know, but that's
• 1:15:46
  Speaker 7: still what you're doing. He's just doing it where he
• 1:15:48
  Speaker 7: might be destroying half of the stuff along the way.
• 1:15:51
  Speaker 7: I mean, is that his car that the whole car thing,
• 1:15:53
  Speaker 7: the whole, I mean, cause again, that's one, how much
• 1:15:56
  Speaker 7: time did he spend just the timing on all of
• 1:15:59
  Speaker 7: those punches and going through the car and through the
• 1:16:01
  Speaker 7: windshield and like, it's, it's amazing.
• 1:16:03
  Speaker 6: Absolutely. Yeah. And I mean, if you watch the, you know, the,
• 1:16:07
  Speaker 6: gag reel slash credits at the end which was influenced
• 1:16:11
  Speaker 6: by the ending of cannonball run because burr reynolds liked
• 1:16:14
  Speaker 6: to put gags at the end and he was like
• 1:16:16
  Speaker 6: oh i should do that it's fun um but yeah
• 1:16:18
  Speaker 6: you watch that and you can see ambulances like pulling
• 1:16:22
  Speaker 6: people out of the movie like and he almost.
• 1:16:26
  Speaker 2: Gets hit by that by that bubble decker bus like
• 1:16:28
  Speaker 2: it's he jumps out of the way the first time
• 1:16:30
  Speaker 2: it's crazy yeah he would have died right there i
• 1:16:32
  Speaker 2: mean definitely and Yeah.
• 1:16:34
  Speaker 6: And the stunt when he slides down the pole in
• 1:16:36
  Speaker 6: the mall, like they said, they basically, it was, I
• 1:16:39
  Speaker 6: think they had to stop shooting at like 630 or
• 1:16:42
  Speaker 6: something so the mall could open and they still had
• 1:16:44
  Speaker 6: to clean up and they didn't have everything set up.
• 1:16:47
  Speaker 6: Like he was going to slide down it and said,
• 1:16:49
  Speaker 6: land in a candy house. And that was the only padding.
• 1:16:52
  Speaker 6: And they didn't have enough time to detach all the lights.
• 1:16:55
  Speaker 6: And he was like, how am I going to do this?
• 1:16:56
  Speaker 6: And then his AD was like, all right, we got
• 1:16:59
  Speaker 6: to roll. Like, let's do it.
• 1:17:00
  Speaker 7: Yeah.
• 1:17:01
  Speaker 6: And that's exactly, he was like, I was so terrified.
• 1:17:04
  Speaker 6: I was going to just fall and splat and die
• 1:17:06
  Speaker 6: right there. But he knew he could hear all the
• 1:17:09
  Speaker 6: cameras worrying. Cause he said they had flashlights. 12 cameras.
• 1:17:12
  Speaker 6: 12 cameras going.
• 1:17:13
  Speaker 2: 12 cameras set up for that.
• 1:17:14
  Speaker 3: Yeah.
• 1:17:15
  Speaker 2: And got three in the shot.
• 1:17:17
  Speaker 7: That's why you see all three versions of it. I
• 1:17:20
  Speaker 7: almost died doing this. You're going to watch it. Yeah.
• 1:17:22
  Speaker 6: And he said basically once he heard that, he was like,
• 1:17:24
  Speaker 6: I could just, you know, it was money going down
• 1:17:26
  Speaker 6: the drain. And I'm like, we got to go. It's
• 1:17:28
  Speaker 6: the film used to work. I can't waste any time.
• 1:17:31
  Speaker 6: I hear them say they're rolling. Like, I have to
• 1:17:33
  Speaker 6: do this. And if it doesn't work, like, I might
• 1:17:35
  Speaker 6: lose my life.
• 1:17:36
  Speaker 10: Yeah.
• 1:17:37
  Speaker 6: And, you know, he did, when he hit the ground,
• 1:17:39
  Speaker 6: dislocated his pelvis and, I think, twisted his ankle or
• 1:17:41
  Speaker 6: something like that.
• 1:17:42
  Speaker 2: He also burned his hands. Yeah, yeah, yeah. The lights
• 1:17:45
  Speaker 2: didn't work out right, and they electrocuted the pole.
• 1:17:47
  Speaker 10: Ugh.
• 1:17:48
  Speaker 7: I thought it was just they were hot. That's the
• 1:17:50
  Speaker 7: other thing. I wasn't thinking, but I was just, like,
• 1:17:52
  Speaker 7: the fact that, like, now it's all LED lighting, but
• 1:17:54
  Speaker 7: I'm like, those lights, like, you think about old lights.
• 1:17:57
  Speaker 2: Used to get so But he smashed all the lights,
• 1:17:59
  Speaker 2: and I think it hit him. They didn't expect the
• 1:18:04
  Speaker 2: pole to be hot. That wasn't part of it.
• 1:18:06
  Speaker 6: And just sliding down a big brass pole like that
• 1:18:08
  Speaker 6: is going to pull your skin off, too. But it's one.
• 1:18:12
  Speaker 2: I mean, who can forget that moment? I mean, no
• 1:18:15
  Speaker 2: one's seen anyone.
• 1:18:16
  Speaker 6: Yeah. He also said he had to jump an additional
• 1:18:19
  Speaker 6: eight feet out to get to the pole off of
• 1:18:22
  Speaker 6: a round pole that he was standing on. And he
• 1:18:24
  Speaker 6: was like... you know, it wasn't just a hop to,
• 1:18:27
  Speaker 6: and then go, it's like, no, if I miss, I'm
• 1:18:30
  Speaker 6: definitely going to die.
• 1:18:31
  Speaker 2: Yeah.
• 1:18:32
  Speaker 6: So yeah, it was, it's fucking, I mean, the movie's
• 1:18:36
  Speaker 6: incredible and that's why we're going to show it.
• 1:18:39
  Speaker 2: Uh, yeah, we should say we're, one of the reasons
• 1:18:41
  Speaker 2: we're off to talk about is that we'll be showing
• 1:18:43
  Speaker 2: police story. It's the new 4k restoration from Janus Films,
• 1:18:47
  Speaker 2: the people who also run Criterion. We're going to show
• 1:18:49
  Speaker 2: it Thursday, September 19th at 9.30pm at the Plaza Theater.
• 1:18:54
  Speaker 6: Yeah, the historic Plaza Theater in Midtown Atlanta.
• 1:18:58
  Speaker 2: In 4K?
• 1:18:59
  Speaker 6: Yeah. Nice.
• 1:19:00
  Speaker 2: They have a really nice 4K projector there and they've
• 1:19:03
  Speaker 2: done a lot of work on it. It's a really
• 1:19:05
  Speaker 2: special place to watch a movie.
• 1:19:06
  Speaker 6: Yes, absolutely. It's got a wonderful history. It's been opened
• 1:19:10
  Speaker 6: since the thirties, um, went through a period. You can
• 1:19:14
  Speaker 6: still find pictures of it online where it was a
• 1:19:16
  Speaker 6: grindhouse and they showed like porno movies and horror films
• 1:19:19
  Speaker 6: and stuff like that. So it's, it's really great to
• 1:19:21
  Speaker 6: be in a place, um, watching awesome classic cinema in, um, yeah. And,
• 1:19:29
  Speaker 6: you know, especially like traveling and stuff like that, like
• 1:19:32
  Speaker 6: in the early two thousands, when I went to Austin
• 1:19:34
  Speaker 6: for the first time, like, and saw how they, ran
• 1:19:37
  Speaker 6: the original Alamo Drafthouse. And I was just like, fuck, like,
• 1:19:41
  Speaker 6: why don't we have anything like that in Atlanta?
• 1:19:43
  Speaker 7: I think every time I go somewhere.
• 1:19:44
  Speaker 11: Yeah.
• 1:19:44
  Speaker 6: And it was like, they were trying to, you know,
• 1:19:47
  Speaker 6: piece together stuff like that at the Plaza occasionally, but
• 1:19:49
  Speaker 6: it kept kind of falling on hard times, either by.
• 1:19:52
  Speaker 2: Ownership or, you know, like tough place to keep running.
• 1:19:55
  Speaker 2: It's a big, it's a big expensive place. You really
• 1:19:58
  Speaker 2: got to put some time into it and some money
• 1:20:00
  Speaker 2: into it to make it work.
• 1:20:01
  Speaker 6: And they didn't have enough money to run it like
• 1:20:03
  Speaker 6: a traditional theater that had to be repertory. And yeah, Yeah,
• 1:20:07
  Speaker 6: so luckily we're getting to show these really great movies there,
• 1:20:11
  Speaker 6: and they're doing well, and we're very happy about that.
• 1:20:16
  Speaker 7: Well, this one, the only other thing I was going
• 1:20:18
  Speaker 7: to tie in was, because it's so amazing to watch
• 1:20:21
  Speaker 7: the crazy set pieces and the stunt work, you also
• 1:20:25
  Speaker 7: get hit with, again, if you're not schooled in the
• 1:20:28
  Speaker 7: way that he does his films, how He's also so
• 1:20:32
  Speaker 7: focused on the slapstick, the phone gags, and then the
• 1:20:36
  Speaker 7: cake gag that continues to run. Does that fit?
• 1:20:40
  Speaker 3: I don't know.
• 1:20:40
  Speaker 7: I was trying to decide. The phone's pretty impressive, but
• 1:20:43
  Speaker 7: the cake thing just kept going. I'm like, I get it.
• 1:20:47
  Speaker 7: It's funny.
• 1:20:48
  Speaker 2: I think it adds to the likability of his character.
• 1:20:50
  Speaker 2: You can't see Clint Eastwood ever getting up high in
• 1:20:52
  Speaker 2: the face three times in the span of, what, ten
• 1:20:54
  Speaker 2: minutes or whatever. And I think the gags also work
• 1:20:57
  Speaker 2: in that movie because you've got Bridget Lynn, who's one
• 1:21:00
  Speaker 2: of my favorite Hong Kong actresses and she does you
• 1:21:03
  Speaker 2: know and it's a pretty interesting role for her because
• 1:21:06
  Speaker 2: she's mostly like a kind of a martial arts kung
• 1:21:09
  Speaker 2: fu you know she's a star in a lot of
• 1:21:11
  Speaker 2: like fantasy wuxia kind of things and generally plays like
• 1:21:16
  Speaker 2: a either a man or androgynous character so it's really
• 1:21:18
  Speaker 2: interesting to see her playing she's kind of.
• 1:21:21
  Speaker 7: Feminine role feminine role and then the girlfriend and.
• 1:21:23
  Speaker 2: Then you've got Maggie Chung who's a huge you know
• 1:21:26
  Speaker 2: international star but but it's one of her early roles
• 1:21:29
  Speaker 2: and she's kind of limited into this like howdy sort
• 1:21:32
  Speaker 2: of character, but there's a likability to her too.
• 1:21:35
  Speaker 7: And there's a moment when I'm like, wait, you've got
• 1:21:38
  Speaker 7: people trying to kill everyone around you and you invite
• 1:21:41
  Speaker 7: your girlfriend to come with you. That seemed like a
• 1:21:44
  Speaker 7: questionable call. Like she's going to come hang out at
• 1:21:46
  Speaker 7: the mall with you. Really?
• 1:21:48
  Speaker 11: Yeah.
• 1:21:48
  Speaker 2: I don't, that tie into why she was there. It
• 1:21:51
  Speaker 2: doesn't totally make sense. Like Bridget Lynn, they really quickly
• 1:21:54
  Speaker 2: kind of, show her getting she's trying to steal some
• 1:21:57
  Speaker 2: information or whatever but why maggie chung ends up there
• 1:22:00
  Speaker 2: at that exact moment too is a little they were
• 1:22:03
  Speaker 2: going to hey yeah it's a little straight.
• 1:22:06
  Speaker 7: I guess the other i mean to to we can
• 1:22:09
  Speaker 7: round out with the big finale i mean that the
• 1:22:11
  Speaker 7: the mall chase and fight and everything about it i
• 1:22:15
  Speaker 7: mean before we get to the the jump with the
• 1:22:16
  Speaker 7: lights yeah I was like, I'm watching it going, are
• 1:22:19
  Speaker 7: these guys getting paid by per pane of glass they break?
• 1:22:22
  Speaker 7: That's the only way this would come out ahead. Cause
• 1:22:25
  Speaker 7: that is so much glass.
• 1:22:27
  Speaker 6: Yeah.
• 1:22:27
  Speaker 7: It is amazing.
• 1:22:29
  Speaker 2: Yeah, absolutely.
• 1:22:30
  Speaker 7: And it's, I'm again, I'm assuming they're not using safety glass.
• 1:22:34
  Speaker 7: There's no, it seemed like it was, I see.
• 1:22:37
  Speaker 2: I mean, I doubt they could replace all that stuff
• 1:22:41
  Speaker 2: with safety glass.
• 1:22:42
  Speaker 6: Yeah.
• 1:22:42
  Speaker 2: I was actually talking to my girlfriend about that last
• 1:22:44
  Speaker 2: night and we were kind of going through that. And, uh,
• 1:22:47
  Speaker 2: She's like, well, it's got to be safety glass, but
• 1:22:48
  Speaker 2: it's all these cabinets and.
• 1:22:50
  Speaker 7: Yeah.
• 1:22:50
  Speaker 2: It's stuff that would be in the mall already that
• 1:22:53
  Speaker 2: they destroyed, you know?
• 1:22:54
  Speaker 7: Yeah.
• 1:22:55
  Speaker 2: So, I can't imagine that that.
• 1:22:57
  Speaker 7: I don't know.
• 1:22:57
  Speaker 2: I'm not a stuntman.
• 1:22:58
  Speaker 6: I'm not... I mean, I listened to the... Yeah. Like,
• 1:23:01
  Speaker 6: a little kind of talk that he was giving about
• 1:23:03
  Speaker 6: his experience in the film. Like, a short, very short one.
• 1:23:07
  Speaker 6: And he was talking... He kept saying candy glass, like,
• 1:23:09
  Speaker 6: over and over again. But, I mean, you know, candy glass... breakaway,
• 1:23:14
  Speaker 6: whatever you want to call it. It's still dangerous. In
• 1:23:16
  Speaker 6: Dawn of the Dead, Tom Savini was almost decapitated because
• 1:23:20
  Speaker 6: he rides his motorcycle through a sheet and they poured
• 1:23:22
  Speaker 6: it too thick. You can literally see when he goes
• 1:23:25
  Speaker 6: through it, it's like the bottom breaks and then the
• 1:23:28
  Speaker 6: top goes ka-chunk and just hits the floor. If you
• 1:23:33
  Speaker 6: don't have a lot of time, you can still get
• 1:23:36
  Speaker 6: hurt from that stuff.
• 1:23:38
  Speaker 7: Romero skating by.
• 1:23:40
  Speaker 2: Trying to make his movie.
• 1:23:43
  Speaker 6: In a mall.
• 1:23:43
  Speaker 7: You know, that's where you make your finest films in
• 1:23:47
  Speaker 7: the mall.
• 1:23:48
  Speaker 2: Absolutely.
• 1:23:49
  Speaker 4: I'll get you out of this mess.
• 1:23:50
  Speaker 7: I promise you. Take Dan to a cell.
• 1:23:54
  Speaker 3: Yes, sir.
• 1:23:55
  Speaker 9: Charge him with murder.
• 1:24:05
  Speaker 2: Don't move. Jackie, don't do it.
• 1:24:09
  Speaker 7: I didn't kill anybody. So why are you charging me
• 1:24:13
  Speaker 7: with murder?
• 1:24:14
  Speaker 5: I have no choice.
• 1:24:15
  Speaker 2: I have to charge you according to the evidence in
• 1:24:17
  Speaker 2: front of me.
• 1:24:18
  Speaker 7: You know damn well true frame me. What is the problem?
• 1:24:21
  Speaker 3: It's obvious.
• 1:24:22
  Speaker 2: I can't make arbitrary decisions.
• 1:24:25
  Speaker 5: Don't give me that bullshit.
• 1:24:26
  Speaker 7: Jackie, leave him alone. You coward. Jackie, he's your superior.
• 1:24:33
  Speaker 7: He doesn't deserve to be.
• 1:24:35
  Speaker 5: Where was he when we were out there, sitting at
• 1:24:37
  Speaker 5: his desk reading the paper? When we arrested the suspect,
• 1:24:40
  Speaker 5: he argued about procedures. And that cockeyed plan, arranging for
• 1:24:44
  Speaker 5: me to protect the witness.
• 1:24:46
  Speaker 9: A waste of time.
• 1:24:48
  Speaker 5: Everything he's done has resulted in problems.
• 1:24:51
  Speaker 11: Get back, I say!
• 1:24:53
  Speaker 7: All you think about is your promotion. You don't give
• 1:24:55
  Speaker 7: a damn about us!
• 1:24:58
  Speaker 10: If one of our guys is killed, all it means
• 1:25:00
  Speaker 10: to you is a three-page report.
• 1:25:03
  Speaker 7: You don't consider us as human. But if we weren't
• 1:25:06
  Speaker 7: fighting for you out there, you.
• 1:25:07
  Speaker 2: Wouldn't even have an office!
• 1:25:09
  Speaker 6: Jackie!
• 1:25:09
  Speaker 8: Get back!
• 1:25:10
  Speaker 7: Get back! Keep away, or I'll blow his head off! Jackie,
• 1:25:15
  Speaker 7: don't do this! I do also, we get our... Like,
• 1:25:19
  Speaker 7: there's barely any crossover into not comedy or action. His, like,
• 1:25:24
  Speaker 7: Oscar clip of, like, you know, talking about the upper...
• 1:25:28
  Speaker 7: the brass. It's like, it does need the little, you know,
• 1:25:32
  Speaker 7: shout out the Wayne's world is the clip, you know,
• 1:25:34
  Speaker 7: flashes at the Oscar clip. It's the one time you
• 1:25:38
  Speaker 7: feel like he's really trying.
• 1:25:40
  Speaker 6: Yeah, absolutely.
• 1:25:42
  Speaker 9: Yeah.
• 1:25:43
  Speaker 7: Well, is there anything else? We've kind of hit the
• 1:25:46
  Speaker 7: basics there. Anything else you want to throw out on
• 1:25:49
  Speaker 7: this one?
• 1:25:50
  Speaker 2: I mean, I don't want to ruin it too much
• 1:25:51
  Speaker 2: for people. I don't know how people go back and
• 1:25:53
  Speaker 2: explore that. I mean, that, I would, that's, that movie's
• 1:25:57
  Speaker 2: the 80s, but I kind of lump it in with
• 1:25:59
  Speaker 2: 90s Hong Kong cinema.
• 1:26:00
  Speaker 6: Yeah, absolutely.
• 1:26:02
  Speaker 2: And I would say if you, if you haven't explored
• 1:26:04
  Speaker 2: that genre, like there's, I mean, from John Woo to,
• 1:26:07
  Speaker 2: like I said, I think I talked about Ring of
• 1:26:09
  Speaker 2: the Lamb earlier.
• 1:26:10
  Speaker 6: Yeah.
• 1:26:10
  Speaker 2: There's so many great, um, Johnny Toe kind of picked
• 1:26:14
  Speaker 2: it up like later in the 80s and into the 90s.
• 1:26:17
  Speaker 2: I mean, later in the mid 90s to into the 2000s. And, um,
• 1:26:21
  Speaker 2: I don't know, there's so many great films from that time.
• 1:26:24
  Speaker 6: Yeah. Um, Absolutely. I highly recommend Yes, Madam.
• 1:26:29
  Speaker 2: Yes, Madam's great. The later, the Wheels on Meals, like
• 1:26:34
  Speaker 2: Dragons Forever, like the Jackie Chan. Jackie Chan, when he
• 1:26:39
  Speaker 2: worked with Sammo Hung and Yen Biao, they were like
• 1:26:41
  Speaker 2: a Three Amigos kind of thing. Those movies are really
• 1:26:44
  Speaker 2: entertaining if you're into just the fun stuff. If you
• 1:26:46
  Speaker 2: want to get into the more heroic bloodshed type stuff,
• 1:26:51
  Speaker 2: I really recommend, let's see, The John Woo stuff, obviously
• 1:26:55
  Speaker 2: killer and hard-boiled, but My Heart is an Eternal Rose
• 1:26:59
  Speaker 2: is a really good title. Better Tomorrow. Better Tomorrow. Beyond Hypothermia.
• 1:27:05
  Speaker 2: Longest Night is an early Johnny Toe produced thing. And
• 1:27:07
  Speaker 2: then the later Johnny Toes. Exiled, I really like.
• 1:27:13
  Speaker 7: Election.
• 1:27:14
  Speaker 2: Yeah, Election's great. I don't know, that's... It's a great...
• 1:27:19
  Speaker 2: It's something to really get into. And then it can
• 1:27:22
  Speaker 2: kind of lead you to the Wong Kar Wai stuff,
• 1:27:23
  Speaker 2: which has.
• 1:27:26
  Speaker 2: Bridget Lin and Maggie Chung were in some Wong Kar
• 1:27:28
  Speaker 2: Wai movies. And I think Wong Kar Wai played off
• 1:27:33
  Speaker 2: some of those characters, but showed you a whole other
• 1:27:36
  Speaker 2: artistic side of Hong Kong moviemaking that if you're less
• 1:27:42
  Speaker 2: into the genre stuff.
• 1:27:44
  Speaker 6: You can appreciate that too. Yeah, you can watch drama like...
• 1:27:47
  Speaker 6: Ashes of Time or something like that, which is fucking masterful.
• 1:27:52
  Speaker 2: Bridget Lynn and Maggie Chan both are from it.
• 1:27:54
  Speaker 6: And for those of you out there listening, if you're
• 1:27:56
  Speaker 6: having a tough time locating something either on disc or streaming,
• 1:28:03
  Speaker 6: there are a ton of incredible international action movies on YouTube,
• 1:28:09
  Speaker 6: strangely enough, a lot of times uncut. So if you
• 1:28:12
  Speaker 6: really just can't find something, look up the title and
• 1:28:16
  Speaker 6: uh i'm sure you can i've that was actually how
• 1:28:18
  Speaker 6: i first watched all of yes madam.
• 1:28:21
  Speaker 2: Like uncut was on youtube so or if you're a
• 1:28:23
  Speaker 2: collector we're um hong kong blu-rays are region a so
• 1:28:27
  Speaker 2: yeah they they work in our players so um they're
• 1:28:31
  Speaker 2: not cheap but if you go on ebay there's plenty
• 1:28:33
  Speaker 2: of Asian sellers selling Hong Kong movies. All those movies
• 1:28:39
  Speaker 2: have been remastered. I've got a pretty healthy collection at home.
• 1:28:44
  Speaker 6: We promise that you've never, ever seen anything like it
• 1:28:47
  Speaker 6: if you have not watched it before.
• 1:28:50
  Speaker 7: That's what I was going to ask. We're kind of
• 1:28:52
  Speaker 7: in that heyday, in the golden era of him. What
• 1:28:55
  Speaker 7: do you think of older Jackie Chan? Like post-Rumble in
• 1:28:58
  Speaker 7: the Bronx. Americanized Jackie.
• 1:29:01
  Speaker 2: The tuxedo. Yeah, Rush Hour kind of lost me a
• 1:29:07
  Speaker 2: little bit. That kind of stuff. I mean, obviously there's
• 1:29:10
  Speaker 2: good moments in those movies or whatever, but I think
• 1:29:13
  Speaker 2: I was a little too old to enjoy that stuff.
• 1:29:18
  Speaker 6: The first thing I ever saw from him, my dad
• 1:29:21
  Speaker 6: loved action cinema and we would go see whatever new
• 1:29:25
  Speaker 6: Jean-Claude Van Damme or Steven Seagal or Sylvester Stallone movie
• 1:29:28
  Speaker 6: came out, and I remember basically, like, because he was
• 1:29:32
  Speaker 6: such a big fan, yeah, right when Rumble in the
• 1:29:36
  Speaker 6: Bronx came out, it was such a big thing for
• 1:29:38
  Speaker 6: New Line because you had people like Wesley Snipes, Sylvester Stallone,
• 1:29:41
  Speaker 6: and Schwarzenegger all being like, no, Jack James is the man. Like,
• 1:29:44
  Speaker 6: you gotta go watch this. So they had a good
• 1:29:46
  Speaker 6: property on their hands. Obviously they recut it and dubbed it,
• 1:29:48
  Speaker 6: and it was filmed in like Toronto or Vancouver or something,
• 1:29:51
  Speaker 6: not New York.
• 1:29:52
  Speaker 7: You know, the Bronx.
• 1:29:52
  Speaker 6: Yeah. But anyways, it's a fucking great film. Um, that
• 1:29:57
  Speaker 6: was honestly my starting point, my entry point for him. Um,
• 1:30:01
  Speaker 6: and then, uh, you know, I can't remember. I, I
• 1:30:04
  Speaker 6: feel like I saw some other like, um, mid nineties,
• 1:30:08
  Speaker 6: Jackie Chan stuff. It wasn't as impressive. And I honestly,
• 1:30:12
  Speaker 6: as a teenager, sort of forgot about it. But then
• 1:30:14
  Speaker 6: when I started working here, um.
• 1:30:16
  Speaker 2: Yeah, Condor and project a, and some of those, that's
• 1:30:20
  Speaker 2: the real, those, that's the Jackie Chan stuff. It's, and,
• 1:30:24
  Speaker 2: I will say this about Police Story. Police Story, I think,
• 1:30:25
  Speaker 2: is still... It retained... It was the only movie that
• 1:30:29
  Speaker 2: was always called Police Story. Like, Jackie Chan movies have... Like,
• 1:30:33
  Speaker 2: we would get Operation Condor 2, and it would be
• 1:30:36
  Speaker 2: released here as Operation Condor. I think Suncoast was kind
• 1:30:38
  Speaker 2: of one of the culprits of all this kind of stuff.
• 1:30:40
  Speaker 7: Probably, because they never knew what they were getting on
• 1:30:42
  Speaker 7: that end anyway.
• 1:30:43
  Speaker 2: So, like, or we get... Drunken Master 2, but it
• 1:30:46
  Speaker 2: was called Drunken Master here. There was this total mix-up
• 1:30:50
  Speaker 2: of titles and names, but Police Story was always Police Story.
• 1:30:53
  Speaker 2: You'd always be like, it's a touchdown, Police Story. I
• 1:30:57
  Speaker 2: think it really helped that for its popularity. Really, I
• 1:31:02
  Speaker 2: think First Strike is Police Story 4, right?
• 1:31:06
  Speaker 7: I think.
• 1:31:07
  Speaker 2: And then Police Story 3 was Supercop here, which has
• 1:31:12
  Speaker 2: some amazing stunts in it, but it's not an overall Yeah,
• 1:31:16
  Speaker 2: I don't know. I mean, it's a little... It's got
• 1:31:19
  Speaker 2: some weak spots, too. But it's got Michelle Yeoh, and
• 1:31:21
  Speaker 2: she does some crazy motorcycle stunts in it, and it's
• 1:31:26
  Speaker 2: fun and worth seeing. There's also the case of, like,
• 1:31:29
  Speaker 2: seeing a movie dubbed versus seeing a movie subtitled, and
• 1:31:32
  Speaker 2: some movie people enjoy Police Story more dubbed. Like, they
• 1:31:35
  Speaker 2: think it's funnier that way, and I can kind of
• 1:31:38
  Speaker 2: see that. I mean, we.
• 1:31:40
  Speaker 2: We've shown some that Indonesian movie that was dubbed at
• 1:31:43
  Speaker 2: the Plaza and it worked better dubbed for us, honestly.
• 1:31:46
  Speaker 2: And like, and it was more in with a crowd
• 1:31:50
  Speaker 2: and I've seen police story, both dubbed and subtitled. And
• 1:31:52
  Speaker 2: I kind of, I take it a lot more seriously
• 1:31:55
  Speaker 2: when it's subtitled, but it is, it's fun either way.
• 1:31:57
  Speaker 6: I think. Yeah. Um, yeah, there's definitely some, uh, when we, um, showed, um, um, the, uh,
• 1:32:04
  Speaker 6: Ruggiero Diodato, um, warriors slash road, Oh, the.
• 1:32:09
  Speaker 2: One you guys showed at the other place.
• 1:32:11
  Speaker 6: Yeah, God, why can I not remember the name?
• 1:32:12
  Speaker 2: It was in 1990's Bronx Warriors.
• 1:32:15
  Speaker 6: No, no, it's something of Atlantis. Like, Raiders. Raiders of Atlantis.
• 1:32:22
  Speaker 7: Yeah, I know that time.
• 1:32:23
  Speaker 2: Thankfully, I haven't seen that.
• 1:32:25
  Speaker 6: It's really great, actually.
• 1:32:26
  Speaker 7: I've seen pieces of it. It's disturbing.
• 1:32:27
  Speaker 6: It's really great, and it's really fun, but that's a
• 1:32:30
  Speaker 6: perfect example of, like, it's hilarious dubbed. Like, it's really,
• 1:32:36
  Speaker 6: and that was super... engaging for the audience and they
• 1:32:39
  Speaker 6: were cracking up like immediately from the get go because
• 1:32:41
  Speaker 6: the English dialogue is ridiculous like it doesn't make any
• 1:32:45
  Speaker 6: sense so it can kind.
• 1:32:47
  Speaker 2: Of add to it even with the tough ones like
• 1:32:49
  Speaker 2: we showed a Titan crime film called Umberto Lindsay the
• 1:32:55
  Speaker 2: cannibal holocaust director.
• 1:32:57
  Speaker 6: Oh no he did Cannibal Ferox.
• 1:33:01
  Speaker 2: Yeah so we showed the tough ones a few weeks
• 1:33:05
  Speaker 2: ago and it was a Pretty fun screening, but it
• 1:33:07
  Speaker 2: was dubbed and no one cared. Yeah, it was great.
• 1:33:11
  Speaker 2: I mean, I think as a crowd, the dubbing works
• 1:33:14
  Speaker 2: pretty well.
• 1:33:15
  Speaker 6: Whereas something like Suspiria, for any listeners out there, if
• 1:33:19
  Speaker 6: you've only seen that dubbed, you're bad. I highly recommend
• 1:33:23
  Speaker 6: you watch that movie in Italian. I know that the
• 1:33:27
  Speaker 6: whole thing about how a lot of times they would
• 1:33:28
  Speaker 6: shoot with no sound.
• 1:33:30
  Speaker 2: And they're dubbing it.
• 1:33:31
  Speaker 6: And they're dubbing in their own languages, blah, blah. But
• 1:33:33
  Speaker 6: it was written in Italian. And having watched it in
• 1:33:36
  Speaker 6: English and then watched it in Italian, it is a masterful,
• 1:33:39
  Speaker 6: beautiful film in Italian. And it's ridiculous and kind of
• 1:33:44
  Speaker 6: silly in English. So, anyways.
• 1:33:46
  Speaker 2: Or you can watch the new 4K Restoration Deep Red, actually.
• 1:33:50
  Speaker 2: To get the best quality, they mixed a subtitle and
• 1:33:54
  Speaker 2: a dub print. And it goes scene to scene. It
• 1:33:56
  Speaker 2: goes in and out. And it's really kind of a
• 1:33:59
  Speaker 2: jarring thing to see in a theater like this. because
• 1:34:02
  Speaker 2: you're seeing the same characters speak two different ways with
• 1:34:04
  Speaker 2: two different voices, but it's the, it's, they wanted to
• 1:34:07
  Speaker 2: make the best quality presentation. But I've never seen them.
• 1:34:12
  Speaker 2: I never had that experience actually until seeing that last
• 1:34:14
  Speaker 2: year that, that new, but the new restoration is beautiful.
• 1:34:17
  Speaker 6: Yeah.
• 1:34:18
  Speaker 2: Also Argentine.
• 1:34:19
  Speaker 7: Yeah.
• 1:34:20
  Speaker 11: Yeah.
• 1:34:20
  Speaker 6: There's a lot of foreign movies that, uh, I felt
• 1:34:24
  Speaker 6: like I was seeing for the first time, uh, watching
• 1:34:26
  Speaker 6: it in the original language. I mean, It's like, duh.
• 1:34:30
  Speaker 2: But a lot of times they add scenes when you
• 1:34:32
  Speaker 2: see it. You get a longer cut when you see
• 1:34:34
  Speaker 2: the subtitle.
• 1:34:35
  Speaker 6: Yeah, absolutely.
• 1:34:37
  Speaker 7: And those are the kind of things you can get here.
• 1:34:39
  Speaker 7: At Video Girl. As we round out, yeah, tell people
• 1:34:42
  Speaker 7: to come. So once again, you say social media is
• 1:34:46
  Speaker 7: the best place for everybody to get on board and
• 1:34:48
  Speaker 7: find you.
• 1:34:48
  Speaker 2: If you're not in Atlanta and you're not already a
• 1:34:50
  Speaker 2: part of our thing, you can totally interact with us
• 1:34:52
  Speaker 2: on Twitter and Instagram.
• 1:34:54
  Speaker 6: You can be a part of our thing.
• 1:34:56
  Speaker 7: Or even if you are in Atlanta.
• 1:34:57
  Speaker 2: You can buy a t-shirt.
• 1:34:59
  Speaker 7: And you're oblivious.
• 1:35:00
  Speaker 6: You can buy a hat.
• 1:35:01
  Speaker 7: Again, if nothing else, I think the person I brought
• 1:35:03
  Speaker 7: with me today is now completely suckered in and is
• 1:35:06
  Speaker 7: already picking out, like, walls full of things to take.
• 1:35:08
  Speaker 2: She already got four movies. Yeah, I know.
• 1:35:10
  Speaker 7: And so, if nothing else, you live in the city
• 1:35:13
  Speaker 7: and you still don't know what's right around the corner.
• 1:35:15
  Speaker 6: How many movies do we have?
• 1:35:17
  Speaker 2: We have about 25,000 DVDs and we're getting into the 50s.
• 1:35:23
  Speaker 2: Close to the 5,000 Blu-ray range, which is really.
• 1:35:26
  Speaker 6: 30,000-something movies and a bunch that are not on the interwebs, kids.
• 1:35:32
  Speaker 6: Not everything's on the internet. This is where you have
• 1:35:34
  Speaker 6: to come.
• 1:35:34
  Speaker 2: Yeah, I think that's what people don't realize is how
• 1:35:36
  Speaker 2: much they're missing in the foreign and arthouse world that
• 1:35:40
  Speaker 2: just gets lost. Especially... Things just fall through the cracks
• 1:35:45
  Speaker 2: in this new streaming era.
• 1:35:46
  Speaker 6: Yeah, especially as they all try to fight tooth and
• 1:35:50
  Speaker 6: nail with Disney where... It's interesting because Netflix changed the game,
• 1:35:58
  Speaker 6: but they are kind of reigning in a new studio
• 1:36:02
  Speaker 6: era where instead of Warner Brothers, Paramount, and whatever, you're
• 1:36:07
  Speaker 6: going to have Netflix and Disney and Amazon.
• 1:36:10
  Speaker 2: You can afford 10 streaming sites. I mean, that's bigger
• 1:36:15
  Speaker 2: than your cable.
• 1:36:16
  Speaker 6: Bill, really.
• 1:36:17
  Speaker 2: Or in the... If you want to afford cable and
• 1:36:20
  Speaker 2: internet and the streaming sites you're dealing with.
• 1:36:23
  Speaker 7: That became the plan. I'm going to get rid of
• 1:36:25
  Speaker 7: cable and just get Netflix and it's going to be cheaper.
• 1:36:29
  Speaker 7: By the time you get these five, it's right back
• 1:36:30
  Speaker 7: to what.
• 1:36:31
  Speaker 6: You were getting for cable. They all control their vaults.
• 1:36:36
  Speaker 7: They're doing original content. If you want to see everything,
• 1:36:39
  Speaker 7: you have to buy every streaming service. It's out of control.
• 1:36:44
  Speaker 7: Just rent movies from here.
• 1:36:46
  Speaker 6: Exactly. All right.
• 1:36:48
  Speaker 7: Well, thank you guys for doing this. And yeah, it's
• 1:36:51
  Speaker 7: been a lot of fun. And definitely everybody come find
• 1:36:53
  Speaker 7: them online and come here and rent movies.
• 1:36:55
  Speaker 2: That's right.
• 1:36:56
  Speaker 6: Yeah. Support your local video store.
• 1:36:58
  Speaker 10: Yeah.
• 1:36:58
  Speaker 6: If there's one.
• 1:36:59
  Speaker 7: Go find it in your area. In your city.
• 1:37:01
  Speaker 2: It's still around. Go start one.
• 1:37:03
  Speaker 6: Exactly. You can start a video club. There's nothing.
• 1:37:06
  Speaker 2: I just got a call last week from a guy
• 1:37:07
  Speaker 2: who wants to start one in New Orleans, actually.
• 1:37:09
  Speaker 6: Yeah.
• 1:37:09
  Speaker 7: See, it's in your hands, people. We can bring this back.
• 1:37:12
  Speaker 11: Yeah.
• 1:37:12
  Speaker 3: All right.
• 1:37:14
  Speaker 7: Well, otherwise, that about does it. We will return next time.
• 1:37:16
  Speaker 7: Same Geek Feed. Thanks for listening.
• 1:37:30
  Speaker 10: Tung Chi Mo, Nang Han Chi, Ping Chut Yat Sang Chi,
• 1:37:36
  Speaker 10: Lau Han Hu, Chin Chek Sim, Chui Cham Da Yi Yi,
• 1:37:43
  Speaker 10: Sang Ming, Chok To Chu, Lau Ha Niu, Ying Hong
• 1:37:47
  Speaker 10: Gu Si, You Huat, Kien Kuk He, Ong Bu, Ku Pan,
• 1:37:53
  Speaker 10: Chi Sing Si, Tung, Chen, Hu, All of them are true,
• 1:37:59
  Speaker 10: I know it.
• 1:38:01
  Speaker 11: With all my heart.
• 1:38:04
  Speaker 7: I want to write it down. I know it.
• 1:38:22
  Speaker 10: Thank you. I write my life's story with my weapon
• 1:38:30
  Speaker 10: Love with love is like a true story Life goes on,
• 1:38:37
  Speaker 10: and it's amazing to stay Heroes have bones, and the
• 1:38:44
  Speaker 10: world is like a poem From the beginning to the end,
• 1:38:50
  Speaker 10: freedom and loyalty are all I have.
• 1:38:53
  Speaker 3: Qua!
• 1:38:54
  Speaker 6: Bo!
• 1:38:55
  Speaker 3: So!
• 1:38:56
  Speaker 7: Qua!
• 1:38:56
  Speaker 6: Bo!
• 1:38:56
  Speaker 10: So!
• 1:39:24
  Speaker 3: Thank you.
• 1:40:06
  Speaker 6: Hi, I'm Jeff.
• 1:40:07
  Speaker 9: You look like you could use some help. Yeah, hi.
• 1:40:10
  Speaker 9: My wife sent me in for a movie and I
• 1:40:12
  Speaker 9: can't remember the name.
• 1:40:13
  Speaker 6: That's tough. Good luck.
• 1:40:16
  Speaker 4: This episode is a production of Movie Meltdown, produced and
• 1:40:18
  Speaker 4: edited by The Oddity Studios, with the opening music performed
• 1:40:22
  Speaker 4: by The Empires. For more on how to sponsor or
• 1:40:24
  Speaker 4: support the show, email producer at moviemeltdown.com.
• 1:40:27
  Speaker 6: Talk hard!
• 1:40:34
  Speaker 7: This program is a proud member of the battleship pretension fleet.