Latest / Wicked and Grim: A True Crime Podcast / The Murder of Ruthie Mae McCoy
Transcript
- 0:08Speaker 1: A woman that would give her shoelaces, offers shoes if
- 0:12Speaker 1: she knew it would help you. Ruthie McCoy spent a
- 0:16Speaker 1: lifetime struggling with mental health, but she was entering a
- 0:19Speaker 1: phase of life where things appeared they may turn around.
- 0:24Speaker 1: That was until the night of April ninth, nineteen eighty seven,
- 0:28Speaker 1: when Ruthie would fall victim to the projects of Chicago
- 0:32Speaker 1: and her apartment would be broken into in the most
- 0:35Speaker 1: unfathomable of ways.
- 0:39Speaker 2: Good morning.
- 0:40Speaker 1: The following podcast and these graphic content and materials intend
- 0:45Speaker 1: for a mature audience. Listener dis question is a hey,
- 1:10Speaker 1: how's it going on, Nicle?
- 1:11Speaker 2: I'm bed you are listening to Wiken.
- 1:14Speaker 1: And Grim, a true crime podcast.
- 1:17Speaker 2: We stumbled every time.
- 1:19Speaker 1: I will literally fuck up the intro.
- 1:21Speaker 2: Well, no, we we do fail. We usually get it
- 1:24Speaker 2: good on the actual podcast, but anytime you start it,
- 1:27Speaker 2: you're like, what do I do again?
- 1:28Speaker 1: I know, I literally like, we're almost like approaching our
- 1:31Speaker 1: one hundredth episode, and I'm like, what do I do?
- 1:33Speaker 2: Which we are on? This is episode ninety eight?
- 1:36Speaker 1: Okay, well just wait, let's just I might have e
- 1:38Speaker 1: f this up to.
- 1:41Speaker 2: There you go.
- 1:41Speaker 1: Okay, that was like kind of pitiful, but.
- 1:44Speaker 2: It worked you slightly like Crack the Seal a bit
- 1:46Speaker 2: before you I was like, eek, yeah, so ninety eight,
- 1:50Speaker 2: hey ninety eight, and which means on Halloween Week, our
- 1:54Speaker 2: one hundredth episode will be aired.
- 1:58Speaker 1: It's like we plan that or something.
- 2:00Speaker 2: It's almost like we did.
- 2:01Speaker 1: Oh we didn't.
- 2:02Speaker 2: We certainly did not.
- 2:03Speaker 1: That would have been amazing if we plan that, right.
- 2:06Speaker 2: But yeah, So Halloween weeks coming up, a whole ass week,
- 2:12Speaker 2: seven days, awesome, great days of our podcast.
- 2:15Speaker 1: Yeah, and we have a little schedule. We got it
- 2:17Speaker 1: all laid out.
- 2:19Speaker 2: We asked our patrons if they want to see the schedule. Surprisingly,
- 2:23Speaker 2: they're like no.
- 2:24Speaker 1: I think one person said yes, yeah, but it.
- 2:26Speaker 2: Was overwhelming because I was like, I'm going to do
- 2:28Speaker 2: a poll today if you guys want to know the schedule,
- 2:30Speaker 2: and just everyone started commenting Nope, don't want to see it.
- 2:33Speaker 1: And We're like, I was surprised because that one person
- 2:35Speaker 1: that said yes, Like I would have said yes.
- 2:38Speaker 2: As well, so I thought I would have too, But
- 2:41Speaker 2: I guess everyone just wants to be surprised and just
- 2:43Speaker 2: enjoy the Halloween week as it happens.
- 2:45Speaker 1: Well, there aren't many. I just feel like I haven't
- 2:47Speaker 1: said this to someone the other day. Actually, there's just
- 2:49Speaker 1: not a lot of surprises in this world anymore that
- 2:51Speaker 1: are like good.
- 2:52Speaker 2: That's true.
- 2:53Speaker 1: Actually, so maybe people just need some of that in
- 2:56Speaker 1: their life.
- 2:56Speaker 2: Maybe. So while we're on the topic of patreons, we
- 3:00Speaker 2: do is shout out our patrons joined us this week.
- 3:02Speaker 1: Thank them. Yeah, let's do it.
- 3:04Speaker 2: So we had Jennifer Davidson, Samuel Elkins, Jacqueline Binzer, and
- 3:09Speaker 2: Lexi Jordan all join us, all join us over on
- 3:13Speaker 2: Patreon this week.
- 3:14Speaker 1: Awesome, Thank you so much.
- 3:15Speaker 2: So they're getting behind the scenes stuff, they're getting some
- 3:18Speaker 2: extra episodes episode. Yeah, it's been a little bit quiet
- 3:21Speaker 2: this past week as we work on the Halloween week,
- 3:23Speaker 2: but we're making up for that during Halloween week because
- 3:26Speaker 2: Patreon is getting some awesome stuff over there as well
- 3:29Speaker 2: for Halloween Week two.
- 3:30Speaker 1: So I'm excited. It's gonna be grand.
- 3:32Speaker 2: It's going to be super grand.
- 3:34Speaker 1: Yeah, it's gonna be good.
- 3:36Speaker 2: Yeah. So what else are you going to talk about anything?
- 3:42Speaker 1: Oh? Yeah, we have a ton of photos that we
- 3:44Speaker 1: have to publish too.
- 3:45Speaker 2: Oh yeah, definitely of our.
- 3:46Speaker 1: Halloween stuff, we'd the run reel we did post was amazing.
- 3:50Speaker 1: It was gosh, I watched that daily. It makes my day.
- 3:52Speaker 2: Oh and I just thought of something else. I don't
- 3:54Speaker 2: know if we knew this prior to last episode. If
- 3:56Speaker 2: we did, we forgot to talk about it. But Kate
- 3:58Speaker 2: Yup the Muckbang pod or YouTuber, posted another video.
- 4:04Speaker 1: The other Yeah, you were just like shocked. I was,
- 4:08Speaker 1: I should screenshot the text that you sent me.
- 4:10Speaker 2: I was blown away. I was like, no fucking way.
- 4:13Speaker 2: So that whole conspiracy just like blew up. There's new
- 4:16Speaker 2: shit going on. I'm sure, havingt dove into it, but yeah,
- 4:19Speaker 2: I know the internet's ranting and raven right now.
- 4:21Speaker 1: Oh yeah, there's a lot. I know. Even some people
- 4:24Speaker 1: made comments about just like, oh she probably I wonder
- 4:27Speaker 1: how she feels that she's on like true crime podcasts,
- 4:29Speaker 1: and then also people not even believing that that's her,
- 4:32Speaker 1: or commenting.
- 4:33Speaker 2: About how how she's dressed looks.
- 4:36Speaker 1: And from like what you can see of her.
- 4:38Speaker 2: And yep, I did watch the video. She commented. She
- 4:41Speaker 2: made some comments in captions because.
- 4:43Speaker 1: She doesn't talk okay, so yeah, she doesn't talk to.
- 4:45Speaker 2: About her tooth, her broken tooth. She made some little
- 4:49Speaker 2: comments about that and stuff. So it's interesting. You should
- 4:51Speaker 2: go check it out.
- 4:52Speaker 1: I think I'm actually okay.
- 4:54Speaker 2: Fair enough. You were obsessed with the case when I
- 4:56Speaker 2: talked about it.
- 4:56Speaker 1: Though I was a little bit, but also not with
- 4:59Speaker 1: like watch the videos. Okay, understandable, but I you know,
- 5:03Speaker 1: I honestly like hope that she's just good and she's
- 5:06Speaker 1: fine and everything's fine, and it just.
- 5:08Speaker 2: Ended up being a big conspiracy.
- 5:10Speaker 1: Yeah, yeah, that would be That would be what I
- 5:12Speaker 1: would hope for.
- 5:13Speaker 2: That's the ideal world. Yes, So should we get into it?
- 5:17Speaker 1: You ready?
- 5:18Speaker 2: I'm ready? What do you got for us?
- 5:20Speaker 1: So today we're chatting about the sad story of Ruthie
- 5:24Speaker 1: may McCoy, and so I'll probably refer to her most
- 5:26Speaker 1: as ruth right as we chat here.
- 5:31Speaker 2: You did post this on our socials to see if
- 5:34Speaker 2: people can guess. Yeah, through some people for a loop,
- 5:36Speaker 2: didn't it?
- 5:37Speaker 1: I know, because I actually thought for some reason that
- 5:39Speaker 1: they was like, so now I feel kind of like
- 5:41Speaker 1: a jerk. It was like, someone doesn't get this in
- 5:43Speaker 1: two minutes because I thought it was the easiest hint
- 5:47Speaker 1: that we've almost ever put out for some reason. But
- 5:50Speaker 1: I guess it wasn't because it is misleading. It's misleading
- 5:52Speaker 1: because it can be other things, is the thing. So yeah,
- 5:56Speaker 1: because some people guess bloody Mary and then some people
- 6:00Speaker 1: guess candy man.
- 6:01Speaker 2: But we've covered both those already, we.
- 6:03Speaker 1: Have, and like because candy Man, like we were chatting,
- 6:06Speaker 1: can be a few things.
- 6:07Speaker 2: There's a few cases that kind of get.
- 6:10Speaker 1: Referred to as candy Man.
- 6:11Speaker 2: Yeah, so this is not that, but kind of candy
- 6:16Speaker 2: man esque all at the same time.
- 6:18Speaker 1: I'll touch on that on the end.
- 6:19Speaker 2: I know, a little brief overview of this story, but
- 6:21Speaker 2: not all the details. Some stoked here the details.
- 6:23Speaker 1: Yeah, okay. So Ruth was born in Hughes, Arkansas, and
- 6:28Speaker 1: was one of eight siblings. When she was young, her
- 6:31Speaker 1: family moved to Chicago due to better work opportunities. Unfortunately,
- 6:36Speaker 1: as it turned out, the opportunities did not turn out
- 6:39Speaker 1: to be what they had hoped for, which is kind
- 6:42Speaker 1: of like a grass ain't always greener thing, you know.
- 6:44Speaker 2: Yeah, definitely.
- 6:46Speaker 1: Her father ended up working in coal wagons and would
- 6:48Speaker 1: barely make enough to feed the family. But I mean
- 6:52Speaker 1: the family, that's a fairly large family to.
- 6:54Speaker 2: Feed, right, no kidding, I don't even want to like
- 6:58Speaker 2: feed the dogs half the time. You eat too much food.
- 7:01Speaker 1: Their doghood is expensive, like holy shit. So Ruth attended
- 7:06Speaker 1: Phillips High School for a little more than a year,
- 7:09Speaker 1: but she would quit school all together in the tenth grade.
- 7:13Speaker 1: In her twenties, signs of mental health would begin appearing
- 7:17Speaker 1: when she started the habit of talking to herself. She
- 7:20Speaker 1: would also have unexpected outbursts of anger. Dang, so not great.
- 7:26Speaker 2: Real quick side note, I do want to feed our dogs.
- 7:29Speaker 2: You know that was just a joke.
- 7:30Speaker 1: Just oh yeah, I didn't.
- 7:31Speaker 2: I know, I know. I just want to just throw
- 7:33Speaker 2: that out there. I do want to feed our dogs.
- 7:36Speaker 2: I don't know what to get you.
- 7:37Speaker 1: Said, then I guess you said you don't even want
- 7:38Speaker 1: to feed them somebody, I.
- 7:39Speaker 2: Don't even want to feed them half the time, because
- 7:41Speaker 2: it's oh, we.
- 7:41Speaker 1: Joke about shit like that all the time. That I
- 7:43Speaker 1: was just like, oh, that's just been joking.
- 7:45Speaker 2: Love her dogs, want to feed them? Oh they're just expensive.
- 7:47Speaker 1: People aren't aware on here that we're obsessed with our dogs.
- 7:50Speaker 1: Then they haven't been listening to enough episode.
- 7:53Speaker 2: True enough.
- 7:55Speaker 1: Okay, So Ruth never married and she was twenty seven,
- 7:59Speaker 1: but she did, however, become pregnant and was twenty seven
- 8:02Speaker 1: when she gave birth to her only child, named Vernita.
- 8:06Speaker 1: Unfortunately for them, though, Vernita's father did not end up
- 8:10Speaker 1: sticking around, and this, rightfully so left a bitter taste
- 8:14Speaker 1: or bitter like. Ruth was a bit bitter about men
- 8:17Speaker 1: in general after this. Not all men are bad, but
- 8:21Speaker 1: that that sucks.
- 8:22Speaker 2: Yeah, not all men are bad, that is for sure.
- 8:24Speaker 2: Not everyone is like that.
- 8:26Speaker 1: No, I would say most people are not like that.
- 8:28Speaker 1: But still something like that happening to you, I could
- 8:31Speaker 1: underderstand why you'd be like.
- 8:33Speaker 2: He a dick, Yeah, definitely a dick.
- 8:35Speaker 1: Absolutely so. Vernita would bounce back and forth from her
- 8:39Speaker 1: relative's home and Ruth's home due to Ruth's mental illness
- 8:43Speaker 1: issues and having to on occasion be institutionalized.
- 8:47Speaker 2: Okay.
- 8:48Speaker 1: Her mental health issues were later diagnosed as being being
- 8:52Speaker 1: a residual type of schizophrenia. Ruth worked many jobs, including
- 8:58Speaker 1: as a housekeeper and law dream man attendant, but her
- 9:01Speaker 1: mental health again prevented her from holding a job for
- 9:05Speaker 1: any substantial amount of time, and much of her adult
- 9:08Speaker 1: life was spent on financial assistance.
- 9:11Speaker 2: Mental health can be such a fucking weight.
- 9:13Speaker 1: Man, I know, and especially back then, like I think
- 9:17Speaker 1: it every year, I feel like it gets a little
- 9:19Speaker 1: bit better where people are more understanding of it.
- 9:22Speaker 2: Yeah, they're talking about it, vocalizing it.
- 9:24Speaker 1: This was like, you know, seventies eighties kind of thing,
- 9:27Speaker 1: and like so probably it was even harder for her
- 9:29Speaker 1: to succeed in life having that, right.
- 9:32Speaker 2: Yeah, Well, we just watched the Candy Man movie. Yeah's
- 9:36Speaker 2: kind of loosely based on this. I'm sure you'll touch
- 9:38Speaker 2: on that, but there was that one scene where the
- 9:40Speaker 2: woman is like being strapped down in like a padded one.
- 9:43Speaker 2: Oh yeah, because they said, like she's going.
- 9:45Speaker 1: Crazy, i know, like literally her arms and legs strapped down,
- 9:49Speaker 1: which like they just wouldn't do that.
- 9:51Speaker 2: Now, Yeah, and then like injecting her with whatever. And
- 9:53Speaker 2: it's like, probably it's dealt with a lot different.
- 9:56Speaker 1: Yeah, not having permission for doing any of that.
- 10:00Speaker 2: Ugh.
- 10:01Speaker 1: Okay, So in nineteen eighty three, Ruth's basement apartment in
- 10:06Speaker 1: Humboldt Park flooded and she went about applying to the
- 10:09Speaker 1: Chicago Housing Authority for emergency housing. She specifically asked not
- 10:15Speaker 1: to be placed in a high rise project, as those
- 10:18Speaker 1: places due to the violence they faced they terrified her.
- 10:22Speaker 1: But due to a long waitlist for the row houses
- 10:26Speaker 1: and walk ups. Unfortunately, this was the only option with
- 10:29Speaker 1: an immediate opening.
- 10:31Speaker 2: Huh no, I know.
- 10:34Speaker 1: So in May of nineteen eighty three, ruth moved into
- 10:37Speaker 1: a high rise building.
- 10:39Speaker 2: I mean, at least she has a place that's definitely
- 10:42Speaker 2: good there.
- 10:42Speaker 1: It is, it is. It just would be really nice
- 10:45Speaker 1: if it was a better place, because you'll kind of
- 10:46Speaker 1: hear a bit more here. So it was a high
- 10:49Speaker 1: rise building near Southside Chicago Housing Authority project known as ABLA.
- 10:55Speaker 1: I think that's how you go about pronouncing that. It's
- 10:58Speaker 1: an acronym. So it's a BLA for the names of
- 11:01Speaker 1: the four different housing developments that together form one large site.
- 11:05Speaker 1: So it's Adams, Brooks, Loomis, and Abbot and they total
- 11:09Speaker 1: about four thousand units.
- 11:11Speaker 2: Just shy of Wow, four thousands, that's sick a lot.
- 11:14Speaker 1: It's a lot, But I mean Chicago is a pretty
- 11:16Speaker 1: big city, right, true. So Ruthie was in the Grace,
- 11:20Speaker 1: the Grace Abbot development, and sorry, sometimes I referred to
- 11:24Speaker 1: as ruth and sometimes I referred is Ruthie. For some reason,
- 11:26Speaker 1: I went back and forth as I was doing this,
- 11:29Speaker 1: but you get the gist. So she was in the
- 11:31Speaker 1: Abbot development, which was a fifteen story brown y shaped
- 11:35Speaker 1: tower rise and allegedly one of the most dangerous buildings
- 11:40Speaker 1: in the a ABB but projects.
- 11:42Speaker 2: Of course, that's where she got put.
- 11:44Speaker 1: Oh yes, and so I'm probably gonna be referring to
- 11:48Speaker 1: the more so as just the projects going forward. So
- 11:51Speaker 1: the building so at described as dark with pitch black stairwells,
- 11:56Speaker 1: and I'll just I don't have this written here, but
- 11:59Speaker 1: this black stairwells is pretty much because they would replace
- 12:02Speaker 1: the light bulbs often, maybe not often, but they get stolen.
- 12:07Speaker 1: So like, the stairwells were literally always pitch black, which
- 12:10Speaker 1: is terrifying.
- 12:12Speaker 2: That's terrifying the issue whatsoever.
- 12:15Speaker 1: And the elevators most of the time weren't working, so
- 12:19Speaker 1: like shit, I mean, I guess you could just start
- 12:22Speaker 1: carrying a flashlight.
- 12:24Speaker 2: I yeah, but even still, I'm sure people are worried
- 12:27Speaker 2: about their possessions getting stolen or maybe. I mean, in
- 12:31Speaker 2: a development like that, I'm sure a lot of people
- 12:33Speaker 2: may not have had the financial situation to even.
- 12:36Speaker 1: Have a fast right, Yeah, you're right.
- 12:38Speaker 2: And let alone if you have a flashlight, maintaining batteries.
- 12:41Speaker 1: For it, because the next line here unpleasant people who
- 12:44Speaker 1: do not have your best interest at heart, were like
- 12:47Speaker 1: always lurking around the corner like you, Yeah, you had
- 12:50Speaker 1: to watch your back. One article I read said you're
- 12:52Speaker 1: crazy if you're not always looking over your shoulder. So
- 12:56Speaker 1: just a really unfortunate place for Roo, and I can
- 13:00Speaker 1: imagine many others. And they had no choice but to
- 13:03Speaker 1: live there, right, And Ruth lived at the end of
- 13:06Speaker 1: a corridor on the eleventh floor and her apartment was
- 13:09Speaker 1: eleven or nine. So yeah, huh, I mean there's more
- 13:14Speaker 1: I could describe about the places, but yeah, get the gist.
- 13:17Speaker 2: Places like that they break my fucking heart. Man, Like
- 13:21Speaker 2: people need housing, they really do, so they're forced into
- 13:24Speaker 2: the situation, just like Ruth is yeap oh man. Okay.
- 13:27Speaker 1: Yeah. So being that Ruth was fifty three year old
- 13:31Speaker 1: year old year old, oh god, oh my gosh. Okay,
- 13:37Speaker 1: so she was like fifty three, Like so we've kind
- 13:40Speaker 1: of progressed here in her life.
- 13:41Speaker 2: Three years old.
- 13:42Speaker 1: Fifty three years old.
- 13:44Speaker 2: There you go.
- 13:45Speaker 1: It's because I typed it fifty three years old, That's
- 13:48Speaker 1: why I stumbled. But yeah, so, like, I mean, that's
- 13:52Speaker 1: not old, but it's not like young either, to be
- 13:54Speaker 1: living in a situation.
- 13:55Speaker 2: Yeah, that's right, that's not young and spry. That's that's
- 13:58Speaker 2: definitely old enough that whether you're in a good apartment
- 14:00Speaker 2: building or a terrible one eleventh floor is not easy
- 14:04Speaker 2: access exactly.
- 14:05Speaker 1: So then she was also suffering from a mental illness
- 14:09Speaker 1: where she was known to look disordered and would often
- 14:12Speaker 1: curse at strangers. The project was not an ideal location
- 14:16Speaker 1: for her to live. What she, however, did have on
- 14:20Speaker 1: her side, though, was her size. She was not a
- 14:23Speaker 1: small woman at the time of her death. She was
- 14:26Speaker 1: five feet eleven and two hundred and fifty one pounds
- 14:30Speaker 1: and knew how to fight, so you could say she
- 14:33Speaker 1: could hold her own.
- 14:35Speaker 2: Ruth is going to kick your ass.
- 14:36Speaker 1: Yeah, what you're saying, yeah, which is good. That's good,
- 14:40Speaker 1: right because I think it was an article where her
- 14:41Speaker 1: brother had commented that she knew how to fight or whatever.
- 14:45Speaker 2: So fucking go, Ruth. I like this woman.
- 14:48Speaker 1: I know, yeah, Ruth. So not long before Ruth's final days,
- 14:52Speaker 1: she was in the process of trying to create a
- 14:54Speaker 1: better life for herself. She started dressing better, and she
- 14:58Speaker 1: tried to be kind to everyone around her. Neighbors had
- 15:01Speaker 1: even seen her leave early in the mornings to go
- 15:04Speaker 1: to school to retrieve her ged.
- 15:07Speaker 2: Fucking everyone needs to be more like truth, just fucking kind.
- 15:10Speaker 1: As shit, And she had even mentioned wanting to become
- 15:13Speaker 1: a nurse, which I'm like at fifty three years old
- 15:16Speaker 1: and you're thinking.
- 15:17Speaker 2: That, like, yes, no kidding, that just bettering yourself and
- 15:20Speaker 2: bettering your environment and bettering the world around you, honestly.
- 15:24Speaker 1: She also became somewhat of a motherly figure for her
- 15:27Speaker 1: neighbors at the projects.
- 15:29Speaker 2: For fuck's sakes, I know, you're literally like breaking my
- 15:33Speaker 2: heart right now.
- 15:33Speaker 1: Yeah, I really am.
- 15:34Speaker 2: Thanks.
- 15:35Speaker 1: As an example, because you're in a lovery more, she
- 15:38Speaker 1: would go about opening apartment doors and if they are unlocked,
- 15:42Speaker 1: she would then like lecture caution her neighbors that they
- 15:45Speaker 1: needed to lock their doors. I'm like, our kind woman, Like,
- 15:50Speaker 1: oh my god, that's the best.
- 15:52Speaker 2: Wow. She can teach a Canadian how to be polite.
- 15:56Speaker 2: That's that's how good Ruth is. Let's say that so now.
- 16:00Speaker 1: A reason that Ruth was starting to dress better was
- 16:03Speaker 1: because in February of nineteen eighty seven, she went to
- 16:06Speaker 1: seek psychiatric help and was approved to receive Social Security
- 16:10Speaker 1: income as well as federal aid for the disabled. This
- 16:15Speaker 1: help increased her monthly income from one hundred and fifty
- 16:18Speaker 1: four to three hundred and forty so like doubled it
- 16:21Speaker 1: really right. She also received a check for just shy
- 16:25Speaker 1: of two thousand dollars, which was retroactive to when she applied.
- 16:30Speaker 1: Of course, this excited her and it gave her hope
- 16:33Speaker 1: this money would give her a chance to be able
- 16:36Speaker 1: to move out of the projects. Yeah, and it may have.
- 16:40Speaker 1: It just may have. But but first it put a
- 16:43Speaker 1: target on her back, and this target led to her
- 16:47Speaker 1: murder on April nine, nineteen eighty seven.
- 16:50Speaker 2: How did he put her target on her back?
- 16:52Speaker 1: Well, the people were noticing, so, like she had some
- 16:56Speaker 1: new clothes. Oh and like so I don't know if
- 17:00Speaker 1: rumors went around or whatever, but people notice that she
- 17:03Speaker 1: had some sort of money.
- 17:06Speaker 2: It could even be like, oh, she's purchasing some nicer
- 17:09Speaker 2: groceries this week. Yeahh wow.
- 17:12Speaker 1: Okay, like it literally Okay, that's just enough to just
- 17:15Speaker 1: make you want to saw BROLLI oh man, like if
- 17:18Speaker 1: you think, if you think about it too hard, holy shit,
- 17:21Speaker 1: my heart. Okay. So on April ninth, oh, this this
- 17:26Speaker 1: gets worse, and I'm like, I don't even want to
- 17:28Speaker 1: do this. Okay, it's on April ninth, at around aprilty
- 17:31Speaker 1: five pm, Ruth herself made a call to nine oh
- 17:34Speaker 1: one in a panic, stating, I'm a resident at one
- 17:38Speaker 1: four four zero West thirteenth Street and some people next
- 17:42Speaker 1: door are totally tearing this down, you know. The frantic
- 17:46Speaker 1: woman being Ruth said, what are they doing? Ma'am? Asked
- 17:50Speaker 1: the dispatcher. Ruth's response is basically incoherent on tape, but
- 17:55Speaker 1: apparently the dispatcher caught her. Gist they want to break in.
- 17:59Speaker 1: They yeah, they throwed the cabinet down. Dispatcher says from
- 18:04Speaker 1: where Ruth says, I'm in the projects, I'm on the
- 18:08Speaker 1: other side. You can reach can reach my bathroom. They
- 18:11Speaker 1: want to come through the bathroom. The dispatcher, all right, ma'am,
- 18:15Speaker 1: at what address Ruth? One four to four zero West
- 18:19Speaker 1: thirteenth Street, Apartment eleven o nine. The elevators working And
- 18:24Speaker 1: a little side note comment regarding the elephant elevators working
- 18:28Speaker 1: is apparently authorities would come to the projects and if
- 18:32Speaker 1: they found out the elevators were not working, instead of
- 18:35Speaker 1: climbing the flights of stairs, say it went up to
- 18:38Speaker 1: fifteen floors, they would often just leave. Really, yeah, so
- 18:42Speaker 1: she's stating, like, help me, the elevators are working. WHOA yeah,
- 18:50Speaker 1: I was like pissed when I read that.
- 18:52Speaker 2: WHOA, Holy that.
- 18:55Speaker 1: Is another heartbreaking thing. So dispatcher confirmed eleven o nine.
- 19:01Speaker 1: All right, what's your name, ma'am? Ruth said Ruth McCoy. Dispatcher,
- 19:05Speaker 1: all right, I'll send you the police. The dispatcher was
- 19:09Speaker 1: not entirely certain what Ruth had been trying to say.
- 19:13Speaker 1: They were unsure what she could have meant by they
- 19:16Speaker 1: throwed the cabinet down and they want to come through
- 19:19Speaker 1: the bathroom. But even so, the dispatcher assigned a twelve
- 19:22Speaker 1: district car to answer a disturbance with a neighbor complaint
- 19:27Speaker 1: at Ruth's address. However, not choosing to report the call
- 19:32Speaker 1: as a break in attempt explains why the police had
- 19:35Speaker 1: not arrived before another nine to one one call was
- 19:38Speaker 1: actually made concerning apartment eleven o nine. The call came
- 19:43Speaker 1: from a woman who said she had been walking through
- 19:45Speaker 1: the hallway and her gunshots come from the apartment. Again,
- 19:50Speaker 1: at around nine oh four, another neighbor called and had
- 19:54Speaker 1: reported gunshot and yelling coming from apartment eleven o nine.
- 19:58Speaker 1: Two more police cars headed to to the scene. You're good.
- 20:04Speaker 2: No, fuck, I know, And I mean I'm I'm not
- 20:11Speaker 2: faulting anyone in this situation because the choice to go
- 20:17Speaker 2: disturbance or break an enter, it could that might be
- 20:21Speaker 2: a fine line. I mean, of course you should have
- 20:24Speaker 2: reported as breaking enter. But it's just.
- 20:27Speaker 1: And the thing is, they get a lot of calls
- 20:30Speaker 1: for these areas, and a lot of them apparently like
- 20:32Speaker 1: aren't even legit exactly.
- 20:34Speaker 2: So that's where my mind was going. So I'm not
- 20:36Speaker 2: faulting the dispatcher whatsoever. No, and I'm not faulting the
- 20:40Speaker 2: police whatsoever.
- 20:42Speaker 1: You may at some point here though as.
- 20:45Speaker 2: Of right now, I'm not. But the whole situation on
- 20:49Speaker 2: being in that position where, for example, those false claims
- 20:53Speaker 2: for example people the project situation as an entirety, paints
- 20:59Speaker 2: this whole picture of poverty in people being subject to,
- 21:03Speaker 2: for lack of better terms, the system, and it's just
- 21:08Speaker 2: this domino effect that's breaking my fucking heart. Basically.
- 21:10Speaker 1: Yeah, I'm just like, it's just like a whole pile
- 21:13Speaker 1: of shit, really, Like there's just no good here.
- 21:15Speaker 2: Wow.
- 21:17Speaker 1: So four police officers were said to have arrived at
- 21:20Speaker 1: Rufe's door around ten minutes after nine, so they proceeded
- 21:25Speaker 1: to pound on the door, announce their presence, and called
- 21:28Speaker 1: out for Ruth. When they received no answer, they asked
- 21:32Speaker 1: a dispatcher to attempt to call Ruth on her phone.
- 21:35Speaker 1: We think somebody may be in there holding somebody, an
- 21:38Speaker 1: officer informed the dispatcher over the radio. The officers listened
- 21:42Speaker 1: to the phone ring and ring and ring. The two
- 21:47Speaker 1: officers who were downstairs decided to drive over to the
- 21:50Speaker 1: project office, which was only a block or so away,
- 21:53Speaker 1: to retrieve a key to Ruth's apartment, but when they
- 21:57Speaker 1: returned with the key, the key they received didn't fit
- 22:01Speaker 1: Ruth's lock. This left the officers puzzled and wondering what
- 22:06Speaker 1: to do. They were not sure if they should break
- 22:08Speaker 1: into the apartment. Talking with neighbors did not help them much.
- 22:12Speaker 1: No one across the hall seemed to answer. The apartment
- 22:15Speaker 1: next door was vacant, and the neighbors in the apartment
- 22:18Speaker 1: down the hall said they hadn't heard or seen anything.
- 22:22Speaker 2: Snitches get stitches. It's probably the.
- 22:23Speaker 1: Act exactly exactly. Other neighbors on the floor said. An
- 22:28Speaker 1: elderly woman lived in eleven o nine. They say that
- 22:31Speaker 1: she always answers her door. One of the officers told
- 22:35Speaker 1: the dispatcher in a hesitant voice, and there's no answer,
- 22:39Speaker 1: So I don't know if maybe she answered to the
- 22:42Speaker 1: wrong person or what. The officers then contacted the project
- 22:46Speaker 1: office again, but the janitor said she had no other
- 22:50Speaker 1: or he or she said they had no other key
- 22:53Speaker 1: for eleven o nine. So then at nine point forty
- 22:55Speaker 1: eight pm the police left left.
- 22:58Speaker 2: Fuck yeah.
- 23:01Speaker 1: So the next evening, police received a call from Deborah
- 23:04Speaker 1: lace Lacey, an eleventh floor neighbor of Ruth's. Deborah explained
- 23:10Speaker 1: that Ruth had always stopped by her apartment on her
- 23:12Speaker 1: way out of the building every morning and when she
- 23:16Speaker 1: would return in the afternoon, but today she did not
- 23:19Speaker 1: stop by at all. Deborah had seen police at Ruth's
- 23:22Speaker 1: door the night before, and she grew worried. Later, nearly
- 23:27Speaker 1: half a dozen police officers and four to five cha
- 23:32Speaker 1: security so like the security of the housing, I'm pretty
- 23:34Speaker 1: sure guards arrived at the apartment. Their knocks and calls
- 23:39Speaker 1: for Ruth again went unanswered. A majority of the police
- 23:44Speaker 1: officers thought they should break down the door to check
- 23:47Speaker 1: on her, like duh right. The security guards discouraged them
- 23:55Speaker 1: from breaking down the door, though, to check on Ruth.
- 23:58Speaker 1: One of them mentioned the possibility of the tenant suing
- 24:01Speaker 1: them if the police were to break in. Also, if
- 24:04Speaker 1: you break down the door, the security guards told the
- 24:07Speaker 1: police officers, you have to get someone here to like
- 24:10Speaker 1: secure it. You can't leave this. This door just broken.
- 24:14Speaker 1: So the police again shrugged and left. Okay, the amount
- 24:21Speaker 1: of like candy and crackers and shit that are just
- 24:24Speaker 1: shrubbing in my mouth as I was typing this up
- 24:26Speaker 1: because this was stressing me out, like that is brutal.
- 24:31Speaker 1: It is like brutal. Wow, it's hard to even know
- 24:36Speaker 1: what to say there.
- 24:36Speaker 2: You tell me the police don't have resources to get
- 24:38Speaker 2: a door fixed.
- 24:40Speaker 1: I know after breaking well, and there was so there
- 24:43Speaker 1: was like half a dozen of them and four to
- 24:45Speaker 1: five security people. So like one of them can stay,
- 24:49Speaker 1: you'd think so the next day and this is day
- 24:53Speaker 1: three at this point, good old Deborah, thank you. Deborah
- 24:57Speaker 1: again notified the project office of her concerns. At about
- 25:00Speaker 1: one pm, a project official arrived at Roofs Store with
- 25:03Speaker 1: a carpenter who then drilled through the lock and lo
- 25:08Speaker 1: and behold. Lying there, they found Ruth in the bedroom
- 25:12Speaker 1: on her side in a pool of blood, with her
- 25:14Speaker 1: hand over her chest. Thrown around on her floor were papers, magazines,
- 25:19Speaker 1: and coins, and the police were notified. And when they
- 25:22Speaker 1: arrived later and turned Ruth over slightly, a faint aroma
- 25:26Speaker 1: of rotting flesh rose through the apartment. The smell gave
- 25:30Speaker 1: the police reason to believe she had been dead since
- 25:33Speaker 1: the first day they came to check on her.
- 25:36Speaker 2: Yeah, don't fucking say, bra.
- 25:38Speaker 1: Like, did the freak wow reports of the gunshots in
- 25:41Speaker 1: the freaking goddamn apartment not give that away?
- 25:44Speaker 2: Yeah, you would think so. Yeah, one of the officers
- 25:49Speaker 2: in charge must have been named Carl, because not cool.
- 25:52Speaker 1: Carl suit not cool. I just feel like more like,
- 25:56Speaker 1: I mean, it almost seemed obvious that something was wrong
- 26:00Speaker 1: in there.
- 26:00Speaker 2: Oh, definitely so.
- 26:02Speaker 1: The medical examiner who performed the autopsy on Rufe's body
- 26:06Speaker 1: stated that she had been shot four times, most likely
- 26:10Speaker 1: with a gun of medium caliber. One bullet passed through
- 26:13Speaker 1: her left shoulder, another passed through her left thigh, A
- 26:17Speaker 1: third entered the right side of her abdomen, piercing her lever,
- 26:22Speaker 1: and exited the left side of her abdomen. The fourth
- 26:25Speaker 1: and fatal bullet passed through her upper right arm, then
- 26:29Speaker 1: entered her chest and severed her pulmonary vein. The official
- 26:34Speaker 1: cause of death was reported as internal bleeding.
- 26:37Speaker 2: Geez. They weren't able to retrieve any bullets, by the
- 26:41Speaker 2: sound of it, which could have been helpful as evidence.
- 26:44Speaker 1: I don't know, yeah, nothing ever said anything about bullets actually,
- 26:48Speaker 1: So Ruth was said to not have died immediately according
- 26:52Speaker 1: to the examiner, but because of the injury to the
- 26:55Speaker 1: pulmonary vein, which is like a main vessel in the lung,
- 27:00Speaker 1: he doubts she did last long. So, I mean, I
- 27:05Speaker 1: don't know.
- 27:06Speaker 2: She probably wouldn't have been saved regardless what I'm trying
- 27:08Speaker 2: to say.
- 27:09Speaker 1: Yes, so even if the police probably got to her
- 27:12Speaker 1: and like rushed through the hospital, she probably would have
- 27:15Speaker 1: died anyway, right. So she was later pronounced dead at
- 27:19Speaker 1: Cook County Hospital at four thirty five pm on or Friday,
- 27:24Speaker 1: April twenty fourth. So two men were arrested for Ruth's murder.
- 27:30Speaker 1: They were both also residents of the projects, Edward Turner,
- 27:34Speaker 1: who was nineteen, and John Honderas, who was twenty five,
- 27:40Speaker 1: and it was theorized that the men were aware Ruth's
- 27:43Speaker 1: knew monthly income and thought she had stashed it away
- 27:46Speaker 1: in her apartment somewhere.
- 27:48Speaker 2: Wow, like brutal eh, no kidding.
- 27:54Speaker 1: So here's another kicker though, but how did these two
- 27:57Speaker 1: men get into Ruth's apartment?
- 28:00Speaker 2: Yeah, this part I know.
- 28:01Speaker 1: Did she just answer the door, as it was mentioned
- 28:04Speaker 1: earlier to the wrong people. Well, the answer is no.
- 28:10Speaker 1: These two individuals broke into Roof's apartment via the bathroom mirror.
- 28:16Speaker 2: Yep.
- 28:18Speaker 1: Like horror movie material right there, one hundred percent literally, Yeah,
- 28:23Speaker 1: and we'll talk about that shortly here. It was in
- 28:26Speaker 1: nineteen eighty six, so a year prior to Rufe's deaths
- 28:29Speaker 1: that the medicine cabinet break ins began, which is something
- 28:34Speaker 1: I just never even.
- 28:36Speaker 2: Knew existed until research.
- 28:39Speaker 1: I feel like sad that someone has to be fearful
- 28:43Speaker 1: of that. So apparently the pair of apartments at the
- 28:47Speaker 1: end of each floor in the high rises have adjacent bathrooms.
- 28:52Speaker 1: In between their medicine cabinets is a pipe chase of
- 28:55Speaker 1: about two and a half feet. If you remove six
- 28:58Speaker 1: screws from one mass medicine cabinet, pull the cabinet out
- 29:02Speaker 1: of the wall, crawl through the pipe chase, and kick
- 29:04Speaker 1: in the other cabinet, you're in the next apartment.
- 29:08Speaker 2: Yep.
- 29:09Speaker 1: Like fucked.
- 29:10Speaker 2: It's basically a window facing a window. You kick one
- 29:13Speaker 2: in and kick the other out. You're in another apartment.
- 29:15Speaker 1: Like that's insane to me.
- 29:16Speaker 2: Yeah.
- 29:18Speaker 1: So in some areas of the building you can even
- 29:19Speaker 1: climb vertically in the pipe chase to an apartment above
- 29:23Speaker 1: or below the one you start in.
- 29:24Speaker 2: Oh shit, that I didn't know.
- 29:26Speaker 1: And people who live at the end of the corridor
- 29:29Speaker 1: with a vacant apartment adjacent are particularly susceptible to this.
- 29:34Speaker 1: Rus's building at the time of her murder was nearly
- 29:37Speaker 1: thirty percent vacant, so there was a lot of like
- 29:39Speaker 1: empty space, and I'm pretty sure the ones at the
- 29:43Speaker 1: end were only the ones that had these adjacent mirrors.
- 29:47Speaker 1: It wasn't like everybody in there. So often gangs would
- 29:51Speaker 1: take over multiple apartments that connected, while keeping the bathroom
- 29:55Speaker 1: cabinet open so they could move or like make fast
- 29:59Speaker 1: getaways if police or security were to come after them.
- 30:01Speaker 2: Gotcha.
- 30:02Speaker 1: When the breaking started, some residents would pull their coaches
- 30:06Speaker 1: in front of their bathroom door or secure their bathroom
- 30:09Speaker 1: door knob with rope before turning in for the night.
- 30:13Speaker 1: Oh the buildings were designed this way, with the pipe
- 30:18Speaker 1: chases behind the medicine cabinets to provide the janitors with
- 30:22Speaker 1: easy access to the plumbing. You know, no one in
- 30:25Speaker 1: their right mind would have ever thought something like this
- 30:27Speaker 1: would be happening, and not to.
- 30:30Speaker 2: Uh, to give anyone credit for you know, breaking and
- 30:34Speaker 2: entering into homes. But I mean, that's some clever shit
- 30:38Speaker 2: to find that out and figure out how to use
- 30:41Speaker 2: it for getaways and stuff like that.
- 30:43Speaker 1: But I feel like it has it would probably, I
- 30:45Speaker 1: bet you anything, it was not smart or almost completely
- 30:48Speaker 1: random someone doing some stupid.
- 30:50Speaker 2: Oh, probably, but then like to take advantage of it
- 30:53Speaker 2: for getaway purposes and stuff and like maze out through
- 30:56Speaker 2: the apartment building and stuff like that. It's relatively clever.
- 31:01Speaker 2: Let's say that.
- 31:02Speaker 1: Yeah. No, okay, okay, the last episode I said that
- 31:06Speaker 1: someone was clever.
- 31:07Speaker 2: And you're like, now, okay, how's this. I'm impressed with
- 31:12Speaker 2: the engine, Not even the engine. I'm just impressed with
- 31:15Speaker 2: the situation.
- 31:16Speaker 1: Okay, I'll take it. I'll take it.
- 31:18Speaker 2: It's some like fucking mcguy ver shit. Give him a
- 31:21Speaker 2: paper clip and a rubber band and see what he does. So.
- 31:25Speaker 1: Unfortunately, Ruth's murder did not receive a lot of media coverage.
- 31:29Speaker 1: Many the theorized it was likely due to the fact
- 31:32Speaker 1: that this happened to a black woman who had been
- 31:35Speaker 1: living in the projects.
- 31:37Speaker 2: Yeah, most likely, who also.
- 31:40Speaker 1: Was not one hundred percent mentally stable. So like, that's
- 31:44Speaker 1: really unfortunate. Residents are blown away, knifed, kicked to death
- 31:50Speaker 1: almost every week, and that number apparently increases in warmer weather.
- 31:56Speaker 1: Two days after Rufe's body was found, unknown assailants used
- 32:00Speaker 1: a stick and their hands and feet to beat to
- 32:03Speaker 1: death a forty year old man who lived in an
- 32:05Speaker 1: Abla row house. And three days after that, another murder
- 32:09Speaker 1: took place outside of Rus's building, where a twenty five
- 32:12Speaker 1: year old female was stabbed in the chest. Wow, so
- 32:16Speaker 1: things like this were a weekly occurrence.
- 32:19Speaker 2: Yeah.
- 32:21Speaker 1: The story did gain some attraction when word got out
- 32:25Speaker 1: that Roof's killers entered through a medicine cabinet, but this
- 32:29Speaker 1: didn't shock many who lived in the high rises. The
- 32:32Speaker 1: janitor said, you get desensitized by what goes on here
- 32:37Speaker 1: every day. It's animalism over here. That's the prevailing life
- 32:41Speaker 1: condition of the people. Animalism where you worry about those
- 32:46Speaker 1: who are stronger and you care nothing about those who
- 32:48Speaker 1: are weaker.
- 32:50Speaker 2: Wow, those are some seriously heavy words.
- 32:54Speaker 1: I know, so sad like and imagine his job is
- 32:58Speaker 1: probably just terrifying, no kidding, being like having to work
- 33:02Speaker 1: in that, I mean live and.
- 33:06Speaker 2: Work in it.
- 33:06Speaker 1: It's yeah, it's all this bad here. So to conclude,
- 33:11Speaker 1: Ruth has spent a majority of her life living afraid
- 33:14Speaker 1: and filled with paranoia. She had her locks changed a
- 33:18Speaker 1: few times, hosing records show, and I think one of
- 33:21Speaker 1: the time she did have them changed, she never gave
- 33:24Speaker 1: them the key, which is why that key didn't work.
- 33:28Speaker 1: She tried her best to fight her internal battles along
- 33:31Speaker 1: with protecting herself from the exterior battles she was facing
- 33:34Speaker 1: with her living situation. And when her life was taken off,
- 33:38Speaker 1: taking off in a direction she had always hoped, her
- 33:40Speaker 1: worst fears became a reality and she didn't deserve any
- 33:44Speaker 1: of this.
- 33:47Speaker 2: Fuck poor Ruth.
- 33:49Speaker 1: Yeah. So, which brings us to two other things that
- 33:53Speaker 1: I wanted to mention and talk about. First, Candy Man.
- 33:58Speaker 1: So I've probably going to get some slack for this,
- 34:01Speaker 1: but I literally just watched this movie like right before
- 34:04Speaker 1: we recorded for the first time. Yep, yeah, I don't
- 34:08Speaker 1: know why. So it's a nineteen ninety two film that
- 34:12Speaker 1: was actually redone last year in twenty twenty one, So
- 34:15Speaker 1: now I want to watch that because we were actually original.
- 34:19Speaker 1: So and remember when I said this was horror movie material, right, yep. Well,
- 34:24Speaker 1: there are several parallels between Russ Murder and the movie,
- 34:30Speaker 1: and I, yeah, I'll just go through these and then
- 34:32Speaker 1: we'll chat about them after. So one being the fact
- 34:36Speaker 1: that the film also takes place in Chicago in public
- 34:39Speaker 1: hosting complex, and they did actually mention projects, they said
- 34:43Speaker 1: the projects in the movie. And so while the horror
- 34:49Speaker 1: flick references the Notaorus, I think they called it the
- 34:53Speaker 1: Cambrina Green Complex in Chai toown, the real life murder
- 34:57Speaker 1: took place at the Grace Abbot Home, which is not
- 35:00Speaker 1: far from that. And the candy Man protagonist who investigates
- 35:06Speaker 1: the site of the bathroom based killings in the movie,
- 35:09Speaker 1: but friends a woman with a similar name to Ruth,
- 35:13Speaker 1: and her name was Anne Marie McCoy, with Ruth's name
- 35:17Speaker 1: May being Ruth May McCoy. So those are kind of
- 35:21Speaker 1: the similars because that movie is like, when you look
- 35:24Speaker 1: it up, it says it's based on something else, right, Yeah,
- 35:27Speaker 1: but there there's a few things that you have to
- 35:31Speaker 1: think that they took some reference from this case.
- 35:34Speaker 2: One hundred percent did. And there's actually something you said
- 35:37Speaker 2: earlier a couple of minutes ago reminded me because you
- 35:41Speaker 2: said that Rufe's case didn't get much media coverage, most
- 35:44Speaker 2: likely because she was a black woman and living in
- 35:46Speaker 2: the projects. Right. In the Candy Man movie, Helen, the
- 35:50Speaker 2: protagonist gets attacked while kind of investigating the area searching
- 35:54Speaker 2: for the candy Man, and she says that she's getting coverage,
- 35:58Speaker 2: but like, probably because she's a white woman. All these
- 36:01Speaker 2: black people prior to her haven't been getting any coverage.
- 36:04Speaker 1: Yeah, yeah, because she pretty much like got instant and
- 36:07Speaker 1: they caught.
- 36:08Speaker 2: The people the perpetrator.
- 36:09Speaker 1: Yeah, did this to her instantly.
- 36:11Speaker 2: Because she's white.
- 36:11Speaker 1: Yeah, Yeah, so just just wrong, Like, and I do
- 36:15Speaker 1: think that the they had to uptaken something from this.
- 36:20Speaker 1: They had to. There's just too many little similarities that
- 36:24Speaker 1: definitely it's not that's not a coincidence.
- 36:26Speaker 2: Yeah, the whole Candy Man definitely not taken from. But
- 36:29Speaker 2: the bathroom window actually the bathroom mirror, and like the
- 36:32Speaker 2: project's settings and stuff.
- 36:34Speaker 1: Yeah, one hundred percent they definitely took at least like
- 36:38Speaker 1: what would be the word influenced.
- 36:40Speaker 2: I guess influenced or inspired by yeah so.
- 36:43Speaker 1: And then the second is a TikTok video that went
- 36:47Speaker 1: viral and parched twenty twenty one.
- 36:50Speaker 2: I heard about this, but I have no very little details,
- 36:53Speaker 2: so I'm excited for this.
- 36:54Speaker 1: It was interesting, so I did go about finding it.
- 36:57Speaker 1: So I think, how did I think? I just went
- 36:59Speaker 1: to TikTok and typed in Samantha heart shoe, So Samantha
- 37:03Speaker 1: and then the last name is h A r T
- 37:05Speaker 1: s o E. And so she went viral on TikTok
- 37:08Speaker 1: when she posted a four part series where she discovered
- 37:11Speaker 1: a hidden apartment behind her bathroom mirror, a whole ass apartment.
- 37:18Speaker 2: Wow.
- 37:19Speaker 1: She noticed a cool breeze blowing in her bathroom and
- 37:23Speaker 1: like she shows in one of her videos, and just
- 37:25Speaker 1: there was no window or working air vent, but and
- 37:28Speaker 1: she had covered the like the the hole that the
- 37:32Speaker 1: door knob, I don't even know what you call that
- 37:34Speaker 1: would go in, like she thought it was coming through
- 37:36Speaker 1: like the door frame of sorts, I guess. But then
- 37:39Speaker 1: she was like, I can still feel it. And she
- 37:40Speaker 1: showed her hairs like her hair was moving like there
- 37:42Speaker 1: was a breeze, right, And so as she went about investigating,
- 37:46Speaker 1: she removed the mirror from the wall and discovered a
- 37:49Speaker 1: large hole, and like most people I think at that
- 37:52Speaker 1: point would just like call the landlord and be like
- 37:54Speaker 1: what the shit, but.
- 37:55Speaker 2: Like fuck this shit out sort.
- 37:57Speaker 1: Of thing, like suit it up and went in there.
- 38:01Speaker 2: Matt the balls. She must have like that.
- 38:04Speaker 1: I don't. I don't know if I would be even
- 38:06Speaker 1: to do that, Like that's a little terrifying. But she
- 38:08Speaker 1: did have a friend over when she did this, which
- 38:11Speaker 1: is a good thing I think.
- 38:12Speaker 2: And then my first word would be getting spiders in
- 38:14Speaker 2: my beard.
- 38:15Speaker 1: She like she wore a mask and then she had
- 38:17Speaker 1: like some sort of makeshift like headlamp thing. So yeah,
- 38:23Speaker 1: she'm where am I here? I'm like all over the
- 38:25Speaker 1: place because I'm kind of just like reliving those videos
- 38:27Speaker 1: in my head. So then she goes through the space
- 38:30Speaker 1: and then literally like it was running through this whole
- 38:33Speaker 1: abandoned apartment. Wow, that's like no one's living in there,
- 38:37Speaker 1: and it's.
- 38:38Speaker 2: Just like is it furnished or empty?
- 38:39Speaker 1: Empty? Pretty much like it's it's literally the most bizarre
- 38:42Speaker 1: thing in the whole world. But then one of the lock,
- 38:45Speaker 1: like the lock it was unlocked, So then you see
- 38:48Speaker 1: in the video like she locks it. I'm just like
- 38:52Speaker 1: at that point, i'd be like, I'm just so done here.
- 38:54Speaker 2: Wow.
- 38:55Speaker 1: So her video obviously is being compared to Candy Man
- 39:00Speaker 1: and Rufe's murder, right, So, like I said, she's seen
- 39:04Speaker 1: locking this abandoned apartment behind that's behind her mirror, and
- 39:11Speaker 1: then she obviously goes back into her own apartment and
- 39:14Speaker 1: then says she's like I'm gonna be calling my landlord
- 39:16Speaker 1: kind of thing. But I think like the moral of
- 39:18Speaker 1: the story here is along with locking your doors and windows,
- 39:21Speaker 1: you now have to be concerned about what maybe lurking
- 39:24Speaker 1: behind your motherfucking bathroom mirror. Like I'm just like I
- 39:28Speaker 1: can I'm done. I'm like tapping out at this point here.
- 39:31Speaker 1: We're just not safe. We're not safe.
- 39:34Speaker 2: It's like the hide your kids, hide your wife thing,
- 39:37Speaker 2: but it's like lock your door, lock your window, lock
- 39:39Speaker 2: your mirror.
- 39:40Speaker 1: Like Okay, I'm I know I'm safe in my tiny
- 39:42Speaker 1: home because like our mere medicine cabinet thing is on
- 39:45Speaker 1: the exterior wall. But like every hotel I go into now, dude,
- 39:48Speaker 1: like I'm fucking checking, like I'm gonna have to check,
- 39:52Speaker 1: like this is fucked just gonna.
- 39:54Speaker 2: Be going around looking for a breeze or what.
- 39:56Speaker 1: Yeah, and seeing if I can pull off the medicine cabinet.
- 39:59Speaker 1: Just I'll probably end up like damaging something, no kidding.
- 40:03Speaker 2: But just don't say candy man and all times when
- 40:05Speaker 2: you do.
- 40:06Speaker 1: It, yeah candy Man or Helen Candyman? Am I allowed
- 40:11Speaker 1: to say that?
- 40:11Speaker 2: Yeah?
- 40:13Speaker 1: So yeah, there you go. That's this case. This case
- 40:17Speaker 1: is is sad. It's it's very interesting and like the
- 40:20Speaker 1: things the show and now this viral TikTok thing, because
- 40:24Speaker 1: you're kind of like, oh that, like does that actually exist?
- 40:26Speaker 1: But it's like still exists.
- 40:28Speaker 2: Can we put it in the show notes, like a
- 40:29Speaker 2: link to the TikTok videos? Do you have a link
- 40:32Speaker 2: or can we link it? I don't know. If we
- 40:34Speaker 2: can link it, we'll put it down below, I think so.
- 40:36Speaker 1: But she does like you just have to search. I'm
- 40:38Speaker 1: pretty sure I'll you just search her name and then
- 40:41Speaker 1: like she has them pinned, so she has the three
- 40:44Speaker 1: first ones pinned and then you don't have to scroll
- 40:46Speaker 1: very far.
- 40:47Speaker 2: Yeah, but if if we can find it like a
- 40:48Speaker 2: YouTube video.
- 40:49Speaker 1: Or something, yeah, actually, yeah, there's because she was on Ellen.
- 40:52Speaker 1: She went on Ellen, Oh yeah, you mentioned that so
- 40:55Speaker 1: maybe we can find a link of that. So yeah, like, honestly,
- 40:59Speaker 1: I guess check your bathroom mirrors and I'll leave you
- 41:03Speaker 1: with that.
- 41:04Speaker 2: I have another request, Yeah, can we make Ruth the
- 41:08Speaker 2: badass of the day for how kind she was trying
- 41:11Speaker 2: to be and how positive she was trying to make
- 41:13Speaker 2: the world around her?
- 41:15Speaker 1: I know, like she wasn't. I don't believe she was
- 41:17Speaker 1: really always that way, but she really had at one point,
- 41:22Speaker 1: I think, decided to change her life and she was
- 41:24Speaker 1: going about doing that.
- 41:25Speaker 2: She was trying. She was in a desperate situation and
- 41:28Speaker 2: she was trying, and that takes a lot of strength
- 41:30Speaker 2: to even just try.
- 41:31Speaker 1: One hundred percent. Yeah, she needs to be because this
- 41:34Speaker 1: is so sad.
- 41:36Speaker 2: So official, I'll let you name it.
- 41:38Speaker 1: Yep, Ruth is the badass of the day.
- 41:40Speaker 2: Awesome, Yeah, well well done in that episode? Could that
- 41:44Speaker 2: My fucking heart broke for Ruth that whole time? It
- 41:46Speaker 2: was like slowly just falling to pieces. So thank you
- 41:48Speaker 2: for that. Yeah, much appreciate it.
- 41:50Speaker 1: Well, I mean, gosh, what you do to me? So
- 41:52Speaker 1: sleep with that? That's always your response, Sleep.
- 41:54Speaker 2: With the Yeah, we got a lot more coming up
- 41:57Speaker 2: next week for Halloween week, like I said, seven whole
- 42:01Speaker 2: days in a row, epic stuff coming down the pipe.
- 42:04Speaker 2: And even if you want to check out the more
- 42:05Speaker 2: extra content that'll be over on Patreon, you can check
- 42:08Speaker 2: it out there. We also have other social media like Facebook, Instagram.
- 42:12Speaker 2: We have a website, you name it, so go check
- 42:15Speaker 2: it out all links down below. Yeah, even if not,
- 42:18Speaker 2: you appreciate you still, Yeah.
- 42:19Speaker 1: And get excited because next week, like Tuesday to Monday, right,
- 42:23Speaker 1: Tuesday to Monday.
- 42:25Speaker 2: Tuesday Monday, yeah, so that our normal Tuesday. Yeah, on
- 42:29Speaker 2: the which is November one, we won't be posting that
- 42:32Speaker 2: day because the whole.
- 42:33Speaker 1: Oh yeah, you're gonna be able to get caught up
- 42:35Speaker 1: on the seven days.
- 42:36Speaker 2: Yeah, and we need to catch up on sleep on
- 42:38Speaker 2: that November first day.
- 42:40Speaker 1: Yeah, But honestly, until then, stay wicked