Latest / The Breakfast Club / Pusha T Interview to Lil Rel Interview and a hint of Charlmagne exposed

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Pusha T Interview to Lil Rel Interview and a hint of Charlmagne exposed · The Breakfast Club

• 0:00
  Speaker 1: It's time time time to wake up, taking Fancie and
• 0:06
  Speaker 1: Charlomagne the Doctor to practice, Club Bitches, the voice of
• 0:09
  Speaker 1: the culture. People watch the Records Club for like Moves
• 0:12
  Speaker 1: and really be tuned in. It's one of my favorite
• 0:14
  Speaker 1: shows too, just because y'all all wish keep you one honey,
• 0:17
  Speaker 1: y'all keep it real. They might not watch the Moves,
• 0:19
  Speaker 1: but they're on Twitter, they're on Facebook, they're you know,
• 0:22
  Speaker 1: they're listening to the Breakfast The Brother gets your ass
• 0:25
  Speaker 1: a good morning Usa, yo yo yo. Oh goshy Charlomagne,
• 0:44
  Speaker 1: the god piece of the planet. It's Friday. It's a Friday,
• 0:49
  Speaker 1: and it's a holiday, Tomorial Day Friday. Oh my gosh.
• 0:54
  Speaker 1: I'm so excited about this. I get a three day weekend.
• 0:56
  Speaker 1: I get to relax a little bit, a little bit
• 0:59
  Speaker 1: the kids. All the activities are postponed because if it's
• 1:02
  Speaker 1: it's amoral day. Week into it was nothing but chilling.
• 1:05
  Speaker 1: I'm excited. Well, I'm headed out to Atlanta today, do
• 1:08
  Speaker 1: a little work, and then I'm finally done and I'll
• 1:10
  Speaker 1: have the rest of the weekend after today. Yesterday I
• 1:14
  Speaker 1: was out all day without my phone. Yep. I came
• 1:16
  Speaker 1: to work without my phone by accident in the morning,
• 1:19
  Speaker 1: and then after work I did some running around. I
• 1:21
  Speaker 1: went to them all and I didn't get home to
• 1:24
  Speaker 1: like six o'clock, and I had a meeting that was
• 1:26
  Speaker 1: supposed to start at five thirty, but fortunately everybody was late. Yeah,
• 1:29
  Speaker 1: Angelie lost the phone and she was like, I didn't
• 1:31
  Speaker 1: lose it. I left it at home. She was like,
• 1:32
  Speaker 1: can you hit my friend and tell my friend that
• 1:33
  Speaker 1: I'm not I was sponsor to him later and I'm
• 1:36
  Speaker 1: not ignoring them. And I had all Angelie's friends like, look,
• 1:38
  Speaker 1: I'm not a fool with you no more. Don't hit
• 1:41
  Speaker 1: me back. And it was like why, but why why
• 1:43
  Speaker 1: would you say that. I'm just like, I'm just joking.
• 1:44
  Speaker 1: It really is a weird feeling and not having your
• 1:46
  Speaker 1: phone with you for the whole entire day, like just
• 1:50
  Speaker 1: not being able to communicate with anybody, right, it wasn't
• 1:53
  Speaker 1: too too bad, but I can't imagine doing that for
• 1:56
  Speaker 1: more than one day. I just felt disconnected. I didn't
• 1:59
  Speaker 1: know what was going I was good, need that every
• 2:00
  Speaker 1: once in a while, disconnect, just get away from everybody.
• 2:03
  Speaker 1: Why is every news outlet in the world downstairs? Because
• 2:06
  Speaker 1: they're saying that Harby is going to turn himself in
• 2:08
  Speaker 1: today and it's going to be right here at the station.
• 2:12
  Speaker 1: Job see I was, I mean literally every news gidia
• 2:17
  Speaker 1: outlet city get a little nervous. Like I was just like,
• 2:19
  Speaker 1: why is all these news people? Why do all these
• 2:21
  Speaker 1: news people like they are in front of the police stage,
• 2:23
  Speaker 1: police station, like Angels said, right at the street. Right,
• 2:25
  Speaker 1: it's literally charged with rape and criminal sex act. And wow,
• 2:29
  Speaker 1: he's supposed to be turning himself in right here. So
• 2:31
  Speaker 1: that's why everybody's I did read that yesterday, but I
• 2:33
  Speaker 1: was just like, why the hell is every literally every
• 2:36
  Speaker 1: news outlet in New York City is across the street
• 2:39
  Speaker 1: they all wait, it is hundreds and hundreds of cameras,
• 2:41
  Speaker 1: hundreds and hundreds of photographers. They are out getting fingerprinted today.
• 2:47
  Speaker 1: That's getting fingered to day. I was like, that's justice.
• 2:49
  Speaker 1: Well I don't know, yeah, but that's what he's turning
• 2:52
  Speaker 1: himself in and then he's going to Manhattan Supreme Court
• 2:54
  Speaker 1: and that's when he'll appear before the judge. That's good.
• 2:57
  Speaker 1: What do you deserve? Yep? Well, push, you too will
• 3:00
  Speaker 1: be joining us today, my man. Push your tea. That's
• 3:04
  Speaker 1: all I've been listening to us day Tone in the
• 3:05
  Speaker 1: past few days and push your album is crazy. I'm
• 3:08
  Speaker 1: glad you guys will get to hear it now because
• 3:10
  Speaker 1: I'm tired of just not playing records songs. Are you
• 3:13
  Speaker 1: playing this morning? You can play if you know, you know,
• 3:17
  Speaker 1: if you don't you know. I love games, we play, Yes, games,
• 3:21
  Speaker 1: we play. I love Santa Santataria, Santataria, Santatario, Santa Sant Santa.
• 3:28
  Speaker 1: There's a couple we playing this morning. I mean there's
• 3:29
  Speaker 1: only a couple on the whole album seven. We can
• 3:32
  Speaker 1: say several, several songs on that album. Yes, all right,
• 3:36
  Speaker 1: let's get the show. A little real comedian Little Roll
• 3:38
  Speaker 1: will be joining us from My Man Little Role. How
• 3:40
  Speaker 1: are you gonna forget about Round? Little Round? Larell's actually
• 3:44
  Speaker 1: at Caroline's on Broadway all weekend, this whole weekend. That's right.
• 3:48
  Speaker 1: If anybody's here, are traveling here for the holiday weekend,
• 3:50
  Speaker 1: you can go there. That's a great comedy space. I'm
• 3:53
  Speaker 1: going to see him this weekend, Little Roll. As of course,
• 3:56
  Speaker 1: he was in Get Out, He's in the car Michael Show.
• 3:58
  Speaker 1: But now you've got his own show coming on NBC.
• 3:59
  Speaker 1: Call l he's in Uncle Drew. I think that comes
• 4:02
  Speaker 1: out later on this month, our next month, I don't know, yes,
• 4:06
  Speaker 1: next month day. I thought it comes out on your birthday.
• 4:08
  Speaker 1: Oh it does June twenty nine. You're right. I told
• 4:10
  Speaker 1: you to trap a little rail last year. But y'all
• 4:12
  Speaker 1: listen to me, so someone did. All right, Well, let's
• 4:14
  Speaker 1: get the show cracking front page dudes. What we're talking about.
• 4:17
  Speaker 1: Let's talk about Rachel Doleas. I'll find out why she
• 4:20
  Speaker 1: is in trouble. Now what is it that Rachel Doleas
• 4:23
  Speaker 1: out did? All right, we'll get into all that when
• 4:25
  Speaker 1: we come back. Keep a lot just to Breakfast Club
• 4:26
  Speaker 1: with Mother, DJ Envy and Angela Yee, Charlemagne the God.
• 4:30
  Speaker 1: We are the Breakfast Club. Let's get in some front
• 4:32
  Speaker 1: page news. NBA the Rockets beat? Uh? Who they're playing? Warriors? Man?
• 4:40
  Speaker 1: Because I'm reading it and it says the Rockets beat
• 4:42
  Speaker 1: the Rockets. Yes, the Rockets played the Warriors. The Rockets
• 4:48
  Speaker 1: left reading what's on this paper? I'm like the Rockets
• 4:50
  Speaker 1: beat I'm no the Rockets a basketball I do. I
• 4:53
  Speaker 1: watched the last Night tire. You forget who they playing
• 4:55
  Speaker 1: because we already lay Thompson Draymond Green. Listen into me. Yeah,
• 5:00
  Speaker 1: I'm no expert, but I believe these teams have been
• 5:02
  Speaker 1: playing each other for the past couple of weeks on
• 5:06
  Speaker 1: five last night hasn't been the last couple of weeks
• 5:08
  Speaker 1: in the last five games for the Rockets, A couple
• 5:11
  Speaker 1: of weeks? How long you think that hasn't been playing
• 5:13
  Speaker 1: the Wards the last couple of weeks? That's what week
• 5:16
  Speaker 1: five games? Anyway, the Rockets leave the series three to
• 5:19
  Speaker 1: tonight the Cavs play the Celtics. Then let's talk about
• 5:22
  Speaker 1: who you want to go first. We'll talk about Rachel
• 5:23
  Speaker 1: Dola's out now. She is being accused of welfare fraud.
• 5:27
  Speaker 1: Apparently she legally changed her name back in twenty sixteen
• 5:30
  Speaker 1: to the catchy Diallo, and this week she's being charged
• 5:34
  Speaker 1: with theft by welfare, fraud, perjury, and false verification for
• 5:37
  Speaker 1: public assistance. She illegally received over eight thousand dollars in
• 5:41
  Speaker 1: food assistants and a hundred dollars and child assistants. And
• 5:44
  Speaker 1: they did a whole investigation because they received information she
• 5:47
  Speaker 1: had written a book and she also had put nearly
• 5:50
  Speaker 1: eighty four thousand dollars into her bank account without reporting it.
• 5:53
  Speaker 1: So there you go, she's being investigated. That's amazing that
• 5:56
  Speaker 1: the only fraud she's being charged with his welfare fraud.
• 5:58
  Speaker 1: Can't get charged with identity fraud, black card fraud, any
• 6:03
  Speaker 1: of those things. All right, now, let's talk about traveling.
• 6:05
  Speaker 1: And I do want to say, as we've been talking about,
• 6:07
  Speaker 1: it is Memorial weekend. It's a holiday weekend. So if
• 6:09
  Speaker 1: you are planning to travel this weekend, please make sure
• 6:12
  Speaker 1: you leave early. They are estimating nearly forty two million
• 6:15
  Speaker 1: Americans will be planning some sort of getaway, which is
• 6:18
  Speaker 1: an increase from last year. So if you are planning
• 6:20
  Speaker 1: to go somewhere, just make sure you leave your house early.
• 6:23
  Speaker 1: The roads are going to be really busy, they said.
• 6:24
  Speaker 1: Seventy four percent of travelers will be driving to their destinations. Now,
• 6:29
  Speaker 1: this is kind of scary and Alexa speaker recorded and
• 6:32
  Speaker 1: shared a private conversation. Now, one of the users in
• 6:35
  Speaker 1: Portland says that she was shocked when one of her
• 6:38
  Speaker 1: employees in Seattle said that they received a weird voice
• 6:42
  Speaker 1: recording of her and her husband having a private conversation.
• 6:46
  Speaker 1: They said, unplug your Alexa devices right now, you're being hacked.
• 6:49
  Speaker 1: So they called Amazon They apologized multiple times. They said
• 6:53
  Speaker 1: what happened is probably a mistake because Alexa mistook and
• 6:58
  Speaker 1: misheard something that they said and recorded their conversation and
• 7:01
  Speaker 1: then emailed it out to one of their contacts. Why though, like, like,
• 7:05
  Speaker 1: why does Alexas just randomly record conversation? They do key words.
• 7:08
  Speaker 1: It happens to me all the time with Sirie. You
• 7:10
  Speaker 1: might say something in Sirie responds or services will call
• 7:13
  Speaker 1: that never happened you before. No, it happened to me,
• 7:15
  Speaker 1: said they woke up due to a word in a
• 7:17
  Speaker 1: background conversation that sounded like Alexa, and then it sounded
• 7:21
  Speaker 1: like it said to send message request. So listen, that
• 7:25
  Speaker 1: thing is always on. Just remember, everybody that has an
• 7:27
  Speaker 1: Alexa Speak or any of those, just remember that you
• 7:30
  Speaker 1: got to turn the volume. I got like three of them,
• 7:32
  Speaker 1: but I don't have none of them plugged up in
• 7:33
  Speaker 1: my house. I don't even they're still in the box.
• 7:35
  Speaker 1: I don't see the need for that type of artificial intelligence.
• 7:37
  Speaker 1: I have one and it is plugged in now. My
• 7:39
  Speaker 1: kids use them all the time. What did it do, though,
• 7:42
  Speaker 1: Alexa play my song? Sure, Alexa, you can do anything.
• 7:44
  Speaker 1: You can order pizza, you can Yeah, you can set timers. Yeah,
• 7:49
  Speaker 1: Alexa just makes you lazy, basically pray. Well, not really,
• 7:52
  Speaker 1: because I mean, if you got to Alexa, go to
• 7:54
  Speaker 1: title and play my song. It goals to title and
• 7:56
  Speaker 1: plays the song. It makes life easy. Work work, work
• 7:59
  Speaker 1: your thumbs out here, all right, go to title on
• 8:01
  Speaker 1: your phone yourself. All right. Well, last front page News. Now,
• 8:05
  Speaker 1: yesterday we had Andy Cohen on the show and Charlemagne
• 8:09
  Speaker 1: was feeling a little kinky. Listen, let's shut the hell off.
• 8:13
  Speaker 1: Let's hear this conversation of Andy and Charlomagne talking about well,
• 8:17
  Speaker 1: let's play it. You know, the other day on the
• 8:18
  Speaker 1: here he said, you know, I don't know if I'm gay.
• 8:20
  Speaker 1: There hasn't been a gay guy that's really took underwear
• 8:22
  Speaker 1: off from me yet. So let me okay, but you
• 8:24
  Speaker 1: said yet. First of all, that's that clip has taken
• 8:28
  Speaker 1: so out of context. No, the conversation that I was
• 8:31
  Speaker 1: having was I say that I don't know what a
• 8:33
  Speaker 1: man could say to me that would get me out
• 8:35
  Speaker 1: of my box of brief So let's find out this morning.
• 8:37
  Speaker 1: Let's find out this morning. Eight hundred five eight five
• 8:40
  Speaker 1: one on five one. I hate how this conversation I
• 8:42
  Speaker 1: would love to know if there's a man out there
• 8:45
  Speaker 1: just because you're taking the button on me, you're gay.
• 8:48
  Speaker 1: Another one taking out of context. I thought you just
• 8:50
  Speaker 1: said that right now. No, that was a that was
• 8:52
  Speaker 1: a clip, but anyway, another thing taken out of context.
• 8:55
  Speaker 1: Five eighty five one on five one. Cut it off.
• 8:58
  Speaker 1: A man out there that think they can talk Charlemagne
• 9:01
  Speaker 1: to talk his underwear off off in my faith? I know,
• 9:05
  Speaker 1: I know Andy Cohin had this thing called the gay spectrum.
• 9:08
  Speaker 1: I am nowhere near the gay spectrum. I'm simply saying,
• 9:10
  Speaker 1: is I don't know what to tell you. One on
• 9:13
  Speaker 1: five one. If you're a straight man, what could another
• 9:15
  Speaker 1: man tell you to get you out your box of
• 9:16
  Speaker 1: breeze travel? If you're listen and we need you eight
• 9:18
  Speaker 1: hundred five eight five one o five one, we need
• 9:20
  Speaker 1: uh any game in of the up right now? I
• 9:23
  Speaker 1: was just grabbing the set a field. You don't stop.
• 9:26
  Speaker 1: I'm you know, eight hundred five one. Who who do
• 9:30
  Speaker 1: I need to sue? We're looking for a game in
• 9:35
  Speaker 1: Charlemagne's draws off ton game to talk Charlemagne's draws off
• 9:41
  Speaker 1: five penis is huge, isn't it? Eight hundred five eight
• 9:44
  Speaker 1: five one on five one again. Okay, if you think
• 9:48
  Speaker 1: you could talk Charlemagne's drop, let me get us a
• 9:50
  Speaker 1: little sexy with it music, and y'all have enough game
• 9:53
  Speaker 1: to talk with me music a little bit. That's number one,
• 9:55
  Speaker 1: music number two. I'm not interested at all. Eight hundred
• 9:59
  Speaker 1: number three. Remember that we're in the middle of the
• 10:01
  Speaker 1: me two times up movement, and we can turn this
• 10:04
  Speaker 1: into the Mento movement. I'm looking for a guy out
• 10:07
  Speaker 1: there that can talk Charlemagne out under. I'm want to comfortable.
• 10:10
  Speaker 1: You know, Harvey Winstein is turning himself in right across
• 10:13
  Speaker 1: the street. Literally, you think you could talk block away
• 10:17
  Speaker 1: cameras everywhere because Harvey Winsteed is turning himself in this morning,
• 10:20
  Speaker 1: and you're actually harassing. You think he's wearing box of
• 10:23
  Speaker 1: briefs fifteen in the morning. You think he's wearing boxes.
• 10:26
  Speaker 1: This is disgusted. Maybe he has no underwear. I'm uncomfortable.
• 10:29
  Speaker 1: Eight hundred five too much, men too, call us now,
• 10:34
  Speaker 1: Mento chocolate thunders on this way, men too. The breakfast
• 10:40
  Speaker 1: club morning. Everybody is DJ Envy Angela Yee, Charlemagne the guy.
• 10:46
  Speaker 1: We are the breakfast club. Now we're asking you know
• 10:50
  Speaker 1: Charlemagne got a little kinky yesterday. He's been getting a
• 10:52
  Speaker 1: little kinky the last couple of weeks. First of all,
• 10:54
  Speaker 1: I wasn't kinky, he said, he said this, let's play
• 10:56
  Speaker 1: with what you said, you know the other day there
• 10:58
  Speaker 1: he said, you know, I don't know if I'm gay.
• 11:00
  Speaker 1: There hasn't been a gay guy that's really took underwear
• 11:02
  Speaker 1: from me yet. So let me okay, but you said
• 11:05
  Speaker 1: yet totally taking out of context. What I said was,
• 11:08
  Speaker 1: I don't know if you're if you're a scrape man,
• 11:10
  Speaker 1: what could a man say to you to get you
• 11:11
  Speaker 1: out your box? To briefs? But we're gonna spind out
• 11:13
  Speaker 1: this morning. Hello, who's this? Hey? For TV and traf
• 11:19
  Speaker 1: and TV perfect because Trav has a Trav has a
• 11:22
  Speaker 1: direct access to your back line. That's why to my
• 11:25
  Speaker 1: back he always comes into the back, doesn't even there.
• 11:28
  Speaker 1: I gotta access to your back door. Today, y'all know,
• 11:32
  Speaker 1: Harvey Wantin is turning himself in right across the street.
• 11:34
  Speaker 1: Right Well, Travis, we're listening. We can't wait to hear
• 11:38
  Speaker 1: so Solomon, Yes, now you know, you know, you know
• 11:42
  Speaker 1: I've been knowing you now for it's been a good
• 11:45
  Speaker 1: little while I've been talking to you, and I just
• 11:49
  Speaker 1: think that we should get to know each other a
• 11:51
  Speaker 1: little bit more. Really, tell tell them you are set
• 11:55
  Speaker 1: is safe for me now. One thing I do know
• 11:57
  Speaker 1: about you is that you like anna wet but you
• 11:59
  Speaker 1: look in here button right. No, I don't like a
• 12:03
  Speaker 1: wet butt track? Yes you do? Where you where you
• 12:07
  Speaker 1: get your information? If you don't like a moist butt?
• 12:09
  Speaker 1: Now trap that is not on my Wikipedia page, No
• 12:12
  Speaker 1: way on my Wikipedia page that it says I like
• 12:14
  Speaker 1: a wet butt. Well, I do know that you like
• 12:15
  Speaker 1: getting your button, that's true. No, if you're down there
• 12:18
  Speaker 1: and you know you happen to lick something, I ain't
• 12:20
  Speaker 1: gonna stop you. Sounds like a guy that's an invite.
• 12:26
  Speaker 1: So that sounds like an invite that if I'm down there,
• 12:28
  Speaker 1: I can start looking all right, travel, I'm not complicit
• 12:31
  Speaker 1: in this conversation. I want you to know, Harvey Wantstein
• 12:33
  Speaker 1: is turning himself in right across the street. You're starting
• 12:35
  Speaker 1: to make me feel very uncomfortable, saying can you find
• 12:39
  Speaker 1: out what preesting that is? Harby wants? He is turning
• 12:41
  Speaker 1: himself into so I can shot them all right? Preting? Great, Hello,
• 12:45
  Speaker 1: who's this cute as lights and I've been trying to
• 12:50
  Speaker 1: talk to Chart. I like this cute ass like, now
• 12:55
  Speaker 1: now is the time, ute as lights ahead talk his
• 12:58
  Speaker 1: draws off right now? Kinky with him, sir, relaxed me
• 13:01
  Speaker 1: like I've been trying to see your silk drawers for
• 13:04
  Speaker 1: wild Man, you know that little boy head. I mean,
• 13:11
  Speaker 1: like the chocolate milk DoD. I mean this is crazy,
• 13:14
  Speaker 1: y'all really letting doctor Umar down this morning. I can't
• 13:17
  Speaker 1: believe y'all pushing the gage him talk brother, I mean
• 13:23
  Speaker 1: you just felt like angry, like be nice, talk to
• 13:26
  Speaker 1: me night, talk to me name, talk to him name,
• 13:29
  Speaker 1: talk to me name. Listen, Harvey Wantstein to turning himself
• 13:35
  Speaker 1: in right across the street. What present is that? So
• 13:38
  Speaker 1: cute ass? Lights can know? So if you had him
• 13:40
  Speaker 1: right now and you had one move to me, what
• 13:42
  Speaker 1: would that move make? Would you use your hand, your
• 13:45
  Speaker 1: um or your mouth? Just me my mouth because I'm
• 13:49
  Speaker 1: real TALENTENTI with that. Listen all the news out let's
• 13:53
  Speaker 1: have across the street waiting on Harby Wanstein to turn
• 13:55
  Speaker 1: themselves in. Y'all can come over here and watch Envy
• 13:57
  Speaker 1: turn himself in and then go back to har okayly
• 14:02
  Speaker 1: harassed one five one. This is what you men too,
• 14:05
  Speaker 1: if you missed it. This is what he said, you
• 14:07
  Speaker 1: know the other day on there he said, you know,
• 14:08
  Speaker 1: I don't know if I'm gay. There hasn't been a
• 14:10
  Speaker 1: gay guy that's really talking underwear off from me yet,
• 14:12
  Speaker 1: So okay, but you said yet, that's not what I said.
• 14:16
  Speaker 1: What I said was if you're a straight man, I
• 14:18
  Speaker 1: don't see what a man could say to you to
• 14:19
  Speaker 1: get you out your boxing broofs okay, box of bridge.
• 14:22
  Speaker 1: What did I say? What did I say? Boxing broufs,
• 14:25
  Speaker 1: box of briefs? All right, Bruce, Bruce is when you
• 14:28
  Speaker 1: got the back cut out? All right? It's like drugs.
• 14:31
  Speaker 1: Ain't got no roof you call them DUTF eight hundred
• 14:35
  Speaker 1: and five eight five one five one is the Breakfast
• 14:37
  Speaker 1: Club the morning the Breakfast Club wanted. Everybody is DJ
• 14:44
  Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the breakfast club.
• 14:48
  Speaker 1: Now you know Charlomagne has been very kinky, not being
• 14:51
  Speaker 1: kinky mane y'all are making things up this morning. There
• 14:54
  Speaker 1: are people on Twitter that want to slide in your
• 14:56
  Speaker 1: dms of all. Shout out to Jay Love photos all
• 15:00
  Speaker 1: being very disrespectful to my wife. All right, all you
• 15:03
  Speaker 1: men out there, relax, Okay, that's number one. Number two.
• 15:06
  Speaker 1: All I was simply saying was, if you're straat man,
• 15:09
  Speaker 1: there is nothing another man can say to you to
• 15:11
  Speaker 1: get you out your box to briefs. But we're asking
• 15:13
  Speaker 1: eight hundred and five eight five one oh five one.
• 15:15
  Speaker 1: If you can, you can get Charlomagne. Now this box
• 15:17
  Speaker 1: of briefs call us now, Hello, who's this? Hello? Hey?
• 15:22
  Speaker 1: Bo Oh that's every game man in America just decided
• 15:25
  Speaker 1: to call up here this morning, just out of the blue,
• 15:27
  Speaker 1: every game man briefs. Hi, this is this is this
• 15:32
  Speaker 1: is our lex? Is this dizzy? Charlomin Ze? God? How
• 15:38
  Speaker 1: is this dizzy? Oh? That's sound kind of hell? That
• 15:41
  Speaker 1: sound kind of don't be calling me no pet names
• 15:44
  Speaker 1: like you know me? Go ahead, keep going. I do
• 15:46
  Speaker 1: know you, charlotte Ze. Guys, I'm gonna call you Z. Listen, listen, listen,
• 15:51
  Speaker 1: listen Z for real, for real. You you've never really
• 15:56
  Speaker 1: experienced life unless you've been with me, Like, like, have
• 16:00
  Speaker 1: you ever had a man like grab a dobo and
• 16:03
  Speaker 1: just put it all over your Daniel lane and just
• 16:07
  Speaker 1: and seasoning? Wow? Did you just say season. I'm telling you,
• 16:12
  Speaker 1: why would I let a man season my penis? Season?
• 16:15
  Speaker 1: To me? Zzz zz you will be dizzy. Listen to me.
• 16:20
  Speaker 1: That's exactly why turning himself in across the street, right,
• 16:24
  Speaker 1: zizz zzz. Listen Listen, listen, listening. So I want to
• 16:28
  Speaker 1: make this real special, real romantic for you. I wrote
• 16:31
  Speaker 1: a song for you, Kim, And do you want to
• 16:32
  Speaker 1: listen to it? Really? Don't? Alexa turn him off? Alexa
• 16:38
  Speaker 1: turn zz top. Be quiet, go ZIZI looking so cute, Hey,
• 16:46
  Speaker 1: ZIZI looking real boots. Hey, ZIZI got a new book. Hey,
• 16:52
  Speaker 1: play with his thingling like a flute the way. But
• 17:00
  Speaker 1: I'm not gonna lie. That might have worked because you
• 17:02
  Speaker 1: also promoted his bucket men to men to men too,
• 17:06
  Speaker 1: all right, men too, Okay, Now, the Times of Me
• 17:10
  Speaker 1: Too movement is clearly not the only movement that needs
• 17:12
  Speaker 1: to be going on out here. We're in the Tribeca area. Off.
• 17:15
  Speaker 1: You don't know, Harvey Wanstein is turning himself in this
• 17:17
  Speaker 1: morning for all kind of rady charges. It's literally right
• 17:20
  Speaker 1: across the street from the radio station. Z I am
• 17:23
  Speaker 1: going to give my testimony and tell on some of y'all.
• 17:26
  Speaker 1: I've seen you ship me a little zazy zzs are
• 17:29
  Speaker 1: hot and bothered over here, guys. Hello, Yo, this is Jason.
• 17:31
  Speaker 1: What's going on? Jason? Was up? Bro? Ain't nothing nothing?
• 17:34
  Speaker 1: Ain't you with something? Charlo with y'all? Man, listen, charlot man.
• 17:41
  Speaker 1: I know everything is cool, and I know you know
• 17:43
  Speaker 1: you married, you got kids and everything, but chow, you
• 17:46
  Speaker 1: know your gay factors be on like level twelve thousand.
• 17:51
  Speaker 1: Why why y'all? Why y'all want me to be gay
• 17:53
  Speaker 1: so bad? Yo? Them sound bites alone? Just you, dude,
• 17:57
  Speaker 1: you really shay that I can't make a little jokes?
• 18:00
  Speaker 1: Why can't I joke around? Oh? The jokes is heavy
• 18:03
  Speaker 1: because whoever put that edit montage together? You man? Hey,
• 18:12
  Speaker 1: let him let him be him? Though nobody to your
• 18:16
  Speaker 1: draws today is easy. I'm gonna be honest with y'all.
• 18:17
  Speaker 1: I'll see all y'all. Number one just for the money.
• 18:19
  Speaker 1: That's number one, and number two. Harby Wanstein is turning
• 18:21
  Speaker 1: himself into the first Precinct, which is literally right across
• 18:24
  Speaker 1: the streets. I've been sexually harassed this morning. I've been
• 18:27
  Speaker 1: sexually assaulted verbally, and I think that Ivy needs to
• 18:30
  Speaker 1: go turn himself in with Harby Wansteen right now? All right,
• 18:33
  Speaker 1: what time is Harby put turn himself in here? You know,
• 18:35
  Speaker 1: I'm not sure. Just this morning? First precint is a
• 18:37
  Speaker 1: half a block away. Literally, every VideA outlet in New
• 18:40
  Speaker 1: York is right across the street. View you need to
• 18:42
  Speaker 1: go over there with this every man that called and
• 18:44
  Speaker 1: hit this one and try to get in my drugs.
• 18:45
  Speaker 1: All right, but listen, seriously, nobody ever thought about that.
• 18:48
  Speaker 1: If you're a straight man, what can a man tell
• 18:50
  Speaker 1: you to get in your drugs? It happens every day.
• 18:53
  Speaker 1: I don't believe it, definitely happen. I believe that as
• 18:56
  Speaker 1: a matter of facts. Mm. The gay guys that I know,
• 18:58
  Speaker 1: they actually enjoy doing that. Really, you didn't have them
• 19:01
  Speaker 1: call this morning? You? Yeah? So anyway, you got rooms
• 19:03
  Speaker 1: all the way. Yes, Let's talk about Morgan Freeman and
• 19:06
  Speaker 1: all of these accusations against him and what his response
• 19:09
  Speaker 1: has been. Morgan Freeman, Jesus Christ. All right, we'll get
• 19:13
  Speaker 1: into that when we come back. Keep a locked us
• 19:14
  Speaker 1: to Breakfast Club. Good morning, the Breakfast Club Morning. Everybody
• 19:21
  Speaker 1: is DJ Envy, Angela Yee, Charlomagne, the guy we are
• 19:24
  Speaker 1: to Breakfast Club. How you feeling over there at the
• 19:26
  Speaker 1: Chuckolate Thunder? I feel good. I sent our guy Brandon
• 19:29
  Speaker 1: over across the street to the first Precinct because you know,
• 19:31
  Speaker 1: every media outlet in New York is over there, because
• 19:33
  Speaker 1: Harvey Wantstein's turning himself in. So I had Brandon take
• 19:37
  Speaker 1: video of all the cameras and all of the police
• 19:40
  Speaker 1: because I want you to know what it looks like
• 19:41
  Speaker 1: when uh, I gotta you know, mentor you what are
• 19:44
  Speaker 1: you talking about? You gotta go turn yourself and I
• 19:46
  Speaker 1: just want you to you don't have a long walk
• 19:48
  Speaker 1: because it's literally a half a block radio station. Easy
• 19:51
  Speaker 1: stops facing those sex assault charges. So he is getting
• 19:55
  Speaker 1: fingerprinted at the station right over to stop saying that man,
• 19:59
  Speaker 1: everyday Harvey's getting finger got stop sing let's give be
• 20:02
  Speaker 1: dopef getting fingered. All right, let's get to the rumors.
• 20:10
  Speaker 1: This is the rumor report with Angela Yee on the
• 20:13
  Speaker 1: Breakfast Club. Well, now, Morgan Freeman is being accused of
• 20:18
  Speaker 1: inappropriate behavior. So far, sixteen people have spoken to CNN
• 20:23
  Speaker 1: about Morgan Freeman as part of this investigation. Eight of
• 20:26
  Speaker 1: them are victims. They said harassment and others said that
• 20:31
  Speaker 1: inappropriate behavior was conducted by Morgan Freeman, and eight people
• 20:35
  Speaker 1: said that they witnessed this alleged conduct. So altogether sixteen people,
• 20:38
  Speaker 1: eight who say they were witnesses and eight who say
• 20:40
  Speaker 1: that they were actual victims. Now, the reason that's all
• 20:43
  Speaker 1: investigation started is because of CNN. CNN actually did this,
• 20:47
  Speaker 1: and part of the reason is that one of their
• 20:49
  Speaker 1: reporters actually was speaking with Morgan Freeman. Chloe Mailis is
• 20:55
  Speaker 1: her name, and she was at a press junket for
• 20:57
  Speaker 1: going in Style. She was six months pregnan at the time,
• 21:01
  Speaker 1: and she said, in a room full of people, he
• 21:03
  Speaker 1: was looking her up and down, not letting go of
• 21:04
  Speaker 1: her hand, and saying, I wish I was there, and
• 21:07
  Speaker 1: you are ripe and I don't know while he's looking
• 21:12
  Speaker 1: her up and down and saying, boy, do I wish
• 21:13
  Speaker 1: I was there. I don't know what that's supposed to mean,
• 21:16
  Speaker 1: but it made her very uncomfortable. Cameras were on and recording,
• 21:19
  Speaker 1: so they did get one of those remarks on camera,
• 21:22
  Speaker 1: but not the rest of them. And after that particular encounter,
• 21:25
  Speaker 1: that's when Melis started actually making calls to see if
• 21:29
  Speaker 1: other women had experienced anything. Similar, and that's when this
• 21:31
  Speaker 1: whole months long investigation started. Turns out that there were
• 21:35
  Speaker 1: a lot of people at his production company, Revelations Entertainment,
• 21:39
  Speaker 1: as a name of that. He started that company alongside
• 21:41
  Speaker 1: Laurie McCreary back in nineteen ninety six, who had similar allegations. Now,
• 21:45
  Speaker 1: a young production assistant thought she got the job of
• 21:47
  Speaker 1: her dreams. Back in twenty fifteen, she started working on
• 21:50
  Speaker 1: Going in Style, and she said that turned into several
• 21:53
  Speaker 1: months of harassment. She says that he would touch her
• 21:56
  Speaker 1: and make comments about her figure and clothing on a
• 21:59
  Speaker 1: near daily base, as he would arrest his hand on
• 22:01
  Speaker 1: her lower back or rub her lower back, and then
• 22:03
  Speaker 1: at one point he tried to lift up her skirt
• 22:05
  Speaker 1: and ask if she was wearing underwear. And there's several
• 22:08
  Speaker 1: allegations of him doing that two different women. Now, some
• 22:11
  Speaker 1: people said that Morgan Freeman was great and they never
• 22:15
  Speaker 1: witnessed any questionable behavior, or that he was a professional
• 22:18
  Speaker 1: on set and in the office, but other people did
• 22:20
  Speaker 1: say that they witnessed all kinds of inappropriate behavior. Now,
• 22:24
  Speaker 1: he is eighty years old, and he is one of
• 22:25
  Speaker 1: Hollywood's biggest stars, and so there's a lot of things
• 22:29
  Speaker 1: going on here. It's not just people who worked at
• 22:31
  Speaker 1: his company, but it's also people at press junkets that
• 22:33
  Speaker 1: are saying that he was inappropriate. At times, he would
• 22:36
  Speaker 1: ask women to twirl and twirl, yeah, twirl, like turnaround
• 22:41
  Speaker 1: so he could look at them. Okay, So basically, if
• 22:43
  Speaker 1: you ever asked a woman to twark, boy, you're about
• 22:45
  Speaker 1: to be in trouble. I twirling getting you called inappropriate?
• 22:49
  Speaker 1: What is telling? But that's it. You can't be like
• 22:51
  Speaker 1: twirl around so I can look at you from front
• 22:53
  Speaker 1: to back, Like why would you be asking people to twirl?
• 22:55
  Speaker 1: Why are you having people to just randomly twerk? I've
• 22:57
  Speaker 1: seen that plenty of times, right well, talking about yes,
• 23:02
  Speaker 1: I'll tell the club please stop it all the time,
• 23:06
  Speaker 1: all right. So they also said there was no real
• 23:08
  Speaker 1: HR department there, so they didn't have any place where
• 23:10
  Speaker 1: they could talk about their grievances at the workplace. So
• 23:13
  Speaker 1: they actually formed their own survivors club at his company,
• 23:17
  Speaker 1: where people would gather to vent about their experiences working
• 23:20
  Speaker 1: at Revelations, according to five sources who were at the gathering,
• 23:24
  Speaker 1: which would take place outside of the office. So, yeah,
• 23:28
  Speaker 1: just certain things like that. One male employee said that
• 23:31
  Speaker 1: he would basically have all kinds of vulgar and sexual
• 23:34
  Speaker 1: comments about women. He would say to this male employee.
• 23:37
  Speaker 1: He said he would say things like I'd like to
• 23:38
  Speaker 1: have an hour with her or other things like that.
• 23:41
  Speaker 1: He said he would be verbally inappropriate and it was
• 23:43
  Speaker 1: just shocking. Now Morgan Freeman has responded to these sexual
• 23:47
  Speaker 1: harassment allegations. He said, anyone who knows me or has
• 23:50
  Speaker 1: worked with me knows I am not someone who would
• 23:52
  Speaker 1: intentionally offend or knowingly make anyone feel uneasy. I apologize
• 23:56
  Speaker 1: to anyone who felt uncomfortable or disrespected. That was never
• 23:59
  Speaker 1: my He did it in print. He didn't actually record
• 24:02
  Speaker 1: it so we could hear it now. He did not
• 24:04
  Speaker 1: record it. He gave that statement to Sky News. Agan,
• 24:07
  Speaker 1: you got to use that voice of God of yours
• 24:08
  Speaker 1: in situations like this. Well, there's already been some fallout.
• 24:11
  Speaker 1: He's already gotten an ad campaign pull that he had
• 24:14
  Speaker 1: with Visa after these allegations came out, and I wanted
• 24:17
  Speaker 1: they're gonna pull him dop ass commercials with him and
• 24:19
  Speaker 1: Buster Rhymes and missy Oh. In addition to that, the
• 24:21
  Speaker 1: Screen Actors Guild is now saying that they are planning
• 24:25
  Speaker 1: to perhaps look at the Life Achievement Award that they
• 24:27
  Speaker 1: gave him and see what they're going to do about that,
• 24:30
  Speaker 1: and they investigate first. But yeah, that's the thing. They
• 24:32
  Speaker 1: do have to investigate first. So they're thinking about taking
• 24:35
  Speaker 1: corrective actions for Visa. Right now, it's suspended the ad
• 24:39
  Speaker 1: that he didn't while they investigate. Well, listen, I don't
• 24:41
  Speaker 1: know if any of this is true. But if it is,
• 24:43
  Speaker 1: Morgan Freeman can't even use the hours young excuse because
• 24:46
  Speaker 1: he's never been young already came out to wound forty
• 24:48
  Speaker 1: five years of age. Oh my god, this is bad.
• 24:50
  Speaker 1: All right, Well that is your rumor report. When we
• 24:53
  Speaker 1: come back, push your Tea will be joining us. We'll
• 24:55
  Speaker 1: kick it, will push your t as. New albums came
• 24:57
  Speaker 1: out today. It's called Daytona, so don't move the breakfast
• 25:00
  Speaker 1: Clugal Morning Morning. Everybody's DJ Envy Angela Yee. Charlotmagne, the
• 25:05
  Speaker 1: guy we all the breakfast club. He got a special
• 25:07
  Speaker 1: guest in the building. Push His album's out. Now, what's up?
• 25:13
  Speaker 1: What's up? How are you? My brother? Beautiful man, beautiful
• 25:16
  Speaker 1: of all, amazing body at work, Thank you man, amazing body.
• 25:20
  Speaker 1: I appreciate that I didn't think seven songs would be fulfilling. Yeah,
• 25:23
  Speaker 1: but it is no me neither. Big argument, huge argument.
• 25:28
  Speaker 1: So I'll go ask you that you haven't dropped since
• 25:29
  Speaker 1: twenty fifteen. Man, Um, you know, twenty fifteen, I was
• 25:34
  Speaker 1: doing a lot of the uh. After that, I was
• 25:36
  Speaker 1: doing a lot of the campaign stuff, a lot of
• 25:38
  Speaker 1: the you know, White House president reforms. Uh yep, I
• 25:42
  Speaker 1: got what you call it that night to Jacob Jevis. Yeah.
• 25:45
  Speaker 1: So you know I got caught up in that. Um.
• 25:47
  Speaker 1: You know, we took that ail and then um, you know,
• 25:51
  Speaker 1: I was appointed president of Music. At the time it
• 25:55
  Speaker 1: was you know, designer ringing off his singles was going right,
• 25:59
  Speaker 1: and just trying to do the album. In between those times,
• 26:03
  Speaker 1: I did it. You know, I did it, put the
• 26:05
  Speaker 1: album together how it usually goes is you know, I
• 26:08
  Speaker 1: picked beats rhyme over him boom, uh bring it for yea,
• 26:11
  Speaker 1: let him hear it. He picked some beats, you know,
• 26:14
  Speaker 1: disregards some of the ones I did, go back rhyme over,
• 26:17
  Speaker 1: bring it all back. So I go back to um.
• 26:20
  Speaker 1: You know, I come back with a finished product, bringing
• 26:22
  Speaker 1: the bringing to him like, look, I feel like this
• 26:23
  Speaker 1: my album. He was like, yeah, it's rocking, you know.
• 26:26
  Speaker 1: So we we rocked for like two days. I stayed
• 26:28
  Speaker 1: in LA for two days. Third day he wake up,
• 26:30
  Speaker 1: he was like, yo, man um, I feel like I
• 26:32
  Speaker 1: could produce these beats better myself. Just just do it myself.
• 26:36
  Speaker 1: Let's go to Utah, Utah, Utah, Utah. First, What's see
• 26:42
  Speaker 1: what was in Utah Jazz? It's like this really really
• 26:46
  Speaker 1: expensive resort. And I'm only telling you that part because
• 26:50
  Speaker 1: you know we split the costs on this, right, So
• 26:53
  Speaker 1: you know, we go out there so you know what
• 26:56
  Speaker 1: it says. Now, I look at me, I don't I
• 26:57
  Speaker 1: don't know anything about you. I don't know anything about Meanwhile, Utah,
• 27:03
  Speaker 1: that's where the Sun Dance Film Festival is. Lake City, Utah.
• 27:07
  Speaker 1: I've heard about sea called Malone John Stop. So you
• 27:12
  Speaker 1: go out to Utah. I gotta go out to Utah. Right,
• 27:15
  Speaker 1: we were out there first day, you know, chef eating,
• 27:17
  Speaker 1: you know, kicking it, and you know, one day turns
• 27:20
  Speaker 1: into ten days and ain't no beat and you're paying
• 27:22
  Speaker 1: half that How much money are we talking? Man? It's uh?
• 27:31
  Speaker 1: Oh was it? I want to say eight thousand? No?
• 27:37
  Speaker 1: No no, no, no, no no no, no, that's my half.
• 27:40
  Speaker 1: No you have no no, no, no, no, no no no, yeah, yeah, yeah,
• 27:46
  Speaker 1: yeah it is. I'm gonna tell you that. I think
• 27:49
  Speaker 1: that's about fifty grand right now. Ten days, five thousand,
• 27:52
  Speaker 1: ten days, no beat. No. You know, he listening to
• 27:54
  Speaker 1: the samples every day, you know, feverishly just listening to samples.
• 27:57
  Speaker 1: We're making, like, you know, just play list where we like,
• 28:00
  Speaker 1: one beat comes and what was the further beat? The
• 28:03
  Speaker 1: games we play, the games we play and one you know,
• 28:07
  Speaker 1: he was like, hey, rhyme to this, you know, and
• 28:09
  Speaker 1: and mind you we're in like an eight brerew mansion, uh,
• 28:13
  Speaker 1: middle of nowhere. Uh. All the rooms are decked out
• 28:17
  Speaker 1: like you know studios. So he's like, yo, since that downstairs, Yo,
• 28:21
  Speaker 1: right there, I think this one of the one of
• 28:23
  Speaker 1: them ones. Um do that? And then you know, it
• 28:26
  Speaker 1: just it's it's a searching process. You know, it's time
• 28:29
  Speaker 1: to go home. Got a show host and whatever. Leave,
• 28:32
  Speaker 1: you know. I'm like, all right, but you know, we
• 28:33
  Speaker 1: had a little exercise. Was cool. You're like, nah, let's
• 28:36
  Speaker 1: go to Wyoming. So how many beats did you get done?
• 28:38
  Speaker 1: And you tell how many records did I get done?
• 28:40
  Speaker 1: You probably I might have gotten one. I might have
• 28:43
  Speaker 1: got one, but I'm gonna tell you this. He found
• 28:45
  Speaker 1: Tianna Taylor's album at the same time, so like, while
• 28:48
  Speaker 1: finding my finding my sound going through other sounds, He's like, oh,
• 28:52
  Speaker 1: I think that's I think that's fair. So this is
• 28:54
  Speaker 1: where this is where the process of like, uh, you
• 28:57
  Speaker 1: know what, the five albums, seven songs, it's all building
• 29:02
  Speaker 1: from this kind of this point, get to church some
• 29:04
  Speaker 1: of that back to their albums. No, but that's a
• 29:07
  Speaker 1: good idea. That's a really good Yeah. Yeah, yeah, yeah,
• 29:14
  Speaker 1: you know, you know I love games we play because
• 29:16
  Speaker 1: it's a lot of late seventies early eighties babies references
• 29:20
  Speaker 1: in that record, Like you gotta be born around that
• 29:22
  Speaker 1: era to get a lot of the language, for sure,
• 29:25
  Speaker 1: for sure. But show you when you reference the Purple Tape. Yeah,
• 29:28
  Speaker 1: when you say mud mud made monsters who grew up
• 29:32
  Speaker 1: on the legends from Yonkers. Yeah yeah, yeah, shout out
• 29:35
  Speaker 1: the locks. Let me just tell you, Charlomagne has been
• 29:37
  Speaker 1: wearing his same outfit for three days straight. Not took
• 29:39
  Speaker 1: this outfit off because he wants to feel like he's
• 29:42
  Speaker 1: still selling crack yo. I don't know, I understand adult
• 29:46
  Speaker 1: contemporary trap music. I understand. Yeah, yeah, totally feel sure.
• 29:49
  Speaker 1: He had that green shirt on for three days. And
• 29:54
  Speaker 1: by the way, rock Nation to fit is crazy though
• 29:55
  Speaker 1: the pands feel so comfortable to Now let's talk WHI
• 30:00
  Speaker 1: not half of that? Yeah, yeah, half, but that's till
• 30:07
  Speaker 1: your budget though, right your artist still bro, I've been
• 30:10
  Speaker 1: in this game for a long time, like, I know
• 30:12
  Speaker 1: how to be conservative and get my budget back and
• 30:14
  Speaker 1: put it in my pocket. Like, no, I don't want
• 30:17
  Speaker 1: to spend it like that, nobody. So let's go. Let's
• 30:22
  Speaker 1: go to Wyoming right before that? Me neither ahead, no envy.
• 30:27
  Speaker 1: I've never been a Wyoming So you only sold Cracking
• 30:29
  Speaker 1: the self. Yeah, there you go. So so you know,
• 30:34
  Speaker 1: we go to Wyoming and um, you know, same thing,
• 30:37
  Speaker 1: listening to samples and just finding the sound, finding it
• 30:39
  Speaker 1: and we you know, we did we we ultimately did
• 30:41
  Speaker 1: find it. Like I mean, I was just going, I
• 30:44
  Speaker 1: just got back from Wyom and like last week because
• 30:47
  Speaker 1: you just finished the album. Yeah, so when he tweeted
• 30:49
  Speaker 1: out that release date, did you know that was the
• 30:51
  Speaker 1: release date? No? I knew, No, I knew, I knew,
• 30:55
  Speaker 1: I knew I was supposed to come first. But I'm figuring. Okay,
• 30:57
  Speaker 1: we're all gonna do June. It's a lot of It's
• 30:59
  Speaker 1: a lot of Friday in June, right, I can we
• 31:01
  Speaker 1: can have them all? Why I got to be the
• 31:02
  Speaker 1: maid who feel like he was rushing you? Well? I
• 31:05
  Speaker 1: was done, okay, okay, I was done lyrically, I was done.
• 31:09
  Speaker 1: It was you know, it was it was him and
• 31:11
  Speaker 1: what he has to do. But I like, you gotta
• 31:13
  Speaker 1: get him time. Man. It's like, you know, you go,
• 31:15
  Speaker 1: you go over there, go over there to get a
• 31:18
  Speaker 1: beat man in You're looking at sneakers, all the samples, Hey,
• 31:21
  Speaker 1: try these on what you know and it turns into
• 31:25
  Speaker 1: it can turn into anything, and listen, that can turn
• 31:28
  Speaker 1: into a song. So you just got to go through
• 31:29
  Speaker 1: the process and and you know, trust it. So you
• 31:32
  Speaker 1: haven't dropped since twenty fifteen. Whose idea wasn't to only
• 31:36
  Speaker 1: do seven songs? And was that? Do you feel like
• 31:38
  Speaker 1: you got all your ideas out in seven songs? Totally? Okay?
• 31:41
  Speaker 1: Like you know, it was totally. That was totally Kanye's
• 31:43
  Speaker 1: idea and um he asked me about it, and I
• 31:45
  Speaker 1: was like, man, I don't feel that I was I
• 31:47
  Speaker 1: don't think that's it at all. He was like, man,
• 31:49
  Speaker 1: I feel like, you know, people are getting bombarded with
• 31:52
  Speaker 1: these loans albums. I feel like seven is the real number.
• 31:55
  Speaker 1: We can get it across short, concise. You know, it's
• 31:58
  Speaker 1: all of us, you know. And then I just had
• 32:00
  Speaker 1: to think about it from from his perspective. It's like, man,
• 32:02
  Speaker 1: if you you you're really producing thirty five joints for
• 32:06
  Speaker 1: this month, Like that's a lot of record. He did
• 32:09
  Speaker 1: every every every single question I thought. I know, previously
• 32:13
  Speaker 1: it used to be that albums have to be a
• 32:15
  Speaker 1: certain length to be considered a full length album. We
• 32:18
  Speaker 1: were looking for the Grammy, uh specifications last night. Fifteen
• 32:22
  Speaker 1: minutes in five distinct songs. That's how long it have
• 32:27
  Speaker 1: to be. So so album can be five songs, five
• 32:34
  Speaker 1: songs for the Grammy. I don't know if anything I
• 32:37
  Speaker 1: don't know about, you know, if it's you know, if iTunes,
• 32:39
  Speaker 1: that means the EP or whatever case may be, to
• 32:42
  Speaker 1: be eligible for a Grammy. Five, five distinct songs, fifteen minutes.
• 32:46
  Speaker 1: We got more. We push your tee when we come back,
• 32:48
  Speaker 1: don't move. It's to Breakfast Club, Good Morning, the Breakfast
• 32:51
  Speaker 1: Club Morning. Everybody is DJ Envy Angela yee, Charlomagne the guy.
• 32:58
  Speaker 1: We all the breakfast club. Put your teas in the building.
• 33:01
  Speaker 1: Now I want I want to talk about a song
• 33:02
  Speaker 1: that's been buzzing on the internet. It's okay, all right,
• 33:05
  Speaker 1: now you talk about bird Man baby. Yeah again again.
• 33:09
  Speaker 1: Oh now, it's okay to kill baby. Look just look
• 33:12
  Speaker 1: at me crazy, like I really killed your baby. So
• 33:15
  Speaker 1: that ross because the message was pure. You see what
• 33:18
  Speaker 1: I see when you see Wayne on tour. Yeah, now
• 33:21
  Speaker 1: you want that smoke. You want that smoke with that
• 33:23
  Speaker 1: whole too. It's just, you know, it's just, um man,
• 33:25
  Speaker 1: you gotta just address these things like I'm going off
• 33:28
  Speaker 1: of social media. I'm going off what people say. What
• 33:31
  Speaker 1: what you know? How people address me? What they what
• 33:33
  Speaker 1: they're talking about? Um I've seen baby the other day,
• 33:36
  Speaker 1: seen him, seeing him, seeing him an elevator, really elevator
• 33:40
  Speaker 1: together and elevator, y'all, what you're gonna shoot me? Av?
• 33:46
  Speaker 1: Had he already heard informat? It was like, what's bracking? Like,
• 33:50
  Speaker 1: what's bracking? Yeah? A lot of people with him. Yeah
• 33:54
  Speaker 1: you don't. You don't route a lot of people by himself. No,
• 33:57
  Speaker 1: I do that. He's like, what's bracking? One I was
• 33:59
  Speaker 1: like at He was like, you're good. I was like, yeah,
• 34:03
  Speaker 1: I'm good. You sure some positive got off floor six?
• 34:09
  Speaker 1: That was that. That was the first time I've seen
• 34:12
  Speaker 1: each other all these Yeah, I don't yeah, I don't know.
• 34:14
  Speaker 1: I probably seen him how to fight us something, yeah,
• 34:17
  Speaker 1: he said, but he hadn't heard Infrared yet or heard
• 34:19
  Speaker 1: about it. So yeah, but I mean, you know, I
• 34:21
  Speaker 1: feel like I feel like, yeah, yeah, for sure, it's music,
• 34:24
  Speaker 1: but beyond that, I feel like, um, Infrared is just
• 34:28
  Speaker 1: me talking to everybody. It's like, man, I'm I I've
• 34:31
  Speaker 1: addressed a lot of these things, right, and then you
• 34:35
  Speaker 1: know I've I've tooking heat for addressing these things. And
• 34:39
  Speaker 1: then I was speaking about how Ross Ross had addressed
• 34:43
  Speaker 1: it just recently on his album, and I was saying, damn,
• 34:46
  Speaker 1: you know, I respect that Ross was speaking from a
• 34:48
  Speaker 1: pure place, but you know, oh, now it's okay, it's
• 34:51
  Speaker 1: okay to kill baby when it looked at me crazy
• 34:54
  Speaker 1: like I really killed the baby during that time. You know.
• 34:57
  Speaker 1: So let me ask you a question, right, because let
• 34:59
  Speaker 1: me just paint this pace yourself. You see him in
• 35:01
  Speaker 1: the elevator, right, and you could have said, you know,
• 35:03
  Speaker 1: I'm gonna take the next elevator. But you you said no, no, no,
• 35:05
  Speaker 1: I was. I was. I was on an elevator. Yeah
• 35:08
  Speaker 1: you was cute and yes, okay, elevator. Yet when you
• 35:15
  Speaker 1: should when you shook at all just to look like
• 35:17
  Speaker 1: David might go down. Bro, I've been in this so long,
• 35:20
  Speaker 1: and I just look at everybody as like real people,
• 35:23
  Speaker 1: Like I know, I know, you like a real I mean,
• 35:25
  Speaker 1: minus to all the tattoos and weird you like you're
• 35:29
  Speaker 1: a real person man. For all the newbies in the game,
• 35:32
  Speaker 1: all the youngsters. It's been going on for a long time.
• 35:34
  Speaker 1: What exactly is the issue with Wayne and baby there? Listen,
• 35:37
  Speaker 1: I don't have I don't have necessarily an issue. I
• 35:41
  Speaker 1: don't like, you know, we we were just talking about
• 35:45
  Speaker 1: and speaking about, you know, just the situation, like we're
• 35:48
  Speaker 1: just speaking about. These are just bars, man. But then
• 35:51
  Speaker 1: it starts some allegedly that I guess you felt or
• 35:55
  Speaker 1: people felt that Wayne was taking your style and some
• 35:58
  Speaker 1: of the stuff and taking you but that that's where
• 35:59
  Speaker 1: it originated from. But that's old like that ain't that
• 36:01
  Speaker 1: ain't even like that's all. I don't even wear that
• 36:03
  Speaker 1: type of stuff no more. And I never even claimed
• 36:05
  Speaker 1: that I never claimed that people did. And then the
• 36:08
  Speaker 1: Internet and not everybody knows how to be respectful of
• 36:12
  Speaker 1: somebody when addressing when talking about them. You know what
• 36:15
  Speaker 1: I'm saying. You had a couple of times on Twitter,
• 36:17
  Speaker 1: Yeah weird love. Yeah, but listen yeah yeah, that woman,
• 36:24
  Speaker 1: All of it, I mean, you know, ain't much of it.
• 36:26
  Speaker 1: Nothing to me. It's just um, it makes it makes
• 36:29
  Speaker 1: for good content. And that was just a that was
• 36:32
  Speaker 1: honestly just a me talking about in that song. I
• 36:35
  Speaker 1: was just talking about how man, how to how to
• 36:37
  Speaker 1: tie his turn. Everybody looked at me one way, you know,
• 36:40
  Speaker 1: and then Ross did it and it was like, oh man,
• 36:42
  Speaker 1: we were riding rocket. You almost sound kind of sorry
• 36:46
  Speaker 1: for Wayne and the record a little bit. He feel
• 36:49
  Speaker 1: like another multi platinum all this stuck on tour for
• 36:52
  Speaker 1: the rest of his career. So I'm trying to find
• 36:54
  Speaker 1: I'm trying to find my retire my exit route. I
• 36:57
  Speaker 1: can't imagine selling all the records and having this sty'll
• 37:00
  Speaker 1: do a show, club host where and I look and
• 37:05
  Speaker 1: I look at the game. It's it's it's me, And
• 37:07
  Speaker 1: it's me looking at the young the youngest today and
• 37:11
  Speaker 1: how man, they're so self sufficient like they're like so
• 37:15
  Speaker 1: self sufficient. Like, man, I was coming up here begging,
• 37:17
  Speaker 1: you know, I was coming to New York begging for
• 37:21
  Speaker 1: a deal. I watched these kids do it at home.
• 37:23
  Speaker 1: They get their money. They like, you know, I go
• 37:25
  Speaker 1: on my I g like my favorites, my favorites. Um
• 37:29
  Speaker 1: right now, gonna a little baby like I watched them
• 37:32
  Speaker 1: like night for night, get their bag, and it's it's inspiring.
• 37:35
  Speaker 1: It's like, man, they're doing this. I don't even know
• 37:37
  Speaker 1: if they sign yet. Mind you, we're talking thirty million
• 37:40
  Speaker 1: records later, right, We're talking about like, you know, it's
• 37:42
  Speaker 1: it's a lot. I shouldn't be able to pay a
• 37:43
  Speaker 1: little away to host the club at this point. I
• 37:47
  Speaker 1: know this, man, I don't he's I don't know. I
• 37:49
  Speaker 1: don't know. I don't know what it is. But I'm
• 37:52
  Speaker 1: just saying that, you know, personally, I feel like there's
• 37:55
  Speaker 1: a way that we gotta like what the whole say
• 37:58
  Speaker 1: about the Cold Crush, Yeah, we can't do that among
• 38:03
  Speaker 1: We can't do that amongst us. You know what I'm saying, yea, yeah,
• 38:06
  Speaker 1: we gotta protect yet protect our as when a drake
• 38:09
  Speaker 1: ever reached out to you, No no, no, no, no,
• 38:11
  Speaker 1: I mean they say Drake reached out on two Birds
• 38:13
  Speaker 1: on Stone. Yeah, he definitely did. Why he got these
• 38:16
  Speaker 1: shots on it? Yeah, here a shot at him. It
• 38:18
  Speaker 1: beats his binging any of your books? Did it? The
• 38:21
  Speaker 1: lyric pinning equal to Trump winning. The bigger question is
• 38:25
  Speaker 1: how the Russians did it. It was written like nas
• 38:28
  Speaker 1: but it came from you know, yeah, I feel like
• 38:31
  Speaker 1: it was. It was to be responded to, like you know,
• 38:34
  Speaker 1: at the same time, it's music. But who who gets
• 38:38
  Speaker 1: to talk to who? Like, Like, there's certain people I
• 38:41
  Speaker 1: do want to talk to, I do want to wrap
• 38:43
  Speaker 1: with so on and so forth. I don't want to
• 38:45
  Speaker 1: wrap I don't really look at that. I don't even
• 38:48
  Speaker 1: look at that situation the same since how that, since
• 38:51
  Speaker 1: how that all played out, and how that came out,
• 38:53
  Speaker 1: Like you can't let they're the real writers out here,
• 38:56
  Speaker 1: you know what I'm saying? Who really do this? Who
• 38:58
  Speaker 1: really like enjoy the craft of this. Then there's other
• 39:01
  Speaker 1: artists who make great music, you know, and they put
• 39:04
  Speaker 1: it together how they put it together. I don't feel
• 39:06
  Speaker 1: like we get to have that conversation, like, you know,
• 39:09
  Speaker 1: it's other people that we I should have that conversation
• 39:12
  Speaker 1: with that I truly respect they pin and stuff like that. Yeah,
• 39:18
  Speaker 1: I'm not I'm not with you like some of his
• 39:22
  Speaker 1: raps and but just not all of them. I don't know, man,
• 39:25
  Speaker 1: I mean, I feel like, what's the I mean, I
• 39:27
  Speaker 1: don't know. I'm not there. I just know what's known.
• 39:31
  Speaker 1: And it's like he was speaking his truth on that record.
• 39:34
  Speaker 1: And that's cool. Like I'm not gonna have no argument
• 39:37
  Speaker 1: about with you about who's the realist, who who sold
• 39:41
  Speaker 1: who sold the most dope? You know I didn't sell
• 39:44
  Speaker 1: whatever boom. That's cool. That's your truth, that's how you feel,
• 39:48
  Speaker 1: and that's it's fine with me. But I got my
• 39:50
  Speaker 1: truth too, and fred is my truth. And I mean,
• 39:54
  Speaker 1: and we can lay mine out, we can lay mine
• 39:56
  Speaker 1: out on the table. We can see it. It's it's documented.
• 40:01
  Speaker 1: That's that. And I do have my own proclamations only rapper,
• 40:06
  Speaker 1: so more dope than me is easy, easy see. Jay
• 40:09
  Speaker 1: Z lost ninety though, it's cool. Here to go. Relationship,
• 40:17
  Speaker 1: that's cool, Kanye ever try to be like, come on, Bush,
• 40:19
  Speaker 1: let me get you all together. You know you don't,
• 40:23
  Speaker 1: I mean, I don't know, I don't you know, they
• 40:25
  Speaker 1: do have a relationship. I don't know how that works out.
• 40:27
  Speaker 1: But he's closer with you, so you know, I don't.
• 40:31
  Speaker 1: I don't. Listen, they live in the same neighborhood. Listen,
• 40:33
  Speaker 1: I don't. I don't. I don't. I don't put street
• 40:38
  Speaker 1: values and things in the music game. Like you know
• 40:42
  Speaker 1: what I'm saying, it's business for everybody. Um, it's friendships,
• 40:45
  Speaker 1: it's relationships with everybody. I ride a little different. I'm
• 40:49
  Speaker 1: on good music, man, Like everybody got a roll on
• 40:51
  Speaker 1: good music. Like when when when people take shots and
• 40:55
  Speaker 1: so on and so forth, I gotta take them. I'm
• 40:57
  Speaker 1: gonna take all those and I'm gonna throw them back.
• 41:00
  Speaker 1: Everybody else gets the key key smile, dap up everybody else.
• 41:04
  Speaker 1: We all got different brands. That's the thing about being
• 41:07
  Speaker 1: on good music. You know what I'm saying. He played
• 41:10
  Speaker 1: creative fashion. You know I'm up there. I'm I'm I'm
• 41:15
  Speaker 1: rap rap superhero. You know what I'm saying. Those lines
• 41:20
  Speaker 1: get blurred a little bit, Those lines get blurred a lot. Actually,
• 41:23
  Speaker 1: are you ready for drake smoke? Though? Of course you
• 41:26
  Speaker 1: got something to cut. That's what I was gonna say.
• 41:28
  Speaker 1: Get you with a back to back push. Listen, man,
• 41:31
  Speaker 1: it is that's that's that was that was a cool.
• 41:35
  Speaker 1: That was a cool thing was cool. That's cool, that's cute.
• 41:42
  Speaker 1: I do want to see that though I'm not gonna lie. Yeah,
• 41:46
  Speaker 1: I think I think Drake is a formidable We've seen
• 41:50
  Speaker 1: that for how he had the meek situation. He can't
• 41:53
  Speaker 1: rap when he wants to, and we definitely know you.
• 41:55
  Speaker 1: I think that would be pretty pretty good, right, but
• 41:57
  Speaker 1: we gotta it's you gotta still you have to still
• 42:00
  Speaker 1: look at it differently, like you know, I don't don't
• 42:03
  Speaker 1: don't pit me in my skill set with his skill set.
• 42:06
  Speaker 1: I feel like we do different things. Like I said,
• 42:09
  Speaker 1: they put records together in in in a great way,
• 42:11
  Speaker 1: but what they do I feel like I do something
• 42:14
  Speaker 1: that is a draw. It be dope. If you wrote
• 42:17
  Speaker 1: a disrecord for him to um ghost wrote it for
• 42:19
  Speaker 1: him about it, catch the ball better, hope your face
• 42:30
  Speaker 1: clean out him. We got more. Will push your tea
• 42:33
  Speaker 1: when we come back, let's get into it. Push your
• 42:34
  Speaker 1: team mini mixes to Breakfast Club. Good morning, this morning.
• 42:37
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We
• 42:40
  Speaker 1: are the Breakfast Club. Push your t's here. Now you
• 42:43
  Speaker 1: only have two guest appearances on it. I guess because
• 42:46
  Speaker 1: why why why Ross on the album? Ross Ross is
• 42:51
  Speaker 1: by far one of the people who gives me the
• 42:55
  Speaker 1: perfect verse every time. I feel like he's somebody that
• 42:59
  Speaker 1: I can I can sent a record too and get
• 43:02
  Speaker 1: that back and turn my back on it and know
• 43:04
  Speaker 1: that it's gonna come back how it needs to come back.
• 43:07
  Speaker 1: I wanted to hit hold on this album too. I
• 43:08
  Speaker 1: don't know why I wanted. Record y'all did with each
• 43:11
  Speaker 1: other was just amazing. I wanted to hear more Yeah,
• 43:14
  Speaker 1: anymous Yeah. Drug Dealers Anonymous was an amazing record. Um.
• 43:20
  Speaker 1: I don't like to ask people for features frivolously, like
• 43:24
  Speaker 1: Drug Dealers Anonymous was a record that I felt like
• 43:26
  Speaker 1: I ain't never asked for one. I'm gonna ask for this,
• 43:29
  Speaker 1: and I feel like it's so fitting. I don't want
• 43:32
  Speaker 1: people to ever think I don't like I don't ever
• 43:33
  Speaker 1: like to call people and ask them to be on records.
• 43:37
  Speaker 1: I mean, everybody got a lot to do. I hate it.
• 43:39
  Speaker 1: I hate when you know I gotta take time out
• 43:41
  Speaker 1: and do things that and I feel like it's like
• 43:44
  Speaker 1: a throwaway or something that's not gonna be meaningful. It
• 43:47
  Speaker 1: was divine though, because it was very timely. Yeah. No,
• 43:50
  Speaker 1: Lauren had just called Jay out, called a fourteen year
• 43:53
  Speaker 1: drug dealers, So yeah, it was no listen it was.
• 43:55
  Speaker 1: It was perfect. It was perfect, and I feel like
• 43:57
  Speaker 1: the record is something than that. I mean, that's a
• 44:01
  Speaker 1: benchmark in my career. Now, what's his album originally supposed
• 44:04
  Speaker 1: to be produced by in that tunes? It wasn't that
• 44:06
  Speaker 1: the out the whole album was. It's never not a
• 44:08
  Speaker 1: time where I don't go to Pharrell and Chad to
• 44:12
  Speaker 1: get music. Does he still charge you for real peach arming?
• 44:15
  Speaker 1: He doesn't. Yeah, I don't think you don't know. I
• 44:20
  Speaker 1: mean no, I just I don't. I don't know, Like
• 44:23
  Speaker 1: I really don't know that. I wouldn't know that about
• 44:26
  Speaker 1: him last night, Yeah I was. I was shocked that
• 44:29
  Speaker 1: he didn't have a record on the album though. Yeah, no, no,
• 44:31
  Speaker 1: no he didn't. He didn't. So y'all did a lot
• 44:33
  Speaker 1: of records, so you got yeah. Yeah, I say, what
• 44:35
  Speaker 1: happened to all those songs that Kanye said he felt
• 44:37
  Speaker 1: like he could produce? That? Man, I lost, like wow,
• 44:40
  Speaker 1: producer relationships behind it. I mean, I think everybody understood,
• 44:44
  Speaker 1: you know, I had to just call them guys text whatever, Like, Yo,
• 44:47
  Speaker 1: I know this was supposed to be the plan, the
• 44:49
  Speaker 1: saying it um. But we ever hear those songs, Yeah,
• 44:52
  Speaker 1: of course they were got to come. They were great. Yo.
• 44:55
  Speaker 1: We gotta fix that too. I just changed the title. Yeah,
• 44:58
  Speaker 1: it's the same album. It was the same album. Yeah, okay,
• 45:01
  Speaker 1: the same album. I just the same album minus some songs.
• 45:04
  Speaker 1: And I just changed the title. And I only change
• 45:06
  Speaker 1: the title because I felt like Daytona represented what what
• 45:11
  Speaker 1: you guys are witnessing. And that's what you're really witnesses
• 45:14
  Speaker 1: is two artists really having the luxury of time to
• 45:17
  Speaker 1: really put like an album together. That's why I named
• 45:20
  Speaker 1: the Daytona. Yeah. I don't want to see artists like
• 45:22
  Speaker 1: like like yourself that's been in the game so long,
• 45:24
  Speaker 1: that's even your age rushing, you know, doing trendy stuff.
• 45:28
  Speaker 1: Yeah you know what I mean, that's not the move.
• 45:30
  Speaker 1: It's fundamental hip hop stuff too. So it's like I'm
• 45:33
  Speaker 1: here to show that like the fundamentals of hip hop
• 45:36
  Speaker 1: still apply. I feel like Daytona is like definitely one
• 45:39
  Speaker 1: of those albums that you're gonna be able to put
• 45:41
  Speaker 1: up against whatever you feel like. It's great this year. Now, Now,
• 45:44
  Speaker 1: what's your what's your relationship with Kanye? How is that relationship?
• 45:47
  Speaker 1: And the reason I ask is sometimes when your people's
• 45:50
  Speaker 1: or your friends say something laugh or say something foul,
• 45:52
  Speaker 1: you check them. I'm right. I posted on Instagram and
• 45:56
  Speaker 1: push it called me immediately like your son. I think
• 45:58
  Speaker 1: you're jumping a good on that. So how was that
• 46:01
  Speaker 1: conversation with Kanye when he says some of the outlanded
• 46:04
  Speaker 1: stuff that he's been saying about Trump and the slaves.
• 46:06
  Speaker 1: You gotta have those conversations. Yeah, yeah, we definitely do. Um.
• 46:10
  Speaker 1: I think I was right. I was out there right
• 46:12
  Speaker 1: after TMZ, and you know, he asked my opinion on it.
• 46:16
  Speaker 1: I tell him, you know, I didn't think it was
• 46:19
  Speaker 1: a good look at all. He knows my political stance,
• 46:21
  Speaker 1: he knows like you know about me riding with the
• 46:24
  Speaker 1: Hillary campaign. He knows my agenda more than anything about
• 46:28
  Speaker 1: prison reform, like we talk about all of that. So
• 46:31
  Speaker 1: there's nothing they can even make me agree with him
• 46:34
  Speaker 1: in regards to Trump, because I can't even have my
• 46:36
  Speaker 1: conversation any longer with you know, in regards to my agenda.
• 46:40
  Speaker 1: That's not going to happen during this Trump regime. But
• 46:44
  Speaker 1: they're trying to do a new bill now. But if
• 46:46
  Speaker 1: the bill's kind of fun, listen, they're doing they're doing
• 46:49
  Speaker 1: something everything, and they're doing it quick. That's something that
• 46:52
  Speaker 1: that's something that could happen right now and they could
• 46:54
  Speaker 1: do if they felt it was or deemed it important.
• 46:57
  Speaker 1: Did you think it was a bad idea for me
• 46:59
  Speaker 1: to go and have that conversation at the White House
• 47:02
  Speaker 1: he had, I don't know about that supposed to go,
• 47:05
  Speaker 1: He was supposed to go, and then he didn't go
• 47:07
  Speaker 1: at the last minute. It was like a lot of
• 47:08
  Speaker 1: people told him not to go to talk about prison reform. Yeah,
• 47:13
  Speaker 1: and let me tell you something. I sort of feel like,
• 47:15
  Speaker 1: I know I would be like, hey, now, I don't
• 47:18
  Speaker 1: you know, don't go up there and speak about it. Right.
• 47:20
  Speaker 1: But then you know, when I'm I'm thinking about Meek,
• 47:22
  Speaker 1: Meek really sat down. Meek sat down and was in jail.
• 47:26
  Speaker 1: You know what I'm saying. And I'm sure you know
• 47:29
  Speaker 1: he knows his reach, he knows, he knows, he knows
• 47:32
  Speaker 1: his voice. It's like trying to go to the label
• 47:34
  Speaker 1: and convince the label that you gotta hit record and
• 47:38
  Speaker 1: they don't, you know, they don't really see it. I'm
• 47:40
  Speaker 1: sure he feels like he can articulate that and and
• 47:43
  Speaker 1: show his influence to somebody like him and and pull
• 47:46
  Speaker 1: it off, because you know, you have those hopes, but
• 47:49
  Speaker 1: you just don't know the real agenda of you. Yeah,
• 47:52
  Speaker 1: you know. I can't. I can't, and I don't you know.
• 47:54
  Speaker 1: I don't think he's like a real I don't think
• 47:56
  Speaker 1: Trump is like a real president, you know what. I
• 47:59
  Speaker 1: don't think he's a real president. I don't think he's
• 48:01
  Speaker 1: agenda driven. I feel like he's he's a self driven.
• 48:05
  Speaker 1: So I wouldn't. I wouldn't for that. I did you
• 48:08
  Speaker 1: send him to what would Meek Do? Song? Before? No? Man,
• 48:11
  Speaker 1: I didn't. I didn't send it to him, and it
• 48:14
  Speaker 1: was it was a beat that I really I heard
• 48:16
  Speaker 1: him on. I heard it. I heard him on it
• 48:18
  Speaker 1: so much that I even had a line. I had
• 48:21
  Speaker 1: the line in the song that says, what would Meek do? Right? Okay?
• 48:27
  Speaker 1: But he was in jail, Like this is happening all
• 48:29
  Speaker 1: here in jail. I don't you know. I don't know
• 48:30
  Speaker 1: if he coming out ever, whatever the case may be.
• 48:32
  Speaker 1: I don't know how that's working. I just remember being like,
• 48:35
  Speaker 1: damn man, see, if Meek was here, he could have
• 48:36
  Speaker 1: knocked us out. This isn't that long. Behold he gets out.
• 48:40
  Speaker 1: We have birthdays around the same time. I hit him yo,
• 48:43
  Speaker 1: happy birthday, his son's birthdays on my day. And before
• 48:47
  Speaker 1: I just couldn't bring myself to ask him, fresh out
• 48:51
  Speaker 1: of jail, to go to a studio verse and write
• 48:53
  Speaker 1: a verse for me. I'm battling with that. And then
• 48:56
  Speaker 1: I'm like seeing him like with his son on you know,
• 48:59
  Speaker 1: they at getting on the chaine. I'm like, man, I'm
• 49:01
  Speaker 1: not I'm not doing it. Is there any truth to
• 49:03
  Speaker 1: the fact that you wrote Scoopie poop shoopity pooperty scoop Who? No, Man,
• 49:10
  Speaker 1: why did you tell him like this is your record?
• 49:16
  Speaker 1: Does if you were talking to how do you respond scoop? Yeah?
• 49:20
  Speaker 1: But listen. And I love the fact that he did
• 49:22
  Speaker 1: that on my record, because man, you know, everybody's not
• 49:25
  Speaker 1: privy to the conversations that we have. You had actually
• 49:28
  Speaker 1: a really really good interview and like you you be
• 49:31
  Speaker 1: getting like the you got a lot of the inside
• 49:34
  Speaker 1: of you know, and I can't imagine what you got
• 49:36
  Speaker 1: off camera. Um, but that beat is so fire lift
• 49:42
  Speaker 1: lift your so beat so fire and that could show that, Like,
• 49:45
  Speaker 1: I think that shows you his level of like confidence
• 49:47
  Speaker 1: and arrogance in in these in these uh these releases,
• 49:52
  Speaker 1: because that's a real single. Listen, it's it's it's a
• 49:55
  Speaker 1: real single that that even has you know, real other
• 49:58
  Speaker 1: lyrics to it, so on the so forth. That's what
• 50:00
  Speaker 1: I'm waiting for. And he's like, Yo, you know what,
• 50:02
  Speaker 1: I'm gonna throw this out and I'm gon show him
• 50:04
  Speaker 1: what I think about all that it's nothing, and I'm
• 50:07
  Speaker 1: gonna show him that I'm putting out heat and this
• 50:09
  Speaker 1: is what I This is what I what I what
• 50:11
  Speaker 1: I choose to do on it one of the lives,
• 50:12
  Speaker 1: Because what are the challenges of being an older rapper?
• 50:16
  Speaker 1: Because I was having this conversation with call Faith the
• 50:18
  Speaker 1: other day and he said he feels like he's the
• 50:20
  Speaker 1: best he's ever been because of just pure experience. Yeah, man,
• 50:25
  Speaker 1: I don't necessarily know that they're the real challenges for me.
• 50:29
  Speaker 1: I look at hip hop and its entirety. You know,
• 50:32
  Speaker 1: this isn't just about rap. It's about the fashion. It's
• 50:34
  Speaker 1: about just the whole culture of hip hop. And if
• 50:37
  Speaker 1: you're relevant within that culture and you're still being competitive
• 50:40
  Speaker 1: in all those spaces. I don't see where hip hop ages.
• 50:43
  Speaker 1: I want to hold album all the time I do.
• 50:46
  Speaker 1: I was, I was just in the studio with Nas. Yes,
• 50:48
  Speaker 1: I want the Oas album. Yes, you guys are gonna
• 50:51
  Speaker 1: be impressed. Is it only seven songs? Yes, all the
• 50:54
  Speaker 1: songs that are come, all albums coming only seven. My
• 50:56
  Speaker 1: album seven, Kanye album seven, Kanye Hetty album seven, NAS
• 51:01
  Speaker 1: album seven, Tiana Album seven. Now I'm gonna make his
• 51:06
  Speaker 1: release date. Yeah, I think it's Kanye gonna make his
• 51:08
  Speaker 1: release date. Kanye next Friday. Kanye definitely gonna make his
• 51:12
  Speaker 1: release date. Lord, don't you do me like this, Don't
• 51:15
  Speaker 1: do me like this. Yes, he's gonna make his release date.
• 51:18
  Speaker 1: Don't do me like this, I swear like don't please.
• 51:23
  Speaker 1: All right, Well, push your t albums out right now,
• 51:25
  Speaker 1: day Tone to make sure you stream it. And we
• 51:27
  Speaker 1: appreciate you for joining us, bro Yo man, thanks for
• 51:29
  Speaker 1: having me. All right, it's the club's push your tea
• 51:32
  Speaker 1: the Breakfast Club morning. Everybody is DJ Envy Angela, Yee,
• 51:40
  Speaker 1: Charlemagne the guy. We all the Breakfast club. Good Marnin't
• 51:43
  Speaker 1: what's happening Friday? Yes, Friday, Just turn himself in. By
• 51:48
  Speaker 1: the way, he has turned himself in about thirty minutes ago.
• 51:51
  Speaker 1: The only reason I care is because the police station
• 51:53
  Speaker 1: is literally up right across the radio station. We're concerned
• 51:56
  Speaker 1: about traffic, which I don't understand. The two times I've
• 51:59
  Speaker 1: been insulted in front of the radio station, took police
• 52:02
  Speaker 1: forever to get here, and they literally write a half
• 52:04
  Speaker 1: a block away. One time when you got assaulted, there
• 52:07
  Speaker 1: was a bomb threat to the police were down the
• 52:08
  Speaker 1: block at the bomb through, every single one of them, Yeah,
• 52:11
  Speaker 1: every single police officer. Yes. Then they showed up, and
• 52:14
  Speaker 1: this is like, oh, I mean, well there. I'm glad
• 52:17
  Speaker 1: that I want to be justice against Harvey Weinstein Litten
• 52:21
  Speaker 1: press charges. Yes, I do. Let's get to the rumors.
• 52:24
  Speaker 1: Listen out Breakfast Club. We've been waiting for this Nicki
• 52:35
  Speaker 1: Minaj's announcement all week because she's been delaying it. She
• 52:38
  Speaker 1: was supposed to go on Llen, then she said doctor's order,
• 52:40
  Speaker 1: she couldn't get on the flight, and now she has
• 52:43
  Speaker 1: finally given the announcement and here it is the album itself.
• 52:47
  Speaker 1: I think I want to put out one Walkers tenth.
• 52:50
  Speaker 1: I want to put out my second single, which I'm
• 52:52
  Speaker 1: really really excited about and I want to now start
• 52:55
  Speaker 1: an official countdown. I also want to do like some
• 52:58
  Speaker 1: things where some of my actual fans to the studio
• 53:02
  Speaker 1: and listen to the album and listen to the songs
• 53:04
  Speaker 1: and you don't hear the second single and you know
• 53:07
  Speaker 1: all that stuff, all right, So that's the delay. That's
• 53:11
  Speaker 1: the announcement. Man. I wonder if the longer you wait nowadays,
• 53:15
  Speaker 1: does it lessen to anticipation, because think about it, you know,
• 53:18
  Speaker 1: it's like, yeah, as you get about it, I like
• 53:20
  Speaker 1: want to just drop. So yeah, just put it out,
• 53:21
  Speaker 1: Just give it to me asap. Rocky just put an
• 53:24
  Speaker 1: album out today, and I'm going to listen. I'm gonna
• 53:27
  Speaker 1: listen as soon as I get off here. Absolutely, sin
• 53:29
  Speaker 1: as it comes out, you just want to listen. You
• 53:30
  Speaker 1: don't want to wait because you to forget about it.
• 53:31
  Speaker 1: Other music comes out augusts Augus A long time. Yeah,
• 53:35
  Speaker 1: shout out to astat Rocky now. In the meantime, Nikki
• 53:37
  Speaker 1: also is going to be helping some of her fans
• 53:39
  Speaker 1: pay for the education. That's great, She tweeted out, just
• 53:42
  Speaker 1: send one tweet with the hashtag hashtag student of the Game,
• 53:45
  Speaker 1: saying how much money you need them, what it's for.
• 53:47
  Speaker 1: All money will be paid directly towards the tuition, books,
• 53:49
  Speaker 1: et cetera. And our favorite your tweet and DMU. If
• 53:52
  Speaker 1: you've been chosen, that's great. Drop. I'm about to send
• 53:56
  Speaker 1: her a tweet right now and put your student into
• 53:57
  Speaker 1: the game. Well, it's gonna go directly to school, so
• 53:59
  Speaker 1: it's not going to come to you the money. No,
• 54:01
  Speaker 1: you can't get no money, So you're gonna have to
• 54:02
  Speaker 1: go to school. Then I enrolled into Sprayer University. So
• 54:06
  Speaker 1: I don't know if y'all new, there's a few different
• 54:08
  Speaker 1: campuses for straight Trump University. All right, And like I said,
• 54:13
  Speaker 1: Asap Rocky's new album Testing is now available. He's actually
• 54:16
  Speaker 1: on the cover of Complex as well. Now. He said
• 54:19
  Speaker 1: this is the first album that he'd done without Asap
• 54:21
  Speaker 1: Yams by his side. He said it wasn't the same
• 54:23
  Speaker 1: without him, But it's with any legacy that loses a pioneer,
• 54:26
  Speaker 1: you gotta keep going. Yams is a spirit, He's an energy.
• 54:29
  Speaker 1: He was always about discovering new talent and trying to
• 54:31
  Speaker 1: put new people on I think that's what validated him
• 54:33
  Speaker 1: in hip hop. You're not gonna talk about Nikki songs
• 54:35
  Speaker 1: you just release. Oh well, first of all, that's why
• 54:38
  Speaker 1: song come right. But yes, let me just finish this
• 54:42
  Speaker 1: and then I'll get to that. But um. He also
• 54:44
  Speaker 1: says that he worked extensively with Kanye Tyler, the creator,
• 54:47
  Speaker 1: UH Dean Blunt, and Hector Delgado to lay the signing
• 54:50
  Speaker 1: foundation for this new project. And yes, HyG put out
• 54:53
  Speaker 1: a new song and Nicki Minaj is on that song
• 54:55
  Speaker 1: as well as a big sean in two chains. Here's
• 54:57
  Speaker 1: Nicky's part, back again, the back made backstack the ms
• 55:02
  Speaker 1: told him I miss slim shady. Back to m once
• 55:04
  Speaker 1: he go black, he'll be back again. Tell him set
• 55:07
  Speaker 1: us crunch time, abdomen. Yes, the cup matchanel and match
• 55:10
  Speaker 1: even she did again e matching them about to make
• 55:14
  Speaker 1: these bumps match again? Back to them, I lead the
• 55:19
  Speaker 1: pecks on my back to them, yup, the Queen's back.
• 55:21
  Speaker 1: What's happening where you run? About? To make these thrap again?
• 55:26
  Speaker 1: All right, what do you guys think? I don't care
• 55:28
  Speaker 1: for the record. I heard it when he played it earlier.
• 55:31
  Speaker 1: I don't necessarily care for the record, but Nikki did
• 55:33
  Speaker 1: wash everybody on it though. All right, Well, here's the
• 55:35
  Speaker 1: hook with yg and a little two chains, big bank
• 55:39
  Speaker 1: tight yo bye fine big bank tighter yo by fine
• 55:43
  Speaker 1: type of money you're gonna need cycle type of money
• 55:46
  Speaker 1: you're gonna need from no hook, this type of money
• 55:48
  Speaker 1: to make you still what type of money he's gonna
• 55:50
  Speaker 1: let you put it in? Fine big bank t yo
• 55:54
  Speaker 1: by big bank titan go bye fine everything proper, no propaganda,
• 55:59
  Speaker 1: typer count of old yard, bend down, big second lot
• 56:02
  Speaker 1: of like sound, first day party and a fantom Okay,
• 56:06
  Speaker 1: I might take that back to change might. Now you
• 56:09
  Speaker 1: clearly didn't listen to see what happens when you just
• 56:12
  Speaker 1: make a judgment. And he played it in the room
• 56:16
  Speaker 1: earlier you got played the whole thing. Keep listening, all right,
• 56:19
  Speaker 1: Well I'm angela yeah, and that is your rumor report.
• 56:21
  Speaker 1: All right, thank you, miss z Z. Shut up man Charlemagne,
• 56:25
  Speaker 1: charman zz top getting this from you Z earlier. If
• 56:30
  Speaker 1: you missed it, you know, Charlemagne talked about anybody, any
• 56:33
  Speaker 1: man that could talk his draws off. He too fat.
• 56:37
  Speaker 1: A lot of people pause in and Charlemagne had the
• 56:40
  Speaker 1: new nickname. His new nickname is zz top. Oh my god,
• 56:46
  Speaker 1: I said, if you're a straight man, I don't see
• 56:48
  Speaker 1: what a man could say to you to get you
• 56:49
  Speaker 1: out your boxing briefs. That's what I said, poopitty scoop
• 56:53
  Speaker 1: great like that. I would love to get a scoop
• 56:55
  Speaker 1: from my poop boys. What huh? You would love that,
• 56:58
  Speaker 1: wouldn't you? You know what this guy, Let's get to
• 57:02
  Speaker 1: the room, man, Let's get to the donkey. Then we're
• 57:03
  Speaker 1: gonna give it donkey too. Man giving what's trying to
• 57:05
  Speaker 1: figure that out? I don't want to give your donkeys too?
• 57:07
  Speaker 1: Have to, I said, poopy scooping. You talk about what's
• 57:10
  Speaker 1: one of the guys I called this morning? You're giving
• 57:12
  Speaker 1: your done? Are you giving that? Don Bring doctor him off?
• 57:14
  Speaker 1: I'm trying to Okay, I'm bringing doctor him my back
• 57:19
  Speaker 1: up here because this is getting out of here, all right,
• 57:21
  Speaker 1: y'a letting doctor Humar down? All right? Now? Four after
• 57:24
  Speaker 1: the hour, we're giving donkey to day to a young
• 57:26
  Speaker 1: man named Matt Rotundo. Okay, he needs to come to
• 57:29
  Speaker 1: the front of congregation. We like to have a word
• 57:31
  Speaker 1: with him. You may not know who Matt is, but
• 57:34
  Speaker 1: you will let eight or four, all right, that happens
• 57:36
  Speaker 1: next keeping locktic to breakfast club. Good morning, you get
• 57:46
  Speaker 1: you are, I'm gonna fatten all that around your They
• 57:55
  Speaker 1: want this man's two Dolden blowers. Man, they're waiting for
• 57:57
  Speaker 1: Charlomaye to talk. Let's go judgment. Who was gonna be
• 58:01
  Speaker 1: on the Donkey of the day. They chose you the
• 58:04
  Speaker 1: breakfast club. Bitch, you who's donkey of the day to day?
• 58:07
  Speaker 1: Listen Donkey today for Friday, May twenty fifth, goals to
• 58:10
  Speaker 1: Michael Rotundo. Now, if you don't know who Michael Rotundo is,
• 58:13
  Speaker 1: he's a thirty year old man who clearly has never
• 58:16
  Speaker 1: heard such motivating records like tell see no Scrubs where
• 58:20
  Speaker 1: t Bars left Eye and Chili told young men they
• 58:22
  Speaker 1: don't want no scrubs or scrub as a man who
• 58:24
  Speaker 1: can't get no love from them, okay, hanging out the
• 58:27
  Speaker 1: passage side of their best friend's ride. I did not
• 58:30
  Speaker 1: want to be that guy in the passengers side. Okay.
• 58:32
  Speaker 1: When Rosanda Thomas said, oh, if you live at home
• 58:34
  Speaker 1: with your mama, Oh yes, boy, I'm talking to you,
• 58:37
  Speaker 1: It's sent chills up my spine. I knew at that
• 58:40
  Speaker 1: point I couldn't live at home with my MoMA. No mo,
• 58:42
  Speaker 1: because you can't get chicks that look like chili, you
• 58:44
  Speaker 1: know with the natural baby heads. If you live home
• 58:47
  Speaker 1: with your mom? Okay, when out casting, Goody Mob told me,
• 58:50
  Speaker 1: you need to get up, get out and get something.
• 58:51
  Speaker 1: Don't let the days of your life pass by. You
• 58:53
  Speaker 1: need to get up, get out and get something because
• 58:55
  Speaker 1: you and I gotta do for you and I. When
• 58:56
  Speaker 1: I heard that record, my rusty butt knew I had
• 58:59
  Speaker 1: to get up and get out of my mama house.
• 59:01
  Speaker 1: And who can forget jay Z? Can't I live? Shut up? Okay,
• 59:06
  Speaker 1: stop worrying about my butt this morning? Okay? And who
• 59:09
  Speaker 1: can forget jay Z? Can I live? One line? One line?
• 59:13
  Speaker 1: Let me know I can't live with my mama no more.
• 59:15
  Speaker 1: And that line was I'd rather die enormous than live dormant,
• 59:19
  Speaker 1: and living in your mama house past a certain age
• 59:21
  Speaker 1: is living dormant. Okay. See Michael Rotunda was thirty years
• 59:24
  Speaker 1: old and still lives at home with his parents. In fact,
• 59:26
  Speaker 1: not only does he live at home with his parents,
• 59:29
  Speaker 1: his parents had to sue him okay to get him
• 59:32
  Speaker 1: evicted from their house. Okay, real quick around in the room.
• 59:35
  Speaker 1: Can we play a game of guess what race its? Okay,
• 59:40
  Speaker 1: real quick around in the room, envy. Thirty year old
• 59:43
  Speaker 1: man get sued by parents to get him evicted from
• 59:45
  Speaker 1: their home. What race is that individual? White? Angela yee?
• 59:48
  Speaker 1: Thirty year old man get sued by parents to get
• 59:50
  Speaker 1: him evicted from their home? What race is that individual? Caucasian? Why? Baby? Why?
• 1:00:01
  Speaker 1: Let's go to CBS News for the report. Thirty year
• 1:00:03
  Speaker 1: old Michael Rotundo has caught the attention of households around
• 1:00:06
  Speaker 1: the country as a headstrong squatter in his parents suburban
• 1:00:10
  Speaker 1: Syracuse home. Parents Mark and Christina Rotundo told a judge
• 1:00:13
  Speaker 1: that they've been trying to evict their unemployed son for
• 1:00:15
  Speaker 1: eight years, writing him five notices since February, even gifting
• 1:00:20
  Speaker 1: Michael eleven hundred dollars to pay rent. In an interview today,
• 1:00:23
  Speaker 1: Michael says he wants to move out, but believes he's
• 1:00:25
  Speaker 1: owed a six month notice. I would consider much of
• 1:00:30
  Speaker 1: what they were doing to try to get me out
• 1:00:32
  Speaker 1: as a tax I'll leave. I don't like living here,
• 1:00:36
  Speaker 1: but I need you. I need reasonable time. But the
• 1:00:38
  Speaker 1: judge ultimately sided with the parents. Michael blames an ongoing
• 1:00:41
  Speaker 1: custody battle over his own son for overstaying. Is welcome
• 1:00:44
  Speaker 1: at home. He's a college graduate I went for engineering,
• 1:00:47
  Speaker 1: and then when I couldn't do the math, I switched
• 1:00:49
  Speaker 1: to business. But he couldn't keep a job. I have
• 1:00:52
  Speaker 1: plans to be able to provide myself with the income
• 1:00:55
  Speaker 1: I need to support myself, but it's not something that's
• 1:00:57
  Speaker 1: going to come together tomorrow. Matt Rotundo has never heard
• 1:01:04
  Speaker 1: the notorious Big say being broke at thirty gives a
• 1:01:08
  Speaker 1: brother to chill. See personally, when I heard that line
• 1:01:10
  Speaker 1: in nineteen ninety five, when I was a teenager, I
• 1:01:12
  Speaker 1: knew I couldn't be broken at age thirty. I just
• 1:01:14
  Speaker 1: wanted better for myself. Matt, you don't want better for yourself, okay,
• 1:01:17
  Speaker 1: you want to enables in your life. You want to
• 1:01:19
  Speaker 1: be depending on your parents for the rest of your life.
• 1:01:21
  Speaker 1: God forbid if your parents passed away, what you're gonna do.
• 1:01:24
  Speaker 1: You don't pay bills, you don't pay rent. Your parents
• 1:01:25
  Speaker 1: are given. Your parents have given you every opportunity to
• 1:01:28
  Speaker 1: be great, and you haven't succeeded. Okay, your parents gave
• 1:01:30
  Speaker 1: you eleven hundred dollars and you can find a place
• 1:01:32
  Speaker 1: to stay. Let me tell you something. When I first
• 1:01:34
  Speaker 1: moved up to my mama house, I left Monst corner,
• 1:01:36
  Speaker 1: South Carolina and got an apartment in West Colombia. Okay,
• 1:01:38
  Speaker 1: you dropped on the clues bron from Columbia, South Carolina.
• 1:01:40
  Speaker 1: The eight h three. I think my rint might have
• 1:01:42
  Speaker 1: been four hundred dollars at the time, Okay. I think
• 1:01:44
  Speaker 1: I had to pay a security deposit and first month rent,
• 1:01:47
  Speaker 1: So maybe it was eight hundred dollars. Okay, that's what
• 1:01:48
  Speaker 1: I needed. I don't remember, but I do know I
• 1:01:50
  Speaker 1: didn't have it, and I didn't have parents. I could
• 1:01:52
  Speaker 1: give me eleven hundred dollars to help me out, but
• 1:01:54
  Speaker 1: I knew I had to get out. Okay. See living
• 1:01:56
  Speaker 1: with your mama passed A certain age is the Sunken Place,
• 1:01:59
  Speaker 1: and Matt Michael Rotundo, what's his name, Matta Michael Michael Rotundo,
• 1:02:03
  Speaker 1: You are in the Sunken Place. Okay. So even though
• 1:02:06
  Speaker 1: I didn't have the money, I saved up and got
• 1:02:07
  Speaker 1: that money. And I wasn't even full time at the
• 1:02:10
  Speaker 1: radio station. I one with three nine by the way,
• 1:02:12
  Speaker 1: where we now do mornings. Or they fired me at
• 1:02:14
  Speaker 1: one time too, but we do more. Yes, Uh, you know,
• 1:02:17
  Speaker 1: I was doing part time at the radio station. I
• 1:02:19
  Speaker 1: wasn't sure I was gonna have the rent every month,
• 1:02:21
  Speaker 1: But I said effort because anything was better thing hanging
• 1:02:24
  Speaker 1: hanging out the passenger side of your best friend's ride
• 1:02:26
  Speaker 1: and living with your mama. So, in the words of
• 1:02:28
  Speaker 1: Martin Luther King Jr. I took that first step even
• 1:02:31
  Speaker 1: though I didn't see the rest of the steadcase. And
• 1:02:33
  Speaker 1: that is what Michael Rotundo is scared to do, take
• 1:02:35
  Speaker 1: the first step to get his big, thirty year old
• 1:02:38
  Speaker 1: rusty butt out of his mama house. Now, why is
• 1:02:41
  Speaker 1: Matt Rotundo getting donkey to day to day not just
• 1:02:43
  Speaker 1: for being thirty and living with his parents. But he
• 1:02:45
  Speaker 1: was on TMZ Live the other day and he was
• 1:02:47
  Speaker 1: asked if he thinks his parents are good people? And
• 1:02:51
  Speaker 1: listen to what he had to say. Do you think
• 1:02:53
  Speaker 1: your parents are good people? Why do you say that? Well,
• 1:02:58
  Speaker 1: someone supposed to be, you know someone I don't think
• 1:03:04
  Speaker 1: good people do that. Once you do move out, will
• 1:03:07
  Speaker 1: there be a relationship between you and your parents? No? Wow?
• 1:03:12
  Speaker 1: How dare you? I see why Paple I can smell
• 1:03:19
  Speaker 1: as the privilege on his breath. Okay, do you know
• 1:03:22
  Speaker 1: the level of entitlement you have to have to live
• 1:03:24
  Speaker 1: with your parents for thirty years rent free and then
• 1:03:26
  Speaker 1: when they finally want you to leave because they want
• 1:03:28
  Speaker 1: to walk around their house negative. Because they have taken
• 1:03:30
  Speaker 1: care of you twelve years past the legal age, you
• 1:03:33
  Speaker 1: have the nerve to say they're not good people. They
• 1:03:35
  Speaker 1: raise you as a baby all through your teens and
• 1:03:37
  Speaker 1: your twenties and nine, they're not good people because you
• 1:03:39
  Speaker 1: thirty and they want you out your house out there house. Well, Michael,
• 1:03:42
  Speaker 1: I am sorry. Your parents disapproval of your behavior and
• 1:03:46
  Speaker 1: sense of entitlement makes you uncomfortable. Okay, kids, always remember
• 1:03:50
  Speaker 1: your parents old you nothing. All right in a sense
• 1:03:52
  Speaker 1: of entitlement is a cancerous thought process that is void
• 1:03:55
  Speaker 1: of gratitude and can be deadly to all relationships. Please
• 1:03:59
  Speaker 1: give Michael Rotundo switch sons in the Hammeletones Police. Oh
• 1:04:02
  Speaker 1: now you are dogee. Oh the day the doge, Oh
• 1:04:13
  Speaker 1: the day ye shocked. The parents feel comfortable with him
• 1:04:20
  Speaker 1: living in the house. What's crazy is he don't even
• 1:04:22
  Speaker 1: speak to them in the house, like how dare That's
• 1:04:24
  Speaker 1: all I'm saying that that's the kind of that's the
• 1:04:26
  Speaker 1: kind of sun that you know wakes up one day
• 1:04:27
  Speaker 1: and decided to kill his parents. Yeah, all right, you
• 1:04:30
  Speaker 1: know why? All right? Thank you for that donkey today.
• 1:04:36
  Speaker 1: Now when we come back, comedian act all, Little L
• 1:04:39
  Speaker 1: will be joining us. We'll kick it with a little
• 1:04:40
  Speaker 1: role where we come back, so don't move. It's the
• 1:04:42
  Speaker 1: Breakfast Club. Come on the Breakfast Club. It's DJ Envy,
• 1:04:48
  Speaker 1: Angela Yee, Charlomagne the guy. We are the Breakfast Club.
• 1:04:51
  Speaker 1: We got a special guest in the building, man, Little L.
• 1:04:56
  Speaker 1: Let's get into it. You have your own show coming
• 1:04:58
  Speaker 1: to Fox. Yes, yeah, Fox gave me a show and
• 1:05:01
  Speaker 1: it's really funny. I'm really proud of it. And uh,
• 1:05:04
  Speaker 1: it's really funny. And then I wrote it with Gerard
• 1:05:06
  Speaker 1: and my friends Josh and Kevin. So it was a
• 1:05:09
  Speaker 1: crazy process. Though I don't know. If I don't know
• 1:05:13
  Speaker 1: network TV is color, how long does that process take?
• 1:05:15
  Speaker 1: Because I always hear these stories about how it takes
• 1:05:17
  Speaker 1: years and years and years for a show to get
• 1:05:19
  Speaker 1: picked up. Well, everything happened pretty fast with our show.
• 1:05:22
  Speaker 1: Like when I pitched it in the room, they they're like,
• 1:05:25
  Speaker 1: all right, we'll get your pilot. I'm like, damn, I
• 1:05:26
  Speaker 1: didn't leave a room. I though I pitched it. And
• 1:05:28
  Speaker 1: then once it took long after we turned it in,
• 1:05:31
  Speaker 1: like the taping Knight was insane. The crowd was into it,
• 1:05:35
  Speaker 1: everybody was good, but it was just so much. Even
• 1:05:37
  Speaker 1: from casting, it was just a lot of little stuff.
• 1:05:39
  Speaker 1: And you know, it's so funny. At the end of
• 1:05:41
  Speaker 1: the stuff, everybody like, oh, it's all the cast and
• 1:05:42
  Speaker 1: everything's great, Like, I know, but you had to fight
• 1:05:44
  Speaker 1: you out for all this stuff. That's how it always is.
• 1:05:46
  Speaker 1: What made you hired Jeff Jess hilarious, funny ass because
• 1:05:49
  Speaker 1: she had the best audition and it was so crazy
• 1:05:52
  Speaker 1: because it was some of my homegirls. I was rooting for,
• 1:05:54
  Speaker 1: like that's comedians, and then I watched the audition, I'm like,
• 1:05:57
  Speaker 1: this is what choice did you make them about the show?
• 1:06:00
  Speaker 1: If they don't know, Yeah, what's the show? What's the
• 1:06:02
  Speaker 1: pict I mean, real is loosely based on my life,
• 1:06:05
  Speaker 1: and boy, let's towards my material. It's just look, it's
• 1:06:08
  Speaker 1: just me being divorced. My wife just left and I
• 1:06:12
  Speaker 1: ended up finding out that she cheated on me with
• 1:06:14
  Speaker 1: my barber. And that's what makes you Yeah, that's what
• 1:06:17
  Speaker 1: makes it funny. Did she really sleep with your barbaro
• 1:06:19
  Speaker 1: hey Man's loosely based on my life? No, no, no,
• 1:06:24
  Speaker 1: So in the show, the barber works at the barber
• 1:06:27
  Speaker 1: shop and everybody kind of gets on me. DC Young
• 1:06:30
  Speaker 1: flies and he's hysterical and a pilot. But it's just
• 1:06:34
  Speaker 1: it's just showing a man rebuild his life at you
• 1:06:36
  Speaker 1: still get a haircut from Ball because you know how
• 1:06:37
  Speaker 1: we are without bab with sheep or up right, you
• 1:06:40
  Speaker 1: know you got another ball. But they always mess you up.
• 1:06:43
  Speaker 1: But that's what made it funny too, because we wrote
• 1:06:45
  Speaker 1: it so many different ways, where like I did get
• 1:06:47
  Speaker 1: a couple of bad haircuts and that's when we go back.
• 1:06:49
  Speaker 1: So it was fun playing with that dynamic of it.
• 1:06:52
  Speaker 1: But na, I mean, you can get you a good bob. No,
• 1:06:54
  Speaker 1: guys have such a crazy relationship with their barbers. It's
• 1:06:57
  Speaker 1: like they will not break up at their barber. It's
• 1:06:59
  Speaker 1: hard to break up with them too, because sometimes you
• 1:07:01
  Speaker 1: move like I can't move you to la. Yeah, like
• 1:07:05
  Speaker 1: that's not I'm not that guy. I'm not killing Oh.
• 1:07:07
  Speaker 1: I know some dudes that fly they barb is out
• 1:07:09
  Speaker 1: from the East Coast. Salute to Johnny. Johnny flies out
• 1:07:11
  Speaker 1: to the West. Is really a relationship, yall to fly out.
• 1:07:16
  Speaker 1: You guys move them in, take care of them. That's
• 1:07:18
  Speaker 1: so funny. That's that's kind of weird. People treat the
• 1:07:20
  Speaker 1: barber like a nanny, and I'm doing that. So in
• 1:07:24
  Speaker 1: real life, yeah, did your wife really cheat with your barber?
• 1:07:27
  Speaker 1: How loose was that part? A man? I put that
• 1:07:30
  Speaker 1: in the show because it was funny. Wow, So did
• 1:07:33
  Speaker 1: you divorce your barb in real life life? I told
• 1:07:39
  Speaker 1: somebody I'm never gonna tell people what only people that
• 1:07:42
  Speaker 1: knows my friends, So like, it's a lot of stuff
• 1:07:44
  Speaker 1: that's showing that some stuff that ain't true, and yall,
• 1:07:47
  Speaker 1: never your wife, your friends is gonna tell you wife
• 1:07:51
  Speaker 1: makes that complaint and starts trying to fall lawsuits and
• 1:07:54
  Speaker 1: all that die, won't it won't You're gonna be like,
• 1:07:58
  Speaker 1: I need some money for the storyline. That's why you
• 1:08:00
  Speaker 1: make that a pilot, and then you just move on
• 1:08:02
  Speaker 1: and never tell the story again. Now, I wouldn't hard
• 1:08:04
  Speaker 1: to get the network to like bring in people like
• 1:08:07
  Speaker 1: DC and jess A liars, because I mean they he
• 1:08:09
  Speaker 1: came from social media. We have the acting background. Yet
• 1:08:12
  Speaker 1: well it wasn't even just that. I mean it was hard,
• 1:08:14
  Speaker 1: like because Jordan L. Jones played my little brother. Um,
• 1:08:17
  Speaker 1: you know, a lot of tests network don't want to
• 1:08:19
  Speaker 1: use two Green People, which they called I basically somebody
• 1:08:21
  Speaker 1: knew and then they'll never tell you this even though
• 1:08:23
  Speaker 1: it's your show, like they look at you like, man,
• 1:08:25
  Speaker 1: is he gonna be able to carry this show? So
• 1:08:27
  Speaker 1: it's a lot of little factors. But I really fought
• 1:08:30
  Speaker 1: for them because they were really good, and Jess was
• 1:08:32
  Speaker 1: just really really really I mean, we hired somebody else first, Uh,
• 1:08:37
  Speaker 1: she didn't have the best table read, so you know,
• 1:08:39
  Speaker 1: the network and somebody had to fire or she was
• 1:08:44
  Speaker 1: hired at first, then you had to fire. So Jess
• 1:08:46
  Speaker 1: got hired and fired. Somebody else had had to pick
• 1:08:50
  Speaker 1: between Jess and Jordan at first, and I picked Jordan
• 1:08:53
  Speaker 1: because I'm like, I need my little brother to release
• 1:08:55
  Speaker 1: match my little because my brother character is really based
• 1:08:58
  Speaker 1: on my little brother. Got you. But once, you know,
• 1:09:02
  Speaker 1: once we got rid of Angel, who was an amazing actress, um,
• 1:09:07
  Speaker 1: Jess man, we got Jess, and it was it was
• 1:09:09
  Speaker 1: crazy because it was like a nov and then all
• 1:09:11
  Speaker 1: of a sudden it was it Yes Angel, who hey man,
• 1:09:14
  Speaker 1: look man, They said, we really love this whole premise,
• 1:09:24
  Speaker 1: but we wanted somebody else to play your role. Right,
• 1:09:29
  Speaker 1: that's real though, I mean it actually happened. It happens
• 1:09:32
  Speaker 1: more than you think that, Like, but it doesn't happen
• 1:09:35
  Speaker 1: often with like a like a story so specific, which
• 1:09:38
  Speaker 1: is a great thing about being a comedians. So like
• 1:09:39
  Speaker 1: it's like Sinfield. Sinfield wasn't I don't think the best
• 1:09:42
  Speaker 1: actor on their show, but it was his show. You
• 1:09:44
  Speaker 1: have the fire them because it's basically his story. So
• 1:09:46
  Speaker 1: I think I don't think they would have did that.
• 1:09:48
  Speaker 1: But I mean, I don't have to worry about that.
• 1:09:50
  Speaker 1: I'm pretty good. How you get a light skinned daddy
• 1:09:52
  Speaker 1: on the show though, same bad plays your daddy. Yeah,
• 1:09:53
  Speaker 1: so you know it's funny a comic for Chicole. One
• 1:09:57
  Speaker 1: of my home is trying to be funny with days
• 1:09:59
  Speaker 1: like so, who You're mom gonna be Jennifer Aniston? And
• 1:10:03
  Speaker 1: this is what black people pissed me off, Like we
• 1:10:05
  Speaker 1: don't have that in my families, Like my dad was light,
• 1:10:09
  Speaker 1: my mom my mom was chockolate. Yeah, so I'm like,
• 1:10:12
  Speaker 1: it happens, But I also I wanted the funniest person
• 1:10:14
  Speaker 1: we could think of. I didn't think about it as
• 1:10:15
  Speaker 1: a um you know race that light skill. Why would
• 1:10:19
  Speaker 1: if I had a castle just a dark skinned daddy,
• 1:10:21
  Speaker 1: Like who who funny isn't sin Bad? Did he have
• 1:10:23
  Speaker 1: to audition or you just gave it to him? We
• 1:10:25
  Speaker 1: would We wanted to just give it to him, but
• 1:10:27
  Speaker 1: they had us, had us reade man twice, if real,
• 1:10:36
  Speaker 1: why are you telling him that? Like, yeah, that's what
• 1:10:38
  Speaker 1: happened about that. When y'all was surprised, we felt we
• 1:10:41
  Speaker 1: was like mad, like, man, that's disrespectful. It's crazy about
• 1:10:43
  Speaker 1: like I'll do it. And he was hysterically like the
• 1:10:46
  Speaker 1: first chemistry where we had it was like, all sen
• 1:10:48
  Speaker 1: Bad comes up here all the time. Yeah, he's a
• 1:10:51
  Speaker 1: very he's you know, I like about him. Man, he's
• 1:10:54
  Speaker 1: a legend, but he like has this this chill about him. Man,
• 1:10:57
  Speaker 1: Like he doesn't think he's better there. He still think
• 1:10:59
  Speaker 1: he's just on the around like the rest of us.
• 1:11:00
  Speaker 1: You don't look at the stuff like that statue, of
• 1:11:02
  Speaker 1: which I think. I was excited about putting them on
• 1:11:05
  Speaker 1: the show and reintroducing the world. It was funny. I
• 1:11:07
  Speaker 1: didn't watch the Breakfast Club interview. He did until after.
• 1:11:10
  Speaker 1: We was like, we want to send Bad and I'm
• 1:11:12
  Speaker 1: saying that he wanted to get back on television and
• 1:11:14
  Speaker 1: he gonna he's killing it. It's like crazy, hysterical, and
• 1:11:17
  Speaker 1: you have Uncle Drew. The movie is coming out next.
• 1:11:20
  Speaker 1: I'm excited about Uncle Drew. Man. My son plays a
• 1:11:22
  Speaker 1: little me in it, which is uh crazy because the
• 1:11:25
  Speaker 1: second nepotism the family. But he's good. Like I kept
• 1:11:28
  Speaker 1: they kept picking these little kids. Did it look like me?
• 1:11:30
  Speaker 1: And I was like, no, you know what I mean,
• 1:11:31
  Speaker 1: I gotta I literally have a kid to look exactly like.
• 1:11:36
  Speaker 1: You don't look like sen Bad. Come on, yeah, you
• 1:11:40
  Speaker 1: don't look like saying bad. I mean that is the
• 1:11:42
  Speaker 1: true state. Look, the only difference is that you got
• 1:11:44
  Speaker 1: red hair. No, man, come on, Michael Jordan's way taller
• 1:11:52
  Speaker 1: than his day. That's all I'm saying. Most of these
• 1:11:55
  Speaker 1: players are like way the families are like. Though. I
• 1:12:01
  Speaker 1: can't believe I'm just very racist. I went for the
• 1:12:05
  Speaker 1: funniest dude. The funniest dude to live is sit bad
• 1:12:09
  Speaker 1: to me tell about Uncle Drew. Uncle Drew is based
• 1:12:12
  Speaker 1: off Kyrie's character Pepsi commercials and uh the movies based
• 1:12:16
  Speaker 1: around my character. Really who you know has to found
• 1:12:20
  Speaker 1: Drew to help them put together a team because I
• 1:12:22
  Speaker 1: lost my team to my rival, which played by Nick
• 1:12:24
  Speaker 1: Crow and all the silliness happens from there. That's the
• 1:12:28
  Speaker 1: way they explain it. Kyrie's playing uncle. He's playing Uncle Drew.
• 1:12:31
  Speaker 1: Kyrie's in it. Chris Webber, Shack, Reggie Miller, Lisa Leslie,
• 1:12:35
  Speaker 1: Nate Robinson. We got more with a little l when
• 1:12:38
  Speaker 1: we come back. Keeping locked this to Breakfast Club. Good
• 1:12:40
  Speaker 1: morning morning. Everybody is DJ Envy, Angela Yee, Charlomagne the
• 1:12:44
  Speaker 1: guy We all the Breakfast Club. Little Reil is in
• 1:12:46
  Speaker 1: the building now. A couple of years ago, when you
• 1:12:48
  Speaker 1: was here, I told women they should trap you. You
• 1:12:50
  Speaker 1: a couple of years ago, you've been saying it more
• 1:12:53
  Speaker 1: often than you should. I don't need that. Man like women,
• 1:12:58
  Speaker 1: take my advice. I mean I wouldn't say that. I mean, oh,
• 1:13:03
  Speaker 1: he's not your body language is nobody take your advice
• 1:13:07
  Speaker 1: to congratulations. How much money around getting man had to
• 1:13:13
  Speaker 1: get out back in check. I'm back in now, Hey, man,
• 1:13:17
  Speaker 1: work like everybody else. Movies you got coming up? I
• 1:13:21
  Speaker 1: got a jocket suit on guys. What changed? Look out?
• 1:13:24
  Speaker 1: Look out? The thing that has changed because I can
• 1:13:27
  Speaker 1: take care of my kids. So you got a baby
• 1:13:28
  Speaker 1: on the way. I got a one year old. He's
• 1:13:30
  Speaker 1: and he's dope, you got a one year old little
• 1:13:32
  Speaker 1: harm yeah, man shout out to that young lady. Man
• 1:13:36
  Speaker 1: shut out bec like she got you a year ago?
• 1:13:39
  Speaker 1: Round you still with her? Was never with her? No,
• 1:13:45
  Speaker 1: I wasn't like that. It's just congratulations she's from which
• 1:13:51
  Speaker 1: is interesting you have any name? No, not at all?
• 1:13:57
  Speaker 1: You know, uh we cool now. So it was one
• 1:14:01
  Speaker 1: of those situations you didn't know it was yours or something,
• 1:14:03
  Speaker 1: and it was a long story, man, and like it's
• 1:14:06
  Speaker 1: one of those things. Were like, so because I've watched
• 1:14:08
  Speaker 1: people like feel all this stuff, like I do everything
• 1:14:11
  Speaker 1: through the craft, So this next special gonna be lit brow.
• 1:14:14
  Speaker 1: You got to start wearing condoms, man, ru I'm okay, man,
• 1:14:18
  Speaker 1: I'm okay, I'm doing okay. I gotta one ye old man.
• 1:14:20
  Speaker 1: Like so you started wining condoms since then? What's Charlotte? Magine?
• 1:14:25
  Speaker 1: Look brother, look, I don't know what you do with you,
• 1:14:27
  Speaker 1: you know what I mean? Like, I don't know what
• 1:14:30
  Speaker 1: you what you got to bring. I'm okay. Jesus Christ,
• 1:14:35
  Speaker 1: shout out the little hall. I heard this get out
• 1:14:37
  Speaker 1: too coming? Is that true? At first? At first, well,
• 1:14:41
  Speaker 1: at first I was disputing it, and then after just
• 1:14:45
  Speaker 1: some of the Kanye stuff. It just kept not in
• 1:14:48
  Speaker 1: the back I want to get out too little. I
• 1:14:51
  Speaker 1: did not say that, but it made you think about
• 1:14:54
  Speaker 1: how many different ways people need to get out, right,
• 1:14:56
  Speaker 1: And I think if you make it, have nothing to
• 1:14:58
  Speaker 1: do with this first one, not in the same characters,
• 1:15:01
  Speaker 1: just a whole other get out situation. But that's what
• 1:15:04
  Speaker 1: I thought. I don't know what Jordan would do, but
• 1:15:06
  Speaker 1: that's I thought about that. Like, you know, there's so
• 1:15:08
  Speaker 1: many different get out situations. Do you feel indebted to
• 1:15:11
  Speaker 1: Jordan in some way? Um? Yeah, no. I think it's
• 1:15:15
  Speaker 1: one of the things when all of us kind of
• 1:15:17
  Speaker 1: helped each other, no way, because it wasn't a huge budget,
• 1:15:19
  Speaker 1: so like most people would be like, man, I ain't
• 1:15:21
  Speaker 1: doing this movie for this, but what you got back
• 1:15:23
  Speaker 1: in the look man, everybody doing I had a guess,
• 1:15:26
  Speaker 1: you know why you count this money over there? You're
• 1:15:29
  Speaker 1: doing rich no way, you got books and stuff with movies,
• 1:15:34
  Speaker 1: TV shows. You don't feel induted each other if you
• 1:15:38
  Speaker 1: I'll help each other, yeah, I think, but I'll do
• 1:15:40
  Speaker 1: I'll be honestly though, whatever he wants me to do
• 1:15:42
  Speaker 1: as far as movies and stuff, man, I'll do whatever
• 1:15:44
  Speaker 1: he's brilliant to me. So, I mean the only thing
• 1:15:47
  Speaker 1: I didn't do. He had a great TV show ideal,
• 1:15:50
  Speaker 1: and I didn't do it just because I want to
• 1:15:51
  Speaker 1: do my show first. Now you're gonna be at Caroline's
• 1:15:53
  Speaker 1: all weekend long, right, I mean Caroline's this weekend bad,
• 1:15:55
  Speaker 1: So it's gonna be so much. I love performing in
• 1:15:58
  Speaker 1: New York City and Caroline is one of my favorite clubs,
• 1:16:00
  Speaker 1: and as a comedian, that's that's the club when she
• 1:16:03
  Speaker 1: started headlining. You're right about Caroline because I saw I
• 1:16:07
  Speaker 1: was at Kev's show. This had to be twelve thirteen
• 1:16:11
  Speaker 1: years ago when he sold out Caroline's like ten different dates.
• 1:16:15
  Speaker 1: And that's when keV Hart just I remember I was there,
• 1:16:19
  Speaker 1: was backstage, Yes, Kevin says something I remember. Let me
• 1:16:22
  Speaker 1: tell so duvall and Kevin was arguing about who's the
• 1:16:26
  Speaker 1: biggest comedian, and keV was like, I mean, come on,
• 1:16:29
  Speaker 1: I'm bigg than you. It's not even close. Whatever, and
• 1:16:31
  Speaker 1: the balls like I got more money and Kevin was like, no,
• 1:16:32
  Speaker 1: I don't think. I don't think your more money to me.
• 1:16:34
  Speaker 1: And then Kevin goes, look, they're about to call my name,
• 1:16:36
  Speaker 1: and then everybody in this room is gonna scream real oute,
• 1:16:38
  Speaker 1: I'm not gonna be able to hear you know more.
• 1:16:39
  Speaker 1: I'm about to be out. As soon as he said that,
• 1:16:41
  Speaker 1: Kevin Hard, he just walked off and I was like, damn,
• 1:16:46
  Speaker 1: was that a real conversation? Was they jokingly or was
• 1:16:49
  Speaker 1: it because Kevin's competitive? They've always been like that. They
• 1:16:53
  Speaker 1: were standing by each other and see who's the tallest.
• 1:16:56
  Speaker 1: Let's see what I mean. Funny though, But that's that's
• 1:16:59
  Speaker 1: so funny because he about my circle friend. Like I
• 1:17:01
  Speaker 1: think that's the difference between that group and our group.
• 1:17:04
  Speaker 1: We just be chilling and they like, I don't hurt
• 1:17:06
  Speaker 1: each other's feelings. It ain't what we mean. But like
• 1:17:09
  Speaker 1: not like maybe like career means like you ain't doing anohing,
• 1:17:13
  Speaker 1: I'll do your special. It's just me, Why why are
• 1:17:18
  Speaker 1: you bringing your careers into this going into each other
• 1:17:22
  Speaker 1: like this? Are you next? Because you about you? The one?
• 1:17:25
  Speaker 1: You don't see me on the Hennessy tool, commented Kings
• 1:17:31
  Speaker 1: or something. I'm not doing nothing. I'm doing my show.
• 1:17:34
  Speaker 1: That's about another six months. You're gonna be the comedian
• 1:17:38
  Speaker 1: that artists be. Other comedians gonna be doing interviews and
• 1:17:40
  Speaker 1: it's a little really funny for no reason, and I'm
• 1:17:43
  Speaker 1: just like, yo, just watch my show. I respect the
• 1:17:45
  Speaker 1: fact you let keV ep of special, though, because a
• 1:17:48
  Speaker 1: lot of comedians don't even want to do that, Like
• 1:17:49
  Speaker 1: I don't want Cake to do my special. We think
• 1:17:51
  Speaker 1: about it. I did that. I felt like I wanted
• 1:17:54
  Speaker 1: to be introduced by whoever was you know, on that throne.
• 1:17:57
  Speaker 1: Hannibal Versus is another one of your friends. Yeah, that's
• 1:18:01
  Speaker 1: one of my closest friends. Man. I have a theory
• 1:18:04
  Speaker 1: because we all know Hannibal Births killed Bill Cotgi's crept
• 1:18:07
  Speaker 1: he did. You don't think so? Nah, but listen. I
• 1:18:10
  Speaker 1: always laugh at this because not laughing like Bill. Bill
• 1:18:12
  Speaker 1: Cottage is a black man and black dudes when we come.
• 1:18:15
  Speaker 1: I don't even know. I did know date rate drugs existed,
• 1:18:19
  Speaker 1: soil I like watch an episode like I Saved by
• 1:18:20
  Speaker 1: the Bill or something like, well like, oh, date rate drugs,
• 1:18:23
  Speaker 1: it was in my community like that. I think when
• 1:18:24
  Speaker 1: you learn to do stuff like that, you're learned from
• 1:18:26
  Speaker 1: some powerful white people. And Bill at some point probably
• 1:18:30
  Speaker 1: thought he was just as powerful. So you're saying Bill
• 1:18:33
  Speaker 1: pissed off the wrong white person. Person person people. I
• 1:18:38
  Speaker 1: mean yes and no. It's at the end of the day,
• 1:18:40
  Speaker 1: you still gotta pay for whatever. Like you could tell.
• 1:18:43
  Speaker 1: You could tell this is one of the most confident
• 1:18:44
  Speaker 1: dudes I've ever seen. Like when he walking out of
• 1:18:46
  Speaker 1: the court doing all that stuff with the neck and
• 1:18:49
  Speaker 1: Bill is okay. I think we're all like sad for
• 1:18:52
  Speaker 1: but he's like getting ready to go to jail, or
• 1:18:53
  Speaker 1: like he's really like getting this stick. Gonna die first.
• 1:18:56
  Speaker 1: I don't believe so. I don't you gonna die. I
• 1:18:58
  Speaker 1: think you would have died already, I said. I think
• 1:19:00
  Speaker 1: three or four years ago he should have clocked up.
• 1:19:02
  Speaker 1: We'll see. Man, that's a shame what Hannibal did. The
• 1:19:04
  Speaker 1: Cobby man, Hannibal did not do anything to Times of
• 1:19:08
  Speaker 1: did I fully did was repeat effect. Yeah, it's a
• 1:19:11
  Speaker 1: shame what Cosby did themselves. But it's a shame Hannibal
• 1:19:13
  Speaker 1: had to bring him back up to this era. Yeah,
• 1:19:15
  Speaker 1: y'all get Hannibal way too much credit. Think Hannibal. I
• 1:19:18
  Speaker 1: feel like Hannibal killed Bill Cobby on behalf of the Illuminati,
• 1:19:21
  Speaker 1: and I feel like you don't think what I might exists.
• 1:19:23
  Speaker 1: I feel like the Luminati was about the blessed Hannibal
• 1:19:24
  Speaker 1: with this very fruitful career. But what I think happened
• 1:19:26
  Speaker 1: was they had picture on the Hannibal picture on the desk,
• 1:19:30
  Speaker 1: and they mixed the pictures up and illuminatis like a
• 1:19:33
  Speaker 1: bad YouTube video happened. I think the Illuminati your pictures
• 1:19:37
  Speaker 1: passed it through. You really believe in the Illuminati, Yes,
• 1:19:40
  Speaker 1: they don't exist. I think the NR is. That's who
• 1:19:44
  Speaker 1: the Luminati is. They the most powerful people. Well, this
• 1:19:48
  Speaker 1: weekend he's gonna be ca. Well, well you want to
• 1:19:52
  Speaker 1: see little rel carolyzed this weekend and we appreciate. I
• 1:19:55
  Speaker 1: got two shows on Friday, two shows on Saturday, one
• 1:19:58
  Speaker 1: show on Sunday, Okay, two shows like two shoulder on
• 1:20:00
  Speaker 1: mar two shows Sundens. Great, get your tickets if it's
• 1:20:03
  Speaker 1: not sold out. A little route. It's the Breakfast Club.
• 1:20:06
  Speaker 1: Good morning, Boom, the Breakfast Club. This is the Ruble
• 1:20:12
  Speaker 1: Report with Angela Ye. So it looks like Spotify is
• 1:20:22
  Speaker 1: moving back on their decision. Remember they took off music
• 1:20:25
  Speaker 1: by r Kelly Xxxtant Hassion off of their playlists. Well
• 1:20:29
  Speaker 1: now they are saying they will eventually restore songs by
• 1:20:31
  Speaker 1: Xxxtant Hassion to the playlist. That's because both the music
• 1:20:36
  Speaker 1: industry and civil rights activists are trying to see what
• 1:20:38
  Speaker 1: is the best course of action. Even some Spotify executives
• 1:20:41
  Speaker 1: didn't agree with some of those decisions because this is
• 1:20:43
  Speaker 1: a slippery slope, Like if you have a hate policy
• 1:20:45
  Speaker 1: and a hate content policy, you know how much music
• 1:20:47
  Speaker 1: you're gonna have to remove. And also, some people haven't
• 1:20:50
  Speaker 1: even been charged with crime, so how do you determine when? Now,
• 1:20:54
  Speaker 1: So it's where and how do you draw the line?
• 1:20:56
  Speaker 1: And that's what the issue is. Sadly, all Kelly has
• 1:20:59
  Speaker 1: never been charged with to cry right, But because it's
• 1:21:02
  Speaker 1: not an across the board thing, because there's a lot
• 1:21:04
  Speaker 1: of people who have been accused of something, their music
• 1:21:07
  Speaker 1: is still up. How do you determine that? All Right?
• 1:21:10
  Speaker 1: Andrea Constant, who is the first woman to accuse Bill
• 1:21:12
  Speaker 1: Cosby of sexual assault in court, is now going to
• 1:21:15
  Speaker 1: be sitting down to do her first interview in decades. Okay,
• 1:21:19
  Speaker 1: she is doing her interview with Dateline and she hasn't
• 1:21:22
  Speaker 1: been able to discuss that case because of ongoing legal
• 1:21:24
  Speaker 1: action for the past thirteen years. So that interview will
• 1:21:28
  Speaker 1: air next week. Should be interesting and I'm definitely watching that,
• 1:21:31
  Speaker 1: all Right, Jaden Smith. He's gonna be using his cloud
• 1:21:35
  Speaker 1: now to talk about the environment. He was the co
• 1:21:37
  Speaker 1: host at the twenty eighteen Environmental Media Association's Impact Summit,
• 1:21:41
  Speaker 1: and now he is planning to do a six part
• 1:21:43
  Speaker 1: documentary series which is all going to be on YouTube.
• 1:21:46
  Speaker 1: He said, it's going to help more, especially very young people,
• 1:21:49
  Speaker 1: to educate themselves and what's going on. Some people twelve
• 1:21:51
  Speaker 1: to eighteen years old might not necessarily be aware of
• 1:21:54
  Speaker 1: what's happening, So it's going to focus on problems and
• 1:21:56
  Speaker 1: also solutions. All right. Hulu is also doing a Kelly documentary.
• 1:22:00
  Speaker 1: We told you about the one that Lifetime is doing. Well,
• 1:22:02
  Speaker 1: Hulu is teaming up with BuzzFeed. BuzzFeed is the one
• 1:22:05
  Speaker 1: that broke all the news about R. Kelly where they
• 1:22:07
  Speaker 1: sat down with the women in the alleged sex cult
• 1:22:10
  Speaker 1: and did some exclusive interviews. Well, now they are doing
• 1:22:13
  Speaker 1: a documentary on Hulu that's going to feature interviews with
• 1:22:16
  Speaker 1: key figures involved in his past, including several survivors and
• 1:22:19
  Speaker 1: the singers associates as well. A lot of R. Kelly
• 1:22:23
  Speaker 1: documentary is happening. I don't know why if they're not
• 1:22:25
  Speaker 1: gonna lock them up. Is that why he's doing all
• 1:22:27
  Speaker 1: the exactly what's going? How much more can you expose
• 1:22:32
  Speaker 1: R Kelly? We saw the sex tape, like we know
• 1:22:35
  Speaker 1: he married a lea when your fifty? Like, how much
• 1:22:36
  Speaker 1: more does he need to be exposed? Yeah, listen, I
• 1:22:39
  Speaker 1: don't know. Last, but not least, Amber Rose, she is
• 1:22:42
  Speaker 1: clapping back at everybody about all the allegations against staring,
• 1:22:45
  Speaker 1: all the rumors about her online. I guess she's getting
• 1:22:47
  Speaker 1: a little bothered by them. She posted, I'm just going
• 1:22:50
  Speaker 1: to address every rumor about me, not like I really
• 1:22:53
  Speaker 1: give an f to explain, but it gets really annoying.
• 1:22:55
  Speaker 1: She said, I've never said the girls in Philly or ugly.
• 1:22:58
  Speaker 1: I would never call anyone ugly. When I say they
• 1:23:00
  Speaker 1: weren't traditionally attractive, I meant by society's b S standards
• 1:23:03
  Speaker 1: of European beauty. She also said she went to an
• 1:23:06
  Speaker 1: all black school and grew up in an all black neighborhood.
• 1:23:09
  Speaker 1: I did not have the same struggles as the brown
• 1:23:10
  Speaker 1: skin girls. So if you to act like I did
• 1:23:13
  Speaker 1: or do, maybe if I went to an all white school,
• 1:23:15
  Speaker 1: then she would have been the black girl, but she didn't.
• 1:23:19
  Speaker 1: She also said that she is still great friends with
• 1:23:21
  Speaker 1: her son's father with Wiz and they do not have
• 1:23:23
  Speaker 1: a romantic relationship. They're not trying to. And she said
• 1:23:26
  Speaker 1: she's never cheated on any of her exes. Never, and
• 1:23:29
  Speaker 1: that's because there's allegations that she cheated on twenty one
• 1:23:31
  Speaker 1: Sabbage with one of his friends and that's why they
• 1:23:33
  Speaker 1: broke up. And twenty one Sabbage did back her up
• 1:23:35
  Speaker 1: and say that didn't happen. All right, well, God bless Ambera.
• 1:23:39
  Speaker 1: There you go. If you were interested, I'm Angela Yee
• 1:23:42
  Speaker 1: and that is your rumor report. All right, thank you,
• 1:23:44
  Speaker 1: miss ye up next as the People's Choice mix. Let
• 1:23:46
  Speaker 1: me know what you want to hear, Allia, let's start
• 1:23:48
  Speaker 1: to mix. All switch just sent me. Let's start off
• 1:23:51
  Speaker 1: the Memorial Day Mix, which Swiss beats new Joint. It's
• 1:23:53
  Speaker 1: called It's Okay and it's a breakfast Locomoti