Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Yours Truly Johnny Dollar: The Ricardo Amerigo Matter, Part Five and High Sky Hoodoo (EP1003)

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Yours Truly Johnny Dollar: The Ricardo Amerigo Matter, Part Five and High Sky Hoodoo (EP1003) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

0:28
Welcome to the Great Detectors of Old Time Radio from Boise, Idaho. This
0:34
is your host, Adam Graham. If you have a comment, email it
0:38
to me Box thirteen at Great Detectors dot net, follow us on Twitter at
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Radio Detectives, and become one of our friends on Facebook, Facebook dot com,
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slash Radio Detectives. Well, before we do get started, I want
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to let you know today's program is brought to you by the support of our
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listeners. You can support the show at support dot Great Detectors dot net.
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And speaking of support, our listener support Kim Hayne is coming up by the
1:03
middle of next month, heading into Labor Day weekend, and I do want
1:10
to encourage you to email me one of your favorite episodes. If you've got
1:15
a program we've played you'd like to hear it again. You think if somebody's
1:19
new to the show, they should definitely hear this. Then just draw me
1:23
line box thirteen A Great Detectives, don't it? And the subject? Play
1:27
it again, Adam, and so nowhere to sort it all? Right,
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Well, now we're going to wrap up the current Johnny Dollar matter. I
1:37
want to remind you coming up later in the program, we continue with the
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High Sky Hoodoo story. But now let's go ahead and listen to part five
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of the Ricardo Amerigo Matter from Hollywood. It's time now for Johnny Deller.
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John, John, don't tell me Harry Branston at philadelp Mutual. Yes,
2:00
yes it is. Listen John, I know you found his amati violin.
2:05
Are you sure? But Ricardo Amerigo himself nothing, and after all, there's
2:08
not only the twenty thousand dollar policy on him. But what do you mean,
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am I sure? Are you sure it was Amerigo's amti violin I found?
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Why? What do you mean? What if it wasn't? What if
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it was just an imitation? John? Stop it. That's in futt What
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do you mean that thirty thousand dollars well in short fiddle I picked up in
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the South Jersey swamps may be a phony. Oh no, for heaven's sakes,
2:30
come over here to the office and tell me you will take it easy,
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herod boy, until I've had time to find out a few things.
2:34
Johns here tonight and every weekday night. Bob Bailey in the Transcribed Adventures of
2:46
the Man with the Action Pact, Expenser out America's Fabulous Freelance Insurance Investigator Yours
2:52
Turlie Johnny Dollar. Expense accounts submitted by Special Investigator Johnny Dollar location in Philadelphia,
3:07
Pennsylvania, to the Philadelphia Mutual Liability and Casualty Company. Following is a
3:13
final accounting of expenditures incurred during my investigation of the Ricardo Amerigo matter. When
3:21
Ricardo Amerigo's car was hauled out of a swamp somewhere near Port Morris, New
3:24
Jersey, there was no sign of his body, only a saw through steering
3:28
arm on the car that indicated somebody had done him dirt. However, I
3:31
did find the fiddle the thirty thousand dollars of money that had helped him become
3:35
one of the world's top concert violinists. Anyhow, with a fiddle under my
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arm, I ended up at the shop of violin maker Eric Snowden for final
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confirmation that it was the genuine Amudi that i'd found. This. Eric confirmed.
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However, while we were in the second floor workroom of his shop onisming
3:52
A Street talking about the fiddle, somebody pounded on the street door downstairs.
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Oh, bather, I'll be back in a moment, mister Doner. And
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that's when I accidentally and so helping. It was accidental. I knocked open
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the door of a cabinet and discovered another violin, identical in every respect with
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the one I'd found in the swamp at the scene of Amerigo's accidental death.
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Okay, so I did exactly what you would have done. I put the
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one in the cabinet into Amerigo's case, and the one from the case into
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the cabinet. One of them was the genuine AMAI but which one? I'm
4:23
sorry, mister. He was so insistent. I thought he was one of
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my shall we say, better clients. As it turned out, it was
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just a youngster who wanted to see one of the new g strings. A
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youngster. I see you're joking. But now let me take this magnificent instrument.
4:38
Readjust the sound post and bridge so that No, no, wait,
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mister snowdon it's later than I thought. There are some things I must do
4:45
immediately. Suppose I come back here later, it will meantime. I shall
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make the adjustments on the amarty to restore it. No, no, I've
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got to take it with me. But I don't understand. There are a
4:55
few things in this case I don't understand right this minute. But I hope
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to before very long. Mister Doller, you're talking riddles. Why don't you
5:01
leave the violets later? But please be careful with it. If anything should
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happen to that priceless don't worry, nothing will happen to it. I found
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that I'd almost spoken too soon, for I pounded down the stairs, across
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the floor of the store and out of the door without the caution the book
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says one should exercise when leaving a suspect. In a case, i'd no
5:21
sooner got out on the streets. There was a flower pot big enough to
5:27
have killed a horse, and it's fall from the upper story window ledge was
5:31
an accident, but I didn't wait. Expense account item fourteen ten cents.
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Phone called to Harry Branson at the insurance company to have the police put a
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man on Eric Snowden's shop immediately to make sure he wouldn't try to skip.
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I had him fifteen seven to fifty for a cab to the house of fiddle
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playing Jerry Goldsmith out in Lanark. Mister, hello, Gldsmith. Idn't expect
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it like you left in rather a hurry early. Sorry, I had to
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keep a date. Hey, look Jerry, when I was here before.
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I still have the violin. Yes, yes, when I was here earlier
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and you played it, you didn't seem to think it was really Ricardo Amarigo's
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AMAI. Oh no, I didn't say that at or at least it didn't
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sound like it when you played it. Yes, mister Della, that's right.
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Oh oh, think a minute. You were a bit upset, excited,
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whatever you want to call it when I brought it to you. Yes,
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that's true. Nevertheless, and I think you were also afraid I might
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have suspected you of Amerigo's murder when you admitted his violin was the one thing
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you wanted more than anything else in life, except, of course, to
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have Ricardo straightened out, become himself again, become the artist again, deserve
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to have this. I don't know. Whatever I say, it seems to
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make it sound like an I know that Jerry calmed down. Well you,
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I'm not trying to pin a murder rap on you. Calm down and do
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something for me, will you? Well? Yes, of course what here?
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Have you had something done to it to restore the tone that used to
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hasn't been touched by anyone else since I laid my hands on it, but
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I want you to play it again. Yes, of course I will.
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But didn't you say it's a little fool with the music store cleaned the cherry.
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It hasn't been touched by anyone else since I laid my hands on it.
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I'll play it all right, Go ahead, Cherry. M hm.
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It's them, isn't it. Yes, it's It's the beautiful, wonderful funny.
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I never realized what a violin could. Can you hear me, Jerry?
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Yes? Yes, And I think it's taken something like this to lead
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me to a killer. Expenser Count item sixteen four to twenty cave to Philadelphia
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Mutual the office of Harry Branston. But if you're right, John, you
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mustn't go out there alone. Don't you understand if he's the man who planned
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the murder Ricardo Amerigo, he wouldn't stop. Yes, yes, I had
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the police put a man out there at a couple of shop, But John,
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I still think Expencer Count Item seventeen a dollar sixty. The buck was
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a tip for going through a couple of red lights back to the shop of
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the violin maker. Eric Snowden, mister Dalhi'm mister Snowdon. I'm afraid I
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left you rather abruptly a while ago. Mister dorit that near accident when you
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left that floor, But I don't know how it possibly could have shifted on
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the window ledge up on the third floor window ledge of this little combination store
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workshop on home of yours. That much I did notice while I was ducking
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it. If it had come off a second floor window, you know,
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I might have suspected you have given it a helpful shot. Doll, you
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can't possibly mean I forget it for the moment. But let's go up to
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your workshop on the second floor. Come on, yes, of course,
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But may I ask why? I want to show you something? And I
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think you know what? No, I certainly don't unless something has happened to
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the Amati. Oh something certainly has you damaged it since you were here?
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No such luck? Please? What are you talking about? Okay? Here?
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Now tell me the truth? Is this Ricardo Amerigo's Amari Violin? Yes,
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yes, told you so, you're sure? Of course, I'm sure
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you know something you want, But I am what. I'll open that cabinet
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there beside your work table because I tell you to, But I just what
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are you getting at? Dollar? Are you going to open it or shall
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I? No? Get out of here. This is my shop, my
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place. You you can't do this sort of thing to me, which you
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rather the police did. They're on their way please, But I well,
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there's no need to open it, Ricardo Emerigo. So Amati, isn't it?
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Well, that's where you're wrong. This is the AMAI in this case,
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the one in the cabinet is the identical copy of the AMAI that you
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made. Yes, mister Dollar, Why Snowden, Because the loss of this
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priceless instrument would have been unthinkable, thirty insurance on it. Money doesn't buy
10:58
a violin like this. It must be played by an artist, by many
11:03
artists, like the artist Ricardo was. So so when Ricardo disappeared, I
11:07
was murdered. When Ricardo disappeared, I had to make sure that the Amati
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wood would still. I didn't murder him. Isn't this the hack saw that
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cut the steering rod on his car? Well, Snowden, isn't it?
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Yes? No? And because of it, and you're a crazy plan to
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keep the real Amati, you and you alone are going to take the raft
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for Amerigo's murder. No, no, please, Ricky right sir, that's
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right, mister Dollary. I'm Ricardo Amrigo. What the dirty drunken has been
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that started all this? So I threw the stirring rod on my car wrecked
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in the swamp, left some of my clothing there. That pony fiddle was
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my idea, not to collect the insurance on it, not that alone,
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but to make sure it could come back again, be played again by somebody
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that deserved to play it the way I the way. Perhaps one time I
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deserve to play it. But cardel a man disappears, murder whatever. There's
12:20
a fuss about it for a while, and it's over. But this,
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now, this must live and smiling you will. Now the world will be
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the better for it, but you will, and it's apparent murder. The
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insurance was my last hope of paying back Pete Corbin, my agent, and
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the others who tried so hard to straighten me out. Pay back some of
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the money and the heartbreak they spent on me, or let your insurance company
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pay them back. Because I never could. I couldn't even leave my hiding
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place here in Eric's because I knew it's sooner or later he'd pity me enough
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to give me more of the drink. That's been all I've been living for
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Eric. God bless him. Eric knew, of course, but only he
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be kind to him. If you can't, Ricky, that's all, mister
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Dollar. Oh unless will you buy me a drink before you're calling the police.
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Expense account I am seventeen eight fifty one bottle of the best I could
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buy before I call in the police Hut of eighteen hotel in Philadelphia. Miscellaneous
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fair back to Hartford total expense account one eighty two sixty five remarks. No
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insurance payment necessary on either the amati or the man. And I guess he
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really was a man more than he knew what the courts will do about him
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and about Eric Snowden, Well, the courts will do. And I'm glad
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I have to have no part in this. You know that's funny. Somehow
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I think I have a little better appreciation for music now than Oh, well,
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yours truly, Johnny Dollar. Remember there'll be another intriguing story for you
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beginning next Monday night. Next week. The Duke red Matter a race horse
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that can only be stopped by a killer, and the killer didn't stop with
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horses. Join us won't you Yours Truly, Johnny Dollar. Yours Truly Johnny
14:54
Dollar is starring Bob Bailey, is transcribed in Hollywood. It is produced and
14:58
directed by Jack Johnstone, who also wrote this week's story. Heard in the
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cast were Harry Bartel, Laurence Dubkin, Victor Perrin, Barney Phillips, Forres
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Lewis, Eric Snowden, Herb Bigron, and James McAllion. Musical supervisor and
15:11
violinist Amrigo Marino. Be sure to join us on Monday night, same time
15:18
and station, or another exciting story of Yours Truly, Johnny Dollar. This
15:22
is Roy Rowan speaking Welcome back. Well. This was a somewhat unusual story
16:33
for a lot of reasons. First of all, Johnstone actually wrote the story,
16:38
and he wrote it under his own name. That's unusual because Jack Johnstone
16:44
wrote a lot of radio scripts, but most of them were under pseudonyms.
16:47
For whatever reason, this one he goes ahead and owns it as one of
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his own. And I thought it was a pretty good script. I have
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to this is my second time listening to all of these fifteen minute serials,
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but I have to admit I was kind of very surprised. I was not
17:04
planning on Ricardo Amerigo being alive the first time I listened to it, So
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it definitely took me for surprise, and I'm sure it did you. The
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other thing that's worth noting here, you know, as I listened to this
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show, you know, I listened to the closing credits, I didn't hear
17:23
any female names. And I thought back over the serial, and I didn't
17:27
remember hearing any female characters in this entire program. And that's kind of unusual
17:33
when we're dealing with not just you know, a half hour program, which
17:37
might happen. I don't recall that happening too often, but in this case,
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we're dealing with, you know, sixty seventy minutes worth of programming and
17:49
no female characters. Very unusual in that regard. And also the borrowing of
17:56
names you know mentioned previous Eric Snowden, but the Amarigo, of course,
18:04
was the first name of the uh, the guy who did the music on
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the program, and it became the last name of the violinist in the story.
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So I don't know if you should technically be reusing names like that,
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but I guess that, uh, that that worked. Overall overall, a
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pretty good story well, now we turned to High Sky Hoodoo, and I
18:36
did want to share a little news. I found a log on the Australian
18:41
OTR website and it actually has an earlier date for the Carter Brown stories that
18:49
I initially have And uh, actually they had High Sky Hoodoo that series airing
18:59
the week of Decen number twenty first of nineteen fifty seven, so a little
19:03
earlier than I had thought. So let's go ahead and we'll we'll take a
19:11
lesson. It's time for High Sky Hoodoo Part two, Cattera Brown Mysteries,
19:33
Adventures and Excitement and Suspense, based on the best selling novels by the slick
19:37
storytelling sensation Karta Brown. The morning dawned bright with determination for me. The
20:06
Old Man and Sue Pearson may have taken what I said for bravado, but
20:08
I was determined to prove that the Jinx tag they'd fixed on Whitney Kent was
20:12
a lie. I decided to say nothing about the visit of Slade, the
20:15
Blue Circle Detective Agency man. That was something I'd take up later with Milton
20:19
Moore. First, I wanted words with Jim Berg, a security man.
20:25
Well morning, Whitney, the super salesman with a no good product. Now
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you got my sympathy, pal, Thanks for nothing. What gives Jim anything
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new? Another thing? Top brasser in conference this morning they're gonna use hangar
20:37
C to start on the next F ninety two. K I gotta have four
20:40
guards around that building night and day from here on. Who gets in Only
20:44
the staff connected with the work and the executives. I'm sorry, Witt,
20:48
you're not included. It was your father's instructions. Oh that's okay, Jim.
20:52
He told me to take three weeks vacation. Looks like he means it.
20:56
You have any leads? No? I figured Geen Latimer made a mistake
21:00
somewhere, like the Air Force character says. But I'm no engineer, just
21:04
an x FBI man trying to make a living. So I have to resume
21:07
the plane with sabotaged. Right now, I'm starting a double check on all
21:11
the employees who've got to got near that plane. How many of them are
21:15
there? Over one hundred? Looks like quite a job, doesn't it,
21:18
mister burg I wish you luck, you will need every ounce of it.
21:27
Well you're around bright and early Whitney, just paying my round of calls chuck
21:33
him. He's got mister Moore with him, then maybe I won't bother.
21:36
I've got something to say to you. Anything from those luscious lips I will
21:40
listen to with pleasure. Not this, you won't. It's about last night,
21:44
the way you talked to your father. Why can't you even try to
21:47
appreciate his point of view? His point of view goes no further than Kent
21:49
aircraft. Everything else runs a bad second. You're a fool, Whitney,
21:53
and you're a beautiful girl. But if you don't stop worrying about your boss
21:56
and start enjoying life, you'll look in your mirror one morning and realize it's
22:00
too late. You'll finish up senior stenographer to late pension. You off,
22:06
Oh sue, mister Kent free at the moment. I'm sorry, miss Latimer,
22:08
he's in conference. Well, I see him later. At just a
22:11
minute, Jane, I'm busy, Whitney, not too busy for what I've
22:15
got to say. I've thought of a perfect solution to your problem. Oh
22:18
yeah, when you've got this next f ninety two k ready to test,
22:25
let me fly it. That's what you've been after all the time. Let's
22:27
not argue about that. Look at another way. If the plane's okay,
22:30
everything's fine. The Air Force resumes their deliveries. The orders I've taken can
22:33
be filled. On the other hand, of the plane doesn't work if it
22:37
goes in the same way that one did yesterday morning. Who gets crisped up?
22:41
You do, right? So if it does borrow its way into the
22:44
dirt and takes Whitney Kent with it, at least you know that one line
22:47
of investigation is closed. What about it? It's worth thinking about. I'll
22:52
devote quite a lot of thought to your proposition. Good morning. Why do
22:59
you have this here? Why didn't you let the experts work it out?
23:02
People like Latimer and Jim Berg and the others. It's their job except for
23:06
one thing. They can't fly. They can never appreciate how Hank Jordan felt
23:10
when the plane got away from him. It's beyond their experience, but not
23:12
beyond yours, because you're not only a flyer, but a hero as well.
23:15
Yeah, if you wanted that way, that's just how I do feel.
23:18
You've spent your life shining the seat of your skirt on a stenographer's chair.
23:22
You don't know any more about it and the rest of them. Who
23:23
heck you to sneer the guys who fly the plane. I wasn't sneering at
23:26
the real heroes, Whitney, only the Tony ones. Thanks for those kind
23:30
words. One of these days you'll eat them and they'll give you indigestion.
23:40
I swept out of our office and headed down the car door to the office
23:41
of Milton Moore. I figured he'd be finished with his conference with Chuck pretty
23:45
soon, and I wanted to talk with the new director. It was easy
23:49
to ignore More's redheaded secretary's protests, though not a profile, and I settled
23:56
down in his private office to wait. Is this the customary procedure around here,
24:02
mister Kent, brusting into people's offices without permission? Oh, I'll give
24:06
you permission, mister Moore, you can come right in. You're a kind
24:10
of behavior or something I am not accustomed to. There's something I'm not accustomed
24:12
to either. That's having a private detective go through my bags in my hotel
24:15
room. Oh, a Blue Circle agent name of Slade. That's the outfit
24:21
you engaged, isn't it. What's the idea having them investigate me? Even
24:23
a young poplike you orter to have sense enough to see that Laimer's accusations against
24:27
you, wild as they may have been, should be checked. Now,
24:30
will you get out of my office in a minute. How are things with
24:36
the ace Arrow Corporation these days? I wouldn't know how were they when you're
24:40
left? All right? What are they building jets? Naturally bombers or fighters?
24:45
Fighters as good as the F ninety two K. No, Just what
24:51
is it you're trying to insinuate, young man? I was just wondering.
24:55
You pulled a Arrow out of trouble, You put them back on their feet
24:57
and left them. I wondered why. I wondered if you still had any
25:02
association with Acero financial Association. I mean, it just occurred to me that
25:07
if you had, you are backing a losing proposition. When Kent Aircraft produced
25:11
the F ninety two K. Is that all? No? It also occurred
25:15
to me that, on the other hand, if Kent Aircraft had a lot
25:17
of trouble with their planes, then maybe ace Ero could buy them out cheaply
25:21
when the psychological moment came, and if Asaro could then build the F ninety
25:26
two K without bugs, they could sell them good. Are you seriously suggesting
25:32
that I would descend to murder just to protect my capital. I'm not suggesting
25:36
anything. I'm only thinking out love. I must say you go in for
25:40
original thinking, Kent. I'd better tell you some of the facts of an
25:44
executive's life. I didn't have any capital interest in Acero for one simple reason.
25:49
I didn't have any capital. Twenty five percent holding I have in your
25:55
father's organization was bought with money loan to me by Owen Holmeyer to invest the
26:00
money in this firm. He knew what I'd done for ace Aero, so
26:03
he was prepared to lend me capital to invest. He thought of it as
26:07
a safeguard for his own investment. Oh so you see, Kent, that
26:11
if anyone has good reason for wanting Kent Aircraft to sell their F ninety two
26:15
k's again, it's me, I guess. So now do you mind leaving
26:21
my office? I have work to do. Of all the crazy fool things
26:32
to do, not to me, chuck. Mister Moore was having me investigated,
26:34
so I thought I might give him a little of the same treatment.
26:37
I'm not talking about that more had it coming. You gave it to him,
26:41
and me feel sort of proud of you the first time. Oh with
26:45
me. There were many times when you were in Korea when I was proud
26:48
of you, and I was proud of you in Europe too, proving that
26:52
you could sell aircraft with the best of them. What is this old home
26:56
weekends? But I'm mad at you. How when the name of creation could
27:00
din'd you do a stupid thing like that? I thought you said more had
27:03
it coming. I'm not talking about More. I'm talking about that crazy fool
27:07
offer you made to Geen Latimer. Oh that yeah, that Latimer wants to
27:11
take you up on the offer. Olmeyern Moore think it's a great idea.
27:15
What the heck could I say? But you figured it's a great idea too,
27:18
That's what I did say. So you're all set to fly the next
27:22
ninety two k when Saturday they're working twenty four hours a day. Oh that's
27:26
fine, Sue says, you've got a hero complex. I think it's a
27:32
plane darn full complex. Maybe, But Jean Latimer was right about one thing.
27:37
I threw the first one away by flying it when I wasn't exactly sober.
27:41
That gives me a sort of responsibility. Chuck boy scout stuff it's more
27:45
than that that first plane had bugs. If I'd been sober, I could
27:48
have told you what particular bugget was. I can't remember anything. Well,
27:52
well, I've got a feeling. If that plane still has bugs and I
27:56
fly, I think the memory might come back and I might be able to
27:57
do something about it. For it's too late. Maybe you aren't such a
28:02
dawn fool after all, you really want to fly the F ninety two.
28:07
K of course, Okay, that's what I wanted to know that. It
28:11
wasn't just bravado. What you say makes sort of sense. I think,
28:15
Thanks you and comfortable at the beach house. Sure, anytime you feel like
28:21
eating real food, come up to the house for dinner. Thanks, I'll
28:25
get out of here. I'm busy, Okay, I'll leave it to a
28:27
chuck. Well, congratulations with me an interview with your father? Oh,
28:41
the perfect secretary keeps the other come open so she can hear everything that goes
28:45
on. Huh. Well, I don't make a habit of it, but
28:48
I did that time. Come here with me? What for? I'd like
28:57
to kiss you? Well, so what do I owe that tremendous experience?
29:10
You could call this an apology? I was quite wrong about you, Whitney,
29:14
Kent. I'm sort of glad I was wrong too. I'd spent a
29:26
lot of my time waiting, especially in Korea, but no waiting time was
29:30
as bad as the days. While the IF ninety two k was got ready.
29:33
Came Friday and I went down to the planet. The old man was
29:36
with me. We're fixing the takeoff at seven am tomorrow with I've got it
29:41
cleared with the Air Force, Okay, thirty minutes to find the area and
29:45
so forth, so you can collect all the dope this afternoon metroports, et
29:48
cetera. I thought i'd clicked some flying here to day. I had it
29:52
taken into the hangar. Here Berg's doubling the guard tonight and is watching things
29:56
himself as well. Good. Oh, there's a lot of her stroke the
30:00
fuselage like it was a tame cat. Hello there, Jean. Hi,
30:03
Whitney, Well, there's nothing wrong with it. I've checked every inch of
30:07
it, and I shouldn't have any trouble tomorrow. Whitney, it occurs to
30:12
me that I said a lot of stupid things a while back. I'm sorry,
30:15
that's okay, Gene. I can appreciate how you felt, and that's
30:18
my gear there. Huh yup. I think I'd like to take the parachute
30:22
out and have a look at it, but it's all packed, and I'd
30:26
like it unpacked. After all, I am flying this batter box tomorrow.
30:30
Okay, Whitney, whatever you say. I had a queer crawling feeling along
30:38
my spine when the shoot was unfolded and billowed out and hanger's expense, I
30:44
realized why there was a six foot slit across the center. That shoot wouldn't
30:51
have brought a mouse down safely, let alone a guy of my weight,
30:53
Lahimer, what's the meaning of this? Don't ask me, mister Kent.
30:57
As far as I knew, that shoot was get them packed properly. Lucky
31:00
for me, I took a look. I think I'll borrow one from the
31:03
Air Force and bring it along in the morning and put it in myself.
31:07
Wait, if they could do that to the shoot, as chuck, what
31:11
could they do to the plane? Welcome back? Well, I have to
31:30
admit this is really my favorite of the Card of Brown story so far.
31:36
Really some good dramatic tension and some real sense of suspense, And this character
31:45
here is really a multi dimensional multifaceted, so I'm really enjoying this. I
31:51
hope you are as well, and we will be back for the next part
31:57
of High Sky Who Do next week. I do want to also let you
32:02
know that on Monday we have a brand new Johnny Dollar Cereal to go ahead
32:07
and bring you, and we'll be back tomorrow with the lineup. In the
32:13
meantime, send your comments to Box thirteen at Great Detectors dot net, follow
32:15
us on Twitter at Radio Detectives, and become one of our friends on Facebook,
32:21
Facebook dot com. Slash Radio Detactives from Boise, Idaho. This is
32:25
your host, Adam Graham signing off.