Latest / Drama, Darling: A Real Housewives Comedy Podcast / 🌸 RHOP Reunion 1 Recap and Tally Ho Tales

Transcript

🌸 RHOP Reunion 1 Recap and Tally Ho Tales · Drama, Darling: A Real Housewives Comedy Podcast

• 0:06
  Speaker 1: Drama, Darling.
• 0:10
  Speaker 2: Drama, Darling.
• 0:15
  Speaker 1: Drama, Darling.
• 0:20
  Speaker 2: Hey, everybody, welcome back in It's a Potomac Day. The
• 0:24
  Speaker 2: reunion happened. It happened. Every time I talk about Potomac, Emily,
• 0:29
  Speaker 2: I just want to talk about Stacy and like Stacy
• 0:34
  Speaker 2: for the whole hour. And you know what, Emily, Andy's
• 0:38
  Speaker 2: obsessed with her, and boy, it's tough to be on
• 0:41
  Speaker 2: a couch and see another housewife be lifted up by
• 0:45
  Speaker 2: boss Daddy Andy Cohen and uh that.
• 0:49
  Speaker 1: Saw from Kelly dive and nose dive right after the lift.
• 0:53
  Speaker 2: In my opinion, Wow, how did she knows dive? Well?
• 0:57
  Speaker 1: I mean, it was just like when she said, an
• 0:59
  Speaker 1: the que see you see how normal? I am?
• 1:03
  Speaker 2: Oh, I see yeah, He's like, and that's your job.
• 1:06
  Speaker 2: She's like, Indeed, it like made no sense. It was
• 1:09
  Speaker 2: so funny, but it was so great. But that's exactly
• 1:13
  Speaker 2: why I didn't see it as a nose dive. I
• 1:15
  Speaker 2: saw it as a we're going even higher, Emily, So
• 1:19
  Speaker 2: I I take I mean in the real world, in
• 1:25
  Speaker 2: the real world, I welcome.
• 1:27
  Speaker 1: The altitude sickness of going up higher and higher, stay high.
• 1:33
  Speaker 2: Hi. I feel like every eighties song has the lyrics
• 1:38
  Speaker 2: like high, We'll going high. You haven't higher?
• 1:44
  Speaker 1: Bring me a higher love high?
• 1:47
  Speaker 2: Yeah, exactly. I don't know where. Well, I don't know
• 1:51
  Speaker 2: where this podcast is going, Darling, it's gonna get nuts.
• 1:55
  Speaker 1: I'll tell you exactly where it's going where. First stop,
• 1:58
  Speaker 1: tell you the restaurant. What happened?
• 2:01
  Speaker 2: Okay, Marilyn Emily had a time, didn't she have a
• 2:04
  Speaker 2: time when she was over there? Well, she's back this
• 2:07
  Speaker 2: side of the country, I should say. And when she
• 2:10
  Speaker 2: was there went to tally Hoe. By the way, I'm
• 2:13
  Speaker 2: representing the T shirt I got from Andreas personally at
• 2:17
  Speaker 2: my show at the Hard Rock Cafe in Las Vegas.
• 2:21
  Speaker 2: Thank you Andreas if you're listening.
• 2:23
  Speaker 1: Gorgeous piece, a gorgeous Tallyhoe t shirt piece. And yeah, I.
• 2:30
  Speaker 2: Went to tell you how oh my gosh, now at breakfast,
• 2:34
  Speaker 2: remind everybody as if they need it. But like tally
• 2:38
  Speaker 2: Ho is the place that all the Potomac ladies have
• 2:40
  Speaker 2: been and have been on their own time, you know,
• 2:44
  Speaker 2: on camera, off camera, you name it, and known for
• 2:47
  Speaker 2: their French toast. Can I get a little what what
• 2:49
  Speaker 2: for that? Here's some go go music for that French toast?
• 2:54
  Speaker 2: Emily did you have it?
• 2:56
  Speaker 1: I did say no, okay, of course, and Andreas hooked
• 3:01
  Speaker 1: it up. I got the Karen Special. He delivered that.
• 3:04
  Speaker 1: First thing, I sit down, let me shout out to
• 3:06
  Speaker 1: my cousin Stephanie, who's good friends with Andreas and his husband.
• 3:10
  Speaker 2: Stephanie a yes to share me. Yes okay.
• 3:16
  Speaker 1: And first thing that Andreas did is come over and
• 3:19
  Speaker 1: bring me chocolate donut. I didn't order, just like he
• 3:23
  Speaker 1: did with Giselle. She's like, I didn't order this donut.
• 3:27
  Speaker 1: And I was like, I didn't order a just like Giselle,
• 3:30
  Speaker 1: and he's like yeah. And I sat right next to
• 3:33
  Speaker 1: the Karen table because, as you know, when you go
• 3:35
  Speaker 1: to Tallyho, it's either to be Karen or to remember Karen.
• 3:40
  Speaker 1: So I sat next to the table. What is you
• 3:45
  Speaker 1: can a whole remember Karen?
• 3:47
  Speaker 2: Oh you're right, okay, No, you're right, thank you. I mean,
• 3:51
  Speaker 2: if I hadn't forgotten about that, that it was to
• 3:54
  Speaker 2: remember Karen. But she didn't die. It just sounds so bleak.
• 3:57
  Speaker 2: I don't know. Okay, So you're there. You you were
• 4:00
  Speaker 2: given the Karen Special first, you were given the Gizelle Special.
• 4:03
  Speaker 1: Yeah, and then Andrea start calling when you bring someone
• 4:07
  Speaker 1: a donut the Gizel special. That's perfect.
• 4:12
  Speaker 2: Do they so they just have donuts. They're like they're like,
• 4:14
  Speaker 2: oh we you can order a donut.
• 4:17
  Speaker 1: Oh my gosh. Okay. So then, unbeknownst to any of
• 4:21
  Speaker 1: us Potomac viewers, because we only go there for breakfast
• 4:24
  Speaker 1: on the show, turns out it's also my cousin's favorite
• 4:29
  Speaker 1: pizza and Potomac And this is from a cheese the
• 4:34
  Speaker 1: cheese pizza that Andrea's gave me to leave with. I
• 4:37
  Speaker 1: cut off the top of the box.
• 4:38
  Speaker 2: She's the display she has in her studio and it
• 4:44
  Speaker 2: is over her right shoulder like a news anchor. Wow, gorgeous. Yes,
• 4:53
  Speaker 2: and I've got the shirt to match.
• 4:55
  Speaker 1: And it is very it's excellent pizza. And then because
• 5:00
  Speaker 1: I'm Greek, I was like, whoa musaka? I got some mussaka.
• 5:04
  Speaker 1: I gained forty three pounds going to this place.
• 5:06
  Speaker 2: By the way, good for you. You got to bulk up.
• 5:08
  Speaker 2: It is winter and there's a storm. There are storms
• 5:11
  Speaker 2: like we're in La But let me tell you it
• 5:13
  Speaker 2: is no joke. With the rain. People can't fly in.
• 5:16
  Speaker 2: My friend can't get here there. Things are happening. There
• 5:20
  Speaker 2: are flood watches, there are warnings. I even saw something
• 5:23
  Speaker 2: that said there was a little little tornadoes to look
• 5:25
  Speaker 2: out for, and I was like, all right, let's calm down, La,
• 5:28
  Speaker 2: talk to me more about the donuts, because here's the thing.
• 5:31
  Speaker 2: I don't recall going to a breakfast place and they have,
• 5:36
  Speaker 2: like you can order a donut. Is that something that
• 5:39
  Speaker 2: they do there?
• 5:40
  Speaker 1: Yes, they have donuts. It was excellent.
• 5:44
  Speaker 2: But am I wrong that that's not usually an option
• 5:46
  Speaker 2: when you go out to breakfast somewhere?
• 5:49
  Speaker 1: Well, I don't know if you're wrong. I think that
• 5:51
  Speaker 1: sometimes that's an option at diners. So well, but.
• 5:56
  Speaker 2: That's all I'm asking for because like, listen, here's the thing.
• 5:59
  Speaker 2: And don't mean to get dark. But you already said
• 6:03
  Speaker 2: we you know, were remembering Karen on this episode and
• 6:06
  Speaker 2: she didn't even die. So if you, darlings, recall, you know,
• 6:11
  Speaker 2: when we talk about like, what's the last meal that
• 6:13
  Speaker 2: you would have if you were like you know it
• 6:17
  Speaker 2: was coming to an end and death row Yeah, sure, sure, okay,
• 6:23
  Speaker 2: and it would be for me breakfast and it would
• 6:27
  Speaker 2: be scrambled eggs like or over easy, but the way
• 6:30
  Speaker 2: that like I like them, coffee and a donut.
• 6:37
  Speaker 1: Andrea's add this to the menu. Amy's death meal and
• 6:41
  Speaker 1: you can put it next to the rest in Peace
• 6:44
  Speaker 1: Karen meal. Thank you. That's because she wants to take
• 6:49
  Speaker 1: a nap, not because she's dying.
• 6:50
  Speaker 2: She's just I love raps. AnyWho, Well, that's really cool.
• 6:56
  Speaker 2: I am so jealous. And the French toast was obviously
• 6:59
  Speaker 2: an amazing because it looked really good on the TV.
• 7:02
  Speaker 1: I'm not even a French toast person, but I ate that.
• 7:04
  Speaker 1: I ate it and I took it back and I
• 7:07
  Speaker 1: was just eating it. No syrup. Oh yeah, very good.
• 7:10
  Speaker 2: That's not you know what. I've been known to do
• 7:12
  Speaker 2: that too, Emila, because really the most important thing to
• 7:16
  Speaker 2: me is the butter on like a pancake or a
• 7:19
  Speaker 2: waffle or a French toast, it's the butter like that.
• 7:23
  Speaker 2: I don't need syrup.
• 7:25
  Speaker 1: Yeah, to me, it's the cinnamon. It's got to happen
• 7:29
  Speaker 1: for French toast. And oh my gosh, I had a
• 7:31
  Speaker 1: blueberry pancake too. They're excellent. Everything was crapy.
• 7:34
  Speaker 2: Did you get like the sample bladder or something?
• 7:37
  Speaker 1: Andreas? I think I walked in and he was worried
• 7:40
  Speaker 1: that I was gonna starve. And what he did was
• 7:44
  Speaker 1: he took me on winged yah.
• 7:47
  Speaker 2: Well her by the way. Okay, so I didn't I've
• 7:51
  Speaker 2: never met Andreas before. I've only seen him on the show.
• 7:55
  Speaker 2: You told me that you knew him. You told me
• 7:56
  Speaker 2: he was going to be coming to Vegas and that
• 7:58
  Speaker 2: he was going to be able to come to our show.
• 8:00
  Speaker 1: Right.
• 8:01
  Speaker 2: So, when I was doing the Teresa wedding reenactment, I
• 8:05
  Speaker 2: made my way out into the audience singing ave Teresa
• 8:10
  Speaker 2: is what it was? And then I named all the
• 8:12
  Speaker 2: doorders in the song. But I picked somebody in the
• 8:16
  Speaker 2: audience that I go to, who's my Louis? And I
• 8:18
  Speaker 2: picked Andreas And I was, who is this fine looking gentleman?
• 8:26
  Speaker 2: And I sat on his lap, thank you? And I
• 8:31
  Speaker 2: loved his suit. I loved his outfit, and you know,
• 8:34
  Speaker 2: I thought we had a thing. You know, I think
• 8:36
  Speaker 2: we do. But anyway, I didn't know that was him
• 8:39
  Speaker 2: until like hours after the show, and I was like,
• 8:42
  Speaker 2: get out. So I hope to go there someday and
• 8:47
  Speaker 2: get all the things that you got, including my death
• 8:50
  Speaker 2: row special.
• 8:51
  Speaker 1: You aren't you want? That was just all for me.
• 8:54
  Speaker 1: That was just for me, Oh dear, he just said
• 8:56
  Speaker 1: me for me.
• 8:58
  Speaker 2: All right, okay, so let's get into the episode. Hey,
• 9:10
  Speaker 2: oh I love that.
• 9:11
  Speaker 1: What happened?
• 9:13
  Speaker 2: I'm in DJ now move over Kyl and Mauricio and
• 9:18
  Speaker 2: Erica Ender and oh my god, you're yes. Wow? Yeah,
• 9:25
  Speaker 2: so Karen, I love that. Ashley like walked into the
• 9:28
  Speaker 2: reunion and meaning just the building and straight up walked
• 9:33
  Speaker 2: over to Karen's door and was like about to knock
• 9:36
  Speaker 2: on it. Was like, who am I kidding? Like, it's
• 9:37
  Speaker 2: too early. Either she wasn't there or she didn't want
• 9:41
  Speaker 2: to knock on it because she felt it was too
• 9:43
  Speaker 2: early for Karen. Which one?
• 9:44
  Speaker 1: Was it? Not there?
• 9:46
  Speaker 2: That's what I thought too, because she's coming on later.
• 9:49
  Speaker 1: So I was watching the after show for the last
• 9:53
  Speaker 1: episode of Potomac and they were kind of thinking through
• 9:56
  Speaker 1: the season had Karen been there. They were in their
• 9:59
  Speaker 1: different little talk to each other's talking about that, and
• 10:03
  Speaker 1: Ashley said, had Karen been there, Angel probably would have
• 10:06
  Speaker 1: had a better season because Karen would have taken her
• 10:09
  Speaker 1: under her wing and protected her even in Colorado, because
• 10:13
  Speaker 1: Giselle and everybody was like, there is no way Karen
• 10:16
  Speaker 1: could have handled that Colorado trip. She would have been
• 10:18
  Speaker 1: on the first flight out.
• 10:19
  Speaker 2: Yeah, we talked about that and we ended up landing
• 10:22
  Speaker 2: with though I think Karen would have been able to
• 10:24
  Speaker 2: kind of handle it better than they were giving her
• 10:26
  Speaker 2: credit for.
• 10:27
  Speaker 1: I think Karen would have been staying at Angels because
• 10:29
  Speaker 1: she would have been her good friends.
• 10:32
  Speaker 2: Oh right, so she wouldn't have been inconvenience, so she
• 10:36
  Speaker 2: would have been fine. Okay, I see, I see, yeah, yeah,
• 10:39
  Speaker 2: yeah yeah.
• 10:41
  Speaker 1: But at the end of the day, it would have
• 10:42
  Speaker 1: obviously made for a better season because that would have
• 10:44
  Speaker 1: really pissed Gazelle off to have Karen gaslighting her like
• 10:47
  Speaker 1: everything's fine. I don't know what you're talking about.
• 10:50
  Speaker 2: I know, I know. That would be kind of amazing. Yeah, yeah,
• 10:54
  Speaker 2: just while to know that Karen's going to show up.
• 10:57
  Speaker 2: And then before we take the stage, we have this
• 11:00
  Speaker 2: whole scene before it even begins between Wendy and Eddie. Yeah,
• 11:07
  Speaker 2: and so we see them talking and that's when we
• 11:11
  Speaker 2: see a different Wendy. Wendy yet another Wendy. You know,
• 11:17
  Speaker 2: we've seen many Wendy's and this is the well not
• 11:21
  Speaker 2: Zen Wendy, but it's definitely Zan Eggs Wendy. Did I
• 11:25
  Speaker 2: say that, No, I'm allegedly whatever. You got to get
• 11:29
  Speaker 2: through it, you know, what are you going to do?
• 11:30
  Speaker 2: But what we saw in that scene was also the
• 11:33
  Speaker 2: same Wendy we saw on the couch, which is we've
• 11:37
  Speaker 2: seen many a housewife, many a housewife in that position
• 11:42
  Speaker 2: where they're going through something so tremendous and they have
• 11:45
  Speaker 2: to show up at a reunion and face the music,
• 11:48
  Speaker 2: and we can tell just to buy a looking at
• 11:51
  Speaker 2: him and just to buy your way. They're talking, it's
• 11:53
  Speaker 2: not to really them, right, did we say I'm not Kannaka?
• 11:56
  Speaker 2: Who's there? And not to you? Right? You remember Vick,
• 12:00
  Speaker 2: You remember Erica, You remember countless other housewives that have come.
• 12:04
  Speaker 1: Before, Shannon Meredith.
• 12:07
  Speaker 2: Yes, I mean that have this nice glaze that just
• 12:14
  Speaker 2: sort of, you know, wipes away what's happening in their
• 12:20
  Speaker 2: life at that moment.
• 12:21
  Speaker 1: Can I blame you? Get out Sutton? Remember juryre she is?
• 12:28
  Speaker 2: Yeah, that's so good. You're right Sutton too. Wow, there
• 12:33
  Speaker 2: have been so many We should do a whole episode
• 12:35
  Speaker 2: on these housewives that show up at reunions with a.
• 12:40
  Speaker 1: Little extra help, with a fun, chill vibe.
• 12:46
  Speaker 2: So that's what's going on with her in at the reunion,
• 12:50
  Speaker 2: and we're not going to get with the prodding in
• 12:53
  Speaker 2: the the setting up of Giselle being like, well, aren't
• 12:56
  Speaker 2: you mad? Aren't you upset? I mean, how are you feeling?
• 12:59
  Speaker 2: We're not gonna ge any emotion. Okay, it's not gonna
• 13:01
  Speaker 2: really happen. I doubt I doubt it's gonna peep on through.
• 13:06
  Speaker 1: I was fine. I was actually a little bit surprised
• 13:10
  Speaker 1: that she could pull up a little bit of energy
• 13:13
  Speaker 1: for us, because I really was expecting her to not
• 13:18
  Speaker 1: be able to say much at all and be really
• 13:21
  Speaker 1: like forcing the topics. But like, I mean, she addressed
• 13:26
  Speaker 1: the mugshot, which I thought was like, pretty impressive.
• 13:29
  Speaker 2: I love that, which, by the way, segue into that
• 13:33
  Speaker 2: when she's like the photographer is like, gimme more, I'm like,
• 13:37
  Speaker 2: is this a variety photo shoot? Are we a cop?
• 13:41
  Speaker 1: It was a police officer, so they were probably like that's.
• 13:45
  Speaker 2: What I'm saying, Like what do we do? What do
• 13:47
  Speaker 2: we are you? Are you building your portfolio? I mean,
• 13:50
  Speaker 2: are you the next Annie Leibowitz? Like what's happening here?
• 13:53
  Speaker 2: What are you trying to prove? Why are you asking
• 13:55
  Speaker 2: for different looks?
• 13:57
  Speaker 1: Not that Wendy would escape or something, but and I
• 14:02
  Speaker 1: know that they used to take multiple pictures of people
• 14:04
  Speaker 1: because you'd want to see the different angles of their
• 14:07
  Speaker 1: face should they get out. This is a long time
• 14:12
  Speaker 1: I have not been arrested. This justin This is.
• 14:16
  Speaker 2: The drama Darling from the nineteen forties well with Emily
• 14:20
  Speaker 2: dreesis our resident jail house photographer reporter.
• 14:28
  Speaker 1: I mean film was a premium at that time. But
• 14:30
  Speaker 1: you know you take the head, the side, the side,
• 14:33
  Speaker 1: and then no, there's like a whole panel. Like in
• 14:36
  Speaker 1: the eighties you can see Like in seventies there was
• 14:40
  Speaker 1: some like there was like so many pictures of Jane
• 14:43
  Speaker 1: Fonda when she was arrested, all of her like angles
• 14:48
  Speaker 1: like and I was like, what is Jane Fonda gonna escape?
• 14:51
  Speaker 1: Like what are we doing?
• 14:51
  Speaker 2: But yeah, well, you know, I happen to know someone
• 14:54
  Speaker 2: who is actually was a jail house photographer, which is
• 15:00
  Speaker 2: so bizarre. I never thought I'd be able to reference it.
• 15:03
  Speaker 2: But she's never said that she's prompted someone to give
• 15:07
  Speaker 2: them more looks, so to your to the idea that
• 15:12
  Speaker 2: likes looks. But that's what it sounded that's your phone now,
• 15:17
  Speaker 2: That's what it sounded like she was saying. I'm sure
• 15:21
  Speaker 2: she was like right, which I thought, like, is he does.
• 15:26
  Speaker 2: He know that she's a housewife and he wants to
• 15:28
  Speaker 2: like help her get a better shot. That's why he
• 15:31
  Speaker 2: did that, because it doesn't make sense honestly, Okay, I
• 15:36
  Speaker 2: mean a side profile. Yeah, of course you get the
• 15:39
  Speaker 2: sides you do it. But tell me all the other
• 15:43
  Speaker 2: headshots that we've seen, did any of.
• 15:45
  Speaker 1: Them mug shots?
• 15:50
  Speaker 2: Let's call it what it really is, Emily, it's headshots
• 15:53
  Speaker 2: for Bravo.
• 15:55
  Speaker 1: I also want to think that that and the and
• 16:00
  Speaker 1: for them to come out with that picture, for that
• 16:03
  Speaker 1: to be the released picture. That's where I'm like, that's
• 16:06
  Speaker 1: kind of fucked up for Wendy because every one of
• 16:11
  Speaker 1: us saw it and immediately had a tainted opinion, you
• 16:16
  Speaker 1: know what I mean.
• 16:17
  Speaker 2: I do. I did appreciate her saying that why she
• 16:22
  Speaker 2: has that face and Andy saying like, do you regret
• 16:25
  Speaker 2: the shit eating grin? And I was like, you know
• 16:28
  Speaker 2: at the end of the day too, when you go
• 16:30
  Speaker 2: in there, if she would have just said, well, I
• 16:33
  Speaker 2: didn't want to have like a mugshot that looked like
• 16:37
  Speaker 2: I was a criminal or like a scary look on
• 16:41
  Speaker 2: my face. I didn't want to do that, so I
• 16:43
  Speaker 2: just figured I might as well smile that would have
• 16:45
  Speaker 2: also been acceptable to me.
• 16:48
  Speaker 1: When I saw that, I had so many thoughts that
• 16:54
  Speaker 1: were like, mainly like, at worst, she's not taking this
• 16:57
  Speaker 1: that seriously, and at best, oh, this isn't that serious.
• 17:02
  Speaker 1: But in both ways, like I I can see that
• 17:07
  Speaker 1: being used against her if it goes to like a
• 17:10
  Speaker 1: trial and that mugshot coming up when they're making arguments
• 17:16
  Speaker 1: against her and they're like, would this Does this look
• 17:19
  Speaker 1: like the face of somebody that regrets what they've done.
• 17:22
  Speaker 1: I was taking this seriously.
• 17:25
  Speaker 2: Oh my god, but wait, everyone was like, and what
• 17:28
  Speaker 2: about Well, Giselle, I think said it were you on
• 17:31
  Speaker 2: you know, some happy Eddie right, because that's the other
• 17:34
  Speaker 2: thing that people were saying. Yeah, and the fact that
• 17:37
  Speaker 2: she was so she put it out there and was like,
• 17:40
  Speaker 2: well I wasn't, but Eddie was. So Now I'm thinking
• 17:43
  Speaker 2: because she explained how this all went down. They were
• 17:46
  Speaker 2: at the house, the kids were at school.
• 17:48
  Speaker 1: Right, I think, so, yeah, so.
• 17:50
  Speaker 2: You're telling yeah, you're telling me you're taking a nap,
• 17:54
  Speaker 2: your kids are at school, You're taking a nap. Eddie's
• 17:57
  Speaker 2: high as hell and he's taken a nap. Do you
• 18:01
  Speaker 2: know how quick I'd be on his ass to what
• 18:04
  Speaker 2: get your stone ass up in the middle of the
• 18:09
  Speaker 2: fucking day and go do something you're sleeping and then
• 18:15
  Speaker 2: we get arrested, Like it's to me, it just paints
• 18:18
  Speaker 2: a picture of like where he's at specifically, and I
• 18:24
  Speaker 2: don't know what's going on with her, but man, it
• 18:26
  Speaker 2: didn't it was not a good look. Wasn't a good look?
• 18:30
  Speaker 1: What was it a good look? But like happy eddies,
• 18:34
  Speaker 1: testing the happy dreams of like testing products insurance fraud
• 18:40
  Speaker 1: that I'm sure he's like, that was so easy. I'm
• 18:43
  Speaker 1: gonna do it again. I'm never gonna have to worry
• 18:45
  Speaker 1: about money ever ever, And so take time to take
• 18:49
  Speaker 1: another time to take a nap, nap, take a week
• 18:52
  Speaker 1: weekday nap.
• 18:54
  Speaker 2: So she clearly they didn't expect it, called her sister,
• 19:00
  Speaker 2: can you pick up the kids, Eddie, And the next
• 19:04
  Speaker 2: thing you know, they spend the night in jail and
• 19:07
  Speaker 2: then them hearing them talk about how they could hear
• 19:10
  Speaker 2: their daughter in the background and how sad that was
• 19:13
  Speaker 2: and like devastating, devastating.
• 19:16
  Speaker 1: Yeah, like the daughter. And then she got on the
• 19:18
  Speaker 1: phone and then was reassuring the daughter that she would
• 19:21
  Speaker 1: be back. What she actually didn't know right.
• 19:25
  Speaker 2: Yeah, that's really that's so scary, This whole conversation that
• 19:30
  Speaker 2: they had to have for the camera. I mean, it's
• 19:32
  Speaker 2: not going to be anywhere near as authentic as we
• 19:34
  Speaker 2: want it to be. They have to talk for us.
• 19:37
  Speaker 1: They have to talk at least as long as we
• 19:40
  Speaker 1: see those feet and sliders walking down the sidewalk. And
• 19:44
  Speaker 1: that's when Kristin Doty shows up. They know they're going
• 19:47
  Speaker 1: to have the light and up to move. Whenever we
• 19:49
  Speaker 1: pick up cameras on Bravo, we need Kristen Dotat to show.
• 19:53
  Speaker 2: Up shuffle like comel Off have Buffalo. Yeah.
• 19:58
  Speaker 1: Yeah.
• 19:58
  Speaker 2: The camera pick up in Octo after they had already wrapped,
• 20:01
  Speaker 2: you know, had been wrapped for a few months is
• 20:04
  Speaker 2: definitely wild, something that they do on a regular basis.
• 20:09
  Speaker 1: We were trying to think did that start with Teresa?
• 20:12
  Speaker 1: We weren't sure with Teresa's arrest, you and I were
• 20:14
  Speaker 1: trying to figure it out, but scanned also one I
• 20:16
  Speaker 1: always remember, Yeah.
• 20:18
  Speaker 2: I think it was Teresa that they picked up. Yeah,
• 20:21
  Speaker 2: I think you're right about that. So she's like, how
• 20:25
  Speaker 2: does how are we gonna you know, how are we
• 20:27
  Speaker 2: going to move forward? You've already said that with way
• 20:31
  Speaker 2: too much energy.
• 20:33
  Speaker 1: Let me try it again going toward Oh.
• 20:40
  Speaker 2: God, now I just feeling bad. I need because but
• 20:44
  Speaker 2: this seems impossible.
• 20:46
  Speaker 1: It's impossible, and now we've got to film this and
• 20:49
  Speaker 1: do it perfect. Yeah, oh my god.
• 20:54
  Speaker 2: And you have to show a remorse, you have to
• 20:56
  Speaker 2: show motion, you have to show that you're broken it.
• 21:00
  Speaker 2: It's the impossible task. They didn't do a bad job,
• 21:03
  Speaker 2: I will say that.
• 21:04
  Speaker 1: No, because they are on the heels of the worst
• 21:06
  Speaker 1: job we've seen, and that was Ray and Karen last
• 21:10
  Speaker 1: season where they did like the scripted leave It to
• 21:13
  Speaker 1: Beaver when they picked up cameras and filmed them like,
• 21:18
  Speaker 1: oh hello, Karen, it's me your husband Ray, what are
• 21:21
  Speaker 1: you doing Well, I'm just.
• 21:22
  Speaker 2: Sad Ray rely concress.
• 21:25
  Speaker 1: Yeah.
• 21:25
  Speaker 2: Yeah, yeah. There's no good way or easy way to
• 21:28
  Speaker 2: do it. I mean, that's what's so nuts. I will
• 21:31
  Speaker 2: give credit to the producers because like they have to
• 21:34
  Speaker 2: prep them, and I think whatever they did to get
• 21:37
  Speaker 2: them to be able to do that, I thought was
• 21:40
  Speaker 2: really impressive, because you know, they had to sit there
• 21:44
  Speaker 2: and they had to get as much footage as they
• 21:46
  Speaker 2: possibly could, acknowledging the arrest, acknowledging that this is affecting
• 21:52
  Speaker 2: their marriage, and we didn't hear from Wendy that she
• 21:57
  Speaker 2: is innocent. We didn't hear her necessarily completely throw Eddie
• 22:03
  Speaker 2: under the bus, although that was something that is kind
• 22:07
  Speaker 2: of implied.
• 22:10
  Speaker 1: And in this though, right, did you get that?
• 22:13
  Speaker 2: See?
• 22:14
  Speaker 1: Because I was wondering about that. That seems like that's
• 22:17
  Speaker 1: a newer thing since filming. But but don't forget I
• 22:25
  Speaker 1: remember we've known that for a second and Bravocon has
• 22:29
  Speaker 1: happened in between filming the arrest and reunion, because the
• 22:36
  Speaker 1: reunion was done in January twenty twenty six, and bravocn
• 22:40
  Speaker 1: was November. So I feel like we know a lot
• 22:45
  Speaker 1: going into this reunion. So I am wondering if we're
• 22:48
  Speaker 1: going to kind of hear some more of I don't
• 22:53
  Speaker 1: think she can. She's not going to talk about if
• 22:55
  Speaker 1: Eddie is more guilty or less. She won't. I don't
• 22:58
  Speaker 1: think we're going to hear it. But didn't we hear?
• 23:02
  Speaker 2: But didn't we kind of hear that it's more his fault?
• 23:05
  Speaker 2: I mean, isn't that kind of the idea that we're
• 23:07
  Speaker 2: all sort of going with it this way as a
• 23:09
  Speaker 2: collective Bravo hive?
• 23:12
  Speaker 1: Uh?
• 23:13
  Speaker 2: Is it fair? To say that Wendy is going to
• 23:16
  Speaker 2: Wendy and Eddie are gonna kind of allegedly have him
• 23:20
  Speaker 2: take the fall for all of this, and or that
• 23:23
  Speaker 2: Wendy wasn't knowledgeable of all of it.
• 23:28
  Speaker 1: I mean there's emails.
• 23:31
  Speaker 2: So front Life. Yeah, that's right, from Eddie to Yeah
• 23:37
  Speaker 2: to Wendy.
• 23:38
  Speaker 1: Yeah, like get your shit together of all the expensive stuff.
• 23:43
  Speaker 2: Oh that's right, that's right. There's that one email that
• 23:45
  Speaker 2: we saw. Yeah.
• 23:47
  Speaker 1: I mean, I do think that for their kid's sake
• 23:52
  Speaker 1: and their sake, I do think that there's going to
• 23:55
  Speaker 1: be a bend towards Eddie because I think that they
• 24:00
  Speaker 1: don't want to both have like a long prison sentence.
• 24:05
  Speaker 2: It will be like a Teresa Joe thah, But I.
• 24:10
  Speaker 1: Think that it will happen that way.
• 24:12
  Speaker 2: That they are going to both go to prison.
• 24:15
  Speaker 1: What Teresa and Joe did is different from this. Yeah,
• 24:20
  Speaker 1: I think that.
• 24:22
  Speaker 2: Well, they're two different crimes, but they both are probably
• 24:25
  Speaker 2: going to have to pay the time, you think, Yes.
• 24:29
  Speaker 1: I do.
• 24:30
  Speaker 2: I am going I think Eddie will, I will.
• 24:33
  Speaker 1: Bet you four hundred thousand dollars of fraud money. I
• 24:40
  Speaker 1: don't think that they will. I don't think that they
• 24:43
  Speaker 1: will maybe if they do, both of them won't It
• 24:47
  Speaker 1: will just be Eddie and it'll be very short.
• 24:49
  Speaker 2: Yeah. I think that they will both go to prison
• 24:53
  Speaker 2: and it will be very short. Eddie will probably go
• 24:56
  Speaker 2: for like ninety days, and she'll probably go to one
• 25:01
  Speaker 2: of those prisons that's like she can go during the
• 25:05
  Speaker 2: day and and like go home and sleep at night
• 25:10
  Speaker 2: and like have a tether, like the most minimal possible.
• 25:14
  Speaker 2: But like when it comes out, their sentences will be
• 25:18
  Speaker 2: look bigger, but they'll end up not being that long
• 25:21
  Speaker 2: or that tough. That's my guess. But I think I
• 25:24
  Speaker 2: think he will probably get more time than she will.
• 25:27
  Speaker 2: I guess time will tell. But she seems to be
• 25:31
  Speaker 2: standing by him. There's no evidence to us at this
• 25:36
  Speaker 2: point that she is like cutting and running for him,
• 25:41
  Speaker 2: cutting and running from him and saying like you did
• 25:45
  Speaker 2: this to us, I'm done with you, Like that's not happening.
• 25:49
  Speaker 1: Because Eddie's also her Glam team now, because he walked
• 25:52
  Speaker 1: her out to the reunion and like was holding her dress.
• 25:56
  Speaker 2: Like oh, that's the agreement. She's like, I will not
• 26:01
  Speaker 2: I will stay with you, and I will stand by
• 26:03
  Speaker 2: you if and only if Glam Squad Wow nuts and
• 26:13
  Speaker 2: then she walks out there and it's just like, I mean,
• 26:16
  Speaker 2: they're joking about the headshot, they're joking about the wig.
• 26:19
  Speaker 2: She's like, oh, that's my professor wig.
• 26:22
  Speaker 1: The irony well and Gizelle calling it they that I
• 26:27
  Speaker 1: think made me laugh. I mean, Gizelle kind of came
• 26:31
  Speaker 1: after her like, oh, you're taking it like it's a
• 26:33
  Speaker 1: day in the park. And I didn't think that she was.
• 26:35
  Speaker 1: I thought she was having a good sense of humor
• 26:40
  Speaker 1: for a television production about herself, and I thought it
• 26:45
  Speaker 1: was a little harsh of Gizelle to be like, you're
• 26:49
  Speaker 1: talking about this like it's a day of the park. Meanwhile,
• 26:51
  Speaker 1: I'm like, Jazelle, you just like we're making fun of
• 26:53
  Speaker 1: her wig for ten minutes in the like what a.
• 26:57
  Speaker 2: Pick a lane?
• 26:58
  Speaker 1: Right?
• 26:59
  Speaker 2: Well, when Karen was there, I think it's because Wendy
• 27:03
  Speaker 2: had some words for Karen like, wow, you just did that.
• 27:07
  Speaker 2: You were just accused of doing this and you're fine
• 27:12
  Speaker 2: by just living your life. I think that's it was
• 27:14
  Speaker 2: the hypocrisy that Gazelle was most calling her out for,
• 27:17
  Speaker 2: Like you questioned Karen how she could handle this and
• 27:21
  Speaker 2: take it so lightly when you're the one actually sitting
• 27:24
  Speaker 2: here under different circumstances, but similar nonetheless with the law,
• 27:30
  Speaker 2: and you seem to be taking it lightly lightly. I
• 27:34
  Speaker 2: liked that Gizelle had Karen's back there where she was like,
• 27:37
  Speaker 2: Karen's not here, but I'm going to ask the question
• 27:40
  Speaker 2: that maybe Karen would if she were here, which is like, oh,
• 27:44
  Speaker 2: you seem to be handling this. It's just well, which
• 27:46
  Speaker 2: you don't know what it's like until you're in that situation,
• 27:49
  Speaker 2: is her point. And I could say the same thing.
• 27:52
  Speaker 2: I don't know what I would be like in that situation,
• 27:55
  Speaker 2: but I would certainly be doing my best, which is
• 27:58
  Speaker 2: what Wendy is trying to do.
• 28:00
  Speaker 1: Of all of them, including Giselle, the one that I
• 28:03
  Speaker 1: think gave Karen the most grace was Wendy, So I
• 28:07
  Speaker 1: do think like she and she did say something along
• 28:12
  Speaker 1: those lines and trying to like defend that. But I
• 28:17
  Speaker 1: I think that it'll be interesting to see how that
• 28:20
  Speaker 1: all plays out with Karen. Karen can like remember any
• 28:24
  Speaker 1: of that. By that, I don't mean that Karen died.
• 28:28
  Speaker 1: I means that Karen is remembering.
• 28:34
  Speaker 2: Yeah, this is going to be interesting to see the
• 28:36
  Speaker 2: Wendy and Karen thing. That's the thing I'm looking forward
• 28:38
  Speaker 2: to the most. Yeah, because Karen will have to speak
• 28:42
  Speaker 2: to why she didn't thank her in that video and
• 28:45
  Speaker 2: also when Andy asked her in that interview why she
• 28:49
  Speaker 2: didn't thank her in that video and what she said
• 28:51
  Speaker 2: about her that Wendy knows why I didn't say anything
• 28:54
  Speaker 2: about her. Yeah, I'm worried, very worried that Karen's going
• 29:00
  Speaker 2: to be like she knows, and I'm not gonna say
• 29:02
  Speaker 2: because I'm a better woman than that and I'm in
• 29:04
  Speaker 2: a good place in my life and i don't want
• 29:05
  Speaker 2: to do that, and I'll be like, God, damn it, Karen,
• 29:09
  Speaker 2: dig up the dirt because I'm gonna want to hear.
• 29:12
  Speaker 2: And I hope it's not going to be a lot
• 29:15
  Speaker 2: of nothing where we're just gonna have to just breeze
• 29:19
  Speaker 2: over it and not get the real answers.
• 29:21
  Speaker 1: It might be, because sometimes, especially if we're dealing with
• 29:25
  Speaker 1: Karen pre prison Karen, she would get sensitive about like
• 29:32
  Speaker 1: out ranking in a pecking order, like whatever she perceived
• 29:37
  Speaker 1: as like trying to flex or whatever. So I can
• 29:40
  Speaker 1: see it being absolutely nothing that like she perceives as
• 29:45
  Speaker 1: something even now like I can see that, like you
• 29:49
  Speaker 1: forgot the order of how this goes, and we had
• 29:51
  Speaker 1: an agreement or something, and everybody's like, what are you
• 29:55
  Speaker 1: talking about?
• 29:56
  Speaker 2: Right right? My god, the last line of this first
• 30:02
  Speaker 2: reunion caught on fire on TV. Like my whole computer
• 30:09
  Speaker 2: that I was watching it on like almost blew up
• 30:12
  Speaker 2: when Ashley said, I don't vilify my accomplishments to Wendy,
• 30:16
  Speaker 2: and Wendy says, because you don't have none, and Ashley says, bullshit, bitch,
• 30:21
  Speaker 2: I have one social Security number. Fire. Yeah, everything caught
• 30:27
  Speaker 2: on fire. I was like, oh, one, here we go. Look,
• 30:33
  Speaker 2: Ashley showed up and she was ready. She's got several
• 30:36
  Speaker 2: I'm sure she has many other little pocket insults that
• 30:40
  Speaker 2: she's ready to throw out there. And that's just the beginning.
• 30:46
  Speaker 1: I feel like, if we're not going to get anywhere
• 30:48
  Speaker 1: else with Wendy because of the court stuff, Wendy, I
• 30:51
  Speaker 1: need you to turn it up on Stacy because Stacy
• 30:56
  Speaker 1: will stop and listen to you. And the fact that
• 30:58
  Speaker 1: we are still talking about this TEJ thing with Giselle
• 31:03
  Speaker 1: and Ashley and Stacy and TJ and but that Bet
• 31:07
  Speaker 1: and then Stacy can still say I still stand in
• 31:11
  Speaker 1: my truth.
• 31:13
  Speaker 2: I know it's amazing and I was like, but you've
• 31:18
  Speaker 2: never said you're not actually saying what your truth is,
• 31:21
  Speaker 2: which isn't a lie. That's what she got to. I mean,
• 31:26
  Speaker 2: these gals, I know, they're just tap dancing all over
• 31:30
  Speaker 2: our faces, all over that stage.
• 31:33
  Speaker 1: I had come so far with Stacy and then I
• 31:37
  Speaker 1: was like, come on.
• 31:38
  Speaker 2: Stacy, No, yeah, you that's the consistency that is Stacy.
• 31:43
  Speaker 2: Though unfortunately, just like just like with Karen all this time,
• 31:47
  Speaker 2: just like everybody else, they have their thing. Stacy is
• 31:50
  Speaker 2: not going to bend. She just won't. That's who she is,
• 31:55
  Speaker 2: and she's going to carry it through. She's going to
• 31:58
  Speaker 2: see it through. And it's also the she like believes
• 32:01
  Speaker 2: what she's saying. So like the TJ stuff, I totally
• 32:07
  Speaker 2: think we've already like beat this with a dead horse,
• 32:10
  Speaker 2: but I don't believe that. I do believe that there
• 32:13
  Speaker 2: was a contract and Gizelle being like we saw it okay,
• 32:17
  Speaker 2: So that's she's not going to acknowledge that. She's not
• 32:19
  Speaker 2: going to give that any life. The Temo stuff with
• 32:24
  Speaker 2: the divorce, she did end up she was able to
• 32:28
  Speaker 2: prove that they were divorced, which was impressive because I
• 32:32
  Speaker 2: didn't believe her with that either.
• 32:33
  Speaker 1: To be honest, I still don't know if she did,
• 32:37
  Speaker 1: because remember that they were like, these aren't complete documents.
• 32:40
  Speaker 1: Remember they like when Ashley compared it or Giselle somebody
• 32:44
  Speaker 1: compared it with theirs.
• 32:45
  Speaker 2: I still don't That was before she held it up
• 32:48
  Speaker 2: in her confessional or something.
• 32:50
  Speaker 1: That was she took it to Ashley's house or one
• 32:53
  Speaker 1: of their houses because they were having a party, and
• 32:55
  Speaker 1: she showed them and then they were like, that's not anything.
• 32:59
  Speaker 2: Right, that's right, that's right. Then it was later that
• 33:04
  Speaker 2: I feel like she proved it because I remember it
• 33:06
  Speaker 2: was online and then we got to see the documents online,
• 33:10
  Speaker 2: so there was proof it wasn't the same, so of anything,
• 33:14
  Speaker 2: like she just didn't have the correct document with her
• 33:17
  Speaker 2: when she showed him that, which whatever, it doesn't even
• 33:21
  Speaker 2: listen to me. I saw like an l like an enabler. Well,
• 33:25
  Speaker 2: she just didn't have the right divorce document. I mean,
• 33:27
  Speaker 2: surely you get divorced documents mixed up, the one that
• 33:30
  Speaker 2: says like legally divorced and another one that just doesn't.
• 33:34
  Speaker 2: Like of course that happens. I don't know. Look, I
• 33:37
  Speaker 2: don't even know, but you're gonna get from her what
• 33:40
  Speaker 2: you normally get and that's that.
• 33:41
  Speaker 1: See I And again right back on Stacy, I'm like
• 33:47
  Speaker 1: again this cannabis line. You're on the reunion, last reunion,
• 33:55
  Speaker 1: I meet about many things, and then you met with
• 33:58
  Speaker 1: with Wendy this top of this season, and we saw
• 34:03
  Speaker 1: a flashback to it where she's like, oh, this has
• 34:07
  Speaker 1: been in.
• 34:07
  Speaker 2: The works forever, right, I know, No, it's so wrong
• 34:13
  Speaker 2: and it's so bad, and like, I'm laughing about it now,
• 34:16
  Speaker 2: but in a year or two I'm going to be
• 34:19
  Speaker 2: She's going to be playing the same old games and
• 34:21
  Speaker 2: I'm going to not be having it anymore. I'm going
• 34:23
  Speaker 2: to be really worn out from it.
• 34:26
  Speaker 1: Yeah, those QVC clips are saving her for me because
• 34:29
  Speaker 1: I can't stop watching those.
• 34:31
  Speaker 2: So I will work charm her charm and her humor
• 34:36
  Speaker 2: or what's like keeping her floating.
• 34:40
  Speaker 1: And her neck turns at point ohhh four miles an hour?
• 34:45
  Speaker 1: Are they slowing that down in the edit? It's crazy.
• 34:48
  Speaker 2: I wonder if they are, because it started to like, yeah,
• 34:53
  Speaker 2: I think they are. That was now it's coming from
• 34:57
  Speaker 2: a place of slow. Bethany's next book coming from a
• 35:02
  Speaker 2: place of slow.
• 35:04
  Speaker 1: Also, I noticed that when she is like addressing the
• 35:08
  Speaker 1: other couch, and it's usually like, in some kind of
• 35:11
  Speaker 1: response to them saying something to her negative, she closes
• 35:15
  Speaker 1: her eyes and nods her head and talks at them.
• 35:19
  Speaker 1: She did it twice, and I was like, well, these
• 35:21
  Speaker 1: are the two times that we can see it, And
• 35:23
  Speaker 1: I wonder if I just didn't notice that that is
• 35:26
  Speaker 1: how she cops to it during confrontations.
• 35:30
  Speaker 2: Like interesting, I didn't catch that. There will be body
• 35:34
  Speaker 2: expert there'll be body language experts that could absolutely speak
• 35:39
  Speaker 2: to that. And I can tell you right now, none
• 35:41
  Speaker 2: of it's.
• 35:42
  Speaker 1: Gonna be good.
• 35:43
  Speaker 2: None of it's gonna be good, because the second you
• 35:47
  Speaker 2: close your eyes, you are denying, denying, denying the truth
• 35:51
  Speaker 2: in the truth, the truth, the truth, so like your
• 35:55
  Speaker 2: eyes are closed to the truth.
• 35:56
  Speaker 1: It's as simple as that, you think it, because I
• 36:00
  Speaker 1: also thinking like maybe she like just is like, fine,
• 36:05
  Speaker 1: you're right, and I'm giving you some of it, but
• 36:08
  Speaker 1: I can't look at you when I like it's too
• 36:10
  Speaker 1: much of a blow to my ego or something like.
• 36:13
  Speaker 2: Like, if she continues to do it in times where
• 36:17
  Speaker 2: there's heat in this situation and we're not sure if
• 36:20
  Speaker 2: she's lying, if she's doing it in those moments, then
• 36:22
  Speaker 2: she's definitely it's a tell and she's lying, and I've
• 36:27
  Speaker 2: seen people do that and it's not good. It's like, oh,
• 36:32
  Speaker 2: it's not good.
• 36:33
  Speaker 1: Even if it's like this is how I tell you
• 36:34
  Speaker 1: the truth, it's not good. I have to close my
• 36:39
  Speaker 1: eyes when I'm actually telling you the truth.
• 36:41
  Speaker 2: I mean, it's it's one step away from literally putting
• 36:44
  Speaker 2: your hands over your face and being like yeah that yeah,
• 36:50
  Speaker 2: absolutely divorced. I'm divorced. Yeah, I'm divorced. Yeah.
• 36:55
  Speaker 1: It's it's like a Catholic confession. I just close my
• 36:59
  Speaker 1: eyes and tell the priests and then no one can
• 37:01
  Speaker 1: see me confess.
• 37:02
  Speaker 2: Wild right, isn't that wild?
• 37:05
  Speaker 1: Yeah?
• 37:06
  Speaker 2: I think you back on I think go back on
• 37:08
  Speaker 2: those And I'm like, do they even have those anymore?
• 37:10
  Speaker 2: Like confessionals?
• 37:13
  Speaker 1: They had one in Fleabag and yeah, yeah, yeah, ya ye. Anyway,
• 37:17
  Speaker 1: it's one of my favorite seasons ever. Fleabag Season two,
• 37:22
  Speaker 1: Electric Boogoloo.
• 37:25
  Speaker 2: Well, Ashley was accused of being mean this year, and
• 37:28
  Speaker 2: she was we said it too, we said it, we
• 37:32
  Speaker 2: didn't ride it, we won't regret it. And then the
• 37:35
  Speaker 2: catfish thing, of course, and she brought it to the
• 37:38
  Speaker 2: party and then her defense to Angel was like, no,
• 37:46
  Speaker 2: you just got to have a sense of humor. It's
• 37:47
  Speaker 2: like no, no, no, you're you're desensitized at this point,
• 37:51
  Speaker 2: Like it's nice.
• 37:53
  Speaker 1: It's never correct on this shit. She's always like, yeah,
• 37:58
  Speaker 1: I know I fully ripped your head off, but like
• 38:00
  Speaker 1: you have a neck anyway, what's the next questioning? I like,
• 38:03
  Speaker 1: none of this lines up.
• 38:05
  Speaker 2: But she also gets away with it too. She gets
• 38:07
  Speaker 2: away with a lot because total she's smooth, she's really
• 38:12
  Speaker 2: charming and like she does it with like a cute
• 38:16
  Speaker 2: like she gets away she's like a rob. She's like
• 38:19
  Speaker 2: how Rob is on Traders. Yeah, she's like the female.
• 38:22
  Speaker 2: Well he's like the male Ashley, I should say. But
• 38:27
  Speaker 2: and then the zen when in the pen was another one.
• 38:33
  Speaker 1: I didn't mean it like that.
• 38:35
  Speaker 2: What I was saying is I didn't know how serious
• 38:37
  Speaker 2: it was. I didn't know how serious it was hilarious.
• 38:42
  Speaker 1: I've heard it from many people. You knew exactly how
• 38:45
  Speaker 1: serious it was.
• 38:47
  Speaker 2: Yeah, Look, Ashley can dissociate from feelings for others and
• 38:55
  Speaker 2: kind of go in hard and like like I don't
• 38:57
  Speaker 2: know her, I don't know them, and it's fine with it.
• 39:00
  Speaker 1: I also think that she knows that she's got to
• 39:05
  Speaker 1: keep this plate spinning, to stay on this show, to
• 39:07
  Speaker 1: keep the show relevant. Like I think that to her
• 39:11
  Speaker 1: is the most important.
• 39:13
  Speaker 2: And she likes to run. When you have a rhyme
• 39:15
  Speaker 2: and it's right right there in front of you, how
• 39:18
  Speaker 2: can you not say it? I mean, Zen rhymes with pen.
• 39:21
  Speaker 2: Come on, she couldn't help herself. And then she and
• 39:27
  Speaker 2: then Wendy's like, well, I would believe that. I'm sorry,
• 39:30
  Speaker 2: let me as She's like, I didn't know how serious
• 39:33
  Speaker 2: it was. I didn't know. I didn't know it was.
• 39:37
  Speaker 2: And Wendy's like, well, I would believe that, but I
• 39:46
  Speaker 2: heard from someone that you have a hidden agenda against me.
• 39:56
  Speaker 1: All I know is something gets activated by episode of
• 40:00
  Speaker 1: this reunion, because Karen comes out and basically says do
• 40:04
  Speaker 1: less so to Wendy. So I do think at some
• 40:08
  Speaker 1: point whatever Wendy's on may or may not allegedly wear
• 40:13
  Speaker 1: off and she starts getting comfortable out there. Maybe Karen's like,
• 40:19
  Speaker 1: reel it in, dude, you still have to like answer
• 40:23
  Speaker 1: for some of this in a courtroom. So I do
• 40:26
  Speaker 1: think that we're gonna get a little bit more keep
• 40:29
  Speaker 1: in our step.
• 40:30
  Speaker 2: Kyle comes out and is like don't.
• 40:32
  Speaker 3: You don't want to say this because they could end
• 40:33
  Speaker 3: up fighting in the ass, like PK is gonna sue you,
• 40:36
  Speaker 3: or like you're not even able to see your cars,
• 40:38
  Speaker 3: Like just just like stop, like I'm just trying to
• 40:40
  Speaker 3: help you as a friend, like Wendy stops saying stuff.
• 40:45
  Speaker 1: But here is I remember when you'll be like.
• 40:53
  Speaker 2: To read.
• 40:57
  Speaker 1: I remember, Eddie.
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  Speaker 2: coverage vary by state and insurance plan. Ashley has been
• 49:52
  Speaker 2: waiting for this moment, and I don't blame her, which
• 49:56
  Speaker 2: is what everybody thought when you saw that Wendy was
• 50:00
  Speaker 2: in trouble, which is like, you came into this group
• 50:04
  Speaker 2: acting like you were better than us.
• 50:06
  Speaker 1: That you had always was what's gonna happen with a
• 50:09
  Speaker 1: Gready show, That's what we were all thinking. No, I
• 50:12
  Speaker 1: was not the one.
• 50:13
  Speaker 2: Don't even know what that is. I'm sorry, I cannot
• 50:17
  Speaker 2: clock that. So she had to pop her in her
• 50:23
  Speaker 2: place for a second. And you know, let it, let
• 50:26
  Speaker 2: the record show you came onto this show that I started,
• 50:31
  Speaker 2: and you acted like you were better than us, and
• 50:35
  Speaker 2: now it's time to say you're not. Bye.
• 50:39
  Speaker 1: Yeah. So, And I also think with Ashley, like for example,
• 50:44
  Speaker 1: with Gizelle, if this had happened to Gizelle, as she
• 50:48
  Speaker 1: would never go after Gizelle like this. She would Gizelle
• 50:53
  Speaker 1: is like protected, but everybody else, including Karen, Ashley's going
• 50:58
  Speaker 1: to go for if they are on tough times against
• 51:02
  Speaker 1: the ropes, Ashley's going to absolutely be like, Hey, what's
• 51:06
  Speaker 1: going on here, you idiot?
• 51:09
  Speaker 2: Yeah, I like Zelle. I'm going through my catalog and
• 51:12
  Speaker 2: I'm not remembering times when she's gone for Gizelle. So
• 51:19
  Speaker 2: R and D is going to have to get into that.
• 51:21
  Speaker 2: But I think you're right, you know, And didn't you
• 51:23
  Speaker 2: find that interesting when they were kind of doing like
• 51:25
  Speaker 2: a little look back on Potomac, Like, did you guys
• 51:28
  Speaker 2: ever think it would be you know, we'd be here
• 51:31
  Speaker 2: all these years later, and Gizelle being like, yeah, I
• 51:34
  Speaker 2: didn't know it was going to be a thing until
• 51:37
  Speaker 2: this one showed up. And I thought that was such
• 51:38
  Speaker 2: an interesting discovery for us to learn that. Yeah, Gizelle
• 51:46
  Speaker 2: thought so much of Ashley and her ability to take
• 51:50
  Speaker 2: this show to a great place. It was nice to see.
• 51:56
  Speaker 1: I thought it was good, by the way, not to
• 51:58
  Speaker 1: change your subject too much. But before I forget, what
• 52:01
  Speaker 1: do you think of this reunion set?
• 52:04
  Speaker 2: Well, I wasn't sure. I saw horses. I wasn't sure
• 52:09
  Speaker 2: if it was like Aspen related at first, and then I, yeah,
• 52:14
  Speaker 2: it was a little it's.
• 52:16
  Speaker 1: A not to the horse races at the top of
• 52:19
  Speaker 1: the season. It's like stables and all that. Yeah, I'm
• 52:24
  Speaker 1: not I'm not like loving it. I don't know why
• 52:27
  Speaker 1: we have to have these bonker sets for Potomac, Like,
• 52:32
  Speaker 1: I don't get it.
• 52:34
  Speaker 2: Yeah they do it because like that's such a great theme,
• 52:37
  Speaker 2: and they had such a horse race theme at the
• 52:41
  Speaker 2: whole first half of this show, Like I would have
• 52:45
  Speaker 2: liked to have seen it go bigger and better.
• 52:48
  Speaker 1: You want it bigger and better. That thing is like
• 52:51
  Speaker 1: a clown car that set.
• 52:53
  Speaker 2: Sorry, better not bigger, smarter, not harder.
• 52:59
  Speaker 1: Like oh see Beverly Hills.
• 53:03
  Speaker 2: Yeah, no, I love the Derby theme though, So I'm
• 53:08
  Speaker 2: just saying like, I don't know, just felt like it
• 53:10
  Speaker 2: could have been more tastefully done.
• 53:12
  Speaker 1: I'm of two mines because also, like Salt Lake City
• 53:15
  Speaker 1: is bonkers.
• 53:17
  Speaker 2: Yeah, Salt Lake City gets the most bonkers sets ever.
• 53:21
  Speaker 1: Uh who was Oh, Miami was the most bonkers where
• 53:25
  Speaker 1: they made it like Brazil or something there. So I'm
• 53:29
  Speaker 1: of two mines and I'm like I want set designers
• 53:33
  Speaker 1: and prop people to get a gig. And then I
• 53:38
  Speaker 1: also am like, well then how come like when we
• 53:40
  Speaker 1: see OC they're on like a skyscape on a soap
• 53:44
  Speaker 1: opera set that looks amazing or Beverly Hills. But then
• 53:48
  Speaker 1: we had these other cities like can we just Lane.
• 53:51
  Speaker 2: Because yeah, well, because like with Orange County, they have
• 53:56
  Speaker 2: done both, and I think like with Beverly Hills, they've
• 54:01
  Speaker 2: also done both where they've gone to the simplistic, you know,
• 54:06
  Speaker 2: easy background with just nice lighting and that's it, and
• 54:11
  Speaker 2: they don't have a theme. But like Salt Lake City
• 54:14
  Speaker 2: has never done that, Potomac has never done that. I
• 54:18
  Speaker 2: don't know, Atlanta has never done that. I don't think.
• 54:22
  Speaker 1: Yeah, so I guess what I'm saying is like, let's
• 54:25
  Speaker 1: just make it bonkers then, so yeah, a bunch of
• 54:28
  Speaker 1: people can get a good gig for that.
• 54:30
  Speaker 2: I like set design. I appreciate set design, and I'd
• 54:36
  Speaker 2: like it. I'd like to see it get better from here.
• 54:40
  Speaker 2: Like not that I embrace bonkers every once in a while,
• 54:43
  Speaker 2: but I also would appreciate, you know, a taste level.
• 54:48
  Speaker 1: Yeah, like they should have had each person in a
• 54:50
  Speaker 1: horse stall and leaning over, like.
• 54:53
  Speaker 2: Like with their names, with their names even.
• 54:59
  Speaker 1: Yeah.
• 54:59
  Speaker 2: Yeah, well listen, we've covered the big stuff, the angel stuff.
• 55:04
  Speaker 2: She bought a house in Potomac. We kind of knew that.
• 55:08
  Speaker 2: Dip on a chip, Oh that was good ship. I
• 55:13
  Speaker 2: was like bring her back to Yeah, that could bring
• 55:17
  Speaker 2: her back. That one line could actually be the saving grace.
• 55:22
  Speaker 2: I don't I don't think she should go anyway. I'm
• 55:24
  Speaker 2: fine with either Ka.
• 55:27
  Speaker 1: By the way, we didn't even tap on that. I
• 55:30
  Speaker 1: just wanted to shove her name because she was trying
• 55:32
  Speaker 1: to speak the whole time. So I just want to say,
• 55:34
  Speaker 1: poor k Okay, go ahead, Amy.
• 55:36
  Speaker 2: I'm sorry. I don't know what you're talking about. We're
• 55:39
  Speaker 2: wrapping up. We are wrapping up. I'm sure there's more
• 55:42
  Speaker 2: to discuss later about Kiarana, and certainly we're going to
• 55:46
  Speaker 2: get back to Wendy. I can't wait to see Karen.
• 55:50
  Speaker 2: I'm sure Monique will come out. That will be fun. Well, gosh, guys,
• 55:55
  Speaker 2: thanks for listening today.
• 55:57
  Speaker 1: Have a fabulous day.
• 55:58
  Speaker 2: Head on over to Patrian doc Home slash Drama Darling
• 56:01
  Speaker 2: for more content. Bye for now, Hoe see it, tally
• 56:09
  Speaker 2: ho
• 56:14
  Speaker 1: Hm