Latest / INSPIRE STORY / Camp Oakwood

Transcript

Camp Oakwood · INSPIRE STORY

• 0:15
  Speaker 1: Welcome back to Creek Gust. Today we are reading a
• 0:18
  story called I work at a summer camp called Camp
• 0:21
  oak Wood. Something weird is going.
• 0:23
  Speaker 2: On, which is coincidentally the thing you told me about
• 0:28
  how you discovered yourself in the seventh grade was at
• 0:32
  sixth grade. So this is.
• 0:34
  Speaker 1: I'm sure a very personal story for you, nice personal
• 0:36
  story for me from my nice summer camp experiences. Could
• 0:39
  you give us a bit of a background on our author,
• 0:42
  who's named Langster Underscore Gangster.
• 0:46
  Speaker 2: Yes, so Langster Gangster is the author of this story.
• 0:49
  The story came recommended by a couple people I believe.
• 0:52
  In our comments and on our slash No Sleep, the
• 0:56
  first part of the story has two point five thousand
• 1:00
  and up votes, so it looks like it was certainly
• 1:02
  adored by a lot of people. Funny enough, in comparison
• 1:04
  to that, our author doesn't seem to write a ton
• 1:08
  of stories, at least according to his subreddit. He doesn't
• 1:12
  have any posts linking off to a website or different
• 1:16
  places that he's writing, as opposed to a lot of
• 1:18
  authors we're familiar with. Instead, there is it looks like
• 1:22
  four or five stories across No Sleep in our slash
• 1:26
  Night tells and scary stories. There's a few other shorter
• 1:29
  ones mixed in, but he's only done a few large projects.
• 1:32
  And then he has three entries on our slash two
• 1:34
  sentence horror stories.
• 1:36
  Speaker 1: You have gotten you have got to read them. We
• 1:38
  have gotten to know.
• 1:39
  Speaker 2: I know I have to read them. But other than that,
• 1:42
  it doesn't seem like there's a ton of posts. And
• 1:44
  all of those were five years were from five years
• 1:47
  ago or further, and every single other post in the
• 1:51
  last five years.
• 1:52
  Speaker 1: It's about football.
• 1:55
  Speaker 2: It's all about it's all about the New Orleans Saints
• 1:59
  and the Pelicans. He post about basketball sub but he
• 2:02
  is just like he was like, yeah, this is lame.
• 2:05
  Speaker 1: I'm done with the whole. But what's the other When
• 2:07
  he goes to as well, it's very important.
• 2:10
  Speaker 2: Oh it's a channel call. So it's a sub reddit
• 2:12
  called r slash urinating Tree talking about one Oh oh yeah, okay.
• 2:18
  So he also posts a lot in r slash the
• 2:22
  Masked Singer.
• 2:26
  Speaker 1: And it's just just talking redd.
• 2:28
  Speaker 2: It's so weird because you can it's like, oh, let
• 2:31
  me find out more about this guy's riding, and you
• 2:33
  can see everything they've ever commented, all just laid out
• 2:38
  at once. So it's really into football, like.
• 2:41
  Speaker 1: That dude, that's so fucked up that you can't. Now
• 2:44
  you have two guys talking about he's just like I
• 2:46
  like talking about the Saints of the Mask singer like
• 2:48
  obsessively for years and years. And you know what good
• 2:53
  for him is where I say good for him.
• 2:56
  Speaker 2: Look, he's enjoying his life. He's having a great time
• 2:59
  at the We're just jerks coming along to make his day.
• 3:02
  Speaker 1: Well, i'll reab the two sentence horror and then that'll
• 3:06
  give us a nice that'll pull vaultage into the story.
• 3:09
  Speaker 2: Yes, so he has three entries to our slash two
• 3:11
  centence horror and they go I'm gonna read them chronologically. So, okay,
• 3:18
  I bought the most expensive pair of noise canceling headphones
• 3:21
  I could find. Despite how good they are supposed to be,
• 3:24
  I can still hear the voices. Okay, okay, there's their
• 3:32
  first one or second one. As I blew out the
• 3:34
  candles and my joyful relatives told me to make a wish.
• 3:37
  I did so silently. I couldn't say aloud that I
• 3:40
  wished for the abuse to stop. Then finally chills went
• 3:56
  down my spine as I made eye contact with the
• 3:58
  man who was staring at me through a window. Guess
• 4:01
  I won't be able to break into this house anymore.
• 4:05
  Speaker 1: You know what, I appreciate that one juice. This horror
• 4:09
  is just so fucking lame. It is. Yeah, you can't,
• 4:14
  you really fucking cannot.
• 4:18
  Speaker 2: They're cool in high school to be like, oh, set
• 4:20
  up punchline. Oh look at that, a set up punchline.
• 4:22
  Like they're cool when you're just getting into writing. But
• 4:24
  there's really, I mean, there's no way to make them compelling.
• 4:28
  It's it's because like there're those old well I think
• 4:30
  it was himming Way who had that what's it for
• 4:34
  cell baby shoes? Never worn that whole thing of some
• 4:37
  early American author. Oh so and it's like, oh, yeah,
• 4:39
  that's impactful and it's so short. So a bunch of
• 4:41
  people try to mimic that, and the thing that they
• 4:43
  just get across is impact, not severity of what made
• 4:46
  the original sentence so cool. But whatever, it's Look, I'm
• 4:51
  sure that will not relate to the actual writing day.
• 4:53
  This story we're reading today is very highly rated.
• 4:55
  Speaker 1: We have to give him credit because he had there
• 4:57
  was no creature involved in any of the two sentences.
• 5:00
  That's true.
• 5:01
  Speaker 2: I thought about throwing one in. I thought about ingons
• 5:04
  and be like. I looked at the man in the reflection.
• 5:07
  I suddenly realized.
• 5:08
  Speaker 1: That was the creatures.
• 5:12
  Speaker 2: My family, That's what I wished for my birthday. I
• 5:15
  couldn't tell them I wished for the creature.
• 5:17
  Speaker 1: It's been a second since we've had a nice campfire,
• 5:21
  like a camping, like a like an actual Have we
• 5:24
  done any that are like campground stories, like summer camp stories?
• 5:30
  Have we done any of those? I don't think we have.
• 5:31
  Have we there?
• 5:33
  Speaker 2: I feel like we've gotten closed some of them, like
• 5:37
  Spire in the Woods had like campfire moments. So this
• 5:40
  is like.
• 5:40
  Speaker 1: Actual Camp oak Wood. It's gonna be like an actual
• 5:43
  summer camp.
• 5:44
  Speaker 2: Yeah, that's what we think. Well, no, knowing our luck,
• 5:47
  we're gonna get started with it. It'll be like Camp
• 5:49
  oak Wood was the nickname for a human trafficking ring
• 5:51
  in my small Yeah.
• 5:54
  Speaker 1: Yeah, what all right? Well, I mean I just say,
• 5:58
  let's let's dump let's jump in to it. It looks
• 6:01
  like this one is five parts, so everyone buckle in
• 6:05
  and let's let's read. I work in a summer camp,
• 6:08
  cold Camp Oakwood something weird is going on.
• 6:13
  Speaker 2: Also, thank you guys so much for the support that
• 6:15
  you've been showing us on audio platforms like Spotify. Continue
• 6:18
  to show support over there. Not only do we have
• 6:21
  Spotify rankings now, we also have a YouTube chart. Now
• 6:24
  Hunter and me and you are fifteenth in the world,
• 6:27
  or at least in the US. I think on.
• 6:28
  Speaker 1: YouTube, you know what, it's not just us, it's us
• 6:32
  and our amazing fucking YouTube audience. I want to sincerely
• 6:34
  say you guys show so much support not only on YouTube, Spotify,
• 6:39
  Apple podcasts, all that shit. It really does help and
• 6:41
  it's made obvious, an obvious impact to where even you know,
• 6:44
  YouTube has asked us to could you make a comment
• 6:47
  on it? And it's really funny seeing the top fifteen
• 6:50
  and then for some reason, yeah, there's just like and
• 6:52
  there's the guys who read creepy pastas. So it's kind
• 6:56
  of funny that that's there. But I just want to
• 6:58
  say thank you so much for that, guys. It's awesome. Also,
• 7:00
  can I read the first sentence of this, it's like
• 7:02
  the it's the ad in the in the bold.
• 7:07
  Speaker 2: Yes, hold on real quick. I just just to give
• 7:09
  an update so we can let people know. We are
• 7:11
  fifteenth on YouTube and we are nineteenth on Spotify, So
• 7:14
  I think we've effectively killed Ben Shapiro on both, which
• 7:17
  was our goal from the get go. That and I'll
• 7:21
  talk to is gone, not even.
• 7:24
  Speaker 1: From mark my words from the ashes, she will rise
• 7:27
  like a phoenix.
• 7:33
  Speaker 3: Really thought I was done.
• 7:35
  Speaker 4: I'm just getting started.
• 7:36
  Speaker 2: Baby, I'm I'm just glad I didn't have to kill myself.
• 7:42
  Speaker 1: That's true. That was a thing. Well, we'd never know,
• 7:44
  is the thing. So I'm glad the gun has always lood.
• 7:47
  Speaker 2: All right, Okay, sure h Here you go ahead, get
• 7:51
  into the story. Read the introm Here we.
• 7:53
  Speaker 1: Go work at cam Oakwood looking for maintenance staff. No
• 7:57
  experience needed.
• 7:59
  Speaker 2: The ad stuck out like a sore thumb on the
• 8:00
  wall at a coffee shop. I frequented. It was also new,
• 8:03
  given that I was at the coffee shop the previous
• 8:05
  day and the poster wasn't there. At the time, I
• 8:08
  was unemployed and living at home with my parents. Every
• 8:11
  time I would go to yes.
• 8:13
  Speaker 1: I understand, that's that's you. That's Isaiah.
• 8:15
  Speaker 2: Oh, I'm unemployed in living at home with my parents.
• 8:18
  Speaker 1: Yeah, looking up government cheese and stuff like that in
• 8:21
  your parents makesman.
• 8:24
  Speaker 2: No, that didn't. That definitely wasn't. The first three years
• 8:28
  I was on YouTube out know what you're talking about.
• 8:32
  I was unemployed and living at home with my parents,
• 8:34
  So every time I would go to the coffee shop,
• 8:36
  I would browse the wall in search of jobs I
• 8:38
  could possibly obtain. Of course, there wouldn't be any big
• 8:42
  pain jobs available, but I hoped there would be something appealing.
• 8:46
  And in the middle of that wall was that poster
• 8:48
  about a summer camp located many hours away from home.
• 8:51
  I don't know why I piqued my interest, though it
• 8:53
  was probably the aspect of me being able to get
• 8:55
  away from home. A job that would let me live
• 8:58
  somewhere without my folks sounded luxurious to me. It also
• 9:02
  paid decently well, so after thinking over it a bit
• 9:05
  while sipping my coffee, I decided to take the poster
• 9:07
  off the wall and bring it home.
• 9:09
  Speaker 1: Shop allowed that. Of course, I.
• 9:11
  Speaker 2: Wasn't going to steal anything I wasn't allowed to take.
• 9:14
  As I walked out the coffee shop, I noticed a
• 9:16
  blondhaired lady staring at me from the opposite side of
• 9:18
  the street. Once I noticed her, we stared at each
• 9:21
  other for a few more seconds. Then she began walking away.
• 9:25
  Found it odd and a little creepy, but didn't harp
• 9:28
  on it, and walked home. I arrived home and watched
• 9:31
  TV for a few hours. After bemage watching a show,
• 9:34
  I decided to call the phone number on the poster.
• 9:37
  After a few rings, someone picked up. Hello. A female
• 9:41
  voice said.
• 9:42
  Speaker 1: Hi, is this Camp Oakwood Er?
• 9:45
  Speaker 3: Yes, this is Are you calling to day to register
• 9:47
  your child as a member.
• 9:49
  Speaker 1: Oh no, I'm actually calling about your ad looking for employees.
• 9:52
  I wanted to apply as a janitor.
• 9:54
  Speaker 3: Oh are online ad?
• 9:56
  Speaker 1: No? It was a poster and a coffee shop in
• 9:58
  my town.
• 10:00
  Speaker 3: We don't put them any ads, but it puts them
• 10:02
  up from time to time.
• 10:04
  Speaker 2: She then ask me for my phone number, email, and
• 10:06
  asked a few questions. I told her basic information about myself.
• 10:10
  After answering them, she told me when I would need
• 10:12
  to show up to start working. I was confused and
• 10:15
  asked her what she.
• 10:16
  Speaker 3: Meant, Yeah, you're hired. We need people.
• 10:20
  Speaker 1: Wait so I don't need to do a background check
• 10:22
  or something like that.
• 10:24
  Speaker 3: No, I believe everything he told me. You're hired.
• 10:27
  Speaker 1: Okay, that's fucked. After I can't pull like with children
• 10:32
  stuff nope, that's You're good to go.
• 10:35
  Speaker 2: I love no need to check that. I love you,
• 10:40
  no need to check that or anything. They're definitely feeding
• 10:42
  people to something. If I had to guess, that's my
• 10:47
  that's my bear trap that I'm gonna play. Where's that
• 10:49
  card at? So I'm playing I'm playing this for what
• 10:53
  is it too damage or whatever? I'm playing this that
• 10:57
  they they they want to kill him in the sacrifice
• 11:00
  or feed him to something or something like that. So
• 11:01
  that'll go right there.
• 11:02
  Speaker 1: Yeah, I feel like sacrificial names and camps always are.
• 11:05
  They're they're fun. I hope it goes there. I love it.
• 11:07
  Very sacrificial thing.
• 11:09
  Speaker 2: Mm hmm, yeah, you love sacrificing people. That's it's similar
• 11:12
  to what happened to you in the seventh grade. If
• 11:14
  I recalled correctly, that's true. After a few seconds of shock,
• 11:18
  I became a static.
• 11:20
  Speaker 1: That's great. When do I start?
• 11:22
  Speaker 3: You will need to come in May twenty six for
• 11:24
  orientation slash training, and the first camp will start the
• 11:26
  following week. The camp has six one week sessions and
• 11:29
  you'll be working each one. It'll be one of our
• 11:31
  four janitorial maintenance employees and I'm your overhead boss. But
• 11:35
  your supervisor will be Graham. He's the head of the
• 11:38
  maintenance staff.
• 11:39
  Speaker 1: Cool. Thank you for hiring me.
• 11:42
  Speaker 3: You're absolutely welcome. I believe you'll do a great job.
• 11:45
  If you have any more questions, you know where to
• 11:47
  contact me. Welcome to the Oakwood family.
• 11:50
  Speaker 2: Just as she was about a handcuf I realized I
• 11:51
  hadn't even given my name. During the entirety of the
• 11:54
  questioning and introductions, we both had not given our names.
• 11:57
  Speaker 1: Wait, I never got your name.
• 11:59
  Speaker 3: Oh shit, yeah, sorry, my name's Amy Garlinia.
• 12:03
  Speaker 2: Garlinia, Garlinia, Garlana Arlena.
• 12:06
  Speaker 1: Have the think Garleana.
• 12:08
  Speaker 3: Oh shit, yeah, sorry, my name is Amy Garlinia and
• 12:12
  I'm the camp director.
• 12:13
  Speaker 1: Okay, my name is Harrison Tracy.
• 12:16
  Speaker 2: I then heard a thump and her gasp in pain.
• 12:20
  Speaker 3: You all right, Yeah, I'm good, just banging my elbow
• 12:23
  on my desk. Can't wait to meet you, Harrison, see
• 12:26
  you soon.
• 12:30
  Speaker 2: Hi. My name's Harrison.
• 12:32
  Speaker 1: Listen, buddy, you're already high. I don't give a shit
• 12:34
  what your name is. Just clean the diarrhea of the
• 12:36
  bottom of the bottom of the stalls.
• 12:39
  Speaker 2: It's funny to imagine that, like because obviously there's the
• 12:42
  front going on, and she forgot to ask his name,
• 12:45
  and the frustration, she just slammed her head on the desk.
• 12:49
  Speaker 1: Yeah, bust her teeth out. I gotta go. Do you
• 12:53
  think someone was there? Well, let me ask you. Do
• 12:55
  you think someone was there and like fucking like hit
• 12:57
  her or something like that?
• 12:58
  Speaker 2: I think it depends on what the monster. Yeah, I
• 13:01
  think it depends on what the monster happening behind the
• 13:03
  scenes is m.
• 13:07
  Speaker 1: Gargle creature walking around goods, the cots, so the children.
• 13:15
  Speaker 2: It's standing behind her and when she forgets to ask,
• 13:18
  it slams her head on the tables. Pong. I hung
• 13:24
  up the phone with mixed emotions. Well, grateful that I
• 13:27
  found a job. I found it perplexing that I was
• 13:29
  hired so quickly. I figured there was more to it,
• 13:32
  but at the moment I was just too grateful and
• 13:35
  excited to really worry about it. That night, I told
• 13:38
  my parents about my new job. My mom was thrilled
• 13:41
  to hear that I would finally have a good pain job,
• 13:44
  but my dad practically spat out his food.
• 13:46
  Speaker 1: Curtis, eat you okay, Yeah, I'm fine, honey.
• 13:50
  Speaker 2: He said, grabbing a napkin to clean his mouth.
• 13:53
  Speaker 1: You're working at Camp oak Wood. Yeah, it pays really well,
• 13:57
  and I heard it's an easy job. Sorry for my reaction, Harrison,
• 14:00
  I haven't heard that name in a long time. That's
• 14:03
  because I worked there myself many years ago as a counselor.
• 14:06
  Speaker 2: Really, I asked him to what she nodded. I proceeded
• 14:09
  to ask him some questions, but he seemed very hesitant
• 14:12
  to answer them. After failing to get anything, went back
• 14:15
  to my room. Later that night, I heard my parents
• 14:17
  talking in their bedroom. They were trying to whisper, but
• 14:20
  I could still hear a decent amount of their conversation.
• 14:23
  Speaker 1: He can't go that's the place I told you about.
• 14:26
  We don't know, that's what it is. The camp started
• 14:28
  long before he was born. Nothing's gonna happen, and if
• 14:31
  something does, he can handle himself. After all, he has before.
• 14:35
  Speaker 2: Well what on earth is he handled before? So well?
• 14:38
  Speaker 1: Yeah, I know, Like, what are you talking about?
• 14:40
  Speaker 4: The guy?
• 14:40
  Speaker 1: He's like, he's a god damn it, Carol, there's a
• 14:43
  seven foot tall demon walking around. He hasn't done that.
• 14:47
  She's like, of course he has. Remember when he was
• 14:49
  a baby, he fought those before. Exactly. Harrison is just
• 14:52
  like in his bed with the covers over him, like
• 14:54
  blankly looking up at the ceiling. I don't remember any
• 14:57
  of that. When did I do that?
• 15:02
  Speaker 2: Yeah? Down the hallway his parents. His dad's like, we
• 15:05
  can't make him fight the dark Lord. Baltimore's too powerful,
• 15:08
  and his mom's like, but he's the boy who lived.
• 15:10
  Speaker 1: Yeah, exactly, remember when he adopted him and he had
• 15:13
  those horns. Mom.
• 15:21
  Speaker 2: We named him Harrison because it sounds like Harry, and
• 15:23
  he doesn't actually know that he's that This camp is
• 15:27
  actually what's the name of the school from the Harry
• 15:30
  Potter Bugs? Hogwarts? Yeah, Camp Hogwarts. He has to fight
• 15:34
  the dark Lord. Yeah. They went back and forth for
• 15:37
  a while. Honestly, I had no clue what they were
• 15:40
  talking about. I guess my dad must have had some
• 15:42
  bad memories from that place or something. Should he should
• 15:46
  clarify your perceptive?
• 15:50
  Speaker 1: Yeah, I didn't know. He was crying and hitting walls,
• 15:52
  but I just went back to bed.
• 15:54
  Speaker 2: My dad was talking about how my dad was talking
• 15:59
  about how I can't go to camp and how he
• 16:02
  has all these dark memories. I think something's up. I
• 16:05
  think he's putting two and two together.
• 16:07
  Speaker 1: That's just dad when he drinks a big bottle of scotch,
• 16:09
  he looks funny.
• 16:13
  Speaker 2: Keeps talking about all those camp counselors that used to
• 16:15
  be really good friends with him for some reason.
• 16:17
  Speaker 1: Yeah, they read wrote a bunch of scriptures with a
• 16:19
  knife on his skin, just silly times back then during camp.
• 16:24
  Speaker 2: That Oh Camp oak Wood, that's where the Bible verses
• 16:27
  came from.
• 16:27
  Speaker 1: That's right.
• 16:28
  Speaker 2: But my dad can't quit quoting in his sleep. That
• 16:31
  makes sense, that's right.
• 16:32
  Speaker 1: That's why Daddy talks in tongues in his sleep.
• 16:41
  Speaker 2: So your dad sets him snoring, Oh, Camp Oakwood. That
• 16:49
  explains the pagan every night.
• 16:53
  Speaker 1: Every night, his mom hangs herself in the room. She's
• 16:55
  like hanging there, and the dad's like eyes wide open, sleeping.
• 17:03
  You guys, guys would have played Donkey Konga in my room.
• 17:09
  You guys would played double Dash in my room. Yeah,
• 17:13
  I saw him with my dad's My dad's a real
• 17:15
  light sleeper, so I've been quiet in the other room.
• 17:18
  You just here. That's I imagine you were raised just
• 17:26
  like I wish that was how I was raised to
• 17:28
  be sick. Yeah, my dad has a lot of funny
• 17:32
  friends that exist in the shadows, Like what Yeah, those
• 17:36
  are shadow friends.
• 17:39
  Speaker 2: If I get too close, it burns. Yeah.
• 17:46
  Speaker 1: I can't touch my dad because it hurts my soul.
• 17:51
  I try.
• 17:52
  Speaker 2: I try to wake my dad up when he gets
• 17:54
  like this, but every time I too, my vision gets
• 17:56
  blurry and my heart hurts.
• 17:58
  Speaker 1: Yeah, I'm go into I go into a state of
• 18:02
  nflic shock or whatever the fuck it is.
• 18:03
  Speaker 5: You're nephylactic shock.
• 18:05
  Speaker 2: When the time came, I packed up my stuff, told
• 18:07
  my parents could buy, and headed off to Campokewood.
• 18:10
  Speaker 1: Oh woo.
• 18:11
  Speaker 2: Amy told me I'd be living in a two story
• 18:13
  housing wing located about fifty yards away from the main camp.
• 18:16
  There are four apartments, two on each floor. Two or
• 18:19
  three employees would live in each one. The counselors would
• 18:22
  be sleeping in the cabins with the campers, so that
• 18:25
  left the nurses, cooks, and maintenance staff inside the wink.
• 18:28
  There were eleven of us, three nurses, four cooks, and
• 18:31
  four janitors, so I had a quarter chance of getting
• 18:34
  a two person apartment. I didn't really care, but I
• 18:37
  crave privacy, so I was hoping for the best option.
• 18:39
  I must have been lucky because I got the two
• 18:41
  person room. When I arrived, someone was inside unpacking. He
• 18:45
  was a pretty young guy, maybe a bit older than me.
• 18:48
  I'm twenty one but very muscular. Made my way in
• 18:52
  to introduce myself.
• 18:53
  Speaker 1: Hey, I'm Harrison Julio. Nice to meet you. I guess
• 18:57
  you're my roommate. I'm new here, so I don't know
• 18:59
  who else is here besides you and Amy.
• 19:02
  Speaker 2: Julio chuckled and then said same.
• 19:04
  Speaker 1: At least I'm not alone. Now, what about what.
• 19:07
  Speaker 2: About his name makes you apply that accent?
• 19:10
  Speaker 1: Julio? Is Julio not like a kind of like Julio?
• 19:14
  Speaker 2: Same? I don't know where you're getting that.
• 19:15
  Speaker 1: At least I thought he was a Spanish.
• 19:18
  Speaker 2: No, it isn't.
• 19:19
  Speaker 1: Okay, I'm crazy.
• 19:24
  Speaker 2: I'm just trying to set off all of your like
• 19:26
  scare lobs like what, Well, who have I made fun of?
• 19:28
  What have I offended? Yeah? I want to take a
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  It really doesn't mean the most And we are back
• 20:58
  to the episode. Before I could speak again, I heard
• 21:03
  someone walk in. I turned to see a large, older
• 21:06
  dude with the Santa Claus style beard and tended glasses.
• 21:09
  Julio Harrison, he said, his deep voice bellowing. We both said, yeah,
• 21:15
  I'm Graham. I'm in charge of you guys. I just
• 21:18
  wanted to come by and introduce myself. Oh well, nice
• 21:21
  to meet you and you guys as well, Graham said.
• 21:24
  He then pointed to a guy pulling things out of
• 21:26
  a white truck before introducing him as Carson, fourth and
• 21:29
  final maintenance worker. Carson just waved to us and continued
• 21:32
  on what we were doing.
• 21:34
  Speaker 1: Do we start work today? No, but I'll be showing
• 21:37
  you around basically what you'll be doing and the like.
• 21:40
  I'll be next door to you all with Carson the
• 21:42
  hook and one of the cooks. I'll come back in
• 21:44
  about half an hour.
• 21:45
  Speaker 2: Like you said, Graham returned thirty minutes later.
• 21:47
  Speaker 1: All right, guys, follow me.
• 21:50
  Speaker 2: Accompanying Graham was Carson. Now closer I could get a
• 21:53
  better look at him. He was old as well, but
• 21:55
  skinny and bald. He didn't say anything or acknowledge us
• 21:58
  in the slightest, so I assume he wasn't a social butterfly.
• 22:01
  Graham led us to a large golf cart and we
• 22:03
  all hopped in. As we drove off, Graham began speaking, Okay,
• 22:08
  so our job.
• 22:09
  Speaker 1: Is pretty basic. We clean every building three times a week,
• 22:13
  taking out the trash, dusting the rooms, and getting rid
• 22:16
  of any infestations. We also take care of the nature aspects,
• 22:19
  so lawn care, trees, et cetera. The last day of
• 22:22
  each session is a party day, so we also set
• 22:25
  up decorations, props, and the other kiddie stuff.
• 22:28
  Speaker 2: You went on about how we clean the cabins. We
• 22:30
  have to make sure we put every bag and piece
• 22:32
  of furniture back in place. We also had to keep
• 22:35
  an eye out for wild animals, as they could be
• 22:37
  dangerous at the campers.
• 22:39
  Speaker 1: So a jenitor's maintenance staff and security.
• 22:42
  Speaker 2: Guards, Julio said jokingly, basically.
• 22:49
  Speaker 1: You showed, said Graham said, before.
• 22:52
  Speaker 2: Bellowing, all yeah, I think I think it's funnier if
• 22:54
  I don't actually if that was just if that was
• 22:58
  just your interpretation of the character. Basically, he showed us
• 23:06
  several of the activity areas during our drive. There was
• 23:09
  an archery station, a swimming pool, the lake with a
• 23:12
  large rope swing, a playground, an open field basketball court,
• 23:15
  singing volleyball court, and a rec center with ping pong tables,
• 23:19
  air hockey and a foosball table. There's also a small
• 23:21
  building that Graham said was a chapel, but he said
• 23:24
  it was never used and we wouldn't need to worry
• 23:26
  about it.
• 23:27
  Speaker 1: Red flag.
• 23:28
  Speaker 2: What of the chapel? Yeah, no one goes in there,
• 23:32
  don't touch it.
• 23:33
  Speaker 1: Yeah, we have pink pong, foosball four arcade. That's a
• 23:36
  seven thousand year old church. If we don't ever deal
• 23:39
  with so, don't even look in there. It's fine. We
• 23:44
  actually don't know who builds it. And no one can
• 23:46
  read the riding on the door exactly with unbreakable seal,
• 23:52
  and if you get.
• 23:52
  Speaker 2: Too close to it, it's talks to you.
• 23:54
  Speaker 1: He speaks real weird. I'm still surprised Amy was able
• 23:58
  to get this situated just two years ago. What do
• 24:01
  you mean we had to move camps three years ago
• 24:03
  because the city bought us.
• 24:05
  Speaker 2: Out, Graham said, knowing he had to explain now, since
• 24:08
  I'd heard him.
• 24:09
  Speaker 1: Imminente Demaine, why did they buy it out?
• 24:11
  Speaker 2: Don't know, I thought of His response was odd, but
• 24:14
  I didn't ask anything. Afterwards, after driving around some more,
• 24:18
  Graham took us to the main launch. The counselors were
• 24:21
  already there and the cooks were in the kitchen cooking dinner.
• 24:23
  Graham told us to mingle with the new counselors so
• 24:25
  we could at least know who we would be working
• 24:28
  with for the next seven weeks. Julio and I split
• 24:30
  off to meet the others individually. Most of the counselors
• 24:33
  were teenagers, with only a few being about my age
• 24:35
  and some being older than that. However, I was immediately
• 24:39
  made very uncomfortable by the ones I met. Every time
• 24:42
  I would introduce myself, they would just stare in astonishment
• 24:45
  at me. It was as if they were staring at
• 24:47
  an elite celebrity making a surprise appearance. Some of them
• 24:51
  would even walk up to me and just stare not
• 24:53
  saying the thing. After being made thoroughly uncomfortable, I went
• 24:57
  into the bathroom and hid until it was time to
• 24:59
  eat down. I sat in the far back corner of
• 25:02
  the room wait from everyone else. However, even as I ate,
• 25:06
  I still fell the eyes on me. After we ate
• 25:09
  our food, Amy got in front of the room and
• 25:12
  began to speak. It was actually then that I finally
• 25:15
  saw her in person. She was a middle aged woman,
• 25:17
  maybe my parents' age, with gray streaked black hair wrapped
• 25:20
  in a ponytail, and a face that matched her age.
• 25:23
  She told us that she was glad we had decided
• 25:26
  to work or return to work for the camp, and
• 25:28
  that she was excited for another great summer. After speaking
• 25:32
  for a few more minutes, we were dismissed for the night.
• 25:34
  I ended up staying back to talk to Amy about
• 25:36
  the counselor who's acting weird around me?
• 25:38
  Speaker 1: Well, you and Julio are are the only new employees
• 25:41
  this summer. We usually don't get that many new employees,
• 25:44
  so they're probably just surprised to see someone new. But
• 25:47
  whatever I said my name, that's when they begin to
• 25:49
  act weird.
• 25:51
  Speaker 2: She just looked at me, not saying a word what.
• 25:55
  Speaker 1: Nothing. Look, just don't worry about it. If you're still uncomfortable,
• 25:59
  go back to your part. Oh that would that would
• 26:03
  that would fuck me up? Kid me like, huh, I
• 26:08
  don't yeah, I don't know. It's do you think that
• 26:10
  there's some kind of level of.
• 26:11
  Speaker 2: Like anytime I said the name Harrison, all of the
• 26:15
  adults look at me weird, and she's just yeah, all.
• 26:18
  Speaker 1: The kids just like roll their eyes back and they
• 26:20
  fent flop right in front of me.
• 26:22
  Speaker 2: The uh the the okay, hold on, let me just
• 26:26
  call this out real quick. I made the joke earlier
• 26:28
  about this being Harry Potter. This is literally the plot
• 26:32
  of Harry Potter of the first movie. Their dad, his
• 26:37
  dad and mother was experienced to some evil and he
• 26:40
  was left with his parents. And now he goes to
• 26:42
  the school or camp that they're from, and when they
• 26:44
  get there, everyone who knows his name is dumb struck
• 26:46
  by it because he is like the boy of legend
• 26:49
  that do you.
• 26:49
  Speaker 1: Think that his that it's like, oh, this is like
• 26:52
  the son that was meant to return kind of thing.
• 26:55
  Speaker 2: I think so I think that's what it means.
• 26:57
  Speaker 1: Yeah, surely, I mean it's a dad or he knows
• 26:59
  that too. That makes sense because at first I was like, oh,
• 27:01
  if the parents had never heard of it, then maybe
• 27:03
  it was like, oh, they bringing new new employees and
• 27:05
  then they sacrifice them. But I'm guessing that maybe it is.
• 27:08
  Maybe it's something where it's like, oh, you know this
• 27:10
  is the camp I told you about because I met
• 27:12
  you anything. The dad too, was like, I never told you,
• 27:14
  but I have a demon that lives in me, almost
• 27:16
  like Naruto style. It's it's Narutu's Wwauky's dad.
• 27:20
  Speaker 2: Yes, sure, or like there there's some reason the dad
• 27:22
  knew his son had.
• 27:23
  Speaker 1: To go back. Yeah, the reason, whatever reason. But yeah,
• 27:26
  I mean you're you're kind of right though. It has
• 27:28
  that like almost mysticism of like, oh we've we've heard
• 27:30
  of him, and they're not they're not fully letting him
• 27:33
  in on what's going on.
• 27:34
  Speaker 2: Yes, yeah, yeah, just staring's so funny though, like what
• 27:39
  a Harrison? What with that? She walked away. I was
• 27:43
  so confused and actually a little concerned, but I decided
• 27:46
  to give her the benefit of the doubt. I decided
• 27:49
  when her eyes rolled back at her head and she
• 27:50
  started floating in front of me that you know, maybe
• 27:52
  she does that maybe she was right, the counselors might
• 27:55
  be just really weird people. I walked back by myself
• 27:59
  to my apartment, but as I was passing the chapel,
• 28:02
  something caught my eye. I walked up the stoop and
• 28:06
  looked through the window on the door. Inside there was
• 28:09
  a small light flickering at the far end of the room.
• 28:12
  See the outline of someone kneeling on the ground. They're
• 28:14
  back facing me. I knelt down and put my ear
• 28:17
  up to the door to listen. I began to hear whispering,
• 28:20
  dear Savior, I.
• 28:22
  Speaker 1: Have discarded and I will do it. This is what
• 28:25
  you wanted. I'm so excited to meet you.
• 28:29
  Speaker 2: I then began to hear crying, but not of paint
• 28:32
  or desmaar. Rather, it was crying of joy. Then he
• 28:36
  began whispering again.
• 28:38
  Speaker 6: We won't let you down.
• 28:39
  Speaker 1: I won't let you down. We'll hopeit peace soon. Fuck that.
• 28:48
  Speaker 2: Dude.
• 28:48
  Speaker 1: On day one, I'm just I would leave. Are you
• 28:54
  kidding me?
• 28:55
  Speaker 2: You gotta get out of there, absolutely you have Fuck
• 28:58
  Fuck that dude. Fun that creeped out. I decided it
• 29:02
  was time to go. But when I got up and
• 29:05
  looked inside again, I nearly pissed myself. Figure was now
• 29:08
  right against the door looking out the window. Oh my god,
• 29:10
  staring at me with an angry look on his face.
• 29:14
  I recognized it to be Carson.
• 29:16
  Speaker 1: Oh my god, it's even one of the other boys.
• 29:19
  Fuck that dude. Yeah, hey, so Carson. I know he's
• 29:23
  being kind of weird, but he was just crying and
• 29:25
  laughing hysterically, basically talking about death in the chapel that
• 29:28
  you said no one should be around. There's day one, Isaiah,
• 29:32
  day one. I bet you know what I think.
• 29:37
  Speaker 2: It's it's fine that normally happens whenever I come over
• 29:41
  to your place. You come into the room and I'm
• 29:42
  on the ceiling praying, you know.
• 29:44
  Speaker 1: Yeah every time, every time, and then and then every
• 29:47
  time I like try to bite a sandwich without saying grace,
• 29:49
  Isaiah punches the table really hard and breaks his knuckles
• 29:52
  and he says wait wait, and then he uh yeah,
• 29:56
  just says his prayers whatever, and then we're allowed to go,
• 29:58
  and he just smears blood blood over my waltz and
• 30:00
  I'm like, hey, buddy, could you mind fucking cleaning it up?
• 30:03
  You psychopath? He's like, we.
• 30:07
  Speaker 2: Went out to a barbecue place, last time I was there,
• 30:09
  and you know, my food just to his table set
• 30:11
  like bound my head real quick, and Hunter just goes.
• 30:13
  Speaker 1: Ew gross, I did, I did, What are you doing?
• 30:18
  I did? This guy's a freak, I said, Galert, someone's gay.
• 30:25
  So that's why I said, uh, oh, lame o. So
• 30:30
  I said, oh, you got a loser here, everyone loser.
• 30:37
  Speaker 2: We're about to show this guy what religious persecution really
• 30:39
  looks like. Come on, everyone, let's get around and make
• 30:41
  fun of him.
• 30:42
  Speaker 1: Yeah, no, no, no, I will say. I will say
• 30:47
  if the roommate with the old man and a cook
• 30:50
  I haven't met yet was bowing down whispering like this,
• 30:54
  I would you be gone. I mean I would be.
• 30:56
  Speaker 2: Gone, oh instantaneously.
• 30:59
  Speaker 1: This is day one usually in the stories for I
• 31:01
  gotta say this. I like that there he's just like,
• 31:03
  I'm not a fucking around. Day one. We're getting into
• 31:05
  it with starting. You have just had an orientation where
• 31:09
  also everyone is looking at you like a fucking freak,
• 31:12
  and now this is I mean, I'd be like, you
• 31:14
  know what, I don't think this six weeks like summer job,
• 31:18
  is really that worth it.
• 31:20
  Speaker 2: I think it's worth dying. Correct, Yeah, I agree, I agree,
• 31:23
  I bolted back to the apartment and was thankfully not
• 31:26
  followed by Carson. Once inside, I slammed the door behind me,
• 31:29
  scaring Julio have to death.
• 31:32
  Speaker 1: Is you good? Yeah, some dude just scared me on
• 31:35
  my way back, just popped out at me from the bushes.
• 31:38
  Speaker 2: I lied.
• 31:39
  Speaker 1: Probably one of those concerts. Huh, that's not funny. Wait,
• 31:44
  how did you find out? I could see how uncomfortable
• 31:46
  you are. Plus I couldn't help but notice that they
• 31:49
  were constantly staring at you. How do you like this?
• 31:51
  Kind of like little bit time. I'm not gonna lie.
• 31:54
  It feels very it feels very very good. I'm not
• 31:57
  gonna lie. I can see how uncomfortable. I can see
• 32:00
  how uncomfortable you are.
• 32:02
  Speaker 7: I couldn't help but notice that they were constantly looking
• 32:05
  at you.
• 32:05
  Speaker 1: Mane for.
• 32:08
  Speaker 2: That feels gonna be It's gonna be so funny. But
• 32:11
  in a bit, it's like, Yeah, I'm from Baltimore.
• 32:14
  Speaker 1: His name's Julio. He could have a Spanish accent.
• 32:19
  Speaker 2: I mean he can, but it's just funny to imagine
• 32:21
  that he's like third generation American completely.
• 32:26
  Speaker 1: Maybe he is, and he's still talks like this. It's
• 32:30
  a character I'm acting. Also, why would he not tell
• 32:39
  him though about the Carson thing.
• 32:42
  Speaker 2: I mean, he doesn't know what he saw yet.
• 32:44
  Speaker 1: This guy heard her, heard his dad through the walls,
• 32:51
  run to the window.
• 32:53
  Speaker 2: His dad.
• 32:55
  Speaker 1: He hurt his dad down the hallway, being like.
• 32:57
  Speaker 2: I don't know if we could send it back, all
• 32:58
  the things. That's the place I talked, and he's like, huh, well,
• 33:00
  that's kind of weird. I guess I'll go to sleep now.
• 33:02
  Oh well, he is not putting anything together with this
• 33:07
  guy he just met. Absolutely not. Okay, that's fair, that's fair.
• 33:11
  I didn't respond and just went to our shared bedroom
• 33:13
  to go to sleep, only to wake up at an
• 33:15
  unknown time. I heard voices coming from outside my window.
• 33:19
  I peeked through the blinds to see Amy talking with
• 33:21
  Graham and Carson.
• 33:22
  Speaker 1: I'm telling you it's him, Amy said, And I discovered
• 33:25
  how to finally perform it. It's almost time. Look whether
• 33:30
  it's him or not, I don't care. He's still my
• 33:34
  employ and for all you know, he could be an
• 33:36
  innocent guy. Last thing we need is another innocent person
• 33:40
  being attacked by one of our employees. I'll make sure
• 33:43
  once again it's him. I haven't figured out how to
• 33:46
  do it yet, but I'll figure something out. I still
• 33:48
  a question why I will let you work here if
• 33:49
  you don't agree with our beliefs. You told me your
• 33:52
  reason when I was hired. Besides, you wouldn't be able
• 33:54
  to let me go without me being a threat to
• 33:56
  your safety.
• 33:57
  Speaker 2: They kept talking, but I stopped listening. Why horrified?
• 34:02
  Speaker 1: Why stop listening this guy? All you have to do
• 34:06
  is just be like, why don't we just talk directly
• 34:08
  outside of his window or door? And he just won't care,
• 34:13
  you know.
• 34:13
  Speaker 2: What I mean? But yeah, I feel like that's more
• 34:15
  so an issue in the writing side of it, because
• 34:18
  you could have had the three of them just walk
• 34:20
  away to where he can't hear them or something like that.
• 34:22
  Speaker 1: Yeah, but you know what, I like the intention of
• 34:25
  him just being I just stopped.
• 34:27
  Speaker 2: I just quit listening. I got bored. I didn't care anymore.
• 34:31
  It's like there's a there's been a couple instances of
• 34:34
  that where it's like just some interesting choices with the
• 34:38
  character where it's like when I got to camp, Graham
• 34:41
  was there. He said I'll be back in half an hour. Yeah,
• 34:44
  half an hour later he showed up and said, Okay,
• 34:46
  time for the tour instead of just being just going
• 34:49
  directly on the tour. It's true, and so I think
• 34:54
  that's what I think that is. It's like, Okay, that's
• 34:56
  all the information now, and he's he's tired now, he's
• 35:01
  going to bed. Horrified, I quietly sauntered back to my
• 35:03
  bed and curled up in a ball under the blankets.
• 35:06
  Julio thankfully didn't wake up from me moving around. Somehow
• 35:09
  I managed to fall back asleep and woke up the
• 35:11
  next morning. At breakfast, I was eating my food when
• 35:14
  I noticed that ten of the counselors at another table
• 35:17
  were again taking glances at me. Every few seconds, one
• 35:20
  of them would look my way. At that point, I
• 35:22
  had enough and walked over in confront of.
• 35:24
  Speaker 1: Them, What do you want? None of them responded, Really,
• 35:29
  you stare at me, and when confronted, you have nothing
• 35:31
  to say, or they.
• 35:32
  Speaker 2: Even got to say anything. Felt someone grabbed my shoulder.
• 35:35
  Turned to see Amy looking at me with a stern
• 35:37
  look on her face.
• 35:38
  Speaker 1: What's going on here? These guys have been staring at
• 35:41
  me for the last ten minutes, and I asked him
• 35:43
  what the problem was, but they refused to answer me.
• 35:46
  Speaker 2: She sighed before speaking again.
• 35:49
  Speaker 1: I'll deal with them. Sit back down and eat. I
• 35:51
  don't need any more shit started because of you, Harrison.
• 35:54
  How is this my fault?
• 35:56
  Speaker 2: I asked her, only to get no response as she
• 35:57
  walked away. I'd had enough and to I had to
• 36:00
  throw my food away and walk back toward my apartment.
• 36:03
  D In my walk, I passed by the chapel again.
• 36:05
  Given that it was now daytime, I decided to get
• 36:07
  a better look at this place. As I looked around
• 36:10
  the room, I saw a large painting of a man.
• 36:13
  Man was pretty tall, his body stocky and built. He
• 36:17
  appeared to be in his thirties, if not a little younger.
• 36:20
  He was shirtless, and in his left hand was a
• 36:22
  red book. Below the painting was a word in blue letters.
• 36:26
  I assumed it was a name, but I had never
• 36:29
  heard of the same before, said Sharino. I was so
• 36:33
  intrigued by the paint I didn't even notice someone had
• 36:35
  walked up to me. What are you doing, someone asked.
• 36:39
  I slowly turned to see Graham standing there just.
• 36:42
  Speaker 1: Looking in there. Oh okay, again, there's no point in
• 36:47
  going in there. Besides, I don't get their obsession with
• 36:51
  this guy. What are you talking about? The people here
• 36:53
  dedicate this entire place to the guy who the camp
• 36:56
  is named after. He's remembered as a hero. What did
• 37:00
  he do? War Hero? That's it? Yep? Now, come on,
• 37:06
  I want to show you the ship with all the
• 37:08
  loan equipment in it.
• 37:09
  Speaker 2: We walked off and he's still very feeling very weirded
• 37:12
  out by everything here. Camp hasn't even started yet, but
• 37:15
  I already regret coming here. What have I gotten myself into?
• 37:18
  Speaker 1: Okay, so this is the sacrifice thing I think is happening,
• 37:23
  or it's gonna be. They're trying to get this buff
• 37:25
  painting man.
• 37:26
  Speaker 2: To come back to life through the body others knew
• 37:29
  hire the war the war hero things so funny where
• 37:34
  it's like, oh, yeah, what he do? Hero?
• 37:38
  Speaker 1: That's it?
• 37:38
  Speaker 2: Yep?
• 37:39
  Speaker 1: Yeah, you want to see where the mowers are at?
• 37:42
  I'm not gonna lie uh with. The story is at
• 37:45
  least moving fast enough, and it's just kind of silly
• 37:47
  to where this. I'm actually having a pretty good time
• 37:49
  reading this one.
• 37:50
  Speaker 2: It is fun.
• 37:51
  Speaker 1: It's fun, but there's gotta be there's gotta be something
• 37:54
  the second part, second part though, that like get me
• 37:56
  into a little something. I like the whole the deal
• 37:58
  of look creepy man crouching whispering to himself, and then
• 38:02
  he like angrily looks through the glass, almost like a
• 38:04
  goosebump scene. I'm fucking with that. I hope that there's
• 38:07
  more weird culty stuff.
• 38:09
  Speaker 2: You know me.
• 38:10
  Speaker 1: I love culture.
• 38:11
  Speaker 2: Look, look, you you've got this habit with these stories
• 38:14
  where you expect things of them. You're like, Okay, this
• 38:17
  next part, I need this and this, I need this.
• 38:18
  Look if it's awful, I want to look back on
• 38:22
  it and be like, wow, that was a train wreck. Yeah.
• 38:25
  Or if it's great, I want to be like, I'm
• 38:26
  glad that we got so far. I wanted to take me.
• 38:30
  Speaker 1: It's written like it's written like an alien kind of
• 38:34
  has written it as if like tell me about human interactions.
• 38:38
  That's how all the interactions feel. I will say Harrison
• 38:41
  does read normal, but everybody else's dialogue does read very
• 38:45
  like almost stiff, intentionally stiff. Like Amy is very much
• 38:48
  just like oh here, well why don't you just do
• 38:50
  this and I will see you later? But you know,
• 38:52
  and Harrison's kind of like looking around, like what the
• 38:53
  fuck is going on? I would like Harrison more if
• 38:57
  if he just would take more interested in people talking
• 39:02
  six feet away from him and just like fucking listen
• 39:05
  to what they're saying. I got bored, so I just
• 39:07
  went away and I went to sleep.
• 39:15
  Speaker 2: Or like, there is that one interaction where you heard
• 39:20
  Graham outside be like or no, he was fighting them,
• 39:25
  and Amy was like, I don't know why we let
• 39:27
  you work here if you don't agree with our beliefs.
• 39:29
  It's like, why why would she say that? That's like
• 39:34
  a weird expositionary phrase to throw out there.
• 39:37
  Speaker 1: Yeah, I mean like our beliefs. It's like okay, and
• 39:40
  even like and then even Graham coming back later and
• 39:43
  being like, I don't know why they worship this guy,
• 39:46
  so like to not even be like, well, what do
• 39:48
  you mean by worship? Ah, No, let's just look at lawnmowers.
• 39:51
  I'd be like, no, you're gonna fucking hey, old kook,
• 39:54
  You're gonna fucking tell me what you're talking, Like, what
• 39:56
  what is going on?
• 39:57
  Speaker 2: Just tell me.
• 40:00
  Speaker 1: Also, her getting that call and not even asking his
• 40:02
  name makes me feel like he was maybe premeditated slightly
• 40:06
  or something, because if there unless unless it's just like, oh,
• 40:08
  this is the new hire. I don't care what your
• 40:10
  name is. You're just a perfect fodder for whatever sacrifice,
• 40:13
  which is I mean inevitably where I think this is going.
• 40:15
  Speaker 2: But still I think so. I think they're going to
• 40:18
  sacrifice or he's going to be a vessel or something
• 40:20
  like that.
• 40:21
  Speaker 1: Well we are on part two. Let's get it part two.
• 40:26
  Speaker 2: A few days later, Camp Oakwood's first session officially began.
• 40:30
  Around one hundred campers age five to ten, were dropped
• 40:33
  off by their families for their week long stay. Julio
• 40:36
  and I watched from outside our apartment as the massive
• 40:38
  children were greeted by a cheerful Amy and all the counselors.
• 40:42
  Speaker 1: So glad I'm not a counselor you and me both.
• 40:46
  Speaker 2: After the staff finished their cringe introduction, the campers were
• 40:49
  all brought to their respective cabins to I assume unpack
• 40:53
  their belongings. Graham told us that on the first night
• 40:56
  of each session, there would be a big bondfire that
• 40:58
  was supposed to symbolize the getting up the camper's time
• 41:01
  at Camp Oakwood. Graham put Julio and Carson in charge
• 41:04
  of setting it up, while Graham and I were to
• 41:06
  clean it up. Once the whole thing was done. Fifty
• 41:08
  to fifty split of work, as Graham liked to call it.
• 41:11
  At that moment, I was feeling mixed emotions. On one hand,
• 41:15
  I was still creeped out by the counselors and other staff,
• 41:17
  and I didn't know how bad the kids would be.
• 41:20
  On the other however, I was ready to start most
• 41:22
  of my work so that I could hopefully get my
• 41:24
  mind off of everyone's behavior around me. Thankfully, I didn't
• 41:28
  have to wait too long for that. While Julio and
• 41:31
  I continued chatting, Graham called us over the radio, telling
• 41:34
  us to hurry over to one of the cabins. Apparently
• 41:37
  a camper had already vomited all over his captin's floor
• 41:39
  and some of the camper's bags, and we needed to
• 41:42
  clean it up. Graham and Carson were already busy setting
• 41:47
  up bullseye targets at the archery station, which meant that we,
• 41:50
  the rookies, would have to get our hands. Dirdy grab
• 41:53
  the necessary supplies from the small maintenance shed that was
• 41:56
  located next to our housing wing, and hurried over to
• 41:58
  Cabin five. We arrived to see about twenty campers and
• 42:01
  two counselors outside the cabin, holding their noses with their
• 42:04
  shirts from the smell. One camper stood away from everyone else.
• 42:08
  You could see stains on the kid's shirt from a
• 42:10
  mile away. You can also smell it from another city away.
• 42:13
  One of the counselors, who I had not yet met
• 42:16
  up to that point, came running up to us. He
• 42:19
  was young as well, maybe my age, with really light
• 42:21
  blonde hair and a fade styled haircut.
• 42:25
  Speaker 1: I've already called the I've already called the nurses. They're
• 42:27
  on their way. Okay, get the others away from the building.
• 42:31
  The last thing we need is someone else to kisik.
• 42:34
  Speaker 2: You're right, counselor said, before turning to the campers and
• 42:37
  the other counselor.
• 42:39
  Speaker 1: All right, guys, we're heading to the main lodge. Paxton,
• 42:42
  stay here and the nurses will be here soon. Everyone else,
• 42:45
  let's go with that.
• 42:46
  Speaker 2: They briskly made their escape, leaving Packston alone with us.
• 42:50
  We told them to stay outside while we walked toward
• 42:52
  the cabin. We had all of our cleaning supplies ready,
• 42:54
  but we had to fight the smell and the urged
• 42:56
  to vomit at the same time. Finally got enough courage
• 42:59
  to go inside. How bad did this kid vomit? Dude?
• 43:02
  Speaker 1: Well, even just like summertime. Oh, it must be brutal.
• 43:06
  Fuck that also working in a summer camp, having to
• 43:08
  do that shit, kids eating all kinds of crazy shit
• 43:11
  and then they just throw up. I like, oh, it's
• 43:14
  probably humidi as shit out there. Oh my god, disgusting.
• 43:18
  Speaker 2: After several long minutes, we managed to get rid of
• 43:20
  the vomit itself smell lingered, but not as strong as before.
• 43:24
  Just as we were walking out, I noticed a poster
• 43:25
  hanging on the wall above the bed, directly next to
• 43:28
  the door. It was a replica of the painting hanging
• 43:31
  in the chapel. Hey, look at this, I told Julio
• 43:34
  while pointing at it.
• 43:36
  Speaker 1: He shows a picture of Horse oak Wood, the guy
• 43:38
  who founded the camp many years ago. That's that's what
• 43:41
  Graham told me. Some war hero. He defeated a powerful
• 43:45
  try back in the eighteen hundreds. They were heavily unnumbered
• 43:47
  and sorry, the Julio thing, I have to lock in
• 43:52
  because I feel like it could be good. He defeated
• 43:55
  the powerful tryback in the eighteen hundreds. They were heavily
• 43:58
  unnumbered and on the brink of defeat. Horace mounted a
• 44:01
  tremendous comeback and managed to defeat the tribe. He was
• 44:04
  even stabbed in the back, but survived and rocked a
• 44:06
  pretty neat scar on the and rocked a pretty neat
• 44:09
  scar for the rest of his life. So he was
• 44:12
  a badass.
• 44:13
  Speaker 2: Oh yeah, Julio said, before we both laughed.
• 44:16
  Speaker 1: Was he called Sharino? Yeah, that was a nickname Horace
• 44:20
  may for himself. Horace claimed the wailer needs a you'll
• 44:22
  need nickname that separates him from the raist. But why Sharino? Honestly,
• 44:27
  no one really knows. He never explained how he came
• 44:29
  up with it and what it was based off of.
• 44:32
  Speaker 2: Interesting, I responded, before grabbing my walkie to Radio Graham.
• 44:36
  Speaker 1: Hey Graham, we finished cleaning up the vomit. What now?
• 44:39
  Speaker 2: About five seconds later, Graham came over the walkie.
• 44:43
  Speaker 3: Of course, is not finished setting up. We now need
• 44:47
  to go set up the rec center. Start heading over there.
• 44:50
  Speaker 2: Julio and I put the stuff back up and walked
• 44:52
  to the rec center. As I previously mentioned, the rec
• 44:55
  center was a small shelter that had games such as ping, pong, foosball,
• 44:58
  and air hockey. We also smaller games like checkers and
• 45:01
  chests that were set up on benches of tables. It
• 45:04
  was mainly used by the more quiet campers during the
• 45:07
  free time of the day, which was during the two
• 45:09
  hour interval for lunch. Well, it was supposed to have
• 45:13
  all this stuff. The problem was nothing had been set
• 45:16
  up yet. When Graham drove us by the rec center
• 45:18
  the previous week, the doors were closed and the windows
• 45:21
  were tinted, so I couldn't even tell if there was
• 45:22
  stuff already inside. Graham told us what was in there,
• 45:26
  but he never told us that it wasn't set up yet.
• 45:29
  Graham explained that we needed to set it all up
• 45:31
  so the campers could begin using the stuff the next day.
• 45:34
  There's a small lock shed behind the rec center where
• 45:36
  all the stuff was kept. It took a while, but
• 45:38
  we managed to bring everything again and set it up accordingly.
• 45:42
  While setting up, I kept noticing Carson taking glances at me,
• 45:45
  at one point staring at me for a solid minute.
• 45:48
  I was already fed up by the counselors doing this,
• 45:50
  so I already knew I wasn't going to deal with
• 45:52
  this bullshit. However, given what happened in the chapel the
• 45:55
  week before, I didn't want to confront Carson on my own,
• 45:59
  so I stopped what I was doing and decided to
• 46:01
  tell Graham, who I found back in the shed, pulling
• 46:04
  out a box full of board games from one of
• 46:06
  the shelves.
• 46:07
  Speaker 1: Hey, Graham, Carson would not stop staring at me. I
• 46:10
  don't know what his problem is, but please go tell
• 46:12
  me to stop. Oh why don't you tell me if
• 46:15
  you have a problem with it?
• 46:16
  Speaker 2: I really really wanted to explain what I had seen
• 46:19
  the previous week in the chapel, but I bit my
• 46:21
  tongue and just told I was very creeped out by him.
• 46:24
  He could probably tell I was holding something back, but
• 46:26
  he accepted my excuse and told me he would handle it.
• 46:29
  Gave me the box of board games and left the shed.
• 46:32
  As I walked out, I could see Graham and Carson talking,
• 46:34
  but couldn't hear them because they were talking quietly. In
• 46:38
  the end, Carson nodded and Graham walked back to the shed.
• 46:41
  True to Graham's word, Carson didn't desert me again after that, well,
• 46:45
  at least I hope he didn't. After we finished, we
• 46:47
  hopped back in the cart and drove back to our
• 46:49
  housing building. Graham dropped the three of us off and
• 46:52
  told us to keep our walkies on in case something
• 46:54
  popped up. He then drove off towards the main launche building.
• 46:58
  Hulu and I went back inside. Our decided to show
• 47:00
  for the rest of the day, but already eaten once
• 47:03
  earlier that day before the campus arrived, so we wouldn't
• 47:05
  have anything else to do until the bomb fired. Later
• 47:07
  that night, while I was on the couch watching some
• 47:10
  show on our really old TV, Julio piped out from
• 47:13
  the small.
• 47:13
  Speaker 1: Kitchen, wonder what made Amy hire a guy like Carson?
• 47:17
  Beats me. Amy probably just hires anyone who's interested in
• 47:20
  working for this camp, and he's a very weird guy.
• 47:24
  I know you know, I've knowniced. You're always very uncomfortable Carson.
• 47:28
  Why is that? What do you mean? I saw you
• 47:32
  go complain to Graham earlier today about Carson's constantly staring
• 47:35
  at you. I noticed as well, and was just waiting
• 47:37
  for you to do something about it. But even before that,
• 47:40
  you're already uncomfortable and honestly looked a little scared every
• 47:44
  time we are, every time we are around Carson, I
• 47:47
  don't know what you're talking about. Come on, man, it's
• 47:50
  obviously you're creeped out by him. You could tell me
• 47:52
  the reason why.
• 47:53
  Speaker 2: Up to that point I hadn't told anyone about what
• 47:56
  I had seen on both the chapel and outside our window. However,
• 47:59
  at that moment, I felt I was trapped in a corner.
• 48:02
  Julio could tell something was up, so I needed to
• 48:04
  either come up with an excuse or spill the beans.
• 48:07
  After quick deliberation, I chose the latter. I needed help
• 48:10
  and keeping it on my chest would only make it worse.
• 48:14
  So I ended up telling him everything from Carson in
• 48:16
  the chapel to Amy Graham and Carson talking outside our
• 48:20
  window in the middle of the night. Julio just stared
• 48:22
  at me, taking.
• 48:23
  Speaker 1: In what I was saying.
• 48:25
  Speaker 2: When I was finally done, all he said was, Wow, I'm.
• 48:31
  Speaker 1: Very creeped out right now. Dude. I don't know why
• 48:34
  he and those counsels act so strange around me. It's
• 48:36
  so fucking weird. Why didn't you wake me up when
• 48:39
  they were talking outside our room?
• 48:41
  Speaker 2: Uh?
• 48:42
  Speaker 1: I don't know, Well, something like that happens again, wake
• 48:46
  me up. Given that you just told me everything I'm
• 48:49
  involved in this shit is just as much as you
• 48:50
  are now.
• 48:51
  Speaker 2: And then went outside to smoke a cigarette.
• 48:53
  Speaker 1: Hmmm. I don't know, Like I want to trust Julio,
• 48:55
  but at the same time, I don't know. I feel
• 48:58
  like I trust him. Do you think you do? I
• 49:00
  feel like I'm skeptical obviously because of horror tropes and
• 49:04
  stuff like that. But at the same time, I feel
• 49:06
  like he's It feels like he's digging a lot, like
• 49:08
  he see he seems super concerned. Oh, he seemed really
• 49:10
  weird about by Carson. Why you seem why why is
• 49:13
  Carson weirded out so much? Almost like he's digging for
• 49:15
  some ship.
• 49:16
  Speaker 2: Yeah, maybe I want to I want to trust him,
• 49:19
  though I like I like, I think. I think Julio
• 49:22
  is just suspicious of everything that's happening, but he's in it.
• 49:27
  Speaker 1: He wouldn't.
• 49:27
  Speaker 2: Yes, he's new, and I feel like if he was
• 49:29
  in on it, he wouldn't volunteer information about uh, the
• 49:32
  guy that started the camp and stuff like that. I mean,
• 49:35
  that's true as much as he does. But he's new,
• 49:38
  but he knows a lot about the guy about the painting.
• 49:41
  I mean, he probably asked someone about him once again.
• 49:45
  Speaker 1: Still kind of odd, That's all I gotta say.
• 49:47
  Speaker 2: I I think he's fine. I think more than anything,
• 49:49
  he's just like like if you got a new job
• 49:52
  and the guy's like so. Turns out last night all
• 49:55
  the people that hired us were outside our window talking
• 49:57
  about something, and I'd be like, uh, why are you not?
• 50:01
  Why are you just now telling me this? Yehy, I
• 50:03
  mean why did that I'll get looped into this earlier? Yeah.
• 50:05
  Speaker 1: No, that's fair, that's fair.
• 50:07
  Speaker 2: I stood there wondering if what I did was the
• 50:09
  right decision. I mean, someone needed to know, and I
• 50:13
  spent more time with Julio since we practically slept in
• 50:15
  the same room. But I could have told Graham as well,
• 50:17
  since he seemed to be on my side. When I
• 50:19
  found Amy and Carson talking outside my room for the
• 50:22
  previous week, I made a mental note to at least
• 50:24
  tell Graham when I had the chance, but I had
• 50:26
  to find the right moment to do so. Later that night,
• 50:30
  all the campers and staff gathered around the campfire. I
• 50:32
  ended up finding the counselor from Cabin five, and I
• 50:35
  decided to formally introduce myself to my shock, he didn't
• 50:38
  ex surprise when I said my name. He introduced himself
• 50:41
  as Percy before proceeding to tell me that he's been
• 50:44
  a counselor since they move locations.
• 50:47
  Speaker 1: I've always liked coming back, since it's so much fun,
• 50:50
  just being able to hang out with other friends and
• 50:52
  giving the campers a good summer camp experience. How mean
• 50:55
  has it been for you? Pretty good?
• 50:58
  Speaker 2: I lied, well good.
• 51:01
  Speaker 1: It's always great to hear that new staff members are
• 51:03
  enjoying it here. I'm just hoping it isn't too chaotic
• 51:06
  with all these kids running around. Oh, it isn't. These
• 51:10
  guys are the most behaved and peaceful kids you'll ever meet.
• 51:14
  For real. Yeah, most of them come from strict, well
• 51:17
  to do families. We only have to discipline maybe five
• 51:20
  or so campers every session, and none of it is
• 51:23
  ever major. Just a couple of minor scuffles on the
• 51:25
  playground or escalating arguments over the ping pong paddles, anything
• 51:29
  ever major.
• 51:30
  Speaker 2: He paused, mulling over something in his head. After about
• 51:33
  ten seconds, he continued.
• 51:35
  Speaker 1: Don't tell anyone, but I told you this, but there
• 51:38
  was one thing that happened a while ago.
• 51:40
  Speaker 2: Before he could finish, and he called for everyone's attention.
• 51:43
  He was standing on top of a bench holding a
• 51:45
  small bell in her hand. Hello everyone, she said enthusiastically,
• 51:50
  For all of you who.
• 51:50
  Speaker 1: Are returning for another fun summer, We're glad to have
• 51:53
  you back. To those who are new, I would like
• 51:55
  to welcome you to Camp oak Wood. We're very glad
• 51:58
  to have you all here tonight, and I'm looking forward
• 52:01
  to getting to know each and every one of you
• 52:02
  over the next week. We'll pass out somemore soon, but
• 52:05
  before that, we'll sing the camp's official song. If you
• 52:08
  don't know it or afraid of singing, then that's fine,
• 52:11
  but those of you, but to those of you who
• 52:13
  do know it, feel free to feel free to sing
• 52:16
  along with that.
• 52:17
  Speaker 2: She raised the bell over her head and shook it.
• 52:19
  Small bells sounded like a thousand course in church bells.
• 52:23
  I stared at all, trying to make sense of it.
• 52:25
  Everyone else didn't really react, as if they had expected this.
• 52:29
  Once the sound of bells deafened, she began to sing.
• 52:32
  None of the words sounded like English. So I.
• 52:38
  Speaker 1: Come back.
• 52:38
  Speaker 2: I'm telling you, I mean gosh awesome, kind of weird.
• 52:48
  After she hit the bell that sounded like a thousand
• 52:51
  church sholl, I have in my hand the bell of
• 52:58
  one thousand bells. Oh.
• 53:03
  Speaker 1: I loved this song.
• 53:04
  Speaker 2: I loved his song of Ours and Harris is just
• 53:07
  kind of like it's got a peculiar.
• 53:11
  Speaker 1: Okay, it's a little strange, I get.
• 53:14
  Speaker 2: Oh she must be Polish. Oh she's probably Polish. That
• 53:19
  makes a lot of sense. Yep, I'm tracking None of
• 53:22
  the one, None of the one that's such a funny line.
• 53:25
  None of the words sounded like English, so I wasn't
• 53:28
  able to understand it. I have to admit, though she
• 53:31
  had a beautiful voice. It was honestly so angelic that
• 53:34
  I looked up at her to make sure she wasn't
• 53:36
  playing or recording or something. After I looked up, I
• 53:39
  noticed everyone, though only some were singing along. We're all
• 53:43
  bowing their heads, well except for one other person. As
• 53:48
  I panned the crowd, I saw Graham standing in the back,
• 53:51
  leaning against the trunk of a tree. We made eye
• 53:53
  contact with each other. I made a confused face, trying
• 53:56
  to figure out why he was away from everyone else.
• 53:59
  I didn't respond to shake his head and what looked
• 54:01
  like disappointment, and then turned back around and bowed my
• 54:04
  head once again. Amy finished her song and everyone looked
• 54:07
  back up at her. She then said excitedly it was
• 54:10
  time for smores, which was met by cheers of the campers.
• 54:14
  I got up again walking over to Graham. You met
• 54:17
  me halfway.
• 54:18
  Speaker 1: What was that? It's a small ceremony done at the
• 54:21
  beginning of the camp. Amy loves music. She studied in
• 54:24
  college and has always had a passion for it, so
• 54:27
  she likes to implement it at some points during each session.
• 54:30
  Do you know what language she was singing in? I
• 54:33
  think Italian, but I could be wrong.
• 54:50
  Speaker 2: Italian. They're speaking like dead Laddin, like some of inch Beans.
• 54:58
  And you got some old timer in the back line.
• 55:00
  That's one of the Italians.
• 55:02
  Speaker 1: I do believe pretty much the Italians if I've ever heard.
• 55:04
  Speaker 2: That's what That's what they sell. She must also be
• 55:07
  a Polish Polish Italian.
• 55:09
  Speaker 1: She's a Polish spy. I'm pretty sure. I'm not entirely.
• 55:12
  I would hate to, you know, throw it out there.
• 55:15
  Speaker 2: But well, there's one time at church. This was a
• 55:21
  few years back. My grandmother's hearing got really bad, so
• 55:25
  you had to like yell at her to talk to
• 55:27
  her at any point. Sure, and we were in church
• 55:30
  one day and at the beginning of the pastor was like, uh,
• 55:34
  all right, let us bow our heads for prayer, and
• 55:37
  like everyone bows their head and the room goes quiet,
• 55:39
  and then you just hear my grandmother very loudly across
• 55:42
  the entire auditorium go no, I believe the man was Italian,
• 55:48
  and like the pastor heard it, and he was like
• 55:51
  trying not to laugh but also get through the prayer.
• 55:53
  And everyone was snickering. And at the same time, I
• 55:56
  wasn't sitting near my grandma, but someone must have like
• 55:59
  told her to shush, be quiet, and she goes, what,
• 56:02
  He's just Italian.
• 56:04
  Speaker 1: He's just Italian. He's just Italian.
• 56:07
  Speaker 2: I didn't say he was like awful or anything. I'm
• 56:10
  just saying I believe the man was Italianeah for God's sake,
• 56:13
  Graham told me I could get a s'more if I
• 56:15
  wanted one, but I told him I wasn't hungry. We
• 56:17
  just stood there watching everyone else eat their smores before
• 56:20
  they began to disperse back to their respective cabins as planned,
• 56:24
  Julio and Carson left, so Graham and I were the
• 56:26
  only ones who would be extinguishing the fire and cleaning
• 56:29
  up the remnants of chocolate and marshmallows. After cleaning quietly
• 56:33
  for a while, Graham broke the silence.
• 56:35
  Speaker 1: I see you in Persia are getting along. Yeah, he's
• 56:38
  pretty chill.
• 56:39
  Speaker 2: I looked up to see Graham smiling while throwing more detritus. Detri,
• 56:43
  What is detritus?
• 56:45
  Speaker 1: I'm looking it up.
• 56:46
  Speaker 2: Detritus. I imagine that means trash, waste, or debris of
• 56:50
  any kind. Just okay, can you say trash?
• 56:53
  Speaker 1: Just say debris?
• 56:55
  Speaker 2: Throwing more detritus into a black bag.
• 56:58
  Speaker 1: Yeah, I know what, Detri, And you don't. Yeah, you
• 57:03
  seem happy about that. No, I'm happy because the first
• 57:07
  night is always so full of joy. The rest of
• 57:10
  the sessions are just sort of bland. Is it boring? No,
• 57:14
  it's not that. As the first night, each group follows
• 57:16
  their own schedule, and each group straight up ignores the others.
• 57:19
  And you would think most camputers would branch out with
• 57:22
  those with those older and younger, but they stick together
• 57:25
  in their age groups like glue. Also, most campus aren't
• 57:28
  as happy the rest of the session as they are
• 57:30
  on the first night, probably homesickness or something. But it's
• 57:34
  been the same for me. He is and honestly makes
• 57:37
  me a little sad to see it.
• 57:38
  Speaker 2: To be honest, I didn't think Graham could become that
• 57:40
  emotional or deep. My first impression of him was a
• 57:43
  stone cold, hard nosed man who just did his shob
• 57:46
  and nothing else. But now he's starting to appear more human.
• 57:51
  I don't know why, but I was just fascinated by it,
• 57:54
  so fascinated by it that I forgot to tell him
• 57:56
  what I had told Julio hours before. We finished clean
• 57:59
  up up not long after and went back to our
• 58:01
  respective apartments. Julio wasn't there when I arrived, but his
• 58:05
  car wasn't either, so I guess he left the campgrounds
• 58:08
  to do something. I didn't know if that was allowed
• 58:10
  once the session was in progress, but I decided not
• 58:13
  to do anything about it. But there are several that
• 58:16
  one's fine, but there's several instances of him being like,
• 58:18
  this thing happened and I didn't do it.
• 58:20
  Speaker 1: I just really could not give up.
• 58:22
  Speaker 2: I didn't do that. The thing I could have done there, Yep,
• 58:26
  not me.
• 58:26
  Speaker 1: I was not do that at all. There.
• 58:29
  Speaker 2: It is, yes, not happening, yet there's several instances of
• 58:32
  him just to be like, and I didn't do it.
• 58:34
  Once I got inside, I decided to take a shower.
• 58:37
  After spending about ten minutes under the shower head turned
• 58:40
  off the water and crabbed a towel and pulled open
• 58:42
  the shower curtain. After drying off, I went to grab
• 58:45
  my clothes, but when I checked the countertop, they were missing.
• 58:48
  I thought I had placed them on the countertop before
• 58:50
  I got in, but I must have forgotten to. I
• 58:53
  wrapped a towel around my waist again and started walking
• 58:55
  toward the bathroom door. That's when I noticed bathroom door
• 58:58
  was cracked open. The fock was positive. I was positive
• 59:04
  I had shut and locked it, so my body immediately
• 59:07
  had stopped. My phone was in my bedroom charging, so
• 59:10
  if I had to call for help, I'd have to
• 59:12
  build up enough courage to get out of the bathroom.
• 59:15
  Eventually peeped my head outside the door. When I did so,
• 59:19
  saw no one inside. Julio called out, hoping he was
• 59:24
  just pulling a messed up prank on me. I got
• 59:26
  no response. Peered back to my left and found my
• 59:29
  clothes on a chair next to the table. Damn it,
• 59:32
  I left them out here, I thought to myself. As
• 59:34
  I reached out for them. All of a sudden, a
• 59:37
  bright flash filled the room. I turned around and saw
• 59:40
  a hooded figure dressed in black and wearing sunglasses holding
• 59:43
  a camera. I cursed out loud in shock, and the
• 59:46
  hooded figure ran for the door. At the chaos, I
• 59:48
  managed to grab the back of his hood, making the
• 59:51
  back of his head visible. For I could do anything
• 59:53
  else put it, figure opened my door and ran out
• 59:56
  into the night. I would have ran after him, but
• 59:58
  I was in only a towel and barefoot, and the
• 1:00:00
  ground outside was gravelly, so I knew there was no
• 1:00:02
  chance I could get him. Although I didn't see his face,
• 1:00:06
  I knew who it was. I recognized him based off
• 1:00:08
  the blonde fade style haircut. It was Percy fucking weird man.
• 1:00:14
  Speaker 1: You feel like you like a character. Then, I don't
• 1:00:16
  know if they're I'm wondering what interesting taking pictures of
• 1:00:20
  him and stuff. I'm like wondering, what is this like
• 1:00:22
  weird obsession with his look or what they're trying to do.
• 1:00:26
  You'd think that it'd be like more if it was
• 1:00:28
  like sacrificial too. I was almost thinking i'd be like
• 1:00:30
  hair samples or like they're collecting things, But it just
• 1:00:33
  seems so like visual almost like idolizing, almost like he's
• 1:00:37
  a uh reincarnation of the dude that they're obsessed with.
• 1:00:40
  Or something.
• 1:00:41
  Speaker 2: Well, I think you're right. I also, uh, thinking about it,
• 1:00:45
  I'm pretty sure Sharino is a jumbled up spelling of Harrison.
• 1:00:53
  Oh yeah, that same letters. Whatever the word for that is,
• 1:00:55
  there's a word for it. But whatever the word for
• 1:00:57
  it is, I think that Chrino is that for Harrison.
• 1:01:01
  So I guarantee you he's supposed to be the second incarnation.
• 1:01:04
  But Percy was just a camp counselor you seem like
• 1:01:06
  he wasn't in on it as much as everyone else was.
• 1:01:08
  That's interesting that he is so interesting that that was
• 1:01:13
  kind of a menacing moment of like the uh, you know,
• 1:01:15
  his clothes just placed outside, so that that an opportunity
• 1:01:19
  to get a picture of him naked. Maybe they're looking
• 1:01:21
  for a symbol on him or something like that on
• 1:01:23
  his shirt or back.
• 1:01:24
  Speaker 1: You would think something something like that, right, Yeah.
• 1:01:29
  Speaker 2: Some reason they needed him, They needed a picture of
• 1:01:30
  him and just a towel maybe. Anyway, on to part three.
• 1:01:36
  Part three, Julio returned a few minutes later to find
• 1:01:39
  me shaking in tear.
• 1:01:40
  Speaker 1: Dude, are you all right? Somebody broke in the apartment.
• 1:01:42
  It took a picture of me. It was Percy, who's Percy,
• 1:01:46
  the counselor from Cavin five. Have you called the police yet?
• 1:01:50
  Speaker 3: Not yet?
• 1:01:50
  Speaker 1: I guess I'm still in a state of shock. Okay,
• 1:01:54
  I'm going to call Amy. Go put your clothes on.
• 1:01:57
  He's coxious out talking to him.
• 1:02:02
  Speaker 2: I grabbed my clothes and went back into the bathroom
• 1:02:05
  through the door. I could hear Julio on the phone.
• 1:02:07
  About two minutes later, there was a loud knock at
• 1:02:09
  the door. Hula opened it, and both Amy and Graham
• 1:02:13
  walked in. Amy quizzed me on what happened, wanting to
• 1:02:16
  make sure it was indeed Percy who broke in. Graham
• 1:02:19
  meanwhile sat there silently. After several minutes of questioning, Ammy
• 1:02:23
  got up to leave. Asked her if she wanted to
• 1:02:25
  call the police, but she said it wouldn't be necessary.
• 1:02:28
  Speaker 1: If I can get him both to confess and destroy
• 1:02:30
  the photo, then we should be all right and I
• 1:02:32
  can just send him home. Besides, if it didn't steal
• 1:02:35
  or break anything, and only did was just take a
• 1:02:37
  photo of you, I don't think the police should be involved.
• 1:02:39
  Speaker 2: Or I could even respond at all. She slammed the door,
• 1:02:41
  leaving the three of us in the apartment.
• 1:02:44
  Speaker 1: Sorry by that Harrison, Hey, no need to apologize. You
• 1:02:48
  had nothing to do with this, I know, but still
• 1:02:51
  you're my employees, and as your boss, your will being
• 1:02:55
  as one of my priorities, perse he's probably gonna get fired.
• 1:02:58
  I don't even know if it was him. All I
• 1:03:00
  saw was the back of his head and versus hairstyle,
• 1:03:02
  and its color was the closest one to it. I
• 1:03:05
  just can't believe Percy pretended to be normal around me.
• 1:03:07
  I guess I'm telling me nothing major ever happening around
• 1:03:10
  here must have been a complete lie to Game. I
• 1:03:12
  trust it's the same goes for this major event that
• 1:03:15
  happened a few years ago. Actually that part is true.
• 1:03:19
  Speaker 2: Julio, Graham yelled, causing me to jump shit.
• 1:03:22
  Speaker 1: Sorry what.
• 1:03:24
  Speaker 2: Both of them looked away from me, not saying a word.
• 1:03:26
  Speaker 1: Julio already said it's true, So you guys might as
• 1:03:28
  well just tell me now, or maybe I should just
• 1:03:30
  go ask Amy about it.
• 1:03:31
  Speaker 2: Before I could even move, Graham stot up and grabbed
• 1:03:33
  me by the arm with a very painful grip. Do
• 1:03:35
  not make that mistake, he said to me. I now,
• 1:03:38
  legitimately scared, just nodded and he let go of my arm.
• 1:03:41
  Speaker 1: All right, I'll tell you, but you need to promise
• 1:03:44
  me you will not tell Amy at all. Same with you, Julio,
• 1:03:48
  though I doubt you will.
• 1:03:49
  Speaker 2: Julio nodded, while I remained silent. Graham's sided and then began.
• 1:03:54
  Speaker 1: Five years ago, a young camper named Cheron went missing
• 1:03:58
  after supposedly wandering off during our group hike. Amy freaked
• 1:04:02
  out when she heard the news and spent a full
• 1:04:04
  day and night searching for alone in the woods. She
• 1:04:07
  didn't want to, but eventually she had to call the police.
• 1:04:11
  The camp was shut down and all the campers were
• 1:04:13
  picked up and taken home. Eventually found Sharon a couple
• 1:04:16
  of weeks later, and I'm not going to go into
• 1:04:18
  detail what happened to her. One of the counselors was
• 1:04:21
  arrested after the DNA was found at the crime scene.
• 1:04:23
  Who's found not guilty by reason of insanity and was
• 1:04:26
  sent to a psych ward. And Amy tried to reopen
• 1:04:28
  the camp the following summer, but not many families signed
• 1:04:31
  their kids up out of fear of something would happen again.
• 1:04:34
  So the summer after that, Amy changed two things, a
• 1:04:37
  young have younger counselors and move the camp to a
• 1:04:40
  new location. She didn't change the name, though, and she
• 1:04:43
  really couldn't. I think he said the city brought the
• 1:04:46
  I think you said the city bought the land out
• 1:04:47
  through eminent domain. That was what she ordered us to say.
• 1:04:51
  She told us to lie so that we could move
• 1:04:53
  on from the tragedy. Amy, Carson and I are the
• 1:04:55
  only ones left from the original camp, and she told
• 1:04:58
  us not to talk about it ever again. However, it's
• 1:05:01
  an open secret, so to speak, and many of the
• 1:05:03
  new employees either already know about it or eventually hear
• 1:05:06
  from one of the other coworkers. However, if Amy if
• 1:05:10
  a lot of howevers, However, if Amy found we were
• 1:05:13
  still talking about it, she'd probably have our heads on
• 1:05:15
  a silver platter. I already know this stuff. They fought
• 1:05:17
  I came here, Remember how Graham said it was at
• 1:05:20
  a different location. The city Camp Oakwood was originally located
• 1:05:24
  and was actually my hometown. And that murder was the
• 1:05:26
  talk of the town. You heard about it, whether you want.
• 1:05:29
  Speaker 3: It to or not.
• 1:05:30
  Speaker 1: So does this have something to do with why Amy
• 1:05:32
  doesn't want the police involved? Sort of. She doesn't like
• 1:05:36
  the police being involved because she's afraid that any other crime,
• 1:05:38
  no matter how small it is, could ruin the reputation
• 1:05:41
  of the camp again. Camp Oakwood is one of the
• 1:05:43
  most popular summer camps in our region, so another criminal
• 1:05:46
  act could hurt us again. But for your case, I
• 1:05:49
  don't think so. Like Amy said, if nothing was stolen
• 1:05:53
  and the only thing done besides breaking into the apartment
• 1:05:56
  was taking a photo of your unclothed back, then there
• 1:05:59
  would be no need. It's not a serious issue, and
• 1:06:02
  I doubt she'll call the police for something as small
• 1:06:04
  as this. So wait, why exactly does she want new
• 1:06:07
  employees and campus to know what happened to that girl?
• 1:06:10
  Would you want everyone to keep talking about how one
• 1:06:12
  of your campers was murdered by one of your employees
• 1:06:14
  several years ago? I mean, I guess not, that's what
• 1:06:19
  I thought. Look sorry to come off so aggressively, but
• 1:06:23
  I want to protect my job and follow and follow
• 1:06:25
  the rules. I could care less if someone else told you,
• 1:06:28
  but I refuse to talk about it anymore. Amy is
• 1:06:31
  a scary lady when she gets angry, and in fact,
• 1:06:34
  I'm gonna go find her to make sure she doesn't
• 1:06:35
  do anything to Percy.
• 1:06:36
  Speaker 2: Immediately after saying that he got up and left.
• 1:06:39
  Speaker 1: Wait what did he mean by the fact that Amy
• 1:06:42
  couldn't change the name? Oh you didn't know, he asked me.
• 1:06:46
  Speaker 2: I shook my head, and he continued.
• 1:06:48
  Speaker 1: Camp Oakwood is the name of about thirty camps around
• 1:06:51
  the world. Not the country, but the world. Are you serious? Yeah?
• 1:06:55
  They started the franchise of camps around thirty years ago.
• 1:06:58
  There's only one camp located in each country. Thirty camps,
• 1:07:01
  thirty countries. We are like any other summer camp with
• 1:07:04
  one caveat. We only accept approved campers and employees. It
• 1:07:08
  must be from a select family and approved by the
• 1:07:10
  camp director of the camp they applied for. Makes it
• 1:07:12
  easier for the camp to run. If we at least
• 1:07:14
  accept campers and employees who we know, we won't be
• 1:07:16
  a problem.
• 1:07:17
  Speaker 2: And Okay, so this is like a raws child level,
• 1:07:22
  like super upper levels of society.
• 1:07:26
  Speaker 1: Say yeah, like private almost like a not a Illuminati level,
• 1:07:30
  but like almost like a secret society, almost like fancier.
• 1:07:34
  I wonder too if that's also if the dad maybe
• 1:07:36
  knew about it, and he's like, oh, that's we're all
• 1:07:37
  like the secret you know, fucking what's that? What's that
• 1:07:42
  crazy camp with the owl statue? Or whatever.
• 1:07:44
  Speaker 2: Oh uh, Bohemian grove.
• 1:07:47
  Speaker 1: It's like a Bohemian grove kind of camp, you know
• 1:07:49
  what I mean. Also, if you know the song sing
• 1:07:53
  along where it's like, oh, this is like a super
• 1:07:55
  historic pass down thing, you know what I mean.
• 1:07:58
  Speaker 2: Yeah, Yeah, it's like a true condition that your parents
• 1:08:01
  would have taught you about. Yeah, what's the what's the
• 1:08:04
  quote from Bohemian Grove weaving spiders come not here is
• 1:08:08
  like over the front side of the camp. It's like that,
• 1:08:10
  all the secret handshakes and codes and stuff like that. Yeah,
• 1:08:17
  I'd say, I'd say that's probably what this is. And
• 1:08:20
  it leads back to some ritual or something. It's like
• 1:08:22
  a secret it's a place secret Society members send their
• 1:08:25
  kids to camp. Maybe that's why all the counselors act
• 1:08:28
  so damn weird, I thought to myself, I guess me
• 1:08:30
  Graham and Juley are the only normal people they've ever hired.
• 1:08:34
  Moments later, we got another knock on the door. Julio
• 1:08:37
  opened it to reveal a police.
• 1:08:38
  Speaker 1: Officer, Harrison Tracy. That's me. I'm Officer Marino. I'm here
• 1:08:43
  to get your statement on the break in that happened
• 1:08:45
  earlier tonight. Percy has already confessed and it's currently detained. However,
• 1:08:49
  we want to get your statement about what happened. The
• 1:08:51
  more facts the better.
• 1:08:52
  Speaker 2: I guess she did decide to call the police. I
• 1:08:54
  thought to myself, you have a brief riundown on what
• 1:08:57
  happened in the officer Marino thank to me and left.
• 1:09:00
  Speaker 1: I bet person probably called himself. He's like, get me
• 1:09:02
  out of here, arrest me.
• 1:09:04
  Speaker 2: Yeah, well, I think that. I think that was a
• 1:09:06
  fake cop. I think that's the reason Amy left so quickly.
• 1:09:10
  They had a fake cop coming like so that way. Yeah,
• 1:09:16
  personally call he's like, get me out.
• 1:09:18
  Speaker 1: I mean maybe you never know. I'm like trying to
• 1:09:20
  seek with these kind of things. If it's just like,
• 1:09:22
  oh you have to do this, you.
• 1:09:23
  Speaker 2: Know, yeah, some weird maybe like a weird hazing ritual thing,
• 1:09:29
  like a weird.
• 1:09:32
  Speaker 1: That anything for like a even like a ritual or something,
• 1:09:36
  you know.
• 1:09:36
  Speaker 2: Yeah, what's that word they use for Like people in
• 1:09:38
  like secret societies have to publicly embarrass themselves humiliation ritual.
• 1:09:43
  Speaker 1: Yeah, but also hazing is another you're the first time too.
• 1:09:47
  Speaker 2: I was up nearly all night trying to figure out
• 1:09:48
  what Percy's motive was. Nothing appeared to be stolen, so
• 1:09:52
  I couldn't really say robbery was the main motive. I
• 1:09:55
  did come up with a crazy theory that maybe his
• 1:09:57
  motive was to take an indecent photo of me and
• 1:09:59
  then use it as some sort of blackmail. However, I
• 1:10:02
  wasn't completely naked. I was wearing a towel pretty much
• 1:10:05
  up to my belly button, and my back was facing him.
• 1:10:08
  Speaker 1: All he could have saw was.
• 1:10:10
  Speaker 2: The back of my head, back of my neck, and
• 1:10:12
  my entire back, which kind of amounts to nothing. Eventually,
• 1:10:17
  I decided to just let it go and move on. First,
• 1:10:19
  he had been taken away. He was no longer a
• 1:10:21
  threat to me now. At around eleven am the next morning,
• 1:10:24
  while Joley and I were hanging around the apartment, we
• 1:10:27
  heard a commotion coming from outside. We looked outside to
• 1:10:29
  see the counselors ushering the campers back into their cabins
• 1:10:32
  and other staff running over to the chapel. We followed
• 1:10:35
  suit and ran over to the chapel. A few people
• 1:10:38
  were yelling for the nurses. Eventually we found Graham and
• 1:10:40
  the crowd and asked him what happened.
• 1:10:42
  Speaker 1: Carson stabbed himself. What that's all? I really know for sure.
• 1:10:48
  I wasn't close enough to see it, but I've heard
• 1:10:50
  a couple of people say was screaming while holding a knife.
• 1:10:53
  Speaker 2: A few minutes later, the nurses came out with Carson.
• 1:10:56
  Front of his shirt was stained red. Everyone stared in
• 1:10:59
  as he was caring towards the nurses station. I noticed
• 1:11:02
  no ambulance or amts around, so I guess Amy didn't
• 1:11:05
  want them involved either. After the small hysteria ended, everyone
• 1:11:09
  went back to what they were doing. Graham told us
• 1:11:11
  we would have to finish any work we still have
• 1:11:13
  that day without Carson, which thankfully wasn't too much. We
• 1:11:17
  ended up finishing around two pm.
• 1:11:18
  Speaker 1: As you can probably imagine, I was.
• 1:11:20
  Speaker 2: Near my branking point. In fact, I was very close
• 1:11:23
  to going up to Amy and handed in my resignation. However,
• 1:11:26
  part of me wanted to at least finish this session
• 1:11:28
  in order to get my money. I didn't care if
• 1:11:31
  it wasn't much, but I would rather leave with some
• 1:11:33
  money rather than no money. I've come this far, we
• 1:11:35
  stop now, but still I was seriously coming close to quitting.
• 1:11:39
  I had enough of the secrecy and the weirdness of
• 1:11:41
  it all. At around six pm, while I was still
• 1:11:44
  contemplating whether I should quit or not. I got a
• 1:11:46
  text from Amy meet me at the house.
• 1:11:49
  Speaker 1: I need to talk to you.
• 1:11:50
  Speaker 2: I saiwed and began putting my shoes on. Well, what's up, Julio,
• 1:11:53
  asked me from the couch.
• 1:11:55
  Speaker 1: Amy told me to meet her her house. I don't
• 1:11:57
  know why. Probably heard about Graham telling you about out
• 1:12:00
  his murder.
• 1:12:03
  Speaker 2: I responded and walked out. Amy left by herself in
• 1:12:06
  a single floor house on the other side of Camp.
• 1:12:09
  After several minutes of walking, I eventually reached the house,
• 1:12:12
  knocked on her front door and she opened up.
• 1:12:15
  Speaker 1: Good, you're here, Come on in. She let me into her.
• 1:12:18
  Speaker 2: Kitchen and told me to sit down once I've seen it.
• 1:12:20
  She sat down directly across the table from me.
• 1:12:23
  Speaker 1: So why did you want me to come over here?
• 1:12:24
  I wanted to check up on you. How have you
• 1:12:26
  been doing since Percy broke into your apartment? I'm doing
• 1:12:30
  all right. Glad to hear that. Would you like some coffee? Sure?
• 1:12:37
  Speaker 2: She got out and grabbed two cups from her cupboard
• 1:12:39
  and grabbed the coffee pot. She began to pour coffee
• 1:12:42
  into my cup when all of a sudden, she dropped
• 1:12:44
  the pot spilling hot coffee all onto my shirt. Jesus,
• 1:12:48
  I screamed out in pain from the hot coffee, and
• 1:12:50
  Amy began profusely apologizing for spilling it on me.
• 1:12:54
  Speaker 1: I'm so sorry, Harrison. It's fine. It burns like a bitch,
• 1:12:58
  So God, here, give me your clothes. I'll watch him
• 1:13:02
  for you. It's the least I can do.
• 1:13:03
  Speaker 2: Yeah, they need to. They're checking his shirt that his
• 1:13:06
  chester is back for something. I didn't give up my shorts,
• 1:13:09
  but I gave her my shirt. Turned around to grab
• 1:13:11
  more paper towels to clamp the coffee on the table.
• 1:13:13
  Speaker 1: What's that on your back?
• 1:13:15
  Speaker 2: Yep, yep, I'll look fair trap.
• 1:13:18
  Speaker 4: I figure.
• 1:13:18
  Speaker 1: I think I figured some kind of like birthmark or something.
• 1:13:21
  Speaker 2: Maybe right, Yeah, it's like a birthmark or something that
• 1:13:25
  relates about some kind of mark. Again, once again, it
• 1:13:29
  is Harry Potter. He has the same scar that Baltimore
• 1:13:31
  had to lift.
• 1:13:36
  Speaker 1: Uh.
• 1:13:36
  Speaker 2: But yeah, he's got the same thing that Sharon had.
• 1:13:40
  So anyway, yeah, I asked her wear on my back
• 1:13:42
  and she pointed near my waistline, right where the waistband
• 1:13:44
  if my shorts were.
• 1:13:46
  Speaker 1: Didn't even have to look in the mirror to know
• 1:13:47
  what she was pointing to my scar. I got it
• 1:13:50
  when I was little. The reason why, though, is pretty
• 1:13:53
  messed up. Yeah. I was attacked by a wizard of
• 1:13:55
  the night and he marked my forehead.
• 1:13:57
  Speaker 2: Well you see, you see, the dark lord came to
• 1:14:00
  try to kill me, but my mother put a protection
• 1:14:02
  spell over me, and that caused, you know, my mother
• 1:14:05
  and the wizard to die at the same time. But
• 1:14:07
  because of that, he placed part of his soul into me,
• 1:14:10
  and that's right.
• 1:14:10
  Speaker 1: Here in my back. The reason why, though, was pretty
• 1:14:13
  messed up. What do you mean?
• 1:14:16
  Speaker 2: I described to her what had happened to describes the
• 1:14:20
  plot of the First Potter.
• 1:14:22
  Speaker 1: She described to.
• 1:14:23
  Speaker 2: Her what it was, without a doubt, my worst childhood experience.
• 1:14:29
  There's something I was gonna be Oh yeah, the murdered
• 1:14:31
  girl that he mentioned, or that Graham mentioned, uh what
• 1:14:37
  they said her name? What was her name? It's uh,
• 1:14:40
  there's a little girl murdered.
• 1:14:44
  Speaker 1: Sharon. Sharon said, Charlotte Sharon.
• 1:14:46
  Speaker 2: That is very similar to what was the name of
• 1:14:50
  the place, sharer or the guy's name it was, uh, Sharino.
• 1:14:56
  I feel like that's a little quizidel that the girl
• 1:14:58
  that was murdered as Sharon and the guy calls himself Sharino,
• 1:15:02
  and again both of those are similar to Harrison.
• 1:15:04
  Speaker 1: So I think that maybe the.
• 1:15:11
  Speaker 2: Hold on I had a thought here.
• 1:15:12
  Speaker 1: Oh, I think maybe that at the previous.
• 1:15:14
  Speaker 2: Location, they tried to sacrifice this girl and they killed
• 1:15:17
  her and it didn't work, so then they have to
• 1:15:19
  redo it again, and now Harrison's their next subject.
• 1:15:22
  Speaker 1: Guessing. Soo, I mean Sharino being Harrison is just obvious
• 1:15:26
  versus Sharon not being it.
• 1:15:27
  Speaker 2: I don't know, it's just similar. I mean it's like
• 1:15:30
  a similar They thought that that was like the pre
• 1:15:33
  Harrison or something. Yeah. Yeah, I was six years old
• 1:15:37
  at the time. It's outside, played by myself in the backyard,
• 1:15:39
  kicking a soccer ball around. I spent a lot of
• 1:15:42
  afternoons outside doing whatever I wanted. I just kicked the
• 1:15:45
  soccer ball into the miniature goal I had. When I
• 1:15:47
  heard the backyard gate screech open, I turned to see
• 1:15:50
  a redhaired woman with a scary face, or I could
• 1:15:53
  even let out a scream, she charged at me. I
• 1:15:56
  don't remember much after that, but I do remember being
• 1:15:58
  rushed into the hospital, my parents crying hysterically. My back
• 1:16:02
  was on fire, and I remember seeing blood on my clothes. Thankfully,
• 1:16:06
  the wound wasn't too serious. I was stitched up and
• 1:16:08
  go to go. Parents quickly moved to another town several
• 1:16:11
  hours away, which is where I still live now. Woman
• 1:16:14
  was never caught, even though my dad got a full
• 1:16:16
  view of her face, said he didn't recognize her, and
• 1:16:19
  even though he met with a sketch artist, no new
• 1:16:21
  leads came of it. Do we think that this woman
• 1:16:24
  is no? Because Amy has black hair, so probably.
• 1:16:27
  Speaker 1: Yeah, but still, I mean, I don't know black. I mean,
• 1:16:29
  you could die your hair or something. But yeah, no,
• 1:16:31
  I don't know it. Uh, I don't. I'm curious to
• 1:16:36
  see the dad's involvement again. Whatever, the dad is going
• 1:16:39
  to reappear in the story somehow, maybe not in the flesh,
• 1:16:41
  but I just mean, like they're like, oh, yeah, your dad,
• 1:16:44
  I don't know, made some deal with the fucking devil
• 1:16:46
  or you know. I mean, there's gonna be something like that.
• 1:16:48
  I'm curious to see where that lines up. It almost
• 1:16:50
  reminded me of long legs with like the person just
• 1:16:52
  standing in the backyard whatever.
• 1:16:55
  Speaker 2: Yeah, I put on my long legs today. That is
• 1:16:58
  a menacing note to imagine, like a small child just
• 1:17:01
  being attacked by an adult.
• 1:17:02
  Speaker 1: Ye, horr I mean horrifying.
• 1:17:05
  Speaker 2: The image she describes too, of like, I was just
• 1:17:06
  playing soccer in my backyard and then I turned around
• 1:17:09
  and there's a woman standing there.
• 1:17:10
  Speaker 1: Yeah, just screaming at you and then attacking you. Yeah.
• 1:17:14
  Speaker 2: Yeah, it's terrifying.
• 1:17:15
  Speaker 1: So you have no idea why this woman did this
• 1:17:17
  to you? Not a clue, I'm sorry to hear that. Well,
• 1:17:22
  I want to wash your clothes. I have a town
• 1:17:24
  in the bathroom down the hall if you can use
• 1:17:25
  to dry off. I'll be back soon.
• 1:17:27
  Speaker 2: With that, she walked off and I went to the
• 1:17:29
  bathroom to try off. After I got out, I saw
• 1:17:32
  another room down the hall with a bluish light coming
• 1:17:34
  from it. I looked inside to see that light was
• 1:17:37
  coming from a turned on computer monitor. I looked at
• 1:17:40
  the web pages and discovered it to be a chat room.
• 1:17:44
  There was about thirty people in it. I recognized a
• 1:17:46
  few names, including Julio, Carson, Percy, and Amy. All right,
• 1:17:51
  maybe I was wrong about trusting Julio. That's sad, curious
• 1:17:55
  and a bit snoopy. I scrolled through the chat logs
• 1:17:58
  and eventually reached the week out applied for the job,
• 1:18:00
  the body ten stuff while I read they were talking about.
• 1:18:04
  Given that I don't remember everything that was said, I'll
• 1:18:06
  try to recount the important bits of it. Some of
• 1:18:08
  the names I don't recognize, but I'll state them anyway.
• 1:18:11
  Speaker 1: Amy, he hasn't called yet, but hope he will soon.
• 1:18:15
  Based only look on his face. He seemed very interested. Carson, Awesome.
• 1:18:20
  Hopefully you hear back soon, Raphael. Has anyone found the
• 1:18:25
  right sermon yet? I'm tired of waiting, Wendy now. Andy
• 1:18:30
  just tried another one, but that one also failed. I'm
• 1:18:33
  hoping we find out soon. The world is a mess. Amy,
• 1:18:37
  He's who I think he is. He could do it, Carson.
• 1:18:41
  Remember these traits we have to carve in the same
• 1:18:44
  way was carved into horse, the same amount of time
• 1:18:47
  it took, with the same angle on the crescent Xander Kurt.
• 1:18:51
  Kurt said the date of an important day of his
• 1:18:53
  life could correlate to the pages of the book and
• 1:18:55
  the corresponding prayer. Julio, I know I already tried the
• 1:19:00
  day of the battle in his birth and death dates
• 1:19:02
  and the pages corresponding to them. We have to keep digging, Raphael.
• 1:19:07
  Maybe Kurt was wrong. I mean, we all remember what happened, right, Amy,
• 1:19:12
  shut up, Raphael. He was right in some parts, yet
• 1:19:15
  he was too much for a coward to admit that
• 1:19:17
  he was that he royally fucked up.
• 1:19:19
  Speaker 2: I scrolled down to another conversation, which was dated a
• 1:19:21
  few hours after I discovered them talking outside my window.
• 1:19:25
  Speaker 1: Amy, I'll figure out a plan soon. I'll keep you
• 1:19:28
  guys updated. Also currently thinking of a plan B in
• 1:19:31
  case Plan A doesn't work, though I highly doubt that
• 1:19:34
  will happen. Carson, we have to make sure it's him,
• 1:19:38
  but we also have to make sure Graham isn't on
• 1:19:39
  our way. Coolio. If I see anything, I'll let you know.
• 1:19:45
  He just spilled the beans to me, he said, he
• 1:19:47
  said he saw you three talking. Amy. Well, shit, Okay,
• 1:19:52
  stick to the plan. Everyone is kind of meaning soon.
• 1:19:55
  We need this to work.
• 1:19:56
  Speaker 2: The last message was right after that, and it was
• 1:19:58
  dated for the morning hour for Percy broke into my
• 1:20:01
  apartment that morning.
• 1:20:02
  Speaker 1: Of course, I figured out the first process. I haven't
• 1:20:06
  saw the other one though. It's a different prayer, but
• 1:20:09
  I don't know which one specifically.
• 1:20:11
  Speaker 2: Well, I was wrong about Julio. I apologize. It seems
• 1:20:15
  that he is a part of the game of it.
• 1:20:17
  Speaker 1: It's just a bit ploy. It was just a bit odd,
• 1:20:20
  like I don't know, just way too invasive with.
• 1:20:23
  Speaker 2: You were right, you get your bear go ahead and
• 1:20:25
  make the bear trap. You're right. I just I fought
• 1:20:30
  you on it. I fought that bear trap.
• 1:20:32
  Speaker 1: But it was real, you know what I mean though,
• 1:20:33
  whenever someone's just like, yeah, that's weird, so like, why
• 1:20:36
  do you think he's doing that? You seem so weird
• 1:20:39
  like this guy, It's just it was a bit odd.
• 1:20:42
  Speaker 2: Yeah, yeah, in hindsight, he did no suspiciously large amounts.
• 1:20:46
  Speaker 1: I like Julio too. I like Julio two.
• 1:20:50
  Speaker 2: That's rough. So is the part where she says at
• 1:20:53
  the in the first conversation, where Amy says, based on
• 1:20:56
  the lookout of his face, he seemed very interested. At
• 1:21:00
  the beginning of the story, Harrison said that when he
• 1:21:02
  left the cafe, there was a blonde woman. Yeah, it
• 1:21:05
  was definitely her was watching him. Yeah it was Amy.
• 1:21:07
  So since we know Amy to be black hair and
• 1:21:09
  blonde haired, I'm gonna take a bet and say she
• 1:21:12
  was also the red haired woman who attacked him. I
• 1:21:14
  still think that.
• 1:21:14
  Speaker 1: I think that that's well. The reason I say that
• 1:21:18
  I agree with that too, is just because now there's
• 1:21:20
  gray streaks in her hair, so there's obviously they've made
• 1:21:23
  such an emphasis on oh, she's a middle aged woman
• 1:21:25
  to where she probably did it when she was younger,
• 1:21:27
  even when maybe she was a counselor back then too.
• 1:21:31
  Speaker 2: So they need to do a prayer from hair or
• 1:21:34
  Sharino's book or whatever, and they need to carve him
• 1:21:39
  in the same way Sharino was carved with the same ritual.
• 1:21:41
  Is that what they're saying.
• 1:21:42
  Speaker 1: I'm thinking so.
• 1:21:44
  Speaker 2: And also earlier that day, Carson said, I figured out
• 1:21:46
  the first process. I haven't figured out the one after that, though,
• 1:21:49
  and that's when he stabbed himself. So Carson went ahead
• 1:21:51
  and did the first step of the ritual. It seems
• 1:21:55
  that's why he stabbed himself and now there now he's
• 1:21:57
  in Amy's house. Yeah, that's pretty menacing.
• 1:22:01
  Speaker 1: Okay.
• 1:22:02
  Speaker 2: I could feel my heart racing a mile a minute
• 1:22:04
  as I stared at the computer screen. I had a
• 1:22:06
  deep suspicion that there was more to Percy breaking into
• 1:22:09
  my apartment, and this seemed to confirm it. I looked
• 1:22:12
  up towards the top of the screen to find another
• 1:22:14
  tab open. I clicked on it to reveal a grid
• 1:22:16
  of black and white security cameras. My stomach churned when
• 1:22:20
  I saw one of a very recognizable bedroom, my shared bedroom. God,
• 1:22:26
  it was being filmed from the top corner of the room.
• 1:22:28
  I never noticed it before, so it must have been
• 1:22:31
  hidden in the wall. There's a date and time slot
• 1:22:34
  near the edge of the screen. I decided to snoop
• 1:22:36
  through it. Sure enough showed me and Julio going through
• 1:22:39
  our daily rituals. I then noticed that one of the
• 1:22:42
  cameras was outside the housing wing on the corner of
• 1:22:44
  the building, which gave a perfect view of our front door.
• 1:22:48
  I decided to navigate to the footage the previous night.
• 1:22:51
  As I'd expected, Julio left a few minutes before I
• 1:22:54
  got back. It then showed me walking in and shutting
• 1:22:56
  the door. Fast forward to about ten minutes later. I
• 1:23:00
  saw sent chills down my spine. Percy walked up to
• 1:23:02
  the door, but behind him was Amy. Amy stepped forward
• 1:23:06
  and used the key to unlock my door. Both of
• 1:23:08
  them went inside. A minute or so later, Amy came
• 1:23:11
  out and gave a thumbs up to Percy inside my apartment.
• 1:23:14
  A few minutes later, Percy sprinted out of the apartment,
• 1:23:17
  and a couple of minutes after that, Julio pulled back
• 1:23:19
  into the small parking lot next to the wing. I
• 1:23:22
  couldn't believe what I had just seen. This hole should
• 1:23:25
  have been planned by Amy. Why I couldn't understand. Then
• 1:23:30
  I realized my scar. My scar would be the only
• 1:23:34
  noteworthy thing on the back of my body. However, I
• 1:23:37
  knew for a fact that my towel covered it up,
• 1:23:39
  considering how close it was to my tailbone. Also, my
• 1:23:42
  scar was a straight line. Wasn't that impressive? If anything,
• 1:23:45
  I thought to myself, Boris's crescent stab wound would be
• 1:23:49
  much more impressive. Then it hit me. I couldn't believe
• 1:23:54
  that this little detail slipped from my mind. I never
• 1:23:57
  considered it important, and none of my coworkers mentioned it
• 1:24:00
  at all to me, despite how seemingly obvious it was. Sharino,
• 1:24:05
  is my name unscrambled? And would you like?
• 1:24:08
  Speaker 1: No ship?
• 1:24:09
  Speaker 2: That is an effective Guess what?
• 1:24:11
  Speaker 1: Guess what.
• 1:24:14
  Speaker 3: It's like?
• 1:24:15
  Speaker 1: Not even cleverly scrambled though, Sino like that, Like it's
• 1:24:20
  h R It's it's basically Harrison, It's the last, It's
• 1:24:25
  the last. Three There could have been a better name, though,
• 1:24:31
  Rash Rash. I wonder if you could do something, m
• 1:24:37
  There's got to be a better name. Rahould like Homer Simpson.
• 1:24:45
  Speaker 2: The rash Rhino. You'd miss a H should be missing
• 1:24:53
  an H. But it's pretty close.
• 1:24:54
  Speaker 1: I'll take it. Before I could.
• 1:24:57
  Speaker 2: Even process any more information, I heard Amy yelling from
• 1:25:00
  down the hallway, announcing that my shirt was ready. Shut
• 1:25:03
  off the computer and briskly made my way back to
• 1:25:05
  the kitchen. Made it just in time because she arrived
• 1:25:07
  in the kitchen about five seconds later. I thanked her,
• 1:25:10
  trying to hide my fears best as I could, and
• 1:25:12
  I raced back to the apartment. I grabbed my keys
• 1:25:14
  and dashed to my car, only for my worst nightmare
• 1:25:16
  to be realized. My tires were slashed. I he was
• 1:25:20
  back inside the apartment. Julio wasn't anywhere, but I saw
• 1:25:22
  his car in the parking lot. Honestly, though I was
• 1:25:25
  glad he wasn't there, I saw his name in the
• 1:25:27
  group chat. He was in this shit just as much
• 1:25:29
  as they were. I didn't know what to do well
• 1:25:32
  in the way of transportation was now ruined, and I
• 1:25:34
  didn't know the woods well enough to try and run
• 1:25:36
  out into them. I was hyperventilating on the verge of tears,
• 1:25:39
  so I drank some water and began to plan out
• 1:25:40
  my next steps. I had to stay calm, but I
• 1:25:42
  also needed to be quick if I wanted to get
• 1:25:44
  out of there. After about twenty minutes of debating what
• 1:25:47
  would be the best course of action, I decided I
• 1:25:49
  should at least call for help, whether it was the police,
• 1:25:52
  my parents, or somebody. I want to grab my phone.
• 1:25:55
  Then I began to feel awful. My head started spinning,
• 1:25:58
  my vision blurred. I began to feel sick and week
• 1:26:01
  so I remembered before passing out. I jolted awake at
• 1:26:04
  an unknown hour. I didn't know how long it had
• 1:26:07
  been out, but it appeared to have been a while.
• 1:26:10
  I found myself on the floor near the couch. There
• 1:26:12
  were no lights on in the apartment, but I saw
• 1:26:14
  an orange light coming from outside. Cautiously peeked out the window. Outside.
• 1:26:19
  Surrounding a campfire were the counselors and other staff. I
• 1:26:22
  saw Julio, Amy and the other staff members I recognized,
• 1:26:25
  all sitting around the fire talking. Graham wasn't anywhere in sight,
• 1:26:29
  neither was Carson. I saw a Percy near the back
• 1:26:32
  of the group. There were also no campers inside for
• 1:26:36
  I could even react or try to figure out what
• 1:26:38
  was going on. My phone, Danmed checked my phone to
• 1:26:41
  see that it was a text from a number I
• 1:26:42
  didn't have on my cell phone. It read it read,
• 1:26:46
  get out of the apartment through your bedroom window. There's
• 1:26:49
  a bicycle located right outside the window. Take the path
• 1:26:53
  behind your building and bite towards redacted using your phone
• 1:26:56
  for directions. Make sure you're not followed. That's got to
• 1:26:59
  be grand right, Yeah, I think it's Graham. Yeah. Just
• 1:27:04
  as I finished reading that text, I felt that familiar
• 1:27:06
  feeling of having eyes on me again. I didn't want
• 1:27:09
  to look up, but I forced myself to. Everyone at
• 1:27:12
  the campfire was now watching me. We're all looking at
• 1:27:15
  the window, staring at me with hateful, evil looks on
• 1:27:19
  their faces. Immediately bolted toward the bedroom window practically ripped
• 1:27:24
  its screen off. Aside was a large yellow bike resting
• 1:27:27
  against the wall. Hopped on and started pedaling as fast
• 1:27:29
  as I could down the back path with it, eventually
• 1:27:32
  leading me into the dark forest. H four end of
• 1:27:36
  part three. You know what this is like?
• 1:27:39
  Speaker 1: A I mean, I would say like a novice kind
• 1:27:42
  of story of writing and stuff like, there's obviously clonky
• 1:27:44
  Schurf and Charina or whatever. But I will say it's
• 1:27:47
  just I'm having fun reading this one in the same
• 1:27:49
  way that like it's fun reading Goosebumps or like that.
• 1:27:52
  This feels like a very r slash no sleep like
• 1:27:54
  fun vibe story. It is a fun campfire story. Yeah,
• 1:27:58
  that's and I think that's we just haven't read something
• 1:28:01
  like that in a while. And it's just been a
• 1:28:03
  lot of fun.
• 1:28:04
  Speaker 2: There has been admittedly a lot of intensity as of late,
• 1:28:07
  been a lot of heavy topics and stuff. So every
• 1:28:09
  now and then just fun is good.
• 1:28:12
  Speaker 1: We're not out of the woods yet. Though we're not
• 1:28:14
  out of the woods.
• 1:28:15
  Speaker 2: The first three parts have been fun. The first three
• 1:28:16
  parts have been enjoyable.
• 1:28:17
  Speaker 1: Part four of five, though I mean it's moving along.
• 1:28:19
  I will say that it is. It is Part four.
• 1:28:24
  Speaker 2: I pedaled as fast as I could until I reached
• 1:28:26
  the location, which turned out to be an abandoned grocery
• 1:28:28
  stores parking lot, and the parking lot was a white
• 1:28:31
  truck with its headlights turned off. And then got a
• 1:28:33
  text that read I'll come to you. Stay put the
• 1:28:36
  driver's side door opened and out came a man who
• 1:28:38
  appeared to be in his thirties. And I saw him.
• 1:28:41
  I felt like I had seen them somewhere before. His
• 1:28:44
  face was one that sparked recognition, but I couldn't pinpoint
• 1:28:46
  where I'd seen him before.
• 1:28:47
  Speaker 1: Did they follow you?
• 1:28:48
  Speaker 2: No, I don't think so, I said, still trying to
• 1:28:51
  catch my breath.
• 1:28:52
  Speaker 1: Who are you and why did you save me? Names Doug,
• 1:28:56
  I saved you because those guys are crazy, and also
• 1:28:58
  wanted to give you some answers. You're probably wondering what
• 1:29:01
  the hell is going on at Camp oak Wood. I mean,
• 1:29:03
  shit's pretty weird. Some guy broke into my apartment. Another
• 1:29:07
  guy stabbed himself, and I found security footage of my
• 1:29:09
  own bedroom in the camp in the camp director's house.
• 1:29:12
  Oh yeah, that'd be Amy. Yeah. She likes to act
• 1:29:16
  like a big brother quite a bit. Gee, no surprise there. Anyway,
• 1:29:21
  I think I have an idea of what's going on. Okay, well,
• 1:29:25
  you can tell me what's what you know later, but
• 1:29:27
  I want to give you a clear picture of what's
• 1:29:28
  going on.
• 1:29:29
  Speaker 2: A debt responds, Doug began talking the.
• 1:29:32
  Speaker 1: Camp the camp franchise you work for is part of
• 1:29:35
  a cult called Horse's Harmony. That guy who founded your camp,
• 1:29:38
  Horse oak Wood, started a way back in the day
• 1:29:40
  after he defeated a tribe in a battle. He then
• 1:29:43
  proceeded to take the tribe's teachings, tweaked about ninety five
• 1:29:46
  percent of it, and rebranded it as his own religion,
• 1:29:49
  and thus he began his work as a pastor for
• 1:29:51
  his own community. Horse prophesied that the world would be
• 1:29:53
  extremely messed up place once he was gone, and that
• 1:29:56
  his followers mission would be to obtain world peace. However,
• 1:30:00
  the process of how to obtain that was nothing. A bird. However,
• 1:30:05
  the process on how to obtain that was nothing you
• 1:30:07
  would have to have expected. Orris claimed that the only
• 1:30:10
  way to obtain it was to conjure his spirit, and
• 1:30:13
  then the body he was possessed inside of would have
• 1:30:15
  to die. According to him, there were two ways to
• 1:30:18
  do this process. The first way is for someone to
• 1:30:21
  conjure a spirit by themselves and then die, either by
• 1:30:24
  suicide or by being killed by someone else. The second
• 1:30:27
  way is to conjure the spirit into another person by
• 1:30:29
  performing a ritual and then sacrifice the victim. Anyway, Horace
• 1:30:33
  eventually died the day after he died, that Relo princep
• 1:30:37
  killed Franz Ferdinand.
• 1:30:40
  Speaker 6: That's what tricker her the World War One, he thought.
• 1:31:00
  Speaker 2: France for hand cut shot, sending the world into World
• 1:31:04
  War one. Oh god, just look just for anyone out
• 1:31:12
  there riding. If you ever get to a point in
• 1:31:14
  your story where you are suddenly like, well, here comes
• 1:31:17
  the paragraphs where I have to explain things, don't just
• 1:31:21
  don't just don't do that. It's fine if the audience
• 1:31:24
  has questions. Good, that's where they theorize. It's where it
• 1:31:28
  is good to not explain things sometimes.
• 1:31:31
  Speaker 1: Which made his prophecy all the more believable. Pretty soon
• 1:31:35
  the entire world started turning into an all out violence
• 1:31:38
  in all out violent place, wars between countries, outcry within
• 1:31:42
  them so much hate, and to spare everywhere. His members
• 1:31:45
  never worried, though they knew one day a spirit would
• 1:31:48
  be conjured and they would finally obtain world peace.
• 1:31:51
  Speaker 2: You know, it's really funny in my head because like
• 1:31:54
  because Harrison's on a bicycle and the guy steps out
• 1:31:59
  of a car and he's like, Okay, they could be
• 1:32:01
  here any minute now. I'm going to very quickly tell
• 1:32:04
  you about this cult and as he's explaining it, like
• 1:32:06
  you can see their flashlights in the woods getting closer,
• 1:32:09
  and Harrison's like, oh, can we.
• 1:32:12
  Speaker 1: Hear this in the car? Now, here's the funny part
• 1:32:17
  about this whole thing. Horse. They have told them about
• 1:32:21
  that they needed to conjure spirit, but he never explained
• 1:32:24
  how to correctly.
• 1:32:25
  Speaker 2: Do so.
• 1:32:27
  Speaker 6: That that's really cool.
• 1:32:28
  Speaker 2: Here, get in the car.
• 1:32:30
  Speaker 1: His reason why was because he claimed that world peace
• 1:32:32
  would already be a near impossible task, so or to
• 1:32:35
  obtain it, his followers needed to figure it out how
• 1:32:37
  to do it on their own. That's really cool, dog.
• 1:32:42
  So many years later and I made many years went
• 1:32:45
  by without any clue of how to conjure horse. Then
• 1:32:48
  about twenty five years ago, a prominent member of the
• 1:32:50
  cult named Ferris Kurt made a breakthrough. He claimed that
• 1:32:58
  the correct way to conjure horse was to signe of
• 1:33:00
  prayer and horses self made Bible, along with carving a
• 1:33:03
  crescent shape wound into your body. During the Great Battle
• 1:33:06
  Horse was in he received a stab wound from one
• 1:33:09
  of the tribe, one of the tribal men that was
• 1:33:11
  shaped like a crescent moon. As his life went on,
• 1:33:14
  he believed to be an important sign that all of
• 1:33:16
  his followers should remember. Now, in hindsight, it wasn't that
• 1:33:19
  I didn't.
• 1:33:22
  Speaker 2: Now.
• 1:33:23
  Speaker 1: Kurt was well known throughout all the camps and members
• 1:33:25
  located around the world, and when he made the supposed breakthrough,
• 1:33:29
  many members started performing the process.
• 1:33:31
  Speaker 8: This is such a long paragraph, Whether on themselves or
• 1:33:34
  another people, whether themselves, whether on the whether on themselves
• 1:33:41
  or another people.
• 1:33:42
  Speaker 1: Well, long story short, is a long story short, well,
• 1:33:46
  long story short. His breakthrough ended up being false. Many members,
• 1:33:50
  out of excitement that it was finally solved after all
• 1:33:53
  this time, either committed suicide. Fact they either committed committed
• 1:33:59
  or we could have got you commanded committed. He either
• 1:34:02
  committed suicide after they believed Horace was inside the bodies,
• 1:34:06
  or were arrested after killing it. Is it sacrificed after it?
• 1:34:10
  Is it sacrificial victims. There were also members who left
• 1:34:13
  the cult, not wanting to be involved anymore, out of
• 1:34:15
  fear that they would be connected to the crimes. Horace's
• 1:34:18
  Harmony lost almost eighty percent of its followers in a
• 1:34:20
  short span of time, so many people fell for it. Kurt,
• 1:34:24
  realizing what he had done, and also realizing that many
• 1:34:27
  members were now calling for his head, managed to escape
• 1:34:30
  the cult and went into hiding. He hasn't been He
• 1:34:34
  hasn't been seen since. Even his ex girlfriend, who is
• 1:34:37
  also well known member of the cult, has supposedly never
• 1:34:40
  been able to find him.
• 1:34:42
  Speaker 2: That's definitely called a friend, maybe a body, someone to
• 1:34:46
  be in the parking lot with us.
• 1:34:47
  Speaker 1: Just listen, reception. If I wanted to call the police.
• 1:34:51
  Long story short, they are see the story short. Long
• 1:34:56
  story short. Even though Star Front long story short. Even
• 1:35:02
  though Kurt may have been wrong initially, many people believe
• 1:35:05
  they did have to recite the sermon, but it had
• 1:35:07
  to be the right one. There are over three thousand
• 1:35:10
  pages in this book, so there would be a lot
• 1:35:12
  of stuff to dig through and figure out. Go ahead,
• 1:35:20
  I stood there and disciplately. Yeah, take that in.
• 1:35:25
  Speaker 2: Just did a parking lot just standing around. Uh Okay,
• 1:35:29
  So I was granted, I was like meming during that
• 1:35:32
  whole thing. But so this original horse guy made a
• 1:35:39
  cult based off a native religion. After he slaughtered them,
• 1:35:42
  and then after he dies, a bunch of other cult
• 1:35:44
  leaders come forward, and these the people from the camp
• 1:35:47
  are their followers. Right. Yeah, that's pretty much everything that
• 1:35:51
  was said without as many words right, Yeah, Yeah, I
• 1:35:57
  stood there in disbelief while listening to everything does Doug
• 1:35:59
  was explaining to me. Honestly, couldn't tell if this guy
• 1:36:02
  was being serious or not. Still kept quiet and let
• 1:36:05
  him continue. Oh he's not doned.
• 1:36:08
  Speaker 1: Long story short. The killings of suicides kept happening, and
• 1:36:12
  long story short, more members kept joining, and those members
• 1:36:15
  would marry and have children. Long story short, that's one
• 1:36:18
  of the reasons why the camps were set up about
• 1:36:20
  thirty years ago. Sit in the car. That's one long
• 1:36:26
  story short, we need to get out of the It
• 1:36:29
  was so the members children were aged five to ten
• 1:36:32
  years old could learn about the teachings of Horace Harmony,
• 1:36:34
  so the dad was an original member of Horace's Harmony,
• 1:36:37
  and then go home and continue practicing the religion. The
• 1:36:39
  camps were also made so it would be easier for
• 1:36:42
  all the members located around the world to stay connected.
• 1:36:44
  And long story short, I'll say that many of the
• 1:36:46
  deaths had stopped, with the last notable one happening at
• 1:36:49
  our camp five years ago.
• 1:36:51
  Speaker 2: Sharon, many of them.
• 1:36:53
  Speaker 1: Yeah, Sharon Ida Rabington. Long story short. She was a
• 1:36:57
  counselor killed here when she was convinced that she was
• 1:37:00
  discovered the right page number in prayer. Long story short.
• 1:37:04
  Like all the other documented deaths, it didn't work and
• 1:37:07
  the camp came under fire again. Yet they still were
• 1:37:10
  able to rebuild and move on. How has no one
• 1:37:13
  stopped them yet? Long story short, I really can't explain,
• 1:37:19
  but more than likely there are high power people involved
• 1:37:23
  with them that probably helped hide the colt from the
• 1:37:25
  outside world politicians, police, et cetera. So why are you
• 1:37:30
  explaining all this to me? Long story short, You're most
• 1:37:36
  likely the next person to be killed when they attempt
• 1:37:38
  to make.
• 1:37:40
  Speaker 2: Take you. I'll be safe, but I could take the truck,
• 1:37:43
  so just hand me long story short, Long story short.
• 1:37:48
  Speaker 1: I promise.
• 1:37:51
  Speaker 2: As soon as driver.
• 1:37:52
  Speaker 1: Story short. There has been some talk that someone inside
• 1:37:55
  your camp successfully conjured Horse by themselves, And now you
• 1:37:59
  would think that the person who conjured Horse would just
• 1:38:02
  kill themselves so that everyone else could obtain world peace,
• 1:38:05
  and long story short, the plan is for them to
• 1:38:08
  meet them in the middle of the rituals. What I
• 1:38:10
  mean is this somebody Person A successfully as Horse possessed
• 1:38:14
  them and then performs the victim ritual on person B.
• 1:38:18
  Long story short, Person B is killed and the world
• 1:38:21
  peace finally comes. Long story short, It's basically both rituals
• 1:38:25
  being performed at different points in time, the same process
• 1:38:28
  for both. Jesus Christ.
• 1:38:35
  Speaker 2: Okay, that whole like, well, person A gets possessed the
• 1:38:38
  person B. That sounds like something we would say making
• 1:38:41
  fun of a convoluted ritual. I mean, like the person
• 1:38:44
  A has to get possessed and then they have to
• 1:38:46
  kill person B and so again. If you feel they
• 1:38:48
  need to explain something in the story, don't if it's that,
• 1:38:51
  If it's that awkward to shove in Jesus Christ, I said,
• 1:38:58
  the seriousness of the situation hitting me hard.
• 1:39:01
  Speaker 1: I could have sworn they were after me because I
• 1:39:04
  was Horse resurrected or something.
• 1:39:06
  Speaker 2: What yes, looking for plagues.
• 1:39:10
  Speaker 1: My name's Harrison, and Sharno is my name with some
• 1:39:13
  letters rearranged. I also have a stab one of my back,
• 1:39:17
  though it is a straight line and not a crescent. No.
• 1:39:22
  Long story short. Horse never prophesied that he'd come back
• 1:39:26
  in a resurrected form. Long story short, Long story short.
• 1:39:34
  He always explained from the beginning that he would need
• 1:39:36
  to be conjured and then possessed someone's body. And long
• 1:39:40
  story short, your name being an anagram for Shirrino is
• 1:39:42
  just crazy coincidence. Besides, nothing like Horace. If someone were
• 1:39:48
  to be resurrected long story short, they most likely look
• 1:39:52
  the same. So why the fuck am I a target revenge? What? Well?
• 1:40:00
  Long story short? Besides the obvious trying to obtain world
• 1:40:03
  peace bid, from what I understand, you are a target
• 1:40:06
  to also get revenge on you. I haven't done a
• 1:40:09
  single damn thing to them that it must be someone
• 1:40:12
  you know. Did you ever have family or friends that
• 1:40:16
  worked at one of the camps or was it Camper?
• 1:40:18
  Speaker 2: Oh you gotta be kidding me, was the first thought
• 1:40:22
  that forest in mind.
• 1:40:24
  Speaker 1: Yeah, yeah, I do. Long story short. Then I would
• 1:40:30
  talk to them and get some info. I wish I
• 1:40:32
  could tell you the exact reason, but it hasn't been
• 1:40:35
  explicitly stated. How do you know all this?
• 1:40:38
  Speaker 2: It was a question I'd been wanting to ask since
• 1:40:40
  he began his monologue on the history of Horace's harmony.
• 1:40:44
  Speaker 1: Long story short, I have an inside guy reporting to
• 1:40:47
  me on what's going on, and I've had family killed
• 1:40:50
  by these guys. Long story short, I plan on taking
• 1:40:55
  this whole shit showed down. Long story short, Well, who
• 1:41:01
  is it? Long story short, No, no, i'ma now that
• 1:41:07
  I'm gonna tell you, I don't want to risk your safety.
• 1:41:11
  I will tell you this though. There are two other
• 1:41:13
  employees that you can't that also aren't a part of
• 1:41:16
  this cult. It's one of the older workers and his son.
• 1:41:20
  Might seem weird that a cult would hire two people
• 1:41:23
  who don't believe in anything they believe, but you can't
• 1:41:26
  did just that. There's probably more to it. Long story short.
• 1:41:31
  If you can find out who they are, they can
• 1:41:34
  help you.
• 1:41:36
  Speaker 2: Have you been smoking correct tonight? Sir?
• 1:41:38
  Speaker 1: We've been here for forty minutes long long story short.
• 1:41:41
  Speaker 2: Thankfully they've gotten lost twice. But I've seen the flashlights
• 1:41:44
  go over the hill three times now, so they have
• 1:41:47
  to my process of elimination. They're gonna be in this
• 1:41:49
  parking lot sooner than later.
• 1:41:51
  Speaker 1: Long story short, I'm addicted to ketamine and I love opioids.
• 1:42:00
  Speaker 2: I then heard a text alert, and Doug pulled out
• 1:42:02
  his phone to read what was on the screen.
• 1:42:04
  Speaker 1: Look, sorry, I have to end it here, but he
• 1:42:07
  used to get it going. Your best bet is to
• 1:42:09
  keep peddling away from here and go into hiding. Long
• 1:42:12
  story short, you have a massive target on your back,
• 1:42:15
  and he will not stop anything in order to complete
• 1:42:17
  their complete their end goal.
• 1:42:19
  Speaker 2: Just as he was getting back into his white truck,
• 1:42:21
  I yelled out to him.
• 1:42:23
  Speaker 1: Oh, have I supposed to trust you? Long story short,
• 1:42:30
  that's up for you to decide. But if you didn't
• 1:42:32
  trust me, then why would you have stayed here for
• 1:42:35
  the last few minutes talking with me when you know why,
• 1:42:38
  know why they are coming after you? Long story short,
• 1:42:41
  I saved your ass. It led you to a pretty
• 1:42:44
  well hidden location in these woods. Long story short, just
• 1:42:49
  think about that boy, he's not gonna take him with them.
• 1:42:57
  Once and told him all this and he's like, well,
• 1:42:59
  good luck with that.
• 1:43:00
  Speaker 2: Out he just gets.
• 1:43:03
  Speaker 1: He just wasted thirty minutes of his escape time just
• 1:43:09
  making it up.
• 1:43:10
  Speaker 2: Also, I imagine it's a red Harry, But if it
• 1:43:12
  turns out to be true, it's like, oh, my name's
• 1:43:14
  an antagram. And he's like, well, that's a coincidence. That's
• 1:43:16
  gonna be the stupidest.
• 1:43:22
  Speaker 1: Like that.
• 1:43:23
  Speaker 2: I guess the scars a coincidence. They're really just mad
• 1:43:26
  at your dad. It's gonna be the most frustrated. As
• 1:43:31
  he got in, he turned back and yelled at me, oh,
• 1:43:34
  by the way, he yelled out.
• 1:43:36
  Speaker 1: If you mess up the victim ritual after someone already
• 1:43:39
  has horse insided them, Horace will disappear again. That's one
• 1:43:43
  of the theories I've heard. Long story short, may want
• 1:43:47
  to use that to your advantage if you get caught. Also,
• 1:43:50
  long story short, I heard another theory that states for
• 1:43:54
  persons possessed by horse, they'd have the ability to appear
• 1:43:57
  physically as him. So yeah, long story short, trust no
• 1:44:01
  one that looks like him, though I doubt jorady trust
• 1:44:04
  that many people in this area. Good luck.
• 1:44:10
  Speaker 2: Sadly, I didn't hear anything he said after the first
• 1:44:13
  five words, because it's previously stated he was driving away.
• 1:44:17
  Speaker 1: The end of that was completely incomprehensible. Oh by the way, hey,
• 1:44:22
  I swater, could you stop if you mess up the
• 1:44:24
  victim ritual after someone's.
• 1:44:29
  Speaker 3: What way?
• 1:44:32
  Speaker 2: That was really crucial?
• 1:44:34
  Speaker 1: Come back and tell me that.
• 1:44:35
  Speaker 2: But can you take me with you.
• 1:44:52
  Speaker 1: They're trying to kill the gonna fucking kill me. Long
• 1:44:57
  story short, you're bad rack. People are stabbing themselves that
• 1:45:03
  they've been talking. I'm so scared. Please come back.
• 1:45:09
  Speaker 6: Why is there a grocery.
• 1:45:11
  Speaker 3: Store in the middle of the wood.
• 1:45:15
  Speaker 1: Because the bears gotta eat two kids. He gets the
• 1:45:21
  malt to death by agree because the Keeplers and the Bears,
• 1:45:29
  and that's a story for another time. Long story. The Woods.
• 1:45:36
  Speaker 2: Putting long story short in the one legitimate time it
• 1:45:39
  was in the story was was cruel to do that
• 1:45:41
  to us. That was like mockery. Okay, so I'm gonna
• 1:45:45
  I'm gonna go out on a limb and say that
• 1:45:47
  the rest of the story would have operated just fine,
• 1:45:49
  and everything would have worked if you removed that entire interaction.
• 1:45:52
  If Doug doesn't exist, you take that dialogue out, the
• 1:45:54
  story will problem.
• 1:45:55
  Speaker 1: You could literally have Harrison just look out the window
• 1:45:59
  and there's a bike and he's like, fuck it, I'm leaving,
• 1:46:01
  and then he just go you know what I mean,
• 1:46:04
  and then the next stay just happened.
• 1:46:05
  Speaker 2: And then at the end, if he like uses information
• 1:46:07
  Doug gave him to stop the ritual or whatever, we
• 1:46:09
  could have figured that out and something.
• 1:46:13
  Speaker 1: I have a feeling Doug's him to come back, but
• 1:46:14
  he's a bad guy and he's gonna be like, what, Doug,
• 1:46:17
  I trusted you, And he's like, well, locks do a short, kid,
• 1:46:19
  You shouldn't. You should be more careful on who you
• 1:46:22
  who you choose to be friends with. It's gonna be
• 1:46:25
  like one of those things.
• 1:46:25
  Speaker 3: I'd be like.
• 1:46:27
  Speaker 2: Something about imagining Harrison is like the short little just
• 1:46:33
  in a parking lot, just like I'm so scared the
• 1:46:37
  truck as the truck's tail lights.
• 1:46:39
  Speaker 1: Are gonna he's just standing in the dark. Good luck, kid.
• 1:46:42
  I hope they don't splice you up from inside out?
• 1:46:45
  Could I just ride with you?
• 1:46:48
  Speaker 3: Ude?
• 1:46:48
  Speaker 1: It's a truck, I see. What's so weird is like
• 1:46:52
  he's like, I gave you a pretty good hiding spot
• 1:46:54
  out here in the woods. He's like, why don't you
• 1:46:55
  just drive me to another city or a fucking so why.
• 1:46:59
  Speaker 2: Am I here right now?
• 1:47:02
  Speaker 1: They started World War one? Kid? The World War One
• 1:47:07
  thing is that's unbelievable.
• 1:47:10
  Speaker 2: It's unbelievably lame. It's also insane that uh like from
• 1:47:14
  that moment on it progressively got worse.
• 1:47:17
  Speaker 1: I'll tell you what though. This is why I love
• 1:47:18
  these old Internet stories, is like they're so funny. Like
• 1:47:22
  it's so funny, like someone creatively was sitting here and
• 1:47:27
  they were like, oh, yeah, well, this horse is harmony
• 1:47:31
  is the reason that World War one started? And then
• 1:47:33
  he probably told that to somebody in his life, well
• 1:47:36
  in between an NFL game or a Mass Singer episode,
• 1:47:39
  and they're like, that's really cool, that's a great idea.
• 1:47:44
  Speaker 2: It around. He's like, I know what I'll do. I'll
• 1:47:46
  bring Germany into this.
• 1:47:48
  Speaker 1: I just like, yeah. He's just like, he's like, so
• 1:47:50
  then that started World War One? And he's then he
• 1:47:52
  like tabs over and he's just like, did anyone else
• 1:47:55
  think that? You know? Dennis Rodman on the Mass Singer
• 1:47:59
  was fucking sweet. That was really good performance. Send anyways?
• 1:48:03
  Where was I? That's right? Exposition dump? I love that? Yeah,
• 1:48:09
  anyone else Drew Brees should put a gun in his
• 1:48:11
  mouth and kill himself since we lost the fucking playoffs again.
• 1:48:15
  Send anyways. Yeah, so you need to be long story shorts.
• 1:48:20
  Speaker 2: You should just a man completely unburdened. I'm having a
• 1:48:26
  good time. I'm gonna bring you know what, I'm gonna
• 1:48:28
  bring Franz Ferdinand into this because I want to.
• 1:48:31
  Speaker 1: He made a story about a cult who started World
• 1:48:33
  War One and then he literally did not write another
• 1:48:36
  story again. And all he did with and he was like,
• 1:48:40
  fuck writing that shit's too easy, bored. He's like, I'm
• 1:48:43
  going on NFL and mass singer subreddits, and I'm I'm
• 1:48:46
  conversating with people there. I want I want to get
• 1:48:50
  a drink with this guy.
• 1:48:51
  Speaker 2: He had a bunch of critical guys in the comments,
• 1:48:53
  and he was like, I literally don't need you.
• 1:48:56
  Speaker 1: I have to Yeah, He's just like, who gives a
• 1:48:59
  fuck about these gay short stories, dude, I want to
• 1:49:01
  talk about fucking spring training.
• 1:49:04
  Speaker 2: You think people are gonna read these things?
• 1:49:06
  Speaker 1: Is that what you think?
• 1:49:07
  Speaker 2: You think there's good? You think there's gonna be a podcast.
• 1:49:10
  Speaker 1: A hard spring ahead of them. That's all I'm worried
• 1:49:14
  about this.
• 1:49:15
  Speaker 2: I made this while I was drunk on Friday night,
• 1:49:17
  and you think there's gonna be some good couple of
• 1:49:19
  guys are gonna come along five years from now and
• 1:49:21
  they're gonna read this and try to pick it apart
• 1:49:24
  for like its literature. Merit that.
• 1:49:28
  Speaker 1: That makes him sound so cool though, being blackout drunk,
• 1:49:31
  and he's like, I'm writing a story just like post it.
• 1:49:34
  That's so fucking cool.
• 1:49:40
  Speaker 2: I'm gonna post it.
• 1:49:41
  Speaker 1: Honestly, I gotta say that I'll save the rest of
• 1:49:44
  her after this story's on. We're almost done.
• 1:49:46
  Speaker 2: He then started his truck and drove off leaving me
• 1:49:48
  alone in the parking lot. I still didn't completely trust
• 1:49:52
  this guy, given that he just abandoned me in a part.
• 1:49:55
  Speaker 1: He get his number because he wanted to camp with
• 1:49:58
  the information.
• 1:50:01
  Speaker 2: These guys are going to come along and ask where
• 1:50:03
  he got his number. Really, that's their problem with it.
• 1:50:05
  They're going to ask where he got his number. But
• 1:50:08
  I trusted him over everyone else at the camp. Heck,
• 1:50:12
  I couldn't even trust Graham at this point though he
• 1:50:14
  hasn't shown himself to be a huge believer in this stuff,
• 1:50:17
  but who knows what he does in private. He could
• 1:50:20
  have a shrine to Horace Oakwood for all I know
• 1:50:21
  in his apartment. But if he isn't, maybe he was
• 1:50:24
  the old guy Doug was referring to. But he never
• 1:50:27
  mentioned he had a son, so I wasn't sure about
• 1:50:29
  that either. All I knew was that I needed to
• 1:50:32
  get out of these woods, figure out my next steps.
• 1:50:35
  Back on the bike and started pedaling back down the
• 1:50:37
  highway that was connected to the parking lot. After about
• 1:50:40
  an hour of biking, I needed to take a breather.
• 1:50:42
  I hopped off and went into the tree lines surrounding
• 1:50:44
  the highway. Thankfully, it was completely dead at night, so
• 1:50:47
  I didn't see any cars coming up and down the
• 1:50:49
  two way road the whole hour I was biking. However,
• 1:50:52
  all I could think about was my dad. He claimed
• 1:50:55
  he had been at this camp before as a counselor,
• 1:50:57
  but must have done something so horrific that they're after
• 1:50:59
  me now, even though it had been years and time
• 1:51:02
  usually heals the wounds, unless, of course, it was really bad.
• 1:51:07
  I needed answers and needed them now. So, even though
• 1:51:09
  it was the middle of the night, called my dad
• 1:51:12
  after the fact that he can call and he hasn't
• 1:51:14
  called the police here, but whatever, He didn't call the
• 1:51:19
  police because I didn't want him to call the police.
• 1:51:21
  I didn't want that to happen, so I didn't ride it, duh.
• 1:51:25
  After a few attempts, he finally answered, Hello.
• 1:51:28
  Speaker 1: Dad, it's Harrison. I needed to tell me the truth.
• 1:51:32
  Speaker 3: Harrison is the middle of the night. Unless you're dying
• 1:51:34
  and need help, I'm gonna go back to bed. The
• 1:51:37
  last thing I need is to wake up your mother.
• 1:51:39
  Speaker 1: What have you been hiding for me?
• 1:51:40
  Speaker 3: What are you talking about?
• 1:51:42
  Speaker 2: He asked, It's tone becoming more annoyed with every passing second.
• 1:51:45
  Speaker 1: You said you worked at this camp. This place is
• 1:51:48
  a goddamn Colton.
• 1:51:49
  Speaker 2: You know it.
• 1:51:49
  Speaker 1: They're after me because of something you did. What the
• 1:51:52
  hell did you do?
• 1:51:53
  Speaker 2: There's a long pause, and I mean long. It's been
• 1:51:56
  about a minute before he spoke again.
• 1:51:58
  Speaker 1: I'm so sorry, Harrison. I thought that part of my
• 1:52:01
  life was over. I thought I could get away d
• 1:52:04
  one of those cults stabbed me as a child. Did
• 1:52:07
  you also name me Harrison? Which is Sharino, but the
• 1:52:09
  letters are rearranged. Now tell me the truth.
• 1:52:14
  Speaker 2: I expected him to tell me the reason, but instead
• 1:52:17
  he told me something else that threw another curveball into
• 1:52:19
  this whole saga.
• 1:52:20
  Speaker 3: I shouldn't have told them that I found a way.
• 1:52:22
  They listened to me, and they got so much worse.
• 1:52:25
  So many people blame me, and I thought I had escaped.
• 1:52:29
  I did everything, But I guess naming you Harrison was
• 1:52:31
  a clue on who I really was.
• 1:52:34
  Speaker 2: Although wait, although I wanted to leave that part of.
• 1:52:40
  Speaker 3: Me behind, I just couldn't. There's too much part of
• 1:52:43
  my life. You're the only boy in the world named Harrison.
• 1:52:48
  Speaker 1: Wait wait, wait, no, Harrison, listen, I'm sorry I named
• 1:52:51
  you that. You're the only boy in the world.
• 1:52:54
  Speaker 2: Hold on that hold on, hold on, No, let me
• 1:52:56
  get this straight for a second. I am in the
• 1:52:59
  middle of god nowhere, on the side of a highway.
• 1:53:03
  You knew about this whole thing, and not only when
• 1:53:07
  I told you I was getting a job there. Did
• 1:53:09
  you not say, I don't know, hey, Son, maybe don't
• 1:53:12
  go to the super ancient cult that wants to kill
• 1:53:15
  you that you knew about.
• 1:53:16
  Speaker 1: No, Son, no, you know what my head, Harrison, for
• 1:53:21
  no reason, I'm gonna I'm finished. This was a part
• 1:53:26
  of your life, all right. I'm finna apologize for that one.
• 1:53:30
  My goofy ash should have even done that. I'm sorry, Brouh.
• 1:53:34
  Speaker 3: First, but they never would leave me alone, so I
• 1:53:37
  hope that well, maybe you being there would finally get
• 1:53:39
  them off my back. So I was tired of it.
• 1:53:45
  Speaker 1: I'm so sorry, Like I was, like, so, I've just
• 1:53:47
  sacrificed you. So so let me go. This is not
• 1:53:50
  only do you name me, Harrison, you threw me to
• 1:53:52
  the dog. Bruh, try to save yourself, Bruh. I know
• 1:53:56
  I'd be acting goofy for real. I'm sorry, Bruh.
• 1:54:07
  Speaker 2: He's got now. I imagine him. He's wearing like like
• 1:54:10
  those DC shoes and he's got like gold chain on.
• 1:54:13
  It's like whatever that that hair that like gen z
• 1:54:16
  TikTokers have, like the curly hair. It's like bruh. He
• 1:54:20
  keeps doing the arm thing, the gun thing, about to
• 1:54:23
  air this out. He then began quietly sobbing. But I
• 1:54:28
  didn't even get to do it. He's think else. While
• 1:54:30
  listening to my dad, I hadn't noticed that a car
• 1:54:32
  and pulled up alongside the road. When I finally didn't
• 1:54:35
  notice it, I saw blue lights blaring on top of
• 1:54:37
  the car. It was a police car. The officer turned
• 1:54:40
  on his flashlight and pointed at me and the phone
• 1:54:42
  call and began shoulding my eyes.
• 1:54:43
  Speaker 1: What are you doing, officer Marino? How do you know
• 1:54:47
  my name? It's it's me Harrison Tracy. My apartment at
• 1:54:51
  Camp Oakwood was broken into a couple of days ago.
• 1:54:53
  You asked for my statement.
• 1:54:55
  Speaker 2: You have out a surprise, oh right or turning off
• 1:54:59
  his flashlight, he led me back out onto the side
• 1:55:01
  of the road to talk to me. Began to tell
• 1:55:03
  him about what was going on. It basically ended up
• 1:55:05
  hiding on the side of a highway in the middle
• 1:55:07
  of the night.
• 1:55:08
  Speaker 1: Okay, don't worry, Amy, will take care of you.
• 1:55:11
  Speaker 2: I looked up at him, dumbfounded by what he said.
• 1:55:13
  What And then it hit me like a bullet to
• 1:55:16
  the skull. I remembered what Graham had told me when
• 1:55:19
  Amy said he would take care of Percy.
• 1:55:21
  Speaker 1: Amy doesn't like the police involved.
• 1:55:23
  Speaker 2: If Amy didn't like having the police involved, why would
• 1:55:25
  she have called them specifically for me? You took Sherlock
• 1:55:29
  a bit to put that one together.
• 1:55:30
  Speaker 1: Yeah, wah wait, what you're evil?
• 1:55:34
  Speaker 8: I'm so scared.
• 1:55:35
  Speaker 2: I looked up Aser Marino and a soul killing smile
• 1:55:39
  formed on his face for I could even react to
• 1:55:41
  pulled a pistil, have his belt pointed at my head.
• 1:55:43
  Speaker 1: Now, come on, Harrison, it's time.
• 1:55:46
  Speaker 2: I then heard footsteps behind me, and just before the
• 1:55:48
  world faded back into darkness again, I finally remembered where
• 1:55:51
  I'd seen Doug before. He was the man in the
• 1:55:53
  painting in the chapel at Camp oak Wood.
• 1:55:56
  Speaker 1: Uh oh, Mark five, oh oh.
• 1:56:00
  Speaker 2: Doug looks like yeah, sure, you know right, yeah.
• 1:56:03
  Speaker 1: Yeah, And I remember I remember Doug was like, hey,
• 1:56:06
  don't trust anybody that looks like him the painting.
• 1:56:10
  Speaker 2: He's like, got it. If I see anyone that looks
• 1:56:12
  like this, highly specific painting. I remember, I'll let you.
• 1:56:15
  You'll be the first to know.
• 1:56:17
  Speaker 1: I saw it one time before I took a shit
• 1:56:19
  and a piss when I first got to the place
• 1:56:21
  in a dimly lit room. I remember as clear as day. Doug. Thanks, Okay, Doug,
• 1:56:27
  I'll never look at a painting again. I hate paintings now.
• 1:56:32
  Death with art, Doug, I'll never I'll look at it.
• 1:56:35
  Speaker 2: Okay.
• 1:56:35
  Speaker 1: My dad, I think it wants to kill me, but
• 1:56:38
  I'm not sure. Doug. Yeah, my dad. My dad basically
• 1:56:40
  said that I was dead and he was really tired
• 1:56:42
  of went back to bed. It was awesome. I'll I'll
• 1:56:44
  be completely honest, Doug. I'm so scared right now, Doug.
• 1:56:49
  Your goovy ah, your goovy a for real.
• 1:56:53
  Speaker 2: It's funny to imagine. It's just like everyone walks up.
• 1:56:56
  It's like, Hi, I'm so scared. I keep forgetting that
• 1:57:00
  because I'm so scared. It's like the protagonist from the
• 1:57:03
  Abandoned Ship, Like every situation he gets any like shivers
• 1:57:06
  and throws up and runs. All right, that's the end
• 1:57:13
  of part before we're onto our final part five, and
• 1:57:17
  let's see the interesting conclusion to Camp oak Wood. I
• 1:57:21
  woke in a dimly lit room. The back of my
• 1:57:24
  head was aching terribly. When I attempted to touch it,
• 1:57:27
  I discovered that I couldn't move my arm. I looked
• 1:57:30
  over and found that my arms were tied up. I
• 1:57:32
  then looked down and found my legs were tied up too.
• 1:57:35
  They were tied up so that I was lying on
• 1:57:37
  my back, spread eagle on whatever I was on. Show
• 1:57:49
  me at the head place anything, okay, just kill me,
• 1:57:52
  kill me.
• 1:57:57
  Speaker 9: I'll do literally anything else.
• 1:58:01
  Speaker 2: You were talking about. Carving me with the knife. That's awesome.
• 1:58:04
  Speaker 1: Blast oh my breath till I die.
• 1:58:08
  Speaker 4: I'm gonna hold my bron til I die.
• 1:58:11
  Speaker 1: Oh hold my.
• 1:58:24
  Speaker 2: Such a child, it's like a five year old.
• 1:58:30
  Speaker 1: Yeah, walk agather, Like, what's wrong with him? Well, he's
• 1:58:33
  passed out seven times from trying to hold my breath
• 1:58:39
  like spit over them.
• 1:58:43
  Speaker 2: I die, keeps waking up and trying to do It's
• 1:58:51
  really sick, Like he's so scared. He's reverting to like
• 1:59:03
  childhood strategy. Oh and maybe if I heard my.
• 1:59:08
  Speaker 1: Forgetting the twenty one. I don't why a teenager, but
• 1:59:11
  now he's twenty one years.
• 1:59:11
  Speaker 2: Old cause he keeps saying and doing things it's und
• 1:59:14
  like a teenager.
• 1:59:15
  Speaker 1: Yeah.
• 1:59:16
  Speaker 2: I then noticed that I wasn't even on the ground.
• 1:59:18
  The board that I was situated on was about six
• 1:59:20
  feet off the ground. The board slightly angled back. I
• 1:59:22
  also noticed I wasn't wearing any clothes except for my boxers.
• 1:59:26
  He's waking up, I heard someone say. I looked forward
• 1:59:29
  and saw that there was a massive crowd, at least
• 1:59:31
  two hundred people standing there watching me. I then recognized
• 1:59:35
  the room that I was in to be the chapel
• 1:59:36
  at the camp. In front of the large crowd, there
• 1:59:38
  were three figures wearing black robes, their faces shrouded with hoods.
• 1:59:42
  Once everyone's attention was on me, the three hooded figures
• 1:59:44
  lowered their hoods, and I immediately recognized them to be Amy, Carson,
• 1:59:47
  and Julio. Also recognized some of the faces in the crowd,
• 1:59:50
  including Officer Marino, Percy and the other employees of the camp.
• 1:59:54
  Speaker 7: Welcome back, Harrison, so glad you could join us for
• 1:59:57
  the special event.
• 1:59:59
  Speaker 1: Fuck you.
• 2:00:00
  Speaker 7: We understand during denial right now, but in just a
• 2:00:03
  few moments you will be our hero.
• 2:00:06
  Speaker 1: Because of you, we were finally obtaining world peace for
• 2:00:09
  everyone to experience, well except for you. You probably understand
• 2:00:13
  what's going on right now, but I'll quickly explain we
• 2:00:17
  are Horace's harmony.
• 2:00:21
  Speaker 2: I interrupted him.
• 2:00:22
  Speaker 1: I know everything Doug told me.
• 2:00:25
  Speaker 2: I like how Carson was ready to launch into the
• 2:00:28
  evil villain monologue. But it's like I've already got it,
• 2:00:31
  thank you very much. I expected mild confusion or something
• 2:00:34
  to that effect, but instead, Carson gave a loud laugh
• 2:00:36
  and smiled at me.
• 2:00:37
  Speaker 1: Oh, Doug, my good old outside guy, he's actually here
• 2:00:42
  with us right now.
• 2:00:43
  Speaker 2: You know, I mean when I where I referred to
• 2:00:46
  one of my guys on the outside.
• 2:00:48
  Speaker 1: Yeah, Doug, my good old outside guy.
• 2:00:51
  Speaker 2: Yeah, you know the way humans speak.
• 2:00:54
  Speaker 1: Where. Oh right, just give me a second.
• 2:00:58
  Speaker 2: I expected Doug to be dragon dinner or something, but
• 2:01:00
  that didn't happen, and said, I saw something that had
• 2:01:03
  I not seen with my own two eyes. I never believed.
• 2:01:06
  Carson's body began twitching, and then it started to change shape.
• 2:01:10
  His skinny body grew larger in size, his bald head,
• 2:01:13
  worn hair, and his wrinkles started to fade from his face.
• 2:01:16
  After about twenty seconds, his body stopped morphine standing now
• 2:01:19
  where Carson what's was was Doug?
• 2:01:22
  Speaker 1: Now?
• 2:01:22
  Speaker 2: Because remember Carson said in the message earlier, he was like,
• 2:01:25
  I found a way to let my body be a
• 2:01:26
  vessel for Horace. So now like Horace can like transform.
• 2:01:32
  Yeah in Doug's yeah, and Carson.
• 2:01:34
  Speaker 1: We're just getting into shape shifting.
• 2:01:36
  Speaker 2: It's no big yeah yeah yeah yeah. Oh.
• 2:01:38
  Speaker 1: Then hey, just in case Isaia, Andy bring that up,
• 2:01:41
  because he says, remember how I said if a person
• 2:01:44
  was possessed by horse, that they'd have the ability to
• 2:01:46
  change physically into him.
• 2:01:49
  Speaker 2: Yeah, of course. Yeah, I forget, I said, still stunned
• 2:01:53
  by what I just witnessed.
• 2:01:55
  Speaker 1: Well, Tata, by the way, I'd rather you now call
• 2:02:00
  me Horace, since that's who I am. You will see
• 2:02:03
  Carson soon.
• 2:02:05
  Speaker 2: We can now drop the name the naming style of
• 2:02:08
  Doug as we have now established Dougie Morris at the time, no.
• 2:02:12
  Speaker 1: Longer Carson nor Doug. I you will refer to me.
• 2:02:17
  Speaker 2: You know. I think I think you're right, Hunter, I
• 2:02:19
  think I was. I'm being critical on a story that's
• 2:02:21
  clearly I'm supposed to have fun with.
• 2:02:23
  Speaker 1: This is fun.
• 2:02:24
  Speaker 2: He's transforming. There's a big ritual happening. I am now
• 2:02:26
  in fun.
• 2:02:27
  Speaker 1: This is in a way, in a way, this is
• 2:02:29
  legitimately the Mass Singer with what's going on?
• 2:02:33
  Speaker 2: Is he not?
• 2:02:34
  Speaker 1: Is it not? Don't know who it is?
• 2:02:35
  Speaker 2: He is.
• 2:02:36
  Speaker 1: He has written a horror story based around his love
• 2:02:40
  for the Max Singer, and I want to say it
• 2:02:41
  was it was. It was unconscious. It was an unconscious decision.
• 2:02:45
  It was unconsciously.
• 2:02:47
  Speaker 2: Yeah, it was between the two pieces of fiction that
• 2:02:50
  he he has consumed, the Mass Singer and Harry Potter.
• 2:02:55
  All we have to do is that.
• 2:02:57
  Speaker 1: All we have to do now is have some kind
• 2:02:59
  of football reference. And it is all fucking coming together,
• 2:03:02
  and it is.
• 2:03:03
  Speaker 2: It is gonna be the most due bro.
• 2:03:05
  Speaker 1: I love it that has ever existed. I love it.
• 2:03:08
  Speaker 2: Oh. I was too stunned, to too confused to understand
• 2:03:12
  what he just said. Ladies and gentlemen, Horace spoke out
• 2:03:15
  to the crowd.
• 2:03:16
  Speaker 1: If you have a guess by now, Carson successfully conjured
• 2:03:19
  me by killing up my famous sermon from eighteen ninety
• 2:03:23
  two and then stabbing himself from the stomach to form
• 2:03:27
  a crescent shape wound.
• 2:03:28
  Speaker 5: After all this time, someone finally discovered it.
• 2:03:32
  Speaker 1: I'm disappointed, but at the same time proud as well.
• 2:03:36
  Speaker 2: It's almost sweet the author being like, well, what if
• 2:03:39
  they don't understand what happened. I don't want them to
• 2:03:41
  be confused.
• 2:03:42
  Speaker 1: He is literally revealing himself as the mass singer like
• 2:03:45
  that is the I just I love that. I love that.
• 2:03:49
  Speaker 2: Everyone either murmured an excitement or didn't react. Hulu and
• 2:03:52
  Amy didn't even flinch. They must have known all along.
• 2:03:55
  Speaker 1: So unless Horace or you like to call Doug had
• 2:03:59
  explained to you what is going on yet?
• 2:04:02
  Speaker 2: No, please, are you serious, Juleo said, unless he has
• 2:04:06
  an explained bad wholio.
• 2:04:09
  Speaker 1: Yeah, So unless Horace or who you like to call
• 2:04:12
  dog hadn't explained to you what's going on yet, we
• 2:04:15
  will be performing a ritual on you. As just mission.
• 2:04:19
  Speaker 5: Carson successfully conjured Horrors and is currently possessed by him.
• 2:04:23
  Speaker 1: Oh my god, and that's so funny. Long story short.
• 2:04:28
  Speaker 5: Carson successfully Horus and is currently possessed by him, So
• 2:04:32
  he completed the first part the first possible rasual listed
• 2:04:36
  process and long story short, you might think that since
• 2:04:40
  Carson currently has hors within him, we would just kill
• 2:04:44
  Carson and be done with it, But long story short,
• 2:04:47
  Carson doesn't want to die and I don't blame him,
• 2:04:51
  so instead, long story short, we will now perform the
• 2:04:54
  second ritual, which is to have all his place have
• 2:04:57
  another person met, so to speak.
• 2:05:00
  Speaker 2: Long story short, just the opening Julio be like so
• 2:05:04
  unless Horace also known as Doug, for the purposes of
• 2:05:07
  this story and the reveal which just occurred, had not
• 2:05:10
  yet explained to the audience what is happening, I will
• 2:05:12
  now explain for what is the third time, what is
• 2:05:14
  happening right now.
• 2:05:15
  Speaker 7: But there's another reason.
• 2:05:16
  Speaker 1: Of course.
• 2:05:17
  Speaker 7: Horace told you himself that we also want to get
• 2:05:19
  our revenge.
• 2:05:21
  Speaker 2: But I didn't.
• 2:05:22
  Speaker 1: Fucking my dad was the one that fucked you guys up.
• 2:05:29
  Oh you dad.
• 2:05:30
  Speaker 7: Curtis also known as Fairest Kurt.
• 2:05:35
  Speaker 5: I know he came up with a way to conjure Horse,
• 2:05:38
  but it wasn't innocent and long story short, it just
• 2:05:41
  cousmated people to die or leave the cult, and he
• 2:05:43
  was forced to go into hiding. Long story short, no
• 2:05:46
  need to explained to me. I don't give a shit
• 2:05:49
  about him anymore. I mean, he's the one who let
• 2:05:51
  him me go here so that he could save.
• 2:05:53
  Speaker 1: His own ass.
• 2:05:55
  Speaker 7: But long story short, as you probably already know, this
• 2:05:59
  is in the first time we've tried to hurt you.
• 2:06:02
  Speaker 5: Yeah, I'm gonna be crazy. Fuck stabbed me as a child.
• 2:06:06
  In fact, I'm positive it was my dad's ex girlfriend
• 2:06:08
  who did it. That psycho bitch.
• 2:06:12
  Speaker 7: Well, I don't think I'm a psycho or a bitch.
• 2:06:19
  Speaker 2: Gosh, Okay, it took me a few seconds to understand
• 2:06:22
  what she said, but when I did, Okay, I'm going
• 2:06:26
  back to Shinji.
• 2:06:27
  Speaker 9: It took me a few seconds to understand what she said.
• 2:06:30
  But when I did, I actually felt my jaw drop.
• 2:06:34
  Never at all did I consider that Amy could have
• 2:06:36
  been the one who stabbed me, let alone also be
• 2:06:39
  my dad's ex.
• 2:06:40
  Speaker 1: Girlfriend, jol the water who stabbed me?
• 2:06:45
  Speaker 9: I screamed at her, my words almost echoing in the chapel.
• 2:06:50
  Speaker 1: Guilty as charged.
• 2:06:53
  Speaker 7: Of course I had a different hair color at the time.
• 2:06:57
  Speaker 1: Jesus cross, But why me? Why not go after my dad?
• 2:07:05
  Speaker 2: Well, long story, all the all the I'm just it's
• 2:07:09
  going to explain in a moment that she was also
• 2:07:12
  the blonde haired girl across the street, and he's also
• 2:07:15
  going to have that realization at the same time.
• 2:07:17
  Speaker 1: Just well, well, long story short, what better way to
• 2:07:23
  torge with someone than by torturing the ones that they loved?
• 2:07:26
  Speaker 7: Having a son become a new victim would be the
• 2:07:28
  ultimate punishment.
• 2:07:30
  Speaker 1: Harrison.
• 2:07:31
  Speaker 7: Ever since you were born, we've been watching you.
• 2:07:34
  Speaker 1: Long story short, you never suspected a thing and never
• 2:07:38
  once saw this well except once when when he discovered
• 2:07:45
  this job.
• 2:07:46
  Speaker 9: My mind immediately flashed back to the day I discovered
• 2:07:49
  the help wanted out at the coffee shop. When I
• 2:07:51
  walked out, I noticed a blonde woman staring at me.
• 2:07:54
  I never considered it important, but now.
• 2:07:58
  Speaker 1: Show mother fucker. Long story short, I knew you had
• 2:08:04
  flunked out of school and you were currently stuck at
• 2:08:06
  your phone's place, also that you'd like to view that
• 2:08:10
  wall to see if there were any appealing jobs on there. Well,
• 2:08:13
  long story short, I made an ad wait until you
• 2:08:17
  noticed it, and then, to my utter joy, why don't
• 2:08:20
  you take it down to bring it home.
• 2:08:22
  Speaker 7: When you saw me, long story short, I got a
• 2:08:26
  little nervous, but you walked off without batting an eye.
• 2:08:30
  Speaker 1: I quickly made it back to the camp and waited
• 2:08:32
  for your phone call, and when you called, long story short,
• 2:08:35
  I was so excited that I completely forgot to ask
• 2:08:38
  you your name to confirm that it was you, And
• 2:08:41
  thank goodness, you remembered for me and when you said
• 2:08:43
  your name, I accidentally hit my desk in excitement. They're
• 2:08:47
  explaining the noise at the beginning check a maid, this
• 2:08:54
  is awesome.
• 2:08:58
  Speaker 2: Okay, how you feel right now, It's how I felt
• 2:09:02
  during I dared my best friend of ruin my life.
• 2:09:04
  By the way, this emotion you're feeling.
• 2:09:05
  Speaker 1: It's a nice, it's a nice it's a nice switch.
• 2:09:10
  Speaker 2: I'm in agony just because I was into it the
• 2:09:13
  first three sections. I was like, this is fun, this
• 2:09:15
  is engaging. I like it. And now having every single
• 2:09:20
  second explain we have to We really need furiating.
• 2:09:25
  Speaker 1: We really need to give more props and credit to
• 2:09:27
  the stories that like really follow through to the end.
• 2:09:30
  Here's the thing is is that people, there's so many
• 2:09:32
  people that have amazing ideas. Well we can get into
• 2:09:35
  it later, but so many ideas, but it is so
• 2:09:37
  hard to actually articulate a full arc story to where
• 2:09:40
  it ends in a satisfying way.
• 2:09:42
  Speaker 2: You know, you can feel where it's kind of like, well,
• 2:09:44
  that was everything I wanted to tell, So now I'll
• 2:09:46
  just kind of explain those things that I wanted to tell,
• 2:09:48
  and then we'll yeah, yeah, I wasn't even scared anymore.
• 2:09:52
  I was seething with rage. I couldn't believe that this
• 2:09:55
  was so meticulously planned out. It seems so stage, yet
• 2:09:59
  I knew it wasn't. I didn't say a word as
• 2:10:01
  Amy continued.
• 2:10:02
  Speaker 1: And so we've come full circle. Soon, not only you
• 2:10:06
  will die, but we will also live in a peaceful
• 2:10:09
  world that we've waited for so long. It is unfortunate
• 2:10:12
  that your dad won't be here to watch us finally
• 2:10:15
  avenge all of our fallen brothers and sisters, but he'll
• 2:10:18
  probably find out eventually.
• 2:10:19
  Speaker 2: Not even three seconds after she said that, the horse
• 2:10:21
  of the chapel opened, the two large men came in,
• 2:10:23
  dragging somebody behind him.
• 2:10:26
  Speaker 5: Hey, Amy, we found this guy stoopid around.
• 2:10:29
  Speaker 2: One of them said, you will believe who it is.
• 2:10:32
  They threw the man forward, and a grim but recognizable
• 2:10:34
  face became visible. To me, Dad, what the fuck.
• 2:10:38
  Speaker 1: Are you doing here, Quinn?
• 2:10:41
  Speaker 7: I'll be damned if it isn't Fairest Kurt himself.
• 2:10:46
  Speaker 2: Amy said, as if she was finishing Julio sentence.
• 2:10:49
  Speaker 1: That's not my name anymore, my dad said, right, because
• 2:10:54
  Curtis Tracy is such a better name.
• 2:10:59
  Speaker 2: Amy said, then, sarcastically.
• 2:11:02
  Speaker 7: I'm so glad that I get to see you again.
• 2:11:04
  I've missed you so much.
• 2:11:07
  Speaker 4: I don't give two ships about you. Leaving this lunatic
• 2:11:11
  society was the best decision I ever made.
• 2:11:14
  Speaker 1: Why the hell did you come here? Oh God, I'm sorry, Harrison, don't.
• 2:11:20
  Speaker 2: Get me that.
• 2:11:21
  Speaker 1: Well.
• 2:11:21
  Speaker 4: Shit, you knew full well what I was walking into,
• 2:11:25
  and you let me go so that you would be
• 2:11:27
  so that you would be left alone. I know, and
• 2:11:30
  I'm sorry. You'll probably never forgive me, but that's why
• 2:11:34
  I'm here.
• 2:11:36
  Speaker 2: I like, it's like, hey, I want the dad to
• 2:11:39
  be at the climax? How do we get him there?
• 2:11:41
  And it's like, I don't know, maybe literally drag him in.
• 2:11:44
  Speaker 1: He was stooping around. He was stooping around like the
• 2:11:47
  like the fucking Scoopy Dude crew outside.
• 2:11:54
  Speaker 2: He then turned to Amy began speaking to her.
• 2:11:57
  Speaker 4: Sure, Amy, you have wantedn't be dead for so long.
• 2:12:02
  If you want to kill me, now's your chance. Just
• 2:12:05
  perform the ritual on me and you guys can finally
• 2:12:08
  have more peace. Please leave my son alone.
• 2:12:12
  Speaker 2: I looked at Amy, who was quiet for about ten
• 2:12:14
  seconds before she made a decision.
• 2:12:18
  Speaker 7: You know what, I think that's a great idea.
• 2:12:21
  Speaker 2: Julia on Carson, who I hadn't noticed until then, had
• 2:12:24
  morshed back into himself, just stared at her in disbelief.
• 2:12:30
  I tend stop, knowing what was about to happen. And
• 2:12:33
  he walked up to my dad and he closed his
• 2:12:34
  eyes and bowed his head.
• 2:12:36
  Speaker 1: You ready to die? Yes? Wait, don't you need the
• 2:12:43
  Bible to perform the ritual? Oh, we're not performing the
• 2:12:47
  ritual on Ferris.
• 2:12:49
  Speaker 2: Before anyone could react, she pulled out a knife and
• 2:12:51
  stabbed my dad in the neck. My dad grabbed his
• 2:12:56
  neck and claps to the floor.
• 2:12:57
  Speaker 10: Oh lor oh faires, you little fool. You didn't think
• 2:13:06
  I was gonna let it be that easy?
• 2:13:08
  Speaker 1: Huh, you piece of shit. I'm surprised you care, she.
• 2:13:12
  Speaker 2: Said to me, without a single ounce of emotion in
• 2:13:15
  her voice. He did.
• 2:13:16
  Speaker 1: Let you come here. He's still by father.
• 2:13:21
  Speaker 2: I said, tears rushing down my face. My dad wasn't
• 2:13:24
  moving anymore, his body now lying and pull of his
• 2:13:27
  own blood. I knew he was dead, all right.
• 2:13:29
  Speaker 1: Well, now that we got that over with, can we
• 2:13:31
  please continue?
• 2:13:33
  Speaker 7: Yeah, let's get started.
• 2:13:38
  Speaker 1: What what if you guys fail?
• 2:13:41
  Speaker 2: I asked him, all while still crying.
• 2:13:43
  Speaker 4: Horse Horace told me that if you mess up the
• 2:13:46
  ritual when he's already conjured, then you'll disappear.
• 2:13:49
  Speaker 1: What are you gonna do? Just keep trying until I'm.
• 2:13:52
  Speaker 4: Dead, that's the plan. Besides, I'm absolutely positive we have
• 2:13:57
  the right sermon. All right, let's get started.
• 2:14:01
  Speaker 2: Isn't Carson possessed by Horace? Can Horace just say if
• 2:14:04
  it's the whatever? Carson grabbed a step ladder and walked
• 2:14:07
  up to it to reach the area I was hung
• 2:14:08
  up at.
• 2:14:09
  Speaker 1: I just want to thank you for what you're about
• 2:14:11
  to do for us.
• 2:14:12
  Speaker 2: Carson said, a smile for me on his face. Co
• 2:14:15
  fuck yourself, I said, before spitting in his face.
• 2:14:19
  Speaker 1: I guess you're stab wound. Isn't that serious? Huh? We
• 2:14:21
  have the best nurses a person could ask for. No,
• 2:14:24
  the hunters we've have. We've had the best nurses a
• 2:14:30
  person can ask for.
• 2:14:31
  Speaker 2: He then revealed two things from his robe, and one
• 2:14:33
  hand was the Bible and the other a large carving knife.
• 2:14:36
  He opened the book to a page and began to read,
• 2:14:38
  and once he finished, he plunged the knife into my gut.
• 2:14:41
  I screamed from the pain as he meticulously carved a
• 2:14:43
  new wound into my body. I closed my eyes, anticipated
• 2:14:47
  my dead. This is it, I thought to myself, this
• 2:14:50
  is how I die, mercilessly executed by a cult. I
• 2:14:54
  thought my body would begin to morph into Horace or something.
• 2:14:57
  But about twenty seconds past and nothing happened up with
• 2:15:00
  my eyes, and Carson was just staring at me, terrified
• 2:15:02
  to look on his face.
• 2:15:05
  Speaker 7: What happened?
• 2:15:07
  Speaker 1: I messed up? What I messed up?
• 2:15:12
  Speaker 2: Carson said, close his eyes and then opened them again quickly.
• 2:15:15
  Speaker 1: Horse is gone, He's gone. I messed up. Fuck.
• 2:15:19
  Speaker 2: He threw the knife onto the ground in rage.
• 2:15:22
  Speaker 1: Good job, asshole, said.
• 2:15:26
  Speaker 2: The pain from the wound making it hard to speak.
• 2:15:28
  Speaker 1: Shut up, Harrison, just because you're messed up doesn't mean
• 2:15:31
  you're getting on of this alive. I don't care if
• 2:15:34
  your dad is now dead. I haven't fulfilled my desire
• 2:15:36
  for your for your revenge yet. I haven't fulfilled my
• 2:15:39
  desire for revenge yet. Carson, perform the ritual on yourself again.
• 2:15:44
  Speaker 2: Can I just say? The idea of like this cult
• 2:15:47
  that's been offerating for years and they think when Horace
• 2:15:49
  comes back the world will enter a stage of world peace.
• 2:15:52
  And they had completed the ritual, but Carson didn't want
• 2:15:57
  to die, so they risked losing the ritual.
• 2:16:02
  Speaker 1: Can you make a can you make a stabbing sound
• 2:16:04
  effect for Carson, like.
• 2:16:07
  Speaker 2: Like me doing the stab?
• 2:16:08
  Speaker 1: Yeah like that, like a yeah, do it again? You
• 2:16:13
  mean do it again.
• 2:16:20
  Speaker 2: I'm just spitting all over myself.
• 2:16:25
  Speaker 1: I just really enjoyed doing the thing. So he's cutting
• 2:16:27
  himself something, doing shop shop shop snop. I'll call Carson.
• 2:16:45
  Speaker 2: But while Carson was conjuring horse again and I do
• 2:16:48
  popped into my head. Amy. I just said that she
• 2:16:50
  hasn't fulfilled her desire for revenge, but not their desire
• 2:16:53
  for revenge. It may have meant nothing at all, but
• 2:16:56
  she was also the one who explained the entirety of
• 2:16:58
  why she wanted revenge on my dad. Oh my god,
• 2:17:00
  the other options. I decided to test that notion. It
• 2:17:03
  was a long shot, but I hoped it would work.
• 2:17:05
  Speaker 1: I like how you seem to be the only person
• 2:17:08
  who wants revenge.
• 2:17:09
  Speaker 2: I spoke as loud as I could.
• 2:17:11
  Speaker 4: Everyone has been waiting for years to obtain world peace
• 2:17:13
  is to kill on the one who is currently because
• 2:17:15
  as my horse, you don't want to make the way
• 2:17:18
  even more just because you want me to be the sacrifice.
• 2:17:21
  Speaker 1: I don't care.
• 2:17:22
  Speaker 7: Most of them don't even want revenge. They just want
• 2:17:24
  to have the world peace.
• 2:17:26
  Speaker 1: I made it so that they get both for the
• 2:17:28
  price of one. But the plan just failed.
• 2:17:31
  Speaker 4: Now they'll have to wait until you guys find the
• 2:17:33
  right Sermont in order to fill the religious duty.
• 2:17:36
  Speaker 1: You're making them wait just because of you. That's been
• 2:17:40
  the plan all along. I promised myself that I wouldn't
• 2:17:43
  stop until Ferris paid the price for what he did
• 2:17:45
  to me and my friends. My dad just did pay
• 2:17:49
  the price.
• 2:17:50
  Speaker 2: I screamed, my stomach hurting more from me and projecting
• 2:17:52
  my voice.
• 2:17:53
  Speaker 5: But now you don't even seem to care about the
• 2:17:55
  mission anymore. You just want to fill your need for vengeance.
• 2:17:59
  But it will never be satisfied. You're punishing these guss
• 2:18:03
  just you're punishing me.
• 2:18:06
  Speaker 1: I don't care.
• 2:18:08
  Speaker 7: I would never be satisfied until you're dead.
• 2:18:11
  Speaker 1: I don't care what everyone else wants. I don't care
• 2:18:13
  about what peace. I don't care about my religious duty.
• 2:18:15
  I don't care about getting my revenge again.
• 2:18:20
  Speaker 2: You know the way people speak humans Right now, they
• 2:18:24
  talk her scream. Her scream practically echoed in the room.
• 2:18:29
  I couldn't believe she fell for my bluff because of me.
• 2:18:31
  She just admitted that she only cared about revenge. You
• 2:18:34
  gonna hear a pin drop in the chapel, Everyone except
• 2:18:37
  for Julio and Carson was stunned by what Amy Jeff said.
• 2:18:39
  Despite the predicament, I was still stuck in combined with
• 2:18:42
  the pain of my gut, I smiled wildly.
• 2:18:45
  Speaker 1: Well, you guys just heard the truth. She guess cared
• 2:18:49
  about what you guys want or seek.
• 2:18:51
  Speaker 4: She just cares about herself. How selfish of her. Well,
• 2:18:56
  I'll tell you this. They haven't figured out the right
• 2:18:59
  sir yet.
• 2:19:00
  Speaker 2: Wait, is it as as he's saying all this? Carson
• 2:19:04
  is stabbing Carson.
• 2:19:05
  Speaker 4: Carson's Carson's like all so that's in the background. Even
• 2:19:11
  if I died before they discover it, and Amy's true
• 2:19:13
  desire would be satisfied, you guys would have to wait
• 2:19:17
  until someone else was captured tortured just to gate world peace, unless,
• 2:19:22
  of course, he just killed a person who already has
• 2:19:24
  horse possessed inside them.
• 2:19:26
  Speaker 2: Right now, almost all of them turn their heads towards Carson,
• 2:19:28
  who is sitting on the floor of his blood pulling
• 2:19:30
  beneath them.
• 2:19:33
  Speaker 1: Carson looked up and.
• 2:19:34
  Speaker 2: His face was as white as a ghost. He definitely
• 2:19:37
  heard what I said.
• 2:19:38
  Speaker 1: So I give you guys a choice.
• 2:19:41
  Speaker 4: We can wait here for them to keep trying to
• 2:19:43
  solve the second ritual, or you can finally have taped
• 2:19:46
  world piece you have forever wanted, and all you have
• 2:19:51
  to do is kill Carson. He's already weak from the
• 2:19:54
  stab wound, so it should be easy.
• 2:19:56
  Speaker 1: What will it be?
• 2:19:57
  Speaker 2: I prayed this would work in my favor. All I
• 2:19:59
  need it was one person to see the sinse I
• 2:20:01
  was spewing, and I could be spared. This was my
• 2:20:04
  only shot, and I hope someone sided with me. After
• 2:20:06
  about ten seconds, someone came up from the crowd and
• 2:20:08
  started walking toward the altar Rafai.
• 2:20:10
  Speaker 1: Yell, don't you even think about coming up here? Fuck you, Amy,
• 2:20:15
  Paris dried. You killed Paris, and he's the one wronged you.
• 2:20:19
  He got your revenge on him. Probab wait my tire
• 2:20:21
  lot to fulfill my religious obligation, and I won't and
• 2:20:24
  I won't force you to make me and my friends
• 2:20:26
  wait any longer.
• 2:20:27
  Speaker 2: It's also funny to imagine that like this person who
• 2:20:30
  supposedly wants a world peace, like that's the reason they're doing.
• 2:20:32
  All this is like I have to kill this child
• 2:20:34
  to get my revenge. I have to kind of kill
• 2:20:37
  people to give it. Then we're gonna have a world peace.
• 2:20:41
  Before anyone could react, he charged the altar. Julio tried
• 2:20:44
  to grab him, but Raphael barged right through him. Once
• 2:20:46
  he took lead, several others began charging the altar as well,
• 2:20:49
  some screaming that it was finally gonna happen. That's when
• 2:20:52
  all hell broke lose. Carson tried to limp away, but
• 2:20:55
  he was caught almost immediately, and he got bone rush
• 2:20:57
  as well and was knocked back against the wall, seemingly unconscious.
• 2:21:01
  Julio managed to get out of the way and was
• 2:21:03
  pushing his body against the wall next to where Amy was.
• 2:21:07
  People began jumping onto Carson, punching and kicking him. I
• 2:21:10
  didn't feel bad one bit. He did stab me, after all.
• 2:21:14
  I then felt my board began to move, and before
• 2:21:16
  I knew it, I began falling back to earth. I
• 2:21:19
  hit the floor hard, the impact momentarily dazing me. I
• 2:21:22
  then saw someone standing over and heard a voice that
• 2:21:24
  I didn't expect to hear.
• 2:21:26
  Speaker 1: Don't worry, I'll get you out of here.
• 2:21:29
  Speaker 2: Percy began untying my arms and legs, but just as
• 2:21:32
  he was beginning to untie my last leg, he was
• 2:21:34
  pulled from behind and thrown to the ground.
• 2:21:35
  Speaker 1: What do you think you're doing?
• 2:21:38
  Speaker 2: Amy yelled at him, a bloody knife in her hand.
• 2:21:40
  She cornered Persy against the wall. After seeing this, I
• 2:21:42
  mashed down time the last nod charged her as fast
• 2:21:44
  as I could. I knocked her down just as she
• 2:21:46
  raised a knife in the air. Amy and I began
• 2:21:48
  wrestling on the ground. Under normal circumstances, I would have
• 2:21:51
  been much stronger than her, but my stab wound had
• 2:21:53
  severely weakened my strength, and she was gaining the upper
• 2:21:56
  hand fast. She managed to get on top of me,
• 2:21:58
  the knife still in her hand.
• 2:21:59
  Speaker 1: I don't care if I die you today, you'll be
• 2:22:01
  You'll at least be joining me.
• 2:22:03
  Speaker 2: Just when I thought I was done for, I heard
• 2:22:05
  a smack sound and Amy fell inmpondo. Standing behind her
• 2:22:08
  was Percy holding what looked like a baton. I have
• 2:22:10
  no idea where you got it, but I could have
• 2:22:12
  cared less at the moment.
• 2:22:13
  Speaker 1: Come on, we need to get d out of here.
• 2:22:15
  Speaker 2: He picked me up and started leading me over to
• 2:22:17
  the back of the chapel. As we were making our
• 2:22:19
  way to the back, I found Julia on the ground.
• 2:22:21
  He also appeared to be unconscious.
• 2:22:22
  Speaker 1: Put you throw it into the crowd. We need that diversion.
• 2:22:26
  Speaker 2: I turned to see someone I didn't recognize throwing Molotov contails.
• 2:22:36
  We need a diversion. Quick burn everyone alive. I turned
• 2:22:43
  to see someone I didn't recognize. Sorry, Molotov cocktails into
• 2:22:46
  the crowd.
• 2:22:47
  Speaker 1: It exploded. You know, it's funny.
• 2:22:50
  Speaker 2: Most people just say molotov unless you grew up playing
• 2:22:53
  Call of Duty, World at War or it was called
• 2:22:55
  Molotov cocktails, because say calling it a cocktail is a
• 2:22:59
  bit of a joke, right, So you can tell when
• 2:23:01
  someone riding played Call of Duty growing up because they
• 2:23:03
  will always add cocktails at the end of the phrase,
• 2:23:06
  which further goes back on my theory with this piece.
• 2:23:10
  But anyway, it exploded and people began screaming. He then
• 2:23:14
  raced back to where we were. Percy found a small
• 2:23:16
  window in the back of the chapel. Percy began slamming
• 2:23:19
  the baton against the window in order to break it.
• 2:23:21
  After a few more swings, Percy broke through the window
• 2:23:23
  and we made it outside. You see little instances like
• 2:23:26
  that is what I mean by time being weirdly spaced
• 2:23:29
  where it could have just been. We walked up, he
• 2:23:30
  hit it, we walked out. But it's like he didn't
• 2:23:32
  try first, but after a few more he got it.
• 2:23:34
  That happens a lot. Perscy then pulled out a walkie
• 2:23:36
  and radio to someone on the other line, bring it around. Hurry,
• 2:23:40
  yelled into the walkie. Not even five seconds later, a
• 2:23:42
  white truck came bareling down the road of the camp.
• 2:23:44
  Familiar face was behind the steering wheel.
• 2:23:46
  Speaker 1: I love also the amount of like like not even
• 2:23:49
  five seconds, not even three seconds. There's a lot of
• 2:23:51
  second intervals here.
• 2:23:52
  Speaker 2: Yeah, yeah, or like when the worst one to me
• 2:23:55
  was when he was taking a shower and it was like, uh,
• 2:24:00
  I get in, I take my clothes off, I turn
• 2:24:03
  on the water. I am in it for about ten minutes,
• 2:24:05
  I get out, I turn off. It's just like, why
• 2:24:07
  just say you were in the shower, you got out
• 2:24:09
  the clothes, you know, Oh, get in.
• 2:24:12
  Speaker 1: We need to get out of here.
• 2:24:14
  Speaker 2: We all piled in and Graham accelerated out of Camp Oakwood.
• 2:24:18
  So the two inside people were Graham and his son
• 2:24:21
  Percy God.
• 2:24:22
  Speaker 3: Yeah.
• 2:24:23
  Speaker 2: We stopped at a house about forty minutes from Camp Oakwood.
• 2:24:26
  While driving there, Percy used his shirt to put pressure
• 2:24:28
  on my wound. When we eventually reached the house, the
• 2:24:30
  three of them brought me inside the house, where I
• 2:24:32
  was introduced to a woman named Bee, who turned out
• 2:24:34
  to be Graham's ex wife. He was apparently a nurse,
• 2:24:37
  and she helped disinfect the and bandage my wound. She
• 2:24:40
  was happy to report that none of my organs seemed
• 2:24:42
  to be damaged by the stab wound and that I
• 2:24:43
  would be more that I would more than likely be okay.
• 2:24:47
  Percy and Quincy were both pruised, but nothing too severe.
• 2:24:50
  While being patched up, I talked to Percy for a
• 2:24:51
  while and he explained quite a bit to me. As
• 2:24:54
  it turned out, Percy had been forced by Amy to
• 2:24:56
  go into my apartment and take a picture of my
• 2:24:58
  scar so that she could prove that it was definitely me.
• 2:25:02
  He didn't want to do it, but she threatened him
• 2:25:04
  and eventually he relented.
• 2:25:06
  Speaker 1: He managed to.
• 2:25:09
  Speaker 2: He managed to take a photo. However, not only was
• 2:25:11
  my tale obscuring my scar, but the photo also came
• 2:25:14
  out blurry. Despite him failing, they stuck with the plan
• 2:25:17
  of Percy being arrested by Officer Marino. I asked Percy
• 2:25:20
  if he was just a cult member addressed as a
• 2:25:22
  police officer, and he confirmed it. Not that I was
• 2:25:24
  surprised to hear that. Anyway, Percy was never taken away
• 2:25:28
  and would remain at the camp out of you. Well,
• 2:25:30
  that was the plan until Carson successfully canjured just every
• 2:25:37
  second needing to be explained to the reader. Until Carson
• 2:25:40
  successfully conjured Horace that Amy had to hasten her plans.
• 2:25:44
  When they met around the campfire the night I escaped.
• 2:25:46
  It was so that Amy could explain what would be happening.
• 2:25:49
  Speaker 1: To my shock.
• 2:25:50
  Speaker 2: There was also waiting to see when I would wake up,
• 2:25:52
  and once someone noticed I was up and moving, Amy
• 2:25:54
  alerted Carson to text me the message I received and
• 2:25:57
  waited until I was recaptured.
• 2:25:59
  Speaker 1: The play was freed to make it to that location
• 2:26:01
  only to find Carson or Horse or or I should
• 2:26:03
  call him in Officer Marino waiting there for you. It
• 2:26:06
  was just a trick to get your hopes up and
• 2:26:08
  you could possibly escape.
• 2:26:09
  Speaker 2: Why would they do Why did they need a trick
• 2:26:12
  to get his.
• 2:26:12
  Speaker 1: Hopes well, officer Marino wasn't there?
• 2:26:16
  Speaker 2: You seemingly perplexed by that.
• 2:26:18
  Speaker 1: Well, Amy never told us that. Then again, it appeared
• 2:26:21
  that Amy hid quite a bit from you, guys, I
• 2:26:23
  said before.
• 2:26:23
  Speaker 2: We both laughed, just like, but he was there because
• 2:26:29
  he just biked for an hour and then got arrested.
• 2:26:31
  Why would that needs whatever? Whatever, We're almost done. Percy
• 2:26:34
  then began explaining that he had come up with the
• 2:26:36
  plan to get me out of there. He knew what
• 2:26:38
  was going to happen to me, so he Graham and Quincy,
• 2:26:40
  who I later found out wasn't even an employe at
• 2:26:42
  the camp, Percy's best friend back home, came up with
• 2:26:45
  a way to get me out. The plan was for
• 2:26:46
  Quincy to make homemade mal I'd throw several of them
• 2:26:51
  at the church to act as a diversion so they
• 2:26:52
  could quickly get me out to carry me out, which,
• 2:26:55
  if you'll remember, is when he loudly announced, we need
• 2:26:58
  a distraction, throw the mal toss. Bible now explained to
• 2:27:00
  you that the molotovs were a distraction that were made
• 2:27:03
  prior to advance. They didn't actually make him there. It's
• 2:27:05
  important for you to know that that they were prior
• 2:27:07
  made and then brought to the location for the purpose
• 2:27:10
  that's been explained twice now to you. However, they didn't
• 2:27:13
  plan on two things, One my dad's showing up unexpectedly,
• 2:27:16
  and two Midi getting Aimy to say that she didn't
• 2:27:18
  care about everyone else's desire for worldies. When several of
• 2:27:22
  the people in the crowdstorm the altar, they took their
• 2:27:24
  chance and proceeded with the plan as best they could.
• 2:27:26
  Speaker 1: However, he explained to.
• 2:27:27
  Speaker 2: Me that they did have to wait until they tried
• 2:27:29
  the ritual on me because if they tried it before
• 2:27:31
  the ritual Hatips's it would have been harder to get
• 2:27:35
  out because everyone would have been pissed at them, and
• 2:27:37
  they too would have been attacked. It was a shitty
• 2:27:40
  move to do, but I told him it was okay.
• 2:27:42
  I got out with my life. That's all that mattered.
• 2:27:44
  He also explained to me that many have slowed down,
• 2:27:47
  slowed just slowed down a little bit. God, just just
• 2:27:52
  slowed down a little bit.
• 2:27:54
  Speaker 1: People are going to be so pissed if we if
• 2:27:56
  you read that fast the Molotov cocktail thing. Good God.
• 2:28:06
  Speaker 2: He also explained to me that many of the counselors
• 2:28:08
  were beyond pissed of off. When Amy proclaimed that they
• 2:28:12
  would have to wait until they got the ritual right
• 2:28:14
  on me before they could all complete their mission, she
• 2:28:17
  said that would be the plan that anyone who disagreed
• 2:28:19
  with her would have to deal with it. So many
• 2:28:22
  of her employees were angered by her actions. The only
• 2:28:24
  people who sided with her were Julio and Carson. Carson
• 2:28:27
  I understood because he didn't want to die, But I
• 2:28:29
  wondered buy Julio agreed with her.
• 2:28:31
  Speaker 1: I wonder if they got world peace finally. Well, if
• 2:28:35
  the definition of world peace is a fight in a chapel,
• 2:28:38
  then they did. Congratulations did them? Still? Dude, you really
• 2:28:43
  saved yourself when you managed to break Amy. If it
• 2:28:46
  wasn't for that alone, you would have been a goner.
• 2:28:49
  I mean, she did it to herself. She gave it
• 2:28:53
  away right before when she said that she didn't care
• 2:28:56
  how long it took them to get it right, but
• 2:28:58
  as long as I was die as a result of it,
• 2:29:00
  it didn't matter to her. Plus, she has killed my dad,
• 2:29:03
  which basically was a revenge. The desire could never be satisfied.
• 2:29:07
  I'm just thankful. I'm just thankful you me Quincy and
• 2:29:10
  my dad all made it out alive. Your dad, Oh yeah,
• 2:29:14
  you didn't know they either? Graham is my dad? Oh?
• 2:29:23
  Speaker 2: Oh, Honestly, I always suspected that was a possibility. Horace
• 2:29:34
  did say an older worker at the camp didn't believe
• 2:29:36
  in this stuff, and the worker also had a son
• 2:29:39
  who apparently didn't either. After thinking over a little bit,
• 2:29:43
  I actually suspected Percy and Graham were related, especially considering
• 2:29:46
  how concerned Graham was for Percy's safety. When Amy planned
• 2:29:50
  to talk to Percy about why he broke into my apartment,
• 2:29:53
  I ended up resting for the night, and the next
• 2:29:55
  day Graham gave me the keys to the truck and
• 2:29:57
  told me to get out of town. I asked him
• 2:30:00
  what he Percy, Quincy, and b would do, and he
• 2:30:02
  said not to worry about them. I didn't know if
• 2:30:04
  I could trust them at this point, but I had
• 2:30:06
  no other options. Just as I started the car, I
• 2:30:09
  asked Graham and Percy why they were work out of
• 2:30:13
  Summer Camp when they knew it was run by a cult.
• 2:30:15
  They looked at each other and Graham replied with free, Now.
• 2:30:19
  Speaker 1: It doesn't matter anymore. Well, I love the idea of
• 2:30:26
  like you're gonna overexplain everything. But the other guy, he's
• 2:30:28
  just like, I fuck it, I'm not gonna tell you.
• 2:30:31
  Speaker 2: It's like every every breath, every like passing thought that
• 2:30:35
  was explained in three different ways. And then it's like, wait,
• 2:30:39
  why did you a group of good people work at
• 2:30:42
  a camp whose purpose was killdnapping, slaughter people, kill you.
• 2:30:47
  He literally says, she doesn't matter anymore, that's not important.
• 2:30:54
  Don't ask that question, ask other ones, kill yourself.
• 2:31:00
  Speaker 1: I wanted to ask him what.
• 2:31:01
  Speaker 2: That meant, but I decided to just get out of there.
• 2:31:03
  I drove off the property and away from the city,
• 2:31:05
  promising myself to never return. Once I got out of
• 2:31:08
  the city, I ditched the truck and went into hiding.
• 2:31:11
  That is where I am now. I have already changed
• 2:31:13
  my appearance and I'm currently in the process of changing
• 2:31:15
  my name. I ended up reading in the news that
• 2:31:17
  about twenty people died in this chapel, and many others
• 2:31:20
  were injured and or arrested. I don't know how the
• 2:31:23
  police found out, but they did. A list of the
• 2:31:25
  people who died was published as well. I saw Julio
• 2:31:28
  Carson Rafaie Alan, my dad on the list. One name
• 2:31:31
  I didn't see though was Amy. That means she's still
• 2:31:33
  alive and possibly looking for me. Even though I have
• 2:31:36
  since escaped and have trying to move on with my life,
• 2:31:38
  I still have so many unanswered questions about what happened.
• 2:31:41
  My biggest question is this, why did my dad let
• 2:31:44
  me go? I mean, I just don't get it. Why
• 2:31:46
  would he let me go when he knew who was
• 2:31:48
  there and they and that they were dangerous people. I
• 2:31:52
  just can't understand why. But then he came back and
• 2:31:54
  tried to sacrifice himself so that I could possibly live.
• 2:31:57
  He died trying to save me in a way guarding
• 2:32:00
  his death. I feel well in the middle. I'm devastated
• 2:32:03
  that my dad is dead, but I am still angry
• 2:32:06
  at him for letting me walk into a trap that
• 2:32:08
  should have killed me. And also don't understand my mom.
• 2:32:12
  She must have known about my dad's previous days. She
• 2:32:19
  must have known about my dad's previous life, yet she
• 2:32:22
  also let me go. She even said I've dealt with
• 2:32:24
  it before. I don't know what she meant, but my
• 2:32:27
  only logical conclusion was that she was referring to when
• 2:32:31
  Amy stabbed me in my childhood. I don't know, I
• 2:32:34
  don't plan on trying to find out soon. Ever since
• 2:32:36
  I escaped, i've contacted I haven't contacted anyone in my family.
• 2:32:41
  I can't trust them anymore. My mom must be heartbroken
• 2:32:44
  that she practically lost both her husband and son. Maybe
• 2:32:47
  one day I'll reach out to her, but right now
• 2:32:48
  I just can't. Another problem is that I don't understand
• 2:32:51
  why Carson, disguised as Horace, gave me all that information
• 2:32:55
  and then let me try to escape. Percy told me
• 2:32:58
  that wasn't part of the plan, so Carson must have
• 2:33:00
  had something else in mind. I don't know what, but
• 2:33:03
  if the end goal was for me to get captured,
• 2:33:05
  then I guess it doesn't matter now.
• 2:33:06
  Speaker 1: Also, I never did I did.
• 2:33:09
  Speaker 2: Never get the answer as to why Graham and Percy
• 2:33:12
  would work at the summer camp.
• 2:33:14
  Speaker 1: All they said was that they were free.
• 2:33:16
  Speaker 2: Now I guess they must have been held captive or something,
• 2:33:19
  but they never told me, even when Percy and I
• 2:33:21
  talked just before I left to go into hiding. And lastly,
• 2:33:25
  though it isn't that important, but that hasn't stopped me
• 2:33:29
  before what happened to the campers. I didn't see a
• 2:33:33
  single kid in the crowd while I was tied up.
• 2:33:39
  Speaker 1: Honestly, I don't sure enough. This whole part is one
• 2:33:42
  hundred percent somebody was preferating his stuff, and then people
• 2:33:45
  in the comment sections below were partly like, what so, yeah,
• 2:33:48
  this is all fine? What about all the children that
• 2:33:50
  are camping there? This is him addressing everything one of
• 2:33:53
  those and being like, yeah, that is weird. This is
• 2:33:56
  such a miss.
• 2:33:57
  Speaker 2: He's just bringing he's just lampshading it, being like, yeah,
• 2:34:00
  I know, anyway, more exposition.
• 2:34:05
  Speaker 1: I'm I'm I'm really weird enough that too, Yo, that's
• 2:34:10
  a crazy point.
• 2:34:11
  Speaker 2: I didn't think about that job on job bro, I
• 2:34:14
  didn't think about that, yo. Air this camp out, what
• 2:34:20
  happened to the campers? I didn't see a single kid
• 2:34:23
  in the crowd while I was tied up. Honestly, I
• 2:34:25
  don't care enough to want to know the answer to
• 2:34:27
  that question.
• 2:34:30
  Speaker 11: It was just another mystery to the whull fucker kids, bro,
• 2:34:38
  I don't care at all, Broo.
• 2:34:41
  Speaker 1: Kids only interaction with kids in the story. The only
• 2:34:47
  interaction with kids in the story is that one.
• 2:34:48
  Speaker 2: Of them threw up that Axton, Paxton or whatever his
• 2:34:53
  name was, threw up on everything that was it. That's
• 2:34:56
  the only kid thing in the whole thing. I don't care.
• 2:35:00
  Let them kids die, dude. Uh, it's just that's so funny.
• 2:35:04
  I guess it's just another mystery, literal magic to this engage,
• 2:35:09
  to this engaging saga that I've brought up.
• 2:35:12
  Speaker 1: It's just a theory.
• 2:35:14
  Speaker 2: I'm just so frustrated that I will never get these answers.
• 2:35:18
  I know you want to, but I the author and
• 2:35:21
  narrator the story. I am also frustrated. I haven't spoken
• 2:35:25
  to Graham or Percy or anyone involved since I've escaped,
• 2:35:28
  and I plan on keeping it that way. I just
• 2:35:30
  can't risk it. This happened a while ago, and I've
• 2:35:32
  never been able to get full closure on all this. However,
• 2:35:34
  typing it here has really helped me. I will say
• 2:35:37
  that I have read the comments you guys have been
• 2:35:39
  sending me. First Off, thank you guys for y'all's concern
• 2:35:42
  for my well being. I appreciate it greatly. Secondly, for
• 2:35:45
  those who said I was too naive and trustworthy, You're right.
• 2:35:48
  I was, indeed, but now I'm not. In fact, I
• 2:35:50
  can't trust anyone. That's why I'm hiding alone. All I
• 2:35:54
  know is that I will always have a target on
• 2:35:55
  my back horse himself said that these guys are all
• 2:35:58
  around the globe and they're probably still looking for me.
• 2:36:00
  As I typed this, after all, I practically destroyed one
• 2:36:03
  of their bases of operation, a summer camp known as
• 2:36:05
  campok would end of story, and.
• 2:36:07
  Speaker 1: That is the end. Here's the thing. Could you do
• 2:36:11
  you think that he started off and he's like, oh,
• 2:36:12
  I want to make a I want to make a
• 2:36:15
  camp story. And then as he was writing it, he
• 2:36:17
  was like, I really don't want to write a camp story.
• 2:36:19
  So then he just kind of abandoned that because there
• 2:36:21
  really is no reason this had to be a camp,
• 2:36:25
  Like I was expecting more stuff of like, well, what
• 2:36:27
  are the children doing? How do you get the children involved?
• 2:36:30
  Could it have also not been like, hey, you could
• 2:36:33
  you're a landscaper out at my property or something. Right,
• 2:36:37
  you're a maintenance guy for like a wealthy woman that
• 2:36:39
  lives out in the middle of nowhere or something, right.
• 2:36:44
  But it's just I don't know. I wonder if it's like, oh,
• 2:36:47
  it'll be in a camp, it'll be like a scoopy
• 2:36:49
  a spooky goosebumps kind of meme. But then there was
• 2:36:53
  no mention of any campers or anything actually camp related
• 2:36:56
  besides a chapel, which is like that chapel could have
• 2:36:58
  just been anywhere you could. I mean, in a way,
• 2:37:01
  it feels very uh. It feels comparable to deep Woods
• 2:37:04
  in that way where it's like, at least with that one,
• 2:37:06
  it's just like, yeah, there's a random chapel out in
• 2:37:08
  the woods. It's all creepy and weird and there's stuff
• 2:37:11
  hiding in it.
• 2:37:11
  Speaker 3: One.
• 2:37:12
  Speaker 2: That one's fine though, because it's like it's an old community. Yeah,
• 2:37:16
  that like called deep Woods, that like the town has
• 2:37:18
  been lost and it's the church from that town. So
• 2:37:20
  the chapel makes sense to a degree, whereas here just
• 2:37:24
  kind of.
• 2:37:24
  Speaker 1: I'll say this is my final thought because that was
• 2:37:27
  I mean, first off, I feel like I feel like
• 2:37:29
  someone just beat the hell out of me with like
• 2:37:30
  a bat, is what it feels like. I feel like
• 2:37:32
  the first three, the first three chapters were fine.
• 2:37:35
  Speaker 2: I was enjoying myself. Yeah, absolutely tanted. Yeah.
• 2:37:38
  Speaker 1: As soon as we got to Doug, that's whenever I
• 2:37:40
  was like this is where as soon as the World
• 2:37:42
  War One thing hit, I was like, this is I
• 2:37:44
  know where we're heading.
• 2:37:45
  Speaker 2: It's always it's.
• 2:37:46
  Speaker 1: Always sad whenever there's a giant sign like that. That's
• 2:37:49
  just like, by the way, you're about to be get
• 2:37:50
  really disappointed. You're welcome to the jungle. Yeah, yeah, the
• 2:37:58
  uh the I will you know what, and I'll give
• 2:38:03
  you this to end on a positive note, because I
• 2:38:05
  you know, I'll say this on a positive note. If
• 2:38:09
  you would have told me, hey, hunter, what would you
• 2:38:12
  expect a person who's on who is religiously religiously on
• 2:38:17
  the mass Singer subreddit and NFL if they.
• 2:38:20
  Speaker 2: Made a story airing him out, if they made if
• 2:38:24
  they made a story, what would it be?
• 2:38:25
  Speaker 1: I would not expect this, and I'm impressed I would.
• 2:38:28
  I like that.
• 2:38:30
  Speaker 2: Look, it's it's hard writing a story. I get I
• 2:38:33
  get that one hundred percent.
• 2:38:34
  Speaker 1: Uh.
• 2:38:35
  Speaker 2: And especially if you have good ideas and concepts, it
• 2:38:38
  is so hard to execute or come up with the
• 2:38:40
  things in between the concepts you want, like the the
• 2:38:43
  big picture stuff.
• 2:38:45
  Speaker 1: Yeah. Do you think that this was an interesting cou
• 2:38:47
  I don't think there was really anything good about this?
• 2:38:50
  Was there?
• 2:38:51
  Speaker 2: No?
• 2:38:51
  Speaker 1: No?
• 2:38:51
  Speaker 2: I mean like it was. I think the idea we
• 2:38:54
  said at the beginning, the idea of a summer camp
• 2:38:56
  that's having rituals is fine. I like that like that
• 2:38:58
  is fine, that's true. So that's like an interesting idea.
• 2:39:01
  It's like I want to write a story about that.
• 2:39:03
  So you write a bunch of your big picture stuff
• 2:39:04
  and then it's like, well, I don't really know, so
• 2:39:06
  you don't really come up with new ideas for the ending.
• 2:39:09
  You just kind of get to a point where you
• 2:39:11
  explain the stuff you've already came up with to just
• 2:39:14
  what the last two chapters exactly, to be like, well,
• 2:39:17
  this is why I did this in the first It's
• 2:39:19
  like it's like the first three chapters was the story
• 2:39:21
  they wanted to write, and then the last two was like, well,
• 2:39:24
  here's why I wrote those first three chapters.
• 2:39:26
  Speaker 1: You know what this is. I would love a very
• 2:39:28
  straightforward camp horror story where it's just a bunch of
• 2:39:31
  vignettes of like almost again, guys like can't counselart this
• 2:39:34
  place and they need new fresh people whatever, and then
• 2:39:36
  it's just like a bunch of vignettes of like creepy
• 2:39:38
  kids doing weird rituals and shit, you know, all kinds
• 2:39:41
  of different things of summer activities that are contorted or whatever.
• 2:39:45
  Like I feel like a lot of time and I
• 2:39:47
  don't know if you agree, But I feel like a
• 2:39:48
  lot of time people are too afraid to just like
• 2:39:51
  kind of do crazy and weird shit because they want
• 2:39:53
  to like ground it in the realms of it, like
• 2:39:55
  having like a fun payoff or you know, like a
• 2:39:58
  satisfying ending or something, versus it being like a string
• 2:40:01
  of fun ideas that you like interweave into each other
• 2:40:05
  into like a cohesive story, you know, so like in
• 2:40:07
  between each one of these events, like having like real
• 2:40:10
  fun big things happen, because in this story, really all
• 2:40:12
  that happened was a kid throws up, somebody took a
• 2:40:15
  picture of somebody, and then all of a sudden people
• 2:40:18
  are whispering outside their houses, and then people getting sabbed
• 2:40:22
  in the stomach, and that's about it. Like I would love,
• 2:40:25
  I would love for some more stuff, especially if you're
• 2:40:27
  going into shape shifting and stuff, Like how cool would
• 2:40:30
  it have been if it's like, oh, out of these
• 2:40:32
  these children who are selected, who are carefully selected through
• 2:40:35
  the country whatever, because you know it's like a private
• 2:40:37
  program whatever, it's like all of them are almost like
• 2:40:40
  a are doing this weird thing where they're all like
• 2:40:42
  shape shifting and transforming and only like you know, the
• 2:40:44
  kids are dying while they're transforming, and this guy's like
• 2:40:47
  watching it. It's almost like a weird uh fucking like
• 2:40:52
  a kid's growing and contorting and he dies and it's like, well,
• 2:40:54
  that one's not it, but it's like this weird like
• 2:40:57
  just a bunch of weird vignettes like that. We'll just
• 2:40:59
  be on to explore, you know. I just feel like
• 2:41:02
  sometimes people are so nervous about like getting super fucking
• 2:41:05
  weird with their stuff, versus I'd give me, give me,
• 2:41:08
  give me all the weird. I want all the weird.
• 2:41:10
  Speaker 2: Just give me something strange and don't don't explain yourself,
• 2:41:13
  and like a yain, don't ever explain yourself. Fuck it,
• 2:41:15
  never explain yourself. Just like that's the coolest thing about
• 2:41:18
  so many horror projects. I mean, we talked about that
• 2:41:20
  when we talked about the original one with like Bring
• 2:41:22
  Her Back, or a bunch of horror movies like Hereditary.
• 2:41:24
  It's like, it's cool to have a built out world
• 2:41:26
  and order of operations, acting behind the scenes and let
• 2:41:30
  your audience see the machinations of it, but never have
• 2:41:33
  it explained, because in the unknown is where it's scary.
• 2:41:36
  People play in every piece of it, it just becomes
• 2:41:38
  like an action.
• 2:41:39
  Speaker 1: Yeah, people are going to formulate what is the most
• 2:41:41
  interesting thing in their mind. Like, you'll never be able
• 2:41:43
  to satisfy that. I will say though, like if you
• 2:41:46
  go in and you have a full is you have
• 2:41:48
  a full, fully idealized picture, that's different, Like you can't
• 2:41:53
  explain things if you're like, I have the story idead.
• 2:41:55
  I think that it ends in this way that's really satisfying.
• 2:41:58
  But I feel like a lot of the time with
• 2:41:59
  these stories that we read, people who have an interesting
• 2:42:01
  hook or they're like, this is my idea, and then
• 2:42:03
  they like try too hard to like force a square
• 2:42:07
  peg into a triangle hole or whatever, you know what
• 2:42:10
  I mean, Like they're trying too hard to make it
• 2:42:12
  all make sense versus just being like have fun with it,
• 2:42:14
  just run with it and have it kind of be
• 2:42:16
  a bit chaotic and nonsensical and you know, leave things
• 2:42:19
  up to the imagination to where it can kind of
• 2:42:21
  end on this weird note. I think Arslash No Sleep
• 2:42:24
  works a lot. It works really well when it's treated
• 2:42:27
  almost like a found footage horror film where you're like
• 2:42:29
  stuck in the middle of a vignette that just kind
• 2:42:31
  of ends, and we're not sure really where it goes afterwards,
• 2:42:34
  because it's just like this, this this piece of media
• 2:42:37
  that we've just kind of stumbled upon. I think that's
• 2:42:39
  how it works. That's when it works best, you know.
• 2:42:42
  Speaker 2: So I think, like I said, it's hard to write stories.
• 2:42:45
  Speaker 4: I did.
• 2:42:46
  Speaker 2: I posted something on Sleep so long ago where like
• 2:42:49
  I had a dream about this really weird like visual concept,
• 2:42:53
  so I wanted to write it out. So I wrote
• 2:42:54
  out the dream and then I was like, I guess
• 2:42:56
  I have to like give it a story ending. So
• 2:42:58
  I'm like, Okay, the guy dies, like whatever. No thought
• 2:43:01
  just threw it up on No Sleep for the fun
• 2:43:02
  of it. But it's like, that's not like it was.
• 2:43:05
  It was me throwing together a little concept in one
• 2:43:07
  night and being like, ah, I'm not sure how I
• 2:43:10
  wanted to end, so I'll just end it like this,
• 2:43:11
  like I get it, it's the thing that happens. But
• 2:43:14
  to have that go on for two chapters like please, yeah,
• 2:43:20
  they like, if you want to explain, give some dialogue,
• 2:43:23
  that's fine, Just you got to cut back on the
• 2:43:26
  links a little bit, because once it becomes the length
• 2:43:28
  of the rest of your story, then half of the
• 2:43:30
  story becomes filler about stuff that's already happened. Yeah, and
• 2:43:33
  I feel like it takes away from what was an
• 2:43:35
  interesting concept and a fun time there for a while. Yeah.
• 2:43:38
  Speaker 1: I don't think that my biggest complaint was even the
• 2:43:40
  kind of like amateurish writing. I think, like I actually
• 2:43:44
  sometimes even with some of these like Arslash No Soup stuff,
• 2:43:47
  the amateur part of it is what makes it so
• 2:43:50
  fun and like a little more believable in a way
• 2:43:52
  of like somebody trying to articulate their thoughts or something.
• 2:43:55
  It wouldn't be this perfect, well laid out thing. It
• 2:43:57
  would kind of be a little juvenile. So I don't know,
• 2:44:00
  it's just it's just repetition of like you just told
• 2:44:03
  me what it's like. Yeah, it's just the exposition of
• 2:44:06
  like I already know about this, you know, so yeah,
• 2:44:09
  but you know, Camp Oakwood it was. It's another experience.
• 2:44:13
  We have got to read a good story soon, though,
• 2:44:15
  I'm telling you guys, you know people people always ask
• 2:44:17
  us like, well they haven't read a good story or whatever.
• 2:44:19
  We go into these just as blind as everyone else.
• 2:44:23
  Speaker 2: Again, two and a half thousand up votes, and all
• 2:44:26
  the comments are like this is great, this is awesome,
• 2:44:28
  So okay, there's not. Really. We can't trust you guys clearly,
• 2:44:32
  and a lot of you guys are like me and
• 2:44:34
  are purposefully sabotaging episodes, but being like, oh, this story
• 2:44:37
  is awesome. I dared my best friend to ruin my life.
• 2:44:39
  You guys should read it. It's very scary. I know
• 2:44:41
  what you all are because I would do the same thing.
• 2:44:43
  There are a few that I've heard highly recommended before
• 2:44:46
  we pois our audience became poisoned and tried to trick us,
• 2:44:49
  like accounts from a lonely broadcast station. We should check
• 2:44:51
  that one out. Yeah, so there are some options, but yeah,
• 2:44:55
  we need I need to go to one.
• 2:44:56
  Speaker 1: I need to go one soon. We went on. We've
• 2:44:58
  been on a bleak streak. If anything we need, we
• 2:45:00
  need like a for our community. We need like a board,
• 2:45:03
  you know, like when it's like a factory where it's
• 2:45:05
  like X days since last accident, we need to do
• 2:45:07
  like x days last good story or something like that.
• 2:45:10
  Speaker 2: Well, what I Aspiring the Woods was good? I guess
• 2:45:12
  that was all.
• 2:45:13
  Speaker 1: Yeah, Yeah, I would say Aspiring Woods was our last
• 2:45:15
  big banger for sure. You know they don't they don't
• 2:45:18
  all need to be biblically amazing stuff, but just a
• 2:45:20
  nice like I just want like a nice little fucking
• 2:45:22
  punch in the gut where you're like, oh, that's a
• 2:45:24
  fun idea something like that. So I don't know. Until
• 2:45:26
  next time. Guys, we appreciate you. Thanks again for supporting
• 2:45:29
  us on YouTube. Like I said, we're I can't believe
• 2:45:31
  how high up ranked we are, and even on Spotify
• 2:45:34
  and Apple podcasts and all that. It's very very appreciated.
• 2:45:37
  So thank you so much. And until next time, everybody,
• 2:45:39
  stay creeped.
• 2:45:40
  Speaker 2: See you and the next one. Next time someone tells
• 2:45:43
  you you have to explain yourself, just don't and just
• 2:45:46
  punch that person.