Latest / Four Finger Discount (Simpsons Podcast) / The Bob Next Door (S21E22)

Transcript

The Bob Next Door (S21E22) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: That was the easy part. The hard part was removing
• 0:03
  Speaker 1: my own face. Luckily, as Krusty's sidekick, I'd been hit
• 0:07
  Speaker 1: with so many pies that my face had lost all sensations. Also,
• 0:12
  Speaker 1: I thought four Finger.
• 0:20
  Speaker 2: Discounted, Welcome to four Finger Discound, where this week we're
• 0:39
  Speaker 2: going to be doing another Sicho Bob episode is what
• 0:42
  Speaker 2: I consider one of the better Sajo Bob episodes.
• 0:44
  Speaker 1: In a very long time. It's the Bob next Door.
• 0:45
  Speaker 2: I don know, another Bob episode. I'm guy, Yes, did
• 0:49
  Speaker 2: you like this one? I liked it for a Saro
• 0:51
  Speaker 2: Bob when I didn't mind it.
• 0:52
  Speaker 1: I thought it was fun, you know Bob episode, little
• 0:55
  Speaker 1: extra body horror and that never goes astray. I was
• 0:57
  Speaker 1: wondering we ever had a Bobb episode without Bart? Have
• 1:01
  Speaker 1: we either had like a Bob origin episode or they
• 1:03
  Speaker 1: just sort of folded origin stuff into previous episodes. I
• 1:06
  Speaker 1: would like a Bob episode that was just about Bob.
• 1:09
  Speaker 2: And what would the story be? Though, Well, do we
• 1:12
  Speaker 2: need an origin story?
• 1:13
  Speaker 1: Not an origin story? So, but it'll just be an
• 1:16
  Speaker 1: interesting swerve, I think, because every time you see Bob,
• 1:19
  Speaker 1: it's almost like it's time for me to kill Bart.
• 1:21
  Speaker 1: It's time for me to hatch another ludicrous, insane plot
• 1:24
  Speaker 1: to kill this small boy nemesis of mine.
• 1:27
  Speaker 2: I think a lot of people forget why he's trying
• 1:30
  Speaker 2: to kill Bart or I've forgotten.
• 1:31
  Speaker 1: Tell me why.
• 1:32
  Speaker 2: Well, it's because this was it was never a murderer, right,
• 1:36
  Speaker 2: It wasn't like he's just some criminal who just wants
• 1:38
  Speaker 2: to murder people. Bart ruined, he foiled his plan to
• 1:41
  Speaker 2: frame Krusty, and Crusty gets busted. From the first season,
• 1:45
  Speaker 2: it's where Bob frames Krusty for robbing the Quickie Mart.
• 1:47
  Speaker 2: Crusty goes to prison, and Bart realizes that it was
• 1:50
  Speaker 2: actually Sicho Bob because Sicho Bob gets his own show
• 1:52
  Speaker 2: because it choices and very Kelsey Grammer esque, and I
• 1:57
  Speaker 2: would watch and he realizes it's where he's got big feet,
• 2:01
  Speaker 2: and it's like, I've got big shoes to fill.
• 2:03
  Speaker 1: That's right, I remember the big feet was.
• 2:05
  Speaker 2: Yeah, the big shoes to fill is like the dawning
• 2:07
  Speaker 2: moment there. And that's because so now he's trying to
• 2:09
  Speaker 2: get Bart for ruining his life by sending him to prison.
• 2:12
  Speaker 2: But that's the reason he was sent to prison. Well,
• 2:13
  Speaker 2: Bob's the reason he went to prison. Correct Bob is
• 2:16
  Speaker 2: barn Is the one who caught him.
• 2:17
  Speaker 1: He's easy.
• 2:18
  Speaker 2: Kids would have gotten away with it. It wasn't for that
• 2:19
  Speaker 2: measly kid.
• 2:20
  Speaker 1: This is reminiscent of the Denzel Washington John Lithgow movie Ricochet,
• 2:24
  Speaker 1: that we talked about occasionally. Yeah. Yeah, just like John
• 2:28
  Speaker 1: litheo gets fixated on Denzel for ruining his life. Just
• 2:32
  Speaker 1: so you ruined your own life. You just got caught.
• 2:35
  Speaker 1: He caught you. That's correct. But well, I'm trying to
• 2:37
  Speaker 1: put myself in the mindset of Yeah, there's actually.
• 2:41
  Speaker 2: A lot of that sort of vibe to the side
• 2:43
  Speaker 2: of Bob character, isn't it. I wonder if I wonder
• 2:45
  Speaker 2: if someone watched Rikoshet and then wrote that episode when
• 2:47
  Speaker 2: Richet I at ninety ninety one. I believe yeah, big
• 2:50
  Speaker 2: Shoester feel that would have been before that though.
• 2:51
  Speaker 1: So probably Yeah, so Ricochet probably ripped. Soon watch Cross
• 2:54
  Speaker 1: it gets busted. But enough about Ricaget, which I could
• 2:59
  Speaker 1: talk all day. We're here to talk about the Bob
• 3:01
  Speaker 1: next Door.
• 3:02
  Speaker 2: You liked it, Yeah, I've compared to recent sort of
• 3:05
  Speaker 2: sychhobob episodes, I thought this one felt more like he
• 3:07
  Speaker 2: was a actual maniac. I feel like in recent years
• 3:10
  Speaker 2: he's been very tame and more, I know, just playing
• 3:15
  Speaker 2: up the plus grammar esque. We know, flamboyant he as
• 3:18
  Speaker 2: opposed to as being a guy who was to kill somebody.
• 3:20
  Speaker 1: I did like that Kelsey underplayed this affair bit. Yeah,
• 3:24
  Speaker 1: I mean, I think there is a tendency. I think
• 3:26
  Speaker 1: you're very correct in that regard. Then when it's time
• 3:29
  Speaker 1: to get Kelsey on the line and say hey, you
• 3:32
  Speaker 1: want to come back, here's a wheelbear full of money,
• 3:35
  Speaker 1: he'll come back and he'll do Kelsey grammar. That sounded
• 3:39
  Speaker 1: like no, that was no, that was more. Such a
• 3:41
  Speaker 1: fine it you can't say at once. Share it to
• 3:50
  Speaker 1: my online buddy, the Governor, who anytime he makes a
• 3:54
  Speaker 1: typo in a tweet will then put up an image
• 3:59
  Speaker 1: of Krusty in the according with.
• 4:02
  Speaker 2: Do you know the thing is he doesn't actually say
• 4:04
  Speaker 2: side shomel twice. Do you know why he says it
• 4:05
  Speaker 2: the second time? He says slide show mal Oh okay,
• 4:09
  Speaker 2: I always thought it was side shame side's I think, well,
• 4:14
  Speaker 2: obviously the subtitles when I watched it said slide show meal,
• 4:17
  Speaker 2: and I was like, yeah, ah.
• 4:19
  Speaker 1: Was he correcting himself?
• 4:20
  Speaker 2: Because I always thought it was giving you two versions
• 4:22
  Speaker 2: of the side show mel and he's a professional. But
• 4:24
  Speaker 2: it's like, no, he's just slides him outside show mal
• 4:27
  Speaker 2: as supposed to.
• 4:28
  Speaker 1: Slide sham shout out to a pal Ed cavally as well,
• 4:30
  Speaker 1: who's always about learning from a professional. Yeah, so, but
• 4:33
  Speaker 1: you tend to get Kelsey being Kelsey, and with this
• 4:36
  Speaker 1: he was sort of a you know, dialing it back
• 4:39
  Speaker 1: a bit, which I think we I think we really appreciate.
• 4:41
  Speaker 2: Well, you know why because for the majority of the episode,
• 4:44
  Speaker 2: he's not playing side showbod Oh, he's playing Walt Warren
• 4:48
  Speaker 2: Walt Warre.
• 4:48
  Speaker 1: I was about to say will walk I got the
• 4:51
  Speaker 1: alliteration correct, but the name's all wrong.
• 4:53
  Speaker 2: So I just type slideshow into Frankiak and it's not there.
• 4:56
  Speaker 2: So maybe it is side show side show mew. It
• 4:58
  Speaker 2: works both ways.
• 5:00
  Speaker 1: I think it does, which is funny. Though.
• 5:01
  Speaker 2: Do you think do you think it's the him correcting
• 5:02
  Speaker 2: himself because he's made a mistake, or do you think
• 5:04
  Speaker 2: it's because he's given you too variations?
• 5:05
  Speaker 1: I think I think variation because he says at the end,
• 5:08
  Speaker 1: learn from a professional. Yeah, He's like, I don't want
• 5:10
  Speaker 1: to be here all that long. I'm just going to
• 5:12
  Speaker 1: rattle it off. But it's like you can cut and
• 5:14
  Speaker 1: paste this. You're an editor into anything you like. You know,
• 5:19
  Speaker 1: I'm giving you the variation, but I'm out. Yeah, I
• 5:22
  Speaker 1: think I think it was, But that's a previous that's
• 5:28
  Speaker 1: another episode entirely. Yeah, the Bob next Door.
• 5:30
  Speaker 2: But again though, so Kelsey wasn't really playing Sicho Bob
• 5:32
  Speaker 2: No no for the more than two thirds of this episode.
• 5:35
  Speaker 1: I think great, No, and he's still is Kelsey Grammary.
• 5:39
  Speaker 1: He's got that. He's got one of the most distinctive
• 5:40
  Speaker 1: voices of the last thirty years or so.
• 5:43
  Speaker 2: It sounds just like that guy from Cheers and the
• 5:46
  Speaker 2: Fraser from Frasier and Tom whatever.
• 5:49
  Speaker 1: Tom saw it at the cinema. I was a big
• 5:52
  Speaker 1: fan of that. Shout outcause I love Dan Periscope. Wise man,
• 5:58
  Speaker 1: because I don't I don't know Kelsey got that many
• 6:01
  Speaker 1: sort of bites at the cherry when it came to
• 6:03
  Speaker 1: a big screen stardom. He's been in his share of movies,
• 6:06
  Speaker 1: but generally he's more so. It was the star of
• 6:08
  Speaker 1: that one, but he was the start. He was name
• 6:10
  Speaker 1: above the title in Dann Periscope, which I don't think
• 6:12
  Speaker 1: that many people saw.
• 6:13
  Speaker 2: And I don't think I people talk about it anymore,
• 6:14
  Speaker 2: and I'm like, talk about this vie. It's very funny.
• 6:17
  Speaker 1: Is it on Disney plants? Imagine it would be? Is that?
• 6:20
  Speaker 1: I hope? So it's not on physical meter. I know that.
• 6:22
  Speaker 1: Let's have a quick peek because stream I will occasionally
• 6:25
  Speaker 1: type a title into Disney plass. It's on Disney Plus. Yeah,
• 6:28
  Speaker 1: watch it.
• 6:29
  Speaker 2: If you have got Disney Plus, make sure you watch
• 6:31
  Speaker 2: down periscope. Good movie seven. Look, you brought it up there,
• 6:36
  Speaker 2: So go to the cast because it's got like a
• 6:37
  Speaker 2: really good supporting cast.
• 6:38
  Speaker 1: It really does.
• 6:39
  Speaker 2: It's got dumb dumb dumba. Yeah, yeah, well to use.
• 6:43
  Speaker 1: She's from Dumb and dumba. To me, she's from the
• 6:45
  Speaker 1: Adventures of Ford fair Lay, which brings up something else.
• 6:49
  Speaker 1: I'm not going to step up my favorite moments.
• 6:50
  Speaker 2: But I'll get to it when I get to it, Okay,
• 6:51
  Speaker 2: Calsiy Grammer, Rob Schneider, Lauren Holly, Bruce Dern Yeah, Ken
• 6:57
  Speaker 2: cardson playing the chef, isn't he indeed?
• 6:59
  Speaker 1: Yeah?
• 7:00
  Speaker 2: Toby has Toby tobyhus from King of the Hill. We
• 7:04
  Speaker 2: am Macy and clearly what in an early role Jonathan Penner,
• 7:07
  Speaker 2: ripped ripped horns in there. Wow, Dwayne Martin, Arlan Williams. Yeah,
• 7:12
  Speaker 2: it's pat and yeah, a lot of like you said,
• 7:16
  Speaker 2: just those guys, those guys.
• 7:17
  Speaker 1: And a lot of familiar faces.
• 7:19
  Speaker 2: You grew up in the nineties, you justill you saw
• 7:21
  Speaker 2: them and everything. You never knew their names as a kid.
• 7:24
  Speaker 1: Ken Hudson KM was one of the voices in Herman's Head, right,
• 7:27
  Speaker 1: he was one of the characters in Herman's Head.
• 7:29
  Speaker 2: What the hell's Herman's Head? Are you not aware of
• 7:31
  Speaker 2: Herman's Head? Herman's Head? No, this is a this is
• 7:34
  Speaker 2: a sitcom.
• 7:34
  Speaker 1: From the from the nineties, I believe, No, never heard
• 7:37
  Speaker 1: of it in my life. This guy named Herman and
• 7:39
  Speaker 1: he's it's almost like inside out. He's got like these
• 7:42
  Speaker 1: four people in his head that represent various emotions.
• 7:47
  Speaker 2: Hardley Smith was a character in that, I guess. So, yeah,
• 7:49
  Speaker 2: there's the tie in.
• 7:52
  Speaker 1: It's it's almost like I meant to tell you about this,
• 7:55
  Speaker 1: but yeah, Herman's a regular guy and like the intro,
• 7:59
  Speaker 1: we should clear up the introgers. Actually, it's one of
• 8:02
  Speaker 1: those great nineties and says this is the premise about show. Yes,
• 8:05
  Speaker 1: you know It's like, Hi, I'm Herman's rationality. I keep
• 8:09
  Speaker 1: him from making bad choices. I'm Herman's emotions, I you know,
• 8:13
  Speaker 1: make him feel things, etcetera. I'm Herman's anxiety. Basically ripped
• 8:19
  Speaker 1: it off. It actually is just inside out.
• 8:21
  Speaker 2: It just says here in the description the four aspects
• 8:23
  Speaker 2: of fact Checker's personality argue over his decisions pretty much.
• 8:27
  Speaker 1: I don't how many episodes they made of this, but
• 8:28
  Speaker 1: it was a few.
• 8:30
  Speaker 2: Herman's Head, that's a look. They made three seasons, seventy
• 8:34
  Speaker 2: two episodes. Yeah, was in there as well.
• 8:40
  Speaker 1: A Better Time to Be Alive, starring William Ragsdale, the
• 8:42
  Speaker 1: star of Frot.
• 8:43
  Speaker 2: Night, So angel Is, Molly Hagen, Animal, Ken Hudson, Campbell, Wimp,
• 8:47
  Speaker 2: was Rick Lawless, Genius, Peter Mackenzie, Jealousy, Bob Kat Leslie Nielsen,
• 8:52
  Speaker 2: Leslie Nielsen. Wow, we played God. So he Gazari was
• 8:58
  Speaker 2: his coworker. That's right, Yeah, Jane Sibbet is it Sabbett Sibbet?
• 9:03
  Speaker 2: But yeah, so, Yardley Smith and Hegazari starred voices as
• 9:07
  Speaker 2: themselves on the show.
• 9:09
  Speaker 1: Mo I'm glad I introduced it, man.
• 9:12
  Speaker 2: I'm not sure where you'll find it these days. Look
• 9:15
  Speaker 2: probably on YouTube's look yeah, Herman's Head. But I highly
• 9:19
  Speaker 2: recommend this to those who are listening and or watching
• 9:22
  Speaker 2: this episode of fourthing a.
• 9:24
  Speaker 1: Discount Herman's Head. It's a really good.
• 9:26
  Speaker 2: Ninety sitcom, Hermon's Head. Full episodes here. What I do
• 9:28
  Speaker 2: is I just download like player lists of full episodes
• 9:30
  Speaker 2: and the full episode seasons one through seasons one through nine,
• 9:34
  Speaker 2: there's only four.
• 9:35
  Speaker 1: Get the feeling that's not quite right. You're going to
• 9:38
  Speaker 1: click on that, get malware.
• 9:39
  Speaker 2: I'm going to click on it. And he's the intro's
• 9:43
  Speaker 2: trouble everywhere and he's lost, let me miss it. On the.
• 9:51
  Speaker 1: He've got his baseball gap on backwards. It looks like
• 9:53
  Speaker 1: Joe Rogan high stage jumper on yeah. And that's Ken
• 9:57
  Speaker 1: Hudson Campbell and he plays the chef. Was down Periscope,
• 10:01
  Speaker 1: which starred Kelsey.
• 10:02
  Speaker 2: Grammar, who is the which is mentioned in this episode,
• 10:06
  Speaker 2: who is the guest.
• 10:07
  Speaker 1: Of the Bob next Door, which is what we're talking
• 10:09
  Speaker 1: about in this episode. For being a disc out, we
• 10:12
  Speaker 1: brought it back, folks, We landed the plane.
• 10:14
  Speaker 2: Still one more damn periscope thing. As a kid, my
• 10:17
  Speaker 2: favorite moment was always when he farted. We're not trying
• 10:20
  Speaker 2: to be really quiet, and then he farts, and then
• 10:23
  Speaker 2: the other ship's like, what was that? Was it a whale?
• 10:26
  Speaker 2: Like pick comedy and ever on the I think everyonet
• 10:30
  Speaker 2: their noses like, yeah, I'll just kid absolute cinema.
• 10:39
  Speaker 1: It's a great, a great. I don't think you call
• 10:43
  Speaker 1: it a meme, just a screen cap of I think
• 10:45
  Speaker 1: it's a No. I think it's the Korean director. It's
• 10:48
  Speaker 1: Bong dren Ho saying to me that cinema.
• 10:52
  Speaker 2: I think one he's doing this one says absolutely one's
• 10:55
  Speaker 2: absolute ship.
• 10:58
  Speaker 1: But there's so many of those are like veryous and
• 11:00
  Speaker 1: pure cinema, and yeah, damn Periscope is pure cinema. Kelsey Grammar, Yeah,
• 11:05
  Speaker 1: look I did a good job in.
• 11:06
  Speaker 2: This episode, he did. Oh yeah, I really really liked it.
• 11:09
  Speaker 2: I like the fact that it was also a face
• 11:11
  Speaker 2: off parody. Face Off one of my favorite movies of
• 11:12
  Speaker 2: all indeed. Yeah, but it wasn't sort of like an
• 11:15
  Speaker 2: obvious parody. It wasn't just no, it wasn't it wasn't
• 11:18
  Speaker 2: be for beat at all. No, there was references to
• 11:20
  Speaker 2: face Off. I think it maybe.
• 11:21
  Speaker 1: Just because there's faces that are off. Oh, stealing the identity. Yeah,
• 11:25
  Speaker 1: there is that as well.
• 11:26
  Speaker 3: Yeah.
• 11:26
  Speaker 1: Absolutely. Having said that, look, we've talked about things that
• 11:28
  Speaker 1: we liked in this episode. There were certain things that
• 11:29
  Speaker 1: I disliked about this episode, and these are things that
• 11:34
  Speaker 1: have come up a lot in season twenty one episodes.
• 11:37
  Speaker 1: There's just a lot of lazy joke telling in this.
• 11:41
  Speaker 2: Or in the next one. To judge me tender, that's true.
• 11:44
  Speaker 1: Yeah, but not even not even lazy joke challeing, just
• 11:47
  Speaker 1: non existent joke tell.
• 11:48
  Speaker 2: Just stuff happening, and you go, what was the I
• 11:51
  Speaker 2: think it might be this one on the next one
• 11:52
  Speaker 2: I had in my notes. So you wrote this, you
• 11:55
  Speaker 2: put it in the scripts, and then did anyone actually
• 11:57
  Speaker 2: think to ask, where's the joke?
• 11:59
  Speaker 1: Correct? What was the point of this? Well, here's one.
• 12:02
  Speaker 1: I mean there's a scene in this a very brief cutaway.
• 12:05
  Speaker 1: It was like, why is Clancy asleep at the wheel? Yeah?
• 12:08
  Speaker 2: I mean it meant to be a jokers He's always
• 12:10
  Speaker 2: asleep at the wheel, and now he's literally asleep at
• 12:12
  Speaker 2: the wheel.
• 12:13
  Speaker 1: But you haven't really sort of you haven't done the
• 12:15
  Speaker 1: setup for the payoff.
• 12:17
  Speaker 2: No, so it just it wouldn't it be funny if
• 12:19
  Speaker 2: he was Asleep at the Wheel. He actually has a
• 12:22
  Speaker 2: line in this and I shared this on our page
• 12:23
  Speaker 2: last night. Screen captain. He says something about which is
• 12:27
  Speaker 2: of east Wick, but he puts it's a spin on
• 12:30
  Speaker 2: that name, and he says, I don't want to send
• 12:32
  Speaker 2: to myself. That's how creativity dies. And I'm like, rich
• 12:35
  Speaker 2: coming from the show that censored the Michael Jackson episode
• 12:38
  Speaker 2: and also removed a poof from a show because one
• 12:40
  Speaker 2: guy complained in a documentary.
• 12:42
  Speaker 1: Correct. Good point, Good points on your part, So well done.
• 12:45
  Speaker 1: But also I think there was another bit where you've
• 12:48
  Speaker 1: got Millhouse and Bart in the treehouse and they're trying
• 12:51
  Speaker 1: to draw a side show Bob out of the keep
• 12:55
  Speaker 1: to say.
• 12:56
  Speaker 2: We'll walk or it's Wald Warren World Warren, Yeah, singing
• 12:58
  Speaker 2: the song from kate Field.
• 12:59
  Speaker 1: Draw the archo bob at him by doing a Gilbert
• 13:02
  Speaker 1: and Sullivan, and then that leads in a little bit
• 13:04
  Speaker 1: of thing about oh yeahs on the radio station was
• 13:10
  Speaker 1: eighty nine point four. The spur Millhouse goes on a
• 13:13
  Speaker 1: a bit about that they've got this and they've got this.
• 13:15
  Speaker 1: Then it just closed that with butts shut up. Yeah,
• 13:18
  Speaker 1: Like hello, Joe Blue Flavor, where are you look. I'm sorry,
• 13:26
  Speaker 1: that's just me.
• 13:27
  Speaker 2: But it's like, if the end is just him going
• 13:30
  Speaker 2: shut up, what was the point?
• 13:32
  Speaker 1: I'm sorry. Yeah, guys, you're in the Simpsons writer. I
• 13:39
  Speaker 1: hate to be the persiond that says do better, but better.
• 13:42
  Speaker 2: I saw some horrifying news on Twitter today yesterday, actually
• 13:46
  Speaker 2: Al Jean men Aljean in front of the pod. He
• 13:49
  Speaker 2: revealed that their moving offices. I did see this the
• 13:52
  Speaker 2: first time in like thirty five years, and I said,
• 13:54
  Speaker 2: this is incredibly sad because all the history that's been
• 13:57
  Speaker 2: created within those walls will now only exist the minds
• 14:00
  Speaker 2: of those who worked in there.
• 14:01
  Speaker 1: Correct. Yeah, it's terrible. Why are they moving? You've said
• 14:05
  Speaker 1: this when we've had interviews with Simpsons personnel, and I
• 14:09
  Speaker 1: agree with that wholeheartedly. There should be a Simpsons museum,
• 14:12
  Speaker 1: of course there should be. Yeah, it'll be fantastic.
• 14:15
  Speaker 2: And I think I may have little fire into some
• 14:18
  Speaker 2: asses this week because I said, when I shared our
• 14:22
  Speaker 2: clip from Josh Weinstein talking about how he's got that
• 14:24
  Speaker 2: Hank Scorpio video somewhere in his garage, by the way
• 14:27
  Speaker 2: he starts his response to that is the most Simpsons
• 14:29
  Speaker 2: writer thing ever. Is like it's I think it's someone
• 14:31
  Speaker 2: in my garage. My garage is forll of spiders.
• 14:36
  Speaker 1: Yeah, and when you clipped it and yeah, when we
• 14:39
  Speaker 1: short formed it, Yeah, I think we were very I
• 14:42
  Speaker 1: think we responded to brogly and we said we will
• 14:44
  Speaker 1: overcome our fear of spiders and come dig through your
• 14:47
  Speaker 1: garrets to find it. We need to find it exactly right. Yeah,
• 14:49
  Speaker 1: So no, good on you for lighting a fight. Good
• 14:51
  Speaker 1: good on Josh for retweeting and giving a bit of
• 14:54
  Speaker 1: a signal boost.
• 14:55
  Speaker 3: Yeah.
• 14:56
  Speaker 2: But the thing is a lot of Simpsons creators and
• 14:58
  Speaker 2: writers now now sharing photos on Twitter last week that
• 15:03
  Speaker 2: have obviously sitting on for decades, and all of a
• 15:05
  Speaker 2: sudden there's like Josh John Schwartzwater put out like twenty
• 15:08
  Speaker 2: photos behind the scenes the other and I was like, no,
• 15:10
  Speaker 2: we're not, Yeah, we're not saying that Dano was completely
• 15:13
  Speaker 2: responsible for completely not.
• 15:16
  Speaker 1: But somewhat. Look, there were a few gags like that
• 15:20
  Speaker 1: throughout this or sort of lame bits and pieces.
• 15:23
  Speaker 2: Yeah, it happened in the next one, a bit of
• 15:25
  Speaker 2: a tease for the next season. Twenty one review the
• 15:27
  Speaker 2: finale of season twenty one, Judge Me Tender, a lot
• 15:29
  Speaker 2: of just listing things, and I was like, yes, these
• 15:32
  Speaker 2: names are funny, but it's gone on for like twenty
• 15:34
  Speaker 2: five seconds.
• 15:35
  Speaker 1: Now.
• 15:36
  Speaker 2: There's no jokes here. It's just a funny name, funny name,
• 15:39
  Speaker 2: a list of reality show.
• 15:40
  Speaker 1: Yeah, to the point where most.
• 15:41
  Speaker 2: Like that's a big list, isn't it. And then he
• 15:42
  Speaker 2: keeps going and I was like, it just felt like
• 15:44
  Speaker 2: filler even though it's not feiler because they're funny names.
• 15:47
  Speaker 2: It's like, you're not writing a scene here. No, you
• 15:50
  Speaker 2: just had a bunch of names. You couldn't figure out
• 15:51
  Speaker 2: a way to work them in there, so you're just
• 15:53
  Speaker 2: listing them, you know, which we'll talk about that and
• 15:55
  Speaker 2: Judge talk about that when.
• 15:56
  Speaker 1: We talk about that. But it did reek of ripping
• 15:59
  Speaker 1: in the writers. Yeah, but I'm not I'm not gonna
• 16:03
  Speaker 1: sort of There are more lamebits that I'll talk about
• 16:05
  Speaker 1: as we as we go through the episode.
• 16:07
  Speaker 2: But I did like the aspect of him taking Bart
• 16:10
  Speaker 2: to five Corners because it makes sense that Bart's been sorry,
• 16:14
  Speaker 2: Bob's been foiled so many times. He finally devised a
• 16:17
  Speaker 2: plan where he will he feels like he'll get away
• 16:19
  Speaker 2: with murder because.
• 16:20
  Speaker 1: You can't actually rest him.
• 16:21
  Speaker 2: Correct it feels like a Bob esque escapade.
• 16:25
  Speaker 1: Yeah, it feels this is needlessly elaborate but also kind
• 16:28
  Speaker 1: of clever. Yeah, something we should point out, five corners
• 16:31
  Speaker 1: does not actually exist. There is, however, something called four corners.
• 16:35
  Speaker 2: Four corners, because it's been in The Simpsons a few times.
• 16:37
  Speaker 2: This this five corners, let's all hold hands and we're
• 16:40
  Speaker 2: in different year, parts of the country or whatever.
• 16:42
  Speaker 1: The four Corners as a.
• 16:43
  Speaker 2: As per Wikipedia, sing a lot of motown songs, right.
• 16:47
  Speaker 2: The four Corners absolutely also a great source of current
• 16:50
  Speaker 2: affairs if you're in Australia. Very local reference.
• 16:55
  Speaker 1: The four Corners is a region of the southwestern United States,
• 16:59
  Speaker 1: consistent of the southwest corner of Colorado, southeastern corner of Utah,
• 17:03
  Speaker 1: northeastern corner of Arizona, and northwestern corner of New Mexico.
• 17:08
  Speaker 2: So you so that would have been the four cops
• 17:09
  Speaker 2: that arrived at the end, and then you had Springfield
• 17:11
  Speaker 2: Police as the fifth.
• 17:12
  Speaker 1: Correct, Yes, except well they say which they say which
• 17:17
  Speaker 1: cops they.
• 17:17
  Speaker 2: Are, And I think it was more of the accents,
• 17:19
  Speaker 2: wasn't it.
• 17:20
  Speaker 1: As it was? Yeah, because I don't know if it's
• 17:23
  Speaker 1: one of your trivia questions or anything like that. But yeah,
• 17:25
  Speaker 1: one's Minnesota because they Minnesota. Yea, yeah, that was more
• 17:29
  Speaker 1: Canadian than But they also have New Jersey, which is
• 17:32
  Speaker 1: one of my favorite moments. Hey, my favorite Well, speaking
• 17:37
  Speaker 1: of favorite moments, favorite moments, I've a really really sort
• 17:40
  Speaker 1: of alluded to them. I love that there was a
• 17:42
  Speaker 1: down periscope shout out. Yeah. I'm wondering if that movie
• 17:44
  Speaker 1: was actually a hit. I'm sorry, do you still have
• 17:45
  Speaker 1: the pager? I can get it out.
• 17:47
  Speaker 3: Yeah.
• 17:47
  Speaker 2: I don't imagine it would have been a hit, which
• 17:50
  Speaker 2: makes me it might have been like a middling hit though,
• 17:53
  Speaker 2: I mean, I can't imagine it. Thirty seven point five
• 17:56
  Speaker 2: sony Okay then.
• 17:58
  Speaker 1: But this was the era of DVD.
• 18:02
  Speaker 2: It's got eleven percent on Rotten Tomatoes.
• 18:04
  Speaker 1: What how How I get the feeling? Because Kelsey Grammar
• 18:09
  Speaker 1: is the star of Cheers and Fraser and very synonymous
• 18:11
  Speaker 1: with this sort of high browish comedy that's like, what
• 18:15
  Speaker 1: is Grammar doing it? There's low bros. Submarine comedy where
• 18:18
  Speaker 1: someone farts and it sets off the radar. I know,
• 18:21
  Speaker 1: it's a talk like this.
• 18:24
  Speaker 3: Man.
• 18:25
  Speaker 2: The Makers of Police is what Variety wrote, The Makers
• 18:27
  Speaker 2: of Police Academy and Major League team up to take
• 18:29
  Speaker 2: on the submarine corps, and the result is a testosterone
• 18:32
  Speaker 2: comedy that's crewed fun with a pinch of corn pone morality.
• 18:36
  Speaker 2: It's a good natured, innocuous frivolity that should raise a
• 18:39
  Speaker 2: few smiles. However, Stephen Holden of The New York Times
• 18:41
  Speaker 2: felt the tone of the acting, which is set by
• 18:43
  Speaker 2: mister Grammer's blandly laid back performance, is all wrong for
• 18:47
  Speaker 2: a genre that demands over the top hamming.
• 18:49
  Speaker 1: That's see, you never think of Kelsey as like, I'm
• 18:52
  Speaker 1: the knock about lovable captain of a submarine crew full
• 18:57
  Speaker 1: of dufases.
• 18:58
  Speaker 2: Isn't it like to joke that he's the opposite of them?
• 19:01
  Speaker 1: Get a joke? Well maybe yeah, He's like.
• 19:03
  Speaker 2: Come on, you bunch of moruns, let's get this place
• 19:06
  Speaker 2: into shape. And they're all buffoons and he's frasier.
• 19:08
  Speaker 1: Well yeah, but I don't know. Sometimes you go to
• 19:11
  Speaker 1: the movies expecting, you know, I don't want to have
• 19:14
  Speaker 1: to think too much, or I don't want to have
• 19:16
  Speaker 1: to sort of subvert my expectations. It really should be
• 19:19
  Speaker 1: I don't know who's the kind of guy who would
• 19:21
  Speaker 1: be that laid back sort of I can't think of it.
• 19:24
  Speaker 1: But Kelsey is the kind of guy who's like, you
• 19:25
  Speaker 1: better whip those guys into shape, or it's your career.
• 19:29
  Speaker 1: I see.
• 19:29
  Speaker 2: I have not watched Dan Periscope for probably twenty years,
• 19:32
  Speaker 2: so maybe my memories are very, very nostalgic because I
• 19:36
  Speaker 2: found hilarious when I was younger. I might watch it
• 19:39
  Speaker 2: now and go the movies like Dan Damn Periscape, right,
• 19:42
  Speaker 2: I've loved for so long. I have not seen them
• 19:44
  Speaker 2: for so long, and sometimes I think maybe I should
• 19:47
  Speaker 2: them for nickolcause Nicholas never seen Damn Paris Scape, And
• 19:49
  Speaker 2: I'm like, but what if I put it on it?
• 19:51
  Speaker 1: It's really bad.
• 19:52
  Speaker 2: Not only will I my memory of it be dwindled,
• 19:54
  Speaker 2: but you'll be You'll be judged for it.
• 19:56
  Speaker 1: Of course. It's yeah, one of the how many times
• 20:00
  Speaker 1: have I said the first kiss is important, the first
• 20:02
  Speaker 1: part is more important? But also the first time you
• 20:04
  Speaker 1: recommend it, like, honey, I really love this movie.
• 20:07
  Speaker 2: Do you now? Half an hour and you're like, this one?
• 20:11
  Speaker 2: How do you think this went? I based off your recommendations,
• 20:16
  Speaker 2: purchased go on Blu Ray, which I'd never seen.
• 20:19
  Speaker 1: Okay, I don't think I whole hardly recommend I said
• 20:21
  Speaker 1: it was pretty good.
• 20:21
  Speaker 2: You said pretty Yeah, basically said you said, you said
• 20:23
  Speaker 2: I would enjoy it. So I bought go on Blue
• 20:26
  Speaker 2: Ray from Jami Hif. I just came out on Blu
• 20:27
  Speaker 2: Ray again, so I bought it. Suggested to Nikola, said,
• 20:30
  Speaker 2: wish we should watch this. Apparently it's pretty good. We
• 20:32
  Speaker 2: watched it.
• 20:32
  Speaker 1: What do you reckon? Happened? Turned it off like twenty
• 20:35
  Speaker 1: minutes in. No, she really enjoyed it. Yeah, well, it
• 20:39
  Speaker 1: seemed like you were setting me up for like, huys, guys,
• 20:42
  Speaker 1: taste does not suck.
• 20:43
  Speaker 2: I was like, I've been I've read where it's basically
• 20:46
  Speaker 2: like the little brother of pulp fiction.
• 20:47
  Speaker 1: Oh very much. So yeah, yeah, yeah, it was a
• 20:49
  Speaker 1: whole yeah, slew of movies in the wake of pop fiction.
• 20:52
  Speaker 1: It's like, hey, walk on the Wildside and we're gonna
• 20:55
  Speaker 1: be cutting up the chronology and all that kind of stuff. Yeah. Plus,
• 20:58
  Speaker 1: you know, it's really good in it. Oh boy, Timothy Oliphant,
• 21:01
  Speaker 1: he's great, awesome, and he's really good. It's got sorry
• 21:05
  Speaker 1: to be.
• 21:05
  Speaker 2: Gross, but it's got young hot Katie Holmes, and so
• 21:10
  Speaker 2: there's a couple of scenes of strippers and it's just
• 21:11
  Speaker 2: like boobs everywhere, and I was like, no, wonder you
• 21:13
  Speaker 2: and guy I thought this is a good movie. I
• 21:15
  Speaker 2: was like, it doesn't say nudity on the cover at all.
• 21:17
  Speaker 1: I didn't even remember the strippers in it. What did
• 21:19
  Speaker 1: I just give a shout the dude admittedly also with
• 21:24
  Speaker 1: a shirt off. Yeah, middle also said Caddy homes in it. Wow.
• 21:27
  Speaker 1: But anyway, go good stuff. Yeah, I'm glad you liked it.
• 21:30
  Speaker 2: It's got an audio commentary.
• 21:32
  Speaker 1: Oh, I know it's from boy Doug liman Ig. Yeah,
• 21:35
  Speaker 1: maker of the born I Dident' dig, which was recently
• 21:37
  Speaker 1: covered on the movie molon Davis Ship. We're killing it
• 21:40
  Speaker 1: with the synergy. This is great. The favorite moments, Oh yeah,
• 21:45
  Speaker 1: more favorite. I wrote down, Hey, it's face off exclamation mark.
• 21:50
  Speaker 2: I will say I think I remember this episode cause
• 21:52
  Speaker 2: I definitely watched it for the first time because I
• 21:54
  Speaker 2: remember the face coming off. I remember when I first
• 21:56
  Speaker 2: saw that when I was younger and being absolutely just
• 21:58
  Speaker 2: like grossed out mortified it.
• 21:59
  Speaker 1: Was in this episode.
• 22:01
  Speaker 2: Yeah, yeah, yeah, because when the face comes off, that's
• 22:04
  Speaker 2: the kind of stuff they always say for treeouts of horror.
• 22:06
  Speaker 2: I think that might be the most grotesque thing we've
• 22:08
  Speaker 2: seen that's Cannon, Simpsons, that's not of horror.
• 22:12
  Speaker 1: I read a few reviews of this and comments about this,
• 22:14
  Speaker 1: saying should have been a Treehouse of Horror episode.
• 22:17
  Speaker 2: Yeah, it was pretty I mean because that's the only
• 22:19
  Speaker 2: gory bit, but that's pretty intend gros.
• 22:22
  Speaker 1: Yeah, I mean. What it reminded me of more than
• 22:24
  Speaker 1: face off, even though it's very literally a face off
• 22:27
  Speaker 1: reference is like the hell Raiser movies. You know, the
• 22:30
  Speaker 1: first hell Raisers pulled the skin. The dude's got no
• 22:33
  Speaker 1: skin and he has to keep killing people to sort
• 22:35
  Speaker 1: of harvest their skin and shit like that, Like, yeah,
• 22:38
  Speaker 1: this is more hell Raised than anything else. Or yeah,
• 22:41
  Speaker 1: as I mentioned earlier, a bit of body horror, like
• 22:43
  Speaker 1: you know, some David Cronenberg shit.
• 22:44
  Speaker 2: Because I'm like, my kids are watching Simpsons whatever now,
• 22:46
  Speaker 2: but I feel like I wouldn't watch this. I feel
• 22:48
  Speaker 2: like this would this would shock them a little bit.
• 22:51
  Speaker 1: Yeah.
• 22:52
  Speaker 2: When they watched the Halloween ones, it's almost like they
• 22:54
  Speaker 2: switched their mindset. Yeah, and they know this is Halloween
• 22:57
  Speaker 2: one your prime yourself for Yeah, but this didn't feel
• 22:59
  Speaker 2: like like, oh, this guy's faces, what can we He's
• 23:02
  Speaker 2: cutting his own face off and stuff.
• 23:03
  Speaker 1: I went, yeah, pushing the bit.
• 23:05
  Speaker 2: Does this feel like a bit much pushing it a bit?
• 23:07
  Speaker 1: Yeah?
• 23:08
  Speaker 3: Uh.
• 23:08
  Speaker 1: And one other thing I liked in this episode was
• 23:11
  Speaker 1: at the very end, when you've got the five corners
• 23:13
  Speaker 1: and you've got the police from the from the five
• 23:15
  Speaker 1: various states. Just it's a bit obvious, I know, but
• 23:20
  Speaker 1: I like the New Jersey guys were just so blatantly
• 23:22
  Speaker 1: New Jersey. But the fact that they're on it, oh
• 23:25
  Speaker 1: like like my man dice Man reminded me of that
• 23:28
  Speaker 1: John de Volta a little bit. Oh yeah, let's go
• 23:30
  Speaker 1: get a funnel geek and please ski boar. But just
• 23:34
  Speaker 1: throwing in the oh at the end, Yeah, reminded me
• 23:39
  Speaker 1: of Andrew Dice Clay, star of the Adventures of Ford Fairlane,
• 23:43
  Speaker 1: which also co starred Lauren Holly, who was in Dan Periscope,
• 23:46
  Speaker 1: which Coast, which.
• 23:47
  Speaker 2: Which was referenced in this episode.
• 23:48
  Speaker 1: Yeah, the lead of the lead which was Kelsey Grammer,
• 23:51
  Speaker 1: who's the guest star in this episode.
• 23:53
  Speaker 2: About that, I love that, you just every time he's
• 23:55
  Speaker 2: a tangent. Now I'm explaining why somehow linked to this episode,
• 23:58
  Speaker 2: I'm bringing it back to bringing it to the beginning.
• 24:00
  Speaker 1: What do you like?
• 24:01
  Speaker 2: Well as most of mine. But I also liked when
• 24:03
  Speaker 2: March is like, he says, can I go to the
• 24:04
  Speaker 2: baseball games?
• 24:05
  Speaker 1: Have you cleaned your room?
• 24:06
  Speaker 4: No?
• 24:06
  Speaker 1: Good?
• 24:06
  Speaker 2: To give me something to do, you're out.
• 24:08
  Speaker 1: I did like that, actually, I mean it struck me
• 24:11
  Speaker 1: as like vintage March, because I feel bad that they've
• 24:17
  Speaker 1: sort of and we've talked about this many times, they
• 24:20
  Speaker 1: are not writing character based jokes anymore. They're writing jokes
• 24:23
  Speaker 1: and the signing them to characters. We've said this many, many,
• 24:25
  Speaker 1: many times. But that felt like a legitimate March. Yeah. Yeah,
• 24:30
  Speaker 1: So I really appreciate that, even though it's sad, but
• 24:36
  Speaker 1: it's true though.
• 24:37
  Speaker 2: I mean, we always go when we got home, kids,
• 24:39
  Speaker 2: we're going to clean up the house. Okay in the
• 24:41
  Speaker 2: first hour, you do't you're doing anything and clean up that.
• 24:42
  Speaker 2: You clean up your rooms, the playroom, I'll clean up
• 24:45
  Speaker 2: the land. Blah blah blah blah. We get home and
• 24:46
  Speaker 2: I see them sort of fanning Around'm like, get out
• 24:48
  Speaker 2: of the way, get the way, you guys, sit there,
• 24:51
  Speaker 2: let me do it. Will you doing it properly? Oh goodness?
• 24:54
  Speaker 2: Because they just sort of just go whosh under the
• 24:56
  Speaker 2: desk as opposed to putting things in piles, Holly's getting
• 25:00
  Speaker 2: the Holy spitger of Alia's.
• 25:01
  Speaker 1: Just like you want to clean. I'm cleaning. I'm doing
• 25:06
  Speaker 1: it my way. You see the floor, yes, but you're
• 25:09
  Speaker 1: not doing it. Maywey.
• 25:10
  Speaker 2: Next question you there eating the paste trivia time. My
• 25:14
  Speaker 2: first question for you is Walt's favorite radio station? Is
• 25:17
  Speaker 2: what you mentioned it earlier? It's eighty nine point four
• 25:19
  Speaker 2: the Spur, The Spur, Yes, who's in the afternoon on
• 25:22
  Speaker 2: that one.
• 25:22
  Speaker 1: I didn't write this, It was our deal, I mike yea,
• 25:24
  Speaker 1: which I thought was okay. How old is Chief Wigham? Oh?
• 25:30
  Speaker 2: When did they mention that.
• 25:31
  Speaker 1: He does that picture of Daddy's Bang Bang and like, wow,
• 25:35
  Speaker 1: that raff is the artist I drew Thish and it
• 25:38
  Speaker 1: bolds down and it says, see Wigham age something.
• 25:40
  Speaker 2: Oh really, I'm going to say, well, Home is meant
• 25:43
  Speaker 2: to be thirty nine per cannons, so I'm going to
• 25:44
  Speaker 2: say Wigham is thirty eight.
• 25:46
  Speaker 1: He is forty three years old.
• 25:47
  Speaker 2: Forty three okay, according to that picture. Anyway, I suppose
• 25:49
  Speaker 2: he was older than Homer. I think, yeah, you're right.
• 25:52
  Speaker 2: Maybe I can't remember. They change all the time. My
• 25:54
  Speaker 2: daxt question for you is what books does Bart find
• 25:56
  Speaker 2: in Walt's house. Oh, because there are a lot of magazines,
• 26:00
  Speaker 2: weren't Yeah, and then round Yeah, and was the was
• 26:04
  Speaker 2: the calendar like Cuddly Puppies, Cuddly Puppies, that's right. There
• 26:08
  Speaker 2: was also Calm, Comfortable. I forgot the others, not Mad Magazine,
• 26:13
  Speaker 2: not My Old Man, is Harmless World, and Nap Fancy.
• 26:16
  Speaker 1: Nap Fancy. Okay, I would read all of these. Great
• 26:21
  Speaker 1: book a.
• 26:21
  Speaker 2: Book that just says it's called calm, I'm going to
• 26:24
  Speaker 2: at least give it a crack.
• 26:25
  Speaker 1: There actually is a book called the Little Book of Calm. Okay.
• 26:27
  Speaker 1: It was probably full of little algorithms like don't forget
• 26:30
  Speaker 1: to breathe. Thanks for that, all right. My next question
• 26:33
  Speaker 1: to you is what does the Bart train name stand for?
• 26:39
  Speaker 1: Because you know, there's a scene where Bob slash Walt
• 26:42
  Speaker 1: is going but but but but and a train goes
• 26:45
  Speaker 1: past and it says bart. Bart is an acronym for something
• 26:49
  Speaker 1: that was a really long winter question.
• 26:51
  Speaker 2: Yeah, the last word is going to be trained, right,
• 26:54
  Speaker 2: No railway, No, what is it?
• 26:58
  Speaker 1: It stands for Bay Area Rapid Transit. Okay, we go.
• 27:02
  Speaker 2: My final question for you is what is the name
• 27:04
  Speaker 2: of the we would say petrol station that they stop at,
• 27:07
  Speaker 2: oh Man, the last one before Park Corners.
• 27:10
  Speaker 1: Oh, it's a good name. It was to and I've
• 27:13
  Speaker 1: already forgotten it.
• 27:14
  Speaker 2: It's gas and grub gas And I like food being
• 27:16
  Speaker 2: referred to as grub. When you say grub food, you
• 27:19
  Speaker 2: know exactly, it's like roadhouse cafe, you know, it's this
• 27:22
  Speaker 2: sense of roller the grub.
• 27:25
  Speaker 1: I want some grub. Yes, indeed featuring our girl Joyce. Yeah,
• 27:29
  Speaker 1: fell over for Joyce, lonely lady. Yeah. I have one
• 27:32
  Speaker 1: more question here. I mentioned the Gilbert and Sullivan song earlier,
• 27:37
  Speaker 1: that Millhouse and Bart singing. That's from the Cape?
• 27:42
  Speaker 2: Yes back, which character is Millhouse playing? Yumo? Is it
• 27:48
  Speaker 2: yem yum yum yum? Okay, Yes, there's time for some
• 28:00
  Speaker 2: stone Cutter shoutoutuned with the incredible Katy G with her
• 28:03
  Speaker 2: one hundred dollars of Moore, absolute legend.
• 28:06
  Speaker 1: Such a bob would not want to kill Ketty G. No, No,
• 28:08
  Speaker 1: I mean fun fact. Katy G is also a cast
• 28:11
  Speaker 1: member of Dan Periscope, which stars Kelsey Grammer, who was
• 28:15
  Speaker 1: the guestar of this episode.
• 28:16
  Speaker 2: She voiced joy in Herman's World, and she was also
• 28:21
  Speaker 2: Katy G is there nothing she can't do?
• 28:23
  Speaker 1: I know?
• 28:24
  Speaker 2: Also David Stewart, Glen Gomez, Justin Parker, Zach Pruitt, Shaanny Macker, Elliot,
• 28:28
  Speaker 2: j O'Neil, Isabella Murphy, Reached Beasley, Stephen Roberts, Shawan, DV
• 28:31
  Speaker 2: Pete Anderson, Timothy Burst and Andrew Davis, Kevin Dentel, Planned Flood,
• 28:34
  Speaker 2: Bella winder Bank, Jack McFadden, Heath Appleby, Addict, McLeod, marchra
• 28:38
  Speaker 2: Levan Ginger and Pickle, Preston Murray to Lee, Enriquez, Declan Phoenix,
• 28:41
  Speaker 2: Brian McCoy, Logan, b James Sheppard, Joe Reading said, Dave
• 28:44
  Speaker 2: Pretzel's Mittnally Gaven named, Damie Miller, Charlie Joe, Abigail Beach,
• 28:47
  Speaker 2: up Cutter and Craig Alti Smash Gloucester. Thank you for
• 28:50
  Speaker 2: being Stonecutter supporters here at four finger discount.
• 28:52
  Speaker 1: Yeah. Fun fact they are all cast members of Dan Paris.
• 28:58
  Speaker 1: I won't do it again.
• 28:59
  Speaker 2: Problem all right? So the original air date of this
• 29:03
  Speaker 2: episode was May sixteen, twenty ten. The top three films
• 29:07
  Speaker 2: at US box office when this aired, Letters to Juliette
• 29:09
  Speaker 2: was number three. Robin Hood never seen that one. Number
• 29:12
  Speaker 2: two one with Russell Crowe. I believe, Okay, it sounds
• 29:15
  Speaker 2: like a serious version of Robin Hood.
• 29:16
  Speaker 1: It was directed by Ridley Scott's guy Kepe Blanchett in
• 29:18
  Speaker 1: There's Any Good, Marian. No, it's dull.
• 29:21
  Speaker 2: I can imagine it would be dull. Yeah, Robinhood needs
• 29:23
  Speaker 2: to be fun and flamboyant.
• 29:24
  Speaker 1: It does. We need to get back to that fun
• 29:26
  Speaker 1: fact semi fun fact about this version of Robin Hood.
• 29:29
  Speaker 1: It actually started a script called Nottingham and it was
• 29:32
  Speaker 1: the robin Hood story told from the perspective of the
• 29:34
  Speaker 1: Sheriff of Nottingham. It's like, I'm just trying to keep
• 29:37
  Speaker 1: the peace around here, guys, and here's this guy who's
• 29:39
  Speaker 1: you know, this flamboyant. Do you think he is now
• 29:41
  Speaker 1: Kelly Robin from the riches and giving to the poor? Apparently, Yeah,
• 29:47
  Speaker 1: that sounded interesting. I would have watched that as opposed
• 29:49
  Speaker 1: to just you know, Russell Crown plain robin Hood. Don't
• 29:54
  Speaker 1: start me, I must kick off. I watched a Russell
• 29:57
  Speaker 1: Crowe movie over the weekend.
• 29:59
  Speaker 2: It was okay, is he entering his Nicolas Cagy or
• 30:02
  Speaker 2: just making movies for the sake of making them?
• 30:04
  Speaker 1: Now? I think so? Yeah, I mean, occasionally he will
• 30:06
  Speaker 1: be in like a legitimate, big budget thing, but also
• 30:08
  Speaker 1: he'll just be in a bunch of stuff that goes
• 30:10
  Speaker 1: straight to streaming. What do you think you need to
• 30:13
  Speaker 1: get him to do your movie? Is it just the
• 30:14
  Speaker 1: money or do you think he needs a genuine side.
• 30:17
  Speaker 1: I think he needs some kind of genuine connection to
• 30:19
  Speaker 1: the material. I think also if you dangle a nice
• 30:22
  Speaker 1: fat check in front of Russell, he will do it.
• 30:24
  Speaker 1: He has also entered that stage or it's it can
• 30:26
  Speaker 1: be Russell Crowe in his name will be above the title,
• 30:29
  Speaker 1: but more often than not now these as it's going
• 30:31
  Speaker 1: to be and Russell Crowe as ye like he's he's
• 30:34
  Speaker 1: in the upcoming remake of Highlander, ah okay, and he's
• 30:38
  Speaker 1: playing like the Sean Connery role in that. So he's
• 30:40
  Speaker 1: like where what's his face? Oh? God, godfather? What's his name?
• 30:44
  Speaker 1: Brando Brando?
• 30:45
  Speaker 2: Superman where it's like Marlon Brando as the dad very much.
• 30:48
  Speaker 1: Because well Crow was Superman's dad in Man's Steel. Yeah,
• 30:52
  Speaker 1: And when they were making that, it's very much like, oh,
• 30:56
  Speaker 1: you're following the Superman Superman the movie template of like
• 31:00
  Speaker 1: it's surround this unknown guy Henry cavill in this case
• 31:03
  Speaker 1: with a bunch of legitimate repeal blactics. Not that Henry
• 31:05
  Speaker 1: cav is not legit, but you know, rub from them. Yeah, indeed.
• 31:08
  Speaker 1: And I think Zack Snyder when he was making Man
• 31:11
  Speaker 1: of Steel is like, you know who we need to
• 31:12
  Speaker 1: get to play Superman's dad, the best actor in the word,
• 31:14
  Speaker 1: Let's ge Daniel da Lewis. Daniel Lewis said no, thank
• 31:16
  Speaker 1: you one, rather go, you know, eat my own ship.
• 31:19
  Speaker 1: It's like, how did you get this number? Whereas Russell
• 31:23
  Speaker 1: was like what flavor of ship? Russell? We shouldn't be
• 31:30
  Speaker 1: saying this because Russell he's probably googling those those blokes
• 31:34
  Speaker 1: on forfigure. This guy like Russell pull the Winston zen
• 31:37
  Speaker 1: War said if there's a steady p check, and I'll
• 31:39
  Speaker 1: do anything you said?
• 31:41
  Speaker 2: Was him recently where he's like, if you're a dick,
• 31:43
  Speaker 2: I'm not going to sign anything something. But but like
• 31:46
  Speaker 2: I'm on his side. He was like, yeah, back the
• 31:48
  Speaker 2: fuck up. I will sign all your stuff, but don't
• 31:51
  Speaker 2: get in my face about it. Sure, And everyone's like,
• 31:53
  Speaker 2: oh he's so rude, and I'm like no, no, no, no,
• 31:55
  Speaker 2: he's just.
• 31:56
  Speaker 1: He says he will sign their ship. He's back up.
• 31:58
  Speaker 1: He's setting boundary, Yeah, which I think you have to.
• 32:01
  Speaker 1: I think you do. Yeah, And I.
• 32:02
  Speaker 2: Mean two was number one still all right? Cool at
• 32:04
  Speaker 2: the US box office. Yeah, I mean everyone liked Iman
• 32:07
  Speaker 2: two or three, which everyone like the first one.
• 32:10
  Speaker 1: A lot of people like the third one, third one.
• 32:12
  Speaker 2: Ye.
• 32:12
  Speaker 1: Second one is people are gonna go what not quite
• 32:15
  Speaker 1: sure about this.
• 32:15
  Speaker 2: Who is the villain in the second one. It's Whiplash
• 32:17
  Speaker 2: played by Mickey Rourke. Yeah, but it's also because you've
• 32:21
  Speaker 2: got the two villains, because you've got whiplashes.
• 32:24
  Speaker 1: Like villains, don't they. But he is being bankrolled by
• 32:28
  Speaker 1: Tony Stark's rival, Justin Hammer played by Sam Rockwell. Sam
• 32:32
  Speaker 1: role has come out and do his a little cool
• 32:34
  Speaker 1: dance and everything like that. Basically, Elon Musk is in.
• 32:36
  Speaker 1: It is a cameoah, which is aged well or age badly,
• 32:41
  Speaker 1: depending on your thoughts about Big Daddy Elon.
• 32:43
  Speaker 2: It's like Trump's cameo and Home Alone too correct. Yeah,
• 32:46
  Speaker 2: just stands like a saw like, oh it's Trump.
• 32:50
  Speaker 1: Can I leg you? We name Humiloon. You don't have
• 32:52
  Speaker 1: to put it with these ladies.
• 32:54
  Speaker 2: It wasn't the deal that he let them use his
• 32:56
  Speaker 2: Trump Plaza for the filming as long as he was
• 32:58
  Speaker 2: in it or something something like that. Yeah, yeah, who
• 33:00
  Speaker 2: wouldn't who among us? But yeah, so that was the
• 33:04
  Speaker 2: top three films. Let us to Juliet, which you never
• 33:05
  Speaker 2: been bothered talking about. Is it worth even talking about
• 33:07
  Speaker 2: lest I'm trying to recall. I think you can't remember.
• 33:09
  Speaker 2: It's not worth talking about now.
• 33:10
  Speaker 1: I think it's like a romantic comedy set somewhere in
• 33:14
  Speaker 1: Italy and there's like a wall or something that you
• 33:19
  Speaker 1: or it's in like Verona where Romeo and Juliet is set.
• 33:21
  Speaker 2: Oh, it's a Kate Hudson film.
• 33:22
  Speaker 1: No, no, I think it is Kate Hudson.
• 33:24
  Speaker 2: Twenty ten romantic comedy.
• 33:26
  Speaker 1: I thought that's Amanda Seafried.
• 33:27
  Speaker 2: Oh shit, it is too. I thought it looks it
• 33:30
  Speaker 2: kind of looks like Kate Hudson at first glance.
• 33:31
  Speaker 1: Right, sure it does. And Christopher Egan, Yeah, that guy
• 33:35
  Speaker 1: is Australian. He used to be on Home and Away.
• 33:36
  Speaker 3: Yep.
• 33:37
  Speaker 2: While while in Verona, Yeah, Sophie joins a volunteer group
• 33:42
  Speaker 2: who responded to letters seeking romantic advice. When she replies
• 33:44
  Speaker 2: to a letter from Claire dated nineteen fifty seven, it
• 33:47
  Speaker 2: inspires her to search for her long lost love. Yeah,
• 33:50
  Speaker 2: people write letters to Juliet as in Romeo and Julia. Yeah,
• 33:53
  Speaker 2: I'd never heard of it, Christer Reagan, he's very much
• 33:56
  Speaker 2: like we have Matt David at home. It looks perfectly serviceable.
• 33:59
  Speaker 2: I did see it picture on Twitter yesterday, which I've
• 34:01
  Speaker 2: never seen before. I never heard this theory. It looks
• 34:03
  Speaker 2: like Matt Damon was an extra on Friends once. Have
• 34:05
  Speaker 2: you seen that photo?
• 34:05
  Speaker 1: I have not seen that.
• 34:06
  Speaker 2: There's no acknowledgment from him anyway. But you watch this
• 34:10
  Speaker 2: Matt Damon Friends extras from a season two episode, I
• 34:13
  Speaker 2: think episode five Friends extra. It looks like Matt Damon.
• 34:17
  Speaker 2: And I'm not even kidding, like you would bet your
• 34:19
  Speaker 2: life that it's Matt David. Look at that.
• 34:22
  Speaker 1: That looks like Matt Damon.
• 34:24
  Speaker 3: It does.
• 34:25
  Speaker 1: It's like everyone's like speaking out about it. It's about
• 34:28
  Speaker 1: because he goes. He won't answer the questions about it. Yeah, well,
• 34:30
  Speaker 1: what year is this or there.
• 34:32
  Speaker 2: Would have been ninety five because I started ninety four
• 34:34
  Speaker 2: this season two?
• 34:34
  Speaker 1: Okay, because his career is already sort of gathering a
• 34:37
  Speaker 1: fair bit of steam at this stage. I mean, yeah,
• 34:39
  Speaker 1: he would need to be an extra.
• 34:40
  Speaker 2: I don't think he needs to be an extra in
• 34:42
  Speaker 2: France because he's already been in like And also they no,
• 34:45
  Speaker 2: they filmed it in La don't they.
• 34:47
  Speaker 1: Yes?
• 34:47
  Speaker 2: Yeah, because it could have been like just for shits
• 34:49
  Speaker 2: and giggles, you know, possibly, yeah, because it was a
• 34:52
  Speaker 2: by season two.
• 34:53
  Speaker 1: The same time, he's he's not quite Matt mad Damon yet,
• 34:57
  Speaker 1: but he's also.
• 34:58
  Speaker 2: You've been in so good Behind was ninety seven. But
• 35:01
  Speaker 2: what was the one in ninety five that Joe Wasn't
• 35:04
  Speaker 2: he as me Joe Black?
• 35:06
  Speaker 1: Was he?
• 35:06
  Speaker 2: That's Brad Pitt, Brad Pitt.
• 35:08
  Speaker 1: I'm trying to remember, because there was The rain Maker
• 35:11
  Speaker 1: which came out rah I think maybe a year before,
• 35:13
  Speaker 1: and he's the star of that. He was in a
• 35:16
  Speaker 1: movie called Courage under Fire in ninety six with Denzel
• 35:18
  Speaker 1: Washington Coach.
• 35:19
  Speaker 2: Under Fire, Chasing Amy ninety seven. That's ninety seven, yeah, suit,
• 35:23
  Speaker 2: nothing that's like blowing your load coach.
• 35:26
  Speaker 1: But I mean school tires. I think in ninety two
• 35:29
  Speaker 1: was kind of like, oh, keep an eye on this kid.
• 35:30
  Speaker 1: And you know, he's got a fairly sizeable role in Geronimo,
• 35:32
  Speaker 1: which is like ninety three or some and that starts
• 35:35
  Speaker 1: like Robert Yaval and Gene Hackman that he's like maybe
• 35:39
  Speaker 1: fifth or sixth in the credits. I mean it's fairly
• 35:41
  Speaker 1: sizeable role. He's on the rise. I don't think that
• 35:44
  Speaker 1: any need.
• 35:45
  Speaker 2: This would have been filmed in ninety four, I reckon.
• 35:48
  Speaker 1: Yeah, I don't know. I think he is.
• 35:50
  Speaker 2: Probably, But that fucking looks like Matt Damon, right, it
• 35:53
  Speaker 2: really does.
• 35:55
  Speaker 1: Matt Damon and Matthew Perry to get him last. I
• 35:57
  Speaker 1: would bet my house now is bad Damon. You would think,
• 36:00
  Speaker 1: I mean, the hair looks right, the face yeah right, yeah, yeah,
• 36:03
  Speaker 1: how about that? You know that was an interesting division.
• 36:07
  Speaker 2: Yes, anyway, let's get to the episode Shelby finally.
• 36:13
  Speaker 1: For forty minutes.
• 36:17
  Speaker 2: So the episode originally aired May sixteen, twenty ten, Written
• 36:21
  Speaker 2: by John Frank and directed by Nancy Cruz. Guest stars
• 36:24
  Speaker 2: Kelsey Grummer as Sideshow Bob. What was this billboard gag?
• 36:28
  Speaker 1: The billboard gag? We well, first of all, you have
• 36:30
  Speaker 1: Krusty on the trapeze at the very start, okay, yep.
• 36:32
  Speaker 1: But also it's a billboard for the Springfield Retirement Castle
• 36:36
  Speaker 1: new vacancies every flu season. That's a bit dark. Chalkboard gag.
• 36:40
  Speaker 2: Batman is not nothing without his utility. But and the
• 36:42
  Speaker 2: couch gag is a play on Harold from Howard and
• 36:45
  Speaker 2: the Purple Crayon, which I've never read. My kids like
• 36:48
  Speaker 2: the movie starting with with Zachary Levy, we will about him,
• 36:53
  Speaker 2: but my kids like the movie. Yeah and yeah. So
• 36:55
  Speaker 2: he's drawn the living room and Homer asked him to
• 36:57
  Speaker 2: draw a can of beer and he doesn't, and he
• 36:59
  Speaker 2: drinks it.
• 37:00
  Speaker 1: That's one. That's one Harold. Indeed.
• 37:02
  Speaker 2: Now the episode kicks off at town hall and the
• 37:05
  Speaker 2: cities in crisis financially and needs some money. Even at
• 37:09
  Speaker 2: the front says like, our murals make us an offer,
• 37:11
  Speaker 2: and quldn't, says Yi. They're in financial trouble. They can't
• 37:13
  Speaker 2: cook the books or fudge numbers. And we get home
• 37:16
  Speaker 2: and having a vision of jumping into Checusi with Marge
• 37:18
  Speaker 2: and fudge and getting book.
• 37:20
  Speaker 1: He's cooking a book which then fudge and again.
• 37:22
  Speaker 2: So it's one of those scenes that were just like, oh, yeah,
• 37:24
  Speaker 2: maybe that's just like it just goes like two three
• 37:27
  Speaker 2: seconds too long.
• 37:28
  Speaker 1: It didn't need it.
• 37:29
  Speaker 2: That part, like the fact that he's in a chocursi
• 37:31
  Speaker 2: with the fudge in much is enough. They didn't even
• 37:32
  Speaker 2: making out with the fudge, correct. Yeah, but they're now
• 37:35
  Speaker 2: eliminating dead animal pickup I did my crusty coming past.
• 37:40
  Speaker 2: They're coming back on education, the shortened school hours to
• 37:42
  Speaker 2: just taking them straight home. They're not going to school
• 37:44
  Speaker 2: at all. And they have released the low level criminals
• 37:46
  Speaker 2: from prison, which at least explains how walken out in the.
• 37:48
  Speaker 1: Ft in the first place plant the seed.
• 37:51
  Speaker 2: The thing is, though, are we just supposed to assume
• 37:53
  Speaker 2: that Bob knew the city was in financial crisis and
• 37:55
  Speaker 2: they would come to this decision else was going to
• 37:58
  Speaker 2: get out?
• 37:59
  Speaker 1: Well do they? They do try to. I think he
• 38:02
  Speaker 1: said he's going to get out in a good behavior
• 38:04
  Speaker 1: or something something. Yeah.
• 38:05
  Speaker 2: Yeah, Homer is now driving like a jerk, because that's
• 38:08
  Speaker 2: what he is and said in twenty one for the
• 38:09
  Speaker 2: most part, he's a jerk. He thinks the police can't
• 38:11
  Speaker 2: enforce the laws because they've got their money, which has
• 38:13
  Speaker 2: proven because they've got a radar, which is just the
• 38:15
  Speaker 2: thermous stretched on top of a hose handle. And then
• 38:18
  Speaker 2: Wigham shows that the drawing, which you think is a
• 38:20
  Speaker 2: rough drawing, says Adroit, which a chuckle out of me.
• 38:23
  Speaker 1: It's fine, Yeah, it's like, yeah, you can't. They can't
• 38:25
  Speaker 1: even have guns anymore.
• 38:26
  Speaker 2: Just as a drawing of it, Yeah, everyone is selling
• 38:28
  Speaker 2: their homes and they're moving to Detroit to find a
• 38:30
  Speaker 2: better life. The joke being at Detroit was basically bankrupt
• 38:32
  Speaker 2: at this point as Detroit recovered yet, I don't know
• 38:35
  Speaker 2: that's that seems just insane to me, that it's just
• 38:38
  Speaker 2: an entire city can go we're out of money.
• 38:40
  Speaker 1: Yeah, well there's nearly.
• 38:41
  Speaker 2: It's wild Gelong nearly did that.
• 38:43
  Speaker 1: Oh yeah, nearly having New York in the seventies. Really Yeah,
• 38:46
  Speaker 1: there's a great headline because they I've forgoten the actual
• 38:50
  Speaker 1: logistics of it, but apparently New York would sort of
• 38:52
  Speaker 1: go to the federal government every year and you know,
• 38:55
  Speaker 1: sort of sell bonds in the city to get a
• 38:59
  Speaker 1: little cash to sort of keep thing running. And eventually
• 39:02
  Speaker 1: they went to Gerald Ford, who said, no, we're not
• 39:05
  Speaker 1: giving you any more money. And the headline, I think
• 39:07
  Speaker 1: one of the New York bankers was Ford to city
• 39:09
  Speaker 1: drop dead. Wow, but yeah, that happened. It happens to cities.
• 39:16
  Speaker 1: They just go bank.
• 39:17
  Speaker 2: That's why we sold market Square and now we can't
• 39:19
  Speaker 2: get it back. Was Chinese developers like it's like the
• 39:24
  Speaker 2: way sitting on it. Yeah.
• 39:25
  Speaker 1: A couple of dudes in Singapore are just.
• 39:27
  Speaker 2: Like, no, we're just gonna hold on to this land,
• 39:30
  Speaker 2: land on the heart of your city, in.
• 39:32
  Speaker 1: The middle of your city, and you can't do ship
• 39:34
  Speaker 1: like stretch come on, man, stretch down man.
• 39:37
  Speaker 2: Well, they're trying to get the Australian government to change
• 39:40
  Speaker 2: the law where it's like we can earn it back,
• 39:42
  Speaker 2: like we can just take it back from them. It's
• 39:44
  Speaker 2: like if you're not doing anything with it, then we
• 39:46
  Speaker 2: have the ground to say, well, either develop it or
• 39:48
  Speaker 2: it's ours again.
• 39:49
  Speaker 1: Which want. The guys in Singapore are like, it's got JB.
• 39:54
  Speaker 1: You've done it again. Once Jamie high Fight moved from
• 39:57
  Speaker 1: Market Square. It's done. Oh yeah, there are two. It's
• 40:02
  Speaker 1: being balanced. You got hairrow scarf on one and you
• 40:05
  Speaker 1: got JB on the other. If one of those lasers
• 40:07
  Speaker 1: like a falls into the abyss.
• 40:14
  Speaker 2: Because there's talks and then trying to turn it turn
• 40:15
  Speaker 2: it into a permanent farmer's market, bottom level would just
• 40:18
  Speaker 2: be permanent farmer's market.
• 40:19
  Speaker 1: I think it's a pretty good idea.
• 40:21
  Speaker 2: You must have just groceries and markets and butchers on
• 40:23
  Speaker 2: either side.
• 40:24
  Speaker 1: All the way. It be fucking unreal. Absolutely isn't. But
• 40:26
  Speaker 1: isn't that what they were planning to do with like
• 40:27
  Speaker 1: the Hamilton thing in Laurelble Street.
• 40:30
  Speaker 2: No, so, so they're doing markets right, or they're doing
• 40:34
  Speaker 2: trying to buy the market square to turn it into
• 40:35
  Speaker 2: the Farmer's Market good. Yeah, and call it the Geelong's
• 40:38
  Speaker 2: Market Square. Sounds great, Farmers Market Square, Yeah, make it
• 40:42
  Speaker 2: happen please anyway, love local references. We are unfortunately not
• 40:48
  Speaker 2: like Detroit when you speak to those people. And I've
• 40:52
  Speaker 2: got a mental health podcast. I've got a podcast where
• 40:54
  Speaker 2: we talk about the state of jeel to want to
• 40:57
  Speaker 2: hear about the sis. Yes, people leaving for Detroit and
• 41:01
  Speaker 2: March's warri because what if someone moves in next door
• 41:02
  Speaker 2: two Barts or four teenage Barts And then she also
• 41:05
  Speaker 2: has a vision of four teenage.
• 41:07
  Speaker 1: Bars drawing and caught her in the gar I did
• 41:10
  Speaker 1: like that gag. At least they're learning fractions.
• 41:12
  Speaker 2: Yeah, although they've done it two episodes in a row.
• 41:14
  Speaker 2: I won't talk about what happened in the next one.
• 41:16
  Speaker 2: But here the vision bubble, it's like twice the same
• 41:20
  Speaker 2: kind of gag twice and I'm like, what a.
• 41:22
  Speaker 1: Minute, that's true.
• 41:23
  Speaker 2: Two minutes Lisa and Barton now smelling the cookies, and
• 41:26
  Speaker 2: March says they're only doing it to subconsciously get you
• 41:28
  Speaker 2: to buy the house, because you want to live in
• 41:29
  Speaker 2: a house that smells like cookies. And Homer tries to
• 41:31
  Speaker 2: buy the house.
• 41:32
  Speaker 4: So Delicious must buy house. Marge, get loan preapproved or
• 41:38
  Speaker 4: for over asking wave inspections two days grow initial the
• 41:43
  Speaker 4: raider and disclosure and done.
• 41:46
  Speaker 1: Sorry, someone else has bought the house.
• 41:48
  Speaker 3: But my loan has already been sold in pieces to bags,
• 41:51
  Speaker 3: hedge funds and municipalities across the globe. At least, we'll
• 42:01
  Speaker 3: always that's not us, No, No.
• 42:05
  Speaker 1: Is that meant to be? Like the movie reference well,
• 42:08
  Speaker 1: BeO wolfs an age old legend. Yeah, yeah, the.
• 42:12
  Speaker 2: In the headlines at that point in time, you know.
• 42:14
  Speaker 1: Maybe there was a mechas Beowolf movie.
• 42:19
  Speaker 2: When was it seven? So it was a couple of
• 42:21
  Speaker 2: years before this episode.
• 42:22
  Speaker 1: But even then that was never really a huge hit.
• 42:24
  Speaker 3: Was a CG.
• 42:24
  Speaker 1: I didn't realize that mostly yeah.
• 42:27
  Speaker 2: But anyway, yeah, so things aren't going well, but someone's
• 42:29
  Speaker 2: bought the house next door to them. They have indeed, yes,
• 42:32
  Speaker 2: and It turns out that whoever was moving in has
• 42:34
  Speaker 2: fancy furniture.
• 42:35
  Speaker 1: It also drives a hybrid got cooyfish actuch means a
• 42:40
  Speaker 1: water feature.
• 42:40
  Speaker 2: Yeap drives a hybrid. But it goes to introduce himself.
• 42:43
  Speaker 2: Bart Simpson's start.
• 42:44
  Speaker 1: Hello, but say that again? Hello bar Hello bar Hello
• 42:50
  Speaker 1: but hello but hello but hello but.
• 42:58
  Speaker 2: Sano? What hom when you're watching? Was this the first
• 43:04
  Speaker 2: time we'd seen it?
• 43:06
  Speaker 1: Uh? Yes, I believe so.
• 43:07
  Speaker 2: Did you think it was si Jo Bob from the
• 43:09
  Speaker 2: get go? I mean the title kind of gives it away,
• 43:10
  Speaker 2: But didn't you think it was going to be a
• 43:12
  Speaker 2: spin and go? Oh?
• 43:12
  Speaker 3: No?
• 43:12
  Speaker 1: He just is a relative of bub or something. This
• 43:14
  Speaker 1: episode is called the Bob next Door. Yeah, one would
• 43:16
  Speaker 1: assume as such, although I think they did. I think
• 43:19
  Speaker 1: they're going to get around this. Yeah.
• 43:20
  Speaker 2: I think they did an okay job of planting enough
• 43:24
  Speaker 2: doubt because when you saw him in the padded cell,
• 43:27
  Speaker 2: did you think that was yeah Bob?
• 43:28
  Speaker 1: Oh? Yeah? Absolutely? Yeah? Okay.
• 43:30
  Speaker 2: So then Bart is now boarding up the doors in
• 43:32
  Speaker 2: the windows with photos and whatnot, and he says, you
• 43:34
  Speaker 2: will never forget that voice of Marge shays, you know,
• 43:36
  Speaker 2: he sounds a lot of that Fraser on Cheers, or
• 43:38
  Speaker 2: Fraser on Fraser or Lieutenant Tom Dodge. Yes, and damn periscope.
• 43:42
  Speaker 2: His name is Walt Warren. But Bart then sees a
• 43:45
  Speaker 2: silhouette which looks like side Joe Bob, but it's actually
• 43:47
  Speaker 2: Walt holding him up. Then Homer sees Flanders and he
• 43:51
  Speaker 2: thinks it's a woman with big boobs, but it's Flanners
• 43:54
  Speaker 2: with non fat yogurt. Nothing is ever boobs and ice
• 43:56
  Speaker 2: cream whatever. Yeah, and then this happened.
• 44:04
  Speaker 1: Someone put a clip up of The Simpsons the other
• 44:05
  Speaker 1: day on social media. It was I've forgotten, I've forgotten
• 44:08
  Speaker 1: the episode, but I think the Simpsons have got like
• 44:12
  Speaker 1: a foreign exchange student in their house. And you know
• 44:14
  Speaker 1: the foreign kid is like bad mouthing America or something.
• 44:19
  Speaker 1: M m an older that's an older one. So is it, oh, yeah,
• 44:23
  Speaker 1: a deal yeah, yeah, yeah yeah, And this is a yeah,
• 44:27
  Speaker 1: but this is also yeah, but this is a country
• 44:28
  Speaker 1: where you know, you can speak your mind and do
• 44:30
  Speaker 1: all this kind of stuff. And Homer say is something like,
• 44:33
  Speaker 1: maybe a dealer's right, and maybe this is a capitalist healthcape,
• 44:35
  Speaker 1: but maybe Lisa is right. In America is the greatest
• 44:37
  Speaker 1: country in the world. It's like because I was debating
• 44:40
  Speaker 1: they Yeah, it's like I missed the days when Homer
• 44:42
  Speaker 1: could actually sort of do that shit and it would
• 44:45
  Speaker 1: feel natural as part of the character. Well, it didn't
• 44:47
  Speaker 1: feel like always putting in his modical who said, oh
• 44:50
  Speaker 1: my god, it would never say something like that. It's
• 44:51
  Speaker 1: more like, no, Homer would actually say shit like that.
• 44:53
  Speaker 1: But then he could also be a dumb ass, but
• 44:55
  Speaker 1: not just the really crude, lumpy dumbass that he is
• 44:59
  Speaker 1: here this whole well nothing is a booz ors Like,
• 45:04
  Speaker 1: I don't want to get too fired up, but I
• 45:05
  Speaker 1: don't want to pull a Dando Rent. But I fucking
• 45:07
  Speaker 1: hate that. I just it just strikes me as so lazy.
• 45:10
  Speaker 1: I hold the Simpsons to a higher fucking standard.
• 45:13
  Speaker 2: Yeah, and you should, because Homer would never used to
• 45:15
  Speaker 2: be a buffoon.
• 45:16
  Speaker 1: He was.
• 45:17
  Speaker 2: It was lazy as an oath. Yeah, but he wasn't
• 45:19
  Speaker 2: like a fucking moron.
• 45:21
  Speaker 1: Yeah. I just it just that I don't know why
• 45:24
  Speaker 1: it upset me so much. It doesn't clearly it's upsetting me.
• 45:27
  Speaker 2: Yeah, it's like, anyway, you used to be better, Yes,
• 45:32
  Speaker 2: indeed we all did, Yes, we all used to be better. Yeah,
• 45:35
  Speaker 2: Bar and Milhouse now attending to lure Bob out admit
• 45:38
  Speaker 2: that he's actually is Bob by singing Little Maids from
• 45:41
  Speaker 2: School Are We? Which is a reference to a call
• 45:44
  Speaker 2: back to because that's what family was singing on the
• 45:47
  Speaker 2: way to when they would become the Thompson's. And Bob
• 45:49
  Speaker 2: doesn't bite, though he says prefers a radio station eg.
• 45:52
  Speaker 2: Nine point four, and Millhouse also says how much he
• 45:54
  Speaker 2: likes it, and again we get the scene you discussed
• 45:55
  Speaker 2: earlier where Millhouse is just saying all these various things
• 45:58
  Speaker 2: and Bart says, shut up.
• 45:59
  Speaker 1: And it's the joke and end scene.
• 46:01
  Speaker 2: Yeah what, then sucks up to the neighborhood and this
• 46:04
  Speaker 2: feels very twenty ten, offering them all free WiFi.
• 46:07
  Speaker 1: Remember you used to be a place like you're offering
• 46:09
  Speaker 1: your wife off for free? Oh my god, quick log in, log.
• 46:12
  Speaker 2: In and everyone will be looking in. And it was
• 46:14
  Speaker 2: slow as shit, yes, because everyone's looking at hogging your
• 46:16
  Speaker 2: band with But then sneaks into the house and he
• 46:19
  Speaker 2: finds the magazines, which you've already touched on, and Marge says,
• 46:22
  Speaker 2: what are you doing indoors at an outdoor party? And
• 46:24
  Speaker 2: he shows she shows off or he shows off the knife.
• 46:26
  Speaker 2: She says it could be a d boner. He laughs
• 46:28
  Speaker 2: at the idea of the word boner. Yeah, just laugh
• 46:30
  Speaker 2: at the boner. Don't say it. Don't say boner, yeap,
• 46:32
  Speaker 2: And then she takes him to prison to see that
• 46:34
  Speaker 2: Bob's still in there.
• 46:36
  Speaker 1: Okay, man sideshow. Bob cell is all the way at
• 46:39
  Speaker 1: the end, walk fast and don't call attention to yourself.
• 46:42
  Speaker 1: Pretty Lately in a strapless dress, come, I through what
• 46:48
  Speaker 1: you're my wife? I never would have killed you. You're
• 46:51
  Speaker 1: very sweet. Nothing is holding up the dress, only her Milla.
• 46:57
  Speaker 2: And then they see Bob in the padded cell, a
• 47:00
  Speaker 2: texter in his mouth. Of course you can't understand what
• 47:02
  Speaker 2: he's saying because he's writing on the walls. And I
• 47:05
  Speaker 2: liked the twist here of him writing Bart Simpson will
• 47:07
  Speaker 2: die because that feels like something that Bob would write.
• 47:09
  Speaker 2: But he was trying to warn them. Yeah, I like that.
• 47:13
  Speaker 2: And pretty Letty coming back and she says she's married
• 47:15
  Speaker 2: and they sorry.
• 47:16
  Speaker 1: So which is.
• 47:18
  Speaker 2: Been done in the past, was well, it's the episode
• 47:21
  Speaker 2: marginal lamb like the motorcycle gang in the room. I said, no,
• 47:26
  Speaker 2: I completely please except wastmin or Henry Winkler John Goodman. No,
• 47:34
  Speaker 2: it wasn't that episode. Wasn't that one. It was Marginal
• 47:36
  Speaker 2: lamb Is when Ruth powers and Margin the thumbla and
• 47:39
  Speaker 2: Louise parody.
• 47:40
  Speaker 1: That's right. Yes, sorry, dive, but oh you did completely
• 47:44
  Speaker 1: except my sorry. I was thinking of that.
• 47:46
  Speaker 2: Yeah, that is so much funny than this, I said, no,
• 47:51
  Speaker 2: forgive me. I see the kids are rewatching classic Simpsons
• 47:55
  Speaker 2: now right for the first time, because they've binged like
• 47:58
  Speaker 2: the entire first eight sasons already, like they're just smashing
• 48:01
  Speaker 2: through it. But I'm watching it with them. And there
• 48:03
  Speaker 2: are so many episodes from that era that I never
• 48:05
  Speaker 2: really gave enough time to, and Margin lalamb is one
• 48:08
  Speaker 2: of them. There are so many jokes in that one,
• 48:11
  Speaker 2: which has one of my favorite openings Homer story openings
• 48:14
  Speaker 2: of all time. Can get his hands start stuck in
• 48:16
  Speaker 2: the vending machines, unbelievable and like my kids, just like
• 48:21
  Speaker 2: were talking about earlier absolute cinema Homer holding.
• 48:26
  Speaker 1: Onto the cans they thought was the greatest. It's funny.
• 48:28
  Speaker 1: He's like, we have to saw your arms up, but
• 48:29
  Speaker 1: my son, Alliot's like, oh, do do it now, your
• 48:35
  Speaker 1: mind's made very that's good buffoonery.
• 48:37
  Speaker 2: Yeah yeah, yeah, oh were you just talking to the cans?
• 48:40
  Speaker 2: Your point being that's good oafishness.
• 48:44
  Speaker 1: Yeah, because it's because who are like I gotta chance
• 48:48
  Speaker 1: to get a free soda Yeah, I got to chance
• 48:51
  Speaker 1: to get a free boost bar here. Yeah.
• 48:52
  Speaker 2: And he has the vision here where it's like free
• 48:54
  Speaker 2: candy and sodas for all.
• 48:58
  Speaker 1: That's great. Now there may be you know, viewers or
• 49:00
  Speaker 1: listens out there going, don't know what's the difference. They're
• 49:03
  Speaker 1: both home being a dumber. It's like, I don't know,
• 49:06
  Speaker 1: I think one's much better than the other.
• 49:07
  Speaker 2: And it has Wigham and Homer try spending the night
• 49:11
  Speaker 2: together because they're trying to chase down Ruth and March.
• 49:13
  Speaker 2: It has my favorite Wigan moment of all time where
• 49:17
  Speaker 2: they're chasing after March and Ruth. So Homer's with Wigham
• 49:20
  Speaker 2: trying to find him and they're chasing after him, and
• 49:22
  Speaker 2: Marge says to Ruth, we're never gonna be able to
• 49:24
  Speaker 2: get away from them, and Ruth goats, I've got an idea,
• 49:27
  Speaker 2: and she turns the lights off and then.
• 49:29
  Speaker 1: Goes, oh, it's a ghost car.
• 49:33
  Speaker 2: It's just the ghost car gets a ghost car. Mag
• 49:40
  Speaker 2: margin the lamb. You haven't watched it for a while,
• 49:41
  Speaker 2: check it out. Is one of those Colonel Homer as well.
• 49:44
  Speaker 2: The kids watch Colonel Homer recently. Bord An episode Cool
• 49:46
  Speaker 2: you want to cry? Watch the end of that last
• 49:48
  Speaker 2: five minutes of the episode.
• 49:49
  Speaker 1: Who does not?
• 49:49
  Speaker 2: But get back to the Bob next door if we
• 49:52
  Speaker 2: have to, So we're basically this is where Marge has
• 49:54
  Speaker 2: taking Bart's to the prison to prove that Bob's there.
• 49:56
  Speaker 2: So now Bob, now Bart feels safe. But we see
• 50:00
  Speaker 2: hear that Bob. Bob chokes on the text, escapes, pretends
• 50:03
  Speaker 2: he's a fern here, right, I've got here in my notes.
• 50:06
  Speaker 2: Either commit to this bit or don't write so he's
• 50:08
  Speaker 2: escaping from prison. He pretends he's a little fern in
• 50:10
  Speaker 2: the corner. A dog walks up and pieces on him. Yes,
• 50:13
  Speaker 2: but you don't see him. He just clocks his leg.
• 50:15
  Speaker 2: Nothing comes out. He sort of like shakes his head
• 50:17
  Speaker 2: and there's no sort of liquid. It's like, either commit
• 50:19
  Speaker 2: to that bit orca is they commit to it?
• 50:20
  Speaker 1: Correct? Yeah?
• 50:21
  Speaker 2: Like it's like, don't you're not going to show it happening,
• 50:23
  Speaker 2: Just don't do it. I don't think anyone's going to
• 50:25
  Speaker 2: be terribly offended. No, no, and he jumps over the
• 50:28
  Speaker 2: wall which has Alberto's pand on the inside. By the way,
• 50:30
  Speaker 2: it was interesting and Wigan was aslip at the wheel
• 50:32
  Speaker 2: and yeah, so you think sar Joe Bob was escaped
• 50:34
  Speaker 2: from prison, but it's not actually si Jo Bob. We
• 50:36
  Speaker 2: can't waking up thinking he's all safe now. And what
• 50:38
  Speaker 2: arrives as muche is about to pick up the paper,
• 50:40
  Speaker 2: which is kind of weird, and he offers Bart a
• 50:42
  Speaker 2: ticket to the baseball I believe it's a baseball right,
• 50:45
  Speaker 2: It's a sporting event of some kind a believe and
• 50:48
  Speaker 2: and Marge says, you know you can if you clean
• 50:51
  Speaker 2: your room. No good to give you something to do
• 50:52
  Speaker 2: while whilst you're at the game. And then as they're
• 50:54
  Speaker 2: driving away, Walt gives him like a little evil face,
• 50:56
  Speaker 2: and you think, what's going on here? And then Homer
• 50:58
  Speaker 2: thinks that you walk. He says the scale is lying again.
• 51:02
  Speaker 2: Bob is now at the window, and they panic and
• 51:04
  Speaker 2: they think it's going to be such a Bob. It's
• 51:06
  Speaker 2: actually what Warren. He says, I'm what Warren. I'm the real,
• 51:09
  Speaker 2: the real Waltz. And this is such an obvious thing.
• 51:12
  Speaker 2: If you're what, then who's taking our son to the game?
• 51:15
  Speaker 2: I was like, is a joke went to be that?
• 51:17
  Speaker 2: That's so obvious?
• 51:18
  Speaker 1: Is that the joke?
• 51:20
  Speaker 2: Was this a cut to an ad or No, it
• 51:21
  Speaker 2: was cut to Bob then revealing himself to being if
• 51:25
  Speaker 2: you're really Wald, and who's taking my son to the game?
• 51:28
  Speaker 2: Could it be the one that the guy that Bart
• 51:30
  Speaker 2: says has been the entire time?
• 51:31
  Speaker 1: That's true. I know I just said do better Simpsons
• 51:33
  Speaker 1: and all that kind of stuff, but that's kind of
• 51:35
  Speaker 1: very much tried and true TV stuff. But like, yeah,
• 51:37
  Speaker 1: previously on the black List, I hold the Simpsons to
• 51:39
  Speaker 1: a bigger standard, higher standard as you would say, except
• 51:42
  Speaker 1: in certain circumstances.
• 51:44
  Speaker 2: So then he's free now to seeing all the Gilbert
• 51:46
  Speaker 2: and soul and I can so now he's going full Kelsey.
• 51:48
  Speaker 2: He is, and he's allowed to be. The Simpsons are
• 51:51
  Speaker 2: now tied up Waltz and then he reveals that he's
• 51:54
  Speaker 2: got small feet, so it can't be Sicho Bob, and
• 51:55
  Speaker 2: he explains that he was his sale mate, and Bob
• 51:58
  Speaker 2: explains that HeLa the same time, Bob explains we had
• 52:01
  Speaker 2: the same build, and he's measuring he says, well, do
• 52:03
  Speaker 2: you keep measuring my face?
• 52:04
  Speaker 1: He says something that is.
• 52:05
  Speaker 2: Better than what my previous Yes, that it can be
• 52:08
  Speaker 2: just implies that there was a lot of non consensual action.
• 52:11
  Speaker 1: Yeah, going on.
• 52:12
  Speaker 2: He gives him an aesthetic and he removes his face.
• 52:15
  Speaker 2: Five second rule picks back up. And then they said
• 52:17
  Speaker 2: the hard part was going to be removing my own face.
• 52:19
  Speaker 2: But luckily I lost all sensation in my face, or
• 52:21
  Speaker 2: so I thought, and no he had not. So he
• 52:23
  Speaker 2: cuts his own face off, which is just brutal. Oh yeah, yeah.
• 52:26
  Speaker 2: Then he's walking out and he's leaving with one hundred
• 52:29
  Speaker 2: and forty three thousand dollars because they invested his twenty
• 52:31
  Speaker 2: seven thousand dollars well invested wisely yeap Waltam explains that
• 52:34
  Speaker 2: they thought he was babbling when he's in the padded cell,
• 52:37
  Speaker 2: but no, he was trying to write to the message
• 52:38
  Speaker 2: on the wall and march. You must admit it was
• 52:40
  Speaker 2: open to interpretation, and he said, well, I'm not a writer.
• 52:43
  Speaker 2: And then Bob's. They're going to Bob's, to which hold,
• 52:46
  Speaker 2: I'm not a locksmith. Yes, Bries open the door and
• 52:49
  Speaker 2: it turns out that Bob's house is full of pictures
• 52:51
  Speaker 2: of bart with knives in them, and the leader realizes
• 52:53
  Speaker 2: that they've taken them. He's taken them to the Five
• 52:55
  Speaker 2: Corners part of the world. So then the gas and
• 52:58
  Speaker 2: grub and this is where we get to what's her name, Joyce. Yeah,
• 53:02
  Speaker 2: she's just she's in love with him. Why, Oh, she's
• 53:04
  Speaker 2: just desperate, just a lonely waitress.
• 53:06
  Speaker 1: Yeah.
• 53:07
  Speaker 2: She offers him free coffee. He's got a firm hand,
• 53:09
  Speaker 2: that's right looking men with a firm hand that she
• 53:10
  Speaker 2: sees a loose thread and pulls his face off, which
• 53:13
  Speaker 2: is just horrifying. Oh goodness, yes, yeah, not good at all.
• 53:16
  Speaker 2: She begs him to come back, and then the Simpsons
• 53:18
  Speaker 2: arrive and she tells them to give him a diversion,
• 53:20
  Speaker 2: tells him that he's gone to Mexico, which they believe,
• 53:22
  Speaker 2: which I thought the Simpsons going to Mexico has felt,
• 53:24
  Speaker 2: So we have to have the Simpsons away from Waltz
• 53:28
  Speaker 2: for a bit. Yeah, it's like, I don't know, I
• 53:29
  Speaker 2: just didn't like the fact that they somehow drove to
• 53:31
  Speaker 2: Mexico and back in time. Oh I forgot about that,
• 53:34
  Speaker 2: but they drove because walt says, well, I'm going to
• 53:36
  Speaker 2: five corners. Anyway, I don't think that's where he's gone
• 53:39
  Speaker 2: to Mexico. I think she's lying and it Simpson's like, no,
• 53:41
  Speaker 2: we're going to Mexico. So then they drive to Mexico
• 53:43
  Speaker 2: and they try to order a taco goes and then
• 53:46
  Speaker 2: somehow I get back at the end in time, like.
• 53:48
  Speaker 1: What it was silly, but I didn't mind the whole
• 53:53
  Speaker 1: what's your word for? Tago? Tago? Yeah, just that misunderstanding.
• 53:57
  Speaker 1: I thought that was okay, it was all right.
• 53:59
  Speaker 2: But this is where joyces all the good men are
• 54:01
  Speaker 2: either gay or have no face, and Bart says, what
• 54:03
  Speaker 2: do you want to kill me for? I'll probably end
• 54:04
  Speaker 2: up killing myself, pretends to choke on his own tongue,
• 54:07
  Speaker 2: and he isn't going to murder him where he can't
• 54:08
  Speaker 2: be prosecuted. And this is where he spoils Harry Potter.
• 54:13
  Speaker 2: He's like, ohy on, it's a four year old book,
• 54:14
  Speaker 2: and I'm like, I was still surprised they did it. Yeah,
• 54:17
  Speaker 2: I'm like, I know, I know big books, I know
• 54:19
  Speaker 2: I know they'll popular. I know everyone knew about it
• 54:21
  Speaker 2: at that point in time, but it's like, it's still
• 54:22
  Speaker 2: it's a pretty big spoiler. Oh, yeah, yeah, again, four
• 54:25
  Speaker 2: year old book. But Bart keeps jumping into different states
• 54:28
  Speaker 2: so that he's not able to do the man. The
• 54:31
  Speaker 2: plan ends up jumping on a rake. I didn't need
• 54:33
  Speaker 2: the rake, just didn't need it.
• 54:34
  Speaker 1: No, no, but you know that's gonna have a lot
• 54:36
  Speaker 1: of people doing the DiCaprio point.
• 54:38
  Speaker 2: Yes, it's the rake gag. Then Well interferes, but there's
• 54:43
  Speaker 2: a bee underneath his cheeks, so he gets taken over
• 54:45
  Speaker 2: by Bob, the real Bob takes the gun backs.
• 54:49
  Speaker 3: For the love of God, want somebody help us?
• 54:52
  Speaker 4: Yes, i'd like, how do you say taco and Mexican doc? Yeah,
• 54:56
  Speaker 4: it's exactly the word I want to translate.
• 55:00
  Speaker 1: Can we please find Bart?
• 55:01
  Speaker 3: Oh?
• 55:01
  Speaker 4: Yeah, yeah right, just give me one of those crispy
• 55:04
  Speaker 4: shows with meat in it.
• 55:07
  Speaker 2: We come back now, and Walt asks to be killed
• 55:10
  Speaker 2: in Hawaii this week. The Switches of East face like
• 55:14
  Speaker 2: line from Wigham, and he's like, I don't want to
• 55:16
  Speaker 2: Switches of East face. I don't want to sense to
• 55:18
  Speaker 2: myself that's how creativity dies.
• 55:21
  Speaker 1: What, yeah, what I mean? Switches yes face? Yes, East
• 55:26
  Speaker 1: what I mean?
• 55:27
  Speaker 2: I know it's the Witches of East week, but still
• 55:28
  Speaker 2: Switches of East face doesn't make sense.
• 55:30
  Speaker 1: Really, clans, he's not going to sense for himself. Then
• 55:33
  Speaker 1: he explains.
• 55:34
  Speaker 2: He explains that Bart called in advance because he still
• 55:37
  Speaker 2: knew that it was going to be such a bob,
• 55:39
  Speaker 2: so he warned him to to track him, which all
• 55:40
  Speaker 2: hybrids are secretly monitored by the government. And then Bob
• 55:43
  Speaker 2: calls him clancy because he doesn't have jurisdiction there in
• 55:46
  Speaker 2: this state. And then all the cops from the various
• 55:48
  Speaker 2: states arrive. Indeed, and the family arrived for Mexico as well.
• 55:51
  Speaker 2: Home Iss stressed up as a Mexican just because, and
• 55:54
  Speaker 2: Bart says, somehow again, I know they used to do
• 55:58
  Speaker 2: this kind of stuff in the in the early years
• 55:59
  Speaker 2: of Bart being me and to each other. But She's
• 56:02
  Speaker 2: just like everything's all back to the way it should be, Like, no,
• 56:04
  Speaker 2: he switched his face with you.
• 56:05
  Speaker 1: But I was like, yawn, it is such a lazy ship.
• 56:09
  Speaker 2: Jo, It's just so dumb, like after everything, it's like
• 56:15
  Speaker 2: everything's gone down but been murdered.
• 56:16
  Speaker 1: It's just like he switched your face with you. But
• 56:18
  Speaker 1: like that that's how you're ending this. That is how
• 56:21
  Speaker 1: they ended.
• 56:21
  Speaker 2: Yeah, someone knew moves in and its cousin Ted Flanders
• 56:25
  Speaker 2: and Conny and Bonnie. Yeah, and I was like, stupid,
• 56:28
  Speaker 2: and that's the end. Yeah, And I guarantee you whenever
• 56:30
  Speaker 2: see cousin Ted ever again.
• 56:32
  Speaker 1: Probably not. Wouldn't this be a funny Would it be
• 56:38
  Speaker 1: a funny way to end the episode?
• 56:39
  Speaker 2: I don't think it was anyway, But they've done this
• 56:43
  Speaker 2: joke before when Flanders had the family barbecue and they're
• 56:46
  Speaker 2: all Blander Reno's Yeah. Anyway, anyway, the Bob next Door.
• 56:52
  Speaker 1: We made We made it to the end of the episode. Folks.
• 56:54
  Speaker 2: It was a good Bob story, but there was just
• 56:57
  Speaker 2: as you're saying, there was still a lot of gags
• 56:59
  Speaker 2: in here that just remind you that you watching season
• 57:01
  Speaker 2: twenty one of The Simpsons.
• 57:02
  Speaker 1: Correct, Yeah, just the air is going out of the tires.
• 57:05
  Speaker 1: What do we learn, Bomber?
• 57:07
  Speaker 2: Hey?
• 57:07
  Speaker 1: Would you learn from this episode? Dann it?
• 57:09
  Speaker 2: What did I learn from this episode? To make sure
• 57:11
  Speaker 2: that you have no sensation in your face before you
• 57:12
  Speaker 2: slice it off with a scalpel.
• 57:13
  Speaker 1: That's a really good lesson to learn from this. Don't
• 57:16
  Speaker 1: have any loose threads? Correct? Correct? What I learn? Keep
• 57:20
  Speaker 1: your radio tuned to any nine point four the spurt.
• 57:22
  Speaker 2: I actually it's actually life advice. If you see a
• 57:24
  Speaker 2: loose thread on a shirt, don't pull it, because I've
• 57:26
  Speaker 2: made shirts worse by pulling the loose thread. Sure, it's
• 57:28
  Speaker 2: like you can get to pull it off, and it's
• 57:30
  Speaker 2: just like making it long ago.
• 57:31
  Speaker 1: Oh no, you get that puck a thing. Yes, it worse.
• 57:36
  Speaker 1: It's a little snip, a little snip forward. Your names
• 57:40
  Speaker 1: will be.
• 57:40
  Speaker 2: It is time for the Guy Davis New Day and
• 57:42
  Speaker 2: championship here for season twenty one, the second last week
• 57:45
  Speaker 2: of the season. The current leaderboard stands at this In
• 57:48
  Speaker 2: first position, we have Philip J. Hawkins on twenty four points.
• 57:51
  Speaker 2: In second position we have Kyle Muldoon sorry, Nathan Briggs
• 57:54
  Speaker 2: on seventeen points, and in third position Clif Kyle and
• 57:57
  Speaker 2: Mike Salter on fifteen points. Take it away, So let
• 57:59
  Speaker 2: me do the maths here. No, it's impossible, no, Jay Hawkens.
• 58:04
  Speaker 2: But still second and third could be open.
• 58:09
  Speaker 1: Yeah, so we'll see, let's see what happens. Let's do
• 58:10
  Speaker 1: it all right, one point go to I only have
• 58:14
  Speaker 1: this one point because it's a bit of a spoiler
• 58:16
  Speaker 1: for the episode. But one point goes to a race
• 58:19
  Speaker 1: to trace the fees.
• 58:21
  Speaker 2: That is Brian Hugh's me Hughes But on hugh'sy one point,
• 58:24
  Speaker 2: there you go easy not doing too well himself the
• 58:27
  Speaker 2: real life he's easy.
• 58:28
  Speaker 1: Not really what's happening to Hughesy. I mean, he's sort
• 58:31
  Speaker 1: of been politically deranged.
• 58:32
  Speaker 2: But he also absolutely looks like he's just playing the
• 58:34
  Speaker 2: bit now. He's just he's milking it because obviously there's
• 58:37
  Speaker 2: there's an audience for that, and he realizes that people
• 58:41
  Speaker 2: weren't finding him funny anymore. There's probably more money to
• 58:43
  Speaker 2: be made in being being a political rant just talking
• 58:48
  Speaker 2: like this and just sort of really monotone and just
• 58:50
  Speaker 2: you know, just sort of pretending that you know, I'm
• 58:52
  Speaker 2: crazy and just sort of saying stuff like this. A
• 58:54
  Speaker 2: lot of other sort of comedians are now making bank
• 58:58
  Speaker 2: off of impersonating him. Oh yeah, our pal Davel was
• 59:02
  Speaker 2: talking to Day a couple of weeks about it, Yeah,
• 59:03
  Speaker 2: a couple days ago about it.
• 59:04
  Speaker 1: Yeah.
• 59:04
  Speaker 2: He's just like he's like, this is like the greatest
• 59:06
  Speaker 2: thing of all time. He wants to make on the show, Dave,
• 59:09
  Speaker 2: please do.
• 59:12
  Speaker 1: He has yet to be on our show. I would
• 59:13
  Speaker 1: like to get him on here as I'm sage but friendly.
• 59:15
  Speaker 1: Geordie's I'd like to get him on because he's been
• 59:17
  Speaker 1: doing some very good Husy continent. He does a terrific
• 59:19
  Speaker 1: Hugsy impersonation.
• 59:20
  Speaker 2: It's very amped up Newsy Never there was an interesting
• 59:26
  Speaker 2: tweet where it's like the irony of all these mediocre
• 59:28
  Speaker 2: comedians now making the name for themselves having ship on Hughesy,
• 59:32
  Speaker 2: wh're knowing e a fuck about them three months ago,
• 59:34
  Speaker 2: and it's just like it's true.
• 59:36
  Speaker 1: I guess I wouldn't say that about our pal day no,
• 59:38
  Speaker 1: no oh yeah. But also Hughsy just looking rough. Yeah,
• 59:42
  Speaker 1: he's got he's got to be planning it up. There's
• 59:44
  Speaker 1: no way.
• 59:45
  Speaker 2: It looks like he's on a crack, you know, it
• 59:47
  Speaker 2: looks like he's on the math anyway, he's making a
• 59:50
  Speaker 2: metha things. Yeah.
• 59:54
  Speaker 1: But by the way, congratulations to Brian who yes he
• 59:59
  Speaker 1: got a point. Well not on math, not on math,
• 1:00:03
  Speaker 1: math not a guarante. Two points goes to ones. You
• 1:00:07
  Speaker 1: bleed my neighbor. Oh that is Philip J. Hawkins anywhere
• 1:00:12
  Speaker 1: on call off the contest. It's done because.
• 1:00:16
  Speaker 2: That puts him on twenty six points down.
• 1:00:19
  Speaker 1: Yeah, okay, Philip Jay Hawkins, he's earned the full the
• 1:00:23
  Speaker 1: full title there, but three points. Hey, you may have
• 1:00:27
  Speaker 1: won the war, Philip ja Hawks didn't win. There's baffle
• 1:00:30
  Speaker 1: because three points goes to whoever gave us love thy
• 1:00:34
  Speaker 1: nigh Bob.
• 1:00:35
  Speaker 2: Oh, that is quite salty. It's Mike Salter, which puts
• 1:00:38
  Speaker 2: him out right second position now in eighteen points Salt Bay.
• 1:00:41
  Speaker 1: See I told you there was still a race in there. Yeah,
• 1:00:43
  Speaker 1: if not a race to the very you know, championship
• 1:00:46
  Speaker 1: or whatever, but still got second comes right after first.
• 1:00:50
  Speaker 2: Yes, Nathan Briggs on seventeen points in third, Mike Salter
• 1:00:53
  Speaker 2: on eighteen points in second, and Philip J. Hawkins on
• 1:00:56
  Speaker 2: twenty six points in first position. Heyway, and we still
• 1:00:59
  Speaker 2: have one episode to go. We do, and in the
• 1:01:01
  Speaker 2: last episode we're gonna offer ten points. Wait, we're not
• 1:01:04
  Speaker 2: really not like what.
• 1:01:11
  Speaker 1: Philip days up up all night, just coming up with
• 1:01:14
  Speaker 1: please don't judge the judge me tender Dan. It mustn't mean.
• 1:01:21
  Speaker 1: When I see the title of hen, it just made
• 1:01:22
  Speaker 1: me think I could go some KFC. Did somebody say
• 1:01:26
  Speaker 1: KF See how you say that? Right?
• 1:01:29
  Speaker 2: They had the perfect campaign and they fucked it. Oh
• 1:01:33
  Speaker 2: they changed it. It's now the do do Do Do
• 1:01:36
  Speaker 2: do dot? Whatever the fuck that song is right, Yeah,
• 1:01:39
  Speaker 2: sure to get inspired you had I don't care, I
• 1:01:41
  Speaker 2: love it everyone's Does someone say KFC? That was the
• 1:01:44
  Speaker 2: perfect fucking campaign you could look, I said to Nikola
• 1:01:47
  Speaker 2: Bunning's worked out what jingle worked and they stung with
• 1:01:49
  Speaker 2: their house it works, leave it, don't touch it?
• 1:01:52
  Speaker 1: They thirteen thirteen thirty two.
• 1:01:54
  Speaker 2: I don't care, I love it was the perfect Did
• 1:01:56
  Speaker 2: someone say KFC? That is your slogan forever whatever his?
• 1:02:00
  Speaker 2: Does someone say KFC? My kids were saying, does someone
• 1:02:02
  Speaker 2: say KFC? Now it's I'm like, that's not fun.
• 1:02:06
  Speaker 1: You're Australia's most noted kernelologist. Has KFC? Kentucky Fried Chicken
• 1:02:12
  Speaker 1: ever paid out some money to the Elvis Presley estate
• 1:02:15
  Speaker 1: and done Love Me Tenders? I can't recall they have
• 1:02:18
  Speaker 1: no there you go? Come on, come on, guys, what
• 1:02:21
  Speaker 1: are we even what are we even doing here? Love
• 1:02:25
  Speaker 1: Me Tenders? Turn for ten.
• 1:02:27
  Speaker 2: That feels like a very nineteen ninety so because remember
• 1:02:29
  Speaker 2: hungry jack us to go hungry eyes. What is like
• 1:02:33
  Speaker 2: eating really slowly in seductively. Well that's that version of
• 1:02:38
  Speaker 2: burger king for those playing in America, that's correct, yes,
• 1:02:40
  Speaker 2: and England. I don't have hungred jacks anywhere but Australia.
• 1:02:43
  Speaker 2: Why is it called hungry jacks here?
• 1:02:46
  Speaker 1: We could look this up.
• 1:02:47
  Speaker 2: They tried to change something to burger king and everyone's like,
• 1:02:49
  Speaker 2: I prefer hungry jacks taste better jacks.
• 1:02:54
  Speaker 1: See that's their slogan. They stuck with the works.
• 1:02:56
  Speaker 2: Yeah, the burgers are better at hungry jacks, and.
• 1:02:58
  Speaker 1: You're gonna have a certain percentage of the demo is
• 1:03:01
  Speaker 1: going to go. You're right, they are better that Big
• 1:03:05
  Speaker 1: Matt looks enticing, but I hear the burgers are better
• 1:03:07
  Speaker 1: on hungry jacks. Or you've persuaded your kids in the
• 1:03:11
  Speaker 1: back that I want macas, but the burgers are better.
• 1:03:14
  Speaker 1: We get you'll get hungry jacks. It better to be done.
• 1:03:21
  Speaker 1: We're accusing the sentences of being lazy with their joke telling,
• 1:03:24
  Speaker 1: and here we are just sort of relating stand up
• 1:03:26
  Speaker 1: routine for the millionth time. But anyway, it's good with me,
• 1:03:30
  Speaker 1: do it all right? But yes, that is the new
• 1:03:34
  Speaker 1: name championship for this round or the Bob next Door
• 1:03:38
  Speaker 1: starring guests starring Kelsey Grammar, the star of the Dan Periscope.
• 1:03:42
  Speaker 2: Now, then the next episode from season twenty one shall
• 1:03:45
  Speaker 2: be the season finale, which, as we've referenced several times
• 1:03:48
  Speaker 2: this podcast is Judge Me Tender, where Mobey becomes a
• 1:03:51
  Speaker 2: judge of American Idol. It's fine here us talking about
• 1:03:55
  Speaker 2: it in a couple of weeks, so tune in for
• 1:03:56
  Speaker 2: that episode.
• 1:03:58
  Speaker 1: But yes, do you want to do? You want to
• 1:04:01
  Speaker 1: walk us out? Dwan thover your traditional speed.
• 1:04:03
  Speaker 2: I'd rather jog, But yeah, what you brought me to
• 1:04:06
  Speaker 2: you guys been working out? Today's been know it a
• 1:04:07
  Speaker 2: squats You can't run it can any walks, you can
• 1:04:10
  Speaker 2: barely walk. He's hobbling it to the end. So yeah,
• 1:04:13
  Speaker 2: as I said, please continue to rate and review us
• 1:04:15
  Speaker 2: on Apple podcast Spotify. Whether you are listening to this
• 1:04:18
  Speaker 2: show and you text you five seconds leaves five stars.
• 1:04:20
  Speaker 2: It really helps us boost up those algorithms. And if
• 1:04:23
  Speaker 2: you do have a couple of spare dollary dues in
• 1:04:24
  Speaker 2: your pocket, support us on Patreon. You get not only
• 1:04:27
  Speaker 2: supporting us, but you get access to over one hundred
• 1:04:29
  Speaker 2: and fifty hours of bonus podcasts as well as early
• 1:04:32
  Speaker 2: access to this show as well, with no ads in it.
• 1:04:35
  Speaker 1: Let's less than the canon cook a cooler That's less
• 1:04:37
  Speaker 1: than anything? Is anything? Is anything? Lessen to a dollar
• 1:04:39
  Speaker 1: these days. No, not really. I mean I think a
• 1:04:43
  Speaker 1: fifty cent Cones now worth a dollar fifty isn't. Yeah,
• 1:04:45
  Speaker 1: and when I go to the Superman, it's like better
• 1:04:47
  Speaker 1: than half price for like the Mars bar or something.
• 1:04:50
  Speaker 2: Don't get me started on that ship. Well, I know
• 1:04:52
  Speaker 2: because I said it years ago on this podcast. I
• 1:04:54
  Speaker 2: documented it. I'm like, they're gonna be heep bumping at RP,
• 1:04:57
  Speaker 2: bumping at RP to the point where everything is on
• 1:04:59
  Speaker 2: special at half price so they can have a magazine.
• 1:05:01
  Speaker 2: Now the catalog is now the half prize catalog. Correct,
• 1:05:04
  Speaker 2: it was coming.
• 1:05:04
  Speaker 1: I saw it coming. So yeah, you can't get a
• 1:05:09
  Speaker 1: Mars bar or a Schnickers for hundred a dollar, but
• 1:05:12
  Speaker 1: you could get so much entertainment from your pals Dando
• 1:05:15
  Speaker 1: and Guy.
• 1:05:16
  Speaker 2: Yes, so please do so. But for now, mister Davis,
• 1:05:18
  Speaker 2: before we get to judge me, tender, give me a
• 1:05:20
  Speaker 2: final words. For those incredible listeners out there
• 1:05:22
  Speaker 1: We hope you've enjoyed this episode of four Finger Discount,
• 1:05:24
  Speaker 1: the podcast where nothing is ever boobs or ice cream