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What color was that again · Sips, Suds, & Smokes

• 0:00
  > >On the next episode of Sips, Suds and Smokes.
• 0:03
  > Good ol’ Boy Barker>We're gonna cover cigars from Furman Perez.
• 0:08
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Firmini. Firmini. Maybe. I don't know.
• 0:13
  > >Anyway, here's, uh, our lineup for today from Furman Perez. We're going to cover the Royal Habano, the classic Connecticut Toro, and there's another size that are Bosto. Um, there is the Bold Maduro and. And the classic Habano. And Esmeralda is going to fill out our lineup today.
• 0:36
  > Good ol’ Boy Barker>Is that the pink or the red one?
• 0:38
  > >It's the one before the big ball. Oh, yes. But it matches my shoes.
• 0:42
  > Good ol’ Boy Barker>That's right.
• 0:44
  > Speaker D>Rather than releasing dozens of lines, the brand keeps the offerings focused, allowing the blend, each blend to be developed with clear personality.
• 0:53
  > >We'll be right back after this break.
• 1:17
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin dude in the basement studios.
• 1:21
  > Good ol’ Boy Barker>Why?
• 1:22
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin suds and smokes with your smoke.
• 1:27
  > >And host the good old boys.
• 1:51
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin It's time for smokes.
• 1:59
  > Good ol’ Boy Barker>Welcome to this smokes episode where everything good in life is worth discussing.
• 2:02
  > >Oh, my gosh, he has nailed it again.
• 2:04
  > Good ol’ Boy Barker>I'm doing it. I'm two for two today, fellas. To my left is good old boy Mike on the ones and twos.
• 2:10
  > >Yes, I'm here again. I am channeling my inner Benjamin today. So y' all get along here.
• 2:15
  > Good ol’ Boy Barker>That's right.
• 2:16
  > >We're gonna talk about smokes and cigars.
• 2:18
  > Good ol’ Boy Barker>Good old boy Benjamin's out sick. He's got the flu. Miss him? Miss you, buddy. Good old boy Rich.
• 2:25
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin And back up at bat is good old boy Robert. Woohoo.
• 2:31
  > Speaker D>I can do it.
• 2:32
  > Good ol’ Boy Barker>Yeah. We're gonna see how much you can read today, boy.
• 2:34
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Our smoke segments are all about cigars and, well, everything that's smoked.
• 2:39
  > >I just want to let you know I'm betting against you, Robert.
• 2:42
  > Good ol’ Boy Barker>That's fine.
• 2:43
  > Speaker D>Smart bet.
• 2:44
  > Good ol’ Boy Barker>And for this episode, we're gonna cover cigars from Furman Perez.
• 2:49
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Hermione Firmini, maybe, I don't know. Mike's here today going to give us the lineup. What do we got?
• 2:59
  > >Here's our lineup for today from Furman Perez.
• 3:03
  > >We're going to cover the Royal Habano, the classic Connecticut Toro, and there's another size that are Bosto. Um, there is the Bold Maduro and the classic Habano. And Esmeralda is going to fill out our lineup today.
• 3:21
  > Good ol’ Boy Barker>Now is that the pink or the red one?
• 3:25
  > >It's the one before the big ball. Oh yes. But it matches my shoes.
• 3:29
  > Good ol’ Boy Barker>That's right. Well, we're gonna.
• 3:31
  > >But we're gonna go over these cigars and give our most respected opinions other than Barker. And we'll be rating these cigars with our subsets and smokes ratings from 1 to 5 with 5 being the best.
• 3:44
  > >Uh, plus our signature sounds. And here's one of those examples tonight. Let's see. See the M Toilet.
• 3:50
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Go with number four which is how much you want for them.
• 4:00
  > Good ol’ Boy Barker>Magnificent.
• 4:02
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin byproduct of the Alabama education system.
• 4:08
  > >How many fingers I got up today?
• 4:10
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 4:12
  > Good ol’ Boy Barker>How many you got left?
• 4:13
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin episode where all of this cigar speak will be decoded.
• 4:20
  > >Puffin puff out.
• 4:22
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin episode called Smell my foot should pop right on up and just follow the link in our show notes.
• 4:32
  > Speaker D>I would say to refrain from using the term smell my foot and pop up with zero warning. Let's keep this conversation civil inside this double wide trailer, please.
• 4:40
  > Good ol’ Boy Barker>It's a magnificent double wide.
• 4:43
  > >We interrupt this program to annoy you
• 4:44
  > Good ol’ Boy Barker>and make things generally irritating.
• 4:48
  > >Well, we had a chance to smoke all these cigars in advance and most of us are going off the notes we record at some time. Unlike some other individuals that I'm staring at. They're using the barger dartboard methodology. 1, 2 and toss where we might recall some of the information and proportional to the dosage flowing through our system at that particular moment.
• 5:15
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 5:16
  > Good ol’ Boy Barker>Well, we're running on empty today. Yeah, right on. That's for sure. Robert, why don't you tell us a little bit about Fairman Perez?
• 5:22
  > Speaker D>Right on. I get to read the background from impressed because I can handle all the big words.
• 5:26
  > Speaker D>Place your bets on that one.
• 5:29
  > Good ol’ Boy Barker>I'll take five to one.
• 5:32
  > Speaker D>At least I can fake it. Firm and press. Premium Scars represents a modern boutique approach.
• 5:38
  > Speaker D>Limited feeling. A limited feeling. Ah.
• 5:41
  > Good ol’ Boy Barker>Ah.
• 5:41
  > Speaker D>You got me. Portfolios.
• 5:44
  > >Bingo.
• 5:44
  > Speaker D>Thank you. Bingo. Card. Carefully blend identity and strong focus to construction quality. Rather than releasing dozens of lines. The brand keeps off the offerings focused allowing the BL each blend to be developed with clear personality beyond the blends themselves. Furman Perez maintains a hands on approach to cigar making. He operates his own factory in Estley, Nicaragua where his cigars are produced under close supervision using carefully selected tobaccos.
• 6:16
  > Speaker D>Furman Perez is also known for hosting educational cigar events where he personally teaches attendees about cigar construction.
• 6:23
  > >You ain't puffing hard enough.
• 6:25
  > Speaker D>Tobacco selection.
• 6:27
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 6:30
  > >That's what calls it canoeing.
• 6:33
  > Speaker D>And the leaves he uses to blend, offering a behind the scenes look at many boutique brands never provide.
• 6:41
  > Good ol’ Boy Barker>Well, I definitely didn't know that about him. But across this lineup, uh, Ferryman Perez Cigar share a few defining traits. Now, this is from them, not us.
• 6:49
  > >Welcome to the marketing meeting.
• 6:51
  > Good ol’ Boy Barker>There's clean, consistent draws. Balanced strength without harsh edges. Flavor transitions that evolve rather than peak. Early blends designed for real smoking moments, not just first impressions.
• 7:03
  > Good ol’ Boy Barker>This makes the brand especially appealing to smokers who value repeatability. These are cigars you can confidently return to, knowing that the experience will remain steady and enjoyable. And it says they've been pulling down some lofty accolades like the cigar of the year from like three Bubbas on the corner.
• 7:22
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin And they bring us to our first cigar in the lineup, which I don't think I found any of these things in. Well, all right. Well, Rich.
• 7:33
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Royal Box Pressed Habano.
• 7:39
  > Good ol’ Boy Barker>Also, that music was quite tasty.
• 7:41
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin for fans of Box Press cigars. Royal Box Press Cibano delivers structure, elegance and balance strength. The box Press format concentrates flavor while offering an excellent draw, making it a favorite, uh, among smokers who appreciate refined presentation and classic habano character. The wrapper is an Ecuador, Ecuadorian Habano. The binder is also Habano. Filler is a Necaraguan, uh, Jalapa Estelli and Pueblo Nuevo. Best for box press enthusiasts. Medium body preferences, classic style.
• 8:21
  > >I just wonder how somebody walks up and introduces themselves and says, you know what, I'm a box press enthusiast.
• 8:28
  > Good ol’ Boy Barker>Yeah.
• 8:29
  > >I mean, these are people that I wouldn't trust to go through a Wendy's drive in, you know, correctly.
• 8:35
  > Good ol’ Boy Barker>Yeah.
• 8:36
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 8:38
  > >not going to be.
• 8:43
  > Good ol’ Boy Barker>So, uh, I, I will say this
• 8:45
  > >was the blue box.
• 8:46
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 8:48
  > Good ol’ Boy Barker>This is the blue royal royal blue.
• 8:50
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I will say their cigar bands are very confusing.
• 8:55
  > Good ol’ Boy Barker>First off the rip, because they don't put what the cigar is on their bands.
• 8:59
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin luck. Yeah.
• 9:02
  > Good ol’ Boy Barker>You're so sol, that's for sure.
• 9:04
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 9:07
  > >I found that scenario wasn't at the market, actually. I mean, Seriously, they were going for, you know, to see who could, you know, be a box press enthusiast. Not that they're colored.
• 9:18
  > Good ol’ Boy Barker>Well, that's right.
• 9:20
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Smoking with royalty. So if, I guess if you're overrated. Yeah. If you're sitting in Royal Court, this is what you would smoke. But actually, I, um.
• 9:33
  > Good ol’ Boy Barker>This is probably going to be my favorite.
• 9:35
  > Good ol’ Boy Barker>Really?
• 9:35
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I'll say it's my second favorite.
• 9:39
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I'm gonna. I just did. You can't stop me, Rich.
• 9:46
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin thing. Yes. Yeah. Pretty amazing. Okay. Uh, even in the, uh, ice storm, I smoked the whole thing.
• 9:57
  > Good ol’ Boy Barker>Okay. Uh, it.
• 9:58
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin excellent draw. It had an excellent construction.
• 10:05
  > Good ol’ Boy Barker>I thought that it was box press. Well, um, you know, sometimes you get a box pressed.
• 10:10
  > >And what Box press, with a slight overtone of propane, actually tastes like, well, how much life. So you're in the tent, you have the propane heater going. Do you actually light the cigar off the propane heater?
• 10:24
  > Good ol’ Boy Barker>You should, yeah, if I have to, yeah.
• 10:28
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin off the cigar. There you go.
• 10:34
  > Good ol’ Boy Barker>There you go. That was good. What do you think about it real quick?
• 10:41
  > Speaker D>This cigar gave me hope. It was the second one I smoked in the lineup, and it kind of gave me some hope that it was going to be good.
• 10:48
  > Good ol’ Boy Barker>Okay.
• 10:49
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Well, we'll be right back with our rating for the Fairman Perez Royal Box Press. Bono. Hey, welcome back from commercials. Uh, we're Sip Suds of Smokes, the Smokes edition. We're going over the Fairman Perez Royal Box Press Tabondo. And, uh, Robert here was telling me a little bit about what he thinks about it, and, uh, I'm gonna give you what I think about it.
• 11:13
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I'm telling you a little bit about what I think.
• 11:16
  > Good ol’ Boy Barker>Okay, Tell me what you think.
• 11:18
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin This was my second favorite in the lineup, which, out of the lineup that we smoked, I only liked two of them. So it was the, uh, the runner up for me.
• 11:29
  > Good ol’ Boy Barker>Um, I do think it was a well constructed box pressed. Uh, I smoked it this morning with a cup of coffee, um, and I finished it. Uh, so that's.
• 11:42
  > Good ol’ Boy Barker>That's good. It, uh, had little hints of spice.
• 11:46
  > Good ol’ Boy Barker>That little bit of Habano that I like, that comes through in that wrapper okay. If you get that subtlety of that little bit of white pepper on those Havana wrappers, you, you, you. You're on to something.
• 11:59
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin And you're on to something. Um, but overall, I think that the construction was well on it and it didn't break apart, didn't have any burn issues.
• 12:11
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I did not.
• 12:13
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I was in my underwear.
• 12:17
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 12:17
  > Speaker D>I actually dubbed this the working man's.
• 12:20
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 12:22
  > >Okay.
• 12:22
  > Good ol’ Boy Barker>Habano.
• 12:24
  > >I think, you know, every time that somebody says, I have a Nicaraguan, uh, habano, Mike, radar just goes on, like, full alert.
• 12:32
  > Good ol’ Boy Barker>Yeah.
• 12:32
  > >Um, because the, the common problem is it's just not in balance, you know, and when you had, you know, true, you know, Cuban seed on Cuban soil, rolled in. In Cuban factories, I don't know, there's just. Even using the same descriptor I think is just wrong.
• 12:55
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 12:56
  > Good ol’ Boy Barker>Yeah.
• 12:56
  > >Uh, yeah. And so I, uh, you know, I think when you're charging into this and somebody uses that, you know, products, it's like, okay, why is this a spice bomb?
• 13:08
  > Good ol’ Boy Barker>Right, right, right.
• 13:10
  > >Exactly.
• 13:11
  > Good ol’ Boy Barker>Well, what do you guys think about a rating? We're going to give it a four.
• 13:15
  > Announcer>Yep.
• 13:22
  > Good ol’ Boy Barker>Magnificent. And good old boy Mike here is going to tell us about the classic, uh, Connecticut.
• 13:28
  > >The Furman Perez Classic Connecticut. We have two different versions to cover with you today. One is a Toro size and the other is Robusto. Um, and I think Barger is convinced those are not the exact same sticks. So, uh, for smoother moments, uh, Furman Perez Classic Connecticut delivers a refined, approachable experience as opposed to non approachable,
• 13:55
  > Good ol’ Boy Barker>semi approachable.
• 13:56
  > >Sorry.
• 13:56
  > Good ol’ Boy Barker>You know, it's.
• 13:57
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah.
• 13:58
  > >You know, back up. Hey, man, uh, while we're in the humid over here, do you have some non approachable cigars?
• 14:05
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah, so it's a velvet rope.
• 14:09
  > Good ol’ Boy Barker>It's like the squatty black Maple Hill bars.
• 14:11
  > Good ol’ Boy Barker>Right.
• 14:11
  > >Keep those and. Yeah, correct in hand lettering.
• 14:14
  > >Not unapproachable. Get out. Uh, known for its silky texture and balanced profile, this blend has been featured in curated Cigar club Selections. An endorsement that highlights its wide appeal and dependable construction. This, uh, The Toro is 6x54, and the Toro Gordo is 6x60. This is a Bahama.
• 14:41
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 14:42
  > Good ol’ Boy Barker>That's what I was thinking.
• 14:47
  > >The thing is, if I have background music for this, I can say it's a Habano rapper, Indonesian binder, jalapa, Estelle pueblo nueva fillers. Medium. Uh, it is best for morning and early day smoking.
• 15:02
  > Good ol’ Boy Barker>Like morning when someone dies or newer early day.
• 15:05
  > >Um, newer smokers and creamy profiles. It's like, do you put that on the back of your driver's license when you walk into the humidor going, dude, seriously, I'm an early day smoker? What.
• 15:17
  > Good ol’ Boy Barker>What exactly do full on vanity plate.
• 15:21
  > >Oh, here we go.
• 15:22
  > Good ol’ Boy Barker>This is vanity place. What this is.
• 15:24
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin But yeah, I could not finish this cigar. I did not like the cigar at all. It just. The burn was wonky. The flavor was just not there.
• 15:37
  > >Didn't get none of that nice vanilla.
• 15:39
  > Good ol’ Boy Barker>Actually put it was musty, like, in a bad way.
• 15:42
  > >Are you saying musty don't align with Connecticut?
• 15:44
  > Good ol’ Boy Barker>Yeah, like, not like your cousin Steve musty.
• 15:47
  > Good ol’ Boy Barker>Like, musty. Like in, like a. Like.
• 15:50
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah. Like, we haven't been in this locker room since the 80s, you know, like,
• 15:57
  > >he's thinking French oak, and, um, it's like more of a locker room oak.
• 16:01
  > Good ol’ Boy Barker>That's right. That's right. What'd you think, Rich?
• 16:03
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I don't.
• 16:05
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin about it. I'm not sure.
• 16:09
  > Announcer>Indonesian.
• 16:09
  > Announcer>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 16:15
  > >I wish to register a complaint.
• 16:17
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin he's always registering.
• 16:23
  > Good ol’ Boy Barker>He's. Yeah.
• 16:25
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin you were about
• 16:29
  > >to break into a brief argument there. You know, Indonesian monitors.
• 16:33
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Film at 11.
• 16:34
  > Good ol’ Boy Barker>That's right.
• 16:35
  > >We're here on our.
• 16:36
  > Speaker D>Do they.
• 16:37
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 16:38
  > Good ol’ Boy Barker>And then after that, on the scroll, you'll just see down there in est.
• 16:46
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin That's right. Bigfoot found in Nashville.
• 16:48
  > >You know, Robert, what'd you think?
• 16:51
  > Speaker D>Well, okay, so what I wrote about it is I paired it with coffee>> Unidentified Good ol’ Boy Benjamin+++ Benjamin On first light,
• 17:00
  > Good ol’ Boy Barker>I found it.
• 17:01
  > Speaker D>I thought it like a buttery citrus, which I do, like in Connecticut. But what I added to that is it did not last. Once I got past the first two or three draws, it got flavorless. Like, extremely flavorless. And, um, it just. The cigar just lost itself like. Like straight away.
• 17:20
  > Good ol’ Boy Barker>Yeah, I think that's what happened to me. I was.
• 17:22
  > Good ol’ Boy Barker>When I lit it, it was just dusty. And then it just slowly, slowly, slowly,
• 17:27
  > >just lost a cigar. I have, like, a dude walking around with a couple of snipe. Snipe rocks walking around, going, here, snipes here. Snipes where you are. Cigar?
• 17:36
  > Good ol’ Boy Barker>Yeah, a little lost.
• 17:37
  > Speaker D>It's a guy with a Q tip in his ear. That's walking.
• 17:41
  > Good ol’ Boy Barker>That's right. That's right.
• 17:42
  > >Marty Feldman, you know, Igor, you know, really coming out in me.
• 17:46
  > Good ol’ Boy Barker>What. What do you guys think on a rating for this guy? We're gonna give it a two. Now I get the pleasure of going over the Bold Maduro. Uh, but before I do that, something interesting happened with this whole review set up here. We got our first NDA that they tried to make us sign an NDA.
• 18:09
  > Good ol’ Boy Barker>Did you. Do you remember that?
• 18:10
  > >Yes. Well, you know, as an attorney, I see NDAs, like, every day, so. But yes, I do remember this one coming along, going, Hm, Yeah, that doesn't belong.
• 18:21
  > Good ol’ Boy Barker>Yeah. They were basically telling us, you can only talk good about these things. That doesn't make any sense.
• 18:27
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin That'd be a real short episode, wouldn't it? But that was the first in history for me for that and I just thought it was interesting. Uh, however, though they did send some cool swag, some couple ashtrays.
• 18:41
  > >Wait, I sent my personal attorney response.
• 18:46
  > Good ol’ Boy Barker>It was great.
• 18:46
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 18:47
  > >Which was just a picture of me and a finger.
• 18:50
  > Good ol’ Boy Barker>Yeah. And their response was perfect. It was like, okay, we'll send you cigars anyway.
• 18:56
  > Speaker D>Right.
• 18:57
  > Good ol’ Boy Barker>Great. Love. Look.
• 18:58
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 19:00
  > >Yeah, I can only teach people how to communicate effectively, you know, so many times.
• 19:06
  > Good ol’ Boy Barker>That's right. That's right. But man, that was just interesting. I just had to call that out because in all the cigars that we've reviewed and all the manufacturers we've dealt with, this is the first for me.
• 19:17
  > >Oh, uh, it's gonna happen again.
• 19:19
  > Good ol’ Boy Barker>Yeah.
• 19:20
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah. That would be the cease and desist. Right.
• 19:24
  > >That'll cover a Brian range of issues.
• 19:26
  > Good ol’ Boy Barker>Yeah. Which will respond the same way with a picture of Mike.
• 19:30
  > >Yeah.
• 19:32
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Actually, I'm gonna use both fingers.
• 19:34
  > Good ol’ Boy Barker>That's right.
• 19:35
  > >That's right.
• 19:36
  > Good ol’ Boy Barker>And then America with bald eagle flying in.
• 19:38
  > >That is correct.
• 19:39
  > Good ol’ Boy Barker>Yeah, it's gonna be great. Well, we'll be right back after these few announcements. Well, we're back. Uh, we're going over the Fairman Perez Bold Maduro here. And they say if your preference leans towards darker wrappers and richer profiles, Fairmind Perez Bulb Maduro is a natural starting point. The line is built around depth, offering fuller flavor, darker sweetness, and more robust presence without becoming overpowering. It's a great choice for evening smokes or for those who enjoy a cigar that feels Sustainable, but still controllable. It's a 6x54 girth. It's a, uh, Nicaraguan origin and the rapper San Andreas and Mexican. Uh, and it says, best for Maduro lovers after dinner, smoking or season pilates.
• 20:30
  > >Do we skip the rating on the Connecticut's? I think we did, didn't we?
• 20:34
  > Good ol’ Boy Barker>No, I know we gave it a two.
• 20:36
  > >Oh, that's right. I'm sorry. I'm just over here not paying attention.
• 20:40
  > Good ol’ Boy Barker>Well, we noticed.
• 20:41
  > >Yeah. Um, continue with the Maduro.
• 20:43
  > Good ol’ Boy Barker>So you smoked this one today, Rich, right?
• 20:45
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin What'd you think?
• 20:47
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 20:51
  > >Honestly.
• 20:52
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin cigar was, uh, said Maduro to me. It was not bold.
• 21:02
  > >Um, yeah, I did not. I didn't enjoy it. What about you?
• 21:09
  > Good ol’ Boy Barker>Uh, well, I didn't. If you found a Maduro in it, let me know. Yeah, I. I did not like this cigar. I didn't think it was very bold or. Or I thought it was on the milder side of a Maduro.
• 21:22
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I really waited for that spicy Maduro, clean, kind of cocoa, chocolatey flavor. And I never got it.
• 21:31
  > >I wish to register a complaint.
• 21:34
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin limeade as opposed to cold beef jerky. British hardcore and lots of regret.
• 21:48
  > Good ol’ Boy Barker>You know, I put my beef jerky in the microwave.
• 21:52
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 21:55
  > Announcer>Yeah.
• 21:55
  > Good ol’ Boy Barker>Uh, sometimes I take my packet of beef jerk and sit on it so it gets really.
• 21:59
  > >Dessert. Well, a little bit of disappointment with a little bit of maple syrup.
• 22:04
  > Good ol’ Boy Barker>Robert, what'd you think?
• 22:05
  > Speaker D>So I've said many times, I love San Andreas, and.
• 22:10
  > >Not this time.
• 22:12
  > Speaker D>I would have rather had the. The spare tire wrapped in the San Andreas wrapper.
• 22:16
  > >Huh.
• 22:16
  > Speaker D>Um, about. I. I actually called Barger on this. I go, how much do I have to smoke of this? And.
• 22:25
  > Good ol’ Boy Barker>And I told him he was crying. In good fashion. I told him the whole thing.
• 22:31
  > Speaker D>See?
• 22:32
  > >Yeah, you called the wrong person. If you called me, I would have said until you have an inf.
• 22:36
  > >Formed opinion. And you would have said, cool.
• 22:39
  > Speaker D>I actually got ammonia in like, the second third of that cigar.
• 22:42
  > Good ol’ Boy Barker>Really?
• 22:42
  > >Yeah.
• 22:43
  > Good ol’ Boy Barker>Did you put it in it?
• 22:44
  > >I did.
• 22:46
  > Good ol’ Boy Barker>Thought it would taste better.
• 22:47
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 22:49
  > Speaker D>I was trying to drink it.
• 22:51
  > >Was there some doubt about how Barger stored those sticks before giving them to you?
• 22:55
  > Speaker D>I. When I first lit it up, I thought, this cigar needs to age a lot.
• 23:00
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin And so when I got the ammonia, I thought, okay, Was this hot or cold?
• 23:04
  > Good ol’ Boy Barker>Ammonia over ice?
• 23:06
  > Speaker D>R 21 or 31?
• 23:08
  > >Yeah.
• 23:09
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 23:11
  > Speaker D>Yeah. I did not enjoy the cigar at all.
• 23:15
  > Good ol’ Boy Barker>Uh, yeah. So what, uh, are we gonna give it. We're gonna give it a two. All right, so up next is the classic Habano. And, uh, we're gonna let Rich go over that one. What? I know it says Robert, but we're going to let Rich do it because Robert's got the one after that.
• 23:36
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin in the lineup. Classic Habano strikes a comfortable balance between smoothness and spice.
• 23:47
  > Good ol’ Boy Barker>This is the cigar many, um, smokers gravitate toward as an everyday option. Flavorful enough to stay interesting, yet restrained enough to enjoy.
• 23:58
  > Good ol’ Boy Barker>Enjoy at any time of day. Habana rapper, Indonesian Biner binder, Nicaraguan filler from Yalapa, Estelli and Pueblo Nuevo. Best for everyday rotation. Classic cigar fans. Balance strength.
• 24:17
  > Good ol’ Boy Barker>Where was it?
• 24:18
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah, that balance strength that you were just talking about?
• 24:21
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 24:22
  > >Just have, like, all these scenes playing through my head. This is the reason why I'd never get invited to Mark marketing unit. He says I'm like, most versatile offering in the lineup. So what are you saying? We can smoke it from right to left instead of left to right?
• 24:37
  > Good ol’ Boy Barker>How to prove that message? You can smoke it here, there, anywhere.
• 24:39
  > >If I stand on. If I stand on my head and smoke this cigar, will it actually taste a lot better?
• 24:44
  > >No. You know, how do you. How do you restrain a cigar? It's like, you know, hang on a second. Let me use some duct tape on this bad boy, you know?
• 24:54
  > Good ol’ Boy Barker>That's right. That's right.
• 24:55
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin this one was this was in the white box, right?
• 25:01
  > Good ol’ Boy Barker>Ah, yeah. The color coordination with this. This lineup was just not. It.
• 25:04
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Putting all the colors that you think his box would be like. So a Connecticut in a black box.
• 25:12
  > Good ol’ Boy Barker>What would you put in a black box? You put a Maduro because it's a darker cigar. Right, right.
• 25:16
  > Good ol’ Boy Barker>Or what's the natural. What's the normal color of a Habano? Red.
• 25:20
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Red. Not blue. Anyway. Anyway, that's just my color coordination.
• 25:27
  > >So if you went to a Yale marketing meeting, they would probably kick your ass out. So, you know.
• 25:33
  > Good ol’ Boy Barker>Yeah, well, in today's color palettes with
• 25:36
  > >Michael, we've done some group studies to show this is like, black as opposed to red boxes.
• 25:41
  > Good ol’ Boy Barker>Yeah, that's right.
• 25:42
  > >You actually sell point. Well, I'M a nice
• 25:46
  > Good ol’ Boy Barker>fly on the wall in that marketing.
• 25:47
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 25:49
  > >It might probably be, you know, non, uh, conforming, but yet still enjoyable.
• 25:53
  > Good ol’ Boy Barker>That box just reeks of masculinity a little bit.
• 25:55
  > Good ol’ Boy Barker>Let's just take it down a little bit. Let's it put. Put the white box. I need a safe space. I need a safe space.
• 26:01
  > >Oh, Buffy, it's such a great idea.
• 26:02
  > Good ol’ Boy Barker>Yeah. Uh, anyway, sorry. So as as opposed to that.
• 26:07
  > Good ol’ Boy Barker>That non.
• 26:08
  > >Maduro.
• 26:09
  > Good ol’ Boy Barker>Maduro, you know. And this is. Okay, here.
• 26:12
  > Speaker D>Where are we at here?
• 26:12
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 26:13
  > Good ol’ Boy Barker>Yeah. This is the, uh, Habano Classic. Habano.
• 26:16
  > >Sorry.
• 26:16
  > Good ol’ Boy Barker>Wrong. Wrong one. You know what sucks is that they have their own factory. Like, you have your own factory at your disposal. And you like. I want more from this company. Like, I want. I want to try other offerings that they have just to see.
• 26:33
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah.
• 26:35
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin like it.
• 26:38
  > Good ol’ Boy Barker>I liked the royal one.
• 26:40
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah.
• 26:42
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin It just wasn't it for me. What are we gonna give it? We're gonna give it a two dos. Yeah. Now, uh, again, we're ripping on them. But you know what?
• 26:56
  > Good ol’ Boy Barker>Somebody out there likes these cigars banned once again.
• 27:00
  > Announcer>Well,>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 27:05
  > Good ol’ Boy Barker>That's my chair, right?
• 27:07
  > >Yeah.
• 27:07
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin It's a box.
• 27:12
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Number one.
• 27:16
  > Good ol’ Boy Barker>Yeah.
• 27:18
  > Speaker D>I think I'm glad you finally became public with that.
• 27:20
  > Good ol’ Boy Barker>I think if they took 50% with an R. I think if they took 50% of the budget for marketing and put it into 50 more percent of blending.
• 27:32
  > >If they took all that money and they put us on a G700 jet to go down, you know, to Estee. For us to go and visit another factory that was making better cigars. That would work.
• 27:44
  > Good ol’ Boy Barker>That would work. We would do that.
• 27:47
  > >Just don't crash the jet, because we love you. We would do that.
• 27:52
  > Good ol’ Boy Barker>Uh, anyway, so that we got one more cigar to go over that and then some more banter. Uh, but before we get into that, how's everybody's weeks?
• 28:01
  > Good ol’ Boy Barker>The ice storm got you down?
• 28:03
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah. I mean, you know, it's.
• 28:06
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin doing better. Better than most.
• 28:10
  > Good ol’ Boy Barker>Yeah. Mike. Mike was in a hard place at his house.
• 28:12
  > Good ol’ Boy Barker>All that tequila and.
• 28:14
  > >Yeah, I was trapped, you know, all all the, all the good liquors, you know? Yes, it was really horrible.
• 28:21
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Very difficult.
• 28:23
  > Good ol’ Boy Barker>I feel.
• 28:23
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 28:24
  > >When I saw the first pizza truck go up. Well, I'm, uh, like on a 45 degree hill. And, um, so when I saw the first, uh, pizza delivery, you know, tread, tread by our house, it was like, oh, hey, it must be clear. Yeah, yeah.
• 28:44
  > Good ol’ Boy Barker>Two weeks later, right?
• 28:46
  > >Yeah, about, you know, about 10 days later, we finally, you know, got out of the driveway.
• 28:50
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Uh, for about 16 hours.
• 28:53
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 28:54
  > Good ol’ Boy Barker>Yeah, me too.
• 28:55
  > >Not too bad. And it flickered on, on and off. I will tell you that. It went off like the next morning. I was sitting there with coffee and I was reading something, I think phone or laptop, and the power just went down.
• 29:09
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Oh, you know, there's people out there.
• 29:14
  > >And then you have no idea when it's gonna come.
• 29:15
  > Good ol’ Boy Barker>So he never got to finish Dancing with the Stars is what he's telling us. Well, you know, he really not the>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 29:25
  > >you know, again.
• 29:26
  > Good ol’ Boy Barker>Hey, I like Lego Masters. If you guys haven't seen that, that's fine. Yeah, maybe they can make a better cigar out of Lego.
• 29:33
  > >There you go.
• 29:34
  > Good ol’ Boy Barker>We'll be right back.
• 29:35
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Hello. Welcome back. We are reviewing the Fairman Perez cigars. Uh, we just got done reviewing the classic Capano and gave it a two. And Robert here is going to go over the Esmeralda with us.
• 29:56
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 29:56
  > Speaker D>The Esmeralda, Connecticut was created in the heart of Little Havana, where coffee, cigars and conversation define culture. This blend reflects the roots classic, expressive and layered.
• 30:09
  > Speaker D>Designed to honor tradition and offering quiet complexity. I think I read that right afterwards.
• 30:17
  > Good ol’ Boy Barker>Put off on your screen.
• 30:17
  > Speaker D>Quiet, quiet, quiet.
• 30:19
  > Good ol’ Boy Barker>Quite quiet on the set.
• 30:21
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 30:23
  > Speaker D>If you're taking bets, I am. Three down, I think.
• 30:26
  > Good ol’ Boy Barker>Yeah, I'll drink to that.
• 30:30
  > Speaker D>Personally crafted by Fer fur and Perez Jr.
• 30:33
  > Speaker D>Esmeralda, Connecticut is a tribute to early blending inspirations rooted in Little Havana, morning espresso, evening pores, and timeless cigar rituals.
• 30:46
  > Good ol’ Boy Barker>Timeless ritual. What's this?
• 30:48
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 30:49
  > >Timeless cigar ritual.
• 30:51
  > Good ol’ Boy Barker>Uh, is this like, Like.
• 30:53
  > >Wait, I know it's.
• 30:56
  > Good ol’ Boy Barker>It's.
• 30:56
  > >It. Every cigar that Rich smokes canoes. Because he smokes it too fast.
• 31:00
  > Good ol’ Boy Barker>Rich. That's like.
• 31:01
  > >That's a timeless ritual.
• 31:02
  > Good ol’ Boy Barker>Yeah, you do smoke fast. I've been telling you that for years.
• 31:09
  > >What?
• 31:10
  > Good ol’ Boy Barker>It's like, this just tastes burnt. And I look down. Half of it's still a wrapper, and the other half's burnt.
• 31:16
  > Speaker D>What do you mean?
• 31:17
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 31:19
  > Good ol’ Boy Barker>Yeah.
• 31:22
  > Speaker D>So I'll say I did like this cigar. When I lit it up, it was not bad.
• 31:26
  > Good ol’ Boy Barker>This was my favorite cigar in the line. I'm gonna give them some props here. So all these bads for one good folks, and I'm gonna tell you why.
• 31:33
  > Speaker D>But for me, construction was the issue.
• 31:35
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 31:36
  > Good ol’ Boy Barker>Really.
• 31:37
  > Speaker D>I had the scar started splitting. The ash would split apart. I was.
• 31:41
  > >It was.
• 31:42
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 31:43
  > Speaker D>And I. I backed off. I didn't pull a rich. I tried to really kind of like. That's right, like, nurse that cigar and copyright.
• 31:50
  > Good ol’ Boy Barker>Smoke it harder. It'll get better. The rich method.
• 31:57
  > Speaker D>But I. I had. I had a wonky burn the entire time.
• 32:00
  > Speaker D>And the cigar kept splitting. It never corrected.
• 32:03
  > >I wish to register a complete.
• 32:06
  > Good ol’ Boy Barker>All right, so I had the complete opposite experience with a cigar. I found a little bit of complexity in this. In this cigar. Uh, I think that it was blended well. Uh, my construction issues from the other ones were not in this one.
• 32:24
  > Good ol’ Boy Barker>It's a cigar like this that gives me hope for a brand with the Royal Habano being as good as it was and this cigar being as good as it was. For me, that gives me hope that they do know some of what they're doing. For me, that's helpful because we could sit here and talk shop all day long, but if you're not learning from things and moving forward, then you're just spinning your wheels.
• 32:49
  > Good ol’ Boy Barker>Right?
• 32:49
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin I didn't have any construction issues with any of these cigars. They were all. Well, I think, well made. Well, uh, rolled. Um, I found this one a little heavy on the leather.
• 33:05
  > Announcer>Ah.
• 33:05
  > Good ol’ Boy Barker>Are you sure it wasn't the leather you were wearing?
• 33:07
  > >Oh, God.
• 33:08
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin on.
• 33:11
  > Good ol’ Boy Barker>Ball gag.
• 33:12
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin out before I smoke?
• 33:17
  > Good ol’ Boy Barker>Oh, there's a hole in it. That's for the cigars.
• 33:21
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin medium middle of the road flavoring. Um, just not a lot of. Not a lot of complexity to it.
• 33:30
  > >I'm over here debating do we pick up twice as many Canadian listeners or we lose them after they come in.
• 33:37
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 33:38
  > Announcer>Yeah.
• 33:39
  > Announcer>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 33:40
  > Good ol’ Boy Barker>It's cold up there. They're into all that stuff.
• 33:42
  > Good ol’ Boy Barker>Yeah.
• 33:44
  > Speaker D>Just slap a maple leaf on that ball gag, and they're all for.
• 33:47
  > Good ol’ Boy Barker>That's right. That's right.
• 33:48
  > >Hey, I'm Sorry.
• 33:49
  > Good ol’ Boy Barker>The single Canada while you're wearing it. But, uh, no, that's good, though. So there's three different outlooks on the same cigar, you know.
• 33:59
  > >Yeah.
• 33:59
  > Good ol’ Boy Barker>And I think that's important.
• 34:01
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 34:02
  > >Definitely.
• 34:03
  > Good ol’ Boy Barker>I would definitely smoke the cigar again.
• 34:04
  > >Yeah.
• 34:05
  > Speaker D>I would like to try it again. I would definitely, like.
• 34:07
  > Speaker D>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin this show, you know, especially with construction issue. These are handmade.
• 34:14
  > Good ol’ Boy Barker>Yeah.
• 34:14
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin you're going to get variants and construction.
• 34:19
  > Good ol’ Boy Barker>Go listen to 101, you know, so.
• 34:23
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah.
• 34:25
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Quit clicking the pin, Rich. It's on the Star audio. He's talking with his hands over here, you know. Anyway, anyway, so overall, about the line, what. What do you guys think about the.
• 34:38
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Yeah, we're gonna rate this one. I guess it's gonna get a three. All right. Uh, what. What did you guys overall think about this presentation wise? Like, tell me.
• 34:56
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin look of the. You know, each cigar comes in its own little makeup box. Whatever you want to call it.
• 35:05
  > Good ol’ Boy Barker>Mascara box. I'm not a big fan of that. Um, I mean, I guess it's in the box.
• 35:11
  > Good ol’ Boy Barker>It's in a wrapper. In a box. Yeah. Or a box.
• 35:16
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin something.
• 35:18
  > Good ol’ Boy Barker>That episode we did. How many bands can you put on a cigar?
• 35:23
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 35:24
  > >Five is the number.
• 35:25
  > Good ol’ Boy Barker>Yeah, five is the number.
• 35:27
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin whole thing in a box? Right.
• 35:30
  > Good ol’ Boy Barker>Yeah.
• 35:30
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin waxing the end of the box. I don't know.
• 35:34
  > Good ol’ Boy Barker>Oh, they're going to dip it in wax.
• 35:35
  > >I think they're just going to stop using a wrapper and start using bands.
• 35:39
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin like glue off of this one is really awesome.
• 35:44
  > Good ol’ Boy Barker>Yeah. I really like the ink they used.
• 35:46
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 35:47
  > >The way the gold foil kind of curls up there. That is what I'm talking about.
• 35:52
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 35:56
  > Good ol’ Boy Barker>So presentation wise, it's. The vans are very appealing. Like, presentation wise, I think color coordination is awful.
• 36:03
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin It's confusing. And then, like, we spent 10 minutes arguing about was there a green label or not? Of course there was a green label. Like I said, uh, these colorblind guys over here is like, that's black Shut up, grandpa. Yeah, that's right.
• 36:18
  > Good ol’ Boy Barker>I said it. Robert, what do you think?
• 36:21
  > Speaker D>So, you know there's a saying about prostitutes.
• 36:23
  > Speaker D>The higher the gloss, the cheaper the quality.
• 36:25
  > Good ol’ Boy Barker>That's right. Who told you that?
• 36:30
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 36:33
  > Speaker D>Yeah, I think there was a lot of gloss on this line.
• 36:37
  > Good ol’ Boy Barker>Lipstick on a pig. Huh?
• 36:40
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin look at something like that, I go, what are they hiding? Or why are. What are they making up for?
• 36:48
  > Good ol’ Boy Barker>And, and why am I paying for. When I buy a stick, what am I paying for? Am I paying for the box? Am I paying for the packaging?
• 36:55
  > Good ol’ Boy Barker>Or I'm paying for the back inside. You bought a stick. Good for you. Yeah, yeah. Well, anyway, we, you know, like I always say.
• 37:03
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Uh, M, O, O, N. That spells cigar. You guys don't remember that? No, I don't. The Stephen King's the stand. Oh, man, that's fine. Anyway, regardless, um, try it for yourself, folks. If you don't, you don't have to take our advice or our word. We're just some guys in a trailer.
• 37:26
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin this, this line?
• 37:29
  > Good ol’ Boy Barker>No, no, mine was just paired with disappointment.
• 37:34
  > >But wait, was it early or mid morning?
• 37:38
  > Good ol’ Boy Barker>It was cold disappointment.
• 37:39
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin portfolio.
• 37:43
  > >Yeah, if you had had, if you had had an unlimited personal feeling, you would have been just right there.
• 37:51
  > Good ol’ Boy Barker>Well, listen, go try it for yourself. And I want to thank everybody for coming today. Good old boy Mike. Thanks for sitting in.
• 37:58
  > >Hey, thanks for joining us for this episode of Sip Suds and Smokes. Come back, enjoy another exciting episode, and I'll ask you to keep on sipping.
• 38:06
  > Good ol’ Boy Barker>Good old boy Rich.
• 38:07
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin word for, for man. Go out and try these things.
• 38:11
  > Good ol’ Boy Barker>Let us know what you think, especially if you disagree with us.
• 38:14
  > Good ol’ Boy Barker>Yeah.
• 38:14
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Put it in the comment section. Mike likes to argue in comment sections.
• 38:19
  > Good ol’ Boy Barker>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 38:20
  > Speaker D>Uh, Robert, words trouble me.
• 38:22
  > Good ol’ Boy Barker>Yeah, we know. And this is good old boy Barger telling you to keep on smoking. And hey, if you like what we're doing, you need to go check out our previous cigar reviews on the. On the previous episodes. Just look us up on any of the platforms that we're on and just pop them in.
• 38:38
  > >I think we could go for a new stage name for Rich Canoe.
• 38:41
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin Canoe.
• 38:44
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin That could work.
• 38:46
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin
• 38:50
  > Good ol’ Boy Barker>Don't let us enter aboriginal name. Yeah. Men who work Canoe.
• 38:56
  > Announcer>We hope you enjoyed this episode. If you're listening to us online, do yourself a favor and tap. Just tap it in the subscribe button.
• 39:05
  > Announcer>>> Unidentified Good ol’ Boy Benjamin+++ Benjamin The easiest way to listen to our show is to ask Siri, Alexa, Google, Uncle Larry, or whoever it is that talks to you on your phone play podcast. Sip, Suds and Smokes. We love your feedback and you can reach us at info at sip, suds and smokes.com our tasting notes flow out on Twitter and Instagram with our handle at Sip, Suds and Smokes. And our Facebook page is always buzzing with lots of news.
• 39:33
  > Announcer>You'll also be able to interact with the thousands millions of other fans on those social media platforms. Do us a favor, take the time to rate this episode. If you're listening to us online, that's a big help to us and we get to see your feedback as well. Come back, join us for another episode and keep on sipping.
• 40:04
  > >This has been a one tan hand production of Sips, Suds and Smokes, a>> Unidentified Good ol’ Boy Benjamin+++ Benjamin finer slices of life from the dude in the basement studios. Your host, the good old boys.
• 40:18
  > >>> Unidentified Good ol’ Boy Benjamin+++ Benjamin