Latest / Frightmares / Ep. 131 - The Hills Have Eyes (2006)

Transcript

Ep. 131 - The Hills Have Eyes (2006) · Frightmares

• 0:00
  Speaker 1: Oh never diabetes take the wheel.
• 0:47
  Speaker 2: Oh man, that's one of my favorite guys on TikTok.
• 0:49
  Speaker 2: Shout out to beard O weirdo with a beard. Oh
• 0:53
  Speaker 2: I lovely.
• 0:53
  Speaker 3: This is his art stuff too, because how he's like,
• 0:55
  Speaker 3: oh this looks sup with.
• 0:59
  Speaker 2: Yeah, he's great. Welcome to TikTok podcast. I'm your host. No,
• 1:04
  Speaker 2: but uh, what the fuck? I don't even know what
• 1:06
  Speaker 2: I'm saying anymore. I'm so out of the host. But like,
• 1:08
  Speaker 2: what's your name? Hostess with the mostest?
• 1:10
  Speaker 3: No?
• 1:10
  Speaker 2: Uh, this is episode one and thirty one. I'm your host,
• 1:13
  Speaker 2: Austin Proctor. That is your co host, Spencer Lafermab Hello, Hello,
• 1:18
  Speaker 2: So yeah, so okay, we're talking about hills have Eyes.
• 1:21
  Speaker 2: It's no secret anymore. It's the title of the episode.
• 1:24
  Speaker 2: But there is a movie out there that I guess
• 1:27
  Speaker 2: I confused with this movie I'll put I'll put it
• 1:29
  Speaker 2: as like like unharshly as I can, if that's even
• 1:32
  Speaker 2: a fucking word. There is a movie where someone sodomizes
• 1:35
  Speaker 2: someone else with a gun and a trailer in the desert.
• 1:38
  Speaker 2: I swore it was this movie and was like just
• 1:41
  Speaker 2: waiting to not watch that because I was gonna not
• 1:44
  Speaker 2: watch I was gonna look away. I don't need to
• 1:45
  Speaker 2: see that. But it's not this movie, and I have
• 1:47
  Speaker 2: no fucking clue what it is.
• 1:49
  Speaker 3: Like it sounds super familiar, not that that's something that
• 1:52
  Speaker 3: just sticks my brain, because.
• 1:53
  Speaker 2: I mean it kind of does, because that's a yeah,
• 1:56
  Speaker 2: it's a rough scene, but still like.
• 1:58
  Speaker 3: It's not something until it's more like it's like a
• 2:01
  Speaker 3: repressed memory you brought back to me when you said that.
• 2:03
  Speaker 3: I'm like, when you mentioned that, I'm like, it's not
• 2:06
  Speaker 3: this movie. And then certain things expired in this movie.
• 2:08
  Speaker 3: I'm like, maybe it is, and I'm like, no, it's
• 2:10
  Speaker 3: it's definitely not.
• 2:12
  Speaker 2: There's a lot of ship that happens in a trailer
• 2:14
  Speaker 2: in this movie, but not that. And now I have
• 2:16
  Speaker 2: to scour the internet with very odd Google searches that
• 2:19
  Speaker 2: I hope it doesn't track because I'm just trying just
• 2:21
  Speaker 2: trying to find a movie. I'm not I'm not into
• 2:24
  Speaker 2: weird ship. I'm just trying to find a movie.
• 2:27
  Speaker 3: Somehow you put it, it takes you to the hubs.
• 2:29
  Speaker 2: Like, yeah, get into weird fetish ship, please, no, no,
• 2:33
  Speaker 2: pass all that.
• 2:34
  Speaker 3: If someone's into that, that's that's very odd. Like I
• 2:37
  Speaker 3: can't get behind it any finishes, but like I can
• 2:39
  Speaker 3: understand certain fishes, but like.
• 2:41
  Speaker 2: That would be a weird one.
• 2:42
  Speaker 3: That particularly would be probably the weirdest thing I've ever heard.
• 2:44
  Speaker 2: Yeah, that would be odd. I'm not in. I'm not in.
• 2:46
  Speaker 2: I'm not into that. Neither should you. You should not
• 2:49
  Speaker 2: be either. Good God, So that's not this movie good. Honestly,
• 2:52
  Speaker 2: it's good because I don't want to talk about it.
• 2:54
  Speaker 2: Even though I just went on for a few minutes
• 2:55
  Speaker 2: talking about it, that's besides the point. So, yeah, we're
• 2:59
  Speaker 2: doing Hills Have Eyes today, the the remake two thousand
• 3:02
  Speaker 2: and six. This was actually supposed to be a double
• 3:05
  Speaker 2: because I had planned the podcast out until like February,
• 3:09
  Speaker 2: and then we settled on just doing one. So that's
• 3:11
  Speaker 2: why I was like, do you want to just do?
• 3:13
  Speaker 2: You know? Because obviously we were gonna do Mirrors and
• 3:16
  Speaker 2: this one. Obviously, if we're picking one, we're doing this one.
• 3:19
  Speaker 2: Nothing against Mirrors. I love it, but it is not
• 3:21
  Speaker 2: that great. It's just more fun to watch.
• 3:24
  Speaker 3: So it's spent a long time since I've seen this.
• 3:27
  Speaker 2: It's oh yeah, it's and I can't even remember if
• 3:29
  Speaker 2: I've seen this. To be quite honest. So I put
• 3:33
  Speaker 2: it down as not a rewatch on letterbox because I can't.
• 3:36
  Speaker 2: I couldn't remember.
• 3:37
  Speaker 3: I've probably only seen it like this, probably like the
• 3:39
  Speaker 3: watch that we did for this, probably my fourth time
• 3:41
  Speaker 3: watching it, only like yes, so I watched it in
• 3:43
  Speaker 3: the theaters and then when it came on the DVD
• 3:45
  Speaker 3: I bought it, and then I watched it then and
• 3:46
  Speaker 3: maybe like one other time during like Halloween time, and
• 3:49
  Speaker 3: then yesterday.
• 3:50
  Speaker 2: Yeah.
• 3:51
  Speaker 3: Yeah, so I've only probably seen it a hand full time.
• 3:53
  Speaker 2: And you can't even get this anywhere. It's like fifty
• 3:56
  Speaker 2: five dollars on Amazon. I couldn't even find a fucking
• 4:00
  Speaker 2: copy on eBay. There was no Blu rays. There's one
• 4:03
  Speaker 2: copy for like forty five bucks. Yeah, and just like okay,
• 4:05
  Speaker 2: so that's just.
• 4:07
  Speaker 3: For the longest time. Yeah, for the longest time. I
• 4:09
  Speaker 3: always saw the fy when we went and I'm like,
• 4:11
  Speaker 3: I don't really want it at this one right now,
• 4:12
  Speaker 3: as always the double feature that and the second one, which,
• 4:15
  Speaker 3: like I told you before the podcast, I wasn't a
• 4:17
  Speaker 3: fan of the sequel, but like if I if that's
• 4:20
  Speaker 3: the only way to get the first one at a
• 4:21
  Speaker 3: decent price.
• 4:22
  Speaker 2: Like fuck, I'll get it, yeah, but now we did.
• 4:24
  Speaker 3: And then at the one time, not not recently, but
• 4:26
  Speaker 3: I want to say about November ish, I went to Actually,
• 4:30
  Speaker 3: I'm like, you know what I want this now, like
• 4:32
  Speaker 3: like in my head, I'm like, I really went over
• 4:33
  Speaker 3: watch this, and I think that's around the time that
• 4:34
  Speaker 3: we were talking about doing this for the podcast anyway.
• 4:36
  Speaker 3: So I'm like, okay, perfect timing, and Fyu is.
• 4:38
  Speaker 2: Like, no, nothamn, it's.
• 4:40
  Speaker 3: Gone now because you want it before then when you
• 4:42
  Speaker 3: didn't want it, it was here.
• 4:43
  Speaker 2: So I'm on the hunt for that. If I come
• 4:44
  Speaker 2: across too, I'll buy you one and then probably save
• 4:47
  Speaker 2: it for you for Christmas or something like. By the way,
• 4:49
  Speaker 2: here you go. So, yeah, you can't even buy this movie.
• 4:53
  Speaker 2: Actually I take that back. You can buy this movie
• 4:56
  Speaker 2: on well, the unrated movie you can buy on am
• 5:00
  Speaker 2: Amazon digitally for like fifteen bucks, okay, And I was like,
• 5:04
  Speaker 2: you know, I'm not saying I don't want to, but
• 5:06
  Speaker 2: i'd rather have physical because you can't rent it on Amazon.
• 5:09
  Speaker 2: You can only rent the rated R version for like
• 5:11
  Speaker 2: three ninety nine on Amazon. You cannot rent the unrated
• 5:15
  Speaker 2: and you have the unrated and obviously I want to
• 5:17
  Speaker 2: see the unraided. So you rented it for me, fucking
• 5:20
  Speaker 2: shout out to you on your voodoo and then I
• 5:22
  Speaker 2: watched it there. But yeah, it's kind of weird how
• 5:25
  Speaker 2: some movie you feel should be accessible just is not accessible.
• 5:29
  Speaker 2: It's very odd.
• 5:30
  Speaker 3: Also the fact that it's Fox who produced it, Yeah,
• 5:37
  Speaker 3: that's true. Fox Searchlight's to say people as.
• 5:39
  Speaker 2: The antlers, So then why wouldn't they re release this?
• 5:43
  Speaker 3: Oh, they're not re releasing any of their older stuff
• 5:44
  Speaker 3: any they're old, like old Fox, Kyle. That's why, that's why,
• 5:49
  Speaker 3: that's why most of the x ME movies are just.
• 5:51
  Speaker 2: A Blu ray. Yeah, you can get the four K bundle,
• 5:54
  Speaker 2: but it's expensive as shit.
• 5:56
  Speaker 3: Well, but but you know what I'm saying, like.
• 5:58
  Speaker 2: Yeah, they're not individual.
• 5:59
  Speaker 3: There's a lot of older Fox movies that are just Yeah,
• 6:03
  Speaker 3: Like I think Mirrors is also Fox that it just
• 6:05
  Speaker 3: it's just blue.
• 6:06
  Speaker 2: Yeah, I think so.
• 6:07
  Speaker 3: I don't remember. But a lot of the older Fox catalogs.
• 6:10
  Speaker 3: The only way that they're gonna get a reissue on
• 6:13
  Speaker 3: Blu rays if Disney decides to, But I guarantee you they're.
• 6:16
  Speaker 2: Not going to. Now I wonder how that would work
• 6:18
  Speaker 2: for someone like Screen Factory or they don't.
• 6:21
  Speaker 3: Do Fox movies. They've never done a Fox movie.
• 6:24
  Speaker 2: I mean, but like, okay, well let's go through the catalog.
• 6:26
  Speaker 2: We've got Screen Factory, we got Vanegar Syndrome, We've got Era,
• 6:29
  Speaker 2: We've got i mean, there's so many more. I know,
• 6:31
  Speaker 2: I'm missing out a fucking restaurant.
• 6:34
  Speaker 3: I mean, like, none of them have done Fox movies,
• 6:36
  Speaker 3: any anything anything. Disney owns they've never done.
• 6:40
  Speaker 2: No Gate I know, which is actually actually just found
• 6:44
  Speaker 2: that out today because I was looking through their catalog
• 6:45
  Speaker 2: because they only have twenty three. Uh yeah, Candy Man
• 6:50
  Speaker 2: was twenty three and they're coming out with twenty fourth
• 6:52
  Speaker 2: movie that they've done. But yeah, lions Gate bought out
• 6:54
  Speaker 2: the defunct restaurant and revived them. Because I was looking
• 6:57
  Speaker 2: at all my restaurants and I'm like, they all say
• 6:59
  Speaker 2: lion Gate up. And then I researched. I'm like, oh,
• 7:02
  Speaker 2: that's cool, God, God blessed Scaro did the original. Yeah,
• 7:07
  Speaker 2: I've got it right here.
• 7:08
  Speaker 3: The original. What the fucking movie we're doing? Yeah, that one,
• 7:15
  Speaker 3: that one is the original of that. But uh, that
• 7:17
  Speaker 3: wasn't Fox to begin with that all obviously, and if
• 7:20
  Speaker 3: if this one.
• 7:23
  Speaker 2: R l JE. It just says R l J Entertainment.
• 7:26
  Speaker 2: But I don't think they were going in the seventies,
• 7:28
  Speaker 2: were they. Yeah, I don't see. I don't see anything
• 7:31
  Speaker 2: about Fox.
• 7:31
  Speaker 3: But the only thing I can see if if we
• 7:34
  Speaker 3: get it, is if like uh, Ken o'lber or some
• 7:39
  Speaker 3: other one, just because Ken Ober has been doing random
• 7:42
  Speaker 3: movies just in four K out of nowhere. That's true,
• 7:44
  Speaker 3: but but they haven't done Fox at either, So they
• 7:47
  Speaker 3: haven't done anything. So basically, I feel like anything Disney
• 7:49
  Speaker 3: owns production, we're not ever going to see less they
• 7:53
  Speaker 3: do it. Which, as money hungry as they are, you
• 7:56
  Speaker 3: think they would certain movies like this one. I mean,
• 7:58
  Speaker 3: I mean, hell, they would have gone. If they did
• 7:59
  Speaker 3: it for bucks, they would have gotten forty bucks right.
• 8:01
  Speaker 2: There, Yeah, forty bucks immediately, Yeah, right there, that's worth
• 8:04
  Speaker 2: it right there. Come on, Oh this sucks, though. I
• 8:06
  Speaker 2: might return this one because it's I didn't realize that
• 8:09
  Speaker 2: it's Mono one point. Oh yeah, because of how old
• 8:11
  Speaker 2: it is, I know, but like it's seventy seven. You've
• 8:14
  Speaker 2: got other stuff from five to one. There's stuff from
• 8:17
  Speaker 2: seventy seven.
• 8:18
  Speaker 3: It depends on the mix. But the four K is
• 8:19
  Speaker 3: in mono two point oh five seven one.
• 8:22
  Speaker 2: I gotta get that. I have to. I at least
• 8:24
  Speaker 2: thought this would be five to one. But if it's
• 8:26
  Speaker 2: one point oh, now I'm returning this. I will get
• 8:28
  Speaker 2: the four K. I didn't open it at least, so.
• 8:29
  Speaker 3: A lot of your a lot of I know, a
• 8:31
  Speaker 3: lot of your airs and stuff that you've gotten a
• 8:33
  Speaker 3: mono mouth. Nope, it's a fact five point one. One
• 8:44
  Speaker 3: point oh, I told you, bitch, that's annoying.
• 8:49
  Speaker 2: I didn't even well, I mean it's it's in the
• 8:51
  Speaker 2: case of this, I mean, yeah, I might not great
• 8:54
  Speaker 2: audio ratings though for the one point oh yeah, just
• 8:58
  Speaker 2: god one point oh, well.
• 8:59
  Speaker 3: I'm I mean, okay, well that's back in the seventies.
• 9:02
  Speaker 3: That's all. They had a stereo, I know, so it's
• 9:04
  Speaker 3: recorded from the original stereo. I don't know they just
• 9:07
  Speaker 3: but but with the That's why I asked if you
• 9:09
  Speaker 3: got the four K, because the four K has got
• 9:10
  Speaker 3: like three different audios.
• 9:11
  Speaker 2: Well, like I said, I figured at least this would
• 9:13
  Speaker 2: be two point zero or higher, but one point I
• 9:16
  Speaker 2: will have to swap this out for Shirsky.
• 9:18
  Speaker 3: Most older most older arrows like most meaning older arrows
• 9:23
  Speaker 3: meaning arrows doing a movie that's like seventies or around
• 9:26
  Speaker 3: that time, are always going to be at one point?
• 9:27
  Speaker 2: Damn man, I guess I never really I don't. I
• 9:29
  Speaker 2: mean I have, you know, I have a few arrows.
• 9:31
  Speaker 2: I got like ten or twelve. I know some of
• 9:33
  Speaker 2: them like reanimators and five to one. I think the
• 9:34
  Speaker 2: stuff is in five to one.
• 9:36
  Speaker 3: Maybe No, that's that's that's that's either two point er
• 9:39
  Speaker 3: or stereo.
• 9:41
  Speaker 2: Yep, damn it. It pays to pay attention. Well, this
• 9:47
  Speaker 2: is also before I really got into looking at Blu
• 9:49
  Speaker 2: Ray for the audio ratings what they are now, you know,
• 9:53
  Speaker 2: now I'm more keen on doing that. I just I
• 9:54
  Speaker 2: didn't realize. And again I'm more into Screaming Shot Factory
• 9:57
  Speaker 2: than i am anything else. So I guess I will
• 10:01
  Speaker 2: have to pay closer attention to that. And now I
• 10:03
  Speaker 2: feel like I failed myself. Damn it. Plus, I'm sure
• 10:06
  Speaker 2: the four K obviously looks better or does it? Could
• 10:09
  Speaker 2: you look at the ratings on that because I know
• 10:11
  Speaker 2: sometimes okay, I.
• 10:14
  Speaker 3: Why we're on the phone while we're on the podcast phone.
• 10:16
  Speaker 2: Yeah, because I know sometimes that in certain cases that
• 10:19
  Speaker 2: the Blu Ray actually has a better rating video wise
• 10:22
  Speaker 2: than the four K if they do if they do
• 10:23
  Speaker 2: it wrong.
• 10:24
  Speaker 3: It just depends on the upscaling. A lot of four
• 10:26
  Speaker 3: k's ninety four k's that aren't just already four K
• 10:29
  Speaker 3: or just upscaled and with the upscale like not saying
• 10:32
  Speaker 3: it's a bad upscale, but sometimes it's worse than not.
• 10:34
  Speaker 2: Yeah, that makes sense. Well, nonetheless, I will and I haven't.
• 10:38
  Speaker 2: It's funny. I haven't actually even seen the original and
• 10:41
  Speaker 2: I purposefully did not watch it. I didn't want to
• 10:44
  Speaker 2: watch it until after we did this episode. So I
• 10:47
  Speaker 2: will report back with how I felt about this one.
• 10:50
  Speaker 3: So for the four K Hills Have Eyes the original,
• 10:53
  Speaker 3: it's in audio mono two point zero then jumps all
• 10:56
  Speaker 3: the way to seven to one.
• 10:59
  Speaker 2: No chill.
• 11:00
  Speaker 3: Uh, the four K has a four, the two K
• 11:02
  Speaker 3: has a three point five, so it's so it's it's
• 11:06
  Speaker 3: it's a it's point five. Better picture wise, audio is
• 11:10
  Speaker 3: a four point five out of five for both of them.
• 11:13
  Speaker 2: For both interesting. All right, well, I will watch that
• 11:18
  Speaker 2: probably tonight maybe I don't know, if I have time
• 11:20
  Speaker 2: sometime this weekend and report back on the next episode because, uh,
• 11:25
  Speaker 2: shockingly enough, the original and the remake have almost identical
• 11:29
  Speaker 2: ratings on IMDb and letterbox, and that's fucking unheard of
• 11:32
  Speaker 2: when you're talking about a single remake, you know what
• 11:35
  Speaker 2: I mean, Like if we go to Evil Dead and
• 11:38
  Speaker 2: then the remake of Evil Dead and you think they're close,
• 11:40
  Speaker 2: but I mean these are within point one of each other,
• 11:42
  Speaker 2: which is very impressive. Yeah, they don't have great ratings
• 11:46
  Speaker 2: like ones of three ones a three one, but I
• 11:48
  Speaker 2: mean nonetheless, to be that for these type of movies,
• 11:50
  Speaker 2: that's a pretty good rating. That's pretty good. Yeah, especially
• 11:53
  Speaker 2: for the remake to be uh that that you know,
• 11:55
  Speaker 2: that highly rated. I say, yeah, So let's see here.
• 12:00
  Speaker 2: I did get some movies in obviously that one. All
• 12:03
  Speaker 2: these fucking pre orders and all this shit from eBay.
• 12:06
  Speaker 2: I got this movie. I pre ordered this a while ago.
• 12:08
  Speaker 2: I don't even know who did this. It's a what
• 12:11
  Speaker 2: is it. It's called Altered Innocence and anus films. Like
• 12:15
  Speaker 2: an anus film. It says for these are the people
• 12:17
  Speaker 2: who did it. I don't know altered.
• 12:19
  Speaker 3: A bunch of asses made this movie.
• 12:22
  Speaker 2: Altered Altered Innocence. I don't know who This production company
• 12:26
  Speaker 2: is interesting, but it was a pre order on Amazon
• 12:28
  Speaker 2: and it's called ATO and I believe it's a Spanish
• 12:32
  Speaker 2: horror movie. I just looked at the ratings and so
• 12:36
  Speaker 2: it had like a three six or something. It's like done, sold,
• 12:39
  Speaker 2: no information more needed, it's probably no, it better not be.
• 12:46
  Speaker 2: It is in doesn't even fucking say see one hundred
• 12:51
  Speaker 2: and fifteen minutes. Oh two point zero twenty four bit
• 12:53
  Speaker 2: uncompressed audio.
• 12:55
  Speaker 3: Well yeah, so that's I mean, that's still like stereo.
• 12:59
  Speaker 2: That's still not bad. So yeah, let's call it a
• 13:02
  Speaker 2: I have no idea what it's about besides vampires, because
• 13:05
  Speaker 2: it says vampires right there on the front. So that
• 13:07
  Speaker 2: was a complete blind by, and I like doing that.
• 13:10
  Speaker 2: If the I will just look at the rating. I
• 13:12
  Speaker 2: won't read anything about it. But if it's got a
• 13:16
  Speaker 2: good rating, it's from three point nine. Yeah, nineteen seventy nine.
• 13:20
  Speaker 2: I was like sold. Done. Candy Man Farewell to the
• 13:23
  Speaker 2: Flesh came in. Got that on eBay. This is I
• 13:25
  Speaker 2: think this is. I think it's out of print with
• 13:28
  Speaker 2: shout factory or screen factory, I believe. Then I got
• 13:31
  Speaker 2: stallone in Cobra.
• 13:33
  Speaker 3: Oh I have that movie. Yeah, well I don't have
• 13:35
  Speaker 3: the screen factory versus I just have the movie. It's
• 13:38
  Speaker 3: it's actually a lot of fun. Yeah, classic eighties, and.
• 13:40
  Speaker 2: It's it's only twelve bucks on Amazon right now, so
• 13:43
  Speaker 2: go check that shit out. I got another out of
• 13:45
  Speaker 2: print title, a screen Factory title. It's called Alienator. It
• 13:50
  Speaker 2: has a horrible ratings, but I mean that looks like
• 13:54
  Speaker 2: so much fun. It's like some dude straight out of
• 13:57
  Speaker 2: Motley Crue era in like this crazy metals suit with
• 14:00
  Speaker 2: a metal arm. And again I was like, that's all
• 14:03
  Speaker 2: the information I need to buy this from you. I
• 14:06
  Speaker 2: got the another out of print movie, fucking from screen
• 14:09
  Speaker 2: Factory carry. I actually have the alternate slip back there too,
• 14:13
  Speaker 2: which is pretty hard to find. So that's fun. And
• 14:16
  Speaker 2: then yet again another another fucking out of print title,
• 14:20
  Speaker 2: Squirm with the slip. I got this for thirty six
• 14:23
  Speaker 2: dollars on eBay from someone in Canada. I don't know
• 14:26
  Speaker 2: if they knew what they were selling, because this this
• 14:30
  Speaker 2: goes for easy eighty ninety bucks, no problem, and to
• 14:33
  Speaker 2: get it for thirty six, I was like, with the
• 14:36
  Speaker 2: slip and it's not new whatever, I don't mind.
• 14:38
  Speaker 1: With the chicken strips, with the chicken strips.
• 14:42
  Speaker 2: And then yet again another out of print title. Actually, wait, no,
• 14:46
  Speaker 2: I don't think this one's out of print. Maybe this
• 14:48
  Speaker 2: maybe the slip is out of print. But it's a
• 14:50
  Speaker 2: movie called lawnmower Man. And I read the description on
• 14:53
  Speaker 2: this one too and was like, yes, that is all
• 14:57
  Speaker 2: you sold me. It looks like a dumpster fire. It's funny.
• 14:59
  Speaker 2: Most these movies, you know, besides Carrie, are like kind
• 15:02
  Speaker 2: of not very well rated, and I'm like, I don't care.
• 15:05
  Speaker 2: I've grown to love bad movies honestly, because there's just
• 15:09
  Speaker 2: you know, if they're if they're bad in a fun way,
• 15:12
  Speaker 2: two thumbs up for me. I will watch that dumpster
• 15:14
  Speaker 2: Fire any day. But I'm excited to watch all those.
• 15:17
  Speaker 2: I still have so many other pre orders coming in.
• 15:19
  Speaker 2: Oh my god, I did a lot of stuff back
• 15:20
  Speaker 2: in like November December. That's fine, all you know, my
• 15:25
  Speaker 2: what did my Paranoiac shipped out from screen Factory? Then Alligator,
• 15:29
  Speaker 2: Alligator to the Howling and Nightmare are all shipping out
• 15:33
  Speaker 2: next month in February. And we are gonna have to
• 15:36
  Speaker 2: absolutely do an episode on Alligator when that comes out,
• 15:39
  Speaker 2: because I've been waiting to see that for years at
• 15:42
  Speaker 2: this point, and Z maybe we'll do one and two
• 15:46
  Speaker 2: and just kind of loosely, you know, like quickly talk
• 15:48
  Speaker 2: about too but we've got to do Alligator. Been waiting
• 15:51
  Speaker 2: too long for that movie. Anything you bought recently before
• 15:54
  Speaker 2: we dive in here, and anything horror related that you've
• 15:57
  Speaker 2: you've purchased al my knee.
• 16:00
  Speaker 3: I mean like like not nothing like like out of
• 16:02
  Speaker 3: printer thing like I mean no, nor Yeah, handlers came out.
• 16:05
  Speaker 3: I got that.
• 16:06
  Speaker 2: That's right, Yeah, I need to get that one eventually.
• 16:09
  Speaker 2: You sent me a fuck what did you get? Fucking
• 16:13
  Speaker 2: oh my god, handy man, I just just handed you
• 16:17
  Speaker 2: can't wait to watch that in four K?
• 16:18
  Speaker 3: Oh my god, four thousand.
• 16:20
  Speaker 2: Oh that's right, that's right, we're gonna I'm forever referring
• 16:23
  Speaker 2: to four K. It's four thousand now since you said
• 16:25
  Speaker 2: that yesterday, did you get the four thousand copy? People
• 16:29
  Speaker 2: are getting like, what the fuck? Yeah? Four thousand? You
• 16:31
  Speaker 2: fucking heard me, the four thousand copy, four thousand ultra HD. Yeah,
• 16:36
  Speaker 2: forever calling four K four thousand horror. You did get
• 16:41
  Speaker 2: that sweet steel book though.
• 16:44
  Speaker 3: I'm so man, I thought that so many goddamn times.
• 16:47
  Speaker 2: Yeah, but I mean, yeah, that steal book is worse.
• 16:49
  Speaker 3: So so Lionsgate has done are wehashing their four K
• 16:53
  Speaker 3: movies or four K movies like catalogs and this with
• 16:56
  Speaker 3: steel books, and they come up with this really cool
• 16:58
  Speaker 3: sleeve like with it that uh you know that that
• 17:01
  Speaker 3: makes like a picture exactly.
• 17:04
  Speaker 2: Yeah, how you take it? Oh yeah, so just.
• 17:06
  Speaker 3: Obviously to give you a slight visual obviously the punishers
• 17:08
  Speaker 3: with the skull, so you have the slip cover of
• 17:11
  Speaker 3: the skull going through like glass, like breaking the glass.
• 17:14
  Speaker 3: But then when you open it up, there's an explosion
• 17:16
  Speaker 3: in the background with the skull and everything. It's super sexy.
• 17:19
  Speaker 2: Yeah, it's I was like, I don't really even like
• 17:21
  Speaker 2: steel books, but I would buy that just because it
• 17:23
  Speaker 2: looks so od.
• 17:23
  Speaker 3: But like I said, this is the fourth time that
• 17:25
  Speaker 3: I bought it. I already had it in four K,
• 17:27
  Speaker 3: but I but I have a problem with steel books,
• 17:29
  Speaker 3: and this one was awesome. But also like I used
• 17:32
  Speaker 3: the gift card for it, so I kind of yeah.
• 17:34
  Speaker 2: I can always use that excuse if I have like
• 17:36
  Speaker 2: an Amazon gift.
• 17:37
  Speaker 3: Card, like whatever, whatever.
• 17:40
  Speaker 2: Yeah, it's like I think I told you. But one
• 17:42
  Speaker 2: time recently, one of the l o's from the one
• 17:45
  Speaker 2: of the mortgage companies sent out twenty dollars to Amazon,
• 17:47
  Speaker 2: and I already had King Kong and my cart for
• 17:50
  Speaker 2: the other you know, the Screen Factory one. And the
• 17:51
  Speaker 2: second he sent it over, I immediately applied it. Four
• 17:54
  Speaker 2: seconds later I emailed them back. It's like cool, thanks bro,
• 17:56
  Speaker 2: I already used it. I have so much.
• 18:00
  Speaker 3: I mean I was gonna buy I was gonna buy
• 18:02
  Speaker 3: the Still Book anyways, right, Yeah, Like I'm like, it's
• 18:04
  Speaker 3: because it's not because it's already been out. They and
• 18:07
  Speaker 3: they know that it's not an omal like thirty five
• 18:08
  Speaker 3: dollars Steel Book. It was only for twenty which which
• 18:11
  Speaker 3: I mean, you know, it's fifteen dollars difference, Yeah, for
• 18:13
  Speaker 3: a movie that's already been out, So like they already know,
• 18:15
  Speaker 3: like people that are buying it probably have already bought.
• 18:18
  Speaker 2: It before, like getting my money.
• 18:19
  Speaker 3: Like I had the DVD and then I bought the
• 18:21
  Speaker 3: Blu Ray and then I bought the four K and
• 18:25
  Speaker 3: then I bought the four K Steel Book.
• 18:27
  Speaker 2: Sucker. I'm a sucker too, though I have.
• 18:30
  Speaker 3: I'm a sucker.
• 18:31
  Speaker 2: I'm a sucker for things for pretty much anything. Screen Factory.
• 18:34
  Speaker 2: I'm thirty thirty collector editions away from having the entire set.
• 18:40
  Speaker 3: Yeah, but you're not gonna have one forever.
• 18:42
  Speaker 2: What You're not gonna have that Halloween once or ever?
• 18:44
  Speaker 2: I mean, that's not true. I'm scoping it out, man,
• 18:47
  Speaker 2: because it's gonna It's just it's just going down in
• 18:50
  Speaker 2: price at this point because of the four k's. It's
• 18:53
  Speaker 2: I'm telling you, I'm gonna get it. I'm not paying
• 18:54
  Speaker 2: more than three hundred for it though. That's that's my max.
• 18:58
  Speaker 2: Some people do. I see shit on eBay because I'm
• 19:00
  Speaker 2: on eBay every night just looking for deals, and i
• 19:02
  Speaker 2: see people trying to sell that box set for like
• 19:04
  Speaker 2: six hundred bucks, and then i come across one that's
• 19:06
  Speaker 2: like two hundred and I'm like, oh, let me go
• 19:08
  Speaker 2: not buy it now? It's a you know, you got
• 19:10
  Speaker 2: a bit on it. I'm like, son of a bitch.
• 19:11
  Speaker 2: One day. Really, I'm more like, honestly, Manhunter is going
• 19:15
  Speaker 2: to be harder for me to find because Manhunter is
• 19:17
  Speaker 2: going for like one hundred plus dollars right now. And
• 19:20
  Speaker 2: I'm like, it's a fucking why, Like why is shit is?
• 19:23
  Speaker 3: How does let's get the regular Blu ray for Manhunters?
• 19:26
  Speaker 2: Yeah? No, dude, I'm collecting the whole fucking I'm collecting
• 19:29
  Speaker 2: the whole set with screen factory. I'm so close to
• 19:31
  Speaker 2: catch up a screen factory factory. Yeah, so I'm getting there.
• 19:36
  Speaker 2: But uh yeah, let's get on to this crazy ass movie.
• 19:39
  Speaker 2: If you haven't seen it, you need to stop the episode. Actually, no,
• 19:43
  Speaker 2: listen to the episode then go or no, whatever you
• 19:45
  Speaker 2: want to do. I don't care. I'm not gonna tell
• 19:47
  Speaker 2: you life. I tell you to live your life watch,
• 19:50
  Speaker 2: but go watch this movie. I will say that. So,
• 19:53
  Speaker 2: like I said, this was gonna be a double feat
• 19:55
  Speaker 2: with mirrors, but since we're cutting it down to one movie,
• 19:58
  Speaker 2: we decided to do The Hills Have Eyes and it
• 20:01
  Speaker 2: is from two thousand and six, released on March tenth
• 20:03
  Speaker 2: in the United States. This movie is rated R for
• 20:07
  Speaker 2: severe violence and gore, severe profanity, and severe frightening and
• 20:11
  Speaker 2: intense scenes.
• 20:12
  Speaker 3: Where that'll mean to cut you off. But where do
• 20:14
  Speaker 3: you but where did you see this rating? Or it
• 20:17
  Speaker 3: is just a severe all of this? Did you make
• 20:18
  Speaker 3: that up?
• 20:19
  Speaker 2: It's on IMDb.
• 20:21
  Speaker 3: For that for what for severe violence at gore?
• 20:25
  Speaker 2: Yeah, it says it word for word like that.
• 20:27
  Speaker 3: Yes, that's interesting.
• 20:28
  Speaker 2: Yeah, there's a whole section on the ratings of movies. Oh.
• 20:31
  Speaker 3: Usually usually it will say like strong violence. I'm like,
• 20:34
  Speaker 3: this is interesting.
• 20:35
  Speaker 2: Yeah, severe violence and gore, severe profanity and severe frightening
• 20:38
  Speaker 2: and intense scenes. We've got moderate sex and nudity and
• 20:42
  Speaker 2: moderate mild or sorry mild alcohol, drugs and smoking. Interesting
• 20:47
  Speaker 2: you've never seen that section.
• 20:48
  Speaker 3: No, Usually the section is exactly watch rate art or whatever.
• 20:51
  Speaker 3: It usually would say like strong violence, gore plus whatever.
• 20:53
  Speaker 3: I've never though, well no, I've just never seen it
• 20:56
  Speaker 3: so like like this, like it's like what it says
• 20:59
  Speaker 3: differently all like the back of the box and everything.
• 21:01
  Speaker 2: I mean, it's it's not really I mean it's worded
• 21:04
  Speaker 2: like that. It doesn't look like that. It lists them
• 21:06
  Speaker 2: like as bullet points and then has like from the
• 21:08
  Speaker 2: green to red. Oh yeah yeah, okay, yeah, so that's
• 21:13
  Speaker 2: what is rated for. And I agree, yeah, I agree
• 21:16
  Speaker 2: with all that because that is that is all accurate.
• 21:18
  Speaker 2: We like I said too, we also did watch the
• 21:21
  Speaker 2: unrated version, and the only difference between that cut is
• 21:25
  Speaker 2: that it had So it's really interesting with this because
• 21:28
  Speaker 2: extended cuts usually have like a extended scene or like
• 21:32
  Speaker 2: a new scene or new beginning or this one literally
• 21:36
  Speaker 2: they had to just cut certain scenes out, like there's like,
• 21:39
  Speaker 2: for example, I'll just go on. For example, like one
• 21:41
  Speaker 2: scene gets slightly more in the unrated cut, only eight
• 21:44
  Speaker 2: more frames when the guy when the pickaxe is sticking
• 21:48
  Speaker 2: out of the guy's head in the beginning, there's eight
• 21:50
  Speaker 2: more frames of that, so you get to see more
• 21:52
  Speaker 2: of it. So literally it's just longer scenes with gore
• 21:56
  Speaker 2: for the unrated version. And that's that is the perfect
• 21:58
  Speaker 2: use of an un radeduess was only about it actually
• 22:01
  Speaker 2: thirty seconds.
• 22:02
  Speaker 3: Yeah, that and then they added there is a specific
• 22:05
  Speaker 3: scene in the trailer that was a little that was
• 22:09
  Speaker 3: about ten seconds longer.
• 22:11
  Speaker 2: Yeah, and they're here's some more examples. Uh, the in
• 22:15
  Speaker 2: the unrated version, the perforated guy in the radiation suit
• 22:17
  Speaker 2: lies slightly longer on the ground before the mutant picks
• 22:21
  Speaker 2: him up with the pick axe. The guy that gets
• 22:23
  Speaker 2: hooked with the pickaxe in they begin and gets slammed
• 22:25
  Speaker 2: on the rock three times and the theatrical only one time.
• 22:28
  Speaker 2: So it's just stuff like that. They're literally just cutting
• 22:30
  Speaker 2: out little clips here and there to make it rate
• 22:32
  Speaker 2: it R, to make it rate it R.
• 22:33
  Speaker 3: Yes, yeah, because it's funny, because so cool, because you know,
• 22:37
  Speaker 3: funny enough, they're just real quick. The remake of The
• 22:40
  Speaker 3: Evil Dead. Actually they only they took out I believe
• 22:42
  Speaker 3: it was only three seconds to make it from NC
• 22:44
  Speaker 3: seventeen to R Three seconds of a movie, like, like,
• 22:47
  Speaker 3: it's crazy. How three seconds could make it raty.
• 22:51
  Speaker 2: It's crazy. So that's what I really enjoy about this
• 22:54
  Speaker 2: movie is that they're not adding completely new scenes. They're
• 22:57
  Speaker 2: just expanding on what was already the source material and
• 23:00
  Speaker 2: it's just gorrier and bloodier and you get to see
• 23:02
  Speaker 2: it more, like more of it, So I thought that
• 23:04
  Speaker 2: was pretty cool. I believe the run time of the
• 23:07
  Speaker 2: theatricals one forty six, because.
• 23:11
  Speaker 3: Yeah, it is definitely forty.
• 23:12
  Speaker 2: Yeah. The Unrated is one forty eight, listed as a
• 23:14
  Speaker 2: horror thriller directed by and I know how to pronounce
• 23:17
  Speaker 2: his name now. It's Alexandra Aja Boom. I literally googled
• 23:21
  Speaker 2: the pronunciation, so it's of course I'm not saying with
• 23:24
  Speaker 2: the French accent, but it is Alexandra Aja or Aja,
• 23:28
  Speaker 2: not aha or oh no, it's Aja oh we we
• 23:32
  Speaker 2: we wee exactly. It's none of that. So uh. He
• 23:34
  Speaker 2: also directed a couple of movies that you might have
• 23:36
  Speaker 2: heard of, High Tension being one, Mirrors being another that
• 23:40
  Speaker 2: we talked about and the recently released I think it
• 23:42
  Speaker 2: was two years ago crawl about the Alligator. Huh they
• 23:47
  Speaker 2: know you should look them up for sure. For Suerski,
• 23:53
  Speaker 2: it's fucking twenty twenty two and I'm still doing Borat.
• 23:56
  Speaker 2: I mean, granted, he did just I know movie the
• 23:58
  Speaker 2: other I know said the other day the other day.
• 24:00
  Speaker 2: It's just it's just still funny how it's been with.
• 24:03
  Speaker 2: The first one was like two thousand and seven, doesn't
• 24:05
  Speaker 2: six actually six, So it's fucking near twenty years now
• 24:09
  Speaker 2: and I'm still doing Boreck. God damn it.
• 24:11
  Speaker 1: Nice.
• 24:11
  Speaker 3: Nice.
• 24:13
  Speaker 2: This movie stars a man named Ted Levine or Ted Levine.
• 24:16
  Speaker 2: I don't know where I said, but like it could,
• 24:19
  Speaker 2: I don't know where. The emphastist is probably putting it
• 24:21
  Speaker 2: on the wrong salable. That's also from a movie. I
• 24:24
  Speaker 2: can't remember what it was. Uh. He his name's not
• 24:28
  Speaker 2: Big Bog.
• 24:30
  Speaker 3: God damn it. You had one job you had What
• 24:34
  Speaker 3: were you drunk when you did this?
• 24:35
  Speaker 2: No sober January for me, dude, I'm doing I'm doing
• 24:39
  Speaker 2: the beginning of the year with no drinking. Big what's
• 24:41
  Speaker 2: his name, Big Bob, Big Bob, not Big Bog. He
• 24:45
  Speaker 2: was in a movie called Silence of the Lambs as
• 24:47
  Speaker 2: Jamee Gumb or Gum I don't know. He's also he's
• 24:51
  Speaker 2: also a part of and it's funny because the second
• 24:53
  Speaker 2: I heard his voice, I'm like a fucking no, Yeah,
• 24:56
  Speaker 2: he's been in at I think it had about eighty
• 24:57
  Speaker 2: eight credits, but there was one in particular and it
• 25:00
  Speaker 2: is yeah, oh yeah. He's also part of a super
• 25:02
  Speaker 2: underrated movie called Banshee Chapter from two thousand and said
• 25:07
  Speaker 2: eleven I think is Thomas Blackburn. The movie is way good, Okay,
• 25:12
  Speaker 2: way good. If you haven't seen Banshee Chapter for the
• 25:15
  Speaker 2: love of God, go check that out. Super underrated. Then
• 25:18
  Speaker 2: we have Kathleen Quinnland as Ethel. She was also in
• 25:22
  Speaker 2: Apollo thirteen as Maren thirteen Paola thirteen as Marilyn Lovell.
• 25:29
  Speaker 2: Then we have Dan Byrd as Bobby. You might know
• 25:31
  Speaker 2: him from Easy A as Brandon. And then we have
• 25:35
  Speaker 2: Amelie de Ravine as Brenda, who was also in the
• 25:39
  Speaker 2: TV show Lost as Claire Littleton. I think the entire
• 25:43
  Speaker 2: fucking series or most of it, Like she was in
• 25:46
  Speaker 2: that show for like four or five years.
• 25:48
  Speaker 3: It was only four seasons.
• 25:49
  Speaker 2: So then yes, then pretty much every season. Then we
• 25:51
  Speaker 2: have Aaron Stanford as Doug. He was also an X
• 25:54
  Speaker 2: two X Men United, which is the dumbest name for
• 25:57
  Speaker 2: a movie ever. I'm sorry, as but that's the best one. No, no,
• 26:00
  Speaker 2: best movie, but yeah, x X two X Men United,
• 26:03
  Speaker 2: like just call it X two as Pyro. And then
• 26:06
  Speaker 2: last but not leads, we have Vanessa Elizabeth as Lynn.
• 26:09
  Speaker 2: She was also in hocus Pocus as Alison. I didn't
• 26:12
  Speaker 2: go into all the mutated people. I was mainly focused
• 26:15
  Speaker 2: on the you know group of the family. Estimated budget
• 26:19
  Speaker 2: fifteen million dollars, worldwide box office gross of seventy million.
• 26:23
  Speaker 2: This is what you would call a fucking hit. That's
• 26:26
  Speaker 2: what I would call it. Yep and fun fact this
• 26:29
  Speaker 2: movie or no, that's when that's coming up in a second.
• 26:31
  Speaker 2: This movie was filled in fucking no idea. How to
• 26:34
  Speaker 2: pronounce that Morocco. I'm not even it's o U A
• 26:41
  Speaker 2: r z yes our zaste I have no idea Morocco,
• 26:45
  Speaker 2: which I found extremely interesting. And also in the studios
• 26:48
  Speaker 2: there cla studios, Morocco. Here's the fun fact. Game of Thrones,
• 26:52
  Speaker 2: prison Break, Gladiator, and the Mummy were also filmed in
• 26:56
  Speaker 2: this city.
• 26:56
  Speaker 3: In Morocco, which actually makes a lot of sense because
• 26:59
  Speaker 3: like now the like we hear that, like the set pieces,
• 27:01
  Speaker 3: a lot of the set pieces were just they're all
• 27:03
  Speaker 3: there's desert at all.
• 27:04
  Speaker 2: Those Yeah, well it's prison breaks specifically season three obviously,
• 27:09
  Speaker 2: because yeah, that's when they were in the you know,
• 27:11
  Speaker 2: the Mexican Mexican desert or yeah, desert jail or whatever.
• 27:15
  Speaker 2: So I thought that was super interesting. There was also
• 27:17
  Speaker 2: a lot of other stuff that was filmed there, but
• 27:19
  Speaker 2: I named the big ones because I really thought, this
• 27:21
  Speaker 2: is in fucking New Mexico. I did. Why why would
• 27:24
  Speaker 2: you go all the way to Morocco? I mean, I
• 27:26
  Speaker 2: guess tax reasons.
• 27:27
  Speaker 3: Just why just why people can like like we'll film
• 27:30
  Speaker 3: himself into Canada but say it's actually they're living in
• 27:32
  Speaker 3: Georgia or something like that.
• 27:33
  Speaker 2: It's just very weird. You know.
• 27:35
  Speaker 3: For instance, just real quick, the movie Greenland, Yeah, with
• 27:38
  Speaker 3: Gerard Butler. It takes place in Florida, but it's in
• 27:42
  Speaker 3: the movie, but it's.
• 27:43
  Speaker 2: Filmed in Georgia. Oh well, yeah, that makes sense.
• 27:45
  Speaker 3: I mean, I mean we kind of look a like
• 27:46
  Speaker 3: in certain areas and that. But but I mean for
• 27:50
  Speaker 3: a lot of movies, why they're filmed in Canada. Is
• 27:52
  Speaker 3: because the tax break and stuff like, it's it's cheaper.
• 27:55
  Speaker 2: I mean, I guess that makes sense. I just found
• 27:56
  Speaker 2: it funny that he went, you know, all the way
• 27:58
  Speaker 2: over to of all.
• 28:01
  Speaker 3: Plays, so just you know, like tat tries, it's just cheaper.
• 28:04
  Speaker 2: Yeah, I guess that's fair. So I thought that was
• 28:05
  Speaker 2: super cool because I really legit thought that was shot
• 28:08
  Speaker 2: in New Mexico. You can watch the unrated cut on
• 28:11
  Speaker 2: Voodoo for a rental price of three ninety nine or
• 28:13
  Speaker 2: the R rated cut on Amazon for three ninety nine
• 28:15
  Speaker 2: as well. You can also buy it digitally from Amazon
• 28:18
  Speaker 2: for fifteen bucks. Good luck finding a Blue ray. You
• 28:21
  Speaker 2: find a Blu ray? You fucking emailed me at stay
• 28:23
  Speaker 2: Spooky outlook dot com. Tell me where you found it,
• 28:26
  Speaker 2: because I need to get my hands on this. I'm
• 28:28
  Speaker 2: very upset that I cannot makes me so upset, like
• 28:30
  Speaker 2: when I can't buy a movie, like like you know, physically,
• 28:33
  Speaker 2: but I want it, but I want it, but I
• 28:35
  Speaker 2: need it. Who is that came out around the same
• 28:37
  Speaker 2: time and honestly not a lot of hits if I'm
• 28:40
  Speaker 2: if I'm being honest, We've got curious George Final Destination three,
• 28:45
  Speaker 2: Pink Panther remake, obviously date movie, Medea's Family Reunion, sixteen Blocks,
• 28:51
  Speaker 2: failure to launch Viver Vendetta A h I'm not a
• 28:54
  Speaker 2: fan of that movie. Yep, sorry not. I do not
• 28:58
  Speaker 2: understand the hype, do not get Yeah, I mean I
• 29:02
  Speaker 2: gave it a three. Like, sorry, it's okay, I'm sorry.
• 29:07
  Speaker 2: It is not a movie for me, unfortunately. I appreciate everybody.
• 29:10
  Speaker 2: I appreciate it, but it's just like, I don't.
• 29:12
  Speaker 3: Well what you said, hit, I thought theatrically.
• 29:15
  Speaker 2: No, I just meant like I mean, like the movies
• 29:17
  Speaker 2: I've named. I mean, yeah, sixteen Blocks was like a
• 29:19
  Speaker 2: good movie, but I mean it's like everyone has probably
• 29:21
  Speaker 2: forgotten about that movie. Okay, I watch it, but I
• 29:27
  Speaker 2: really enjoyed sixteen No, and I did too. I remember
• 29:29
  Speaker 2: seeing it in theaters, and I when I was writing
• 29:31
  Speaker 2: this down, I was like, oh my god, that is
• 29:33
  Speaker 2: a movie with well yeah see yeah, se Bay or
• 29:37
  Speaker 2: whatever his name is now, but you know, Moss Deaf
• 29:39
  Speaker 2: and Bruce Willis inside Man also a good one. I
• 29:42
  Speaker 2: staged to the Meltdown, bench Warmers and Lucky Number seven,
• 29:45
  Speaker 2: Like there's a lot of good stuff, but it's weird
• 29:47
  Speaker 2: like most of them, you know, just like like bench Warmers.
• 29:49
  Speaker 2: I love that movie. It's great. Not really a good movie, no,
• 29:52
  Speaker 2: you know, I staged two the Meltdown. Its definitely better
• 29:55
  Speaker 2: than the first, but it was all right. So yeah,
• 29:57
  Speaker 2: it was interesting that there was I had to comb
• 29:59
  Speaker 2: over the make sure I wasn't missing anything because I
• 30:01
  Speaker 2: was like, there's not a lot of like big hits
• 30:03
  Speaker 2: besides V for Vendetta, maybe Lucky Number seleven.
• 30:07
  Speaker 3: That was more that was more limited, that wasn't a
• 30:10
  Speaker 3: full theatrical.
• 30:10
  Speaker 2: I'm probably thinking of seven. I don't know why I
• 30:12
  Speaker 2: always get those mixed up, no idea, Yeah, I guess so.
• 30:17
  Speaker 2: So though, right for him, man, he stays acting well,
• 30:23
  Speaker 2: at least, you know, he stays in movies. We'll just
• 30:25
  Speaker 2: go with that, all right. So let's go to here
• 30:28
  Speaker 2: we go, Here we go, Here we go. I'm wondering
• 30:31
  Speaker 2: should we do all this stuff after or should we
• 30:34
  Speaker 2: do it before? Let's just do it before. This is
• 30:37
  Speaker 2: our podcast friend. Oh sorry. Favorite horror moment for me was, uh,
• 30:44
  Speaker 2: I mean, there's a couple that I want to say,
• 30:45
  Speaker 2: but they're all like they're all spoilers because all the
• 30:48
  Speaker 2: craziness really happens in the third act, like you know,
• 30:51
  Speaker 2: twenty minutes towards the end. So I'll refrain from those,
• 30:54
  Speaker 2: but I will have to. I'll have to go with
• 30:59
  Speaker 2: the shot gun to the face that was so super
• 31:02
  Speaker 2: gory and in the outhouse. Yeah, that was a really
• 31:05
  Speaker 2: good effect. So that's my horror moment. What about you?
• 31:09
  Speaker 3: Honestly, that the whole a moment was more like a
• 31:12
  Speaker 3: sick was a whole trailer scene.
• 31:13
  Speaker 2: Yeah, it's pretty fun.
• 31:15
  Speaker 3: Yeah, I literally, I literally that was over. I paused
• 31:18
  Speaker 3: to go to the bathroom because I had to, and uh,
• 31:21
  Speaker 3: as I was walking to the bathroom was.
• 31:23
  Speaker 2: Like fuck yeah, like yeah, that was pretty brutal.
• 31:28
  Speaker 3: So so it wasn't a moment. Was that whole sequence
• 31:30
  Speaker 3: was just like that.
• 31:31
  Speaker 2: I mean, that's that's a horror moment. Yeah, it doesn't
• 31:33
  Speaker 2: have to be necessarily a.
• 31:34
  Speaker 3: Kill that that particular Yeah.
• 31:36
  Speaker 2: Yeah, that whole scene all right. My favorite kill was
• 31:39
  Speaker 2: the American flag through the neck. That was so metal.
• 31:43
  Speaker 2: Oh oh nice, okay, and it's really it was hard
• 31:47
  Speaker 2: to pick because there's a lot of gore and you know, blood,
• 31:49
  Speaker 2: but I was like that American flag through the.
• 31:51
  Speaker 3: Neck was just before before that scene hit. My other
• 31:55
  Speaker 3: one was just because of the way they shot. It
• 31:58
  Speaker 3: was the fingers no, the burning person. Oh yeah, because
• 32:05
  Speaker 3: how they shot like also like they zoomed in like
• 32:08
  Speaker 3: an action.
• 32:08
  Speaker 2: I was like, oh, okay, ship, oh ship.
• 32:12
  Speaker 3: But the American Flag party day, I was like, fuck.
• 32:14
  Speaker 2: Yeah, all right. Do you have any favorite lines? I've
• 32:17
  Speaker 2: actually got two.
• 32:20
  Speaker 3: There was one, but I forgot the.
• 32:21
  Speaker 2: Pretty much anything that Big Bob said, well, well, bit
• 32:25
  Speaker 2: of trivia real quick is everything.
• 32:29
  Speaker 3: His lines are just hilarious. But one of my favorite
• 32:34
  Speaker 3: lines it was just random, but it shows, like the
• 32:36
  Speaker 3: just a brother and sister thing was when they first
• 32:39
  Speaker 3: up at the gas station, he just goes, uh, the
• 32:42
  Speaker 3: son goes to a Bobby goes to the sisters just
• 32:45
  Speaker 3: wake up jackass. I was like, that's not necessary, but
• 32:48
  Speaker 3: that's what a brother would do to a sister. So
• 32:50
  Speaker 3: I thought that was pretty funny that that that cracked
• 32:52
  Speaker 3: me up a little.
• 32:53
  Speaker 2: I've got to here. I think this was from the
• 32:56
  Speaker 2: daughter Brenda, when they're talking about something and she's like, yeah, Mom,
• 33:00
  Speaker 2: didn't you grow up in the sixties. Why are you
• 33:02
  Speaker 2: so uptight? I was like, boom heard. Also, they were
• 33:05
  Speaker 2: very comfortable with certain yeah, like, oh okay. And then
• 33:10
  Speaker 2: my other one was from Big Bob when he says
• 33:13
  Speaker 2: leave Doug alone, he's a Democrat, Like.
• 33:15
  Speaker 3: That killed that fucking killed me.
• 33:18
  Speaker 2: I laughed out loud so hard. I had to rewind
• 33:20
  Speaker 2: it because it was like two minutes and just loud.
• 33:22
  Speaker 2: I don't know why. I just I was like, that
• 33:24
  Speaker 2: was funny.
• 33:24
  Speaker 3: So I'm like that was improv too, Like what the fuck?
• 33:27
  Speaker 2: It's so funny, funny, fucking goddamn, he's so hilarious in
• 33:31
  Speaker 2: this movie. My favorite character, it's obviously it's Big Bob.
• 33:34
  Speaker 2: He's fucking hysterical.
• 33:36
  Speaker 3: Got him and and Bobby, his son. I love Bobby
• 33:39
  Speaker 3: just because he was the smartest that that like he
• 33:42
  Speaker 3: was just the protector of the bunch, Like yeah, he really,
• 33:45
  Speaker 3: he really stepped up and he actually instead of making
• 33:47
  Speaker 3: you know, like dumb mistakes like other people would, he
• 33:49
  Speaker 3: actually I didn't. I didn't see one dumb move that
• 33:52
  Speaker 3: he made. Everything I thought I thought he did was
• 33:54
  Speaker 3: was I wouldn't say calculated, but everything he done I
• 33:56
  Speaker 3: thought was accurate to like real life more than it,
• 33:59
  Speaker 3: Like it's the certain situations he was in, and I'm like, yes,
• 34:02
  Speaker 3: like that's how you fucking do a character like that.
• 34:04
  Speaker 2: He had a really good arc because he just he
• 34:06
  Speaker 2: really stepped up after certain we'll get to that when
• 34:09
  Speaker 2: a certain person dies. He stepped up and was just
• 34:11
  Speaker 2: like all right, I'm gonna do this ship. He did
• 34:14
  Speaker 2: every bit of it, fucking rocking and rolling. Uh so yeah.
• 34:17
  Speaker 2: A favorite character for you, Big Bob as well or
• 34:19
  Speaker 2: about Bobby. Okay, least favorite character, I'm sorry is Brenda.
• 34:24
  Speaker 2: She's she was just this teenage angsty girl filled with
• 34:27
  Speaker 2: so like, just so much hatred, and I'm like, I
• 34:29
  Speaker 2: am just not a fan of you. You're kind of
• 34:31
  Speaker 2: bringing down the mood.
• 34:32
  Speaker 3: For for me.
• 34:34
  Speaker 2: It wasn't the whole movie. It was part it was
• 34:35
  Speaker 2: part of me.
• 34:36
  Speaker 3: But it was uh, Doug right as the as the
• 34:40
  Speaker 3: sister's husband.
• 34:41
  Speaker 2: Yeah, the one with the baby, Yeah, Doug.
• 34:43
  Speaker 3: Yeah.
• 34:43
  Speaker 2: So he was kind of a fucking half of the
• 34:45
  Speaker 2: movie blanket.
• 34:46
  Speaker 3: Yeah. But then the third act he like yeah, oh fuck, okay,
• 34:52
  Speaker 3: you know what, So half of the movie I did
• 34:54
  Speaker 3: not like him.
• 34:54
  Speaker 2: I didn't mind any other characters at all. I don't know.
• 34:56
  Speaker 2: Brenda was just like, you're you're annoying me.
• 34:58
  Speaker 3: She seemed like the typical she was like twenty to
• 35:00
  Speaker 3: twenty three. Yeah, yeah, real life.
• 35:02
  Speaker 2: I don't know what she was in the movie, but
• 35:03
  Speaker 2: like very stereotypical character that I just like.
• 35:06
  Speaker 3: I just, I guess just didn't bother me though, because
• 35:08
  Speaker 3: because I mean, you know, you're that age. You're stuck
• 35:10
  Speaker 3: in the middle of a desert on a vacation you're
• 35:12
  Speaker 3: supposed to be having in California, and you're just like, well,
• 35:15
  Speaker 3: now we're stuck. So what am I gonna do. I'm
• 35:17
  Speaker 3: gonna make the best of it. I'm gonna son Tan,
• 35:18
  Speaker 3: but I'm gonna be a bit about it. I honestly
• 35:21
  Speaker 3: just thought she played the character right, and I just thought, honestly,
• 35:24
  Speaker 3: like like Doug bothered he bothered me. But I was like,
• 35:28
  Speaker 3: you married and had a kid with this guy.
• 35:30
  Speaker 2: Yeah, like what do you do? What are you doing?
• 35:31
  Speaker 3: But at the end of it, I'm like, Okay, you're
• 35:33
  Speaker 3: no longer you know, longer I all. And now at
• 35:35
  Speaker 3: the end of this movie, I like all the characters.
• 35:37
  Speaker 2: Yeah see and that, And then of course I felt
• 35:38
  Speaker 2: bad for what happened to Brendon because I was like, Okay,
• 35:41
  Speaker 2: I don't like you, but I do feel bad for
• 35:43
  Speaker 2: you at this instance. And yeah, so my, my, it
• 35:45
  Speaker 2: kind of changed for me with Brandon because I was
• 35:47
  Speaker 2: I don't really like you. Oh shit, you kind of
• 35:48
  Speaker 2: went through something.
• 35:52
  Speaker 3: Crappy until the end you're like, yeah, I'm not. I'm
• 35:54
  Speaker 3: a fan of you.
• 35:54
  Speaker 2: Now, Like solid character arts in this movie almost yeah,
• 35:58
  Speaker 2: pretty much every single person that lives it has just
• 36:01
  Speaker 2: this wildly awesome character arc. So like no one asked
• 36:05
  Speaker 2: for that, like that was a bad way, but yeah,
• 36:08
  Speaker 2: but like we did. It's not necessary for a horror Yeah.
• 36:11
  Speaker 3: When you watch horror movies, you're not looking to be
• 36:13
  Speaker 3: like you're looking to be entertained, not like thought provoking.
• 36:15
  Speaker 3: But there are some of those movies out there, this
• 36:17
  Speaker 3: You're next.
• 36:18
  Speaker 2: Yeah, oh yeah, there's some movies out there like ready
• 36:21
  Speaker 2: or not great character arc honestly, like Crawl a little
• 36:24
  Speaker 2: bit like with with with.
• 36:25
  Speaker 3: What the.
• 36:27
  Speaker 2: Old Day but the dumbest line of the old movie.
• 36:32
  Speaker 2: But you have these movies with these like.
• 36:36
  Speaker 3: You know, just random premises like this, and then you're like, okay,
• 36:39
  Speaker 3: like you didn't have to go so hard on the
• 36:41
  Speaker 3: character arc, but.
• 36:42
  Speaker 2: Like, yeah, but you did, thank you.
• 36:43
  Speaker 3: Yeah, And that's honestly, I think what made this movie
• 36:46
  Speaker 3: more endurable than just like if these characters were likable,
• 36:49
  Speaker 3: the movie probably would have sucked.
• 36:50
  Speaker 2: Yeah. I mean, and I say, I don't really like
• 36:52
  Speaker 2: Brenda was my least favorite. It's not like I hated her.
• 36:54
  Speaker 2: But yeah, it's like you really don't. You really don't
• 36:56
  Speaker 2: hate any of the characters. You kind of because and
• 36:59
  Speaker 2: even if you do, they get redemption or you just
• 37:01
  Speaker 2: kind of sympathize with them and you're like, all right,
• 37:03
  Speaker 2: at the end of this movie, I'm okay with everyone
• 37:05
  Speaker 2: in the decisions that they were made. So it's like, yeah,
• 37:08
  Speaker 2: all right, So yeah, let's go ahead and get onto
• 37:11
  Speaker 2: this again, just wild crazy movie. If you want to start,
• 37:15
  Speaker 2: you start the review. We can just kind of go
• 37:16
  Speaker 2: back and forth until we get to the certain point
• 37:19
  Speaker 2: and then we'll we'll do some on trivia.
• 37:21
  Speaker 3: So the movie starts out obviously like in the desert
• 37:23
  Speaker 3: and Morocco with people in like hazmat suits or or
• 37:27
  Speaker 3: I don't know if there's any other term.
• 37:28
  Speaker 2: For well, it is New Mexico in the movie. Oh sorry, yeah, sorry, yeah,
• 37:32
  Speaker 2: in the movie the Morocco in real life, so so
• 37:35
  Speaker 2: New Mexico fictional New Mexico, I guess.
• 37:39
  Speaker 3: Oh, and there's people has bat suits like I mean, obviously,
• 37:42
  Speaker 3: if you're familiar with this movie, you know, like with
• 37:44
  Speaker 3: the original or whatever, you know the plot of this
• 37:46
  Speaker 3: movie already. Yeah, but uh uh, you know, they're I
• 37:50
  Speaker 3: forgot what they're looking for.
• 37:52
  Speaker 2: Something. They're like just I think they're just doing some
• 37:54
  Speaker 2: sort of game.
• 37:55
  Speaker 3: Maybe it's after the bomb went off and they're trying
• 37:57
  Speaker 3: to like, yeah, okay, so.
• 37:59
  Speaker 2: I think they're just they're just kind of scanning the area.
• 38:01
  Speaker 2: One guy catches a fish in the.
• 38:05
  Speaker 3: Yeah, okay, so I guess they're trying to look for Sobftusly,
• 38:08
  Speaker 3: it looks like a bomb or something went off and
• 38:09
  Speaker 3: they're looking for some type of life form or see
• 38:11
  Speaker 3: if something muted or or something that's not supposed to.
• 38:14
  Speaker 2: Be the way. It is kind of unclear what they're doing,
• 38:16
  Speaker 2: but they're out there.
• 38:17
  Speaker 3: Also, the camera works fucking great.
• 38:19
  Speaker 2: In the movie itself.
• 38:20
  Speaker 3: Movie itself, but this but this scene, the scene.
• 38:22
  Speaker 2: Was film filmed very well, very It did a lot.
• 38:24
  Speaker 3: Of povs from the mask of the hazmat suit with
• 38:27
  Speaker 3: you could hear the breathing and you see through the
• 38:29
  Speaker 3: I thought it was really cool.
• 38:30
  Speaker 2: Yeah, very well done all around, I agree.
• 38:32
  Speaker 3: But then as they're doing this they get attacked by
• 38:36
  Speaker 3: you know, crete.
• 38:37
  Speaker 2: Unseen kind of unseen forces.
• 38:39
  Speaker 3: Yeah, like right now you're you're not sure, like okay, well,
• 38:42
  Speaker 3: I mean that was cool. And then then it opens
• 38:44
  Speaker 3: up to you know, so now we got the the
• 38:47
  Speaker 3: little cold open of it all, and now it opens
• 38:50
  Speaker 3: up to this family. We have last names for these people.
• 38:55
  Speaker 2: There's not I mean there I don't think any of
• 38:57
  Speaker 2: them happen, but I don't think that think they.
• 39:00
  Speaker 3: The main characters of the movie are.
• 39:03
  Speaker 2: It's literally just Big Bob ath Old Bobby Branda. There's
• 39:07
  Speaker 2: no last names that I saw on IMDb or heard.
• 39:10
  Speaker 3: The main cast as a family are going on this
• 39:13
  Speaker 3: road trip excuse me, from New Mexico to California, California.
• 39:19
  Speaker 2: They have so so.
• 39:21
  Speaker 3: You know, Big Bob, you know, is in the truck
• 39:23
  Speaker 3: with his wife and his two youngest kids and hauling back.
• 39:28
  Speaker 3: There's a trailer that they're holding back and it's got
• 39:30
  Speaker 3: Unlyn and their kid all all in there.
• 39:36
  Speaker 2: Like newborn pretty much like I'd say, maybe under a
• 39:38
  Speaker 2: year ish, a couple of months, yeah, a couple of
• 39:40
  Speaker 2: months old, pretty pretty young kid. And there they so
• 39:44
  Speaker 2: they've got you know, the truck and then the airstream,
• 39:46
  Speaker 2: the old like, yeah, the old like metallic airstream, you know,
• 39:50
  Speaker 2: the one, the one when you say like a little
• 39:52
  Speaker 2: like you know, what is it like a fifth wheel?
• 39:54
  Speaker 2: You think of the airstream and that metallic fifties look.
• 39:58
  Speaker 2: So then excuse me, goodness better out than in, I
• 40:03
  Speaker 2: always say, god damn it. Anyway, anyway, they're at a
• 40:09
  Speaker 2: gas station called fucking gas Haven and that rhymes with
• 40:12
  Speaker 2: Wes Craven.
• 40:13
  Speaker 3: You're welcome, which this is a West Craven movie, so well, remake.
• 40:16
  Speaker 2: Yeah, remake because he was he was still alive when
• 40:19
  Speaker 2: this came out.
• 40:19
  Speaker 3: Right, yeah, yeah, yeah, he was producer on this.
• 40:22
  Speaker 2: Sorry he because he did Scream four in twenty eleven,
• 40:25
  Speaker 2: so yes, this is two thousand and six. Yes, he
• 40:27
  Speaker 2: was still alive, so he was a producer slash like
• 40:29
  Speaker 2: you know, co.
• 40:31
  Speaker 3: Writer too, I'm sure because you know he did. But yeah,
• 40:34
  Speaker 3: so yeah, So to get to the gas station and
• 40:39
  Speaker 3: then now you start getting some character interactions you have
• 40:41
  Speaker 3: like my you know, the dad big Bob gets out
• 40:44
  Speaker 3: to put gas in the tank. But as he's doing that,
• 40:47
  Speaker 3: you get little little sides of uh, like my favorite
• 40:51
  Speaker 3: thing when the when the the brother Bobby just wakes
• 40:54
  Speaker 3: up his sisters, like wake up jackass, I don't nowhere,
• 40:56
  Speaker 3: like whatever. And then he goes to the airstream like
• 40:59
  Speaker 3: a inside of them talking of you know, husband and wife. Uh,
• 41:03
  Speaker 3: you know, just talking or whatever. And and there's a
• 41:05
  Speaker 3: little bit of dialogue exchanged. The shows that Doug big
• 41:10
  Speaker 3: Bob don't really get along. Oh and and so uh
• 41:14
  Speaker 3: as he's you know, b Bob's pumping gas and stuff,
• 41:17
  Speaker 3: Doug gets out and uh wants to uh be like, oh,
• 41:21
  Speaker 3: I'll get the Like. Uh, Bob's like how much do
• 41:23
  Speaker 3: I al you for? Like they check the you know,
• 41:25
  Speaker 3: make sure the cars are ready to you know, good
• 41:27
  Speaker 3: to go more mild? What's gas in it? And you
• 41:29
  Speaker 3: know the I guess the gas attendee guy or whatever.
• 41:32
  Speaker 2: It's like, oh, it's this much.
• 41:33
  Speaker 3: And then uh, Doug's holding the baby outside just to
• 41:36
  Speaker 3: get him some fresh air.
• 41:37
  Speaker 2: Uh, and He's.
• 41:38
  Speaker 3: Like, I'll get that. And then Bob's like, I can
• 41:40
  Speaker 3: pay for my own DMV and uh and Doug's like
• 41:43
  Speaker 3: that's not what I.
• 41:44
  Speaker 2: Meant, but okay, got it.
• 41:46
  Speaker 3: So I can clearly see the classic father not liking
• 41:50
  Speaker 3: the sudden law for some reason, which in the first
• 41:53
  Speaker 3: and second actor. You can kind of understand why.
• 41:55
  Speaker 2: He's kind of I don't know how to say this delicately.
• 41:57
  Speaker 2: I don't know, like a pansy. Is that yeah, like
• 42:00
  Speaker 2: that a right word? I don't know.
• 42:01
  Speaker 4: He's kind of just like it's yeah, I guess he's
• 42:07
  Speaker 4: just kind of kind of just like he like a wimp.
• 42:11
  Speaker 2: Maybe whim. I would go, whi whim.
• 42:13
  Speaker 3: Yeah, he's he seems like a whimp. And throughout the
• 42:16
  Speaker 3: movie until his specific part he is said whip.
• 42:20
  Speaker 2: He's kind of just a whimpy little guy.
• 42:21
  Speaker 3: A whimpy pushover, like.
• 42:23
  Speaker 2: You know he where we go, Yeah, there we go.
• 42:25
  Speaker 3: You know, like if anything, that's the stereo type of
• 42:28
  Speaker 3: this whole movie. Is that real issue between the father
• 42:30
  Speaker 3: and son in law? Yeah, like like you're not good
• 42:33
  Speaker 3: enough for my daughter type of thing. Blah.
• 42:35
  Speaker 2: That's that for though, you know some you know something
• 42:37
  Speaker 2: like you know, if I had if I had a daughter,
• 42:39
  Speaker 2: I'd be and it wouldn't be like that, but I'd
• 42:41
  Speaker 2: be very gonna be very suspicious if you watching you.
• 42:46
  Speaker 2: But yeah, that is that is a very you know,
• 42:48
  Speaker 2: common point of contention in movies. Is that whole or
• 42:51
  Speaker 2: it's just.
• 42:51
  Speaker 3: In general, not even yeah, so so we're getting that
• 42:55
  Speaker 3: feeling obviously, like everyone's getting along. You know, every everyone
• 42:58
  Speaker 3: has a good rapport with you are the most part,
• 43:01
  Speaker 3: except for Doug and Bob. But uh so then you know,
• 43:06
  Speaker 3: they also have two German shepherds by.
• 43:07
  Speaker 2: The way, beauty, beauty and beast Yeah.
• 43:10
  Speaker 3: Which I mean, to be honest, that's fucking great. That's
• 43:12
  Speaker 3: just great, especially for German shepherds, like, you know, perfect, perfect,
• 43:15
  Speaker 3: because they're both beautiful and they can beastly.
• 43:18
  Speaker 2: I have to say though, they were like they were
• 43:20
  Speaker 2: the worst trained dogs in a sense because every time
• 43:22
  Speaker 2: they were let off the leaves, they're just like bye,
• 43:24
  Speaker 2: and you're like, all right, uh yeah, just literally they're
• 43:27
  Speaker 2: just gone into the desert. So like God, guys. So
• 43:29
  Speaker 2: then they eventually, you know, put them on the leash
• 43:31
  Speaker 2: and and then it's the second they let them off again,
• 43:33
  Speaker 2: they're gone. Jesus Christ, what the fuck's wrong with these dogs?
• 43:36
  Speaker 2: They really want to go roam around in the desert.
• 43:39
  Speaker 3: I mean to be honest, German shepherds do sense. They're
• 43:42
  Speaker 3: no for that before any other dog, which is why
• 43:45
  Speaker 3: they're German Shepherds.
• 43:45
  Speaker 2: Are mainly I was gonna say they can probably sniff
• 43:48
  Speaker 2: out the people in the hills.
• 43:49
  Speaker 3: To be honest, that's probably well, that's probably what the
• 43:52
  Speaker 3: whole issue was, Honestly. The the one dog that that uh,
• 43:56
  Speaker 3: I don't know which one it was, but at the
• 43:58
  Speaker 3: first bolt into the restaurant or whatever, and.
• 43:59
  Speaker 2: Then I think that was Beauty.
• 44:01
  Speaker 3: Yeah, Lynn went in there to find union and stuff like,
• 44:03
  Speaker 3: like clearly we know what.
• 44:04
  Speaker 2: Yeah, I guess they were just going to search out
• 44:06
  Speaker 2: those people, like, I don't know, I just thought it
• 44:08
  Speaker 2: was funny that they just it's just true.
• 44:09
  Speaker 3: That dogs do since.
• 44:13
  Speaker 2: Or pure evil. Good question. God, damn, it's just been
• 44:21
  Speaker 2: movie quote after movie quote. You don't even doing a movie.
• 44:24
  Speaker 2: We're not even we're just doing all the movies. It's fine.
• 44:27
  Speaker 2: Back to the gas station, gas Haven.
• 44:29
  Speaker 3: So yeah, so uh so now they're all ready to go,
• 44:32
  Speaker 3: and uh, the gas station attendee, who's obviously given us
• 44:36
  Speaker 3: creepy vibes from the get go, noticed when uh, when
• 44:40
  Speaker 3: Lynn went to go get Beauty or one of the
• 44:43
  Speaker 3: dogs from the I guess restaurant or whatever the side restaurant,
• 44:47
  Speaker 3: she obviously noticed something that she should have probably seen,
• 44:50
  Speaker 3: and he noticed that she saw that. So you could
• 44:53
  Speaker 3: clearly see he's got an ulterior motive. So right before
• 44:56
  Speaker 3: they leave, he's like, oh wait a minute, like he
• 44:58
  Speaker 3: knocks on the window here the shortcut.
• 45:00
  Speaker 2: Yeah, classic, No, do not listen to him.
• 45:03
  Speaker 3: But of course, you know they do.
• 45:05
  Speaker 2: Fuck that. I'd be like the creepy guy telling me
• 45:07
  Speaker 2: which way to go, especially after finding that ear in
• 45:10
  Speaker 2: the gas station afterwards? Do they Yeah, that's right, Big
• 45:15
  Speaker 2: Bob goes, Okay, sorry, sorry, yeah, sorry, I'm gontam jumping
• 45:17
  Speaker 2: ahead of myself. But it is we as the audience
• 45:20
  Speaker 2: see the bloody ear at the beginning of the movie. Yes,
• 45:23
  Speaker 2: so we know it's there, but yeah, it gets it
• 45:26
  Speaker 2: comes back later. But yeah, so they take his advice
• 45:29
  Speaker 2: and go down the you know the road that it
• 45:31
  Speaker 2: saves them a couple hours. I'm like, yeah, that's not
• 45:34
  Speaker 2: a real thing.
• 45:34
  Speaker 3: But all right, first of all, it does not save them.
• 45:36
  Speaker 2: Yeah, it's like none of the above, none of the above.
• 45:40
  Speaker 3: So as they're driving, you see that's the I don't
• 45:44
  Speaker 3: know what those are called spike strips. The spike strips, yeah,
• 45:47
  Speaker 3: I was sticking speed strap strips whatever, but anyway.
• 45:50
  Speaker 2: Those things speed strips. I like those. I like that
• 45:52
  Speaker 2: name better because I.
• 45:53
  Speaker 3: Mean, yeah, you put the down from helmet to speed
• 45:55
  Speaker 3: the them up.
• 45:56
  Speaker 2: Yeah, and they get sucked up. Yeah, so right into
• 45:58
  Speaker 2: a fucking huge older Yeah, up.
• 46:01
  Speaker 3: The axle of the car and everything, and uh so
• 46:05
  Speaker 3: they're they're all.
• 46:05
  Speaker 2: Now stranded literally in the desert.
• 46:08
  Speaker 3: So if you want to go, oh yeah, sure.
• 46:11
  Speaker 2: All right. So they get stranded in the desert, and
• 46:14
  Speaker 2: of course everyone's angry, upset, like, fucking we were supposed to,
• 46:19
  Speaker 2: you know, save some time. Why do we do this?
• 46:21
  Speaker 2: And uh, let me get to yun runs over spikes
• 46:24
  Speaker 2: ship blah blah blah. So they come up with this plan.
• 46:26
  Speaker 2: This is a dumb plan. I'm sorry. This is probably
• 46:28
  Speaker 2: the only real issue plot wise I had, because Bob
• 46:32
  Speaker 2: decides to go one way back to the gas station
• 46:35
  Speaker 2: to get a toe truck, and then fucking Doug goes
• 46:39
  Speaker 2: the other way, and I'm like, why are we going
• 46:41
  Speaker 2: to like just go back, you know, like just go
• 46:43
  Speaker 2: together to the gas station. I guess it was just
• 46:45
  Speaker 2: very odd. It is very like.
• 46:48
  Speaker 3: Once you separate the group anything, dragons, anything. Yes, But
• 46:54
  Speaker 3: I personally, I like, I didn't hate it. I wasn't
• 46:56
  Speaker 3: upset with it, because if you think about it, you're
• 46:58
  Speaker 3: in the middle of the desert. You will know the
• 47:00
  Speaker 3: gas station a couple of miles. You don't know anything
• 47:02
  Speaker 3: in front of you, so why not? Why not? And
• 47:05
  Speaker 3: that's that was the purpose was, like maybe he'll find somebody,
• 47:08
  Speaker 3: but one person won't, and versus them going one place
• 47:10
  Speaker 3: wasting time to don't find anybody and they don't have time.
• 47:11
  Speaker 2: To see it else. I guess I would have been
• 47:13
  Speaker 2: more okay with that if they at least paired up.
• 47:15
  Speaker 2: But going alone, I was like, that's dangerous in the desert.
• 47:17
  Speaker 2: There's fucking animals out there. There's people out there. Fine,
• 47:22
  Speaker 2: I know Big Bob, yeah, Republican, No, he's a Democrat.
• 47:25
  Speaker 2: So Big Bob has and he has the manliest gun
• 47:29
  Speaker 2: I've ever seen it. I think it was a forty
• 47:31
  Speaker 2: four magnum or something equivalent. Fucking huge. So he takes
• 47:35
  Speaker 2: that and goes to the gas.
• 47:36
  Speaker 3: They also but but it also gives his kid that
• 47:39
  Speaker 3: just to protect protect.
• 47:41
  Speaker 2: Yeah, so you've got Doug going to the gas station.
• 47:43
  Speaker 2: You've got or sorry, Doug going down whatever fuck road
• 47:47
  Speaker 2: to wherever. You've got Big Bob going back to the
• 47:50
  Speaker 2: gas station to hopefully get a tow truck or something.
• 47:52
  Speaker 2: And then you have Bobby with the gun, with the
• 47:54
  Speaker 2: three ladies Lynn Ethel and Brenda, the baby and the baby. So,
• 47:58
  Speaker 2: like I said, kind of a dumb plan, but also
• 48:00
  Speaker 2: makes sense. And then we have Beauty that goes running
• 48:04
  Speaker 2: off into the desert. Bobby's you know, he follows right
• 48:07
  Speaker 2: behind her, and we can see clearly someone trailing Bobby
• 48:10
  Speaker 2: and it's the same person that we saw in the
• 48:12
  Speaker 2: beginning of the movie take something like think. I think
• 48:14
  Speaker 2: it was a sweater out or like a doll out
• 48:16
  Speaker 2: of the I don't know, she took something out. And
• 48:18
  Speaker 2: then Bobby actually finds Beauty, who has been completely cut
• 48:21
  Speaker 2: open and gutted. I was like, that was fucking quick, Yeah,
• 48:24
  Speaker 2: real quick. So he starts to run back trips and
• 48:27
  Speaker 2: falls like through an open like fucking little gorge in
• 48:30
  Speaker 2: like twenty feet down and gets fucked up and I
• 48:34
  Speaker 2: thought he was a gonner. It turns out he survives it,
• 48:36
  Speaker 2: so that's really cool. And yeah, there's one deformed person
• 48:41
  Speaker 2: on one rock or right next to Bobby, and then
• 48:44
  Speaker 2: she looks up to see another deformed person eating Beauty's leg.
• 48:47
  Speaker 2: I'm just like, oh my god, this is terrifying. And
• 48:51
  Speaker 2: then we go cuts over to Doug and he comes
• 48:53
  Speaker 2: across this like fucking crater, which is supposed to be
• 48:57
  Speaker 2: a spot where they tested the nuclear weapons because this
• 49:00
  Speaker 2: takes place in New Mexico and like during when they
• 49:03
  Speaker 2: were doing all of these experiments, which is really cool.
• 49:07
  Speaker 2: Fun fact about that, My uncle actually worked at the
• 49:10
  Speaker 2: power at the place where they did the nuclear test
• 49:13
  Speaker 2: back in the day, so that was pretty cool. Cool.
• 49:15
  Speaker 2: But yeah, so they did, like they did a lot
• 49:17
  Speaker 2: of tests back then. I think it was in the
• 49:19
  Speaker 2: hundreds of just atomic weapons tests and nuclear bombs. So
• 49:24
  Speaker 2: he's in this giant crater and there's just all these
• 49:26
  Speaker 2: fucking cars in there. Red at this point, that's red
• 49:30
  Speaker 2: flag at least number I'd probably say three. Gas station attendant,
• 49:34
  Speaker 2: Your fucking ran over nothing that you could see, and
• 49:37
  Speaker 2: your tires explode, and now you find a crater full
• 49:39
  Speaker 2: of all sorts of cars. And then you find out
• 49:43
  Speaker 2: too after he comes back, that the road dead ends
• 49:46
  Speaker 2: into that crater. There's no more road. So they were
• 49:49
  Speaker 2: obviously lied to and they don't know really why, because
• 49:52
  Speaker 2: at this point, no one's really encountered anything except for Bobby,
• 49:56
  Speaker 2: and he's away from the group, so no one else
• 49:58
  Speaker 2: at this point knows what's going on. Bob finally makes
• 50:02
  Speaker 2: it to the gas station where he comes across the
• 50:05
  Speaker 2: There we go where he comes across the bag with
• 50:07
  Speaker 2: the ear in it from the beginning, draws his gun to.
• 50:09
  Speaker 3: See he was and he was like an ex cop,
• 50:11
  Speaker 3: so like he that's right, he was. The way he's
• 50:13
  Speaker 3: you know, the way he carries himself, it's like, okay,
• 50:15
  Speaker 3: this this is added up.
• 50:17
  Speaker 2: Yeah, that's yeah. Because he also can't find the dude
• 50:20
  Speaker 2: in the store. He's like, he's like, hello, like where
• 50:22
  Speaker 2: are you? Like, I need help, And so he finds
• 50:25
  Speaker 2: the ear and then he hears kind of noises outside,
• 50:28
  Speaker 2: so he goes it's like fuck this, I'm done. He
• 50:31
  Speaker 2: sees a car outside, goes to get in the car
• 50:34
  Speaker 2: to start it, but then he keeps hearing stuff and
• 50:36
  Speaker 2: then he sees feet out in the outhouse kind of
• 50:38
  Speaker 2: just like poking out the door. So he goes over
• 50:40
  Speaker 2: there and it's the gas station attendant, drunk off his ass,
• 50:44
  Speaker 2: got a shotgun in his hand and he's like no, no, no,
• 50:46
  Speaker 2: put that down. Then goose you know, just done. And
• 50:49
  Speaker 2: from that, oh my god, they don't I don't think
• 50:51
  Speaker 2: they cut away from them shooting and that's why I
• 50:53
  Speaker 2: was like, that's my favorite fucking kill or my horror moment.
• 50:56
  Speaker 2: Oh my god. Yeah, no, they did not at all
• 50:58
  Speaker 2: so crazy. So at this point he's like, yeah, cool,
• 51:02
  Speaker 2: I need to leave, but it's too late because he
• 51:04
  Speaker 2: gets knocked down and then dragged into the mine. Because also,
• 51:07
  Speaker 2: I think these people live in the mine or some
• 51:10
  Speaker 2: shit are they have a base in the mine.
• 51:12
  Speaker 3: I think that's that's where they get from point A
• 51:14
  Speaker 3: to point B to like their town. Oh that's that's
• 51:18
  Speaker 3: like the their underground tunnel.
• 51:20
  Speaker 2: That's probably what it is, yeah, because they're not walking down.
• 51:22
  Speaker 3: The road, that's yeah. Yeah. So it's how they like
• 51:24
  Speaker 3: could hide without you know, it's how they just you know,
• 51:27
  Speaker 3: they hide basically, that's their underground tunnel.
• 51:30
  Speaker 2: Much Okay, I'll let you do because we're almost to
• 51:32
  Speaker 2: the crazy fucking scene, so i'll let you do that
• 51:35
  Speaker 2: when we get there. We're almost there, honestly. So it
• 51:38
  Speaker 2: cuts back to Bobby, who crazy enough, got rescued. I
• 51:41
  Speaker 2: don't remember how he got rescued or.
• 51:44
  Speaker 3: The the formed little girl watched over him the whole time,
• 51:47
  Speaker 3: huh and kind of just like well, not really woke
• 51:49
  Speaker 3: him up, but stayed with him to make sure you're
• 51:51
  Speaker 3: still like alive. Like I wouldn't say took care of him,
• 51:53
  Speaker 3: but like make sure.
• 51:54
  Speaker 2: Not you didn't die.
• 51:55
  Speaker 3: We'll make sure no one was coming to eat which
• 51:57
  Speaker 3: eat him, which is why when she looked up she
• 51:59
  Speaker 3: saw the dude. They eat her too, eat him too,
• 52:04
  Speaker 3: but she was there to make sure he stayed a
• 52:06
  Speaker 3: lot uneaten.
• 52:07
  Speaker 2: Yeah, so obviously this young girl has a conscience and
• 52:11
  Speaker 2: doesn't like all the you know.
• 52:13
  Speaker 3: And then as he woke up, she just like left
• 52:15
  Speaker 3: because yeah, like oh that's right. Yeah, and he woke
• 52:17
  Speaker 3: up and just realized, okay, well now then and then
• 52:20
  Speaker 3: he went back to the trailer or whatever.
• 52:23
  Speaker 2: Yeah, the little airstream. Yeah, so he okay, so he's
• 52:27
  Speaker 2: not rescued, he's just alive.
• 52:28
  Speaker 3: I really thought he was at the wind that he
• 52:30
  Speaker 3: just he was knocked on conscious for a couple hours
• 52:32
  Speaker 3: because it was daytime the nighttime when he woke up.
• 52:34
  Speaker 2: That's right, because yeah, he you know, he hit his
• 52:35
  Speaker 2: head on a rock and he was bleeding a little bit,
• 52:37
  Speaker 2: and so and that was a pretty pretty crazy fall.
• 52:40
  Speaker 2: It was at least ten twenty feet that he fell.
• 52:42
  Speaker 2: Just everybody either, they just let it happen. It was
• 52:45
  Speaker 2: flat on his back. Oh my god. So yeah, Bobby
• 52:49
  Speaker 2: is you know, they're all bandaging him up in the trailer,
• 52:52
  Speaker 2: and Doug is alive as well. Crazy Enough comes back
• 52:56
  Speaker 2: wielding all the ship he found in the car, like,
• 52:58
  Speaker 2: look at this, it's brand new. We should does No
• 53:01
  Speaker 2: One's like, oh, that's kind of a red flag, you know,
• 53:04
  Speaker 2: like besides it, besides the road ending in there. Everyone
• 53:07
  Speaker 2: else is just like man shrug. And then they're all
• 53:09
  Speaker 2: just like, yeah, we're kind of we're kind of just tired.
• 53:12
  Speaker 2: We're gonna go to bed. No, no, Dad's not back.
• 53:17
  Speaker 2: We have no idea where he is. This road ends
• 53:19
  Speaker 2: into a fucking crater. I'm walking. I'm just walking at
• 53:22
  Speaker 2: this point. I'm not staying in one location.
• 53:25
  Speaker 3: Yeah, Like, you know, nine o'clock at night at this point.
• 53:27
  Speaker 2: Yeah, because it's definitely night has fallen for sure, and
• 53:30
  Speaker 2: now everyone's going to bed except for Bobby. He's you know,
• 53:33
  Speaker 2: that would be me. I'd be on a high alert,
• 53:34
  Speaker 2: just like I've got a gun. I don't know what's
• 53:36
  Speaker 2: going on, blah blah.
• 53:38
  Speaker 3: I don't even know, like, what what's this?
• 53:41
  Speaker 2: What's going on? So then yeah, uh, then we get
• 53:45
  Speaker 2: to the I don't I don't even know how to
• 53:47
  Speaker 2: explain what happens in the trailer. It's like I almost
• 53:50
  Speaker 2: want to just not even go into it because it's
• 53:52
  Speaker 2: so insane and wild of what happens, like so much happened.
• 53:56
  Speaker 3: Yeah, yeah, yeah, I thought you wanted to stop before this.
• 53:59
  Speaker 2: No okay, oh no, no, no, yeah, I want to go
• 54:01
  Speaker 2: through this.
• 54:02
  Speaker 3: And okay, so first, before this insane trailer scene happens.
• 54:06
  Speaker 3: And when I say insane, it's fucking bonkers, like insane,
• 54:08
  Speaker 3: like you almost gotta you know, you gotta pause the
• 54:10
  Speaker 3: movie and take like a breather, like holy shit.
• 54:12
  Speaker 2: Yeah, but take a little pause before and maybe after
• 54:15
  Speaker 2: because I didn't expect so.
• 54:17
  Speaker 3: I completely forgot about that scene, to be honest.
• 54:19
  Speaker 2: Yeah, and I know that that's also where a lot
• 54:22
  Speaker 2: of the unrated stuff comes into play. Again, it's only
• 54:24
  Speaker 2: like little clips, but there's a lot of extra.
• 54:26
  Speaker 3: But most of most of the underratedness comes up. But anyway,
• 54:31
  Speaker 3: so so real quick. So before they went to bed,
• 54:34
  Speaker 3: Boby was like, oh, whe's dad, blah blah blah. Doug
• 54:36
  Speaker 3: was like, Okay, if he's not back by midnight, wake
• 54:39
  Speaker 3: me up. We'll go looking for him.
• 54:40
  Speaker 2: So, oh yeah, that's right. So the mom, Bobby, Brenda.
• 54:46
  Speaker 3: Brenda, and the baby all take the trailer and then Lynn, Doug,
• 54:52
  Speaker 3: Lynn and Doug.
• 54:53
  Speaker 2: Take like the like the back seat in the back
• 54:57
  Speaker 2: seat of the truck, like the the it's like it's
• 54:59
  Speaker 2: like broncos, like it's like the hatch. Yeah, yeah, they're
• 55:03
  Speaker 2: in there. And then.
• 55:05
  Speaker 3: He hears, Uh, I forgot like Bobby hears something, right,
• 55:08
  Speaker 3: or does he hear someone?
• 55:10
  Speaker 2: Bobby hears like.
• 55:11
  Speaker 3: I forgot what exactly happened there.
• 55:13
  Speaker 2: I can't remember what he hears, but I know he
• 55:14
  Speaker 2: hears something. Here's something that startles something that startles him.
• 55:17
  Speaker 1: Ye.
• 55:17
  Speaker 3: So then so then he he he looks at his
• 55:19
  Speaker 3: watch or whatever or something that says eleven forty.
• 55:22
  Speaker 2: Oh, he hears beast barking because beat yes, beast ran
• 55:25
  Speaker 2: away because Beauty is dad beast ran away. So he
• 55:27
  Speaker 2: hears beast barking and just decides to go looking for him.
• 55:30
  Speaker 2: And I'm like, no, don't leave everybody.
• 55:33
  Speaker 3: But but but but this is where his is where
• 55:36
  Speaker 3: he's my favorite character.
• 55:38
  Speaker 2: And I think he takes I believe he takes Doug
• 55:40
  Speaker 2: with him because I think he knocks on the back
• 55:41
  Speaker 2: of the camp or to wake them up.
• 55:42
  Speaker 3: Yeah, that's where I was. Yeah, because it's getting to
• 55:44
  Speaker 3: be midnight. That's right, because that's why he looked at
• 55:47
  Speaker 3: the clock or whatever says eleven forty nine.
• 55:49
  Speaker 2: Okay, yeah, So it goes up, knocks in the.
• 55:50
  Speaker 3: Little window and goes, hey, beast is barking, blah blah blah,
• 55:53
  Speaker 3: you know, like that's not back. And then Doug's like, okay,
• 55:56
  Speaker 3: I'll get out, come help you.
• 55:58
  Speaker 2: Let's go. So go. So now the men are gone.
• 56:02
  Speaker 3: Yeah, let's set let's set the scene the way that
• 56:06
  Speaker 3: the movie set.
• 56:06
  Speaker 2: It for us. Yeah, all the men are gone, so legitly,
• 56:10
  Speaker 2: all the men are gone. Put it together.
• 56:11
  Speaker 3: It's just the women. And which is the baby? Male
• 56:15
  Speaker 3: or female? I don't even know.
• 56:16
  Speaker 2: I think it's a girl. I'm pretty sure. Not that
• 56:17
  Speaker 2: it matters it's the baby, but it's three girls and
• 56:19
  Speaker 2: the baby at this point, like the three men. Anyway.
• 56:24
  Speaker 3: Okay, that was actually really lighthearted. This this one was
• 56:27
  Speaker 3: about to be said, is not at all.
• 56:29
  Speaker 2: Right.
• 56:29
  Speaker 3: So all the men are gone, So then you have
• 56:37
  Speaker 3: what Brenda. I keep forgeting the names.
• 56:40
  Speaker 2: Brenda's Brenda is the daughter Lynn? When is the husband
• 56:44
  Speaker 2: or the wife of Doug. And then Ethel is the wife.
• 56:48
  Speaker 3: Yes, so you have so you have Brenda with her
• 56:51
  Speaker 3: headphones in, but she's you know, playing with the baby
• 56:53
  Speaker 3: like oh, like go to bed, like she sets the
• 56:55
  Speaker 3: little the little baby.
• 57:00
  Speaker 2: Was called.
• 57:02
  Speaker 3: Anyway, But she's the headphones in and she and she's
• 57:05
  Speaker 3: laying on it on her bed, either sleeping or just
• 57:07
  Speaker 3: listening to music. But either way, her eyes are closed.
• 57:09
  Speaker 3: She can't hear ship. And then you know, you have
• 57:12
  Speaker 3: these they never give names, but these.
• 57:15
  Speaker 2: They actually do, like ones lizard one, they actually have names. Yeah,
• 57:19
  Speaker 2: I don't remember who's doing.
• 57:21
  Speaker 3: These two men enter the camper or whatever. Obviously she
• 57:24
  Speaker 3: can't hear anything, you know what's going on because you know,
• 57:28
  Speaker 3: and her eyes are closed. And the I guess dumber
• 57:33
  Speaker 3: one the not the non boss because the other guy,
• 57:35
  Speaker 3: I would, well.
• 57:36
  Speaker 2: One of them can talk. One of them is kind
• 57:38
  Speaker 2: of just like like souting nonsense.
• 57:41
  Speaker 3: So the nonsense spouting one.
• 57:44
  Speaker 2: Nice Okay, honestly.
• 57:47
  Speaker 3: It like sees a pretty girl and does it know better?
• 57:51
  Speaker 3: And you can assume where he goes from.
• 57:52
  Speaker 2: Oh, I don't think he's not that he knows better.
• 57:54
  Speaker 2: He's a cannibal, for Christ's sake. He just wants to
• 57:56
  Speaker 2: do unspeakable things.
• 57:58
  Speaker 3: But he also probably doesn't know fully.
• 57:59
  Speaker 2: Better because I mean he's he's obviously not developed, and
• 58:03
  Speaker 2: he doesn't really understand it, I guess. But yeah, I
• 58:06
  Speaker 2: feel like he knows what he's doing. But again, maybe
• 58:09
  Speaker 2: you're right, maybe he doesn't know how. I don't know,
• 58:11
  Speaker 2: you're right, but yeah.
• 58:12
  Speaker 3: Unspeakable, he's attempting to do what speakable things to Brenda,
• 58:19
  Speaker 3: and you know, honestly, then he kind of does.
• 58:23
  Speaker 2: They don't really should actually get does she actually get
• 58:27
  Speaker 2: raped by the other guy? Really? Okay, Well, in this
• 58:30
  Speaker 2: they don't never fully show.
• 58:33
  Speaker 3: It's mainly all backgrounds.
• 58:34
  Speaker 2: So god, I don't need to see that.
• 58:36
  Speaker 3: Yes, because if you look at the rating, that's actually
• 58:38
  Speaker 3: there's no rating for anything sexual or rape wise.
• 58:40
  Speaker 2: Yeah, straight away from him.
• 58:43
  Speaker 3: It's mostly implied, implied and in the background because so
• 58:47
  Speaker 3: as the the number one is trying to rape her,
• 58:51
  Speaker 3: the smarter one, the one that could speak, is looking
• 58:55
  Speaker 3: at the baby, and and you focus on that, but
• 58:57
  Speaker 3: you see the other stuff going on in the background,
• 58:59
  Speaker 3: like it's not a focus but see her. Yeah, you
• 59:01
  Speaker 3: can hear it, but his body, but his head isn't
• 59:04
  Speaker 3: the way of the things that are going on there,
• 59:06
  Speaker 3: So you don't really see a rape or attended to drape.
• 59:08
  Speaker 3: You just know what's happening.
• 59:09
  Speaker 2: So you know something terrible is going on. But this guy,
• 59:11
  Speaker 2: you know, this guy.
• 59:14
  Speaker 3: Has a gun and he points it at the baby,
• 59:17
  Speaker 3: and you think he's about to shoot the baby, and
• 59:21
  Speaker 3: he kind of you know, I would probably have if
• 59:24
  Speaker 3: he didn't get interrupted by the mom. And the mom
• 59:27
  Speaker 3: walks in ethel and frightens and like like scares him,
• 59:31
  Speaker 3: and he shoots her and.
• 59:32
  Speaker 2: He's got the right in the face too.
• 59:35
  Speaker 3: Holy no, no, no, that's that's that's not ethyl, that's
• 59:38
  Speaker 3: that's that's lind Oh.
• 59:40
  Speaker 2: Oh.
• 59:40
  Speaker 3: Yeah.
• 59:40
  Speaker 2: He shoots her like in the chest, in the.
• 59:41
  Speaker 3: Chest area, but still with with the forty four of
• 59:43
  Speaker 3: that big.
• 59:44
  Speaker 2: Bob ad yeah, with like right, she flies, she flies
• 59:48
  Speaker 2: across the camp.
• 59:49
  Speaker 3: You're like, you know, so that one and uh then
• 59:53
  Speaker 3: Lynn comes in and and because you know, here's a
• 59:56
  Speaker 3: gun shot, you run towards the gunshot because that's logical anyway.
• 1:00:00
  Speaker 3: But this goes in there and tries to fight him off,
• 1:00:02
  Speaker 3: but she loses to to Uh.
• 1:00:05
  Speaker 2: This is another thing that I really.
• 1:00:06
  Speaker 3: Enjoyed about the movie. And I'll get to in a second.
• 1:00:08
  Speaker 3: But uh, she loses to that gun point blank in
• 1:00:10
  Speaker 3: the head and basically blows her face off.
• 1:00:12
  Speaker 2: Oh yeah, it was. It was brutal.
• 1:00:14
  Speaker 3: And one of my favorite things about this is you
• 1:00:17
  Speaker 3: act the movie actually counts the shots of every gun
• 1:00:20
  Speaker 3: fired in this movie because so, so that was the
• 1:00:23
  Speaker 3: sixth shot of that gun, because Big Bob shoots it
• 1:00:25
  Speaker 3: at the place four times, the boss guy Cannibal guy
• 1:00:32
  Speaker 3: shoots it twice in the camper and then tries to
• 1:00:33
  Speaker 3: shoot it again and there's no bull and it's done.
• 1:00:36
  Speaker 2: So this movie counts at shots. Oh yeah, someone's not
• 1:00:39
  Speaker 2: counting their shots or their bullets or whatever. That bull says.
• 1:00:43
  Speaker 3: Yeah, right, But so then that happens, and as after
• 1:00:46
  Speaker 3: that happens, something's expiring outside. We're not going to get
• 1:00:51
  Speaker 3: into what is happening, but that's got the guys preoccupied.
• 1:00:55
  Speaker 3: But they hear the gun shots, so now they come running.
• 1:00:57
  Speaker 3: But as they're running, goes back to the camper, and
• 1:00:59
  Speaker 3: now the boss guy is also trying to rape the girl.
• 1:01:05
  Speaker 2: Yeah, because they kind of switched places. He takes the
• 1:01:07
  Speaker 2: other guy off and just kind of like shoves him away, and.
• 1:01:09
  Speaker 3: You're just like, and this one's not graphic, but it's
• 1:01:12
  Speaker 3: more graphic than the other one because they don't shy
• 1:01:14
  Speaker 3: away from this one. But like, you don't see anything penetrating,
• 1:01:16
  Speaker 3: You don't see anything like a You just clearly see
• 1:01:19
  Speaker 3: that a rape was about to be attempted. Yeah, until
• 1:01:21
  Speaker 3: it's fully interrupted by the bobby with the gun, with
• 1:01:24
  Speaker 3: the boys and stuff, and yes.
• 1:01:25
  Speaker 2: Boys are back in town.
• 1:01:27
  Speaker 3: But like the way this scene goes is like, like
• 1:01:29
  Speaker 3: they don't shy away from anything in this scene from
• 1:01:31
  Speaker 3: one from from from the attempted to rape to the
• 1:01:34
  Speaker 3: to the gun in the baby's face, to the murders.
• 1:01:38
  Speaker 3: Do you do not shy at all? And it's it's
• 1:01:41
  Speaker 3: just brutal. Honestly, it's brutal as fuck. I cannot describe
• 1:01:45
  Speaker 3: it any other way, but brutal as fuck.
• 1:01:47
  Speaker 2: Yep, I agree, wholeheartedly agree with that. It is. It
• 1:01:50
  Speaker 2: is just insane. It's pretty, it's just it's.
• 1:01:52
  Speaker 3: Rough and and and I and you know, and I
• 1:01:55
  Speaker 3: enjoy that because honestly, with this director into particular, he
• 1:01:59
  Speaker 3: does not shy away from anything in any of his movies.
• 1:02:03
  Speaker 2: Yeah, I mean so so three out.
• 1:02:05
  Speaker 3: Of the four movies we've we've you know, we mentioned
• 1:02:07
  Speaker 3: here he's gotten underrated versions. He has then underrated version
• 1:02:10
  Speaker 3: of this one. High Tension and Mirrors all have an
• 1:02:12
  Speaker 3: underrated cut of his Crawl doesn't. But like that movie
• 1:02:16
  Speaker 3: particularly doesn't move Doude.
• 1:02:17
  Speaker 2: There's no that movie was already so just like stressful
• 1:02:21
  Speaker 2: enough that we don't if he ever does like cool,
• 1:02:24
  Speaker 2: but it's not needed for crawl. He's good.
• 1:02:26
  Speaker 3: But but I mean he's always done an underrated version.
• 1:02:28
  Speaker 3: But like even the theatrical versions of these movies, he
• 1:02:30
  Speaker 3: does not. They're all three originally rated R and then
• 1:02:34
  Speaker 3: they get and then the underrated version of High Tension
• 1:02:36
  Speaker 3: makes it NC seventeen. They don't even say not rated.
• 1:02:39
  Speaker 3: They make it. It's they give you the NC seventeen
• 1:02:41
  Speaker 3: version of that, which he does not shy away from anything.
• 1:02:45
  Speaker 3: And if you guys are know these movies I'm talking about,
• 1:02:47
  Speaker 3: you know exactly what I'm talking about. You don't see
• 1:02:49
  Speaker 3: any cuts. He's brutal, He's honestly, it's raw. His his
• 1:02:53
  Speaker 3: filmmaking is brutal and raw. And I think that's what
• 1:02:55
  Speaker 3: makes him like anytime I hear his name on a movie,
• 1:02:58
  Speaker 3: I'm fucking I'm in it.
• 1:02:59
  Speaker 2: I'm like, yeah, And even if even if you know,
• 1:03:02
  Speaker 2: like a rape happens, it's in this one, like it's
• 1:03:06
  Speaker 2: it's more implied. And I like that because I really
• 1:03:08
  Speaker 2: don't need them in there to begin with. But if
• 1:03:10
  Speaker 2: you're going to do them, do them like this where
• 1:03:12
  Speaker 2: they're more implied than anything. And yeah, if you have to.
• 1:03:17
  Speaker 2: And again I don't like because personally like them ever.
• 1:03:21
  Speaker 3: And personally unless it's part of the plot, which still sucks.
• 1:03:24
  Speaker 3: But like you know, I spent any grave. There are
• 1:03:25
  Speaker 3: movies to work.
• 1:03:26
  Speaker 2: The high tension, right, isn't that isn't that not a
• 1:03:28
  Speaker 2: rape revenge? Or no?
• 1:03:30
  Speaker 3: No?
• 1:03:30
  Speaker 2: Oh fuck, I think I'm confusing that with something else. Okay,
• 1:03:34
  Speaker 2: but yeah there, But.
• 1:03:34
  Speaker 3: If it's not, if the plot of the movie is
• 1:03:36
  Speaker 3: not rape revenge and you want to put a rape
• 1:03:39
  Speaker 3: in your movie, I'm not saying that's fine either, but like, yeah,
• 1:03:42
  Speaker 3: it's more like like law bid a Citizen in the
• 1:03:44
  Speaker 3: beginning of the movie. I know it's not horror, but
• 1:03:46
  Speaker 3: the beginning of the movie when they break into dry
• 1:03:47
  Speaker 3: Butler's house, Oh yeah, yeah, yeah, they rape his wife
• 1:03:50
  Speaker 3: and you.
• 1:03:51
  Speaker 2: And they kill us the kid too, right, yeah, just
• 1:03:53
  Speaker 2: like Jesus.
• 1:03:54
  Speaker 3: And you can clearly see the wife is being raped
• 1:03:56
  Speaker 3: but you don't see it. It's more it's more of
• 1:03:58
  Speaker 3: the pov of dry Butler who's slightly taucious seeing this happen,
• 1:04:02
  Speaker 3: and it's more like blink and you're gonna miss it,
• 1:04:04
  Speaker 3: which is fine. But like with the plot of the movie,
• 1:04:07
  Speaker 3: is not rape Revenge. If you want to put rape
• 1:04:10
  Speaker 3: in your movie, do it the way those two movies do.
• 1:04:12
  Speaker 2: Yeah, do it? Yeah, if you And again like if
• 1:04:13
  Speaker 2: you have to, I don't No movie ever needs it
• 1:04:16
  Speaker 2: unless it's actually like, yeah, I spent on your grave.
• 1:04:18
  Speaker 2: I mean even then, I still don't want it. No,
• 1:04:20
  Speaker 2: you still don't want it.
• 1:04:21
  Speaker 3: But I'm saying, if it does nothing to further the
• 1:04:23
  Speaker 3: plot of the movie and you want to put it
• 1:04:25
  Speaker 3: in your movie, do it the way those Yeah.
• 1:04:27
  Speaker 2: No, I'm one hundred percent agreeing I don't need it ever,
• 1:04:29
  Speaker 2: but yeah, I if you're gonna do it, this is
• 1:04:31
  Speaker 2: the way I feel it needs to be done, because, uh,
• 1:04:34
  Speaker 2: just to because you know, it shows it all. Because
• 1:04:36
  Speaker 2: I can understand why. It shows how just fucked up
• 1:04:39
  Speaker 2: and sadistic these people are, and I get why it's
• 1:04:41
  Speaker 2: in there just to show how merciless they are.
• 1:04:44
  Speaker 3: Yep.
• 1:04:44
  Speaker 2: And you know, especially with all the brutality too, like
• 1:04:47
  Speaker 2: shot to the face, shot to the chest, cannibalistic. They're
• 1:04:50
  Speaker 2: just so wild and crazy and yeah, you're just like
• 1:04:55
  Speaker 2: my eyes, I need to bleach them now. This was
• 1:04:56
  Speaker 2: more than I bargained for, and yeah, that's what I
• 1:04:59
  Speaker 2: like him, as well as his use of just I'm
• 1:05:02
  Speaker 2: gonna show you everything. I'm not gonna I'm not gonna
• 1:05:03
  Speaker 2: cut away. And it's crazy how this movie even was
• 1:05:06
  Speaker 2: rated are to begin with, you know what I'm saying.
• 1:05:08
  Speaker 3: Like six things were different too.
• 1:05:10
  Speaker 2: I guess that's fair. We had all the saws that
• 1:05:12
  Speaker 2: somehow got through with our ratings, and I'm like.
• 1:05:15
  Speaker 3: They all got through after multiple I know.
• 1:05:17
  Speaker 2: But it's still crazy that they're even they're still that
• 1:05:19
  Speaker 2: gory because they're so bloody.
• 1:05:21
  Speaker 3: And most of them like that we said earlier, most
• 1:05:23
  Speaker 3: of the underratedness of this movie was that trailer scene.
• 1:05:27
  Speaker 2: Yeah it's the trailer scene, and then just extra like longer, longer, but.
• 1:05:31
  Speaker 3: The main, the main grid of the underrated it was,
• 1:05:36
  Speaker 3: and that's I think, why excuse me. It's just such
• 1:05:40
  Speaker 3: a I want to go powerful scene, but like the
• 1:05:43
  Speaker 3: impact that has anyone is over, it's powerful.
• 1:05:45
  Speaker 2: I would say it's it's it's a very very ship stressful,
• 1:05:50
  Speaker 2: you know, very very tense. And yeah, it's very it's
• 1:05:53
  Speaker 2: very like impactful.
• 1:05:54
  Speaker 3: I don't get stressed with a lot of movies, horror
• 1:05:57
  Speaker 3: movies or otherwise, but stressed.
• 1:06:00
  Speaker 2: Yeah, so do you have that right? So this whole
• 1:06:03
  Speaker 2: scene goes down and then and it's not and.
• 1:06:06
  Speaker 3: They don't drag the scene. It's it's looks like it's
• 1:06:08
  Speaker 3: pretty quick. Yeah, it's a real time event, like they
• 1:06:11
  Speaker 3: don't like, they don't drag it for movie purposes. It's
• 1:06:13
  Speaker 3: like if it happened for real, this is how it.
• 1:06:14
  Speaker 2: Would go down. Yeah. So the boys do scare off
• 1:06:18
  Speaker 2: the I'm I'm just calling them mutants at this point,
• 1:06:20
  Speaker 2: they run, Yeah, they run off into the hills. I
• 1:06:23
  Speaker 2: think before that though something because I do want to
• 1:06:27
  Speaker 2: say about Big Bob. It's just I gotta talk, Okay,
• 1:06:29
  Speaker 2: I left it out. Got to talk about it because
• 1:06:32
  Speaker 2: I think the boys come back and they're trying to fight.
• 1:06:35
  Speaker 2: They're trying to.
• 1:06:36
  Speaker 3: Well, the reason why Ethel's not in, the reason why
• 1:06:38
  Speaker 3: the only person in the trailer at the time is
• 1:06:42
  Speaker 3: is Beth and the baby is because of what's going
• 1:06:47
  Speaker 3: on with Big Bob and the tree, they all go,
• 1:06:50
  Speaker 3: but she has no idea. She has the headphones on,
• 1:06:51
  Speaker 3: she is, she has no idea what's going on where
• 1:06:53
  Speaker 3: the rest of the family goes to Big Bob. And
• 1:06:55
  Speaker 3: I left it out purposely because I didn't know if
• 1:06:57
  Speaker 3: you wanted to say, oh no, I I just so
• 1:06:59
  Speaker 3: you can take that one.
• 1:07:00
  Speaker 2: Yeah. So uh so, so how does that whole scene unfold? Then? Okay,
• 1:07:04
  Speaker 2: so so they're all sold like to get to the
• 1:07:06
  Speaker 2: Big Boy.
• 1:07:06
  Speaker 3: Okay, okay. So so when Bobby is talking to Doug
• 1:07:11
  Speaker 3: Doug in the truck about hey beast or whatever it's
• 1:07:14
  Speaker 3: at barking blah blah blah, DA's not back, and he's like, okay,
• 1:07:17
  Speaker 3: I'll get out of the truck. And as he gets
• 1:07:18
  Speaker 3: out of the truck to go help him, they do
• 1:07:20
  Speaker 3: this really cool like like edit type of thing to
• 1:07:24
  Speaker 3: where it goes to the tree just like burns on fire.
• 1:07:26
  Speaker 2: And no, because I because I remember they I thought
• 1:07:29
  Speaker 2: they I thought they saw Doug first. And then because
• 1:07:31
  Speaker 2: they they press a button or they like one of
• 1:07:33
  Speaker 2: the guys calls on the radio and says something and
• 1:07:35
  Speaker 2: then it goes yes, yeah, yeah. I just can't I
• 1:07:38
  Speaker 2: can't remember the little part that yeah.
• 1:07:40
  Speaker 3: So that's so one of the mutes or whatever says
• 1:07:42
  Speaker 3: something presses button and then they do this really cool
• 1:07:44
  Speaker 3: editing shot to where it like fast tracked like a
• 1:07:47
  Speaker 3: like a like some hero movie or whatever to a
• 1:07:49
  Speaker 3: tree just bursting on a fire and you see Big Bob.
• 1:07:52
  Speaker 2: And he goes down in a fit of glory. Yes.
• 1:07:56
  Speaker 3: So, so as that's happening, the family is like, oh no.
• 1:07:59
  Speaker 2: That's right. Then they rushed to the thing and.
• 1:08:03
  Speaker 3: The track.
• 1:08:03
  Speaker 2: That's right because then they then they start attacking Brenda.
• 1:08:06
  Speaker 2: Then everyone, you know, someone comes back. Okay. So then
• 1:08:10
  Speaker 2: after all of that, so at this point right now,
• 1:08:13
  Speaker 2: we have Brenda who's completely hysterical and that is completely
• 1:08:17
  Speaker 2: okay because you just went through some crazy shit. Ethel
• 1:08:20
  Speaker 2: is clinging to life because she's shot in the chest.
• 1:08:22
  Speaker 2: Doug is manic because all of what he is seeing.
• 1:08:26
  Speaker 2: Bobby wants blood at this point, and the baby is
• 1:08:29
  Speaker 2: with the mutants, and then of course Big Bob is dead.
• 1:08:32
  Speaker 2: So that's where we're at in this movie.
• 1:08:35
  Speaker 3: That's all that happens in the span of maybe ten minutes.
• 1:08:37
  Speaker 2: And it's really crazy because this there is actually a
• 1:08:39
  Speaker 2: tonal shift here, a big one, because it goes from
• 1:08:42
  Speaker 2: a family on vacation being attacked to them wanting to retaliate,
• 1:08:47
  Speaker 2: so it's literally a it turns into this revenge plot
• 1:08:50
  Speaker 2: of like, you fucked with my family, I'm coming, I'm
• 1:08:53
  Speaker 2: coming for you.
• 1:08:55
  Speaker 3: And this is where, like I said, I wasn't a
• 1:08:57
  Speaker 3: fan of Doug until this right now is.
• 1:09:00
  Speaker 2: You can go and he goes yeah, because he does
• 1:09:03
  Speaker 2: find one of the radios outside the trailer and stupidly
• 1:09:06
  Speaker 2: just curses at them because I'm like, I would maybe
• 1:09:09
  Speaker 2: keep that and wait for them to see. But he's
• 1:09:12
  Speaker 2: just like, give me back mind and give me back
• 1:09:14
  Speaker 2: my son or my kid, and which I probably did
• 1:09:17
  Speaker 2: the same thing, to be honest if my kid was missing,
• 1:09:19
  Speaker 2: but I would have tried to maybe hold out to
• 1:09:21
  Speaker 2: just try to get an angle on where they were.
• 1:09:23
  Speaker 2: So the mutants then respond with the crying baby and
• 1:09:26
  Speaker 2: then yeah, that's when Doug's like, fuck this. I'm like,
• 1:09:29
  Speaker 2: He's like, Bobby, how many rounds you got in that gun?
• 1:09:32
  Speaker 2: I'm taking these, and.
• 1:09:33
  Speaker 3: You know, Bobby says a clip in a half and yeah,
• 1:09:36
  Speaker 3: and that makes sense because the gun he's got is probably.
• 1:09:39
  Speaker 2: Maybe fourteen fifteen fourteen round.
• 1:09:41
  Speaker 3: And at the time that he says that he only
• 1:09:43
  Speaker 3: shot seven, so he's got half a clip and plus one.
• 1:09:45
  Speaker 2: And I'm like, bullets counted, thank you?
• 1:09:47
  Speaker 3: Like it's so small, but like things like this included
• 1:09:50
  Speaker 3: even horrores, because horrores don't give a shit.
• 1:09:52
  Speaker 2: Hey, anytime someone counts in any movie the bullets, I'm like, think,
• 1:09:56
  Speaker 2: are they they at least reload? Thank you? Thank you.
• 1:09:59
  Speaker 2: You can't. You can't shoot a revolver twenty seven times.
• 1:10:01
  Speaker 2: You just can't. You got four to six shots max.
• 1:10:04
  Speaker 2: Or five to six shots.
• 1:10:04
  Speaker 3: There's there's that rare one that's got. There's a rare
• 1:10:07
  Speaker 3: one that's got. I don't know if it still exists,
• 1:10:08
  Speaker 3: but there's.
• 1:10:09
  Speaker 2: That rare love of us got eight Oh really I
• 1:10:11
  Speaker 2: think it was, unless it was just for the movie.
• 1:10:14
  Speaker 2: You've got under ten shots. Let's just say that. So
• 1:10:17
  Speaker 2: I love when they do that. So yeah, Bobby takes
• 1:10:20
  Speaker 2: beasts and his gun and then he he just sets
• 1:10:23
  Speaker 2: off for these fuckers and he's like, I'm ready to
• 1:10:25
  Speaker 2: go beat some ass, and he fucking beats some mass.
• 1:10:28
  Speaker 2: So that's where we'll leave it, because I know sometimes
• 1:10:31
  Speaker 2: we'll do spoilers, sometimes not. You got to experience that
• 1:10:34
  Speaker 2: ending if you haven't. It is absolute insanity because there
• 1:10:38
  Speaker 2: is kind it's there's when he's going to find them.
• 1:10:40
  Speaker 2: There is a little bit of a lull, very very briefly,
• 1:10:43
  Speaker 2: just because all the craziness that happen. You're like, how
• 1:10:46
  Speaker 2: are they gonna Maybe not a lull, but I'm like,
• 1:10:48
  Speaker 2: how are they gonna top what just happened? That's where
• 1:10:50
  Speaker 2: my mind was like, that was the craziest shit I've
• 1:10:52
  Speaker 2: seen in a while. How are you gonna top that? Oh?
• 1:10:54
  Speaker 2: That's how that's okay? Heard fucking got it all right?
• 1:10:57
  Speaker 2: So yeah, they they amp it up even more from
• 1:11:00
  Speaker 2: the trailer scene in the like last you know, it's
• 1:11:03
  Speaker 2: still a different one is like totally different. It like
• 1:11:06
  Speaker 2: fuck yeah, let's go fucking full almost slasher vibes. It's insane.
• 1:11:10
  Speaker 3: Yeah, this movie, like you said, it takes a.
• 1:11:13
  Speaker 2: Toll on you. It takes a toll on you, and
• 1:11:15
  Speaker 2: it's it's it's it's it's just good. Honestly, it's fantastic.
• 1:11:19
  Speaker 2: I did not expect to like it as much as
• 1:11:20
  Speaker 2: I did, so believe it there you can watch the
• 1:11:24
  Speaker 2: rest and uh you see how you feel towards the end,
• 1:11:27
  Speaker 2: because it's, like I said, there's the payoff is just
• 1:11:29
  Speaker 2: so crazy and so worth it. So that is the
• 1:11:31
  Speaker 2: Hills have Ies from two thousand and six. Got a
• 1:11:33
  Speaker 2: couple of minutes left here, so let's do some trivia.
• 1:11:37
  Speaker 2: Oh what did you out before we did that? What'd
• 1:11:38
  Speaker 2: you give me?
• 1:11:39
  Speaker 1: Oh?
• 1:11:39
  Speaker 2: Ship? Yeah, sorry, I was. I gave it a four
• 1:11:41
  Speaker 2: out of five too. Okay, I figured I figured we
• 1:11:44
  Speaker 2: had the same rating. Oh yeah, it's got a uh
• 1:11:46
  Speaker 2: so here's a here's a cool thing. So the the
• 1:11:49
  Speaker 2: remake has a six four out of ten on IMDb
• 1:11:52
  Speaker 2: and at three point zero out of five on letter Bucks,
• 1:11:54
  Speaker 2: and then the original has a six three out of
• 1:11:57
  Speaker 2: ten on IMDb and three point one twitch. They're literally
• 1:12:01
  Speaker 2: just switched. It's so interesting. So it's they're very consistent
• 1:12:04
  Speaker 2: across the board from original and remake. So that's really cool.
• 1:12:09
  Speaker 2: So at around three minutes of the movie are three
• 1:12:12
  Speaker 2: minutes in, there's a really cool title sequence you get
• 1:12:14
  Speaker 2: where there's like explosions happening and mutated people popping up.
• 1:12:18
  Speaker 2: It's a very cool title sequence. But those those people
• 1:12:21
  Speaker 2: are not It's not atomic mutation. It is birth effects
• 1:12:24
  Speaker 2: caused by the agent Orange and Vietnam. So I thought
• 1:12:27
  Speaker 2: that was kind of interesting. And again this trivia is
• 1:12:29
  Speaker 2: from IMDb. No idea if this is real or not,
• 1:12:32
  Speaker 2: you know with IMDb. But it's just fun. It's just
• 1:12:34
  Speaker 2: fun to read trivia. The gas station set was built
• 1:12:38
  Speaker 2: on location in Morocco. It was so authentic that occasionally
• 1:12:41
  Speaker 2: someone not involved in the production what stops by gas?
• 1:12:45
  Speaker 2: I mean that makes sense. Wes Craven and producer Peter
• 1:12:49
  Speaker 2: Locke originally wanted the film to film the newer version
• 1:12:52
  Speaker 2: in the same exact desert as the location in nineteen
• 1:12:55
  Speaker 2: seventy seven, but when they went out to scout locations,
• 1:12:58
  Speaker 2: they found a number of condominium developments had been built,
• 1:13:02
  Speaker 2: So damn it that that would have been really cool cool. Yeah,
• 1:13:05
  Speaker 2: the original film was threatened with an X rating. Accordingly,
• 1:13:08
  Speaker 2: this film was also threatened with an NC seventeen rating.
• 1:13:11
  Speaker 2: About two minutes were cut to achieve the R rating,
• 1:13:13
  Speaker 2: so there is a two minute difference. Okay, it's two minutes.
• 1:13:16
  Speaker 2: And then here are some fun goofs. There was a
• 1:13:19
  Speaker 2: lot of like continuity stuff, which is like, oh, he
• 1:13:21
  Speaker 2: had a mark on his right arm, but now it's
• 1:13:23
  Speaker 2: on his left. I don't really are those are whatever?
• 1:13:25
  Speaker 2: But some stuff, some fun stuff. I did see at
• 1:13:28
  Speaker 2: around an hour and fifteen minutes, when Doug Sy's Catherine
• 1:13:31
  Speaker 2: lying on the bed in Big Mama's house in the village.
• 1:13:35
  Speaker 2: She begins to roll over and we can see a
• 1:13:36
  Speaker 2: hand reach up to stop her from rolling off the bed.
• 1:13:39
  Speaker 2: And I should have I should have read these before,
• 1:13:41
  Speaker 2: but I didn't because I wanted to. I want to
• 1:13:43
  Speaker 2: look for them because sometimes I'll read them before so
• 1:13:45
  Speaker 2: I can see them in the movie. At the beginning
• 1:13:48
  Speaker 2: of the movie, after the title sequence and during a
• 1:13:50
  Speaker 2: long crane shoot towards the gas station, the film crew
• 1:13:53
  Speaker 2: can be seen in the reflection. I see that on
• 1:13:56
  Speaker 2: the green cars windows that yeah, I did that one.
• 1:13:58
  Speaker 2: I did see that one. When Doug enters the house
• 1:14:01
  Speaker 2: and takes the baby big Mama, Big Mama is when
• 1:14:05
  Speaker 2: I said Big Mama's house, Big Mama is one of
• 1:14:08
  Speaker 2: the like mutants. It's not fun.
• 1:14:10
  Speaker 3: She's not a crazy woman.
• 1:14:11
  Speaker 2: She's that Martin Lauria in a fat suit. And the
• 1:14:15
  Speaker 2: village is like the little town. Just to clarify, because
• 1:14:17
  Speaker 2: after reading that, I was like, what the fuck? So
• 1:14:20
  Speaker 2: this is kind of just a really funny inconsistency because
• 1:14:23
  Speaker 2: when Doug comes in to find the baby, at the end,
• 1:14:26
  Speaker 2: Big Mama is watching divorce Court. The picture is like
• 1:14:28
  Speaker 2: crystal clear. So it's funny because there's no cable in
• 1:14:31
  Speaker 2: this area, and and a broadcast signal if it could
• 1:14:34
  Speaker 2: even be picked up, would like, you know, it would
• 1:14:36
  Speaker 2: be very poor quality due to the mountains, because the
• 1:14:38
  Speaker 2: mountains also blocks the family's radio transmissions. Yeah, so that
• 1:14:41
  Speaker 2: was just kind of a silly little thing that that
• 1:14:44
  Speaker 2: could not happen. You can't watch that no way. And
• 1:14:47
  Speaker 2: also it's funny. I think it's funny that she's she's
• 1:14:49
  Speaker 2: watching divorce Court of all things. So fucking random. But yeah,
• 1:14:54
  Speaker 2: I mean seriously, again, I knew I'd been enjoyed because
• 1:14:58
  Speaker 2: it's you know, it's aja, but I really didn't expect
• 1:15:00
  Speaker 2: to like it this much, even with how brutal it was,
• 1:15:03
  Speaker 2: because sometimes it's hard to rate a movie, you know,
• 1:15:06
  Speaker 2: like it good like that, because it can be just
• 1:15:08
  Speaker 2: so distressing.
• 1:15:09
  Speaker 3: It just felt so like I said, like it was
• 1:15:11
  Speaker 3: just so I wouldn't say like real, but I feel
• 1:15:14
  Speaker 3: like if this was a real situation, it would have
• 1:15:16
  Speaker 3: gone down.
• 1:15:16
  Speaker 2: It would have played out like this. Yeah, it's just
• 1:15:18
  Speaker 2: it just felt so like it felt real. It was
• 1:15:21
  Speaker 2: you know, it hits you right in the fucking guy.
• 1:15:23
  Speaker 2: This The cinematography and how they did it was good.
• 1:15:26
  Speaker 2: The movie holds up to because pretty much everything is
• 1:15:29
  Speaker 2: practical except for some of the faces of the kids
• 1:15:31
  Speaker 2: were CG.
• 1:15:32
  Speaker 3: Like some of the kids, which makes sense.
• 1:15:34
  Speaker 2: But that's pretty much the only thing that was CG.
• 1:15:36
  Speaker 2: So everything still holds up very well. There was one
• 1:15:40
  Speaker 2: shot though, that was very mid two thousands. It was
• 1:15:43
  Speaker 2: kind of the same thing with Bob when there was
• 1:15:45
  Speaker 2: one shot that kind of went through the desert or something,
• 1:15:47
  Speaker 2: or maybe it was the big Bob shot where it
• 1:15:49
  Speaker 2: kind of zoomed up to him. I was like, oh, man,
• 1:15:51
  Speaker 2: that's two thousand and six for sure, I have to
• 1:15:53
  Speaker 2: I have to watch it again and pointed out to you.
• 1:15:55
  Speaker 2: But there was one scene specifically where I was like,
• 1:15:57
  Speaker 2: that's yep, that's a mid two That is a mid
• 1:16:00
  Speaker 2: two thousand shot right there. Any final thoughts, closing words,
• 1:16:06
  Speaker 2: A fucking final answer.
• 1:16:07
  Speaker 3: Final answer to what you didn't ask a question, that's true.
• 1:16:11
  Speaker 2: I was gonna say, I was like, final answer question anyways.
• 1:16:14
  Speaker 2: So yes, still have no idea. I haven't been planning
• 1:16:18
  Speaker 2: episodes at this point because I don't know. I don't
• 1:16:20
  Speaker 2: know how to go about picking movies. I don't know
• 1:16:22
  Speaker 2: if we just I would just pick random ones, or
• 1:16:24
  Speaker 2: if I if I go down the list I had
• 1:16:27
  Speaker 2: of planned episodes, I don't know.
• 1:16:28
  Speaker 3: So are you now it's now officially you just we're
• 1:16:31
  Speaker 3: doing one movie.
• 1:16:32
  Speaker 2: I mean, yeah, this is the third list is I've
• 1:16:33
  Speaker 2: done one with Corey, Gabby and you, and we're hitting
• 1:16:36
  Speaker 2: the same time we have been. Of course we are
• 1:16:38
  Speaker 2: know what I'm saying, Like like the time when we
• 1:16:40
  Speaker 2: were doing two because I was worried that we wouldn't
• 1:16:42
  Speaker 2: be hitting time. But we're hitting time. So I'm just
• 1:16:45
  Speaker 2: gonna roll with one for as long as I have.
• 1:16:47
  Speaker 3: A couple ideas well. We could talk about it after the pod.
• 1:16:49
  Speaker 2: Yeah, so no idea what we're doing next week. It'll
• 1:16:51
  Speaker 2: be one movie. It'll be fun. I'm sure it'll be,
• 1:16:53
  Speaker 2: you know, something like we've been doing kind of bigger,
• 1:16:56
  Speaker 2: like just bigger movies that have a lot of information
• 1:16:58
  Speaker 2: about them, because some of these smaller B movies if
• 1:17:01
  Speaker 2: there's not a lot of info to discuss beforehand. Yeah,
• 1:17:04
  Speaker 2: we might have to do like a double feature, but
• 1:17:06
  Speaker 2: I mean, I guess tune in next week. Follow us
• 1:17:08
  Speaker 2: on Facebook at fright Maars and Instagram at fright Maar's podcast,
• 1:17:11
  Speaker 2: as well as Slasher app. We have Twitter at fright
• 1:17:15
  Speaker 2: under Underscore pod. Stay spooky at outlook dot com is
• 1:17:19
  Speaker 2: our email. I'm doctor Proctor on letterbox. You are Slaferman,
• 1:17:24
  Speaker 2: the best fucking user name ever. So awesome again, guys. Uh,
• 1:17:29
  Speaker 2: We'll be back next week, so until then, stay tuned.
• 1:17:31
  Speaker 3: And stay spooky.
• 1:17:34
  Speaker 2: I like the Vibrado. Bye, guys,