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The Way Home S4E2 · Girls Gone Hallmark | Hallmark Movie Reviews

• 0:11
  Speaker 1: Welcome to Girls Gone Hallmark, a Hallmark review podcast. I'm
• 0:13
  Speaker 1: Megan and I'm a longtime Hallmark fan. I'm Wendy. I'm
• 0:16
  Speaker 1: a former Hallmark hater. On today's episode, we are discussing
• 0:20
  Speaker 1: The Way Home Season four, episode two, which originally aired
• 0:25
  Speaker 1: on the Hallmark Channel on Sunday, April twenty sixth, and
• 0:28
  Speaker 1: is currently available to stream on Hallmark Plus. One of
• 0:32
  Speaker 1: our favorite parts about making these episodes of the Way
• 0:34
  Speaker 1: Home are our listener mailbag episodes that we get to
• 0:37
  Speaker 1: make following the episodes, and those are only possible because
• 0:40
  Speaker 1: of listeners like you can you tell? I've been watching
• 0:43
  Speaker 1: a lot of PBS with my listeners like you tagline
• 0:47
  Speaker 1: yeah I can btw. I was watching something the other
• 0:52
  Speaker 1: day and Alan Coming came on at the end to
• 0:55
  Speaker 1: promote he was doing the PBS push. I was like, Alan,
• 0:59
  Speaker 1: may do, I don't know who that is? Yes, you
• 1:02
  Speaker 1: do the Traders that's his name. I'm sure, yes, Oh
• 1:05
  Speaker 1: you're right, Okay, what are you doing here? He's an hector,
• 1:09
  Speaker 1: I know, I'm aware. I just don't see him outside
• 1:12
  Speaker 1: of his Scotland habitat much these days. Was he all
• 1:15
  Speaker 1: like Traders up? You know what? I mean like, uh,
• 1:18
  Speaker 1: he was not. No, oh he looks nice. To participate
• 1:21
  Speaker 1: in a listener mailbag episode, email us your thoughts, your theories,
• 1:24
  Speaker 1: your questions to Hello at Girls Gonehllmark dot com, or
• 1:28
  Speaker 1: leave us a voicemail nine four nine three two nine
• 1:31
  Speaker 1: eight zero nine zero with your thoughts on these episodes.
• 1:35
  Speaker 1: Let's kick off our discussion of Blinded by the Light
• 1:39
  Speaker 1: episode two with a synopsis. When Kat finds herself in
• 1:43
  Speaker 1: a new era of port Haven history, new mysteries unfold. Meanwhile,
• 1:48
  Speaker 1: Alice revisits a familiar time and Dell tries to help Elliott.
• 1:53
  Speaker 1: Bianca Melchior plays young fer and Landry. Beyonca's previous work
• 1:56
  Speaker 1: includes a Very Jonas Christmas movie and Shmigadoon, but mosts
• 2:00
  Speaker 1: as a dancer. This is just her fifteenth acting credit.
• 2:03
  Speaker 1: Dan Janett joins as Cliff, the Temperance Inspector. We all
• 2:07
  Speaker 1: know Dan from his other Hallmark roles, including the recent
• 2:10
  Speaker 1: to a royal setting opposite Jen Lilly. Gabriel Hogan aka
• 2:14
  Speaker 1: Norman from the Hannah Swinson franchise joins the cast as
• 2:17
  Speaker 1: Grayson Goodwin. Let's jump right into this episode with the
• 2:22
  Speaker 1: first impression. My first impression is Cat in nineteen twenty
• 2:27
  Speaker 1: five is giving Betty Boop and I cannot unsee it.
• 2:31
  Speaker 1: The lipstick and the eyebrows, oh, hair style, everything, And
• 2:36
  Speaker 1: in fact, I had to google and Betty Boop. You know,
• 2:39
  Speaker 1: please Betty Boop historians don't come for me. It was
• 2:42
  Speaker 1: a quick google last night while I was watching this.
• 2:46
  Speaker 1: Betty Boop wasn't popular until like nineteen thirty five, So
• 2:51
  Speaker 1: maybe Cat inspired. Maybe maybe my first impression is Wendy.
• 3:00
  Speaker 1: I dare you to come for Elliott after this episode?
• 3:03
  Speaker 1: Oh interesting, I have a lot of thoughts about that.
• 3:07
  Speaker 1: Can we talk about Elliott for a second? And my
• 3:09
  Speaker 1: thoughts on Elliott? Sure? You know I think I feel
• 3:14
  Speaker 1: a little bit bad about my hot takes on him
• 3:16
  Speaker 1: last week. You know, I was clowning on him a
• 3:19
  Speaker 1: little bit, and it's been sitting with me all week long,
• 3:23
  Speaker 1: plus Francisco's email. I am not a cold hearted woman, No,
• 3:29
  Speaker 1: I have empathy for this character. And I can see
• 3:33
  Speaker 1: someone who who's maybe parent hasn't been around their entire life,
• 3:38
  Speaker 1: can feel abandoned and still torn up about it as
• 3:42
  Speaker 1: an adult. So that's all I gonna say. I'm just
• 3:44
  Speaker 1: you know, I poke fun at these things because it's
• 3:46
  Speaker 1: my job. But also, you know, I like Elliott. I
• 3:49
  Speaker 1: like Elliott and I feel for him, so well, we're
• 3:53
  Speaker 1: going to run down the main plot points in this episode.
• 3:57
  Speaker 1: I feel like last episode was a fire hose of information,
• 4:01
  Speaker 1: and I know that other viewers felt the same way.
• 4:04
  Speaker 1: They felt a little bit lost and confused in what's
• 4:06
  Speaker 1: going on? And this is too much to take in.
• 4:08
  Speaker 1: Did you feel like the pace eased up a little
• 4:12
  Speaker 1: bit in this episode? No, not so interesting. I this
• 4:16
  Speaker 1: episode felt packed to me, it worked, truthfully. I watched
• 4:21
  Speaker 1: the episode twice. I watched it one one time for enjoyment,
• 4:24
  Speaker 1: and then I watch it a second time to write
• 4:27
  Speaker 1: all the notes down, and I just thought it was
• 4:30
  Speaker 1: just jam packed, but also not a ton happened. Yes,
• 4:35
  Speaker 1: it's a lot of setup, yeah exactly. But I some
• 4:41
  Speaker 1: things that stood out to me is I thought the
• 4:44
  Speaker 1: structure of the episode did something really interesting, the mirroring
• 4:49
  Speaker 1: of like nineteen twenty five, in nineteen seventy six, same
• 4:52
  Speaker 1: kind of things reoccur. Right, Yeah, I thought it was
• 4:57
  Speaker 1: very packed though still, and maybe that's because I was
• 5:00
  Speaker 1: like taking notes, like you should see my notes. Oh yes,
• 5:05
  Speaker 1: I know, it's I have to scroll and scroll and
• 5:07
  Speaker 1: scroll as the online yes only kid. I mean a
• 5:10
  Speaker 1: forty five minute episode took me I think two hours
• 5:13
  Speaker 1: to watch as I was like, Pops, yeah this down, pause,
• 5:15
  Speaker 1: write this down. So yeah, same, And I think the
• 5:18
  Speaker 1: parallel structure as a viewer is really nice, but in
• 5:21
  Speaker 1: trying to parse all the details, it does cause you
• 5:24
  Speaker 1: it does take some time. Yeah, what are your overall thoughts?
• 5:28
  Speaker 1: You know, I felt like we focus a little bit more.
• 5:32
  Speaker 1: I agree with you that we don't get a lot
• 5:33
  Speaker 1: of answers. We're still in a setup phase. We're setting
• 5:36
  Speaker 1: up nineteen twenty five, We're setting up nineteen seventy six.
• 5:39
  Speaker 1: Both Kat and Alice are on a little bit of
• 5:42
  Speaker 1: a separate quest. We are moving towards some closure about
• 5:47
  Speaker 1: some secrets Dell has been keeping, but we don't quite
• 5:51
  Speaker 1: get there. But I felt like we're focused on three
• 5:56
  Speaker 1: main storylines here and as opposed to trying to tackle
• 6:01
  Speaker 1: every single thing and episode one. So this series has
• 6:06
  Speaker 1: always been, especially in the later seasons, kind of jam
• 6:10
  Speaker 1: packed with information as we're trying to unravel these mysteries.
• 6:14
  Speaker 1: But I thought this was a little bit easier to
• 6:17
  Speaker 1: take than Episode one. Should we start with the Dell
• 6:21
  Speaker 1: and Elliott of it all. Yeah. Please, Also, I want
• 6:25
  Speaker 1: to I want for you to explain to me and
• 6:28
  Speaker 1: the listeners why you dare me to come for Elliott
• 6:30
  Speaker 1: in this episode. I'm curious what your take is. Okay, Well,
• 6:34
  Speaker 1: that will reveal itself as we discuss. I think my
• 6:37
  Speaker 1: notes say, Dell and Elliott becoming family is how I've
• 6:41
  Speaker 1: titled this particular segment. Dell. In my opinion, we are
• 6:46
  Speaker 1: finally seeing a lot of growth from her, finally in
• 6:51
  Speaker 1: season four. I mean, they just made her stuck in
• 6:55
  Speaker 1: grief and bitterness for so long that I feel like
• 7:01
  Speaker 1: it is nice to see her moving forward. Do you agree? Oh? Good,
• 7:07
  Speaker 1: I do agree. Yeah, there is a definite change in
• 7:10
  Speaker 1: direction with her in terms of softening, and you're right,
• 7:15
  Speaker 1: like somewhere along the line and maybe with the time
• 7:20
  Speaker 1: what she learned in the time traveling last season kind
• 7:23
  Speaker 1: of close, you know, closing that door for her, and
• 7:27
  Speaker 1: she is able to operate in kind of a I
• 7:31
  Speaker 1: don't I don't want to continue to call her soft,
• 7:33
  Speaker 1: but like she's operating from like a different point of
• 7:35
  Speaker 1: view now. Yeah, she's warmer, she's more open. Elliott is
• 7:41
  Speaker 1: processing the fact that his mom left him behind, and
• 7:44
  Speaker 1: while we have the understanding that it all turns out okay,
• 7:48
  Speaker 1: obviously someone finds him on the banks of the pond.
• 7:51
  Speaker 1: Because he's here now, he's still very much in the moment.
• 7:54
  Speaker 1: He can't really let go of my mom abandoned me,
• 7:56
  Speaker 1: and he and Delle being left behind by Kat and Alice.
• 8:00
  Speaker 1: In this episode, it gives Dell a chance to step
• 8:04
  Speaker 1: into that maternal role for him and fills a hole,
• 8:10
  Speaker 1: and a lot of things that I think had previously
• 8:13
  Speaker 1: been unsaid are said by Dell in this episode. She
• 8:20
  Speaker 1: tells him they are in the barn, and she tells him,
• 8:22
  Speaker 1: you know, Colton built this for you, and he tells
• 8:26
  Speaker 1: her about his five more minutes that he had with Colton,
• 8:30
  Speaker 1: and we get Jefferson Brown back in this episode. I
• 8:33
  Speaker 1: really loved. I think my favorite scene is when Dell
• 8:37
  Speaker 1: in the bar says to Elliott, when you were left
• 8:40
  Speaker 1: on our doorstep, I wanted to be your mom. I
• 8:43
  Speaker 1: wanted to keep you. I didn't want to have to
• 8:45
  Speaker 1: send you back to VIC. But you've always been an
• 8:48
  Speaker 1: honorary landry. I've always wanted to be your mom. I
• 8:50
  Speaker 1: feel like I'm your mom now. I thought it was
• 8:52
  Speaker 1: a nice and touching moment and warmth that we haven't
• 8:55
  Speaker 1: gotten to see from Dell in three seasons previously. Well,
• 9:00
  Speaker 1: and she definitely sees Elliott's needs, yes, in this episode, right,
• 9:04
  Speaker 1: Like she can tell that he's struggling several times through
• 9:08
  Speaker 1: the episode and she tells him what he needs to hear.
• 9:12
  Speaker 1: Not that I don't think it's disingenuous. I think she
• 9:15
  Speaker 1: does believe, like you know, I'm meant to be your
• 9:17
  Speaker 1: not I'm meant to be your mom, but like I
• 9:19
  Speaker 1: wanted to be your mom, I am your honorary mom
• 9:22
  Speaker 1: now whatever. But I couldn't help but think through this,
• 9:24
  Speaker 1: Like I'm trying to piece the timeline together in my head.
• 9:28
  Speaker 1: Colton was always there for Elliott, right, and then Colton's
• 9:33
  Speaker 1: death comes. I have to assume that Dell kind of
• 9:36
  Speaker 1: was always there for Elliott too prior to Colton's death. Now,
• 9:39
  Speaker 1: is there a period of time after Colton's death that
• 9:42
  Speaker 1: she was so stuck in the grief muck that she
• 9:45
  Speaker 1: couldn't continue to be there as an honorary mom to Elliott? Like,
• 9:49
  Speaker 1: is that the area that she's struggling with that she
• 9:52
  Speaker 1: couldn't help him? Because she did the Landrys helped him
• 9:55
  Speaker 1: throughout his young adult life. So I'm a little bit
• 9:59
  Speaker 1: conf fused on like if she's giving herself a hard
• 10:02
  Speaker 1: time of like not being there for him earlier. Well,
• 10:06
  Speaker 1: I think that's a really good question that you pose,
• 10:08
  Speaker 1: because she wasn't there for Cat, so it's hard to
• 10:10
  Speaker 1: believe that she could have been coming through for Elliot
• 10:12
  Speaker 1: in any sort of significant way during that time. Very true. Yes,
• 10:16
  Speaker 1: So maybe she does have regrets about the way she
• 10:20
  Speaker 1: handled it, And I think she does need to give
• 10:23
  Speaker 1: herself grace because her son disappeared and her husband died,
• 10:26
  Speaker 1: and while I don't think she was a good parent
• 10:29
  Speaker 1: to Cat, I think also expecting her Well, this is
• 10:32
  Speaker 1: a hot take. I think it's maybe okay that she
• 10:34
  Speaker 1: dropped the ball on her surrogate parenting to Elliot in
• 10:37
  Speaker 1: that time she was not really holding it together. But
• 10:41
  Speaker 1: she probably does regret that. Gosh, you know what you
• 10:45
  Speaker 1: mentioned that Jacob went missing. I completely forgotten. Forgot that
• 10:50
  Speaker 1: was the catalyst of Okay, wow, Yeah, I think she
• 10:56
  Speaker 1: should give herself some grace. Yeah time, Yes, I agree.
• 11:01
  Speaker 1: But I really love those scenes between she and Elliott
• 11:04
  Speaker 1: in this episode, especially at the bar. There's a lot
• 11:08
  Speaker 1: of like fun little nods, you know, when the bar
• 11:11
  Speaker 1: he mentions Jake being in Toronto and Elliot's like, let's
• 11:16
  Speaker 1: get another glass of wine or make it a bottle.
• 11:18
  Speaker 1: It just it's really funny. I thought, funny. Yeah, but
• 11:21
  Speaker 1: I think that's kind of like the biggest reveal here,
• 11:24
  Speaker 1: like when she knew he was in Toronto. But she's
• 11:28
  Speaker 1: flustered a little bit by the fact that the bartender
• 11:31
  Speaker 1: knows more about Jacob's whereabouts than she does and what
• 11:34
  Speaker 1: he's doing. Yeah, because I think Kat knows more about
• 11:37
  Speaker 1: Jacob's whereabouts as well. I mean there have been communicating
• 11:40
  Speaker 1: via text. Oh that's true. Do you think Kat knows
• 11:43
  Speaker 1: the job she's doing he's doing? Maybe? But Dell might
• 11:47
  Speaker 1: be Dell might be a little pissed that Jake hasn't
• 11:50
  Speaker 1: been in contact with her, you know, under the guise
• 11:54
  Speaker 1: of I'm trying to protect the family. Yeah. I keep
• 11:57
  Speaker 1: going back to your first episode commentary, is Beesser Mchersen
• 12:00
  Speaker 1: busy because it just seems so odd to have him
• 12:05
  Speaker 1: existing off camera. The whole first two seasons were about
• 12:10
  Speaker 1: getting him back, and to have him back and then
• 12:13
  Speaker 1: sending him away. It's odd to me it's a odd choice. Yeah,
• 12:17
  Speaker 1: I wonder too, like we didn't see him at all
• 12:19
  Speaker 1: in this episode. No, yeah, I don't like it. I mean,
• 12:22
  Speaker 1: the show is about family, I feel like I mean,
• 12:25
  Speaker 1: in Jacob right, it's his story. Yeah. Off, we're chasing
• 12:30
  Speaker 1: down this Tessa storyline, which some people have issue with.
• 12:33
  Speaker 1: I find it interesting. Some people are like, oh, we've
• 12:36
  Speaker 1: taken a total left turn. Look, I find it interesting.
• 12:38
  Speaker 1: I am interested in the way this is going. That
• 12:40
  Speaker 1: universe has to expand a little bit, but I don't
• 12:43
  Speaker 1: want it to expand at the expense of some of
• 12:46
  Speaker 1: our main characters, particularly a character who was a driving
• 12:51
  Speaker 1: force of the plot of so much of this show.
• 12:54
  Speaker 1: I agree. Do you want to talk Alice's time travel
• 12:57
  Speaker 1: or Cat's first, Let's start with Kat. So Kat emerges
• 13:01
  Speaker 1: in nineteen twenty five with young Fern. There's a lot,
• 13:05
  Speaker 1: as you mentioned, there's a lot of parallel structure between
• 13:07
  Speaker 1: these two events, and I think that's I think it's fun.
• 13:11
  Speaker 1: I think it's well done. I don't think it's overdone.
• 13:14
  Speaker 1: What makes you think that it could be seen as overdone? Well,
• 13:18
  Speaker 1: I think there's a lot, a lot of scenes that
• 13:20
  Speaker 1: mirror each other the way they come out of the pond,
• 13:22
  Speaker 1: the conversations that they have when they're walking down the street,
• 13:25
  Speaker 1: these reveals at the end, maybe someone would say, like
• 13:29
  Speaker 1: that's too much. I didn't think it was too much.
• 13:30
  Speaker 1: I liked it. I left it as someone who's like
• 13:35
  Speaker 1: a planner and like, yeah, you know, like, oh god,
• 13:39
  Speaker 1: I would have loved to been in like the writer's
• 13:41
  Speaker 1: room and then like figuring it out, Like how cool
• 13:45
  Speaker 1: that would be. You know, I don't even know if
• 13:47
  Speaker 1: that happens in the writer's room. I don't know who
• 13:49
  Speaker 1: makes it in terms of like let's film it this
• 13:53
  Speaker 1: way and tell it this way. Like I thought it
• 13:56
  Speaker 1: was very cool. Yeah, I mean I think it's both
• 13:58
  Speaker 1: the writing and a directing choice, right, Like the writers
• 14:00
  Speaker 1: write the scenes and then the director's are like, well,
• 14:02
  Speaker 1: how can we make this, you know, have that visual effect.
• 14:05
  Speaker 1: But I agree with you. I like thinking about the
• 14:07
  Speaker 1: behind the scenes of it. I'm watching on I'm thinking, oh,
• 14:10
  Speaker 1: there are a lot of thought went into making this happen
• 14:12
  Speaker 1: back to back. Yeah, I just thought it was cool.
• 14:15
  Speaker 1: I thought it was really cool. I got to tell you,
• 14:17
  Speaker 1: I am infatuated with young Fern. She's so fun, She's
• 14:24
  Speaker 1: just infectious. Yeah, I just good, love it all her
• 14:28
  Speaker 1: vibes and her attitude about life, and she's a real mystery.
• 14:36
  Speaker 1: I feel like as well. I was really worried about
• 14:40
  Speaker 1: this like nineteen twenties era that we were going to
• 14:43
  Speaker 1: be visiting, just because I feel like everybody does it,
• 14:46
  Speaker 1: you know, I know they did it and when calls
• 14:48
  Speaker 1: the heart, not that I watched the show, but I
• 14:50
  Speaker 1: know that they're in that. They didn't revisit it. They
• 14:52
  Speaker 1: are there in that era at some point. You know,
• 14:56
  Speaker 1: every Bravo franchise has like a nineteen twenties part, you
• 15:00
  Speaker 1: know what I mean. Like it's always just been like, Okay,
• 15:03
  Speaker 1: it's visually distinct, though I think that's maybe the appeal. Yeah,
• 15:09
  Speaker 1: and it has a party vibe mm hmmmm. But I
• 15:13
  Speaker 1: enjoyed it. I enjoyed it too, and this isn't an era.
• 15:16
  Speaker 1: The idea of prohibition is so interesting to me, so
• 15:21
  Speaker 1: bizarre to me, right, Yeah, it's just these pockets of
• 15:25
  Speaker 1: history that I think, what a wild thought that they were, like, well,
• 15:28
  Speaker 1: this is our biggest issue right now. We're gonna ban
• 15:31
  Speaker 1: the use of alcohol, and we're gonna have people whose
• 15:34
  Speaker 1: jaha bit is to enforce such a thing, and then
• 15:36
  Speaker 1: it launches all this side industry with bootleggers. I thought
• 15:40
  Speaker 1: that was very interesting for Fern. I like the reveal
• 15:43
  Speaker 1: that she works at the Herald and that connects her
• 15:45
  Speaker 1: to Cat, but she's so different. She writes the society
• 15:49
  Speaker 1: column and she likes finding the salicious things, and she's
• 15:53
  Speaker 1: trying to break free of her family connection. So she's
• 15:56
  Speaker 1: living on a bed in the periled office and she's
• 15:58
  Speaker 1: charmed the editor into allowing her to do that. It's
• 16:00
  Speaker 1: just I love all of it. Yeah, it's interesting for
• 16:04
  Speaker 1: her to be like ough, that old landry farm like
• 16:06
  Speaker 1: doesn't want anything. Yeah, she just wants to be a
• 16:10
  Speaker 1: modern day lady. And she's like, I'm gonna run it out. Yeah,
• 16:15
  Speaker 1: I enjoy it. Can I ask you, I'm curious your
• 16:20
  Speaker 1: take on casting Dan Jannott as Cliff and Gabriel Hogan
• 16:28
  Speaker 1: as Grayson Goodwin. How do you do you have thoughts
• 16:32
  Speaker 1: on it? Well, honestly, I kind of think I like
• 16:35
  Speaker 1: them both. I think I like Gabriel Hogan maybe a
• 16:38
  Speaker 1: little bit more to me. He slipped right into that
• 16:42
  Speaker 1: smooth nineteen twenties businessman. He kind of has that look.
• 16:47
  Speaker 1: And I have a theory about Grayson Goodwin. Ooh, I'm
• 16:51
  Speaker 1: drawn to Grayson Goodwin as Sam more than Griffin as Sam.
• 16:56
  Speaker 1: These days, Sam, I'm drawn to Grayson Goodwin and being
• 17:01
  Speaker 1: Sam Griffin, not Griffin. Sam. What are you talking about
• 17:05
  Speaker 1: Sam Dell's Sam. I don't think he's Griffin. I think
• 17:08
  Speaker 1: he's Grace and Goodwin. You do. I don't know what
• 17:13
  Speaker 1: I'm talking about, but that's the vibe I got. I
• 17:15
  Speaker 1: watched this episode and then I was sitting here thinking
• 17:18
  Speaker 1: on my notes, and I'm picturing Grace and Goodwin and
• 17:22
  Speaker 1: we still haven't seen Griffin even at the end of
• 17:24
  Speaker 1: this episode, but there's something about him. So you think
• 17:29
  Speaker 1: Gabriel Hogan as Grayson Goodwin is playing a younger version
• 17:34
  Speaker 1: of Sam. Look at the two of them next to
• 17:37
  Speaker 1: each other. Could you buy it? I could buy it, Yes,
• 17:40
  Speaker 1: but I could buy anything. Anybody tells I know. I know,
• 17:43
  Speaker 1: and it's maybe not fair to me to say, like, oh,
• 17:46
  Speaker 1: the actors look similar, so maybe that's the direction they're going.
• 17:49
  Speaker 1: But again, like you said, I could buy anything, I
• 17:52
  Speaker 1: will be drawn in multiple different directions. But part of
• 17:54
  Speaker 1: me thinks, is it possible that Sam is Grace and
• 17:57
  Speaker 1: Goodwin a character that we're just now meeting it because
• 17:59
  Speaker 1: Sam has obviously had some secrets this entire time, or
• 18:04
  Speaker 1: have I gone too far? Doesn't need to be a
• 18:06
  Speaker 1: character that we knew the existence of since we've known
• 18:08
  Speaker 1: of Sam. I don't know. Yeah, I don't know. Wow.
• 18:11
  Speaker 1: I mean anything as possible, anything as possible. Let me
• 18:15
  Speaker 1: back it up here for a second. I was, I
• 18:18
  Speaker 1: think a little bit disappointed when I heard that Dan
• 18:20
  Speaker 1: Jedenot and Gabriel Hogan we're going to be put in
• 18:22
  Speaker 1: the show, because I was like, these are regular Hallmark players.
• 18:25
  Speaker 1: I don't want them in the Way Home, which is
• 18:28
  Speaker 1: like a feels like it operates outside in a universe
• 18:31
  Speaker 1: outside of Hallmark. Agree, you know, but I eat all
• 18:34
  Speaker 1: those words. I liked them both as Cliff and Grayson respectively.
• 18:40
  Speaker 1: I thought, you know, if you recall a recent episode
• 18:44
  Speaker 1: of our review with the movie that Dan Jennott was in,
• 18:47
  Speaker 1: I was like, is he actually British or not? Like
• 18:49
  Speaker 1: I couldn't remember because he plays so many like characters
• 18:53
  Speaker 1: with their accent, and so to hear him like talk
• 18:57
  Speaker 1: like pinstck like with an American accent, I was like, oh, okay, okay, anyway,
• 19:02
  Speaker 1: I thought Cliff and Fern's chemistry was a bananas, like,
• 19:08
  Speaker 1: these two are really circling each other, like in such
• 19:12
  Speaker 1: a fun, playful way that I liked a lot to watch.
• 19:16
  Speaker 1: And then Grayson Goodwin is very intriguing as well. I feel,
• 19:21
  Speaker 1: I mean, you do love a bad boy. I do
• 19:23
  Speaker 1: love a bad boy, So you know, I'm like, what
• 19:26
  Speaker 1: is she doing? I you know, she accepts his proposal,
• 19:30
  Speaker 1: Grayson's proposal right which did you notice they put the
• 19:34
  Speaker 1: ring on her right hand? I didn't. Yeah, I thought,
• 19:37
  Speaker 1: you know, sometimes when the film flips around, it like
• 19:39
  Speaker 1: looks like it's on the wrong hand, but I noticed
• 19:42
  Speaker 1: it twice she was wearing the ring on her right hand. Anyway,
• 19:45
  Speaker 1: I was like, are they setting this up as like
• 19:46
  Speaker 1: some sort of triangle situation? I think one percent They're
• 19:51
  Speaker 1: setting it up as a love triangle, and I think
• 19:53
  Speaker 1: it's very interesting and I think it poses a lot
• 19:56
  Speaker 1: of questions about the connections between the Goodwines and the Landrys.
• 20:00
  Speaker 1: And Kat comes home, she's like, am I part Goodwin?
• 20:02
  Speaker 1: And she's spinning out about this, and Fern is not
• 20:05
  Speaker 1: so far removed from the family history that Dell shouldn't
• 20:10
  Speaker 1: have had that information. In my opinion, yes, but to
• 20:14
  Speaker 1: hear Dale say, all I know about Fern is that
• 20:16
  Speaker 1: she married this sailor who And yes, that's the story.
• 20:23
  Speaker 1: That's the plot of the movie she was going to
• 20:25
  Speaker 1: be in. So like, where is the misinformation at? Yeah?
• 20:29
  Speaker 1: Is that the story she told her family to cover
• 20:32
  Speaker 1: up for whatever relationship she didn't want people to know about. Yes,
• 20:36
  Speaker 1: I see, and this is what I'm like, How is
• 20:38
  Speaker 1: this going to end in a season? How is this
• 20:40
  Speaker 1: all going to wrap up at by the end of
• 20:41
  Speaker 1: the season? Again, I do not know. During this era,
• 20:44
  Speaker 1: we also meet some of the Augustine boys, Hm, rats,
• 20:51
  Speaker 1: Ratty have the rattus or something like that. Anyway, they're
• 20:53
  Speaker 1: not good. So we've established that Augustine line is not great,
• 20:59
  Speaker 1: a little bit wrong. The badness didn't begin with vic No,
• 21:03
  Speaker 1: which is so sad because Suzanne was such a bad ass.
• 21:07
  Speaker 1: And then it yeah, where does that Sam? Where does
• 21:09
  Speaker 1: that come in? Yeah? For me? The button of this
• 21:12
  Speaker 1: segment is as Cat's about to jump when she arrives,
• 21:16
  Speaker 1: she had said, do you know Tessa Augustine? That name
• 21:19
  Speaker 1: is not familiar to Fern. But when she says, oh,
• 21:22
  Speaker 1: maybe she's going by Tessa Cooper, Yeah, Fern's face changes
• 21:26
  Speaker 1: a little bit, and after Cat jumps, she looks very
• 21:29
  Speaker 1: troubled by that information. Mm hmm exactly, So we may
• 21:33
  Speaker 1: have hit upon something right. Oh and we didn't mention
• 21:37
  Speaker 1: when Cat comes out of the water and not immediately,
• 21:41
  Speaker 1: but it's when they walk and they get to the
• 21:43
  Speaker 1: Landry farm and Fern says something like, oh, but you're
• 21:45
  Speaker 1: not the one though, because you're a girl. Did you
• 21:49
  Speaker 1: catch that? I'm not sure that I did. Fern says
• 21:52
  Speaker 1: under her breath she doesn't believe Cat is the one though,
• 21:54
  Speaker 1: being a girl after all, but she says it like
• 21:57
  Speaker 1: under her breath, like as she's the one, and we
• 22:01
  Speaker 1: there is all this question of like who is the one?
• 22:05
  Speaker 1: And how does Fern know? I mean, this just must
• 22:07
  Speaker 1: be lore, that family lore, right, something about the one?
• 22:12
  Speaker 1: I don't know. Let's jump to nineteen seventy six and
• 22:22
  Speaker 1: talk about Alice's jump, Pulton, Evelyn and the terrible Ash.
• 22:26
  Speaker 1: My notes say, Ash is super douchey, the worst, Oh
• 22:32
  Speaker 1: my gosh, in the most hippious kind of way, giving
• 22:36
  Speaker 1: Timothy Schalome bobo Timothy Shallome one hundred percent. When I
• 22:41
  Speaker 1: was like, I looked at him and I was like, oh,
• 22:42
  Speaker 1: this guy thinks he's Timothy's Chalomey. Yeah, one hundred percent. Yeah,
• 22:46
  Speaker 1: we don't see a lot of old Ern. She emerges
• 22:49
  Speaker 1: from the pond, she runs into Fern. Fern's like, I
• 22:51
  Speaker 1: don't know what you're doing here, but doesn't have anything
• 22:53
  Speaker 1: to do with me. You'll figure it out soon enough.
• 22:54
  Speaker 1: I'm gonna take a nap. I kind of like it
• 22:56
  Speaker 1: because I really wanted to see our nineteen seventies crew. Yeah,
• 22:59
  Speaker 1: I love it. I mean, Evelyn shows up in a
• 23:01
  Speaker 1: red convertible. I'm like, she's back. She looks so good,
• 23:05
  Speaker 1: she's so fun. I just adore Evelyn so much, and
• 23:09
  Speaker 1: she's apparently married to the worst dude ever. But I
• 23:14
  Speaker 1: could see Evelyn falling for this kind of guy one
• 23:16
  Speaker 1: hundred percent right, a pretentious, condescending poet who dogs her
• 23:23
  Speaker 1: and says as worldly as this sweet soul could be,
• 23:27
  Speaker 1: It's like, you're just this little empty vessel, Evelyn. Just
• 23:30
  Speaker 1: be pretty. There's this scene that I called bongo poetry.
• 23:34
  Speaker 1: I don't know what else to call it. But do
• 23:37
  Speaker 1: you think this is Hallmark walking the line of Yeah,
• 23:40
  Speaker 1: these people are obviously high, but we're just gonna like
• 23:43
  Speaker 1: let them exist in the background. Yeah, I think so,
• 23:47
  Speaker 1: I think so yeah. I mean like we're one line
• 23:50
  Speaker 1: away from like people being naked in the background, right, yeah,
• 23:56
  Speaker 1: having a real party, if you know what I mean. So, yeah,
• 23:59
  Speaker 1: I thought that was really funny. The other thing I
• 24:01
  Speaker 1: love are the looks on Alice and Colton's faces as
• 24:06
  Speaker 1: they're meeting Ash and as it's I mean, they don't
• 24:09
  Speaker 1: hide their dislike for this dude at all. It's amazing.
• 24:12
  Speaker 1: And can you just imagine being them and you wanting
• 24:15
  Speaker 1: to shake Evelyn like what are you? You could have
• 24:19
  Speaker 1: anybody and you pick this complete douchebag. Totally. We visit
• 24:25
  Speaker 1: the tunnels under Lingermore, which throwback to episode one Rita
• 24:29
  Speaker 1: talks about wanting to tell the ghost stories about those tunnels.
• 24:33
  Speaker 1: They find the spot of the nineteen twenty six explosion,
• 24:37
  Speaker 1: which is also I would say, I have a hard
• 24:39
  Speaker 1: time believing that they haven't been down there before. Yeah,
• 24:41
  Speaker 1: especially Evelyn totally. Yeah, like as kids, Evelyn and Colton
• 24:46
  Speaker 1: weren't running through there exactly. Yeah, that's a good point.
• 24:49
  Speaker 1: We have a nineteen twenty six explosion that we've talked about.
• 24:52
  Speaker 1: It's the source of the song five Went, in which
• 24:55
  Speaker 1: Jasper showed Alice on her visit to Coyle's five winn
• 25:00
  Speaker 1: and four came out, and we have to assume this
• 25:02
  Speaker 1: has something to do with what we're heading towards in
• 25:04
  Speaker 1: nineteen twenty six with Cat with the bootleggers, with something
• 25:08
  Speaker 1: going wrong. Oh, I also wanted to say about nineteen
• 25:10
  Speaker 1: twenty six. Remember in the first episode, we're like, who
• 25:13
  Speaker 1: are Cat and Fern afraid of? In that silent film?
• 25:17
  Speaker 1: I think it's one of our two new dudes. In
• 25:19
  Speaker 1: my assumption is that it's Grayson. Alice picks something up
• 25:23
  Speaker 1: off the ground. I thought it looked like a bullet Caseyschell. Yeah, Okay, Yeah,
• 25:29
  Speaker 1: I thought so too. It was just, yeah, a bullet Casecene.
• 25:32
  Speaker 1: I also noticed earlier that she kind of like paused
• 25:36
  Speaker 1: at one of the rooms and was looking at one
• 25:38
  Speaker 1: of the rooms, and then Colton came over and he's
• 25:40
  Speaker 1: like this is so cool, and then they got caught
• 25:42
  Speaker 1: up in their conversation like what did she see in
• 25:46
  Speaker 1: that room? Yeah, we have Alice kind of processing a
• 25:49
  Speaker 1: lot of information on her own in these first couple
• 25:51
  Speaker 1: of episodes. The information about the book she doesn't talk about.
• 25:54
  Speaker 1: She finds this bullet she's just taking a lot in
• 25:58
  Speaker 1: and not processing it vocally with anybody. Yet Alice is
• 26:03
  Speaker 1: the one. Alice is the one. The obviously emotional gut
• 26:08
  Speaker 1: punch of this this scene is Evelyn confiding that not
• 26:12
  Speaker 1: only is her marriage falling apart, which duh, she is pregnant,
• 26:17
  Speaker 1: but she's going to do it alone. She already loves
• 26:19
  Speaker 1: the baby. God be lewis Goodwin, And now it makes
• 26:24
  Speaker 1: sense why there's nothing other in the picture and it
• 26:27
  Speaker 1: has a good Win last name because Ash, of course,
• 26:30
  Speaker 1: I mean, we don't know that Ash knows at this point,
• 26:33
  Speaker 1: but one hundred percent is bouncing like he does not
• 26:35
  Speaker 1: want to be tied down with a baby in Lingermore.
• 26:39
  Speaker 1: I mean, he even says he's telling Colton at one point,
• 26:44
  Speaker 1: and the conversation that he has mirrors the story that
• 26:50
  Speaker 1: is told in nineteen twenty six about jumping out of
• 26:54
  Speaker 1: like Evie's palace, Like he said, like, if it wasn't
• 26:56
  Speaker 1: for the ocean, I would have jumped from the palace. Oh, yes,
• 26:59
  Speaker 1: Evie's Palace, which is a direct, you know, mirror reflection
• 27:03
  Speaker 1: of the story that's told in twenty six of the
• 27:05
  Speaker 1: sailor who plunges to his death jumping from the lighthouse
• 27:09
  Speaker 1: mm hmm, yeah, and he does own he hates this
• 27:12
  Speaker 1: like small little provincial town. Yeah. Colton and Alice in
• 27:17
  Speaker 1: this in this era. Sometimes I forget when she's talking
• 27:20
  Speaker 1: to Colton that that's her grandfather. Like when she talks
• 27:22
  Speaker 1: to young Culton uh huh uh huh, but he's like, uh,
• 27:25
  Speaker 1: I was lying and I told you how the Time Traveler. Yeah,
• 27:28
  Speaker 1: I love it. She's like duh, she plays it off
• 27:31
  Speaker 1: so well. I think what's interesting in this is we
• 27:35
  Speaker 1: had talked last episode, like Alice is having trouble with
• 27:37
  Speaker 1: her songwriting and she's uncomfortable performing. We needed her to
• 27:41
  Speaker 1: get to this place where young Coulton. We know the
• 27:43
  Speaker 1: older Coulton had an influence on her singing and songwriting
• 27:46
  Speaker 1: and was such a fan of her voice and her performing.
• 27:50
  Speaker 1: So when young Coulton's like, the song's fine, but it's
• 27:53
  Speaker 1: not you. You need to write your own song, I
• 27:55
  Speaker 1: feel like that's what we are working towards, Like we
• 27:57
  Speaker 1: needed Colton to be the one mentoring her. I am
• 28:01
  Speaker 1: still now. While I watched this, I texted you I
• 28:03
  Speaker 1: was like, oh, does Alice's song sound familiar that she's singing.
• 28:08
  Speaker 1: I thought it was the song that Fern had danced to.
• 28:13
  Speaker 1: She danced and sang at the same time, but I
• 28:16
  Speaker 1: tried to listen to them both lyse both tried to
• 28:19
  Speaker 1: listen to them both several times, and I don't believe
• 28:22
  Speaker 1: it's the same song, okay, because I thought like that
• 28:26
  Speaker 1: Cat had an interesting reaction to seeing Fern dance and sing,
• 28:31
  Speaker 1: and I was thinking, like, this is where I'm probably
• 28:34
  Speaker 1: reading too much into things. While I watched the show,
• 28:36
  Speaker 1: I was like, oh, what does that mean to Has
• 28:38
  Speaker 1: she heard the song before? And like, and you know,
• 28:40
  Speaker 1: music is so tied into episodes and whatever. Anyway, I
• 28:45
  Speaker 1: don't think there was any correlation, but I couldn't help
• 28:48
  Speaker 1: but noticed that Alice Alice's song that she was singing
• 28:53
  Speaker 1: then played in the background of the next scene between
• 28:56
  Speaker 1: Dell and Elliott at the bar, So I, I don't
• 29:00
  Speaker 1: know if there's anything there. I need listeners who watch
• 29:03
  Speaker 1: more closely to weigh in, like, have we heard this
• 29:05
  Speaker 1: song before? Yeah? To me that that was just nice editing,
• 29:08
  Speaker 1: but you're right they might have a deeper meaning. Nineteen
• 29:11
  Speaker 1: seventy six, on the present day, come Together. In seventy six,
• 29:14
  Speaker 1: alisand Colton are saying goodbye in a motorcycle ghost feeding
• 29:17
  Speaker 1: past and Colton immediately clocks it as belonging to his
• 29:21
  Speaker 1: brother Griffin, and he's like, we got to go. They
• 29:23
  Speaker 1: drive back to the farmhouse and he says, my brother's back.
• 29:27
  Speaker 1: It's very ominous the way he says that, like he's
• 29:28
  Speaker 1: not happy about it. Huh. We get all of these reveals,
• 29:32
  Speaker 1: like Delle asking Colton, do you think Tessa left with him?
• 29:37
  Speaker 1: And Colton's like, this is when he rips the photo,
• 29:40
  Speaker 1: So we assume that's Griffin in the photo that they
• 29:43
  Speaker 1: ripped and threw away, and Colton is like, this has
• 29:45
  Speaker 1: to be our secret? What are they talking about? And
• 29:48
  Speaker 1: then Dell tells Elliott in the present like, I don't
• 29:50
  Speaker 1: know where she is, but I think I know who
• 29:52
  Speaker 1: she left with. I think, she says, I think I
• 29:55
  Speaker 1: know who took her, which is interesting phrasing because it
• 29:58
  Speaker 1: could just be like who took her through the pond,
• 30:01
  Speaker 1: but yeah, also could be like who took her against
• 30:04
  Speaker 1: her will. I'm gonna go with took her through the
• 30:06
  Speaker 1: pond for now, I'm dynasty who's playing this like nineteen
• 30:09
  Speaker 1: seventy six, Elliott, nineteen seventy You're right, because we don't
• 30:13
  Speaker 1: know that Dynasy who that is? Also, I feel like,
• 30:18
  Speaker 1: what is the backstory on Griffin? Why is Griffin not there? Like,
• 30:21
  Speaker 1: do we know anything from the previous three seasons about
• 30:24
  Speaker 1: this mysterious brother? Historians weigh in because I can't remember.
• 30:28
  Speaker 1: There's a Reddit thread that says, I think the wedding
• 30:30
  Speaker 1: Griffin was referring to in the note was Kat and
• 30:33
  Speaker 1: Elliott's wedding, not Colton and Dell's. Interesting. Yeah, oh what
• 30:40
  Speaker 1: a turn of events. Man. I'm telling you I believe anything,
• 30:43
  Speaker 1: any theory. Somebody says, I'm like, yep, that could totally work. Yep.
• 30:46
  Speaker 1: I mean this episode ends with Dell saying some promises
• 30:50
  Speaker 1: have a shelf life, and she's laying the photo fragments
• 30:52
  Speaker 1: on the table. Of course, we don't get what that
• 30:55
  Speaker 1: secret is. We don't get the promises in here, but
• 31:01
  Speaker 1: I imagine we're going to get it in episode three.
• 31:04
  Speaker 1: Before we move into the new questions that we have raised,
• 31:07
  Speaker 1: Should we talk really quickly about the title of this episode? Sure,
• 31:11
  Speaker 1: Blinded by the Light. I laugh out loud every time
• 31:16
  Speaker 1: I hear or think about this song because I think
• 31:18
  Speaker 1: it's one of those songs that the lyrics are so misunderstood.
• 31:22
  Speaker 1: Oh what do you think I don't What do you
• 31:24
  Speaker 1: think it's about? Well, I don't know what it's about, honestly,
• 31:27
  Speaker 1: I just know that has that one lyric that everything
• 31:29
  Speaker 1: says the lyric is revved up like a deuce, but
• 31:31
  Speaker 1: people think it's wrapped up like a douche. Oh you
• 31:35
  Speaker 1: never knew that. I love a misunderstood song lyric. Me too,
• 31:38
  Speaker 1: But it was in the day before, before the internet existed,
• 31:41
  Speaker 1: and you didn't know, like actually what the lyric was
• 31:43
  Speaker 1: unless you had the CD or the liner from that. Well, yeah, exactly.
• 31:49
  Speaker 1: I used to look at those codn'd study those things. Yes,
• 31:55
  Speaker 1: it was released in nineteen seventy six, so it was intentional.
• 31:58
  Speaker 1: Let's talk about some questions that have I don't know
• 32:01
  Speaker 1: if you notice, but the clock does strike eleven ten again?
• 32:05
  Speaker 1: Is it eleven ten or eleven eleven? Oh? I think
• 32:09
  Speaker 1: it's eleven eleven. I haven't looked that closely. I always
• 32:12
  Speaker 1: thought it was eleven ten. Maybe eleven eleven because that's
• 32:17
  Speaker 1: when people make wishes. Yeah, I'm gonna have to watch
• 32:21
  Speaker 1: again to see how closely it is. Wow, eleven eleven.
• 32:26
  Speaker 1: But anyway, why does it do it at that time,
• 32:29
  Speaker 1: don't know. Time, don't know. My other question that is
• 32:33
  Speaker 1: just living Rentree in my head. I cannot help. We
• 32:37
  Speaker 1: have so much talk about Cat's nickname Kitty Cat this episode,
• 32:42
  Speaker 1: and I'm telling you there is a connection between Kitty
• 32:45
  Speaker 1: Cat and Kse. You're right, I remember to me, Okay,
• 32:50
  Speaker 1: I remember talking about it last season. Uh huh, I
• 32:52
  Speaker 1: remember each season. Yeah, there has to be some thread there,
• 32:58
  Speaker 1: but I don't know what it is. I don't either.
• 33:02
  Speaker 1: I don't have any questions that we haven't already discussed,
• 33:05
  Speaker 1: but there are new questions raised in this episode overall,
• 33:09
  Speaker 1: to add to our big list. What's the story obviously
• 33:14
  Speaker 1: with Griffin and that split with Dell and Colton and
• 33:18
  Speaker 1: Griffin and all these years being gone, what's this big secret?
• 33:23
  Speaker 1: I have to assume that this is the secret that
• 33:25
  Speaker 1: the typed letters are referring to. Oh my god. If
• 33:28
  Speaker 1: it is, it's so like not that deep. Perhaps maybe
• 33:34
  Speaker 1: what's the deal with Tessa Cooper and Fern looking troubled
• 33:38
  Speaker 1: when she hears that name? Is Fern's child's father actually
• 33:43
  Speaker 1: Grace and Goodwin? Is it Cliff or is it an
• 33:46
  Speaker 1: unknown person who we have not met yet. There's also
• 33:50
  Speaker 1: that mural at Lingermore that Alice stops in front of
• 33:53
  Speaker 1: with the children that we saw in a previous season.
• 33:58
  Speaker 1: Are you talking about in nineteen twenty six, A and
• 34:00
  Speaker 1: Fern stop in front of Yes, yes, yes, yeah, she goes, Yes,
• 34:03
  Speaker 1: it's freshly painted. Yeah, because the white witch is on
• 34:06
  Speaker 1: that photo in that painting. Yes. And the children who
• 34:09
  Speaker 1: were meant to believe are Colton and young Colton and Evelyn. Yeah, yeah, yeah, yeah.
• 34:14
  Speaker 1: Is that just a callback to you know, she knows
• 34:17
  Speaker 1: what this is about? Or is there you know, is
• 34:19
  Speaker 1: it just like, oh, here's the provenance of this, or
• 34:22
  Speaker 1: is something else going on there? I don't know. I
• 34:23
  Speaker 1: don't know who commissioned that, right, it was freshly painted.
• 34:26
  Speaker 1: We have some mysteries that we haven't even touched on
• 34:29
  Speaker 1: in the season so far. Casey, where are they? When
• 34:32
  Speaker 1: are they? Who are they? And Nick? We haven't even
• 34:35
  Speaker 1: talked about Nick. Nick and Claire and who is Claire
• 34:37
  Speaker 1: and what are they doing? And and oh yeah, don't
• 34:40
  Speaker 1: let there's a lot of people who think Claire is
• 34:42
  Speaker 1: future Alis. I don't like that at all. I don't
• 34:44
  Speaker 1: want that anything to do with that. Is Claire future
• 34:47
  Speaker 1: Tessa maybe I or that something like something like the Hunt,
• 34:51
  Speaker 1: but no, because you the same amount of time passes.
• 34:54
  Speaker 1: So Tessa's sixty five. That hurts my brain. No one
• 34:58
  Speaker 1: try to explain it to me, but yes, I hear
• 35:00
  Speaker 1: what so she Testa's too old? Turnick? Hey, who says?
• 35:04
  Speaker 1: I mean she's who says his mother's age? I know?
• 35:08
  Speaker 1: And then some people said they do like it when
• 35:09
  Speaker 1: we run down all these questions. So here are the
• 35:11
  Speaker 1: other questions. We are still asking once again, who jumped
• 35:15
  Speaker 1: with Tessa? I think all signs are pointing to Griffin. Yes,
• 35:18
  Speaker 1: all signs are pointing to Griffin, but there is the
• 35:20
  Speaker 1: theory that it was Alice who left baby Elliott on
• 35:22
  Speaker 1: the bank of the pond and jumped with someone else
• 35:24
  Speaker 1: during that time period. So again, what's happening with Fern
• 35:27
  Speaker 1: and Cat when they're terrified and staring off camera? My
• 35:30
  Speaker 1: theory is they are looking at Griffin. What was Tessa's
• 35:34
  Speaker 1: connection to Evelyn? She has two of Evelyn's tarot cards
• 35:37
  Speaker 1: in her deck. Are we gonna end this season? Seems obvious?
• 35:40
  Speaker 1: But with a Cat and Elliott wedding, I'm sure anything else. No,
• 35:45
  Speaker 1: let's what I'm telling you. So much happened, but like
• 35:47
  Speaker 1: not enough happened. Yeah, we have no answers. We have
• 35:52
  Speaker 1: no answers, which means the theories can abound at this point,
• 35:57
  Speaker 1: so lay them on us via email hello at Girls
• 36:00
  Speaker 1: Goneollmark dot com or voicemail nine four nine eight zero
• 36:05
  Speaker 1: nine zero if you are I'm a listener mail bag.
• 36:08
  Speaker 1: I need people to write in and be like, Yo,
• 36:10
  Speaker 1: this is what's going on. I'm going to be like, oh,
• 36:13
  Speaker 1: of course that's what's happening because I feel so dumb
• 36:18
  Speaker 1: when the show ends because I'm like, my head is
• 36:20
  Speaker 1: just can't figure it out. Uh huh, I hear you now,
• 36:24
  Speaker 1: I hear you. Well. Thank you for listening to this
• 36:26
  Speaker 1: episode of Girls Gone Hallmark. If you love this podcast,
• 36:29
  Speaker 1: the very best thing you can do is tell a
• 36:31
  Speaker 1: friend that you love this podcast. And the second best
• 36:34
  Speaker 1: thing you can do is leave us a five star
• 36:35
  Speaker 1: rating and review in the podcast app that you are
• 36:38
  Speaker 1: currently listening in. We love Apple Podcasts is the best
• 36:41
  Speaker 1: place to do that if you are an iPhone user,
• 36:43
  Speaker 1: and we'll be back next time with more reviews. Goodbye, bye,
• 36:59
  Speaker 1: all right ends. Before we go, just a quick heads up,
• 37:02
  Speaker 1: you're about to hear some ads. These little gems help
• 37:04
  Speaker 1: us keep the show running and the Hallmark love flowing.
• 37:07
  Speaker 1: So do with that info what you will, Grab a snack,
• 37:10
  Speaker 1: hit the skip button, or maybe just maybe listen in
• 37:14
  Speaker 1: and discover your new favorite product. Bye.