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E40 and Too Short · The Breakfast Club

• 0:00
  Speaker 1: First this room, anywhere else so you get the world's
• 0:06
  Speaker 1: most stagers. Want to shut the camera. I agree. Now listen,
• 0:13
  Speaker 1: City so Dry, the captain of this the only one
• 0:18
  Speaker 1: who can keep these guys in, Charlomagne the God. This
• 0:21
  Speaker 1: is the breakfast Club. I'm telling I'm telling her, what's
• 0:27
  Speaker 1: you doing of yoh? This is your time to get
• 0:31
  Speaker 1: it off your chest, whether you're mad or blessed. Eight
• 0:33
  Speaker 1: hundred five eight five one oh five one. We want
• 0:36
  Speaker 1: to hear from you on the Breakfast Club. Hello, who's
• 0:40
  Speaker 1: this hey? Listen shares from Columbus, Ohio, shares what I'm
• 0:44
  Speaker 1: getting off your chest. And I'm just calling this pread
• 0:46
  Speaker 1: some positivity to all the black people here in Ohio
• 0:50
  Speaker 1: around the world. Everything. What's up? Charlotte Magne, Angelie King,
• 0:55
  Speaker 1: I'm I just want to let everybody know I'm a
• 0:58
  Speaker 1: my day job, I'm like Union electrician, but I'm getting
• 1:01
  Speaker 1: my hustle on as a relator out here in Columbus, Ohio.
• 1:04
  Speaker 1: So follow me on ig at Sharon's Underscore Robinson A
• 1:09
  Speaker 1: S H I R A Z Underscore Robinson very man.
• 1:13
  Speaker 1: I would like to link up with you man and
• 1:14
  Speaker 1: talk about investing in real estate out there in New
• 1:17
  Speaker 1: York and New Jersey. Okay, well just hit me and
• 1:20
  Speaker 1: my Dean's brother. All right, man, y'all be easy man,
• 1:23
  Speaker 1: me too, brother. All right? Hello, who's this? Man? Good
• 1:26
  Speaker 1: morning for all the man of God, peace King. What's
• 1:28
  Speaker 1: happening up? But get it off your chests? Man, Man,
• 1:30
  Speaker 1: I'm just I'm a good spirit, you know. Me and
• 1:33
  Speaker 1: my wife was getting into nar thing back toward cop.
• 1:37
  Speaker 1: I'm feeling understand. Hey, you want to get that thing
• 1:41
  Speaker 1: to him? Hey, man, look you know I have a
• 1:48
  Speaker 1: good one. Brother. Hello, who's this It's Erico. Hey, good morning,
• 1:53
  Speaker 1: Get off chess Mamma. Yeah, I listened to y'all every morning,
• 1:58
  Speaker 1: and I'll be damn I'll be tripping out on your
• 2:00
  Speaker 1: shawl of name. I mean, I'll be laughing like crazy
• 2:03
  Speaker 1: every morning at y'all. Well, thank you. I don't know
• 2:07
  Speaker 1: that's a good thing about I don't know much, man,
• 2:12
  Speaker 1: at least you through y'all every single morning, like every morning.
• 2:16
  Speaker 1: Everyone very much. You appreciate your support, but thank you
• 2:19
  Speaker 1: so much. We have a great and blessed day. Mom.
• 2:21
  Speaker 1: Who are you from? Okay? You too, That's all I
• 2:24
  Speaker 1: want to say, sweet you. I love y'all. We love
• 2:26
  Speaker 1: you back. I love your twin two. That's seven twin Hello.
• 2:30
  Speaker 1: Who's this Hello? Hey? What's your name? Hey? Kay? Look,
• 2:35
  Speaker 1: good morning. To get it off your chest. Mama. Well,
• 2:37
  Speaker 1: I really didn't have much to say. I just want
• 2:39
  Speaker 1: to just congratulate y'all. Y'all doing good and I thought
• 2:42
  Speaker 1: it was so sweet. How y'all games away money because
• 2:45
  Speaker 1: there's really some broke. Stop calling people the N word
• 2:51
  Speaker 1: because I'm fortunate people when it comes there and pockets
• 2:58
  Speaker 1: in America. There you go. That's right, every single it's
• 3:01
  Speaker 1: a financial struggle out here for something. Folks. You got it.
• 3:04
  Speaker 1: You want you want to let you want to get
• 3:05
  Speaker 1: some money to spey. No, I just learned somebody ten
• 3:09
  Speaker 1: dollars yesterday. No, I'm with you. Budget. That's right, budget
• 3:13
  Speaker 1: that money, Thank you, mama. It's just something about that,
• 3:16
  Speaker 1: something about them two words together. Just do something to
• 3:19
  Speaker 1: bro nick broke, God damn lord happened? That's it felt
• 3:23
  Speaker 1: like back in the day when you heard scrubs for
• 3:25
  Speaker 1: the first time that I gotta get my mama. Huh, Hello,
• 3:29
  Speaker 1: who's this yo? What's up? This is fort Corey? What
• 3:31
  Speaker 1: I'm getting off your chests? Yeah? I wanted to call
• 3:34
  Speaker 1: to thank uh, well, good morning to you, Envy and Charlomagne.
• 3:38
  Speaker 1: Good morning, good morning. I wanted to thank you for
• 3:41
  Speaker 1: keeping you guys in check and uh being very beautiful
• 3:44
  Speaker 1: every morning. Nix, my morning is better. Uh. I wanted
• 3:47
  Speaker 1: to thank uh Envy and Charlomagne for all the work
• 3:50
  Speaker 1: that you're too, especially in the mental health area. Uh.
• 3:54
  Speaker 1: I haven't read books in high school, and since you've
• 3:56
  Speaker 1: been doing the audible stuff, actually downloaded the book and
• 3:59
  Speaker 1: I've been reading like the last two months now. It's
• 4:01
  Speaker 1: really got me excited. I love Audible Audible. I mean
• 4:04
  Speaker 1: I loved Audible before I was in business with them,
• 4:06
  Speaker 1: but they're they're great. Yeah. I do. Downloaded up Malcolm
• 4:10
  Speaker 1: Mex's autobiography. I just finished, uh, Think like a Monkey,
• 4:14
  Speaker 1: and now I'm looking for some more books. Uh. I
• 4:16
  Speaker 1: wanted to ask if you could probably send me a
• 4:18
  Speaker 1: book of yours if you don't mind it. I got you.
• 4:21
  Speaker 1: Y'all got to actually stay on hold though people be
• 4:24
  Speaker 1: calling up here saying that, and then they don't stay
• 4:26
  Speaker 1: on hold, so we can't get your address to send
• 4:27
  Speaker 1: it to him. But I'll send you that. I'll send
• 4:29
  Speaker 1: you a copy of my book and a copy of
• 4:31
  Speaker 1: doctor to Walker's book The Unapologetic God in the Black
• 4:33
  Speaker 1: Mental Health. I really appreciate that. And lastly, I just
• 4:36
  Speaker 1: wanted to say, man, y'all got to stop the fruity
• 4:38
  Speaker 1: stuff up there. Many stuff y'all be doing too much.
• 4:42
  Speaker 1: You and envy. Man, y'all got to cut it out, y'all. Well,
• 4:45
  Speaker 1: I we haven't. I don't know if you know. We
• 4:46
  Speaker 1: haven't flirted with each other all week. Well let's keep
• 4:49
  Speaker 1: it that way. I appreciate that. Get it off your
• 4:51
  Speaker 1: chests eight hundred five eight five one or five one?
• 4:53
  Speaker 1: You got excited, But if you need to visit this
• 4:55
  Speaker 1: up now? Was the Breakfast Club? Good morning, wake up,
• 4:58
  Speaker 1: wake up, wake ya ask if you're trying to get
• 5:01
  Speaker 1: it off your chest you man or blessed, we want
• 5:05
  Speaker 1: to hear from you on the Breakfast Black. Hello? Who's this? Hey?
• 5:09
  Speaker 1: Good morning me? Lestia? How dj n V? Hey? What us? Hey?
• 5:15
  Speaker 1: How are you? I'm fine? Thank you. Last time I
• 5:19
  Speaker 1: called Charlomagne, you wasn't there. But I'm glad to hear
• 5:21
  Speaker 1: your voice. I had a question for you, Charlomagne. Um, yes, man,
• 5:24
  Speaker 1: why are you always why are you always yawning in
• 5:27
  Speaker 1: the microphone like that, like, why do you do that?
• 5:30
  Speaker 1: Why do you do that? Y'all? Ye don't tell me
• 5:36
  Speaker 1: because I'm tired, because I wake up early in the morning.
• 5:38
  Speaker 1: Don't tell me that. Uh duh, it's sick something in
• 5:40
  Speaker 1: the morning. No, you're not. You're not still yawning white.
• 5:44
  Speaker 1: You're not still yawning wiping coal out your eyes six
• 5:46
  Speaker 1: something in the morning. So you want him mute, don't know,
• 5:50
  Speaker 1: abody want to hear all that? That's just to me.
• 5:52
  Speaker 1: That's like somebody yawning right next to me in my ear.
• 5:55
  Speaker 1: I was like, damn, sorry, what are you doing right now?
• 5:57
  Speaker 1: You're like, oh, yes, as if you're don't really know, Well,
• 6:02
  Speaker 1: you're gonna hate to know that. I passed gas too.
• 6:04
  Speaker 1: Sometimes not in my clothes though, oh not. Yeah, yeah,
• 6:07
  Speaker 1: you've got to the bathroom. You put your hands down
• 6:09
  Speaker 1: right anyway? Thank you? Oh one more thing, One more thing.
• 6:14
  Speaker 1: Elijah McClean, Sandra Bland, Brianna Saylor. That's right there, you
• 6:19
  Speaker 1: go out like that. Hello, who's that? Just about the
• 6:23
  Speaker 1: yard before she said that, By the way, Hello, who's this? Hello? Hey?
• 6:28
  Speaker 1: What's your name? Bro? Hello? Money making? Mitch? How you
• 6:31
  Speaker 1: are doing? Money making? Mitch, you ain't making no money
• 6:34
  Speaker 1: right now. You ain't making no money in a recession.
• 6:36
  Speaker 1: You crazy cut it out, Charlomagne, guard, how you making money?
• 6:39
  Speaker 1: Tell me how you making money by giving proper advice
• 6:42
  Speaker 1: on how people should post should be really cleaning that house.
• 6:45
  Speaker 1: That's enough money for me to educate these people you're finessing.
• 6:50
  Speaker 1: Of course, Um, if you really really really want to
• 6:54
  Speaker 1: um chill as coronavirus or to all hospitals and everybody's home,
• 6:58
  Speaker 1: just start from sterilization room. Start from the bathroom that
• 7:02
  Speaker 1: work your way out. Everything you use in the bathroom
• 7:04
  Speaker 1: you can use around the whole apartment. Every hospital that's scared,
• 7:08
  Speaker 1: they have training which sterility is important. So if you
• 7:12
  Speaker 1: just experience your sterilization department and make the whole hospital sterile,
• 7:16
  Speaker 1: then everything, every item, every equipment, every instrument can actually
• 7:22
  Speaker 1: be used properly. All these money making mine. Let me
• 7:25
  Speaker 1: ask you a question. People actually paying for this advice
• 7:28
  Speaker 1: of cleaning the bathroom? Clean your bathroom? Actually I agree.
• 7:33
  Speaker 1: I agree that you have to do sterilization, but you
• 7:35
  Speaker 1: do know that it's transmitted from person to person right exactly,
• 7:38
  Speaker 1: But it depends on how many people are in your house,
• 7:40
  Speaker 1: and do you have a team that's doing sterilization. This
• 7:42
  Speaker 1: is the family. This isn't people from next door to
• 7:44
  Speaker 1: my house. How are you making many of this money?
• 7:51
  Speaker 1: Are you're talking about financial money. I don't need financial money.
• 7:54
  Speaker 1: I don't need no answers. I'm fine financial but yeah,
• 7:58
  Speaker 1: my money there, but financially I'm fine. But the other
• 8:01
  Speaker 1: money is the other important money. That's is information. Knowledge
• 8:05
  Speaker 1: is post knowledge is currency. You mean you know so
• 8:10
  Speaker 1: that so that right there alone, I'm saving lives by
• 8:13
  Speaker 1: telling people I saw in the military. Seventeen years as
• 8:15
  Speaker 1: a medical officer, I've done I've done the all forms
• 8:18
  Speaker 1: of surgery. I've been in so many different situations. And
• 8:21
  Speaker 1: we treat every patient. Now this is the coronavirus. We
• 8:24
  Speaker 1: treat every patient as if they were HIZ. Now we
• 8:27
  Speaker 1: have to treat every patient as if they have HIV,
• 8:29
  Speaker 1: corona and all these other symptoms. That's that's that's that's
• 8:33
  Speaker 1: pretty dope because now you have to stay on top
• 8:36
  Speaker 1: of sterility to the rest of your life. You understand,
• 8:39
  Speaker 1: this is that should awaking all But thank you brother
• 8:43
  Speaker 1: for calling man. We really don't understand. But you know,
• 8:47
  Speaker 1: you're talking about that type of money. You're talking about
• 8:48
  Speaker 1: financial money. What other money is there? He made? He
• 8:51
  Speaker 1: made currency. That's all right, Mike. Man. What I'm getting
• 8:57
  Speaker 1: about I would stuff? Uh, you don't really mad? Years?
• 9:05
  Speaker 1: So many you're waiting five years to tell us that. No,
• 9:08
  Speaker 1: I'll waited five years, y'all. Man, I've been calling for
• 9:11
  Speaker 1: five years? Great many, So what are you gonna say? Right? Man?
• 9:16
  Speaker 1: To shout out? The boys of our bust porporating man,
• 9:18
  Speaker 1: we on our weird work very better. If you ain't matter,
• 9:21
  Speaker 1: I'm happy to be alive. There you go, kay, we're
• 9:24
  Speaker 1: happy to be here. I appreciate it. Man, get it
• 9:27
  Speaker 1: off your chest. Eight hundred five eight five one oh
• 9:30
  Speaker 1: five one. If you need to vent, hit us up now.
• 9:31
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Out
• 9:39
  Speaker 1: your phone in right now, call me at your opinion
• 9:44
  Speaker 1: to the Breakfast Club top breaking eight hundred and five
• 9:46
  Speaker 1: eight five one oh five one, The Breakfast Club winning.
• 9:52
  Speaker 1: Everybody's dj n G and ngel yee, Charlomagne the guy.
• 9:56
  Speaker 1: We are the Breakfast Club. Now if you just joined us,
• 9:58
  Speaker 1: we're talking about her recruise and a tweete put out.
• 10:01
  Speaker 1: He said there is only one woman on earth. I
• 10:03
  Speaker 1: have to please. Her name is Rebecca, not my mother,
• 10:06
  Speaker 1: my sister. My daughters are co workers. I would let
• 10:08
  Speaker 1: their husband's boyfriend's partners take care of them. Rebecca gives
• 10:10
  Speaker 1: me wings, all right. So we're asking who comes first
• 10:13
  Speaker 1: in your relationship, your wife, your mother, your kids, and
• 10:16
  Speaker 1: for women, your husband, your mother, or your father. I
• 10:19
  Speaker 1: should say, your husband, your father, or your kids. What
• 10:22
  Speaker 1: what's the uh? I should say? In what order? Does
• 10:25
  Speaker 1: it go? Start with you? I mean there's no order,
• 10:28
  Speaker 1: Like you know what I'm saying. You have to say
• 10:30
  Speaker 1: for arguments I have to say. I'm telling you asking
• 10:33
  Speaker 1: me a question, and I'm telling you there is no order.
• 10:36
  Speaker 1: They are on the same, you know level. I please speaking.
• 10:40
  Speaker 1: I don't don't need to do hypotheticals in real life situations.
• 10:43
  Speaker 1: I'm just telling you how I feel. I think at
• 10:44
  Speaker 1: this point in my life, you know, those are all
• 10:46
  Speaker 1: my hearts, and it's not about who comes first in
• 10:48
  Speaker 1: that situation. You know, I will say my wife and
• 10:50
  Speaker 1: kids are the immediates because that's your everyday unit, that's
• 10:53
  Speaker 1: who you see all the time. So of course they get,
• 10:56
  Speaker 1: you know, first, first DIBs on everything. But it's not
• 10:59
  Speaker 1: a who comes first scenario, Like you know, love is
• 11:04
  Speaker 1: something that you you You have an overabundance self, especially
• 11:07
  Speaker 1: when it's unconditional and those three enter teach your names,
• 11:10
  Speaker 1: your mom, your wife, and your kids. At least in
• 11:12
  Speaker 1: my life, that's just unconditional love. I got enough to
• 11:15
  Speaker 1: go around, right, Who's first? Three women hanging off a cliff?
• 11:18
  Speaker 1: Your mom, your wife, and your daughter. You can only
• 11:20
  Speaker 1: grab one? Which one you're grabbing? I got two arms,
• 11:23
  Speaker 1: Come on, come on, two arms, and we can figure
• 11:27
  Speaker 1: it out. Somebody I got two arms, so I can
• 11:29
  Speaker 1: grab two. Somebody else can grab somebody? We can we
• 11:31
  Speaker 1: can we can do a little centipede and get each
• 11:33
  Speaker 1: other up, you know what, figure it out and get
• 11:35
  Speaker 1: what if they fall? I'm jumping with them? Well, how
• 11:38
  Speaker 1: doing to live for after that? Your wife and kids?
• 11:39
  Speaker 1: And mom? Look what I'm gona hanging around for? What? Y'all? Well?
• 11:43
  Speaker 1: I would think that in my opinion, And you know,
• 11:46
  Speaker 1: I don't have kids in r do I have a wife,
• 11:47
  Speaker 1: But I would always think kids come first. But that
• 11:50
  Speaker 1: just would be my thought. But the problem I have
• 11:53
  Speaker 1: is him saying there's only one woman on earth I
• 11:55
  Speaker 1: have to please. That's not true, and it's not about
• 11:57
  Speaker 1: putting things in order. But as a five there, as
• 12:00
  Speaker 1: a husband, as a son, you should feel some type
• 12:03
  Speaker 1: of responsibility to all of these women in your life.
• 12:06
  Speaker 1: And there were so many people that came to your
• 12:08
  Speaker 1: defense when you were having issues, when you said that
• 12:10
  Speaker 1: you were being sexually assaulted that actually stood up for you,
• 12:15
  Speaker 1: including Gabrielle Union. And for you to then turn your
• 12:17
  Speaker 1: back and act like you have no type of what's
• 12:20
  Speaker 1: going to happen when something happens to you and people say, well,
• 12:22
  Speaker 1: I don't care about Terry Crews because all I care
• 12:24
  Speaker 1: about is my own husband. Let his wife take care
• 12:26
  Speaker 1: of that. That's not true. You need people, and people
• 12:28
  Speaker 1: need your support, and black women need to support more
• 12:30
  Speaker 1: than anybody. Well, I see, I feel as your kids first,
• 12:34
  Speaker 1: and I look at the same cliff scenario and the
• 12:37
  Speaker 1: reason I look at yeah, damn. Now, I'm gonna tell
• 12:39
  Speaker 1: you the truth because if I'm hanging from a cliff,
• 12:41
  Speaker 1: I'm not gonna let my wife pick take me first.
• 12:44
  Speaker 1: I'm gonna tell her to take the kids first. And
• 12:45
  Speaker 1: my wife is gonna do the same thing. She's gonna
• 12:47
  Speaker 1: say take the kids first. Make sure the kids to
• 12:49
  Speaker 1: say first, and then come back for me and your
• 12:51
  Speaker 1: mom's that's really what it is. I got to make
• 12:53
  Speaker 1: sure my kids us say first, me and my wife.
• 12:56
  Speaker 1: But how you put yourself in the scenario? You said
• 12:58
  Speaker 1: the wife and the kids. Mom? Now you all of
• 13:01
  Speaker 1: a sudden hanging off the cliff with your pants sagging
• 13:03
  Speaker 1: where you come from? You know what? You It wasn't
• 13:06
  Speaker 1: about you, your wife here you talk about this morning.
• 13:09
  Speaker 1: It was about the wife and the kid and I
• 13:12
  Speaker 1: if the situation happened, my wife would tell me to
• 13:14
  Speaker 1: take the kids first. Yeah, but when you get married,
• 13:17
  Speaker 1: aren't you a unit? So technically you and your wife
• 13:20
  Speaker 1: are one. So I don't see how she could even
• 13:22
  Speaker 1: be put into the equation. Right, I would just jump
• 13:24
  Speaker 1: off they I'm going if they go, you know right now,
• 13:28
  Speaker 1: if they jumping, I'm jumping. I'm gonna stay on this
• 13:30
  Speaker 1: planet with y'all and be going to therapy every day
• 13:32
  Speaker 1: instead of just once a week. And I mean, ain't
• 13:34
  Speaker 1: got time for that, going yeah, we all yeah, we
• 13:37
  Speaker 1: all out. Hello, who's this henri hi? I think so
• 13:43
  Speaker 1: the wife should come first because when she leaves the nest,
• 13:46
  Speaker 1: and it's technically the man's responsibility to make sure that
• 13:49
  Speaker 1: her basic needs are met, then it should be daughters
• 13:52
  Speaker 1: and mom. Once you're not sleeping with your mom and
• 13:55
  Speaker 1: you know you're not seeing your mom every day. So
• 13:57
  Speaker 1: I feel like the wife should definitely come first, and
• 14:00
  Speaker 1: your kids I do, okay, So you want you want
• 14:04
  Speaker 1: to come from? Let the kids be off, the kids done,
• 14:08
  Speaker 1: plenty of five to kid homes kids, huh pretty pretty
• 14:11
  Speaker 1: pretty much a lot of fire. Oh my god, all right,
• 14:14
  Speaker 1: thank you, my god, hard knock life. Who comes first?
• 14:26
  Speaker 1: Your wife, your mother, or your kids? Call us up
• 14:29
  Speaker 1: right now? This is from Terry Cruise. Is tweet is
• 14:31
  Speaker 1: the Breakfast Club, go morning, the breakfast Club e j
• 14:37
  Speaker 1: envy angela ye, Charlemagne the guy we are the breakfast club.
• 14:40
  Speaker 1: And now if he just joined us, we're talking Terry Cruise.
• 14:43
  Speaker 1: He uh put out a tweet. Yes, he said, there's
• 14:45
  Speaker 1: only one woman on earth I have to please. Her
• 14:46
  Speaker 1: name is Rebecca, not my mother, my sister. My daughters
• 14:50
  Speaker 1: are co workers. I will let their husband's boyfriend's partners
• 14:53
  Speaker 1: take care of them. Rebecca gives me wings. He said
• 14:57
  Speaker 1: that like that, That's how I interpret did it? Okay?
• 15:01
  Speaker 1: Who comes from your wife, your mom or your kids?
• 15:04
  Speaker 1: I don't respect it, And you know I gave him
• 15:05
  Speaker 1: dunkey today for that. And you know I can't even
• 15:07
  Speaker 1: knock him for how he feels about his mother or
• 15:09
  Speaker 1: sister or co workers, because that's that can all be
• 15:11
  Speaker 1: complicated situations. But your daughters, bro, Like, come on, man,
• 15:15
  Speaker 1: like you post to love your daughters the exact same
• 15:18
  Speaker 1: way that you you love your life, you love your wife.
• 15:21
  Speaker 1: You know what somebody told me a long time ago.
• 15:22
  Speaker 1: He name was Dary Alexandry alexand and said, when you
• 15:25
  Speaker 1: love your significant other the way you love your kids,
• 15:29
  Speaker 1: that's when you really have a soul mate. Because you know,
• 15:31
  Speaker 1: a lot of us don't really experience love until we
• 15:33
  Speaker 1: have children. We don't know what real love actually is.
• 15:37
  Speaker 1: So if you if you love your significant other in
• 15:39
  Speaker 1: that way, then you really got something, all right? Well
• 15:41
  Speaker 1: eight hundred and five eighty five, one on five one,
• 15:43
  Speaker 1: that's what we're asking. Hello, who's this? Hey? Hey, what's
• 15:46
  Speaker 1: coming on the breakfast club? Did Jay from Vas? Going on?
• 15:49
  Speaker 1: Jay from Va? We're asking if you had to pick one,
• 15:52
  Speaker 1: who would come first? Your wife, your mother, or your kids. Yeah,
• 15:55
  Speaker 1: I'm definitely gonna ride with my wife, So you're gonna
• 15:58
  Speaker 1: have to take your clues. If I'm not mistaken, he said,
• 16:01
  Speaker 1: the only one he has to please it's his wife. Yes, yeah,
• 16:05
  Speaker 1: I mean that makes sense to me. Um, I mean
• 16:08
  Speaker 1: I'm not I'm going off the verboe. I'm not here
• 16:09
  Speaker 1: to please my kids. I'm here to raise my kids.
• 16:12
  Speaker 1: You know, I'm not here to a lot of kids
• 16:14
  Speaker 1: be too friendly, or a lot of parents be too
• 16:16
  Speaker 1: friendly with their kids. And you know that's that's not
• 16:21
  Speaker 1: that's how kids score up. You can't be friendly, and
• 16:24
  Speaker 1: I can't be friendly with your kids. Man, No, I'm
• 16:27
  Speaker 1: not friends. I'm not not like what's that? What's that movie?
• 16:30
  Speaker 1: What's that movie with Terrence Jay? Why did I not?
• 16:33
  Speaker 1: Why did I get married? Where he was getting Yama?
• 16:37
  Speaker 1: His mama was all in his business and he was
• 16:40
  Speaker 1: trying to please his mama when he needed to be
• 16:42
  Speaker 1: trying to please his wife. And what happened at the
• 16:44
  Speaker 1: end he buked on his moment. You know that's the movie.
• 16:47
  Speaker 1: I bet it's based off real stuff. You can't you
• 16:49
  Speaker 1: can't be like that. I've seen stuff like that in
• 16:51
  Speaker 1: real life. I'm here to please my girl, my wife,
• 16:54
  Speaker 1: my mom. I'm not really here to please her because
• 16:58
  Speaker 1: my man based on how he treats his mom, and
• 17:01
  Speaker 1: that matters to me a lot as far as who
• 17:03
  Speaker 1: I decide, I'm, you know, deciding to be with him.
• 17:05
  Speaker 1: I love his relationship with his mom and that's important.
• 17:08
  Speaker 1: And you shouldna help on how he treats his kids too,
• 17:11
  Speaker 1: You should you should judge man based on how he
• 17:12
  Speaker 1: treats his children. Let me see, Now, your kids, right,
• 17:16
  Speaker 1: and you're gonna help your mom out when she needs you.
• 17:18
  Speaker 1: But when you're grown, you know you're here to raise
• 17:21
  Speaker 1: her family as your mom raised you to do. Now,
• 17:23
  Speaker 1: my brother, have you ever looked up the definition to please?
• 17:25
  Speaker 1: Do you know what please mean? Please means to cause
• 17:28
  Speaker 1: to feel happy and satisfied, to take only one's own
• 17:33
  Speaker 1: wishes into consideration to deciding how to act or proceed.
• 17:36
  Speaker 1: So that's when you said, like, this is the first time.
• 17:38
  Speaker 1: The ages that I can just please myself. When you're
• 17:39
  Speaker 1: talking about pleasing somebody else is to cause them to
• 17:42
  Speaker 1: feel happy and satisfied. He arranged the fishing trip to
• 17:46
  Speaker 1: please his son, or he arranged the activity to please
• 17:49
  Speaker 1: his daughter, So yes, you should please your kids. King, Well,
• 17:53
  Speaker 1: you know I'm going with the white SI's first. For example,
• 17:55
  Speaker 1: what the love thing like when you say you love somebody,
• 17:58
  Speaker 1: or you know you love your mom, you love your kids,
• 18:02
  Speaker 1: but you're in love with your wife, or you're sniffing
• 18:05
  Speaker 1: at other like. It's a lot of things that come
• 18:07
  Speaker 1: with being in love with somebody that you just can't
• 18:10
  Speaker 1: put on the same terms of loving somebody, Like you
• 18:13
  Speaker 1: love your friends, you love your mom, but you die
• 18:15
  Speaker 1: in love. You're not having sexual things with your those
• 18:19
  Speaker 1: type of people. You're only doing that with your significant other.
• 18:23
  Speaker 1: That's what love. There's some people out there, they don't
• 18:26
  Speaker 1: love their wives. By the way, well you know I'm
• 18:28
  Speaker 1: going off doing what to do? You know, but I
• 18:30
  Speaker 1: just rather please my wife because that's who I stay with.
• 18:32
  Speaker 1: That's why I'm build my family with you. When your
• 18:34
  Speaker 1: parents die, you know, you still have to please your
• 18:38
  Speaker 1: woman that's still there, which is what you're great though
• 18:41
  Speaker 1: your mom raised you to do. You know, your kids
• 18:45
  Speaker 1: say I'm looking at like in love right now. In
• 18:47
  Speaker 1: love has nothing to do with sexual right. In love
• 18:49
  Speaker 1: says I'm just looking at it says you can't stop
• 18:51
  Speaker 1: staring at them. You feel like you're high, You're always
• 18:53
  Speaker 1: thinking about them. You want to be happy, you want
• 18:55
  Speaker 1: you've you don't want them to feel pain. You don't
• 18:58
  Speaker 1: want them to feel stressed. I'm in love love my daughters,
• 19:01
  Speaker 1: with my kids. I don't know what he's talking about.
• 19:03
  Speaker 1: I'm in love with my kids. Yeah, I don't get it.
• 19:05
  Speaker 1: I'm in love with my daughters. I want to please
• 19:07
  Speaker 1: my daughters. But you know, and of course you know
• 19:10
  Speaker 1: your wife. That's a different level of love. That's something else,
• 19:12
  Speaker 1: you know what I mean. Like, I don't know what's
• 19:15
  Speaker 1: the story. More of the story is, well, I'm surprised
• 19:18
  Speaker 1: the orphanages ain't more packed. I'm probably these foster homes
• 19:21
  Speaker 1: ain't more packed because y'all don't give a damn about
• 19:23
  Speaker 1: your kids. And guess what, guess what, tax time right
• 19:26
  Speaker 1: around the corner. I bet you're gonna be so happy
• 19:28
  Speaker 1: to see them little churing in You're gonna want to
• 19:30
  Speaker 1: claim all of them on your taxes. All right, We
• 19:33
  Speaker 1: got more coming up next with a breakfast club. Keep
• 19:37
  Speaker 1: the breakfast club humble. Say to the breakfast club. Hate
• 19:40
  Speaker 1: me if you want, to love me if you want,
• 19:41
  Speaker 1: but just use your comments sense playing at the breakfast club.
• 19:48
  Speaker 1: Who's this dre slaying at the breakfast club? Man? While
• 19:52
  Speaker 1: you're shying to man like your buddies, man, because we
• 19:56
  Speaker 1: are laugh was crazy after I don't even think why
• 19:59
  Speaker 1: you say we act like we bought buddies but butt buddies.
• 20:02
  Speaker 1: That's wrong with that? Why just say this further thing
• 20:06
  Speaker 1: to be stuffing about? I just told you what it is.
• 20:07
  Speaker 1: Who are you? Who are you with? Bronick? Let me
• 20:10
  Speaker 1: tell you Nick, Let me talk to you. Let me
• 20:12
  Speaker 1: talk to your butt buddy, Nick? Nick? Nick? Why you
• 20:15
  Speaker 1: don't love? Why you don't love what's his name? Why
• 20:18
  Speaker 1: you don't love Dre? Guy? Bro? That's your buddy and
• 20:23
  Speaker 1: that's your bub buddy, and I want you to know that.
• 20:26
  Speaker 1: Huh bro. He's just saying, y'all y'all be a little
• 20:29
  Speaker 1: off the chain with the comments in the morning. Man. Well,
• 20:31
  Speaker 1: I think y'all should be bub buddies, um, because Dre
• 20:33
  Speaker 1: rhymes with jay and Nick rhymes with y'all made for
• 20:35
  Speaker 1: each other. That'sh bubba. Youn't love your brother? You don't
• 20:39
  Speaker 1: love your brother? Give him a hug right now. Tell
• 20:42
  Speaker 1: me tell you love him, you value him, and you
• 20:45
  Speaker 1: appreciate him. Hug him right now. I loved you. Tell him,
• 20:49
  Speaker 1: tell him you love him. Man, y'all whack man that's
• 20:53
  Speaker 1: the problem with black man. We can't tell each other
• 20:55
  Speaker 1: we love each other, we value each other, we appreciate
• 20:57
  Speaker 1: each other. But with me and Nvy do that? Y'all
• 20:59
  Speaker 1: call us butt buddies. No, the subspect things you say?
• 21:02
  Speaker 1: Love is one thing, because I love my black broke.
• 21:05
  Speaker 1: There you go, So this little nives X y'all need
• 21:13
  Speaker 1: a double date or something? Hello? Who's asking? This is
• 21:17
  Speaker 1: data from d ain't Good morning? Good morning, dat ain't
• 21:20
  Speaker 1: from VA? Was up slander the breakfast club day day? Yes,
• 21:24
  Speaker 1: dj Envy, I get so tired of here, and you
• 21:26
  Speaker 1: say he's gonna get that donkey too? Can't you say
• 21:29
  Speaker 1: it another way? How you want me to say? You
• 21:31
  Speaker 1: can switch it up today? I mean switch it up
• 21:34
  Speaker 1: all right? Let me try this. How you say this
• 21:36
  Speaker 1: span of sake to today? Say she wants you to
• 21:39
  Speaker 1: say it? Let's flirty and creepy? Oh I don't know. Okay,
• 21:43
  Speaker 1: let me try Charlemagne? Who you giving that donkey too?
• 21:47
  Speaker 1: How's that one little base? Little base? I like it?
• 21:50
  Speaker 1: I like it along. Maybe you can say something like, Charlemagne,
• 21:52
  Speaker 1: I know you got a nice donkey. Who you want
• 21:54
  Speaker 1: to give it to? Hey, that's a little freaky. I
• 21:56
  Speaker 1: don't know. Good day to switch it up? Switch it up?
• 22:01
  Speaker 1: And Angela we talked a couple of months ago. I
• 22:03
  Speaker 1: told you your name reminds me of the East infection.
• 22:06
  Speaker 1: You said you were gonna change and Angela deed, Angela team,
• 22:11
  Speaker 1: you gotta let go of the yed. So you want
• 22:13
  Speaker 1: me to just just own my family? Yes, she want
• 22:17
  Speaker 1: you to turn Muslim. Angela acts No, I don't want
• 22:20
  Speaker 1: you to turn on your culture. That would be roved.
• 22:22
  Speaker 1: But it just makes me hitch every time I hear.
• 22:24
  Speaker 1: It makes me. Have you ever had a yeast infection pregnant?
• 22:28
  Speaker 1: I did and it was not pleasant. So you're giving
• 22:30
  Speaker 1: me flashback? I like y'all Goodbye day day. You can't
• 22:35
  Speaker 1: tell goodbye Slanders Austin. It is awesome. Man from Houston.
• 22:42
  Speaker 1: What's going on? Man? What's up? Brously end of the
• 22:44
  Speaker 1: Breakfast Club? Man? What's going on? And I want to say,
• 22:46
  Speaker 1: you know you're a real wo man. You know the
• 22:47
  Speaker 1: stupid everybody on the show. You know you I really
• 22:51
  Speaker 1: looked up to you, man, Angela man, beautiful, your whole
• 22:54
  Speaker 1: But I just think you know you ain't thought a
• 22:56
  Speaker 1: thought it like like like you be talking about in
• 22:58
  Speaker 1: your interviews, you know, to sir, I think you know
• 23:01
  Speaker 1: you're a little bit on the soft side. I'm on
• 23:03
  Speaker 1: a little bit on that. He said, soft side. I
• 23:06
  Speaker 1: am a soft team. Okay, you see, like I said,
• 23:09
  Speaker 1: Solomon slom A, right, I'm gonna come out to closing
• 23:13
  Speaker 1: man um probably never never. Man. You know you can
• 23:20
  Speaker 1: look at it with a little makeup on you. Thank
• 23:24
  Speaker 1: you night at this morning. Thank you. I want to
• 23:28
  Speaker 1: know your girl. Thank you baby. Hey, today's National Hot
• 23:32
  Speaker 1: Fund Sunday Day. But you have a crush on shot.
• 23:35
  Speaker 1: I'm sorry. Why did you hang out hang up when
• 23:37
  Speaker 1: they're flirting with me? I'm sorry you like that? Why
• 23:39
  Speaker 1: ain't people when they flirting with you? I did enjoy it? Okay,
• 23:43
  Speaker 1: compliment is a compliment, all right? Well, your makeup looks
• 23:46
  Speaker 1: nice today, Bay, I don't win makeup, but thank you
• 23:48
  Speaker 1: for complimenting. Doctor Sandy's work is flawless. Skin. My skin
• 23:51
  Speaker 1: has flawless by the way, sweet face, Hey, what's up?
• 23:54
  Speaker 1: Sweet face club? I wasn't talking about you. I can't
• 23:57
  Speaker 1: tell Sho does have a sweet face lay from alone.
• 24:03
  Speaker 1: Thank you. Flattery will get you everywhere. He's stupid. Yes,
• 24:07
  Speaker 1: slander the breakfast club. Sweet face, DJ, yes, ma'am envy.
• 24:12
  Speaker 1: I need you to pick up at the stars, to
• 24:15
  Speaker 1: find another word to use instead of amazing. I've been practicing.
• 24:18
  Speaker 1: You want to double dawn, you double damn gonna be amazing,
• 24:24
  Speaker 1: and you say amazing, amazing. I've been practicing. You want
• 24:29
  Speaker 1: to know what I'm not gonna lie v. He's making
• 24:31
  Speaker 1: me say the word amazing. I'm like, when did I
• 24:32
  Speaker 1: start using this awesome? Breathtaking, fabulous, heart stopping, marvelous, amazing,
• 24:41
  Speaker 1: stay amazing all the time, wonderful, extraordinary, a phenomenal, sensational, spectacular?
• 24:48
  Speaker 1: Can you sing amazing? Can you sing amazing? Can you
• 24:52
  Speaker 1: sing amazing? Grace? Uh mactacular? Grace? A sweet? I love you?
• 25:00
  Speaker 1: But now all right, fine, goodbye? You do Because I
• 25:04
  Speaker 1: was like, why am I using this word? He's always
• 25:06
  Speaker 1: calling everything. I've never noticed you say amazing so much
• 25:09
  Speaker 1: because when I call you amazing, you like it. I mean,
• 25:12
  Speaker 1: have you seen my skin? What it is? Amazing? Eye
• 25:15
  Speaker 1: would be like Carson's coming to be amazing. We had
• 25:17
  Speaker 1: some amazing spots, had an amazing meeting with Lincoln Tech.
• 25:21
  Speaker 1: My wife told me the same thing. I've been practicing
• 25:23
  Speaker 1: all right, we got more coming up next. We're a
• 25:25
  Speaker 1: breakfast club, yeah Wanning, everybody's DJ Envy Angela Yee, Charlomagne
• 25:34
  Speaker 1: the guy. We are the breakfast Club. Now we got
• 25:36
  Speaker 1: some special guests, some special legends icons. They both friends
• 25:41
  Speaker 1: to the room. They both been on the Breakfast Club
• 25:43
  Speaker 1: numerous times. We had a brother eat forty but forty,
• 25:47
  Speaker 1: what's happening? What's happening Claire? And also too Short? So
• 25:51
  Speaker 1: what's up? What's up? Man? Now? What? Now? What do
• 25:54
  Speaker 1: we owe the pleasure of having these two icons on
• 25:57
  Speaker 1: this zoom for? This is about the super group that
• 25:59
  Speaker 1: I'm hearing about with with with forty and Short and
• 26:01
  Speaker 1: Snoop Dogs. That's what it's about. You talked to Short
• 26:04
  Speaker 1: about that. He don't want to let the cat off
• 26:05
  Speaker 1: the bag. Oh man, it's it's big man. It's big man.
• 26:11
  Speaker 1: We want some other other stuff right now, Man, we're
• 26:13
  Speaker 1: doing um, we're about to do versus mans you mean
• 26:18
  Speaker 1: and forty on versus Now? How did this come on
• 26:23
  Speaker 1: against each other? Yeah? It would seem like we might
• 26:26
  Speaker 1: team up against somebody else, but now we're going against
• 26:28
  Speaker 1: each other. Okay, okay, we're doing it for the bat
• 26:31
  Speaker 1: Man that's short now pause pause pause. You know he
• 26:34
  Speaker 1: Forty got a slick mouth, So how are you gonna
• 26:36
  Speaker 1: deal with his his his slick mouth doing the thirty years. Yeah,
• 26:41
  Speaker 1: I've been I know, up deal with a little bit. Man.
• 26:43
  Speaker 1: I can't control him, but he's he's uh, you just
• 26:46
  Speaker 1: gotta like man, I told you before we jump in
• 26:48
  Speaker 1: the car. So he got through a couple of jobs
• 26:49
  Speaker 1: early because he gonna he's gonna probably like hey, maker
• 26:51
  Speaker 1: you in a minute. I think, if I'm not mistaken,
• 26:54
  Speaker 1: this is the first West Coast versus West Coast versus.
• 26:58
  Speaker 1: I mean, we saw Snoop go up against X, but
• 26:59
  Speaker 1: I don't think we've seen the West Coach versus West
• 27:02
  Speaker 1: Coach versus yet. We would have did it a little earlier, man,
• 27:05
  Speaker 1: But I was resisting. You know, Forty wasn't really wasn't
• 27:08
  Speaker 1: really into it. Man, for the fact that you know,
• 27:11
  Speaker 1: we coolnest. It seemed like it was a war or
• 27:13
  Speaker 1: you gotta go against him and talk bad and stuff,
• 27:15
  Speaker 1: and we kind of like you thought it through and
• 27:17
  Speaker 1: was like, man, let's let's let's do the bay. Because
• 27:20
  Speaker 1: we basically are the story of the beginning of the bay,
• 27:24
  Speaker 1: the foundation where it start. You can't really get too
• 27:26
  Speaker 1: many stories that come before or even during our early days.
• 27:31
  Speaker 1: There's not a lot going on outside of you know,
• 27:33
  Speaker 1: Mac Drey was doing this. Drey y'all three, Mac Dray y'all,
• 27:36
  Speaker 1: y'all would be like the you know they say jay
• 27:38
  Speaker 1: Z Biggie Nas, y'all would be that for the bit.
• 27:40
  Speaker 1: I think Mac Drey forty Short. So you know, I
• 27:44
  Speaker 1: was just like, man, earl, I don't want to do it. Man,
• 27:47
  Speaker 1: I don't want to do it. And then he called
• 27:49
  Speaker 1: me one day. This is how they got me. He
• 27:50
  Speaker 1: called me on it three way with Twiss, and now
• 27:55
  Speaker 1: I got Swiss and Forty trying to give me the
• 27:58
  Speaker 1: pros while they're doing you know, by the end of
• 28:01
  Speaker 1: the column like all right, let's do it. It's a celebration.
• 28:04
  Speaker 1: You know, I wonder I want both of y'all to
• 28:06
  Speaker 1: answer this. What does the verses battle between Short and
• 28:09
  Speaker 1: forty me to the West coast in the Bay Area,
• 28:11
  Speaker 1: I mean to the world m hip hop culture. Man,
• 28:15
  Speaker 1: just showing that you know, we me and shure we
• 28:17
  Speaker 1: go we go back like angel flights and members only
• 28:20
  Speaker 1: jackets feel me. And so you know, when you think
• 28:24
  Speaker 1: of the Bay you think of us too, you know
• 28:26
  Speaker 1: what I'm saying in the same sentence, you know, and
• 28:29
  Speaker 1: so me and Shure they never had no confrontations. All
• 28:32
  Speaker 1: his people know my people from the beginning, br before
• 28:36
  Speaker 1: rap you feel me, br br before wrap you feel me.
• 28:42
  Speaker 1: And so when once we teamed up and did that
• 28:46
  Speaker 1: damn Rappers ball, we knew each other through the you know,
• 28:48
  Speaker 1: through the soils and the traffic, you know what I'm saying.
• 28:51
  Speaker 1: So it just only made sense. So many people was
• 28:53
  Speaker 1: hitting us, like so many people was hitting us about this,
• 28:56
  Speaker 1: this about versus that It's like, man, we need to
• 28:58
  Speaker 1: see you you in short, you know you're in short.
• 29:01
  Speaker 1: That would be the ultimate one for us. You feel me?
• 29:04
  Speaker 1: And so I have brought it up to Todd one day.
• 29:06
  Speaker 1: I say, man, if we ever did versus what you do?
• 29:08
  Speaker 1: If they don't know, if they ever asked us to
• 29:09
  Speaker 1: do versus, would you do it? And he was like,
• 29:12
  Speaker 1: I ain't interest. I wasn't really interested at first either.
• 29:15
  Speaker 1: I'm wasn't interested because I said, why why do I
• 29:18
  Speaker 1: have to You know, I got this body at work
• 29:20
  Speaker 1: that I did. Why should I step up and show
• 29:23
  Speaker 1: off or or prove anything. I'm like, bro, I did mine.
• 29:26
  Speaker 1: I gotta I gotta cold running like you wish you
• 29:29
  Speaker 1: a rapper, wish you could get the run I got in,
• 29:31
  Speaker 1: like wish they can have one of your runs? You
• 29:35
  Speaker 1: feel me? So you know I was on the same
• 29:38
  Speaker 1: page as him, like the same way, like you know
• 29:40
  Speaker 1: what what we have to prove. But then you know,
• 29:42
  Speaker 1: I'm like, you know what, man, this is. This is
• 29:44
  Speaker 1: for for the culture. Man, It's for the for hip hop. Bro.
• 29:47
  Speaker 1: They I know they all love to see it, and
• 29:49
  Speaker 1: we feel like this is a celebration. You feel me. Now,
• 29:53
  Speaker 1: y'all doing a joint? Aum, I know you me talking
• 29:55
  Speaker 1: about it, but we're hearing is it Snoop Dog? And
• 29:58
  Speaker 1: I heard ice Cube? But y'all, I'm just kidding. Yeah,
• 30:01
  Speaker 1: y'all bounced around and yeah, you know y'all curved us.
• 30:04
  Speaker 1: But oh, y'all doing the album of the project. What
• 30:06
  Speaker 1: are they talking about? Yeo, man, it's it's I'm saying
• 30:09
  Speaker 1: like this man, it's twenty twenty. Yeah, we've been quarantining
• 30:13
  Speaker 1: for a long time, most of the time me but um,
• 30:17
  Speaker 1: I felt I fell out my quarantine for a while.
• 30:19
  Speaker 1: But I'm back on it now and it's got a
• 30:22
  Speaker 1: lot of time, man, a lot of time. So we've
• 30:23
  Speaker 1: just been doing stuff. Man, we would get out and about.
• 30:28
  Speaker 1: He said, when I when I fell off my quarantine,
• 30:30
  Speaker 1: I got it in man, like late summer, I was,
• 30:32
  Speaker 1: I was, I fell off. But I've been quarantine through
• 30:36
  Speaker 1: the whole time. I'm I've been. I got everything I
• 30:40
  Speaker 1: need though, you feel me. You know I got I
• 30:43
  Speaker 1: got positive income coming in here. You feel me, different
• 30:45
  Speaker 1: revenue streams, you know what I'm saying. And um, you
• 30:48
  Speaker 1: know I got this this nudio been, I got two
• 30:51
  Speaker 1: snudios up in this time, you feel me. So music
• 30:53
  Speaker 1: is my life, you know what I'm saying. I'm just
• 30:55
  Speaker 1: been thinking of you know, passion projects, man, and coming
• 30:58
  Speaker 1: up with all kind of you know, things to develop,
• 31:01
  Speaker 1: whether it's food, whether it's you know, beverages. You know
• 31:04
  Speaker 1: what I'm saying. Doing this tech thing, you feel me,
• 31:06
  Speaker 1: start up companies, the whole woolwap. So it's many things.
• 31:09
  Speaker 1: And then at the same time, you want to tell
• 31:12
  Speaker 1: them how you want to talk, tell them how that
• 31:13
  Speaker 1: came about? Long story, short man, long story, short man.
• 31:17
  Speaker 1: We gotta, um, we gotta. We made a lot of
• 31:20
  Speaker 1: songs and it ain't really like definite what it's gonna be,
• 31:24
  Speaker 1: but it's gonna be something. And it's just a lot
• 31:25
  Speaker 1: of songs. So who's on these records? Because I'm hearing
• 31:28
  Speaker 1: the group is you forty and Snoop and Nice Cube
• 31:31
  Speaker 1: don't Okay, okay, it's not official yet. It's not a group.
• 31:37
  Speaker 1: There is no name, there's no like, oh yeah, the project.
• 31:40
  Speaker 1: It's not even like that. We just we're just some ogs. Man.
• 31:43
  Speaker 1: Everybody got studios and facilities and beats and you know
• 31:47
  Speaker 1: what I'm saying, We're just doing it. It's something. I
• 31:49
  Speaker 1: feel like we're doing this for hip hop. And when
• 31:51
  Speaker 1: I say that, because you could be doing it for
• 31:53
  Speaker 1: the bag. Nobody don't need the bag. So basically, I
• 31:57
  Speaker 1: feel like we got all these uh these rule and
• 32:00
  Speaker 1: regulations and age limits and what where's the best time
• 32:05
  Speaker 1: zone and what's the best era and who's the best
• 32:08
  Speaker 1: age group? But all this stuff that's like it don't
• 32:10
  Speaker 1: mean nothing to hip hop because hip hop is is
• 32:13
  Speaker 1: very uncontrollable. So when I say we're doing it for
• 32:16
  Speaker 1: hip hop, which is my main motivation, is I'm fifty
• 32:19
  Speaker 1: four years old. If we do anything, it's gonna come
• 32:22
  Speaker 1: out when I'm fifty five years old so and to
• 32:25
  Speaker 1: drop something dope and to be a working MC who's
• 32:28
  Speaker 1: been working since he was fifteen years old, never had
• 32:30
  Speaker 1: another job, like really like eating off hip hop my
• 32:33
  Speaker 1: whole entire life. That to me should be motivational to
• 32:37
  Speaker 1: an up and coming rapper, inspiring rapper, an established rapper,
• 32:41
  Speaker 1: like you sit there and look at you so over
• 32:42
  Speaker 1: in the mirror and be like, what are my limitations?
• 32:44
  Speaker 1: I gotta stop doing this when I'm thirty five, when
• 32:46
  Speaker 1: I'm forty. They kept telling me that I was an
• 32:49
  Speaker 1: og rapper when I was thirty twenty four years ago.
• 32:52
  Speaker 1: That's right. And the game man, so we just drink
• 32:56
  Speaker 1: we blazed and trails. Man, you can't tell me. You
• 32:58
  Speaker 1: can't tell me Fat Joe ain't doing it. Ain't tell
• 33:00
  Speaker 1: me before they ain't doing it. Snoop dogg ain't doing it. Um,
• 33:03
  Speaker 1: you know what I'm saying, busting right that we we
• 33:07
  Speaker 1: the bag is consistent, man, Don't don't do this age
• 33:10
  Speaker 1: is something in hip hop. Don't be an og and
• 33:13
  Speaker 1: tell me that these young rich cats ain't doing it right.
• 33:16
  Speaker 1: Don't tell me that, man, because when I look at
• 33:19
  Speaker 1: my when I look at my strings and look at
• 33:20
  Speaker 1: their streams I'm like, they're doing something right. We're doing
• 33:23
  Speaker 1: something right. I don't I don't knock them, man, because
• 33:25
  Speaker 1: it's a new it's a whole new generation. They're doing
• 33:28
  Speaker 1: it a lot different. But hey, we was once young.
• 33:30
  Speaker 1: You know what I'm saying. We carried it a little different.
• 33:32
  Speaker 1: But you know, you can't knock these junces, man, if
• 33:34
  Speaker 1: anything joined them, you feel me, because ogs need youngces
• 33:37
  Speaker 1: and youngces need ogs and don't have don't have the
• 33:40
  Speaker 1: opposite um attitude either, Like all you old dudes get
• 33:44
  Speaker 1: out the way. That's whack. You know, it ain't like
• 33:45
  Speaker 1: that man's there's a hip hop. It's for the world now, man,
• 33:49
  Speaker 1: because that's all that shot, all that shot. Oh man,
• 33:53
  Speaker 1: I need to wrap it up. It's too old. Would
• 33:56
  Speaker 1: I ain't hurt it in hell alone? Anybody say that?
• 33:58
  Speaker 1: Just aheaded with a mother voters regularly. That's right. The
• 34:02
  Speaker 1: young artist should be looking at y'all and saying, man,
• 34:05
  Speaker 1: I want that kind of longevity. I want that kind
• 34:07
  Speaker 1: of catalog. Because one thing about you and short and
• 34:09
  Speaker 1: all the ogs, y'all not getting paid for what y'all do.
• 34:11
  Speaker 1: Y'all still get y'all get payper what y'all done. Here
• 34:14
  Speaker 1: you go, all right, we got more with too Short
• 34:16
  Speaker 1: and EAT forty when we come back, dope move. It's
• 34:18
  Speaker 1: the Breakfast Club. Good morning, good morning. Everybody is DJ Envy,
• 34:22
  Speaker 1: Angela Yee, Charlomagne, the guy we are the Breakfast Club
• 34:25
  Speaker 1: was still kicking it with E forty and too Short?
• 34:28
  Speaker 1: But this verses, are we gonna get an album or
• 34:30
  Speaker 1: single the day after the verses or the day to
• 34:32
  Speaker 1: the verses? I mean, it's only right millions of people. Yeah,
• 34:36
  Speaker 1: you know, like I said, man, twenty twenty was that
• 34:38
  Speaker 1: kind of year. I make a lot of music just
• 34:41
  Speaker 1: you know, just because that's what I do. But in
• 34:42
  Speaker 1: twenty twenty, it's like I got this whole new inspiration
• 34:46
  Speaker 1: of you're gonna lock me up in the house with
• 34:48
  Speaker 1: a studio. I'm just gonna start making songs. So uh yeah,
• 34:52
  Speaker 1: you know, I gotta I got some stuff I'm gonna drop. Man,
• 34:54
  Speaker 1: I'm I'm dropping a project called Ain't Gonna Do It
• 34:56
  Speaker 1: and it's um it's the beginning of this motivational I'm
• 35:00
  Speaker 1: trying to like balance out. We got the pimps over
• 35:03
  Speaker 1: here and the tricks over there, and everybody's out of control.
• 35:06
  Speaker 1: So I'm trying to find a balance, like you gotta
• 35:08
  Speaker 1: know your lane, you know, kind of kind of toned
• 35:10
  Speaker 1: down the tricking a little bit hard on the pimp silence.
• 35:14
  Speaker 1: You know. It's try you know, trying to like, you know,
• 35:16
  Speaker 1: be age appropriate. But at the same time, I'm not
• 35:18
  Speaker 1: I'm not gonna be one of them ogs that go
• 35:20
  Speaker 1: way to the other side, like girl, how much you
• 35:22
  Speaker 1: want me to wire you and doing that? You still
• 35:26
  Speaker 1: ain't doing no tricking. Short after all these years they
• 35:28
  Speaker 1: say they ain't tricking as you were fit now, man,
• 35:31
  Speaker 1: come on, man, it's not that's not true. Not trying
• 35:37
  Speaker 1: to be a rescue. Ronnie and the cash Aft changed
• 35:41
  Speaker 1: the game. Man. Well, I'm also got a project drop dropping.
• 35:49
  Speaker 1: You dropping dropping on the eighteen You got one on
• 35:50
  Speaker 1: the eighteenth part, Yeah, I heard that you're dropping on
• 35:53
  Speaker 1: the same day night before. Yeah, the same thing. My
• 35:55
  Speaker 1: own project will considers probably about ten to twelve song
• 35:58
  Speaker 1: somewhere around there. It's called terms and conditions. It's just
• 36:02
  Speaker 1: really just gaming, you know, gaming folks up. You know,
• 36:04
  Speaker 1: that's my specialty. Just gaming them up, stilling, you know,
• 36:07
  Speaker 1: giving them some party two, give them to you know,
• 36:09
  Speaker 1: ride to mob out and the old schools or whatever,
• 36:12
  Speaker 1: you know, the new schools whatever. So you know, it's
• 36:15
  Speaker 1: just it's just gas like always. You know, I might
• 36:17
  Speaker 1: need some terms. Oakland and Vale Hooks have been getting down.
• 36:24
  Speaker 1: Back at our day, they was really like tight. Like
• 36:26
  Speaker 1: we used to actually click up and go to different
• 36:29
  Speaker 1: little areas as a you know, like we got our
• 36:31
  Speaker 1: Oakland mob, they got their Valayoup mob. We click up
• 36:33
  Speaker 1: and go out as a supermob and just pop up
• 36:35
  Speaker 1: somewhere else. We did a lot of that, but it
• 36:38
  Speaker 1: was all based on crack cocaine drug sales. Like a
• 36:41
  Speaker 1: lot of dudes in valayout sold and partnered up with
• 36:44
  Speaker 1: a lot of dudes in Oakland and what's like little teams,
• 36:47
  Speaker 1: you know what I mean, and forties people and my
• 36:50
  Speaker 1: people was on the same team. So we would go
• 36:53
  Speaker 1: to like like you said, damn FOLDI parking Vallejo. We
• 36:55
  Speaker 1: pull up and be like you know, valaouts hosting that day.
• 36:58
  Speaker 1: Oh y'all just come down and show you some love.
• 37:00
  Speaker 1: We're gonna hang around, moved around the city. That's how
• 37:02
  Speaker 1: it was. And then you know, they pile up in
• 37:04
  Speaker 1: their cars, pull up the open designated area, hangout and
• 37:08
  Speaker 1: it was cool. So we come from a click, specifically
• 37:13
  Speaker 1: Forty and his brother getting down in the game with
• 37:19
  Speaker 1: somebody who's been with me my whole life, one of
• 37:21
  Speaker 1: my best best friends. So it was it was always
• 37:23
  Speaker 1: real tight. But we wouldn't. It wouldn't. I would never
• 37:26
  Speaker 1: see Forty and be like, hey man, you're rapper is tight,
• 37:28
  Speaker 1: or hey man, when you're dropping something new, or hey man,
• 37:31
  Speaker 1: let's do a song together. It wasn't that kind of friendship.
• 37:33
  Speaker 1: But driven we didn't make records. So ninety five, yeah,
• 37:37
  Speaker 1: many years after we met and we was on the
• 37:39
  Speaker 1: same record label. I came in the ninety three on
• 37:43
  Speaker 1: Jove Records signed. I signed the March of ninety four,
• 37:49
  Speaker 1: already took my first record out of nineteen eighty five.
• 37:55
  Speaker 1: I Ain't never stopped. My first record was called Don't
• 37:58
  Speaker 1: Stop Rapping. I Ain't never stopped rapper. When I just
• 38:01
  Speaker 1: slapped the out of that ship and my mother cougar.
• 38:04
  Speaker 1: I had a cougar with the gold luggage rack with
• 38:07
  Speaker 1: gold tips, gold grill, gold deal against lights, the Gold League, burden,
• 38:12
  Speaker 1: leanders and balls, cutting up every maine. Uh. And so
• 38:17
  Speaker 1: that he taught me how to put just from his music,
• 38:19
  Speaker 1: taught me how to put a whole bunch of game
• 38:21
  Speaker 1: involved in my ship nine, so it's got everything. I
• 38:23
  Speaker 1: gotta be game orientated. Were you rapping in forty like?
• 38:27
  Speaker 1: Around ever? I heard sugar Hill Gang in nineteen seventy nine,
• 38:31
  Speaker 1: when I heard when I heard Robbers Delight, I was
• 38:32
  Speaker 1: a rapper from then on. I just didn't have the access.
• 38:35
  Speaker 1: I was in the marching band. I played the band
• 38:37
  Speaker 1: from fourth grade all the way to twelfth grade, which
• 38:39
  Speaker 1: some people might not have thought that was Cooper. I
• 38:41
  Speaker 1: didn't lose no cool points Maine. I was still that.
• 38:43
  Speaker 1: I was still a fixture. There was the only form
• 38:45
  Speaker 1: of music we didn't have access to, a whole bunch
• 38:48
  Speaker 1: of We didn't have pro tools, we didn't have logic.
• 38:50
  Speaker 1: You know Short, People don't know Short is a producer.
• 38:54
  Speaker 1: I am too like my first one was mister flint Point.
• 38:56
  Speaker 1: I'm one of those producers who never given myself a
• 38:59
  Speaker 1: credit on a song. I just don't if it's me
• 39:02
  Speaker 1: on my song, I just I don't put produced by
• 39:04
  Speaker 1: too Short. But I made a lot, But why not
• 39:07
  Speaker 1: because he gonna make the song sound better. Plus I
• 39:09
  Speaker 1: never make beats for anybody else. I don't want kind
• 39:12
  Speaker 1: of want to this call of me saying, but sure,
• 39:14
  Speaker 1: let me get a beat. But it's like what I
• 39:17
  Speaker 1: do now is I kind of like work with producers
• 39:19
  Speaker 1: and I enhanced to shut you know, refine it and
• 39:23
  Speaker 1: do to it, you know, doctor Dre style. But if
• 39:26
  Speaker 1: I was a producer and I knew how to engineer,
• 39:29
  Speaker 1: I would be king like Kanye West or something, and
• 39:33
  Speaker 1: I would never come out the lab. I would I
• 39:34
  Speaker 1: would be a Timberland mad scientist. But I really don't
• 39:38
  Speaker 1: want to be that guy. I really, I really don't
• 39:41
  Speaker 1: want them skills, because I really would never come out
• 39:43
  Speaker 1: to the studio, So I shied away from that. I met.
• 39:46
  Speaker 1: I met a dude named at Banks. He makes beats
• 39:49
  Speaker 1: like me, except better than me. I was like making
• 39:51
  Speaker 1: beats with Banks. That was that. So that y'all got.
• 39:55
  Speaker 1: Y'all got people like Banks, doctor Dre dass, y'all got
• 39:59
  Speaker 1: on new project. Everybody your name is definitely gonna be
• 40:01
  Speaker 1: on there. We tapped into the natural resources that we
• 40:05
  Speaker 1: have access to battle Cat. I mean, really, I'm telling you, man,
• 40:08
  Speaker 1: it's not like he learned. I did not say. We
• 40:12
  Speaker 1: didn't say that. We're just some homies that if you
• 40:13
  Speaker 1: want to call it something. Just call it snoop que
• 40:16
  Speaker 1: forty and short. We really just like we right right now,
• 40:19
  Speaker 1: we're jumping on these calls. Some about I gotta beat,
• 40:21
  Speaker 1: wrap on this beat, send me a beat. It was
• 40:23
  Speaker 1: around to sending beach to each other and it ended
• 40:25
  Speaker 1: up being twenty five song we'd like sound good, so
• 40:28
  Speaker 1: we kept doing it and it's something. It's a lot
• 40:31
  Speaker 1: of value to it. You're talking about for entrepreneurs. Were
• 40:34
  Speaker 1: about to milk that. We're about to make it a
• 40:38
  Speaker 1: bigger than music ll season. Do you understand me? Like
• 40:41
  Speaker 1: other bro, But we're not a supergroup. We're LLC. That's
• 40:44
  Speaker 1: what it is. Allee good, Buddy's exactly what it is.
• 40:48
  Speaker 1: Everything we do is gonna be a business deal, a
• 40:50
  Speaker 1: business transaction. It's gonna be it's gonna be the LLC.
• 40:53
  Speaker 1: It's not a group and about a song. Watch what
• 40:57
  Speaker 1: I tell you what comes out of the partnership. It's
• 41:00
  Speaker 1: something that I feel like, I feel like hip hop
• 41:02
  Speaker 1: needs to like check this motto out. When you when
• 41:05
  Speaker 1: you see it go down, you can you can smell
• 41:07
  Speaker 1: it right now when you see it go down. Check
• 41:09
  Speaker 1: the formula and let's interject this in the hip hop
• 41:11
  Speaker 1: to where you know I'm gonna speak on something, man,
• 41:14
  Speaker 1: I'm gonna speak on E forty and too short and
• 41:17
  Speaker 1: then geez and Gucci. There was a point in time
• 41:19
  Speaker 1: and E forty and too short. Well, we could have
• 41:22
  Speaker 1: turned our friendship to a Gucci Jeez dynamic. And we
• 41:27
  Speaker 1: jumped on a phone call. They was trying to pretend
• 41:29
  Speaker 1: that I was I was doing something against Forty. It's
• 41:31
  Speaker 1: like nineteen ninety five and Forty called me on the phone.
• 41:36
  Speaker 1: He said, Hey, did you say such a sense? I
• 41:39
  Speaker 1: said nah. He said you sure you weren't on the
• 41:42
  Speaker 1: radio this morning and said such a session. I said nah,
• 41:45
  Speaker 1: And we got off the phone. Somebody had been on
• 41:47
  Speaker 1: the radio pretending to be me talking hell is about forty.
• 41:51
  Speaker 1: It was hot and he didn't. Instead of getting hot
• 41:54
  Speaker 1: and reacting, he hit me up and said, what's up?
• 41:57
  Speaker 1: You know what I'm saying? He was still matter the scenes.
• 42:00
  Speaker 1: I don't. I don't have to. Everything got to be
• 42:02
  Speaker 1: publicized on the NetTel like that. Like I called personally
• 42:06
  Speaker 1: and like, hey, we'll handled with this. You know what
• 42:08
  Speaker 1: I'm saying. I just want to make sure. I just
• 42:09
  Speaker 1: want to make sure I'm thinking crazy on that, and
• 42:11
  Speaker 1: you feel me that's just you resolved that. We resolved
• 42:14
  Speaker 1: the whole issue by going in the studio and making
• 42:17
  Speaker 1: a song called rappers Ball, and he's the first time
• 42:20
  Speaker 1: what they do was that's the first time the word
• 42:22
  Speaker 1: for cheesy was ever mentioned to history. So what I
• 42:27
  Speaker 1: was gonna say was, if E forty and two Short
• 42:30
  Speaker 1: would have turned on each other, it was a whole
• 42:32
  Speaker 1: lot of what came with that ship. It would have
• 42:34
  Speaker 1: been ugly. We would have fed up the story of
• 42:37
  Speaker 1: the Bay. And I think that, you know, Jez and
• 42:40
  Speaker 1: Gucci didn't up Atlanta nothing, But I think that on
• 42:43
  Speaker 1: the opposite side of like what we saw in versus
• 42:46
  Speaker 1: with them, if Jez and Gucci would have been fifteen
• 42:49
  Speaker 1: years twenty years of camaraderie, they would be E forty
• 42:53
  Speaker 1: and two show. And I'm just saying it go it
• 42:54
  Speaker 1: goes so far out of line. Man Earl might have
• 42:57
  Speaker 1: a play on some money and he like, man, I'm
• 42:59
  Speaker 1: moving this way that week, but I got a money
• 43:01
  Speaker 1: play off. You want to get it? And here tell
• 43:03
  Speaker 1: the folks, man, I can't do it. Holed Is Short
• 43:06
  Speaker 1: just shot me twenty five rats just on a text
• 43:09
  Speaker 1: message like bad. You know what I'm saying, and what
• 43:10
  Speaker 1: are the debate if forty crew in my crew turn
• 43:12
  Speaker 1: the enemy and one of us got killed, what are
• 43:14
  Speaker 1: we happened in nineteen ninety six? Yeah yeah, yeah, yeah,
• 43:19
  Speaker 1: all right, keep a lock. Let's get into an E
• 43:20
  Speaker 1: forty two short mini mixes to Breakfast Club, Good Morning.
• 43:23
  Speaker 1: I'm still kicking it with E forty and two short Charming.
• 43:26
  Speaker 1: You know the story that that short told, you know,
• 43:29
  Speaker 1: just about communication, man, communication, It's so important. It made
• 43:32
  Speaker 1: me think about Beggin and Pop because they were friends
• 43:35
  Speaker 1: and in the movie and I y'all lived it. I
• 43:37
  Speaker 1: didn't live it. In the movie Biggie wanted to call
• 43:39
  Speaker 1: poking puffs like nine nine nine nine, Let it be,
• 43:42
  Speaker 1: Let it be. So it just shows how far things
• 43:44
  Speaker 1: can go when two brothers just don't get to the
• 43:46
  Speaker 1: root of the problem. Man, communication, let me tell you something,
• 43:49
  Speaker 1: and also putting your pride to the side can save
• 43:52
  Speaker 1: lives a lot of things. But misunderstanders and miscommunication even
• 43:55
  Speaker 1: in the soils and the trenches in the you know
• 43:57
  Speaker 1: what I'm saying, in the octagon, it's like that's how
• 43:59
  Speaker 1: it be. It's like a lot of casts can really,
• 44:01
  Speaker 1: you know, fix their problems just on communicating because it'd
• 44:04
  Speaker 1: be a lot of sideline up. Hellam messy in the background,
• 44:07
  Speaker 1: and like bitches can be messy, a lot of folks
• 44:10
  Speaker 1: start over bitches because you got to prove something to
• 44:12
  Speaker 1: them instead of putting their podcast aside and say, you
• 44:14
  Speaker 1: know what, man, I don't want nobody innocent in my
• 44:16
  Speaker 1: family to get knocked down. So we're gonna try to
• 44:18
  Speaker 1: diffuse just the best of my abilities. You know what
• 44:21
  Speaker 1: I'm saying. Who want to always watch their back all
• 44:24
  Speaker 1: their life? Man? You know what I'm saying. Uh, it's
• 44:27
  Speaker 1: a great world out there, bro lovely. You know what
• 44:29
  Speaker 1: I would trying to tell these Johnson Man, It's bigger
• 44:31
  Speaker 1: than Fox blocks, man, you know what I mean? You
• 44:34
  Speaker 1: really do want to enjoy life? Man, That's that's that's
• 44:37
  Speaker 1: the part that I always stressed that, you know. Short
• 44:41
  Speaker 1: The first time we ever had Sendati Kamala Harris on
• 44:44
  Speaker 1: Breakfast Club was two thousand and eighteen, right, and this
• 44:47
  Speaker 1: before she was running for president and anything. And one
• 44:51
  Speaker 1: of us after who her favorite rapper, was that she
• 44:53
  Speaker 1: was out from Oakland short off time and I don't
• 44:57
  Speaker 1: and that and for whatever I mean, I guess you know,
• 44:59
  Speaker 1: back then she wasn't on the national scene in that way,
• 45:02
  Speaker 1: not culturally, just politically, so I guess people didn't really
• 45:05
  Speaker 1: pick up on it. But she said too Short was
• 45:07
  Speaker 1: her favorite rope. Let me say that too short the mayor,
• 45:12
  Speaker 1: the mayor Oakland. Well, you know, it's really like some
• 45:15
  Speaker 1: DNA thing when it comes to the Bay, Like, okay,
• 45:19
  Speaker 1: I like, I say, I'm I'm fifty four and I've
• 45:21
  Speaker 1: been making music that I put out in the streets
• 45:24
  Speaker 1: of the Bay since I was fourteen fifteen. So it's
• 45:28
  Speaker 1: people like you could be in your forties right now
• 45:31
  Speaker 1: and you was literally like a little kid who grew
• 45:33
  Speaker 1: up on too Short. Like it's that much of a
• 45:36
  Speaker 1: dynamic in the Bay where I'm on I'm on third,
• 45:40
  Speaker 1: you know, grandparents and grandkids loving the same too Short
• 45:44
  Speaker 1: song right now? Yeah, I asked, I asked, Kamalo. You know,
• 45:47
  Speaker 1: I said, if you, I said, if you're rock with
• 45:49
  Speaker 1: too short? And what's my what's my favorite word? I
• 45:51
  Speaker 1: can't say? She like, I can't say that, I can't
• 45:53
  Speaker 1: say it, she said, she did. She said she I
• 45:56
  Speaker 1: can't say it. I can't say that. I can't fit you.
• 45:59
  Speaker 1: Have you ever had any reactions with her and Oakland. Sure,
• 46:02
  Speaker 1: by the look of how how she is, I probably
• 46:04
  Speaker 1: did pop out. All it's a small I'm said smoke broccoli.
• 46:12
  Speaker 1: She said she did in college. Hey, she could scream
• 46:16
  Speaker 1: that she made it right now that's legalized. May you
• 46:19
  Speaker 1: feel me? I can? You know in my young days, man,
• 46:22
  Speaker 1: I only really dated super like nerdy high ships. I
• 46:26
  Speaker 1: never really went for it, like the chick who's got
• 46:28
  Speaker 1: like brothers like E forty like you know what I'm saying,
• 46:35
  Speaker 1: when the opposite man, he's he's great, I'm really did
• 46:39
  Speaker 1: I'm you know what I'm saying. I'm a real husband.
• 46:41
  Speaker 1: You know what I'm saying. I got a wife. She's
• 46:43
  Speaker 1: been with me since high school. You feel me? Sure
• 46:45
  Speaker 1: he married his high school sweetheart. I'm married my high
• 46:48
  Speaker 1: school sweetheart. Sure, sure he'd be moving around. Man. You know,
• 46:51
  Speaker 1: but that's my part of that. We we got two
• 46:53
  Speaker 1: different things, but we we know we coasted in the
• 46:56
  Speaker 1: book or to a nose that's not it's short. The
• 46:59
  Speaker 1: part that the wife don't want you around like I
• 47:01
  Speaker 1: know you're around. No, because he knows where they know
• 47:04
  Speaker 1: each other, because they was short, respect her and vice verse.
• 47:09
  Speaker 1: He know what, you know the limits that don't go,
• 47:11
  Speaker 1: he know, not to play. They put the bitch filter
• 47:14
  Speaker 1: on me. Man. You know the bitch filter is they said,
• 47:19
  Speaker 1: don't bring any girls around that you don't that you
• 47:23
  Speaker 1: don't share your coffee table with, Like if you if
• 47:25
  Speaker 1: she don't live in my house, I'm gonna tell you her.
• 47:30
  Speaker 1: I'm unfolded. Let me tell how it happened. Okay, Short,
• 47:33
  Speaker 1: when he comes to me, come work, work in the studio.
• 47:36
  Speaker 1: You know what I'm saying. Every day, my youngest son,
• 47:39
  Speaker 1: every time he over here, my youngest son to be
• 47:41
  Speaker 1: playing video games. She had a little video game in
• 47:43
  Speaker 1: the back, video games and one or two shorts brawls, right,
• 47:47
  Speaker 1: and he was a little he was a little like five.
• 47:49
  Speaker 1: How he five years old at the time to like
• 47:51
  Speaker 1: that for you and hanging out with the girls, and
• 47:53
  Speaker 1: he like they you try to take my short, but
• 47:55
  Speaker 1: you try to take my girlfriend, right. So, but they
• 47:57
  Speaker 1: ain't doing That's the funny part. But the thing is
• 47:59
  Speaker 1: one day one of the broths like, yeah, I be
• 48:01
  Speaker 1: over forty house all the time. They got back to
• 48:03
  Speaker 1: us one of the right, and so wife was like,
• 48:06
  Speaker 1: you know what till Short, if he can total more
• 48:09
  Speaker 1: girls over here, boy always need a picture that you
• 48:15
  Speaker 1: post with Pop Man with y'all drinking a forty and
• 48:18
  Speaker 1: I always wonder what was the story behind that picture?
• 48:21
  Speaker 1: Was we drinking? Was it a forty y'all drinking something?
• 48:24
  Speaker 1: I don't know what it was that was that was
• 48:26
  Speaker 1: he had Alexa and his Alixa aloxada him. I had Alxa,
• 48:30
  Speaker 1: I had alexam my head. That's that was a drink
• 48:32
  Speaker 1: back there, Alexa. Um. What was the story that was
• 48:35
  Speaker 1: at Rapper's Ball VI's video when we took the video
• 48:39
  Speaker 1: a party? Man? Huh? The video was a party went
• 48:42
  Speaker 1: in a video just still a party and it was
• 48:44
  Speaker 1: at the same time, wow, you know. But Rapper's Ball
• 48:47
  Speaker 1: was that we did then in Calibassa's right, And so
• 48:50
  Speaker 1: pop I told Popa, who was gonna be it in La?
• 48:54
  Speaker 1: He said, I'm gonna come through. I said, He said,
• 48:56
  Speaker 1: what a thing at? I say, it's in Calabassa's right.
• 48:58
  Speaker 1: He said, stay right around the corner. I got just
• 49:01
  Speaker 1: got a house right around the corner. Julie came, kick
• 49:04
  Speaker 1: Hella all day with us, got toasted, play music the
• 49:08
  Speaker 1: whole woo wap. You know what I'm saying. So in
• 49:10
  Speaker 1: the video you all through the visit video rap think
• 49:13
  Speaker 1: that day. That day he played us the whole macavelioum
• 49:16
  Speaker 1: before it came out, Wow yea and Moore and some
• 49:20
  Speaker 1: other ones, and he wanted to do a group. I
• 49:22
  Speaker 1: forgot what he was calling to, but he wanted me
• 49:24
  Speaker 1: Dyson smooth, hella just hella, hella ogs. You know what
• 49:27
  Speaker 1: I'm saying. Verses, then this verse is gonna be so
• 49:29
  Speaker 1: classic man this Saturday. Make sure y'all tune in. Man.
• 49:33
  Speaker 1: I'm excited for this fore. I mean, yeah, the main
• 49:35
  Speaker 1: reason I'm excited because I always feel like the Bay
• 49:37
  Speaker 1: Area doesn't get the proper respect it deserves and hip hop,
• 49:40
  Speaker 1: even though y'all influenced so much. So one thing I
• 49:43
  Speaker 1: see the verses to do is it reminds people and
• 49:45
  Speaker 1: and and not only remind people, wakes people up, like
• 49:47
  Speaker 1: oh that came from that, that was them, Like, well,
• 49:50
  Speaker 1: we're gonna tell some stories, man, I'm gonna bring y'all
• 49:53
  Speaker 1: back to my Atlantic years too. I ain't. I ain't
• 49:55
  Speaker 1: just a bay I put I put fifteen years in
• 49:57
  Speaker 1: the Atlanta to a lot of a lot of influence. Yeah,
• 50:00
  Speaker 1: a lot of little I see a lot of little
• 50:01
  Speaker 1: kids in the lane to look like you where I
• 50:05
  Speaker 1: might if I had any kids that I didn't know about. That.
• 50:07
  Speaker 1: With that, I met Little John Because of this guy
• 50:10
  Speaker 1: right here. Man, he embraced Little John and me being
• 50:14
  Speaker 1: on showls with them and running into Little John. We
• 50:17
  Speaker 1: ended up working. Imagine question for you, do you do
• 50:19
  Speaker 1: personal catering? Because gooon with the spoon do personal okatering.
• 50:23
  Speaker 1: I'm so glad that you brought that up. So the
• 50:25
  Speaker 1: gun with the spoon, let me tell y'all, So the
• 50:28
  Speaker 1: gooon with the spoon, it's really some street ship. You
• 50:31
  Speaker 1: know what I'm saying. There's really some streets that I
• 50:33
  Speaker 1: converted into you know what I'm saying. That all add
• 50:35
  Speaker 1: up to the same thing. It's cooking. We could cook, yeah,
• 50:38
  Speaker 1: build me um. So the goodle with the spoon just
• 50:40
  Speaker 1: naturally half of it. It was natural, like an app
• 50:42
  Speaker 1: for bro, you know, just being the oldest of four,
• 50:45
  Speaker 1: you know, knowing how to cook and working at the restaurants.
• 50:47
  Speaker 1: You know what I'm saying. Who working at the restaurant? Uh?
• 50:50
  Speaker 1: I call it um um, I call it a Michelin
• 50:54
  Speaker 1: star restaurant, But it really wasn't. It was a Pernicia California.
• 50:57
  Speaker 1: It was called the Commandos Restaurant and hell of rich people.
• 51:00
  Speaker 1: I'm cooking London Broy, I'm cooking chicken cord on blue.
• 51:02
  Speaker 1: I'm cooking I never heard this. I'm making making an
• 51:06
  Speaker 1: orange roughie. You know what I'm saying, paying fried you
• 51:08
  Speaker 1: understanding with uh with with with drawn, but with brown
• 51:12
  Speaker 1: butter and all minds. You feel what I'm saying. I'm
• 51:14
  Speaker 1: doing that kind of mate, you know what I'm talking about. Yeah,
• 51:17
  Speaker 1: so you know I didn't mixed up with my magazine
• 51:20
  Speaker 1: street specialty meals that I understand me that I made.
• 51:23
  Speaker 1: You know what I'm saying back in the days and
• 51:25
  Speaker 1: the glory days. You feel me? So I just quit
• 51:27
  Speaker 1: it heavy the goon with But I do I'm gonna
• 51:29
  Speaker 1: ask you a question. I haven't did kidding yet. You know,
• 51:32
  Speaker 1: I'm just I just tore around with this. But I
• 51:34
  Speaker 1: know what I'm doing because it's it'sn't laid up into
• 51:36
  Speaker 1: ko packing. So a lot of people don't know that
• 51:38
  Speaker 1: logo when you see good with the spoon. I got
• 51:41
  Speaker 1: a lot of coming, bro you know what I'm saying.
• 51:43
  Speaker 1: I got a lot of meat products coming with that
• 51:46
  Speaker 1: logo on that goon with the spoon and I'll reveal
• 51:49
  Speaker 1: that in the next interview. Hell up, but this Saturday,
• 51:52
  Speaker 1: make sure you tune into the verses too short e
• 51:55
  Speaker 1: forty Man, we appreciate you guys for checking in so much. Man,
• 51:58
  Speaker 1: we appreciate y'all. Thank y'all. We're having us on this platform.
• 52:01
  Speaker 1: And good brothers changed. Change that supergroup to a super LLC.
• 52:07
  Speaker 1: All right, it's the breakfast Club. Good order it don't
• 52:10
  Speaker 1: be a dusky because right now you are some real
• 52:14
  Speaker 1: It's time for Donkey Day. I need to be a
• 52:17
  Speaker 1: dark man. Did she get I had become Donkey of
• 52:24
  Speaker 1: the Day? Breakfast Club bitches. Dunkey of to day goes
• 52:29
  Speaker 1: to see PAC chairman and Trump advisor Matt Slap. Now,
• 52:34
  Speaker 1: I want to take this time this morning to discuss
• 52:36
  Speaker 1: with you cultural blind spot. We all have them most
• 52:40
  Speaker 1: of the time. We have them because what we think
• 52:42
  Speaker 1: we know about other people is something we haven't experienced.
• 52:45
  Speaker 1: It may be from something uh we read, something we
• 52:49
  Speaker 1: saw in media on TV or film, heard on the radio,
• 52:53
  Speaker 1: just observed in passing. We all make these assumptions about people.
• 52:57
  Speaker 1: And what's dangerous about assumptions or somes is when a
• 53:00
  Speaker 1: set of assumptions about something becomes common knowledge. It forms
• 53:04
  Speaker 1: a stereotype. In some stereotypes a positive sum or negative.
• 53:09
  Speaker 1: Some are just dangerous. Some are straight up bigoted and prejudiced.
• 53:13
  Speaker 1: For example, you know black men have bigger penises. That's
• 53:17
  Speaker 1: a positive stereotype. Positive stereotype for black men. Negative stereotype
• 53:22
  Speaker 1: for the women that believe that but then find out
• 53:25
  Speaker 1: that's not true. Okay, the dumb blonde, you know, the
• 53:28
  Speaker 1: attractive blonde woman. That's stupid as hell. I don't know
• 53:33
  Speaker 1: who reinforced that on TV in your generation, but Kelly
• 53:37
  Speaker 1: Bundy reinforced it in mind. Okay, the dumb blonde, that
• 53:39
  Speaker 1: was just stupid. All right. White men not being able
• 53:41
  Speaker 1: to jump, they did a whole movie about it. Okay,
• 53:44
  Speaker 1: how about white people not being able to dance, lacking rhythm? Okay,
• 53:48
  Speaker 1: may not be as stereotype if it's true, but it's
• 53:50
  Speaker 1: definitely some Caucasians out there who can dance word to
• 53:52
  Speaker 1: justin Timberlake. All I'm simply saying is stereotypical tropes are
• 53:56
  Speaker 1: a thing. Well, yesterday on Fox News, on the show
• 54:00
  Speaker 1: Harris Faulkner was hosting, Matt Slapp was debating with a Queen.
• 54:04
  Speaker 1: John Hopkins University Professor Wendy Osefo dropped on a clues
• 54:08
  Speaker 1: bomb for Windy Ocefo. Wendy and I have done mental
• 54:11
  Speaker 1: health discussions before at John Hopkins University in Baltimore, great discussions.
• 54:16
  Speaker 1: I enjoyed building with her, and I'm glad she existed
• 54:19
  Speaker 1: on this panel yesterday because there is a stereotypical trope
• 54:22
  Speaker 1: that black men get labeled often that she corrected. Now,
• 54:26
  Speaker 1: Matt and Wendy were discussing Donald Trump in his interview
• 54:29
  Speaker 1: with Chris Wallace. The discussion turned to Joe Biden and
• 54:33
  Speaker 1: his cognitive skills are lack thereof. And this is when
• 54:37
  Speaker 1: Matt let his stereotypical trope about a black man fly.
• 54:41
  Speaker 1: Let's hear it and pay attention after you hear it
• 54:43
  Speaker 1: to hear what happened and how Wendy responded. Joe Biden
• 54:46
  Speaker 1: is essentially trying to duck and cover, not have a
• 54:50
  Speaker 1: full campaign hang out in his house, and none of
• 54:54
  Speaker 1: us are able to really see what he's got. He
• 54:56
  Speaker 1: ought to take an hour and answer all the tough questions,
• 54:58
  Speaker 1: and he ought to release his schedule every day that
• 55:00
  Speaker 1: shows that he's full all day long with events Instead
• 55:04
  Speaker 1: we see a speech here or there. He does interviews.
• 55:07
  Speaker 1: He did an interview with a rap star and he
• 55:10
  Speaker 1: couldn't even get through that without a big foible on
• 55:12
  Speaker 1: the U ain't black. So I think the problem is
• 55:15
  Speaker 1: is Joe Biden is not running a fully energetic, real campaign.
• 55:20
  Speaker 1: Wendy Opo. I want to get show response to this.
• 55:23
  Speaker 1: What we want to hear is facts. What are you
• 55:25
  Speaker 1: going to do for those individuals who have lost family
• 55:28
  Speaker 1: members due to the pandemic. What are you going to
• 55:31
  Speaker 1: do to ensure that we do not have another issue
• 55:33
  Speaker 1: like George Floyd within our police department. That's what we
• 55:37
  Speaker 1: want to hear. And when you know Biden made the
• 55:40
  Speaker 1: comment about African Americans, that was not a rap star.
• 55:43
  Speaker 1: That was Charlemagne the God, who is a nationally syndicated
• 55:45
  Speaker 1: radio host. You know, I know he's a black man.
• 55:47
  Speaker 1: So he may think he's a rapper, but he's not
• 55:49
  Speaker 1: dropping a clue box. Wendy Opo. Again, thank God for
• 55:53
  Speaker 1: black women. What would black panther be without the door
• 55:56
  Speaker 1: in malaj My god, there is something about a black
• 55:59
  Speaker 1: woman getting somebody together on behalf of black people. Because
• 56:04
  Speaker 1: what Windy did, what Wendy did, wasn't for me, that
• 56:07
  Speaker 1: was for us. Okay, Educating Matt Slap in that moment
• 56:12
  Speaker 1: in real time is exactly what needs to happen. Remember
• 56:16
  Speaker 1: last week when I said, if Nick Cannon was going
• 56:18
  Speaker 1: to attempt to have a conversation about his assumptions of
• 56:21
  Speaker 1: the Jewish community, he should have it with a Jewish
• 56:22
  Speaker 1: scholar or rabbi, someone from that community who can correct
• 56:26
  Speaker 1: his mistakes when he says something wrong, who can correct
• 56:29
  Speaker 1: him if he says something they deem anti Semitic. That's
• 56:32
  Speaker 1: what Windy Osephal was from Matt Slap in that moment.
• 56:36
  Speaker 1: See rapper is a stereotypical trope that successful black men
• 56:40
  Speaker 1: get labeled all the time because, for whatever reason, when
• 56:43
  Speaker 1: some white people do see us, if they see us
• 56:46
  Speaker 1: at all, they can't see us as anything else. I mean,
• 56:49
  Speaker 1: I'm clearly too short to be labeled a basketball player.
• 56:53
  Speaker 1: So the only way I could be in first class
• 56:55
  Speaker 1: on a flight or on your TV talking to a
• 56:57
  Speaker 1: presidential candidate is because I rap. This happens to me
• 57:02
  Speaker 1: all the time. I've seen so many of the mainscream.
• 57:06
  Speaker 1: I know what happens to you, and you got confused
• 57:08
  Speaker 1: with Drake. I've seen so many of these mainscream white
• 57:12
  Speaker 1: publications label me a rapper. I've been on a flight.
• 57:17
  Speaker 1: He've had white people ask me, you know, do I rap?
• 57:20
  Speaker 1: Do I do music? I always reply I'm a proctologist,
• 57:25
  Speaker 1: and did I make a fart sound? I'm serious, But
• 57:27
  Speaker 1: I'm not gonna call match slapper racist for what. I'm
• 57:31
  Speaker 1: gonna just say he has a cultural blind spot. Okay,
• 57:34
  Speaker 1: I can't fault him for what he doesn't know. Plus,
• 57:37
  Speaker 1: I used to really rap back in the day. Nothing serious,
• 57:40
  Speaker 1: but I had a bar or two. And if all
• 57:42
  Speaker 1: black people look alike to him, then hell, maybe we
• 57:45
  Speaker 1: all look like rappers to him. Plus, tell him your
• 57:50
  Speaker 1: rap name, son, I don't have a rap name. Maybe
• 57:53
  Speaker 1: he's just familiar with the song black Men Don't Cheat,
• 57:55
  Speaker 1: and that's where he knew you're from. No, that's not true.
• 57:57
  Speaker 1: My rap name used to be Dizzy Van Winkle and
• 58:02
  Speaker 1: but listen, I love rap. You know. Rap music has
• 58:04
  Speaker 1: saved a lot of lives, took a lot of brothers
• 58:06
  Speaker 1: and sisters out of the ghetto, made a lot of
• 58:08
  Speaker 1: brothers and entrepreneurs, and has provided a lot of jobs
• 58:10
  Speaker 1: for a lot of black and brown people. So being
• 58:12
  Speaker 1: referred to as a rap star. I would call that
• 58:16
  Speaker 1: a positive stereotype, but a stereotype nonetheless. And the moral
• 58:21
  Speaker 1: of the story is contrary to this caucasian's culturally clueless belief.
• 58:26
  Speaker 1: All black men you see on TV are not rappers
• 58:30
  Speaker 1: and athletes. And you should never assume that, because Matt,
• 58:34
  Speaker 1: when you assume, you make an ass out of you
• 58:37
  Speaker 1: and me, because that's how it's spelled. Please let Chelsea
• 58:41
  Speaker 1: Handler give Matt slap the biggest he haw he haw
• 58:44
  Speaker 1: he haw. That is way too much. Dan Mann is
• 58:47
  Speaker 1: now anybody I've seen this happen to you in real time, yes,
• 58:50
  Speaker 1: or not in real time on video? Somebody who stook
• 58:52
  Speaker 1: you for Drake yep. I get the same questions all
• 58:56
  Speaker 1: the time. What team do you play for? You never
• 58:59
  Speaker 1: did that stop all the time. Yes, I do. Maybe
• 59:04
  Speaker 1: baseball because you're Dominican. Maybe that's six I'm six foot.
• 59:08
  Speaker 1: I'm six foot, So I get h with what team
• 59:11
  Speaker 1: do you play for? Up? Yesterday? I got am I
• 59:14
  Speaker 1: a singer? I got that yesterday, So I get it all.
• 59:17
  Speaker 1: Definitely singer, definitely, R and B vibes definitely, Neil Soul,
• 59:22
  Speaker 1: R and B vibes definitely. All right, we got more
• 59:24
  Speaker 1: coming up next with a breakfast Club. The Breakfast Club.
• 59:31
  Speaker 1: You're checking out the world's most dangerous morning show. Morning
• 59:34
  Speaker 1: Everybody is DJ Envy Angela Yee, Charlomagne the guy. We
• 59:38
  Speaker 1: are the Breakfast Club. You got a special guest on
• 59:40
  Speaker 1: the line, The Brothers back right, Eric Dyson, Welcome back, brother,
• 59:44
  Speaker 1: Hey man, it's great to be here. I'm thinking of
• 59:46
  Speaker 1: the greatest hits. I want to start off like, put
• 59:49
  Speaker 1: some respect on my name? All three, y'all put some
• 59:51
  Speaker 1: respect on my day? Or here's the number, Gray Gray, Michael,
• 59:59
  Speaker 1: Eric Dyson. The warning only is head. He's put out
• 1:00:01
  Speaker 1: his seventeenth million book, A Long Time Coming In or
• 1:00:06
  Speaker 1: Reckoning with Race in America. It's a great read. It's
• 1:00:10
  Speaker 1: tough read, very tough reads. It a tough read. It's
• 1:00:13
  Speaker 1: a tough read because, like the first chapter is black
• 1:00:15
  Speaker 1: deaf and that's that's very hard to get through. But literally,
• 1:00:18
  Speaker 1: the whole book's theme is essentially about black deafen and
• 1:00:22
  Speaker 1: like one of my first questions was it as difficult
• 1:00:24
  Speaker 1: to write as it was for me to read? Yes,
• 1:00:27
  Speaker 1: but not as difficult as the people who died That's right.
• 1:00:30
  Speaker 1: You know, I'm from an older generation. I know people
• 1:00:32
  Speaker 1: can't tell, but I'm older. I'm sixty two years old.
• 1:00:37
  Speaker 1: We didn't have safe spaces, we didn't have self care
• 1:00:39
  Speaker 1: things that are necessary and critical and vital. But I
• 1:00:42
  Speaker 1: know people say, give a trigger warnings. I'm in class
• 1:00:45
  Speaker 1: my younger students when I'm about to watch the Kendrick
• 1:00:47
  Speaker 1: Lamar video about you know we're gonna be all right?
• 1:00:51
  Speaker 1: Should you give a warning? I'm not even used to that.
• 1:00:53
  Speaker 1: I don't even think that way. I know I am
• 1:00:57
  Speaker 1: sensitive to and empathetic with those who do. But I
• 1:01:01
  Speaker 1: figured the people who died had no choice. Im Matil
• 1:01:06
  Speaker 1: had no choice, George Floyd had no choice, Brianna Taylor
• 1:01:09
  Speaker 1: had no choice. The least we could do is to
• 1:01:13
  Speaker 1: wrestle with and grapple with, in an existential, personal, political,
• 1:01:17
  Speaker 1: philosophical sense, the death that they endured. And yes, is
• 1:01:21
  Speaker 1: it tough. Absolutely? Am I trying to retraumatize black people. No,
• 1:01:25
  Speaker 1: But I'm saying at the same time, if they could
• 1:01:27
  Speaker 1: sacrifice limb, corpuscle blood, then we embody. Then we can
• 1:01:33
  Speaker 1: at least attempt to get inside their skin for a moment,
• 1:01:37
  Speaker 1: to see what they felt, to know what the consequence
• 1:01:40
  Speaker 1: of their death is and for us to grapple with
• 1:01:42
  Speaker 1: that as the basis for trying to talk about racial
• 1:01:45
  Speaker 1: reckoning in America. So yeah, it was tough, starting in
• 1:01:48
  Speaker 1: the prelude with Elijah McClain, a twenty three year old
• 1:01:52
  Speaker 1: young black man who some arguedents on the spectrum a
• 1:01:56
  Speaker 1: sweet soul, as sweet as one could ever imagine. And
• 1:01:59
  Speaker 1: here he is because wearing a ski mask before COVID
• 1:02:02
  Speaker 1: because he had, you know, he was anemic and as
• 1:02:06
  Speaker 1: a result of that, he wanted to stay warm, and
• 1:02:08
  Speaker 1: the police roll upon him. He says, please respect the boundaries.
• 1:02:11
  Speaker 1: I am articulately, I am speaking. And not only do
• 1:02:15
  Speaker 1: they ignore him, they besiege him. They take hold of him,
• 1:02:20
  Speaker 1: they put him in a chokehold, render him unconscious twice.
• 1:02:23
  Speaker 1: The EFT arrives, they put tedement in him, and then
• 1:02:26
  Speaker 1: a week later he's dead. I mean, this is the
• 1:02:28
  Speaker 1: massive disregard for black life. This is the vicious, callous
• 1:02:33
  Speaker 1: indifference to who we are. So I think the least
• 1:02:36
  Speaker 1: we can do, yes, take a note, Yes, have a
• 1:02:40
  Speaker 1: trigger warning. Yes we have to deal with this, but
• 1:02:43
  Speaker 1: I think we've got to honor their deaths in many ways,
• 1:02:46
  Speaker 1: and one of them it is at least understanding the
• 1:02:49
  Speaker 1: horror and tragedy of what they confront it. I wanted
• 1:02:51
  Speaker 1: to put that on paper as poignantly, as vividly, and
• 1:02:56
  Speaker 1: in some instances as graphically as I so that we
• 1:03:01
  Speaker 1: can get inside of the trauma that black people confront
• 1:03:04
  Speaker 1: and those outside of it so they can understand what
• 1:03:07
  Speaker 1: we're up again, so we get to a point now
• 1:03:09
  Speaker 1: where it's like that is it doesn't stop. The young
• 1:03:11
  Speaker 1: man Casey Goodson died. We just had his mom on air,
• 1:03:14
  Speaker 1: and it's like, when does it stop? They keep doing
• 1:03:17
  Speaker 1: the same thing over and over and over and over
• 1:03:20
  Speaker 1: and over again. It's a great point. And when you're
• 1:03:22
  Speaker 1: parallel what you just said with the video that came
• 1:03:26
  Speaker 1: out at the same time of the white guy getting
• 1:03:28
  Speaker 1: stopped by the police. He has a gun in the
• 1:03:33
  Speaker 1: seat next to him. The police withdraw their revolvers and
• 1:03:38
  Speaker 1: pistols from their hosters and point at the young man.
• 1:03:43
  Speaker 1: He's arguing with them, I have a Second Amendment right,
• 1:03:47
  Speaker 1: I have a right there a gun. What you're doing
• 1:03:48
  Speaker 1: is wrong. You can't have me step out of the car.
• 1:03:50
  Speaker 1: He's arguing, vigorously, aggressively back and forth with them. They
• 1:03:55
  Speaker 1: tell him to get out. Several times he refuses to
• 1:03:58
  Speaker 1: do so, he says he will not, and as a
• 1:04:00
  Speaker 1: result of that, they go back and for three minutes,
• 1:04:03
  Speaker 1: and at the end of it he says, I'm driving
• 1:04:06
  Speaker 1: off right now and pulls off. This is the astonishing
• 1:04:12
  Speaker 1: parallel to black people like Jacob Blake walking around your
• 1:04:16
  Speaker 1: car and when you open the door and they see
• 1:04:20
  Speaker 1: a knife, they commenced to shooting. Not because you've withdrawn
• 1:04:25
  Speaker 1: that knife from your car and tried to hurt them,
• 1:04:28
  Speaker 1: not because you've threatened them. And by the way, the
• 1:04:31
  Speaker 1: white guy threatened them twice to shoot them. He threatened
• 1:04:36
  Speaker 1: them to their face. So that parallel is assignishing. No,
• 1:04:40
  Speaker 1: it will never stop unless we do something about it.
• 1:04:43
  Speaker 1: Maybe we could defund the police, my lord, Maybe we
• 1:04:47
  Speaker 1: could have a radical reimagining of the police. Now, look,
• 1:04:50
  Speaker 1: I know we're going to get into the Obama quote.
• 1:04:52
  Speaker 1: Let me introduce it myself. I'm hosting myself today. Might
• 1:04:54
  Speaker 1: as well do it right, Yeah, I'm Charlemagne. The lights
• 1:04:58
  Speaker 1: can The thing is for those who have been hurt
• 1:05:02
  Speaker 1: and in pain, and for the question you asked me
• 1:05:05
  Speaker 1: when it's going to stop. Imagine that behind the attempt
• 1:05:09
  Speaker 1: to reimagine policing. All right, So reimagining policing means the
• 1:05:13
  Speaker 1: police don't have a run or a copyright on public safety.
• 1:05:17
  Speaker 1: Public safety is an obligation. Policing is one department that
• 1:05:21
  Speaker 1: does it. We can remove that department or decenter it
• 1:05:25
  Speaker 1: if we deserve decenter policing. That means other departments take
• 1:05:29
  Speaker 1: care of responsibilities for public safety. Do you know ninety
• 1:05:32
  Speaker 1: percent of what police do ain't about stopping people and
• 1:05:34
  Speaker 1: shooting people and doing that kind of stuff, or engaged
• 1:05:37
  Speaker 1: in warfare with human beings who are citizens on the streets.
• 1:05:41
  Speaker 1: They're getting cats from trees and doing innocua stuff. The
• 1:05:46
  Speaker 1: problem is even when they do it innocua stuff with
• 1:05:48
  Speaker 1: black folk. Oh, Walter Scott, let me stop you in
• 1:05:51
  Speaker 1: South Carolina because your left turn signal doesn't work. And
• 1:05:55
  Speaker 1: then a little while later he's being shot seven times
• 1:05:58
  Speaker 1: in the back by policemen right the officers later. I think.
• 1:06:02
  Speaker 1: So even the innocuous, the every day, the non offensive
• 1:06:06
  Speaker 1: stuff that other people can take forgot, Oh thanks officer,
• 1:06:09
  Speaker 1: thanks for stopping me and thanks for giving me a warning,
• 1:06:12
  Speaker 1: ends up with death with black people. So this is
• 1:06:14
  Speaker 1: the desperation behind reimagining policing, reimagining what police people can do.
• 1:06:21
  Speaker 1: So if we decenter them, and because you know, these
• 1:06:24
  Speaker 1: police unions are powerful out of all proportion to their
• 1:06:28
  Speaker 1: numbers in the population right there in New York City.
• 1:06:31
  Speaker 1: They are racially charged, they are racially insensitive. They don't
• 1:06:34
  Speaker 1: want anybody reforming them. We have tried reform for how
• 1:06:38
  Speaker 1: many years? How many decades have we tried to reform
• 1:06:41
  Speaker 1: the police. Let's make sure that community policing works. Let's
• 1:06:44
  Speaker 1: put community Let's put police people in the community that
• 1:06:48
  Speaker 1: they're policing. So if you're coming in from Delaware and
• 1:06:51
  Speaker 1: you go into Baltimore and you deal with a guy
• 1:06:53
  Speaker 1: named Freddy Gray, you don't think of him. Hey, that's
• 1:06:55
  Speaker 1: my uncle, that's my cousin, that's my brother, that's my father.
• 1:07:00
  Speaker 1: It's a kin folk. And therefore, when he gets louder,
• 1:07:02
  Speaker 1: he gets the tuper dooper, he gets offensive, or he
• 1:07:04
  Speaker 1: gets pugnacious. I can deal with it because that's the
• 1:07:07
  Speaker 1: kind of cat I already know. I know how to
• 1:07:09
  Speaker 1: deal with him. That's my home people. So we tried that.
• 1:07:13
  Speaker 1: That didn't work. We still get killed, we still get shot,
• 1:07:15
  Speaker 1: hands up, we get shot, hands down, we get shot yes, sir,
• 1:07:18
  Speaker 1: we get shot. No, sir, we get shot. George Floyd
• 1:07:20
  Speaker 1: lying on the ground with ultimate respect, officer, Please officer.
• 1:07:24
  Speaker 1: He doesn't say hey, dude, he doesn't say gift your
• 1:07:27
  Speaker 1: m F. He doesn't curse. He treats with ultimate respect
• 1:07:31
  Speaker 1: the person who is immediately responsible for his death. Just
• 1:07:36
  Speaker 1: same thing. And mine just said, hey, you're good people.
• 1:07:39
  Speaker 1: You are very good people. I understand why you're doing
• 1:07:41
  Speaker 1: what you do, but please stop. I wouldn't even hurt
• 1:07:43
  Speaker 1: a fly. I don't even eat meat. Look at the
• 1:07:46
  Speaker 1: respectability politics that have to be deployed to try to
• 1:07:49
  Speaker 1: convince white people that I am a human being worthy
• 1:07:52
  Speaker 1: of respect. We have tried everything. So what I would
• 1:07:54
  Speaker 1: say respectfully to our former president lovingly to him, sir,
• 1:08:00
  Speaker 1: don't be more upset with people who use a term
• 1:08:03
  Speaker 1: that you think puts them in jeopardy of not getting
• 1:08:07
  Speaker 1: the goal they seek. Then you are outraged at the
• 1:08:11
  Speaker 1: hurting pain that caused them to search for a word
• 1:08:13
  Speaker 1: to begin with. Hi, we got more with Michael Eric
• 1:08:15
  Speaker 1: Dyson when we come back, don't move. It's to breakfast club.
• 1:08:18
  Speaker 1: Good morning morning, everybody, to Envy Angela Yee, Charlomagne, the
• 1:08:23
  Speaker 1: God we are to Breakfast Club. We're still kicking with
• 1:08:25
  Speaker 1: Michael Eric Dyson. The right before we left, we were
• 1:08:28
  Speaker 1: getting into Barack Obama saying to fund the police. Now,
• 1:08:31
  Speaker 1: what are your thoughts now? Obama is looking at it
• 1:08:34
  Speaker 1: from the perspective of those in power and those who
• 1:08:36
  Speaker 1: are politicians. Please please understand that Pharaoh has a different
• 1:08:40
  Speaker 1: agenda than the people of Israel. That's right right now,
• 1:08:44
  Speaker 1: And I'm not just in Obama. I'm saying pharaoh in
• 1:08:47
  Speaker 1: terms of a job description. He runs the joint He
• 1:08:50
  Speaker 1: is the president of the United States of America. He
• 1:08:53
  Speaker 1: is in political power. He is different than those who
• 1:08:56
  Speaker 1: are on the ground asking for requiring and demand Pharaoh,
• 1:09:01
  Speaker 1: let my people go. The problem is for us is
• 1:09:05
  Speaker 1: that Pharaoh is one of us. That's beautiful. For many
• 1:09:08
  Speaker 1: of us. We want it Pharaoh to be us. I
• 1:09:09
  Speaker 1: vote it twice for Obama to quote be Pharaoh. But
• 1:09:13
  Speaker 1: the problem is when we don't take into account he
• 1:09:16
  Speaker 1: is seeing it from their perspective. And I don't mind that.
• 1:09:19
  Speaker 1: His point is, let me give you some advice here.
• 1:09:22
  Speaker 1: If you're trying to get over this ain't the way
• 1:09:25
  Speaker 1: to do it for those who are in power. But
• 1:09:27
  Speaker 1: those are on the street as saying, we've done it
• 1:09:29
  Speaker 1: your way already. And let's be real. If Colin Kaepernick
• 1:09:33
  Speaker 1: had not called it a protest but called it a
• 1:09:37
  Speaker 1: vigorous disagreement with the status quote, would it have made
• 1:09:39
  Speaker 1: any difference? Is it really what the name is? Is
• 1:09:43
  Speaker 1: it really the name you use, Is it really the
• 1:09:45
  Speaker 1: description you give? Or is it the fact that you
• 1:09:47
  Speaker 1: are black and challenging the status quo? If black people
• 1:09:51
  Speaker 1: had not called it defunding the police, would it be
• 1:09:53
  Speaker 1: more acceptable acceptable? Perhaps? Look, I'm a leftist, I'm a progressive.
• 1:09:57
  Speaker 1: I believe in being introspective and self critical. So I
• 1:10:00
  Speaker 1: don't want to automatically be mad at Barack Obama for saying,
• 1:10:03
  Speaker 1: do you want the commercial or do you want the product?
• 1:10:06
  Speaker 1: The commercial says, Hey, I'm down with it. I'm defunding
• 1:10:09
  Speaker 1: the police. The product is we actually get to dismantle
• 1:10:12
  Speaker 1: the harmful structures and the systemic inequities that prevail. I
• 1:10:16
  Speaker 1: stand in solidarity with those who want to defund the police.
• 1:10:21
  Speaker 1: If you can charge them for being unfelicitists or infelicitists
• 1:10:26
  Speaker 1: by using a word that is problematic, their lives are
• 1:10:29
  Speaker 1: problematic to the dominant sets quote their lives are problematic
• 1:10:32
  Speaker 1: to anybody in power who sees a threat to the
• 1:10:35
  Speaker 1: police as dangerous to American society, allow our lives being
• 1:10:40
  Speaker 1: lost to be just as dangerous. So are you going
• 1:10:43
  Speaker 1: to be outraged at the horrors that exist? Or are
• 1:10:46
  Speaker 1: you going to be outraged at the people who are
• 1:10:49
  Speaker 1: outraged by the horrors that they confront And I think
• 1:10:51
  Speaker 1: it is progress in America, in Black America, when Barack
• 1:10:55
  Speaker 1: Obama can be even gently criticized, I agree, right in office,
• 1:11:01
  Speaker 1: that won't go happen. You hater, If you criticize Obama,
• 1:11:04
  Speaker 1: you are personna non black, You are a person right.
• 1:11:10
  Speaker 1: But now a little bit, Charles Blow New York Times,
• 1:11:14
  Speaker 1: you have a curious post presidency. You are scolding young
• 1:11:17
  Speaker 1: black people, and so I think it's legitimate and healthy.
• 1:11:21
  Speaker 1: We can't be met at white people for uncritically celebrating
• 1:11:25
  Speaker 1: Donald Trump and then say we turn around if we
• 1:11:28
  Speaker 1: have any criticism at all of Barack Obama, we are
• 1:11:31
  Speaker 1: somehow read out of the race. Now at the end
• 1:11:34
  Speaker 1: of the day, can we embrace both perspectives? Can we
• 1:11:37
  Speaker 1: be progressive and say, look, I don't give a dark
• 1:11:39
  Speaker 1: what you call it. I want the police to be
• 1:11:42
  Speaker 1: challenged because they are murdering, killing, harming, hurting, tazing, beatoning,
• 1:11:47
  Speaker 1: and shooting black people at will. What is wronger using
• 1:11:52
  Speaker 1: the worst defunding the police, or the police who need
• 1:11:55
  Speaker 1: to be defunded, or those who need to be redirected.
• 1:11:57
  Speaker 1: Of course the police are worse. On the other hand,
• 1:12:00
  Speaker 1: I think that the left has to be open and
• 1:12:03
  Speaker 1: not thin skin, and we must say, hey, you know what,
• 1:12:07
  Speaker 1: even if this dude is not on our side, even
• 1:12:09
  Speaker 1: if we think what he's doing is centrist and deferential
• 1:12:13
  Speaker 1: to the status quo, and we ain't trying to reform
• 1:12:15
  Speaker 1: the police. We're trying to deconstruct them and take them
• 1:12:18
  Speaker 1: apart because they have hurt and harmed us. Even if
• 1:12:21
  Speaker 1: you want to do that, it's all right. If you
• 1:12:24
  Speaker 1: choose a different route that might be a bit more savvy,
• 1:12:27
  Speaker 1: that might appeal to those who you can, if you
• 1:12:31
  Speaker 1: will recruit on your side to do your bidding with
• 1:12:34
  Speaker 1: you and alongside you. I've only seen both of them.
• 1:12:39
  Speaker 1: I've only seen one centrist establishment Democrat mainstream who has
• 1:12:43
  Speaker 1: send it at Harris soon to be MVP Harris. She's
• 1:12:46
  Speaker 1: the only president I saw answer to the funded police
• 1:12:48
  Speaker 1: question correctly. Because She didn't even focus on the statement.
• 1:12:51
  Speaker 1: She talked about the why. She talked about what needed
• 1:12:54
  Speaker 1: to why that needed to happen. And then when Megan
• 1:12:57
  Speaker 1: McCain came back and goes, well, I agree with you,
• 1:13:00
  Speaker 1: would you believe in the funding the police? And she
• 1:13:01
  Speaker 1: flipped the back of her and said, defined the funding
• 1:13:03
  Speaker 1: the police. Right, That's why I wish Baracco would it did, like,
• 1:13:06
  Speaker 1: just focus on the why. You know what the why is?
• 1:13:09
  Speaker 1: You know why these kids are screaming that. But see
• 1:13:11
  Speaker 1: that's the point. You say, he knows why, but he
• 1:13:15
  Speaker 1: hasn't said so. You you give him the benefit of
• 1:13:18
  Speaker 1: the cloud, all right, And the thing is he ain't
• 1:13:26
  Speaker 1: really said so. Now, when you look at his whole interview,
• 1:13:29
  Speaker 1: he was far more nuanced. I wish he would have said, Look,
• 1:13:33
  Speaker 1: given the black people are being mowed down, let me
• 1:13:35
  Speaker 1: let me be Baracco, let me let me channel Barack Obama,
• 1:13:39
  Speaker 1: not his anger translator, but his nomenclature. Let me let
• 1:13:43
  Speaker 1: me set you up, President Obama. What do you think
• 1:13:45
  Speaker 1: of the slogan to fund the police? Well, you know, um, charlotmate,
• 1:13:51
  Speaker 1: The thing is that we're living in a vicious society
• 1:13:55
  Speaker 1: where black life is seen as not worth much. When
• 1:13:59
  Speaker 1: we turn around. Every day we see black people going down,
• 1:14:03
  Speaker 1: hands up, they get shot, hands down, They get shot
• 1:14:06
  Speaker 1: no matter what they do. So the question is not
• 1:14:09
  Speaker 1: where we defund the police. We tend to defund schools.
• 1:14:11
  Speaker 1: Nobody has a problem. We defund social services for poor people,
• 1:14:16
  Speaker 1: nobody has a problem. So why is it, I said
• 1:14:18
  Speaker 1: to myself, Barack, why is it that they have a
• 1:14:21
  Speaker 1: problem with defund the police. Because it's getting to the
• 1:14:24
  Speaker 1: nerve center of American power. And so I would not
• 1:14:28
  Speaker 1: dare using my bully pulpit and the enormous leverage I had.
• 1:14:32
  Speaker 1: I sold nine hundred thousand books the first day. Take that,
• 1:14:35
  Speaker 1: Mike Dyson. Here, I am for the president of the
• 1:14:40
  Speaker 1: United States of America. I'm not going to use my
• 1:14:44
  Speaker 1: leverage to hurt the people who even if I disagreed
• 1:14:48
  Speaker 1: with the term they use, I agreed with the hurt
• 1:14:51
  Speaker 1: and pain being expressed. So inevitably, if I say something
• 1:14:56
  Speaker 1: critical about the terms they use, I'm going to be
• 1:15:00
  Speaker 1: crew did as being in opposition to them. And if
• 1:15:03
  Speaker 1: you look at all the headlines, that's all they're gonna say.
• 1:15:07
  Speaker 1: Obama criticizes. So I'm going to be wise and say
• 1:15:10
  Speaker 1: to you, Charlomagne, the God, DJ Envy and Angela Yee,
• 1:15:14
  Speaker 1: that I defer that question to a bigger one. What
• 1:15:18
  Speaker 1: can we do to stop black people from routine? We
• 1:15:21
  Speaker 1: dye the streets of America. Don't run red with the
• 1:15:25
  Speaker 1: blood of black people now because the people feel that
• 1:15:28
  Speaker 1: you don't You didn't do anything for black people while
• 1:15:30
  Speaker 1: you're in office. What do you say to that. I
• 1:15:33
  Speaker 1: gotta go now, all right, we got more with Michael
• 1:15:38
  Speaker 1: Eric Dyson when we come back, don't move. It's the
• 1:15:40
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club back, It's the
• 1:15:46
  Speaker 1: Breakfast Club, DJ Envy, Angela Yee, Charlomagne, the guy. We
• 1:15:50
  Speaker 1: have Michael Eric Dyson in the building. I thought about
• 1:15:52
  Speaker 1: this the other day. I feel like white politicians are
• 1:15:55
  Speaker 1: scared of the Fund the police because when they the
• 1:15:58
  Speaker 1: fund programs, when they are actually doing is abolishing them.
• 1:16:02
  Speaker 1: So I think when they hear that, when they hear that,
• 1:16:04
  Speaker 1: they're like, we're not getting rid of police because that's
• 1:16:06
  Speaker 1: what they do when they the fund. And look, I
• 1:16:09
  Speaker 1: know the left will get upset, but we got to
• 1:16:11
  Speaker 1: be self critical. You got to learn how to play
• 1:16:14
  Speaker 1: the game, because don't act like you ain't in it.
• 1:16:17
  Speaker 1: Don't act like you're progressive and radical and therefore you
• 1:16:20
  Speaker 1: outside the parameters of real politics. That you got to
• 1:16:23
  Speaker 1: get down to the nitty gritty and understand how am
• 1:16:25
  Speaker 1: I going to be successful in the job I have.
• 1:16:28
  Speaker 1: Just because you're progressive and you should be, just because
• 1:16:30
  Speaker 1: your radical and you should be, just because your revolutionary
• 1:16:33
  Speaker 1: and you should be, doesn't mean you don't have to
• 1:16:35
  Speaker 1: think about packaging, messaging, how you articulated. And to that degree,
• 1:16:41
  Speaker 1: I completely understand how we who want to challenge the
• 1:16:45
  Speaker 1: policing of America must take that into account. And what
• 1:16:48
  Speaker 1: YouTube just brilliantly laid out right because we know the
• 1:16:51
  Speaker 1: fear of white people is black people are gonna treat
• 1:16:54
  Speaker 1: us like we treated them when they get in power.
• 1:16:56
  Speaker 1: That's why they're trying to keep us out of power,
• 1:16:58
  Speaker 1: because they figured they'll do to us Jimminy cricket what
• 1:17:01
  Speaker 1: we did to them, and that's not a good thing.
• 1:17:04
  Speaker 1: But we ain't like that. Here's the kind of people
• 1:17:06
  Speaker 1: we are, South Carolina Emmanuel Church. Nine people get murdered
• 1:17:12
  Speaker 1: before the bodies are cold, we forgive you. That's who
• 1:17:18
  Speaker 1: we are. So when we say defund the police, we
• 1:17:21
  Speaker 1: actually mean that. We mean take one hundred and fifty
• 1:17:24
  Speaker 1: billion dollars like they did in La, move it to
• 1:17:27
  Speaker 1: another part of the ledger. That's what defunding means. Move
• 1:17:31
  Speaker 1: money into other arenas where it deserves to be had
• 1:17:35
  Speaker 1: and directed, so that policing in America, so that public
• 1:17:40
  Speaker 1: safety in America will be something that is far more
• 1:17:43
  Speaker 1: virtuous than vicious. And what we want. We want what
• 1:17:46
  Speaker 1: the police did with that way. Boy, when even when
• 1:17:50
  Speaker 1: we wrong and got a gun by our side and
• 1:17:53
  Speaker 1: talking cash money trash to the police or to the
• 1:17:58
  Speaker 1: public servant of public safety, our lives are protected because
• 1:18:04
  Speaker 1: we are seeing as human beings. So I'm down with that.
• 1:18:07
  Speaker 1: I want to ask you a couple more questions before
• 1:18:09
  Speaker 1: you get out of here about the book, in particular
• 1:18:12
  Speaker 1: A long time coming reckoning with race in America. I
• 1:18:15
  Speaker 1: feel like colors was a team a theme throughout this book.
• 1:18:17
  Speaker 1: Black Deaf, Blue, plague, white theft, Seeing Red, White comfort,
• 1:18:21
  Speaker 1: evergreen hope. Well, what's the science and the colors? You
• 1:18:24
  Speaker 1: are literally the first person who was asked me that question,
• 1:18:30
  Speaker 1: and that was my intent. Frohm to get go. I can't,
• 1:18:34
  Speaker 1: I can't get you no war. I'm gonna get you
• 1:18:36
  Speaker 1: an extra book. I'm gonna get extra I'm gonna let
• 1:18:40
  Speaker 1: you interview me again, just because you saying that. I mean,
• 1:18:44
  Speaker 1: that's exactly what I was about. I'm about the color
• 1:18:47
  Speaker 1: coded misery that black people deal. Gold orb is the
• 1:18:52
  Speaker 1: Elijah McClane chapter, because his co worker said it was
• 1:18:57
  Speaker 1: like a gold orb around him every time time he
• 1:19:00
  Speaker 1: came in. Black death, black people dying, right, blue plague,
• 1:19:05
  Speaker 1: the police of assaulting us. White colonization, that's right, white
• 1:19:12
  Speaker 1: white colonization, White white comfort, and the colonizing of black imaginations.
• 1:19:18
  Speaker 1: The appropriation of black futures and black death is the
• 1:19:21
  Speaker 1: ultimate form of appropriation of black identity, the appropriation literally
• 1:19:27
  Speaker 1: of the black body, the evergreen hope of Reverend Clemente. Pinkney,
• 1:19:32
  Speaker 1: of the white comfort that Sandra Bland disturbed. So yes,
• 1:19:36
  Speaker 1: I wanted to proll the coloring of America, the color
• 1:19:40
  Speaker 1: coding of America, the obsession with color. The obsession was raised,
• 1:19:44
  Speaker 1: and I wanted to turn it inside out and talk
• 1:19:46
  Speaker 1: about how it's redounded negatively and played in such destructive
• 1:19:51
  Speaker 1: fashion within Black America. And that was quite intentional. Thank
• 1:19:55
  Speaker 1: you for picking that up, my friend. That's a great
• 1:19:57
  Speaker 1: note to end on. Then yes, I want everybody to
• 1:20:00
  Speaker 1: go get a long time coming in or reckoning with
• 1:20:02
  Speaker 1: racing America. Michael Eric Dyson does not waste words. That's
• 1:20:05
  Speaker 1: why he don't write blogs. He writes books. There you go.
• 1:20:08
  Speaker 1: But you know what your brother, I write books like
• 1:20:11
  Speaker 1: write hooks. That's what I do. That's right, number twenty three.
• 1:20:14
  Speaker 1: I'm trying to drop him like I'm free. I'm trying
• 1:20:17
  Speaker 1: to be like dj n V. But really I'm trying
• 1:20:19
  Speaker 1: to be Charlotte Maidan to God. I got it in
• 1:20:21
  Speaker 1: the carg of machinery. I do my thing. I see it,
• 1:20:25
  Speaker 1: I believe it. I want you to conceive it and
• 1:20:27
  Speaker 1: receive it by that book. Help me out with my kids.
• 1:20:30
  Speaker 1: I got to put them through college. Okay, they're already out,
• 1:20:33
  Speaker 1: but I need to do something straight on anywhere, anywhere, anyway. Doctor.
• 1:20:39
  Speaker 1: Until the next time, my brother, Thank you, Thank y'all.
• 1:20:41
  Speaker 1: So Barry, Carolyn Peace King morning. Everybody is dj Envy
• 1:20:46
  Speaker 1: Angela Yee, Charlomae Nica. We are to breakfast club now. Charlomagne,
• 1:20:49
  Speaker 1: you got a positive note I do, man. I want
• 1:20:51
  Speaker 1: you to say to yourself today, I am in charge
• 1:20:54
  Speaker 1: of how I feel, and today I am choosing happiness.
• 1:20:57
  Speaker 1: And I want everybody this morning to just do a
• 1:20:59
  Speaker 1: little small all note to self, Okay, a little small
• 1:21:01
  Speaker 1: note to self, and remember that sometimes all it takes
• 1:21:04
  Speaker 1: is one small positive thought in the morning to set
• 1:21:07
  Speaker 1: the tone and improve your whole day. Blessings to you,
• 1:21:12
  Speaker 1: Breakfast Club. This is You'll finish or y'all dumb.