Latest / Who Did What Now With Katie Charlwood / 45 - Lizzie Borden - Axe Murderer (Part 01)
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- 0:27Speaker 2: At the Classic Tales Podcast, we perform the classics like audiobooks,
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- 0:35Speaker 2: It means Checkov, Plutarch, Shakespeare, It means Luisa may Alcott's
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- 1:10Speaker 3: Hi, everybody, and welcome to Who Did What Now? The
- 1:13Speaker 3: history podcast That's not your history class with me? Your
- 1:17Speaker 3: host Katy Charlwood, history harlot and reader of books. Well,
- 1:22Speaker 3: it's been a week or two. I've not been well.
- 1:26Speaker 3: That's why there was no episode. Last week. I was
- 1:30Speaker 3: pretty sick. I've been getting migraine. I was so unwell
- 1:34Speaker 3: that it got to the point that I had a
- 1:36Speaker 3: panic attack at work. Now, I'm usually very good at,
- 1:41Speaker 3: you know, containing that, and I have pretty good coping mechanisms.
- 1:46Speaker 3: I manage my condition pretty well because I have ADHD
- 1:49Speaker 3: in anxiety, and as such, I'm usually fairly good. I
- 1:55Speaker 3: keep myself on an even keel, especially in a work environment.
- 1:59Speaker 3: And fortunately, everything just came to a head. Nothing quite,
- 2:03Speaker 3: says Employee of the Month, quite like being quadled by
- 2:06Speaker 3: your boss on the storeroom floor. My boss is amazing
- 2:10Speaker 3: by the way, she's cool. And obviously, because you know,
- 2:13Speaker 3: anxiety ADHD, so on and so forth, I automatically think
- 2:17Speaker 3: of the worst case scenario. So I'm like, oh, no,
- 2:19Speaker 3: they're gonna think I'm a fucking idiot. I you know,
- 2:22Speaker 3: I can't handle stuff, and that I'm not gonna be
- 2:24Speaker 3: able to have the responsibilities, so on and so forth.
- 2:28Speaker 1: You know.
- 2:30Speaker 3: But like it's so, things were really bad for me.
- 2:34Speaker 3: My anxiety has been kicking my ass for a week
- 2:36Speaker 3: or two, and so there was just no there was
- 2:39Speaker 3: no episode last week. That being said, I was checking
- 2:42Speaker 3: my reviews today because I'm always asking everyone to like
- 2:45Speaker 3: rate review five star on Apple podcasts and on Spotify,
- 2:49Speaker 3: and when you like read a review on Apple Podcasts,
- 2:51Speaker 3: it really pushes that podcast with an episode like up
- 2:54Speaker 3: the algorithm. I don't know why, it's just what Apple does.
- 2:58Speaker 3: So I was doing that, I actually cried, I'm so
- 3:03Speaker 3: full of emotions and stuff right now. I actually cried
- 3:05Speaker 3: because I'm like so full of emotion right now, and
- 3:09Speaker 3: like not like a bad cry, Like it was very cathartic.
- 3:11Speaker 3: It was like a release cry, and it made me
- 3:15Speaker 3: feel really really good. And up until like this afternoon,
- 3:19Speaker 3: I wasn't gonna I was just going to be recording
- 3:22Speaker 3: an apology instead of an episode because I didn't know
- 3:26Speaker 3: I was going to be fit for it. And I
- 3:27Speaker 3: was like, you know what, No, these have been amazing.
- 3:30Speaker 3: I've had a bit of event got on my notes here.
- 3:33Speaker 3: I'm just going to power through. I'm just gonna power through. Also,
- 3:37Speaker 3: I seem to have talked quite a bit, so this
- 3:39Speaker 3: is actually going to be a two parter, but I'm
- 3:41Speaker 3: going to try and get them released, like basically one
- 3:43Speaker 3: after the other as soon as possible. But there's just
- 3:45Speaker 3: like a lot going on. Okay, Furthermore, I made my
- 3:50Speaker 3: favorite joke I have ever made in my life, and
- 3:53Speaker 3: it is so niche. It's it's peak millennial, especially peak
- 3:58Speaker 3: millennial anyone who follows British politics, you know. I was
- 4:02Speaker 3: watching the Jubilee and there's Boris, the current Prime Minister
- 4:06Speaker 3: of England, who is a fucking buffoon who lands in
- 4:10Speaker 3: shit and somehow always comes out smell and the roses,
- 4:13Speaker 3: and he's going into like the cathedral and he's being bored.
- 4:19Speaker 3: So I made this joke. Boris is going in, he
- 4:21Speaker 3: turns to his wife. Are they boring me?
- 4:24Speaker 4: Oh?
- 4:25Speaker 3: Now they're saying boos woos, which is based on The
- 4:30Speaker 3: Simpsons where mister Burns is being booed and Smothers goes.
- 4:34Speaker 3: They're saying boo earns, boo earns. So I made the joke.
- 4:38Speaker 3: I did it on Twitter and nobody paid attention, and
- 4:41Speaker 3: I'd put it on TikTok and then people responded, and
- 4:43Speaker 3: then some people responded with hands moment sort of, I
- 4:48Speaker 3: was saying boo res. It just tickled me so much.
- 4:52Speaker 3: I'm so proud I laughed at it. I thought I
- 4:54Speaker 3: was really funny. I know, I've technically just stolen someone
- 4:58Speaker 3: else's joke. It made me chortle so much and it
- 5:02Speaker 3: was so perfect that I just I'm laughing now. Oh
- 5:08Speaker 3: but anyway, I know what you're thinking. You're thinking quite
- 5:10Speaker 3: your gibber jabber in fact me, in fact you, I will.
- 5:13Speaker 3: But first we've got to get our source on. So
- 5:18Speaker 3: our sources are Lizzie Borden and the Trial of the
- 5:21Speaker 3: Century by Sarah Miller, The Trial of Lizzie Borden by
- 5:25Speaker 3: Camra Robertson, Lizzie Borden, The Legend, The Truth The Final
- 5:30Speaker 3: Chapter by Arnold R. Brown. We also have our favorites
- 5:34Speaker 3: History dot com, Smithsonian dot com, and one of my
- 5:37Speaker 3: new favorite things, Lizzie Andrew Bordon dot com. Are you
- 5:41Speaker 3: saying comfortably good? Then let's begin. So I know that
- 5:45Speaker 3: a lot of my American and Canadian followers will probably
- 5:49Speaker 3: know that's rhyme, or at least the first verse of it.
- 5:53Speaker 3: As far as I can tell, not many people know
- 5:56Speaker 3: of the second verse, like I didn't even know about
- 5:58Speaker 3: the first one until like a few years ago. But
- 6:01Speaker 3: it goes as such, Lizzie Borden took an axe and
- 6:05Speaker 3: gave her mother forty wax. When she saw what she
- 6:08Speaker 3: had done, she gave her father forty one. This is
- 6:11Speaker 3: basically one of those I want to call it a
- 6:13Speaker 3: skipping rope rime, like you do the skip and on
- 6:18Speaker 3: the beat and you jump in anyway, the second verse goes,
- 6:22Speaker 3: Andrew Borden now is dead. Lizzie hit him on the
- 6:25Speaker 3: head up in heaven. He will sing on the gallows.
- 6:29Speaker 3: She will swing now. I don't know about you, but
- 6:32Speaker 3: I think the first verse is just punch her. I
- 6:35Speaker 3: think all in all, that kind of encompasses the whole story,
- 6:38Speaker 3: and we don't really need a second verse, but it exists,
- 6:41Speaker 3: and I wanted to share that with you. And before
- 6:43Speaker 3: I get into like the niitty gritty of this case.
- 6:46Speaker 3: When I was doing research, and I was like in
- 6:48Speaker 3: and out of forms and stuff as well, just to
- 6:50Speaker 3: get away sort of idea of what everyone's perception of
- 6:54Speaker 3: the case was, because that's fascinating to me. Seeing if
- 6:57Speaker 3: there was any like newspaper clippings or bits and pieces
- 7:00Speaker 3: that hadn't been put anywhere else. It's always a good
- 7:03Speaker 3: place to go. What I noticed is that people who
- 7:06Speaker 3: are like super into the Lizzie Boarding case. Are very
- 7:09Speaker 3: similar to like reparologists and people who are super into
- 7:14Speaker 3: hate h Cholmes, Like, it's a very similar vibe. You know,
- 7:18Speaker 3: people have an opinion, it is their opinion, and they
- 7:21Speaker 3: are very direct with that. There's no swaying for them,
- 7:25Speaker 3: regardless how much evidence is provided to the alternative. And
- 7:31Speaker 3: you know, you've got your people who are like pro
- 7:33Speaker 3: summer anti and then you've got the conspiracy theorists who
- 7:35Speaker 3: are always fun but sometimes stress injuicing. And the way
- 7:41Speaker 3: people obsess over the Lizzie Boarding case. I hadn't actually
- 7:45Speaker 3: seen except for the Ripper slayings, the White Chapel martyrs, Like,
- 7:50Speaker 3: I really haven't seen as much sort of fervor for anything.
- 7:53Speaker 3: And there's conspiracy theorists and there's other theories flying about
- 7:57Speaker 3: the place. So there's like a load of theories just
- 8:01Speaker 3: swirling around about who could have done it, why they
- 8:04Speaker 3: did it, so on and so forth, and they are
- 8:07Speaker 3: interesting to fucking mental, and they go from like silly
- 8:12Speaker 3: to interesting to absolutely bonkers, absolutely bonkers. But we'll get
- 8:18Speaker 3: into that at the end. But you know, I did
- 8:20Speaker 3: struggle with like do I tell the murder first and
- 8:23Speaker 3: then tell the background or do linear, and I did
- 8:26Speaker 3: decide just to go chronological as much as possible, because
- 8:29Speaker 3: fuck it, let's just do it. Okay, Because this is
- 8:32Speaker 3: the story of Lizzie Borden, it makes sense to start
- 8:36Speaker 3: with Lizzie, and so we shall. Lizzie Andrew Borden. That's right.
- 8:40Speaker 3: Her middle name was Andrew. Lizzie Andrew Borden was born
- 8:45Speaker 3: in the nineteenth of July eighteen sixty informing Over, Massachusetts,
- 8:50Speaker 3: to Andrew Jackson Bordon and his wife, Sarah Anthony Borden.
- 8:54Speaker 3: Lizzie was the youngest of three children in the Bordens
- 8:57Speaker 3: would have together. I'm going to assume that woman having
- 9:00Speaker 3: her father's name as her middle name was very common
- 9:03Speaker 3: in this time, or maybe some kind of family tradition,
- 9:07Speaker 3: because Sarah's dad was Anthony Anthony Morse, and obviously Lizzie's
- 9:13Speaker 3: dad was Andrew Jackson Bordon. Now Sarah and Andrew. They
- 9:17Speaker 3: had been married a couple of years, and they were
- 9:20Speaker 3: fairly well on when they started having kids. So their
- 9:23Speaker 3: oldest Emma Lenora Bordon. She's born in eighteen fifty one,
- 9:27Speaker 3: and four years later, Sarah gives birth to Alice Esther
- 9:31Speaker 3: Bordon So Alice Tragically, she passes away at one and
- 9:34Speaker 3: a half on what was referred to as dropsy of
- 9:37Speaker 3: the brain. Effectively, there was flu build upon her brain
- 9:40Speaker 3: at hydros ofphalis and if it's untreated, it's fatal. Unfortunately
- 9:45Speaker 3: for Alice, that was the case. Two years after Alice
- 9:49Speaker 3: is passing, Lizzie Andrew Borden is born. So by the
- 9:52Speaker 3: time Lizzie is born, her older sister Emma is nine,
- 9:56Speaker 3: and when Emma's eleven and Lizzie is just shy of
- 9:59Speaker 3: her third birthday, their mother, Sarah passes away from uterine
- 10:03Speaker 3: congestion and spinal disease. Now I'm not a doctor by
- 10:07Speaker 3: any stretch of the imagination, but I did a wee
- 10:10Speaker 3: bit of research because I've seen uterine congestion show up
- 10:13Speaker 3: in like quite a number of female deaths, and as
- 10:17Speaker 3: far as I can figure out, it's kind of like
- 10:19Speaker 3: having varicose veins, but in your pelvis. It's really fucking painful.
- 10:24Speaker 3: It's excruciating. And it was actually a more common condition
- 10:28Speaker 3: in premenopause women than it was in women who had
- 10:31Speaker 3: gone through the menopause, which is what it is in
- 10:33Speaker 3: modern terms. But uterine congestion was used as this blanket
- 10:38Speaker 3: term back in the day for like a bunch of
- 10:40Speaker 3: different stuffs just down there in the lady area. And
- 10:44Speaker 3: Sarah's uterine congestion could have been anything from a miscarriage
- 10:49Speaker 3: to degenerative scoliosis, to even syphilis or some other aggressive
- 10:56Speaker 3: sci Now anything else about her condition, I actually couldn't
- 11:01Speaker 3: find information on like at all. Now, being a woman
- 11:07Speaker 3: in the past, we don't really have that much information
- 11:10Speaker 3: on Sarah, on their biological mom We don't have that
- 11:14Speaker 3: info because why would we Why would we have it? Na?
- 11:19Speaker 3: I mean, there are two things that we can say
- 11:21Speaker 3: about Sarah Anthony Borden. One is that she died of
- 11:26Speaker 3: relatively natural causes. And two, on her deathbed, she charged
- 11:33Speaker 3: her daughter Emma with looking after baby Lizzie. And Emma
- 11:37Speaker 3: must have been like elevenish about this time. So Emma,
- 11:40Speaker 3: being the lady of the house, effectively she took it
- 11:44Speaker 3: upon herself to be the mother figure for Lizzie. So
- 11:48Speaker 3: I guess it's time to talk about Andrew Borden. So,
- 11:52Speaker 3: Andrew Jackson Borden, he was effectively a self made man.
- 11:57Speaker 3: So even though his family we're descendants of sort of
- 12:02Speaker 3: higher classes and sort of Native Yankees of the area,
- 12:06Speaker 3: not native peoples of the area, because that would be
- 12:10Speaker 3: indigenous people, and they certainly were not thoughts. But he
- 12:13Speaker 3: came from high stock, good stock, good stock. That being said,
- 12:17Speaker 3: he didn't actually grow up with a silver spoon in
- 12:19Speaker 3: his mouth. I mean, he'd be lucky to have a
- 12:21Speaker 3: spoon at all. Really, he did not grow up in
- 12:25Speaker 3: a financially stable environment, let's just put it that way.
- 12:28Speaker 3: So Andrew he's got a head for business, and Falls
- 12:32Speaker 3: River it is very much an industrial textile town. So
- 12:37Speaker 3: he starts off with this furniture company, which does pretty well,
- 12:41Speaker 3: and he also has a casket company. That's right, coffins caskets,
- 12:47Speaker 3: because in fairness, it's a business that's never gonna wet,
- 12:51Speaker 3: a business until such times as we found and were
- 12:54Speaker 3: convenient way to dispose of human your minds. I mean,
- 12:56Speaker 3: you're always gonna have customers. So these do really well
- 13:00Speaker 3: and he makes money from that. So then he's like
- 13:02Speaker 3: investing in real estate. He's buying properties. He ends up
- 13:05Speaker 3: ordering like textile mills, becomes the president of Union Savings
- 13:09Speaker 3: Bank and a director of the Durfy Sale Deposit and
- 13:12Speaker 3: Trust company, and so whenever he earned like so much
- 13:16Speaker 3: money from businesses, he was able to invest that straightway
- 13:20Speaker 3: into new things. Like the man always had access to cash,
- 13:24Speaker 3: Like he was never in debt. He never owed anybody anything,
- 13:27Speaker 3: so like he would be able to pay for things
- 13:29Speaker 3: up front. There was no credit needed. It was just there.
- 13:32Speaker 3: He always had access to cold, hard cash. And you know,
- 13:35Speaker 3: you may be thinking, oh, that's a really smart businessman.
- 13:38Speaker 3: You know that's really good, that's thinking smart. Well Andrew
- 13:42Speaker 3: here he was frugal to the point of tom fuckery.
- 13:46Speaker 3: He didn't believe in frivolity and excess spending, right, spending
- 13:52Speaker 3: for leisure just wasn't a thing for him. Like, I
- 13:55Speaker 3: give that some people live to work and they're obsessed
- 13:58Speaker 3: with finances, but it's always good to like live a
- 14:02Speaker 3: little too, maybe a wee bit home comforts, some might say,
- 14:06Speaker 3: but like throughout his entire life, Andrew just doesn't stop working.
- 14:10Speaker 3: We don't really have much information about him apart from
- 14:15Speaker 3: the fact that he was maybe a bit weird. He
- 14:17Speaker 3: is like one of the wealthier people in False River,
- 14:21Speaker 3: Like he's not the wealthiest, he's not the richest person there,
- 14:23Speaker 3: but he is one of them. And he has like
- 14:26Speaker 3: the right and he has the cough cough right ancestry cough.
- 14:33Speaker 3: He doesn't really involve himself in like what someone of
- 14:42Speaker 3: his status should be. Now, remember when I said through
- 14:46Speaker 3: to the point of tom fuckery. Well, his house didn't
- 14:51Speaker 3: have gas so like gas lights, didn't have that throughout
- 14:54Speaker 3: the house. And it's a weird fucking house. I'm going
- 14:56Speaker 3: to talk about the house in a Minute's weird fucking house.
- 14:59Speaker 3: Before I do, let's add another character who may or
- 15:02Speaker 3: may not be one of the actual nicer people in
- 15:06Speaker 3: this story, and that is Abby Durfy Gray. So she
- 15:09Speaker 3: marries Andrew Jackson Boordon three years after Sarah dies. And
- 15:14Speaker 3: at this point Abby is like effectively an old maid.
- 15:17Speaker 3: She's in her thirties this point. But Andrew and Abby
- 15:22Speaker 3: they don't have any kids together throughout their entire marriage. Now,
- 15:25Speaker 3: it could be that Abby had already gone through the menopause.
- 15:29Speaker 3: Perhaps she was sterile. Perhaps I don't know, something happened
- 15:34Speaker 3: to Andrew's spermcount. Who's to say, maybe they just didn't
- 15:38Speaker 3: have sex, or I don't know, maybe Abbe knew her
- 15:40Speaker 3: way around the condom. I don't know, because Andrew's a
- 15:43Speaker 3: fairly practical man. It's been suggested more than once that
- 15:46Speaker 3: their marriage was a marriage of convenience. So Andrew felt
- 15:49Speaker 3: like he needed a wife, someone to like run the
- 15:52Speaker 3: household and be the mother to his children, and Abby
- 15:56Speaker 3: really needed security. Really soa they were always kind of
- 16:01Speaker 3: circling the rim of debt, like they were always struggling financially,
- 16:05Speaker 3: and Abby, as I said, was like an old maid.
- 16:08Speaker 3: At this point, she was seen as not viable match
- 16:11Speaker 3: for a lot of people. So it actually makes sense.
- 16:14Speaker 3: It's like a pretty good deal for the both of them.
- 16:16Speaker 3: She gets, you know, safety, security, somewhere to live, and
- 16:20Speaker 3: he gets, you know, a replacement wife has a So
- 16:24Speaker 3: what's fing to me as well, is like we don't
- 16:26Speaker 3: know how well they knew each other beforehand, or how
- 16:29Speaker 3: long they've been courting or whatever. Like Andrew was fairly
- 16:31Speaker 3: well known in Falls River. He was like he owned businesses,
- 16:35Speaker 3: he was directors of the banks and trusts and shit.
- 16:38Speaker 3: So you know of this man and you marry into that,
- 16:41Speaker 3: and then you don't have a pot to piss in,
- 16:43Speaker 3: Like it's it's so weird a member of high society,
- 16:47Speaker 3: or he should be. So you marry in and then
- 16:51Speaker 3: you move into this cold, dark, dank, depressing, weird, weird house,
- 17:00Speaker 3: like that's gonna be a it's gonna be something.
- 17:04Speaker 4: Right.
- 17:05Speaker 3: So they get married, and from the get go, like
- 17:08Speaker 3: because Lizzie's so small, for most of her life, she
- 17:11Speaker 3: does refer to Abby as mother, like that's what she
- 17:16Speaker 3: called her. It's not so much that she thought that
- 17:18Speaker 3: she was her mother, Like it was always made very
- 17:22Speaker 3: clear to her that Abby was her stepmother. Now, whether
- 17:27Speaker 3: this was because they were trying to be an honest household,
- 17:31Speaker 3: or if this was because Emma very much played the
- 17:35Speaker 3: mothering role and you know, wasn't gonna let anybody take
- 17:38Speaker 3: that away from her, maybe, who's to say, or whether
- 17:41Speaker 3: they wanted to ensure that she knew who her biological
- 17:43Speaker 3: mother was, or because Emma she was like really involved
- 17:47Speaker 3: in this mothering role that she really saw herself as
- 17:50Speaker 3: mother to Lizzie as opposed to sister. And Abby was
- 17:54Speaker 3: there just to kind of do the other stuff, the
- 17:56Speaker 3: sort of running of the household, so on and so forth.
- 18:00Speaker 3: Now this house, this house is fucking weird, man. So
- 18:05Speaker 3: it's three stories. The top story is like the maid's quarters,
- 18:10Speaker 3: and the you know, the top floor, So I think
- 18:13Speaker 3: it's called the second story in America, and then the
- 18:16Speaker 3: first floor because like in sort of Europe, the first
- 18:20Speaker 3: floor is the first floor off of the ground, so
- 18:22Speaker 3: you'd have ground floor, first floor, second floor. But anyway,
- 18:27Speaker 3: the very top floor that was the maid's quarters, and
- 18:31Speaker 3: the middle floor was where the bedrooms were, so you
- 18:33Speaker 3: had the master bedroom, Abby's dressing room, the guest room,
- 18:39Speaker 3: Lizzie's room, Emma's room. Now, the weird thing about this
- 18:42Speaker 3: is there's no hallway upstairs, Like I don't know if
- 18:46Speaker 3: he was trying to save money on hallway space or whatever,
- 18:49Speaker 3: but like all the rooms kind of lead into each other,
- 18:52Speaker 3: which is I don't know, I find that really creepy
- 18:55Speaker 3: and weird that someone can just walk into your room
- 18:59Speaker 3: from their room mmm mm hmm. And they were like
- 19:02Speaker 3: a front and a back staircase, so like one staircase
- 19:06Speaker 3: led up to the master bedroom and the other staircase
- 19:09Speaker 3: led up to like Emma and Lizzie's rooms. So effectively,
- 19:12Speaker 3: if you wanted to, we could quite easily avoid the
- 19:17Speaker 3: you know, somebody if they stayed in the opposite side
- 19:20Speaker 3: of the of the floor to you. If you managed
- 19:23Speaker 3: to lock a door downstairs, it was like the kitchen
- 19:26Speaker 3: and living area, and then there was a basement, and
- 19:28Speaker 3: the basement was where the flushing toilet was. Now, the
- 19:32Speaker 3: flushing toilet is the only piece of like plumbing in
- 19:37Speaker 3: that house. Like that's it. So there wasn't water access
- 19:41Speaker 3: to water. There was no washroom upstairs or anything like that.
- 19:43Speaker 3: You just had a loo, which you know, is better
- 19:47Speaker 3: than an outhouse or a hole in the ground or
- 19:50Speaker 3: a latrine pit. Bit still, like most people who were
- 19:54Speaker 3: of their social class at the time, they had running
- 19:58Speaker 3: water in their house. They had gas heating and gas
- 20:02Speaker 3: lighting the boardings did not like he didn't see the
- 20:05Speaker 3: point in wasting money on it because apparently light, heat,
- 20:09Speaker 3: and cleanliness are too expensive. What Andrew, now, come on,
- 20:17Speaker 3: Andrew also didn't like spending money on leisurely things. Smithstnan
- 20:22Speaker 3: Is called weird fucking house down by the river. They're
- 20:27Speaker 3: close at the bottom of the hill. The people of
- 20:30Speaker 3: their social standing, the wealthy residents of the higher society,
- 20:35Speaker 3: so on and so forth. So like the wealthy residents
- 20:39Speaker 3: the you know, the higher society, the Native Yankee Massachusettians,
- 20:44Speaker 3: that's what a Massachusetts people call themselves. Like you've got
- 20:49Speaker 3: like Floridians for Florida and New Yorkers for New York
- 20:53Speaker 3: is what did Massachusetts people call themselves? So they all
- 20:58Speaker 3: the rich folk, effectively, they all lived up on the hill,
- 21:01Speaker 3: you know, away from like the businesses and the textile
- 21:05Speaker 3: mills and all that and the burdens. They still lived
- 21:08Speaker 3: down at the bottom of the hill. And because of
- 21:10Speaker 3: where they lived, a lot of the people in their
- 21:13Speaker 3: neighborhood and the surrounding neighborhoods were immigrants. So you had
- 21:18Speaker 3: lots of poor or working class immigrants, quite a lot
- 21:22Speaker 3: of them, like Catholic immigrants from like Portugal and Ireland
- 21:26Speaker 3: and things like that. And they're all in this sort
- 21:28Speaker 3: of the basin of the town effectively. So when Lizzie
- 21:32Speaker 3: and Emma were growing up, there's things that should have
- 21:35Speaker 3: happened with them because of their social standing. It was
- 21:38Speaker 3: like they should have had like katalians and coming out parties,
- 21:41Speaker 3: and in order for them to have worthy suitors and
- 21:45Speaker 3: to be married off, you know, well, it's kind of
- 21:48Speaker 3: the thing they did back then, especially in the Victorian era,
- 21:52Speaker 3: Like that's what women did, especially high society women. They
- 21:55Speaker 3: found husbands. But Andrew, he really wasn't interested in this.
- 21:59Speaker 3: He wasn't into socializing. He wasn't into you know, spending
- 22:03Speaker 3: the money on like outfits for like balls and galas
- 22:06Speaker 3: and doing all that kind of stuff. So the girls
- 22:09Speaker 3: grew up fairly isolated and the majority of their social
- 22:14Speaker 3: events revolved around their church. It's like that's where all
- 22:18Speaker 3: their extracurriculars came from. So Lizzie, more so than Emma,
- 22:22Speaker 3: becomes very involved in like, you know, all this stuff
- 22:26Speaker 3: to do with the Central Congressional Church, and she is
- 22:29Speaker 3: well involved. So like Lizzie, she's a part of the
- 22:32Speaker 3: Women's Christian Temperance Union, the Ladies Shot and Flower Mission.
- 22:36Speaker 3: She's the secretary treasurer of like the Christian Endeavor Society.
- 22:40Speaker 3: So Lizzie, she's like really involved in like church activities,
- 22:43Speaker 3: organizations and events because that's the only social life these
- 22:48Speaker 3: girls get. This is this is it. Like Lizzie for
- 22:51Speaker 3: a good while, Lizzie's even a Sunday school teacher because
- 22:55Speaker 3: they have no other outlet. They have nowhere else to go.
- 22:57Speaker 3: And they're in this really weird position because so the
- 23:00Speaker 3: people in their social rank they're not fraternizing with them,
- 23:04Speaker 3: they're not meeting with them because they're they're not really
- 23:07Speaker 3: in that peer group, so they're like cut off from
- 23:09Speaker 3: them and the people that they live with, the working
- 23:13Speaker 3: class immigrants that are surrounding them, like they're not their
- 23:17Speaker 3: peers either, and so there's no real connection with them because,
- 23:22Speaker 3: let's face it, they're not going to trust this wealthy
- 23:25Speaker 3: fucking family because like, this wealthy family doesn't belong with them,
- 23:29Speaker 3: like they're not they're peers. So the bored and Sistors
- 23:33Speaker 3: are for the most part, ostracized from most facets of society.
- 23:38Speaker 3: And like, we don't know if Andrew was aware he
- 23:41Speaker 3: was doing this to his daughters, or even if he knew,
- 23:45Speaker 3: but he just didn't care, or he was just so
- 23:48Speaker 3: convinced of his own convictions that he just couldn't falter
- 23:52Speaker 3: from that straight down the line. He had a plan,
- 23:54Speaker 3: he wasn't going to deviate from it. Now, we do
- 23:57Speaker 3: know that Lizzie managed to have like at least one friend,
- 24:00Speaker 3: but even so, but for the most part, the sisters
- 24:04Speaker 3: just had each other. Now, as you can guess, there's
- 24:07Speaker 3: already quite a bit of tension in this household, and
- 24:11Speaker 3: the ship really hits the fan when Abby's sister is
- 24:15Speaker 3: about to be evicted. So like she have owned her
- 24:18Speaker 3: house or she was for whatever reason, she was going
- 24:21Speaker 3: to be evicted. She was going to be homeless, she
- 24:23Speaker 3: was going to be left with nothing, destitute, YadA. And
- 24:27Speaker 3: Andrew decides, all right, that's my wife's sister. I should
- 24:30Speaker 3: probably step up to the plate. And Andrew buys half
- 24:33Speaker 3: of the house, right, make sure she can't be evicted,
- 24:37Speaker 3: sorts her out right. And this really pisses the board
- 24:41Speaker 3: and sisters off because Andrew, the notorious penny pincher, who
- 24:47Speaker 3: would not buy them a house somewhere for them to live,
- 24:52Speaker 3: allow them their own freedom, his own daughters, who were
- 24:56Speaker 3: forced to live in a cold, creaky, dark, gloomy, crickety
- 25:01Speaker 3: house with weird adjoining rooms and no running water. He
- 25:05Speaker 3: goes off and buys his wife's sister a house.
- 25:10Speaker 1: Now.
- 25:10Speaker 3: To say they're mad is an under statement. They're fucking
- 25:13Speaker 3: livid now. So in order to resolve the situation, Andrew
- 25:19Speaker 3: sells them a house for a dollar. It's a rental property.
- 25:23Speaker 3: It's like it was his father's house and it was
- 25:25Speaker 3: actually the first house that he and his first wife,
- 25:28Speaker 3: Sarah had lived in, but it's currently like a rental property,
- 25:32Speaker 3: and he gives it to the girls so that they
- 25:33Speaker 3: can have it as like a rental income, so they
- 25:37Speaker 3: can have it so they have their own income. But
- 25:40Speaker 3: for the boarding sisters, it's not enough that bridge has
- 25:46Speaker 3: been burned, and it's just not good enough. And I
- 25:49Speaker 3: feel like the person who goes, hey, here's the house
- 25:52Speaker 3: your mother died in shouldn't really be up for any
- 25:55Speaker 3: Father of the Year awards now. And it's after this
- 25:58Speaker 3: event that Lizzie just flat out stops calling Abby mother
- 26:02Speaker 3: and just starts calling her missus Borden, like this is
- 26:07Speaker 3: the person that for basically all her life she has
- 26:10Speaker 3: referred to as mother, and after this incident, and but
- 26:14Speaker 3: she's like disconnecting herself from this. And it's also from
- 26:17Speaker 3: this point that the so not only does Lizzie just
- 26:20Speaker 3: stop calling her mother all together, her and Emma just
- 26:24Speaker 3: stop eating, like the family stops eating meals together, like
- 26:28Speaker 3: they would avoid like being together and having to be
- 26:30Speaker 3: an each other's company as much as possible. So Andrew
- 26:34Speaker 3: and Abby they would eat their meals together, and then
- 26:37Speaker 3: Emma and Lizzie would eat their meals together like they
- 26:41Speaker 3: would avoid.
- 26:43Speaker 2: Sort of at the Classic Tales podcast, we try to
- 26:47Speaker 2: get out of the way We don't want to tell
- 26:49Speaker 2: you what we think of the classics, so we perform
- 26:51Speaker 2: the actual text like an audiobook, unabridged, always with no
- 26:56Speaker 2: stop and start commentary, and it's narrated by award winning
- 26:59Speaker 2: per professional narrators. And the best part is it's all
- 27:03Speaker 2: heavily curated. What does that mean. That means we don't
- 27:06Speaker 2: only do the top ten lists. It means check off Plutarch, Shakespeare.
- 27:12Speaker 2: It means Louisa may Alcott's Blood and thunder Tails nobody
- 27:15Speaker 2: seems to talk about. It means the Arzenlupan series, which
- 27:18Speaker 2: innovated the heist genre. It even means taking librettos from
- 27:22Speaker 2: operas and making them into audio books. We want to
- 27:25Speaker 2: create a space where you can have a great experience
- 27:28Speaker 2: with classic literature because of the Classic Tales podcast. It's
- 27:32Speaker 2: not about our relationship with classic literature, it's about your
- 27:36Speaker 2: relationship with it. So check out the Classic Tales podcast
- 27:40Speaker 2: wherever you get your shows now playing Frankenstein and Carmilla
- 27:45Speaker 2: being together.
- 27:48Speaker 3: The Burdens were not the only people in the household.
- 27:52Speaker 3: At some point over the next year, they're made Maggie
- 27:55Speaker 3: leaves and she is replaced with a twenty something year
- 27:58Speaker 3: old Irish emigrant Bridget Sullivan. So when age and eighty eight,
- 28:02Speaker 3: Bridget joins the board and household. Now this wasn't Bridget's
- 28:06Speaker 3: first audio because she had been a maid to you know,
- 28:09Speaker 3: other wealthy people of the area. And actually when she
- 28:14Speaker 3: was hired by the Bourdons, it was kind of like
- 28:16Speaker 3: a step down for her because quote unquote unfashionable houses
- 28:20Speaker 3: like she'd had to work in. But conveniently, the boarding
- 28:23Speaker 3: house was like four streets over from like the Irish
- 28:27Speaker 3: contingent in Falls River. So Bridget joins the household, and
- 28:32Speaker 3: everybody in the household kind of xenophobic, apart from Abbe actually,
- 28:39Speaker 3: So every single member of the board and household calls
- 28:42Speaker 3: Bridget Maggie, which I'm sure you can guess if you've
- 28:45Speaker 3: been listening, is not her fucking name. Her name is Bridget.
- 28:50Speaker 3: Maggie is the name of their old maid. So Emma, Lizzie, Andrew,
- 28:56Speaker 3: they're all calling her Maggie, and Abbey is the only
- 28:59Speaker 3: one who who calls her by her actual fucking name.
- 29:03Speaker 3: So Bridget's really important. Actually, majority of what we know
- 29:07Speaker 3: about the Boording household we know because of Bridget's testimony,
- 29:11Speaker 3: Like kind of because she was one of the few
- 29:13Speaker 3: people alive to tell the story, and too, she didn't
- 29:16Speaker 3: really have anything to lose by talking about it. So
- 29:20Speaker 3: eighteen ninety rolls around, a month before her thirtieth birthday,
- 29:24Speaker 3: Lizzie Borden embarked on a nineteen week grand tour of Europe.
- 29:30Speaker 3: Now this was very much like a done thing at
- 29:32Speaker 3: the time, chaperone like young men and women would travel
- 29:36Speaker 3: to Europe.
- 29:37Speaker 5: The ticket was effectively a birthday present from her father,
- 29:42Speaker 5: which is nice because it shows he's not entirely clueless
- 29:47Speaker 5: about the world.
- 29:49Speaker 3: So like that was one of the two presents she
- 29:51Speaker 3: received from her dad, the first being the ticket for
- 29:54Speaker 3: the tour, and the second was a seal skin cape.
- 30:00Speaker 3: And this was very much the thing of the time,
- 30:02Speaker 3: Like they would be chaperoned young men and women. They
- 30:04Speaker 3: would travel to Europe from the Americas. If you were
- 30:07Speaker 3: an unmarried woman, the fuck where you travel into Europe alone?
- 30:11Speaker 3: That wasn't happening. That's just that's a scandal waiting to happen.
- 30:15Speaker 3: So Lizzie goes on her travels and she's joined with
- 30:19Speaker 3: Lizzie had four companions plus a chaperone for this trip.
- 30:23Speaker 3: Two of the companions were her cousins, her boarding cousins,
- 30:27Speaker 3: Carrie and Anna. The other two I'm not sure. They're
- 30:31Speaker 3: definitely part of the same church group, which is how
- 30:33Speaker 3: these people sort of knew each other. It really spend
- 30:35Speaker 3: time together, and the only way they had known each
- 30:38Speaker 3: other was via the Center Congregational Church and their chaperone
- 30:42Speaker 3: was a Falls River High School teacher. And see this trip,
- 30:46Speaker 3: Lizzie was in her fucking element. She loved this trip
- 30:50Speaker 3: and she loved the fact that she got to live
- 30:53Speaker 3: the high life as well as the fact that she
- 30:54Speaker 3: got to travel in see places like she landed in Liverpool,
- 30:59Speaker 3: but we also know that she went to Ireland because
- 31:01Speaker 3: she was in Bolande Castle. She was in Scotland, England, Netherlands, Germany, Switzerland, Italy,
- 31:08Speaker 3: Monte Carlo and France. Like they did a full fucking trip.
- 31:13Speaker 3: And we know that she got to so many places
- 31:15Speaker 3: because she took was it one hundred and sixty eight photos.
- 31:19Speaker 3: When she gets back from the trip, she're like and
- 31:21Speaker 3: like she gets them developed and she puts them into
- 31:23Speaker 3: these albums. Like she loved this. She loved Galavatan across Europe,
- 31:28Speaker 3: she loved going to museums and art and seeing poetry
- 31:31Speaker 3: and hymns and getting to enjoy this like fancy lifestyle
- 31:36Speaker 3: that she felt she deserved because her cousins had it,
- 31:40Speaker 3: why shouldn't she, Because all of her traveling companions are
- 31:44Speaker 3: like super fucking rich. They're incredibly wealthy. They're traveling first class.
- 31:49Speaker 3: There is no expense spared, to the point that Lizzie
- 31:52Speaker 3: actually has to like request extra money sent. She's like,
- 31:56Speaker 3: wire me some cash because things are getting tough. But like,
- 32:01Speaker 3: Lissie really fucking loved this. This was the highlight of
- 32:05Speaker 3: her life. She just enjoyed this time. Like she loved
- 32:11Speaker 3: this trip so much that when she was traveling back
- 32:14Speaker 3: to America, like she was full of melancholy. Lizzie didn't
- 32:18Speaker 3: want to go home. She didn't want to.
- 32:20Speaker 6: Go back to Fall River and back to that cramped
- 32:24Speaker 6: house at the bottom of the hill. And Lizzie tells
- 32:27Speaker 6: her cousins that she's regretting going home because of the
- 32:31Speaker 6: juxtaposition between how amazing and awesome this fucking trip was
- 32:37Speaker 6: compared to how unhappy her home was. And when she
- 32:40Speaker 6: gets back from her trip, she has like all these photos,
- 32:42Speaker 6: like but she took her photos and she had them developed,
- 32:47Speaker 6: and she had them put into two large photo albums,
- 32:51Speaker 6: and she would like show them off and she would
- 32:53Speaker 6: tell people about them.
- 32:54Speaker 3: She was so happy, and she was so happy when
- 32:58Speaker 3: she like got to talk about her trip, like she
- 33:00Speaker 3: really loved this, Like she had a taste of what
- 33:03Speaker 3: her life could be like. Also, like when she got back,
- 33:07Speaker 3: she ends up changing rooms with Emma. So like Lizzie
- 33:13Speaker 3: used to have like the smallest room, like the darkest
- 33:15Speaker 3: room in the house, and she ends up switching with Emma.
- 33:18Speaker 3: So Emma ends up in the dark wee room and
- 33:20Speaker 3: she gets a slightly bigger one. So in eighteen ninety one,
- 33:23Speaker 3: there's a burglary at the boarding house and it happens
- 33:26Speaker 3: in the middle of the day because you know, in
- 33:28Speaker 3: the past, people were too trustworthy. They would just leave
- 33:32Speaker 3: their doors open. But seriously, lock your goddamn door, like
- 33:36Speaker 3: I don't care who you are. Lock your door during
- 33:38Speaker 3: the day at night also, but during the day too,
- 33:42Speaker 3: because people should not just be allowed to walk freely
- 33:45Speaker 3: into your house without your consent. So, yeah, there's a
- 33:48Speaker 3: break in and somebody makes away with like cash and jewelry. Unsurprisingly,
- 33:53Speaker 3: somebody broke into the boarding home thinking, oh, he's a
- 33:56Speaker 3: rich fella. I wonder if he's got any money at
- 33:58Speaker 3: his house. What's to their credit? He absolutely fucking dead.
- 34:01Speaker 3: There was money in the house and there was jewelry.
- 34:03Speaker 3: So so yeah, somebody broke in stole it, fucked off,
- 34:07Speaker 3: and because you know, they don't want to get fucking
- 34:09Speaker 3: burgled again, the Bourdens decide to lock all of the
- 34:12Speaker 3: outside doors just to make sure that nobody breaks in
- 34:15Speaker 3: and steals their shit again. So go forward a year
- 34:18Speaker 3: or in eighteen ninety two, and that's where all this
- 34:20Speaker 3: shit goes down. So thirty two year old Lizzie, she
- 34:23Speaker 3: decides that she can't have friends, She's gonna have pigeons.
- 34:27Speaker 3: So Lizzie she builds a wrist for pigeons in her barn.
- 34:29Speaker 3: So at some point, like May or June, her dad
- 34:32Speaker 3: decides that he has to kill the pigeons because he's
- 34:36Speaker 3: convinced that kids are gonna break in and try and
- 34:40Speaker 3: hunt them, because that is so much worse than him
- 34:44Speaker 3: killing them. Now, we do not know the exact method
- 34:47Speaker 3: of avery assassination. We do know that he somehow ripped
- 34:51Speaker 3: their heads off. Whether he did this I don't know
- 34:54Speaker 3: manually or used a tool of some kind. We just
- 34:57Speaker 3: don't fucking know, all right, We don't know. All we
- 35:00Speaker 3: know is that he killed some fucking pigeons for a
- 35:02Speaker 3: shitty reason, if any reason at all. In July eighteen
- 35:07Speaker 3: ninety two, there's this massive disagreement in the boarding household.
- 35:12Speaker 3: What that disagreement was, we have no fucking clue. It
- 35:15Speaker 3: is so bad that Lizzie and Emma say, fuck this
- 35:18Speaker 3: for a game of soldiers and get the hell at
- 35:20Speaker 3: a dodge. Both Emma and Lizzie gone a extended vacation,
- 35:26Speaker 3: so they fuck off out of Fall River and they
- 35:29Speaker 3: go all the way to your bed. So they both leave,
- 35:33Speaker 3: and then Lizzie returns back to Fall River, but before
- 35:37Speaker 3: going back to the family home, she actually rooms in
- 35:40Speaker 3: a boarding house for a couple of days before heading back,
- 35:44Speaker 3: Like instead of going straight home after this trip, she's like,
- 35:47Speaker 3: I'm just gonna go stay in this house. Thanks, Okay.
- 35:52Speaker 3: So she comes back. So she's back, and Emma's still
- 35:55Speaker 3: the fuck away visiting somebody who we don't know. We
- 36:01Speaker 3: know that she's easy to contact, but like, so they
- 36:04Speaker 3: left together, but Lizzie comes back alone without her you know,
- 36:09Speaker 3: mother figure. For some unfathomable reason. So August rolls around,
- 36:15Speaker 3: and this may surprise some of you, but August in
- 36:19Speaker 3: the summer it's pretty bloody hot. There's a lot of
- 36:22Speaker 3: chats around. On the first of August, the Burdens decide
- 36:26Speaker 3: to eat some swordfish, because apparently eating day old, tepid
- 36:31Speaker 3: swordfish that has not been in any way refrigerated on
- 36:35Speaker 3: a sweltering, hot, fucking day is a really good idea.
- 36:40Speaker 3: So they all eat the swordfish. Mmmm. Room temperature seafood scrumptious.
- 36:47Speaker 3: You're gonna be You're gonna be shocked. But they all
- 36:49Speaker 3: suffer food poisoning, pretty bad food poisoning, right, it is
- 36:54Speaker 3: coming out of both ends. They are just it's not good. Now,
- 36:59Speaker 3: let's bear in mind, in this house in which all
- 37:01Speaker 3: of the rooms are connected and there was only one
- 37:04Speaker 3: working fucking toilet, that there were at least four people
- 37:09Speaker 3: who have absolutely no control over their sphincter or their
- 37:13Speaker 3: gag reflex. Now, like in my head, there's like two
- 37:16Speaker 3: scenarios going on. It's either a battle royale to the
- 37:18Speaker 3: water closet or everybody is just like bent over a
- 37:22Speaker 3: bedpan and a bucket, Like there's just so abby she's
- 37:29Speaker 3: been sick. Abby, She's been poking her guts up and
- 37:31Speaker 3: probably chitting some out. So Abby's freaking out. It's coming
- 37:35Speaker 3: out of her at both ends. But but she is
- 37:38Speaker 3: convinced that she doesn't actually have food poisoning, but rather
- 37:41Speaker 3: she's been poisoned. So she gets a doctor to come
- 37:44Speaker 3: see her and check her over. And the doctor checks
- 37:47Speaker 3: her out and stuff, and he asks her questions and
- 37:50Speaker 3: then he goes, yeah, no, I don't think it's poison
- 37:53Speaker 3: I think it's more this old warm fish that you ate.
- 37:57Speaker 3: Probably What have been really funny is like when the
- 37:59Speaker 3: doctor comes to visit and he checks out Abbey and stuff.
- 38:02Speaker 3: When he offers to like give Andrew Boorden a once over,
- 38:06Speaker 3: He's like, fucking not, do not fucking touch me with
- 38:10Speaker 3: your doctory hand. He gets like so mad and angry.
- 38:15Speaker 3: He's like, I'm not sick. I'm fine, and he's like
- 38:18Speaker 3: when he's clearly like not fine, because mate, it's coming
- 38:23Speaker 3: out of you eat both ends. This is the time
- 38:26Speaker 3: where you go, hey, talk help Jesus. I mean, if
- 38:30Speaker 3: there's ever a time where you are in fact ill
- 38:34Speaker 3: when all of the fluid and sustenance is exiting your
- 38:38Speaker 3: body from every available orifice. You're sick. The next day,
- 38:45Speaker 3: the family decide to eat some mutton stew, because you know,
- 38:50Speaker 3: a thick, heavy stew is the best meal for the
- 38:53Speaker 3: middle of summer. So they all eat this mutton stew
- 38:56Speaker 3: and they all feel like shit again.
- 38:58Speaker 7: Later that day, goes to visit her friend.
- 39:01Speaker 3: Her only palm actually, Alice Russell.
- 39:04Speaker 8: She goes and visits her friend, Alice, and she's like,
- 39:06Speaker 8: I'm really worried. I think someone's got it out for
- 39:09Speaker 8: my father. You know, he's rich, she's got all this stuff.
- 39:14Speaker 8: I think someone's trying to kill him. I think someone's
- 39:16Speaker 8: got it out for him.
- 39:18Speaker 3: And Alice is like, really, you sure he just kind
- 39:21Speaker 3: of owns a couple of mills. But all right, you
- 39:23Speaker 3: do you, Lizzie, you do you pretty sure you're gonna
- 39:25Speaker 3: be okay.
- 39:26Speaker 7: And it's also on this day that Lizzie's uncle, maternal uncle,
- 39:31Speaker 7: John Vinnicom Morse, comes to stay with the Bordens. He's
- 39:35Speaker 7: there to meet with Andrew and discuss some sort of
- 39:37Speaker 7: business stuff and money things.
- 39:40Speaker 3: Manly men lay money things. So he's gonna be staying
- 39:44Speaker 3: in the guest room for a couple of days. So
- 39:47Speaker 3: the family and Bridget. They've all been eating this mutton
- 39:50Speaker 3: stew again, and what I'm going to assume is complete
- 39:54Speaker 3: shock and surprise for all of you. They get sick
- 39:57Speaker 3: again and they all retire. Okay, so that is Andrew, Abby,
- 40:03Speaker 3: Lizzie and.
- 40:05Speaker 4: The uncle and of course Bridget the maid.
- 40:08Speaker 3: They all eat this jew they all feel like shit. Yeah,
- 40:12Speaker 3: maybe don't eat unprefrigerated meat. I mean, it's not like
- 40:16Speaker 3: they had refrigerators. And I doubt like Andrew Borden's going
- 40:20Speaker 3: to be forking out for an ice box, you know
- 40:22Speaker 3: what I mean. It's not It's like, it's fine. It's fine.
- 40:26Speaker 3: So there's Abbi Bordon, Andrew Jackson, Bordon, Lizzie Borden, John Morse,
- 40:31Speaker 3: and Bridget Sullivan. They all have the meat sweats and
- 40:36Speaker 3: the mutton chucks, and they all retire for the night.
- 40:43Speaker 4: And as they slumber, each person unaware that the events
- 40:48Speaker 4: that are to follow the very next day will be
- 40:52Speaker 4: a day of infamy in dark history. And that seems
- 40:57Speaker 4: like a really good place to stop. There is so
- 41:00Speaker 4: much information here. I have no choice but to like
- 41:02Speaker 4: split up. I hate doing two powders. I hate not
- 41:04Speaker 4: giving you the full story all at once. But this
- 41:07Speaker 4: editing is there was over. I had over two hours
- 41:10Speaker 4: of audio when I'm very sorry.
- 41:11Speaker 3: So I'm going to try and get the next episode
- 41:13Speaker 3: edited and out as soon as possible. I don't want
- 41:16Speaker 3: to make you wait another week for this. You have
- 41:18Speaker 3: waited long enough, damn it. And while you're waiting for
- 41:21Speaker 3: the next episode to come out, maybe just go on
- 41:24Speaker 3: to Spotify or Apple and write one review five stars.
- 41:28Speaker 4: I'm just saying it would be nice, that's all.
- 41:30Speaker 3: Don't forget. You can tweet me, you can DM me
- 41:33Speaker 3: on Instagram. I'm on TikTok, you know, just just say hi.
- 41:38Speaker 3: It's all good. Anyway, I have editing to do, so
- 41:41Speaker 3: I'm going to go now and I am gonna say adios.
- 41:44Speaker 3: Au revoir of What Is It? My friends, Bye bye.
- 41:48Speaker 2: At the Classic Tales podcast, we perform the classics like
- 41:51Speaker 2: audio books, unabridged, and it's all heavily curated. What does
- 41:55Speaker 2: that mean? It means check off Plutarch, Shakespeare, It means
- 42:00Speaker 2: Louisa may Alcott's Blood and thunder Tails. Nobody seems to
- 42:02Speaker 2: talk about. It even means taking librettos from operas and
- 42:06Speaker 2: making them into audiobooks. It means an experience you haven't
- 42:10Speaker 2: had before because of the Classic Tales podcast. It's not
- 42:13Speaker 2: about our relationship with classic literature. It's about your relationship
- 42:17Speaker 2: with it.