Latest / The Baller Alert Show / Episode 362 "Parlae"

Transcript

Episode 362 "Parlae" · The Baller Alert Show

• 0:00
  Speaker 1: They get.
• 0:06
  Speaker 2: Broadcasting live from Atlanta, Georgia. Welcome to the Ball Alert Show.
• 0:09
  Speaker 2: I go by the name, I.
• 0:11
  Speaker 3: Go by the name. You know, beat team the building.
• 0:15
  Speaker 3: Welcome back to the show.
• 0:16
  Speaker 1: Welcome back, Bro.
• 0:18
  Speaker 2: I was just saying when I brought you inside the facility,
• 0:22
  Speaker 2: I was like.
• 0:22
  Speaker 1: Man, Bro, I don't know why we ain't being brought
• 0:24
  Speaker 1: you back.
• 0:25
  Speaker 2: That's facts because our episode was really good. That was
• 0:29
  Speaker 2: That was a couple of years ago. So I do
• 0:32
  Speaker 2: I definitely want you.
• 0:32
  Speaker 3: Two years already. Damn time flies.
• 0:37
  Speaker 2: Yeah, So first and foremost, we appreciate you coming back
• 0:40
  Speaker 2: to my brother, Atlanta legend music industry veteran. I feel
• 0:48
  Speaker 2: like it was just due to how you come in
• 0:50
  Speaker 2: and just talk about because I feel like if you've
• 0:53
  Speaker 2: been paying attention to podcast has gotten a little more
• 0:57
  Speaker 2: transparent how we've been doing Ball Alert. We have been
• 1:01
  Speaker 2: stopped being celebrity triggered and went into having real conversations
• 1:06
  Speaker 2: with people that can have a dope conversation with right.
• 1:11
  Speaker 1: And funny thing is.
• 1:11
  Speaker 2: When you and I talk, we talked for a very
• 1:13
  Speaker 2: long time. It's never a quick phone call or text
• 1:16
  Speaker 2: or something like that. So I definitely want to have
• 1:19
  Speaker 2: you and talk about the scope first and foremost, Uh,
• 1:22
  Speaker 2: where exactly is Pobala from.
• 1:25
  Speaker 4: I'm from west Side, I'm from bank Head, from Bhome. Okay,
• 1:28
  Speaker 4: all right, so listen, I'm from boring Home. But I
• 1:33
  Speaker 4: was born in East Atlanta.
• 1:35
  Speaker 1: So he's born in East Atlanta born.
• 1:37
  Speaker 4: You know what I'm saying. Right by the fall Way. Oh, everybody,
• 1:41
  Speaker 4: anybody from East Atlanta know the You know what I'm saying.
• 1:44
  Speaker 4: And everybody know my granddaddy. You know what I'm saying.
• 1:47
  Speaker 4: He's calling the Godfather. Short, little short, little nigga. You
• 1:50
  Speaker 4: know what I'm saying. But then my cousin, all my
• 1:53
  Speaker 4: cousin them was one of the biggest family el meadows
• 1:57
  Speaker 4: with Mores and the Lewises, you know what I'm saying.
• 1:59
  Speaker 4: So I used to be out there with all my
• 2:00
  Speaker 4: cousins all the time. So I used to be around
• 2:02
  Speaker 4: East Lake Meadow every weekend, going East Laate Meadows because
• 2:05
  Speaker 4: I didn't have no siblings around me.
• 2:08
  Speaker 5: You know what I'm saying. I got two older cousins,
• 2:10
  Speaker 5: but they stayed, they stayed in the swats. You know
• 2:12
  Speaker 5: what I'm saying.
• 2:12
  Speaker 4: It's south Southwestrolina, you know what I'm saying. So on break, Christmas,
• 2:16
  Speaker 4: spring Break, stuff like that. Summertimes, I go out there
• 2:19
  Speaker 4: with them and I spend time in the swats, you
• 2:21
  Speaker 4: see what I'm saying. So when I turned like nine,
• 2:23
  Speaker 4: so I went to I went to Hubert Elementary School.
• 2:26
  Speaker 4: It's not even down like it's a lot of it's
• 2:29
  Speaker 4: a lot of people. I ain't gonna know what the
• 2:30
  Speaker 4: fuck Hubert.
• 2:31
  Speaker 1: Is because there's no Hubert anymore.
• 2:32
  Speaker 5: No, it's not Hubert, all right, you know what I'm saying.
• 2:34
  Speaker 4: But Hubert is The elementary school used to be across
• 2:36
  Speaker 4: the street from Gucci old studio, you know what I'm saying.
• 2:38
  Speaker 4: And I went to wife for White friend is still up,
• 2:40
  Speaker 4: you know what I'm saying. Then I moved and I
• 2:43
  Speaker 4: moved to Boring Home. I was like nine years old,
• 2:46
  Speaker 4: you know what I'm saying. And I grew up in
• 2:47
  Speaker 4: Boring Home. I meet my name on that Boring Home
• 2:49
  Speaker 4: was the apartment complex. Yeah, we were the hardest on
• 2:52
  Speaker 4: the West Side. Were the Capitol. We the capital to
• 2:53
  Speaker 4: the West Side. You know what I'm saying.
• 2:56
  Speaker 5: And I know so I can't nobody dispute that though.
• 3:00
  Speaker 6: Okay, okay, what what what side do you think is
• 3:02
  Speaker 6: the most famous side of Atlanta west side is for sure.
• 3:05
  Speaker 1: The west side is the most famous side, for sure.
• 3:09
  Speaker 1: I think it's about I think it's close to being
• 3:10
  Speaker 1: the tie.
• 3:11
  Speaker 3: Now.
• 3:11
  Speaker 5: I can say that now.
• 3:13
  Speaker 2: Now because of with with the Futures. The twenty one
• 3:19
  Speaker 2: Gucci man say East Atlanta, twenty one of them say
• 3:21
  Speaker 2: his own six. Twenty one Future of them say his
• 3:23
  Speaker 2: own six. Okay, okay, by no Future is really deliberate
• 3:28
  Speaker 2: about okay, okay.
• 3:29
  Speaker 5: He's gonna tell you from East Atlanta the cat right.
• 3:32
  Speaker 1: That's what I'm saying.
• 3:33
  Speaker 2: People will be deliberate about what's the East Atlanta? What's
• 3:36
  Speaker 2: thetor what's the section?
• 3:37
  Speaker 5: Is a big difference, bro, not Atlanta.
• 3:41
  Speaker 3: I know that. But if you say the east side.
• 3:44
  Speaker 4: East side is not East Atlanta, the east side is
• 3:46
  Speaker 4: when you pass east Side is Canting Road all the
• 3:48
  Speaker 4: way back, it's the east Side.
• 3:52
  Speaker 1: And then I learned a lot. First of all, my
• 3:55
  Speaker 1: wife's from locked On. You shout out to Tennis. You
• 3:57
  Speaker 1: know what I'm saying.
• 3:57
  Speaker 2: Learn a lot about side that's the east side, gotcha.
• 4:00
  Speaker 2: And then but people from Latoia say they from Latownia.
• 4:03
  Speaker 3: Yeah, now they do say they from lato Onia.
• 4:05
  Speaker 1: Now Bruce Street.
• 4:09
  Speaker 4: Everybody from Bruce Street always claim Bruce Street. This is
• 4:11
  Speaker 4: what I could always say. I had times on Bruce
• 4:13
  Speaker 4: Street too.
• 4:16
  Speaker 1: What types of Tracy T?
• 4:17
  Speaker 5: Yeah, shot Tracy T. You know what I'm saying. And
• 4:19
  Speaker 5: it's before I even knew Tracy T. I'm like seventeen eighteen.
• 4:22
  Speaker 4: You know what I'm saying. You should get money in
• 4:24
  Speaker 4: Bruce Street. For sure, they get money once.
• 4:26
  Speaker 6: The reason why, the reason why I'm asking because you know,
• 4:28
  Speaker 6: the viewers are gonna be like, okay, when because people
• 4:31
  Speaker 6: consume a lot of music, right, so when rappers are
• 4:33
  Speaker 6: saying I'm from here, I'm from there from that, you
• 4:35
  Speaker 6: know people like, okay, I heard of that. But what's
• 4:38
  Speaker 6: the difference, because if you come to Atlanta, most people
• 4:40
  Speaker 6: from Atlanta be like the east Side is decayed first time.
• 4:43
  Speaker 2: First of all, they gonna stay in the nice area.
• 4:46
  Speaker 2: They're gonna stay in Buckhead, Atlantics.
• 4:48
  Speaker 4: Ye, nobody has ever really talked about the makeup of Atlanta,
• 4:54
  Speaker 4: because ain't nobody never really just talked about it, Like
• 4:57
  Speaker 4: you go to CALLI you know the makeups?
• 5:00
  Speaker 5: What hoods?
• 5:00
  Speaker 3: What New York?
• 5:01
  Speaker 5: You know what hoods?
• 5:02
  Speaker 6: What?
• 5:03
  Speaker 4: You know what I'm saying, Even in Florida, little bit
• 5:04
  Speaker 4: in Miami. You can't know you know what I'm saying,
• 5:06
  Speaker 4: But people really don't know here, and it's because nobody
• 5:09
  Speaker 4: really talked about it.
• 5:10
  Speaker 5: Because half the.
• 5:11
  Speaker 4: People who really be saying they're from Atlanta don't really
• 5:13
  Speaker 4: be from Atlanta. And the people who say they be
• 5:15
  Speaker 4: from Alama who make it only really know about the
• 5:17
  Speaker 4: side of town.
• 5:18
  Speaker 2: So when people say they're from Atlanta, it needs to
• 5:20
  Speaker 2: be the City of Atlanta correct to properly say that.
• 5:23
  Speaker 4: Let me say this for because I say this all
• 5:25
  Speaker 4: the time, people ask me this for anybody who's even saying,
• 5:28
  Speaker 4: listen to Amaretta song, all right, it's to Atlanta's okay,
• 5:33
  Speaker 4: you got the city of Atlanta.
• 5:34
  Speaker 5: You got Metro Atlanta.
• 5:36
  Speaker 1: Metro Atlanta is the greater part of Atlanta, the city
• 5:38
  Speaker 1: of Atlanta.
• 5:39
  Speaker 2: That's like Sandy Springs because that counts, right, yes, even
• 5:42
  Speaker 2: though Sandy Springs is really Atlanta, because it's.
• 5:45
  Speaker 5: You know what I'm saying.
• 5:46
  Speaker 1: We got South Fort County.
• 5:48
  Speaker 5: Yeah, we got South Forwardia too, you know what I'm saying.
• 5:50
  Speaker 5: But so it's crazy Slot. Yeah, so anything around twenty
• 5:54
  Speaker 5: five they call it Metro Atlanta. Correct. So that's why
• 5:56
  Speaker 5: they put the Brain Stadium.
• 5:57
  Speaker 4: In Cork County County because it's too eighty five the
• 6:01
  Speaker 4: Metro Atlanta. Correct, you see what I'm saying. But Metro
• 6:04
  Speaker 4: Atlanta is not Atlanta. So when people say what's on
• 6:08
  Speaker 4: umbrell saying not Atlanta, she's talking about the city of Atlanta.
• 6:12
  Speaker 4: So if your address and say Atlanta, Georgia southwest, east west, northwest.
• 6:19
  Speaker 5: You ain't from Atlanta. This is how simple it is.
• 6:22
  Speaker 4: And when you're talking east Atlanta, East Atlanta stops after
• 6:25
  Speaker 4: Gresham and it picks back up on Boulder Crash, that
• 6:30
  Speaker 4: see it. But on two eighty five, the Boulder Crash
• 6:33
  Speaker 4: and to the point when it go to gross Raw
• 6:35
  Speaker 4: right there, that's the only part of Atlanta.
• 6:37
  Speaker 5: Everything on both sides of the county east's crazy unless
• 6:41
  Speaker 5: you go down some more and it turns its own three.
• 6:43
  Speaker 2: Now, have you ever like explored the north sides, because
• 6:47
  Speaker 2: I know it's two north sides. I had to figure
• 6:49
  Speaker 2: that out. Eighty five North, you got tom County seventy
• 6:52
  Speaker 2: five North.
• 6:53
  Speaker 4: Seventy five North is the original north North. So if
• 6:56
  Speaker 4: you told me you I'm from the North, I'm gonna
• 6:58
  Speaker 4: say you're from Marietta. Now, what is the north. Marriage
• 7:01
  Speaker 4: is north of Atlanta.
• 7:02
  Speaker 1: But the north.
• 7:05
  Speaker 3: And then it's the north.
• 7:06
  Speaker 4: Yeah, but see it's okay, it's only east west, south Atlanta.
• 7:10
  Speaker 4: It's it ain't nothing else, ain't nothing else. When it
• 7:14
  Speaker 4: comes to what we're talking about. You know what I'm saying,
• 7:17
  Speaker 4: ain't nothing else. You know what I'm saying, ain't when
• 7:21
  Speaker 4: it comes to zones, for real, it ain't there but one, three, four.
• 7:25
  Speaker 5: And six for real? Right it right now? Is it?
• 7:29
  Speaker 6: Is?
• 7:29
  Speaker 5: It? Two? Is five years?
• 7:31
  Speaker 1: But that's like nice parts of town?
• 7:33
  Speaker 2: Right?
• 7:35
  Speaker 1: So what is zone two? Like? Zone two is like.
• 7:39
  Speaker 4: Birdhead like p like going towards the north and eastern.
• 7:43
  Speaker 5: Part of Atlanta.
• 7:44
  Speaker 1: Nobody ever says that.
• 7:45
  Speaker 5: No, because it ain't no hoods out there, you know
• 7:47
  Speaker 5: what I'm saying.
• 7:48
  Speaker 6: And I don't think anybody's rapping in in bucket.
• 7:51
  Speaker 2: It ain't just there's some people that stay in bucket though,
• 7:53
  Speaker 2: that could not that rap that could say it.
• 7:55
  Speaker 4: But people claiming zones because this their neighborhood, for sure.
• 8:01
  Speaker 4: See Baked, then it wasn't games, It was zones. It
• 8:05
  Speaker 4: was just closing claim your zone.
• 8:06
  Speaker 1: But isn't the zones? Correct me if I'm wrong? Wasn't
• 8:08
  Speaker 1: the zones created from the police department.
• 8:11
  Speaker 4: That's how the police, they separated police of town, how
• 8:15
  Speaker 4: they where they're gonna patrol. Got it, you know what
• 8:17
  Speaker 4: I'm saying. Everybody got their borders. And I worked for
• 8:19
  Speaker 4: his own one police precinct. I want for his own
• 8:21
  Speaker 4: full precinct zone full police. Don't go to bank Head
• 8:25
  Speaker 4: because there's on this on one police got it. So
• 8:27
  Speaker 4: it just keep you in your barriers.
• 8:29
  Speaker 2: And I always wanted to ask you this question, and
• 8:31
  Speaker 2: I've seen it and I know, but I still wanted
• 8:33
  Speaker 2: to ask on camera, why do you guys call the
• 8:36
  Speaker 2: police twelve ship?
• 8:38
  Speaker 5: I don't even know.
• 8:40
  Speaker 1: I don't twelve I don't know.
• 8:42
  Speaker 3: Wait what did that did? Did that slang originated from Atlanta?
• 8:45
  Speaker 5: I don't even know. I never even thought.
• 8:48
  Speaker 1: About this till you ask everybody just call them twelve?
• 8:50
  Speaker 5: Yeah, I don't know why.
• 8:54
  Speaker 2: Hey holler us at the coves man, Well what what what?
• 8:57
  Speaker 2: What is the what is the reason why the police
• 9:00
  Speaker 2: are called to.
• 9:01
  Speaker 3: An urban dictionary? I don't know.
• 9:04
  Speaker 5: I know one time, I don't know who got something
• 9:07
  Speaker 5: to do it. One time?
• 9:08
  Speaker 4: I know he was just calling them one time too,
• 9:10
  Speaker 4: you know what I'm saying. But it's always been twelve ups.
• 9:11
  Speaker 4: So I don't know why. I don't know why. I
• 9:15
  Speaker 4: don't I.
• 9:16
  Speaker 3: Wonder who's making all these slings up.
• 9:17
  Speaker 1: Like I've heard that since I was a kid.
• 9:20
  Speaker 5: That's me too. I've been hearing towel since I've been
• 9:23
  Speaker 5: the kids.
• 9:23
  Speaker 1: I feel like I'm related to Atlanta. I've been coming
• 9:25
  Speaker 1: to Atlanta so I was a kid, you know what
• 9:26
  Speaker 1: I'm saying.
• 9:27
  Speaker 2: Even though from Florida, I have family here and four
• 9:30
  Speaker 2: out of my five kids were born here. But I
• 9:35
  Speaker 2: do want to pivot and celebrate you man, A lot
• 9:38
  Speaker 2: of the people that we bring in here on this
• 9:40
  Speaker 2: on this show, we would like to give you guys
• 9:42
  Speaker 2: your flowers. You are part of the legendary group, the
• 9:45
  Speaker 2: Franchise Boys, them Franchise Boys. I wanted to talk about
• 9:49
  Speaker 2: that and kind of get build a little context behind it.
• 9:53
  Speaker 1: How did that start?
• 9:56
  Speaker 5: Shit?
• 9:57
  Speaker 1: And how many people.
• 10:00
  Speaker 3: Question? How people? Was it a group?
• 10:02
  Speaker 6: So?
• 10:03
  Speaker 1: Four? Ok okay, just four.
• 10:05
  Speaker 4: Wasn't even a group. It really wasn't a group. We
• 10:09
  Speaker 4: looked at ourselves more like wool Time. It's a whole
• 10:12
  Speaker 4: bunch of song no artists. Well, just do music together.
• 10:14
  Speaker 1: Okay, you know what I'm saying okay, and.
• 10:16
  Speaker 5: Pimp didn't even wrap.
• 10:18
  Speaker 3: So Tim was the producer.
• 10:20
  Speaker 5: It started because I did it. I did an acapella.
• 10:25
  Speaker 5: We didn't a capella like a poem. Okay, it's take card.
• 10:29
  Speaker 4: I like money, get money, and I did in tenth grade,
• 10:33
  Speaker 4: and everybody went crazy and basketball. Pimp used to beat
• 10:37
  Speaker 4: on the locker and limb grade. I rapped the verse
• 10:39
  Speaker 4: and everybody saying the verse, you know what I'm saying.
• 10:42
  Speaker 4: Then everybody kept trying to get me to wrap. But
• 10:44
  Speaker 4: I wasn't into doing music because I never tried to
• 10:46
  Speaker 4: be a rapper, you know what I'm saying.
• 10:48
  Speaker 5: I used to hustle. So twelfth grade I didn't see
• 10:52
  Speaker 5: Pimp whole twelfth grade year.
• 10:54
  Speaker 4: In my high school, I had I had to go
• 10:56
  Speaker 4: to school from eight o'clock in the morning eight o'clock
• 10:58
  Speaker 4: at night.
• 10:58
  Speaker 1: My twelfth grade year, you was at the as school.
• 11:01
  Speaker 5: I went to both What is it?
• 11:03
  Speaker 1: Crim? Did you go to CREM?
• 11:04
  Speaker 5: I went to Washington. I went to Doug in Washington.
• 11:06
  Speaker 1: Okay, you know what I'm saying.
• 11:08
  Speaker 4: And so my group member Buddy r P Buddy, the
• 11:12
  Speaker 4: one who died Ristally Easy Buddy Buddy, and Twomo my
• 11:15
  Speaker 4: homies for my projects graduated before me.
• 11:17
  Speaker 5: They was like, come to college. I'm like, hell, no college. Yeah,
• 11:20
  Speaker 5: they say come to cause they was. They went to college.
• 11:22
  Speaker 5: You know what I'm saying.
• 11:23
  Speaker 3: This was college?
• 11:24
  Speaker 5: Yeah? They was? They was?
• 11:25
  Speaker 3: They was?
• 11:25
  Speaker 5: They was. You know what I'm saying. I was. I
• 11:27
  Speaker 5: was always.
• 11:29
  Speaker 4: My wife say I'm a undercover nerd like I'm I'm
• 11:32
  Speaker 4: always I like information, you know.
• 11:35
  Speaker 5: What I'm saying.
• 11:36
  Speaker 4: So I go that ain't happened. I end up going
• 11:38
  Speaker 4: to school, end of going. I ended up signing up
• 11:41
  Speaker 4: for college. He got his college my first day of
• 11:45
  Speaker 4: my first day of college. I'm walking down the sidewalk
• 11:47
  Speaker 4: ahead his beat playing. I'm listening to it. I'm rapping
• 11:51
  Speaker 4: his verse. I'm like, oh it sounds this sounds fine
• 11:53
  Speaker 4: with it. Walk up the steps, walk in there. Walk
• 11:56
  Speaker 4: in the door is open music playing, knock on the door.
• 11:59
  Speaker 4: Turn around, it's pimped.
• 12:01
  Speaker 5: Wow. I ain't seen him in a.
• 12:03
  Speaker 3: Year, and here in college making beats.
• 12:06
  Speaker 4: He making beats. Like what I'm like, Yeah, they got
• 12:09
  Speaker 4: me in college?
• 12:10
  Speaker 1: Like I never were you going to college?
• 12:13
  Speaker 5: No? I wasn't gonna you was just there you hey,
• 12:18
  Speaker 5: but I did three semesters. Okay, you know what I'm saying.
• 12:21
  Speaker 5: I did three semesters. You know what I'm saying.
• 12:24
  Speaker 4: I probably did long long if I didn't get kicked
• 12:26
  Speaker 4: out though, Okay, you know what I'm saying. So I said,
• 12:28
  Speaker 4: remember that, remember that the verse. He's like, yeah, rapped it.
• 12:31
  Speaker 4: We recorded it. That song right now is the biggest
• 12:34
  Speaker 4: underground song in the West Side of Atlanta still to
• 12:37
  Speaker 4: this day. That's the biggest song from the Pool Pats
• 12:39
  Speaker 4: that never made it. But it was the beginning, that song.
• 12:42
  Speaker 4: It was the song that made people want to do
• 12:44
  Speaker 4: wanna be rappers? Three months later, four months later, record
• 12:49
  Speaker 4: White Tea, White Tea. Six months later. We had there
• 12:52
  Speaker 4: for half a million, So they should happen just like that.
• 12:56
  Speaker 4: So Buddy was my my other two homeless who went
• 12:58
  Speaker 4: to college. They dropped out. They didn't even come. They
• 13:00
  Speaker 4: didn't even come. They went like the ones week and
• 13:02
  Speaker 4: they ain't coming no more. So it was just me
• 13:05
  Speaker 4: and Buddy. So me and Buddy was roommates, you know
• 13:07
  Speaker 4: what I'm saying. And I used to tell Buddy, you
• 13:09
  Speaker 4: make me come to school, so you gotta help me
• 13:10
  Speaker 4: come up with some idea. But I need to rap
• 13:12
  Speaker 4: about cause that I did was just going pimp room
• 13:14
  Speaker 4: rap all day. Pimper go to class, I'm in pimp
• 13:16
  Speaker 4: room hitting the button wrapping and stuff, you know what
• 13:19
  Speaker 4: I'm saying. So when Pimp left and didn't come back
• 13:23
  Speaker 4: to school, I stayed in school. So one week when
• 13:27
  Speaker 4: I come back for Spring and Break, pimping is now
• 13:30
  Speaker 4: recording with jizzl Man because Jiz is from Ellen Temple,
• 13:33
  Speaker 4: where Pimp from.
• 13:34
  Speaker 5: You know what I'm saying.
• 13:35
  Speaker 4: So that's how I met Jizzle coming back and when
• 13:38
  Speaker 4: we were called white Tea, you know what I'm saying, That's
• 13:40
  Speaker 4: how I made Jizzle. So now I told you six
• 13:42
  Speaker 4: months after then we had to deal and I was
• 13:44
  Speaker 4: just like, all, let's be in the studio together, so
• 13:46
  Speaker 4: we'll do it together type shit.
• 13:48
  Speaker 6: So when y'all got the deal, how was everybody like
• 13:51
  Speaker 6: acting when that, when that type of money was on
• 13:53
  Speaker 6: the table.
• 13:57
  Speaker 4: I don't know, it made me worse. Yeah, yeah, I
• 14:01
  Speaker 4: was already. Yeah, I was one of those.
• 14:06
  Speaker 2: We had big bank on the show and we was
• 14:08
  Speaker 2: we had to ask them like cause you know, the
• 14:10
  Speaker 2: music business is not the streets, and the streets is
• 14:13
  Speaker 2: not the music business. So when you are introduced to
• 14:18
  Speaker 2: this music business with this type of money, How do
• 14:23
  Speaker 2: you shift your focus from the streets to the music business.
• 14:26
  Speaker 5: Did you ever stop the streets?
• 14:28
  Speaker 1: Did you cold turkey for better terms?
• 14:30
  Speaker 5: Hell no? What I just told you make me worse?
• 14:35
  Speaker 5: Oh no? Like so you was flipping shit, man, Listen,
• 14:42
  Speaker 5: that's just okay.
• 14:43
  Speaker 4: So in two thousand and five, we had number one
• 14:48
  Speaker 4: single Yeah, Oh, I think they liked me remixed.
• 14:52
  Speaker 5: Yeah right. Two thousand and six we had number one
• 14:56
  Speaker 5: single with Laning with a rock with Yeah.
• 14:58
  Speaker 4: We're the only group in Here's the Hip Hop they
• 15:00
  Speaker 4: have two number one singles back to back.
• 15:03
  Speaker 1: Y'all did good with y'all not good? Y'all did amazing,
• 15:06
  Speaker 1: ain't number two.
• 15:07
  Speaker 5: More groups got more number one singles than us.
• 15:09
  Speaker 4: That's the Beast, the Boys, our cast we got three,
• 15:13
  Speaker 4: Our Caves got four, Beast the Boys got seven, don't
• 15:15
  Speaker 4: know other group and.
• 15:16
  Speaker 2: Here Lean Yeah, y'all came out hot, damn Lean with
• 15:19
  Speaker 2: a rock with I don't want to say I forgot that,
• 15:22
  Speaker 2: but damn bro, that was a bit.
• 15:23
  Speaker 5: That was a banger. That was bigger.
• 15:26
  Speaker 3: That was that was bigger than and I produced it
• 15:29
  Speaker 3: to Oh you produced that?
• 15:32
  Speaker 4: You gotta think there was a number one record on
• 15:33
  Speaker 4: the radio, French Eye Boys on it. They weren't know
• 15:37
  Speaker 4: that song. I ended up putting them on this song.
• 15:41
  Speaker 4: It was already number one. Oh, I think they liked me.
• 15:43
  Speaker 4: And Lean with a Rock with It was both.
• 15:45
  Speaker 5: The remix with J d Yes and Bow and Brad,
• 15:49
  Speaker 5: you know what I'm saying.
• 15:50
  Speaker 4: And Lean with a Rock with It was the number
• 15:52
  Speaker 4: one or two songs on the radio on both stations here.
• 15:54
  Speaker 5: But I ain't on.
• 15:55
  Speaker 3: I ain't know.
• 15:56
  Speaker 5: Oh, I think they like me? You know, I ain't
• 15:59
  Speaker 5: never been No.
• 16:00
  Speaker 4: I quit the group before they did it, when they
• 16:02
  Speaker 4: did it, So I'll quit group like three times. What
• 16:06
  Speaker 4: I'll tell you, I ain't quit the group like three
• 16:08
  Speaker 4: times because I just you know, me making that music
• 16:13
  Speaker 4: was me. But I always felt like I couldn't rap
• 16:16
  Speaker 4: about my real lifestyle because you ain't.
• 16:20
  Speaker 5: Going to jail.
• 16:21
  Speaker 1: Mmm, because you were still.
• 16:22
  Speaker 4: Twenty years later, look twenty five years, twenty years later,
• 16:26
  Speaker 4: Look what we're going through. I seen this shit way
• 16:29
  Speaker 4: back then. I was told. I told you I always
• 16:31
  Speaker 4: been intelligent. I always been smart. I always have always
• 16:34
  Speaker 4: been intellect you know what I'm saying. So I was like,
• 16:37
  Speaker 4: I ain't doing it. But if you listen to all
• 16:39
  Speaker 4: my verses, all my verses only talking about street shit.
• 16:42
  Speaker 4: I just knew how to rap it. I tell you say,
• 16:44
  Speaker 4: pop a pill with me, take a shot with me,
• 16:46
  Speaker 4: Shot with me. I'm laying with a rock with and
• 16:48
  Speaker 4: everybody's saying it gotta peelup, pop with me, Gonna take
• 16:51
  Speaker 4: a shot with me, and nobody thinking about this ship.
• 16:56
  Speaker 5: You know what I'm saying, What the fuck we popping?
• 16:57
  Speaker 3: Yeah?
• 16:57
  Speaker 6: Because Yeah, it's the it's the be, it's the Melodie,
• 17:01
  Speaker 6: it's the fun record.
• 17:02
  Speaker 5: I learned that a long time ago.
• 17:04
  Speaker 6: Why do you think artists today don't understand the difference
• 17:07
  Speaker 6: between I feel like the reality in the industry because
• 17:12
  Speaker 6: artists that did come out around that time, people was
• 17:14
  Speaker 6: rapping about certain stuff. But you know, like, man, they
• 17:17
  Speaker 6: so far removed from that. They not They ain't got there.
• 17:21
  Speaker 1: It's a lot more coded.
• 17:24
  Speaker 4: They knew how to dress it up back then. Now
• 17:27
  Speaker 4: some people are still good. I think it's the reason
• 17:29
  Speaker 4: is because people ain't. I think this is a problem
• 17:31
  Speaker 4: with people in general, especially the black people. They don't
• 17:37
  Speaker 4: know who they don't know who they are. If you
• 17:40
  Speaker 4: don't know who you are, you don't know who to be.
• 17:43
  Speaker 4: You know, who to be.
• 17:44
  Speaker 5: You gonna be whatever whatever you feel like makes you
• 17:47
  Speaker 5: feel good. You see what I'm saying.
• 17:49
  Speaker 4: I was a street nigga dancing, but I like to dance,
• 17:55
  Speaker 4: so I wasn't tripping. But every nigga who knew me,
• 17:58
  Speaker 4: if you, if you mentioned my name to anybody dancing,
• 18:01
  Speaker 4: I never come up.
• 18:02
  Speaker 5: I'm the only one in my group dance. I do
• 18:07
  Speaker 5: want to.
• 18:08
  Speaker 1: I do want to.
• 18:09
  Speaker 2: Okay, Okay, I do appreciate number one year podcast Apartments Fire.
• 18:15
  Speaker 5: Appreciate.
• 18:16
  Speaker 1: I actually watch that.
• 18:17
  Speaker 5: Appreciate I can.
• 18:18
  Speaker 2: I have an appreciation for your podcast.
• 18:22
  Speaker 1: That was a good pivot for you. What made you
• 18:24
  Speaker 1: want to get into interviewing and podcasters?
• 18:27
  Speaker 5: Shit? I want for real, for real? No, no, I
• 18:31
  Speaker 5: told you.
• 18:32
  Speaker 4: Everything I do comes off me being real, me hustling,
• 18:35
  Speaker 4: or me trying to educate. I feel like I'm really
• 18:38
  Speaker 4: like the last of the original o GZ. You know
• 18:40
  Speaker 4: how the tech books is broken stuff. I don't need
• 18:42
  Speaker 4: the textbook. I got it out here. I know it.
• 18:44
  Speaker 4: I ain't got to read it. I've seen I know
• 18:46
  Speaker 4: how to feel it. I'm the last. I understand how
• 18:48
  Speaker 4: to sacrifice what I need to sacrifice for a ship
• 18:51
  Speaker 4: around me. You know, what I'm saying, I've been understood that.
• 18:54
  Speaker 4: So what happened was I just wanted to educate little
• 18:58
  Speaker 4: niggas on ship because every time I talk to somebody,
• 19:01
  Speaker 4: old heads be like ya, nigga don't listen. They don't
• 19:04
  Speaker 4: listen nobody. But every time I talk to a young nigga,
• 19:08
  Speaker 4: he listen to me. So I couldn't really understand it. Shit,
• 19:11
  Speaker 4: like what you mean, that's the fun they do? They listen.
• 19:14
  Speaker 4: So I said, you know, it ain't no more projects,
• 19:15
  Speaker 4: so you don't get a chance to have people to
• 19:17
  Speaker 4: come up under, you know, to give the game and
• 19:19
  Speaker 4: show you right between wrong. They pretty much learning from experience,
• 19:22
  Speaker 4: you know what I'm saying. So I said, shit, I
• 19:24
  Speaker 4: could do a podcast. Why could she just get a game?
• 19:28
  Speaker 4: So I say, I'm gonna do og talk all right.
• 19:31
  Speaker 4: So I started coming to the idea and I'm like,
• 19:33
  Speaker 4: what I'm gonna do, How I'm gonna do it, you know.
• 19:35
  Speaker 5: What I'm saying. So then we're throwing ideas around.
• 19:37
  Speaker 4: So before I even got a chance to even do podcasts,
• 19:40
  Speaker 4: I started doing lives on Instagram called paperwork Sunday. While
• 19:45
  Speaker 4: I was just reading everybody's paperwork from Atlanta.
• 19:49
  Speaker 5: It's like they ten ninety jakes. I've been doing that.
• 19:52
  Speaker 4: You know what I'm saying. I been did that, you
• 19:54
  Speaker 4: know what I'm saying. So I'm doing this every Sunday.
• 19:56
  Speaker 4: Every Sunday, we getting like three thousand people, four thousand people,
• 20:00
  Speaker 4: seven thousand people. I'm telling people were starting at nine
• 20:02
  Speaker 4: o'clock nine, no fire, here my phone ringing.
• 20:05
  Speaker 3: Bro.
• 20:05
  Speaker 5: We ain't Bro, we got the blunt rolled up. Hey,
• 20:07
  Speaker 5: we got the liquor. We like it like a real show. Bro.
• 20:09
  Speaker 5: You know what I'm saying.
• 20:10
  Speaker 4: Then it I was doing it because I wanted to
• 20:14
  Speaker 4: put niggas up on game without mean.
• 20:18
  Speaker 5: I'm from the streets.
• 20:19
  Speaker 4: I can't go i can't cod to you ro and
• 20:21
  Speaker 4: say hey boy, bet snitching. Bro, You're gonna be like nigga.
• 20:26
  Speaker 6: What right?
• 20:27
  Speaker 4: You know what I'm saying right right out of here. Yeah,
• 20:30
  Speaker 4: and only it's only two ways to do it. So
• 20:32
  Speaker 4: you could tell a nigga that, or you could take
• 20:34
  Speaker 4: a niggas of paperwork either either either.
• 20:37
  Speaker 5: Or a nigga gonna take it how you wanna take it.
• 20:40
  Speaker 4: And if you got relationship with a person and he's
• 20:42
  Speaker 4: not a real nigga, he ain't never gonna dress it
• 20:45
  Speaker 4: like that.
• 20:46
  Speaker 5: You know what I'm saying.
• 20:47
  Speaker 4: But I know some real niggas who I fuck with
• 20:49
  Speaker 4: who I don't have that type of relationship because if
• 20:52
  Speaker 4: I come, tell you I want to be able to
• 20:54
  Speaker 4: tea and you'd be like Paul, if you telling me, Bro,
• 20:56
  Speaker 4: I'm looking.
• 20:57
  Speaker 3: This shit, Bro, how do you get paperwork?
• 21:00
  Speaker 5: Public information?
• 21:02
  Speaker 3: Way would believe you.
• 21:04
  Speaker 6: You know what I'm saying, because because I tell people
• 21:06
  Speaker 6: all the time, you get in my car, anything, you
• 21:08
  Speaker 6: got it, they pull you over.
• 21:10
  Speaker 4: But listen, I'm snitched, but listen, listen. But that ain't
• 21:14
  Speaker 4: but listen for one for one only goes to people
• 21:18
  Speaker 4: who live that lifestyle.
• 21:20
  Speaker 3: Yeah, I'm a civilian.
• 21:21
  Speaker 5: If you don't live, I've snitched you.
• 21:25
  Speaker 4: Even in the situation that you just said, it's not snitching,
• 21:28
  Speaker 4: you're telling the person listen and y'all agreeing to You
• 21:30
  Speaker 4: get in the car and they say it's yours. You're
• 21:32
  Speaker 4: taking yours, right, and they say yeah. If they come
• 21:35
  Speaker 4: and the police say we walk and they don't take us,
• 21:37
  Speaker 4: you say yeah, you just he don't say no, he
• 21:40
  Speaker 4: don't say nothing. You say, oh that buddy right there,
• 21:42
  Speaker 4: Especially if you don't live a lifestyle then hey, bro,
• 21:45
  Speaker 4: you ain't snitched no that. First of all, what type
• 21:48
  Speaker 4: of real nigga don't want to take your ship?
• 21:52
  Speaker 6: M First of all, man, every everybody's around until it's
• 21:56
  Speaker 6: time to go to. That happens until until it's time
• 21:58
  Speaker 6: to go to.
• 22:00
  Speaker 4: So being in the streets, you have to start identifying
• 22:02
  Speaker 4: them people before you even put them in your car.
• 22:05
  Speaker 4: You gotta know them people characters and how they is
• 22:06
  Speaker 4: and what they'll do before you even putting the people
• 22:08
  Speaker 4: on your car. Because when it happened, you can't bitch
• 22:10
  Speaker 4: more on a complaint because you made the decision to
• 22:12
  Speaker 4: let this nigga ride with you. So now you gotta
• 22:16
  Speaker 4: stand on street principles. Take your ad to jail, sen
• 22:18
  Speaker 4: your ad jail, take her to court. Fight that shit.
• 22:20
  Speaker 4: Come home, Tell buddy he gonna take the charge, Make
• 22:22
  Speaker 4: him go read nnion statement, fuck him up. Whatever you're
• 22:25
  Speaker 4: gonna do or fight your charge. That what you gotta do,
• 22:27
  Speaker 4: because that's what you signed up for. They like being
• 22:29
  Speaker 4: a parent. You can't say when you want to be
• 22:30
  Speaker 4: a parent when you don't want to be a parent,
• 22:32
  Speaker 4: sure cause that what you signed up for. And you
• 22:34
  Speaker 4: don't have no baby, nigga.
• 22:35
  Speaker 5: Put a rob on. Stop skinning them, you know what
• 22:37
  Speaker 5: I'm saying.
• 22:38
  Speaker 4: So when you take certain responsibilities, you can't divert from
• 22:42
  Speaker 4: that shit and be like, oh no, it ain't mine.
• 22:45
  Speaker 4: No nigga, you shouldn't have had them with your nigga. And
• 22:47
  Speaker 4: now if you're a real gainster and you're a real
• 22:49
  Speaker 4: street nigga, now it start teaching how to learn from
• 22:51
  Speaker 4: your mistakes. Now you start saying, nah, you know what, Nah,
• 22:54
  Speaker 4: he can't rob me. I'm gonna ride by myself. No,
• 22:56
  Speaker 4: I'm gonna do it by myself. Oh nah, okay, let
• 22:58
  Speaker 4: me vent him real quick. Let me see where you're from.
• 23:00
  Speaker 4: You know why you want to hang with me? Where
• 23:02
  Speaker 4: your old crew at?
• 23:02
  Speaker 5: Nigga?
• 23:03
  Speaker 4: What the what the nigga used to hang with? Why
• 23:05
  Speaker 4: you don't hang with them no more? If y'all, if
• 23:06
  Speaker 4: y'allre tight like that, you wouldn't be trying to hang
• 23:08
  Speaker 4: with me.
• 23:08
  Speaker 5: He every day? What the fuck?
• 23:09
  Speaker 4: Then you'll start processing shit different, you know what I'm saying.
• 23:12
  Speaker 4: And then you start probably saying processing shit different and
• 23:15
  Speaker 4: start helping you out in your street business. Now you're
• 23:17
  Speaker 4: standing away from police. Now you ain't getting for this.
• 23:19
  Speaker 4: Now you ain't getting raw. Now, niggas ain't lying to
• 23:21
  Speaker 4: you now your circle type. But niggas don't understand it
• 23:24
  Speaker 4: because they ain't real within themselves. That's why niggas try
• 23:26
  Speaker 4: to do all this other music and try to be
• 23:28
  Speaker 4: hard on music and really hard. A lot of these
• 23:31
  Speaker 4: niggas do the pump your ship up in the mirror
• 23:34
  Speaker 4: beat that niggas after tomorrow when I get to school, Yeah, woman,
• 23:36
  Speaker 4: beat that nigga hit boo boom, boom boom, and you
• 23:38
  Speaker 4: keep telling yourself that in the mirror, you gonna think
• 23:41
  Speaker 4: that shit in your head and that would you rapid
• 23:43
  Speaker 4: be doing. So that's why these niggas don't be theyself
• 23:46
  Speaker 4: because that's not them in real life.
• 23:48
  Speaker 5: M you know what I'm saying.
• 23:52
  Speaker 1: Clip that one up? Okay, question man, it's two plays.
• 23:58
  Speaker 2: It's the poll that I see right here, and it's
• 24:01
  Speaker 2: the pile that I never see Desy begs Pola.
• 24:05
  Speaker 5: Is he talking to you?
• 24:06
  Speaker 1: Is he talking about you? Was it? Were you the inspiration?
• 24:09
  Speaker 1: I never asked him this. You know what is that
• 24:12
  Speaker 1: a name that he just?
• 24:14
  Speaker 5: Man?
• 24:14
  Speaker 1: I only know one.
• 24:16
  Speaker 5: Man, Daisy Well. I don't know if somebody names they got.
• 24:21
  Speaker 1: It from me, that's and if I ain't.
• 24:26
  Speaker 4: If I ain't, and if if I'm lying, prove me wrong.
• 24:29
  Speaker 4: If you can name a Pola before two thousand and three,
• 24:33
  Speaker 4: tell me away.
• 24:35
  Speaker 1: I've never better p you the one that I never see.
• 24:39
  Speaker 4: That it might be out there, but for me, the baby,
• 24:43
  Speaker 4: the baby brothers, I'm a baby brothers.
• 24:46
  Speaker 5: You know what I'm saying. But I never even asked Daisy.
• 24:48
  Speaker 5: You know what I'm saying that I think.
• 24:50
  Speaker 1: It should I think it should be a play revealed
• 24:52
  Speaker 1: one day.
• 24:53
  Speaker 5: It's you. You know what I'm saying. So he's saying
• 24:55
  Speaker 5: sound like me, though I'm saying I was five.
• 24:58
  Speaker 3: I thought he got his.
• 25:01
  Speaker 4: He probably did. I never listen there. There's no other
• 25:04
  Speaker 4: partlays and I'm not saying he did. But everything that
• 25:07
  Speaker 4: he subscribed describing everybody.
• 25:09
  Speaker 5: Who know me is be like that. He can't be taught.
• 25:12
  Speaker 4: If he's saying that name and describing it like that,
• 25:16
  Speaker 4: that can't be there.
• 25:16
  Speaker 5: But one person. You know what I'm saying. But I
• 25:18
  Speaker 5: talked to Daisy day pull up. You know what I'm saying.
• 25:21
  Speaker 5: I don't have a few events, Dizzy. Don't pulled up too.
• 25:23
  Speaker 4: I never see I had homies. It was just like
• 25:26
  Speaker 4: bro he gotta stop saying your name. Bro, he gotta
• 25:28
  Speaker 4: pay homage. And you know what I'm saying. I was like, Bro,
• 25:32
  Speaker 4: a you doing.
• 25:32
  Speaker 1: Comedy though he ain't saying nothing crazy.
• 25:34
  Speaker 4: It ain't that, it's just like he but he getting
• 25:37
  Speaker 4: all these views that he wanted anything to put you
• 25:38
  Speaker 4: in the video Poloy in my home. Now Homies is
• 25:42
  Speaker 4: telling me like, no, but he can't. But he but
• 25:44
  Speaker 4: he told you, but he approved it with you, Bro,
• 25:47
  Speaker 4: I'm like, no, Bro, like Bro, he finished start for
• 25:50
  Speaker 4: what Bro? If you do any if he doing anything else,
• 25:52
  Speaker 4: it helps me, you know what I'm saying.
• 25:54
  Speaker 1: I feel that way, he feel that way I want.
• 25:56
  Speaker 5: I don't want tripping off of it. Bro.
• 25:58
  Speaker 4: Like Bro, then he from Alma, do your thing. Dog,
• 26:01
  Speaker 4: I ain't see, I ain't no, ain't nothing nigga. I'm
• 26:05
  Speaker 4: gonna keep it one thout.
• 26:06
  Speaker 1: I respect you.
• 26:07
  Speaker 5: I ain't gonna hate bruh. If you laying your lane,
• 26:10
  Speaker 5: you might be cool, but you might be laying you
• 26:14
  Speaker 5: see what I'm saying. That's a possibility.
• 26:16
  Speaker 4: I understand that I got Homies out hanging with who
• 26:19
  Speaker 4: about no street life?
• 26:21
  Speaker 5: You know what I'm saying.
• 26:22
  Speaker 4: And if anybody was to try to do something else
• 26:24
  Speaker 4: with street shit. I'm gonna come to the defense. You
• 26:27
  Speaker 4: know what I'm saying. I'm a o g like I'm
• 26:31
  Speaker 4: in every true sense of it. You know what I'm saying.
• 26:33
  Speaker 4: And I know people do a lot of talking, and
• 26:35
  Speaker 4: I just sometimes you gotta know what. You gotta know what,
• 26:38
  Speaker 4: you gotta know what. The we ain't got, bro, You
• 26:40
  Speaker 4: know what I'm saying, And I just been you know
• 26:42
  Speaker 4: when your mama gonna do something, when she's not gonna
• 26:44
  Speaker 4: do something, she gonna take.
• 26:45
  Speaker 1: Your motherfucking beat t hell and I get the fuck out,
• 26:47
  Speaker 1: but got their face.
• 26:48
  Speaker 4: Then ten minutes later, come on up here and get it.
• 26:50
  Speaker 4: You know when your granddaddy tell you that. You know,
• 26:52
  Speaker 4: you see what I'm saying. You people know how to
• 26:54
  Speaker 4: gaze that ship. You know what I'm saying. But nah, man,
• 26:57
  Speaker 4: the niggas ain't Instagram.
• 26:58
  Speaker 5: Now.
• 27:00
  Speaker 2: Now, we had we had a come by a couple
• 27:02
  Speaker 2: of our DJ Pottinger is up here and we had
• 27:05
  Speaker 2: a DJ episode called Respect the DJ, and it went viral.
• 27:09
  Speaker 2: It's still going viral right now on our pages. At
• 27:13
  Speaker 2: the ball Or show, you know, we talked about plethora
• 27:16
  Speaker 2: of things from you know DJ's burning, other DJs female DJs,
• 27:21
  Speaker 2: that that episode is gonna be fired to. We got
• 27:23
  Speaker 2: a female DJ episode, and we got a Bottle Girl
• 27:25
  Speaker 2: episode two one that's gonna be good, and we gonna
• 27:31
  Speaker 2: have a strip or two one in particular, because I
• 27:34
  Speaker 2: saw I saw I saw it on your page. You know,
• 27:36
  Speaker 2: I follow you man and.
• 27:39
  Speaker 1: On Instagram. He said, I don't know. I don't think
• 27:43
  Speaker 1: DJ's break records no more in the clubs.
• 27:46
  Speaker 5: Correct me if I'm wrong.
• 27:48
  Speaker 2: I don't think DJ's break records in the clubs. Now,
• 27:50
  Speaker 2: I were busy at the time, but I was gonna
• 27:53
  Speaker 2: I was gonna go back and forth with you about
• 27:55
  Speaker 2: it because I still think DJs do. I just think
• 27:58
  Speaker 2: it's different. But I kind of would like to elaborate
• 28:01
  Speaker 2: a little bit one time for Cadife.
• 28:03
  Speaker 5: You know what I'm saying.
• 28:04
  Speaker 1: I know you had a conversation with Cadife and Bankhead,
• 28:06
  Speaker 1: and yeah.
• 28:08
  Speaker 4: I had to get all the different perspectives, which I
• 28:10
  Speaker 4: think was respectable.
• 28:11
  Speaker 2: You have the radio, you had the DJ that's all
• 28:14
  Speaker 2: in the radio, and you have the label.
• 28:16
  Speaker 1: The label, then you had.
• 28:18
  Speaker 2: You you know what I'm saying, as artists, everything that
• 28:21
  Speaker 2: you got going on, But why do you feel that way?
• 28:25
  Speaker 5: See I let me tell you why I said this.
• 28:26
  Speaker 4: I be real direct and I and I understand how
• 28:31
  Speaker 4: it's perceived because I understand that how the conversation will
• 28:35
  Speaker 4: happened last, especially in line with little down or of
• 28:38
  Speaker 4: course remember that, remember that at twenty twenty, Like I didn't,
• 28:42
  Speaker 4: I wasn't really in tune. But I mean, you get
• 28:44
  Speaker 4: on sood videos, so I understand what was going on.
• 28:49
  Speaker 4: I don't know to the detail, so I understand me
• 28:52
  Speaker 4: saying this is kind of like pulling the band aid
• 28:54
  Speaker 4: off of womb, even though it's not the same womb
• 28:56
  Speaker 4: for sure, you know what I'm saying, And so it
• 29:00
  Speaker 4: rupted a lot of feelings. But I was di rittened
• 29:02
  Speaker 4: on what I said. I said, don't know, DJ break records,
• 29:06
  Speaker 4: no more. Don't know DJs play no records eight times
• 29:09
  Speaker 4: in the club.
• 29:10
  Speaker 5: No more. They don't do that three days.
• 29:13
  Speaker 4: Don't come and play the record, play the play the record,
• 29:16
  Speaker 4: the hook on the play the hook on the record
• 29:18
  Speaker 4: at the beginning of the night, then bring it back,
• 29:21
  Speaker 4: play the whole song, probably play the hook again, drop
• 29:24
  Speaker 4: it and the song. In the middle of the club
• 29:26
  Speaker 4: starting to get popped, everybody going to get their drinks
• 29:29
  Speaker 4: and doing that. Now he gonna spind it. He gonna
• 29:31
  Speaker 4: play the whole hook, the whole verse, he gonna bring
• 29:34
  Speaker 4: it back, play the whole song again, and then when
• 29:36
  Speaker 4: the song get popped out, he gonna do that again.
• 29:38
  Speaker 4: He gonna do that every night to your programming in
• 29:40
  Speaker 4: your head. And now you're like, that's.
• 29:41
  Speaker 1: A hit, right. But I'm not speaking for all DJs,
• 29:46
  Speaker 1: because I do DJ.
• 29:48
  Speaker 2: I gotta feel like doing that. A song has to
• 29:51
  Speaker 2: move me enough to make me say I'm going to
• 29:55
  Speaker 2: do that. I'm going to do.
• 29:56
  Speaker 1: That whether you you you like it or you don't
• 29:59
  Speaker 1: like it.
• 29:59
  Speaker 2: I agree, And I'm not speaking for all DJs or
• 30:02
  Speaker 2: speaking for myself. I haven't heard a song that made
• 30:05
  Speaker 2: me want to do that in a long time. If
• 30:08
  Speaker 2: I hear a song that makes me want to do that,
• 30:10
  Speaker 2: I will do that.
• 30:10
  Speaker 1: I mean, you feel that catches my opinions.
• 30:14
  Speaker 5: But you you have a resume for doing that. Okay,
• 30:17
  Speaker 5: so you can't.
• 30:18
  Speaker 1: You can't can yourself, Like I said, Okay.
• 30:20
  Speaker 4: A lot of time when we like it's like it's
• 30:23
  Speaker 4: like if somebody came came, if it's like ten offs
• 30:25
  Speaker 4: in here, somebody came in and say I'd be all y'all, lass,
• 30:28
  Speaker 4: I'm not finna jump up and be.
• 30:30
  Speaker 5: Like who you talking to? You see what I'm saying?
• 30:32
  Speaker 1: For sure?
• 30:33
  Speaker 4: So a lot of times, like I just said, sometimes
• 30:36
  Speaker 4: you have to learn and know how to tune certain
• 30:38
  Speaker 4: shit out right, you know what I'm saying. It's like
• 30:39
  Speaker 4: a nigga say, if motherfuckers say, don't nobody trap no more,
• 30:42
  Speaker 4: I'll be like, well you dead.
• 30:43
  Speaker 5: That ain't right. I can name you twenty trap nigga
• 30:45
  Speaker 5: right now, I can take I can go to twenty.
• 30:47
  Speaker 4: Trap spot right now and the old school trapping, but
• 30:50
  Speaker 4: don't nobody trap no more? I understand that. You see
• 30:53
  Speaker 4: what I'm saying. So I wouldn't be like, oh shit,
• 30:55
  Speaker 4: niggas still trapping. Because generally it's true statement.
• 30:59
  Speaker 5: You know what I'm saying.
• 31:00
  Speaker 4: So when I say that, I mean it because general
• 31:02
  Speaker 4: is a true statement. Because if it was somebody breaking records,
• 31:05
  Speaker 4: who was a record breaker, like Montay said, you got vibers,
• 31:09
  Speaker 4: you got tone setters, you got people keep the cloud right,
• 31:12
  Speaker 4: then you got openers. Then he was naming them, but
• 31:15
  Speaker 4: he was like one no, he was like, and then
• 31:17
  Speaker 4: you got record breakers. You know what I'm saying. If
• 31:19
  Speaker 4: it was a record breaker. Everybody in the industry, I
• 31:22
  Speaker 4: know who the fuck he is, and they'd be like him.
• 31:24
  Speaker 4: You know how I know because everybody came to DJ
• 31:26
  Speaker 4: t Rock.
• 31:27
  Speaker 5: I was there.
• 31:28
  Speaker 4: I witnessed it. I watched it happen. I watched it
• 31:30
  Speaker 4: happen when nobody would know what was going on. I
• 31:32
  Speaker 4: watched it when it started getting big. I watched it
• 31:34
  Speaker 4: when it got big. I watched it when it flourished.
• 31:36
  Speaker 4: I watched every song that came up hit in the
• 31:38
  Speaker 4: pool Palace. But get a get a deal. I watched it,
• 31:41
  Speaker 4: So can't nobody tell me nothing. I experienced it, and
• 31:45
  Speaker 4: I experienced every record label, every every record label from
• 31:49
  Speaker 4: big and small, say I have to take my record
• 31:51
  Speaker 4: and my artist to the pool Palace. I watched it,
• 31:55
  Speaker 4: so I can't. I can't determine how somebody else do it.
• 31:58
  Speaker 4: I know that's how it happened, and I've seen it happen.
• 32:00
  Speaker 4: I have seen t Rock go a whole night and
• 32:02
  Speaker 4: play nothing but songs you never heard, and every night
• 32:05
  Speaker 4: everybody's going crazy. I seen it, so if it was
• 32:08
  Speaker 4: a record breaker, everybody would know what it was. When
• 32:11
  Speaker 4: I'm on the call with with Cadi fe Bankhead Money
• 32:14
  Speaker 4: I said, well, breaking records. Who are you taking a record
• 32:16
  Speaker 4: right now? Everybody said, uh, ain't no record breakers?
• 32:19
  Speaker 6: Damn Well, you know you know another thing too. I
• 32:22
  Speaker 6: think that a lot of DJ's are afraid to play
• 32:24
  Speaker 6: the new records.
• 32:26
  Speaker 3: It's now.
• 32:26
  Speaker 5: Don't get me wrong, No, no, it is.
• 32:32
  Speaker 1: You don't like the word afraid.
• 32:33
  Speaker 5: No, I'm gonna tell you.
• 32:34
  Speaker 4: I'm gonna tell you why I agree with him because
• 32:36
  Speaker 4: t Rock went through this, so I understand this too.
• 32:38
  Speaker 4: You know what I'm saying, And now I know it's
• 32:40
  Speaker 4: other factors. So I'm not saying that this is just like.
• 32:44
  Speaker 1: You guys because I'm over here, especially in the top
• 32:47
  Speaker 1: top is not afraid.
• 32:48
  Speaker 4: You know what I'm saying. But it's not so I'm not.
• 32:50
  Speaker 4: When I said that, I wasn't saying that in this entirety.
• 32:52
  Speaker 1: I got you.
• 32:53
  Speaker 5: I was just talking about directly. Club don't do that
• 32:55
  Speaker 5: no more.
• 32:55
  Speaker 4: I understand the radio, in the in social media, TikTok,
• 32:59
  Speaker 4: I'd stand that that plays the part.
• 33:01
  Speaker 5: You know what I'm saying, even though I still feel.
• 33:03
  Speaker 4: Like there's no excuse for it. You know what I'm saying,
• 33:05
  Speaker 4: Atlanta hasn't.
• 33:06
  Speaker 5: We don't. We don't have a chartered artist or new
• 33:09
  Speaker 5: artist in the past two years. It's a problem.
• 33:11
  Speaker 1: I said that.
• 33:12
  Speaker 5: Though it's a problem.
• 33:13
  Speaker 3: I noticed that too.
• 33:13
  Speaker 5: You know what I'm saying, that's a problem.
• 33:14
  Speaker 2: We have four five every year because every year and
• 33:18
  Speaker 2: because not to interrupt, I'm gonna let you finish, because
• 33:20
  Speaker 2: Memphis has it right now.
• 33:22
  Speaker 1: Yes, Detroit even had a couple. You know what I'm saying.
• 33:25
  Speaker 5: Everybody comes down here to get it.
• 33:26
  Speaker 2: And they come here to get it, to come here
• 33:29
  Speaker 2: to you what I'm saying, they come here.
• 33:30
  Speaker 1: We got the number one set of producers in the
• 33:32
  Speaker 1: country for sure.
• 33:33
  Speaker 6: And I mean we we we do what I will say,
• 33:37
  Speaker 6: We do have DJs that do support artists, and that's
• 33:40
  Speaker 6: what I really say.
• 33:41
  Speaker 2: Definitely do he said, support, Definitely do definitely right, Yeah,
• 33:45
  Speaker 2: because like you go to other.
• 33:46
  Speaker 5: Cities, right and I'm included. I'm include right, I'm included
• 33:50
  Speaker 5: in that, you know what I'm saying. So I do.
• 33:52
  Speaker 5: So that's why I say I wasn't saying.
• 33:54
  Speaker 4: DJ's is not important. I want saying DJ I want
• 33:57
  Speaker 4: listen I said this that, don't start. Don't put words
• 34:00
  Speaker 4: in my mouth. Don't say I said, because I can stand.
• 34:02
  Speaker 2: That's a trigger that's a trigger for a lot of DJs.
• 34:04
  Speaker 2: I can say because yes, but it's just a trigger.
• 34:07
  Speaker 5: And that's why I understand.
• 34:08
  Speaker 4: So that's why I ain't approaching it like I because
• 34:12
  Speaker 4: I can have the conversation with you. I know it's
• 34:14
  Speaker 4: a lot of fact. It's like to bet what he's saying.
• 34:17
  Speaker 4: It's a fear factor because it's one like DJ t
• 34:21
  Speaker 4: Rock broke all on records. Did he get the recognition
• 34:27
  Speaker 4: nor the funds? No, he should have got all he contributed.
• 34:31
  Speaker 4: That's why DJs are scared. That's why I'm gonna tell you.
• 34:36
  Speaker 1: Why I don't want to say scared hesitant.
• 34:38
  Speaker 4: I'm gonna tell you why I can I like to,
• 34:40
  Speaker 4: I can go, I can go for I understand that
• 34:42
  Speaker 4: hesitant word choices really be because only because the choice.
• 34:45
  Speaker 2: The reason why I want to say hesitant, because I
• 34:48
  Speaker 2: myself and Fly got DC broke a lot of records
• 34:50
  Speaker 2: on the radio.
• 34:51
  Speaker 1: I learned that from Greg Street.
• 34:52
  Speaker 2: Greg Street taught me and taught me particularly how the
• 34:56
  Speaker 2: great records on the radio, which you basically don't even
• 34:58
  Speaker 2: happen right now anymore anymore.
• 35:00
  Speaker 1: Little Baby, my dog.
• 35:02
  Speaker 2: I took six songs out and we played that shit
• 35:06
  Speaker 2: for twenty five minutes straight on the radio, got suspended
• 35:09
  Speaker 2: for a whole week job.
• 35:10
  Speaker 1: I was job. We were scared. I say that to say,
• 35:14
  Speaker 1: because I mean, ain't nothing really happened for me after that.
• 35:18
  Speaker 1: I just was like, oh, okay, you know did the
• 35:20
  Speaker 1: same thing.
• 35:20
  Speaker 2: Megan Study did the same thing, the Red Shawan did
• 35:22
  Speaker 2: the same thing for Rddy Rich did the same thing
• 35:24
  Speaker 2: for Jack Harlow, did the same thing.
• 35:26
  Speaker 1: For all these artists. And I didn't really get no
• 35:28
  Speaker 1: benefit out of it.
• 35:29
  Speaker 2: It was like, it was cool my name got mentioned
• 35:31
  Speaker 2: in the Complex magazine a few times, but it's nothing
• 35:34
  Speaker 2: life changing.
• 35:35
  Speaker 5: It didn't do like I got the key, I gotta
• 35:37
  Speaker 5: fix it that.
• 35:37
  Speaker 1: It didn't really like you know.
• 35:40
  Speaker 4: The merger, the merger to both the both is is
• 35:45
  Speaker 4: and I think this is where we struggled in our
• 35:47
  Speaker 4: black culture. We be scared to take care of business.
• 35:52
  Speaker 4: HM were scared to talk up front business because we
• 35:57
  Speaker 4: be scared of.
• 35:58
  Speaker 5: We don't want the fuck the ARPORTU for sure. You
• 36:01
  Speaker 5: know what I'm saying.
• 36:03
  Speaker 4: Only thing you motherfucker I do is say hey, parlay,
• 36:06
  Speaker 4: listen and put my job online for going to break
• 36:09
  Speaker 4: their motherfucker boy.
• 36:10
  Speaker 5: What we're gonna do.
• 36:11
  Speaker 4: Hey, boy, shit, I need fifteen percent whatever you make
• 36:14
  Speaker 4: on your fuck what it is? Fifteen five two fifty five? Mea,
• 36:19
  Speaker 4: I need fifteen This is the crazy thing, is what
• 36:21
  Speaker 4: are you willing to do that?
• 36:22
  Speaker 3: Wait?
• 36:22
  Speaker 4: Let me say yeah, and you say, okay, listen, let's
• 36:24
  Speaker 4: see the lawyer down, draw the contract up, and I'm
• 36:27
  Speaker 4: this one off finish. I can guarantee this one I'm
• 36:29
  Speaker 4: finna do and now it's in contract.
• 36:31
  Speaker 1: Wait.
• 36:31
  Speaker 5: You know what I'm saying.
• 36:32
  Speaker 1: This is my only argument to that.
• 36:35
  Speaker 2: I can I can name maybe one hundred other things
• 36:39
  Speaker 2: that I tried to do the same way right where
• 36:42
  Speaker 2: we try to break records and shit and the record
• 36:43
  Speaker 2: don't take off. It's really like a play in the lottery, bro.
• 36:47
  Speaker 2: But so guess sometimes I don't know what's gonna go.
• 36:49
  Speaker 2: I'm just gonna treat it exactly the same and do
• 36:51
  Speaker 2: my best to break it. But this or add my
• 36:53
  Speaker 2: part to it. But that's a lot of conversations to have, though,
• 36:56
  Speaker 2: what I'm saying when we in the moment, Because I mean,
• 36:59
  Speaker 2: if you have a record, you a record both on
• 37:00
  Speaker 2: five g's what hey, bro, Thursday, I got you, Friday,
• 37:03
  Speaker 2: I got you Saturday, I may have another one.
• 37:06
  Speaker 1: Sunday may have another one. That's what I'm saying. Like
• 37:08
  Speaker 1: it's a lot, I'm just in the feeling.
• 37:10
  Speaker 2: I'm in the moment. I'm in the moment, and like
• 37:15
  Speaker 2: I'm in the moment, I'm feeling it. It's a feeling.
• 37:18
  Speaker 2: Breaking the record to me is a feeling. I have
• 37:22
  Speaker 2: to really say, I don't what none of y'all talking
• 37:24
  Speaker 2: about or saying I like this song and I want
• 37:27
  Speaker 2: you to like it too eventually, but we don't know
• 37:30
  Speaker 2: if it's gonna.
• 37:31
  Speaker 6: I was just gonna say, you to learn how to
• 37:33
  Speaker 6: work it into what you don't You don't even know
• 37:35
  Speaker 6: breaking the record.
• 37:36
  Speaker 1: We don't know you're breaking the record.
• 37:37
  Speaker 3: Don't even know you're breaking the record.
• 37:38
  Speaker 6: About time you break the record, already got the deal,
• 37:42
  Speaker 6: everything everybody else has changed already.
• 37:45
  Speaker 1: Let me running over time get it. Let me also
• 37:48
  Speaker 1: say this, one person can't break the record. It takes
• 37:52
  Speaker 1: a village.
• 37:53
  Speaker 2: One person can start it, and other people start coming
• 37:56
  Speaker 2: on and then we can do.
• 37:57
  Speaker 1: It's a it's a collective thing.
• 37:58
  Speaker 5: But but but it go like this BT broke it.
• 38:03
  Speaker 4: That Libra for sure, how they broke it at the
• 38:05
  Speaker 4: pool passage? Uh uh Rory broke it that city, like
• 38:09
  Speaker 4: at the core, he broke it here these all the
• 38:12
  Speaker 4: these days, the respond.
• 38:13
  Speaker 2: And you respect the ones that are like the top
• 38:15
  Speaker 2: tier because they have that ear to want to play
• 38:18
  Speaker 2: it first.
• 38:18
  Speaker 3: But the problem is who's gonna get the credit?
• 38:21
  Speaker 2: Everybody gets, everybody get the credit. I've been a part
• 38:24
  Speaker 2: of some ship. So because you have to do it
• 38:26
  Speaker 2: like that, you have to get big back. Then you
• 38:29
  Speaker 2: take it the t rock.
• 38:30
  Speaker 4: It plays on the pool palast right, but you have
• 38:33
  Speaker 4: to take it to Libra. You have to have to
• 38:35
  Speaker 4: take it to have to take it the swamp and
• 38:37
  Speaker 4: you have to take it that you have to take
• 38:38
  Speaker 4: to the club.
• 38:39
  Speaker 5: Still, you gotta take them to the one.
• 38:40
  Speaker 6: I know, I know, I know records that are being
• 38:43
  Speaker 6: broken right now, and that's R and B Records. R
• 38:47
  Speaker 6: by the way, By the way, Sonney Long won a
• 38:51
  Speaker 6: Grammy made for me and she said on our show
• 38:53
  Speaker 6: that it was broke at my party.
• 38:56
  Speaker 1: R and B R and B Wednesdays.
• 38:58
  Speaker 3: Yes, we played it.
• 38:59
  Speaker 6: We play it first, and we kept playing it, and
• 39:02
  Speaker 6: we kept playing it and we kept playing.
• 39:03
  Speaker 3: That's what we pay.
• 39:04
  Speaker 4: We said this off game relationship said off relationship and.
• 39:08
  Speaker 2: Way way wait wait, wait, isn't that slick the only party? Right,
• 39:13
  Speaker 2: I'm talking about party. I'm talking about party, bro. Right,
• 39:16
  Speaker 2: you go there, you know you're gonna dance, sing and
• 39:18
  Speaker 2: have a good time.
• 39:19
  Speaker 5: Yeah.
• 39:20
  Speaker 1: When's the last time you felt like that? In Atlanta?
• 39:22
  Speaker 1: Because we're just staring at each other, even if it's
• 39:24
  Speaker 1: a big party together.
• 39:26
  Speaker 3: And if you think about it, what party do you
• 39:29
  Speaker 3: go to where you like?
• 39:30
  Speaker 6: Ladies of R and B is a destination, right, Every
• 39:33
  Speaker 6: R and B, every label, every label knows they're gonna
• 39:37
  Speaker 6: bring the R and B artist there, Like Leon Thomas.
• 39:39
  Speaker 5: I know, I know about him.
• 39:41
  Speaker 6: Before his music started bubbling, So he just randomly popped
• 39:45
  Speaker 6: up in the club.
• 39:45
  Speaker 3: I'm like, Yo, we gotta play his album.
• 39:47
  Speaker 1: I'm about to fuck y'all up. Check this out.
• 39:49
  Speaker 2: You got You have a kid saying similarities of mine.
• 39:52
  Speaker 2: My baby twenty one and she don't want to go out.
• 39:55
  Speaker 2: I said, baby, I was in the club.
• 39:57
  Speaker 1: I was in the club nineteen. She her and her
• 40:01
  Speaker 1: friends and the homegirls go to house parties and go
• 40:04
  Speaker 1: vibe out. They go to restaurants. They do not go
• 40:07
  Speaker 1: to clubs.
• 40:07
  Speaker 5: Bro.
• 40:08
  Speaker 1: A lot of the people and I think it's Beta generation,
• 40:11
  Speaker 1: not gen Z.
• 40:13
  Speaker 3: Motherfuckers not going to the club.
• 40:15
  Speaker 1: Bro, the mother are not going to the club. They're
• 40:21
  Speaker 1: bowl lives.
• 40:23
  Speaker 2: They're doing other ship one time for the court because
• 40:25
  Speaker 2: the court still has that Atlanta and beyond in the
• 40:27
  Speaker 2: Atlanta vibes.
• 40:28
  Speaker 1: You know what I'm saying. And you gotta like you
• 40:30
  Speaker 1: going there. You literally going there with one hundred dollars
• 40:32
  Speaker 1: and have an amazing time. Bro.
• 40:34
  Speaker 5: For sure, for sure, it's.
• 40:37
  Speaker 1: Valet, might be forty the valet. It's maybe sometimes.
• 40:43
  Speaker 2: So we gotta go, we gotta go. But I'm gonna
• 40:44
  Speaker 2: say this, Bro, I don't I never shit, I never
• 40:47
  Speaker 2: hit them with. I'm ferrari. I pay to get in
• 40:49
  Speaker 2: it wherever I go, because I it's business money.
• 40:52
  Speaker 3: You don't get at my party.
• 40:54
  Speaker 1: There's your party, forget me.
• 40:57
  Speaker 2: I wouldn't charge I wouldn't charge you because anyway a
• 41:00
  Speaker 2: part forty dollars get in drinks.
• 41:03
  Speaker 1: At the bar. If it's my homegirls with me, my
• 41:05
  Speaker 1: wife coming with.
• 41:06
  Speaker 2: But I don't let my wife come. She she's we're
• 41:08
  Speaker 2: super good. I'm spending way too much money. I'm spending
• 41:13
  Speaker 2: way too much money.
• 41:13
  Speaker 6: Bro.
• 41:14
  Speaker 2: I could have went to a bar, free parking, free entry,
• 41:17
  Speaker 2: and drinks is eight dollars a pot what you could
• 41:19
  Speaker 2: have You.
• 41:19
  Speaker 3: Could have went to another establishment, had a time. But
• 41:23
  Speaker 3: but listen, I would I would, I would say this,
• 41:26
  Speaker 3: and I always say this.
• 41:29
  Speaker 1: Why is Valet charging one hundred dollars? We gotta get
• 41:33
  Speaker 1: these Valet people in here. Hey, look, ball er interview.
• 41:35
  Speaker 1: We gotta talk to this value.
• 41:36
  Speaker 3: We definitely about talking to these value.
• 41:38
  Speaker 1: Set it up, bro, because we gotta talked to value.
• 41:40
  Speaker 1: I went, I went to We gotta talk to Valet.
• 41:43
  Speaker 3: We get to the control. We went to We went
• 41:45
  Speaker 3: to tongue and groove, right.
• 41:46
  Speaker 1: We gotta get to the bottom of this parking twenty dollars.
• 41:50
  Speaker 3: I went one block away to a club.
• 41:52
  Speaker 6: I'm not gonna say Dave Valet wanted a hundred dollars,
• 41:55
  Speaker 6: and I said, it's more people.
• 41:57
  Speaker 1: About to fight. These motherfuckers. Are y'all talking about them? Person,
• 42:00
  Speaker 1: I'll be about to fight Valet. I'll be over here, like,
• 42:02
  Speaker 1: how the funk the nerve of you? I'll be trying
• 42:05
  Speaker 1: to tell you.
• 42:06
  Speaker 3: They see me, they like, you're about to pay you.
• 42:09
  Speaker 4: I'm gonna tell you why though, think about this. What
• 42:12
  Speaker 4: you're saying is totally right until you put the shoes on.
• 42:18
  Speaker 5: Cars up.
• 42:20
  Speaker 1: You want to pay I should got to sit in
• 42:22
  Speaker 1: the front.
• 42:23
  Speaker 4: So you want to pay a hundred dollars? Yeah, because
• 42:24
  Speaker 4: it's packing. You want to go in here, but your
• 42:26
  Speaker 4: car gotta go back down, so you want to pay
• 42:28
  Speaker 4: the hundred straight bront want to pay the twin and
• 42:32
  Speaker 4: be like, hey, I ain't look better?
• 42:34
  Speaker 3: You know, you know, you know what I want.
• 42:35
  Speaker 1: That's why I said, when I go to the mall,
• 42:37
  Speaker 1: it's ten dollars to park in the front of the mall.
• 42:40
  Speaker 3: Exactly, damn. And what it's five thousand people in the mall.
• 42:46
  Speaker 4: The Lamborghini truck, but theyre going to They definitely going
• 42:49
  Speaker 4: to the club because they know you're in the party.
• 42:51
  Speaker 3: But look this, this, this is what I would like.
• 42:53
  Speaker 3: I would like for us to just not have val A.
• 42:56
  Speaker 1: We're gonna have set it up.
• 42:59
  Speaker 3: What if we didn't have val A and the and
• 43:01
  Speaker 3: this is John.
• 43:02
  Speaker 5: Webb first serve that made people get there, like what exactly.
• 43:09
  Speaker 1: Exactly gotta man we got we gotta go give him
• 43:13
  Speaker 1: some shout outs? What you got going on? What you
• 43:15
  Speaker 1: got coming up on?
• 43:16
  Speaker 5: Shot? At my shot? My wife shout out to the wife.
• 43:19
  Speaker 1: Man, we didn't really get to you know.
• 43:21
  Speaker 4: What I'm saying, my artist, holler hood one r p
• 43:23
  Speaker 4: m uh one. Shot at Kuavo. You know we just
• 43:26
  Speaker 4: starting off season seven v seven. To start this season,
• 43:30
  Speaker 4: shot my baby boy.
• 43:31
  Speaker 2: You know what I'm saying, My son something fastest fast
• 43:34
  Speaker 2: kid and his and Georgian fastest kid in history of
• 43:37
  Speaker 2: what what does he run?
• 43:38
  Speaker 5: He run one hundred into two hundred and we was
• 43:41
  Speaker 5: talking off camera.
• 43:42
  Speaker 1: He don't even care. He he won't play football.
• 43:44
  Speaker 4: Yeah, football, he like it, but football football. So you
• 43:49
  Speaker 4: know what I'm saying, y'all get ready to see him
• 43:50
  Speaker 4: in Georgia. This is coming up your You know what
• 43:52
  Speaker 4: I'm saying, Uh yeah, you know, like everything everything shot
• 43:57
  Speaker 4: in my boy, pimp. You know what I'm saying, go
• 43:59
  Speaker 4: dog got You know what I'm saying, Put what up?
• 44:01
  Speaker 6: You know we'll have We're gonna have gotta come on
• 44:04
  Speaker 6: the show to doing good.
• 44:06
  Speaker 1: I want I want you. I want you to come
• 44:07
  Speaker 1: as often as possible.
• 44:08
  Speaker 6: I still booked time up. Yes, I like that routine
• 44:14
  Speaker 6: should be. I'm doing boys be gone. I've been talking
• 44:18
  Speaker 6: to people that we we just got a wire.
• 44:24
  Speaker 3: The building.
• 44:24
  Speaker 1: We appreciate you. He's definitely a friend of the show.
• 44:27
  Speaker 1: We'll have him off on as often as possible. Anything
• 44:31
  Speaker 1: else be Tao good.
• 44:32
  Speaker 3: That's it.
• 44:33
  Speaker 1: I appreciate you said you man Ball Alert