Latest / Movie Meltdown / The Macabre Adventures of Pumpkin MacLeod
Transcript
- 0:14Speaker 1: This is PJ Souls, and you are totally listening to
- 0:17Speaker 1: Movie Meltdown.
- 0:18Speaker 2: Good evening.
- 0:40Speaker 3: The following feature has been rated R by the Motion
- 0:43Speaker 3: Picture Association of America. It is intended for mature audiences
- 0:47Speaker 3: and parental discretion is advised.
- 0:49Speaker 4: Our nuclear reactor pumping out one million kilowatts of power.
- 1:20Speaker 5: I love you, pumpkin.
- 1:40Speaker 6: Boys and girls of every age Wouldn't you like to
- 1:44Speaker 6: see something strange? Come with us and you will see
- 1:49Speaker 6: It's our town of Halloween This is Halloween, this is
- 1:54Speaker 6: Halloween Don't you scream, you're dead all.
- 1:56Speaker 1: Night This is Halloween.
- 1:59Speaker 7: Everybody may see.
- 2:00Speaker 6: Don't you do it, it's gonna die right It's our town.
- 2:04Speaker 2: Of Halloween.
- 2:08Speaker 8: What's up and welcome to Movie Meltdown.
- 2:10Speaker 9: I'm Brian.
- 2:11Speaker 5: I'm Lucy.
- 2:12Speaker 10: I'm Carl.
- 2:13Speaker 5: I'm Marlena.
- 2:14Speaker 11: I'm Jacqueline.
- 2:15Speaker 12: I'm Fred.
- 2:17Speaker 13: And we are coming to you live via digital recording
- 2:19Speaker 13: from Gallery K here in dark nighttime creepy Louisville.
- 2:24Speaker 8: Would you like to plug Gallery once more time?
- 2:27Speaker 10: Yes, Gallery K in Butchertown.
- 2:29Speaker 14: Come on down. 8 to 11.
- 2:32Speaker 10: During the week.
- 2:34Speaker 13: So this is our semi-annual... That's pretty annual the last
- 2:38Speaker 13: three years now. So we're trying to make it a
- 2:41Speaker 13: regular Halloween event.
- 2:44Speaker 9: The Meltdown Macabre.
- 2:47Speaker 13: Every year it's changed locations. It's been a different thing.
- 2:51Speaker 13: So this year we decided to keep it super low key.
- 2:54Speaker 13: And we were trying to come up with something that
- 2:55Speaker 13: was different than our usual like, hey, let's watch a movie.
- 2:58Speaker 13: Because we're going to do that as often as we
- 2:59Speaker 13: can anyway. But I'm like, what else can we do
- 3:01Speaker 13: that's very Halloween-y?
- 3:03Speaker 9: And Jacqueline, what did you say?
- 3:06Speaker 15: I said that we should paint pumpkins and watch cartoons,
- 3:09Speaker 15: but the cartoons didn't happen.
- 3:11Speaker 9: I did bring something.
- 3:13Speaker 12: Hold on.
- 3:13Speaker 9: Where's that bucket of crap?
- 3:16Speaker 13: Rummage in there, Fred, and you'll find something from a
- 3:18Speaker 13: very good friend of yours. I did find a VHS
- 3:24Speaker 13: copy of Halloween directed by your babysitter.
- 3:30Speaker 1: Have I mentioned that John Carpenter was my babysitter?
- 3:35Speaker 13: On one of our most popular episodes, actually. I'm sure
- 3:39Speaker 13: we can recap somewhere down the line. I think they've
- 3:41Speaker 13: heard it once or twice now.
- 3:44Speaker 16: I don't remember who I was telling, but I was
- 3:46Speaker 16: actually telling someone the other day about how John Carpenter
- 3:49Speaker 16: was your babysitter. And they were like, who?
- 3:50Speaker 9: Wait, who?
- 3:53Speaker 5: Meaning Fred or John Carpenter?
- 3:55Speaker 9: That's my question. Either way, did you smack them?
- 3:59Speaker 5: You were like.
- 4:00Speaker 13: Number one, John Carpenter's a genius. Number two, so is Fred,
- 4:04Speaker 13: and you should know.
- 4:05Speaker 9: Who he is.
- 4:05Speaker 16: Yeah, exactly. I think it was my best friend.
- 4:08Speaker 1: The genius DNA is passed through the babysitter.
- 4:13Speaker 5: I'm in trouble then.
- 4:14Speaker 9: Father to babysitter on those special, special nights. Wait a minute.
- 4:18Speaker 9: That's not how you were scarred. I remember how you
- 4:20Speaker 9: were scarred. It was a couple of different ways.
- 4:23Speaker 1: Yeah, I'm scarred in many ways. Oh, you're talking about
- 4:28Speaker 1: my other babysitter.
- 4:30Speaker 9: Oh, yes.
- 4:31Speaker 13: Oh, yeah.
- 4:32Speaker 1: My Russian babysitter.
- 4:33Speaker 8: Russian babysitter, which is a special memory.
- 4:36Speaker 13: I mean, the John Carpenter part of the story, let's
- 4:39Speaker 13: just reference people. Go listen to it. The episode is
- 4:42Speaker 13: called John Carpenter Was My Babysitter, and you should go
- 4:46Speaker 13: listen to it now because the John Carpenter half of
- 4:48Speaker 13: the story is amazing. I didn't think you could one-up it,
- 4:52Speaker 13: and then you did. I got midway into you telling
- 4:56Speaker 13: the Russian story, and I was like.
- 4:58Speaker 1: And the ball was hanging on the rim. You're like, well,
- 5:00Speaker 1: anything else you want to say? And I'm like, no. Oh,
- 5:03Speaker 1: wait a minute.
- 5:05Speaker 9: You did.
- 5:05Speaker 8: You stumbled into it. And I'm just like, by the end,
- 5:07Speaker 8: I'm just winded.
- 5:08Speaker 9: I'm like.
- 5:08Speaker 13: All right, we're going to have to take a break
- 5:11Speaker 13: now after Fred's story.
- 5:12Speaker 11: I'm like, Jesus.
- 5:14Speaker 9: So.
- 5:15Speaker 16: Do you think that you were the inspiration for Jamie
- 5:18Speaker 16: Lee characters?
- 5:19Speaker 1: Well, that's the funny thing about it. It's like, you know...
- 5:23Speaker 1: That movie is about a babysitter. And so I think
- 5:28Speaker 1: it was maybe like an alter ego, like he was
- 5:31Speaker 1: the hero.
- 5:32Speaker 16: Yeah.
- 5:34Speaker 9: Was he the hero in your life?
- 5:36Speaker 1: You know, I really don't remember it. I was too little.
- 5:40Speaker 1: I don't remember it. It was just something my mom
- 5:42Speaker 1: always said. And then it was a cool thing to say,
- 5:46Speaker 1: but I wasn't really confident of it because moms say
- 5:49Speaker 1: a lot of things.
- 5:50Speaker 17: Yeah.
- 5:51Speaker 5: My mom has literally never said that.
- 5:52Speaker 1: Really?
- 5:53Speaker 5: John Carpenter was your babysitter now.
- 5:55Speaker 1: Well, she said it, and then I started, like, investigating.
- 5:58Speaker 1: I was, like, staying late at the bar, going over
- 6:01Speaker 1: the old cold case.
- 6:03Speaker 9: Wait, wait, was the microfiche involved?
- 6:05Speaker 13: In this montage of your life, I see you late
- 6:08Speaker 13: at night when you should have been kicked out of
- 6:09Speaker 13: the library.
- 6:10Speaker 1: Going over the clues.
- 6:11Speaker 9: Going through the microfiche.
- 6:12Speaker 7: Yeah.
- 6:13Speaker 1: And so what happened was I.
- 6:18Speaker 1: Just looked him up and looked up his bio and
- 6:21Speaker 1: mom's story checked out, which he grew up in Bowling Green.
- 6:26Speaker 1: His parents taught at Western where my parents taught and, uh,
- 6:31Speaker 1: and the timeline fit the trajectory that I don't know
- 6:35Speaker 1: what I was investigating, but then also, um, that encouraged
- 6:40Speaker 1: me to ask my mom about it again.
- 6:41Speaker 9: And, uh, shake down your mom.
- 6:44Speaker 19: And, And she pulled out this thing like John Carpenter
- 6:47Speaker 19: had written like a horror magazine on, and it was
- 6:51Speaker 19: mimeographed on one of those old blue carbon things.
- 6:55Speaker 9: Tabletop zine.
- 6:56Speaker 17: Yeah.
- 6:56Speaker 8: It was, it was hardcore old school geek.
- 7:00Speaker 9: He still has. Yeah.
- 7:01Speaker 1: I think I actually had one when I was a
- 7:03Speaker 1: kid because I was obsessed with him and my dad
- 7:06Speaker 1: got me one and you know, you could get different
- 7:08Speaker 1: color carbon papers so you could register them and Yeah,
- 7:12Speaker 1: and I remember the smell of that fluid so vividly.
- 7:16Speaker 9: That's what happened.
- 7:17Speaker 8: I thought it was the babysitter scars, but it's just
- 7:19Speaker 8: all that left over.
- 7:19Speaker 1: It's all a bit. It smells like crazy to me. Yeah,
- 7:23Speaker 1: I feel bad now because one of my, my signature
- 7:27Speaker 1: on this show is not that John Carpenter was my babysitter,
- 7:31Speaker 1: but repeating myself. I just tell the same stories. And
- 7:37Speaker 1: I was talking about this earlier to my mom. I
- 7:39Speaker 1: was saying how my son is like my worst nightmare.
- 7:42Speaker 1: Because he remembers everything I say. And he knows that
- 7:47Speaker 1: I say like six things. And I just say them.
- 7:50Speaker 19: Over and over again.
- 7:51Speaker 1: And he just goes, ah, yeah. And he finishes the story.
- 7:56Speaker 1: But my wife, on the other hand, is my best nightmare.
- 8:00Speaker 9: She stopped listening to you a long time ago.
- 8:02Speaker 1: I can tell her the same joke every week. And
- 8:08Speaker 1: it's like she's never heard it. But also, she doesn't
- 8:12Speaker 1: think my jokes are funny, so it's a really low
- 8:15Speaker 1: stakes game I'm playing.
- 8:17Speaker 8: Somehow, knowing your sense of humor, I feel like that
- 8:20Speaker 8: probably feeds it a little.
- 8:21Speaker 1: You're just like, oh.
- 8:23Speaker 9: Gonna tell you this again she.
- 8:24Speaker 1: Did laugh at the part where i said well she
- 8:26Speaker 1: doesn't think my jokes are funny so it's a low
- 8:28Speaker 1: stakes game that she thought was.
- 8:30Speaker 13: Funny the sad part is i think i know most
- 8:33Speaker 13: of your jokes and stories so i i'm just gonna
- 8:36Speaker 13: like i'm gonna be the the baseball manager now like
- 8:39Speaker 13: when you get midway in i'm just gonna like brush
- 8:41Speaker 13: my shoulder and give you some signals to feel second
- 8:44Speaker 13: or you've already told this.
- 8:45Speaker 1: Like a red light that goes on okay we're in
- 8:48Speaker 1: reruns fred's in reruns again I'm.
- 8:52Speaker 9: Just, steal second. I mean, skip that story.
- 8:56Speaker 13: I need hand signals and gang signs or something to
- 8:59Speaker 13: get the word across.
- 8:59Speaker 1: So yeah, people can listen to the original episode back
- 9:03Speaker 1: when I was fresh and young and naive.
- 9:05Speaker 13: And it's interesting that we're telling it like a few
- 9:09Speaker 13: hundred feet away from John Carpenter. He's like right around
- 9:11Speaker 13: the corner from us as we're telling that story.
- 9:13Speaker 9: Isn't that funny? It is pretty interesting.
- 9:15Speaker 14: It's going to be like a new Halloween tradition is
- 9:18Speaker 14: Here in the John Carpenter was my babysitter story.
- 9:20Speaker 9: Gather around the fire and you tell.
- 9:21Speaker 13: The John Carpenter was my babysitter. And then the kids
- 9:26Speaker 13: will scream and run out of the room.
- 9:27Speaker 12: But it was.
- 9:29Speaker 1: Also a kind of thing that people enjoyed because, in
- 9:32Speaker 1: a sense, John Carpenter was all our babysitters. People can
- 9:38Speaker 1: relate to it, even though he wasn't, in fact, their babysitter.
- 9:42Speaker 19: They're like, kind of.
- 9:44Speaker 9: I think everybody takes it that way. And I think
- 9:46Speaker 9: that's when we made the t-shirts, which I need to
- 9:48Speaker 9: redo because I want different artwork. I don't like that.
- 9:51Speaker 12: Transfer at all.
- 9:51Speaker 13: But so put your pre-orders in now, but yeah, I,
- 9:54Speaker 13: we would, we would have them at the table and everybody.
- 9:56Speaker 8: Would be just like, yeah, me too.
- 9:58Speaker 9: Be like, well, all right.
- 10:00Speaker 13: I mean, I'm not going to argue with you. If
- 10:02Speaker 13: you want one, you can have one. But I'm like,
- 10:04Speaker 13: I don't know if you're getting the full... I would
- 10:05Speaker 13: try to tell them the real story at the table
- 10:07Speaker 13: and they'd be like, yeah, okay. And they'd just buy
- 10:09Speaker 13: it and walk on.
- 10:09Speaker 8: But you're not fully appreciating your t-shirt.
- 10:12Speaker 1: And then remember the Fonz walked over and said congratulations.
- 10:16Speaker 20: Yeah.
- 10:19Speaker 9: Henry Winkler walked up to.
- 10:20Speaker 13: Fred and was like, oh, congratulations.
- 10:24Speaker 8: You can't make those stories up.
- 10:26Speaker 3: I hope you haven't taken my stories too seriously.
- 10:29Speaker 1: Yeah, but I don't know what he was saying congratulations about.
- 10:33Speaker 1: If it was the shirt or the story. I was
- 10:36Speaker 1: starting to tell the story and he just walked over.
- 10:38Speaker 1: I saw him and, you know, like, hey, it's the Fonz.
- 10:41Speaker 9: Hey, it's the Fonz.
- 10:42Speaker 1: And he just walked over to me and was like, congratulations.
- 10:46Speaker 1: And I'm like, okay. On meeting the Fonz?
- 10:52Speaker 3: I don't know.
- 10:53Speaker 1: What am I being congratulated?
- 10:55Speaker 9: I mean, you should be, truthfully.
- 10:56Speaker 1: That's what I was feeling at the moment. It's like, oh,
- 10:59Speaker 1: I'm meeting the Fonz. He's like, congratulations.
- 11:01Speaker 5: Congratulations.
- 11:02Speaker 9: This is happening.
- 11:03Speaker 13: Should I tell you to steal a second? Because I
- 11:05Speaker 13: think we told that story on the same episode.
- 11:07Speaker 8: So we're looping back into the creepy past.
- 11:09Speaker 1: That happened on the episode. We didn't tell the story.
- 11:12Speaker 9: That's true. We don't have to tell the story. It
- 11:14Speaker 9: just happened. He walked up while we were recording. So
- 11:17Speaker 9: you can't.
- 11:18Speaker 8: You can't really make that kind of stuff up.
- 11:19Speaker 1: Those were good times.
- 11:21Speaker 8: Well, we're right in the middle of some good times
- 11:23Speaker 8: right now.
- 11:24Speaker 9: We're about ready to attack these pumpkins.
- 11:27Speaker 1: Yes.
- 11:27Speaker 9: And Jacqueline, what did you decide you're going to paint
- 11:29Speaker 9: on yours?
- 11:31Speaker 11: I'm going to paint my dog's face.
- 11:35Speaker 15: In front of flames.
- 11:38Speaker 9: Frightening.
- 11:41Speaker 5: If you saw my dog, it would be frightening.
- 11:43Speaker 9: I have seen your dog.
- 11:44Speaker 5: She's terrifying.
- 11:44Speaker 11: It's a little scary. She looks like the Gmork from
- 11:46Speaker 11: The NeverEnding Story.
- 11:48Speaker 3: Oh, really?
- 11:48Speaker 9: Yeah.
- 11:49Speaker 13: That is my favorite part. I love that movie anyway,
- 11:51Speaker 13: but that's my favorite part.
- 11:53Speaker 1: Oh, I'm holding the mic up to the picture.
- 11:56Speaker 9: But I don't think it's working.
- 11:58Speaker 8: You guys are scared at home.
- 12:03Speaker 1: The comparison was accurate is all I can report.
- 12:05Speaker 13: He's no luck dragon, but truthfully, I prefer the Gmork,
- 12:09Speaker 13: so that's just me. So, have you seen anything interesting
- 12:15Speaker 13: and or creepy, Jacqueline?
- 12:17Speaker 14: No.
- 12:19Speaker 11: Why, yes.
- 12:21Speaker 15: Yesterday, I went to the Village 8, and I saw
- 12:25Speaker 15: the movie Goodnight Mommy.
- 12:26Speaker 9: Oh, scary.
- 12:30Speaker 15: It was pretty deeply disturbing.
- 12:34Speaker 8: You were already a little disturbed.
- 12:37Speaker 15: Yeah, not like lots of jump scares or anything like that,
- 12:41Speaker 15: but I wasn't expecting that from a German art horror film.
- 12:45Speaker 2: Depends.
- 12:47Speaker 11: Yeah, yeah.
- 12:48Speaker 13: They might make you want to jump, but that's just
- 12:50Speaker 13: with some sort of weird, creepy torture techniques.
- 12:53Speaker 11: Yeah, that's just the way they talk.
- 12:55Speaker 12: Sorry, Jeremy.
- 12:56Speaker 15: But no, I greatly enjoyed it. It has a very...
- 13:00Speaker 15: A twist I didn't see coming.
- 13:02Speaker 5: I saw it and I did see the twist coming.
- 13:06Speaker 5: I saw your psychic. And if somebody who sees the
- 13:08Speaker 5: twist coming, it's not a good movie because you're just
- 13:10Speaker 5: sitting there being like, all right, I know what this
- 13:12Speaker 5: movie is.
- 13:13Speaker 11: And it was like such a classic twist.
- 13:15Speaker 5: I was like, oh, well, of course.
- 13:16Speaker 15: But the whole time it was more like I was like,
- 13:18Speaker 15: but I knew I could to be like, I sympathize
- 13:21Speaker 15: with the mom.
- 13:22Speaker 11: I get it.
- 13:23Speaker 15: I'm like, I'm already there, but I didn't make that
- 13:26Speaker 15: next jump to that.
- 13:28Speaker 5: Yeah, it's hard to talk. About the movie at all
- 13:30Speaker 5: without spoilers.
- 13:31Speaker 11: No spoilers.
- 13:32Speaker 9: It's still new.
- 13:33Speaker 11: It is still new.
- 13:34Speaker 9: We'll do a spoilerific episode.
- 13:35Speaker 11: Did you enjoy the movie?
- 13:36Speaker 5: I didn't actually like the movie that much. Because it
- 13:41Speaker 5: kind of becomes torture porn at a point. And that
- 13:44Speaker 5: is not my favorite kind of film.
- 13:46Speaker 11: With small children.
- 13:47Speaker 5: Yeah.
- 13:49Speaker 9: Woohoo. That does sound fun.
- 13:51Speaker 5: I couldn't get over that house though. Oh, my God,
- 13:53Speaker 5: the house was the best part. That's where my brain
- 13:55Speaker 5: was going when I stopped enjoying the film. I was like, wait,
- 13:57Speaker 5: can we just pan back to the chairs? Can we
- 14:00Speaker 5: just look at those chairs a little longer? Oh, my God,
- 14:02Speaker 5: it was so good. It was like an Ikea catalog
- 14:04Speaker 5: times a thousand. It was beautiful, yeah.
- 14:07Speaker 9: Ikea catalog times a thousand.
- 14:09Speaker 5: Definitely the best character in the film.
- 14:11Speaker 17: Yeah.
- 14:11Speaker 5: And really the most articulated character in the film.
- 14:13Speaker 9: I thought.
- 14:13Speaker 7: Truly.
- 14:13Speaker 13: The most developed of the relationships, the house. All right,
- 14:17Speaker 13: interior designers out there, we have a spooky, spooky movie
- 14:20Speaker 13: for you.
- 14:22Speaker 5: Can I ask you a question, though?
- 14:23Speaker 11: Yes.
- 14:24Speaker 5: Oh, well, this might be spoilery, too.
- 14:25Speaker 10: I don't know.
- 14:27Speaker 5: Is that a thing in Austria where you're, like, walking
- 14:30Speaker 5: around and then you open a door and it's just, like,
- 14:33Speaker 5: a big room full of skulls?
- 14:35Speaker 9: Spoilers.
- 14:36Speaker 5: It's not really spoilers. It's just a weird set piece
- 14:39Speaker 5: in the film that they never explain.
- 14:41Speaker 11: Yeah.
- 14:43Speaker 15: I actually, I'm thinking right now, like, I'm an anthropologist,
- 14:48Speaker 15: and so, like, I know a lot of archaeologists, and
- 14:50Speaker 15: over there... Yeah, it's just like, oops, I accidentally came
- 14:55Speaker 15: upon a gigantic mass grave.
- 14:57Speaker 11: Oh, that's interesting.
- 14:59Speaker 15: So I didn't find that tomb or mass burial, whatever
- 15:03Speaker 15: it was, to be particularly surprising.
- 15:05Speaker 11: I was like, okay, not sure.
- 15:07Speaker 7: Why not?
- 15:08Speaker 16: Pretty much everywhere except for America. I walked into a
- 15:13Speaker 16: churchyard in Romania. There's this random teeth that have been
- 15:18Speaker 16: on the ground for the last 600 years. Like, random.
- 15:21Speaker 10: Did you pocket them?
- 15:22Speaker 9: I mean, come on. Souvenirs.
- 15:26Speaker 5: That's a hard thing to get through customs, I would imagine.
- 15:29Speaker 9: No, these are mine. I totally brought these with me.
- 15:33Speaker 10: I harvested them myself.
- 15:36Speaker 9: I keep my teeth with me at all times. Am
- 15:38Speaker 9: I not supposed to keep them in my pocket?
- 15:41Speaker 15: Yeah, and their burials were a lot more shallow back then. So, like,
- 15:45Speaker 15: erosion just happens, and then suddenly there's just, like, a
- 15:47Speaker 15: ton of bodies everywhere.
- 15:48Speaker 6: Yeah.
- 15:49Speaker 9: It's amazing.
- 15:50Speaker 5: Yeah, I was trying to figure out in that opening
- 15:52Speaker 5: scene where the earth's all squishy and weird. Like, I
- 15:54Speaker 5: guess I just don't really understand anything about Austria. I
- 15:56Speaker 5: didn't get that.
- 15:57Speaker 11: I was like, that seems very strange.
- 15:59Speaker 5: Yeah, I know if that had something to do with
- 16:01Speaker 5: why they just throw their bodies in a shed.
- 16:05Speaker 1: Okay.
- 16:06Speaker 9: Well, that's our history, though. We're the kids.
- 16:08Speaker 13: So, I mean, we're only a couple hundred years old.
- 16:10Speaker 13: We don't have thousands of years old. Well, I mean,
- 16:12Speaker 13: we do, but not our American-y society. We only bastardized
- 16:17Speaker 13: this country at that point, and So our society, I
- 16:21Speaker 13: like to look at it as the truth that was
- 16:23Speaker 13: told in L.A.
- 16:24Speaker 12: Story.
- 16:25Speaker 13: Some of these homes go back to the 1960s. I
- 16:29Speaker 13: think that sums up everything about our society. It's like
- 16:32Speaker 13: that's our ancient history.
- 16:33Speaker 1: It must look pretty cute to Europeans when they see
- 16:35Speaker 1: businesses like established 19. Right.
- 16:39Speaker 13: Movie meltdown.
- 16:42Speaker 8: Annoying people since 2008. That's why I.
- 16:44Speaker 1: Bring it up.
- 16:44Speaker 2: Yeah.
- 16:47Speaker 8: So any other creepy things you've seen?
- 16:50Speaker 9: I don't think.
- 16:50Speaker 18: Anyone?
- 16:51Speaker 15: No, I mean, except for that homeless guy that keeps
- 16:53Speaker 15: coming into Nancy's. That's the only other creepy thing that's
- 16:57Speaker 15: been around.
- 16:58Speaker 8: Eh, he's not that creepy. I'm probably going to hit
- 17:00Speaker 8: him with a giant stick.
- 17:01Speaker 17: Yeah.
- 17:01Speaker 9: Just saying. Because he has a stick.
- 17:03Speaker 1: Well, you mentioned red flags, and I saw a red flag,
- 17:07Speaker 1: and that's not that creepy.
- 17:09Speaker 9: Which one is that one?
- 17:11Speaker 1: The guy Ray from Girls. Alex Carpaccio. Harpovsky?
- 17:19Speaker 5: That sounds right. I'm going to accept that.
- 17:20Speaker 11: No, that's not right.
- 17:21Speaker 5: Definitely not it. But let's run with it.
- 17:26Speaker 1: Yeah, whatever it is. I know his name. I know that, yeah,
- 17:29Speaker 1: but I'm mixing it up. But he was in a movie,
- 17:33Speaker 1: Red Flag, with our friend's friend, you know, Jess's co-partner.
- 17:42Speaker 13: I'm going to say he steals second because didn't we
- 17:44Speaker 13: talk about this one last time?
- 17:45Speaker 2: Did we?
- 17:45Speaker 20: Yeah.
- 17:47Speaker 1: It's Jennifer Prediger, and I think I said this last
- 17:49Speaker 1: time we did this.
- 17:51Speaker 9: Yeah, it was Jennifer.
- 17:52Speaker 1: But see, Red Flag is just the segue.
- 17:54Speaker 9: Uh-oh, segue, all right. Get on the segue.
- 17:57Speaker 1: I got onto a Ray thing and started watching his
- 18:02Speaker 1: movies like the Woodpecker movie. He makes good movies. And
- 18:10Speaker 1: the other one where he kills some lady. And I'm
- 18:14Speaker 1: trying to think of the title of it. Yeah, and
- 18:17Speaker 1: it was pretty creepy. It was pretty creepy and pretty believable,
- 18:20Speaker 1: and he was really good in it. Oh, but my
- 18:23Speaker 1: favorite one is his first movie, The Whole Story. It's
- 18:27Speaker 1: just a great, great movie. I can't believe I can't
- 18:33Speaker 1: think of his name. It doesn't end with a ski.
- 18:36Speaker 1: It ends with an off, doesn't it?
- 18:40Speaker 5: Only there were a device.
- 18:41Speaker 1: Yeah, I know.
- 18:42Speaker 5: We could pull out of our pockets and make this query.
- 18:45Speaker 1: Well, I'm trying to go without that, but I might
- 18:48Speaker 1: have to do it. But anyway, yeah, the creepy one,
- 18:52Speaker 1: he's just this, it's just creepy. And I might have
- 18:58Speaker 1: to actually find the title of it. But I got
- 19:01Speaker 1: on sort of a binge because I saw one of
- 19:03Speaker 1: his movies, Red Flag, and then I saw another, and
- 19:07Speaker 1: they're good movies. And the whole story is just one
- 19:11Speaker 1: of my favorite movies.
- 19:13Speaker 13: Wow.
- 19:13Speaker 9: What year?
- 19:15Speaker 5: I don't know how long his career has been.
- 19:17Speaker 1: It hasn't been that long. He was an anthropologist. He
- 19:21Speaker 1: was studying at Oxford.
- 19:24Speaker 2: Oxford?
- 19:26Speaker 13: Wow.
- 19:26Speaker 1: And he got his first, you know, they do degrees
- 19:30Speaker 1: like in levels. And he got the first degree you
- 19:34Speaker 1: can get in a certain amount of time. But during
- 19:37Speaker 1: that time, it was the first time, because his dad
- 19:39Speaker 1: taught where he went to school in Boston, and he
- 19:43Speaker 1: just felt like he never got away from home and
- 19:46Speaker 1: away from, and just tried being a different person. and
- 19:50Speaker 1: when he did get away from home in England he
- 19:53Speaker 1: started doing improv and he just really liked it and
- 19:58Speaker 1: he he just shifted entirely what he was doing and
- 20:03Speaker 1: the whole story is about a guy kind of like
- 20:07Speaker 1: him who is trying to do a pilot for a
- 20:12Speaker 1: series where he goes to little small towns and solves mysteries.
- 20:17Speaker 1: And so he goes to a little town in, I
- 20:21Speaker 1: guess it's Minnesota or Wisconsin, where the lake is frozen over,
- 20:28Speaker 1: but like one area of it has just thawed and
- 20:31Speaker 1: it's just water now in the dead of winter and
- 20:33Speaker 1: nobody knows why. But he gets there and starts to
- 20:36Speaker 1: film it and it's frozen over again. And so he's
- 20:40Speaker 1: trying to get the pilot made despite the subject being gone.
- 20:48Speaker 1: And it's just delightful.
- 20:51Speaker 9: And the name of this movie is?
- 20:52Speaker 1: The whole story. H-O-L-E.
- 20:55Speaker 9: Interesting.
- 21:00Speaker 18: Yeah.
- 21:01Speaker 1: Yeah. It's desperate and funny. And it has twists in
- 21:07Speaker 1: it that you don't see well. I mean, they're not unreasonable.
- 21:13Speaker 1: It's life-size. It's like, well, you can see that happening. Yeah,
- 21:18Speaker 1: I didn't see that. I'm going to be really embarrassed
- 21:22Speaker 1: if it is Karpovsky, after all.
- 21:24Speaker 5: You're going to have an egg on your face.
- 21:28Speaker 1: I can't think of the name of the movie where
- 21:30Speaker 1: he kills somebody. Spoiler alert.
- 21:32Speaker 5: I was about to say, I hope that's at the
- 21:33Speaker 5: beginning of the movie.
- 21:36Speaker 1: Well, I think it's actually like if you look up
- 21:38Speaker 1: the movie. They kind of tell you what the deal is.
- 21:43Speaker 8: Don't look up the movie.
- 21:46Speaker 6: Alex.
- 21:47Speaker 1: Here, I'm going to hand this. Fact check myself.
- 21:52Speaker 16: I've watched a few movies lately. I think I mentioned
- 21:54Speaker 16: last time. I've been weirdly obsessed with cannibal movies lately.
- 21:58Speaker 9: You do have a problem.
- 22:00Speaker 10: Yeah, I know.
- 22:00Speaker 9: You were gnawing on an arm when you came in.
- 22:03Speaker 1: Okay, it is Karpovsky.
- 22:06Speaker 16: You really goofed this time.
- 22:10Speaker 9: I hope you're pleased with yourself.
- 22:13Speaker 1: Well, I'm sorry. Go ahead.
- 22:16Speaker 9: Back to your chewing on people's arms.
- 22:18Speaker 1: Live update.
- 22:19Speaker 5: Breaking news. Breaking news. Fred had it right the first time.
- 22:27Speaker 16: So, I've just been watching, like, I mean, I saw
- 22:30Speaker 16: Green and Brown. But Cannibal, but then, of course, I
- 22:34Speaker 16: watched Cannibal Holocaust.
- 22:35Speaker 9: You wanted to watch Cannibal Holocaust.
- 22:36Speaker 21: You know.
- 22:37Speaker 16: Cannibal of Ferrix, which is basically like the exact same movie.
- 22:40Speaker 16: And it even has the same people. So it's really confusing.
- 22:44Speaker 16: It's weird. But there's a whole bunch of other cannibal
- 22:47Speaker 16: movies that I'm super excited to watch.
- 22:49Speaker 9: There's quite a few out there.
- 22:50Speaker 10: Yeah.
- 22:51Speaker 16: It was like a big genre in the 70s and
- 22:54Speaker 16: 80s for some stranger.
- 22:56Speaker 8: It became a thing.
- 22:58Speaker 9: They can make it for cheap, probably.
- 22:59Speaker 16: I think it's just my anthropology side that's like super
- 23:02Speaker 16: into that.
- 23:03Speaker 21: Anthropologists are weirdos.
- 23:04Speaker 15: Yeah.
- 23:05Speaker 9: Have we mentioned that?
- 23:06Speaker 11: Yeah.
- 23:16Speaker 22: But just not, baby, when it comes to you I
- 23:18Speaker 22: get so hungry when you say you love me And
- 23:20Speaker 22: you know what's good for you I think you're hot,
- 23:22Speaker 22: I think you're cool You're the kind of guy I'd
- 23:24Speaker 22: stalk in school But now that I'm famous, you're up
- 23:26Speaker 22: my anus Now I'm gonna eat you, fool I eat
- 23:29Speaker 22: boys up, breakfast and lunch Then when I'm thirsty.
- 23:34Speaker 11: I drink their blood.
- 23:36Speaker 22: Carnivore animal, I am a cannibal I eat boys up,
- 23:42Speaker 22: you better run Run.
- 23:43Speaker 14: Run, run.
- 23:52Speaker 20: I am Candy Boy.
- 23:57Speaker 11: I'll eat you.
- 24:00Speaker 2: Up.
- 24:02Speaker 7: I am Candy Boy. I am.
- 24:07Speaker 20: Candy Boy.
- 24:11Speaker 7: I'll eat you up.
- 24:13Speaker 3: It's intermission time. So how about taking a break? Get
- 24:17Speaker 3: out and stretch a little and relax before the show
- 24:20Speaker 3: begins again. And why not make it refreshment time, too?
- 24:24Speaker 3: We have lots of tasty, delicious treats waiting for you
- 24:27Speaker 3: at the refreshment center. There's hot popcorn, so golden good
- 24:31Speaker 3: and fresh out of the popper. And all kinds of
- 24:34Speaker 3: refreshing ice-cold soft drinks. So why not visit the refreshment
- 24:38Speaker 3: center now? Our courteous attendants are ready and waiting to
- 24:41Speaker 3: serve you with a wide and wonderful variety of good
- 24:44Speaker 3: things to eat and drink.
- 24:49Speaker 18: How much can the human mind stand? Do you dare
- 24:55Speaker 18: pit your sanity against our marathon of fright?
- 25:01Speaker 2: Shock follows shock.
- 25:05Speaker 18: Your breath comes in gasps, hearts fold. Then, the mind explodes.
- 25:15Speaker 18: For the unlucky ones, a straitjacket and a free trip
- 25:20Speaker 18: to the booby hatch. To the strong, a free Fright
- 25:27Speaker 18: Club membership card. See the grisly, macabre marathon of fright
- 25:34Speaker 18: and learn more faith. Will it be life or living death?
- 25:47Speaker 23: This episode is brought to you by Crosley Turntables. Starting
- 25:49Speaker 23: back in 1920, the Crosley company produced the first low-price
- 25:52Speaker 23: radio for the general public, and ever since, they've been
- 25:55Speaker 23: working to provide innovative and affordable electronics. And that tradition
- 25:58Speaker 23: continues today as Crosley works to expand their product line,
- 26:01Speaker 23: creating vintage-inspired electronics featuring the latest technologies, such as iPod decks, Bluetooth,
- 26:07Speaker 23: and MP3 capabilities. So to find out more about their turntables,
- 26:10Speaker 23: just go to CrosleyRadio.com. There you'll find everything from the
- 26:14Speaker 23: players themselves to replacement needles and even records. Again, that's CrosleyRadio.com,
- 26:18Speaker 23: so head over there now and pick out which turntable
- 26:20Speaker 23: you need.
- 26:50Speaker 5: I saw a scary movie.
- 26:51Speaker 9: All right.
- 26:52Speaker 5: They Look Like People.
- 26:55Speaker 9: Good segue, Lucy.
- 26:56Speaker 5: Oh, I didn't even know I was doing it.
- 26:58Speaker 13: Since our special guest this episode is McLeod Andrews, star
- 27:03Speaker 13: of They Look Like People.
- 27:03Speaker 5: Wait, is that a real thing?
- 27:04Speaker 9: Yeah.
- 27:05Speaker 5: I didn't even know that.
- 27:06Speaker 9: You want to go to his interview right now?
- 27:07Speaker 7: Sure.
- 27:08Speaker 8: Let's do it.
- 27:14Speaker 17: I feel so cheated right now.
- 27:22Speaker 9: Well, that's the thing.
- 27:23Speaker 13: It's like, I saw the five, and I was just like, eh,
- 27:25Speaker 13: it's not much different than what I got.
- 27:26Speaker 18: But, like, once.
- 27:28Speaker 12: And mine was always, like, I needed.
- 27:30Speaker 22: one more mic.
- 27:30Speaker 13: Like almost all the time now it's like you can
- 27:33Speaker 13: and one of the other attachments is another two prong
- 27:36Speaker 13: so you can do six six plugins yeah and I'm
- 27:40Speaker 13: just like that like that's all you'll ever need like I.
- 27:42Speaker 9: Don't need a board anymore like.
- 27:44Speaker 10: I can do six on this.
- 27:47Speaker 17: Like you don't need more than three you see we
- 27:50Speaker 17: should just be recording this conversation because this is the
- 27:53Speaker 17: this is it this is the good stuff right here guys.
- 27:57Speaker 21: Going oh what kind of zoom is that man Is
- 28:00Speaker 21: that an H6?
- 28:00Speaker 9: That's almost how every interview starts. That's right. Everybody's just like.
- 28:04Speaker 1: Wait, which one is that?
- 28:06Speaker 9: Everybody knows.
- 28:07Speaker 21: Right, they all know. They're super handy tools. This is
- 28:11Speaker 21: three for me.
- 28:13Speaker 9: I upgraded twice.
- 28:15Speaker 17: We made a mistake when we shot the film that
- 28:18Speaker 17: actually we're just about to see. They look like people we...
- 28:21Speaker 17: We were running 4channel on an H4N and.
- 28:27Speaker 17: We didn't know at the time that it mixes it
- 28:29Speaker 17: all down to a single track. Because this one, this
- 28:33Speaker 17: separates them all out, right?
- 28:34Speaker 21: Yeah, this will break it out, which is amazing.
- 28:36Speaker 11: Yeah, because we.
- 28:37Speaker 6: Yeah.
- 28:38Speaker 24: Yeah.
- 28:56Speaker 21: Exactly. And we had.
- 28:58Speaker 17: So many takes where the sound was just ruined because
- 29:01Speaker 17: the lav was mixed in with the boom.
- 29:05Speaker 6: And.
- 29:06Speaker 21: Yeah.
- 29:07Speaker 17: Well, cool.
- 29:07Speaker 21: I'm giddy.
- 29:08Speaker 25: Thanks for joining us for Audiophile Geekery.
- 29:12Speaker 21: My pleasure. What's up?
- 29:16Speaker 9: We're here with the potty.
- 29:19Speaker 21: What's up, guys?
- 29:20Speaker 5: How are you?
- 29:21Speaker 9: I'm great. Other than this wonderful technology that.
- 29:23Speaker 21: We're... I know, we're geeking out.
- 29:25Speaker 2: But.
- 29:26Speaker 13: I guess we're mostly focusing on this movie for this
- 29:33Speaker 13: time around.
- 29:34Speaker 12: As I said.
- 29:35Speaker 21: I'm looking at this and I'm just like, we just
- 29:36Speaker 21: doubled our budget.
- 29:37Speaker 25: So, um I guess just to get into this movie
- 29:42Speaker 25: so this is they look like people um yes you
- 29:46Speaker 25: are the star but also.
- 29:48Speaker 17: Co-producer yes so how did this movie find you find
- 29:52Speaker 17: me um I think we all found each other this
- 29:56Speaker 17: this movie found us uh We went to school together, me,
- 30:02Speaker 17: my co-star and co-producer Evan, and the director, writer, producer Perry.
- 30:08Speaker 17: We all went to school together and we made a
- 30:11Speaker 17: bunch of short films together when we were in school.
- 30:13Speaker 21: And we all went.
- 30:15Speaker 17: Off after school to pursue professional lives in various forms.
- 30:21Speaker 17: And Exactly, whatever it is we do. And we just
- 30:26Speaker 17: found ourselves missing the freedom of just collaborating together and.
- 30:34Speaker 21: Just having complete creative control over what we were doing.
- 30:37Speaker 21: And so we got in touch.
- 30:39Speaker 17: And the script itself is kind of a Hail Mary
- 30:43Speaker 17: from Perry.
- 30:46Speaker 9: I mean, yeah, I'm looking forward to it.
- 30:49Speaker 13: That's why going into these, I feel like, I don't
- 30:52Speaker 13: know what I'm getting myself into, but I always try
- 30:54Speaker 13: to keep it a little light on the details for
- 30:58Speaker 13: the listeners as well, because it's like you don't want
- 31:00Speaker 13: to ruin, especially these type of movies, you don't want
- 31:02Speaker 13: to ruin anything. So it's like, I guess we get
- 31:05Speaker 13: into more of the overall putting it together more than
- 31:08Speaker 13: the story and details.
- 31:11Speaker 21: Right, right, right.
- 31:13Speaker 17: We can talk story after the fact and see if
- 31:15Speaker 17: it worked or it didn't.
- 31:16Speaker 9: Check back in after a while, after people have seen it.
- 31:19Speaker 13: So I guess just piecing it together when did the
- 31:22Speaker 13: the plot come together and then when did you guys
- 31:25Speaker 13: start putting the the actual filming.
- 31:27Speaker 17: Together sure sure um well originally i guess we decided
- 31:31Speaker 17: to shoot the film in order to give ourselves a
- 31:34Speaker 17: a timeline we four months out from shooting we bought
- 31:39Speaker 17: plane tickets for myself and evan the other actor uh
- 31:43Speaker 17: to fly out to new york so we just The
- 31:46Speaker 17: pressure was really on Perry, like, we've got to have
- 31:48Speaker 17: a script at that point.
- 31:49Speaker 21: We've got to have a film.
- 31:50Speaker 9: It would be nice.
- 31:50Speaker 21: Yeah, it would be nice.
- 31:52Speaker 17: And so we started working on another project, and about
- 31:56Speaker 17: three months in, he gave us a call and said, guys,
- 32:01Speaker 17: so I'm really excited about this script, but it's not
- 32:05Speaker 17: going to work.
- 32:05Speaker 21: Like, we can't shoot it amongst ourselves.
- 32:09Speaker 17: So I'm going to try something different.
- 32:12Speaker 9: So just story.
- 32:14Speaker 13: ironing out the details at that point exactly that's a
- 32:18Speaker 13: tough call to make because there's plenty of people that
- 32:20Speaker 13: I feel like probably would just be like oh well
- 32:22Speaker 13: let's just go with it we'll wing it and you
- 32:24Speaker 13: usually see that on the screen yeah well that's one
- 32:26Speaker 13: of the things that's incredible about Perry that is he's
- 32:30Speaker 13: like he's like a ninja warrior he's the guy you
- 32:33Speaker 13: want on your side you know he's the guy with
- 32:35Speaker 13: all the tricks he's just his brain's a mile a
- 32:38Speaker 13: minute he's like an idea factory it's insane but the
- 32:41Speaker 13: thing is they're all rich ideas they're all they aren't
- 32:45Speaker 13: first choice.
- 32:45Speaker 17: They're all kind of grounded in really thoughtful, quirky, personal
- 32:53Speaker 17: observations and then couched in really entertaining genre. So he
- 32:59Speaker 17: came up with this idea and it was loosely based
- 33:03Speaker 17: on an actual experience he had with a friend of
- 33:04Speaker 17: his who was going through a very trying time in
- 33:08Speaker 17: his life. He broke up with his girlfriend, lost his job,
- 33:12Speaker 17: everything was kind of spiraling out of control and he
- 33:14Speaker 17: was finding it very difficult to trust people and to
- 33:17Speaker 17: the extent where he was starting to entertain really outlandish
- 33:23Speaker 17: conspiracy theories.
- 33:25Speaker 9: We head down that road sometimes.
- 33:27Speaker 21: Yeah, we do. And that's actually sort of at the
- 33:33Speaker 21: heart of the film, we feel, is that this isn't
- 33:35Speaker 21: about a crazy person.
- 33:38Speaker 16: It's that.
- 33:40Speaker 21: We all dip in and out.
- 33:42Speaker 17: Of these perspectives sometimes where things just don't make sense,
- 33:47Speaker 17: where things aren't lining up to different degrees.
- 33:51Speaker 13: You start forming new theories and what you feel like
- 33:54Speaker 13: suddenly starts to make sense.
- 33:55Speaker 17: Right, about how things work and about how the world
- 33:57Speaker 17: is and what your place is in it. And so
- 34:01Speaker 17: his friend had told him at one point that if
- 34:05Speaker 17: he hadn't had close family and friends around him, he
- 34:08Speaker 17: probably would have wound up dead.
- 34:11Speaker 21: Or in jail.
- 34:13Speaker 17: And, you know, he pulled out of it and is,
- 34:17Speaker 17: you know, living a perfectly happy, what we would call
- 34:19Speaker 17: normal life now.
- 34:21Speaker 9: But it planted that seed of, what if he didn't
- 34:24Speaker 9: pull out of it? What if he didn't?
- 34:28Speaker 21: Or what if it was more extreme? What if it
- 34:30Speaker 21: just kind of kept going down that path?
- 34:34Speaker 17: And so it's sort of, the film ended up, so
- 34:38Speaker 17: that was the seed, and then With that kind of
- 34:42Speaker 17: kernel of friendship and devotion to one another and needing
- 34:45Speaker 17: people to help us get our groundings, on top of
- 34:48Speaker 17: that we had the nature of the production itself where
- 34:53Speaker 17: us three as friends were coming together to take a
- 34:55Speaker 17: big risk together and to sort of leap off the
- 34:59Speaker 17: bridge and just hope that we'd catch each other. And
- 35:03Speaker 17: that ended up informing the film as well. And the
- 35:06Speaker 17: film really ended up becoming kind of an homage to
- 35:10Speaker 17: friendship and loyalty and taking risks for one another in
- 35:15Speaker 17: a really interesting way that I don't think Perry was expecting.
- 35:18Speaker 17: As Perry said multiple times, it by accident ended up
- 35:21Speaker 17: becoming the most personal film that he's made to date.
- 35:25Speaker 9: It's kind of amazing when that stuff happens.
- 35:27Speaker 10: Yeah, yeah.
- 35:28Speaker 21: But I think we all like it that way.
- 35:31Speaker 9: We like.
- 35:32Speaker 17: the organic thing that happens with collaboration and, uh, and, uh,
- 35:38Speaker 17: and that's why we came together and made a film
- 35:40Speaker 17: the way we did so that we could find those
- 35:42Speaker 17: little discoveries so that we could really create something unique and, uh,
- 35:47Speaker 17: and personal.
- 35:49Speaker 13: Well, usually around this time of year we get into
- 35:51Speaker 13: the horror themes and run with them.
- 35:55Speaker 9: Um, would you consider this full on horror?
- 35:58Speaker 21: No, I wouldn't consider it full on horror.
- 36:00Speaker 9: Yeah.
- 36:00Speaker 21: Uh, definitely not. Um, And in fact, we were a
- 36:03Speaker 21: little hesitant to even call it horror. We were like,
- 36:07Speaker 21: is it horror?
- 36:08Speaker 17: See, the thing is, stylistically and in the techniques used,
- 36:15Speaker 17: both directorially and editorially, it definitely trades on horror tropes.
- 36:24Speaker 17: And scenes take the shape of a horror film. But
- 36:31Speaker 17: the intent isn't the same as a horror film, where
- 36:35Speaker 17: we're not really going for the jump scare. We're not
- 36:39Speaker 17: really trying to make you uncomfortable. It's certainly part of it,
- 36:44Speaker 17: but we tend to call it more a psychological thriller.
- 36:51Speaker 17: We've sort of landed on describing it as a heartfelt
- 36:53Speaker 17: indie drama wrapped up in a psychological thriller shell.
- 36:57Speaker 9: With horrific elements.
- 36:59Speaker 21: Yeah, with horrific elements. I think some people have taken
- 37:04Speaker 21: to calling it a psychobromance, which we.
- 37:07Speaker 7: I.
- 37:08Speaker 9: Might steer away from that. That seems like trouble, doesn't it?
- 37:13Speaker 9: Does it?
- 37:13Speaker 8: If I saw that, I'm not sure I would go
- 37:15Speaker 8: jump in that line.
- 37:16Speaker 21: Bill and Ted's Terrible Adventure? I didn't want to.
- 37:19Speaker 9: See that third Bill and Tad. I mean, we're all
- 37:21Speaker 9: kind of waiting for that, right? Is that happening? Last
- 37:24Speaker 9: I heard, they were both. Is the other guy not dead? Yeah,
- 37:27Speaker 9: Alex is a filmmaker now.
- 37:29Speaker 7: Oh, sweet.
- 37:30Speaker 21: I'll probably just put my foot in my mouth. He's
- 37:31Speaker 21: probably like, really?
- 37:32Speaker 9: He was going to hire you, but not now.
- 37:34Speaker 21: I am an ignorant asshole.
- 37:36Speaker 9: But yeah, last I heard, even Keanu was on board. Sweet,
- 37:40Speaker 9: of course.
- 37:41Speaker 10: Why wouldn't he be?
- 37:42Speaker 9: I don't know. So it'll be interesting.
- 37:44Speaker 1: Yeah.
- 37:46Speaker 9: Somehow we veered into Bill and Ted.
- 37:48Speaker 21: Yeah, of course. As all good conversations do.
- 37:52Speaker 13: But were you just, again, because we're in the midst
- 37:55Speaker 13: of horror, were you an old school horror fan coming up?
- 38:00Speaker 21: I'm a wuss.
- 38:01Speaker 11: That's true.
- 38:02Speaker 21: See, I mean, like The Exorcist is one of my
- 38:05Speaker 21: favorite movies. See, that's pretty hardcore.
- 38:06Speaker 9: That still holds up.
- 38:08Speaker 21: It does hold up. It really does. But that shit
- 38:10Speaker 21: made me, I mean, that stuff made me.
- 38:13Speaker 9: You can say it.
- 38:13Speaker 17: Okay, cool.
- 38:15Speaker 9: Uh i mean i.
- 38:15Speaker 17: Still for years like i would just sit in my
- 38:18Speaker 17: bed being like what if something takes over my body
- 38:21Speaker 17: what if demons are real oh my god like it's
- 38:24Speaker 17: yet to be seen yeah it's yet to.
- 38:26Speaker 10: Be seen we'll find out eventually.
- 38:29Speaker 17: We will um no like i don't i don't go
- 38:32Speaker 17: in much for for i guess what's come to be
- 38:36Speaker 17: known as gore porn like i don't want to see
- 38:38Speaker 17: people getting cut.
- 38:39Speaker 9: Up i mean that's That's its own sub-genre at this point.
- 38:42Speaker 11: It is.
- 38:43Speaker 17: It has kind of become a sub-genre. But, I mean, obviously,
- 38:45Speaker 17: that doesn't encapsulate all of what horror is. I mean, Halloween,
- 38:50Speaker 17: the first Halloween, is incredibly suspenseful, and you don't... There's very.
- 38:54Speaker 9: Body count is minimal.
- 38:56Speaker 11: Minimal.
- 38:56Speaker 9: Maybe, like, three?
- 38:58Speaker 5: Like, it's pretty minimal.
- 38:59Speaker 9: And it's kind of like.
- 39:00Speaker 21: Friday the 13th, too. It's like you don't really... get
- 39:03Speaker 21: into it until later.
- 39:04Speaker 9: It's only later it becomes the big ridiculous.
- 39:07Speaker 13: Show yeah you know that first couple especially halloween halloween
- 39:11Speaker 13: is just amazing like to this day like every year
- 39:14Speaker 13: at this time i'm just like yeah no really let's
- 39:16Speaker 13: sing the praises of halloween.
- 39:17Speaker 17: Yeah gosh but i can say also what about those
- 39:20Speaker 17: soundtracks like i mean that's some i think some of
- 39:22Speaker 17: the most like innovative and exciting like sound design like
- 39:27Speaker 17: and scoring.
- 39:28Speaker 13: Just like the carpenter stuff or yeah again the director
- 39:32Speaker 13: doing it all himself that's the thing it's kind of
- 39:36Speaker 13: an auteur vision even though we don't tend to consider
- 39:39Speaker 13: horror film directors as auteurs like i feel like it's
- 39:43Speaker 13: absolutely appropriate yeah.
- 39:46Speaker 17: Because it does lend itself towards that DIY, you know,
- 39:53Speaker 17: one-man band sort of production.
- 39:55Speaker 13: Back then, yeah, it was especially the horror because they
- 39:58Speaker 13: were also low budget. It was very indie film when
- 40:01Speaker 13: indie film wasn't what it is, what we know it
- 40:03Speaker 13: as now.
- 40:04Speaker 21: Right.
- 40:04Speaker 13: Where now, like, indie filmmakers have, like, latched onto horror.
- 40:08Speaker 13: And it's a lot of times it's because it's more
- 40:10Speaker 13: affordable than, you know, it's harder to do a sci-fi epic,
- 40:13Speaker 13: but like a horror movie, we can slap that together.
- 40:16Speaker 9: So sure. Yeah.
- 40:18Speaker 13: I think it lends itself to different types of filmmakers,
- 40:21Speaker 13: but yeah, I don't know.
- 40:23Speaker 9: I guess getting back to yours.
- 40:24Speaker 13: So, so your approach going more from a psychological angle,
- 40:29Speaker 13: I guess, what did you then need to bring to it.
- 40:31Speaker 12: As the actor?
- 40:32Speaker 21: As the actor?
- 40:33Speaker 17: Um, I think given our, just the, the way we
- 40:40Speaker 17: made the film, the most important thing I could bring
- 40:43Speaker 17: was an, an adaptability was a readiness to, to like
- 40:49Speaker 17: run with an idea and, and, and surrender to a scene,
- 40:56Speaker 17: but also keep hammering at a seam and also to
- 40:59Speaker 17: let go. Like it was a very, it's one of the,
- 41:03Speaker 17: hardest things you go to bed being like oh god
- 41:05Speaker 17: I missed that beat like you know like I just
- 41:07Speaker 17: didn't get to the emotional place I wanted to or
- 41:09Speaker 17: like I'm just like what if it was just big
- 41:12Speaker 17: fakery and with the way that we made the film
- 41:16Speaker 17: and I really love this is because it was so
- 41:19Speaker 17: immersive and all hands on deck you know Evan and
- 41:22Speaker 17: I were not just We were usually running sound, too,
- 41:27Speaker 17: and we were loving ourselves.
- 41:29Speaker 21: I was doing makeup.
- 41:30Speaker 9: True indie filmmaking.
- 41:31Speaker 21: Yeah, yeah, exactly.
- 41:32Speaker 9: You are seven jobs. Yeah, we give a moment.
- 41:34Speaker 21: And Perry had 7,000 jobs. But that didn't give you
- 41:39Speaker 21: the luxury of sitting and pondering your scene too much.
- 41:46Speaker 21: But I think that's great. It's so easy to get
- 41:48Speaker 21: up your own ass when.
- 41:50Speaker 10: acting.
- 41:50Speaker 9: It forces you to be in the moment.
- 41:52Speaker 12: Exactly.
- 41:52Speaker 17: To be on screen and off screen. And to ask yourself, like,
- 41:55Speaker 17: how can I make this scene better? That's what's most important.
- 41:58Speaker 17: How can I make this movie better? And, and that
- 42:00Speaker 17: to me is, I think the best, the, the, the,
- 42:05Speaker 17: the most important job of an actor is to ask,
- 42:07Speaker 17: how can I help this story? And it's really easy
- 42:10Speaker 17: to like, want to, you know, want to be the next,
- 42:15Speaker 17: take your pick of really hyper emotive, uh, badass actors.
- 42:21Speaker 9: Danny Trejo.
- 42:22Speaker 21: Danny Trejo.
- 42:23Speaker 13: That's what you're going for, the next Danny Trejo.
- 42:28Speaker 21: I have a vest full of throwing knives.
- 42:32Speaker 13: That's well, I mean, they tried to stop you at
- 42:34Speaker 13: the door. I didn't know if this was the best
- 42:36Speaker 13: place to wear that, but they do have metal detectors here.
- 42:38Speaker 21: I find all places are the best place. There's no
- 42:40Speaker 21: bad place for throwing knives.
- 42:42Speaker 9: Always appropriate.
- 42:42Speaker 21: It's always appropriate.
- 42:43Speaker 13: For a bandolier full of throwing knives.
- 42:45Speaker 21: Yeah, my tuxedo throwing knife.
- 42:47Speaker 9: Jacket seems fine to me but totally so do you this.
- 42:52Speaker 13: Has been hitting a lot of different film fests and
- 42:54Speaker 13: getting really good response do you know where it's going
- 42:58Speaker 13: have you guys pinned down the as far as distribution oh.
- 43:01Speaker 17: Yeah we actually just inked a deal we actually just
- 43:05Speaker 17: sold it um we're pretty happy with the deal uh
- 43:08Speaker 17: we are excited about the company we're working with i
- 43:10Speaker 17: don't think we're allowed to announce it yet it hasn't
- 43:12Speaker 17: been publicly put out there.
- 43:14Speaker 9: So we know that it will make it to people.
- 43:16Speaker 21: It will make it to people.
- 43:17Speaker 17: You will be able to download it on your favorite
- 43:21Speaker 17: streaming services, and there will hopefully be a... Well, actually,
- 43:26Speaker 17: not hopefully. I think there has to be at least
- 43:29Speaker 17: a short theatrical release of it.
- 43:31Speaker 2: Yeah.
- 43:32Speaker 17: So, you know, we'll probably forewall it in a theater
- 43:35Speaker 17: for a week in New York or L.A.
- 43:36Speaker 9: Yeah.
- 43:37Speaker 21: You know, knock on wood, it gets to go more, but.
- 43:42Speaker 9: At least, you know.
- 43:44Speaker 21: But, like, you'll be able to do VOD.
- 43:46Speaker 13: At this point, just getting it out there sometimes. Like,
- 43:49Speaker 13: I have seen films at film festivals that are amazing and, like,
- 43:53Speaker 13: never get a deal. And, like, that has to kill you,
- 43:56Speaker 13: you know?
- 43:56Speaker 9: I know, right?
- 43:57Speaker 21: It's so hard. It's frightening to think you put that
- 43:59Speaker 21: much work. Even getting a deal, like, the majority of
- 44:03Speaker 21: films that do sell sell for literally no money.
- 44:06Speaker 3: Oh, yeah.
- 44:07Speaker 13: At this point, it's just like, can I get it
- 44:08Speaker 13: to people? It's just back end.
- 44:10Speaker 21: And even then sometimes they're like, listen, we'll go ahead
- 44:13Speaker 21: and put your film up, but we're going to take 70%.
- 44:15Speaker 21: And you're like, oh.
- 44:18Speaker 13: It's that or it sits in my room on my
- 44:22Speaker 13: card for the rest of my life.
- 44:23Speaker 9: And I show it to friends.
- 44:25Speaker 17: Yeah, and it's such a tricky timeline of like, will
- 44:29Speaker 17: my film start to pick up steam and can I
- 44:31Speaker 17: get a better deal later? Or do I need to
- 44:33Speaker 17: just sell now because it's the best shot I'm going
- 44:35Speaker 17: to get?
- 44:36Speaker 9: And then now you get into international distribution. Oh, God.
- 44:39Speaker 21: I'm so scared.
- 44:40Speaker 9: It gets so complicated at that point. I'm so terrified.
- 44:42Speaker 17: We're just starting to tiptoe into the international distribution, and
- 44:49Speaker 17: it's scary.
- 44:49Speaker 13: What do you think of the new, because especially upcoming filmmakers,
- 44:54Speaker 13: I always kind of use them to gauge, what do
- 44:56Speaker 13: you think of the system as it stands now.
- 44:58Speaker 9: Versus the way it used to be in these last
- 45:01Speaker 9: 15 years?
- 45:01Speaker 13: 180 return.
- 45:04Speaker 17: That's way too big a question for me. I don't
- 45:07Speaker 17: have the wisdom or experience to be able to.
- 45:10Speaker 21: Say one way or the other.
- 45:11Speaker 9: It's a homework exam. We'll come back later.
- 45:14Speaker 17: We'll do a whole episode on that. We have been
- 45:20Speaker 17: told it's the worst time to sell an indie film.
- 45:27Speaker 17: It's the worst and best. Gone are the days when
- 45:29Speaker 17: you can sell a DIY indie film for a million bucks.
- 45:34Speaker 17: You can't do that anymore. You can't even really sell
- 45:37Speaker 17: it for 100 grand. So that golden ticket era is
- 45:43Speaker 17: kind of behind us.
- 45:44Speaker 9: Gone. It may never return.
- 45:45Speaker 21: It may never return. It probably won't.
- 45:47Speaker 17: But the difference is you have so many more outlets
- 45:50Speaker 17: through which to get your work out there.
- 45:52Speaker 21: There's so many more.
- 45:53Speaker 13: That's what I've felt. And I think kind of knocking that.
- 45:58Speaker 13: Hopefully knocking that stepping stool of people that just want
- 46:02Speaker 13: to get into it to make money, which I feel
- 46:04Speaker 13: like there's a lot of filmmakers that's still like, you
- 46:06Speaker 13: can feel that in their film. Like this is the
- 46:09Speaker 13: cash grab at best there was.
- 46:10Speaker 21: Right. And now insert the, the shower scene.
- 46:13Speaker 11: Yeah.
- 46:15Speaker 13: It's like, if you take that out of play, it's
- 46:17Speaker 13: like all you're left with are people that have genuine artistic,
- 46:20Speaker 13: you know, interests and want to put together a good
- 46:23Speaker 13: movie and they know they're probably not going to make
- 46:25Speaker 13: much money at it.
- 46:26Speaker 9: You know, it's like that. I think we end up,
- 46:29Speaker 9: kind of weeding through people yeah.
- 46:31Speaker 17: And it's tempting too you start thinking like you start
- 46:33Speaker 17: trying to think well that last one was a success
- 46:36Speaker 17: like we should start trying to play to the audience
- 46:38Speaker 17: now that we know a little bit more we should
- 46:40Speaker 17: try and like we know that distributors like x y
- 46:42Speaker 17: or z yeah as opposed to just like focusing on
- 46:47Speaker 17: making a great film that you love first and then hoping.
- 46:50Speaker 9: That Yeah, it finds its audience.
- 46:53Speaker 21: It all depends on your circumstance.
- 46:55Speaker 17: If you're depending on that to make money or you
- 46:57Speaker 17: have investors who you need to pay back, it changes
- 47:00Speaker 17: the calculus in a big way.
- 47:02Speaker 21: We did everything we could to avoid that, to avoid
- 47:06Speaker 21: having to answer to anybody.
- 47:09Speaker 13: I know that fight. That's why I've ended up where
- 47:12Speaker 13: I am. Because I can do this my way.
- 47:14Speaker 3: Yeah.
- 47:15Speaker 9: And not make any money just like that.
- 47:17Speaker 3: Sure, sure.
- 47:18Speaker 21: But it's still like, it's gratifying.
- 47:21Speaker 16: Yeah.
- 47:22Speaker 13: I think it, again, it gives you a chance to
- 47:25Speaker 13: create what you want to create and put it out
- 47:27Speaker 13: there in the world the way that you want it.
- 47:29Speaker 17: And like when you don't have an excess of funding,
- 47:32Speaker 17: you can... it forces you to be more creative.
- 47:35Speaker 9: Massively. I mean, I've said that for many years.
- 47:38Speaker 13: Like, you can look at directors and, like, those early
- 47:40Speaker 13: films will be amazing.
- 47:41Speaker 21: Oh, yeah, like, look at Mean Streets and it's just, like,
- 47:44Speaker 21: everything you need to know.
- 47:45Speaker 13: You watch them 15 years later when they have millions
- 47:49Speaker 13: of dollars thrown at them and you're like, this.
- 47:51Speaker 9: Is so lazy.
- 47:52Speaker 21: It's just, like, so batshit.
- 47:54Speaker 13: It becomes lazy filmmaking at that point because they know
- 47:56Speaker 13: they don't have to fight for it.
- 47:58Speaker 2: Because.
- 47:59Speaker 21: That's the thing.
- 48:00Speaker 17: Usually there's your first choice, and when you're constricted by
- 48:03Speaker 17: your resources, it's cool.
- 48:06Speaker 21: We can't do that. Then you go, okay, what's my
- 48:08Speaker 21: second choice?
- 48:09Speaker 9: How do I make this work?
- 48:10Speaker 21: When you have all the resources, it's like, this is
- 48:12Speaker 21: my first choice. You go, great, and it's done.
- 48:15Speaker 13: I know no one's going to question my first choice.
- 48:17Speaker 13: They're going to deliver it to me. I think it
- 48:20Speaker 13: forces you to get super creative, and you get better
- 48:23Speaker 13: films along the way.
- 48:25Speaker 3: Hopefully.
- 48:25Speaker 9: Yeah, definitely. Well, what is the best way for people
- 48:28Speaker 9: to find out, go to the website, or what's.
- 48:30Speaker 21: The best way? I'd say right now is probably the
- 48:32Speaker 21: best way.
- 48:33Speaker 17: It's www.theylooklikepeople.com, and we're on Twitter, at looklikepeople is, I think,
- 48:39Speaker 17: our handle, and Facebook.
- 48:40Speaker 21: You know, those are kind of our little landing pads.
- 48:44Speaker 9: The media outlets.
- 48:45Speaker 21: The media outlets.
- 48:45Speaker 13: We have to make use of them. Sometimes they're ridiculous. Yeah.
- 48:48Speaker 9: We have to make use of them.
- 48:49Speaker 17: And actually, you know, like, I don't, like, I hate being,
- 48:52Speaker 17: I don't want to be, like, a shill for Amazon, but, like,
- 48:55Speaker 17: IMDB is a good aggregator. A lot of reviews are
- 49:01Speaker 17: up on IMDB. People go there for a reason, even
- 49:06Speaker 17: though it sucks your soul a little bit.
- 49:08Speaker 9: A little bit.
- 49:09Speaker 21: A little bit.
- 49:09Speaker 9: It can be functional.
- 49:10Speaker 11: It is.
- 49:11Speaker 21: It's very functional.
- 49:12Speaker 9: It is.
- 49:13Speaker 21: It's a good resource.
- 49:15Speaker 17: Um so those are the best places i think to
- 49:18Speaker 17: keep keep up to date all right with what's going
- 49:20Speaker 17: on and then hopefully we'll have some time to edit
- 49:23Speaker 17: the next one.
- 49:25Speaker 13: I know that feeling every week i'm like okay i
- 49:29Speaker 13: recorded a great episode.
- 49:30Speaker 8: When am i gonna have time to edit it right
- 49:31Speaker 8: right trying.
- 49:32Speaker 21: To get it out to people And it's tough because
- 49:35Speaker 21: you're like, I know it's sitting there.
- 49:36Speaker 9: It exists.
- 49:37Speaker 21: And you lose your momentum.
- 49:38Speaker 9: I'm halfway in on it.
- 49:40Speaker 13: I'm processing sound files and cleaning them up and making
- 49:43Speaker 13: it better. And like, yeah, but it takes eight more
- 49:46Speaker 13: hours to piece this last part together.
- 49:49Speaker 9: I'm like, good God. So I only imagine how much
- 49:51Speaker 9: that's multiplied when doing a feature film.
- 49:54Speaker 21: Absolutely.
- 49:55Speaker 13: But again, we'll send people out there to go find
- 49:58Speaker 13: it and definitely check it out.
- 50:00Speaker 10: Absolutely.
- 50:01Speaker 9: Let's go watch it right now.
- 50:02Speaker 21: Yeah, I was going to say, if you want to
- 50:03Speaker 21: see it, you might miss.
- 50:04Speaker 9: Let's go watch it. So thanks for talking with us.
- 50:07Speaker 21: Thank you so much. It was fun.
- 50:19Speaker 13: So thank you to McCloud for sitting down and talking
- 50:21Speaker 13: with me and giving us his horror picks for our
- 50:24Speaker 13: creepy Halloween episode. Little did you know you were going
- 50:26Speaker 13: to be on the same episode as McCloud.
- 50:28Speaker 5: I did, and I feel really honored right now. I'm
- 50:30Speaker 5: a little starstruck.
- 50:32Speaker 13: So, yeah, that was from IF Film Fest here in Louisville,
- 50:37Speaker 13: put together by Louisville Film Society.
- 50:39Speaker 9: So thank you to them.
- 50:40Speaker 13: They put together a really good festival this year, so
- 50:43Speaker 13: I did want to say thank you for letting us
- 50:45Speaker 13: join in. And they've got more stuff in the works
- 50:48Speaker 13: that will be sort of, I think they're trying to
- 50:50Speaker 13: get back onto doing their own full-fledged film fest, which
- 50:53Speaker 13: they've kind of, switched things around these last few years,
- 50:56Speaker 13: so I think they're going to get back to that. So,
- 50:59Speaker 13: to see what they're up to next time around, go
- 51:01Speaker 13: to LouisvilleFilm.org and see what they've got in the works.
- 51:04Speaker 13: Thank you to them and to McLeod for talking to us.
- 51:07Speaker 9: So, Lucy, you saw a movie, did you?
- 51:10Speaker 5: I did. Now I feel badly because we showed it
- 51:13Speaker 5: at Film Slang in Lexington, which just happened this weekend,
- 51:15Speaker 5: and we didn't have McLeod.
- 51:17Speaker 11: I feel like we're really shabby.
- 51:18Speaker 8: You guys are like the poor cousins to us, and
- 51:21Speaker 8: we're just like, we don't.
- 51:22Speaker 9: Know those people.
- 51:23Speaker 8: Sad.
- 51:27Speaker 5: So anyway we'll see where your invitation to Harry Dean
- 51:29Speaker 5: Stanton Fest is next year buddy you love having me
- 51:33Speaker 5: this way I thought the movie was tremendous I thought
- 51:38Speaker 5: it was really great I love that sort of like
- 51:40Speaker 5: subjective reality stuff and that's not a spoiler I mean
- 51:43Speaker 5: we can say that there's something ongoing and you kind
- 51:46Speaker 5: of don't know if the character's imagining it or if
- 51:49Speaker 5: it's real that's the.
- 51:50Speaker 13: Thing he because I even questioned like how they're trying
- 51:53Speaker 13: to sort of market it right because and he's sort
- 51:56Speaker 13: of shying away from the term horror.
- 51:58Speaker 8: And I'm like, I feel like it is, but I
- 52:01Speaker 8: can understand them not wanting.
- 52:02Speaker 13: To really push it as like, come see this horror movie.
- 52:04Speaker 13: Cause then a bunch of slasher fans are going to
- 52:06Speaker 13: go and they're going to be like, the hell is this? So,
- 52:08Speaker 13: I mean, I think that was my favorite part is you,
- 52:11Speaker 13: it starts off kind of indie drama and like you get,
- 52:14Speaker 13: Pretty early on, you're kind of like, something feels weird
- 52:17Speaker 13: about this movie.
- 52:18Speaker 9: And I guess you know, even by the title, it's
- 52:20Speaker 9: something weird.
- 52:21Speaker 13: But even then, it just increasingly gets more and more.
- 52:25Speaker 13: You just get a little deeper in every few minutes.
- 52:28Speaker 13: And you're just like, this is kind of something weird.
- 52:31Speaker 13: Something creepy is going on here. And then it is
- 52:33Speaker 13: midway in before you're like, oh.
- 52:35Speaker 1: Oh, shit.
- 52:35Speaker 5: Things about to get crazy. There's a lot of.
- 52:37Speaker 13: Crazy stuff going on here. So it's, yeah, I enjoyed it.
- 52:41Speaker 13: And I say seek it out.
- 52:42Speaker 9: Yeah, absolutely.
- 52:43Speaker 5: I mean, tonally, I thought it was fascinating because it
- 52:45Speaker 5: does do that. It's sort of a slow build. But
- 52:46Speaker 5: then also there's this amazing, like, comedic relief that should
- 52:51Speaker 5: feel straight. It shouldn't work, but it works perfectly. And
- 52:54Speaker 5: it's such, and it's like sort of a buddy movie
- 52:57Speaker 5: on top of everything else. I mean, there's like those
- 52:59Speaker 5: films like Take Shelter. Was that the Michael Shannon one
- 53:02Speaker 5: that sort of addresses something similar? And it's even been
- 53:05Speaker 5: done like in the world of like indie romantic comedies,
- 53:07Speaker 5: like happy accidents where like people.
- 53:09Speaker 9: There's moments where that crosses in. There's times when they're together.
- 53:12Speaker 18: I'm like.
- 53:13Speaker 13: If this was a separate scene, you could almost sell it. Like,
- 53:15Speaker 13: if you put it on a clip, you know, on
- 53:17Speaker 13: your talk show, you could be like, here's our rom-com,
- 53:19Speaker 13: come see it.
- 53:20Speaker 8: And I'm like, oh, you're in for a big surprise,
- 53:22Speaker 8: because it does not look, I mean.
- 53:23Speaker 5: Yeah, there could be a completely different edit of the trailer.
- 53:26Speaker 13: It's like, you could put together one of those weird
- 53:27Speaker 13: edit trailers and put it on YouTube, and people would
- 53:29Speaker 13: be like, what did I got myself into?
- 53:31Speaker 5: But it ultimately becomes this movie about trust. Do I
- 53:35Speaker 5: trust somebody who's maybe going off the deal? How much
- 53:39Speaker 5: do I love this person that I put myself in?
- 53:41Speaker 8: Isn't this every relationship?
- 53:44Speaker 13: Don't we all question this midway in?
- 53:47Speaker 5: I thought it was a darn near perfect film. I
- 53:50Speaker 5: thought it was fantastic.
- 53:52Speaker 9: Seek it out.
- 53:53Speaker 5: Yeah, recommended.
- 53:54Speaker 13: One more thanks to McLeod for talking with us. And
- 53:57Speaker 13: plugs to his movie because it's really cool.
- 53:59Speaker 1: Okay, I want to do an update here. The creepy
- 54:03Speaker 1: movie I was talking about was called Rubberneck.
- 54:06Speaker 9: Rubberneck.
- 54:07Speaker 16: It's a pretty good movie.
- 54:08Speaker 9: And who does it star?
- 54:10Speaker 1: Alex Karpofsky.
- 54:11Speaker 9: Good going.
- 54:12Speaker 7: Yeah.
- 54:13Speaker 1: So we can all wrap this case up. It's maybe
- 54:17Speaker 1: a little too neat.
- 54:20Speaker 9: I'm waiting for the twist myself.
- 54:22Speaker 19: Yeah.
- 54:24Speaker 5: So do we want to get to work on these
- 54:26Speaker 5: pumpkins and– How is this going to work? Are we
- 54:30Speaker 5: narrating the painting of the pumpkin?
- 54:32Speaker 9: I think we're just going to take a break here
- 54:34Speaker 9: and I'm going to paint me a pumpkin.
- 54:36Speaker 5: Fair enough.
- 54:36Speaker 13: And work on these fancy coffee beverages that they make
- 54:40Speaker 13: here at Gallery K.
- 54:41Speaker 9: Wonderful coffee beverages.
- 54:43Speaker 13: Jacqueline and I have been working on crazy recipes all week, so...
- 54:47Speaker 13: Maybe I'll do, what did I say mine was? Brian's
- 54:49Speaker 13: Salted Chocolate Pumpkins or something.
- 54:51Speaker 11: Yeah, something like that.
- 54:52Speaker 9: And what was your crazy jack-o'-lantern?
- 54:54Speaker 11: I can't remember.
- 54:54Speaker 9: I can't remember what I called it. The Jack-o'-lantern. Wasn't
- 54:57Speaker 9: it something ridiculous?
- 54:57Speaker 5: Yeah, like the Red Hot Jack-o'-lantern or something like that.
- 55:00Speaker 11: I can't remember.
- 55:00Speaker 13: That's what inspired me to jam my name in the
- 55:02Speaker 13: middle of mine as well. So I was like, it
- 55:04Speaker 13: doesn't fit easily like yours does. So I just had
- 55:07Speaker 13: to tack it on there and make it like chefs.
- 55:11Speaker 11: We should make a jingle for Gallery K.
- 55:14Speaker 9: I don't know if they want to jingle, do they?
- 55:15Speaker 9: You might say, please don't.
- 55:16Speaker 11: Of course we do.
- 55:18Speaker 10: Of course we do. We want to be like, let's
- 55:20Speaker 10: all go to the drive-in.
- 55:21Speaker 11: Gallery K. I can't.
- 55:24Speaker 10: We need like a.
- 55:25Speaker 9: Get on it.
- 55:27Speaker 5: There's a lot of things you can rhyme with, K.
- 55:28Speaker 9: We need like some.
- 55:29Speaker 10: Horns and stuff, yeah.
- 55:31Speaker 9: I was picturing like devil horns. I'm like, well, it
- 55:34Speaker 9: is Halloween, sure, but I don't know if that's going
- 55:35Speaker 9: to work the rest of the year.
- 55:37Speaker 10: Like a brass section.
- 55:38Speaker 9: Let's all go to the lobby. Let's all go to
- 55:42Speaker 9: the lobby. Let's all go to.
- 55:45Speaker 6: The lobby to get ourselves a treat.
- 55:51Speaker 12: Want some music for your ears? Doo-Wop Shop makes it
- 55:54Speaker 12: easy to rent for any event, business meeting, or special occasion.
- 55:57Speaker 12: From PA systems to karaoke machines to just about anything
- 56:00Speaker 12: that makes noise, you can rent it from the Doo-Wop Shop.
- 56:03Speaker 12: In Louisville, find them either at their Highland store at
- 56:06Speaker 12: 1587 Bardstown Road or in the East End at 2915
- 56:09Speaker 12: South Hurstburn Parkway. And look for them online at DooWopShop.com.
- 56:14Speaker 12: Doo-Wop Shop. We're serious about music.
- 56:20Speaker 7: They called him Machete.
- 56:28Speaker 4: This is Danny Trello, a.k.a.
- 56:30Speaker 3: Machete.
- 56:32Speaker 7: And you're checking.
- 56:33Speaker 3: Out Movie Meltdown. You better keep checking it.
- 56:36Speaker 1: Out or I'll come looking for you.
- 56:38Speaker 5: And I got machetes.
- 56:43Speaker 7: I soon realized they just fucked with the wrong Mexican. Machete.
- 56:56Speaker 12: That's part of your problem, you know, you haven't seen
- 56:59Speaker 12: enough movies.
- 56:59Speaker 3: All of life's riddles are answered in the movies. And now,
- 57:03Speaker 3: on with the show.
- 57:08Speaker 4: Deep inside the pumpkin patch, sitting in a row, the
- 57:12Speaker 4: strangest pumpkins you have ever seen. Lots of scary jack-o'-lanterns
- 57:19Speaker 4: putting on a show. Trying to get picked for Halloween.
- 57:24Speaker 4: It's another spooky night underneath the moon.
- 57:29Speaker 12: With eerie ghosts and goblins on the scene.
- 57:33Speaker 1: So anyway, Lynn brings home like a white pumpkin. It's
- 57:37Speaker 1: around Halloween. Puts it on top of the fridge. And
- 57:41Speaker 1: it just stays there. And after a while, I'm like,
- 57:45Speaker 1: I'm a little concerned about the white pumpkin. She's like,
- 57:48Speaker 1: I think they just turn into a gourd. I think
- 57:52Speaker 1: they're like that. And right about that time, I'm reaching
- 57:55Speaker 1: up and touching it. And when I touch it, it
- 57:59Speaker 1: just dissolves into this hideous ooze that comes sliding down
- 58:03Speaker 1: the side of the fridge. And Lynn freaks out. It
- 58:08Speaker 1: was just like... Held together by surface tension or something.
- 58:13Speaker 1: And when I touch it, it just.
- 58:16Speaker 9: And she shrieks.
- 58:18Speaker 1: Yeah, so it's like this ongoing thing for us. I
- 58:21Speaker 1: think it's just like it turns into a gourd.
- 58:24Speaker 8: You just say that about most things in your house now.
- 58:27Speaker 1: Yeah, everything turns into a gourd. Yes, exactly. It's like
- 58:31Speaker 1: a troll.
- 58:31Speaker 10: Isn't the troll movies kind of like that?
- 58:33Speaker 8: It just turns into a gourd.
- 58:35Speaker 9: They all just turn to gourds.
- 58:36Speaker 24: Gourds.
- 58:37Speaker 1: I realized I was older at some point because I
- 58:41Speaker 1: remember when I was young, like if one of my friends,
- 58:45Speaker 1: if somebody I knew said, are you conducting a science experiment?
- 58:51Speaker 1: It meant like there was something really gross in your
- 58:53Speaker 1: fridge that you haven't cleaned up. But now if one
- 58:57Speaker 1: of my friends says, are you conducting a science experiment?
- 59:02Speaker 1: They mean they found something gross in your fridge and
- 59:05Speaker 1: they wonder, are you conducting.
- 59:07Speaker 11: A science experiment?
- 59:10Speaker 13: Are you doing a time-lapse video for a YouTube channel?
- 59:13Speaker 13: Because that probably happens equally as often.
- 59:16Speaker 18: Yeah.
- 59:17Speaker 10: Legitimate science experiments.
- 59:20Speaker 9: Oh, well, never mind. I didn't know they had to
- 59:21Speaker 9: be legitimate.
- 59:24Speaker 14: I watched this movie, Near Dark, just a couple days ago.
- 59:29Speaker 10: I had never seen it before.
- 59:30Speaker 14: I thought it was her first film.
- 59:33Speaker 10: Is it not her first?
- 59:36Speaker 13: It's really early for her, but I don't think it's
- 59:38Speaker 13: the first. It's like second or third.
- 59:41Speaker 10: It was good, though. I was really impressed with it.
- 59:43Speaker 8: She's such a solid director.
- 59:44Speaker 13: To be that early on in her career, and again,
- 59:48Speaker 13: to be crossing over with Are they married at that point?
- 59:52Speaker 9: They might have been married.
- 59:53Speaker 13: Either way, they're stealing each other's cast members because it's like,
- 59:55Speaker 13: here's the cast of aliens and we've thrown them into
- 59:58Speaker 13: this other story.
- 1:00:00Speaker 9: Yeah, it's pretty awesome. I need to rewatch it. It's
- 1:00:02Speaker 9: been a long time.
- 1:00:02Speaker 12: Since I've seen it.
- 1:00:04Speaker 14: Yeah, so it's October, so I'm trying to cram in
- 1:00:06Speaker 14: 31 within the month. I watched The Serpent and the
- 1:00:09Speaker 14: Rainbow for the first time. I wasn't really impressed with it.
- 1:00:12Speaker 14: I don't know if I just waited too long on it.
- 1:00:14Speaker 9: Again, I feel like I need to rewatch.
- 1:00:16Speaker 13: At the time, I don't remember being overwhelmed, but I
- 1:00:19Speaker 13: kind of need to revisit it It's an odd one
- 1:00:22Speaker 13: in the Craven rundown.
- 1:00:25Speaker 16: I recently watched a surprisingly, I don't want to say excellent,
- 1:00:29Speaker 16: but very good horror movie on, I think it was on,
- 1:00:32Speaker 16: I found it on Hulu. It was called Hollow's Grove.
- 1:00:37Speaker 16: And it was like, it looked stupid.
- 1:00:40Speaker 8: That's what we're looking for.
- 1:00:42Speaker 16: And then, you know, the opening scene, I was like,
- 1:00:45Speaker 16: this is going to be crap. Because it's just like
- 1:00:47Speaker 16: a super duper low budget horror. horror movie and it
- 1:00:51Speaker 16: was actually really good. I was legitimately scared. I had
- 1:00:54Speaker 16: to have assistance to turn on the light in the
- 1:00:57Speaker 16: hall so I could go pee after I was done.
- 1:01:00Speaker 16: I was like, I'm scared.
- 1:01:01Speaker 8: Did you take your killer attack dogs with you?
- 1:01:03Speaker 4: I did.
- 1:01:04Speaker 16: Well, they follow me into the bathroom anyway.
- 1:01:06Speaker 9: There's the creepiest thing in the episode.
- 1:01:08Speaker 16: I literally cannot go anywhere in my house without my
- 1:01:10Speaker 16: dogs following me everywhere. They follow me everywhere. It was
- 1:01:14Speaker 16: really good. It was very surprising. It was an interesting premise.
- 1:01:17Speaker 16: It had a little bit of like Waverly lore, folklore
- 1:01:21Speaker 16: thrown in there.
- 1:01:22Speaker 9: Like actual Waverly or just like Waverly?
- 1:01:26Speaker 16: Well, there was.
- 1:01:27Speaker 9: Waverly is a local reference if you're not from.
- 1:01:29Speaker 1: Waverly Flavorly. Yes.
- 1:01:31Speaker 16: A little bit of Waverly Flavorly.
- 1:01:34Speaker 9: Let's not patent that.
- 1:01:35Speaker 21: Get it going.
- 1:01:36Speaker 16: It takes place in an abandoned orphanage that was turned
- 1:01:40Speaker 16: into a children's hospital, I think, during tuberculosis times or
- 1:01:44Speaker 16: something like that. And they had the legend about nurses
- 1:01:47Speaker 16: who hung themselves in room 205, which is the 502
- 1:01:52Speaker 16: room Waverly legend.
- 1:01:54Speaker 13: It is funny that I think most towns, or at
- 1:01:56Speaker 13: least within your state, everybody kind of has this story.
- 1:01:59Speaker 9: There's always an.
- 1:02:01Speaker 8: abandoned hospital or mental hospital or something.
- 1:02:03Speaker 10: In Pueblo, it was the honor farm. Yeah, I think
- 1:02:05Speaker 10: every town has one.
- 1:02:06Speaker 13: Yeah, everybody has one, and they all have the nurse
- 1:02:08Speaker 13: killed himself, and the patient came back, and everybody has
- 1:02:11Speaker 13: these weird stories.
- 1:02:13Speaker 5: Lexington doesn't have one.
- 1:02:14Speaker 9: I wonder why.
- 1:02:15Speaker 16: Waverly is one of the most popular throughout the United States, though.
- 1:02:18Speaker 16: I mean, it's been covered on countless ghost hunter shows, things.
- 1:02:24Speaker 10: Can you buy tickets and hang out in it?
- 1:02:27Speaker 16: Yeah, I think they're doing a haunted house now.
- 1:02:29Speaker 10: It's so famous now that you can't go in without paying.
- 1:02:31Speaker 11: I met the Ghost Adventures guys.
- 1:02:33Speaker 16: Did you?
- 1:02:34Speaker 15: I did when they came to do Waverly for their
- 1:02:36Speaker 15: live episode or something.
- 1:02:37Speaker 9: I met them at Mag Bar.
- 1:02:42Speaker 5: They were trying to pick up chicks.
- 1:02:45Speaker 10: That's the scariest part of the episode.
- 1:02:48Speaker 5: We went to Deadwood and there was a ghost crew.
- 1:02:51Speaker 5: I'm pretty sure they're the ones that got the room
- 1:02:53Speaker 5: next to us. They were bringing in ladies.
- 1:02:57Speaker 11: It was insane.
- 1:02:58Speaker 14: This was for a reality series?
- 1:03:00Speaker 11: We went to the Holiday Inn Express.
- 1:03:03Speaker 9: So how was it?
- 1:03:06Speaker 14: Someone should start a scary reality series about some ghost
- 1:03:10Speaker 14: guys that have a reality series that they just creep out.
- 1:03:14Speaker 16: Chicks that's funny that's what that's what the movie was
- 1:03:16Speaker 16: about it was about guys who were ghost hunters and
- 1:03:19Speaker 16: they were such douchebags and it was like on purpose
- 1:03:23Speaker 16: it was on purpose and it was really funny and
- 1:03:25Speaker 16: like so like these people had all gone to film
- 1:03:28Speaker 16: school and this guy was like serious but He wasn't
- 1:03:30Speaker 16: finding work, and he wanted to do a documentary about
- 1:03:32Speaker 16: them just to, like, fill his time. And that's why
- 1:03:34Speaker 16: he was there. But they were all assholes, and, like,
- 1:03:38Speaker 16: you were supposed to not like them. They were supposed
- 1:03:40Speaker 16: to be obnoxious ghost hunter dicks.
- 1:03:42Speaker 5: It was really funny because we went to Deadwood thinking, like, oh,
- 1:03:45Speaker 5: there's all these interesting, like, haunted places, and we're staying
- 1:03:47Speaker 5: in a haunted hotel, blah, blah, blah. And we saw
- 1:03:49Speaker 5: them on the street before we even saw the cameras.
- 1:03:51Speaker 5: We were like, I bet those are some ghost hunter assholes.
- 1:03:54Speaker 5: And sure enough, they weren't. You can tell just by
- 1:03:56Speaker 5: looking at them.
- 1:03:58Speaker 9: Did they look like douchebaggins?
- 1:04:00Speaker 16: I mean, they look like Guy Fieri or something.
- 1:04:03Speaker 9: What is that? Why do they all want to do that?
- 1:04:06Speaker 13: Yeah, why do they all look like douchebags and they
- 1:04:08Speaker 13: want to be obnoxious on camera?
- 1:04:12Speaker 9: Except the one that we had on. She was very nice.
- 1:04:14Speaker 8: But other than that, every time we run into ghost
- 1:04:16Speaker 8: hunters at one of these conventions... Most of them seem
- 1:04:19Speaker 8: kind of douchey.
- 1:04:20Speaker 16: They're like magicians.
- 1:04:21Speaker 9: Well, not that bad.
- 1:04:23Speaker 24: Whoa, whoa, whoa, whoa.
- 1:04:27Speaker 1: Hold on.
- 1:04:27Speaker 9: Jacqueline likes magic. I am a magician. Are you?
- 1:04:30Speaker 21: Yes.
- 1:04:31Speaker 11: Well, at least I used to be.
- 1:04:32Speaker 8: I used to perform.
- 1:04:35Speaker 5: I did stage magic.
- 1:04:37Speaker 11: I did too. But I agree with you. Most magicians
- 1:04:40Speaker 11: are assholes. Or at least misogynists. At the very least.
- 1:04:43Speaker 1: They're gross.
- 1:04:44Speaker 16: I mean, don't get me wrong.
- 1:04:46Speaker 5: I love magic.
- 1:04:47Speaker 11: Like, I love it.
- 1:04:48Speaker 16: You know, like, those shows, like, my friend and I, who, like,
- 1:04:52Speaker 16: we would never.
- 1:04:53Speaker 8: Like, publicly.
- 1:04:54Speaker 16: Do magic.
- 1:04:57Speaker 9: Out yourself as magic fans.
- 1:04:58Speaker 20: Yes.
- 1:04:59Speaker 16: But, like, there was a TV show, and it was
- 1:05:01Speaker 16: just all magic. And we were like, more magic, more magic. But,
- 1:05:06Speaker 16: you know, like, most magicians are creeps.
- 1:05:09Speaker 8: I mean, a little bit.
- 1:05:11Speaker 9: You kind of have to be, right?
- 1:05:12Speaker 1: I have to. Maybe, I don't know, maybe professional magicians.
- 1:05:17Speaker 1: But when I was a kid... I belong to a
- 1:05:20Speaker 1: magician's union or organization in my little hometown that met
- 1:05:25Speaker 1: up in the empty JCPenney's building at the old mall.
- 1:05:30Speaker 1: And they were just all these.
- 1:05:32Speaker 10: That's a horror movie all by itself.
- 1:05:33Speaker 1: I was the only kid there. I was the only
- 1:05:35Speaker 1: kid there.
- 1:05:36Speaker 9: This is a horror movie.
- 1:05:37Speaker 10: John Carpenter dropped me off.
- 1:05:38Speaker 1: And they were all just, they were all just sitting
- 1:05:40Speaker 1: around doing magic. And then they would have like a
- 1:05:42Speaker 1: guest magician.
- 1:05:43Speaker 9: Hey little kid, I want to show you a magic trick.
- 1:05:45Speaker 9: Come over here.
- 1:05:46Speaker 1: And they were all like really nice guys. They were
- 1:05:48Speaker 1: all like, you know, really cool and nice. And they
- 1:05:50Speaker 1: would show me just incredible stuff, like right in front
- 1:05:53Speaker 1: of my face. And, uh, And they would have a
- 1:05:56Speaker 1: guest magician and then they'd sit around and talk magic.
- 1:05:59Speaker 1: And I got letters from them for the next 20
- 1:06:03Speaker 1: years somehow. Like they never gave up on anybody. But
- 1:06:10Speaker 1: the guy I remember best, the magician they had was
- 1:06:12Speaker 1: the Frito-Lay guy who's buried over in. Cave Hill Cemetery.
- 1:06:17Speaker 13: He does have an amazing, I'd say headstone, but it's
- 1:06:20Speaker 13: just a giant full-sized statue.
- 1:06:22Speaker 1: He used to have doves, but people kept stealing them.
- 1:06:25Speaker 1: Or they kept disappearing.
- 1:06:28Speaker 10: Replacing them with bags of fritos.
- 1:06:29Speaker 8: I don't know.
- 1:06:29Speaker 9: It's quite a heist.
- 1:06:30Speaker 1: He was worth seeing.
- 1:06:32Speaker 9: I don't know. There was just a peculiar melancholy.
- 1:06:44Speaker 1: To the whole situation, all these guys sitting around. And
- 1:06:48Speaker 1: they weren't douchey and the sense of the word that
- 1:06:52Speaker 1: we use today.
- 1:06:53Speaker 8: I think that came because you were still little.
- 1:06:55Speaker 9: I think that came late.
- 1:06:56Speaker 13: I think that came to like post David Copperfield era
- 1:06:59Speaker 13: of like.
- 1:06:59Speaker 1: I think so. Yeah, I really do.
- 1:07:02Speaker 5: I think that, um, he got Claudia Schiffer and then
- 1:07:05Speaker 5: everybody in the world was just like, Oh, magic.
- 1:07:08Speaker 8: Yeah.
- 1:07:08Speaker 5: And so like all the like creepy kids who couldn't
- 1:07:11Speaker 5: get girls turned to magic and now they're professional magicians
- 1:07:13Speaker 5: and they continue to be creepy. And they're bitter.
- 1:07:16Speaker 9: Very bitter.
- 1:07:18Speaker 13: I think at that point, that early on, there were
- 1:07:20Speaker 13: two schools of thought and magic. You had your David
- 1:07:22Speaker 13: Copperfield and you had your Doug Henning. I was definitely
- 1:07:25Speaker 13: on that, but the weird hippie dude that I was like,
- 1:07:28Speaker 13: I didn't like the hippie persona that he had going,
- 1:07:30Speaker 13: but his magic was awesome. And he didn't bring a
- 1:07:33Speaker 13: whole lot of bullshit with it. He was just like, yeah,
- 1:07:36Speaker 13: here's what I'm doing. He was like, I'm a hippie.
- 1:07:38Speaker 13: I don't have a whole lot of flash to it.
- 1:07:40Speaker 13: I show up in my weird hippie clothes and I'm
- 1:07:42Speaker 13: just doing magic. And he didn't oversell the bullshit angle
- 1:07:46Speaker 13: he was just like here's what.
- 1:07:47Speaker 14: I do he's hanging on to that traveling minstrel kind
- 1:07:50Speaker 14: of thing still he was just.
- 1:07:51Speaker 13: Kind of cool and laid back about it all and
- 1:07:53Speaker 13: like then you had.
- 1:07:54Speaker 8: You know your copperfield era that kicked in and it was.
- 1:07:56Speaker 14: You guys remember when david copperfield did like a a
- 1:07:59Speaker 14: special on nbc and there was i don't know he
- 1:08:02Speaker 14: made the statue of liberty disappear or something and then
- 1:08:04Speaker 14: there's this thing where like you would touch like these
- 1:08:06Speaker 14: numbers on the screen and the cards would flip themselves
- 1:08:09Speaker 14: and like no matter what order you did it in,
- 1:08:11Speaker 14: he always knew the right number at the end.
- 1:08:13Speaker 9: There's one of those videos.
- 1:08:14Speaker 13: On YouTube right now that's blowing people's minds.
- 1:08:17Speaker 9: It's telling you to pick a card or something.
- 1:08:19Speaker 14: This was before the internet, so this was still like
- 1:08:24Speaker 14: he got to do magic with David Copperfield from the
- 1:08:26Speaker 14: comfort of your living room. We recorded it and tried
- 1:08:31Speaker 14: it all these different ways and he always beat us
- 1:08:35Speaker 14: because he's the magician over here.
- 1:08:37Speaker 16: There was one, there's a thing going around the internet
- 1:08:40Speaker 16: that I've seen people repost. And it's like, you pick
- 1:08:43Speaker 16: a card and then he'll make your card disappear. But
- 1:08:45Speaker 16: he's really just made all the cards disappear, which is
- 1:08:48Speaker 16: the trick.
- 1:08:49Speaker 10: Sorry to burst your bubble there.
- 1:08:51Speaker 13: Well, no, but it would always, like, whatever one you picked,
- 1:08:54Speaker 13: if you go back and pick another one, it would
- 1:08:56Speaker 13: be that one again.
- 1:08:57Speaker 9: So I'm trying to figure out how it knows.
- 1:08:58Speaker 5: I know it's a scam.
- 1:08:59Speaker 16: It must be a different one, because the one I've watched,
- 1:09:02Speaker 16: it's like, I'll make your card disappear, but no matter
- 1:09:05Speaker 16: what card you picked, Every single card is different.
- 1:09:08Speaker 13: This one, yeah, I assumed the first time through. But
- 1:09:10Speaker 13: I was like, okay, so if I back it up,
- 1:09:11Speaker 13: it's not going to work. And that one I backed
- 1:09:13Speaker 13: up like five times. And every time it would match
- 1:09:15Speaker 13: up with whatever different one I would pick.
- 1:09:17Speaker 10: Yeah, man.
- 1:09:17Speaker 13: So then I'm just like editing-wise, I'm like, how are
- 1:09:20Speaker 13: you making this happen? I understand it's not magic, but
- 1:09:22Speaker 13: I'm trying to figure out from the editing angle.
- 1:09:24Speaker 9: It is magic, dude.
- 1:09:24Speaker 8: From the tech geek end, I'm like, how do you
- 1:09:26Speaker 8: make that work?
- 1:09:27Speaker 14: That's why they're so bitter because it really is magic
- 1:09:31Speaker 14: and no one believes them.
- 1:09:32Speaker 10: Everyone thinks they're douchebags.
- 1:09:34Speaker 1: The first time I ever saw David Blaine, I was
- 1:09:36Speaker 1: just checking into a hotel, and I went in, turned
- 1:09:38Speaker 1: on the TV, and set my bag down, and some
- 1:09:41Speaker 1: guy comes immediately on the screen and says, okay, I
- 1:09:44Speaker 1: want you to pick a card.
- 1:09:47Speaker 9: I just set my bag.
- 1:09:48Speaker 1: Okay, there.
- 1:09:48Speaker 10: All right, why not?
- 1:09:50Speaker 1: And he flips through them, and I'm like, the Red Queen, okay?
- 1:09:52Speaker 1: And he goes, this is not your card. And I'm like,
- 1:09:55Speaker 1: that's amazing. That's totally not my card. And then he
- 1:09:58Speaker 1: just flips it, and it was the Red Queen.
- 1:10:01Speaker 9: And I'm like, What?
- 1:10:03Speaker 1: And I started going to the other rooms. It's like,
- 1:10:05Speaker 1: did you see the guy on the TV? What was
- 1:10:07Speaker 1: your card? But I think the thing is, like, he
- 1:10:10Speaker 1: flips them at a rate so it slows enough that
- 1:10:16Speaker 1: just visually you pick up on. It's like a forced
- 1:10:19Speaker 1: card thing.
- 1:10:21Speaker 12: Yeah.
- 1:10:22Speaker 1: Because I really didn't even see whether it was hearts
- 1:10:26Speaker 1: or diamonds. I just had time.
- 1:10:27Speaker 9: You assigned it to. Yeah.
- 1:10:29Speaker 1: Okay.
- 1:10:31Speaker 9: It's all part of the mind games these damn magicians play.
- 1:10:34Speaker 3: Yeah.
- 1:10:35Speaker 12: They're probably anthropologists.
- 1:10:42Speaker 8: You can't trust those people.
- 1:10:44Speaker 1: I was listening to like a, I don't want to
- 1:10:47Speaker 1: say who, but a guitar player. Very, very good guitar player.
- 1:10:51Speaker 1: And I hadn't really listened to his stuff. But, you know,
- 1:10:56Speaker 1: somebody gave me a bunch of CDs and said, oh,
- 1:10:58Speaker 1: this is like all his stuff. And I started listening
- 1:11:00Speaker 1: to it. to it i just hated it for one
- 1:11:03Speaker 1: i hate him because he's that good going into it
- 1:11:06Speaker 1: but you know i can grudgingly get over that but
- 1:11:10Speaker 1: his stuff sounded like i ought to be watching a
- 1:11:13Speaker 1: fucking magician perform it's like what is this musical aesthetic
- 1:11:20Speaker 1: that it's just it was so tasteless sometimes.
- 1:11:24Speaker 8: You get that with people and they're especially music.
- 1:11:27Speaker 1: Yeah there's something about virtuosity That lends itself to a
- 1:11:32Speaker 1: certain lack of taste.
- 1:11:35Speaker 16: People with their ostentatious displays of talent?
- 1:11:38Speaker 1: Yes.
- 1:11:39Speaker 21: Yes, exactly.
- 1:11:40Speaker 15: This reminds me of, like, all of, like, the most
- 1:11:42Speaker 15: talented metal bands that have ever been.
- 1:11:45Speaker 11: Like, they make the worst, like, the cheesiest metal.
- 1:11:48Speaker 15: Like, Dream Theater, made of, like, world-class, like, Oberlin Conservatory
- 1:11:53Speaker 15: musicians that are, like, technically.
- 1:11:56Speaker 11: The best in the game, and then they just make.
- 1:11:57Speaker 15: Like, such terrible music well that's i mean.
- 1:12:01Speaker 13: There's one and this was years ago and they were
- 1:12:03Speaker 13: like a sax player and it's really hard to build
- 1:12:05Speaker 13: your career being a sax player but they kind of
- 1:12:07Speaker 13: broke through and they had this single and it was
- 1:12:09Speaker 13: really good and then i was like all right let's
- 1:12:12Speaker 13: hear what the album and you listen to every other
- 1:12:14Speaker 13: song on the album and i had a friend of
- 1:12:17Speaker 13: mine at the time listened to it and gave me
- 1:12:19Speaker 13: the best wrap-up of maybe any music album ever he
- 1:12:23Speaker 13: was like every other song the sax kicks in and.
- 1:12:26Speaker 8: You feel like they should be scrolling by school closings.
- 1:12:31Speaker 9: And you like, as soon as I heard that, I went,
- 1:12:33Speaker 9: Oh shit, you're right.
- 1:12:34Speaker 8: And like now every time it's winter and they're closing schools.
- 1:12:37Speaker 9: I hear that in my head and I'm like, Oh damn,
- 1:12:40Speaker 9: you just nailed that.
- 1:12:42Speaker 16: If there's a saxophone and it's not careless whisper, I'm
- 1:12:44Speaker 16: not interested.
- 1:12:45Speaker 13: See, sax used to be, I was just discussing this
- 1:12:48Speaker 13: on the show recently.
- 1:12:49Speaker 5: Like, Were you discussing it with me? Because I'm obsessed
- 1:12:52Speaker 5: with this whole concept.
- 1:12:53Speaker 9: You were not even on this episode.
- 1:12:55Speaker 16: Saxophones? Yeah.
- 1:12:56Speaker 9: It was like late 50s, early 60s. The sax used
- 1:13:00Speaker 9: to be an awesome rock and roll instrument.
- 1:13:01Speaker 1: But that's when it was invented. Because before that, it
- 1:13:05Speaker 1: was an orchestra instrument that just did beep, beep, beep.
- 1:13:09Speaker 1: And some one guy just one day decided, I'm playing
- 1:13:14Speaker 1: this thing this way. And if you had invested in
- 1:13:18Speaker 1: saxophones the year before that.
- 1:13:21Speaker 9: It's the same thing.
- 1:13:22Speaker 13: He probably hooked up with a Claudia Schiffer type of
- 1:13:24Speaker 13: the time.
- 1:13:25Speaker 1: Yes.
- 1:13:25Speaker 8: And people went, oh, saxophone is sexy.
- 1:13:28Speaker 9: I'm going to buy me a saxophone and.
- 1:13:30Speaker 8: Learn to play and be the hot solo in this song.
- 1:13:33Speaker 1: Die behind the wheel.
- 1:13:35Speaker 17: Yeah.
- 1:13:36Speaker 5: I think about that all the time, though, when I hear, like,
- 1:13:38Speaker 5: an 80s rock song that has a saxophone. And I
- 1:13:40Speaker 5: think about, like, that generation of kids that thought they
- 1:13:43Speaker 5: could be in a rock band with a saxophone and
- 1:13:45Speaker 5: learned to play and got really good. And then it
- 1:13:48Speaker 5: was almost their moment, and it was ripped away from them.
- 1:13:50Speaker 9: It was over. It was over.
- 1:13:52Speaker 5: It was too late. And every time I hear, like,
- 1:13:53Speaker 5: a homeless guy playing a saxophone on the street, I'm like, oh,
- 1:13:56Speaker 5: my God, he thought he was going to be in
- 1:13:57Speaker 5: a rock band.
- 1:13:58Speaker 12: I know.
- 1:13:58Speaker 5: And this is what happened.
- 1:13:59Speaker 1: It's Richie Cunningham. He played sax.
- 1:14:03Speaker 9: Wailing away on the sousaphone.
- 1:14:04Speaker 2: Yeah.
- 1:14:05Speaker 5: But I don't know. I mean, I like a sax.
- 1:14:08Speaker 5: I like a sax. I like a sax and an
- 1:14:10Speaker 5: 80s rock song.
- 1:14:11Speaker 17: Yeah.
- 1:14:13Speaker 1: Things happen and then they go away, you know?
- 1:14:16Speaker 5: Yeah, and then people are left to pick up the
- 1:14:17Speaker 5: pieces of their lives.
- 1:14:18Speaker 1: It's time for a comeback, so we're reclaiming it.
- 1:14:20Speaker 9: We're taking it back.
- 1:14:21Speaker 5: We're making it cool.
- 1:14:21Speaker 10: No, we literally can't do it.
- 1:14:23Speaker 13: If we talk about it, I don't know if we're
- 1:14:24Speaker 13: making it cool. I say we take it back, people.
- 1:14:27Speaker 13: Let's start a movement.
- 1:14:28Speaker 1: Well, what supplanted the sax in keyboards?
- 1:14:33Speaker 13: Nothing.
- 1:14:33Speaker 5: I mean, it was nothing. The keyboard was the sax's contemporary.
- 1:14:37Speaker 13: Well, again, it was the grungera. It was right around
- 1:14:41Speaker 13: that early 90s when you don't hear it anymore. Even
- 1:14:44Speaker 13: through the late 80s, it's pretty solid in a lot
- 1:14:46Speaker 13: of cheesy pop songs.
- 1:14:47Speaker 9: And then it went away.
- 1:14:49Speaker 5: What I'm saying is that there were good bands. Like
- 1:14:51Speaker 5: Duran Duran, there'd be a sax, and you'd be like,
- 1:14:53Speaker 5: this sounds awesome. And that poor kid.
- 1:14:55Speaker 1: David Bowie.
- 1:14:56Speaker 9: Yeah.
- 1:14:56Speaker 1: We can't imagine 80 sacks without thinking about Lost Boys.
- 1:15:01Speaker 9: To bring it to our Halloween tie-in. I can't think of.
- 1:15:04Speaker 8: Rock and roll sacks without that weird oiled up shirtless
- 1:15:07Speaker 8: guy just rocking out in the middle of Lost Boys.
- 1:15:11Speaker 9: He does.
- 1:15:12Speaker 8: I think he's still doing it.
- 1:15:15Speaker 9: Not yet. He does make appearances now.
- 1:15:18Speaker 13: He's still kind of well known for being the weird, oily,
- 1:15:22Speaker 13: shirtless rock and roll sax guy.
- 1:15:23Speaker 1: What if you could play the sax and do magic tricks.
- 1:15:28Speaker 11: I think that's redundant.
- 1:15:36Speaker 16: You'd have more ladies than you could fend off. I mean,
- 1:15:39Speaker 16: what's the point?
- 1:15:41Speaker 1: Ladies, ladies.
- 1:15:41Speaker 8: There's only so much of me to go around. I mean,
- 1:15:45Speaker 8: come on.
- 1:15:46Speaker 5: Or maybe it would be like a double negative making
- 1:15:48Speaker 5: a positive and it really would be the most mind-blowingly
- 1:15:51Speaker 5: sexy thing ever.
- 1:15:54Speaker 9: And yet, no one would care.
- 1:15:55Speaker 13: It would cancel itself out, and you'd just be sitting
- 1:15:57Speaker 13: in your basement playing your saxophone, doing magic tricks.
- 1:16:00Speaker 9: And no one would think you're cool.
- 1:16:02Speaker 16: Have you ever, like, I mean, I don't know if
- 1:16:06Speaker 16: anybody here has ever experienced this, but you, like, meet
- 1:16:08Speaker 16: a new person, and you're dating, and you're, like, explaining
- 1:16:10Speaker 16: to your friends, like, he's a doctor, and he plays guitar. Like,
- 1:16:14Speaker 16: can you just imagine someone being like, he's a magician
- 1:16:17Speaker 16: and a saxophone player.
- 1:16:19Speaker 9: At this point, your friend pulls you aside and has you.
- 1:16:22Speaker 13: Whoa, whoa, we didn't want to say anything with the
- 1:16:26Speaker 13: doctor and the guitar, but now we've got to step in.
- 1:16:29Speaker 1: I guess it was lucky Bill Clinton had that plan
- 1:16:31Speaker 1: B of politics.
- 1:16:34Speaker 16: Maybe Bill Clinton made saxophone uncool.
- 1:16:38Speaker 13: If you think about it, that was the tail end.
- 1:16:41Speaker 13: Maybe he was the nail in the coffin. It's like, oh,
- 1:16:44Speaker 13: it's in politics now? Oh, this is not cool. Arsenio,
- 1:16:47Speaker 13: you used to be cool, and now you've killed the saxophone.
- 1:16:50Speaker 13: And it killed his career. There's just no telling who
- 1:16:55Speaker 13: all will be taken out by this horrible saxophone.
- 1:16:57Speaker 10: Sad, it really is.
- 1:17:00Speaker 8: We should finish up these pumpkins.
- 1:17:01Speaker 13: Carl's already, like, elbow deep in a pumpkin right now,
- 1:17:05Speaker 13: scraping the innards out.
- 1:17:06Speaker 1: I'm going to mic the paint.
- 1:17:07Speaker 9: Let's have a moment before we can hear the paint
- 1:17:09Speaker 9: go on.
- 1:17:10Speaker 8: Jacqueline's painting her dog onto a pumpkin. I'm going to
- 1:17:14Speaker 8: do the, like, golf play-by-play here. And she approaches the pumpkin.
- 1:17:18Speaker 8: And needs a little more red.
- 1:17:22Speaker 1: Hold on.
- 1:17:22Speaker 16: I have careless whispers stuck in my head.
- 1:17:24Speaker 6: Uh-oh, uh-oh.
- 1:17:26Speaker 7: Bam, bam.
- 1:17:27Speaker 13: Oh, and she missed it. She didn't even hit the pumpkin.
- 1:17:31Speaker 13: It's on her coffee mug.
- 1:17:32Speaker 9: Oh, what a shame. Check back in later.
- 1:17:35Speaker 2: So what is the status of our pumpkins?
- 1:17:53Speaker 13: I got tired of painting, so I'm just leaving it
- 1:17:55Speaker 13: like that right now. I'm thinking I might want to
- 1:17:57Speaker 13: do more later, but I was distracted with my frothy
- 1:18:01Speaker 13: coffee beverage.
- 1:18:02Speaker 8: Would you like to plug that fancy?
- 1:18:04Speaker 9: I tweaked my original.
- 1:18:06Speaker 10: Chocolate caramel salted.
- 1:18:07Speaker 13: Pumpkin thing that I made up.
- 1:18:10Speaker 10: But you changed it already.
- 1:18:11Speaker 9: So this week, Brian's drink.
- 1:18:12Speaker 13: This one, I adjusted, and now I was like, girl,
- 1:18:16Speaker 13: can you make me a pumpkin pie toasted marshmallow?
- 1:18:20Speaker 10: Toasted marshmallow latte. Come on down for a Brian. This
- 1:18:24Speaker 10: week's Brian Latte is toasted marshmallow pumpkin latte.
- 1:18:27Speaker 13: I'll make up another weird flavor next week, so just
- 1:18:29Speaker 13: keep coming down, and I'll have my pick every week
- 1:18:31Speaker 13: of weird random flavors that I've thrown together.
- 1:18:34Speaker 14: Listen, if you come in and order that, we'll write
- 1:18:36Speaker 14: your name down, and then Brian will say your name
- 1:18:38Speaker 14: on a future podcast.
- 1:18:39Speaker 9: If you donate $ 50.
- 1:18:40Speaker 8: I think that's.
- 1:18:43Speaker 9: A pretty good deal. I'll go along with that. PayPal
- 1:18:47Speaker 9: it right on over.
- 1:18:48Speaker 10: You still got it? to pay for the drink, though.
- 1:18:52Speaker 9: I'm not buying a drink.
- 1:18:54Speaker 13: Have we made headway on our Halloween festivities? Do you
- 1:18:58Speaker 13: feel it's been a massive Halloween party?
- 1:19:01Speaker 4: Yeah.
- 1:19:02Speaker 5: I feel pretty festive.
- 1:19:04Speaker 1: I like everybody's costumes, too.
- 1:19:08Speaker 9: It took me a long time to make this.
- 1:19:10Speaker 5: Fred and I came dressed as each other.
- 1:19:11Speaker 14: I almost never dress up, but, you know, I figured,
- 1:19:14Speaker 14: what the heck, this year.
- 1:19:15Speaker 9: This was the event.
- 1:19:16Speaker 14: I want everybody to see it, you know what I mean?
- 1:19:18Speaker 1: I feel like I look better as Lucy than I
- 1:19:21Speaker 1: do as me.
- 1:19:22Speaker 9: I didn't want to say anything, but, you know.
- 1:19:25Speaker 1: I might just stick with it.
- 1:19:28Speaker 10: Did you spend money on that? How long did that
- 1:19:29Speaker 10: take you to do?
- 1:19:30Speaker 9: Well, it's a prefab.
- 1:19:31Speaker 13: It's a plastic smock, and it just, you know, it
- 1:19:34Speaker 13: says Lucy across it, and then it's her face.
- 1:19:36Speaker 8: They sell it at most retail outlets. Have you not
- 1:19:39Speaker 8: seen the Lucy outfit?
- 1:19:41Speaker 9: She's internationally known.
- 1:19:42Speaker 14: I couldn't tell that was over the counter.
- 1:19:44Speaker 10: It looks legitimate.
- 1:19:47Speaker 1: Well, I dressed it up a little bit.
- 1:19:51Speaker 9: You added the walking stick.
- 1:19:51Speaker 14: I hit the thrift store and added a few things
- 1:19:54Speaker 14: here and there.
- 1:19:54Speaker 1: Yeah, you can get the basic outfit, and you can
- 1:19:57Speaker 1: still do some makeup.
- 1:19:59Speaker 9: It's all in the voice, really.
- 1:20:01Speaker 13: The cowboy hat and the walking stick I thought was
- 1:20:03Speaker 13: a good combo that you added into her usual look.
- 1:20:06Speaker 10: Yeah, you don't normally see that.
- 1:20:07Speaker 9: Yeah, yeah. Fantastic, really.
- 1:20:10Speaker 8: Different thing.
- 1:20:11Speaker 10: I didn't think you could pull it off, but it
- 1:20:13Speaker 10: looks great.
- 1:20:14Speaker 1: Well, and, you know, Lucy is rocking the sexy Fred costume.
- 1:20:20Speaker 13: I like that she added the saxophone, though, because we
- 1:20:22Speaker 13: didn't see that coming.
- 1:20:24Speaker 9: And then we got midway in, and I was like, oh,
- 1:20:26Speaker 9: it all comes together.
- 1:20:26Speaker 10: She was giving us all the foreshadowing, and, yeah.
- 1:20:29Speaker 13: She could have gone simple and just made herself, like,
- 1:20:31Speaker 13: wearing the big, you know, magician top hat, but she
- 1:20:34Speaker 13: opted to go a little lesser known for your saxophone tie-in, so.
- 1:20:38Speaker 9: Just saying. She was ahead of the game.
- 1:20:42Speaker 5: I didn't tell you this at the beginning of the
- 1:20:44Speaker 5: show because I didn't want... Well, never mind.
- 1:20:46Speaker 8: What have you done, Lucy?
- 1:20:49Speaker 21: Spill it.
- 1:20:51Speaker 5: I have an emotional problem with pumpkin carving. And so
- 1:20:56Speaker 5: that's why I didn't participate because I'm not, like, emotionally
- 1:20:59Speaker 5: capable of it.
- 1:21:00Speaker 9: That's why we're painting.
- 1:21:01Speaker 11: No, no, no, no, no.
- 1:21:02Speaker 5: It's not even that. No, it's not the painting versus
- 1:21:04Speaker 5: the carving. You're frightened of them? Like, no, I have
- 1:21:06Speaker 5: a problem, like, anthropomorphizing inanimate objects.
- 1:21:10Speaker 9: And so.
- 1:21:11Speaker 5: Do you need to be laying on this couch as
- 1:21:12Speaker 5: we go into this? I get overly invested in my pumpkin.
- 1:21:15Speaker 5: And then when the pumpkin is gone, it's like a
- 1:21:18Speaker 5: piece of my soul is ripped out.
- 1:21:19Speaker 9: You really need to lay down and tell us this story.
- 1:21:22Speaker 9: I feel like we're knee deep in this therapy session.
- 1:21:23Speaker 10: That's why the Native Americans didn't carve pumpkins.
- 1:21:26Speaker 14: They're a part of their soul every time a jack-o'-lantern
- 1:21:30Speaker 14: is carved.
- 1:21:31Speaker 9: I think we're more of the society that smashes pumpkins.
- 1:21:33Speaker 14: I'm actually making that up completely, and any Native Americans listening,
- 1:21:38Speaker 14: I apologize if I offended you with that.
- 1:21:40Speaker 13: We do not endorse his thoughts or weird things.
- 1:21:42Speaker 1: You would have hated this game I played.
- 1:21:44Speaker 9: With my kids when they were little.
- 1:21:47Speaker 1: We would go down to the river, and we would
- 1:21:49Speaker 1: pick out little rocks, and we would decide which ones
- 1:21:53Speaker 1: were like family members. It was like stone poetry, and
- 1:21:58Speaker 1: it is surprisingly... profound. It's just really crazy because a
- 1:22:06Speaker 1: kid will pick out a rock and say, that's my
- 1:22:09Speaker 1: aunt Janie.
- 1:22:12Speaker 13: It's really disturbing at the end when you skip your
- 1:22:14Speaker 13: whole family into the river.
- 1:22:19Speaker 9: Poor Lucy's face. Look at it right now. She's hurting.
- 1:22:21Speaker 1: We just pick them out and then we don't keep
- 1:22:23Speaker 1: them or anything.
- 1:22:24Speaker 5: And then just leave them.
- 1:22:29Speaker 9: Abandon your family.
- 1:22:30Speaker 24: It's picking the ones, you know, and they're just like,
- 1:22:32Speaker 24: they're not like, you know, they're not jewels or anything,
- 1:22:36Speaker 24: but they're just rocks that have little bits of personality
- 1:22:40Speaker 24: and it's just really like, I don't know, it's compelling.
- 1:22:46Speaker 1: I don't know how we started doing it, but it
- 1:22:48Speaker 1: was like This.
- 1:22:49Speaker 8: Does seem like something that would go on in your family, though.
- 1:22:51Speaker 1: Yeah. Actually, I posted something about it once, and an
- 1:22:55Speaker 1: old friend of mine who knew me from way back
- 1:22:57Speaker 1: in the day said, oh, that just reminds me of
- 1:23:00Speaker 1: you and Lynn so much. And I'm like, because it's
- 1:23:04Speaker 1: fucking weird?
- 1:23:05Speaker 7: Yeah, a little bit.
- 1:23:06Speaker 1: That's so interesting.
- 1:23:07Speaker 5: It does seem like something you two weirdos would do. No,
- 1:23:09Speaker 5: I would bring them all home, and I would have
- 1:23:11Speaker 5: a whole room that was just my rock family. Like,
- 1:23:14Speaker 5: I am a hoarder.
- 1:23:14Speaker 9: I'm glad I'm not alone now.
- 1:23:16Speaker 1: One Halloween, this is a Halloween story, Jim sorted all
- 1:23:20Speaker 1: his candy into candy families. And then he didn't eat
- 1:23:26Speaker 1: any of it. He still had it all like a
- 1:23:29Speaker 1: little museum the next year.
- 1:23:31Speaker 5: That's amazing. Yeah, I've never been able to eat animal crackers. Like, yeah.
- 1:23:35Speaker 1: They're really pretty good.
- 1:23:37Speaker 5: No, I can't.
- 1:23:39Speaker 13: You really do need to lay down and let's just
- 1:23:41Speaker 13: get into this because I brought a notebook and.
- 1:23:44Speaker 8: I feel like we could really make some breakthroughs.
- 1:23:47Speaker 2: Yeah.
- 1:23:48Speaker 8: I think we can work through some of these issues.
- 1:23:50Speaker 5: I can eat Sour Patch Kids because kids are assholes.
- 1:23:53Speaker 11: They're little assholes.
- 1:23:54Speaker 9: Yeah, clearly.
- 1:23:58Speaker 1: What about peeps? How do you feel about peeps?
- 1:24:01Speaker 5: They're not vegetarian, so it's not an option anyway. And
- 1:24:04Speaker 5: nobody stepped up and made, like, a vegan peep.
- 1:24:07Speaker 1: Well, vegan marshmallows are around.
- 1:24:09Speaker 5: So I don't know. They are. It seems like that
- 1:24:11Speaker 5: would be the next obvious evolutionary step.
- 1:24:13Speaker 1: You can roast over a fire as well.
- 1:24:15Speaker 5: I've actually never tried it.
- 1:24:16Speaker 1: Technology is, oh, you should.
- 1:24:18Speaker 5: We should do that. Okay.
- 1:24:20Speaker 9: At our fireplace episode.
- 1:24:22Speaker 1: Yeah, because that's Jim and his girlfriend.
- 1:24:25Speaker 12: They got the vegan.
- 1:24:26Speaker 1: Marshmallows and do that.
- 1:24:28Speaker 5: The Dandy's? The Dandy's brand?
- 1:24:30Speaker 1: I think so.
- 1:24:30Speaker 5: I'm throwing that out there as a potential sponsor.
- 1:24:32Speaker 9: That didn't work out last time you did that.
- 1:24:34Speaker 5: Actually, the company went under.
- 1:24:35Speaker 9: I hope you're happy.
- 1:24:36Speaker 5: Well, maybe that was their fault.
- 1:24:39Speaker 8: I've said that for a while. When we drove into
- 1:24:41Speaker 8: their parking lot.
- 1:24:41Speaker 9: To go get them and give them money.
- 1:24:44Speaker 8: To support them, which gets you in trouble.
- 1:24:46Speaker 13: Yeah, instead they were closed. And I'm like, well, you
- 1:24:49Speaker 13: see what happens when you don't sponsor Movie Meltdown?
- 1:24:51Speaker 9: Your business goes under.
- 1:24:53Speaker 5: Pizza, pizza, pizza.
- 1:24:55Speaker 13: The wonderful pizza place that went under because they did
- 1:24:58Speaker 13: not support Movie Meltdown.
- 1:25:00Speaker 8: Take that.
- 1:25:00Speaker 10: It sounds to me like they didn't even care already
- 1:25:02Speaker 10: about the name of the place. That was a great thing.
- 1:25:05Speaker 1: Let's just call it Pizza Pizza.
- 1:25:07Speaker 9: Whatever, I'm claiming that.
- 1:25:08Speaker 10: It's that kind of attitude that gets you closed down
- 1:25:10Speaker 10: after a while.
- 1:25:13Speaker 8: So is there anything else we need to round out
- 1:25:16Speaker 8: on this episode?
- 1:25:17Speaker 9: Nope.
- 1:25:18Speaker 5: Happy Halloween.
- 1:25:20Speaker 16: Happy Halloween.
- 1:25:23Speaker 9: I like this laid back meltdown look. We've done several now.
- 1:25:27Speaker 9: A lot of times we work in viewings of movies
- 1:25:29Speaker 9: and music.
- 1:25:31Speaker 1: And all this other stuff.
- 1:25:32Speaker 9: But this year we were kind.
- 1:25:33Speaker 8: Of keeping it casual. Just hang out.
- 1:25:39Speaker 9: We do something a little different.
- 1:25:42Speaker 8: This year we just kind of scale it back a little.
- 1:25:45Speaker 9: Hang out.
- 1:25:46Speaker 8: Mess with some pumpkins.
- 1:25:47Speaker 5: Focused on doing a Disturb Lucy a little bit.
- 1:25:50Speaker 13: And then we wrap things up. So thank you for
- 1:25:53Speaker 13: joining us. And thank you to McCloud for joining us
- 1:25:56Speaker 13: on this as well.
- 1:25:57Speaker 8: I don't think he even knew he was going to
- 1:25:58Speaker 8: be part of the Meltdown Macabre this year.
- 1:26:00Speaker 1: And thank you, Brian, because I've always felt there should
- 1:26:03Speaker 1: be more pumpkin painting podcasts.
- 1:26:05Speaker 9: I think there should be. But once again, we're on
- 1:26:08Speaker 9: the cutting edge of podcasting.
- 1:26:10Speaker 13: We're doing things that other podcasts can't even conceive of.
- 1:26:15Speaker 8: We're that far ahead of the game here.
- 1:26:18Speaker 9: Otherwise, that about does it.
- 1:26:19Speaker 8: Thank you for joining us on this spooky adventure. We
- 1:26:21Speaker 8: will return next week. Same geek feed.
- 1:26:23Speaker 9: Thanks for listening.
- 1:27:13Speaker 20: Roller walker!
- 1:27:19Speaker 7: Roller walker!
- 1:27:22Speaker 20: Roller walker! Rock and roll!
- 1:27:34Speaker 2: Roll!
- 1:27:52Speaker 6: Rockin' old pumpkins Rockin' old pumpkins.
- 1:28:00Speaker 7: Rockin' old pumpkins Rockin' old pumpkins Rock and roll.
- 1:28:34Speaker 20: Rock and roll Rock and roll Rock and roll Rock
- 1:28:49Speaker 20: and roll Rock and roll Rock and roll pumpkin.
- 1:29:00Speaker 5: Who says that we're given to tangents? I feel like
- 1:29:06Speaker 5: that was really linear.
- 1:29:13Speaker 12: This episode is a production of Movie Meltdown, produced and
- 1:29:16Speaker 12: edited by the Audity Studios, with opening music performed by
- 1:29:19Speaker 12: the Empires. For more on how to sponsor or support
- 1:29:22Speaker 12: the show, email producer at moviemeltdown.com.
- 1:29:25Speaker 3: Talk hard!