Latest / The Breakfast Club / The Breakfast Club BEST OF(Camron, Chris Gotti, Omarion Interview)

Transcript

The Breakfast Club BEST OF(Camron, Chris Gotti, Omarion Interview) · The Breakfast Club

• 0:01
  Speaker 1: Wake you up, Wake up, wakes up the program, your alarm,
• 0:04
  Speaker 1: the power one oh five point one on iHeartRadio.
• 0:07
  Speaker 2: Got morning Usa, yo yo yo yo yo yo yo
• 0:10
  Speaker 2: yo yo yo yo yo yo yo yo yo yo
• 0:12
  Speaker 2: yo yo yo yo yo yo yo.
• 0:14
  Speaker 3: What's up, Jesse, Larry charlamage to god.
• 0:17
  Speaker 4: It's Friday.
• 0:20
  Speaker 5: That's right, It's Friday, Happy New Year. And now today's
• 0:23
  Speaker 5: interviews is the best of show. Of course we're on vacation.
• 0:26
  Speaker 5: Today's interviews is Camern and Chris Gotti and of course
• 0:30
  Speaker 5: Chris Scotti's IRV Gott. He's brother one of the founders
• 0:32
  Speaker 5: of Murder Inks. And this is some of the best
• 0:34
  Speaker 5: interviews of the year.
• 0:36
  Speaker 6: Right right, Ray yo, charlamagn yafy? What up are we live?
• 0:40
  Speaker 7: This is your time to get it off your chest.
• 0:42
  Speaker 8: I got an indoor pool pool.
• 0:44
  Speaker 7: We want to hear from you on the breakfast club.
• 0:46
  Speaker 9: Get on the phone right now here, tell you what it.
• 0:48
  Speaker 10: Is we lie.
• 0:50
  Speaker 8: Hello, who's this?
• 0:51
  Speaker 11: This is wrop baby laugh from will Sport, Connecticut.
• 0:54
  Speaker 4: What's up?
• 0:55
  Speaker 5: Brother?
• 0:55
  Speaker 8: What's going on with you?
• 0:56
  Speaker 4: Hey?
• 0:56
  Speaker 9: Listen?
• 0:56
  Speaker 11: I just want to say God bless you Charlam man
• 1:00
  Speaker 11: and just hilarious man for what you do on a
• 1:03
  Speaker 11: daily basis. Man, it's not easy, and you don't get
• 1:07
  Speaker 11: the I want to give you your flowers while you're here.
• 1:10
  Speaker 6: Man.
• 1:10
  Speaker 11: You guys help.
• 1:11
  Speaker 9: Me every day.
• 1:12
  Speaker 8: Man, you put me in the right direction.
• 1:15
  Speaker 11: You keep me safe, and I just want the positive
• 1:18
  Speaker 11: vibe to come back to you guys on a daily basis.
• 1:21
  Speaker 8: Man, I love y'all.
• 1:22
  Speaker 11: Man, Thank you, welcome you too.
• 1:27
  Speaker 8: Hello, who yo up?
• 1:29
  Speaker 9: Audist replay from Chicago?
• 1:31
  Speaker 8: Replay what's happening?
• 1:33
  Speaker 4: What up?
• 1:34
  Speaker 10: What up?
• 1:34
  Speaker 1: Man?
• 1:34
  Speaker 9: Look, I got to give a shout out this morning
• 1:36
  Speaker 9: to Lauren l Rosa.
• 1:38
  Speaker 11: Man.
• 1:38
  Speaker 9: She been holding down. Man, she's been coming with good news.
• 1:41
  Speaker 9: Good sack. Me and her the same age, man, and
• 1:44
  Speaker 9: I just love seeing people my age to go art
• 1:48
  Speaker 9: and then baby girl, keep doing what you do. You know,
• 1:50
  Speaker 9: thank you. I appreciate that, no doubt, no doubt.
• 1:56
  Speaker 5: You go ahead game.
• 2:02
  Speaker 9: Oh yeah, man, Look like I said, I'm replaying. I
• 2:05
  Speaker 9: want to probably I'm on Instagram, mat lady love.
• 2:08
  Speaker 8: Why they call you replay?
• 2:09
  Speaker 4: Bro?
• 2:09
  Speaker 9: Oh man, that's actually then they gave me I'm an
• 2:11
  Speaker 9: R and B singer and uh, I don't know one
• 2:13
  Speaker 9: of the guys Triumph replay. I'm like, all right that
• 2:16
  Speaker 9: because I want everybody to replay my phone.
• 2:18
  Speaker 8: Okay, all right, brother, have a good one.
• 2:21
  Speaker 1: Put a little more sauce on that. You know what
• 2:22
  Speaker 1: I'm saying, Yeah, you got to come up with something better.
• 2:24
  Speaker 1: Why they call you replay?
• 2:25
  Speaker 8: I don't know? You know what I mean because when I.
• 2:27
  Speaker 1: Put it down, you know, ladies love it so much
• 2:29
  Speaker 1: they want to see it again. Something, you know what
• 2:31
  Speaker 1: I mean, Like this happened bag?
• 2:35
  Speaker 8: He said facts. Oh okay, I don't know nothing else.
• 2:39
  Speaker 8: I thought he was telling me he wasn't in the women.
• 2:41
  Speaker 8: I didn't know. I'm like, what, excuse me?
• 2:43
  Speaker 10: Hello?
• 2:43
  Speaker 9: Is this Jake Metal?
• 2:47
  Speaker 8: Jay Meta? What's uping?
• 2:48
  Speaker 3: Prt it off your chest?
• 2:49
  Speaker 8: Jay medaw, good morning.
• 2:50
  Speaker 9: You know I'm stressed. You know, I'm tired of people
• 2:53
  Speaker 9: always asking you you know you getting but now you
• 2:56
  Speaker 9: gonna get married? And I tell him in a minute.
• 3:00
  Speaker 9: You know, they're always telling you winning going to get
• 3:02
  Speaker 9: a new job, and I tell them in the minute.
• 3:04
  Speaker 4: Though.
• 3:05
  Speaker 9: You know, everyone has their own page and they want
• 3:07
  Speaker 9: to put you to a standard to do things. You know,
• 3:11
  Speaker 9: how old are you me? I just turned thirty.
• 3:14
  Speaker 1: That's why I didn't know men get that kind of pressure.
• 3:16
  Speaker 1: I didn't know men get that. That's not that's usually
• 3:18
  Speaker 1: pressure that's reserved for women. I'm talking about the marriage part.
• 3:22
  Speaker 10: It's not a job.
• 3:22
  Speaker 12: Do you have kids yet?
• 3:24
  Speaker 9: No, that's what I'm saying. They have a kid in
• 3:27
  Speaker 9: the minute?
• 3:28
  Speaker 4: Dog.
• 3:28
  Speaker 6: You know, how old are.
• 3:29
  Speaker 8: You to me?
• 3:30
  Speaker 9: I'm getting close to the age. You know, thirty is
• 3:33
  Speaker 9: you know it's that.
• 3:34
  Speaker 8: It's that point.
• 3:36
  Speaker 1: Want when they ask you, you know when you're gonna
• 3:38
  Speaker 1: get married, just be like I'm in the men though,
• 3:40
  Speaker 1: just say something like that.
• 3:41
  Speaker 8: You know, think so, yeah, that's what I tell them.
• 3:43
  Speaker 8: That's right, that's right, that's right, that's right.
• 3:46
  Speaker 5: But that's definitely if you got older parents too, because
• 3:48
  Speaker 5: older parents want grandparents.
• 3:49
  Speaker 8: I'm sure. So that's what they ask.
• 3:50
  Speaker 1: Older parents want grandparents.
• 3:53
  Speaker 13: Guys by a certain age, if you don't have kids,
• 3:55
  Speaker 13: that'd be like or you're not married, they think something.
• 3:57
  Speaker 8: Old parents want grand kids. That's what I matter.
• 4:00
  Speaker 1: Well, you'll meet you'll meet missus, miss mister Wright in
• 4:03
  Speaker 1: in due time.
• 4:04
  Speaker 8: Miss mister or missus. I'm no have a good day, brother.
• 4:09
  Speaker 8: You appreciate you, yes, sir?
• 4:12
  Speaker 5: All right, brother, get it off your chest. Eight hundred
• 4:15
  Speaker 5: five eighty five one oh five one. If you need
• 4:17
  Speaker 5: to vent phone lines, to wide openness, to breakfast club
• 4:19
  Speaker 5: in morning.
• 4:20
  Speaker 7: This is your time to get it off your chest.
• 4:22
  Speaker 7: So you're man or blessed.
• 4:23
  Speaker 11: I hate the way you walk, the weight you talk,
• 4:25
  Speaker 11: I hate the way you dress.
• 4:27
  Speaker 8: Everything.
• 4:28
  Speaker 7: When he is mess call up new eight hundred five
• 4:31
  Speaker 7: eight five one five one hit me.
• 4:33
  Speaker 8: I'm with the coach of Philings.
• 4:35
  Speaker 3: Hello, who's this yo? What's super trucker?
• 4:38
  Speaker 4: How you doing?
• 4:39
  Speaker 8: Super truck?
• 4:40
  Speaker 1: And talk to the trucker. I thought he said super sucker.
• 4:42
  Speaker 1: I like that you got somebody like this, dum man.
• 4:45
  Speaker 4: I call you guys about uh months ago?
• 4:47
  Speaker 2: Yes, sir, and I sing and like, man, I thought
• 4:51
  Speaker 2: I did all right, But I asked my all day.
• 4:53
  Speaker 2: I say, yo, you hit me on the breakfast club.
• 4:55
  Speaker 8: She was like yeah, but you ain't listening.
• 4:57
  Speaker 4: I was like, what you mean?
• 4:58
  Speaker 2: She's like NBS you how he will get up with
• 5:01
  Speaker 2: you and you trying to plug a dance song?
• 5:03
  Speaker 4: Yo?
• 5:04
  Speaker 1: So she mad at you. She's like, damn you could
• 5:05
  Speaker 1: have got on you know. I bet this truck.
• 5:09
  Speaker 4: Hey look here man. She from the Bronx to Charlomagne.
• 5:12
  Speaker 4: So you know what I'm dealing with.
• 5:13
  Speaker 8: She's crazy?
• 5:14
  Speaker 2: So can I can I take this.
• 5:17
  Speaker 4: Time to tell people where they can find my music at.
• 5:19
  Speaker 8: Man, you can't try to get you to do it
• 5:20
  Speaker 8: last time, but you ignored me.
• 5:22
  Speaker 2: I'm sorry.
• 5:23
  Speaker 4: Man.
• 5:23
  Speaker 2: Look, you can find my music at Superchuck at dot com.
• 5:27
  Speaker 13: Man.
• 5:28
  Speaker 2: I'm at super Chuck on all of the platforms, super
• 5:30
  Speaker 2: Chuck at an Artists on TikTok, and I also have
• 5:34
  Speaker 2: a show coming up at the Tiny sat Toau in Jacksonville,
• 5:37
  Speaker 2: North Carolina, where I'll be performing alongside my manche Taylor.
• 5:41
  Speaker 8: How long a you, bro?
• 5:43
  Speaker 4: Twenty one years?
• 5:44
  Speaker 8: Man, congratulations to you king you in the.
• 5:47
  Speaker 4: Truck now, yes, sir, you know what I.
• 5:50
  Speaker 10: Yes, sir, there he go.
• 5:53
  Speaker 5: You be safe, all right, man, I appreciate it.
• 5:56
  Speaker 2: Man, y'all have a good one.
• 5:57
  Speaker 8: Love to you. Brother.
• 5:58
  Speaker 12: I've never actually since I've been here, what does that
• 6:01
  Speaker 12: do for you?
• 6:02
  Speaker 4: And they?
• 6:03
  Speaker 8: So as a kid, I'm going to explain it.
• 6:05
  Speaker 5: So as a kid, my parents, you know, we couldn't
• 6:07
  Speaker 5: afford airplane tickets, so we would drive everywhere. We would
• 6:10
  Speaker 5: drive to Virginia Beach. We would drive to Virginia, We
• 6:12
  Speaker 5: drive to the Carolinas. We would drive to Miami or Florida.
• 6:16
  Speaker 5: And you know, back then it was. We didn't have
• 6:18
  Speaker 5: game boys, nothing like that, so our fund would be
• 6:20
  Speaker 5: there when we passed truckers try to get them to
• 6:22
  Speaker 5: blow the horn.
• 6:23
  Speaker 8: So that was like a game we played as a kid.
• 6:25
  Speaker 12: Oh that's so cute.
• 6:26
  Speaker 8: Okay, yeah, that's that's what we did.
• 6:27
  Speaker 12: So I didn't know where that from.
• 6:30
  Speaker 8: What That's cute man.
• 6:31
  Speaker 5: So me and my cousin would be like, yo, yo,
• 6:33
  Speaker 5: I got them so.
• 6:36
  Speaker 1: That when we first started like getting God's attention and
• 6:38
  Speaker 1: making them do things for.
• 6:40
  Speaker 8: You women drive trucks to sir, you.
• 6:42
  Speaker 5: Ain't never seen no one with rugg whole live. I
• 6:45
  Speaker 5: never did back then, that never did. Get it off
• 6:48
  Speaker 5: your chest. Eight hundred five eighty five, one oh five one.
• 6:51
  Speaker 5: If you need to vent, hit us up now. It's
• 6:52
  Speaker 5: the Breakfast Club.
• 6:53
  Speaker 7: Good morning.
• 6:55
  Speaker 5: And hilarius charlamagnemc God. We are to Breakfast Club. We
• 6:58
  Speaker 5: got a special guest in them. Yes, sir a Marion
• 7:01
  Speaker 5: he welcome back.
• 7:02
  Speaker 3: Good brother.
• 7:04
  Speaker 8: Hey, what was your routine this morning?
• 7:05
  Speaker 10: Man?
• 7:05
  Speaker 8: What did you do up?
• 7:07
  Speaker 10: Pray, meditation, a little moment to myself.
• 7:10
  Speaker 14: You know what I'm saying, Shower up, get fresh, say
• 7:13
  Speaker 14: my affirmation, put on my ood.
• 7:16
  Speaker 8: Yeah, what is your attention for today.
• 7:19
  Speaker 14: They just have a good time. You know what I'm saying,
• 7:22
  Speaker 14: not put too much on it. You know what I'm saying.
• 7:24
  Speaker 6: You weren't known as the zen King?
• 7:26
  Speaker 15: Like how do you stay so tranquil, like, so zenful
• 7:32
  Speaker 15: through everything?
• 7:33
  Speaker 6: Like you don't let nothing bother you? Y. I done
• 7:35
  Speaker 6: came at you so many times. This man lets nothing
• 7:42
  Speaker 6: get to him.
• 7:43
  Speaker 10: I'm trying to get I'm intentional.
• 7:45
  Speaker 3: Yeah.
• 7:46
  Speaker 10: And also I don't take things personal, you know what
• 7:48
  Speaker 10: I'm saying.
• 7:49
  Speaker 5: The wild thing is, you know, Marion. I just looked
• 7:51
  Speaker 5: it up. A Marion is forty years old.
• 7:53
  Speaker 8: Crazy, we've been seeing him grow up.
• 7:55
  Speaker 1: He's still Marion Foyer, got baby head.
• 8:05
  Speaker 10: Yes, yes, a blessing it is.
• 8:08
  Speaker 5: People still look at you as like a young I
• 8:11
  Speaker 5: can't say team, but a young twenty year old because
• 8:14
  Speaker 5: that's what you look like.
• 8:15
  Speaker 4: Yeah.
• 8:15
  Speaker 14: Well, I mean it does confuse people sometimes, but yeah,
• 8:19
  Speaker 14: I think I made.
• 8:19
  Speaker 10: It to young status at this at this point in time, you.
• 8:22
  Speaker 8: Ain't kid, so is you know you can't be?
• 8:31
  Speaker 6: No Millennium toys back?
• 8:33
  Speaker 14: Yes, yes, yes, yes, I'm super excited about it. We
• 8:36
  Speaker 14: played Barclays on the twenty first, So if you ain't
• 8:39
  Speaker 14: got your ticket.
• 8:40
  Speaker 10: Definitely pop out. It's a moment. It's a moment.
• 8:44
  Speaker 6: What keeps you doing all?
• 8:45
  Speaker 3: Is that?
• 8:45
  Speaker 6: That all he is?
• 8:46
  Speaker 4: Like?
• 8:46
  Speaker 6: What keeps you doing doing this?
• 8:48
  Speaker 8: He's still doing flips and dance Like what you twist?
• 8:52
  Speaker 8: You ain't gonna take a long time to heal.
• 8:55
  Speaker 3: No.
• 8:55
  Speaker 14: Actually, I have a routine of of making sure that I,
• 8:59
  Speaker 14: you know, stay energized. I'm a performer, so it's important
• 9:01
  Speaker 14: that I take care of my body. But the Millennium Tour,
• 9:04
  Speaker 14: you know, is a series concert that has brought nostalgic literally.
• 9:08
  Speaker 10: Back on the planet. You know, my error in my time.
• 9:10
  Speaker 14: I'm so happy to been a part of it because,
• 9:13
  Speaker 14: you know, it brings you back to a memory and
• 9:16
  Speaker 14: creates a new memory at the same time, you know,
• 9:18
  Speaker 14: So I'm excited. Yeah, were keeping it going, We're keeping
• 9:21
  Speaker 14: that energy going.
• 9:23
  Speaker 1: Can I ask you what forty felt like? And I
• 9:24
  Speaker 1: remember how I felt when I turned forty?
• 9:26
  Speaker 10: Yeah, where were you?
• 9:28
  Speaker 8: What were you doing? How did it feel?
• 9:30
  Speaker 1: Because to me, it felt like I really entered the
• 9:32
  Speaker 1: new dimension when I turned for it.
• 9:33
  Speaker 14: Yeah, So I usually don't do anything for myself and
• 9:38
  Speaker 14: shout out to Janine who helped me put together my
• 9:41
  Speaker 14: birthday party. But I had a birthday party in Malibu
• 9:45
  Speaker 14: and it was such an amazing gathering. You know, all
• 9:48
  Speaker 14: of my friends came out of my family. So I
• 9:51
  Speaker 14: did something for myself, you know, which was thought party.
• 9:53
  Speaker 14: It was a lot of beautiful people in the building.
• 9:56
  Speaker 14: So that's what I did for my birthday.
• 9:58
  Speaker 1: Did you feel like yourself going into a different level
• 10:01
  Speaker 1: of conscience?
• 10:02
  Speaker 14: For sure, a different level of maturity, a certain level
• 10:06
  Speaker 14: of expectation for myself. The things that I'm creating now,
• 10:10
  Speaker 14: you know why am I still doing it? I definitely
• 10:13
  Speaker 14: feel like I've arrived because, you know, I'm one of
• 10:15
  Speaker 14: the few entertainers that have grown up in the public eye.
• 10:18
  Speaker 14: So growing up has you know, been a challenge. It's
• 10:23
  Speaker 14: sometimes in my career, you know what I mean. So
• 10:25
  Speaker 14: I finally feel like I've arrived to that place where
• 10:29
  Speaker 14: you know, I can have a say so and people
• 10:33
  Speaker 14: are understanding and respected. So, now, how do you figure
• 10:36
  Speaker 14: out who closes the Millennium Tour? Like who closes that show?
• 10:39
  Speaker 5: Artists on it and you're one of the originators on
• 10:42
  Speaker 5: that tour, so closes the Millennium Tour?
• 10:44
  Speaker 14: Well, it is a co headline, you know, myself, Trey,
• 10:49
  Speaker 14: and Bao. So it's it's kind of meant to be
• 10:52
  Speaker 14: like a festival vibe. You know, any real performing artists
• 10:56
  Speaker 14: will tell you sometimes it's not best to close the
• 10:59
  Speaker 14: show because you know the energy is drained. You know,
• 11:02
  Speaker 14: you kind of want to go maybe second before you know,
• 11:04
  Speaker 14: the last. So for me, yeah, I don't really trip
• 11:07
  Speaker 14: off of that, but yeah, that's how we decide between
• 11:10
  Speaker 14: us and the promoters.
• 11:11
  Speaker 5: How do you headline? So is it like you do
• 11:12
  Speaker 5: two then you jump in dough two. Yeah, Trey jumps
• 11:14
  Speaker 5: into do tune and exactly.
• 11:17
  Speaker 14: Yeah, maybe Trey will close and then me and Bob
• 11:19
  Speaker 14: will swap in between, you know, him going last before
• 11:22
  Speaker 14: Trey or maybe going last before Trey.
• 11:24
  Speaker 15: So yeah, so I know, before you know, the Millennium Tour,
• 11:29
  Speaker 15: it was b t K.
• 11:30
  Speaker 6: Why not this run?
• 11:34
  Speaker 14: Well, this one was kind of more so framed for
• 11:37
  Speaker 14: this class. You know, all the If you look at
• 11:40
  Speaker 14: the you know who's on there now, it's a lot
• 11:43
  Speaker 14: of non Millennium you know artists, you know what I'm saying, Like,
• 11:47
  Speaker 14: I think it's so cool that Boosey is gonna be
• 11:49
  Speaker 14: on there, you know what I mean? Yeah, apply I
• 11:52
  Speaker 14: think We're gonna get some special guests as well, exactly
• 11:57
  Speaker 14: the whole vibe. So it's kind of, I would say,
• 12:00
  Speaker 14: a little bit different than you know, like the previous years.
• 12:04
  Speaker 10: So yeah, that's that's how Why.
• 12:06
  Speaker 14: Are we getting all the old like that? Yeah, we
• 12:09
  Speaker 14: getting the classic. Get in the classics. Yeah, we're getting
• 12:14
  Speaker 14: the classic. It's actually my twentieth year anniversary of putting
• 12:18
  Speaker 14: In being a solo artist. Yeah, time is flying flying, Yeah,
• 12:26
  Speaker 14: so yeah, we get into classics. And also I'll be
• 12:28
  Speaker 14: introducing some new music, you know, I mean, I got
• 12:30
  Speaker 14: some new music, some new slaps.
• 12:31
  Speaker 10: I'm gonna be performing as well.
• 12:34
  Speaker 1: You said something that was interesting. You said growing up
• 12:36
  Speaker 1: for you was a challenge. Why was growing up a challenge?
• 12:39
  Speaker 1: Did you mean personally or professionally both?
• 12:41
  Speaker 14: All just because you know, when you're young and people
• 12:43
  Speaker 14: see you're young and you don't change much, you know
• 12:46
  Speaker 14: what I mean, Like physically, you know, because I take
• 12:50
  Speaker 14: care of myself. You know, people tend to just you know,
• 12:54
  Speaker 14: put you where they thought that you were.
• 12:56
  Speaker 10: You know what I'm saying.
• 12:57
  Speaker 14: So yeah, it's been a challenge in that way. And
• 13:00
  Speaker 14: so in business, you know, just really being able to
• 13:03
  Speaker 14: like have a say so, and then I just be like, Okay,
• 13:06
  Speaker 14: well you're a kid, you know what I mean. Any
• 13:08
  Speaker 14: child stars will tell you, you know, having a foot
• 13:12
  Speaker 14: in control in their business is a struggle when you
• 13:16
  Speaker 14: start young.
• 13:17
  Speaker 8: When did that change?
• 13:17
  Speaker 1: Like when did people start saying, Okay, this is a
• 13:19
  Speaker 1: Mario and the grown man, not the kid from you two.
• 13:22
  Speaker 14: I think once I really started taking full responsibility for
• 13:26
  Speaker 14: my independence, you know, trying different things. I think that
• 13:30
  Speaker 14: you know, when you're in the industry for a long time,
• 13:32
  Speaker 14: it is peaks and valleys. You know, you're not going
• 13:34
  Speaker 14: to have ten hot moments, you know what I'm saying.
• 13:37
  Speaker 14: You might have a down moment, you might have a
• 13:39
  Speaker 14: transitional moment. I think that it's okay, you know, when
• 13:43
  Speaker 14: you're finding your way. And I feel like after my
• 13:46
  Speaker 14: last couple of projects, you know, just supporting myself, being independent,
• 13:52
  Speaker 14: Like I started to feel like, Okay, now I have
• 13:55
  Speaker 14: control of my career.
• 13:56
  Speaker 10: Oh I want to put this out.
• 13:57
  Speaker 14: Okay, maybe I should put it out this way, you know,
• 14:00
  Speaker 14: maybe I should do things differently.
• 14:02
  Speaker 10: You know, I grew I grew into that.
• 14:04
  Speaker 14: So I'm like very proud of that, you know, because
• 14:07
  Speaker 14: a lot of artists don't get the chance to do that,
• 14:09
  Speaker 14: that's true.
• 14:09
  Speaker 1: And nobody talks about that, right, like nobody talks about
• 14:11
  Speaker 1: when you're red hot, and yeah, there's an ice box
• 14:13
  Speaker 1: for your career used to be.
• 14:14
  Speaker 4: You know what I mean.
• 14:17
  Speaker 1: Like, I mean, I don't feel like you've ever been
• 14:18
  Speaker 1: through that because you're always on the road.
• 14:20
  Speaker 14: Yeah yeah, yeah, And I've been gifted, you know, with
• 14:23
  Speaker 14: the talent to be able to do many things. Like
• 14:26
  Speaker 14: two years ago, I believe the last time we spoke,
• 14:30
  Speaker 14: you know, I was promoting my book. So there's always
• 14:33
  Speaker 14: something for me to do. Something new that I just
• 14:36
  Speaker 14: did that's really exciting is a show called The wild
• 14:40
  Speaker 14: Rose with all Black, So I'm gonna be you know,
• 14:43
  Speaker 14: hitting your TVs in twenty twenty six. I play an assassin,
• 14:48
  Speaker 14: so it's something different. First of all, Yeah, I'm doing
• 14:50
  Speaker 14: fighting scenes. I'm socking and popping. Wow, so you will be.
• 14:54
  Speaker 6: Seeing me King is now an assassins.
• 14:56
  Speaker 3: I mean, you know I'm.
• 14:57
  Speaker 14: Acting, right, but you know, the the real true measure
• 15:01
  Speaker 14: of an actor is to tell the truth, you know
• 15:03
  Speaker 14: what I'm saying. So get to show a different side
• 15:05
  Speaker 14: of myself. I'm excited about.
• 15:06
  Speaker 1: I feel like that's a natural transition for all you
• 15:08
  Speaker 1: flexible guys.
• 15:13
  Speaker 4: Yeah.
• 15:13
  Speaker 6: Yeah, we've been asked, what is your relationship now with
• 15:16
  Speaker 6: b two K.
• 15:17
  Speaker 14: I always will honor you know, my group, my foundation,
• 15:21
  Speaker 14: and you know where I come from. Uh As far
• 15:24
  Speaker 14: as personally, you know, we don't really have a relationship,
• 15:30
  Speaker 14: not not really.
• 15:31
  Speaker 3: You know.
• 15:32
  Speaker 14: I will say that Bud did come to one of
• 15:35
  Speaker 14: my shows and we chopped it up, you know, So
• 15:37
  Speaker 14: there'll always be a type of love there. You know,
• 15:40
  Speaker 14: we grew up together and you know we we did
• 15:44
  Speaker 14: something in all of our lives that no one in
• 15:47
  Speaker 14: our lives did, you know what I mean. So I
• 15:48
  Speaker 14: think that there's always an honor system there, you know,
• 15:52
  Speaker 14: not to speak negatively ever, and it just be like, yeah,
• 15:56
  Speaker 14: you know that was.
• 15:56
  Speaker 15: That before the group started or where you guys were
• 16:00
  Speaker 15: brought together as the group.
• 16:02
  Speaker 10: We were brought together as the group. Yeah.
• 16:05
  Speaker 14: The first time I met them, it was at a
• 16:07
  Speaker 14: New Year's Eve party and they performed and I performed,
• 16:11
  Speaker 14: and it.
• 16:11
  Speaker 10: Was like, you want to be the leads singer?
• 16:13
  Speaker 4: I was like yeah, so.
• 16:16
  Speaker 15: Yeah, yeah, And what about you and Marcus Houston?
• 16:20
  Speaker 6: Are y'all close?
• 16:21
  Speaker 3: No?
• 16:23
  Speaker 6: Got you?
• 16:23
  Speaker 4: Yeah?
• 16:24
  Speaker 8: I don't know why we thought y'all was real brothers.
• 16:25
  Speaker 16: That everyone you know, that was our thing.
• 16:27
  Speaker 10: That was our thing back then, you know what I mean.
• 16:29
  Speaker 14: Anybody that was a part of the camp was fam
• 16:31
  Speaker 14: you know, it's like, oh that's my cousin, you know
• 16:33
  Speaker 14: what I'm saying.
• 16:34
  Speaker 10: But yeah, no real blood time.
• 16:36
  Speaker 1: You were wanted a few people who probably experienced real celebrity,
• 16:41
  Speaker 1: right because I don't feel like there's real celebrity no more.
• 16:43
  Speaker 4: That's true.
• 16:45
  Speaker 10: That's true.
• 16:45
  Speaker 1: Like y'all had to like run from crowd, be duncked
• 16:50
  Speaker 1: off in disguise.
• 16:51
  Speaker 8: Yeah, how did that feel? And was it hard when
• 16:53
  Speaker 8: you weren't feeling it anymore?
• 16:54
  Speaker 14: You know, it was amazing to you know, look back
• 16:57
  Speaker 14: on it. There was sometimes where you know, I think
• 17:00
  Speaker 14: got hurt, he got lifted up into a crowd. It
• 17:02
  Speaker 14: was like a dangerous you know what I mean, because
• 17:04
  Speaker 14: five little strong girls is stronger than the biggest man,
• 17:07
  Speaker 14: you know what I mean. But looking back on that
• 17:10
  Speaker 14: time and having it, you know, be a part of
• 17:13
  Speaker 14: my experience as far as the organic you know, energy
• 17:17
  Speaker 14: between you and your fans was amazing. And when it changed,
• 17:20
  Speaker 14: it changed, not just for me, for everyone. You know,
• 17:22
  Speaker 14: I think you still have a little bit of a
• 17:24
  Speaker 14: fandom still today, but it's view different.
• 17:27
  Speaker 10: It's almost like are you okay? Why are you screaming?
• 17:30
  Speaker 8: Are you okay?
• 17:31
  Speaker 3: You know?
• 17:32
  Speaker 10: I still I still receive that love. You know, no
• 17:34
  Speaker 10: matter where I'm at on the planet, people still come
• 17:36
  Speaker 10: up to me and be like, wow, my childhood. Can
• 17:38
  Speaker 10: I take a picture with you?
• 17:39
  Speaker 14: So I always appreciate, you know, the influence that I've
• 17:43
  Speaker 14: had on people's life experience through music, through movies, through
• 17:47
  Speaker 14: So yeah, I don't feel no way about it. You know,
• 17:49
  Speaker 14: I definitely feel like, you know, a sort of an
• 17:54
  Speaker 14: elder on the scene, you know what I mean, that
• 17:56
  Speaker 14: has had all the experiences.
• 17:58
  Speaker 8: So it's just different when you got that when you
• 18:00
  Speaker 8: were a child.
• 18:01
  Speaker 1: That's what I'm saying that I guess that kid, you
• 18:05
  Speaker 1: know what I mean, Like they at different, yeah than
• 18:07
  Speaker 1: everybody else.
• 18:08
  Speaker 10: Period, And those fans are still with me to today.
• 18:11
  Speaker 14: I'm so thankful for those fans that stuff with me
• 18:13
  Speaker 14: because we're able to put on the Millennium Tour. We're
• 18:15
  Speaker 14: able to you know, bring that nostalgia back on the planet, which,
• 18:18
  Speaker 14: by the way, before the Millennium Tour, you know, that
• 18:21
  Speaker 14: wasn't the show, that wasn't the you know the set
• 18:24
  Speaker 14: list for you know, all of these productions. You know
• 18:27
  Speaker 14: what I mean, to have a little bit nostalgia in
• 18:30
  Speaker 14: your production, you know, is a great thing.
• 18:32
  Speaker 10: What was the crazy story that you remember as a child.
• 18:34
  Speaker 14: And a girl being in our room before we got there?
• 18:39
  Speaker 14: You know, the security would have to like check the room.
• 18:43
  Speaker 14: I always thought that was weird because you know, nobody
• 18:46
  Speaker 14: was in the room. How would they girls sitting in
• 18:49
  Speaker 14: there crouching down as soon as we walk and we're like, oh,
• 18:52
  Speaker 14: a green room or like it was a green room
• 18:54
  Speaker 14: and then all my personal room, you know, one of
• 18:57
  Speaker 14: the workers just let themselves in and I was like
• 19:00
  Speaker 14: half sleep and I woke, like.
• 19:02
  Speaker 10: What are you doing? It was a girl was trying
• 19:05
  Speaker 10: together and she was like hey, she was trying to gather.
• 19:08
  Speaker 10: I'm like, well, I'm sleeping. No, what are you doing?
• 19:10
  Speaker 4: Now?
• 19:10
  Speaker 3: You gotta go?
• 19:12
  Speaker 4: Yeah?
• 19:12
  Speaker 10: Yeah yeah, So that was when it was like a
• 19:14
  Speaker 10: little scary for you was a kid. Yeah.
• 19:16
  Speaker 8: Jesus Christ.
• 19:18
  Speaker 1: Did you find that your fans grew with you?
• 19:19
  Speaker 10: Yes, that's a lot of them.
• 19:21
  Speaker 14: I mean a lot of them still, you know, still
• 19:23
  Speaker 14: pop up to the shows and come to the meet
• 19:26
  Speaker 14: and greets and everything.
• 19:27
  Speaker 4: So yeah.
• 19:28
  Speaker 10: Yeah, girls I grew up with from New York City.
• 19:30
  Speaker 14: They know who they are, you know what I mean,
• 19:32
  Speaker 14: still come to my shows, got kids, got got work,
• 19:36
  Speaker 14: all all kinds of stuff.
• 19:38
  Speaker 1: So they never bring any of the kids. And they
• 19:39
  Speaker 1: got babyheads and you know long Yeah, I.
• 19:41
  Speaker 10: Say, what's up to their kids? Kids named after me?
• 19:45
  Speaker 3: Yeah?
• 19:46
  Speaker 14: Yeah, kids named after me and everything like, yeah, it's it's,
• 19:49
  Speaker 14: it's it's it's a few kids out there named after
• 19:51
  Speaker 14: O Mari.
• 19:52
  Speaker 8: They look like kids for real.
• 19:57
  Speaker 10: Oh no, no, no, no, no, the ghost meet.
• 20:00
  Speaker 8: And greets, that's what you're asking.
• 20:02
  Speaker 10: Yeah.
• 20:03
  Speaker 14: No, Now I haven't been any of those yet, but
• 20:05
  Speaker 14: I'm pretty sure that I've you know, inspired some kids
• 20:07
  Speaker 14: out there.
• 20:08
  Speaker 8: What about baw waw. You think you and bowleve do
• 20:10
  Speaker 8: a joint album.
• 20:11
  Speaker 10: Again, I'm not sure. I'm not sure.
• 20:13
  Speaker 14: I feel like if I'm gonna do, you know, any collaboration,
• 20:17
  Speaker 14: whether it be rappers singer, I feel like they have
• 20:20
  Speaker 14: to have like current music out you know what I'm saying,
• 20:23
  Speaker 14: music that and you know, current music of the last
• 20:26
  Speaker 14: maybe three three years, you know what I'm saying. So yeah,
• 20:31
  Speaker 14: if I'm gonna do a collaborative, it's gonna be like, okay,
• 20:33
  Speaker 14: new music, we're working on new vibes.
• 20:36
  Speaker 1: Why is that just because you feel like, you know,
• 20:38
  Speaker 1: if you made music in the last three years, you
• 20:40
  Speaker 1: actually care.
• 20:40
  Speaker 8: You're active.
• 20:41
  Speaker 14: Yeah, you're active, you know what I mean, Like you
• 20:44
  Speaker 14: know what's you know as far as producers, you know
• 20:46
  Speaker 14: what I mean, like what does that look like? And
• 20:50
  Speaker 14: also I feel like you you have a like a
• 20:53
  Speaker 14: better shot at putting something out, you know, like visuals.
• 20:56
  Speaker 10: I think that today's artists, like there's so.
• 20:59
  Speaker 14: Many things that you have to do in order to
• 21:01
  Speaker 14: you know, really be visible, you know what I mean.
• 21:03
  Speaker 14: So I will want someone that's not just you know,
• 21:06
  Speaker 14: visible you know, on social media, but like in the
• 21:09
  Speaker 14: music too.
• 21:10
  Speaker 8: Like you and Leo will cook up.
• 21:11
  Speaker 10: Oh yeah, Dob, that'll be dope.
• 21:14
  Speaker 8: Have you ever reached out to Leon No?
• 21:16
  Speaker 10: No, no, not yet, but we've crossed paths.
• 21:18
  Speaker 14: Yeah, we cross paths. I love to see what he's doing,
• 21:21
  Speaker 14: you know what I mean. Like he's he's actually a
• 21:25
  Speaker 14: child star too, you know, he's someone that started very
• 21:28
  Speaker 14: very young. So to see where he's at today is
• 21:30
  Speaker 14: just it's awesome. I feel like that's you know, it's
• 21:34
  Speaker 14: it's very rare to see a lot of child stars
• 21:37
  Speaker 14: continue on and continue to transform. And that's what I've
• 21:40
  Speaker 14: always loved about music is is you don't have to
• 21:43
  Speaker 14: stop or you don't have to essentially get old. You know,
• 21:46
  Speaker 14: you can pick up a you know, a flute. You know,
• 21:48
  Speaker 14: you can pick up an instrument, you can write, you
• 21:50
  Speaker 14: can direct, you know, it's so much to do in
• 21:53
  Speaker 14: our business.
• 21:54
  Speaker 1: What's the one thing you wish you knew when you
• 21:55
  Speaker 1: first started your career? What forty year old of Maya,
• 21:59
  Speaker 1: what would he tell you sixteen year old to Mario?
• 22:01
  Speaker 14: I think about like life, insurance policies, you know, trust,
• 22:07
  Speaker 14: you know, just certain things that you know, if you
• 22:11
  Speaker 14: wanted to take a break, you could, you know what
• 22:13
  Speaker 14: I'm saying. That's something that I feel like, you know, finances.
• 22:16
  Speaker 14: I just I wish I would have, you know, been
• 22:19
  Speaker 14: given that game earlier on. I felt like, you know,
• 22:22
  Speaker 14: maybe I would move differently, you know, if I had that.
• 22:26
  Speaker 14: But you know, everything is for is for a reason.
• 22:28
  Speaker 10: So yeah, definitely check him out on tour Millennium to twenty.
• 22:32
  Speaker 14: What's the date we at the Barclays Marsh twenty first,
• 22:36
  Speaker 14: y'all pop out?
• 22:37
  Speaker 8: Seventeenth, seventeenth here.
• 22:39
  Speaker 15: I don't know maybe's changed from my city because I
• 22:42
  Speaker 15: know out sixteen.
• 22:47
  Speaker 6: And then Barclays is the next day, March seventeenth.
• 22:49
  Speaker 10: Thank y'all so much.
• 22:50
  Speaker 5: Just I know we've seen Drake beat you in the
• 22:52
  Speaker 5: dance battle too, and a dance battle and.
• 22:56
  Speaker 8: Drake killed him. I don't believe that I know Droid
• 23:01
  Speaker 8: at the birthday party.
• 23:02
  Speaker 10: Oh he was at I was keeping the light.
• 23:07
  Speaker 4: Lights.
• 23:07
  Speaker 10: Give me up one, No, it was his.
• 23:14
  Speaker 3: All right, Well it is.
• 23:15
  Speaker 5: It's the Breakfast Club of Mario. Yeah, everybody's d J
• 23:19
  Speaker 5: n V Jess hilarious, Charlamagne the guy. We are the
• 23:21
  Speaker 5: Breakfast Club. Law La Ros is here as well. We
• 23:24
  Speaker 5: got a special guest in the villain.
• 23:26
  Speaker 1: One of the most hustling ladies and gentlemen Killers camera man, How.
• 23:31
  Speaker 4: You'll be good? More man, How you're doing, how you feeling?
• 23:34
  Speaker 4: Recular man, Good to be back and you've been up here.
• 23:36
  Speaker 5: In a little minute before we before we go anywhere,
• 23:38
  Speaker 5: I just got to ask one question, are you gonna
• 23:40
  Speaker 5: do another project?
• 23:41
  Speaker 4: Man?
• 23:42
  Speaker 5: Because you you play too much, you rapping, and you stop,
• 23:45
  Speaker 5: then you spit, then you stop, then somebody pisses you
• 23:47
  Speaker 5: off and you wrap him like killer. Still got it?
• 23:49
  Speaker 5: Just do a project.
• 23:50
  Speaker 4: Killers like for what now? Of course you know you
• 23:57
  Speaker 4: my brother. I appreciate that, but it don't be making
• 23:59
  Speaker 4: fun sense. Like if I'm gonna do a project, you're
• 24:02
  Speaker 4: gonna get merchandise behind it, it's gonna be a tour
• 24:05
  Speaker 4: behind it, everything else. But you know, I do the
• 24:08
  Speaker 4: freestyles on my show and here and there, but as
• 24:10
  Speaker 4: far as doing an actual project, and don't be making
• 24:13
  Speaker 4: financial sense for me, like you seem to be wrapping
• 24:16
  Speaker 4: my age. It's only a few kids who could really
• 24:18
  Speaker 4: go on tour. Who's my age? Just thinking in their
• 24:22
  Speaker 4: brain they're doing a lot, but they're not really doing
• 24:24
  Speaker 4: what they think they're doing. Because when you like, for me,
• 24:27
  Speaker 4: I was on tour up until twenty twenty when Covid hit,
• 24:32
  Speaker 4: I was on tour. I just didn't go back on
• 24:34
  Speaker 4: tour after that. But every every tour I had something
• 24:37
  Speaker 4: lined up, not just the show behind it. I keep
• 24:40
  Speaker 4: the freestyles far doing the album albums last time, like
• 24:43
  Speaker 4: a great album is like two weeks. You know what
• 24:46
  Speaker 4: I'm saying, Like that's I'm talking about a great one
• 24:48
  Speaker 4: last two three weeks?
• 24:50
  Speaker 8: Even like an EP just.
• 24:54
  Speaker 4: Look look me and Mace got some Now I would
• 24:57
  Speaker 4: do that me and ma it's got like nineteen records. Wo.
• 25:00
  Speaker 4: But I can't put him out, like like I feel
• 25:03
  Speaker 4: like my hands is tied with this. He'll get in
• 25:05
  Speaker 4: the mood and he'd be like, we're gonna come out.
• 25:07
  Speaker 4: Then he be like, nah, just wait and then don't
• 25:09
  Speaker 4: come out. I could play for y'all with nobody listening.
• 25:12
  Speaker 4: The world ain't listening. But Mace is really really nice.
• 25:17
  Speaker 4: I don't know. I can't tell you. I'm like, he's like,
• 25:20
  Speaker 4: he gets in the mood and we're gonna do it,
• 25:22
  Speaker 4: and then he'd be like, we're not gonna do it,
• 25:25
  Speaker 4: and what we got going on now is too good
• 25:27
  Speaker 4: to even question it, you know what I'm saying.
• 25:29
  Speaker 10: So the worst two slick talkers out there.
• 25:32
  Speaker 4: But on could y'all hear me do the free stops?
• 25:35
  Speaker 4: Mace is like dumb nice get like now I'm talking
• 25:39
  Speaker 4: about you know you ain't hear really rapping a nice
• 25:41
  Speaker 4: nice like a real real problem. I don't want to
• 25:44
  Speaker 4: say he's better than me. I want to say that
• 25:46
  Speaker 4: he's right underneath what he spent on what it is
• 25:51
  Speaker 4: I forced him, dude, be like too much for that
• 25:53
  Speaker 4: to happen. But but do you know what the problem
• 25:56
  Speaker 4: is for me. He sends me to tell him just
• 25:58
  Speaker 4: stop sending me because I'm getting frustrated he do. I
• 26:01
  Speaker 4: think you do this to tease me, to be honest
• 26:03
  Speaker 4: with you, Kim listening to this, listen to this and
• 26:06
  Speaker 4: it never comes out. But I think he does it
• 26:08
  Speaker 4: for therapy. He makes too much other money besides what
• 26:12
  Speaker 4: we do. Mace makes a lot of money, and I
• 26:14
  Speaker 4: think I don't like I don't want to say that,
• 26:16
  Speaker 4: but music isn't a priority. I wish it.
• 26:19
  Speaker 13: I saw you tell if it's bleep that Mace told
• 26:22
  Speaker 13: you that if you and Joe was the music, or
• 26:23
  Speaker 13: you and him even do anything that y'all put out,
• 26:25
  Speaker 13: it has to be like a moment because of all,
• 26:28
  Speaker 13: would that moment if y'are hypothetically speaking, if it did happen,
• 26:31
  Speaker 13: what would that moment be?
• 26:32
  Speaker 3: Is it a Mace?
• 26:35
  Speaker 4: Anything we do together like Mace, Like if we get
• 26:38
  Speaker 4: booked together. Mason moved for less than one hundred thousand
• 26:41
  Speaker 4: for him, and that's just being nice, Like he just
• 26:43
  Speaker 4: don't move. He do too much others to where he's like, Kim,
• 26:47
  Speaker 4: if I'm not getting a hundred, I don't even call him.
• 26:50
  Speaker 4: If it ain't like two hundred thousand. But he doesn't.
• 26:53
  Speaker 4: He doesn't care, like he really doesn't like what he
• 26:56
  Speaker 4: got going on. He doesn't care about doing anything else.
• 26:59
  Speaker 4: So I'd be like, Yo, Matshaw, listen so and so
• 27:03
  Speaker 4: on the bookers for like one hundred twenty five thousand,
• 27:05
  Speaker 4: like you're gonna take twenty five, And I'm like, He's like, camm,
• 27:11
  Speaker 4: y'all have to realize there's some moment when we're together.
• 27:14
  Speaker 4: We haven't been seen for twenty five for ten years,
• 27:18
  Speaker 4: why would we take that money. I'm like, Mace, it's
• 27:21
  Speaker 4: just a look. It's not a good look. So more
• 27:26
  Speaker 4: of the story is he basically says, we haven't been
• 27:28
  Speaker 4: speaking for a while, we're getting older. Everything that we
• 27:31
  Speaker 4: need to do needs to count. So kind of like
• 27:34
  Speaker 4: when you heard me say that with Juel's, same thing.
• 27:37
  Speaker 4: Juelle's has sent me to do a record, sent a
• 27:39
  Speaker 4: record for me to do probably five or six months,
• 27:43
  Speaker 4: maybe longer than that, and there was a good record,
• 27:45
  Speaker 4: but it was like, y'all be spectacled when you do
• 27:47
  Speaker 4: a song in fifteen years. So that's kind of what you're.
• 27:49
  Speaker 10: Gonna How did you?
• 27:49
  Speaker 5: It makes get back together for people that don't know
• 27:51
  Speaker 5: because there was Yuay. Were going back and forth for
• 27:53
  Speaker 5: years and then Bill.
• 27:56
  Speaker 4: Yeah, absolutely shot to Gillian Wallow. He went on Gillian
• 27:59
  Speaker 4: Wallow's show. I guess as artist was saying that Mace
• 28:03
  Speaker 4: was stealing from him or whatever, and when he was
• 28:06
  Speaker 4: up there, he just was like he basically like shouting
• 28:10
  Speaker 4: me out in the cool way. He's like, because you know,
• 28:12
  Speaker 4: he did a disrecord and it was kind of it
• 28:14
  Speaker 4: was crazy the oracle this to me, He's I didn't
• 28:16
  Speaker 4: really want to do that the camp and I was like,
• 28:21
  Speaker 4: but he said, in the coolies like cams my man.
• 28:23
  Speaker 4: Then I went on Gillian Waller and then we talked
• 28:25
  Speaker 4: and then when we spoke, we spoke and we just
• 28:28
  Speaker 4: kept it moving. But all because of Gillian Waller.
• 28:31
  Speaker 10: Basically click how the show come together from there, So.
• 28:34
  Speaker 4: The show actually came together. We were supposed to do a
• 28:37
  Speaker 4: tour after we got cool met him and Jada. That
• 28:39
  Speaker 4: didn't work out, and so many people were inviting me
• 28:43
  Speaker 4: to do podcasts, like yo, cam do a podcast when
• 28:46
  Speaker 4: you're gonna do a podcast, and I'm like, I don't
• 28:49
  Speaker 4: really want to talk to for a living, you know
• 28:51
  Speaker 4: what I'm saying, Like the Christ like, I don't want
• 28:53
  Speaker 4: to have to talk to nobody, but I do like sports.
• 28:57
  Speaker 4: So I look at the phone, I'm arguing with the
• 29:00
  Speaker 4: time I hang the phone up, it's say two and
• 29:02
  Speaker 4: a half hours of me argueing with it about sports.
• 29:05
  Speaker 4: So I was like, maybe this is something I want
• 29:08
  Speaker 4: to do. And I built a stage. I go out
• 29:11
  Speaker 4: of sound stage, I built my own set out, and
• 29:14
  Speaker 4: I said I'm going to do ESPN mester Hood. So
• 29:16
  Speaker 4: that's why we were suits on the show. But it
• 29:19
  Speaker 4: was a professional setting. And then after that I invited
• 29:23
  Speaker 4: Mace on the show as a guest and he's like, here,
• 29:26
  Speaker 4: what's going on? So I'm just shooting. I got a budget.
• 29:30
  Speaker 4: I'm gonna reach his budget and see if his bike
• 29:32
  Speaker 4: of course, and he's like you want to be partners.
• 29:36
  Speaker 4: I'm like, after I get my money back on what
• 29:39
  Speaker 4: I spent, we could go fifty to fifty and he's like,
• 29:40
  Speaker 4: all right, bet. So we did about ten shows and
• 29:43
  Speaker 4: a bunch of people called, so we ended up doing
• 29:45
  Speaker 4: like thirty shows and ended up getting a really good deal.
• 29:48
  Speaker 4: But after I did like five shows, he's like my
• 29:51
  Speaker 4: fifth guests and he's like to be partners. Shoes I
• 29:54
  Speaker 4: have nobody consistent doing it anyway, So that's how I
• 29:56
  Speaker 4: came together.
• 29:57
  Speaker 1: I did y'all smoking man. I think everything that y'all
• 29:59
  Speaker 1: have done in the media, it's grazy what it is,
• 30:00
  Speaker 1: what it is.
• 30:01
  Speaker 8: And then talk with Lee. I thank y'all smoking, Nah.
• 30:04
  Speaker 4: I appreciate that. Thank you, brother, I appreciate it, man.
• 30:06
  Speaker 4: It's all natural, it's all fun and kind of me.
• 30:09
  Speaker 4: A Mace relationship is like just picking up because we
• 30:14
  Speaker 4: me talking about just regular high school. After high school,
• 30:17
  Speaker 4: we gotta realize a lot of our public life was publicized.
• 30:20
  Speaker 4: So Mace got his deal at twenty one. I got
• 30:22
  Speaker 4: my deal at twenty one. So a lot of Chelse
• 30:24
  Speaker 4: seen music wise, it's been since we twenty one years old.
• 30:28
  Speaker 1: And I also say, you know, if you whatever, but
• 30:30
  Speaker 1: thank you for that. If what you build only benefits you,
• 30:32
  Speaker 1: it's not big enough. I love the way that you've
• 30:34
  Speaker 1: empowered somebody like Treasure, you know what I'm saying. And
• 30:37
  Speaker 1: I know you gots do like a whole production team there,
• 30:39
  Speaker 1: and she has.
• 30:39
  Speaker 12: Like a network or something for her own where she
• 30:41
  Speaker 12: can shun.
• 30:42
  Speaker 4: Well, she has her own show. It's called check Out
• 30:45
  Speaker 4: the stat and whatever she wants you to do. She's
• 30:49
  Speaker 4: able to do. We don't hold anybody out. We don't
• 30:51
  Speaker 4: stop nobody from doing what they can do, what they
• 30:53
  Speaker 4: want to do. She's big in the streaming world. You know,
• 30:57
  Speaker 4: I'm not really twitching and all that. It's like she's
• 31:00
  Speaker 4: big with Consanai and her boyfriend's a streamer and everything else.
• 31:04
  Speaker 4: But she just turned twenty four years old. So it's
• 31:07
  Speaker 4: really dope to have a dynamic of her being on
• 31:10
  Speaker 4: a show because we tease her about we don't know
• 31:12
  Speaker 4: and that should turn it back on us, like y'all
• 31:14
  Speaker 4: just don't know this. So it's good different generations being
• 31:18
  Speaker 4: on the show. But definitely she has a bunch of
• 31:20
  Speaker 4: she was going on with her show. It's called check
• 31:22
  Speaker 4: Out the Step in the.
• 31:23
  Speaker 13: Moment with her you and Adrian Brawner that went viral.
• 31:27
  Speaker 13: We had a conversation about it up here, and when
• 31:30
  Speaker 13: I watched the moment, I was so appreciative of it.
• 31:33
  Speaker 13: And I'm not her just because I know what it's
• 31:35
  Speaker 13: like to not be able to like kind of say
• 31:36
  Speaker 13: things or whatever. When that went super vibe, when people
• 31:39
  Speaker 13: were reacting to it, how did you feel watching it
• 31:41
  Speaker 13: because it was a natural thing for you to just do.
• 31:43
  Speaker 4: I don't really watched the show, to be honest with you.
• 31:45
  Speaker 4: We do the five days a week and I keep
• 31:47
  Speaker 4: it moving, so I didn't really I never watched it.
• 31:50
  Speaker 4: But it's in the moment your accent, like, but in
• 31:52
  Speaker 4: the moment see a lot of things y'all didn't see.
• 31:55
  Speaker 4: We don't we don't go live. We pre record. So
• 31:58
  Speaker 4: I stopped the show like six seven times and asks
• 32:02
  Speaker 4: him to stop. You know what I'm saying. It wasn't
• 32:04
  Speaker 4: like just once, it was like six seven times because
• 32:06
  Speaker 4: I know his dream Broun. I have a relationship with him.
• 32:09
  Speaker 4: I kept asking him to stop, and he was like, oh,
• 32:11
  Speaker 4: my bad, mo, my bad, bro, and he went and stopped.
• 32:14
  Speaker 14: To look so good in personally say what you wish that.
• 32:23
  Speaker 10: I love you got.
• 32:26
  Speaker 8: I'm sorry, I'm my bad, yaf my bad?
• 32:30
  Speaker 10: Hey stuck?
• 32:30
  Speaker 6: Could you stop?
• 32:31
  Speaker 8: Can you stop?
• 32:34
  Speaker 4: Yo?
• 32:34
  Speaker 8: Yo?
• 32:34
  Speaker 4: Broh? I told you so. Basically, I just asked him
• 32:42
  Speaker 4: to leave. You know, I didn't really want some of
• 32:44
  Speaker 4: the parts that I wish would It got edited to
• 32:47
  Speaker 4: where when I came back and I was kind of frustrating,
• 32:49
  Speaker 4: and I said something about him afterwards, which I didn't
• 32:52
  Speaker 4: want to air, but that was just pure frustration. But
• 32:55
  Speaker 4: in the moment, that's like my little sister, you know
• 32:57
  Speaker 4: what I'm saying. So at the end of the day,
• 32:59
  Speaker 4: if if you keep doing that, you dispected her. And
• 33:02
  Speaker 4: then if I asked you to stop, you disrespected me.
• 33:05
  Speaker 4: So now you're really in my house and you disrespected me.
• 33:08
  Speaker 4: So I paid him for his time and asked him
• 33:10
  Speaker 4: to leave. Like I said, it ain't like he's a stranger.
• 33:12
  Speaker 4: I know who he is and we got some mutual
• 33:13
  Speaker 4: friends as well, so but in the moment, it was
• 33:15
  Speaker 4: just disrespectful because it isn't like we asked you to
• 33:18
  Speaker 4: stop several times, and.
• 33:19
  Speaker 1: He apologized and people were mad at you because they're like, yo, you.
• 33:23
  Speaker 1: I guess they caught you saying something why his face, that's.
• 33:26
  Speaker 4: What I was talking about. I mean I was saying
• 33:29
  Speaker 4: that because when I sat back then I was like,
• 33:32
  Speaker 4: I hate this. I don't really want to repeat what
• 33:33
  Speaker 4: I say, and he's like, basically, yuh can this that?
• 33:36
  Speaker 4: And the third why'd you why'd you say that? It
• 33:38
  Speaker 4: was purely out of frustration. That's like saying, if y'all
• 33:41
  Speaker 4: walked me out now and then you sit down, you know, no,
• 33:44
  Speaker 4: I didn't sit down for the edit, and then you'd
• 33:46
  Speaker 4: be like, yo, this you know what I'm saying. I
• 33:49
  Speaker 4: said a little more than that, but it's like that
• 33:51
  Speaker 4: part should have been cut out. But it wasn't about
• 33:52
  Speaker 4: saying nothing to his face. I said it to his trade.
• 33:55
  Speaker 4: I walked over to him, and actually I scored him out.
• 33:58
  Speaker 4: It wasn't about a fighting situation for me and nothing
• 34:00
  Speaker 4: like that was just more of for I think he
• 34:02
  Speaker 4: was a little intoxicated and he just needs to be escorted.
• 34:06
  Speaker 8: Out, accountable.
• 34:08
  Speaker 4: Yes, smart guy.
• 34:10
  Speaker 8: So any artist that comes up there that talk to you,
• 34:12
  Speaker 8: you're gonnay him out.
• 34:14
  Speaker 4: You think about it is I'm not gonna terms Crawfords.
• 34:17
  Speaker 4: I'm not walking up on m.
• 34:22
  Speaker 3: I'm not.
• 34:23
  Speaker 4: But the security there, it ain't just us in there.
• 34:26
  Speaker 4: It was just other people in that that's outside the studio.
• 34:29
  Speaker 4: So it isn't just randomly me just putting out. But
• 34:32
  Speaker 4: I feel me and him was cool enough for me
• 34:34
  Speaker 4: to do.
• 34:35
  Speaker 1: And I'm glad you brought that Pink horse power. Oh yeah, yeah,
• 34:37
  Speaker 1: because I can't order it discreetly. I don't think I'm
• 34:41
  Speaker 1: glad that you brought it up here.
• 34:42
  Speaker 8: What is it?
• 34:43
  Speaker 6: I thought it was edible.
• 34:44
  Speaker 3: What is it.
• 34:46
  Speaker 4: She could take one from many your time. So basically
• 34:50
  Speaker 4: they delivered too.
• 34:51
  Speaker 5: By the way you call it, okay, crazy.
• 34:59
  Speaker 8: Honey back in the day.
• 35:02
  Speaker 4: Yeah, this is all naturals today. Yeah, it's all naturalist
• 35:06
  Speaker 4: from Africa, Africa. I'm gonna show you the video like
• 35:12
  Speaker 4: so you can see exactly where I went to get it.
• 35:14
  Speaker 4: Because the thing about it is this, So they have
• 35:17
  Speaker 4: this in the city, different places. But what happens is
• 35:20
  Speaker 4: I know people in Senegal and it comes in on
• 35:23
  Speaker 4: the boat. And what happens is when it's on the boat,
• 35:25
  Speaker 4: they water it down, they double or double down, so
• 35:28
  Speaker 4: it's more when it gets here. And basically I keep
• 35:32
  Speaker 4: it on the boat for two months to watch our
• 35:34
  Speaker 4: stocks so that we make sure we have the highest
• 35:37
  Speaker 4: potency of it. But it's all natural leaves, roots, trees,
• 35:41
  Speaker 4: and we just got the best product. It works. We've
• 35:44
  Speaker 4: been doing this for four years, probably made close to
• 35:48
  Speaker 4: ten million dollars on it, and uh, it's been really
• 35:51
  Speaker 4: really good. My man sugar Doggar basically runs everything right
• 35:54
  Speaker 4: now with that. But it's been really well. And the
• 35:56
  Speaker 4: thing about we are reoccurring customers that it's coming back.
• 35:59
  Speaker 4: I guarantee it, like Frank Lucas said, I guarantee it
• 36:03
  Speaker 4: like it's really gonna work. But Jess asked me how
• 36:06
  Speaker 4: long I was saying that. I said ten minutes. I said,
• 36:09
  Speaker 4: I wouldn't go do that and go to the mall,
• 36:10
  Speaker 4: hang out with your mom, nothing else.
• 36:12
  Speaker 1: Take that when it's time to go in and work
• 36:14
  Speaker 1: really Fastna.
• 36:16
  Speaker 4: Everything's good. You see, every know.
• 36:23
  Speaker 8: That's a conversation.
• 36:24
  Speaker 7: We're gonna be honest with you.
• 36:25
  Speaker 4: Ill don't want to say too much because but that
• 36:27
  Speaker 4: has good health reflect as well.
• 36:29
  Speaker 5: Now I tell everybody Cam is one of the pettiest
• 36:31
  Speaker 5: people I know. Right, yeah, I said, between Cam and fifty,
• 36:34
  Speaker 5: they are the two pettiest people I've ever seen in
• 36:36
  Speaker 5: my life.
• 36:36
  Speaker 4: Trying to do better though you're not what happened.
• 36:39
  Speaker 8: To Omar good and so you try.
• 36:41
  Speaker 4: To do better after that, she don't be knowing the
• 36:45
  Speaker 4: best story. So like right, Omar good and part of
• 36:47
  Speaker 4: me again. I was on my show talking about be
• 36:50
  Speaker 4: less actors black black actors. No disrespecting him, but we
• 36:54
  Speaker 4: all know his brother Cuba is the biggest star. And
• 36:57
  Speaker 4: basically I said Omar Gooding Junior, and he went off.
• 37:03
  Speaker 4: He went crazy, and because I hired him before for
• 37:06
  Speaker 4: a movie I did like twenty eleven twenty twelve percentage.
• 37:10
  Speaker 4: I did a movie with Queen Latif and shot Kim,
• 37:12
  Speaker 4: shot the Queen the TV and shot him and we
• 37:14
  Speaker 4: hired him. So in my segment of my show, I'm like, yo,
• 37:17
  Speaker 4: it's for the B class black actor, because you got
• 37:21
  Speaker 4: to sit here and wait for somebody to call you
• 37:22
  Speaker 4: for a part, or if they do, who says you're
• 37:25
  Speaker 4: going to get the part? Like just sitting around and waiting.
• 37:28
  Speaker 4: And I was actually talking to Rich Paul and he
• 37:31
  Speaker 4: was like, I'm should have came up with a network
• 37:33
  Speaker 4: by now, all came together, you know what I'm saying.
• 37:35
  Speaker 4: But I basically was telling y'all telling him saying what
• 37:38
  Speaker 4: I'm telling y'all now. And I called him Omar Gooding
• 37:41
  Speaker 4: Junior and he just went crazy. He was like, how
• 37:44
  Speaker 4: the fucking mind junior? When Cuba is the junior, you
• 37:47
  Speaker 4: disrespect him. You don't call a man out his name, this,
• 37:50
  Speaker 4: that and the third. So I'm like, I got him
• 37:51
  Speaker 4: on this page. I said, you go look at the dates.
• 37:54
  Speaker 4: I said, my bad, bro, I didn't mean to offend you. No,
• 37:56
  Speaker 4: no problem now that Then he started doing dish records
• 38:00
  Speaker 4: and I was like his.
• 38:01
  Speaker 8: Rappit wasn't bad though, that wasn't that bad, all right.
• 38:03
  Speaker 4: I put it on a pair. I said, this type high.
• 38:07
  Speaker 4: I brote that on this comments. I'm like, yo, I
• 38:09
  Speaker 4: don't want no smoke, bro, this die this is dope.
• 38:12
  Speaker 4: So did another one. I'm like, ill, I bet so
• 38:16
  Speaker 4: I know how much you cost? Bro? You know what
• 38:18
  Speaker 4: I'm saying. So I had a mutual friend. I was like, yo,
• 38:22
  Speaker 4: when you I haven't used him poison a while, how
• 38:24
  Speaker 4: much are you booking for you? Like, when I need
• 38:26
  Speaker 4: a movie scene, I pay him twelve hundred, said, but
• 38:28
  Speaker 4: I got three. I got three thousand for this. And
• 38:32
  Speaker 4: that's how that went because he went and stopped doing records.
• 38:34
  Speaker 4: And I already said I didn't want to problem.
• 38:35
  Speaker 8: And you said, I'm gonna come up with a fake movie.
• 38:38
  Speaker 3: Yeah, fike script, so you have to.
• 38:41
  Speaker 4: Yeah. But what happened is he signed a paperwork. And
• 38:44
  Speaker 4: so let's just say I paid every three. I gave
• 38:48
  Speaker 4: him three thousand dollars because I know he wouldn't say
• 38:50
  Speaker 4: no because he gets twelve hundred. So I said three thousand.
• 38:53
  Speaker 4: His flight was seven eight hundred, and so let's just
• 38:58
  Speaker 4: say I spent five that, so once he signed up paperwork,
• 39:02
  Speaker 4: I'm getting ten times that for the episode, so I win.
• 39:06
  Speaker 4: I spent five, but I made forty five off of gotcha,
• 39:10
  Speaker 4: off of his stupidity for me telling you I don't
• 39:14
  Speaker 4: want no problem with you, but you won't stop. So
• 39:16
  Speaker 4: now I'm gonna give you five and make forty five
• 39:19
  Speaker 4: and this content.
• 39:20
  Speaker 8: At the same time, he was really another room watching
• 39:22
  Speaker 8: and directed.
• 39:22
  Speaker 4: I wasn't enough room, but I had a ring camera
• 39:25
  Speaker 4: up around the corner at one of my cribs watching.
• 39:28
  Speaker 13: The whole old time, and he was to say that
• 39:30
  Speaker 13: he was gonna take legal action. Is that possible or like?
• 39:32
  Speaker 13: Because what documents did you have him sign it?
• 39:34
  Speaker 12: Like whatever?
• 39:35
  Speaker 4: Adam. So basically my man who actually didn't shine, my
• 39:38
  Speaker 4: man Babi one of my production companies, partners of one
• 39:41
  Speaker 4: of my production companies. We basically had him sign everything,
• 39:45
  Speaker 4: and what he was trying to say was gonna take
• 39:47
  Speaker 4: legal action about everything was cool but the dressing room.
• 39:50
  Speaker 4: But he didn't realize what he signed was once you
• 39:52
  Speaker 4: walk in, we could use security for his ring footage,
• 39:55
  Speaker 4: everything that we wanted to use once you walked in
• 40:00
  Speaker 4: the building, any camera we wanted to use. And what
• 40:02
  Speaker 4: I did was he had we get him fifteen hundred
• 40:05
  Speaker 4: dollars up front, and when he came, I made sure
• 40:08
  Speaker 4: the other fifteen hundred was in tens and files so
• 40:10
  Speaker 4: it looked like he got a lot of money. So
• 40:12
  Speaker 4: when he gave him, he gave him to not he
• 40:14
  Speaker 4: was I knew he would just signing anything, because you know,
• 40:19
  Speaker 4: when it looked for us, when it looked like it's
• 40:21
  Speaker 4: a lot, So we paid him like tens and five,
• 40:24
  Speaker 4: so it looked like he had twenty thousand when the
• 40:27
  Speaker 4: fifteen hundred dollars.
• 40:28
  Speaker 1: I don't know why you waited so long to do
• 40:30
  Speaker 1: to kill a comedy show. And I don't know why
• 40:32
  Speaker 1: you not on stage, damn.
• 40:36
  Speaker 4: Funny exactly now, I just don't be bothering people. And
• 40:40
  Speaker 4: then I'd be like, YO, leave me alone because I
• 40:42
  Speaker 4: know where I could go with it. And this is what.
• 40:45
  Speaker 8: Happens now, tell us about this comedy show.
• 40:47
  Speaker 4: Thanks thanks for even bringing that up. We got to
• 40:48
  Speaker 4: kill a comedy show. Today is tonight at the Beacon Theater.
• 40:54
  Speaker 4: Mo Man Johnny Shipes in the building. He's the one
• 40:56
  Speaker 4: that put everything together. D Ray's going to be there.
• 40:59
  Speaker 4: J I was gonna be a Tony rock Corey come yeah. Sorry,
• 41:04
  Speaker 4: I don't know if y'all still be Will Mills and
• 41:11
  Speaker 4: Ray Ray so yeah, yeah, yeah, yeah. So performers performing
• 41:18
  Speaker 4: is well. Definitely, y'all are all welcome to come. I
• 41:20
  Speaker 4: don't know what you guys are doing, but y'all more
• 41:22
  Speaker 4: than welcome to come. But we actually put that together
• 41:25
  Speaker 4: because I did. I got a cameo in the movie
• 41:28
  Speaker 4: Happy Gilmore too.
• 41:30
  Speaker 8: Yeah yeah, yeah, come about so yeah.
• 41:33
  Speaker 4: Joe Vessey, he's a comedian and writes with Adam saying
• 41:36
  Speaker 4: he's a big fan. He's the one that kind of
• 41:37
  Speaker 4: got us in the movie. I'm saying, this is my
• 41:39
  Speaker 4: man too. And he has a stand up and he
• 41:42
  Speaker 4: wants me to put it out. I guess he's not
• 41:44
  Speaker 4: going through the right channels. And I'm like, Johnny, like
• 41:47
  Speaker 4: I said, we're gonna put that out, but he was like,
• 41:50
  Speaker 4: let's just do a whole comedy show. We got out back.
• 41:53
  Speaker 4: They sponsored. That's how going, so we're gonna go on
• 41:56
  Speaker 4: tour with it. That's that easy bash out to Joe
• 41:58
  Speaker 4: VESI for even giving me that there to want to
• 42:00
  Speaker 4: do it.
• 42:01
  Speaker 1: Oh's the Joe, what what made you want to get
• 42:04
  Speaker 1: into comedy now, because you've always been for the funny
• 42:06
  Speaker 1: right always.
• 42:08
  Speaker 4: I'm being honest. It was Joe Vessi. I'm not even
• 42:10
  Speaker 4: gonna say and hold you when he said he had
• 42:12
  Speaker 4: so he has a stand up that's done, and he
• 42:14
  Speaker 4: just wanted to put it into my lap and say,
• 42:16
  Speaker 4: Cam do what you could do with him. And I'm like,
• 42:19
  Speaker 4: he's not on this show because paperwork kind of took
• 42:21
  Speaker 4: a while, but it was purely when he had a
• 42:23
  Speaker 4: stand up and I'm like, I'm gonna find a home
• 42:26
  Speaker 4: for it, but why not put the show together after that?
• 42:28
  Speaker 4: That's it's really totally Joe Vessi that gave me the
• 42:31
  Speaker 4: idea to put a comedy show together.
• 42:32
  Speaker 1: You know, you know, you know his dad, Peter Beth.
• 42:34
  Speaker 1: You wanted to best sports commed.
• 42:36
  Speaker 4: Joe Vessy is like a street basketball playing all that,
• 42:40
  Speaker 4: so shout to him. That's how I came about Dope,
• 42:42
  Speaker 4: No more, no less. Man.
• 42:44
  Speaker 5: I gotta ask, where did the friction with you and
• 42:46
  Speaker 5: Dame come from? How did that happen?
• 42:49
  Speaker 4: I don't know.
• 42:50
  Speaker 8: Dame like he was a manager partner with you one time.
• 42:53
  Speaker 4: Right, Dame like Damed it a lot for me. You
• 42:56
  Speaker 4: know what I'm saying, like, like today's going to be
• 42:58
  Speaker 4: my last day. Dame dashed. That's too yeh, because it's annoying,
• 43:02
  Speaker 4: you know what I'm saying. So, to be honest with you,
• 43:04
  Speaker 4: I feel like I got set up. I feel like
• 43:07
  Speaker 4: Dame had all this, all these problems with me and
• 43:10
  Speaker 4: never said it and was looking like a reason to
• 43:12
  Speaker 4: say it. I was in a terrible deal of Epic records.
• 43:16
  Speaker 4: I grew up with Dame and Rockefeller was up, and
• 43:20
  Speaker 4: he helped me get out that deal, and then I
• 43:22
  Speaker 4: actually signed me to Rockefeller. That helped me get my
• 43:24
  Speaker 4: group on. Rockefeller put out a platinum album that Dipomats
• 43:28
  Speaker 4: was born. It was a great it was great, and
• 43:32
  Speaker 4: he did a lot for me. So I always attribute
• 43:35
  Speaker 4: that not only I knew this is I was like
• 43:36
  Speaker 4: ten eleven years old, you know what I'm saying, And
• 43:39
  Speaker 4: when Rockefeller fell apart, he's still my man. He's on
• 43:42
  Speaker 4: my man last year. I don't you know what I'm saying.
• 43:44
  Speaker 4: He's been my man this whole time. But to me,
• 43:47
  Speaker 4: it's like a setup because no matter what, so publicly,
• 43:51
  Speaker 4: I've been giving this man props for twenty five years
• 43:54
  Speaker 4: and it hasn't been a smooth twenty five years. But
• 43:58
  Speaker 4: that's always been my friend. I've never ran to the
• 44:00
  Speaker 4: internet and talked about you, whether we's having good time,
• 44:03
  Speaker 4: bad time, whatever. What I do do over the years
• 44:06
  Speaker 4: just take breaks from you. Where I say that, it's
• 44:08
  Speaker 4: like I didn't call Hi dat for a minute. I
• 44:10
  Speaker 4: call him next year, this, that and the third. And
• 44:12
  Speaker 4: when he started talking about me on different on different podcasts,
• 44:17
  Speaker 4: I'm like, bro, what is the pH about? But he
• 44:20
  Speaker 4: was guess he was saying, Kim is not a man.
• 44:22
  Speaker 4: He ain't calling me this time. Yo, Bro, everybody's not
• 44:25
  Speaker 4: built for your personality. I am. I just know how
• 44:28
  Speaker 4: to take breaks from you from time to time because
• 44:31
  Speaker 4: I know your personality now. I don't want to deal with
• 44:33
  Speaker 4: it right now. But for him to go to the
• 44:35
  Speaker 4: internet start talking about me, it was like, really, this
• 44:39
  Speaker 4: is what the we're doing. And when I seen that,
• 44:43
  Speaker 4: I was like, this is crazy. He kept doing it,
• 44:45
  Speaker 4: kept doing different interview Yo, Kim, this is Kim, that
• 44:48
  Speaker 4: cam this, and I'm like, and then he's talked about
• 44:50
  Speaker 4: The last thing was he said I didn't promote nothing.
• 44:53
  Speaker 4: We're supposed to go partners on with Anna Rup the
• 44:56
  Speaker 4: movie and we did an album with a track and
• 44:59
  Speaker 4: he said I didn't promoted, and I finally gave feedback
• 45:02
  Speaker 4: on why I didn't promoted. I'm like, I didn't want
• 45:05
  Speaker 4: to be in it. You know what I'm saying, No disrespect,
• 45:07
  Speaker 4: but that's how it happened. From their avalanche, He's just
• 45:12
  Speaker 4: crazy started going to create Kim. That's Kim. That Kim
• 45:15
  Speaker 4: is saving point where it's like, bro, now you stretching
• 45:18
  Speaker 4: the truth. You're lying about a few things, but that's
• 45:22
  Speaker 4: where it all started from for me, this and interrupt.
• 45:24
  Speaker 4: But to me, if you want to just my art
• 45:27
  Speaker 4: on my movies or my music or whatever, cool you
• 45:29
  Speaker 4: start getting personal and start taking mad personally. I'm like,
• 45:32
  Speaker 4: we know too much about each other to be doing
• 45:35
  Speaker 4: personal cause this could get nasty because I know a
• 45:38
  Speaker 4: lot about you, you know a lot about me, and
• 45:41
  Speaker 4: I'm mad funny, like I don't want to rag down
• 45:44
  Speaker 4: my men on the internet, especially like that's I'm talking mom,
• 45:49
  Speaker 4: But who the fuck is you around to come out
• 45:51
  Speaker 4: with a passion teeth like you know what I'm saying, Like,
• 45:53
  Speaker 4: wouldn't that would let you do that?
• 45:55
  Speaker 3: Because you're my man?
• 45:56
  Speaker 4: I texted him, I'm like, yo, bro, whoever you're around
• 45:59
  Speaker 4: they you're not run no realize because they would not
• 46:03
  Speaker 4: let you come on the camera like that. And that's
• 46:07
  Speaker 4: kind of how it started. When I just it just
• 46:09
  Speaker 4: got personal and it was to the point where I'm like, yo, listen, man,
• 46:13
  Speaker 4: this kind of this could get nasty. And I spoke
• 46:16
  Speaker 4: to Daniel. I know Daniel was up here with him.
• 46:19
  Speaker 4: Daniel cool with me too, and so he kind of
• 46:22
  Speaker 4: mediated it and he was like, yo, this is doing
• 46:25
  Speaker 4: a good look for halling YadA yah yah ya YadA.
• 46:27
  Speaker 4: I was like, cool, I said, listen, it was a Thursday.
• 46:31
  Speaker 4: He said. Look, I said, listen, I got something coming
• 46:33
  Speaker 4: out tomorrow. It's already done. If you tell him, listen,
• 46:37
  Speaker 4: this is coming out tomorrow. But I won't say nothing
• 46:40
  Speaker 4: else about him on the internet.
• 46:42
  Speaker 10: Cool.
• 46:43
  Speaker 4: He say, it's cool, He said, cool, he's still talking
• 46:46
  Speaker 4: about me on the internet yesterday right now.
• 46:48
  Speaker 3: Yeah, you know what I'm saying.
• 46:50
  Speaker 8: Compos on Part fifteen exactly.
• 46:54
  Speaker 4: And it was like, bro, I thought we were going
• 46:57
  Speaker 4: to talk about each other. Cool, it ain't no problem.
• 46:59
  Speaker 4: But for me to be honest with you, I was
• 47:01
  Speaker 4: tapped out when an issue a three hundred million dollar lawsuit.
• 47:06
  Speaker 4: And then he tells Daniel to tell me, You'll tell
• 47:10
  Speaker 4: Kim to give me a million dollars and we might
• 47:12
  Speaker 4: let it all go away. I'm like, you're trying to
• 47:14
  Speaker 4: quiet his story, Like, what are you talking about? Send
• 47:17
  Speaker 4: you a million off the three hundred million. I'm not
• 47:21
  Speaker 4: sending you a million dollars.
• 47:22
  Speaker 5: I'm glad he didn't take your show off the BOM
• 47:24
  Speaker 5: because he could.
• 47:27
  Speaker 4: Yeah, that's that's the point, like to me, and something
• 47:30
  Speaker 4: disappointing because I looked up to him. You know what
• 47:32
  Speaker 4: I'm saying, And I'm to a some point where I
• 47:34
  Speaker 4: don't wish them wealth, health and success, but I can't
• 47:37
  Speaker 4: no more because like you said, the King compone, know
• 47:40
  Speaker 4: that you are the point where you said, as long
• 47:41
  Speaker 4: as your name saying the algorithm, even if it takes
• 47:44
  Speaker 4: beefing with your man to be in the algorithm, that's
• 47:47
  Speaker 4: where you add in life. And I'm like, I see
• 47:49
  Speaker 4: why I need to be curving. You gotta think about
• 47:51
  Speaker 4: this not just artists. If you sit there and think
• 47:53
  Speaker 4: about the artists that he helped and put on, it's phenomenal.
• 47:56
  Speaker 4: You sit there and thinking about Kevin Hard and jay
• 47:58
  Speaker 4: Z and Kanye On myself or whoever nobody with you,
• 48:02
  Speaker 4: is it? The artist is that you? You know what
• 48:04
  Speaker 4: I'm saying, not only that yet day one, don't you?
• 48:07
  Speaker 4: So I don't mean this in a bad way because
• 48:09
  Speaker 4: I know you're gonna take this and this would be
• 48:11
  Speaker 4: like last another three four months for him. You know,
• 48:14
  Speaker 4: he'll take a spend at this kid Da da da,
• 48:16
  Speaker 4: and then I'll be seeing, like to me, bro, you
• 48:19
  Speaker 4: try to to fame my character to where it's like,
• 48:23
  Speaker 4: for what money? Kim's a civilian, all right, Dame whatever,
• 48:27
  Speaker 4: I'm a civilian. We tried to give you a million
• 48:29
  Speaker 4: dollars last year when you was in the news for
• 48:32
  Speaker 4: owing eight hundred thousand dollars. We Mason, Mason Dame don't
• 48:36
  Speaker 4: even got a good relationship. They don't even with each other.
• 48:38
  Speaker 4: But Mace felt bad and he's like, Kim, you gonna
• 48:41
  Speaker 4: spend five hundred thousand, five hundred thousand just so we
• 48:43
  Speaker 4: just don't got no debt. I'm like, I don't know.
• 48:46
  Speaker 4: I'll do it, but I don't really know if we're
• 48:48
  Speaker 4: gonna make our money back, but for the for the
• 48:50
  Speaker 4: sake of Dame, yeah, I'll do it. And then when
• 48:52
  Speaker 4: this didn't go through, we suckers because you want to
• 48:55
  Speaker 4: wait on young Boy NBA or Drake or whatever other
• 48:58
  Speaker 4: deal you had. We tried to give you a million
• 49:00
  Speaker 4: dollars just to clear get debt up, and you basically
• 49:04
  Speaker 4: gamble yourself out waiting on more money.
• 49:07
  Speaker 13: When you talk about Harlem, I know you mentioned earlier
• 49:09
  Speaker 13: you and Jim's relationship not being the same. That's not
• 49:12
  Speaker 13: like we're never going to get to see that sit
• 49:14
  Speaker 13: down Conbo reunion like anything at all.
• 49:17
  Speaker 4: I don't know. I mean, like I said, I just
• 49:19
  Speaker 4: think they we're in two different spaces in life, and
• 49:22
  Speaker 4: I mean I don't wishing well and I don't mean
• 49:24
  Speaker 4: Juels and everybody that was part of what we did.
• 49:26
  Speaker 4: I think it's a great movement, but sometimes things just
• 49:29
  Speaker 4: come to on end. So I'm not I wouldn't never
• 49:31
  Speaker 4: say never, but it doesn't look like it's in the
• 49:34
  Speaker 4: near future. But I do wish them brothers.
• 49:35
  Speaker 5: Well, all right, Well, the Killer Cam comedy show is
• 49:40
  Speaker 5: going down tonight, and how could people order the Pink Horsepower.
• 49:44
  Speaker 4: Pink hyphen Horsepower dot net is going to lead you
• 49:48
  Speaker 4: to the new website. Because it's a new website. I
• 49:50
  Speaker 4: don't know off the top, but it directs you to
• 49:52
  Speaker 4: the website. So pink hyphen horsepower dot net for the
• 49:56
  Speaker 4: last thing. For the last thing, I'll say in this
• 49:58
  Speaker 4: not one hundred percent closed complex con if anybody's gonna
• 50:02
  Speaker 4: be out there in Vegas coming up me and sexy right,
• 50:05
  Speaker 4: they doing the drop of horsepower and whatever she got,
• 50:08
  Speaker 4: I don't want to say the wrong name, but we're
• 50:10
  Speaker 4: gonna package it together. We're gonna do a special drop
• 50:12
  Speaker 4: for her sex pill for women. So so we'll try
• 50:16
  Speaker 4: and send you something because she has something for women,
• 50:17
  Speaker 4: I got something for men, and then you can take
• 50:20
  Speaker 4: sexy resistant sense. Yeah, well then you have it.
• 50:23
  Speaker 8: It's Cameron breakfast again, get a bunch of donkeys.
• 50:30
  Speaker 1: That is why, Charlamagne, we live a life where we
• 50:34
  Speaker 1: are tongue based on Kolie made a thing.
• 50:35
  Speaker 10: We never say anything.
• 50:42
  Speaker 7: On the breakfast club. In the word of Charlemagne, the God,
• 50:44
  Speaker 7: he's a donkey.
• 50:49
  Speaker 3: Ah man, Charlemagne, you've given donkey to day to who.
• 50:52
  Speaker 8: Now, yes, donkey to day.
• 50:54
  Speaker 1: Going to a thirty five year old Kentucky woman named
• 50:56
  Speaker 1: Akisha Johnson. She was a patient at a Kentucky hospital
• 50:59
  Speaker 1: and she did something that a lot of people think
• 51:01
  Speaker 1: about doing when the process at the hospital is taking
• 51:04
  Speaker 1: too long?
• 51:04
  Speaker 8: What do you mean, Uncle Shola.
• 51:06
  Speaker 1: She did something that a lot of people think about
• 51:07
  Speaker 1: doing when the process at the hospital is taking too long.
• 51:10
  Speaker 8: Well, let's go to WDR. You for the report. Please.
• 51:12
  Speaker 17: A woman is under arrest in Louisville after reportedly choking
• 51:16
  Speaker 17: and assaulting a UFL Hospital nurse. Court records say a
• 51:20
  Speaker 17: nurse was making her round Saturday afternoon when thirty five
• 51:23
  Speaker 17: year old Mikeisha Johnson allegedly attacked her.
• 51:26
  Speaker 6: Please say.
• 51:27
  Speaker 17: Footage of the incident shows Johnson choking the nurse, then
• 51:30
  Speaker 17: slamming her to the ground, where she reportedly began hitting the.
• 51:33
  Speaker 6: Nurse in the face.
• 51:34
  Speaker 12: Officer say.
• 51:35
  Speaker 17: Johnson claims she was angry at the staff were taking
• 51:38
  Speaker 17: too long to discharge her. Johnson was charged with assault
• 51:41
  Speaker 17: of a healthcare provider, want an endangerment, and menacing.
• 51:45
  Speaker 4: Here's the thing.
• 51:46
  Speaker 8: When you're ready to go, you're ready to go. Okay.
• 51:48
  Speaker 1: We have all been part of this discharge process from
• 51:51
  Speaker 1: the hospital in some way, shape or form, whether you've
• 51:53
  Speaker 1: been the patient or whether you've been waiting with somebody.
• 51:55
  Speaker 1: And yes, the hospital does drag their feet sometime. Okay,
• 51:58
  Speaker 1: it is a hurry up and wait, situation. Nothing is
• 52:00
  Speaker 1: worse when you have to unexpectedly go to the hospital,
• 52:03
  Speaker 1: like you know, you got to go to the ear,
• 52:04
  Speaker 1: like something not right with you, or the kids got
• 52:06
  Speaker 1: a bone out of side gets so you gotta up
• 52:07
  Speaker 1: and leave the house. And you didn't plan to owe
• 52:09
  Speaker 1: my god, you be so ready to leave the hospital
• 52:11
  Speaker 1: once they tell you nothing wrong or they fix what
• 52:13
  Speaker 1: is wrong. But the hospital do be taken forever. But
• 52:16
  Speaker 1: just because you think about choking somebody doesn't give you
• 52:20
  Speaker 1: the right to do it, Okay, especially when this nurse
• 52:24
  Speaker 1: wasn't doing anything but her job. Nurses out here working
• 52:27
  Speaker 1: long hours, they're underpaid, they're stressed, and they always put
• 52:31
  Speaker 1: their own health ever risk just to take care of
• 52:34
  Speaker 1: our sick asses.
• 52:35
  Speaker 8: Okay, they do not deserve to be attacked on the
• 52:37
  Speaker 8: job full stop.
• 52:39
  Speaker 1: But also, if you're trying to speed up the process, Makisha,
• 52:42
  Speaker 1: the quickest way to slow things down is by physically
• 52:45
  Speaker 1: attacking the nurse.
• 52:46
  Speaker 8: Okay, you're definitely not going home now, you're going to
• 52:48
  Speaker 8: jail now. I'm not here to make excuses for her violence.
• 52:52
  Speaker 1: Okay, what she did was wrong, but we have to
• 52:55
  Speaker 1: know something was off with her mentally, right, you gotta
• 52:59
  Speaker 1: know that there is a lot of things that are
• 53:01
  Speaker 1: going to push people to the breaking point. In this
• 53:03
  Speaker 1: day and time that we live in. It's gonna be
• 53:05
  Speaker 1: a lot of things that are gonna make people snap.
• 53:07
  Speaker 1: And it's because folks like Makeisha are walking around with
• 53:11
  Speaker 1: undiagnosed mental illnesses. Okay, a lot of folks out here underpression,
• 53:15
  Speaker 1: and they don't got no tools, no resources, no coping skills.
• 53:18
  Speaker 1: They're not going to no therapy, they don't have no
• 53:20
  Speaker 1: emotional outlets. They just have frustration and nowhere healthy to
• 53:26
  Speaker 1: put it, and they end up projecting on people the
• 53:29
  Speaker 1: way that Makisha projected onto this nurse. And that's not
• 53:33
  Speaker 1: an individual problem. Okay, that just doesn't stand with Makisha,
• 53:36
  Speaker 1: that's a societal problem. We don't take mental health seriously.
• 53:38
  Speaker 1: We tell people just demand up or suck it up
• 53:41
  Speaker 1: or you know, get it.
• 53:45
  Speaker 4: What suck it up? You know.
• 53:51
  Speaker 1: You best not because I could have tied all of
• 53:53
  Speaker 1: that in with Kanye too, but I didn't because he's
• 53:56
  Speaker 1: somebody else that we know is deal with mental health
• 53:58
  Speaker 1: issues and people be telling him to suck it up.
• 53:59
  Speaker 8: He did it early. But we tell people to man
• 54:02
  Speaker 8: up and get over it or just deal with it.
• 54:03
  Speaker 1: Meanwhile, people out here exploding over little things, okay, and
• 54:08
  Speaker 1: others have to pay the price like that poor nurse.
• 54:11
  Speaker 8: So we need to get people help, get them therapy.
• 54:15
  Speaker 1: I personally don't believe this young woman, Makisha Johnson needs
• 54:18
  Speaker 1: to be in handcuffs, but she does deserve to get
• 54:21
  Speaker 1: the credit, uh today for being stupid, So give her the.
• 54:24
  Speaker 8: Biggest he huh.
• 54:29
  Speaker 14: Yes yo.
• 54:29
  Speaker 15: And this man said, suck it up and people exploding
• 54:34
  Speaker 15: over little things?
• 54:37
  Speaker 6: Right, this was so much gay intention.
• 54:40
  Speaker 8: Oh my god, no, al.
• 54:48
  Speaker 9: Over more thing.
• 54:50
  Speaker 5: Everybody is dj Envy, Jesse, Larian Shawam and the God.
• 54:54
  Speaker 5: We are the breakfast Club Lawla Roses here as well.
• 54:56
  Speaker 8: We got a special guest in the Beloty. Yes, indeed,
• 54:58
  Speaker 8: Chris gott He told.
• 54:59
  Speaker 3: Me many thank you.
• 55:03
  Speaker 8: House everything.
• 55:04
  Speaker 3: Man. I'm blessed, you know, just taking it one day
• 55:06
  Speaker 3: at a time from everything, you know. But everything's going great.
• 55:10
  Speaker 3: Got a lot of positive stuff happening, and that's why
• 55:13
  Speaker 3: I'm here.
• 55:13
  Speaker 5: All right, if you don't mind, I want to go
• 55:15
  Speaker 5: back a little bit for people that show know who
• 55:17
  Speaker 5: Chris Gotti is.
• 55:18
  Speaker 8: Of course Irv Gotty's brother. Yes, every got his big brother.
• 55:21
  Speaker 5: Yes for Queens, New York Killas and you guys been
• 55:25
  Speaker 5: in the industry for a while, and you guys, both
• 55:27
  Speaker 5: of y'all.
• 55:28
  Speaker 8: Founded Murder Inc.
• 55:29
  Speaker 5: Most people only hear IRV whe thinking about Murder Ink,
• 55:32
  Speaker 5: but you were kind of the silent guy behind everything.
• 55:35
  Speaker 8: So talk about how Murder Inc. Or the ink was founded.
• 55:38
  Speaker 3: It's murdered Ink. We hated that we had to change
• 55:41
  Speaker 3: that name. That was Russell Simmons and Lee or that,
• 55:44
  Speaker 3: and it came to us and being Chaves and say
• 55:47
  Speaker 3: put murder to bed because we was doing with the
• 55:49
  Speaker 3: figs and everything.
• 55:51
  Speaker 4: So Murder Inc.
• 55:52
  Speaker 3: Was founded because Irv wanted to be the biggest producer
• 55:55
  Speaker 3: in the world. I helped make him that. They thought
• 55:58
  Speaker 3: Earth came up, We're like, I'm gonna start a recordeting.
• 56:00
  Speaker 3: He didn't start a label. He just wanted to be
• 56:01
  Speaker 3: the biggest producer in the game. And that's what happened.
• 56:05
  Speaker 3: And because that happened, Tom Matola, Dave nk Fist and
• 56:09
  Speaker 3: over his Sony said we want to give you a
• 56:11
  Speaker 3: record deal. They told us they wanted to buy four beats.
• 56:13
  Speaker 3: At the time were selling beats for two hundred and
• 56:15
  Speaker 3: fifty thousand tracks. So that's a million hours. I'm like,
• 56:17
  Speaker 3: let's go get that. We met up at Justin's the restaurant,
• 56:22
  Speaker 3: you know, did the restaurant, were talking, He's like, Tommy
• 56:25
  Speaker 3: wants to give you a deal, not he doesn't want
• 56:27
  Speaker 3: to buy beats, And to our surprise, he pulls a
• 56:30
  Speaker 3: contract out and look at it, or if you looked
• 56:32
  Speaker 3: at it, and he threw it right back at him,
• 56:34
  Speaker 3: so you SERI sent it to our lawyer.
• 56:36
  Speaker 16: So that's really the bird form merd Inc. And and
• 56:37
  Speaker 16: we didn't have a name.
• 56:39
  Speaker 3: We just came up with a bunch of things. DJ
• 56:41
  Speaker 3: Clues doing the mixtape, John's doing a feature, and inside
• 56:45
  Speaker 3: of that feature, we had a bunch of names we
• 56:47
  Speaker 3: had thought of, like Lockdown Records. He says it in
• 56:52
  Speaker 3: his verses on the features on the on the mixtape,
• 56:55
  Speaker 3: and that's kind of where we was at. And then
• 56:58
  Speaker 3: Earl was watching Arts and Entertainment one day, these Gangs
• 57:01
  Speaker 3: the Week and he sees Murder Inc. On the screen
• 57:03
  Speaker 3: and it's the notorious Murder Inc. Which was the Italian
• 57:06
  Speaker 3: guys that was actually making hits.
• 57:08
  Speaker 10: Yeah, that was doing hits on people in Brooklyn.
• 57:10
  Speaker 3: Yeah, it's luckily Giano Alfred Anastasia and those guys, and
• 57:14
  Speaker 3: the narrator of that show was like the notorious murder
• 57:19
  Speaker 3: Rink and they made hits early crazy. He went crazy.
• 57:23
  Speaker 3: He called everybody. I got the name. But that's why
• 57:27
  Speaker 3: when you ask that question, how did you start? And
• 57:30
  Speaker 3: if the co founders, that's the co founder. I helped
• 57:33
  Speaker 3: make all of the music with them, with all the
• 57:35
  Speaker 3: the producers, and I just took care of the business
• 57:37
  Speaker 3: and I took care of my.
• 57:38
  Speaker 10: Little brother, and Jiao was always the first artist.
• 57:40
  Speaker 3: Another misconception, Joa was already signed Murder Death Jam. So
• 57:45
  Speaker 3: his first album Vinevenda Vicci, it's on Death Jam. We
• 57:49
  Speaker 3: just get the deal, but he already signed his deal.
• 57:51
  Speaker 3: Oh wow wow, Yeah, people don't know that. So we
• 57:53
  Speaker 3: had to go basically back to Leon and say that's
• 57:56
  Speaker 3: our artists, and then we had to pay for it
• 57:58
  Speaker 3: to get them back to Murder Inn.
• 58:00
  Speaker 8: How have to pay a couple of million dollars damn.
• 58:03
  Speaker 3: Yeah, look, we had to pay for a Shanti. She
• 58:06
  Speaker 3: would signed the a Jam Records, which is a shoutout
• 58:09
  Speaker 3: Mario Baasa. Mary was like an uncle and he has
• 58:13
  Speaker 3: a shanty. He wanted us to do records for a
• 58:15
  Speaker 3: shanty on his label.
• 58:17
  Speaker 8: We had a little.
• 58:18
  Speaker 3: Independent label and a shanty. He was there with him
• 58:22
  Speaker 3: and IRV didn't really think about doing anything. Would hit
• 58:26
  Speaker 3: me with the tunnel vision like stay focused, we get
• 58:29
  Speaker 3: money with John Rod. I'm like, yo, she could write
• 58:32
  Speaker 3: she's dope. And what break that broke that ice was
• 58:37
  Speaker 3: Fat Joe. He caught me up because he's doing a
• 58:39
  Speaker 3: big pun album and he says, I need that pun.
• 58:42
  Speaker 3: I need an artist to do an R and B
• 58:45
  Speaker 3: artist on the hook. I said, I got one. He
• 58:49
  Speaker 3: said you do.
• 58:50
  Speaker 4: I was like yeah.
• 58:51
  Speaker 16: I called her up. She drove right to the studio pendit.
• 58:54
  Speaker 3: Joe's like, yo, she's dope, I said, I tell her,
• 58:59
  Speaker 3: I said, and that's he told IRV And I said
• 59:02
  Speaker 3: what artists?
• 59:03
  Speaker 16: And he called me up right after What artists you're
• 59:05
  Speaker 16: talking about?
• 59:05
  Speaker 3: Like my R and B artist? And it was a shanty.
• 59:07
  Speaker 3: He said what artists and Earth called me right after that.
• 59:10
  Speaker 3: I said, bring it to bring it back up. And
• 59:11
  Speaker 3: that's really how we got a shanty. But Irv was
• 59:14
  Speaker 3: my little brother. I raised him. He listened to me
• 59:16
  Speaker 3: up to a certain point. After that point, I had
• 59:19
  Speaker 3: to get someone else to so I would send messages
• 59:22
  Speaker 3: through all types of people to tell him do something,
• 59:26
  Speaker 3: to get it done. And that's what Joe did for me.
• 59:28
  Speaker 5: I'm do when I asked you talk about he doesn't listen.
• 59:30
  Speaker 5: When got to his later life, they said he was
• 59:33
  Speaker 5: having health problems. Yeah, they said nobody could talk to
• 59:35
  Speaker 5: Earth about talking to him constantly. They said he wouldn't
• 59:38
  Speaker 5: change his diet, he wouldn't change his thing, and they
• 59:40
  Speaker 5: said nobody could.
• 59:41
  Speaker 10: Get through to him. Why do you think that that
• 59:42
  Speaker 10: was for Earth?
• 59:43
  Speaker 16: Partially because my pops was hard headed.
• 59:46
  Speaker 3: He got it for my dad. So, same exact thing,
• 59:49
  Speaker 3: going through diabetes, health problems, and my dad was like,
• 59:53
  Speaker 3: you can't tell me God didn't make this orange and
• 59:55
  Speaker 3: I can't eat it. You can't you know, this was
• 1:00:00
  Speaker 3: really our problem.
• 1:00:01
  Speaker 16: And then it's the ignorance of just health was the same.
• 1:00:06
  Speaker 3: He would be like, there's no way you could tell
• 1:00:08
  Speaker 3: me I can't eat this food it's good and he
• 1:00:11
  Speaker 3: would tell you it's healthy eat and it was trash,
• 1:00:14
  Speaker 3: you know, And it was just hard headed. Now when
• 1:00:16
  Speaker 3: he had his.
• 1:00:17
  Speaker 16: First stroke, he had two strokes.
• 1:00:19
  Speaker 3: The first stroke basically he was I man, I didn't
• 1:00:22
  Speaker 3: think he was gonna be here for after that one
• 1:00:25
  Speaker 3: he was I went to the hospital as soon as
• 1:00:26
  Speaker 3: I heard, I flew right to l a shout out BJ.
• 1:00:29
  Speaker 3: BJ found him, Yeah, you know, BJ call us picked
• 1:00:33
  Speaker 3: him up, got him to the hospital. Or when he
• 1:00:36
  Speaker 3: came round. He was like, I don't want to go
• 1:00:37
  Speaker 3: to the hospital and take me to the hospital. I'm
• 1:00:38
  Speaker 3: gonna take my mads now. And BJ's ain't no, he said,
• 1:00:42
  Speaker 3: so stand up and he couldn't. He stood up and
• 1:00:44
  Speaker 3: fell back down and know you're going to the hospital.
• 1:00:46
  Speaker 3: Took him to the hospital. I didn't know he's gonna
• 1:00:49
  Speaker 3: get past that one, and he flew out there. He
• 1:00:51
  Speaker 3: was there for I was there for a month and
• 1:00:54
  Speaker 3: a half in the hospital, staying with him when he
• 1:00:57
  Speaker 3: took about two weeks before he actually came back and
• 1:00:59
  Speaker 3: was conscious. But those first two weeks, I don't think
• 1:01:02
  Speaker 3: it's gonna make it. I always credit I said, BJ
• 1:01:05
  Speaker 3: gave us another year basically before the next one. You know.
• 1:01:08
  Speaker 1: So somebody told me that was a sense of acceptance
• 1:01:11
  Speaker 1: that he had, and he would say he would say
• 1:01:13
  Speaker 1: things like I'm going I'm going to see popping and
• 1:01:15
  Speaker 1: I'm gonna be a popular.
• 1:01:16
  Speaker 3: Yeah, yeah, he wrote. If you've seen his Graham, and
• 1:01:18
  Speaker 3: I would always when I seen it, I'll call him, Like,
• 1:01:21
  Speaker 3: you stop talking like that. I don't believe in calling
• 1:01:23
  Speaker 3: off for death like that. You really have a death wish.
• 1:01:27
  Speaker 3: I was like, you stop talking, You'll see him when
• 1:01:28
  Speaker 3: it's your time. Well, I used to say, EF, you
• 1:01:31
  Speaker 3: used to feel like he's God. Probably at one point
• 1:01:34
  Speaker 3: when we was at the height of murdering, he probably
• 1:01:37
  Speaker 3: felt like he was the alpha an omega at one point.
• 1:01:41
  Speaker 10: You think he knew when he sold part of his catalog, right.
• 1:01:44
  Speaker 3: Yeah, No, he sold it all. Well, hear on fifty
• 1:01:47
  Speaker 3: percent of the masters. We had a fifty to fifty,
• 1:01:49
  Speaker 3: so we had fifty sold it, did it? It was
• 1:01:51
  Speaker 3: a three hundred million dollars deal, a hundred in cash,
• 1:01:53
  Speaker 3: two hundred for movies and TV products projects.
• 1:01:57
  Speaker 5: Do you think he knew at that time to set
• 1:01:58
  Speaker 5: his kids up to be like, if something does happen,
• 1:02:00
  Speaker 5: every kid to have that. Do you think that was
• 1:02:02
  Speaker 5: the mentality.
• 1:02:04
  Speaker 3: Irvs one hundred percent family. So yeah, that's definitely part
• 1:02:09
  Speaker 3: of it, and it's also part of health. You know,
• 1:02:13
  Speaker 3: just want to make sure, like you said, things, is
• 1:02:15
  Speaker 3: there for somebody no matter what. Because IRV accepted death,
• 1:02:19
  Speaker 3: he always he would always accept death if that was
• 1:02:21
  Speaker 3: a consequence whatever it is. We both do like, I
• 1:02:23
  Speaker 3: don't ever look at the consequence of whatever it is, right,
• 1:02:27
  Speaker 3: the preciousness of life, think about that like we're here
• 1:02:30
  Speaker 3: for such a short amount of times, but we never
• 1:02:34
  Speaker 3: thought or thought about anything like that. Irv's no different
• 1:02:38
  Speaker 3: And that's why when he got sick and he would
• 1:02:40
  Speaker 3: tell me like, this is what it is, this is
• 1:02:42
  Speaker 3: what it is. But he didn't try to prevent it.
• 1:02:46
  Speaker 3: And no one talks mortality, especially when you're young. But
• 1:02:50
  Speaker 3: it's coming, and we don't know when that's the reality too.
• 1:02:54
  Speaker 4: We don't have it.
• 1:02:55
  Speaker 3: No one knows that expiration day.
• 1:02:57
  Speaker 5: How did you navigate with IRV having problems with all
• 1:03:00
  Speaker 5: of your friends, Like one time IRV was not messed
• 1:03:03
  Speaker 5: with whole. Then it was Fat Joe, then it was DMX,
• 1:03:07
  Speaker 5: then it was Nas, Like, how did you navigate that
• 1:03:10
  Speaker 5: part of it?
• 1:03:10
  Speaker 3: Because families fight. IRV made a ton of mistakes if
• 1:03:14
  Speaker 3: he was here, like here or not, I'm going to
• 1:03:16
  Speaker 3: always speak the reality of what it was. IRV made
• 1:03:19
  Speaker 3: a lot of mistakes. For instance, with jay Z Nas,
• 1:03:24
  Speaker 3: they beefing. IRV made super ugly. You know, he produced
• 1:03:27
  Speaker 3: that record. Correct to go after that and talk to
• 1:03:31
  Speaker 3: Jay Z and say, I'm yo, I'm gonna sign nas
• 1:03:34
  Speaker 3: what you think? Of course, wearing Baseline studios? What did
• 1:03:41
  Speaker 3: before IRV spoke? I said, will, I'll give you the
• 1:03:44
  Speaker 3: PG version, But I told him whatever you want to do,
• 1:03:46
  Speaker 3: I'm with you.
• 1:03:48
  Speaker 16: And then IRV was like, yo, it's good business.
• 1:03:51
  Speaker 3: And he's telling him.
• 1:03:52
  Speaker 16: It's like, Yo, are you crazy?
• 1:03:53
  Speaker 3: You can't tell your man you want to work with
• 1:03:56
  Speaker 3: his enemy like that, and Irv's like, nah, it's just on.
• 1:03:59
  Speaker 3: Jay was like, you know, he was asking him, does
• 1:04:01
  Speaker 3: he have real beef with with him? He said, nah,
• 1:04:04
  Speaker 3: it's just like music. But Jay's keeping it cordial, like
• 1:04:07
  Speaker 3: to see where Irv's going with j plays chess. He's
• 1:04:11
  Speaker 3: not playing like he wants to see what you're going
• 1:04:13
  Speaker 3: to say. And IRV as soon as Jay said it's
• 1:04:17
  Speaker 3: not beef like that, he turned to me. He said,
• 1:04:19
  Speaker 3: I told you, I told you, And Jay looking at
• 1:04:21
  Speaker 3: me like, yo, is he serious? And I was like, wow,
• 1:04:25
  Speaker 3: he's crazy, and nah, Steve stout Steve Stout shout out
• 1:04:32
  Speaker 3: Steve Man. But the commissioners, he's he's in that day.
• 1:04:36
  Speaker 3: He was a real hands on guy. He's the one
• 1:04:39
  Speaker 3: that brought the deal to us and IRV was like,
• 1:04:41
  Speaker 3: you serious, we could get nas Like we didn't think
• 1:04:44
  Speaker 3: we could get that, and he was like, yeah, we
• 1:04:47
  Speaker 3: made the record the pledge NOAJ pledging allegiance to murder ring.
• 1:04:52
  Speaker 8: Think about that.
• 1:04:53
  Speaker 16: He's on the records pledging allegiance to.
• 1:04:55
  Speaker 8: Murder ring and the.
• 1:04:58
  Speaker 3: Stout seeing future. In my opinion, and again to his credit,
• 1:05:03
  Speaker 3: again I'm not knocking Stout. This dude is brilling. In
• 1:05:06
  Speaker 3: the book of hip hop, he has to use one
• 1:05:08
  Speaker 3: of the most iconic people in that book. The end
• 1:05:11
  Speaker 3: of the day, he's seen the future. What's the future?
• 1:05:13
  Speaker 3: Come on, murder ring, We're murdering, what's the future? It's
• 1:05:16
  Speaker 3: fifty he's saying it.
• 1:05:18
  Speaker 4: He knew it.
• 1:05:19
  Speaker 3: He knew it.
• 1:05:20
  Speaker 16: Jall had a sneaker deal with with Steve Reebok.
• 1:05:23
  Speaker 3: We're on a private plane flying the designing everything in
• 1:05:26
  Speaker 3: the in the you know, in the plane, and then
• 1:05:29
  Speaker 3: he's seen the future and pulled everything and switch it.
• 1:05:33
  Speaker 16: Now Gun he got his sneaker deal.
• 1:05:35
  Speaker 3: Jay Z got a sneaker deal. You understand what Reebok?
• 1:05:38
  Speaker 3: And again he knew he he seen something and understood
• 1:05:42
  Speaker 3: and made the pivot as a businessman, I respected of question.
• 1:05:46
  Speaker 1: Why was as a friend It's a little question for
• 1:05:49
  Speaker 1: That's what I'm saying. Why was Jay upset with HERV
• 1:05:52
  Speaker 1: but not Steve and Steve present of the deal?
• 1:05:54
  Speaker 3: Well, Steve was also remembering Steve was also part of
• 1:05:56
  Speaker 3: a lot of it. That's why Damon always has obef
• 1:05:58
  Speaker 3: with Steve those of that. Steve was funneling a lot
• 1:06:03
  Speaker 3: of deals with Jay and then seeing Jay again pulled
• 1:06:06
  Speaker 3: that way instead of going through Dame and dealing with
• 1:06:08
  Speaker 3: the you know that side of it. I understand that
• 1:06:11
  Speaker 3: they would have took a bullet fit Jay. You're kidding
• 1:06:13
  Speaker 3: me in that day that you're kidding me. It's not
• 1:06:15
  Speaker 3: even close.
• 1:06:16
  Speaker 10: It's like it's that's what makes me mad with that situation.
• 1:06:20
  Speaker 10: I say, how do you feel like that situation?
• 1:06:21
  Speaker 3: I spoke to Jay about that before one time. I
• 1:06:24
  Speaker 3: told him and then I just left it a loone
• 1:06:25
  Speaker 3: after that.
• 1:06:26
  Speaker 5: How do you feel it when you see it play out?
• 1:06:28
  Speaker 5: Because you see how close they were, you were on tours,
• 1:06:30
  Speaker 5: you were in studio.
• 1:06:30
  Speaker 3: There's a lot of stuff that's personal again inside of
• 1:06:33
  Speaker 3: a family that we wouldn't know that I don't know
• 1:06:36
  Speaker 3: that's I'll leave it there, and then you gotta let
• 1:06:38
  Speaker 3: families be what they are because of what it is.
• 1:06:41
  Speaker 3: I respect both of them to the highest level.
• 1:06:43
  Speaker 4: You know.
• 1:06:44
  Speaker 3: At the end of the day, I leave it alone.
• 1:06:46
  Speaker 8: And didn't Jay get back.
• 1:06:49
  Speaker 1: I think I think I heard you tell a story
• 1:06:50
  Speaker 1: about how when j same line again, Yeah.
• 1:06:54
  Speaker 3: Yeah, the same line, because it was like when when
• 1:06:57
  Speaker 3: Jay told him that it wasn't really more it wasn't
• 1:07:00
  Speaker 3: like physical beef. It was more lyrical. And IRV went
• 1:07:03
  Speaker 3: crazy like I told you and any but Jay's looking
• 1:07:06
  Speaker 3: at him like you more man, you can't be like serious,
• 1:07:09
  Speaker 3: like but left it alone. Chest he's playing chess. And
• 1:07:12
  Speaker 3: then right after that, Jay went and did a tour
• 1:07:14
  Speaker 3: with fifty cents. They got the gun it sneaker, he
• 1:07:18
  Speaker 3: has his remember he had his like Gucci. Yes, that's
• 1:07:21
  Speaker 3: all college. And they went out on the tour and
• 1:07:24
  Speaker 3: then irv Erv sat there and he's like, yeah, I
• 1:07:27
  Speaker 3: just went out and he said, yeah it was good
• 1:07:28
  Speaker 3: business because IRV told Jay it would be good business
• 1:07:31
  Speaker 3: to do this. This is gonna be good business. Somebody
• 1:07:33
  Speaker 3: had not But what he's not realizing and IRV knew
• 1:07:36
  Speaker 3: it after the fact, you know, hindsight is twenty twenty.
• 1:07:39
  Speaker 3: He realized that was one of his biggest mistakes, which
• 1:07:44
  Speaker 3: it took a lot to fix that, but they did.
• 1:07:46
  Speaker 8: They finally did fix it.
• 1:07:47
  Speaker 3: Oh yeah, we had multiple conversations, but you know it
• 1:07:50
  Speaker 3: wasn't never the same. What's that record? And Jay says,
• 1:07:53
  Speaker 3: got to consult Earth, got of y'all heads got to roll, right,
• 1:07:57
  Speaker 3: That's a fact. Jay took that off every forward record.
• 1:08:02
  Speaker 3: Think about how serious that is that he said, no,
• 1:08:05
  Speaker 3: I don't want to hear that no more. You can't
• 1:08:08
  Speaker 3: get that unless you have the old original. It's bleeded out.
• 1:08:11
  Speaker 3: It's bleeded out. It's called remastering. Baby, Yeah, gone does
• 1:08:20
  Speaker 3: not exist.
• 1:08:20
  Speaker 4: Go get that.
• 1:08:21
  Speaker 3: Go get that record and see if you could hear it.
• 1:08:23
  Speaker 3: Go to Apple Music and see if you hear it.
• 1:08:26
  Speaker 3: I'm bad with titles as much as I I'm terrible
• 1:08:28
  Speaker 3: with titles and names and stuff. I don't remember the title.
• 1:08:31
  Speaker 3: It's on the streets, is watching.
• 1:08:35
  Speaker 8: Us the customer home.
• 1:08:36
  Speaker 16: Jay used to sit in my office literally to wait
• 1:08:40
  Speaker 16: to talk to Earth.
• 1:08:42
  Speaker 3: That's how deep that was. And when he come in,
• 1:08:44
  Speaker 3: they go into it. But would help him with all
• 1:08:47
  Speaker 3: types of business. I did thoughts. He respected HER's brain.
• 1:08:52
  Speaker 3: I'll leave it there now.
• 1:08:53
  Speaker 5: The fat Jolt thing you can never, I'm sorry, the
• 1:08:55
  Speaker 5: fat Joe thing you could because fat Joe and Earth
• 1:08:57
  Speaker 5: was like, we fixed that.
• 1:08:58
  Speaker 16: Y'all fixed that with Joe and Earth again, never the same.
• 1:09:03
  Speaker 3: He was at my man Jar's funeral, and you know,
• 1:09:07
  Speaker 3: I told Joe again, my brother's keeper. I told Joe,
• 1:09:11
  Speaker 3: you messed up, Broy and I went at Joe and
• 1:09:13
  Speaker 3: told him, and he's like he understood. We was at
• 1:09:17
  Speaker 3: say Let's actually and uh, I was having a meeting
• 1:09:22
  Speaker 3: with my niece and saint from Innscote Records, and I
• 1:09:26
  Speaker 3: didn't want to go and deal with this right now.
• 1:09:29
  Speaker 3: And my other dude, Big Joe, kept coming, said yo.
• 1:09:32
  Speaker 3: In fact, Joe's over come on, come on. I said,
• 1:09:34
  Speaker 3: I don't want to talk right now. He forced me
• 1:09:37
  Speaker 3: to talk, so I said, all right, let me go
• 1:09:38
  Speaker 3: tell it. And when I went to Back Days with Rich,
• 1:09:40
  Speaker 3: of course, I Rich and Joe and I told him,
• 1:09:42
  Speaker 3: I said, you can't shout out my brother is a sucker,
• 1:09:46
  Speaker 3: and then whisper, I'm sorry, that's a sucker move. And
• 1:09:49
  Speaker 3: I told him that. You know, I asked them all
• 1:09:52
  Speaker 3: kind of crazy questions because that's just me. It's like,
• 1:09:54
  Speaker 3: was you messing with Ashanti? Is that your girl? You
• 1:09:58
  Speaker 3: found her because of us? What are you doing interfering
• 1:10:01
  Speaker 3: they had a relationship. What are you doing? I said,
• 1:10:04
  Speaker 3: And listen to I promise you go listen to anything.
• 1:10:07
  Speaker 3: All EARV did was yell how much he loved her.
• 1:10:09
  Speaker 3: And the way he's talking about everything you could tell
• 1:10:12
  Speaker 3: as a man he loved that woman. He was heartbroken.
• 1:10:17
  Speaker 16: But I said, how do you tell me you love
• 1:10:18
  Speaker 16: this girl and you out with everybody else?
• 1:10:21
  Speaker 3: That don't make no sense. He kept getting caught with like, yo,
• 1:10:24
  Speaker 3: what are you doing?
• 1:10:25
  Speaker 4: Bro?
• 1:10:26
  Speaker 3: But that's her, that is her. He one of his
• 1:10:28
  Speaker 3: cake and eat it too. And that's the reality of
• 1:10:31
  Speaker 3: that whole thing. But it's crazy, Like every time I say,
• 1:10:33
  Speaker 3: just listen, everyone talks all crazy. Just listen to what
• 1:10:35
  Speaker 3: he's saying. Listen to the words. Don't just hear his
• 1:10:39
  Speaker 3: he's speaking loud. Will Lorenzos, we speak loud. But at
• 1:10:42
  Speaker 3: the end of the day, you listen to what he's
• 1:10:44
  Speaker 3: really saying. And IRV is not a liar. He is
• 1:10:47
  Speaker 3: telling you the truth about her, about him. I was
• 1:10:50
  Speaker 3: their counsel, meaning when they would fight, I'm over the
• 1:10:54
  Speaker 3: Four Seasons with IRV and I at the rich Calton
• 1:10:57
  Speaker 3: with a shine talking about what did he say? What
• 1:10:58
  Speaker 3: did she say?
• 1:10:59
  Speaker 10: Trying to keep them cool.
• 1:11:01
  Speaker 3: I never took Earth's side while Earth was here, never,
• 1:11:05
  Speaker 3: So all I said is I'm not gonna lie. Now.
• 1:11:08
  Speaker 3: I'm not gonna talk about nothing. But I'm not gonna
• 1:11:10
  Speaker 3: lie either, Like, you can't ask me to do that.
• 1:11:12
  Speaker 3: He's not here no more. He can't even say that.
• 1:11:15
  Speaker 3: If I hear something wrong, I will correct you. But
• 1:11:18
  Speaker 3: that's it. That's just for respect for my brother. But
• 1:11:21
  Speaker 3: I never Earth hated that. I never took inside with him,
• 1:11:24
  Speaker 3: hated it like that was something I had to deal
• 1:11:27
  Speaker 3: with him. And I'm like, yo, that's your relationship. You know,
• 1:11:31
  Speaker 3: that's your business. This is over here. He was like,
• 1:11:34
  Speaker 3: she didn't come to the trail, and I said she
• 1:11:36
  Speaker 3: was at the tild Yeah, cause Darcell called her. I said,
• 1:11:39
  Speaker 3: I called her. I called her and said you should
• 1:11:43
  Speaker 3: be there, and she showed up. What more do you want?
• 1:11:46
  Speaker 3: That's the fact.
• 1:11:47
  Speaker 12: Have you and a chance been able to talk since everything?
• 1:11:49
  Speaker 13: Cause I saw that you were upset with her when
• 1:11:51
  Speaker 13: she sat down with Angie Martinez and she said that, yeah, I.
• 1:11:53
  Speaker 3: Was upset cause we haven't spoke in person after Earth's passing.
• 1:11:59
  Speaker 3: Imagine that, and I promise you I'm the reason she
• 1:12:02
  Speaker 3: was murdering more. HERB made the records, but HERB would
• 1:12:06
  Speaker 3: have never got to that point. If I don't do
• 1:12:08
  Speaker 3: what I did. I used to fly up to Jersey
• 1:12:11
  Speaker 3: giving her music to make record after record.
• 1:12:13
  Speaker 16: If I don't put her on the punch, it never happens.
• 1:12:15
  Speaker 3: And I did that. She knows it for her not
• 1:12:18
  Speaker 3: to call me after ERR's passage, she texts me that
• 1:12:23
  Speaker 3: don't feel right. Her mother Tina, that don't feel right.
• 1:12:29
  Speaker 3: You understand, like I did everything for them, never did
• 1:12:33
  Speaker 3: I did one thing in return. I'm not gonna sit
• 1:12:36
  Speaker 3: here with sugar coat nothing. And that's why I felt
• 1:12:38
  Speaker 3: the way. And then when I see it, I'm like, nah,
• 1:12:40
  Speaker 3: that's not cool. You know, there's so much details of
• 1:12:43
  Speaker 3: the murdering history that we don't know or the public
• 1:12:46
  Speaker 3: doesn't know. Ashanti, we didn't have her signed and we
• 1:12:50
  Speaker 3: put fool shout yeah, number one record in the country,
• 1:12:56
  Speaker 3: and she's not signed. You know how much it costs
• 1:12:58
  Speaker 3: us to get her from that little Ajam Records five
• 1:13:00
  Speaker 3: million dollars out of our pife five because we got
• 1:13:03
  Speaker 3: to hit record.
• 1:13:05
  Speaker 4: We gotta hit record on her.
• 1:13:06
  Speaker 16: So now he's the numbers up five million.
• 1:13:10
  Speaker 1: What Madejoroe put the record out before?
• 1:13:12
  Speaker 8: She was nerv HERV.
• 1:13:13
  Speaker 3: Moves with his heart. Leo said, I'm not gonna pay
• 1:13:17
  Speaker 3: for nothing. I was like, were going, it's timing. You know,
• 1:13:22
  Speaker 3: success is number one reason for success is timing. She
• 1:13:25
  Speaker 3: knows we had to pay that money. But look, IRV said, loyalty.
• 1:13:29
  Speaker 3: He figured that's what hurt him. See, this is the
• 1:13:32
  Speaker 3: plot that hurt him. He's thinking, she's gonna be loyal
• 1:13:35
  Speaker 3: with me on just business things and stuff and getting
• 1:13:40
  Speaker 3: Then it turned into relationship too, because in that moment
• 1:13:43
  Speaker 3: he wasn't messing with her yet. He just seen a
• 1:13:45
  Speaker 3: talented young girl and that's it.
• 1:13:49
  Speaker 1: I didn't want to ask you about the funeral because
• 1:13:51
  Speaker 1: because whole came to the funeral.
• 1:13:52
  Speaker 8: Yes, didn't.
• 1:13:53
  Speaker 4: I thought she did not?
• 1:13:55
  Speaker 3: She sent some flowers.
• 1:13:56
  Speaker 8: Okay, what about Joe that Joe did not?
• 1:13:59
  Speaker 3: His father His father passed the same time.
• 1:14:03
  Speaker 8: Okay, got you, got you.
• 1:14:04
  Speaker 3: Joe came late. Actually, Joe was there late. He left
• 1:14:07
  Speaker 3: his father's and got to us late. I've seen him
• 1:14:09
  Speaker 3: after at the end, when it was almost over. He
• 1:14:12
  Speaker 3: did get there, sorry, Joe, Yeah, he wasn't in the
• 1:14:15
  Speaker 3: beginning though he got you. Yeah, I was on.
• 1:14:18
  Speaker 13: Actually he mentioned the flowers, and I know she posted
• 1:14:21
  Speaker 13: a statement online did that. I know you said that
• 1:14:23
  Speaker 13: you want to talk in person, but like, did that
• 1:14:26
  Speaker 13: provide any sort of comfort for you guys in that moment?
• 1:14:29
  Speaker 13: Just having things show up there from her?
• 1:14:33
  Speaker 3: I don't know how to answer that. Really, It's like,
• 1:14:36
  Speaker 3: I mean, I got sick over her man.
• 1:14:38
  Speaker 16: I got sick physically after he literally in the hospital, Like,
• 1:14:44
  Speaker 16: and they what is it? Stress? What's the stress? It's
• 1:14:47
  Speaker 16: my brother, he's here right now. Like, but I got
• 1:14:50
  Speaker 16: through it. I have to, Like I said, so when
• 1:14:53
  Speaker 16: you say that with the flowers.
• 1:14:55
  Speaker 3: It's a good gesture. It's a good gesture. I won't
• 1:15:00
  Speaker 3: go further than that. And I don't want to be
• 1:15:01
  Speaker 3: disrespectful to her because she probably thinks it's good. But
• 1:15:04
  Speaker 3: she should know better that she had to talk to
• 1:15:06
  Speaker 3: me physically. Actually, she should come see me physically. I
• 1:15:12
  Speaker 3: love Ashanti, you know what I'm saying. That's little that's
• 1:15:15
  Speaker 3: like little sister for real, for real. We took care
• 1:15:18
  Speaker 3: of her in every sense of your imagination. She confessed
• 1:15:23
  Speaker 3: me one day afterwards, and she thanked me for everything
• 1:15:27
  Speaker 3: we did for her because now she's out there by
• 1:15:29
  Speaker 3: herself and she's getting all types of indecent proposals. Let's
• 1:15:32
  Speaker 3: leave it to that, right, because that's what this industry is.
• 1:15:37
  Speaker 3: Let's not make any sugar coating about it. It's an
• 1:15:40
  Speaker 3: attractive young lady. She wants to make music. What could
• 1:15:43
  Speaker 3: you do with this? You want that beat? Okay, let's
• 1:15:47
  Speaker 3: go over here. And she told me. She told me,
• 1:15:50
  Speaker 3: and she was like, thank you. She thanked me for
• 1:15:53
  Speaker 3: always taking care of it. On versus, you know she's waiting,
• 1:15:56
  Speaker 3: he shot out, Nelly. I have no problem with these
• 1:15:59
  Speaker 3: nothing with Nelly, But on versus. The day of versus,
• 1:16:03
  Speaker 3: he pulls up and I said, what do you want
• 1:16:06
  Speaker 3: to do? Ask them like she come up and you
• 1:16:09
  Speaker 3: ask her, what do you want to do?
• 1:16:11
  Speaker 8: I'll roll this off the stage.
• 1:16:13
  Speaker 16: She said, no, I'll give you the sign if there's
• 1:16:15
  Speaker 16: a problem.
• 1:16:17
  Speaker 3: But that's the day they got back together. That's why
• 1:16:18
  Speaker 3: you don't get in the middle of relationships. It's different.
• 1:16:23
  Speaker 8: That's why I never got any nerve and herd together.
• 1:16:25
  Speaker 4: I never did.
• 1:16:26
  Speaker 3: I just tried to keep it cool with them and
• 1:16:27
  Speaker 3: keep the business moving. I could have swell.
• 1:16:30
  Speaker 6: It was reported that she went to the funeral.
• 1:16:32
  Speaker 3: Okay, so she just sent They lied. They did put
• 1:16:36
  Speaker 3: a report that she was They lied again. She probably
• 1:16:38
  Speaker 3: got a good publish this or something she had.
• 1:16:40
  Speaker 13: Said that she tried to There was an olive branch
• 1:16:42
  Speaker 13: or whatever that she tried to extend or was extended,
• 1:16:45
  Speaker 13: but it wasn't received.
• 1:16:46
  Speaker 12: Well, so you think that that's why she kind of text.
• 1:16:48
  Speaker 8: Me and she didn't text me.
• 1:16:50
  Speaker 3: If I show you the date she texted me slate,
• 1:16:52
  Speaker 3: you understand he's gone already, So just put this in
• 1:16:55
  Speaker 3: there without me going dB, he's gone, and then I
• 1:16:58
  Speaker 3: get a text after he's gone a couple of days.
• 1:17:03
  Speaker 3: She got my number.
• 1:17:04
  Speaker 8: She could like I appreciated the call.
• 1:17:06
  Speaker 16: I would appreciated a visit.
• 1:17:07
  Speaker 8: Yeah, I get what you're saying.
• 1:17:09
  Speaker 3: It's like I said, we did a lot, you know.
• 1:17:12
  Speaker 3: And she could say whatever she wants about a relationship.
• 1:17:15
  Speaker 3: She she whatever, but she can't lie about her career.
• 1:17:19
  Speaker 3: Who can Who can sit there and say she did
• 1:17:22
  Speaker 3: something more than what it is?
• 1:17:24
  Speaker 4: Like?
• 1:17:24
  Speaker 3: Yeah, she wrote the records with him. She hated every
• 1:17:27
  Speaker 3: hit record.
• 1:17:27
  Speaker 8: How about that?
• 1:17:29
  Speaker 3: So what if we listen to her, does she become
• 1:17:32
  Speaker 3: a shaanty? That's the facts for baby baby. She hated that.
• 1:17:38
  Speaker 6: Too many babies.
• 1:17:39
  Speaker 3: It's one of my favorite records ear winning the Booth
• 1:17:41
  Speaker 3: and Soda. You gotta sing like this, he said, you
• 1:17:43
  Speaker 3: gotta feel like you you high. You don't get high.
• 1:17:46
  Speaker 3: That's why you don't know what it is.
• 1:17:47
  Speaker 8: That's what he told her.
• 1:17:49
  Speaker 3: And he said, you gotta be strung out on a
• 1:17:51
  Speaker 3: man that way. And he's so, I don't want to
• 1:17:55
  Speaker 3: hear it pitch perfect. I said, I'd stupid gott he
• 1:17:59
  Speaker 3: sing it like that, and she did. See I give
• 1:18:02
  Speaker 3: credit for the listening. A producer has to be able
• 1:18:07
  Speaker 3: to produce or else you just the beat maker, right,
• 1:18:11
  Speaker 3: and you're leaving it in the hands of an artist.
• 1:18:13
  Speaker 3: And then that's the reality. If you trust that producer,
• 1:18:15
  Speaker 3: which they trusted her, they was able to get through
• 1:18:19
  Speaker 3: and make those changes. She compromised her own belief for his,
• 1:18:24
  Speaker 3: which is to her credit. But that's the that's the
• 1:18:27
  Speaker 3: beauty of a producer, and that's to me. Irv is
• 1:18:30
  Speaker 3: a producer for real, for real.
• 1:18:33
  Speaker 8: Well, thank you for joining us this morning. Good conversation.
• 1:18:36
  Speaker 16: That's right, I got to talk about one more thing
• 1:18:38
  Speaker 16: before we get off.
• 1:18:39
  Speaker 3: I got a movie. I'm a filmmaker. Now, nice bawling.
• 1:18:43
  Speaker 3: I got Lance Stevenson is my lead. Safari Trey Cheney,
• 1:18:48
  Speaker 3: shout out to Chey. He's the lead.
• 1:18:53
  Speaker 4: He's the lead.
• 1:18:54
  Speaker 16: Not only is the lead, but he made an incredible soundtrack.
• 1:18:57
  Speaker 16: Lan Stephen is the black drake.
• 1:19:01
  Speaker 3: He's a black drake. I promise you. He's singing and
• 1:19:03
  Speaker 3: rapping on the songs. And I couldn't believe I was
• 1:19:06
  Speaker 3: gonna just make one or two songs for the movie.
• 1:19:11
  Speaker 3: Why again, I asked, But you gotta come in right.
• 1:19:16
  Speaker 8: Oh, they say he was in the movie.
• 1:19:17
  Speaker 3: He's in the movie, but he didn't come to the studio.
• 1:19:20
  Speaker 3: Got you got you, you gotta come.
• 1:19:22
  Speaker 8: That's probably.
• 1:19:26
  Speaker 14: You know.
• 1:19:26
  Speaker 3: I'm gonna since you said, shout out to Safari, go
• 1:19:28
  Speaker 3: watch this out on.
• 1:19:31
  Speaker 4: Ball.
• 1:19:33
  Speaker 3: No, it's it's it's based off of an Alfred Hitchcock
• 1:19:37
  Speaker 3: movie called daland for Murder. The way the plot twist is,
• 1:19:41
  Speaker 3: we just put the culture for today with people like us,
• 1:19:46
  Speaker 3: you know what I'm saying, And we're doing it for
• 1:19:48
  Speaker 3: the black and brown. So I'm not Latin, but I
• 1:19:50
  Speaker 3: do Latin with my partner Don de narrow Man. We
• 1:19:54
  Speaker 3: just finished Spanish Fly, a crazy movie, a comedy, you
• 1:19:58
  Speaker 3: know what I'm saying. So we got we out at all.
• 1:20:00
  Speaker 8: I'm not Spanish man either, he said, he not, but
• 1:20:05
  Speaker 8: I'm not Spanish.
• 1:20:06
  Speaker 3: I got a partner. Thats Cuban and he's my partner.
• 1:20:08
  Speaker 3: He does all the Latin side for me, but I,
• 1:20:10
  Speaker 3: you know, support him with everything he's doing. You know,
• 1:20:12
  Speaker 3: it's funny because on my Wikipedia and someone put down
• 1:20:15
  Speaker 3: there because people.
• 1:20:15
  Speaker 16: Could add stuff people.
• 1:20:18
  Speaker 8: He said, he does mine too all the time. He
• 1:20:19
  Speaker 8: caught me a gardener mind and.
• 1:20:21
  Speaker 3: I'm Dominican, so I'm.
• 1:20:29
  Speaker 8: It's the breakfast club. Good morning.
• 1:20:31
  Speaker 4: Thank you.
• 1:20:33
  Speaker 8: That Charla Man. You've got a positive note positive notice
• 1:20:35
  Speaker 8: simply this. We cannot give what we do not have. Okay.
• 1:20:39
  Speaker 1: We cannot bring peace to the world if we ourselves
• 1:20:42
  Speaker 1: are not peaceful. We cannot bring love to the world
• 1:20:44
  Speaker 1: if we ourselves are not loving. So be the change
• 1:20:49
  Speaker 1: you want to see on this planet. People, have a
• 1:20:51
  Speaker 1: great day.
• 1:20:52
  Speaker 8: Breakfast Club.
• 1:20:58
  Speaker 7: Program your alarm the Power No. Five point one on iHeartRadio.