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Marlon Wayans Interview and More · The Breakfast Club

• 0:01
  Speaker 1: The Walmost Dangerous Morning Show, the breakfast car clubs. They
• 0:07
  Speaker 1: put y'all together. Y'all are like a mega for us.
• 0:10
  Speaker 1: Y'all just took over every what your podcast. This is
• 0:14
  Speaker 1: Chris Brown. I've officially joined the Breakfast Club. Say something, mother,
• 0:17
  Speaker 1: I'm with it, Walmost Dangerous Morning Show, Breakface Club, Good
• 0:32
  Speaker 1: morning Usa, yo yo yo yo yo yo yo yo
• 0:34
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:36
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:38
  Speaker 1: yo yo yo yo yo yo yo yo, Good morning
• 0:40
  Speaker 1: ANGELA ye gone, Charlamagne the guy he's to the plane
• 0:44
  Speaker 1: that is Tuesday, Yes, it's Tuesday. Hey man. I woke
• 0:49
  Speaker 1: up this morning and I profiled the hell out of
• 0:51
  Speaker 1: a white man right out of me. As soon as
• 0:53
  Speaker 1: I poured up to the radio station, it was a
• 0:55
  Speaker 1: sketchy looking Caucasun standing out front. He was tall, with
• 0:59
  Speaker 1: a bid and long black coat on long black trench coat.
• 1:02
  Speaker 1: I said to myself, he might be the shoes and
• 1:04
  Speaker 1: what you do? He said? Well, when I got out
• 1:05
  Speaker 1: the truck, say what's up, Charlemagne? And I said, what's up? Man?
• 1:08
  Speaker 1: And I walked briskly into the building, briskly right now,
• 1:11
  Speaker 1: briskly but it felt good the profile of white man
• 1:13
  Speaker 1: dropping bombs, white men getting profiled in twenty eighteen. Guys,
• 1:17
  Speaker 1: times are changing. Speaking of brisk, how brisk is the
• 1:20
  Speaker 1: weather in New York to saying there's gonna be another
• 1:22
  Speaker 1: Northeastern tomorrow. Anybody got let's say it's gonna start tonight
• 1:25
  Speaker 1: into tomorrow. Man, a lot of a lot of snow.
• 1:28
  Speaker 1: I mean it is winter, guys, it is winter. Is
• 1:29
  Speaker 1: it still winter? Yes? When is daylight savings time? That's
• 1:33
  Speaker 1: coming up? Though? Right? When is winter over? But? I
• 1:37
  Speaker 1: thought winter is over once March maddness start. No, when
• 1:40
  Speaker 1: the college basketball tournament started? No, y'all? Sure? No, I
• 1:44
  Speaker 1: think winter might be done, man, I think it's still winner.
• 1:47
  Speaker 1: I think we might be in something else, like it's
• 1:48
  Speaker 1: a season between winters. Okay, winters over in March twentieth almost, okay,
• 1:53
  Speaker 1: got a little time? What the yes? Six? Yeah? So
• 1:57
  Speaker 1: why of course I didn't know? Now, Um, I watched
• 2:02
  Speaker 1: our man last thing for three hours. I watched a
• 2:05
  Speaker 1: bachelor why because my wife's into it sometimes I gotta
• 2:09
  Speaker 1: I gotta watch that show. And uh it was three hours,
• 2:12
  Speaker 1: a three hour finally, and it didn't end three hours
• 2:14
  Speaker 1: and didn't end they had, they had a twist, and
• 2:16
  Speaker 1: now there's another hour tonight. Why is your wife into
• 2:18
  Speaker 1: watching three hours of Eligible Men? Well, it's Bachelor and
• 2:21
  Speaker 1: Bachelorette she watches. This season is back single, so excited.
• 2:28
  Speaker 1: Next season is Bachelor. She's into it. I don't know why,
• 2:30
  Speaker 1: and it's pretty good. Ain't gonna lie? I was, I was,
• 2:32
  Speaker 1: I was drawn. Yesterday I hosted a spy party for
• 2:35
  Speaker 1: a artist on deaf jam Danny Lee. Shout out to her.
• 2:38
  Speaker 1: Those are fun, and I have to tell you it was.
• 2:40
  Speaker 1: She had a friend to her. She's only twenty teen
• 2:42
  Speaker 1: years old. But I'd rather be at a spy party.
• 2:44
  Speaker 1: Why are you laughing? Man, I'm listening listening to somebody's
• 2:47
  Speaker 1: album than at a club. Necessarily, we had a good time,
• 2:50
  Speaker 1: getting besiges, getting face shows, getting foot scrubs. I know
• 2:54
  Speaker 1: she's a singer. Okay, come about to be honest with you,
• 2:56
  Speaker 1: I think I want to hear when I'm in the
• 2:57
  Speaker 1: spot some rap music. Yeah, it's really nice. Have you
• 3:00
  Speaker 1: ever had a foot scrub? You got it? I never
• 3:03
  Speaker 1: did that before. It's I was just part of my massage.
• 3:05
  Speaker 1: But I never just got a foot scrub. I'm a
• 3:07
  Speaker 1: man to kill pedicure expert. I love it. I love
• 3:09
  Speaker 1: getting my feet rub. I love when he take the
• 3:11
  Speaker 1: verse and they scrub the bottom of that card down foot.
• 3:13
  Speaker 1: I don't mean a pedicure. I'm talking about. All they
• 3:15
  Speaker 1: do is yeah, just the bottom of your foot. Yeah, yeah,
• 3:18
  Speaker 1: I live a little more easy. I love it now.
• 3:20
  Speaker 1: I get massages all the time. I feel like this
• 3:22
  Speaker 1: if I'm gonna spend half an hour doing something that's
• 3:24
  Speaker 1: gonna be a full massage, not a foot scrub. So
• 3:26
  Speaker 1: I'd never done me call massage in view. Right now,
• 3:28
  Speaker 1: I'm making an appointment. You know, I go to massage
• 3:30
  Speaker 1: if you know massage. If you do scratches, now, yeah,
• 3:33
  Speaker 1: they stretch you for like an hour if you want to.
• 3:35
  Speaker 1: Absolutely he didn't get scratched. Oh my goodness, love it.
• 3:38
  Speaker 1: All right, All right, well, let's get the show cracking.
• 3:40
  Speaker 1: Elements is popping, So you've never been an element story. No,
• 3:42
  Speaker 1: it's not expensive. Elements and massage if it's pretty much
• 3:44
  Speaker 1: the same thing. But let's get the show cracking. Marlon
• 3:46
  Speaker 1: Waynes will be joining us this morning. Oh yes, he
• 3:48
  Speaker 1: will be here to talk about his new Netflix special
• 3:51
  Speaker 1: Woke Inch that he got thirteen point five million dollars
• 3:53
  Speaker 1: for who. All right, we'll talk to him about that,
• 3:55
  Speaker 1: and we got front page newsgi, why don't you just
• 3:57
  Speaker 1: announced that. Oh I didn't mean to say that, damn
• 4:00
  Speaker 1: bet all right, well yeah, let's talk about this northeaster
• 4:04
  Speaker 1: that's coming, and then let's talk about east cigarettes and
• 4:07
  Speaker 1: the dangers of those. All right, we'll get into all
• 4:09
  Speaker 1: that when we come back. Keeping locked this to breakfast
• 4:11
  Speaker 1: club for the morning. More than everybody's DJ Envy Angela yee,
• 4:16
  Speaker 1: charlomagnea guy, we are the breakfast club. Let's getting some
• 4:18
  Speaker 1: front page news now. Nor Esta's about to hit New
• 4:21
  Speaker 1: York City. Hunh, that's right. So if you have travel plans,
• 4:23
  Speaker 1: just make sure that they're not disrupted by a midweek
• 4:26
  Speaker 1: nor easter. It's going to be coming tomorrow, they're saying,
• 4:29
  Speaker 1: prepare for four to eight inches of snow and temperatures
• 4:32
  Speaker 1: will be around the freezing markup thirty two degrees. That's
• 4:35
  Speaker 1: in New York City in Long Island, but of course
• 4:37
  Speaker 1: that can affect travel going other places as well. Don't
• 4:40
  Speaker 1: be messing up my screening for wrinkling time tomorrow, Mother Nature.
• 4:43
  Speaker 1: Now I'm having a big daddy daughter date tomorrow, but
• 4:45
  Speaker 1: I don't know if that's gonna happening. It's already packed
• 4:47
  Speaker 1: the capacity. Now, I don't be messing up my screening
• 4:49
  Speaker 1: for cancel that I have a book. We're not canceling it. Yeah,
• 4:53
  Speaker 1: I have my book club tomorrow for Black Girls, where
• 4:55
  Speaker 1: I can DJ Beverly Bond, who started Black Girls, where
• 4:57
  Speaker 1: I is supposed to be coming. I'm trying to figure
• 4:59
  Speaker 1: out in my I postponing now right? When A postponing
• 5:01
  Speaker 1: now because we don't know how bad the weather's going
• 5:03
  Speaker 1: to be, and you don't want people traveling in that
• 5:04
  Speaker 1: nastasy to make it. If you're from New York, you're
• 5:07
  Speaker 1: from New Jersey, you know how to walk through some snow.
• 5:10
  Speaker 1: About seven o'clock tomorrow night with my screen and from
• 5:12
  Speaker 1: Wrinkland times, I think will be fine when you're when
• 5:14
  Speaker 1: you tomorrow night time I started six. Oh yeah, I
• 5:17
  Speaker 1: think we'll be fine. There'll be some snow on the ground,
• 5:19
  Speaker 1: that's all all right, weather man. Let's talk about these
• 5:22
  Speaker 1: e cigarettes cigarettes. So what there There's been all different
• 5:26
  Speaker 1: kinds of studies on east cigarettes since they got invented
• 5:29
  Speaker 1: back in two thousand and three. We're trying to figure
• 5:31
  Speaker 1: out how harmful are those now? Even though east cigarettes
• 5:34
  Speaker 1: are being used as a nicotine alternative, smokers are trying
• 5:37
  Speaker 1: to kick the smoking habit. What they are saying now.
• 5:41
  Speaker 1: In a study that was published just yesterday, there's five
• 5:44
  Speaker 1: cancer causing toxins in the urine of sixteen year old
• 5:47
  Speaker 1: who inhaled eat cigarette vapor, and a second study found
• 5:50
  Speaker 1: that east cigarettes encouraged teams to start smoking traditional cigarettes.
• 5:54
  Speaker 1: That last week, a study of nearly seventy thousand people
• 5:56
  Speaker 1: found that daily east cigarette used can double the risk
• 5:59
  Speaker 1: for heart attack as well. So if you can continue
• 6:02
  Speaker 1: to smoke regular cigarettes every day along with east cigarettes,
• 6:05
  Speaker 1: that combined risk goes up five times. So basically they're
• 6:09
  Speaker 1: not good for you, just so you know, right. But
• 6:11
  Speaker 1: East cigarettes and sex robots same damn thing. If you
• 6:14
  Speaker 1: ask me, and why would you think that east cigarettes
• 6:16
  Speaker 1: are healthy? You still putting something in your body that
• 6:18
  Speaker 1: shouldn't be in your body. How are you saying the
• 6:20
  Speaker 1: healthy ease secrets probably give you cancer. I don't think
• 6:22
  Speaker 1: that's saying sealthy. I think people were looking at as
• 6:25
  Speaker 1: an alternative to smoking. They thought it was better, but
• 6:29
  Speaker 1: turns out it's definitely not any better for you smoking
• 6:31
  Speaker 1: anything isn't good. All it is is the oral fixation.
• 6:34
  Speaker 1: You just like having something in your mouth, That's all
• 6:37
  Speaker 1: it is. So it could be a toothpig, it could
• 6:39
  Speaker 1: be a scrawl, it could be okay, all right, now
• 6:43
  Speaker 1: what what what? What? What? What? What? You don't know
• 6:46
  Speaker 1: what I'm gonna say. Okay, rights, just the oral figtation.
• 6:52
  Speaker 1: You just like having something in your mouth. All right. Now,
• 6:54
  Speaker 1: let's talk about United air Lines. They tried to replace
• 6:56
  Speaker 1: bonuses with a one hundred thousand dollar lottery. So imagine,
• 7:01
  Speaker 1: all right, you work at United. You're used to getting
• 7:02
  Speaker 1: your bonuses that add up to about fifteen hundred dollars
• 7:06
  Speaker 1: over the course of the year. They take that away
• 7:08
  Speaker 1: from you and say, okay, we're gonna have a lottery.
• 7:10
  Speaker 1: A lucky employee selected at random. It's gonna get a
• 7:13
  Speaker 1: hundred thousand dollars. Can't do that, that's w yes, And
• 7:16
  Speaker 1: then people will get other prizes like vacation packages. The
• 7:19
  Speaker 1: breakfast club. All right, yeah, this is your time to
• 7:26
  Speaker 1: get it off your chests, whether you're man or blast.
• 7:28
  Speaker 1: So people to have the same industry. We want to
• 7:30
  Speaker 1: hear from you on the breakfast club. Hello, who's this yo,
• 7:34
  Speaker 1: what up? What's up? Man? What's your name? To you? Feel?
• 7:37
  Speaker 1: Because the toad sucker I told, sucking get it off
• 7:40
  Speaker 1: your chests already. Yeah, yeah, I want to talk about
• 7:42
  Speaker 1: this fifty cent saying nasty things about Rick Ross and
• 7:46
  Speaker 1: the brothers laid up in the hospital. I thought that
• 7:48
  Speaker 1: was way out the line. What do you all think?
• 7:50
  Speaker 1: You know what? At first I thought about it and
• 7:51
  Speaker 1: I almost called them, and I was like, come on,
• 7:53
  Speaker 1: enough enough. But then I really thought about it, and
• 7:55
  Speaker 1: I said, there's a couple of people that and I
• 7:57
  Speaker 1: hate to say it because I'm working on myself, but
• 7:59
  Speaker 1: it's something to have them. I don't give a f
• 8:01
  Speaker 1: you know. I wasn't a post about it. I mean,
• 8:03
  Speaker 1: I said, maybe fifty feels a little differently about it,
• 8:06
  Speaker 1: But you know, I thought Ross was a good brother,
• 8:08
  Speaker 1: and I thought that it was a little far. But
• 8:10
  Speaker 1: there are people that if something happened to them, I
• 8:12
  Speaker 1: really wouldn't care. Listen, here's the thing. We need to
• 8:13
  Speaker 1: stop looking at this from our perspective. I personally would
• 8:16
  Speaker 1: never do anything like that, but this is consistent with
• 8:19
  Speaker 1: the brand of fifty cent. Okay, fifty year has got
• 8:21
  Speaker 1: at his own son. You think you give a damn
• 8:23
  Speaker 1: about Rick Ross. I'm just saying that's true. That is true.
• 8:26
  Speaker 1: I don't think I didn't agree with it, but hey,
• 8:28
  Speaker 1: that's fifty Hello, who's this travel? Hey Chagny says you
• 8:37
  Speaker 1: gotta give us your Instagram again. Everyone's DM and me
• 8:39
  Speaker 1: asking me you won't be out there like that said
• 8:44
  Speaker 1: it was d DBB right, No, listen, I want to
• 8:48
  Speaker 1: Instagram out there because the people like the shady ass
• 8:51
  Speaker 1: Shade Room. That'd be posting people. We ain't not supposed
• 8:54
  Speaker 1: to be posting people. What happened? They posted Charlemagne's wife
• 8:57
  Speaker 1: when everybody knows Charlemagne try to keep that side private,
• 9:01
  Speaker 1: and they just clearly was being shady. But you know what,
• 9:04
  Speaker 1: it don't even matter because I was filtering through the
• 9:06
  Speaker 1: comments and everybody think your wife is beautiful, Searlemaine. I
• 9:09
  Speaker 1: don't want to close the balls for her. I'm gonna
• 9:10
  Speaker 1: be honest with John. Are you talking about my wife
• 9:12
  Speaker 1: is a beautiful white woman. And I don't know who
• 9:15
  Speaker 1: that woman was on the Shade Room. My wife is
• 9:17
  Speaker 1: a blobing white queen. But clearly someone gave them that.
• 9:20
  Speaker 1: I think that picture got service, so they must have
• 9:23
  Speaker 1: been given that picture from someone long blonde hair, blue eyes,
• 9:27
  Speaker 1: no ass like this. If a picture wasn't ever come out,
• 9:29
  Speaker 1: that was the best picture because she was slowing her heels,
• 9:32
  Speaker 1: her hair was laid, and she was looking beautiful. Hey,
• 9:34
  Speaker 1: I would love to claim that system, but I'm married
• 9:36
  Speaker 1: to a white woman. Sir. Well, let's let's get a
• 9:39
  Speaker 1: picture you on the shade room, all right. Her name is,
• 9:41
  Speaker 1: Her name is Rebecca renee a man. Okay, Hello, who's
• 9:48
  Speaker 1: this down? Man from Queen's Good morning, God, good morning,
• 9:52
  Speaker 1: Get it off your chest. One. I just want to
• 9:54
  Speaker 1: say I'm blood for breathing, and I just want to
• 9:56
  Speaker 1: say I'm mad, broke. I mean, I'm trying everything on
• 10:00
  Speaker 1: that thirty thousand dollars a year. What more do you
• 10:03
  Speaker 1: want from me? Thirty? There is a lot of money
• 10:05
  Speaker 1: where you work at where you live at living queens.
• 10:07
  Speaker 1: Don't work at the hospital. I don't want to give
• 10:09
  Speaker 1: out too much information. I don't need my friends throwing
• 10:11
  Speaker 1: my broke life. Man. Ain't a lot of money. That
• 10:13
  Speaker 1: may not be a lot of money in Queens, but
• 10:15
  Speaker 1: you'll live like a canyon Monk's corner, Soft Carolina with
• 10:17
  Speaker 1: thirty grand I gotta go that's what Pops was from.
• 10:19
  Speaker 1: I gotta go down there, Yes you do. My mom
• 10:21
  Speaker 1: is an English teacher where she's retired now, but she
• 10:24
  Speaker 1: was the englisheacher for with thirty years. I think the
• 10:26
  Speaker 1: most she ever made in her life for thirty dolland nollar.
• 10:28
  Speaker 1: Ye English teacher. Well you make it up to show
• 10:30
  Speaker 1: her different. Another thing. I'm a comic. Follow my Instagram
• 10:34
  Speaker 1: the rule of thirteen. It is just gonna make you
• 10:36
  Speaker 1: some money because why would we want to follow somebody broke?
• 10:40
  Speaker 1: Why we might be funny though, why wouldn't want to
• 10:43
  Speaker 1: follow somebody broke? I want to follow ballers on Instagram,
• 10:46
  Speaker 1: even if you're faking it. I want to see you.
• 10:48
  Speaker 1: You don't follow Place school or Instagram. You gotta follow
• 10:51
  Speaker 1: flights schooler. I don't even know who that is. I
• 10:52
  Speaker 1: mean either, what is that? Get it off your chest?
• 10:54
  Speaker 1: Eight hundred five eight five one on five one. If
• 10:56
  Speaker 1: you're upset, you need to vent hit this up now.
• 10:58
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. This
• 11:03
  Speaker 1: is your time to get it off your chest. Whether
• 11:05
  Speaker 1: you're man, take it from you on the Breakfast Club.
• 11:09
  Speaker 1: You got something on your mind? Out? Hello? Who's this
• 11:14
  Speaker 1: who's up? Breakfast club? Breakfast Club, Breakfast Club. This is
• 11:17
  Speaker 1: Jameson in the Napolis. Let's up, broke, get it off
• 11:19
  Speaker 1: your chest. I'm blessed today because today marks my first
• 11:21
  Speaker 1: and the verse week of my year job of my job, okay,
• 11:25
  Speaker 1: we worked at I work in manage health services in Annapolis.
• 11:28
  Speaker 1: I appreciate y'all every morning. Keep me inspiratd And while
• 11:31
  Speaker 1: y'all board, I was like this and Dan from YouTube
• 11:33
  Speaker 1: videos he do look like dancing Dan. I think the
• 11:35
  Speaker 1: word is inspired, not INSPIRATDD like inspirated. Don't gonna start
• 11:39
  Speaker 1: using understand what thank you? I feel inspiraated this morning,
• 11:43
  Speaker 1: and that is dancing Dan running all boards. He jumped
• 11:45
  Speaker 1: on him just now and danced on him. That's why
• 11:47
  Speaker 1: the songs played early. Hello, who's this? You know? It's
• 11:50
  Speaker 1: Chuck from Nashville. Man, let's up, get it off her chests?
• 11:53
  Speaker 1: Oh you know, man, I'm feeling blessed and I just
• 11:54
  Speaker 1: had my son. Man, I'm feeling so blessed man as
• 11:56
  Speaker 1: a new son. Congratulations, Man, I hope have one soon.
• 12:00
  Speaker 1: What's his name? Courage? Mall? Okay, graduate Currie to this one. George,
• 12:05
  Speaker 1: you don't sound too confidence. My goodness, Hello, who's this?
• 12:08
  Speaker 1: What's up? Man? This is why four on one K? Man,
• 12:10
  Speaker 1: let's get it off your chests. You aren't know. Man.
• 12:13
  Speaker 1: I'm mad because, like I feel like people that have
• 12:16
  Speaker 1: like true talent is being overshadowed by so much bad
• 12:19
  Speaker 1: music being sput out that it's hard for people like
• 12:22
  Speaker 1: got real talent, real superstars to come out. Like it's
• 12:26
  Speaker 1: been my dream to come on Breakfast Club to get
• 12:28
  Speaker 1: an interview, And there ain't no doubt in my mind
• 12:30
  Speaker 1: that I'm gonna be there one day to sit down
• 12:33
  Speaker 1: in front of you guys and talk about what I
• 12:35
  Speaker 1: got going on. And if you if you don't believe me,
• 12:38
  Speaker 1: all you gonna do is go look at my video
• 12:39
  Speaker 1: when you get a chance. Well, let's hear something right now.
• 12:41
  Speaker 1: Since you won and millions of people are listening. Oh god,
• 12:44
  Speaker 1: but your mine draws y turn it back on me.
• 12:48
  Speaker 1: I'm like, WHOA can't be so critical? If you if
• 12:56
  Speaker 1: you don't believe me, try to me. Are you gonna
• 12:58
  Speaker 1: do look at my video on YouTube? Why four on
• 13:00
  Speaker 1: one K? All girls, No break? If you don't like you,
• 13:02
  Speaker 1: what more you need some breaks? All girls, no break?
• 13:08
  Speaker 1: I won't rap no more. I don't like what you said,
• 13:10
  Speaker 1: just not that first ball with shot might have just
• 13:14
  Speaker 1: been the first ball. Hello, who's this? This is Nikia
• 13:17
  Speaker 1: from Atlanta? Hey, ma'nachus Hey Yo, So I accidentally hit
• 13:23
  Speaker 1: a piece of my side mirror going into my garage
• 13:28
  Speaker 1: and I have to buy the whole unit. It's a
• 13:30
  Speaker 1: thousand dollars? What kind of what kind of arrange? O them? No,
• 13:34
  Speaker 1: I drove an Infinity truck before we go any farther
• 13:38
  Speaker 1: before when you go any farther, this is not gonna
• 13:40
  Speaker 1: be one of those mornings when you tell us that
• 13:42
  Speaker 1: you need some money and you get some money. So
• 13:44
  Speaker 1: got it? She got an Infinity check and a garage.
• 13:48
  Speaker 1: Oh good for it? Is this the fact that it's
• 13:51
  Speaker 1: just a little peace. You should try to see if
• 13:53
  Speaker 1: they could get a piece off of another Infinity check
• 13:56
  Speaker 1: from somewhere. She gotta probably painted back on. Yeah, I
• 14:00
  Speaker 1: tried all that. I looked forward, even used because they
• 14:03
  Speaker 1: had the camera exactly even youth, it's like eight hundred dollars.
• 14:10
  Speaker 1: You might get a new one, buy a whole new car.
• 14:15
  Speaker 1: Man throw the whole car away. I know that car
• 14:17
  Speaker 1: being shot up, and everything was so shot up, looking
• 14:21
  Speaker 1: what kind of stuff into drugs. I think, I don't
• 14:27
  Speaker 1: know you're a drug dealer. You're a track queen on earth.
• 14:30
  Speaker 1: That your car being shot up? Okay, so somebody asks it, Well,
• 14:33
  Speaker 1: somebody scratched my car, so I took it to the
• 14:35
  Speaker 1: body shot to eat its feet, and mean somebody stole
• 14:38
  Speaker 1: it from the body. Shide a bunch of people and
• 14:42
  Speaker 1: they I swear to God, you know what you want
• 14:44
  Speaker 1: to do? The kid grow up? Sounds like bad luck. Yeah,
• 14:48
  Speaker 1: definitely bad luck. You might need to trade that the
• 14:50
  Speaker 1: kid from Black Panther with never a right bless I'm sorry, mama,
• 14:56
  Speaker 1: a right, get it off his chest. I just want
• 14:58
  Speaker 1: to say to the white guy that I profile is morning.
• 15:00
  Speaker 1: His name was Jacob Oh, he's from Montreal. I'm looking
• 15:03
  Speaker 1: at him right now. He's on line taking pictures with
• 15:06
  Speaker 1: Elvis Durant. So he tweeted that he saw me this morning.
• 15:09
  Speaker 1: And now you take a pictures of Elvis durand I'm sorry,
• 15:11
  Speaker 1: but you look suspicious, sir. You're tall, you white, you
• 15:13
  Speaker 1: got a beard. So the white guy wasn't scared him,
• 15:15
  Speaker 1: but the black guy was scaring definitely. O. Hey man,
• 15:16
  Speaker 1: I'm profiling. I don't you like to shoot it in me.
• 15:18
  Speaker 1: I don't know. Okay, get it off your chest. We
• 15:20
  Speaker 1: got rumors all the way. Yes, we're gonna talk about
• 15:22
  Speaker 1: Rick Ross. He's home or give you an update. Also,
• 15:24
  Speaker 1: I'm married Ja Blide. Her divorce trial was supposed to
• 15:28
  Speaker 1: start yesterday. We'll tell you what ended up happening. All right,
• 15:30
  Speaker 1: we'll get into that when we come back. Keeping lock
• 15:32
  Speaker 1: this to Breakfast Club. Good morning, the Breakfast Club. It
• 15:36
  Speaker 1: ain't safe morning everybody. It's DJ Envy, Angela Yee, Charlomagne
• 15:40
  Speaker 1: the guy. We all the Breakfast Club. Let's get to
• 15:41
  Speaker 1: the rumors. Let's talk to Tiffany had As. This is
• 15:45
  Speaker 1: the rumor report with Angela Ye Breakfast Club. Well, Tiffany Haddih,
• 15:54
  Speaker 1: we'll be starring in a Tyler Perry movie, The List.
• 15:58
  Speaker 1: She'll be alongside Tika Sumter and Mari Hardwick. Now the
• 16:01
  Speaker 1: movie is already set for a November second release date
• 16:04
  Speaker 1: this year. So it's about Tiffany Hattters. She's the wild Sister.
• 16:08
  Speaker 1: She gets released from prison and re enters her life,
• 16:11
  Speaker 1: and that's when Chica Sumpter is forced to accept that
• 16:13
  Speaker 1: she may be getting catfished by an online boyfriend. Whom
• 16:16
  Speaker 1: she has never met in person, includes Bomp for Tiffany
• 16:18
  Speaker 1: had Tea all Hale, Queen Tiffany has. You're going to
• 16:22
  Speaker 1: see a Tyler Perry movie now in the theaters. Yes,
• 16:25
  Speaker 1: he's seen a couple of them before. Yeah. I used
• 16:29
  Speaker 1: to go see Tyler Perry movie and theaters all the time,
• 16:31
  Speaker 1: but then I stopped because they turned up to be trash.
• 16:33
  Speaker 1: A lot of them were trash. And I'm only going
• 16:35
  Speaker 1: to Tami me. The Praise was a great movie. I'm
• 16:37
  Speaker 1: only going to see this one because the Tiffany has
• 16:39
  Speaker 1: a girl. I've never seen any of them. You never
• 16:42
  Speaker 1: seen Tyler Perry movies. No, you've never seen any Tyler
• 16:44
  Speaker 1: Perry movies. Daddy's Little Girl is good, though, Yeah, but
• 16:47
  Speaker 1: so is You never seen a Family to Praise? I
• 16:49
  Speaker 1: don't remember what that is. That's a good movie. I
• 16:51
  Speaker 1: saw him plotting on Drake the other day too, trying
• 16:53
  Speaker 1: to find another lights can save you to having one
• 16:55
  Speaker 1: of his movies, you know, Lfskin guys always save the
• 16:57
  Speaker 1: day in Tyler Perry movies. You guys, listen, hit me
• 17:00
  Speaker 1: and tell me your favorite Tyler Perry movie. We're gonna
• 17:01
  Speaker 1: makeybody got time for that doing other people. Everybody to
• 17:05
  Speaker 1: tell me what your favorite one is. What's the one
• 17:07
  Speaker 1: that Janet Jackson was in? Oh? When the rock shows
• 17:11
  Speaker 1: up at the end, old sexy flexi lightskin man at
• 17:13
  Speaker 1: the Janet Jackson gets her dogskin Ball, hated boyfriend killed?
• 17:19
  Speaker 1: Was her boyfriend? Was it? Why did I get married?
• 17:22
  Speaker 1: You got you looking at me? I have no idea
• 17:24
  Speaker 1: what that was? Why did I get married? I hated
• 17:25
  Speaker 1: that movie? Oh, I couldn't say that movie. I want
• 17:27
  Speaker 1: to show you. I'm not gonna lie. I'm not hating
• 17:29
  Speaker 1: on Tyler Perry in any way shape. I do like
• 17:31
  Speaker 1: some Tyler Perry movies I've never seen. I'm going to
• 17:33
  Speaker 1: see the Light because the Tika something to Tiffany Hannish
• 17:35
  Speaker 1: and I'm Mary Hawks in that movie said yeah, yeah,
• 17:38
  Speaker 1: all right, well congratulations some good Cattish. But I do
• 17:42
  Speaker 1: need you all to add us because I'm gonna Emma,
• 17:44
  Speaker 1: you've got to watch some Tyler Perry movie. Perry gonna
• 17:46
  Speaker 1: have a Marity Hawk with his shirt off the whole
• 17:48
  Speaker 1: film for you're a hater, yo, I don't know what
• 17:51
  Speaker 1: a light skin Jay is gonna have to turn himself
• 17:55
  Speaker 1: in and that is on April tenth for failure to
• 17:58
  Speaker 1: pay child support. He owes more than one point three
• 18:00
  Speaker 1: million dollars in back child support. Now, usually these cases
• 18:03
  Speaker 1: are handled in state court, but because he owes so
• 18:06
  Speaker 1: much money, and because a lot of different states are involved,
• 18:09
  Speaker 1: now it's a federal case. O god, how much? How
• 18:11
  Speaker 1: long did it take him to recavacumulate that much money? Yeah? Well,
• 18:15
  Speaker 1: he has failed to pay child to party as multiple
• 18:17
  Speaker 1: kids too, so he was placed on probation for three years.
• 18:20
  Speaker 1: He accepted full responsibility, but he still hasn't paid. What
• 18:23
  Speaker 1: you've been doing with your money all of the time,
• 18:25
  Speaker 1: all of that loving hip hop and hosting these parties,
• 18:27
  Speaker 1: What you've been doing with your bread, Stevie, I don't
• 18:29
  Speaker 1: know bread. Mary J. Blige, her divorce trial was supposed
• 18:33
  Speaker 1: to start yesterday, but her and can Do have decided
• 18:35
  Speaker 1: that they are going to settle the case out of court.
• 18:37
  Speaker 1: That's smart. Yes, hopefully everything works out or they'll be
• 18:41
  Speaker 1: back in court. But I guess the good thing about
• 18:44
  Speaker 1: this means that you're not going to hear all of
• 18:46
  Speaker 1: their inside information that's going to be aired out that
• 18:49
  Speaker 1: would happen during a trial and cost a lot to him. Yeah,
• 18:52
  Speaker 1: everything gets kind of more private and personal in this way,
• 18:55
  Speaker 1: So hopefully they do manage to come to some type
• 18:58
  Speaker 1: of agreement. Yes, please, man stop I get married through
• 19:00
  Speaker 1: the muddy please and the Rick Ross is home. He
• 19:03
  Speaker 1: was in the hospital for four days. It all initially
• 19:06
  Speaker 1: started when somebody at his house called nine when one
• 19:08
  Speaker 1: and said he was unresponsive and slabbing at the mouth.
• 19:11
  Speaker 1: They are saying he did have respiratory issues and it
• 19:13
  Speaker 1: turned out to be heart related, and he had been
• 19:16
  Speaker 1: to two hospitals because of his condition. Now he's also
• 19:18
  Speaker 1: supposed to be having his daughter's sweet sixteen. He paid
• 19:21
  Speaker 1: one hundred thousand dollars for that. He actually had reserved
• 19:24
  Speaker 1: a section of the Versacchi mansion nearly seven months ago
• 19:28
  Speaker 1: to get ready for the sweet sixteen. But now they're
• 19:30
  Speaker 1: going to postpone it because they want to make sure
• 19:31
  Speaker 1: he can be there. It was supposed to be in
• 19:33
  Speaker 1: March seventeen. Clues bombs for Rick Ross. No, Rich, you
• 19:36
  Speaker 1: gotta be a postpone your daughter's birthday, I mean a
• 19:40
  Speaker 1: birthday celebration. No, yeah, you going to give that money back?
• 19:43
  Speaker 1: YEA your birthday on the six naugh shar is on
• 19:45
  Speaker 1: the knife, Yeah, that's a lot of bread. They'll probably
• 19:48
  Speaker 1: postpone it for another date for him. I mean it's
• 19:50
  Speaker 1: an emergency situation, hope. All right, I'm Anjela Yee And
• 19:55
  Speaker 1: that is your rumor report. All right, thank you, miss
• 19:57
  Speaker 1: he Now, when we come back, Marlon Wayne's will be
• 19:59
  Speaker 1: in the bill, so we'll kick him with Mala when
• 20:01
  Speaker 1: we come back. I got a new Netflix special out
• 20:02
  Speaker 1: right now called Woks. You got thirteen point five million?
• 20:06
  Speaker 1: Like you put them with that money in that man? Amazing?
• 20:07
  Speaker 1: Why do I keep seeing that goodness? Because he definitely
• 20:10
  Speaker 1: is China. All right, we'll talk about it when we
• 20:12
  Speaker 1: come back. It's the Breakfast Club. Good morning morning. Everybody
• 20:15
  Speaker 1: is cej Envy, Angela Yee, Charlomagne the guy. We are
• 20:18
  Speaker 1: the Breakfast Club. We have a special guest in the building,
• 20:21
  Speaker 1: a friend to the room. Mister Marlin Willams is yes, yes, yes,
• 20:25
  Speaker 1: y'all need some sound applause? Yes, my favorite people in
• 20:29
  Speaker 1: the girl. How are you going? Ball brats on Season
• 20:32
  Speaker 1: two of Marlin is hard to get renewed on the
• 20:34
  Speaker 1: White networks? Are you you ain't lying? But we got
• 20:37
  Speaker 1: that that good pick. We got ten episodes, um, which
• 20:40
  Speaker 1: is you know better than like three. So I'm not happy.
• 20:43
  Speaker 1: I'm not mad about it, but you know, for me,
• 20:45
  Speaker 1: but I think, why not twenty two? I just get
• 20:48
  Speaker 1: it gives me more time to do I'm add so
• 20:50
  Speaker 1: I get to do everything. I could do ten episodes
• 20:53
  Speaker 1: that could concentrate on to make sure every episode is
• 20:55
  Speaker 1: really funny, and then I can still do my stand
• 20:58
  Speaker 1: up and tour, and then I could still do a
• 21:00
  Speaker 1: movie or two years. So I mean, you know, multiple,
• 21:03
  Speaker 1: multiple strings revenue. I'm trying to be there. I'm trying
• 21:06
  Speaker 1: to be like Charlot Mane, the guy I want a
• 21:08
  Speaker 1: book my daughter gave me for Christmas. My daughter gave
• 21:13
  Speaker 1: me your book. Wow. I read two pages. It's good
• 21:16
  Speaker 1: so far. Wait, great intro. I had the opportunity to
• 21:21
  Speaker 1: see you though, opening for Dave Chappelle too. I was like,
• 21:25
  Speaker 1: I'm glad I came this night because Marlon Wayams is
• 21:27
  Speaker 1: at Wow. You was there. Wow. That was a That
• 21:30
  Speaker 1: was a big night for me because nobody, not really people,
• 21:33
  Speaker 1: many people know I do stand up and that was
• 21:35
  Speaker 1: a big audience and it's opening front of Dave and
• 21:38
  Speaker 1: all the comedians on the bill were so funny, and
• 21:40
  Speaker 1: I was just like Dave was like, Yo, you want
• 21:41
  Speaker 1: to you want to get on, come on, come rock
• 21:43
  Speaker 1: do some time. So I was like, all right, So
• 21:45
  Speaker 1: I went up and it was you know, I just
• 21:47
  Speaker 1: want to be a part of history. He sold out
• 21:49
  Speaker 1: like twenty something shows in one month, which is historic.
• 21:52
  Speaker 1: You know, most comics back in the day you saw
• 21:54
  Speaker 1: a Radio City twice. You like your old Martin sold
• 21:57
  Speaker 1: out Radio City five times. Dave sold it up twenty
• 22:00
  Speaker 1: something times with a monster. So I was like, let
• 22:03
  Speaker 1: me get on that. And feeling the energy of that stage,
• 22:07
  Speaker 1: no one I was preparing or to do a special.
• 22:09
  Speaker 1: I was like, all right, I'm gonna drop my first,
• 22:13
  Speaker 1: my first fifteen right here and see how it does.
• 22:15
  Speaker 1: And it was a great response. Man, people laughed. I
• 22:18
  Speaker 1: kind of get people. Some people got up. I'm like,
• 22:20
  Speaker 1: oh yeah, I heard Netflix offered you fifteen million. Right
• 22:23
  Speaker 1: after that, you're trying to give a Monique Garne attack.
• 22:28
  Speaker 1: You're trying to kill System. Monique Brother Love trying to
• 22:31
  Speaker 1: kill system. She got dollars. He trying to make a
• 22:37
  Speaker 1: little ponytail nap Brother. He's trying to get hyperten. You
• 22:42
  Speaker 1: trying to kill that woman. And I just now, that's
• 22:45
  Speaker 1: how about you got for the special, I got five
• 22:47
  Speaker 1: hundred thousand, and I made them add one dollars extra
• 22:50
  Speaker 1: to it just to say I got more. I love
• 22:54
  Speaker 1: the name of the special though. Yeah, that's why I
• 22:56
  Speaker 1: hate the word woke though, because I feel like everybody
• 22:58
  Speaker 1: stole woke nowt to day they need some sleep. No,
• 23:02
  Speaker 1: but you know, woke is I think for where we
• 23:04
  Speaker 1: are right now as a people, woke is a good
• 23:07
  Speaker 1: thing because I think a lot of people slept for
• 23:09
  Speaker 1: a long time about the state of where we were
• 23:13
  Speaker 1: as minorities in the world. Because Barrock's like, we got
• 23:17
  Speaker 1: a black president. Good. No, it was not good. And
• 23:20
  Speaker 1: when Trump got an office or was headed to the office,
• 23:23
  Speaker 1: all these people coming up, Confederate flags popping up, and
• 23:26
  Speaker 1: you're like, hold up, wait a second, we're still new.
• 23:30
  Speaker 1: And you was like, you know, and it woke your
• 23:32
  Speaker 1: ass up and made you look at you know, today's world.
• 23:36
  Speaker 1: You know, all of us were working toward a better
• 23:38
  Speaker 1: world again, which is good. It is good to be woke,
• 23:40
  Speaker 1: you know. But woke is just like I'm up, I
• 23:43
  Speaker 1: see things, but I'm not all the way there. Like
• 23:45
  Speaker 1: it's like woke ish is like, uh that went to
• 23:49
  Speaker 1: see um Black Panther on the first weekend, but it
• 23:53
  Speaker 1: was a bootleg, so it's like woke in. Yeah, he
• 23:58
  Speaker 1: don't drink, but he smokes. Sweet. What's the point of
• 24:00
  Speaker 1: doing a stand up now for a comedian? I did
• 24:05
  Speaker 1: a special first of all, because I never did a
• 24:08
  Speaker 1: special and I want to be you know, I've in
• 24:12
  Speaker 1: terms of comedy, I've done everything. I've done movies. I've
• 24:14
  Speaker 1: done successful movies out of like hundreds of millions of
• 24:17
  Speaker 1: dollars a box office, the international success I've done television.
• 24:22
  Speaker 1: I'm on my second series that I produced, I wrote,
• 24:26
  Speaker 1: I started, we created. You know, I'm on my second one.
• 24:30
  Speaker 1: And the one feather in my cap I never had
• 24:33
  Speaker 1: was stand up and it was like I skipped this
• 24:37
  Speaker 1: step and where I'm trying to head. I felt like
• 24:41
  Speaker 1: I gotta humble myself and I gotta stop from scratch
• 24:45
  Speaker 1: because once me and my brother stopped working together, you know,
• 24:48
  Speaker 1: I can't rest on Winds. We did it. We made
• 24:52
  Speaker 1: a legacy as Winds. Now I'm sitting there as Marlin,
• 24:57
  Speaker 1: and I'm trying to figure out my identity and who
• 24:59
  Speaker 1: am I because I want Marlin to one day means
• 25:03
  Speaker 1: something like Winds means something. So it does definitely meant
• 25:11
  Speaker 1: me and something. I wanted my first name to match
• 25:14
  Speaker 1: my last name, so when you go Marlin Winds, it
• 25:17
  Speaker 1: means something. As an individual, I had accomplishments. I stand out,
• 25:21
  Speaker 1: stood out on my own and and and and and
• 25:24
  Speaker 1: I created me because coming up in a family full
• 25:27
  Speaker 1: of giants, it's hard to find your identity. And going
• 25:30
  Speaker 1: off and doing movies, I just everything for me right now.
• 25:33
  Speaker 1: I just wanted to get better. So I did stand
• 25:35
  Speaker 1: up because I wanted to create point of view and
• 25:37
  Speaker 1: perspective of myself in the world. And so that's going
• 25:40
  Speaker 1: to carry into my movies and Timber and to my
• 25:42
  Speaker 1: TV show and helped me as an artist to where
• 25:45
  Speaker 1: my journey is now. As Marlin, did you approach Netflix
• 25:49
  Speaker 1: or did they approach you? Um, it was kind of
• 25:52
  Speaker 1: it was kind of mutual. Um. I just I thought
• 25:54
  Speaker 1: I was like we put blood in the water and
• 25:56
  Speaker 1: figured out was I was, my set was, I was
• 25:58
  Speaker 1: getting standing ovation, I was touring, I was doing I
• 26:01
  Speaker 1: felt good, but nobody really knew I did stand up.
• 26:04
  Speaker 1: They be like, oh, malling from the you know for me.
• 26:10
  Speaker 1: And so when I did it, when people came to
• 26:13
  Speaker 1: my should they'd be like, yo, you you like funny, funny,
• 26:15
  Speaker 1: like you like to stand up funny. So I was like,
• 26:17
  Speaker 1: you know what, I want to show the world, not
• 26:20
  Speaker 1: just like America. I want to show the world. This
• 26:23
  Speaker 1: is on Netflix. It's when worldwide in one hundred and
• 26:26
  Speaker 1: ninety something countries, hundreds of millions of people could see it.
• 26:30
  Speaker 1: And so I was like, that's the biggest platform. It's
• 26:32
  Speaker 1: not about the money, It's about the opportunity to show
• 26:35
  Speaker 1: case what I can do at the highest level. And
• 26:38
  Speaker 1: the money comes later. And you had naked on there also.
• 26:41
  Speaker 1: I wanted that that was a big hit for Netflix.
• 26:43
  Speaker 1: So you ain't you see me? No, that was you
• 26:48
  Speaker 1: know what's good about what I'm like, I feel good
• 26:50
  Speaker 1: about the things I'm doing now because I feel like
• 26:53
  Speaker 1: I feel like I'm maturing. I'm I'm kind of putting
• 26:55
  Speaker 1: it all together. You know. It's like I'm my first
• 26:58
  Speaker 1: couple of things by myself. I was ridiculous because I
• 27:01
  Speaker 1: like being that's a part of me that likes to
• 27:03
  Speaker 1: be absolutely ridiculous, and then there's a part of me
• 27:06
  Speaker 1: that just don't want to give them. And so when
• 27:08
  Speaker 1: I first started, I was just telling people I don't
• 27:10
  Speaker 1: give If I want to hump a stuffed animal, I'm
• 27:13
  Speaker 1: gonna I'm a three of them. You know what, If
• 27:16
  Speaker 1: I'm a dog, I'm gonna make the doll lick my
• 27:19
  Speaker 1: I don't give out old, I don't give a why'd
• 27:23
  Speaker 1: you do it? Because I wanted to and I didn't
• 27:25
  Speaker 1: want to hold no bars. But now I'm understanding story,
• 27:29
  Speaker 1: and now I'm respecting the emotion behind the story. And
• 27:34
  Speaker 1: then I could put in the characters that I do,
• 27:36
  Speaker 1: and now I could put it all together and I
• 27:38
  Speaker 1: go boom. That's who I am as an artist. I'm
• 27:41
  Speaker 1: a guy that can do and some drama. I can
• 27:43
  Speaker 1: do it all. So showcase all that I can do
• 27:46
  Speaker 1: in this whatever platforms I do. It's like even on
• 27:49
  Speaker 1: my TV show, I give a little a lot of comedy,
• 27:52
  Speaker 1: but a little bit of hard and that takes you
• 27:53
  Speaker 1: a long way. Because women like heart, women like story,
• 27:57
  Speaker 1: and so when I didn't naked, it was a romantic
• 27:59
  Speaker 1: comm We're still ridiculous and I'm still in these situations.
• 28:03
  Speaker 1: It's crazy, but I'm doing it for a reason. I'm
• 28:07
  Speaker 1: respectful to the relationship. I get the girl at the end.
• 28:10
  Speaker 1: Bryan McKnight sings and you feel good when you see
• 28:13
  Speaker 1: the movie and girls just like see mall and that's
• 28:16
  Speaker 1: that you need to be doing. You the dolls, and
• 28:19
  Speaker 1: but like what's the amuntional story behind it? And so
• 28:24
  Speaker 1: for your wife, you know, my my ex you know
• 28:26
  Speaker 1: um and you know women, I got like almost one
• 28:29
  Speaker 1: hundred thousand. It was her birthday and you did the
• 28:32
  Speaker 1: sweetest birthday party. And people can appreciate that because you
• 28:35
  Speaker 1: guys have said a unique relationship. No, Kevin talks about
• 28:39
  Speaker 1: his life like now he talked about this wife. I
• 28:42
  Speaker 1: don't see I love Ken, but I don't see no
• 28:45
  Speaker 1: Tory posts. I love Kevi. Boy. You know I'm getting
• 28:50
  Speaker 1: it in those posts. You know that. For me, it
• 28:52
  Speaker 1: was this is me love to to to my ex,
• 28:56
  Speaker 1: you know. And I celebrated. I took away when took
• 28:59
  Speaker 1: a I mean friends, we had a ball. Someone came
• 29:02
  Speaker 1: up to me yesterday in a restaurant and he said,
• 29:05
  Speaker 1: I love your show Marlin, and I said thank you.
• 29:07
  Speaker 1: He goes, no, no, no. Me and my ex wife
• 29:10
  Speaker 1: we didn't talk, and I watched that show and I
• 29:13
  Speaker 1: was like I want that. So I called her and
• 29:16
  Speaker 1: we started hanging out and now we're like best friends.
• 29:18
  Speaker 1: And he said it changed my life. And he said,
• 29:20
  Speaker 1: I don't know if that story is real, that Marlin,
• 29:22
  Speaker 1: but I said, that's my real life. He goes, I
• 29:25
  Speaker 1: thank you so much for that show and that that
• 29:27
  Speaker 1: made me feel good. Yeah. All we have more with
• 29:29
  Speaker 1: Marlon Wayne's when we come back. We have to talk
• 29:30
  Speaker 1: some of his fellow comedians that don't move. It's to
• 29:32
  Speaker 1: Breakfast Club. Good Morning, the Breakfast Club Morning. Everybody is
• 29:39
  Speaker 1: dj N v Angela Yee, Charlemagne the guy. We are
• 29:42
  Speaker 1: the Breakfast Club. We have Marlon Wayne's in the building. Charlemagne, Well,
• 29:46
  Speaker 1: let's talk about Pittim. You said you attack Kevin Harten
• 29:48
  Speaker 1: the time of crisis, the whole thing with him and
• 29:50
  Speaker 1: Michael Blacks, and how do you feel about that. I
• 29:52
  Speaker 1: don't know all the details, but I think it was
• 29:55
  Speaker 1: a sensitive time for Kevin. I don't know exactly what happened.
• 29:58
  Speaker 1: I don't know what Mike said, but see my Mike, Mike.
• 30:00
  Speaker 1: Mike is like a knuckle brawler. Mike don't have boxing gloves,
• 30:06
  Speaker 1: Blacking Blackson, don't have time and this look crazy. African
• 30:11
  Speaker 1: is gonna say what he say when he feel like
• 30:14
  Speaker 1: saying it, because he does it with himself. So it's
• 30:17
  Speaker 1: you just gotta go man. That's Mike. And once you
• 30:20
  Speaker 1: do that for keV, it's like, don't get mad about it,
• 30:22
  Speaker 1: you know. And at the time, I think keV was
• 30:24
  Speaker 1: just going through an actual um it was a bad
• 30:27
  Speaker 1: time to go through it. Hey, I've been there. Uh
• 30:34
  Speaker 1: it ain't fun, you know, but you know, so I
• 30:36
  Speaker 1: had more sensitivity about it. You know, Chappell all his friends,
• 30:40
  Speaker 1: you know, but Blackson, I don't think he you know,
• 30:42
  Speaker 1: him and Blacks, I think they needs to be roommates
• 30:44
  Speaker 1: like they cool. They boys, So I hope they healed
• 30:47
  Speaker 1: through it. Don't take it personal, and I don't think
• 30:49
  Speaker 1: you know, sometimes it's not about somebody hitting, you know.
• 30:52
  Speaker 1: But you know, sometimes Mike, you can use a little
• 30:55
  Speaker 1: bit more sensitivity. keV, you at the point, try not
• 30:57
  Speaker 1: to be so sensitive. Now you tube kissing makeup. And
• 31:01
  Speaker 1: I like how you said you like black and black
• 31:02
  Speaker 1: y'all get together. I like how you said you like
• 31:05
  Speaker 1: to see what's right in a person instead of always
• 31:07
  Speaker 1: focusing on what's wrong. We've had comedians critiquing other comedians,
• 31:10
  Speaker 1: like Faison was up here and said that he thinks
• 31:12
  Speaker 1: Da Chappelle is whack which I've never heard, which I love,
• 31:15
  Speaker 1: I love, I love faison Um and I love Dave,
• 31:19
  Speaker 1: And I think phaison Um may have been high. I mean,
• 31:25
  Speaker 1: I'm just saying, I'm not intinuating. Maybe somebody puts his coffee,
• 31:30
  Speaker 1: but he had to be high. When you say Dave
• 31:33
  Speaker 1: ain't fun Dave is. I love Phaison Faison will and
• 31:37
  Speaker 1: Uh don't be a minute together. But Dave is funny.
• 31:41
  Speaker 1: Dave is one of the funniest dudes ever. So you
• 31:43
  Speaker 1: gotta look at phais On like, I don't know, brother,
• 31:46
  Speaker 1: You're You're a little delusion. We had too much sugar today. Um.
• 31:50
  Speaker 1: Things like that make people not want to work with
• 31:52
  Speaker 1: other people, Like if Faison says that, and people have
• 31:54
  Speaker 1: a certain loyalty to Dave Chappelle, would that make them
• 31:56
  Speaker 1: be Like I would tell my comedic brothers that if
• 32:01
  Speaker 1: you have a problem with Dave Um, you should call
• 32:04
  Speaker 1: Dave and you should go Yo, Dave, I don't like X,
• 32:09
  Speaker 1: Y and Z. Here's how you you give each other notes.
• 32:12
  Speaker 1: Don't air him out in a public form, you know
• 32:15
  Speaker 1: what I mean? I would tell phase On. When I
• 32:16
  Speaker 1: see phase On, I hope he don't drag me around
• 32:18
  Speaker 1: like the gorilla and dragged that little baby in the
• 32:21
  Speaker 1: cage like a rounde because I see him do that
• 32:24
  Speaker 1: in the mall um. But I would sell sell him respectfully,
• 32:28
  Speaker 1: you know, you say something like that that hurts somebody's
• 32:30
  Speaker 1: feelings because Dave, it's not only his craft. Dave loves comedians.
• 32:37
  Speaker 1: If you know Dave, Dave loves the art of comedy.
• 32:42
  Speaker 1: He respects every comedian he goes. Here's what funny about
• 32:45
  Speaker 1: this guy. Here's what's funny about that guy. I don't
• 32:48
  Speaker 1: he don't really talk about what he don't like. He
• 32:50
  Speaker 1: goes and it could be better. And he's a very
• 32:53
  Speaker 1: genuinely love loving dude. So when people say stuff like that,
• 32:58
  Speaker 1: you hurt somebody's feelings because he's a friend of yours.
• 33:03
  Speaker 1: So you just don't throw that out there because you all,
• 33:06
  Speaker 1: he ain't. No, you have to be respectful because your
• 33:08
  Speaker 1: friend is listening, you know what I mean. It's the
• 33:10
  Speaker 1: same thing with Monique. You get your money, but you
• 33:13
  Speaker 1: ain't gotta out other people or compare your spence yourself
• 33:17
  Speaker 1: to this, you know, because you hurt other people's feelings.
• 33:20
  Speaker 1: When if you just called and be like, yo, Dave,
• 33:23
  Speaker 1: how did you get twenty million. Dave will go all right,
• 33:26
  Speaker 1: we'll sit down, get a pen, and I'll tell you
• 33:27
  Speaker 1: how to do it, you know, because he's not a
• 33:29
  Speaker 1: hater like that. So I always say, you know, and
• 33:33
  Speaker 1: you know, don't air each other out. Call each other,
• 33:36
  Speaker 1: you know, because I'm gonna tell you something beautiful about
• 33:38
  Speaker 1: white people. White people call each other, they pick up
• 33:42
  Speaker 1: the phone. They'll argue on the phone, and at the
• 33:44
  Speaker 1: end they'll pick it up again and go, hey, I
• 33:46
  Speaker 1: got this deal that we should do together. Brothers. We
• 33:49
  Speaker 1: get all mad, we air it out, and we don't.
• 33:51
  Speaker 1: That's why we burn bridges. We don't build bridges. We
• 33:54
  Speaker 1: have to build bridges, not burn them. When you burn them,
• 33:57
  Speaker 1: they don't burn them. They keep these pop and we
• 34:00
  Speaker 1: burn our bridges. I don't do that. I don't ever
• 34:03
  Speaker 1: want to do that. And I'm never gonna be that
• 34:05
  Speaker 1: guy that says there, if I got a problem with somebody,
• 34:07
  Speaker 1: I'll either call him and talk to him or whatever.
• 34:10
  Speaker 1: And I you know, I'm all love, and I suggest
• 34:12
  Speaker 1: everybody else be loved. So I would say, hey, if
• 34:14
  Speaker 1: y'all got a problem, called Dave. He'll pick up the phone.
• 34:17
  Speaker 1: Sometimes just throw smoke smoke signal, call his manager. Get
• 34:20
  Speaker 1: in touch. He'll talk to you. But don't amulet, because
• 34:23
  Speaker 1: that man worked real hard. There's a man that walked
• 34:26
  Speaker 1: away from fifty million to come back and get one
• 34:28
  Speaker 1: hundred and fifty. But you know how hard it is
• 34:30
  Speaker 1: to walk away from fifty million dollars. Never I would
• 34:37
  Speaker 1: do all kind of slave movies. I do sequels fifty
• 34:44
  Speaker 1: million in slave in space, Yes, but you know, you
• 34:51
  Speaker 1: gotta have respect, you know. And and and Dave's one
• 34:54
  Speaker 1: of the giants in the in the industry. Phaison's a friend.
• 34:56
  Speaker 1: He's funny as hell. Um Monique as funny as hell.
• 35:00
  Speaker 1: I want everybody to get their money, man. And we
• 35:02
  Speaker 1: got to call each other and go how how how
• 35:04
  Speaker 1: do you get there? You don't need to add out.
• 35:06
  Speaker 1: So that's how you got your fifteen from Netflix, because
• 35:08
  Speaker 1: you know what's twenty For me? I looked at it
• 35:13
  Speaker 1: and was like, for me, it's not about the money.
• 35:18
  Speaker 1: The money comes and there's no denying when it comes.
• 35:23
  Speaker 1: You gotta go out there and go. There's a difference
• 35:25
  Speaker 1: between value and worth. Your value is what they want
• 35:30
  Speaker 1: to pay you. Your worth is what you feel like
• 35:32
  Speaker 1: they need to be paying you. And see, we all
• 35:34
  Speaker 1: got the ego, and the ego sits there and talk
• 35:35
  Speaker 1: to you and go, I'll be dead seven hundred and
• 35:38
  Speaker 1: fifty million dollars a box office. They should be paying me.
• 35:41
  Speaker 1: I should get you know why, I've been around longer
• 35:43
  Speaker 1: than the ego would tell you all this negative to
• 35:46
  Speaker 1: make you not do the deal. See you quell that ego,
• 35:50
  Speaker 1: put him in the closet, don't move them, and you go,
• 35:53
  Speaker 1: what's my value at this point? Okay, Now I'm gonna
• 35:57
  Speaker 1: go rock this, and I'm gonna become so huge that
• 36:02
  Speaker 1: one day there'll be no question when I get my twenty,
• 36:05
  Speaker 1: my twenty five, my thirty, my fifty, whatever that price is.
• 36:09
  Speaker 1: When I'm selling out the Garden five times, when I'm
• 36:12
  Speaker 1: selling out Staples Center, when I'm putting asses in the seat,
• 36:15
  Speaker 1: when my box office and people was lined up like
• 36:17
  Speaker 1: they used to be lined up like Eddie for Eddie
• 36:19
  Speaker 1: Murphy movies, like roaches looking for with bread crumbs. When
• 36:23
  Speaker 1: I got that, there's no denying They're gonna pay you
• 36:26
  Speaker 1: your money, or if they don't, you gotta do what
• 36:30
  Speaker 1: Dave did. Dave said, I'm not waiting. I'm filming my
• 36:34
  Speaker 1: own specials. They came to him and was like, hey, Dave,
• 36:37
  Speaker 1: what do you got? He goes, I got these specials.
• 36:39
  Speaker 1: I was filmed. Okay, how much you want for them?
• 36:42
  Speaker 1: And himself? That man made his own projects. So Monique
• 36:51
  Speaker 1: called Dave, go Dave, how did you do it? Well? Monique,
• 36:54
  Speaker 1: I filmed him myself? You did? How much did that
• 36:57
  Speaker 1: cast you? And he would give you the information you
• 37:00
  Speaker 1: can't call it, get the information that the best yourself. Yes,
• 37:05
  Speaker 1: and now let's talk about that. Your name came up
• 37:07
  Speaker 1: the other day because we were talking about reboots. Martin's
• 37:10
  Speaker 1: possibly coming back with the reboots. Yes, they're talking about
• 37:13
  Speaker 1: maybe the Fresh Prince is going to do a Fresh Princess.
• 37:15
  Speaker 1: People were calling in saying shows they would love to
• 37:17
  Speaker 1: see come back. Somebody said the Wayne's Brothers. Of course,
• 37:20
  Speaker 1: people always say in Living Color, what do you think
• 37:22
  Speaker 1: about all these reboots coming? I think what people are
• 37:25
  Speaker 1: missing is the nostalgia of the nineties and the physicality
• 37:30
  Speaker 1: of the nineties. See everybody for comedy right now? Comedy.
• 37:34
  Speaker 1: Everybody's thinking comediest single camera. There's no laugh track. You
• 37:38
  Speaker 1: don't know, like what's really like popping off funny. There's
• 37:41
  Speaker 1: no audience. There's a bunch of writers sitting in no
• 37:44
  Speaker 1: respect because there's a different form of comedy. So it's
• 37:46
  Speaker 1: the intellectualization of comedy. You go, oh, that's funny, and
• 37:50
  Speaker 1: you gotta think, and you don't sit at home cracking up.
• 37:53
  Speaker 1: You just go, oh, that's funny. But when you watch
• 37:56
  Speaker 1: a sitcom and you hear a live audience, like when
• 38:00
  Speaker 1: I'm on my show and I hear an audience, there's
• 38:02
  Speaker 1: three hundred people that I know when the joke lands,
• 38:04
  Speaker 1: I know when it don't. I know when I'm doing
• 38:07
  Speaker 1: something hilarious because I hear this, I hear this, I
• 38:10
  Speaker 1: hear thunderous laughing. It makes me do more. I know
• 38:13
  Speaker 1: when I did something sweet because they go, oh, that's
• 38:17
  Speaker 1: the stuff that people stop washing the dishes and watch
• 38:21
  Speaker 1: the I love Lucy's, the Martins, the Wayne's Brothers because
• 38:24
  Speaker 1: we had laughter, live laughter from the audience, simple story
• 38:29
  Speaker 1: with people that was willing to do whatever to get
• 38:32
  Speaker 1: the laughs. And remember, sitcom went away for a long
• 38:35
  Speaker 1: time as a medium. Oh sitcoms, that's oldscar. When I
• 38:39
  Speaker 1: did my show, I was mulling. I was like, yo,
• 38:40
  Speaker 1: I want I want to I want to sitcom. You're
• 38:42
  Speaker 1: a sitcom? Why I don't you do a single came
• 38:44
  Speaker 1: I don't. I don't want that. People love the show
• 38:46
  Speaker 1: because they know it's funny. People are laughing, they go
• 38:49
  Speaker 1: sometimes people are you got that laugh track? I ain't
• 38:52
  Speaker 1: got no lab track. That's because in the audience cracking
• 38:55
  Speaker 1: up at that. I'm coming up with right there on
• 38:58
  Speaker 1: the fly, because I'm excited to have the audience in
• 39:00
  Speaker 1: front of me. So there is no hiding behind what
• 39:03
  Speaker 1: you think is funny. The audience is the X factor,
• 39:06
  Speaker 1: and I think that's why everybody wants the sitcoms to
• 39:08
  Speaker 1: come back, because it's with the live audience. It's you know,
• 39:12
  Speaker 1: Will Martin, all of us. We was physical, We didn't
• 39:15
  Speaker 1: give us. We was fly. We had we was pop culture.
• 39:19
  Speaker 1: We had to we had the gear on, you know,
• 39:21
  Speaker 1: the Mecca, the we were the Jordans, We was, we
• 39:24
  Speaker 1: was fly. So I think they want that nostalgia back
• 39:28
  Speaker 1: on TV in that way live all right. We got
• 39:31
  Speaker 1: more with Marlon Wayne's when we come back, don't move.
• 39:33
  Speaker 1: It's the breakfast club come morning morning. Everybody is DJ
• 39:37
  Speaker 1: N v Angela Yee, Chalomagne the guy. We are the
• 39:39
  Speaker 1: breakfast Club. We have Marlon Wayne's in the building. Chalomagne
• 39:43
  Speaker 1: as the family. Do y'all debate where y'all are ranked?
• 39:47
  Speaker 1: Because you said you want to be known as Marland.
• 39:49
  Speaker 1: But with the y'all debate with y'all are rank none
• 39:52
  Speaker 1: of us? I don't. I don't compete with my brothers.
• 39:54
  Speaker 1: I can't. I can't compete with my brothers. My brothers
• 39:56
  Speaker 1: are giants to me. Those are them. You don't have
• 39:58
  Speaker 1: the beauty of what my life is is that I
• 40:01
  Speaker 1: grew up in the house. Everybody talk about their idols
• 40:05
  Speaker 1: and their lay legends, and do you understand that I
• 40:09
  Speaker 1: had the gift of growing up in the house with
• 40:14
  Speaker 1: my idols, legends, my brothers that was doing it. I
• 40:19
  Speaker 1: used to watch damianus to take me and Sean, we
• 40:22
  Speaker 1: was nine years old, put us on the train and
• 40:25
  Speaker 1: we go to Boston to watch him do stand up.
• 40:28
  Speaker 1: All we can long, We're just sit in the crowd
• 40:30
  Speaker 1: and he would put us on the train and we'd
• 40:31
  Speaker 1: watch him do stand up. Keenan flew us out to
• 40:33
  Speaker 1: a living color. I mean too, I'm gonna get you sucking.
• 40:36
  Speaker 1: We was on a set at eleven and twelve, just
• 40:38
  Speaker 1: being crazy, being extras. We grew up watching the process
• 40:43
  Speaker 1: of learning to do it and now it's funny because
• 40:48
  Speaker 1: I can actually execute that. But I would never want
• 40:50
  Speaker 1: to compete with my brother. They go, who's the funniest.
• 40:52
  Speaker 1: You'll never hear any of us go, I am no.
• 40:55
  Speaker 1: We always go my mother, because first of all, I'm
• 40:58
  Speaker 1: not gonna be pit up against my brother. I love him.
• 41:00
  Speaker 1: And we are all funny in a different way. There's
• 41:03
  Speaker 1: something great about each and every one of us all
• 41:06
  Speaker 1: equally as funny, which is different whatever your flavor is.
• 41:09
  Speaker 1: But everybody works just as hard. Everybody puts all their
• 41:12
  Speaker 1: time and effort and energy into this craft. And if
• 41:15
  Speaker 1: we did this tool Me, Sean, Damon and Keenan, we
• 41:17
  Speaker 1: got five stand ovations in one every night, five stand ovations.
• 41:22
  Speaker 1: Everybody went on. I went on first stand ovations, Sean
• 41:25
  Speaker 1: went on second stand ovation, Damon and everybody had to
• 41:29
  Speaker 1: work for that stand ovation and then then we switch.
• 41:31
  Speaker 1: And then at the end we all came on stage
• 41:33
  Speaker 1: together and did a bit and we was really funny,
• 41:35
  Speaker 1: and they gave us another standin ovation. That's my family.
• 41:41
  Speaker 1: We are all dope and different. It's the same thing
• 41:43
  Speaker 1: with comedians. If Me, Chappelle, Rabu cav all of us
• 41:47
  Speaker 1: going on one night and one show. We're all so different.
• 41:51
  Speaker 1: You go, I like each and every one of them. Well,
• 41:54
  Speaker 1: a little bit of healthy competition. No, No, my competition
• 41:58
  Speaker 1: is me. This whole journey that I've been going on
• 42:01
  Speaker 1: by myself was never to go I'm gonna be the
• 42:03
  Speaker 1: best Wins. No, this was something that happened. We all
• 42:06
  Speaker 1: We did the tour, and we was at this place
• 42:09
  Speaker 1: where I wanted to do stuff, and Sean do his
• 42:11
  Speaker 1: own thing, and Ken want everybody want to do their
• 42:12
  Speaker 1: own thing. And I was sitting there going, I gotta
• 42:16
  Speaker 1: find who who's marling? I never had time to go
• 42:20
  Speaker 1: who's marling? Because I was always busy helping to be
• 42:23
  Speaker 1: a wains and wanting to be awayans. But when that
• 42:26
  Speaker 1: lonely moment comes up, all right, well who are you?
• 42:30
  Speaker 1: That's the thing that kicks you in the ass and
• 42:32
  Speaker 1: put you on the stage, makes you start writing scripts,
• 42:34
  Speaker 1: makes you go if I did a sitcom for a
• 42:36
  Speaker 1: hundred shows, what would it be? My life? What is
• 42:38
  Speaker 1: my life? What is my thoughts? Me and Sean we
• 42:41
  Speaker 1: did our life grown up as brothers, as Wayans brothers.
• 42:44
  Speaker 1: That relationship we can do anytime, anywhere. And I'm telling you,
• 42:47
  Speaker 1: after this mauling journey is none. Oh, we gonna do
• 42:50
  Speaker 1: Wayans again. They ain't written keenan all. We're gonna do
• 42:54
  Speaker 1: Wains again. Sean, We're gonna do it again, you know.
• 42:56
  Speaker 1: And you ask I would do like Wayns Brothers and
• 42:59
  Speaker 1: getting on that flip. I'll do the ten episodes of manga.
• 43:01
  Speaker 1: I'll do ten episodes of of of Wayns Brothers on Netflix.
• 43:06
  Speaker 1: I'll do that because I don't know my brother was
• 43:08
  Speaker 1: getting no younger. John like money so much. You'll be
• 43:12
  Speaker 1: in the coffin like that with the with the white
• 43:16
  Speaker 1: shoes on another thing, phase On saying he was here,
• 43:20
  Speaker 1: he said he feels like the Waynes, Keen and Damon
• 43:23
  Speaker 1: they don't get the respect they deserved, like we should
• 43:26
  Speaker 1: be holding them up as kings of comedy. And I
• 43:28
  Speaker 1: was like, I'm like, who doesn't um I thought we do.
• 43:31
  Speaker 1: I think that some people just don't know, you know
• 43:35
  Speaker 1: what I mean. But if you if you talk to Dave,
• 43:37
  Speaker 1: Dave will tell you, ah man, if it was fun
• 43:39
  Speaker 1: living Color, I ah man, they helped me so much
• 43:43
  Speaker 1: on Chappelle's show. Or you know, Damon managed to watch
• 43:46
  Speaker 1: Damon and Damon was like a hero of mine or
• 43:49
  Speaker 1: Chris would. I was talking to Chris the other night.
• 43:51
  Speaker 1: He goes, you know it was your brother Damon. Damon.
• 43:54
  Speaker 1: I used to watch Damon go on stage and we
• 43:56
  Speaker 1: talked about Damon, and you know, we talked about Keenan
• 43:59
  Speaker 1: and every all of our everybody who loves comedy or
• 44:02
  Speaker 1: is in comedy. They do hold my family to especially
• 44:08
  Speaker 1: my brother's Damon and Keenan and Kim and for that
• 44:10
  Speaker 1: show and they do. Um. But the audience, you know
• 44:15
  Speaker 1: that was this is a new audience. They don't know
• 44:17
  Speaker 1: and living color unless they google it. They don't know. Uh,
• 44:20
  Speaker 1: Damon's great stand of specials. They don't know about handy Man.
• 44:23
  Speaker 1: They don't know that, you know, even like white Chicks
• 44:26
  Speaker 1: and these things like that, they don't. They don't know that,
• 44:29
  Speaker 1: and you don't. We don't do it to be the
• 44:31
  Speaker 1: greatest family ever. We're gonna be the geniuses. We just
• 44:35
  Speaker 1: do it because we love it. We uh, it makes
• 44:39
  Speaker 1: us smile, to make people smile, It helps heal us
• 44:43
  Speaker 1: with the pains in our life. And we just do
• 44:46
  Speaker 1: this and express it because we love it. And how
• 44:49
  Speaker 1: lucky are we that we love it? And one day
• 44:51
  Speaker 1: when it's all said and done, you don't sit there
• 44:53
  Speaker 1: and go I'm the greatest, I'm a legend. I'm a goat. Know.
• 44:57
  Speaker 1: You do the work and the audience will tell you
• 45:00
  Speaker 1: what you was when you're gone. I want to do
• 45:03
  Speaker 1: material that that's what's gonna make me live forever. If
• 45:06
  Speaker 1: I do a sitcom that's so funny, a hundred episodes,
• 45:09
  Speaker 1: I don't want a bad episode. I tell my writers
• 45:11
  Speaker 1: all the time, No, this is not good, I know,
• 45:13
  Speaker 1: but it's funny. It's funny. No, no, it's not funny enough.
• 45:16
  Speaker 1: I want classical for me. Why you work so hard
• 45:19
  Speaker 1: on tape night? Because when I die, this is what
• 45:23
  Speaker 1: people will have to remember me. I'm leaving behind smiles.
• 45:29
  Speaker 1: That's my legacy. When I do my stand up and
• 45:31
  Speaker 1: I do my special I don't want to throw some
• 45:33
  Speaker 1: books out there. I want to do the best that
• 45:35
  Speaker 1: I can at that moment, and then I want to
• 45:38
  Speaker 1: grow and evolve. But I don't leave it all on
• 45:40
  Speaker 1: the stage. I'm sweating. I'm drenching my shirt. D Ray said,
• 45:44
  Speaker 1: you sweat so much on stage your shirt is melting.
• 45:47
  Speaker 1: I am, you know why, because I'm working. Some people
• 45:50
  Speaker 1: go you trying too hard? Yes, I am, because that
• 45:53
  Speaker 1: is Commy ain't easy with it and that's not my style.
• 45:56
  Speaker 1: And if you don't like, you even gonna watch it,
• 45:58
  Speaker 1: but one day will come around down or if you don't,
• 46:00
  Speaker 1: you'll see kids laughing. Huh did I miss something? Yeah?
• 46:05
  Speaker 1: You did. You're so busy hating that he was so
• 46:08
  Speaker 1: busy being great and you missed it. You sweat a
• 46:11
  Speaker 1: lot here at the breakfast clause. I do y'all think
• 46:12
  Speaker 1: I'm on drugs, man, vitamins. Man, I sweat. I got
• 46:20
  Speaker 1: an expensive watch on. I don't know if it's gonna
• 46:22
  Speaker 1: rob me outside, I did? I sweat? Man, I know
• 46:25
  Speaker 1: has to go this, Yeah, I would. I mean I
• 46:28
  Speaker 1: want to see a Wayn's Brothers documentary, like how they
• 46:31
  Speaker 1: did Defying Ones with Dream. Yeah, Jimmy, I want to
• 46:34
  Speaker 1: see something like that. Y'all have some great footage I'm
• 46:36
  Speaker 1: sure we've never seen. I would love to. Maybe that'd
• 46:39
  Speaker 1: be that'd be delle because yeah, one day, one day
• 46:43
  Speaker 1: I just got You know, it's kind of hard to
• 46:44
  Speaker 1: getting all of us on the same page, you know,
• 46:46
  Speaker 1: I see why, uh Lina Richie keep going back and
• 46:51
  Speaker 1: forth with what's there in that group the Commodore because
• 46:54
  Speaker 1: you getting to agree on stuff. I see why back
• 46:57
  Speaker 1: Brown keep leaving that new edition. I get it. It's odd. Yeah,
• 47:04
  Speaker 1: so you know one day though, ye, is there anything
• 47:07
  Speaker 1: else we should know about that you have coming? I
• 47:08
  Speaker 1: got Wokeish. I please watch my special. You can hit
• 47:11
  Speaker 1: me on Instagram at Malaway and Twitter at maulawayen and snapchat.
• 47:15
  Speaker 1: Respects to everybody that watched it, even the ones that's hating,
• 47:19
  Speaker 1: which is rare. It's all been love. It's scary. I'll
• 47:23
  Speaker 1: be looking at my Twitter like, well, I'm not used
• 47:26
  Speaker 1: to it. I'm not used to people like loving. So
• 47:29
  Speaker 1: the last couple of things I've been doing, my show
• 47:32
  Speaker 1: Naked the Wokeish, I'm like, it's the maturation of myself
• 47:37
  Speaker 1: as Marland as an artist. And which season to a
• 47:40
  Speaker 1: malling season too a malland should be premiering I think
• 47:42
  Speaker 1: in April or may. Make sure you watch it. Go
• 47:45
  Speaker 1: to NBC, get the NBC app, or go to Amazon
• 47:48
  Speaker 1: and you can watch it for two dollars each episode.
• 47:51
  Speaker 1: Watch them and then let me know it's a show
• 47:53
  Speaker 1: that you're watching. It becomes an addiction, is a star.
• 47:57
  Speaker 1: I tell her that all time. She'd be sitting in
• 47:58
  Speaker 1: my kitchen sometime and I'll be I'll be lightening up
• 48:01
  Speaker 1: because I once again, it's that keenan to me. I
• 48:04
  Speaker 1: talked to Breacher, I talked to the out, I talked
• 48:06
  Speaker 1: to essence. I talked to them because I talked to
• 48:08
  Speaker 1: their hearts, because I talked to the spirit. Because for me,
• 48:11
  Speaker 1: if this is the greatest thing you do, I failed,
• 48:15
  Speaker 1: what are you gonna be after this? That's gonna make
• 48:18
  Speaker 1: me feel like I did something. I believe in people.
• 48:21
  Speaker 1: I believe it the best in people, and Breacher Web
• 48:24
  Speaker 1: is a star, a superstar. It's one day they all
• 48:27
  Speaker 1: gonna know Tiffany had this. I knew Tiffany was gonna
• 48:30
  Speaker 1: be somebody I put it on this show funny as wins.
• 48:33
  Speaker 1: I knew it. I knew that girl was you know,
• 48:35
  Speaker 1: I see it. We have that I and that show
• 48:39
  Speaker 1: was designed for me to tell them how to be
• 48:41
  Speaker 1: the best them. I don't know if this show is
• 48:44
  Speaker 1: just the beginning. This is your alpha, your mega is endless.
• 48:47
  Speaker 1: It never stops. So I'm proud of Tiffany. I'm proud
• 48:50
  Speaker 1: of everybody that who a conversation. I had people hit
• 48:53
  Speaker 1: me on Instagram, they DM me, how do you write?
• 48:56
  Speaker 1: And I give them five books that you read. I'm
• 48:58
  Speaker 1: always generous like that man. So um, I see the
• 49:01
  Speaker 1: great and everybody. So y'all be great. Check out wokesh.
• 49:04
  Speaker 1: I hope I'm great. Tooling Wayne inspirational. This morning always
• 49:10
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlomagne,
• 49:18
  Speaker 1: the guy. We all the Breakfast Club. Let's get to
• 49:20
  Speaker 1: the rumors. Let's talk a little Wayne. It's about is
• 49:28
  Speaker 1: the rumor report? Angela Yee's found the Breakfast Club. Well,
• 49:33
  Speaker 1: little Wayne has put out a new song, and that
• 49:35
  Speaker 1: song is called the Vizine. It sounds pretty good, by
• 49:39
  Speaker 1: the way. If you haven't had a chance to check
• 49:40
  Speaker 1: it out, make sure you do. And they are saying,
• 49:42
  Speaker 1: of course he's taking some shots at Birdman. Here is
• 49:46
  Speaker 1: that verse on the song, No one man have that
• 49:49
  Speaker 1: power if you can't afford to pay a life all right, So,
• 49:53
  Speaker 1: I don't know if you guys understood that. No man
• 49:56
  Speaker 1: should have all that power if you can't afford to pay.
• 49:58
  Speaker 1: Play it again, kay, the light Bill. No one man
• 50:01
  Speaker 1: should have all that if you can't afford to pay
• 50:03
  Speaker 1: the life Burmain Burdman, don't pay it like Bill. I
• 50:07
  Speaker 1: don't know. They also say, I just wanted how do
• 50:10
  Speaker 1: y'all figure out about Burtman? Seriously, I'm trying to figure
• 50:12
  Speaker 1: this out. I don't know how. Yeah, that's what they're saying,
• 50:16
  Speaker 1: But I want you to hear more of the song.
• 50:17
  Speaker 1: Check it out held Nigga found the flow started from
• 50:21
  Speaker 1: the bottom. Bitch. Never been monogamous, It's never been monotonous,
• 50:23
  Speaker 1: never been anonymous, money as unonymous. I always had a comftaencens.
• 50:26
  Speaker 1: I always had conglamoris. I always let the chappa clips
• 50:28
  Speaker 1: take out like a bottomlip. You running out of time,
• 50:30
  Speaker 1: so you better know what time it is. You're running
• 50:32
  Speaker 1: out of the tails? Ain't you running out the volumteis y'all?
• 50:34
  Speaker 1: A bit ya died from the logo Cocaine price, Low
• 50:36
  Speaker 1: Call and the low blow town. You like Pablo Keys
• 50:39
  Speaker 1: in the rowboat towns you in the yaddo. Still don't
• 50:41
  Speaker 1: show boats sitting on the slow pop, moving like a
• 50:43
  Speaker 1: top boat, smoking like a steamboat, fling up on the
• 50:45
  Speaker 1: love boat. Better read the rest note for you read
• 50:47
  Speaker 1: the love note. Don't know if it's so throw deep
• 50:48
  Speaker 1: through the cutthroat. I mean, that's the day. That's a
• 50:52
  Speaker 1: damn shame. Little Wayne Back snapping and don't nobody care.
• 50:55
  Speaker 1: Now the Carter five is supposed to be coming out
• 50:57
  Speaker 1: this year, and I'm sure people are excited if I'm
• 50:59
  Speaker 1: still waiting on you electronic album do and dtox by
• 51:02
  Speaker 1: the way, Okay, now all of the all of old
• 51:04
  Speaker 1: album Dayne has been putting out songs. You can't ton
• 51:09
  Speaker 1: back snapping. I just don't nobody can. Like It's almost
• 51:11
  Speaker 1: like it's almost like they take Wayne for granted at
• 51:13
  Speaker 1: this point. All right, well that are maybe he's been
• 51:16
  Speaker 1: on ice so long that people just not expecting him
• 51:18
  Speaker 1: to put out any heat. I think it's been hard
• 51:20
  Speaker 1: for him trying to go through everything he's been going
• 51:23
  Speaker 1: through as far as label issues and struggles to be
• 51:25
  Speaker 1: able to promote the way that he wants to. He
• 51:27
  Speaker 1: put out a couple of blah records a couple of
• 51:29
  Speaker 1: years ago, but now he's been Now he's back to spitting,
• 51:31
  Speaker 1: and I hope people will remember the old Little West
• 51:34
  Speaker 1: exactly what it is he put out. He had a
• 51:35
  Speaker 1: he had a bad little run, but he's putting out
• 51:37
  Speaker 1: stuff that was trashy, and so people kind of backed
• 51:40
  Speaker 1: up off him. I see that. Yeah, all right, Child's
• 51:42
  Speaker 1: Gambino is going to be going on tour with Race Drmurt.
• 51:44
  Speaker 1: He made that announcement on Twitter. Now tickets do start
• 51:47
  Speaker 1: going on sale this Friday, so dates for the show
• 51:50
  Speaker 1: is actually start on September sixth in Atlanta, Georgia, and
• 51:53
  Speaker 1: they end on September thirtieth in Vancouver. Charles Gambino and
• 51:56
  Speaker 1: Racial murmured. Yep, I'm not mad at that one. They
• 52:00
  Speaker 1: were actually in New York for a Reebok event yesterday.
• 52:03
  Speaker 1: I guess they have a deal with Reebok all right. Now,
• 52:05
  Speaker 1: Jordan Peelee talks about becoming a director and it's all
• 52:08
  Speaker 1: because of Whoopi Goldberg. He was only twelve years old
• 52:10
  Speaker 1: when Whoopie got her nineteen ninety one Oscars win, and
• 52:13
  Speaker 1: that was for Ghosts. Here's what Jordan Peale had to say.
• 52:16
  Speaker 1: I almost didn't do it because I didn't believe that
• 52:20
  Speaker 1: there was a place for me. Whoopie Goldberg and her
• 52:22
  Speaker 1: acceptance speech for Best Supporting Actress for Ghosts was a
• 52:26
  Speaker 1: huge inspiration to me. And when I got nominated, one
• 52:29
  Speaker 1: of the first things I did was reach out and
• 52:31
  Speaker 1: call her and thank her for telling young people who
• 52:36
  Speaker 1: maybe doubted themselves that they can do it. So I
• 52:39
  Speaker 1: hope that this does the same and inspires more people
• 52:42
  Speaker 1: to use their voices. Well, let's flash back to that
• 52:44
  Speaker 1: speech that Whoopee gave back in nineteen ninety one. I
• 52:47
  Speaker 1: want to thank everybody who makes movies. I come from
• 52:50
  Speaker 1: New York as a little kid, I lived in the projects,
• 52:53
  Speaker 1: and you're the people I watched. You're the people wanted
• 52:56
  Speaker 1: made me want to be an actor. I'm so proud
• 52:59
  Speaker 1: to be I'm proud to be an actor and I'm
• 53:01
  Speaker 1: gonna keep on acting and thank you so much. All right,
• 53:06
  Speaker 1: Jordan Pale said, it's about paying it forward to the
• 53:08
  Speaker 1: young people who might not believe they could achieve the
• 53:10
  Speaker 1: highest honor and whatever craft they want to push for.
• 53:13
  Speaker 1: I'm Angela Yee and that is your rumor report. All right,
• 53:16
  Speaker 1: thank you, miss ye Yes, sir, who are you giving
• 53:18
  Speaker 1: that down? Oh man, this is when cloud Chasing goes
• 53:21
  Speaker 1: all the way wrong. We need this guy named Terry
• 53:23
  Speaker 1: Bryant to come to the front of the congregation. We'd
• 53:25
  Speaker 1: like to have a world with him. All right, we'll
• 53:26
  Speaker 1: get into that when we come back. Keep it locked.
• 53:27
  Speaker 1: Just to Breakfast Club. I was born to Donkey. It's
• 53:32
  Speaker 1: the Donkey of the Death Charlemagne Devil Breakfast Club. Yes
• 53:50
  Speaker 1: Donkey Today for Tuesday March six, goes to a now
• 53:53
  Speaker 1: well known FLEXI about the name of Terry Bryant. Now,
• 53:55
  Speaker 1: I saw this story on TMZ and Shade Room yesterday
• 53:58
  Speaker 1: and first thing I said to myself was he needed
• 54:01
  Speaker 1: his ass beat. See, we live in an era cloud
• 54:04
  Speaker 1: chases ladies and ghetlemen. People want attention more than they
• 54:06
  Speaker 1: want money. I mean, people see contention so much, and
• 54:09
  Speaker 1: I'm starting to think there's somewhere in America where lights
• 54:11
  Speaker 1: and retweets pay the bills. I'm serious. The Internet is
• 54:14
  Speaker 1: like another planet nowadays. I don't even know where the
• 54:16
  Speaker 1: people on the Internet reside that in real life. The
• 54:18
  Speaker 1: people I see on the Internet I don't meet in
• 54:20
  Speaker 1: real life. I don't encounter that kind of rhetoric. I
• 54:22
  Speaker 1: don't encounter that kind of logic. Nothing that I see
• 54:25
  Speaker 1: online I run into in real life. And it's confusing
• 54:28
  Speaker 1: to me because we've been on social media a long
• 54:30
  Speaker 1: time since the MySpace days. Okay, I've seen the shifting
• 54:33
  Speaker 1: online culture. Fifteen years ago. The internet was an escape
• 54:37
  Speaker 1: from the real world. Not a real world is an
• 54:39
  Speaker 1: escape from the Internet because it's a very small minority
• 54:42
  Speaker 1: of people online who are who they say they are. Now,
• 54:46
  Speaker 1: Terry Bryant is one of those people who clearly likes
• 54:48
  Speaker 1: to escape the truth of the real world to live
• 54:50
  Speaker 1: a lie online. If you pick up your New York
• 54:53
  Speaker 1: Post this morning, then turn the page six. If you're
• 54:55
  Speaker 1: not in New York, you can just google Terry Bryant.
• 54:57
  Speaker 1: But it's a black man on the front page of
• 54:59
  Speaker 1: the New York Post and he's holding an Oscar in
• 55:00
  Speaker 1: his hand. Now that's not unusual because after this past Sunday,
• 55:04
  Speaker 1: I saw a lot of brothers holding oscars that weren't there,
• 55:06
  Speaker 1: but when they took a picture with said oscar, the
• 55:09
  Speaker 1: owner of the oscar was with him. For example, I
• 55:11
  Speaker 1: saw Daddy holding an Oscar, but it was Kobe's and
• 55:13
  Speaker 1: Kobe was in the picture. That's fine, nothing wrong with
• 55:16
  Speaker 1: that type of flexing. You're just picking up your man
• 55:18
  Speaker 1: who won an Oscar. Perfectly cool. But this guy, Terry Bryant,
• 55:22
  Speaker 1: has taken cloud chase into a new level. In fact,
• 55:24
  Speaker 1: in the past he's posted images holding awards. Last year
• 55:27
  Speaker 1: at the Vanity Fair party, he was holding up an Oscar,
• 55:30
  Speaker 1: and another post he held up a screen actors God
• 55:32
  Speaker 1: Award and said I proclaim it in Jesus's name, my
• 55:36
  Speaker 1: SAG Award, And in another post he said, twenty eighteen
• 55:40
  Speaker 1: SAG Awards, thank you, Lord God for your many blessings
• 55:43
  Speaker 1: in favor. Boy, Terry Bryant, you're playing with God like that.
• 55:46
  Speaker 1: I know for a fact he sends all your prayers
• 55:48
  Speaker 1: this fan folder talking about you highly favorite. Your name
• 55:51
  Speaker 1: never pops up as a favorite on Jesus's Netflix account
• 55:54
  Speaker 1: when you're lying on him like that. Okay, Oh, when
• 55:56
  Speaker 1: it gets worse, Terry Bryant, last year to MTV Awards
• 55:59
  Speaker 1: held up the Popcorn Trophy on Instagram and said it
• 56:02
  Speaker 1: was awesome at the twenty seventeen MTV Awards hashtag win
• 56:05
  Speaker 1: and what to me? Well, to me, this has to
• 56:08
  Speaker 1: be the most impressive of them all. He has used
• 56:11
  Speaker 1: the moniker DJ Mattari to attend Michael Jackson's funeral. I
• 56:16
  Speaker 1: don't know who was running the guest list for Michael
• 56:18
  Speaker 1: Jackson's funeral, but clearly they don't work for Rock Nation.
• 56:20
  Speaker 1: He made it. He made it in Oh go right
• 56:23
  Speaker 1: if you want to keep people out of a function,
• 56:24
  Speaker 1: UNI whoever runs the list for the Rock Nation brunch
• 56:27
  Speaker 1: whoever was running the list for that secret Oscars party
• 56:29
  Speaker 1: J and B had the other night, because I guarantee
• 56:31
  Speaker 1: you DJ Mattari would not be getting in side note,
• 56:34
  Speaker 1: why is this so easy to get in the Legends funerals.
• 56:36
  Speaker 1: I'm still trying to figure out how my father got
• 56:38
  Speaker 1: on stage at James Brown funeral. But that's neither hit
• 56:40
  Speaker 1: no there. Now, I want to describe Terry Bryant to
• 56:43
  Speaker 1: you before I tell you why he's getting donkey here today.
• 56:46
  Speaker 1: Terry Bryant looks like the fourth or fifth member of
• 56:49
  Speaker 1: every R and B group in the sixth Okay, kids,
• 56:52
  Speaker 1: turn to your parents and ask your mama about the Temptations.
• 56:54
  Speaker 1: She probably knows David Ruffin, She probably knows old This Williams,
• 56:57
  Speaker 1: probably knows Melvin Frank. She might know Eddie Kendricks. You
• 57:00
  Speaker 1: don't know that fifth guy. All right, parents, turn to
• 57:02
  Speaker 1: your kids and asked him about the A Sap Bob.
• 57:04
  Speaker 1: They know Rocky ain't no fur. He might know twelve,
• 57:07
  Speaker 1: but they don't know the other two on stage with him.
• 57:09
  Speaker 1: That's Terry Bryant. Clearly he rented a tuxedo from Men's Warehouse. Okay,
• 57:13
  Speaker 1: he's got the sleek slick back ponytail all right. Definitely
• 57:17
  Speaker 1: had a nylon and boar bristol brush that he used
• 57:21
  Speaker 1: to smooth out them screens. He definitely used a little
• 57:22
  Speaker 1: quarter sizes amount of head y'all sere him to provide hold,
• 57:25
  Speaker 1: but it won't make the head feel to look hard
• 57:27
  Speaker 1: and trenchy. Okay. He definitely spread it all over his
• 57:28
  Speaker 1: head to give it that wanted sheen, all right. He
• 57:30
  Speaker 1: definitely got a little spritch on it too for a
• 57:32
  Speaker 1: little role, okay. And I can't prove it, but I
• 57:34
  Speaker 1: think he's securing his ponytail with a bungee, all right,
• 57:36
  Speaker 1: you know it now. I'm saying all that to say
• 57:39
  Speaker 1: he looks like a complete con artist, and that's exactly
• 57:42
  Speaker 1: what he is. Because Terry Bryan on Sunday Night stole
• 57:46
  Speaker 1: Francis mcdorman's Oscar. Francis McDorman won the Best Actress Award
• 57:49
  Speaker 1: at the Oscars for her role in Three Billboards, chopping
• 57:52
  Speaker 1: the clues bombs for her. Okay, I saw her acceptance speech.
• 57:55
  Speaker 1: He seems like, seems like a lovely older woman. Nothing
• 57:58
  Speaker 1: about her set still from me unless you are a
• 58:01
  Speaker 1: complete trash human being. And that's exactly what Terry Brian is.
• 58:04
  Speaker 1: Terry Bryant stole franchise mcdorman's Oscar, took it right off
• 58:08
  Speaker 1: her table at the Governor's Ball, and by the way,
• 58:10
  Speaker 1: he didn't have a ticket to be in there. And
• 58:12
  Speaker 1: then he did what everybody does nowadays when they committed crime.
• 58:15
  Speaker 1: He took it to social media. Would you like to
• 58:18
  Speaker 1: hear this cloud chasing this well known flexor front for Facebook? Well,
• 58:21
  Speaker 1: here you go, you got this tonight. It's mine. We
• 58:25
  Speaker 1: got by Governor's ball. Baby. Congratulation, congratulation. What's up everybody looking?
• 58:42
  Speaker 1: I got this is why? That's crazy? I love you
• 58:46
  Speaker 1: face beans Academy Lord's baby for music. You know what
• 58:50
  Speaker 1: I can't believe I got a lot of sheen is pritty.
• 58:54
  Speaker 1: I don't know if it's a bunch of First of all,
• 58:57
  Speaker 1: first of all, let's talk about that. When you're a
• 58:58
  Speaker 1: black man at the Oscar or any Oscars after party
• 59:02
  Speaker 1: and you running around saying that you are an Oscar winner,
• 59:05
  Speaker 1: you look suspicious. Okay, it's not a lot of blackmail
• 59:09
  Speaker 1: Oscar winners. Okay. I know that a lot of white
• 59:11
  Speaker 1: people think all black men look alike, But Terry Bryant,
• 59:13
  Speaker 1: you look nothing like Sydney Partier. You look nothing like
• 59:16
  Speaker 1: hub Gooden Junior. You look nothing like Morgan Freeman. You
• 59:19
  Speaker 1: look nothing like Farrest would if you look nothing like
• 59:21
  Speaker 1: Denzel Washington. You look nothing like Marcella Ali You look
• 59:24
  Speaker 1: nothing like Jamie Foxx. You look nothing like Kobe Bryant.
• 59:27
  Speaker 1: You look nothing like Jordan Peel. None of them need
• 59:29
  Speaker 1: girls gotta sleek, sexy, slick back ponytail. Okay, there's only
• 59:33
  Speaker 1: two black men at the Oscars that night that should
• 59:35
  Speaker 1: have had oscars in their hand, and that's Kobe Bryant
• 59:37
  Speaker 1: and Jordan Peel. The only way Terry Bryant, they would
• 59:40
  Speaker 1: have accepted you having an oscar is if you said
• 59:42
  Speaker 1: you was holding it for somebody. That was absolutely the
• 59:45
  Speaker 1: dumbest thing you could do, because that black man with
• 59:47
  Speaker 1: an oscar is a very red club. You're running around
• 59:50
  Speaker 1: as a black man with an oscar. Only black people
• 59:53
  Speaker 1: who look more suspicious than you with an oscar. Was
• 59:55
  Speaker 1: three six molefield plus a black man winning an Oscar
• 59:57
  Speaker 1: for Best Actress is weird too, that's the fact. But
• 1:00:00
  Speaker 1: he said he was wanted from music. I don't think
• 1:00:01
  Speaker 1: nobody looked at the fine and by the way, if
• 1:00:03
  Speaker 1: three six Manfia didn't win that award on TV, nobody
• 1:00:06
  Speaker 1: would believe they had one either. All right, Terry Bryant
• 1:00:08
  Speaker 1: stole that oscar at the Governor's Ball and then walked
• 1:00:12
  Speaker 1: around the Governor's Ball taking picks. He didn't even trying
• 1:00:16
  Speaker 1: to go to another party, taking picks with it, letting
• 1:00:19
  Speaker 1: people pose with it. And as soon as Terry Bryant
• 1:00:22
  Speaker 1: got off Facebook, security at the event was alerted. All right,
• 1:00:26
  Speaker 1: they already knew to be on the lookout for Francis
• 1:00:27
  Speaker 1: mcdorma's missing oscar. They tracked down Terry Bryant, which wasn't
• 1:00:31
  Speaker 1: hard because he was right across the room. And he
• 1:00:32
  Speaker 1: was arrested on Sunday for suspicion of felony grand theft
• 1:00:36
  Speaker 1: with bill set at twenty k. Now do you think
• 1:00:39
  Speaker 1: a man with a rented tuxedo from Men's Walehouse and
• 1:00:42
  Speaker 1: a sleek slip back ponytail got twenty k for bond bill?
• 1:00:46
  Speaker 1: I doubt it, Nope, And he did it all in
• 1:00:48
  Speaker 1: the name McCloud. Please allow Rimmy Man to give Terry
• 1:00:51
  Speaker 1: Bryant the biggest he hall he ha he ha, You stupid,
• 1:00:55
  Speaker 1: mother dumb It can't be that serious. What does anybody
• 1:00:59
  Speaker 1: know what he does? He's a card artist. He got
• 1:01:02
  Speaker 1: I ain't gonna lie. He got pictures with everybody. I
• 1:01:05
  Speaker 1: mean Quincy Jones, I mean the party. Yeah, once you
• 1:01:10
  Speaker 1: in the room. Yes, beyond, he has two pictures will
• 1:01:13
  Speaker 1: Beyonce man Rock Nation brunch sucks, then Davy Wonder Let
• 1:01:16
  Speaker 1: me take that back about Rock Nation security. Let me
• 1:01:18
  Speaker 1: see he got two pictures with me. Let me see
• 1:01:22
  Speaker 1: right now, hold on, here's one right here, boy, jay Is,
• 1:01:24
  Speaker 1: there's one right there's here. I can't believe old slippers
• 1:01:27
  Speaker 1: like that. Yes, I'm gonna show you another. When he
• 1:01:29
  Speaker 1: got two old how you let that Mary j Blie
• 1:01:32
  Speaker 1: that cloud Chase to get that close to Beyonce. Let
• 1:01:35
  Speaker 1: me get that we've seen beyond. Remember when Beyonce came
• 1:01:39
  Speaker 1: the Powerhouse. Can anybody getting there Beyonce other than baby Jake,
• 1:01:43
  Speaker 1: Baby Baby Jake nine. Yeah, he got the picture. Here's
• 1:01:48
  Speaker 1: another one. He got a picture with Queen Maxine. This
• 1:01:49
  Speaker 1: to see the other one with Beyonce. It's two right there,
• 1:01:51
  Speaker 1: he put too there. I cannot believe this. You see.
• 1:01:54
  Speaker 1: This is why Jay so right now? Yeah, that's why
• 1:01:56
  Speaker 1: Jim making y'alls nine das and all kind of crazy
• 1:01:58
  Speaker 1: stuff like that. He's thinking that Jimmy Kim getting the
• 1:02:01
  Speaker 1: Rock Nation brunch right there because the Terry brun Hetty White,
• 1:02:04
  Speaker 1: halle Berry hut right, Wow, she's filling the team. This
• 1:02:11
  Speaker 1: is the rumor report with Angela Yee on the Breakfast Club.
• 1:02:15
  Speaker 1: So by now we all know that Jay Z and
• 1:02:17
  Speaker 1: Beyonce had their first ever Oscar party. Worried on the
• 1:02:20
  Speaker 1: street is it's going to be an annual event and
• 1:02:22
  Speaker 1: close friends didn't even know where it was until it
• 1:02:25
  Speaker 1: was happening. There said only about two hundred people were admitted.
• 1:02:27
  Speaker 1: It was in Chateau Marmon's garage and they actually had
• 1:02:31
  Speaker 1: a casino themed space. They said. The staffers at the
• 1:02:35
  Speaker 1: event were told not to refer to jay Z and
• 1:02:36
  Speaker 1: Beyonce by name, but only as the host and hostess
• 1:02:39
  Speaker 1: because nobody was supposed to know about this top secret location.
• 1:02:42
  Speaker 1: Nicki Minaj, by the way, was spotted. You know, she
• 1:02:44
  Speaker 1: hasn't been out in a breath too much, and there's
• 1:02:46
  Speaker 1: pictures of her actually going to the party as well.
• 1:02:48
  Speaker 1: I'm sure pictures. Yeah, Okay, So meanwhile, they got all
• 1:02:51
  Speaker 1: of these top secret parties. It's so difficult to get
• 1:02:54
  Speaker 1: into Rock Nation brunches. But Terry Bryant, the same guy
• 1:02:56
  Speaker 1: who stole Francis mcdorman's oscar, can get two pictures with
• 1:02:59
  Speaker 1: Beyonce on Red Company. Well that's his lifelong friend according
• 1:03:02
  Speaker 1: to his Instagram cast, So maybe it is now. Jay
• 1:03:04
  Speaker 1: Z and Beyonce also might be going on the run too.
• 1:03:07
  Speaker 1: That tour is supposedly coming soon. And that's all because
• 1:03:12
  Speaker 1: it was posted on Beyonce's Facebook and on Ticketmaster an
• 1:03:14
  Speaker 1: announcement that had a date for the tour July thirtieth
• 1:03:17
  Speaker 1: in Philly, but those posts were deleted very quickly. They
• 1:03:21
  Speaker 1: do have a screenshot of the Facebook page post and everything.
• 1:03:24
  Speaker 1: I'm excited about this. That means new album, right, That's
• 1:03:27
  Speaker 1: that's what that means. I'm DJ Kalett. New single is
• 1:03:31
  Speaker 1: also a nice precursor for that new album. Usually they
• 1:03:33
  Speaker 1: go in the room when they when they they usually
• 1:03:35
  Speaker 1: do tours when they have an album. When they when
• 1:03:36
  Speaker 1: they did last album, they didn't go. They didn't have
• 1:03:38
  Speaker 1: an album together. Never they've never had an album out together.
• 1:03:42
  Speaker 1: You're talking about why do I listen to you? Why
• 1:03:46
  Speaker 1: did you? I've been working with this man eight years
• 1:03:47
  Speaker 1: and I know you don't know what he's talking about.
• 1:03:49
  Speaker 1: I didn't even fall for that just but on the
• 1:03:52
  Speaker 1: red An album at the time they release, did she
• 1:03:55
  Speaker 1: release you know what? On the Run is my song?
• 1:03:58
  Speaker 1: Though I'm not gonna lie, so on the Run part
• 1:04:00
  Speaker 1: too would be awesome? All right now, Jamale Hill google it.
• 1:04:04
  Speaker 1: This is an interesting situation. X ESPN legal analysts Adrian
• 1:04:08
  Speaker 1: lost Lawrence is suing ESPN now some of the allegations
• 1:04:11
  Speaker 1: that she has. She says, they keep scorecards at ESPN
• 1:04:14
  Speaker 1: and rank and list each female colleague based on sexual attraction.
• 1:04:18
  Speaker 1: They frequently watch porn in the presence of female colleagues,
• 1:04:21
  Speaker 1: They openly describe female celebs with whom they would like
• 1:04:23
  Speaker 1: to have sex and then wonder what those celebs taste
• 1:04:26
  Speaker 1: like during sex. Just a lot of different things that
• 1:04:28
  Speaker 1: she has alleged happened at ESPN. So basically they're having
• 1:04:32
  Speaker 1: like a man talk around a woman. That's what it
• 1:04:35
  Speaker 1: sounds like to me. Well, listing in ranking your fellow
• 1:04:38
  Speaker 1: colleagues who are women is enough in front of environment.
• 1:04:42
  Speaker 1: That's pretty dumb to do it in front of one
• 1:04:43
  Speaker 1: of your fellow colleagues. And she said that she said,
• 1:04:45
  Speaker 1: they make pregnant broadcasts feel as if they could lose
• 1:04:47
  Speaker 1: their jobs if they take time off all kinds of things.
• 1:04:50
  Speaker 1: So these are just allegations right now now. One of
• 1:04:52
  Speaker 1: the things that Adrian Lawrence also said was that Chris
• 1:04:56
  Speaker 1: Burman left a racist voicemail for Jamie Hill, but Jamie
• 1:04:59
  Speaker 1: Hill has responded and said that never happened. She said,
• 1:05:01
  Speaker 1: a few years ago, I had a personal conflict with
• 1:05:03
  Speaker 1: Chris Burman. But the way this conflict has been characterized
• 1:05:06
  Speaker 1: as dangerously inaccurate. Chris never left any racially disparaging remarks
• 1:05:09
  Speaker 1: in my voicemail, and our conflict was handled swiftly and
• 1:05:12
  Speaker 1: with the utmost professionalism. I felt as if my concerns
• 1:05:15
  Speaker 1: were taken seriously by ESPN and addressed in a way
• 1:05:18
  Speaker 1: that made me feel like a valued employee. So she's
• 1:05:21
  Speaker 1: saying that never happened in that manner. Yikes. I feel
• 1:05:24
  Speaker 1: sorry for this young lady because she's standing alone in
• 1:05:26
  Speaker 1: this situation, and I'm sure if the environment at ESPN
• 1:05:30
  Speaker 1: is what she says it is, I'm sure other women
• 1:05:32
  Speaker 1: have experienced that, so she shouldn't be standing alone all right. Now,
• 1:05:35
  Speaker 1: A federal judge has ordered that Martin Screlly has to
• 1:05:37
  Speaker 1: hand over that Wootang album and also Little Wayne's Carter
• 1:05:41
  Speaker 1: five album. So he was convicted of securities for last year,
• 1:05:44
  Speaker 1: as you know, and he's been ordered to pay seven
• 1:05:46
  Speaker 1: point three million dollars in assets, which includes those two albums.
• 1:05:50
  Speaker 1: He had the Quarter five, Yes, I didn't know he
• 1:05:52
  Speaker 1: had the Carter five. I didn't know he bought that
• 1:05:53
  Speaker 1: one either. Yes, somehow he illegally managed to get that
• 1:05:56
  Speaker 1: Carter five album. He purchased it through a back channel deal.
• 1:05:59
  Speaker 1: And he even if you recall, leaks some of those tracks,
• 1:06:02
  Speaker 1: and Little Wayne had threatened legal action against him. All right, Well,
• 1:06:07
  Speaker 1: he also has to pay five million dollars in cash
• 1:06:09
  Speaker 1: and an e trade brokerage account, and also give up
• 1:06:12
  Speaker 1: his stake in the drug company and a Pablo Picasso
• 1:06:15
  Speaker 1: painting that he owns. Well, and you don't do right
• 1:06:16
  Speaker 1: by gools face, that's what happens to you. He's also
• 1:06:18
  Speaker 1: facing up to ten years in federal prison. He'll be
• 1:06:20
  Speaker 1: sentenced March night. God bless. I'm Angela Yee and that
• 1:06:24
  Speaker 1: is your rumor report. All right, thank you, miss Yee.
• 1:06:27
  Speaker 1: Up next to the People's Choice mixed let me know
• 1:06:28
  Speaker 1: what you want to hear at DJ Envy eight hundred
• 1:06:31
  Speaker 1: five eight five one oh five won't get your request
• 1:06:33
  Speaker 1: and revote. We'll see you tomorrow. It's the breakfast clud
• 1:06:35
  Speaker 1: Good morning,