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Hollywood's Greatest Muses · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: Bing bang boom, We've got an episode for you.
• 0:11
  Speaker 2: One of the key elements of art and the creation
• 0:16
  Speaker 2: of all the things you love is inspiration. And the
• 0:20
  Speaker 2: people that do the inspiring they've been tracked all the
• 0:23
  Speaker 2: way back to ancient Greece. They're actually inspired by a
• 0:27
  Speaker 2: myth and their name is a muse. That's right. Today
• 0:31
  Speaker 2: we're talking to artists. Muses like a.
• 0:36
  Speaker 3: Clay sculpture made of clay of a beautiful lady that
• 0:42
  Speaker 3: was probably modeled off of someone who inspired the sculptor.
• 0:47
  Speaker 3: And that's what amuses.
• 0:51
  Speaker 4: Exactly what she said, Sit down, relax and enjoy being inspired.
• 0:56
  Speaker 5: Let's listen in.
• 1:01
  Speaker 1: Hey everybody, Hey, how's it going? Oh? Hi, everybody? Nice?
• 1:07
  Speaker 5: This is cool.
• 1:09
  Speaker 3: Nice, It's wonderful.
• 1:10
  Speaker 2: It's really wonderful to be I really loved this energy today.
• 1:15
  Speaker 3: I really left seeing everybody today sunglasses?
• 1:19
  Speaker 5: Could you speak up? By a bad hearing?
• 1:20
  Speaker 1: Oh?
• 1:21
  Speaker 2: I'm sorry? Is it a little too quiet? My voice
• 1:24
  Speaker 2: doesn't go much louder than this, even when I'm angry,
• 1:27
  Speaker 2: even when I'm screaming, this kind of how are you?
• 1:31
  Speaker 2: Oh well, looks like my charms already worked on you.
• 1:36
  Speaker 2: I'll go last.
• 1:38
  Speaker 3: Oh understood, Well, I'll introduce myself. My name is Skeleton
• 1:47
  Speaker 3: brimble Bones, and I am Tim Burton's muse.
• 2:02
  Speaker 5: I'm crying.
• 2:08
  Speaker 3: Yeah, it's true. My name is Skeleton brimble Bones. And
• 2:12
  Speaker 3: I was discovered in Bavaria by one young Tim Burton
• 2:18
  Speaker 3: in his early teens. He discovered me burrowed into a
• 2:22
  Speaker 3: tree as I was camping, and as I was bones,
• 2:27
  Speaker 3: and he took me back to his home and said,
• 2:31
  Speaker 3: I think there's something about you, and that is what
• 2:35
  Speaker 3: inspired the greatest movie maker of our generation.
• 2:40
  Speaker 2: Quick question, Skeleton, Brible Bones, Quick question for you? Are
• 2:45
  Speaker 2: you of this earth? Are you a being of human being?
• 2:49
  Speaker 1: Well?
• 2:49
  Speaker 3: I used to be of this earth. You see. I
• 2:51
  Speaker 3: used to be a young woman named Elise Thornberry. I
• 2:56
  Speaker 3: was a villager in Bavaria, and I was a bread worker.
• 3:03
  Speaker 3: I worked with bread. And then when I died of
• 3:06
  Speaker 3: a horrible scarlet fever, my bones were perfectly preserved in
• 3:11
  Speaker 3: a tree. And then when Tim Burton happened upon them,
• 3:15
  Speaker 3: lightning struck at the very next time, animating me into
• 3:19
  Speaker 3: a wonderful pile of bones and thorns.
• 3:24
  Speaker 5: Your eyes are the biggest things I've ever seen in there.
• 3:27
  Speaker 1: They're just holes, They're just dark holes.
• 3:29
  Speaker 2: Yes. Can I call them eyes?
• 3:31
  Speaker 5: Baby?
• 3:32
  Speaker 2: Can I call them eyes darling?
• 3:34
  Speaker 3: Yes? For well, this is a question I've off debated
• 3:37
  Speaker 3: in a philosophical sense. Are the absence of eyes in
• 3:41
  Speaker 3: them themselves? Eyes? If I see you say no.
• 3:46
  Speaker 2: You see? Well, yeah, that's that's I guess that's one
• 3:49
  Speaker 2: of the incredible questions. And I see why you're inspiring
• 3:51
  Speaker 2: so much heart. Does you bring a lot of mystery
• 3:54
  Speaker 2: to it?
• 3:55
  Speaker 5: Your first name is skeletons.
• 3:57
  Speaker 3: If my first name is skeleton, did you change skeleton
• 4:01
  Speaker 3: my name? I am named after what I am, which
• 4:04
  Speaker 3: is a skeleton.
• 4:05
  Speaker 1: Did you choose that name or did somebody else choose
• 4:08
  Speaker 1: that name?
• 4:09
  Speaker 3: Tim chose it?
• 4:10
  Speaker 1: Tim, I thought chose it.
• 4:12
  Speaker 3: He's I said, well, my name was Elise in a
• 4:15
  Speaker 3: former life, and he said you look more like a
• 4:17
  Speaker 3: skeleton to me. I'll call you Skeleton.
• 4:21
  Speaker 2: Well, it's nice to meet you, and I'm grateful for
• 4:23
  Speaker 2: everything you've brought forth. That's amazing.
• 4:27
  Speaker 3: Well, lovely to be here.
• 4:28
  Speaker 1: Since you're going last, I guess i'll go, Hey, everybody,
• 4:32
  Speaker 1: my name is Derek Schuman and I am Rihanna's muse.
• 4:38
  Speaker 3: So, Rihanna's music is inspired by a man.
• 4:41
  Speaker 1: Named Derek Derek Schuman.
• 4:43
  Speaker 2: Yeah.
• 4:44
  Speaker 1: So uh, basically every single thing that Rihanna has touched
• 4:47
  Speaker 1: I have somehow inspired.
• 4:51
  Speaker 5: Oh so you like it? You like it dirty? Don't
• 4:53
  Speaker 5: you you like No.
• 4:55
  Speaker 1: That's not me. I am just she She likes to
• 4:58
  Speaker 1: use her imagination around. Sometimes I'll say something out of
• 5:01
  Speaker 1: context and Rihanna just runs with it.
• 5:04
  Speaker 2: You know.
• 5:05
  Speaker 1: One time I was a little feisty to a waiter
• 5:08
  Speaker 1: and she said, come on, rude boy, and then we
• 5:10
  Speaker 1: were off to the races with me. Yeah.
• 5:13
  Speaker 5: You don't like whips and chains?
• 5:15
  Speaker 3: Oh?
• 5:15
  Speaker 5: I hate them.
• 5:15
  Speaker 1: I'm very scared of them. That's kind of why she
• 5:17
  Speaker 1: wrote that song to kind of scare me into a
• 5:20
  Speaker 1: corner a little bit.
• 5:21
  Speaker 2: And so, what's your relationship? Are you guys? Friends? You guys? Lovers?
• 5:24
  Speaker 1: Yeah, we're friends, we're lovers, We're kind of all of it. Yeah.
• 5:28
  Speaker 1: So I was Rihanna's lover for two days and she
• 5:32
  Speaker 1: has never let me go. I've been circulating her life
• 5:36
  Speaker 1: for years and years and years and years. And how
• 5:39
  Speaker 1: did you meet on a cruise? I was on a
• 5:43
  Speaker 1: cruise Rihanna before she got started kind of kind of
• 5:48
  Speaker 1: and surprisingly she was also on a cruise. I was
• 5:50
  Speaker 1: working the cruise. It was one of those days where
• 5:53
  Speaker 1: you know it's just everything is right. I'm shooting way
• 5:56
  Speaker 1: above my league and and something happens. I don't know.
• 6:01
  Speaker 1: I saw this girl from across the cruiseway and she
• 6:04
  Speaker 1: is staring me down. She is giving me daggers in
• 6:08
  Speaker 1: my eyes, and I'm like, who, Derek, what is happening here?
• 6:13
  Speaker 1: I had no idea what was happening. Turns out it
• 6:15
  Speaker 1: was Rihanna, and that night after we made love, she
• 6:18
  Speaker 1: wrote the song pun to Replay, which was her first
• 6:21
  Speaker 1: big hit, based off of our sexual encounter.
• 6:25
  Speaker 3: What do you think it is about you that keeps
• 6:27
  Speaker 3: her coming back?
• 6:29
  Speaker 1: You know skeletons. If I could figure it out, I
• 6:32
  Speaker 1: would be a billionaire. But I cannot figure it out.
• 6:36
  Speaker 3: So you see a cut of any of those success.
• 6:39
  Speaker 1: No no muses. Notoriously, we could talk about the Muse
• 6:42
  Speaker 1: Union the Muse, but we don't have to because we
• 6:46
  Speaker 1: talk about you. We probably will because we always talk
• 6:49
  Speaker 1: about the Union. You know.
• 6:50
  Speaker 2: It's funny when I when I signed the contract to
• 6:52
  Speaker 2: be on this podcast, they said, please mention a union
• 6:55
  Speaker 2: of some kind.
• 6:56
  Speaker 4: They told me that this podcast lately is heavy heavy
• 7:01
  Speaker 4: on union.
• 7:02
  Speaker 1: I wonder why. I wonder why this podcast is so
• 7:05
  Speaker 1: heavy on unions recently in specifics in contract, we.
• 7:08
  Speaker 3: Advise you to talk about unions and the contracts or
• 7:11
  Speaker 3: else they'll cut it out.
• 7:13
  Speaker 1: Well, our union is more of a social gathering than anything. Really,
• 7:17
  Speaker 1: that is a So yeah, I.
• 7:19
  Speaker 3: Sort of have a social contract, I would say to
• 7:23
  Speaker 3: the product of our musings.
• 7:25
  Speaker 1: M hm. So yeah. So, as we all know, as muses,
• 7:28
  Speaker 1: we rarely see royalties, if any. I mean, I don't
• 7:32
  Speaker 1: think I've ever gotten a royalty from being the star
• 7:35
  Speaker 1: of a Rihanna song, because it's ip, you know, it's
• 7:38
  Speaker 1: it's it's kind of like it's I don't own the
• 7:41
  Speaker 1: idea of how they feel about me.
• 7:43
  Speaker 3: To be fair, who would believe you?
• 7:46
  Speaker 1: Yeah, exactly. So far, it's been tough to convince anybody
• 7:50
  Speaker 1: that I have Rihanna's muse, you have no idea.
• 7:53
  Speaker 5: But god, okay, I guess i'll go now.
• 7:57
  Speaker 2: I can go. Okay, I'm just kidding. I'm going with that.
• 8:01
  Speaker 5: I thought.
• 8:01
  Speaker 4: So I had a feeling. Wow, how tantalizing. Hey, guys,
• 8:07
  Speaker 4: I am Rachelle. I am. I'll first tell you a
• 8:13
  Speaker 4: little bit about me, because that is more understandable to
• 8:15
  Speaker 4: me than me being amused.
• 8:17
  Speaker 5: I don't know. I don't really know who. I'll get
• 8:21
  Speaker 5: to this soon.
• 8:22
  Speaker 4: I'm a womanizer, I self proclaimed. I love being quirky
• 8:29
  Speaker 4: about that. I'm a single dad and I see a
• 8:33
  Speaker 4: lot of women. I'm also a scientist, and just recently
• 8:37
  Speaker 4: I was told that I am Chuck Lorie's muse. I
• 8:43
  Speaker 4: don't get it. I don't understand it.
• 8:47
  Speaker 5: I don't know who he is.
• 8:49
  Speaker 4: But that's just I mean, I've done some research lately
• 8:52
  Speaker 4: and I've been I've been amazed.
• 8:54
  Speaker 1: Well, can I.
• 8:55
  Speaker 3: Ask you, are you often placed in somewhat farcical situation
• 9:00
  Speaker 3: involving family antics, physical gags?
• 9:04
  Speaker 1: Well?
• 9:04
  Speaker 3: I realized and whatnot?
• 9:07
  Speaker 4: Well, yes, when I realized I was his muse, it
• 9:10
  Speaker 4: made sense to me because something that happens to me
• 9:13
  Speaker 4: often is I go to pick up my son from
• 9:14
  Speaker 4: school because I'm a single parent, and I often realized
• 9:18
  Speaker 4: that I fucked the teacher before, and I go, oh, oh,
• 9:22
  Speaker 4: that teacher and I have slept together. Also, I'm a brilliant, genius,
• 9:26
  Speaker 4: quirky scientist boy.
• 9:28
  Speaker 1: Yeah, so we get it. I think we get it
• 9:30
  Speaker 1: because you fucked people, so that's the muse for two
• 9:32
  Speaker 1: and a half men. But you're scientists, so that's big bangs.
• 9:38
  Speaker 2: My name is racial.
• 9:41
  Speaker 4: And uh, I'm thinking it's what I hear about from
• 9:46
  Speaker 4: Sheldon young s.
• 9:50
  Speaker 1: You think he took your first name and added done
• 9:53
  Speaker 1: to it.
• 9:53
  Speaker 5: He got it?
• 9:54
  Speaker 1: Yeah, people are talking.
• 9:57
  Speaker 3: About big bang theory, but you did not inspec I
• 10:00
  Speaker 3: are young Sheldon in the same way.
• 10:02
  Speaker 5: Just my name took that name?
• 10:05
  Speaker 1: Yes, got it?
• 10:06
  Speaker 5: Yes? And where I'm from?
• 10:08
  Speaker 4: I heard you say that, lovely lady. I am from
• 10:11
  Speaker 4: every single suburb in the world.
• 10:14
  Speaker 5: I lived in all of the suburbs in Army Brat. Yeah,
• 10:18
  Speaker 5: I guess you could say that. Boom.
• 10:22
  Speaker 2: Where did that come from? Do you have drums with you?
• 10:24
  Speaker 5: I just like saying things quickly and getting out early. Boom.
• 10:29
  Speaker 2: No, but the drum sound are you? Is everyone else
• 10:32
  Speaker 2: hearing that?
• 10:33
  Speaker 3: I am hearing the drum sounds, but I can't tell
• 10:35
  Speaker 3: where they're coming from.
• 10:36
  Speaker 1: Is there?
• 10:36
  Speaker 3: Do you have a hot key?
• 10:38
  Speaker 2: No?
• 10:38
  Speaker 4: Sometimes they're like to do that to make my jokes choppier,
• 10:41
  Speaker 4: like like.
• 10:42
  Speaker 1: My dick boom, oh, dick.
• 10:46
  Speaker 4: Man, I'm more risque than I hear Chuck Laurie's work
• 10:49
  Speaker 4: is Anyway, who are you?
• 10:51
  Speaker 1: I want to say before we move on, are you
• 10:53
  Speaker 1: potentially from Detroit or no one? Nurse? Because do you
• 10:58
  Speaker 1: are you either of those things? Wait?
• 11:03
  Speaker 2: Hold on?
• 11:04
  Speaker 1: Are you from the Twitter? Do you know a nurse?
• 11:08
  Speaker 5: A classic interview question.
• 11:13
  Speaker 3: That's a gotcha question telling you guys.
• 11:15
  Speaker 1: If Rihanna was here, it would have been a song.
• 11:17
  Speaker 2: That's a dinner game.
• 11:18
  Speaker 5: I like the story of my parents. Those are my parents?
• 11:21
  Speaker 5: So you was a nurse and my dad is from Detroit.
• 11:24
  Speaker 1: Your story is Bob Hart's Abashola famous Chuck Laury. So
• 11:30
  Speaker 1: your mom is a Nigerian immigrant and your dad is
• 11:32
  Speaker 1: a middle aged businessman from Detroit. Yeah.
• 11:35
  Speaker 4: The woman I'm dating currently is named Alice and Janny
• 11:38
  Speaker 4: and she is not a mom anyway.
• 11:42
  Speaker 1: Oh that's mom. Mom's got it. Yeah, everything about you
• 11:45
  Speaker 1: is screaming, Chuck Laurie.
• 11:47
  Speaker 3: Do you ever frequent the Kathy Bates owned weed store?
• 11:52
  Speaker 5: Oh no, what is that?
• 11:55
  Speaker 1: The short lived show about weed that they made really quickly.
• 11:59
  Speaker 3: Was on Netflix. It was Volticam for Netflix. They were
• 12:01
  Speaker 3: going to bring Multicam to streaming.
• 12:04
  Speaker 4: Yes, I've been told I'm only his multiicam news any
• 12:07
  Speaker 4: single cam.
• 12:08
  Speaker 5: He doesn't know.
• 12:09
  Speaker 1: Oh not the Kaminsky method, got it?
• 12:11
  Speaker 2: God, I wish I could know what everyone was talking about.
• 12:17
  Speaker 2: But all right, I believe it. I don't know. I
• 12:20
  Speaker 2: don't know the TV are TV? Oh?
• 12:23
  Speaker 1: Who are you?
• 12:24
  Speaker 5: And can I get your phone number?
• 12:25
  Speaker 2: But I guess I guess it's might And why is
• 12:28
  Speaker 2: it a joke that you'd want my phone number? Listen,
• 12:33
  Speaker 2: my real name is Agnes Barrell. But if you were
• 12:38
  Speaker 2: in Los Angeles in the late sixties early seventies you
• 12:41
  Speaker 2: might know me. As later, I.
• 12:45
  Speaker 3: Can't hear you at all.
• 12:47
  Speaker 1: I'm going to be real.
• 12:48
  Speaker 5: You're gonna have to eat the mic.
• 12:51
  Speaker 2: I'm turning my mic up. I've never used a mic before.
• 12:55
  Speaker 2: This is actually a huge deal that I'm being recorded.
• 12:59
  Speaker 2: They call me Lady Lavender.
• 13:01
  Speaker 1: I've heard late.
• 13:02
  Speaker 2: Sixties, early seventies. I was big in the Laurel Canyon scene.
• 13:09
  Speaker 3: And do you know what you have inspired? Or is
• 13:12
  Speaker 3: it sort of everything?
• 13:14
  Speaker 1: Oh?
• 13:14
  Speaker 2: I've inspired many things. I was in the room when
• 13:16
  Speaker 2: the Mamas and the papas became. You know, when I
• 13:19
  Speaker 2: got there, there was a room full of mamas, and
• 13:21
  Speaker 2: there was a room full of papas. Then I brought
• 13:23
  Speaker 2: them together.
• 13:24
  Speaker 1: You know what I mean.
• 13:26
  Speaker 2: My god, I'm the one who got Crosby, Stills, Nash
• 13:29
  Speaker 2: and Young together, and I'm the one who got Nash
• 13:31
  Speaker 2: out of it later. Yes, the sixties and the seventies
• 13:35
  Speaker 2: were a swinging time, and I was involved in every
• 13:38
  Speaker 2: single step the way.
• 13:39
  Speaker 1: I got to say, I'm more like a manager than amused.
• 13:42
  Speaker 2: No, no, no, I was a mute. I had little ideas. See,
• 13:46
  Speaker 2: I was a sixteen year old girl in rural Illinois,
• 13:50
  Speaker 2: not knowing what I was doing. I was screaming with
• 13:53
  Speaker 2: my dad. I was fighting with my mom, and I
• 13:56
  Speaker 2: got a train and I had twenty dollars in my pocket.
• 13:58
  Speaker 2: I let it end up in Los Angeles City Dreams,
• 14:00
  Speaker 2: and I said, time to make something for myself. So
• 14:03
  Speaker 2: I started hanging out with people. I met some guy.
• 14:06
  Speaker 2: He said, hey, I like the way you move. I
• 14:08
  Speaker 2: say thanks. He said, you look wonderful tonight. That man
• 14:10
  Speaker 2: it was Eric Clapton.
• 14:12
  Speaker 1: Wow.
• 14:14
  Speaker 2: You see, I just was around the scene. The scene
• 14:17
  Speaker 2: was me. I was the scene. We were all with
• 14:19
  Speaker 2: each other. And let's just say the swing in sixties
• 14:23
  Speaker 2: wouldn't happen without me. Let's just say I'm the person
• 14:26
  Speaker 2: that told Sharon Tate to go to that restaurant.
• 14:29
  Speaker 1: Oh god, I.
• 14:31
  Speaker 3: Ask if you.
• 14:32
  Speaker 2: Were to ask, I knew you were going to ask.
• 14:36
  Speaker 2: And I'll tell you that was a drag. That was
• 14:38
  Speaker 2: a big drag.
• 14:39
  Speaker 1: You were the person that gave Jimmy Hendricks all that
• 14:42
  Speaker 1: but those drugs.
• 14:43
  Speaker 2: Right, Yes, you might have heard about that. Huh, yes, yes,
• 14:47
  Speaker 2: so let's let's talk about it. I usually don't get
• 14:49
  Speaker 2: into it. So here's the thing. This is why I
• 14:52
  Speaker 2: don't really get on recordings. I am in charge. I'm
• 14:55
  Speaker 2: responsible for a lot of some of the greatest music,
• 14:58
  Speaker 2: a lot of the greatest song of all time. And
• 15:01
  Speaker 2: I'm also in charge and responsible for a lot of
• 15:04
  Speaker 2: the overdoses. And I'm not proud of it.
• 15:08
  Speaker 1: Babies, I would assume to be amused back then. Yeah,
• 15:12
  Speaker 1: it's kind of lose some.
• 15:14
  Speaker 2: Yeah, I mean, you muse manager drug pusher. It's all
• 15:18
  Speaker 2: over the place. But the thing is, we were sonoring
• 15:21
  Speaker 2: cocaine like it was cold medicine. You have to understand that,
• 15:24
  Speaker 2: you know, we have to understand that. You guys have
• 15:29
  Speaker 2: to understand that everyone was like flower at the grocery store.
• 15:32
  Speaker 2: You have to understand it. Was a different time.
• 15:34
  Speaker 5: Miss Lavender, how would you like me to address you?
• 15:37
  Speaker 2: You can call me Lady Lavender.
• 15:38
  Speaker 5: Lady Lavendar.
• 15:39
  Speaker 2: Uh yeah.
• 15:40
  Speaker 5: Have you ever been approached for a docu series of
• 15:43
  Speaker 5: some sort?
• 15:43
  Speaker 2: I've been approached, Yeah, I've been approached by Marty. I've
• 15:46
  Speaker 2: been approached by Steven. I've been approached by Quentin. I've
• 15:49
  Speaker 2: been approached by Werner Hertzog. I almost said yes to
• 15:51
  Speaker 2: his but and why.
• 15:54
  Speaker 3: No, why say why that spotlight?
• 15:57
  Speaker 2: I don't want the spotlight. I don't want the attention
• 16:00
  Speaker 2: of the public. I wanted the intention of the artists.
• 16:03
  Speaker 2: Don't you understand that's what I like?
• 16:05
  Speaker 5: Don't you understand how you get?
• 16:08
  Speaker 2: Yeah?
• 16:09
  Speaker 1: Well, a good question for all of us is how
• 16:13
  Speaker 1: we survive. So I love.
• 16:16
  Speaker 2: The life of a muse is difficult. We don't get
• 16:18
  Speaker 2: life rights, we don't get IP, we don't sell, you know,
• 16:20
  Speaker 2: and if you're a true muse, you're not going to
• 16:22
  Speaker 2: become a mainstream artist. So I work at a I
• 16:26
  Speaker 2: work at a Vonn's and Canoga Park and it is awesome, Babies,
• 16:33
  Speaker 2: It's really nice. I'm the person who I basically oversee
• 16:38
  Speaker 2: the produce.
• 16:39
  Speaker 5: Section and you oversee it.
• 16:41
  Speaker 2: Yeah, and usually I sing along to the fake thunderstorms.
• 16:46
  Speaker 2: When the water comes down and sprinkles all over the groceries,
• 16:48
  Speaker 2: I usually stand there, and I stand there like it's
• 16:52
  Speaker 2: gonna rain. It's gonna rain.
• 16:57
  Speaker 3: You feel about you.
• 16:59
  Speaker 2: They're not on that side of the store. Baby. They
• 17:01
  Speaker 2: don't know what I'm doing over there.
• 17:02
  Speaker 1: Oh you got it. They're just never over there.
• 17:07
  Speaker 2: I'm in charge of the produce, so I get to see,
• 17:09
  Speaker 2: you know. I always send them away. I have a moment.
• 17:11
  Speaker 2: But the consumers, the customers.
• 17:13
  Speaker 5: Brim bones. How do you pay the rent?
• 17:15
  Speaker 2: Yes, how do you pay the rent? Skelet and Briones.
• 17:18
  Speaker 3: Well, it's pretty tough. I'm uh. Tim, I will say
• 17:23
  Speaker 3: he has been very generous. He has set me up
• 17:26
  Speaker 3: with an apartment in Burbank and so I live there
• 17:30
  Speaker 3: in a studio apartment. He could do better, He could
• 17:34
  Speaker 3: do better, I'd say. I looked it up on Zillow.
• 17:38
  Speaker 3: He's paid three hundred dollars a month and the place
• 17:43
  Speaker 3: is a mess. The place is disgusting. And I really
• 17:46
  Speaker 3: I know he's got money. I looked up his net worth.
• 17:49
  Speaker 3: I said, Tim, you're with millions. The least you could
• 17:52
  Speaker 3: do is throw me a bone. Here, and he says, no,
• 17:55
  Speaker 3: I don't know what you're talking about. These websites they lie,
• 17:58
  Speaker 3: they're all made by A and whatnot.
• 18:01
  Speaker 1: Oh, he's really anti AI. Good to know. Good to know.
• 18:04
  Speaker 3: Yes he's anti AI. That is something he has going
• 18:08
  Speaker 3: for him. But I do work at Spirit Halloween's once
• 18:12
  Speaker 3: a year. That's kind of my super Bowl. I sort
• 18:16
  Speaker 3: of linger around. I do a little song and dance,
• 18:19
  Speaker 3: and a lot of times people think that I'm one
• 18:21
  Speaker 3: of the toys, one of the toys that you press
• 18:23
  Speaker 3: and they dance and sing. But I have been doing
• 18:27
  Speaker 3: it for tips and I it has been quite lucrative.
• 18:31
  Speaker 3: I typically sob at the end of it, and that
• 18:34
  Speaker 3: gets people on my side. I just hang around, acting
• 18:38
  Speaker 3: spooky and scary up and that's what gets him to
• 18:43
  Speaker 3: continue talking to me, and that's what gets the people
• 18:46
  Speaker 3: to continue paying me.
• 18:48
  Speaker 1: I gotta say, this sounds awful, like a devastating life,
• 18:52
  Speaker 1: but it sounds like you're tied to him in some
• 18:55
  Speaker 1: way to hang out with him.
• 18:57
  Speaker 3: It's absolutely wonderful. I was a reanimated pile of bones,
• 19:02
  Speaker 3: and now I get to live forever. Some would say
• 19:06
  Speaker 3: have to, but I get to I have to choose
• 19:09
  Speaker 3: to get to Yes, it's been pretty good. And to
• 19:14
  Speaker 3: answer your question, which was what what was it? It was?
• 19:16
  Speaker 3: It was? It was do I have to hang out
• 19:18
  Speaker 3: with him?
• 19:18
  Speaker 1: Yes?
• 19:19
  Speaker 3: Yes, I signed a blood oath with the with a
• 19:24
  Speaker 3: few drops of blood I had left in my fingers,
• 19:27
  Speaker 3: and I signed an oath on a scary pumpkin with
• 19:31
  Speaker 3: me and mister Burton, that our souls are entwined forever,
• 19:35
  Speaker 3: not in marriage, but in art, which is scarier.
• 19:39
  Speaker 1: What is happening in Bavaria? That's my question, this.
• 19:45
  Speaker 3: Pretzels beer. I think there's still u. I think there's
• 19:51
  Speaker 3: still some some scary demons in the woods. But I
• 19:55
  Speaker 3: don't miss my homeland. I the valley was an adjustment.
• 20:00
  Speaker 1: I'm sure. The difference of the word let me tell
• 20:04
  Speaker 1: you to make it's a little different.
• 20:08
  Speaker 2: The valley is an adjustment for everyone. When I went
• 20:10
  Speaker 2: from Laurel Canyon to Canoga Park, I might as well
• 20:12
  Speaker 2: have moved to Mars.
• 20:14
  Speaker 5: I agree with you on that, lady.
• 20:17
  Speaker 1: I've always lived in the valley. I have always lived
• 20:20
  Speaker 1: in the valley. That's just where I was born. And
• 20:22
  Speaker 1: what do you do, Derek, I'm a life insurance salesman,
• 20:25
  Speaker 1: a technician, really I kind of adjust, claims.
• 20:29
  Speaker 2: Yeah, what do you so that's what you do for work?
• 20:30
  Speaker 2: Work work, work, work? Is that?
• 20:32
  Speaker 1: Well, that's actually what inspired it. One day I was
• 20:35
  Speaker 1: really stressed out and it's just all all the life
• 20:39
  Speaker 1: is work, work, work, work, work, And Rihanna kisses me
• 20:43
  Speaker 1: and sprints away from me. Chris is me, grabs my
• 20:45
  Speaker 1: face saying you're never leaving me, You're never leaving me,
• 20:48
  Speaker 1: and then runs away to a studio. And that's what
• 20:51
  Speaker 1: she does. She loves doing that. She'll call me into
• 20:53
  Speaker 1: the studio to just stand or dance or do whatever
• 20:56
  Speaker 1: I need to do.
• 20:58
  Speaker 5: Can I say something a little in a go ahead?
• 21:03
  Speaker 4: I just understand where men and women go and where
• 21:06
  Speaker 4: their places are.
• 21:08
  Speaker 3: Men and women different.
• 21:10
  Speaker 4: Men are idiots, women are crazy. And I think that's
• 21:13
  Speaker 4: just my fundamental life philosophy. And I think, Derek, you
• 21:17
  Speaker 4: are such an average guy. And Rihanna is such a sexy,
• 21:22
  Speaker 4: bombshell woman. I'm curious why she she uses you. Do
• 21:28
  Speaker 4: you have a big monster in the bedroom?
• 21:33
  Speaker 1: What do you mean like my stuffed animal?
• 21:34
  Speaker 2: Now?
• 21:35
  Speaker 1: I don't really, Uh.
• 21:36
  Speaker 5: You must be a heck of a lover.
• 21:39
  Speaker 1: Well, I think maybe that might be it. I mean,
• 21:42
  Speaker 1: she was she did after we had sex. She was
• 21:46
  Speaker 1: looking at me and then I apologized, obviously, as I
• 21:50
  Speaker 1: do after every time I have sex, and she was
• 21:55
  Speaker 1: just hounding me. I think, really, what it is is
• 21:58
  Speaker 1: I'm so normal and boring. You can't figure me out,
• 22:01
  Speaker 1: and some of the things I do kind of so
• 22:04
  Speaker 1: the other. You know, a couple of years ago, it's raining,
• 22:07
  Speaker 1: I'm getting pelted on. I'm struggling opening this umbrella I
• 22:10
  Speaker 1: cannot figure out. Pops open. All of a sudden, the
• 22:13
  Speaker 1: gust of wind is taking me three three blocks down
• 22:15
  Speaker 1: and I'm going real help. Three weeks later, umbrella drops
• 22:20
  Speaker 1: at number one. I don't know what it is. I
• 22:24
  Speaker 1: really have no idea what it is about me that
• 22:26
  Speaker 1: that causes her. But it's kind of like an ugly puppy,
• 22:30
  Speaker 1: you know, where you just can't figure it out. You
• 22:33
  Speaker 1: just can't figure it out, but you think it's cute.
• 22:34
  Speaker 3: So you want to know that's a rule, that's sam
• 22:37
  Speaker 3: go ahead.
• 22:38
  Speaker 2: Well, that's just a rule of muses. Baby. You don't
• 22:40
  Speaker 2: have to be good. You don't have to be bad.
• 22:42
  Speaker 2: You just have to be interesting. There has to be
• 22:44
  Speaker 2: it has to be bewildering. You know, I was gonna say, Ray,
• 22:47
  Speaker 2: you were asking if he was a good lover. You
• 22:49
  Speaker 2: don't even have to be a good lover to inspire
• 22:51
  Speaker 2: a song. I inspired the Buffalo Springfield song bad Lover,
• 22:55
  Speaker 2: and it was just a night where I was really
• 22:58
  Speaker 2: phoning it in with Stephen Stills, and that's what it happened,
• 23:03
  Speaker 2: and that, of course reached the charts.
• 23:06
  Speaker 1: I guess that's the question, who's a good lover here?
• 23:09
  Speaker 1: I guess maybe this.
• 23:11
  Speaker 2: I can turn it on.
• 23:15
  Speaker 5: Rocket bed see.
• 23:18
  Speaker 1: Okay, I'm gonna break it down. I think bones is
• 23:20
  Speaker 1: actually really good. Skeleton is really good. Okay, Rachel, there's
• 23:27
  Speaker 1: no way you're good in bed. Get in bed in
• 23:29
  Speaker 1: the way.
• 23:30
  Speaker 5: That the sheets are always moving under the.
• 23:32
  Speaker 1: Sh that's not a good thing. That's sim says use.
• 23:41
  Speaker 3: Bras are on with Rachel.
• 23:44
  Speaker 5: Bras on. I like central lights in the in the room,
• 23:49
  Speaker 5: in the bedroom.
• 23:50
  Speaker 3: Central lights, bra on. She's moving up and down like
• 23:54
  Speaker 3: she's moving up.
• 23:55
  Speaker 5: And down like a cartoon.
• 23:57
  Speaker 1: I will say, bras are tough to take off. I
• 24:00
  Speaker 1: cannot figure them out.
• 24:02
  Speaker 2: Oh, I can show you how to take them off.
• 24:05
  Speaker 2: I can show you how to take him off with
• 24:06
  Speaker 2: your tongue, darling. I can show you.
• 24:09
  Speaker 3: No, I'm bullshit show.
• 24:10
  Speaker 1: Us right now.
• 24:13
  Speaker 2: Well, I couldn't do it to myself, and I'm currently
• 24:16
  Speaker 2: being quarantined for shingles. Though I couldn't, I can't do
• 24:23
  Speaker 2: it to anyone else.
• 24:24
  Speaker 3: Lady Lavender, have you ever been vaccinated?
• 24:27
  Speaker 2: Of course, baby, I was. I was. I was the
• 24:31
  Speaker 2: muse for a pharmaceutical company in the eighties for a
• 24:33
  Speaker 2: little bit.
• 24:36
  Speaker 3: Sore because you were so diseased.
• 24:42
  Speaker 2: Darling. Yes, darling, you have me to thank for the
• 24:45
  Speaker 2: gunner Reea vaccine. I'll tell you that much. Yes, Darling,
• 24:49
  Speaker 2: I was walking around just full blown ghana all over
• 24:53
  Speaker 2: the place, baby, all over the place. They came to
• 24:58
  Speaker 2: me and they said, we've got to something about that.
• 25:03
  Speaker 5: If you guys said, if we have the goneria vaccine
• 25:06
  Speaker 5: to think.
• 25:06
  Speaker 4: To you, you guys have me to think for when uh,
• 25:13
  Speaker 4: mistaken identities.
• 25:15
  Speaker 5: Okay, you might think that Shakespeare.
• 25:17
  Speaker 1: So yeah, we have him to her think for Gonneria vaccine.
• 25:21
  Speaker 1: We have you to think for mistaken identities in general.
• 25:24
  Speaker 4: But before me and before Chuck, I should say, it
• 25:28
  Speaker 4: used to be a traumatic incident when you would mix
• 25:30
  Speaker 4: up who your gardener is and and who your mailman is.
• 25:33
  Speaker 2: He used to beatic.
• 25:37
  Speaker 5: Silly. Oh, I don't mean that. Oh no, we're gonna
• 25:40
  Speaker 5: take it back. Before before I didn't mean like that,
• 25:46
  Speaker 5: you bitch.
• 25:47
  Speaker 1: Before.
• 25:48
  Speaker 2: If there's any bitch here, it's me watching.
• 25:52
  Speaker 4: It used to be funny when you would mix up
• 25:56
  Speaker 4: your neighbor and your ex wife. But now it's silly
• 25:59
  Speaker 4: because to me, you mean to think it's change.
• 26:08
  Speaker 3: My style used to be spooky and now it's scary.
• 26:11
  Speaker 4: Oh, we have so much to think for you.
• 26:17
  Speaker 5: There are so many movies that are downright scary but
• 26:20
  Speaker 5: in a cartoony way, and I go and I can't
• 26:23
  Speaker 5: believe that's that's you. It's like scary Disney. Almost.
• 26:27
  Speaker 3: Yes, I briefly went over the hill. I Tim and
• 26:31
  Speaker 3: I were on the outs in the early months. We
• 26:34
  Speaker 3: were right, the pumpkin was rotting. He was not taking
• 26:40
  Speaker 3: me to bed anymore. We also we are fucking To
• 26:43
  Speaker 3: be clear, that was I don't know if that was clear.
• 26:46
  Speaker 2: But Lady Lad had a query about that. What is
• 26:49
  Speaker 2: your signature move in the bedroom? I'm so curious.
• 26:54
  Speaker 3: Well, I can't give away too much, but I will
• 26:57
  Speaker 3: say some of my bones are sure.
• 27:06
  Speaker 1: Sharp.
• 27:07
  Speaker 5: I like him with perky breasts.
• 27:09
  Speaker 3: Hey, don't knock until you've tried it. Some of them traddles,
• 27:13
  Speaker 3: some of them shake oo skeletons.
• 27:16
  Speaker 2: Warrenson them shake fast, the sharp ones or the soft ones.
• 27:23
  Speaker 3: Okay, I should clarify. The sharp ones are for BDSM
• 27:26
  Speaker 3: for scratching. The soft phones are for shaking, for shaking
• 27:29
  Speaker 3: so fast that they become a vibrator.
• 27:31
  Speaker 1: Was that? I'm sure Tim Burton loves a vibrator.
• 27:35
  Speaker 5: I'm sure you loved it.
• 27:41
  Speaker 3: And everybody loves a vibrator. Honey, everybody.
• 27:46
  Speaker 5: Chuck does too, don't get him wrong.
• 27:48
  Speaker 2: Oh boy, what.
• 27:49
  Speaker 3: Were we talking about? I went to the guy who
• 27:53
  Speaker 3: did Coraline for a little bit.
• 27:57
  Speaker 1: Wasn't that also Tim Burton?
• 27:59
  Speaker 2: That was?
• 28:01
  Speaker 3: I know, because what's happened before?
• 28:04
  Speaker 1: He didn't it?
• 28:05
  Speaker 2: But I think no, no babies that you believe that
• 28:08
  Speaker 2: was Henry Selik, who has a lot of the behind
• 28:11
  Speaker 2: the scenes credits for A Night before Christmas? Henry?
• 28:17
  Speaker 3: Yes, Wow, yes, would you believe it was Henry Selik?
• 28:21
  Speaker 3: And this guy he actually set me up pretty nice.
• 28:25
  Speaker 3: He set me up in a thousand square foot apartment
• 28:28
  Speaker 3: in Echo Park. It was really lovely near the lake,
• 28:32
  Speaker 3: near the lake.
• 28:34
  Speaker 2: And this was the early two thousands.
• 28:36
  Speaker 1: Yes, and not the best area to be and I'll
• 28:40
  Speaker 1: tell you that much.
• 28:45
  Speaker 3: Yes, well, anything is better than the haunted forest I
• 28:49
  Speaker 3: came from.
• 28:50
  Speaker 1: So I am. I don't know. Echo Part two thousand
• 28:53
  Speaker 1: and one might be a little worse.
• 28:57
  Speaker 3: Again, don't knock it until you try.
• 29:00
  Speaker 1: Did That's great? That's great? Yeah, well, I guess my
• 29:07
  Speaker 1: signature move in the bedroom.
• 29:09
  Speaker 2: I don't know if you follow that.
• 29:10
  Speaker 1: Yes, of course, it's called the Shuman. It's kind of
• 29:14
  Speaker 1: a fun thing where I kiss you from your head
• 29:19
  Speaker 1: to your toes, but I don't touch anything, and that's it.
• 29:23
  Speaker 1: And then I apologize for you. I'm usually done by then,
• 29:26
  Speaker 1: so I'm sorry. I really love you.
• 29:32
  Speaker 5: Apologize. I'm sorry.
• 29:35
  Speaker 1: Just I caught myself in the moment again, I did.
• 29:38
  Speaker 1: I'm apologizing.
• 29:40
  Speaker 2: None of you would like to hear what is? None
• 29:45
  Speaker 2: of you would like to hear it? Would you know?
• 29:47
  Speaker 5: I would? I would shut up, we would.
• 29:51
  Speaker 2: So I let candles, I covered the room and rose,
• 29:55
  Speaker 2: I play a little bit in my heart. I tell
• 29:58
  Speaker 2: my lover to lay on the bed and I eat
• 30:01
  Speaker 2: their ass for hours.
• 30:05
  Speaker 1: For hour, okay, for hours, there's a long time.
• 30:10
  Speaker 3: I'm like, that's a little more than I want.
• 30:13
  Speaker 1: Yeah, actually, so forty five minutes in.
• 30:16
  Speaker 2: Forty five minutes in people are beginning to think about
• 30:20
  Speaker 2: asking for me to stop. And then if you hold
• 30:22
  Speaker 2: on for ten more minutes, yes, forty five minutes in
• 30:26
  Speaker 2: here I hear some rustlings and move in a season,
• 30:29
  Speaker 2: go I ask you, but they never ask, and then
• 30:32
  Speaker 2: if they can't, if they ask, stop, But if they
• 30:35
  Speaker 2: don't ask darling, and we get to an hour. The
• 30:37
  Speaker 2: next hour and a half pure pleasure. But it's a
• 30:41
  Speaker 2: tight fifteen minute window.
• 30:44
  Speaker 3: Okay, so does all of this Obviously your height was
• 30:47
  Speaker 3: in the sixties and seventies, but oh yes, is it
• 30:50
  Speaker 3: still working for you now? How are you integrating with
• 30:54
  Speaker 3: the twenty twenty three party scene?
• 30:56
  Speaker 2: Oh goodness, well, the scene's changed, baby. I mean it's
• 31:00
  Speaker 2: changed all the way around. You know. I used to
• 31:03
  Speaker 2: be able to walk out scream at somebody on the street.
• 31:06
  Speaker 2: That person would scream bat. Turns out that person with
• 31:09
  Speaker 2: Stevie Nicks, and then we were fingering each other in
• 31:11
  Speaker 2: the back of the roxy until the sun came up.
• 31:13
  Speaker 2: But now if I go out there I talk to people,
• 31:18
  Speaker 2: you begin to see that your outside image changes a
• 31:22
  Speaker 2: little more than your inside image changed. So I tried
• 31:25
  Speaker 2: to be the muse recently for a young rock.
• 31:28
  Speaker 1: Star machine Gun Kelly.
• 31:31
  Speaker 2: It was machine Gun Kelly, had it go, didn't go well?
• 31:36
  Speaker 1: No.
• 31:37
  Speaker 2: I was fighting a lot with Megan Fox because I
• 31:39
  Speaker 2: think we had a lot of sexual attention, and I
• 31:41
  Speaker 2: actually ended up being her muse, and I got her
• 31:43
  Speaker 2: into the Transformer movie, a sequel. My god, no, no,
• 31:52
  Speaker 2: no no no. I also got machine Gun Kelly to
• 31:55
  Speaker 2: drop his name machine Gun. Now he's just machine which is.
• 31:58
  Speaker 1: A real machine.
• 31:59
  Speaker 2: And I I convinced him to do that because guns
• 32:02
  Speaker 2: are hate, baby, and I'm lady lavenders all love and
• 32:07
  Speaker 2: I have. I've tried to inspire a couple of things,
• 32:10
  Speaker 2: but every thing I inspire, his label says, this is
• 32:13
  Speaker 2: not what you've been doing, and it is a stark shift.
• 32:17
  Speaker 2: So I'm giving out the same energy, but it's maybe
• 32:19
  Speaker 2: not in the correct time period. I don't know if
• 32:22
  Speaker 2: anything spelled like that skeletons.
• 32:25
  Speaker 1: Machine Gun Kelly was so good and now he's not
• 32:28
  Speaker 1: as good. Still him. We love machine Gun Kelly.
• 32:35
  Speaker 4: Machine We're all good lovers, and we all love machine
• 32:39
  Speaker 4: Gun Kelly.
• 32:40
  Speaker 2: Like lemon juice on a wound. You are really hurting me,
• 32:43
  Speaker 2: You're hurting well, it.
• 32:45
  Speaker 1: Springs up an interesting thing. I've got an interesting question
• 32:47
  Speaker 1: for all you guys. Is there anything that you guys
• 32:49
  Speaker 1: inspired that maybe you didn't realize or it shocked you
• 32:52
  Speaker 1: when you found out about this big inspiration, like something
• 32:56
  Speaker 1: a little left of field like for me, I couldn't
• 33:00
  Speaker 1: believe it when Rihanna told me I was her inspiration
• 33:02
  Speaker 1: for her fenty lingerie line, I believe it. Yeah, everything
• 33:07
  Speaker 1: is modeled after my body. Yeah. Really I actually have
• 33:12
  Speaker 1: the perfect dimensions, it turns out for her line.
• 33:15
  Speaker 2: Really, you did.
• 33:16
  Speaker 3: All those fendy sexy underwears.
• 33:19
  Speaker 1: That based off of my base of my nether regions. Sorry,
• 33:23
  Speaker 1: I can't I couldn't believe it either. But when she
• 33:28
  Speaker 1: called me and she said, hey, I've got a surprise
• 33:30
  Speaker 1: for you, and I said, okay, yeah, let's check it out.
• 33:33
  Speaker 1: I came over to her giant mansion. I wish it
• 33:36
  Speaker 1: was me. No, And she said, put this stuff on.
• 33:40
  Speaker 1: And I said, Rihanna, what is this? I can't even
• 33:44
  Speaker 1: peak it. They're all laces and horse strings and all
• 33:47
  Speaker 1: these things. I don't know how to get in. And
• 33:49
  Speaker 1: she said, put it on. How you want to put
• 33:51
  Speaker 1: it on? She gave me a bunch of average. She said,
• 33:54
  Speaker 1: put it on how you want to put it on.
• 33:56
  Speaker 1: I put it on the best I could, and that
• 33:58
  Speaker 1: became the line is a muse.
• 34:01
  Speaker 3: So you're just sort of perfectly invented, or reinvented rather
• 34:05
  Speaker 3: the concept of a sexy teddy.
• 34:07
  Speaker 1: Yes, that was me. I was the reinventor of the
• 34:12
  Speaker 1: sexy teddy.
• 34:13
  Speaker 2: And Derek, I have a query for you. When you're
• 34:16
  Speaker 2: doing these things and you're fumbling, and you're you're making
• 34:19
  Speaker 2: interesting choices, does she ever laugh at you or.
• 34:23
  Speaker 1: Question she is taking it in? She is sometimes she'll laugh,
• 34:28
  Speaker 1: but it's one of those laughs of a realization laugh. Well,
• 34:31
  Speaker 1: you know, do you guys know a realization laugh.
• 34:33
  Speaker 5: Unless there's a laugh track.
• 34:35
  Speaker 1: Well, no, that's not true. That's not true. I don't
• 34:38
  Speaker 1: have a laugh track.
• 34:39
  Speaker 3: But I have a personal question that might only be
• 34:44
  Speaker 3: interesting to be what's Rihanna like on Halloween?
• 34:47
  Speaker 2: Oh?
• 34:47
  Speaker 1: She is a monster. It's her favorite holiday. She goes
• 34:53
  Speaker 1: all ham does the best chili, has the best outfits,
• 34:58
  Speaker 1: do chili. She does a Halloween chili every year, Halloween chili.
• 35:04
  Speaker 1: Rihanna loves two things, me and her chili. You could
• 35:08
  Speaker 1: say it's her muse as well. Chili is Rihanna's muse,
• 35:12
  Speaker 1: and I am also her muse.
• 35:14
  Speaker 2: Skeletons. What is Tim like on Halloween? Is it kind
• 35:16
  Speaker 2: of opposite day for him or because.
• 35:18
  Speaker 3: I, oh my god, he gets so fucked up on
• 35:21
  Speaker 3: that day.
• 35:22
  Speaker 1: Oh, I can imagine he's probably really dark and sad,
• 35:25
  Speaker 1: like the anniversary of a death.
• 35:29
  Speaker 3: It's actually really bad to be around him because he
• 35:32
  Speaker 3: the dark energy of how scary all those pumpkins are.
• 35:36
  Speaker 3: They get into his head and he begins turning. And
• 35:39
  Speaker 3: there's a certain time in the night from midnight to
• 35:43
  Speaker 3: three am on Hallo's Eve when he has to physically
• 35:47
  Speaker 3: lock himself in a cage to prevent becoming this scariest
• 35:51
  Speaker 3: pumpkin in the world, which is, of course a pumpkin
• 35:55
  Speaker 3: with buttons for eyes.
• 35:59
  Speaker 1: This Lord gets for in deeper. I cannot believe it.
• 36:02
  Speaker 3: He's a dark and twisted man, a man who can
• 36:06
  Speaker 3: think of scary, evil things even the most perverted, sickest, freakest,
• 36:11
  Speaker 3: darkest skeleton could never even conceive of. He thinks he
• 36:15
  Speaker 3: needs me, but he has surpassed me and spokiness. I
• 36:19
  Speaker 3: am nothing to him anymore but an original shell of
• 36:22
  Speaker 3: an idea, and he has taken it and run.
• 36:25
  Speaker 1: With it and a good fuck.
• 36:28
  Speaker 5: I will say that sounds like.
• 36:33
  Speaker 2: I'll be honest and skeletons. I am curious about Derek's question,
• 36:37
  Speaker 2: is there anything you incidentally inspired that? Maybe?
• 36:40
  Speaker 1: I think it's a great I'm sorry, but.
• 36:43
  Speaker 3: Thank you, and I have an answer for this. And
• 36:49
  Speaker 3: one night I you know, Tim and I are not exclusive,
• 36:52
  Speaker 3: of course.
• 36:53
  Speaker 2: None of us can be right. I don't think has
• 36:55
  Speaker 2: anybody here had had a real relationship, never can weekends.
• 37:00
  Speaker 2: It's a possible.
• 37:01
  Speaker 3: We're manic pixie dream girls. Yes, and so I had
• 37:06
  Speaker 3: a one night stand of somebody and he said, oh,
• 37:09
  Speaker 3: that's interesting. You're really interesting. And then he started taking
• 37:13
  Speaker 3: measurements of my body and I thought that's interesting. But
• 37:16
  Speaker 3: a lot of interesting things happened to me, So I wrote.
• 37:18
  Speaker 2: Now.
• 37:19
  Speaker 3: The next day, I see my body on the home
• 37:22
  Speaker 3: Depot website, twelve feet tall. I was pissed off. Pissed
• 37:28
  Speaker 3: the hell off. Oh that I am appearing on people's yards,
• 37:34
  Speaker 3: I am appearing on eBay. People are paying five hundred
• 37:38
  Speaker 3: percent markups for pictures.
• 37:40
  Speaker 1: For you were the basis for tall skeleton. You were
• 37:45
  Speaker 1: the basis basis.
• 37:46
  Speaker 3: For tall skeleton. And it's fucked up because I'm not
• 37:48
  Speaker 3: even that tall.
• 37:51
  Speaker 5: Yeah, so why even take your dimensions anyway?
• 38:00
  Speaker 3: Yeah? Yeah, whity do that? Yeah, whit doy do that?
• 38:03
  Speaker 1: I guess.
• 38:05
  Speaker 6: Yeah.
• 38:05
  Speaker 1: You know.
• 38:06
  Speaker 4: A thing that Chuck does that I don't understand is
• 38:09
  Speaker 4: that apartments are big.
• 38:11
  Speaker 5: My apartment is so small.
• 38:14
  Speaker 3: Yeah. His apartments are sort of laid out all.
• 38:17
  Speaker 1: In one life and all.
• 38:18
  Speaker 5: Of his work. Poor people have huge apartments and I
• 38:24
  Speaker 5: live I'm a single dad, and I work in clinical
• 38:27
  Speaker 5: trials at a young medical facility. I don't have a
• 38:30
  Speaker 5: lot of money.
• 38:31
  Speaker 2: How young is the medical facility?
• 38:36
  Speaker 5: Medical facility? Middle school ages of a medical facility. But yeah,
• 38:43
  Speaker 5: my living room and my kitchen or one big aren't
• 38:48
  Speaker 5: one big room and all of his work are.
• 38:50
  Speaker 1: And have you just going back to my question, have
• 38:53
  Speaker 1: you inspired? Have you come to realize you were the
• 38:55
  Speaker 1: inspiration for something you had no idea that.
• 38:59
  Speaker 4: I don't understand how I could be and how my
• 39:02
  Speaker 4: life could inspire the setting of huge apartments.
• 39:07
  Speaker 1: I gotta push back a little bit. It sounds like
• 39:09
  Speaker 1: you didn't inspire that. It sounds like that maybe the
• 39:12
  Speaker 1: one thing you didn't.
• 39:13
  Speaker 6: Every single thing about me is his muse. He's made
• 39:17
  Speaker 6: that very clear. Oh, so there are some things that
• 39:20
  Speaker 6: just don't line up. Maybe I misunderstood the question because
• 39:23
  Speaker 6: I'm a dumb dad.
• 39:24
  Speaker 3: Oh dear, no, you can't be dumb. You inspired bisinga
• 39:29
  Speaker 3: and the man who.
• 39:30
  Speaker 1: Says it, Yeah, oh buzzinga. Well I heard you actually
• 39:34
  Speaker 1: just to this is a big circle back. But right
• 39:37
  Speaker 1: the beginning of our podcast, you said bisinga almost in
• 39:41
  Speaker 1: a negative context. So I was so curious about this,
• 39:46
  Speaker 1: and I've been sitting on this for the whole time.
• 39:50
  Speaker 1: Do you use as a bad thing is a bad
• 39:55
  Speaker 1: thing to you?
• 39:56
  Speaker 5: Because the thing it's.
• 39:58
  Speaker 1: A good thing.
• 40:00
  Speaker 4: So I think we can all agree that we're the muse,
• 40:03
  Speaker 4: we're the spark, we are not the full fire.
• 40:06
  Speaker 5: And they ask I say.
• 40:08
  Speaker 4: Bisingo when I stubbed my toe like dumb dads do.
• 40:11
  Speaker 4: And I say bisingo when I can't find a parking space.
• 40:16
  Speaker 5: And I think Chuck loved my energy when I said it,
• 40:19
  Speaker 5: and he took it and made it a positive.
• 40:22
  Speaker 1: And but for you, as.
• 40:25
  Speaker 5: For me, I say it instead of uh fuk.
• 40:29
  Speaker 1: And sure you don't have to cover your mouth.
• 40:32
  Speaker 4: No, I love to censor myself just in case boom.
• 40:37
  Speaker 2: I would say the thing that I inspired that I
• 40:41
  Speaker 2: didn't know what was gonna happen, and something I wasn't
• 40:43
  Speaker 2: proud of was after a one night stand with Tommy Lesora,
• 40:47
  Speaker 2: I found out that my vagina was the inspirationment for
• 40:49
  Speaker 2: the shape of the jumbo tron at the Dodger's Staty.
• 40:53
  Speaker 3: No, no, no, no, no, no, no, no, no no.
• 40:57
  Speaker 1: No, your bingo, there's no it's all true.
• 41:08
  Speaker 3: Tall tail, it's a true tail.
• 41:13
  Speaker 5: That bullshit.
• 41:14
  Speaker 2: Just because tails are tongue doesn't mean they're true, baby,
• 41:17
  Speaker 2: They're not true. Listen, it happened.
• 41:19
  Speaker 1: I can say Tommy lasorda famous baseball manager, not owner manager,
• 41:27
  Speaker 1: had sex with you, then probably went to talk to
• 41:29
  Speaker 1: the owner saying, man, I gotta describe this vagina to you.
• 41:33
  Speaker 1: They were so taken back that they made a jumbo
• 41:37
  Speaker 1: tron around it.
• 41:38
  Speaker 2: This was the sixties, babe.
• 41:41
  Speaker 5: Different Is this coming from the woman who snorts coke liked?
• 41:46
  Speaker 5: I don't believe it. I don't.
• 41:47
  Speaker 2: Okay, you want to know the truth that actually happened.
• 41:50
  Speaker 2: But the thing that I regret the most is one
• 41:53
  Speaker 2: time I was at a house party in Laurel Canyon. Okay,
• 41:56
  Speaker 2: I went to the bathroom. I was in a big conversation.
• 41:58
  Speaker 2: I walked back into the party. Elton John said, Oh,
• 42:01
  Speaker 2: the bitch is back, and everyone laughed, and then he
• 42:03
  Speaker 2: wrote a song called the Bitch Is Back. That happened,
• 42:06
  Speaker 2: and that was actually the darkest moment in my life
• 42:08
  Speaker 2: because I wasn't the bitch. I was the lover.
• 42:10
  Speaker 1: Okay, talk to every single talk to every single eagle.
• 42:13
  Speaker 2: I was the lover. Okay, okay, that's what I'm calling.
• 42:17
  Speaker 5: You, a bitch. I don't think.
• 42:18
  Speaker 4: I don't think compares to a jumbo tron shape like
• 42:21
  Speaker 4: your vagina.
• 42:22
  Speaker 2: Well, listen, only Tommy knew. He used to send me letters.
• 42:27
  Speaker 2: He's used to take pictures on an old film camera,
• 42:30
  Speaker 2: print him out, send him to me and say this
• 42:32
  Speaker 2: shame figure.
• 42:33
  Speaker 1: But he's a weird dude, is a weirdo.
• 42:39
  Speaker 2: And I'll tell you what. In the sixties, he doesn't
• 42:41
  Speaker 2: even make the top ten list of the weirdest guys
• 42:43
  Speaker 2: I've been with. I'll tell you that much. Where were
• 42:46
  Speaker 2: some fiends. I slept with some murderers. I'm nervous about that.
• 42:49
  Speaker 2: I was the muse for some murderers.
• 42:51
  Speaker 1: We don't know.
• 42:53
  Speaker 2: That is something that makes me keeps me up at night,
• 42:57
  Speaker 2: right keeps me up at night. Baby that I might
• 43:00
  Speaker 2: have been the inspiration for Ted Bundy. Baby, I don't
• 43:02
  Speaker 2: know do Oh what?
• 43:06
  Speaker 3: Can I just say? It is so refreshing in the
• 43:08
  Speaker 3: world of Hollywood remoats and remakes and recycling of old
• 43:14
  Speaker 3: material to meet the people who are the spark for
• 43:18
  Speaker 3: authentic new stories. And I think that that's wonderful. And
• 43:24
  Speaker 3: I think it's all fast art.
• 43:26
  Speaker 2: We are the art source. Look, we go back. We
• 43:28
  Speaker 2: are a long line of muses that we can be
• 43:31
  Speaker 2: proud of. You know, there's some muses that made it
• 43:34
  Speaker 2: into the spotlight, you know, thinking Lana Turner, right, she
• 43:39
  Speaker 2: was a beautiful woman that became an actress as well.
• 43:42
  Speaker 2: But I think they're sellouts. Are there any muses currently
• 43:44
  Speaker 2: that that are in the industry that have used their
• 43:48
  Speaker 2: prowess that you guys feel resentment for. I think there's
• 43:51
  Speaker 2: a couple that I don't like very much.
• 43:53
  Speaker 1: Oh yeah, there's definitely a couple.
• 43:56
  Speaker 2: Muses make money off their art. It's so insulting.
• 43:58
  Speaker 5: No, I don't like it. I went out to dinner
• 44:01
  Speaker 5: once with Sharona from my Sharona Oh yeah, and she's stupid.
• 44:10
  Speaker 2: You know. I'm I'm the sponsor for for for muses anonymous.
• 44:13
  Speaker 2: I'm the sponsor for Delilah from Heyther Delilah, and I'm
• 44:16
  Speaker 2: trying to keep it on the straight and arrow. But
• 44:18
  Speaker 2: she's having some trouble. She's having some trouble.
• 44:20
  Speaker 5: What a lovely foundation you have heard of?
• 44:23
  Speaker 2: Yeah, I'm using anonymous.
• 44:24
  Speaker 1: Yeah, I try to get a drink with the girl
• 44:28
  Speaker 1: named Santaria that they based the Sublime song one they
• 44:32
  Speaker 1: think you thought it was about Santoria. The Practice notes
• 44:35
  Speaker 1: about a woman named Santoria.
• 44:37
  Speaker 3: I had a similar mix up. I went on a
• 44:39
  Speaker 3: tender date with who I thought was sweet Caroline, but
• 44:43
  Speaker 3: it was actually the girl from the song by Amine
• 44:46
  Speaker 3: that goes Caroline Caroline.
• 44:49
  Speaker 1: Oh, yeah, that one the reason for the word bitch.
• 44:52
  Speaker 2: And I don't think that's Amine. I think that's outcast,
• 44:58
  Speaker 2: my little baby.
• 45:00
  Speaker 3: Oh I don't have her ears. I'm a skeleton who knows.
• 45:05
  Speaker 2: Speaking of that, I am the one who has inspired
• 45:07
  Speaker 2: under three thousand to release a flute album and I
• 45:09
  Speaker 2: feel bad.
• 45:15
  Speaker 4: Have you guys met that really, really really sad woman
• 45:18
  Speaker 4: in La that just walks around crying about her past.
• 45:22
  Speaker 4: She's the muse for the guy who directed Jackie and Spencer.
• 45:27
  Speaker 5: Yeah, she's just a sad woman.
• 45:30
  Speaker 1: Well there's I've met another sad woman, but I think
• 45:34
  Speaker 1: she was. She just kind of her sadness is more internal.
• 45:38
  Speaker 1: Eleanor Rigby. Have you guys met her?
• 45:43
  Speaker 2: Sad were friends with benefits before that was even a thing.
• 45:48
  Speaker 1: What was the benefit?
• 45:49
  Speaker 2: The benefit was crying. Oh, women couldn't cry in front
• 45:55
  Speaker 2: of men. Back then we'd be seen as week, so
• 45:57
  Speaker 2: we had to cry in front of each other. It
• 45:58
  Speaker 2: was intimate.
• 45:59
  Speaker 1: Well, actually went on a week and annoying. I went,
• 46:04
  Speaker 1: I went. I bought a car from a guy who
• 46:07
  Speaker 1: says he's Pitt Pole's Mules. He calls himself mister Worldwide.
• 46:11
  Speaker 2: Oh so.
• 46:14
  Speaker 1: Steal car salesman is larger than life. He could sue,
• 46:19
  Speaker 1: he could sue those.
• 46:21
  Speaker 2: Those high profile musics tend to disappear. I'd be I'd
• 46:23
  Speaker 2: be worried about him.
• 46:24
  Speaker 3: Yeah, I met the dog who Scooby Doo was based on.
• 46:29
  Speaker 5: Was he cute?
• 46:30
  Speaker 1: Not good?
• 46:31
  Speaker 3: Well, he's bones now because he's very old. But we
• 46:35
  Speaker 3: talked and he's he's he resents the weed. He resents
• 46:40
  Speaker 3: the weed. He's like there was never weed about in
• 46:44
  Speaker 3: my story.
• 46:45
  Speaker 5: Was he detective?
• 46:46
  Speaker 3: Was shaggy? He shouldn't be smoking so much weed. What
• 46:48
  Speaker 3: did you say?
• 46:49
  Speaker 5: Was the investigative at all? Detective?
• 46:51
  Speaker 3: Like he was investigative on where the damn tennis ball was,
• 46:55
  Speaker 3: That's for sure. He was definitely investigating that.
• 46:59
  Speaker 1: This and this I think opened up a bad portal
• 47:01
  Speaker 1: for me to go down. But can you I guess
• 47:04
  Speaker 1: since these all bones, can you just talk to bones?
• 47:06
  Speaker 1: Is that thing that you can do?
• 47:08
  Speaker 5: I don's been too.
• 47:09
  Speaker 3: Long on it, But no, that's part of my laura,
• 47:12
  Speaker 3: And that's a balleid question. I can talk to bones
• 47:15
  Speaker 3: and people if they are bone of heart and spirit.
• 47:18
  Speaker 3: So that's why I can talk to you.
• 47:24
  Speaker 1: Well.
• 47:25
  Speaker 3: I know it's a little early to say this, but
• 47:27
  Speaker 3: I love you guys, and I want to make a
• 47:29
  Speaker 3: movie out of each and every one of you.
• 47:32
  Speaker 1: Oh, we've become each other's muses.
• 47:33
  Speaker 2: There's got to say.
• 47:36
  Speaker 3: This always happens when muses get together.
• 47:39
  Speaker 1: I know I'm working on it. I want to work
• 47:40
  Speaker 1: on a short film about all of you guys. This
• 47:42
  Speaker 1: is so exciting for me.
• 47:44
  Speaker 2: Good luck, good luck trying to catch me. I don't
• 47:47
  Speaker 2: show up on film. Good luck.
• 47:50
  Speaker 1: I just thought I believe skits. Do you guys want
• 47:53
  Speaker 1: to get together? And do some TikTok skits. Maybe together.
• 48:00
  Speaker 5: Kids with those talk tics.
• 48:04
  Speaker 2: I use a rotary phone. Still, that's it, boy.
• 48:09
  Speaker 5: What a fun group.
• 48:12
  Speaker 3: Hey, it's me Chuck LORI. I need you now. I
• 48:14
  Speaker 3: need you now. I need you now. I need a
• 48:16
  Speaker 3: blow for this next scene. I need you now.
• 48:18
  Speaker 1: I need you to do stuff.
• 48:19
  Speaker 3: I need you, I need you to do it. Now
• 48:21
  Speaker 3: come with me now.
• 48:22
  Speaker 5: Hey Skelton, get out of your cake. It's Tim.
• 48:27
  Speaker 3: Okay, Tim, what do you want to do?
• 48:33
  Speaker 4: I need your face on playing cards so I can
• 48:36
  Speaker 4: make a world.
• 48:38
  Speaker 1: Hey, miss Lemonar, it's Bob Dylan. Write a song with you.
• 48:46
  Speaker 2: Bobby, your mouth is still mumbly after that night we had,
• 48:49
  Speaker 2: isn't it?
• 48:50
  Speaker 1: Yeah?
• 48:51
  Speaker 2: Remember the night.
• 48:53
  Speaker 5: When you go down on a jumbo tron?
• 48:55
  Speaker 1: Am I right?
• 48:55
  Speaker 2: But I'm on the phone. I'm on the phone.
• 48:59
  Speaker 3: This has been our on artists, on artists, on artists,
• 49:01
  Speaker 3: answering the question. Now, that's why they call it showbiz.
• 49:05
  Speaker 3: We'll see you next time.
• 49:06
  Speaker 4: We didn't talk about the unions.
• 49:10
  Speaker 1: Nobody wanted to do Rihanna, nobody you would risk No,
• 49:16
  Speaker 1: I got it.
• 49:17
  Speaker 5: I got Thank you for listening, and thank you to
• 49:20
  Speaker 5: our one of our Patreon. Uh, thank you to thank you.
• 49:25
  Speaker 3: To, thank you to Patrion. Thank you to patreon member
• 49:28
  Speaker 3: Chloe Sweat for suggesting the topic artists muses. If you
• 49:33
  Speaker 3: want to suggest a topic for us to do, join
• 49:35
  Speaker 3: our patreon at patreon dot com slash AAAOA pod. That's
• 49:39
  Speaker 3: all for now. Good night, Hollywood, Ye.
• 49:45
  Speaker 1: Artists on Artists on Artists on Artists. This is an
• 49:47
  Speaker 1: improvised Hollywood roundtable podcast created, perform and produced by Kylie Braikman,
• 49:51
  Speaker 1: Jeremy Colhaney, Angela Jiritana, and Patrick McDonald. Music is by
• 49:56
  Speaker 1: Gabriel Ponton. Opinions expressing this podcast do not reflect you
• 50:00
  Speaker 1: anyone who works on it, not even the performers, because
• 50:02
  Speaker 1: this is an improvised podcast and where stupid. Full video
• 50:06
  Speaker 1: versions of ao ao AOA are available on YouTube, so
• 50:09
  Speaker 1: please like and subscribe and leave us a five star
• 50:11
  Speaker 1: review wherever you get your podcasts. Good Night, Hollywood,