Latest / The Book-Watchers / 102. Were back to this series! (The Mortal Instruments: City of Fallen Angels)

Transcript

102. Were back to this series! (The Mortal Instruments: City of Fallen Angels) · The Book-Watchers

• 0:05
  Speaker 1: You know it's guys.
• 0:25
  Speaker 2: Is it Harry?
• 0:26
  Speaker 1: Is it gay to be Harry?
• 0:29
  Speaker 2: I mean yeah, A little bitty titty a little bit,
• 0:36
  Speaker 2: a little bit, it's a little gay to be I
• 0:38
  Speaker 2: mean you, my god, you really can't see my hair
• 0:40
  Speaker 2: on the camera, can you? It's there, but it's just blonde.
• 0:45
  Speaker 2: Mm hm oh oh, ladies, jump looking that clavicle. Drink
• 0:51
  Speaker 2: soup about that ship.
• 0:53
  Speaker 1: Fuck off.
• 0:56
  Speaker 2: We got that classical on camera, y'all. We got on camera.
• 0:59
  Speaker 1: He saw nothing, You saw nothing.
• 1:02
  Speaker 2: Gentlemen, gentlemen, I know you want to drink that drink
• 1:05
  Speaker 2: out of that clasical. Gentlemen, come on now, pull one
• 1:09
  Speaker 2: eight hundred.
• 1:11
  Speaker 1: Anyway, welcome back to book watchers. Weird. We have got
• 1:17
  Speaker 1: this daily, beloved, we have gathered here today. When is
• 1:21
  Speaker 1: the death.
• 1:22
  Speaker 2: Death of what?
• 1:26
  Speaker 1: I'm a pasty irishman.
• 1:30
  Speaker 2: We're talking about. I know you're gonna talk about me.
• 1:34
  Speaker 1: Well, you're the only Irish man. I know.
• 1:37
  Speaker 2: You're right, You're right. I can't deny that. Yeah, I
• 1:42
  Speaker 2: can't deny that like you did, Like you were telling
• 1:44
  Speaker 2: me yesterday when I have did I'm quitting my job.
• 1:47
  Speaker 2: You're like, no, you're not. I'm like, you're not my dad.
• 1:48
  Speaker 2: I'm like, you're right, I'm not your dad. I stayed
• 1:50
  Speaker 2: and I'm like ooh I said that. I'm like, ooh mmmm,
• 1:55
  Speaker 2: he got me, he got me there oof, I got
• 1:58
  Speaker 2: I got gathered. That's that that that I had to
• 2:03
  Speaker 2: sit on that for a while. I'm like, wow, fuck,
• 2:07
  Speaker 2: that was a good one. Mm hmmm that was a
• 2:09
  Speaker 2: real good one. Mm hmmm mm hmm yeah I got googed.
• 2:19
  Speaker 1: Uh huh yeah. So anyway, yeah, sor anyway now that
• 2:23
  Speaker 1: now that Devon has been properly put in his place.
• 2:26
  Speaker 2: Uh Hi, I'm Devin and this is Jacob Jacob's gay show,
• 2:34
  Speaker 2: Gay Ship, gey Ship.
• 2:36
  Speaker 1: Oh fack, what does that make you?
• 2:38
  Speaker 2: I'm straight? I'm oh my god, oh my god, women,
• 2:46
  Speaker 2: oh my god. Yeah?
• 2:48
  Speaker 1: Oh what when I need the who? What? When we're
• 2:51
  Speaker 1: and why since when? There's nothing straight about you? Okay,
• 2:58
  Speaker 1: there's nothing straight about you? Okay, great, you're as gay
• 3:03
  Speaker 1: as the Greek pantheon. Gay.
• 3:07
  Speaker 2: Oh ship, that's pretty gay. That's pretty gay. That's pretty
• 3:10
  Speaker 2: gay right hm? Oh but yeah, it's walk on the
• 3:13
  Speaker 2: book Watchers where reduced I about say Spooky Ship run podcast.
• 3:18
  Speaker 2: We do bookship.
• 3:21
  Speaker 1: We do where we read books and ship and maybe
• 3:24
  Speaker 1: watch the movie if the movie is good. No, I say,
• 3:27
  Speaker 1: at this point, we've seen all the movies, every book
• 3:31
  Speaker 1: we've read, we've reviewed, we've seen the movies, and we
• 3:34
  Speaker 1: either massive amounts of ship about it or we actually,
• 3:39
  Speaker 1: on occasion, you know, rise it up, give it a lot,
• 3:42
  Speaker 1: give it the praise it deserves. All right, that's very rare.
• 3:45
  Speaker 1: I mean, Harry, the Harry Potter series was one of
• 3:48
  Speaker 1: the good ones. The Lord of the Rings was another
• 3:50
  Speaker 1: one of the good ones. And that's about it. Yeah, yeah,
• 3:56
  Speaker 1: made about the Hunger Games. So we haven't talked about
• 3:58
  Speaker 1: the Hunger Games yet. I'm not sure if we will.
• 4:02
  Speaker 2: Maybe maybe some day.
• 4:03
  Speaker 1: And it's not in the muted mute, not in the
• 4:06
  Speaker 1: immediate future.
• 4:08
  Speaker 2: Not in the media future, but someday maybe someday when
• 4:12
  Speaker 2: I read them. Maybe. But uh, yeah, I have not
• 4:17
  Speaker 2: read the Hard Games at all. And after what I've
• 4:20
  Speaker 2: heard about the what I've heard about the new book,
• 4:23
  Speaker 2: what the story is going to be? I low key
• 4:25
  Speaker 2: kind of when to start because.
• 4:28
  Speaker 1: There's gonna be a lot of sequel.
• 4:32
  Speaker 2: It's what's it's Oh my god, I'm terrible with names.
• 4:38
  Speaker 2: Hamage is Hamiages Conger Games that's the next book. You
• 4:46
  Speaker 2: know who that is, right, I.
• 4:47
  Speaker 1: Know who image is. Yes, I just I'm just like, really, yeah,
• 4:54
  Speaker 1: they're basically they're basically doing what Stephanie Meyer did, just
• 5:00
  Speaker 1: rewrote it.
• 5:01
  Speaker 2: No, I'm great, I'm happy with it. Like I want
• 5:03
  Speaker 2: to see all I would love to see a mini series.
• 5:05
  Speaker 2: I would love to see a series, honestly, make a
• 5:07
  Speaker 2: series of TV series where each season is at different
• 5:11
  Speaker 2: games throughout the history of the Hunger Games. Like I
• 5:14
  Speaker 2: would love to see that, like an anthology series and
• 5:18
  Speaker 2: just make each game different.
• 5:21
  Speaker 1: I mean, that's fine. It's just that, like, I don't know,
• 5:23
  Speaker 1: I'm over the Hunger Games. I haven't seen or read
• 5:30
  Speaker 1: The Ballad of Songbirds and Snakes.
• 5:34
  Speaker 2: Oh, don't talk to me. That movie was good. Don't
• 5:36
  Speaker 2: talk to me. You have to read that that or
• 5:39
  Speaker 2: at least watch it. The movie was good.
• 5:42
  Speaker 1: I don't know, it's like that's that's the things is that,
• 5:46
  Speaker 1: like Hunger Games fell into that category of these like
• 5:51
  Speaker 1: young adult these young adult stories like oh, like what
• 5:56
  Speaker 1: if post apocalyptic future kind of shit kind of deal,
• 6:00
  Speaker 1: And there were so many of those stories going around,
• 6:02
  Speaker 1: divergent Hunger Games to a lesser extent. Uh, the vampire's assistant,
• 6:10
  Speaker 1: and there were so many others and it's just like,
• 6:12
  Speaker 1: I'm really over these overly dramatic and it's pretty.
• 6:20
  Speaker 2: Eh. He says that ladies and gentlemen. But let me
• 6:26
  Speaker 2: tell you, he doesn't know yet, but we're gonna do
• 6:29
  Speaker 2: the Twilight series at some point in the future. I'm
• 6:31
  Speaker 2: want to force him to. He's I had to sit
• 6:34
  Speaker 2: there and talk about the Twilight series with me. Yeah,
• 6:41
  Speaker 2: because the movies. I kind of dig the movies, especially
• 6:45
  Speaker 2: the last one with that with Alice's premonition. It was iconic.
• 6:49
  Speaker 2: It made the whole series.
• 6:51
  Speaker 1: The most iconic part about that scene was when it
• 6:55
  Speaker 1: ended and everyone in the audience because I remember this
• 6:58
  Speaker 1: was in I was in I saw list in theaters,
• 7:00
  Speaker 1: everyone in the audience what.
• 7:03
  Speaker 2: Exactly? That was so perfect?
• 7:06
  Speaker 1: So like I laughed my ass off because I knew
• 7:09
  Speaker 1: that was gonna happen, because I already read the book
• 7:11
  Speaker 1: by that point, I knew that was gonna happen.
• 7:13
  Speaker 2: Oh, it was so good Midnight showing everyone lost their ship.
• 7:16
  Speaker 2: Oh my god. And then like, ah, it was great.
• 7:21
  Speaker 2: I'm using a lot of tiktoks of Twilight lately, and
• 7:24
  Speaker 2: I'm like, you know what with that and the new
• 7:27
  Speaker 2: anime that Netflix is the new U. Yeah, I think
• 7:30
  Speaker 2: it's a new anime that Netflix is doing for Twilight,
• 7:32
  Speaker 2: that's retelling the Twilight series. I think I'm probably going
• 7:37
  Speaker 2: to actually read the Twilet series at some point.
• 7:39
  Speaker 1: You haven't read it.
• 7:40
  Speaker 2: I have not read them, never did watch the movies,
• 7:43
  Speaker 2: never did never read it. Yeah, and that's true because
• 7:48
  Speaker 2: I mean the movies from why I heard the movies
• 7:50
  Speaker 2: are more fun. But I'm definitely gonna watch movies things
• 7:55
  Speaker 2: like you know, like when.
• 7:58
  Speaker 1: When movies change certain dialogues and to make it more
• 8:03
  Speaker 1: make more sense, because like you know, you wouldn't hear
• 8:05
  Speaker 1: people say this outside of say stuff like this outside
• 8:08
  Speaker 1: of a book. Yeah, I get a book. Okay, cool,
• 8:12
  Speaker 1: it's a book whatever, it's literature. It's written, you know,
• 8:17
  Speaker 1: you you the way you write is not the same
• 8:20
  Speaker 1: way as you talk, all right, not always the same
• 8:23
  Speaker 1: way as you talk, at least not in like proper
• 8:25
  Speaker 1: like English hit. But some of the dialogue the movies
• 8:34
  Speaker 1: kept from the books, I'm like, oh, they should have
• 8:36
  Speaker 1: left those in the book.
• 8:38
  Speaker 2: Yeah. But you know who you can blame for the
• 8:41
  Speaker 2: creature of Twilight. My chemical nine to eleven.
• 8:49
  Speaker 1: I'm sorry. I've there's only one song by my Chemical
• 8:52
  Speaker 1: Romance that I ever watched, and that was I ever
• 8:54
  Speaker 1: listened to, and that was like Helen, Helena, I mean.
• 9:02
  Speaker 2: Same, but like that's not it's honestly nine eleven's fault
• 9:05
  Speaker 2: that Twilight exists. Same with fifty Sheets of.
• 9:08
  Speaker 1: Gray, that that post nine to eleven, Like are you
• 9:16
  Speaker 1: talking about like that post nine eleven? Like scared, Like
• 9:20
  Speaker 1: what do you mean?
• 9:21
  Speaker 2: So, Barrol b Yon, We're gonna get right into the
• 9:23
  Speaker 2: episode soon, but I have to explain the timeline here.
• 9:26
  Speaker 2: So nine eleven happens because nine to eleven happens. My
• 9:30
  Speaker 2: chemical Romance was formed, because my Chemical Romance was formed.
• 9:35
  Speaker 2: Sephanie Meyer wrote Twilight because of my chemic romance, and
• 9:40
  Speaker 2: then Fifty Shades of Gray was originally a fan fiction
• 9:43
  Speaker 2: with Edward and Bella, and the author decided to repurpose
• 9:46
  Speaker 2: the characters, repurposed the book and made its own thing,
• 9:48
  Speaker 2: which ended up being Fifty Shades of Gray. I was behooved.
• 9:56
  Speaker 1: I was like, oh that is that? That is that
• 10:01
  Speaker 1: like conspiracy theorists like train of thought, bullshit?
• 10:07
  Speaker 2: I mean, that's not definitely mine wrote the Twilight books
• 10:10
  Speaker 2: because of my come Corma. She always she can learn that.
• 10:13
  Speaker 2: And then fifty Sades of Gray was originally a f
• 10:15
  Speaker 2: a Twilight fan fection.
• 10:17
  Speaker 1: I know that, I know that. It's just like the
• 10:18
  Speaker 1: way I'll play out when you hear it spoken out loud.
• 10:23
  Speaker 1: It's just like that.
• 10:25
  Speaker 2: That's crazy.
• 10:26
  Speaker 1: If you ever listen to a hardcore like conspiracy theorists talk,
• 10:34
  Speaker 1: there's that conspiracy theories. How I love them and hate them.
• 10:41
  Speaker 1: Some of them are fun, some of them are like
• 10:43
  Speaker 1: try try getting a conspiracy theorists on the call, like
• 10:49
  Speaker 1: on a call, like when they call it for customer
• 10:52
  Speaker 1: support and you're just like, we're calling customer support, how
• 10:55
  Speaker 1: can I help you? And they're all like they're all
• 10:57
  Speaker 1: like Elon Musk is trying to steal my social security
• 11:04
  Speaker 1: me literally, me literally, that was an actual call.
• 11:09
  Speaker 2: I know. I had the same one. I told you, Yeah, no,
• 11:13
  Speaker 2: I have the same money. Probably not the same lady,
• 11:16
  Speaker 2: But I had something I was telling you that I got.
• 11:18
  Speaker 2: I got a bunch of I got. I got a
• 11:20
  Speaker 2: call or two about the whole situation I happened in
• 11:22
  Speaker 2: Washington and people worrying about the soul sturity number. And
• 11:25
  Speaker 2: then you told me, you got somebody, and I'm like,
• 11:27
  Speaker 2: oh wow, okay, cool, it's not just one person unless
• 11:28
  Speaker 2: I got the same lady, But your case number one,
• 11:31
  Speaker 2: aren't cut that part out, cut all this part out
• 11:34
  Speaker 2: about the butt work anyway if you look, go on. Sorry,
• 11:41
  Speaker 2: I was gonna say, yeah, I know.
• 11:42
  Speaker 1: I was like, I was confused because I was like,
• 11:44
  Speaker 1: what about Elon Musk? And she's like, oh, come on,
• 11:47
  Speaker 1: you know what's going on about Elon Musk? This isn't news,
• 11:49
  Speaker 1: And I'm like, I wanted to tell her, like, lady,
• 11:52
  Speaker 1: I don't watch the news. I don't pay attention to
• 11:54
  Speaker 1: all that bullshit because you don't want to know why
• 11:57
  Speaker 1: they don't pay my bills? All right, It pay my
• 12:00
  Speaker 1: fucking bills all right after work. I don't have time
• 12:06
  Speaker 1: for that bullshit.
• 12:08
  Speaker 2: That's why. Just so.
• 12:12
  Speaker 1: I know about it, I know about it, but I'm
• 12:15
  Speaker 1: just like, what does that What relevance does it have
• 12:19
  Speaker 1: to this conversation. I don't it does not. It did like, we.
• 12:24
  Speaker 2: Can't do anything about the capitol. That's his own, that's
• 12:27
  Speaker 2: own jurissection. No, we can't do anything about that.
• 12:30
  Speaker 1: Sorry, Ain, nothing you or I can do about that,
• 12:33
  Speaker 1: all right, i'mless. You just have to like do reenactment
• 12:36
  Speaker 1: of January sixth then, but but you know, instead against Trump,
• 12:41
  Speaker 1: instead of for Trump against Trump, all right, you.
• 12:43
  Speaker 2: Just never really cut that part out, cut all this
• 12:46
  Speaker 2: political talk out, except Governor Abbit, Governor habit, he's trash,
• 12:53
  Speaker 2: roll them out like that meme and throw them off
• 12:55
  Speaker 2: a cliff like I hate him. I hate our governor
• 13:00
  Speaker 2: with a fiery passion. You have a guess, just throw
• 13:06
  Speaker 2: them down hill and make sure there's traffic down there
• 13:10
  Speaker 2: so we can get hit back a car.
• 13:15
  Speaker 1: Yeah, yeah, you guys do, get both of their stupid
• 13:19
  Speaker 1: asses out there. But you know, at this point, I'm like, well,
• 13:21
  Speaker 1: you know what, here's what, here's what happened. Okay, here's
• 13:26
  Speaker 1: the thing. Y'all voted for him, say, you know what,
• 13:28
  Speaker 1: You're just gonna have to suffer. No, there's a lot
• 13:30
  Speaker 1: of there's a lot of like conservatives who are all like, oh,
• 13:34
  Speaker 1: I regret voting for Trump now because all this ship
• 13:36
  Speaker 1: stupid shitty's doing or all this bullshit right, And I'm.
• 13:39
  Speaker 2: Like, see, really, wow, crazy.
• 13:42
  Speaker 1: Wow, crazy. You know what, you know what, here's for
• 13:47
  Speaker 1: the next four years of Trump not gonna I'm not
• 13:52
  Speaker 1: gonna enjoy it that The only part of it I'm
• 13:53
  Speaker 1: gonna enjoy is the part where you know, I hear
• 13:55
  Speaker 1: all these people bitching about the fact that, oh I
• 13:57
  Speaker 1: voted for him, and I hate it. Now.
• 14:00
  Speaker 2: When you have a Ronald Reagan appointed judge saying what
• 14:04
  Speaker 2: Trump is doing is fucked up and puts a whole
• 14:07
  Speaker 2: puts a stop to the whole uh stopping bursts, births,
• 14:11
  Speaker 2: uh birth citizenship, that's when you know you fucked up.
• 14:14
  Speaker 2: When someone appointed by Ronald fucking Reagan as a Republican
• 14:19
  Speaker 2: as you can fucking get said, oh no, bit you crazy,
• 14:24
  Speaker 2: that's you might. You might have to step back a
• 14:25
  Speaker 2: little bit, you know what. I had to step back,
• 14:27
  Speaker 2: and he's like, hmmm, I need to rethink my choices.
• 14:34
  Speaker 1: You really should, so anyway, I mean anyway housekeeping.
• 14:45
  Speaker 2: If you're looking at a description below right next to
• 14:48
  Speaker 2: Jacob's handsome, beautiful face, look a look at it. If
• 14:51
  Speaker 2: you face ladies and Jule, look at him. He's so adorable.
• 14:54
  Speaker 2: Look at him cheeks, look at him. Oh my god,
• 14:58
  Speaker 2: that's when he's beautiful, y'all. He's sitting there going, I
• 15:07
  Speaker 2: see I see the gear, the like the computer gear
• 15:10
  Speaker 2: loading and he's like, what the fuck. Anyway, if you
• 15:14
  Speaker 2: look at the description ball, you'll see a link link.
• 15:15
  Speaker 2: I'll take you to the link tree on the Outovoid
• 15:19
  Speaker 2: production family of podcasts that you where you can see
• 15:21
  Speaker 2: all the other podcasts and the other productions the fun
• 15:25
  Speaker 2: that I just say. Anyway, links links the other podcast
• 15:29
  Speaker 2: will be in the link tree. Cool YouTube channel, la
• 15:32
  Speaker 2: blah blah cool. Go follow us on YouTube. A watch
• 15:37
  Speaker 2: the video for book watchers because I'm cute. Oh my god.
• 15:44
  Speaker 2: And look at Chiga. He's cute too, So go watch
• 15:48
  Speaker 2: a couple of cute gig guys just talk about but
• 15:50
  Speaker 2: yeah mm hmmmmm hmmm hmm and and and one of
• 16:00
  Speaker 2: us is single. So you know, gentlemen, gentlemen, get in line,
• 16:05
  Speaker 2: control yourself, get in line. Well, we'll take we'll take
• 16:07
  Speaker 2: interviews it, we'll take interviews. Okay, okay, kind of I
• 16:18
  Speaker 2: would not would I I wouldn't necessarily take interviews for
• 16:21
  Speaker 2: your for your Yeah, you have to think maybe I'm
• 16:29
  Speaker 2: with your Okay, let me phrase that, with your permission,
• 16:32
  Speaker 2: I would. I wouldn't do it automatically because that's weird,
• 16:35
  Speaker 2: but with your permission, I would be your cupid. I'm like,
• 16:37
  Speaker 2: oh my god, let me find pull a couple of
• 16:40
  Speaker 2: gay guys here interviews.
• 16:44
  Speaker 1: Uh huh uh huh.
• 16:46
  Speaker 2: And because my best friend is perfect and he deserves
• 16:49
  Speaker 2: the best, let me know that. It's look oh my god,
• 17:00
  Speaker 2: and look at yeah, and he's done that face you'
• 17:07
  Speaker 2: seenhim right there, Ladies and gentlemen, if you're watching the video,
• 17:09
  Speaker 2: that is the face of this person is my best friend.
• 17:14
  Speaker 2: I fucking hate it. But yet I'm suck with him
• 17:18
  Speaker 2: because I can't let him get away because he knows
• 17:19
  Speaker 2: too much. I'll have to kill him.
• 17:22
  Speaker 1: And no one else can stare at doving in this
• 17:23
  Speaker 1: tone gay either.
• 17:27
  Speaker 2: It's very uncomfortable and very judgmental. Anyway, enough in hot air.
• 17:38
  Speaker 2: My boyfriend's not my boyfriends. Oh my god, my best friend,
• 17:45
  Speaker 2: best friend, m best friend I had to love of
• 17:49
  Speaker 2: my life over there, best friend? What do you? What
• 17:55
  Speaker 2: are you looking at me like that?
• 17:57
  Speaker 1: For? I'm just being jokes, I'm just being judgie. Wow wow.
• 18:03
  Speaker 2: Because the two people I care about most, I get
• 18:05
  Speaker 2: mixed up. Okay, Okay.
• 18:09
  Speaker 1: It's like my mom calling me my uncle's name. She'll
• 18:12
  Speaker 1: call me my one of my uncle's names. She'll be like, hey, hey, Danny,
• 18:15
  Speaker 1: I mean Jacob, And she'll do the same with my brother.
• 18:18
  Speaker 1: She'll just be like, hey, Peter, I mean Lucas. Oh
• 18:21
  Speaker 1: she goes because like to her, we look like we
• 18:26
  Speaker 1: remind her of her brothers. Like I'm like, ew, that's
• 18:36
  Speaker 1: almost as bad as somebody as these old as these
• 18:39
  Speaker 1: old bats I work with, forgetting them, like miss hearing
• 18:42
  Speaker 1: my name all the time and thinking my name is
• 18:43
  Speaker 1: Jason when my name is Jacob. Like, where do you
• 18:47
  Speaker 1: get Jason from Jacob? Where I clearly said Jacob.
• 18:53
  Speaker 2: Yeah, I feel.
• 18:54
  Speaker 1: That rude.
• 19:00
  Speaker 2: Mm hmm.
• 19:01
  Speaker 1: And it's a bad feet of mine because I had
• 19:03
  Speaker 1: a boss who I worked with for about a year,
• 19:05
  Speaker 1: and the entire year she was constantly forgetting my name
• 19:08
  Speaker 1: calling me Jason. So now any anytime everyone calls me Jason,
• 19:12
  Speaker 1: I'm like, who are you calling Jason?
• 19:14
  Speaker 2: Now, ladies and gentlemen introducing Jason?
• 19:19
  Speaker 1: Bitch?
• 19:21
  Speaker 2: I would I'm sorry, I won't.
• 19:23
  Speaker 1: I wacked blacklisted?
• 19:26
  Speaker 2: Oh blacklist? He can't blacklist me. I know where you live.
• 19:30
  Speaker 1: I know where you live too.
• 19:32
  Speaker 2: Okay, I'm scared about it. You'd better be shure I'm
• 19:43
  Speaker 2: crazy anyway, But yeah, him looking about Rogers, we already
• 19:47
  Speaker 2: done all that blah blah blah blah. You know, so
• 19:55
  Speaker 2: what were we talking about today? What are we talking about? Wow?
• 20:02
  Speaker 2: The one brain sell missed the gay and anyway, you know,
• 20:10
  Speaker 2: let me tell you that brain cell is doing overtime
• 20:12
  Speaker 2: up and Jacob's head it's doing over time. It's struggling. Struggling.
• 20:21
  Speaker 2: Mm hmm, I love you, hm m mmm hmm. Yeah.
• 20:27
  Speaker 1: YouTube. Hey, we are continuing the book series that we've
• 20:32
  Speaker 1: been reading from that we've been reviewing for the past
• 20:34
  Speaker 1: few weeks. Uh so this week we are gonna be
• 20:38
  Speaker 1: reading the reviewing the fourth installment of the Mortal Instruments series.
• 20:44
  Speaker 1: There's six books, people, there's two more left after this,
• 20:47
  Speaker 1: There's two more. And I say that, like, oh, I'm
• 20:51
  Speaker 1: like already, I'm already tired of of these. Like no,
• 20:56
  Speaker 1: I'm not the low key yeah, because I've read these
• 20:59
  Speaker 1: I've read these books old times, and I love them.
• 21:01
  Speaker 1: But I'm like over.
• 21:05
  Speaker 2: I read these books.
• 21:06
  Speaker 1: I read these books like over and over again, like
• 21:08
  Speaker 1: a long time ago. Now it's just like I'm more
• 21:13
  Speaker 1: like into more mature books, and like as I'm reread,
• 21:17
  Speaker 1: like revisiting these stories, I'm realizing, like god, this is
• 21:21
  Speaker 1: just a fucking like teen drama right here. It is
• 21:28
  Speaker 1: a young adult, it is young adults, it's it's fourteen enough.
• 21:34
  Speaker 1: So the fourth book in the Mortal Instruments is called
• 21:37
  Speaker 1: City of Fallen Angels. So this one was just I
• 21:41
  Speaker 1: will say this book was not really my favorite, not
• 21:44
  Speaker 1: because it was bad. It was just more like not
• 21:46
  Speaker 1: much happened really like I thought, like I personally thought
• 21:53
  Speaker 1: like it was going to end in the City of Glass.
• 21:55
  Speaker 1: But then like, oh wait, there's a fourth book and
• 21:57
  Speaker 1: this called City of Fallen Angels. Okay, so what's the
• 22:01
  Speaker 1: what a were they doing like leading up to a
• 22:03
  Speaker 1: new bad guy or something? What's going on? What's happening? Right?
• 22:08
  Speaker 1: So by the end of this book, we will learn
• 22:09
  Speaker 1: that it's not really leading up into a new big
• 22:12
  Speaker 1: bad evil guy, but rather the return of an old
• 22:15
  Speaker 1: big bad evil guy who's also technically who's technically going
• 22:20
  Speaker 1: to be the new big bad evil guy, I mean.
• 22:23
  Speaker 2: Bad, big bad evil woman. Woman.
• 22:29
  Speaker 1: No, she's just she's just the appetizer, she's just the
• 22:39
  Speaker 1: she's just the amused boosh. So those the graphic novels
• 22:43
  Speaker 1: that you read them, that you read.
• 22:47
  Speaker 2: For the fourth book, the four, five, and six, I
• 22:51
  Speaker 2: have not so.
• 22:52
  Speaker 1: Yeah, but the character that he's talking about, Yeah, she's
• 22:55
  Speaker 1: going to be the main, the main antagonist for this book,
• 22:59
  Speaker 1: but it's to be reintroducing an antagonist that's going to
• 23:02
  Speaker 1: basically carry the rest of the series, gonna carry through
• 23:06
  Speaker 1: for the for the next two books. So yeah, So
• 23:11
  Speaker 1: I was like, when I start reading this book, I
• 23:13
  Speaker 1: was left with questions, like, so, who's gonna be the
• 23:14
  Speaker 1: big bad evil guy?
• 23:16
  Speaker 2: All right?
• 23:16
  Speaker 1: I mean, Valentine's dead, Brazil, what's gonna be able to
• 23:20
  Speaker 1: call up Brazil again? Like? Hello, we deal with more demons?
• 23:27
  Speaker 1: Is there gonna be like is there another big bad
• 23:29
  Speaker 1: evil guy that was kind of sitting in the background
• 23:31
  Speaker 1: that we didn't know about what's going on? You're what.
• 23:37
  Speaker 2: Else is there?
• 23:40
  Speaker 1: So this book starts off like any teen drama, a
• 23:43
  Speaker 1: bunch of teens being teens. Mm hmm, all right, Simon.
• 23:49
  Speaker 2: Uh So.
• 23:51
  Speaker 1: A lot of this book is gonna be focused on
• 23:53
  Speaker 1: not just Clary and Jason, the Mary gang of goofy
• 23:58
  Speaker 1: goobers that we call shadow Hunters. It's also going to
• 24:01
  Speaker 1: be focusing on her best friend and daywalking vampire, Simon.
• 24:07
  Speaker 1: So Simon is basically going to be is going to
• 24:10
  Speaker 1: be juggling multiple different relationships, he's going to be struggling.
• 24:17
  Speaker 1: He's struggling with his own home life. For the most part,
• 24:20
  Speaker 1: he was still living with his family. He's sixteen years old,
• 24:23
  Speaker 1: so he still lives with his mother. And the thing
• 24:27
  Speaker 1: is is that he ends up having a moment where
• 24:29
  Speaker 1: he comes out to his mother, and not in the gayway.
• 24:35
  Speaker 2: I'm pretty sure.
• 24:36
  Speaker 1: I'm pretty sure he wished he could come out as
• 24:38
  Speaker 1: skated to his mom, but no, he had to come
• 24:39
  Speaker 1: out as a vampire to his mother. And the thing
• 24:41
  Speaker 1: is is that when his mother realized that he was
• 24:44
  Speaker 1: a legitimate vampire, because she started to like notice some discrepancies,
• 24:48
  Speaker 1: like at first he wouldn't go out in the daytime,
• 24:50
  Speaker 1: but then now he's back to like his daytime routine.
• 24:53
  Speaker 1: And but thing is, she starts noticing some things are different,
• 24:56
  Speaker 1: like he doesn't eat, he's often out, he's never he's
• 25:00
  Speaker 1: never where he says he's gonna be right, and he's
• 25:03
  Speaker 1: clearly hiding shit from her. And eventually his mom confronts
• 25:07
  Speaker 1: him because she discovers that he had been hiding packets
• 25:10
  Speaker 1: of blood donated blood that he had been using to
• 25:13
  Speaker 1: say she ate his vampiric appetites and well he was
• 25:18
  Speaker 1: forced to come out as a vampire. And at first
• 25:20
  Speaker 1: she was like like, a is this like a face
• 25:27
  Speaker 1: like are you hanging? Are you like being out at
• 25:29
  Speaker 1: Spencer's or hot topic a lot, like.
• 25:33
  Speaker 2: Are you a goth?
• 25:36
  Speaker 1: Is that what they call goths now? Like, well, no,
• 25:39
  Speaker 1: not meal, but they're not They're not Mexican like that.
• 25:41
  Speaker 1: But like he shows her and convinces her that he
• 25:47
  Speaker 1: is a vampire. And the thing is is that she
• 25:49
  Speaker 1: freaks out because she is so his family is Jewish
• 25:54
  Speaker 1: and she is devout more devout Jewish, So when she
• 25:58
  Speaker 1: realizes like he's a vampire, she kicks him out, and
• 26:01
  Speaker 1: when he tries to come back, he had basically like
• 26:05
  Speaker 1: put religious symbols all over their door and pretty much
• 26:10
  Speaker 1: in every like entryway into their home, so like he
• 26:13
  Speaker 1: can no longer get into his house because like for him,
• 26:17
  Speaker 1: he's not affected by like Christian symbology, but since he
• 26:21
  Speaker 1: is uh, since he is Jewish, that translated into his
• 26:26
  Speaker 1: vampiric life. So Christian Christian symbology does not affect him
• 26:35
  Speaker 1: like it what other vampires, but Jewish symbology does, like
• 26:38
  Speaker 1: the Star of David like the like prayers from the Torah,
• 26:43
  Speaker 1: things like that, like it was really the star of
• 26:45
  Speaker 1: David that would affect him. So he can't he can't count,
• 26:49
  Speaker 1: he can't go home anymore. So now he's he was
• 26:52
  Speaker 1: he's on the street. He was struggling. Clary helps him
• 26:56
  Speaker 1: out and they managed to find him. He manages to
• 26:59
  Speaker 1: find a new play used to live and he ends
• 27:01
  Speaker 1: up moving within with a new roommate, a guy named Kyle,
• 27:05
  Speaker 1: who he later learned is a werewolf. So the reason
• 27:09
  Speaker 1: and the thing is that because Simon and his friends
• 27:12
  Speaker 1: do learn that, do you figure out that Kyle was
• 27:20
  Speaker 1: basically sensed by an organization that helps newborn like young
• 27:27
  Speaker 1: and newborn downholders, so mainly wear wolves and vampires because
• 27:31
  Speaker 1: they're the only because out of all the downworlder race,
• 27:34
  Speaker 1: they're the only ones that were once humans. So his
• 27:39
  Speaker 1: organization was dedicated to tracking down these young vampires and werewolves,
• 27:45
  Speaker 1: taking them in their wing, under their wing, and just
• 27:48
  Speaker 1: helping the maccimate to the downworlder life so that way
• 27:51
  Speaker 1: one they're not they become less of a danger to
• 27:54
  Speaker 1: themselves and to other people, and helps them to control
• 27:58
  Speaker 1: their appetites and their new ability their new found abilities,
• 28:02
  Speaker 1: so like with werewolves, they try to like help them
• 28:05
  Speaker 1: get They help them acclimate to being were wolf, to
• 28:08
  Speaker 1: the werewolf life, and eventually either brain them to become
• 28:13
  Speaker 1: part like to become part of their own organization, or
• 28:16
  Speaker 1: help them find a pack to become a part of.
• 28:18
  Speaker 1: And vampires more or less the same, except like they
• 28:22
  Speaker 1: helped the vampires control their appetite until they are old,
• 28:25
  Speaker 1: until they are responsible not to strike out on their own,
• 28:28
  Speaker 1: and maybe even find at another nest of vampires to
• 28:31
  Speaker 1: shack up with. The thing is, though, Kyle, as it
• 28:34
  Speaker 1: turns out, what his real name is Jordan, and Jordan
• 28:38
  Speaker 1: was the very were wolf that turns another werewolf named Maya. Now,
• 28:42
  Speaker 1: the thing is, Simon is kind of like juggling relationships
• 28:46
  Speaker 1: here because him and Isabelle, like they had they shared
• 28:50
  Speaker 1: a moment in Adris, but it was just more of
• 28:53
  Speaker 1: like we're gonna die kind of thing, so nothing really
• 28:58
  Speaker 1: happens there. He's still friends with Isabelle and the shadow Hunters,
• 29:03
  Speaker 1: but he starts pursuing a more friendly and yeah, even
• 29:06
  Speaker 1: a more romantic relationship with Maya. But the thing is
• 29:10
  Speaker 1: is that when Maya finds out that he's living with Kyle.
• 29:14
  Speaker 1: She reveals that that's Luke and Jordan, the guy who
• 29:18
  Speaker 1: who brutally who attacked me and turned me into a
• 29:21
  Speaker 1: wear wolf, and she proceeds to attack Kyle, causing all
• 29:26
  Speaker 1: kinds of drama. Mm hmm, and I think, yeah, the
• 29:31
  Speaker 1: thing is, the story kind of centers around Sion more Simon,
• 29:36
  Speaker 1: not only because it kind of it centers around Simon
• 29:40
  Speaker 1: a lot in this book, because the thing is is
• 29:43
  Speaker 1: that the big bad evil guy of this book has
• 29:46
  Speaker 1: interest in Simon because Simon is a daylighter for a
• 29:50
  Speaker 1: vampire who is able to walk in the daylight, and
• 29:54
  Speaker 1: he is an initial. He's actually approached not by the
• 29:57
  Speaker 1: big bad evil guy, but somebody who who's working who
• 30:00
  Speaker 1: was working for the big bat evil guy or woman.
• 30:03
  Speaker 1: And this person that approaches him is a vampire, a
• 30:06
  Speaker 1: very old vampire by the name of Camille, which honestly,
• 30:10
  Speaker 1: I'm like, is it Camille or Camila Parmela.
• 30:16
  Speaker 2: It's I I was thinking it was Carmela.
• 30:20
  Speaker 1: Yeah, Carmela, Carmela.
• 30:21
  Speaker 2: Yeah, Yeah, that was a reference. Yeah, that's is it?
• 30:25
  Speaker 1: Yeah, That's what I meant, like, Yeah, but her name
• 30:28
  Speaker 1: is Camille, Like the vampire's name is Camille. Mh like
• 30:32
  Speaker 1: Camille or yeah, it hints that the vampires like the
• 30:38
  Speaker 1: vampires like they originally uh, they were created by a
• 30:43
  Speaker 1: greater demon when a bunch of like cultists managed to
• 30:48
  Speaker 1: summon a demon, a greater demon, and he was like,
• 30:51
  Speaker 1: oh yeah, like, well you know what, I'm a prence.
• 30:53
  Speaker 1: You were able to summon me, so here immortal life.
• 30:56
  Speaker 1: I'll give you a mortal life, but you're gonna be
• 30:57
  Speaker 1: vampires now.
• 30:59
  Speaker 2: Yeah, that's about right right.
• 31:01
  Speaker 1: Vampires are like I think that happens sometime either like
• 31:04
  Speaker 1: in the Dark Ages or in the medieval times, so
• 31:07
  Speaker 1: vampires has not been around for that have not been
• 31:10
  Speaker 1: around for that long. I think shadow answers are older
• 31:13
  Speaker 1: than vampires. But still Camille is one of the oldest
• 31:19
  Speaker 1: vampires in the world and she approaches some with a
• 31:23
  Speaker 1: proposition to like join her mm hmm. She wants to
• 31:28
  Speaker 1: do its shady. She wants him to join her because
• 31:31
  Speaker 1: she used to be the head of the Manhattan Vampire clan.
• 31:35
  Speaker 1: But she was outed. She was out at I forgot
• 31:39
  Speaker 1: exactly why she was outed. It had something to do
• 31:41
  Speaker 1: with like she was making deals with demons, like she
• 31:46
  Speaker 1: was doing some shade and ship.
• 31:48
  Speaker 2: She she made a fake excuse saying that it was
• 31:52
  Speaker 2: what's his face's fault?
• 31:55
  Speaker 1: Rafaele.
• 31:55
  Speaker 2: Yeah, Raphael kind of kicked her out, and she's like,
• 31:58
  Speaker 2: I'm the vic she was playing the victim, basically, I'm
• 32:01
  Speaker 2: vidim when Raphael of course was the one who kicked
• 32:05
  Speaker 2: her out because because she decided to well you'll find out, yep.
• 32:11
  Speaker 1: And so he wants he wants him to help her,
• 32:15
  Speaker 1: but he but he actually does refuse. He doesn't want
• 32:21
  Speaker 1: anything to do with her. And the thing is, though
• 32:24
  Speaker 1: Simon has become the target of several assassination attempts, the
• 32:28
  Speaker 1: thing is they don't work because Simon still has on
• 32:31
  Speaker 1: his forehead the mark of Kane. Now he's able to
• 32:35
  Speaker 1: hide the mark of Kine with his bangs. But the
• 32:38
  Speaker 1: thing is, when people attack him, anytime anyone tries to
• 32:41
  Speaker 1: kill him, the mark of kin reflects what they're going
• 32:43
  Speaker 1: to do to him back onto them sevenfold. So one
• 32:47
  Speaker 1: dude attacked him with a knife and just before the
• 32:49
  Speaker 1: knife even like punctured his skin, he just burst into
• 32:54
  Speaker 1: like dust, Yeah, dust like not flames. No, he just
• 33:00
  Speaker 1: goes poof.
• 33:01
  Speaker 2: Yeah, I'm like that's cool, that makes sense.
• 33:05
  Speaker 1: And it's a play on the it's a biblical play
• 33:07
  Speaker 1: because like the whole Solomon Gomora thing where God turned
• 33:10
  Speaker 1: everyone in the city into salt, turn the whole city
• 33:13
  Speaker 1: to salt. Yeah, so that's basically what happens, is like, Oh,
• 33:18
  Speaker 1: they get turned, you try to kill Simon, you get here,
• 33:20
  Speaker 1: your salt. Now you're a pillar of salt now.
• 33:23
  Speaker 2: Yeah.
• 33:24
  Speaker 1: And the thing is is that Simon becomes increasingly like
• 33:31
  Speaker 1: the thing is the New York Vampires. Raphael especially does
• 33:35
  Speaker 1: not want him because they see him as a domination,
• 33:39
  Speaker 1: a threat, and he can't really stay with the shadow
• 33:43
  Speaker 1: Hunters because he's a vampire. He won't be able to
• 33:46
  Speaker 1: really live in the institute. Jam Hunters don't really allow it.
• 33:50
  Speaker 1: Even though he's friends with the kids, the adults don't
• 33:53
  Speaker 1: are still pretty bigoted and not exactly open or accepting this.
• 34:01
  Speaker 1: So for the most part, for the most part, Simon
• 34:07
  Speaker 1: is not really he's gonna be doing his own thing.
• 34:09
  Speaker 1: He does his own thing. He does have his moments
• 34:11
  Speaker 1: where he's with the others and they're they're gonna do
• 34:15
  Speaker 1: what they can to help him, but he's on his own. Uh.
• 34:22
  Speaker 1: Later on, like towards the end of the book, Simon
• 34:26
  Speaker 1: does it does attempt a engagement party because Jocelyn and
• 34:32
  Speaker 1: Luke have announced their engagement and they have a big
• 34:35
  Speaker 1: old engagement party, big thing. He goes there, but he's
• 34:38
  Speaker 1: eventually lured away by this girl because sometime in this
• 34:42
  Speaker 1: book he actually and he he lost control of his
• 34:46
  Speaker 1: appetite and attacked a young girl on the street. The
• 34:50
  Speaker 1: thing is, this traumatized her. And while uh, and that's
• 34:55
  Speaker 1: the reason why the organization that Jordan worked for got
• 35:00
  Speaker 1: kind of caught off to Simon because while he did this,
• 35:04
  Speaker 1: and well, like, we're gonna need to keep an eye
• 35:07
  Speaker 1: on him, but we don't, you know, he's he's still young.
• 35:10
  Speaker 1: Doesn't necessarily mean that he should be put down for
• 35:12
  Speaker 1: attacking attacking a a mundane still needs someone needs to
• 35:18
  Speaker 1: keep an eye on him. So the thing is is
• 35:23
  Speaker 1: this girl is later was later picked up by Camille,
• 35:28
  Speaker 1: and she turns this girl into a vampire.
• 35:34
  Speaker 2: M she sure does M and the and she.
• 35:42
  Speaker 1: The thing is she threatened. She basically lures him away
• 35:45
  Speaker 1: and takes him to an abandoned building, and it's in
• 35:51
  Speaker 1: this building that he has his first encounter with the
• 35:54
  Speaker 1: big bad evil guy. The big bad evil guy, as
• 35:57
  Speaker 1: it turns out is none other than the greater Demon,
• 36:00
  Speaker 1: in fact, the first demon queen, legend y Queen of
• 36:06
  Speaker 1: Hell or I should say, they mostly refer like connect
• 36:11
  Speaker 1: her with Eatom so like queen of Eatom m so
• 36:14
  Speaker 1: and the mother of demons, queen.
• 36:16
  Speaker 2: Of eat them. Oh my god, Oh my god, Eden,
• 36:19
  Speaker 2: Oh my god.
• 36:19
  Speaker 1: Yeah, no, eat them, not Eden, eat them separate place.
• 36:26
  Speaker 1: She's place, yeah, eat them et Ohn, eat them fuck
• 36:32
  Speaker 1: is atom well in the store and later on in
• 36:36
  Speaker 1: the Mortal Instrument story, like eat them it is. It
• 36:39
  Speaker 1: is an actual place, but it's actually like a different
• 36:43
  Speaker 1: dimension or demons. Like basically it's like a demon dimension
• 36:47
  Speaker 1: and it's called eat them kind of like danna Ah.
• 36:52
  Speaker 2: I thought the name Eadom was a reference to the
• 36:54
  Speaker 2: Garden of Eden.
• 36:55
  Speaker 1: No, it's like eat them like so when she was
• 36:59
  Speaker 1: banished from the Garden of Eden like kind of like
• 37:03
  Speaker 1: she like basically cursed God, swore vengeance like or at
• 37:07
  Speaker 1: like eternal you know, mortal and like blood feud against
• 37:12
  Speaker 1: God and so. And because the thing is like God
• 37:16
  Speaker 1: cursed her m and basically made it's where she can
• 37:20
  Speaker 1: no longer she cannot have children of her own, so
• 37:24
  Speaker 1: cursed her with like cursed her to be barren for
• 37:27
  Speaker 1: all eternity, and like she wanted to spite God, so
• 37:31
  Speaker 1: she started giving giving birth to children of her own.
• 37:36
  Speaker 1: But these children were demons, and the way she gave
• 37:38
  Speaker 1: birth to them was by she cut her She cut
• 37:41
  Speaker 1: her palm and flicked her blood over the plains of Edom,
• 37:45
  Speaker 1: and from her blood the demons sprung forth. So like
• 37:49
  Speaker 1: the lesser demons came forth. So she's the one that
• 37:51
  Speaker 1: gave birth to like the pretty much the everyday demons
• 37:54
  Speaker 1: we see, even the tracane demon that demons that like
• 37:58
  Speaker 1: the dragon demons that were born on our plane. Because
• 38:01
  Speaker 1: the thing is the reason why you don't see dragons
• 38:04
  Speaker 1: in the mortal instruments is because they're all extinct and
• 38:08
  Speaker 1: they were demons. But thing is they were demons that
• 38:11
  Speaker 1: were birthed in our planet existence. Demons that typically show
• 38:16
  Speaker 1: up now come from other planes of existence, like eat Them,
• 38:19
  Speaker 1: Gehenna and all the other demonic realms. And when you
• 38:24
  Speaker 1: kill these demons, you're not actually killing their physical form.
• 38:27
  Speaker 1: You're just killing a projection of them, so like they're
• 38:31
  Speaker 1: projecting their spirits into our world. And while they do
• 38:34
  Speaker 1: appear as like something like semi physical, when you kill
• 38:38
  Speaker 1: them like, you can only kill them with like blessed
• 38:41
  Speaker 1: artifacts or certain materials like atamus electrom or weapons that
• 38:45
  Speaker 1: have rooms carved into them. That's the only way you
• 38:50
  Speaker 1: can kill them. When you kill them, their bodies just disappear.
• 38:53
  Speaker 1: But that's because it's just a projection of their spirit.
• 38:57
  Speaker 1: It's just a projection of their body's and when you
• 39:00
  Speaker 1: kill them, it sends them back to the dimension that
• 39:03
  Speaker 1: came from. So literally nobody has killed a demon ever.
• 39:08
  Speaker 1: So it's like that sucks because they're basically responding back
• 39:11
  Speaker 1: in their home dimension and they'll eventually come back eventually, Yeah, eventually,
• 39:18
  Speaker 1: So it sucks, but yes, so reveals that it's revealed
• 39:23
  Speaker 1: that Lilith is the big batt evil guy during the
• 39:28
  Speaker 1: during the war and Idris. Whence, when Jonathan summons all
• 39:35
  Speaker 1: those demons to attack. When Jonathan and Valentine some of
• 39:38
  Speaker 1: those demons to attack Alicante, Lilith saw an opportunity and
• 39:45
  Speaker 1: came through with all the with the demon hordes, but
• 39:47
  Speaker 1: she didn't really take part in the fight. The thing
• 39:50
  Speaker 1: is is that when she came through, she came through
• 39:55
  Speaker 1: because she wanted to observe Jonathan, because she's she has
• 40:00
  Speaker 1: this sort of like motherly attachment to Jonathan. She sees
• 40:06
  Speaker 1: Jonathan as her true son. Now she may not have
• 40:09
  Speaker 1: given birth to him, he does have her blood. Because
• 40:14
  Speaker 1: the thing is is, when Valentine was experimenting with demon blood,
• 40:19
  Speaker 1: he was experiment the demon he got the blood from
• 40:22
  Speaker 1: was Lilith herself, and she did it willingly. He summoned her,
• 40:26
  Speaker 1: told her what he was planning on doing, and she
• 40:28
  Speaker 1: was all for it. She was like, really a child
• 40:32
  Speaker 1: a lot, bet here's my blood and this child will
• 40:37
  Speaker 1: basically be my child, right because for Lilis, she at
• 40:42
  Speaker 1: least the Lilith. This is not saying like at the
• 40:45
  Speaker 1: lolith of actual like Christian Juday mythology. This is like
• 40:50
  Speaker 1: uh Cassandra Claire's interpretation of Lilith. She has a very
• 40:55
  Speaker 1: like strong maternal instincts, like she she's always wanted to
• 41:00
  Speaker 1: have children of her own, but because of what God
• 41:03
  Speaker 1: cursed her. Because God cursed her after being after she
• 41:06
  Speaker 1: was expelled from Eden, she can never have children of
• 41:10
  Speaker 1: her own. She has children, but they were not like
• 41:13
  Speaker 1: her true born children. They're the demons that she birth
• 41:17
  Speaker 1: from her blood. And the thing is Jonathan is like
• 41:20
  Speaker 1: basically she's her child. But if she had, like had
• 41:26
  Speaker 1: a surrogate carry or child for her, like a child
• 41:31
  Speaker 1: through surrogacy, think of it that way.
• 41:35
  Speaker 2: Yeah.
• 41:36
  Speaker 1: So, And the thing is is after the Battle of
• 41:38
  Speaker 1: Alcanse and after Jason had killed Jonathan, she actually managed
• 41:43
  Speaker 1: to rescue Jonathan's body and preserved it. Now, the thing
• 41:47
  Speaker 1: is is that Lillith has has she has a strong
• 41:51
  Speaker 1: belief in what is called the Old laws, where basically
• 41:54
  Speaker 1: it's like a law of balance, where something goes occurs
• 41:57
  Speaker 1: for some for like the good sef something needs to
• 42:02
  Speaker 1: happen on the for the bad side in order for
• 42:05
  Speaker 1: there to be a balance. The thing is is that
• 42:08
  Speaker 1: Jace was resurrected by Razil. So because Jace is as
• 42:16
  Speaker 1: a as a emissary of the of the good the Light,
• 42:20
  Speaker 1: things like that his rea, his reading, his resurrection basically
• 42:27
  Speaker 1: tip the scales in the Light's favor. And well, the
• 42:31
  Speaker 1: thing is that scales need to be balanced properly, so
• 42:34
  Speaker 1: that means somebody of the dark the bad needs to
• 42:39
  Speaker 1: be resurrected as well in order for there to be
• 42:41
  Speaker 1: proper balanced. Then she wants to use this opportunity to
• 42:45
  Speaker 1: resurrect Jonathan. To resurrect Jonathan so what she wanted Simon
• 42:51
  Speaker 1: to do. She wanted Simon to basically drain Jonathan of
• 42:57
  Speaker 1: his blood and give him and give Jonathan his Simon
• 43:03
  Speaker 1: give Jonathan his blood to resurrect him, because this would
• 43:06
  Speaker 1: have been this would be a perfect opportunity for Jonathan
• 43:08
  Speaker 1: to come back to life, all right, scales need to
• 43:11
  Speaker 1: be balanced, and that's what she wants him to do.
• 43:14
  Speaker 1: And this is where Jace and Clary come into the story.
• 43:17
  Speaker 1: So kind of taking a step back, Jason Clay are
• 43:21
  Speaker 1: now officially a couple. They're no longer under the belief
• 43:26
  Speaker 1: that they are siblings. Thank god. That was painful. Thing
• 43:30
  Speaker 1: about the story is that that was just painful to watch.
• 43:33
  Speaker 1: But yeah, and it's still gonna be painful because these
• 43:38
  Speaker 1: two won't be able to be like actually have the
• 43:41
  Speaker 1: chance to spend somemon him as a real couple because
• 43:43
  Speaker 1: the next couple of books they're going to be like
• 43:44
  Speaker 1: constantly pushed apart and trying to fight to get back
• 43:48
  Speaker 1: to each other. And this is where it starts. So Clary,
• 43:52
  Speaker 1: she's gone back to somewhat she she's gone back to
• 43:57
  Speaker 1: some sense of normalcy. She does go back to school
• 44:01
  Speaker 1: mainly because she doesn't feel like it's right for her
• 44:03
  Speaker 1: to go back to school now that she knows she's
• 44:05
  Speaker 1: a shadow Hunter, and she would rather continue her education
• 44:09
  Speaker 1: as a shadow Hunter instead. Now, Jocelyn isn't exactly happy
• 44:14
  Speaker 1: about that, because Jocelyn still wants to stay like even
• 44:18
  Speaker 1: though everything is basically over with Valentine's dead and Jocelyn
• 44:23
  Speaker 1: herself is no longer considered a wanted criminal or anything
• 44:27
  Speaker 1: like that, they still she still wants to stay away
• 44:33
  Speaker 1: from the shadow Hunters right she and she and Luke
• 44:37
  Speaker 1: are now going to get married. They're going to have
• 44:39
  Speaker 1: their own normal life, and she wants Clary to have
• 44:41
  Speaker 1: a normal life too, but it's not going to happen
• 44:44
  Speaker 1: now that Clarie is as involved as she is with
• 44:47
  Speaker 1: the shadow Hunters. But Jocelyn, knowing that she can't really
• 44:52
  Speaker 1: convince her daughter to pursue a normal life, agrees, but
• 44:58
  Speaker 1: it still insists that Clarie with her and Luke, so
• 45:01
  Speaker 1: they both move in. They both move in with Luke
• 45:04
  Speaker 1: and they're living their life. Clari and Jace are enjoying
• 45:09
  Speaker 1: their relationship with each other. But the thing of the
• 45:11
  Speaker 1: thing about Jace is that Jace has begun having strange
• 45:17
  Speaker 1: nightmares all right. For some reason, ever since the ever
• 45:26
  Speaker 1: since he was resurrected, he's been having these weird nightmares
• 45:30
  Speaker 1: and and and the thing about these nightmares is that
• 45:33
  Speaker 1: every time the nightmares are always about him and Clary,
• 45:36
  Speaker 1: and they're having like passionate moments, and at the height
• 45:39
  Speaker 1: of these of these passionate moments, kills them in the dreams.
• 45:43
  Speaker 2: Yeah sure, yeah, sang yeah.
• 45:49
  Speaker 1: Now he doesn't tell her about these dreams, but he
• 45:53
  Speaker 1: but there it's starting to show. He doesn't eat, he
• 45:56
  Speaker 1: doesn't sleep. Clariree is starting to worry about him, you know.
• 46:03
  Speaker 1: Then they learned that there have been several murders. Three
• 46:06
  Speaker 1: shadow Hunters have been killed, and Clarie uh in a
• 46:10
  Speaker 1: way to destry keep her and Jason occupied, offers to
• 46:13
  Speaker 1: help the investigation. Louke is called in to help identify
• 46:19
  Speaker 1: the bodies of the shadow Hunters and Clarie. Thinking about
• 46:24
  Speaker 1: Clarie is that in this book she got a little
• 46:26
  Speaker 1: too arrogant, because now that she understands her ability to
• 46:31
  Speaker 1: create new rooms better, she's more open about using it now.
• 46:36
  Speaker 1: And the thing is is that when they when they're
• 46:39
  Speaker 1: examining the bodies, it suddenly hits her like the image
• 46:43
  Speaker 1: of a new room hits her and she thinks, well,
• 46:46
  Speaker 1: maybe we have a way of figuring out who killed
• 46:49
  Speaker 1: these shadow Hunters by asking the dead shadow Hunters themselves.
• 46:53
  Speaker 1: And the room that she creates is a hate to
• 46:56
  Speaker 1: say it, but it is the first necromancy room. What
• 47:00
  Speaker 1: it does is when she draws it on the dead
• 47:03
  Speaker 1: shadow hunter, it brings them back to life temporarily. But
• 47:06
  Speaker 1: the thing is is that it doesn't heal them of
• 47:10
  Speaker 1: the bodily wounds that they were inflicted with. So these
• 47:13
  Speaker 1: shadow Hunters, their throats were ripped out. Yeah, all right,
• 47:20
  Speaker 1: So when she uses it on one of the shadow Hunters,
• 47:22
  Speaker 1: he comes back to life, but he is in an
• 47:24
  Speaker 1: excruciating pain because his throat's ripped out. His body is mutilated.
• 47:29
  Speaker 1: So he's like he comes back to life, but he's
• 47:32
  Speaker 1: like in so much pain and it's horrifying. But they
• 47:35
  Speaker 1: do manage to get a name out of him. The
• 47:38
  Speaker 1: killer is his killer was Camille the vampire. As soon
• 47:42
  Speaker 1: as they get the name, Luke grabs uh grabs a
• 47:47
  Speaker 1: bottle of acid and throws it on the room to
• 47:51
  Speaker 1: destroy it. So the only way the only way to
• 47:53
  Speaker 1: stop a room from working is to destroy the room
• 47:56
  Speaker 1: and Unfortunately, this dude would have kept would have kept
• 47:59
  Speaker 1: on going if the room wasn't destroyed. So Luke warrens
• 48:03
  Speaker 1: ends up warning Claire that she really needs to be
• 48:06
  Speaker 1: careful with her gift because that was fucked up, you know,
• 48:13
  Speaker 1: properly chastised. She understands, but she still wants to figure
• 48:16
  Speaker 1: out what's going on. The thing is. Jace actually ends
• 48:21
  Speaker 1: up spending more time with Simon because she because he
• 48:24
  Speaker 1: does learn about the assassination attempt on Simon and decides
• 48:28
  Speaker 1: to act as his bodyguard. And then, of course that's
• 48:32
  Speaker 1: where they get involved with Kyle learning more about the
• 48:37
  Speaker 1: Wolf Guardians who Kyle works for. Let's see here. Jace
• 48:46
  Speaker 1: eventually does end up leading a strike team against Camille
• 48:52
  Speaker 1: and they do arrest her and they kill her too. Familiars.
• 48:55
  Speaker 1: She has she has a pair of human uh taking
• 49:00
  Speaker 1: a term from to take a term from like the
• 49:04
  Speaker 1: Thirty Days of Night series, Uh, Thirty Days of Nights
• 49:08
  Speaker 1: human followers were called bug eaters because they aspired to
• 49:14
  Speaker 1: be vampires. The vampires would give them some of their
• 49:17
  Speaker 1: blood to kind of like boost their vitality, but often
• 49:22
  Speaker 1: turns them into these like turns these humans into these
• 49:25
  Speaker 1: like kind of grotesque people that are obsessed with their
• 49:30
  Speaker 1: vampire masters, and they often end up like the name,
• 49:35
  Speaker 1: like the name suggests that they eat bugs. Well, these
• 49:39
  Speaker 1: these bug eaters as I call them, because I like
• 49:43
  Speaker 1: to call any human throw all of a vampire. Uh,
• 49:47
  Speaker 1: they're basically she kept them alive for centuries by giving
• 49:51
  Speaker 1: them some of her blood and keeps them healthy, keeps
• 49:55
  Speaker 1: them alive, and they go everywhere with her. They do
• 49:58
  Speaker 1: all they do her bidding. And the thing is, though,
• 50:01
  Speaker 1: like the shadow Hunters end up executing them, because the
• 50:05
  Speaker 1: thing is that they've been under her thrall for so
• 50:07
  Speaker 1: long that they're not technically human anymore. Yeah, So they
• 50:13
  Speaker 1: take her into custody. They try to interrogate her, but
• 50:16
  Speaker 1: she doesn't really give them much to go off of. Clary,
• 50:20
  Speaker 1: on the other hand, she ends up working with her
• 50:23
  Speaker 1: mom because they also started learning of reports from a
• 50:28
  Speaker 1: warlock nurse at the local hospital that there have been
• 50:31
  Speaker 1: a series of deaths that have been reported and they'd
• 50:38
  Speaker 1: found several babies have been abandoned and these babies had died.
• 50:44
  Speaker 1: The thing is, though, while normal humans don't just write
• 50:48
  Speaker 1: it off as like the unfortunate thing, baby was abandoned
• 50:51
  Speaker 1: and it didn't survive. But since the Warlock is able
• 50:56
  Speaker 1: to see past the glamours and shit, they do notice.
• 50:59
  Speaker 1: She notice that there's something off about these babies or
• 51:03
  Speaker 1: baby in one case, and she describes what she's found
• 51:08
  Speaker 1: what she found to Jocelyn, and Jocelyn is getting freaked
• 51:12
  Speaker 1: out because it's reminding her of her son, so Jocelyn. So,
• 51:22
  Speaker 1: the thing is, when Jocelyn learned about this, she started
• 51:25
  Speaker 1: making more inquiries to the nurse, to her warlocked friend
• 51:28
  Speaker 1: about these about the baby, about these dead babies, and
• 51:32
  Speaker 1: the most recent one had died, had died after a
• 51:38
  Speaker 1: priest tried to baptize it, not yet baptism. So when
• 51:46
  Speaker 1: so Clary overheard what her mom was doing and insists
• 51:50
  Speaker 1: on going with her, so they go back. So they
• 51:54
  Speaker 1: both go to the hospital to view the baby's body.
• 51:57
  Speaker 1: And the thing is is that when they see the
• 51:59
  Speaker 1: baby body, they noticed that its eyes are pitch black
• 52:05
  Speaker 1: and it has talents for fingers.
• 52:09
  Speaker 2: That's mm hmm.
• 52:11
  Speaker 1: The thing is is that this baby does not look
• 52:13
  Speaker 1: like a Warlock child. It's like, for those of you
• 52:15
  Speaker 1: who have read this series know how like Warlocks are
• 52:19
  Speaker 1: half demons half humans, like yeah, Warlocks have these inhuman traits.
• 52:25
  Speaker 1: It could be anything, right, like from like semi anthropomorphic
• 52:29
  Speaker 1: features to like different colored skin, wings, feathers, what have you. Like, Well,
• 52:35
  Speaker 1: couldn't this be like you could be thinking like, couldn't
• 52:38
  Speaker 1: this be just a warlock child? But no. The thing
• 52:41
  Speaker 1: is that Jocelyn recognizes that this baby was experimented on,
• 52:48
  Speaker 1: just like the way her son Jonathan was. Meaning that
• 52:53
  Speaker 1: while meaning that while they were developing in utero, while
• 52:59
  Speaker 1: they were still a fetus, they were human. But somebody
• 53:04
  Speaker 1: what had had exposed their mothers to demon blood so
• 53:09
  Speaker 1: fed their mother's demon blood and the demon blood affected
• 53:14
  Speaker 1: the baby much the same way that it affected Jonathan.
• 53:19
  Speaker 1: Thing is, though, these babies were not successful. So the
• 53:22
  Speaker 1: thing is that the thing is that these babies were human,
• 53:24
  Speaker 1: They were not shadow Hunter babies. So somebody is experimenting
• 53:30
  Speaker 1: on humans with demon blood and they need to figure
• 53:34
  Speaker 1: out who. Well, we later learned it was Lilith. She
• 53:39
  Speaker 1: was trying to recreate what what Valentine had created with Jonathan,
• 53:45
  Speaker 1: but she was missing the she was missing the shadow
• 53:49
  Speaker 1: Hunter element.
• 53:50
  Speaker 2: Mm hmmm.
• 53:53
  Speaker 1: Sol Clary later discovers some some form of evidence that
• 53:57
  Speaker 1: may have linked the baby that the demon baby from
• 54:03
  Speaker 1: the hospital to some form of church in the we're
• 54:07
  Speaker 1: in the city. They go to the church. Uh this
• 54:09
  Speaker 1: church is called uh, let me see, it's called the
• 54:13
  Speaker 1: Church of Talto. Okay, so Clary goes there with but
• 54:23
  Speaker 1: Claric goes there with isabel Well, she heads there first
• 54:26
  Speaker 1: and isbel meets her later. She gets there, she's starts
• 54:30
  Speaker 1: poking around in said the church and realizes that this
• 54:32
  Speaker 1: is actually more. This is a church dedicated to black magic,
• 54:36
  Speaker 1: and she discovers the rituals used to create the demon babies.
• 54:40
  Speaker 1: But while she's investigating, she is attacked by a demon
• 54:44
  Speaker 1: and like, I'm kind of like God killing Clarie. She
• 54:49
  Speaker 1: she's powerful, but she's pretty useless in the fight. That's
• 54:53
  Speaker 1: because she doesn't have the years of training like the
• 54:55
  Speaker 1: other shadow Hunter kids do. But she's getting there. Yeah,
• 54:59
  Speaker 1: she'll get there. But Isabelle shows up pulls her ass
• 55:02
  Speaker 1: out of the fire, and now they're left wondering what
• 55:05
  Speaker 1: like why, Like now they know who, they know more
• 55:09
  Speaker 1: or less the who, but they don't really know the why.
• 55:12
  Speaker 2: Yeah, you know.
• 55:15
  Speaker 1: The thing is Clari. Uh. Clari has to be taken
• 55:18
  Speaker 1: back to the institute because during the fight, she does
• 55:21
  Speaker 1: get demon blood does get splattered on her skin, so
• 55:24
  Speaker 1: she has to get treatment for that. Demon blood is
• 55:28
  Speaker 1: ascetic and it's poisonous, so can't let it. Can't get
• 55:31
  Speaker 1: exposed to deemon blood for too long. And the thing
• 55:34
  Speaker 1: is is that while she's in the in the infirmary,
• 55:36
  Speaker 1: Jay shows up and you know, he's concerned about her
• 55:39
  Speaker 1: right and you know, glad that she's okay, he kisses her.
• 55:43
  Speaker 1: The thing is, though his nightmare comes to life is
• 55:47
  Speaker 1: while his guard is down and he's making out with
• 55:50
  Speaker 1: his girlfriend and all that stabs her. Yeah, he tried to,
• 55:57
  Speaker 1: but he only manages to cut her arm with a knife,
• 56:00
  Speaker 1: and Jace has to be restrained. And but when he
• 56:04
  Speaker 1: finally calms down, he admits to Clary that that he's
• 56:07
  Speaker 1: been having these nightmares and with these exact scenarios where
• 56:11
  Speaker 1: he's in the moment of passion with Clary and then
• 56:14
  Speaker 1: out of know where he kills her. So Clary is
• 56:18
  Speaker 1: just like, okay, we've been keeping what happened with Razil
• 56:23
  Speaker 1: under wraps. The only because at this point the official
• 56:26
  Speaker 1: story was that yes, Valentine managed to summon Razil mm hm,
• 56:32
  Speaker 1: but they stopped him mm hm. And they didn't they left.
• 56:37
  Speaker 1: They conveniently left out the part where Jace was killed
• 56:39
  Speaker 1: by Valentine and Razil resurrected him.
• 56:42
  Speaker 2: Yeah, so now they're now.
• 56:46
  Speaker 1: Claire is like, all right, we can't we can't keep
• 56:50
  Speaker 1: this hidden anymore. Something is definitely going on and I
• 56:54
  Speaker 1: have something to do with the resident with you being
• 56:57
  Speaker 1: dead for like five minutes, and she tells she convinces
• 57:04
  Speaker 1: Jace to go to the Silent brother to go to
• 57:07
  Speaker 1: the City of Bones and talk to the Silent Brothers. Uh,
• 57:13
  Speaker 1: the brothers. Uh. So they go to the Brothers and they, uh,
• 57:17
  Speaker 1: they review what Jason has to Oh, Jace, Jase has
• 57:20
  Speaker 1: to Jason. Jason asked, God, damn it.
• 57:22
  Speaker 2: Now I'm doing Now, I'm okay.
• 57:28
  Speaker 1: They go back to they go to the Silent Brothers
• 57:31
  Speaker 1: and they look through Jason's mind and they confirm like, yep,
• 57:34
  Speaker 1: you were dead and looks like and yeah, we can
• 57:38
  Speaker 1: sense that the angel did bring you back to life.
• 57:41
  Speaker 1: That Here's the thing about shadow hunters is that shadow
• 57:45
  Speaker 1: Hunters are just like any normal human, except they have
• 57:48
  Speaker 1: angel blood. They can use ruins, and they're slightly stronger, faster,
• 57:51
  Speaker 1: and have better reflexes than a normal human.
• 57:54
  Speaker 2: Yeah, all right.
• 57:55
  Speaker 1: The thing is, though just like normal humans they are,
• 57:58
  Speaker 1: they are susceptible to demonic possessions. Now, the way they
• 58:02
  Speaker 1: get around this is by h is that when a
• 58:06
  Speaker 1: shadow Hunter child is born, they are baptized by a
• 58:12
  Speaker 1: conglomerates by they're baptized by two clave officials, a member
• 58:18
  Speaker 1: from the Silent Brothers, so a Silent Brother and an
• 58:23
  Speaker 1: Iron Sister. Now we're not going to see any of
• 58:27
  Speaker 1: the Iron Sisters in this book, but the Iron Sisters
• 58:31
  Speaker 1: are badass. They are the female equivalent of the Silent Brothers.
• 58:35
  Speaker 1: Though unlike the Silent Brothers, who are more like the bureaucrats,
• 58:38
  Speaker 1: the librarians, the more Soberrairians, the healers, the doctors, things
• 58:42
  Speaker 1: like that, the Iron Sisters are the industrialists of the
• 58:49
  Speaker 1: shadow Hunter society. So, like the Silent Brothers, they they
• 58:54
  Speaker 1: take up on themselves very powerful ruins that do cause
• 58:58
  Speaker 1: some uh like, do cause some strong changes to their bodies.
• 59:04
  Speaker 1: But the ruins that they take are mainly meant for
• 59:07
  Speaker 1: molding materials, so the Silent so that keep silent. The
• 59:12
  Speaker 1: Iron Sisters they're responsible for making all of the weapons
• 59:16
  Speaker 1: the shadow Hunters use. Mm hmm, So their adamant their
• 59:21
  Speaker 1: Adamost swords, the electron width bows, arrows, knives. Every conceivable
• 59:27
  Speaker 1: weapon that they use comes from the comes were made
• 59:30
  Speaker 1: from the were made by the Iron Sisters. Because the
• 59:33
  Speaker 1: Iron Sisters, aside from making Adamus weapons and Stella's, they
• 59:38
  Speaker 1: also were the ones who constructed the Glass Towers and Alicante,
• 59:43
  Speaker 1: the towers that basically protect not only the city and
• 59:45
  Speaker 1: the country and their country, but the entire world, because
• 59:48
  Speaker 1: those have the words that keep demons like the greater
• 59:51
  Speaker 1: hordes of demon kind exactly. The Iron Sisters are badass,
• 59:56
  Speaker 1: and typically when a shadow Hunter is born, a shadow
• 59:59
  Speaker 1: as elent brother and an Iron Sister come together and
• 1:00:03
  Speaker 1: they perform a ritual over the baby. This ritual or
• 1:00:06
  Speaker 1: baptism protects them from any kind of They protect them
• 1:00:15
  Speaker 1: from being influenced by demons in any way, so possession, oppression,
• 1:00:20
  Speaker 1: things like that. Demons can't affect them, at least not
• 1:00:23
  Speaker 1: in that way. But when Jace was killed and resurrected,
• 1:00:28
  Speaker 1: he was technically reborn and he did not have those
• 1:00:32
  Speaker 1: those protections anymore. So now he needed to go through
• 1:00:37
  Speaker 1: that ritual again in order in order to protect him
• 1:00:41
  Speaker 1: from demonic influences. Claria has a moment of like, wait, then,
• 1:00:47
  Speaker 1: how if that's true? Then have I ever been done that?
• 1:00:51
  Speaker 1: And she learns later from Joscelyn that she was, but
• 1:00:54
  Speaker 1: she had done it. She did get that that ritual
• 1:00:58
  Speaker 1: was performed on Clari when she was born, but Jocelyn
• 1:01:01
  Speaker 1: had to rely on a warlock instead.
• 1:01:03
  Speaker 2: Yeah.
• 1:01:05
  Speaker 1: So yeah, so for his own safety, Jase has to
• 1:01:09
  Speaker 1: uh stay and stay with the Silent Brothers and uh
• 1:01:17
  Speaker 1: in order to he has to he has to stay
• 1:01:20
  Speaker 1: in the Silent Brothers custodies for his own safety until
• 1:01:25
  Speaker 1: they can get Yeah, and so they can get like,
• 1:01:29
  Speaker 1: first of all, they have to arrange it. They have
• 1:01:30
  Speaker 1: to get us an Iron sister to come by, and
• 1:01:32
  Speaker 1: they have to get a prep for everything, and then
• 1:01:35
  Speaker 1: they'll perform the ritual on him again. And the thing is,
• 1:01:37
  Speaker 1: since he's an adult, a lot more painful and in
• 1:01:42
  Speaker 1: basic Yeah, so that doesn't happen though, because the thing
• 1:01:47
  Speaker 1: is is that since he's being influenced. The thing is
• 1:01:51
  Speaker 1: the demonic entity that has been influencing him is none
• 1:01:54
  Speaker 1: of the the lah blah la la la. It is
• 1:01:57
  Speaker 1: none other than Lilith, of course, And the thing is
• 1:02:02
  Speaker 1: that Lilith ends up possessing him fully and controls him
• 1:02:07
  Speaker 1: to come to her in this abandoned tower in New York,
• 1:02:10
  Speaker 1: and that just so happens to be where UH, where
• 1:02:15
  Speaker 1: Simon is too, And the thing is is that, And
• 1:02:18
  Speaker 1: another thing is is that Clary was expecting both of
• 1:02:21
  Speaker 1: them to be at Jocelyn's engagement party. Neither of them
• 1:02:25
  Speaker 1: show up, so she tracks them down, finds them there.
• 1:02:30
  Speaker 1: And the thing is when she finally when she finds
• 1:02:34
  Speaker 1: Simon and Jace, Jase is still under Lili's thrall, and
• 1:02:37
  Speaker 1: Simon was just in the middle of draining of consuming
• 1:02:41
  Speaker 1: Jonathan's blood to begin the process of resurrecting him, so
• 1:02:46
  Speaker 1: she disrupts the Clary manages to disrupt the ritual. And
• 1:02:53
  Speaker 1: the thing is that when Jace ends up going to UH,
• 1:02:57
  Speaker 1: when Jace becomes enthralled by Lilith fully, he actually kidnaps
• 1:03:03
  Speaker 1: Clary and brings her to the tower, and Lilith threatens
• 1:03:08
  Speaker 1: Simon that if he doesn't, if he doesn't bring Jonathan back,
• 1:03:13
  Speaker 1: she's going to have Jace kill Clary, and then she's
• 1:03:16
  Speaker 1: gonna kill Jace and so Simon. So Simon is forced
• 1:03:23
  Speaker 1: to agree, and he begins to and he begins to
• 1:03:25
  Speaker 1: drain Jonathan's body of its blood. He notes later that
• 1:03:28
  Speaker 1: his blood tasted acidic, like battery acid, which is probably
• 1:03:32
  Speaker 1: what which probably is a reference to the fact that
• 1:03:35
  Speaker 1: there's demon blood and that Jonathan has demon blood in him. Yeah, Clary,
• 1:03:42
  Speaker 1: while Lilith is distracted, she turns to Jace and she
• 1:03:46
  Speaker 1: manages to use her Stella to break to break Lilith's
• 1:03:52
  Speaker 1: control over Jace. The way Lilith was controlling Jace was
• 1:03:56
  Speaker 1: she had placed a she managed to place like a
• 1:03:59
  Speaker 1: strange demonic room on Jess's chest. Now, this room is
• 1:04:04
  Speaker 1: like kind of like a it's like a it's similar
• 1:04:08
  Speaker 1: to the angelic rooms, to the to the angel rooms
• 1:04:11
  Speaker 1: that the shadow Hunters use, but it's like the demean
• 1:04:15
  Speaker 1: it's the demonic counterpart to those rooms. So that's similar
• 1:04:18
  Speaker 1: to the way, similar to the way that angel rooms work,
• 1:04:22
  Speaker 1: these demonic rooms have their own more sinister effects to them,
• 1:04:26
  Speaker 1: and in this case, it's it allows Lilith to completely
• 1:04:29
  Speaker 1: possess and control Jace. So what Claire does is she
• 1:04:32
  Speaker 1: uses her Stala to break the two to disrupt the
• 1:04:38
  Speaker 1: room on Jason that's been placed on jas breaking Lilith's
• 1:04:42
  Speaker 1: hold over him and Jason Lilith began to fight, and
• 1:04:47
  Speaker 1: it's a pretty tough fite. It's pretty tough fight, but
• 1:04:50
  Speaker 1: Lilith proves to be too cunning and she manages to
• 1:04:54
  Speaker 1: restrain Clary mm hmm, and she's she uses Claire to
• 1:05:00
  Speaker 1: try to get both Simon and Jace to surrender because
• 1:05:05
  Speaker 1: Clary when so when Jos, oh my god, I'm losing
• 1:05:10
  Speaker 1: my trip, I'm like all over the place today.
• 1:05:12
  Speaker 2: You're fine, You're fine.
• 1:05:14
  Speaker 1: So when Jason Lilith start fighting, Clary gets Simon and
• 1:05:18
  Speaker 1: gets and uh manages to lead him out of there,
• 1:05:21
  Speaker 1: but she stays back to try to help Jace. The
• 1:05:24
  Speaker 1: thing is, Jace wanted Clary to leave because you know
• 1:05:27
  Speaker 1: she she just be in the way. And the thing
• 1:05:30
  Speaker 1: is she didn't. So Lilith, sensing that Clary was still nearby,
• 1:05:36
  Speaker 1: grabs Clary and holds her hostage against Jace, and she's like,
• 1:05:42
  Speaker 1: you're gonna finish the rich We're gonna finish this ritual,
• 1:05:45
  Speaker 1: or I'm gonna kill her, And she starts using her
• 1:05:47
  Speaker 1: palate and she starts using like a lash to like
• 1:05:51
  Speaker 1: attack Clary. Like every time every moment that Jace refuses
• 1:05:56
  Speaker 1: to surrender, she like slashes at Clary with this like
• 1:05:59
  Speaker 1: this tendrill like this little whip, and think is Simon
• 1:06:06
  Speaker 1: stayed like was still nearby too, and he saw what
• 1:06:09
  Speaker 1: was happening to Clary, so realizing like perfect opportunity, he
• 1:06:14
  Speaker 1: jumps in front of Clay just as Lilith is lashing
• 1:06:18
  Speaker 1: out against her, and Lili's little lash strikes Simon across
• 1:06:24
  Speaker 1: the across the face, like carving like a long slash
• 1:06:28
  Speaker 1: in his face. And when Lili sees this, she has
• 1:06:32
  Speaker 1: this moment of fuck op, like like oh fuck because
• 1:06:43
  Speaker 1: Simon Simon still has the the Mark of Kane on
• 1:06:48
  Speaker 1: his forehead, and the thing is usually the Mark of
• 1:06:51
  Speaker 1: Kane usually reacts just as somebody like is about to
• 1:06:56
  Speaker 1: hurt him. So like like earlier when that dude tried
• 1:06:59
  Speaker 1: to stab him, just just at the tip of the
• 1:07:01
  Speaker 1: blade touched Simon, poof poof right. Well, in this case,
• 1:07:08
  Speaker 1: Lilith was having like in the middle of like a
• 1:07:12
  Speaker 1: using her whiplash on Clary. The the tip of the
• 1:07:16
  Speaker 1: whip actually manages to cut Simon, so leaving this massive
• 1:07:22
  Speaker 1: gash on Simon. The King the Mark of Kane is
• 1:07:26
  Speaker 1: gonna take that, throw it, take it back. It's gonna
• 1:07:30
  Speaker 1: take it back, and it's gonna take that throw it
• 1:07:32
  Speaker 1: back with interest time seven mm hmmm hm. So, so
• 1:07:40
  Speaker 1: here's what happens. As soon as Lilith sees that she
• 1:07:43
  Speaker 1: had accidentally struck Simon, the only thing, she only has
• 1:07:48
  Speaker 1: time to say one thing sevenfold who just as she
• 1:07:55
  Speaker 1: says that, a pillar of light shoots down from the
• 1:07:59
  Speaker 1: sky likes her, completely obliterating her.
• 1:08:04
  Speaker 2: That's right, that's right.
• 1:08:07
  Speaker 1: So the the thing is about Lilith is that she's
• 1:08:09
  Speaker 1: still a greater demon. So she's not dead, but her
• 1:08:14
  Speaker 1: essence is scattered so thinly now that it's going to
• 1:08:18
  Speaker 1: take a very long time before she's able to reconstitute herself.
• 1:08:23
  Speaker 1: But essentially she's dead for the time being dead. Yeah,
• 1:08:28
  Speaker 1: so cool, yay, big bad, she's dead. Okay, cool, let's
• 1:08:34
  Speaker 1: all get out of here. Oh wait, it's not it's
• 1:08:37
  Speaker 1: not that's not how the story goes. Yeah, there's no
• 1:08:41
  Speaker 1: happily ever after, at least not yet. No even then,
• 1:08:46
  Speaker 1: not shit, not even oh like, even after the Moral
• 1:08:51
  Speaker 1: Instruments ends like that, they still like they're still going
• 1:08:54
  Speaker 1: to encounter their those two are still going to be
• 1:08:57
  Speaker 1: like struggling for their happily ever after. But that's life
• 1:09:00
  Speaker 1: from the Shadow Hunsterer.
• 1:09:01
  Speaker 2: Yeah, that's fair.
• 1:09:03
  Speaker 1: But the thing is Clary gets takes Clary, takes Simon out,
• 1:09:10
  Speaker 1: takes Simon away, and Jay stays behind to kind of
• 1:09:13
  Speaker 1: like cool down. He's still like reeling from the shock
• 1:09:17
  Speaker 1: of what's happening. And well, here's the thing. Even though
• 1:09:24
  Speaker 1: Clary managed to disrupt the room that Lilith had placed
• 1:09:27
  Speaker 1: on him, the control that Lilith had was still technically there.
• 1:09:32
  Speaker 1: Just disrupted. And well, when Simon had begun draining uh,
• 1:09:40
  Speaker 1: Jonathan's blood from his body, he invertally reawakened Jonathan's spirit
• 1:09:47
  Speaker 1: um hm and well, yeah, basically self resurrects and and
• 1:09:56
  Speaker 1: creates his like and establishes his own control over Jace
• 1:10:02
  Speaker 1: and compels Jace to complete the ritual to fully resurrect him.
• 1:10:06
  Speaker 1: So Jace cuts his hand and cuts Jonathan's alm as well.
• 1:10:12
  Speaker 1: They shake hands, completing the ritual, and Jonathan becomes fully resurrected.
• 1:10:19
  Speaker 1: Jase is now completely one under Jonathan's control, and then
• 1:10:25
  Speaker 1: they both disappeared. That is where the book ends.
• 1:10:29
  Speaker 2: I was, but I was like, how fucking dare you,
• 1:10:33
  Speaker 2: how fucking dare you leave me like that? On a Cliffhanger,
• 1:10:37
  Speaker 2: how dare you crime jail? I was mad. I was pissed.
• 1:10:44
  Speaker 1: It on your whole family, all right, just so on you.
• 1:10:53
  Speaker 2: Oh god, I was like, what the.
• 1:10:56
  Speaker 1: Mm mm hmmmm to get is were angry?
• 1:11:01
  Speaker 2: The gays were angry? Oh yeah, yeah, my gay ass
• 1:11:03
  Speaker 2: was so angry. I'm still angry. Yeah, that's my novel
• 1:11:07
  Speaker 2: because the Perfect Novel is not finished yet and I
• 1:11:10
  Speaker 2: can't read it. I mean I can listen to the
• 1:11:11
  Speaker 2: audio book. I want to read it. Yeah.
• 1:11:18
  Speaker 1: So so anyway, that is the in the book four.
• 1:11:24
  Speaker 1: I'm over here like look, yeah, four. And we will
• 1:11:30
  Speaker 1: be continuing this story next week with book five. Yep,
• 1:11:37
  Speaker 1: these books beforehand, it's a city of something, They're all.
• 1:11:46
  Speaker 1: That's the theme of the whole something. City of Lost Souls.
• 1:11:51
  Speaker 1: We're gonna be We're going to be continuing the book
• 1:11:56
  Speaker 1: with book the series with book five, City of Lost Souls. Uh,
• 1:12:02
  Speaker 1: it's that One's that one's gonna be a roller coaster.
• 1:12:05
  Speaker 1: I'm not gonna lie. You know, Jonathan's back. He's building
• 1:12:09
  Speaker 1: up to being the next big dadd equal guy. Larry
• 1:12:13
  Speaker 1: has to track Chase down and try to get him
• 1:12:17
  Speaker 1: back and get him out of Jonathan's control. So it's
• 1:12:22
  Speaker 1: gonna be a it's gonna be.
• 1:12:23
  Speaker 2: A lot gonna be so yeah, yeah, go ahead and
• 1:12:31
  Speaker 2: join us for next time I've talked about that yet.
• 1:12:34
  Speaker 2: Entail Dan Bye. Now, I don't know why the fuck
• 1:12:40
  Speaker 2: I said like that, but okay, okay, Devin word.
• 1:12:45
  Speaker 1: I mean, we're both from the South.