Latest / QUESTION EVERYTHING / Inside Gloria Steinem’s Living Room (EXCLUSIVE)
Transcript
- 0:03Speaker 1: No one has all the answers, but when we ask
- 0:05Speaker 1: the right questions, we get a little closer, closer to truths,
- 0:11Speaker 1: closer to each other, even closer to ourselves. I'm journalist
- 0:16Speaker 1: Danielle Robe, and each week, my guests and I come
- 0:19Speaker 1: together to challenge the status quo and our own ways
- 0:22Speaker 1: of thinking by daring to ask what if, why not?
- 0:28Speaker 1: And who says so? Come curious, dig deep, and join
- 0:33Speaker 1: the conversation. It's time to question everything. There are perhaps
- 0:41Speaker 1: a handful of people alive today who have actually changed
- 0:45Speaker 1: the way a society thinks. Gloria Steinem is one of them.
- 0:52Speaker 1: You are living right now today wherever you're tuning in
- 0:55Speaker 1: from inside a world she helped build. If you have
- 0:58Speaker 1: a credit card in your wallet. If you've ever applied
- 1:00Speaker 1: for a mortgage without a man's signature, if you've ever
- 1:03Speaker 1: rented a car or opened a bank account without a
- 1:05Speaker 1: man's signature. If you've held a job outside the home
- 1:08Speaker 1: or had a partner who helps inside it. If you've
- 1:10Speaker 1: ever reported harassment at work and had somewhere to report
- 1:13Speaker 1: it to. If you've run a marathon, If your daughter
- 1:16Speaker 1: has ever played on a sports team, if you've ever
- 1:18Speaker 1: been treated by a female doctor, or spoken to a
- 1:21Speaker 1: female attorney, if you've sat on a jury, run for office,
- 1:24Speaker 1: kept your name when you got married, if you ever
- 1:26Speaker 1: made a choice about your own body and had the
- 1:29Speaker 1: legal right to make it. That is in large part
- 1:31Speaker 1: because of Gloria Steinum. With just a typewriter, a microphone,
- 1:36Speaker 1: a few extraordinary women alongside her, and an absolute refusal
- 1:40Speaker 1: to accept the world as it was, Gloria Steinem helped
- 1:43Speaker 1: shape a century, and today she's letting us into her
- 1:47Speaker 1: living room. Now this isn't just any living room. This room,
- 1:51Speaker 1: with yellow walls and yellow curtains, a green velvet couch
- 1:54Speaker 1: and a big, comfy red chair, sacred objects, talismans, photographs,
- 1:59Speaker 1: books all around, is one of the rooms where the
- 2:02Speaker 1: women's movement began. Women from all over the world have
- 2:05Speaker 1: passed through it. Ideas that changed history have been spoken
- 2:09Speaker 1: aloud in it, And somehow, even with all that legacy,
- 2:13Speaker 1: it still feels like the most glorious thing imaginable, a
- 2:17Speaker 1: room where no one is more important than anyone else.
- 2:20Speaker 1: But let me back up. Before she became one of
- 2:23Speaker 1: the leading voices of the women's movement, she was a
- 2:26Speaker 1: journalist in New York City. In nineteen sixty three, she
- 2:29Speaker 1: went under cover at the Playboy Club, posing as one
- 2:31Speaker 1: of the famous Bunnies. She worked for weeks and quietly
- 2:34Speaker 1: documented what life was really like for the women behind
- 2:37Speaker 1: the fantasy. Her story, a Bunny's Tale, became a sensation.
- 2:41Speaker 1: What followed was a lifelong, relentless pursuit of equality, co
- 2:45Speaker 1: founding Miss magazine, which brought women's stories into mainstream conversation,
- 2:49Speaker 1: helping establish the National Women's political Caucus, advocating for reproductive freedom,
- 2:54Speaker 1: financial independence, and equal representation not just as talking points,
- 2:59Speaker 1: but as lived urgency. Gloria Steinem didn't just write about
- 3:03Speaker 1: changing the rules women were expected to live by. She
- 3:05Speaker 1: went after the rules themselves. At almost ninety two years old,
- 3:09Speaker 1: in just a few weeks, she's one of the last
- 3:11Speaker 1: living architects of the modern women's movement. The women who
- 3:15Speaker 1: built this world alongside her, many of whom she considered
- 3:18Speaker 1: dear friends, are gone. She is still here, still in
- 3:22Speaker 1: her apartment, convening talking circles, still lighting torches.
- 3:26Speaker 2: But when they asked me who I'm passing my torch to,
- 3:29Speaker 2: I always say, I'm keeping my torch, thank you very much.
- 3:33Speaker 2: I'm using my torch to light other torches, because unless
- 3:38Speaker 2: each one of us has a torch, we can't see
- 3:41Speaker 2: where the hell were going.
- 3:42Speaker 1: She doesn't give many interviews inside her home anymore. The
- 3:45Speaker 1: last time a camera was in her living room for
- 3:48Speaker 1: a sit down interview was Architectural Digest in twenty twenty four.
- 3:52Speaker 1: Before that, Oprah in twenty twenty one. This past year,
- 3:56Speaker 1: I've gotten to spend some really good time with Gloria
- 4:00Speaker 1: her home as one of her fellows. Now. The first
- 4:03Speaker 1: time I met Gloria, I didn't know what to expect.
- 4:05Speaker 1: I had read all of her words, and she and
- 4:08Speaker 1: her friends welcomed me. I sat across from her, and
- 4:11Speaker 1: I thought I would be nervous, but I actually felt
- 4:14Speaker 1: completely at ease. Gloria beautifully accepts people wherever they are
- 4:18Speaker 1: on their path, and she's completely without ego. She is
- 4:21Speaker 1: the first person to tell you she is no different
- 4:23Speaker 1: from anyone else. One of my favorite lines that she
- 4:26Speaker 1: says when people come up to her and nervously ask
- 4:29Speaker 1: what will happen when our daughters don't know who you
- 4:31Speaker 1: are anymore? And she says, It's not important that they
- 4:34Speaker 1: know who I am, It's important that they know who
- 4:36Speaker 1: they are, and she means it. Emma Watson once said
- 4:40Speaker 1: about Gloria that it's almost as if from birth Gloria
- 4:43Speaker 1: was calibrated like a compass to true North and is
- 4:46Speaker 1: now patiently and with good humor, making her way toward
- 4:49Speaker 1: that destination. I love that line because it is so
- 4:52Speaker 1: true and so fitting. Gloria believes in personal testimony, the
- 4:57Speaker 1: sharing and passing on of women's stories. I mean, she
- 5:00Speaker 1: often says that sharing her honest stories with other women
- 5:02Speaker 1: is one of the most feminist things we can do,
- 5:04Speaker 1: and I think that's a big part of the magic
- 5:06Speaker 1: of the talking circles she holds in her living room.
- 5:09Speaker 1: As her fellow I've gotten to throw some and attend
- 5:11Speaker 1: some people of all ages and backgrounds and experiences gather
- 5:16Speaker 1: to share their honest perspectives. It's obvious she's made it
- 5:19Speaker 1: her mission to understand stories that are not her own.
- 5:22Speaker 1: Gloria deeply respects and learns from women and their heritage.
- 5:25Speaker 1: One of the things I have come to love most
- 5:28Speaker 1: about Gloria is her plain common sense. She calls things
- 5:32Speaker 1: out as she sees them, as they are, and it
- 5:35Speaker 1: will make you laugh out loud. She just sees through
- 5:38Speaker 1: the noise of how things are and straight into how
- 5:41Speaker 1: they could be. It's definitely one of her superpowers. Another
- 5:45Speaker 1: one is that she never loses hope. Sometimes the world
- 5:48Speaker 1: Gloria and envisions can feel impossibly far away, wildly optimistic even,
- 5:53Speaker 1: But the longer I spend with her, the more I
- 5:56Speaker 1: believe it's possible that the work of true equality can
- 5:59Speaker 1: get done. And you know what else, I've come to
- 6:02Speaker 1: believe spending time with her, that the work trying to
- 6:04Speaker 1: get there really matters too. The world Gloria envisions is
- 6:09Speaker 1: not the world we live in, not yet, but she's
- 6:11Speaker 1: never once acted like it wasn't coming now. In almost
- 6:14Speaker 1: every interview, people ask Gloria about the future of feminism
- 6:18Speaker 1: what does she see coming? And I'm going to tell
- 6:20Speaker 1: you now, I did not ask her that, mostly because
- 6:22Speaker 1: I find it to be an annoying question, and at
- 6:25Speaker 1: ninety two years old, I was not about to annoy her.
- 6:27Speaker 1: But I did ask what she thinks we all have
- 6:29Speaker 1: to look forward to at ninety two, and I promise
- 6:32Speaker 1: you you want to hear her answer at the end
- 6:34Speaker 1: of this interview, do not miss that part. So today
- 6:38Speaker 1: I'm bringing you into the home of a woman who
- 6:40Speaker 1: changed hours. It's time to question everything with the one
- 6:45Speaker 1: and only Gloria Steina. Gloria, you are known for so
- 6:54Speaker 1: many things, but you are legendary for these talking circles
- 6:58Speaker 1: in your living room, which is where we are right now,
- 7:01Speaker 1: and you have an open door policy. Women from all
- 7:06Speaker 1: over the world have come and sat in this living room.
- 7:09Speaker 1: Where did the open door policy come from?
- 7:11Speaker 2: Well, I think the idea of a movement, a social
- 7:15Speaker 2: justice movement, women's movement, civil rights movement, is meant to
- 7:20Speaker 2: include everybody because it's trying to both change society and
- 7:26Speaker 2: assist society. So why would you keep anybody out?
- 7:32Speaker 1: Was it like that in your home growing up? Did
- 7:34Speaker 1: you have an open door policy?
- 7:36Speaker 2: No, because my father had a little summer resort in
- 7:40Speaker 2: southern Michigan, and in the winter time he put us
- 7:45Speaker 2: all in a house trailer, me, my sister, the dog,
- 7:48Speaker 2: my mother, and we went to Florida or California, so
- 7:52Speaker 2: we didn't exactly have a door. I mean, we stayed
- 7:55Speaker 2: in trailer parks, which are themselves very democratic, Butty stays there.
- 8:01Speaker 2: But it wasn't like having a house.
- 8:03Speaker 1: Do you have fond memories of traveling and being on
- 8:07Speaker 1: the road on car trips as a kid or did
- 8:09Speaker 1: you not like it?
- 8:10Speaker 2: No? I think I liked it. But what I liked
- 8:12Speaker 2: about it was that I could sit in the backseat
- 8:14Speaker 2: and read a book and my mother would say, look
- 8:17Speaker 2: out the window you and I would say, but I
- 8:19Speaker 2: looked a while ago.
- 8:21Speaker 1: Do you remember what you would read? Would you read
- 8:22Speaker 1: Little Women? Yes?
- 8:24Speaker 2: Louisa May Alcott was my hero, not only because of
- 8:28Speaker 2: Little Women, which was something she wrote for young readers,
- 8:33Speaker 2: but she also wrote stories about the Civil War and
- 8:37Speaker 2: very adult and sometimes depressed stories too.
- 8:41Speaker 1: Did books give you a larger imagination of what it
- 8:46Speaker 1: meant to be a woman or did you find them
- 8:48Speaker 1: to be constrictive at the time.
- 8:50Speaker 2: Well, because I wasn't going to school that much, and
- 8:53Speaker 2: I was reading all the time, and reading indiscriminately. I
- 8:57Speaker 2: would just go to the little local library and read
- 9:01Speaker 2: up and down the shelves. So I read all kinds
- 9:05Speaker 2: of things that I probably wouldn't have been directed to read,
- 9:09Speaker 2: not because of any reason except maybe age, But I
- 9:13Speaker 2: just was hooked.
- 9:15Speaker 1: I have a very funnier dorky saying that I love
- 9:18Speaker 1: shoes and I love books, and they both take you places.
- 9:22Speaker 1: So as a kid, your mantra was everybody has a
- 9:25Speaker 1: home but me. Do you feel like, as an adult
- 9:28Speaker 1: your mantra has changed to I have a home for everybody.
- 9:32Speaker 2: Well, definitely, I feel I have a home now and
- 9:35Speaker 2: this has really been my permanent home for a very
- 9:38Speaker 2: long time, first shared with a roommate, barbonessum and now
- 9:43Speaker 2: on my own. I suppose growing up, I imagined that
- 9:46Speaker 2: you couldn't have a home until you were married and
- 9:49Speaker 2: had children. I didn't understand that women on our own
- 9:52Speaker 2: could also have a home. It took a while.
- 9:55Speaker 1: It must have been very exciting when you moved into
- 9:58Speaker 1: this place. Did it mean something more than just a
- 10:01Speaker 1: place to lay your head?
- 10:03Speaker 2: Yes? Well, my roommate Barbonessa, the artist Burboness, we had
- 10:06Speaker 2: been living in a one room studio on fifty sixth
- 10:11Speaker 2: Street between fifth and sixth here and then finally I
- 10:15Speaker 2: can't remember how we found this, but this was like
- 10:18Speaker 2: twice as much space. You were excited.
- 10:21Speaker 1: I can imagine sharing a one room apartment in New
- 10:25Speaker 1: York is not easy, even if you like your roommate.
- 10:28Speaker 1: You said you always wanted a conventional home as a kid.
- 10:31Speaker 1: Do you feel like this has become a symbol for you?
- 10:35Speaker 1: Or more a symbol that you share with other people.
- 10:39Speaker 2: I'm glad to have, as who was at Virginia set
- 10:42Speaker 2: a room of one's own. I think we all need that,
- 10:46Speaker 2: and women are probably less likely to have that, So
- 10:51Speaker 2: I'm happy about that. As I was saying, I moved
- 10:53Speaker 2: here first with the roommates, so it kind of arrived
- 10:58Speaker 2: in steps. I don't think I moved in and thought, oh, yes,
- 11:02Speaker 2: this is it. I'm going to stay here forever. Oh really,
- 11:05Speaker 2: it just happened.
- 11:06Speaker 1: Because you've told me before that you didn't decorate right away, right,
- 11:12Speaker 1: it took like ten years to decorate this place.
- 11:15Speaker 2: Well, I never did decorate exactly. I mean there was
- 11:17Speaker 2: a friend who was living here from London and she
- 11:21Speaker 2: was helping a man friend of mine decorate his apartment.
- 11:27Speaker 2: Oh wow. So while she was doing that, she took
- 11:31Speaker 2: me around to auctions and taught me how to bid
- 11:35Speaker 2: on whatever it was that I wanted. I mean, all
- 11:37Speaker 2: of these things are old.
- 11:39Speaker 1: I think they all have meaning though, Like you have
- 11:41Speaker 1: so many elephants, which you love the elephant painting behind me.
- 11:45Speaker 1: You have books from all of your travels. All of
- 11:48Speaker 1: the knickknacks feel like they're meant to be there. They
- 11:51Speaker 1: have a place.
- 11:52Speaker 2: Well, yeah, I mean they arrived somewhat accidentally, but by
- 11:55Speaker 2: now they have a place. I mean, this door is
- 11:58Speaker 2: a granary door from India. Even though I didn't buy
- 12:02Speaker 2: it in India, I bought it here in New York.
- 12:04Speaker 1: You have such happy memories of India, it seems you
- 12:07Speaker 1: talk about your time there quite a lot.
- 12:09Speaker 2: Yes, well, I went there shortly after I graduated from college.
- 12:14Speaker 2: I was engaged in trying to get unengaged, and also
- 12:17Speaker 2: I fell in love with the country because it was
- 12:20Speaker 2: newly independent, celebrating and finding itself, and also so diverse.
- 12:26Speaker 2: You know, there are fourteen major languages within India.
- 12:29Speaker 1: I think, do you remember when you got engaged? Kind
- 12:32Speaker 1: of yeah, did it stress you out or what did
- 12:34Speaker 1: that moment feel like?
- 12:35Speaker 2: I think I didn't quite know what to do with myself.
- 12:38Speaker 2: I was about to graduate. I didn't know what would happen.
- 12:42Speaker 2: He lived in New York and understood Manhattan, so that
- 12:45Speaker 2: was already kind of an interesting mystery. He was also
- 12:51Speaker 2: the best friend of the fiance of my friend, a
- 12:56Speaker 2: young woman who was a student with me, so it
- 13:00Speaker 2: had that kind of almost familial connection.
- 13:04Speaker 1: Do you have a really happy childhood memory that sticks
- 13:06Speaker 1: out to you.
- 13:07Speaker 2: Well, I was in love with animals always, so the
- 13:10Speaker 2: dog would have puppies, and I couldn't give up the puppies.
- 13:14Speaker 2: I would get a rabbit for Easter. I don't think
- 13:18Speaker 2: this happens anymore, I hope. But if you bought Easter
- 13:21Speaker 2: shoes as a child, they gave you a baby bunny,
- 13:25Speaker 2: you're kidding, Nor.
- 13:28Speaker 1: For every pair of shoes, that's crazy.
- 13:30Speaker 2: Well, no, not one per customer, I think, you know.
- 13:34Speaker 2: So there was this white bunny that I was always
- 13:36Speaker 2: kind of worried about with all the wild bunnies that
- 13:40Speaker 2: were not white that were out there, you know, But
- 13:43Speaker 2: I hope it was.
- 13:44Speaker 1: Okay, that's a really sweet memory. I wasn't expecting you
- 13:47Speaker 1: to say that.
- 13:47Speaker 2: You know.
- 13:47Speaker 1: I've never seen you light up as much as when
- 13:50Speaker 1: there was a dog staying here for a few days.
- 13:52Speaker 1: So I got to see your love of animals up close.
- 13:55Speaker 2: Yes, No, I was always growing up with animals, and
- 13:58Speaker 2: I loved horses. Think girls and horses have a special connection.
- 14:04Speaker 2: And there was a period of time in which I
- 14:07Speaker 2: had a horse in a nearby farm garage or something.
- 14:12Speaker 2: I mean, it was too much for me. I couldn't
- 14:15Speaker 2: take care of the horse properly, but it was great.
- 14:18Speaker 1: And I know you love New York and you love
- 14:20Speaker 1: Manhattan so much. I'm surprised because you can't really have
- 14:23Speaker 1: animals here.
- 14:24Speaker 2: Well, you could always have animals in your house, cats
- 14:27Speaker 2: and dogs, right, And I'm not going to have a
- 14:30Speaker 2: horse again. But I love New York because it's big,
- 14:33Speaker 2: it's diverse, you can walk around. It was once Mannahatta
- 14:38Speaker 2: Island before Europeans showed up. I mean, it has a
- 14:41Speaker 2: long history.
- 14:42Speaker 1: When you think about your mom and your dad, is
- 14:45Speaker 1: there a trait that you think you've inherited from each
- 14:49Speaker 1: one of them that stands out?
- 14:50Speaker 2: Yes, I think so. I mean my mother had been
- 14:53Speaker 2: a journalist before she was married. She worked for a newspaper.
- 14:57Speaker 2: She loved it. I remember her teaching me how to
- 15:00Speaker 2: to use a reporter's notebook. They're the long, skinny ones
- 15:04Speaker 2: you put in your hand, you know, so you can
- 15:05Speaker 2: write with the other hand. So that acquired an attraction.
- 15:10Speaker 2: My father had this little summer resource where people danced
- 15:15Speaker 2: over the water and under the stars, as his slogan
- 15:18Speaker 2: put it, and he was happy, never having a job
- 15:23Speaker 2: in his life. He always worked for himself, so I
- 15:25Speaker 2: probably absorbed from both of them in obvious ways.
- 15:30Speaker 1: It's funny that you bring that up, because in so
- 15:32Speaker 1: many of your interviews when you talk about your dad,
- 15:34Speaker 1: you mentioned two things. You mentioned that he never had
- 15:37Speaker 1: a job. He was always freelance, and you seem to
- 15:40Speaker 1: really admire that and that he could sustain his own way.
- 15:44Speaker 1: And then secondly, that he never wore hats. Why did
- 15:46Speaker 1: you like that he never wore a hat.
- 15:48Speaker 2: I suppose hats were a symbol of business or conformity
- 15:55Speaker 2: or upper middle class, because if you worked in a factory,
- 15:59Speaker 2: you didn't wear a hat. I don't know, I mean,
- 16:01Speaker 2: but they had some kind of symbolism. So I was
- 16:04Speaker 2: glad he didn't share that.
- 16:06Speaker 1: You liked that he was unconventional.
- 16:08Speaker 2: Yeah, I don't know if I thought of it that
- 16:10Speaker 2: way exactly. And he was also very kind. His cure
- 16:13Speaker 2: for everything was a movie in a malted which is
- 16:17Speaker 2: pretty good.
- 16:17Speaker 1: Actually, when's the last time you got to enjoy that combination?
- 16:22Speaker 2: Oh, I don't remember, so so long ago, I mean
- 16:24Speaker 2: it was.
- 16:25Speaker 1: Pre ten Speaking of movies, I did not realize how
- 16:29Speaker 1: much you loved Breakfast at Tiffany's Gloria. That movie had
- 16:33Speaker 1: such an impact on your life. Do you remember when
- 16:35Speaker 1: you first saw it?
- 16:36Speaker 2: Well, also, Truman Capote had written about her as a character, yeah,
- 16:43Speaker 2: before the movie, and actually in his story she leaves
- 16:48Speaker 2: and goes to Africa. I mean there's more of her life,
- 16:51Speaker 2: I think in his story than there is in the movie.
- 16:55Speaker 2: But in both cases, she just seemed free. And she'd
- 16:59Speaker 2: had difficult childhood. She had a brother who was ill
- 17:03Speaker 2: or she worried about. You know, it wasn't all fun,
- 17:06Speaker 2: but it was free.
- 17:08Speaker 1: Do you consider your childhood difficult?
- 17:10Speaker 2: No? I don't, actually, you know, because I always felt
- 17:13Speaker 2: loved my parents. I mean, life was not easy for them,
- 17:17Speaker 2: but they always treated me like an equal member of
- 17:20Speaker 2: the household.
- 17:21Speaker 1: It was a democratic household.
- 17:23Speaker 2: Yeah, Gloria.
- 17:24Speaker 1: Before we ever even met, I had read all your books.
- 17:28Speaker 1: I had not read this one. I had no idea
- 17:30Speaker 1: that you had written five hundred pages on self esteem.
- 17:33Speaker 2: Yes, I don't exactly know how that happened.
- 17:36Speaker 1: We've never talked about this book, and so when I
- 17:39Speaker 1: was reading it, this is when I found out how
- 17:41Speaker 1: Breakfast at Tiffany's impacted you. Will you share why it
- 17:46Speaker 1: made you so emotional? Because in this book you talk
- 17:48Speaker 1: about tearing up? Was it the freedom.
- 17:51Speaker 2: Because she was totally on her own. She had great
- 17:55Speaker 2: hopes but not much support. She had come to me
- 18:00Speaker 2: or on her own, I think, and she had a
- 18:03Speaker 2: brother at home she was looking after who was vulnerable.
- 18:06Speaker 2: In some way, she was her own self and making
- 18:11Speaker 2: her own world in a way that probably was not
- 18:15Speaker 2: so true. Say of my earlier heroine, Louisa may Alcott.
- 18:20Speaker 1: Well, a friend told you that you turned yourself into
- 18:23Speaker 1: Holly overnight, and then in this book you write about
- 18:26Speaker 1: lacing your hair with blonde streaks, wearing kerchiefs, and even
- 18:30Speaker 1: rocking the big iconic sunglasses. I didn't realize that it
- 18:33Speaker 1: was from that movie.
- 18:34Speaker 2: Yeah, of course I was nearsighted, so I eated glasses. Anyway.
- 18:38Speaker 2: They were all prescriptions, right, I mean, you're very utilitary,
- 18:42Speaker 2: but she was. It was a movie about a free woman. Yeah.
- 18:46Speaker 1: Did you consider her a feminist?
- 18:48Speaker 2: Yeah? I don't know if I thought about it in
- 18:50Speaker 2: those terms, and I don't know if she did either.
- 18:53Speaker 2: But she was clearly trying to lead her own life
- 18:59Speaker 2: by coming to me.
- 19:00Speaker 1: Did the movie make you think about romance or love
- 19:03Speaker 1: at all?
- 19:04Speaker 2: Not really, because it wasn't what it was about She
- 19:06Speaker 2: wasn't seeking engagement and marriage, She was trying to live
- 19:12Speaker 2: a life.
- 19:13Speaker 1: If I was going to watch the movie for the
- 19:15Speaker 1: first time, which I have to be honest with you,
- 19:17Speaker 1: I only saw it for the first time last night,
- 19:19Speaker 1: what would it teach me about you?
- 19:21Speaker 2: I think that in a period of time in which
- 19:24Speaker 2: it wasn't so easy to be an independent woman. It
- 19:28Speaker 2: was after World War Two, I think people striving to
- 19:32Speaker 2: make suburbs and families and had been more absent during
- 19:38Speaker 2: the war, so she stood out as someone who was
- 19:43Speaker 2: making her own life.
- 19:45Speaker 1: Were you excited when you got to have a cameo
- 19:48Speaker 1: in First Wives Club later in life? Did it make
- 19:50Speaker 1: you think of your dad and his love of film?
- 19:52Speaker 2: No, I don't know why I did it exactly because.
- 19:55Speaker 1: You show up at the end the final scene.
- 19:58Speaker 2: Yes, and I knew people who were acting in it.
- 20:02Speaker 2: But it's very nervous making to feel you're in a
- 20:05Speaker 2: movie scene that everything you do is showing somehow well.
- 20:09Speaker 1: I also read that clothes used to give you anxiety,
- 20:12Speaker 1: so I can't imagine you loving a film set and
- 20:14Speaker 1: getting all dolled up.
- 20:16Speaker 2: It was a realistic movie, so we did not get
- 20:19Speaker 2: that dolled up. I mean we were not wearing somebody
- 20:21Speaker 2: else's clothes. I don't think.
- 20:22Speaker 1: No, you looked like you. You had a very chic
- 20:25Speaker 1: black suit and a nice blowout. You definitely looked like you.
- 20:28Speaker 1: You wanted to be a dancer, and that's part of
- 20:31Speaker 1: what got you out of Toledo. So you were always
- 20:33Speaker 1: sort of into entertainment in some way. What made you
- 20:36Speaker 1: pick up those tap shoes early.
- 20:37Speaker 2: On probably Shirley Temple or seeing movies and there was
- 20:41Speaker 2: adult black man who was her tap dancing partner. And
- 20:45Speaker 2: I mean she was one of the few young women
- 20:47Speaker 2: in movies, so she seemed like she had her own life,
- 20:52Speaker 2: I think, and movies were a big source of escape.
- 20:55Speaker 2: As I was saying, my father's idea of escape and
- 20:59Speaker 2: reward was a malted in a movie.
- 21:01Speaker 1: And then I was reading that you would help support
- 21:04Speaker 1: your mother through tap dancing too. Did it become something
- 21:07Speaker 1: you felt like you had to do or you always
- 21:09Speaker 1: loved it? No?
- 21:09Speaker 2: I always loved it, And I don't know that I
- 21:12Speaker 2: ever thought I was good enough to have a career.
- 21:15Speaker 2: But where other students might have been playing basketball or something,
- 21:21Speaker 2: I was going to tap dancing classes.
- 21:24Speaker 1: The other thing I want to bring up from that
- 21:26Speaker 1: book before we move on to other questions, is that
- 21:29Speaker 1: you wrote that you had a lifetime ambition to run
- 21:32Speaker 1: a diner one day. I did not know that.
- 21:34Speaker 2: About you well, because with my parents and my sister
- 21:39Speaker 2: we were on the road going to Florida or California.
- 21:42Speaker 2: We were always stopping in diners. Diners are very democratic places.
- 21:46Speaker 2: Everybody is welcome in a diner, which is a great feeling.
- 21:50Speaker 2: So I thought being able to have a diner by
- 21:55Speaker 2: the side of the road would be a great life.
- 21:58Speaker 1: You write, you get very specific. You say you wanted
- 22:00Speaker 1: one with blue Gingham curtains and brand muffins. And when
- 22:03Speaker 1: you wrote that, you were not of the brand muffin
- 22:05Speaker 1: age yet what did you love about brand muffins?
- 22:10Speaker 2: Is there an age for brand muffins? I don't know.
- 22:12Speaker 1: I just like them, right, you love them to this
- 22:16Speaker 1: day too. Yeah, if you were going to open a diner,
- 22:19Speaker 1: who would you name it after?
- 22:20Speaker 2: Diners aren't named after people. They're usually just disused dining
- 22:26Speaker 2: cars from trains that are placed by the highway and
- 22:30Speaker 2: somebody runs them. I mean. The appeal of them is
- 22:33Speaker 2: that they welcome everybody and at all hours. So in
- 22:37Speaker 2: the middle of the night, there are truck drivers. During
- 22:40Speaker 2: the day, there are people going to school, or just
- 22:43Speaker 2: a very democratic, interesting place.
- 22:45Speaker 1: When you see everyone from different backgrounds and different industries together,
- 22:50Speaker 1: I can tell you're smiling. What about that image makes
- 22:53Speaker 1: you so happy?
- 22:54Speaker 2: Well, it's unlimited. You know, frequently in life in college,
- 22:58Speaker 2: people we know is some limited, probably less than in
- 23:02Speaker 2: the rest of life. People who work in offices, which
- 23:05Speaker 2: I haven't done, really are limited. So a diner is
- 23:10Speaker 2: infinitely democratic and everywhere. I remember being in one in
- 23:14Speaker 2: South Africa that was like that. It was an old
- 23:16Speaker 2: train car in the middle of the city and everybody
- 23:19Speaker 2: went there.
- 23:20Speaker 1: I didn't know this about you. I mean, it's hard
- 23:22Speaker 1: to take you out of this beautiful living room, but
- 23:24Speaker 1: I think I'm gonna have to take you to a
- 23:25Speaker 1: diner one day. There's so many good ones in New York. Yeah,
- 23:42Speaker 1: your dad was your movie buddy growing up. Do you
- 23:45Speaker 1: think he would have gotten a kick out of seeing
- 23:47Speaker 1: you on the big screen and First Wives Club and
- 23:51Speaker 1: seeing you tap dancing with Barbara Walters at a benefit concert.
- 23:54Speaker 1: Do you think he would have liked all that?
- 23:56Speaker 2: Yeah? Probably, Yeah, because he was on the edge of
- 24:00Speaker 2: of show business. Himself because he had this summer dance pavilion,
- 24:04Speaker 2: and he had his two points of pride that he
- 24:06Speaker 2: never wore a hat and he never had a job, right,
- 24:09Speaker 2: so he was on the edges of show business.
- 24:12Speaker 1: Do you think that if social media existed that there
- 24:16Speaker 1: would have been some amazing conversations that would have been
- 24:20Speaker 1: caught on set or behind the scenes of any of
- 24:23Speaker 1: these big moments of you on stage or in the films.
- 24:27Speaker 2: Well, they exist anyway. We don't need somebody to record them.
- 24:30Speaker 2: They're part of our life. I'm glad we have an Internet,
- 24:33Speaker 2: especially globally internationally, it's important that we know each other.
- 24:38Speaker 1: Can you say more about that? You're saying how important
- 24:40Speaker 1: it is to live in the present is what I'm
- 24:42Speaker 1: garnering from that statement.
- 24:43Speaker 2: Well, and also in the world, we're all on one
- 24:47Speaker 2: globe hurdling through space. The boundaries of nations are totally
- 24:53Speaker 2: made up. We try to communicate beyond language as best
- 24:58Speaker 2: we can, so we are all passengers on spaceship Earth.
- 25:03Speaker 1: The idea that boundaries of countries are made up, it's
- 25:06Speaker 1: so true. I've never thought about that. They're totally arbitrary,
- 25:09Speaker 1: made up by people in buildings.
- 25:11Speaker 2: And made up by colonialism in some cases.
- 25:15Speaker 1: And before we started recording, we were talking about men
- 25:19Speaker 1: and you said that oftentimes we think of men as
- 25:23Speaker 1: singular and women as a collective, and I had never
- 25:26Speaker 1: thought about that. It's so true, it seems so obvious.
- 25:30Speaker 1: And having spent time with you, and if people watch
- 25:33Speaker 1: your speeches, you give us these very obvious truths that
- 25:37Speaker 1: for some reason are not obvious to everybody. Was that
- 25:40Speaker 1: a skill that you had as a kid. Can you
- 25:44Speaker 1: point back to it or where did that come from?
- 25:46Speaker 2: I don't know that there's a skill. I mean, it's
- 25:47Speaker 2: just describing the world. Men of all races tend to
- 25:51Speaker 2: have a source of livelihood outside the home more than women,
- 25:56Speaker 2: who frequently now also have jobs, but still more than
- 26:00Speaker 2: men probably have a reality that's at home and raising
- 26:05Speaker 2: children and so on.
- 26:07Speaker 1: It's just your view of the world that was so unique.
- 26:09Speaker 1: You just saw it.
- 26:10Speaker 2: I don't know about that. I mean, I was just
- 26:12Speaker 2: living a life. My sister, who was nine years older
- 26:16Speaker 2: no longer with us, but she lived a very unusual
- 26:20Speaker 2: life because she was a gemalogist, which is an unusual profession.
- 26:25Speaker 2: But then she married and had six children and had
- 26:29Speaker 2: a household where she always was and so on, so
- 26:32Speaker 2: she was drawn to that.
- 26:34Speaker 1: How did you feel about that choice?
- 26:36Speaker 2: Fine? No, I mean, you know, as long as it
- 26:39Speaker 2: was what she wanted, which it was. And also I
- 26:42Speaker 2: was grateful to her because she was often in earlier
- 26:45Speaker 2: years looking after me. I didn't know that, well, she
- 26:49Speaker 2: was nine years older.
- 26:51Speaker 1: For some reason, I'd imagined you as little Gloria, sort
- 26:54Speaker 1: of looking after yourself and looking after everybody else.
- 26:56Speaker 2: Well, some of that was true, because when she was
- 26:59Speaker 2: seventeen and went off to college, I was obviously way younger, right,
- 27:04Speaker 2: So we were separate from those years.
- 27:06Speaker 1: So I want to ask you about your glasses a
- 27:08Speaker 1: little bit more. I can't even believe i'm holding them.
- 27:10Speaker 1: These are so iconic, and I know you think that's ridiculous,
- 27:13Speaker 1: but they became such a symbol for you, and I
- 27:17Speaker 1: think for the women's movement too. When did you first
- 27:20Speaker 1: put these on?
- 27:21Speaker 2: Well? I started to need glasses because I was nearsighted
- 27:26Speaker 2: when I was quite young, I don't know, nine, ten
- 27:28Speaker 2: or eleven, something like that, so I needed glasses. I
- 27:32Speaker 2: tried to wear contact lenses, but it was too difficult. Yeah,
- 27:37Speaker 2: they're annoying. Yeah, So I don't know I must have
- 27:40Speaker 2: seen other women people I don't know who with glasses
- 27:45Speaker 2: like these that kind of appealed to me.
- 27:48Speaker 1: Right well, I'm thinking it was Holly from Breakfast at Tiffany's.
- 27:51Speaker 1: But then did she wear those glasses. I don't think so,
- 27:54Speaker 1: not these kinds a different sunglass. But then you were speaking,
- 27:58Speaker 1: you were making all these public speech is, and you've
- 28:02Speaker 1: said to me before that you felt as if they
- 28:05Speaker 1: kind of put a shield between you and the audience
- 28:07Speaker 1: because you were nervous spears.
- 28:09Speaker 2: But I didn't keep them on while I was speaking.
- 28:11Speaker 2: You didn't know, because you don't want that kind of
- 28:14Speaker 2: barrier between yourself and the people you're speaking to.
- 28:18Speaker 1: So what did they do for you?
- 28:20Speaker 2: Well, I'm near sighted, I mean, you know so, so
- 28:23Speaker 2: they were truly utilitarian, Yeah, right, right now, I get
- 28:27Speaker 2: why you don't understand why I'm making a big.
- 28:29Speaker 1: Deal out of them. That makes a lot of sense.
- 28:32Speaker 2: I mean they were bigger. I mean, most women's sunglasses
- 28:35Speaker 2: were not like pilot's glasses like those.
- 28:38Speaker 1: Right well, just in so many of the iconic photographs
- 28:42Speaker 1: of you, you are wearing those. It was kind of
- 28:44Speaker 1: a style of the times. But it did signal to
- 28:47Speaker 1: me that they meant something to you. I'm just not
- 28:49Speaker 1: sure what.
- 28:49Speaker 2: Well, they started out being a utilitarian. They were kind
- 28:53Speaker 2: of a style just because they were bigger and somehow
- 28:57Speaker 2: I don't know what that means, but kind of defined
- 29:00Speaker 2: in some kind of way. But if I hadn't been nearsighted,
- 29:03Speaker 2: I wouldn't have been wearing those.
- 29:07Speaker 1: We went all the way back to nearsighted. I got it, Okay. Well,
- 29:10Speaker 1: I did read in that book, that five hundred page
- 29:13Speaker 1: book about self esteem that was very good, that you
- 29:15Speaker 1: said that girl who was a little self conscious and
- 29:18Speaker 1: awkward put on the glasses and you said you felt
- 29:21Speaker 1: like a plump brunette from Toledo, too tall and too much,
- 29:25Speaker 1: too pudding face. I'd never heard you describe yourself that way.
- 29:29Speaker 1: Does that feel like that was such a long time ago?
- 29:31Speaker 2: Yeah? No, now, because I'm old right and now it
- 29:35Speaker 2: does feel like a long time ago. And also I'm
- 29:39Speaker 2: okay with my life. I'm not assuming that whatever I'm
- 29:44Speaker 2: doing now, eventually I will have to get married and
- 29:47Speaker 2: have children, which went on for a long time, especially
- 29:49Speaker 2: for those of us who you know, were born influenced
- 29:53Speaker 2: by the war and post war that.
- 29:56Speaker 1: Was hanging over your head.
- 29:57Speaker 2: Yeah, I mean I assumed. And I remember when I
- 30:01Speaker 2: went off to India after college and my mother said
- 30:05Speaker 2: to me. I can't remember exactly, but the idea was, go,
- 30:08Speaker 2: do you go off to India because you'll fall in
- 30:11Speaker 2: love with traveling and so on, and you won't feel
- 30:15Speaker 2: you have to live in a certain way.
- 30:17Speaker 1: Okay, So you went after college and I know you
- 30:20Speaker 1: were struck by the women that you met there. What
- 30:22Speaker 1: did you see that was so different that you hadn't
- 30:24Speaker 1: seen in America?
- 30:25Speaker 2: Well, first of all, there was a national independence movement
- 30:29Speaker 2: symbolized by Gandhi and independence from colonialism, so that was huge. Then. Also,
- 30:38Speaker 2: it's one country, but it's fourteen major languages, very diverse,
- 30:44Speaker 2: and I started out living in women's college in Delhi,
- 30:49Speaker 2: so you know, I had that as a kind of
- 30:52Speaker 2: a way into the diversity the culture. Besides then traveling
- 30:57Speaker 2: around the country. A lot of us have the good
- 31:01Speaker 2: luck of being introduced to the world by physical travel
- 31:04Speaker 2: and not just for a vacation, but actually living someplace different.
- 31:09Speaker 1: And some of the women that you meant there were
- 31:11Speaker 1: sort of leading that movement.
- 31:13Speaker 2: Right, everybody was part of the independence movement because of
- 31:17Speaker 2: Gandhi and independence from British rule.
- 31:20Speaker 1: So one of the things that I have been struck
- 31:22Speaker 1: by getting to know you is that you really can
- 31:24Speaker 1: deflect a compliment.
- 31:26Speaker 2: Well, I'm realistic at least.
- 31:29Speaker 1: Do you not like when people compliment you? Do you
- 31:33Speaker 1: not believe them? Does it embarrass you? What is that?
- 31:37Speaker 2: Well, it depends on the situation. I don't think you
- 31:39Speaker 2: can generalize exactly. I mean, when somebody compliments you about
- 31:44Speaker 2: something you've actually done, right, it's pure pleasure and gratification. Right.
- 31:50Speaker 2: If they compliment you in order to get something from you,
- 31:55Speaker 2: it's very different. I mean, so it depends right.
- 31:58Speaker 1: You can feel the difference too. How do you feel
- 32:00Speaker 1: when people embrace you in public? Are you a hugger?
- 32:04Speaker 1: Are you a handshaker, a waiver?
- 32:06Speaker 2: Well, it depends on do you want to hug this person? No,
- 32:11Speaker 2: I'm certainly a hugger.
- 32:12Speaker 1: I found you to be so warm. You really embrace people.
- 32:15Speaker 2: I think shaking hands feels so kind of official. Not
- 32:19Speaker 2: that there's anything wrong with it, there isn't, but friends
- 32:22Speaker 2: seem more likely to hug.
- 32:25Speaker 1: Do you consider yourself a storyteller?
- 32:27Speaker 2: Well, I wouldn't describe myself that way because it sounds
- 32:31Speaker 2: as if what you're telling is not true. So I
- 32:35Speaker 2: think narrative is everything, probably because that's the way our
- 32:39Speaker 2: brains work.
- 32:41Speaker 1: How would you describe yourself?
- 32:43Speaker 2: I don't think I've ever had to describe alf.
- 32:46Speaker 1: So when you put those glasses on and you started
- 32:49Speaker 1: really delving into the feminist movement, you wrote, I was
- 32:53Speaker 1: rescued by feminism.
- 32:55Speaker 2: How so well, and without feminism I would have can
- 33:00Speaker 2: continued to be in a nineteen fifties atmosphere in which
- 33:04Speaker 2: women were supposed to get married, have children, maybe have
- 33:08Speaker 2: a job at not a whole consuming job, live in
- 33:12Speaker 2: a house in the suburbs. That was the post war ideal.
- 33:17Speaker 1: So one of my mom's friends told me a story
- 33:20Speaker 1: about how the women's movement changed her life in that
- 33:23Speaker 1: exact way. She was married and thought she had to
- 33:26Speaker 1: have children, and because of the movement, she ended up
- 33:30Speaker 1: getting divorced, becoming the head of the library association and
- 33:34Speaker 1: had a whole different life. She's been married three times
- 33:37Speaker 1: and has bought a house and had all these adventures.
- 33:40Speaker 1: And when I share that with you, I can tell
- 33:42Speaker 1: there's a joy. What is the joy when you hear
- 33:45Speaker 1: those stories that.
- 33:46Speaker 2: She was able to express and to create a life
- 33:51Speaker 2: of her own, what she wanted to create, that she
- 33:55Speaker 2: wasn't told what to do.
- 33:57Speaker 1: And do you feel any type of gratification that all
- 34:01Speaker 1: the work that you and your friends put into the
- 34:03Speaker 1: movement helped on LEAs shure, I do.
- 34:07Speaker 2: But the civil rights movement, the women's movement, the gay
- 34:11Speaker 2: and lesbian movement, I mean, it's all one movement about
- 34:16Speaker 2: the ability to be who you truly are.
- 34:31Speaker 1: What do you think about destiny.
- 34:33Speaker 2: I don't think I believe in destiny. I don't know,
- 34:35Speaker 2: of course, but I think we're more likely to create
- 34:39Speaker 2: our own destiny.
- 34:40Speaker 1: So when I interview a lot of people who have
- 34:44Speaker 1: been on big stages or built big companies, I find
- 34:48Speaker 1: that a lot of people turn to the idea of
- 34:50Speaker 1: destiny because they think, how in the world could this
- 34:54Speaker 1: have been me? Out of the billions of people. When
- 34:57Speaker 1: you were one of the faces and leaders of the
- 35:00Speaker 1: women's movement, did you ever have those thoughts like I
- 35:02Speaker 1: can't believe this is my life.
- 35:04Speaker 2: No, because it was always an effort, and it was
- 35:07Speaker 2: always part of a big and diverse movement. It wasn't
- 35:11Speaker 2: as if I didn't feel like I was the chairperson
- 35:15Speaker 2: of some company or something.
- 35:18Speaker 1: Do you think in hindsight people misinterpret what the movement
- 35:22Speaker 1: was like. Was it very different?
- 35:24Speaker 2: Living it in the beginning especially, I think there was
- 35:27Speaker 2: a lot of misunderstanding. I remember getting a call from Man,
- 35:32Speaker 2: a friend also an editor at Show Magazine, which was
- 35:35Speaker 2: a big, beautiful arts magazine where we all worked to
- 35:39Speaker 2: some extent or something, and he called me up and
- 35:42Speaker 2: he said, Gloria, I didn't know you were a lesbian.
- 35:48Speaker 2: He was just so convinced that everybody right.
- 35:51Speaker 1: Well, you know, one of my favorite lines that you
- 35:53Speaker 1: taught me is that I think it was Flow Kennedy,
- 35:56Speaker 1: who you know. People would come heckle you guys when
- 35:59Speaker 1: you were doing your speeches, and they would wait the
- 36:02Speaker 1: whole time, raise their hand, heckle you, and say something
- 36:05Speaker 1: about you being a lesbian. And then what would Flow say?
- 36:08Speaker 2: Are you my alternative? Yeah? I thought that was brilliant
- 36:11Speaker 2: because it didn't say anything. Well, you made the audience laugh.
- 36:15Speaker 1: Well, you really harnessed comedy. Was that intentional?
- 36:18Speaker 2: Well? I loved that. Was the week that was, which
- 36:21Speaker 2: was the show I was working for. I was doing
- 36:24Speaker 2: a department, which just meant that I was reading vast
- 36:29Speaker 2: numbers of global newspapers and finding peculiar items to list.
- 36:35Speaker 1: You must have loved that job.
- 36:36Speaker 2: Yeah, it was fun.
- 36:37Speaker 1: I know how much you love Flow. You talk about
- 36:40Speaker 1: her the way you write about her, I can tell
- 36:42Speaker 1: how much you love her. There's this quote that you loved.
- 36:45Speaker 1: She said, the purpose of ass kicking is not that
- 36:47Speaker 1: your ass gets kicked at the right time or for
- 36:49Speaker 1: the right reasons. It's to keep your ass sensitive. I
- 36:54Speaker 1: don't even know what that means. Why did you love
- 36:56Speaker 1: that quote? Well, you know what it means, right, The
- 36:59Speaker 1: purpose of ass kicking is not No, I don't understand it.
- 37:03Speaker 2: Tell me, well, it's not that somebody's criticizing you or
- 37:08Speaker 2: your group or something in an accurate way, but that
- 37:13Speaker 2: it keeps you open to input, criticism, praise, whatever. It
- 37:18Speaker 2: is a world around you, so you don't get insulated.
- 37:22Speaker 1: Interesting.
- 37:23Speaker 2: Now, Flow was wonderful. She was a pioneer lawyer when
- 37:29Speaker 2: very few women, much less black women, were lawyers. She
- 37:33Speaker 2: was distinctive looking, with her assy hat and her job
- 37:37Speaker 2: pers and so on. We were speaking partners for quite
- 37:40Speaker 2: a while, as I was with Dorothy Pittman Hughes, because
- 37:44Speaker 2: I mean, I was afraid I didn't want to speak
- 37:46Speaker 2: by myself and Also, I thought it misrepresented the women's
- 37:51Speaker 2: movement to have one white woman speaking, or one anybody
- 37:56Speaker 2: you know, So to have two diverse women seem much better.
- 38:01Speaker 1: What did black women teach you about feminism?
- 38:04Speaker 2: Just that it's for everybody. It's for all women and
- 38:07Speaker 2: men too. I mean, it's just about equality.
- 38:11Speaker 1: Did Flow or Dorothy help you find your voice?
- 38:14Speaker 2: Yes? I don't think I would have gone out to
- 38:16Speaker 2: speak without them all by myself.
- 38:19Speaker 1: When did that start to absolve the connotation that to
- 38:23Speaker 1: be a part of the women's movement must mean that
- 38:26Speaker 1: you were a lesbian, because I remember even as a
- 38:28Speaker 1: kid that lingered in my childhood.
- 38:30Speaker 2: I guess the idea of women. I'm not sure why. Yeah,
- 38:36Speaker 2: but women choosing the company of other women was unusual
- 38:43Speaker 2: enough unless you were all housewives, taking care of children
- 38:46Speaker 2: or doing something acceptable.
- 38:48Speaker 1: You seem to have an aversion to being considered a
- 38:51Speaker 1: mother to the movement. I've read that you'd rather be
- 38:53Speaker 1: considered a sister to it. Why.
- 38:56Speaker 2: Well, first of all, a movement doesn't have a mother.
- 39:00Speaker 2: I mean, even in more obvious things like Maman Gandhi
- 39:03Speaker 2: was not the only leader of India. A movement is
- 39:09Speaker 2: composed of countless diverse people who have a kind of
- 39:15Speaker 2: shared hope for some greater equality.
- 39:19Speaker 1: Was that part of the impetus of the talking circle?
- 39:22Speaker 1: Because I can tell you one of the things I've
- 39:24Speaker 1: noticed from being there is that there is no hierarchy.
- 39:28Speaker 1: Whether you're a celebrity or not, there's no hierarchy. There's
- 39:31Speaker 1: no hierarchy. And who's speaking. It's not a pyramid, it
- 39:34Speaker 1: is a circle. Was that idea born from that?
- 39:37Speaker 2: I don't think we invented talking circles. I mean I
- 39:39Speaker 2: think they always were a feature of Native American culture.
- 39:44Speaker 2: I remember inviting Wilma Mankeller, who was the chief of
- 39:49Speaker 2: the Cherokee Nation, to a talking circle here in this
- 39:52Speaker 2: living room, sitting and as we were going around, she said, well,
- 39:56Speaker 2: when we do this, we have a symbol that we pass,
- 40:00Speaker 2: so as each person speaks, they hold design. I mean,
- 40:03Speaker 2: obviously we'd reinvented the wheel, right, you know, it had
- 40:07Speaker 2: always been there.
- 40:08Speaker 1: Do you like the idea of a symbol, like a
- 40:10Speaker 1: talking stick or something.
- 40:12Speaker 2: Well, it helps keep the circle democratic. You may not
- 40:16Speaker 2: need it, but it does point out that everybody should
- 40:21Speaker 2: have a turn holding whatever it is.
- 40:23Speaker 1: Yeah, can you talk to me about your deep listening skills.
- 40:27Speaker 2: No, I don't know. I have no idea. Well, I mean,
- 40:31Speaker 2: why would one want? I mean, you don't learn while
- 40:34Speaker 2: you're talking.
- 40:35Speaker 1: I know, but so many people don't listen actively the
- 40:38Speaker 1: way you do. I notice it in talking circles. You're
- 40:41Speaker 1: really actively listening, and sometimes they're long. Sometimes I want
- 40:45Speaker 1: to tune out. If somebody's really drawning on when you
- 40:47Speaker 1: are listening.
- 40:48Speaker 2: You may decide, Okay, I'm not learning anything. I mean,
- 40:51Speaker 2: that may happen, but otherwise, why would we turn down
- 40:55Speaker 2: a chance to learn?
- 40:57Speaker 1: I've always felt like I could learn something from everybody.
- 40:59Speaker 1: Do you feel that?
- 41:00Speaker 2: I'm not sure I do. I mean, I don't know.
- 41:02Speaker 2: They're probably big differences in how much we think we
- 41:07Speaker 2: might learn. What do you mean I think that I'm
- 41:10Speaker 2: not sure I could learn from Trump?
- 41:12Speaker 1: That's fair. You are such a non judgmental person, but
- 41:16Speaker 1: you have real disdain for people who wield power in
- 41:20Speaker 1: a way that you don't agree with.
- 41:22Speaker 2: Well, they don't listen, you know. And I don't think
- 41:25Speaker 2: Trump is known as a great listener.
- 41:28Speaker 1: He's definitely not. That's not what he's known for. Do
- 41:32Speaker 1: you consider yourself to be a good caretaker?
- 41:34Speaker 2: Yes, I was a caretaker from my mother because we
- 41:38Speaker 2: were living alone and I was looking after her from
- 41:42Speaker 2: the time I was I don't know what, in the
- 41:44Speaker 2: sixth grade, maybe into high school. So our roles were
- 41:50Speaker 2: reversed since she was the mother and I was the
- 41:53Speaker 2: child and I was looking after her. And I think
- 41:55Speaker 2: that happens to lots of people in their early I.
- 42:01Speaker 1: Know that you don't consider yourself the mother of a movement.
- 42:05Speaker 2: No, of course, not movements. I don't think have mothers.
- 42:08Speaker 1: But you have taken care of thousands of women in
- 42:11Speaker 1: your life now, Yeah.
- 42:12Speaker 2: But that's more like sisters, I would say, like you're
- 42:15Speaker 2: looking after each.
- 42:16Speaker 1: Other regardless of age.
- 42:18Speaker 2: Yeah, I think. So what do you.
- 42:20Speaker 1: Get from being with women that are younger than you?
- 42:24Speaker 2: Well, I learn about you know, what plays I should see?
- 42:28Speaker 2: What music is good now, what novels, what's going on politically?
- 42:33Speaker 2: I mean, just we learn from difference, not sameness. So
- 42:36Speaker 2: difference as a gift.
- 42:38Speaker 1: My grandfather was a professor. He was such a reader
- 42:42Speaker 1: and he knew so much, and I could tell that
- 42:45Speaker 1: as he started to age he started to be less
- 42:48Speaker 1: interested in what people had to say because he kind
- 42:51Speaker 1: of knew what they were going to say or he
- 42:53Speaker 1: had read about it. Do you feel that at all
- 42:56Speaker 1: or are you still lit up by people?
- 42:58Speaker 2: I think it depends on the person. I mean there's
- 43:00Speaker 2: such a big variety coming at you, so some more
- 43:04Speaker 2: than others. And I guess a good relationship is one
- 43:09Speaker 2: in which you pass back and forth between who is
- 43:12Speaker 2: the listener and who is the teacher.
- 43:14Speaker 1: There's something about the movement that I've always wondered, because
- 43:18Speaker 1: you've said you're accidentally identifiable by a movement, When did
- 43:22Speaker 1: it become intentional?
- 43:23Speaker 2: It never really was intentional. I mean I just realized
- 43:27Speaker 2: because walking around the street, somebody would, you know, come
- 43:31Speaker 2: up and say hello or tell me something or something,
- 43:33Speaker 2: and I understood that it was because of the Women's
- 43:37Speaker 2: movement or whatever activity, political campaign something.
- 43:42Speaker 1: I just have a hard time believing that it was
- 43:44Speaker 1: accidental after fifty years, Like I understand at the beginning, maybe,
- 43:48Speaker 1: but you've dedicated your life.
- 43:50Speaker 2: Because it's a bunch of different people. I mean I
- 43:54Speaker 2: could go out in the street and there's somebody who's
- 43:56Speaker 2: twelve who's not going to recognize me, and somebody who's
- 44:00Speaker 2: twenty who's not, but somebody who's older. I mean, it's
- 44:02Speaker 2: live experience, But the.
- 44:05Speaker 1: Impact of your work remains. That twelve year old can
- 44:07Speaker 1: have a credit card because of you.
- 44:09Speaker 2: Well, but that twelve year old maybe doesn't know. It
- 44:11Speaker 2: doesn't mean she's going to come up to me in
- 44:13Speaker 2: the street and say thank you for my credit card.
- 44:15Speaker 1: Do you remember when you got a credit card, your
- 44:17Speaker 1: first credit card?
- 44:18Speaker 2: I do, because it was very difficult because I didn't
- 44:21Speaker 2: have a proper job, so I think I had to
- 44:24Speaker 2: have a couple of people guaranteeing me, right the co signer.
- 44:29Speaker 1: Do you remember your first purchase?
- 44:31Speaker 2: Mostly I remember being on a march to the Mexican
- 44:35Speaker 2: border with farm workers were marching on both sides of
- 44:40Speaker 2: the border to meet at the border and have a
- 44:43Speaker 2: political rally and so on. And I had kind of
- 44:47Speaker 2: managed to charge all of our motel charges on my
- 44:52Speaker 2: credit card, which meant when I came home that whatever
- 44:56Speaker 2: the company was came and took it away. Really yeah,
- 44:59Speaker 2: because as I had way overcharged or right.
- 45:03Speaker 1: First of all, that's so you. Second of all, I
- 45:08Speaker 1: think you hit on something that's interesting because I think
- 45:11Speaker 1: that your fame led people to believe that you were
- 45:15Speaker 1: rolling in the dough and they didn't realize how hard
- 45:19Speaker 1: you were still working in all of these odd jobs
- 45:22Speaker 1: freelancing speaking, I can't imagine, you.
- 45:25Speaker 2: Know, I don't think so, because I think that I
- 45:28Speaker 2: and Barbonism and all my friends, you know, we were
- 45:31Speaker 2: all clearly independent, working women. I think it was evident
- 45:35Speaker 2: that we hadn't inherited a family fortune.
- 45:39Speaker 1: That's interesting. I think some people may misinterpret that.
- 45:43Speaker 2: I haven't had that experience.
- 45:44Speaker 1: But maybe what do you consider your impact to be
- 45:48Speaker 1: in the women's movement? If you won't take credit for
- 45:50Speaker 1: any of the things, No, well, your impact.
- 45:54Speaker 2: I do take credit. I mean, I hope that I
- 45:58Speaker 2: have had an impact by listening to women and taking
- 46:04Speaker 2: women seriously in a culture that really had trained us
- 46:09Speaker 2: to take men more seriously than women, or to attribute
- 46:13Speaker 2: women's seriousness to their attachment to a man, or to
- 46:17Speaker 2: their wife, woud or motherhood or something. I hope and
- 46:21Speaker 2: believe we helped to see women as unique individuals.
- 46:27Speaker 1: I really love when you tell stories about your days
- 46:30Speaker 1: on the road as an adult in your book, My
- 46:34Speaker 1: Life on the Road. It seems like you felt very
- 46:36Speaker 1: comfortable there, maybe because of your childhood you had gotten
- 46:39Speaker 1: used to it. Did you feel like you were writing
- 46:43Speaker 1: to make sense of everything? That was going on.
- 46:45Speaker 2: No, because I mean I wasn't experiencing everything. I was
- 46:48Speaker 2: just writing about what I did experience, and that included
- 46:55Speaker 2: roadside diners and waitresses and truck drivers who were sitting
- 47:01Speaker 2: at the counter, and also in other countries. I remember
- 47:03Speaker 2: traveling in Eritrea on a road that was the same
- 47:07Speaker 2: road that truck drivers used for commerce and so on
- 47:11Speaker 2: and stopping, and it's kind of a universal culture of
- 47:14Speaker 2: truck stops, which are quite democratic. Lots of different people
- 47:20Speaker 2: stop there.
- 47:21Speaker 1: Do you remember writing a dedication to my life on
- 47:23Speaker 1: the road? Do you know where you were when you
- 47:25Speaker 1: thought about writing it?
- 47:27Speaker 2: No? And I'm not sure I remember the dedication either.
- 47:30Speaker 1: Can I show it to you? It's my single favorite
- 47:33Speaker 1: dedication of all times? Can I read a lot?
- 47:35Speaker 2: And I'm glad regardless of what.
- 47:36Speaker 1: The Do you want your glasses?
- 47:38Speaker 2: No, it's okay, Oh yes, right, I know I was
- 47:42Speaker 2: thinking about this dedication to doctor Sharp, who made an abortion,
- 47:47Speaker 2: a safe abortion possible for me and I'm sure for
- 47:50Speaker 2: others too, because there is now a television series about
- 47:56Speaker 2: that period in London. So it minds you of that
- 48:01Speaker 2: very much.
- 48:02Speaker 1: Would you read it to me?
- 48:04Speaker 2: This book is dedicated to doctor John Sharp of London, who,
- 48:09Speaker 2: in nineteen fifty seven, a decade before physicians in England
- 48:14Speaker 2: could legally perform an abortion for any reason other than
- 48:18Speaker 2: the health of the woman, took the considerable risk of
- 48:23Speaker 2: referring for an abortion a twenty two year old American
- 48:26Speaker 2: on her way to India, knowing only that she had
- 48:30Speaker 2: broken an engagement at home to seek an unknown fate.
- 48:34Speaker 2: He said, you must promise me two things. First, you
- 48:39Speaker 2: will not tell anyone my name. Second, you will do
- 48:43Speaker 2: what you want to do with your life. Dear doctor Sharp,
- 48:46Speaker 2: I believe you, who knew the law was unjust, would
- 48:50Speaker 2: not mind if I say this so long after your death.
- 48:54Speaker 2: I've done the best I could with my life. This
- 48:57Speaker 2: book is for you. The television series that's now on
- 49:01Speaker 2: about the sixties in London was about that period when
- 49:05Speaker 2: abortion was not illegal but possible under some circumstances. It
- 49:11Speaker 2: reminds me.
- 49:13Speaker 1: Is that the Glorias or is it a different show? No?
- 49:16Speaker 2: What's it called? I should remember what the show is called.
- 49:19Speaker 1: That's okay, we don't need the name. That's interesting though.
- 49:22Speaker 1: So when I was I think thirty one, I had
- 49:25Speaker 1: an abortion and I was so scared and I read
- 49:30Speaker 1: that dedication.
- 49:32Speaker 2: You were scared because it was illegal or because.
- 49:34Speaker 1: No, it was legal. I just thought, I want kids
- 49:37Speaker 1: in the future, and I didn't know what the health
- 49:40Speaker 1: implications were, and I thought, what if the doctor does
- 49:43Speaker 1: it wrong, and what if this ruin's my chance to
- 49:46Speaker 1: have children? And I read your book Dedication over again
- 49:49Speaker 1: because I had remembered it having read it right after college,
- 49:53Speaker 1: and I thought, Okay, she did it. I'm going to
- 49:56Speaker 1: be okay. Do you think that you recognize how many
- 49:59Speaker 1: women like me have read that and thought, Okay, Gloria
- 50:02Speaker 1: did it. I'm going to be okay.
- 50:04Speaker 2: Well, I think that's the purpose of sharing our experiences,
- 50:08Speaker 2: whether we're sitting at the kitchen table or we're writing
- 50:11Speaker 2: a book or whatever it is, we're teaching and learning
- 50:14Speaker 2: in that way.
- 50:16Speaker 1: That's the gift of your writing too. I want to
- 50:31Speaker 1: talk to you about questions. Do you consider questions a
- 50:34Speaker 1: form of protest?
- 50:35Speaker 2: Well, they can be, certainly, because you are asking for authority,
- 50:41Speaker 2: challenging authority, exploring a limited reality. I mean, it depends
- 50:49Speaker 2: on the why of it. But questions are very important
- 50:52Speaker 2: because they expand our knowledge.
- 50:54Speaker 1: And I feel like you've been questioning the status quo
- 50:57Speaker 1: your whole life. Do you think that sometimes questions can
- 51:00Speaker 1: be more powerful than a statement.
- 51:02Speaker 2: Yes, because questions assume that there is another person. A
- 51:07Speaker 2: statement is one person operation. A question assumes an audience
- 51:13Speaker 2: or a partner or someone else.
- 51:17Speaker 1: I like that. I've never thought about assuming a person.
- 51:19Speaker 1: I thought about it as, on the other hand, like
- 51:22Speaker 1: another idea, but not another person. That's very interesting. Do
- 51:26Speaker 1: you think that men need feminism more than women do?
- 51:29Speaker 1: Right now?
- 51:30Speaker 2: It depends on which man. I don't think we can generalize.
- 51:34Speaker 1: Well, talk to me about the male isolation or the
- 51:38Speaker 1: masculinity crisis that we're in that people deem that we're in.
- 51:43Speaker 1: What do you think about it?
- 51:44Speaker 2: I haven't noticed where you have a masculinity crisis. I mean,
- 51:49Speaker 2: for instance, just as one example, we've never had a
- 51:51Speaker 2: female president. That's a crisis of masculinity in a different way.
- 51:57Speaker 1: Right, you're right, that's a good point. I actually have
- 52:00Speaker 1: questions for you about that. You've had the benefit of
- 52:03Speaker 1: seeing multiple women run for president in your lifetime, and
- 52:06Speaker 1: you spent time with many of the former candidates. What
- 52:10Speaker 1: characteristics did you think that they all had in common?
- 52:13Speaker 2: Well, there weren't that many. I mean there was Hillary Clinton,
- 52:17Speaker 2: Kamala surely Chise. I mean those three. Where were there
- 52:21Speaker 2: were more? I can't remember.
- 52:23Speaker 1: No, I mean there were more women that ran, but
- 52:25Speaker 1: not as candidates.
- 52:27Speaker 2: I think they had a vision called democracy. I mean,
- 52:30Speaker 2: why are we the only or one of the few
- 52:34Speaker 2: democracies that's never had a female chief of state? It
- 52:37Speaker 2: makes no sense.
- 52:38Speaker 1: It bothers you.
- 52:40Speaker 2: Well, it's counter to the definition of democracy.
- 52:44Speaker 1: I didn't know that you wrote a speech for Shirley
- 52:46Speaker 1: Chisholm in nineteen seventy two and you said it was
- 52:49Speaker 1: one of the best that you wrote. Why was it
- 52:51Speaker 1: one of the best?
- 52:52Speaker 2: Well, she herself was a symbol of a democracy yet
- 52:56Speaker 2: to come, and she was traveling and speaking, you know,
- 53:01Speaker 2: at the National Women's Political Caucus and otherwise on the road.
- 53:06Speaker 2: So I have no idea if it was one of
- 53:09Speaker 2: the best I wrote or not, but I was certainly
- 53:12Speaker 2: proud to contribute to her campaign.
- 53:15Speaker 1: When you think back to Shirley's campaign and then we
- 53:19Speaker 1: think about the most recent campaign that Kamala ran, what
- 53:23Speaker 1: stands out to you about where the country's at then
- 53:26Speaker 1: versus now.
- 53:27Speaker 2: Well, I think that Shirley Chisholm was only on the
- 53:31Speaker 2: ballot in fourteen states. I think we'd have to check,
- 53:35Speaker 2: but I don't think it was very many states. So
- 53:39Speaker 2: that we thought of Kamala Harris as a more universal
- 53:43Speaker 2: or for that matter, of Hillary Clinton as a more
- 53:46Speaker 2: universal candidate is a step forward.
- 53:50Speaker 1: Out of all of the women that you have met
- 53:52Speaker 1: and worked with and campaigned for, what woman has been
- 53:55Speaker 1: the most deserving and qualified to be president?
- 53:59Speaker 2: Well? I'm not sure I know that, because I don't
- 54:01Speaker 2: know everybody. But when you say that, I think about
- 54:04Speaker 2: Bella Absock because she had the most worldwide view of
- 54:11Speaker 2: democracy with the fewest divisions or restrictions. I think. I mean,
- 54:19Speaker 2: if you walked in the street with Bella in Manhattan,
- 54:23Speaker 2: truck drivers would be hanging out of the truck cab saying,
- 54:27Speaker 2: give him hell Abella, And so you know, I mean
- 54:29Speaker 2: she had a universal appeal that went beyond class and
- 54:34Speaker 2: beyond gender.
- 54:35Speaker 1: Really that must have been wonderful to be around.
- 54:38Speaker 2: Yes, no, it was.
- 54:40Speaker 1: Did you take anything that you learned from her to
- 54:43Speaker 1: implement in your life? When you were on the road
- 54:46Speaker 1: and doing these speeches.
- 54:47Speaker 2: She probably encouraged all of us to go out in
- 54:51Speaker 2: public and talk because she was so fearless about it.
- 54:54Speaker 2: I didn't take the habit of wearing hats that was
- 54:56Speaker 2: her mark, wearing a.
- 54:58Speaker 1: Hat, glasses. We didn't need hats, and you had your belt.
- 55:04Speaker 1: You loved belts.
- 55:05Speaker 2: Huh, yeah, I guess so. I don't know why exactly.
- 55:08Speaker 2: I think because I had acquired a couple of Indian
- 55:12Speaker 2: concer belts.
- 55:13Speaker 1: I was wondering if it had anything to do with
- 55:15Speaker 1: Wonder Woman, because I know that you really liked that character.
- 55:18Speaker 2: Her characteristic were bracelets that she bounced bullets off, bracelets,
- 55:24Speaker 2: so not so much a belt. I don't think.
- 55:26Speaker 1: Well, it made me think that maybe the belt was
- 55:28Speaker 1: your version. I was shocked to learn that you really
- 55:31Speaker 1: helped inspire and advocate for this version of Wonder Woman
- 55:36Speaker 1: that we know today. There's an article that says you
- 55:38Speaker 1: literally saved her.
- 55:40Speaker 2: Well only because we put her on the cover of
- 55:42Speaker 2: Miss magazine. I mean she, I think DC Comics or
- 55:47Speaker 2: whatever company owed her. They'd taken away all her magical powers.
- 55:52Speaker 2: She was no longer living on Paradise Island, and she
- 55:56Speaker 2: didn't have bracelets that she bounced bullets. You know, they
- 55:59Speaker 2: had right turned her into a car hop, and we
- 56:02Speaker 2: objected to them, and we put her on the cover
- 56:05Speaker 2: of Miss Magazine in her original self, and they said,
- 56:09Speaker 2: all right, okay, now you know she has her bracelets back,
- 56:14Speaker 2: she has her magic lasso, she has you know. Well,
- 56:17Speaker 2: now you leave us alone, you know.
- 56:19Speaker 1: So did you see yourself and her the way you
- 56:22Speaker 1: saw yourself in Hollygo Lately?
- 56:24Speaker 2: At all? No, I didn't see myself as wonder woman.
- 56:27Speaker 2: I mean, you can't be somebody with magical bracelets. And
- 56:31Speaker 2: at last so and said, no, you just liked what
- 56:33Speaker 2: she stood for. Yeah, superheroes for both boys and girls,
- 56:38Speaker 2: were very important cultural figures.
- 56:42Speaker 1: It's true. Are you a DC Comics or a Marvel
- 56:45Speaker 1: Comics woman?
- 56:46Speaker 2: I have no idea because I don't know what they do.
- 56:49Speaker 1: I actually don't know either. So we talked about a
- 56:54Speaker 1: lot of your female friends today, But I don't know
- 56:56Speaker 1: that I've asked you about female friendship. What has female
- 57:01Speaker 1: friendship meant to you in your life?
- 57:03Speaker 2: I mean, some men are my community too, but it's
- 57:06Speaker 2: mostly women because we share experiences, we share hopes for
- 57:11Speaker 2: making change, we share some feelings of being endangered. We
- 57:18Speaker 2: just share a great deal. And across national boundaries. My
- 57:23Speaker 2: women friends in India who are still my friends, shared
- 57:28Speaker 2: many things too.
- 57:29Speaker 1: Can I ask you about the loves of your life?
- 57:31Speaker 2: Yeah, I guess so.
- 57:32Speaker 1: I mean, you don't have to answer anything that you
- 57:34Speaker 1: don't want to.
- 57:35Speaker 2: You know, it's okay. I mean I think, I guess.
- 57:38Speaker 2: For a long time, I assumed I had to have children.
- 57:40Speaker 2: I thought everybody had, so I had a series of
- 57:44Speaker 2: relationships that continue to matter, and I think it's one
- 57:48Speaker 2: of the most deep, profound ways we learn to empathize.
- 57:53Speaker 2: We learn about different worlds because we're in love with
- 57:56Speaker 2: somebody who's part of a different world.
- 57:59Speaker 1: Yeah, I agree with you. I've heard you say that
- 58:02Speaker 1: romance is a form of curiosity, and I'm curious who
- 58:06Speaker 1: made you the most curious.
- 58:08Speaker 2: I think it's shared because when you've fallen in love
- 58:13Speaker 2: with somebody, you're entering into their world and you're learning
- 58:17Speaker 2: about their world. It may just have been accidental that
- 58:22Speaker 2: I guess. Most of the few men I've been in
- 58:26Speaker 2: love with were African American men, so I'm sure I
- 58:32Speaker 2: learned more than I would have without them.
- 58:36Speaker 1: A lot of them that I've asked you about seem
- 58:38Speaker 1: to have a real care for the world the way
- 58:41Speaker 1: you did, whether it was for civil rights or elsewhere
- 58:44Speaker 1: they wanted to make an impact.
- 58:46Speaker 2: Yes, not that there were that man, but anyway, they
- 58:49Speaker 2: were all engaged in some form of trying to make
- 58:53Speaker 2: social change. Right.
- 58:55Speaker 1: Has a man ever given you the ick?
- 58:57Speaker 2: What is that?
- 58:58Speaker 1: There's this thing that I think gen Z would coin
- 59:02Speaker 1: called the ick, and it's you could be on a
- 59:04Speaker 1: date with somebody and it's going well, and then you
- 59:08Speaker 1: look down and his toenails are grown out, and you're like, ick, oh,
- 59:14Speaker 1: can't date him anymore?
- 59:15Speaker 2: No, I don't think so.
- 59:19Speaker 1: Okay, I like that. What's the most romantic thing anybody's
- 59:22Speaker 1: done for you?
- 59:23Speaker 2: That's an interesting question. I'm not coming up with a
- 59:26Speaker 2: specific evening exactly, but I think any way in which
- 59:34Speaker 2: this person you're in love with recognizes you as a
- 59:37Speaker 2: unique individual and supplies something, play a book.
- 59:42Speaker 1: A movie, it's so feeling really seen. Do you think
- 59:44Speaker 1: that you sought after kind men because your dad was
- 59:48Speaker 1: so kind?
- 59:49Speaker 2: Well, at least I knew there were kind men. I mean,
- 59:51Speaker 2: I think it's more difficult for women who have an
- 59:56Speaker 2: example of a cruel father and may take more time
- 1:00:02Speaker 2: to recognize that's not the only reality.
- 1:00:05Speaker 1: Do you remember being in a relationship and thinking, oh,
- 1:00:08Speaker 1: this person is really teaching me about love.
- 1:00:11Speaker 2: Not quite that general. I don't think it.
- 1:00:14Speaker 1: Was more an example from your parents, or how did
- 1:00:17Speaker 1: you learn how to love?
- 1:00:18Speaker 2: I think we know from the beginning. I mean, I
- 1:00:21Speaker 2: loved my dog cat rabbit parents' sister.
- 1:00:27Speaker 1: Yeah, it was instinctual for you.
- 1:00:28Speaker 2: Yeah, I think it is for us.
- 1:00:30Speaker 1: Friend, I could point to a few boyfriends who have
- 1:00:33Speaker 1: taught me how to love better, and sometimes it was
- 1:00:36Speaker 1: bad actions, sometimes it was beautiful actions, sort of just
- 1:00:39Speaker 1: like how some of my female friends have taught me
- 1:00:41Speaker 1: how to be a better friend.
- 1:00:42Speaker 2: Yeah, that's been your maybe. I mean I'm not sure
- 1:00:46Speaker 2: that's true because I haven't been in a long term marriage,
- 1:00:49Speaker 2: for instance. So we certainly continued to care about each
- 1:00:54Speaker 2: other whether we were together or not.
- 1:00:57Speaker 1: You were married for three years.
- 1:00:59Speaker 2: Yeah, but the only the reason that we got legally
- 1:01:02Speaker 2: married is that he had entered this country on a
- 1:01:06Speaker 2: visa because his son was a minor and he was
- 1:01:10Speaker 2: about to be deported.
- 1:01:12Speaker 1: And you felt comfortable with being married at that point
- 1:01:16Speaker 1: or did it make you nervous about what it would
- 1:01:18Speaker 1: do to your public?
- 1:01:19Speaker 2: Had a purpose? It had a purpose?
- 1:01:22Speaker 1: Okay, you know all of this makes sense to me
- 1:01:24Speaker 1: because you've said that the greatest love of your life
- 1:01:27Speaker 1: is possibility. I really think that's so beautiful. You said
- 1:01:30Speaker 1: you fall in love with possibilities. When was the last
- 1:01:33Speaker 1: time that you were in love, and what was the
- 1:01:36Speaker 1: possibility or the potential that you fell for.
- 1:01:39Speaker 2: In love with a person or in love with an
- 1:01:42Speaker 2: idea or.
- 1:01:43Speaker 1: Both, the possibility of what something could be.
- 1:01:46Speaker 2: The last time I was in love was more with
- 1:01:49Speaker 2: a person. It was more about keeping him from being
- 1:01:54Speaker 2: sent home to South Africa. It was about his grown
- 1:01:58Speaker 2: up children who I cared about. But I've also been
- 1:02:02Speaker 2: in love with women friends, not in a sexual way,
- 1:02:05Speaker 2: but in a familial way. With Wilma Mankiller.
- 1:02:09Speaker 1: I actually really want to ask you about that because
- 1:02:11Speaker 1: there's this new movie called Eternity, and it's about a
- 1:02:14Speaker 1: woman who has to choose between the two loves of
- 1:02:17Speaker 1: her life. She dies, she goes to heaven. And I
- 1:02:20Speaker 1: know that you've had a few loves of your life,
- 1:02:23Speaker 1: some female friends and some men that you really loved.
- 1:02:26Speaker 1: So I am curious. I'm going to ask you a
- 1:02:28Speaker 1: silly question. If you were to go into the afterlife
- 1:02:31Speaker 1: and have to choose a partner to spend eternity with,
- 1:02:34Speaker 1: who would it be.
- 1:02:35Speaker 2: I'm not sure because that's such an artificial situation, so
- 1:02:39Speaker 2: it's probably more than one. But Wilma Mankiller comes to
- 1:02:43Speaker 2: mind because she represented not just current culture, but ancient
- 1:02:49Speaker 2: culture as well.
- 1:02:50Speaker 1: I can't believe her real last name is mankiller.
- 1:02:53Speaker 2: Well, as she pointed out when people asked her about it,
- 1:02:57Speaker 2: that it was a translation of a title for someone
- 1:03:01Speaker 2: who guarded the tribe, and if they asked her in
- 1:03:04Speaker 2: a nice way, she would explain that, and if they
- 1:03:07Speaker 2: asked her in an unnice way, she would say, I
- 1:03:10Speaker 2: earned it.
- 1:03:10Speaker 1: I love that. I also love talking to you about
- 1:03:26Speaker 1: modern dating. I think you have the funniest opinions. They're
- 1:03:30Speaker 1: so real. You really give me real talk. What is
- 1:03:33Speaker 1: a dating trend from your time dating that you think
- 1:03:37Speaker 1: people should bring back?
- 1:03:38Speaker 2: Well, I'm not sure what exists now. I mean maybe
- 1:03:41Speaker 2: then we were more likely to go steady, so it
- 1:03:44Speaker 2: was a kind of practice for marriage. I suppose, right.
- 1:03:49Speaker 1: Did you ever care about the title? Though? You don't
- 1:03:51Speaker 1: strike me as somebody who cared about being somebody's girlfriend
- 1:03:54Speaker 1: and you just wanted to have a partner.
- 1:03:56Speaker 2: That's not a title. What do you mean doesn't mean anything?
- 1:04:00Speaker 2: Here's somebody's girlfriend. If anything has a comment on him.
- 1:04:04Speaker 1: Say more, what does it say about him?
- 1:04:06Speaker 2: Well, whoever that woman is says something about him about
- 1:04:11Speaker 2: what his choices are.
- 1:04:13Speaker 1: Interesting. Reese Witherspoon just said something very similar that I loved.
- 1:04:17Speaker 1: I'd never heard that before. What was your best dating decade?
- 1:04:21Speaker 1: When did you have the most fun dating? Gloria?
- 1:04:24Speaker 2: It was a series of going steady. I mean, it
- 1:04:27Speaker 2: wasn't like a period of time in which I was
- 1:04:30Speaker 2: dating a lot of different people.
- 1:04:32Speaker 1: They were chunks of relationships. Yeah, so do you hate
- 1:04:37Speaker 1: me right now for asking you about your love life?
- 1:04:39Speaker 2: No, No, it's just that I don't feel like I
- 1:04:42Speaker 2: fit into what you're asking, but I'll try.
- 1:04:45Speaker 1: I don't have any expectations. I'm just so curious. I
- 1:04:48Speaker 1: like hearing your thoughts on relationships because I think your
- 1:04:53Speaker 1: thoughts have no bounds.
- 1:04:54Speaker 2: Well, in retrospect, only in retrospect. I realized that most
- 1:05:00Speaker 2: of the few men I've felt close to were of
- 1:05:05Speaker 2: a different race, and I think that that maybe helped
- 1:05:09Speaker 2: them empathize with women who were striving to fit into
- 1:05:13Speaker 2: a culture that did not always welcome them.
- 1:05:16Speaker 1: That's interesting, you enjoyed learning about the differences between people.
- 1:05:21Speaker 2: Well, it was just that they seemed more universal as people.
- 1:05:25Speaker 1: Can we talk about current day feminism, How do you
- 1:05:29Speaker 1: feel about recent history? Does it give you deja vu
- 1:05:34Speaker 1: at all?
- 1:05:34Speaker 2: I don't think so, but I mean what I'm seeing
- 1:05:37Speaker 2: is limited. I don't know, but I think in the
- 1:05:41Speaker 2: past the ideas of feminism were unusual enough so that
- 1:05:47Speaker 2: there were more likely to be groups, you know, whether
- 1:05:51Speaker 2: it was the National Women's Political Caucus or now now
- 1:05:55Speaker 2: it seems more generalized, so people, women in offices, women
- 1:06:00Speaker 2: in factories.
- 1:06:02Speaker 1: Has the world developed in a way that you feel
- 1:06:06Speaker 1: excited about or are you frustrated about?
- 1:06:10Speaker 2: I certainly feel frustrated that we have an asshole in
- 1:06:13Speaker 2: the White House, I mean terrible president. We in New
- 1:06:17Speaker 2: York who know him are I think ninety six percent
- 1:06:20Speaker 2: against Trump.
- 1:06:21Speaker 1: It's a big stat I.
- 1:06:22Speaker 2: Mean, Nixon and Reagan were not wonderful, but they seemed
- 1:06:26Speaker 2: a little bit more representative.
- 1:06:29Speaker 1: You say, if you aren't a feminist, it's like only
- 1:06:31Speaker 1: having one eye open. You need to have both open
- 1:06:34Speaker 1: to solve any problem. What I think is interesting is
- 1:06:37Speaker 1: we're probably in the most woke, eye open period ever.
- 1:06:42Speaker 1: But I'm wondering if you would also say that we're
- 1:06:44Speaker 1: a little blind.
- 1:06:45Speaker 2: I think we are still in a period in which say,
- 1:06:49Speaker 2: women are raising children more than men, and that means
- 1:06:53Speaker 2: that women as a generality are probably more aware of
- 1:07:01Speaker 2: the world in certain ways then men in general, although
- 1:07:04Speaker 2: it's dangerous to make that kind of generalization.
- 1:07:09Speaker 1: Do you think about what the fourth wave of feminism
- 1:07:11Speaker 1: looks like or feels like?
- 1:07:13Speaker 2: Or no, I don't think in waves. How do you
- 1:07:15Speaker 2: think we're sitting here with you and I just chatting books, movies,
- 1:07:22Speaker 2: political candidates.
- 1:07:24Speaker 1: One of the reasons I love coming over here is
- 1:07:27Speaker 1: my childhood was spent sitting in my grandparents' living room
- 1:07:31Speaker 1: talking about nothing for hours.
- 1:07:34Speaker 2: What do you mean nothing?
- 1:07:35Speaker 1: We would talk about politics and ideas, and well, that's
- 1:07:38Speaker 1: not nothing, but we would also talk about absolutely nothing,
- 1:07:41Speaker 1: Like we would talk about pizza and the weather, and
- 1:07:44Speaker 1: it was just about being together. And I would sometimes
- 1:07:48Speaker 1: have breakfast with Larry King and his friends and it
- 1:07:50Speaker 1: felt very similar. And I haven't had that feeling until
- 1:07:54Speaker 1: I came here and have spent time with you and
- 1:07:57Speaker 1: Jill and Amy.
- 1:07:58Speaker 2: What do you.
- 1:07:58Speaker 1: Get from sitting in your office space because people come
- 1:08:02Speaker 1: visit you all the time, you have so many visitors
- 1:08:05Speaker 1: and just chatting.
- 1:08:06Speaker 2: Well, we usually have some shared enterprise, something that we're
- 1:08:11Speaker 2: trying to do or hoping to do, or some political
- 1:08:15Speaker 2: campaign or something varies, Yeah, varies.
- 1:08:18Speaker 1: How have you felt about the people that come into
- 1:08:22Speaker 1: your life and ask you for things?
- 1:08:25Speaker 2: I don't think I can generalize. It depends on who
- 1:08:28Speaker 2: the person is and what the thing is, and you know,
- 1:08:31Speaker 2: because it's an opportunity to help, which is good.
- 1:08:35Speaker 1: I'll tell you why I'm asking. My favorite quote ever,
- 1:08:38Speaker 1: I think is Shirley Chisholm's quote that service is the
- 1:08:41Speaker 1: rent you pay for a room on this earth. I
- 1:08:42Speaker 1: try to live by it that. Say it again, service
- 1:08:45Speaker 1: is the rent you pay for a room on this earth.
- 1:08:47Speaker 1: Oh and I really try to live by that. And
- 1:08:50Speaker 1: I sometimes feel overwhelmed trying to be of service and
- 1:08:56Speaker 1: live my life. I can't even imagine how you feel.
- 1:09:00Speaker 2: Also means people are of service to you. It's not
- 1:09:03Speaker 2: a one way street.
- 1:09:04Speaker 1: So you feel like you've been able to maintain your
- 1:09:07Speaker 1: personhood and your space amongst all the requests.
- 1:09:10Speaker 2: Always Yeah, I mean, I think I'm lucky to have
- 1:09:13Speaker 2: an apartment, for instance, which is very helpful. To have
- 1:09:17Speaker 2: a space that you live in that belongs to.
- 1:09:19Speaker 1: You right right, and you hide out. I know you
- 1:09:21Speaker 1: love your bedroom.
- 1:09:21Speaker 2: I've been here for a long time.
- 1:09:23Speaker 1: Yeah, that makes sense. What do you think about influencer culture?
- 1:09:28Speaker 1: Is it a version of modern organizing?
- 1:09:30Speaker 2: I'm not sure. I mean, if it just means that
- 1:09:32Speaker 2: you have an online presence, that's influential, right, Yeah, but
- 1:09:38Speaker 2: it makes me nervous that it's measured in terms of
- 1:09:41Speaker 2: online contacts.
- 1:09:44Speaker 1: That the measure of a right number of followers, Yeah.
- 1:09:47Speaker 2: Which doesn't seem like a good measure.
- 1:09:50Speaker 1: It does connect people though in a way.
- 1:09:52Speaker 2: Yeah, but what does follower mean? I mean Hitler had
- 1:09:55Speaker 2: a lot of followers. Sort of value free, I mean
- 1:09:58Speaker 2: it doesn't have content. It also seems like it's constructed
- 1:10:03Speaker 2: in order to be saleable. Oh interesting, you know, because
- 1:10:07Speaker 2: somebody with a lot of followers that can get some
- 1:10:10Speaker 2: commercial good out of it.
- 1:10:12Speaker 1: I don't know if you remember I made you take
- 1:10:14Speaker 1: the value bridge test, Susie Welch's value bridge, and it
- 1:10:17Speaker 1: had the sixteen values. It's belovedness and luminance, and every
- 1:10:22Speaker 1: question it would ask you about money, you would look
- 1:10:24Speaker 1: at me and you would sad eye and you say
- 1:10:27Speaker 1: money is so boring.
- 1:10:28Speaker 2: Right, Money is neutral. It depends what its impact is I.
- 1:10:34Speaker 1: Think you meant that and it really made me laugh.
- 1:10:37Speaker 1: How would you define your sense of humor?
- 1:10:39Speaker 2: Well, I think laughter is a very important part of culture.
- 1:10:45Speaker 2: In Native American culture, there is a god of laughter
- 1:10:48Speaker 2: who is neither male nor female, but just present. So
- 1:10:54Speaker 2: laughter usually, not always, is value free.
- 1:10:58Speaker 1: Do you find it to be true through the old
- 1:11:00Speaker 1: adage that the best things in life are free?
- 1:11:03Speaker 2: I don't know. I mean, you know it's not free
- 1:11:06Speaker 2: that I have an apartment.
- 1:11:08Speaker 1: That's true, and you love this place. I don't know, right,
- 1:11:10Speaker 1: that's true. It is women's history months and we are
- 1:11:14Speaker 1: sitting in your living room where you have invited over
- 1:11:17Speaker 1: women from almost every corner of the world. They've sat
- 1:11:20Speaker 1: in the exact chair I'm sitting in. There are so
- 1:11:24Speaker 1: many photos and knickknacks here. Are there any women that
- 1:11:30Speaker 1: you haven't had in this space that you would have
- 1:11:33Speaker 1: loved to have spoken with?
- 1:11:35Speaker 2: Oh? I'm sure there are a lot, And there are
- 1:11:37Speaker 2: some I've kind of lost because I lived in India
- 1:11:39Speaker 2: and had such deep connection there. But I don't see them,
- 1:11:44Speaker 2: and not all of them are still alive. Actually, it's
- 1:11:48Speaker 2: kind of happenstance. I mean, we're sailing through life as
- 1:11:52Speaker 2: through the ocean, and so who we meet and see
- 1:11:55Speaker 2: is unpredictable.
- 1:11:57Speaker 1: You made me think about your work as a journalist because,
- 1:12:02Speaker 1: as you shared earlier, I asked you if you were
- 1:12:05Speaker 1: writing to figure out what your experiences meant, and you
- 1:12:08Speaker 1: said no, I was chronicling what actually happened. What keeps
- 1:12:11Speaker 1: you so enrolled in.
- 1:12:12Speaker 2: Hope because, as we keep saying, hope is a form
- 1:12:16Speaker 2: of planning. If you don't have a hope for something,
- 1:12:19Speaker 2: it's very unlikely to happen. It may not happen anyway,
- 1:12:23Speaker 2: but it's more likely to happen if you have hoped
- 1:12:26Speaker 2: for it.
- 1:12:26Speaker 1: That is the most spiritual thing I've ever heard you say.
- 1:12:31Speaker 1: How do you feel right now? What is it like
- 1:12:34Speaker 1: to be you right now?
- 1:12:35Speaker 2: I'm very grateful to have this apartment, though I have
- 1:12:41Speaker 2: a safe space, I have friends and longtime associates who
- 1:12:49Speaker 2: come and go. I am well aware that I'm not
- 1:12:53Speaker 2: going to live forever. I mean, you know you can't
- 1:12:57Speaker 2: deny that. Though it's not like I'm conscious of feeling
- 1:13:01Speaker 2: I'm about to disappear. I feel lucky, you know, to
- 1:13:05Speaker 2: be in a city I love, with friends I love,
- 1:13:10Speaker 2: and a life that isn't rich but is kind of
- 1:13:15Speaker 2: moderately secure.
- 1:13:17Speaker 1: What do I have to look forward to at ninety two?
- 1:13:20Speaker 1: Whatever the fuck you want. That's an amazing answer. This
- 1:13:28Speaker 1: is sort of a hard question, and if you don't
- 1:13:29Speaker 1: want to talk about it, it's okay. I'm curious what
- 1:13:33Speaker 1: the most pain you have ever been in that was
- 1:13:36Speaker 1: not physical? What was the hardest decade?
- 1:13:39Speaker 2: It was probably when I was growing up looking after
- 1:13:41Speaker 2: my mother, because being a small person looking after a
- 1:13:45Speaker 2: big person is difficult for obvious reasons, and also her
- 1:13:52Speaker 2: life was sad as it should not have been, because
- 1:13:55Speaker 2: she should have had more of what she wanted in
- 1:13:58Speaker 2: life was able to express as a journalist. I think
- 1:14:03Speaker 2: that was probably the most difficult part.
- 1:14:05Speaker 1: It's so interesting because you've actually been through so much
- 1:14:08Speaker 1: in your adult life. You've survived breast cancer, you had
- 1:14:13Speaker 1: several loves of your life pass away, you have dealt
- 1:14:17Speaker 1: with tons of people heckling you and saying untruths, and
- 1:14:22Speaker 1: still that remains to be the toughest time.
- 1:14:24Speaker 2: Well, I think there's no inequality like childhood to adult inequality,
- 1:14:30Speaker 2: because you may be disempowered in almost every way.
- 1:14:34Speaker 1: Do you think you ever recovered from it?
- 1:14:36Speaker 2: I mean, I certainly have recovered in the sense of
- 1:14:40Speaker 2: living a life I wanted to live. In retrospect, I
- 1:14:43Speaker 2: probably didn't want to be again responsible for someone else's
- 1:14:49Speaker 2: life by having children.
- 1:14:50Speaker 1: But you were okay being responsible for yours.
- 1:14:53Speaker 2: That you feel okay?
- 1:14:55Speaker 1: You say, the primary thing is not that others know
- 1:14:58Speaker 1: who you are, but who they are. Again, just to
- 1:15:01Speaker 1: bring it back to the very beginning, that is such
- 1:15:03Speaker 1: an obvious truth that I would have never thought.
- 1:15:05Speaker 2: But who they are. I don't know that I know
- 1:15:08Speaker 2: what I meant by that. Let just say it again.
- 1:15:11Speaker 1: So I think it was in the context of little
- 1:15:13Speaker 1: girls coming up to you or other women coming up
- 1:15:15Speaker 1: to you. Oh, I see, And you said, it's not
- 1:15:18Speaker 1: important that they know who I am, it's important that
- 1:15:20Speaker 1: they know they are.
- 1:15:20Speaker 2: Yeah, I see, I see right.
- 1:15:22Speaker 1: You know, in a world where we're constantly being sold
- 1:15:26Speaker 1: our own identity back to us through algorithms and aesthetics,
- 1:15:31Speaker 1: what do you think is the biggest obstacle to a
- 1:15:34Speaker 1: woman truly knowing who she is today?
- 1:15:37Speaker 2: Well, it's probably the tyranny of expectations of the people
- 1:15:42Speaker 2: around her. If they're expecting her to be someone different
- 1:15:47Speaker 2: from who she really is.
- 1:15:49Speaker 1: It's very hard as a woman to not live into
- 1:15:51Speaker 1: those expectations.
- 1:15:52Speaker 2: Yeah, I think we're trying to live authentically and trying
- 1:15:56Speaker 2: to get beyond that.
- 1:15:57Speaker 1: Do you remember having inner turmoil about that, Like you
- 1:16:00Speaker 1: so vehemently did not want to be married with children,
- 1:16:04Speaker 1: and yet the world was telling you.
- 1:16:06Speaker 2: Well no, I mean I kept assuming I had to,
- 1:16:08Speaker 2: and I just kept putting it off.
- 1:16:10Speaker 1: Okay, so it was more avoidance. Yeah, you said, I
- 1:16:13Speaker 1: hope to live to one hundred. I've so loved being here.
- 1:16:16Speaker 1: I never wanted to end. What is it that you
- 1:16:19Speaker 1: would be most sad to leave Gloria?
- 1:16:21Speaker 2: Waking up in the morning and contemplating a day and
- 1:16:24Speaker 2: seeing you, seeing friends walking out in the street, just
- 1:16:29Speaker 2: the daily things of life. Nothing big. I don't think.
- 1:16:33Speaker 1: That's interesting because I know you love to travel so much,
- 1:16:36Speaker 1: so it's the minutia of life.
- 1:16:37Speaker 2: There's a time when I did travel and live in
- 1:16:41Speaker 2: India and live in Europe and all of that. But
- 1:16:43Speaker 2: I think that's more of time of exploring.
- 1:16:46Speaker 1: That Thursday I have for exploration will be quenched one day.
- 1:16:50Speaker 1: I'll want to be at home.
- 1:16:51Speaker 2: Yeah. Now I'm at home. I'm not traveling. I don't
- 1:16:54Speaker 2: think I'm motivated to get on a plane. Yeah, at
- 1:16:58Speaker 2: the moment.
- 1:16:59Speaker 1: Is there any thing that you recognize in yourself today
- 1:17:03Speaker 1: that you didn't when you were younger?
- 1:17:05Speaker 2: Yeah, I'm sure there is. I'm sure when I was younger,
- 1:17:08Speaker 2: I thought that I would get married or have to
- 1:17:11Speaker 2: get married and have children because everybody else did. I
- 1:17:14Speaker 2: mean I was just looking around me. Yeah, and it
- 1:17:16Speaker 2: took me a while to understand. You know, people can
- 1:17:19Speaker 2: live in different ways.
- 1:17:20Speaker 1: Do you feel when you wake up at ninety two
- 1:17:23Speaker 1: like the same girl that you were at twenty two?
- 1:17:26Speaker 2: I don't think about it that way, but probably basically
- 1:17:29Speaker 2: I am Okay.
- 1:17:31Speaker 1: You said you want your funeral to be a feminist benefit.
- 1:17:33Speaker 1: I didn't know that about you.
- 1:17:34Speaker 2: Gloria. Well, we need benefits, you know, so why not?
- 1:17:40Speaker 1: When did you come up with that?
- 1:17:41Speaker 2: I think when Bella have sick died, what do you envision? Well,
- 1:17:45Speaker 2: I'm not sure, and that should be up to whoever
- 1:17:48Speaker 2: is here or not to me.
- 1:17:49Speaker 1: So it'll be up to Amy.
- 1:17:51Speaker 2: Right. But a meeting that is unconfined by religion, that
- 1:17:58Speaker 2: everybody is welcome at and anybody who wants to speak
- 1:18:03Speaker 2: or not speak is able to do that, and that
- 1:18:06Speaker 2: people meet each other.
- 1:18:08Speaker 1: I love hearing that because your friend Jill told me
- 1:18:10Speaker 1: one time that experiencing a Gloria Steinham birthday party is
- 1:18:16Speaker 1: one of the best things in the world because you
- 1:18:18Speaker 1: have friends who are heads of state and famous actors
- 1:18:22Speaker 1: and your favorite barista from down the street, and everybody
- 1:18:27Speaker 1: is in one room. I imagine it being exactly like that.
- 1:18:31Speaker 1: So your home is as much a part of your
- 1:18:33Speaker 1: legacy as you are. In what way do you think
- 1:18:37Speaker 1: you will have an open door policy even after you're gone.
- 1:18:41Speaker 2: I own three floors, but there are two floors I
- 1:18:46Speaker 2: don't own four or five that are independent individual women
- 1:18:50Speaker 2: on them. If I can afford it somehow, I would
- 1:18:54Speaker 2: like to own the whole house so I can leave
- 1:18:58Speaker 2: it as a meeting place for women to have a
- 1:19:02Speaker 2: place to stay, to have meetings, to you know, whatever
- 1:19:05Speaker 2: it is. I saw in London a house like this,
- 1:19:09Speaker 2: a brownstone that had a plaque on the outside left
- 1:19:13Speaker 2: over from the suffrage era that I think was serving
- 1:19:16Speaker 2: in that way. So I would still like to do that,
- 1:19:20Speaker 2: and that would require that I am able to buy
- 1:19:24Speaker 2: the top two floors.
- 1:19:27Speaker 1: Absolutely, I know that's the goal. You're so okay with
- 1:19:30Speaker 1: me asking about your funeral and death and when I'm
- 1:19:34Speaker 1: downstairs with you, I ask you about affairs and dating
- 1:19:39Speaker 1: and taboo topics that people don't ever want approach.
- 1:19:42Speaker 2: Well, I don't know, is that true? I don't know.
- 1:19:45Speaker 1: Well, I can tell you when I interview people, they
- 1:19:47Speaker 1: really don't want to talk about death.
- 1:19:48Speaker 2: Well, I mean we're all talking about it in a
- 1:19:51Speaker 2: kind of generalized way.
- 1:19:53Speaker 1: Obviously, Why do you think you're okay talking about everything?
- 1:19:56Speaker 1: There's nothing that scares you.
- 1:19:58Speaker 2: I mean, there are things that scare me, but we're
- 1:20:00Speaker 2: sitting here safely in a living room talking about you know,
- 1:20:03Speaker 2: so why not?
- 1:20:05Speaker 1: Besides Donald Trump? Nothing scares you? Right? So I am
- 1:20:11Speaker 1: thirty five years old. If you could give me one
- 1:20:14Speaker 1: piece of advice, what would it be.
- 1:20:17Speaker 2: Well, I guess do what you love to do, at
- 1:20:21Speaker 2: least as much and hopefully more than what you have
- 1:20:24Speaker 2: to do.
- 1:20:24Speaker 1: That's really beautiful. And what is your hope for little
- 1:20:28Speaker 1: girls who are born in twenty twenty six.
- 1:20:31Speaker 2: That they can live in a world where it's safe
- 1:20:36Speaker 2: to be a female human being of whatever color we are,
- 1:20:40Speaker 2: and where it's possible and practical to imagine being whatever
- 1:20:47Speaker 2: you want to be, A president, a dancer, you know,
- 1:20:50Speaker 2: whatever it is that you feel you want.
- 1:20:54Speaker 1: Did you ever feel like you had limitations set or
- 1:20:57Speaker 1: have you lived into all of the dreams that you had?
- 1:21:00Speaker 2: No, I mean I had limitations, but they kept sort
- 1:21:02Speaker 2: of moving off into the middle distance. You know, I
- 1:21:05Speaker 2: didn't actually have to get married and have children. I
- 1:21:09Speaker 2: didn't have to stay at home instead of living in
- 1:21:13Speaker 2: India or you know, I mean, they just kept moving off.
- 1:21:16Speaker 1: Gloria, this has been my favorite interview of all time.
- 1:21:19Speaker 2: Thank you for this, No, thank you, thank you.
- 1:21:26Speaker 1: Okay, you know what time it is. Today's a good day.
- 1:21:29Speaker 1: To have a good day. I'll see you next week.