Latest / Cuff’s Basement / Desperado part 2

Transcript

Desperado part 2 · Cuff’s Basement

• 0:02
  Speaker 1: S the podcast as Presidentado por Lunar, Grace, Ministries Dios
• 0:07
  Speaker 1: Espueno port Favore, Compreendos, Crystals Lunares del Pastor rich See
• 0:14
  Speaker 1: Dcian Andre al Cielo.
• 0:18
  Speaker 2: Grassias fucking always like a fast through feet off culture,
• 0:31
  Speaker 2: Chaos and new safe Crossing like a lost Chriss stream
• 0:42
  Speaker 2: last like a rocket, glass and tails, got the word
• 0:45
  Speaker 2: That's built.
• 0:46
  Speaker 1: The last Englasses in the Free State. Past of podcasts,
• 0:52
  Speaker 1: Rising Fast, Basement Rocking everything that there are bad, Ben Sorry,
• 1:00
  Speaker 1: welcome back to Cuff Space. And I'm your co host,
• 1:03
  Speaker 1: Tim and I'm with my compadre Ryan Hola and Southwest
• 1:11
  Speaker 1: correspondent Benjamin Ravenoz.
• 1:13
  Speaker 3: There we go, There we go, both Southwest podcasts we've
• 1:18
  Speaker 3: ever done.
• 1:19
  Speaker 1: Probably And I was just gonna ask you, as the
• 1:21
  Speaker 1: Southwest correspondent, what how much Spanish do you know? Because
• 1:24
  Speaker 1: you growing up in school, you and I always took French.
• 1:28
  Speaker 3: Yeah, my Spanish. We I have no excuse, but my
• 1:36
  Speaker 3: Spanish is not very good.
• 1:37
  Speaker 1: I mean I'm fluent now, but growing up I never
• 1:41
  Speaker 1: took a Spanish. I never took I never took a Spanish.
• 1:44
  Speaker 4: Much different story.
• 1:46
  Speaker 1: I think it's such a I think it's such a
• 1:49
  Speaker 1: boomer thing to have like not told us, what are
• 1:53
  Speaker 1: you doing taking French? You absolutely should take Spanish? What
• 1:57
  Speaker 1: are you doing? Like, uh, why would you ever need French?
• 2:01
  Speaker 1: I feel like that is my parents never intervened.
• 2:05
  Speaker 4: I'd say so, Like in high school, so few kids
• 2:08
  Speaker 4: took French.
• 2:10
  Speaker 1: Well, I still don't know any French. I mean I
• 2:14
  Speaker 1: I always consider myself in school, if I tried, I
• 2:19
  Speaker 1: did really well. I think I was smart, but I
• 2:22
  Speaker 1: didn't try. Two areas that I just failed in, like
• 2:27
  Speaker 1: my brain did not do well at all. It was
• 2:30
  Speaker 1: learning musical instruments like fucking Eric and just pick up
• 2:33
  Speaker 1: guitar and be like ooh do do do do do do?
• 2:37
  Speaker 1: But then also learning languages. I was terrible at learning languages,
• 2:41
  Speaker 1: and I never did well in French at all. I could.
• 2:44
  Speaker 1: I don't know any French, Ben, do you know any French?
• 2:48
  Speaker 4: No?
• 2:49
  Speaker 3: No, I mean I don't know that I ever really tried.
• 2:51
  Speaker 3: But I also I also really struggle. I mean it
• 2:54
  Speaker 3: was partly that, like even at the time, I was like,
• 2:56
  Speaker 3: why would I care about this, Like other than getting
• 2:58
  Speaker 3: a grade, what could this possibly need to me?
• 3:01
  Speaker 1: I remember freshman year of high school in geometry, I
• 3:05
  Speaker 1: got a D because I think it was broken down
• 3:07
  Speaker 1: into quarters. I think the year is broken down to quarters.
• 3:10
  Speaker 1: I got a D. The third quarter, I got like
• 3:13
  Speaker 1: a B, then a C, then a D on the
• 3:15
  Speaker 1: third quarter, and my teacher, mister Morris said, I know
• 3:18
  Speaker 1: you're smart and you just don't try so in the
• 3:21
  Speaker 1: fourth quarter, can you please try? So that inspired me,
• 3:27
  Speaker 1: and then the fourth quarter I got an A and
• 3:29
  Speaker 1: I was like, aren't you're proud of me, mister Morse,
• 3:31
  Speaker 1: And he goes no, because you could have gotten an
• 3:34
  Speaker 1: A all year, but now you only got an A
• 3:36
  Speaker 1: one quarter because you actually tried. So French, if I
• 3:40
  Speaker 1: actually tried, I still didn't do well. Couldn't Yeah, I
• 3:45
  Speaker 1: couldn't have a conversation. I took six years of French.
• 3:52
  Speaker 1: I couldn't tell you. I couldn't say a sentence in French.
• 3:57
  Speaker 1: Bonjeourge mappel tim that would be about it? Ryan, do
• 4:00
  Speaker 1: you know any Spanish?
• 4:03
  Speaker 5: I'd say, it's more like if I hear it, I
• 4:06
  Speaker 5: can like put the works together and understand what it means.
• 4:08
  Speaker 5: But like I always feel like a lot of it
• 4:11
  Speaker 5: was just through listening. And if you're like I was
• 4:13
  Speaker 5: always afraid to say it and like try it and
• 4:15
  Speaker 5: that's where you really learn it. So like I feel
• 4:17
  Speaker 5: like I couldn't like like I can put like I'll
• 4:21
  Speaker 5: see keywords, make okay, I understand what sentence they're saying
• 4:23
  Speaker 5: with this not but you can't tell like I can't
• 4:26
  Speaker 5: tell like intonation and stuff like that.
• 4:27
  Speaker 4: Like that stuff's hard.
• 4:28
  Speaker 5: But I think also because I was surrounded by it,
• 4:30
  Speaker 5: like outside of it in a way, like especially like
• 4:33
  Speaker 5: a Shaw's at work, a lot of people spoke Spanish,
• 4:35
  Speaker 5: so you heard it a lot more frequently. A lot
• 4:37
  Speaker 5: of signs around our area too were bilingual to Spanish
• 4:40
  Speaker 5: and English, so it was a lot more osmosis learning.
• 4:43
  Speaker 4: Was there anything else?
• 4:45
  Speaker 1: Yeah, I mean I spent two weeks in Italy, and
• 4:47
  Speaker 1: by the end of the two weeks in Italy, I
• 4:49
  Speaker 1: knew more conversational Italian than I did conversational French. Like
• 4:53
  Speaker 1: I could survive saying like where's the bathroom? Where do
• 4:57
  Speaker 1: I get a drink? You know, stuff like that. So
• 5:01
  Speaker 1: I feel like if I had lived in Italy for
• 5:03
  Speaker 1: five months, I'd probably be pretty set with Italian. But
• 5:08
  Speaker 1: part of the reason is I don't think that we
• 5:10
  Speaker 1: had like you know, Robin Williams in The Dead Poets
• 5:14
  Speaker 1: Society as our French teachers like my, my French teachers
• 5:17
  Speaker 1: were pretty terrible growing up in Natick and Marion. So yeah, AnyWho,
• 5:27
  Speaker 1: it's never my fault is the point. Okay, I realized
• 5:33
  Speaker 1: after we finished part one of Desperado, Samahayak is not
• 5:36
  Speaker 1: in the movie yet. Have you even gotten to Samahaiak?
• 5:40
  Speaker 4: We're pretty early in Yeah.
• 5:42
  Speaker 1: Yeah. So Antoniovandaris has walked into the bar with his
• 5:49
  Speaker 1: guitar case and he says, I'm just here to play
• 5:51
  Speaker 1: a little music. And they say, all right, we're gonna
• 5:54
  Speaker 1: open your guitar case. We're gonna kill you if it's
• 5:56
  Speaker 1: full of guns, and if it's if it has a
• 5:57
  Speaker 1: guitar inside, then you're good. So they open up his
• 6:00
  Speaker 1: guitar case and what do they find.
• 6:02
  Speaker 4: Ryan the guitar.
• 6:05
  Speaker 1: They find a guitar. They say, you're all set.
• 6:08
  Speaker 4: Movie's over, Movie's over.
• 6:11
  Speaker 1: The end. He rides off into the sunset. He marries Bocho,
• 6:18
  Speaker 1: but no, so then what happens Ben.
• 6:22
  Speaker 6: Then someone boys say like, yeah, you're good.
• 6:26
  Speaker 3: He starts to calm down, and then someone presses down
• 6:32
  Speaker 3: on the guitar, which then kind of is like a
• 6:34
  Speaker 3: trapdoor and the guitar opens and he sees all his artillery,
• 6:39
  Speaker 3: machine guns, shotguns and grenades, et cetera.
• 6:42
  Speaker 6: To that point his cover is blown. And this is
• 6:47
  Speaker 6: one of my favorite lines. He says. He says basically
• 6:51
  Speaker 6: like kill him.
• 6:52
  Speaker 3: And then Antony Maderas has something in his sleeves which
• 6:57
  Speaker 3: could like automatically. It's like a sleeve fole star basically,
• 7:01
  Speaker 3: and he can just flip his hands and two guns
• 7:03
  Speaker 3: comes out, and he says, uh, not yet, and then
• 7:07
  Speaker 3: two guns, two forty five pistols come out, and then
• 7:10
  Speaker 3: he just gets to business. And this, I was gonna say,
• 7:15
  Speaker 3: is probably the greatest shootout in film.
• 7:17
  Speaker 6: This is my favorite part of this movie because it's
• 7:21
  Speaker 6: just it is.
• 7:25
  Speaker 4: Yeah. I don't know.
• 7:26
  Speaker 3: Whether it's saying, it's just it's it's amazing, beautiful, perfectly
• 7:30
  Speaker 3: done shootout.
• 7:33
  Speaker 6: He goes one by one kills every single person of
• 7:36
  Speaker 6: the bar.
• 7:38
  Speaker 1: There's a lot of great little moments. First of all,
• 7:41
  Speaker 1: the double guns out of the sleeves is amazing. That
• 7:43
  Speaker 1: was first in Taxi Driver. Was the gun out of
• 7:46
  Speaker 1: the sleeve was to my knowledge, is the first time
• 7:48
  Speaker 1: that's in a movie. And he's sort of like whipping.
• 7:54
  Speaker 1: He's like whipping. He's in this whipping motion with the guns. Yes,
• 7:58
  Speaker 1: and when it gets to the crack part of the
• 8:00
  Speaker 1: whipping motion is when he fires, which is completely unrealistic
• 8:03
  Speaker 1: and stupid if you wanted to aim. But it just
• 8:05
  Speaker 1: looks great, And you don't remember this is before the Matrix.
• 8:10
  Speaker 1: This is before John Wick, you know. I feel like
• 8:14
  Speaker 1: this was added so much style at a time where
• 8:18
  Speaker 1: you know, Schwarzenegger and Stallone and all these movies they
• 8:22
  Speaker 1: would just hold a machine gun and sort of just
• 8:25
  Speaker 1: mow people down. And the Matrix brought so much style
• 8:30
  Speaker 1: and like cool, different aspects to shootouts, and this was
• 8:35
  Speaker 1: four years before that. So I also really there's a
• 8:41
  Speaker 1: couple of little moments in this. He can't reach a
• 8:44
  Speaker 1: guy because the guy's hiding behind the bar, so he
• 8:45
  Speaker 1: shoots the ceiling fans, so the ceiling fan falls on
• 8:48
  Speaker 1: the side genius. And then there's an accountant in the back,
• 8:53
  Speaker 1: that's what I call him, because he's like counting money.
• 8:56
  Speaker 1: He uh so they killed Tarantino because they think Tarantino
• 8:59
  Speaker 1: brought Antonio Manderas here, which he didn't. And the accountant
• 9:05
  Speaker 1: comes out with the machine gun and him and Antonio
• 9:08
  Speaker 1: avenderas like, I don't know if you remember Ryan, can
• 9:09
  Speaker 1: you describe sort of like their interactions.
• 9:13
  Speaker 5: So speaking of the Matrix, they are very similar thing.
• 9:16
  Speaker 5: They are shooting at each other. They both decide to
• 9:20
  Speaker 5: dive on the bar and slide towards each other.
• 9:22
  Speaker 4: When they land, they kind of it's like the the
• 9:24
  Speaker 4: corner of the bar.
• 9:25
  Speaker 5: When they land, they both have each other's gun to
• 9:27
  Speaker 5: each other's head and they're both out of bullets, which
• 9:30
  Speaker 5: literally isn't the Matrix. It's creatly the exact same moment
• 9:33
  Speaker 5: with Adan Smith and Neo in the Matrix is crazy.
• 9:37
  Speaker 4: So then they just.
• 9:37
  Speaker 5: Start getting up on the ground picking up every gun
• 9:40
  Speaker 5: around them, all of them are empty, and they just
• 9:42
  Speaker 5: cancer at each other. What's so funny about is how
• 9:44
  Speaker 5: frustrated Mariacchu's getting with this whole thing of like why
• 9:47
  Speaker 5: this is going on so long?
• 9:50
  Speaker 4: And then I think I'm trying to think how he
• 9:52
  Speaker 4: ends up ending it?
• 9:54
  Speaker 1: Oh yeah, he's he's This is one of my favorite
• 9:57
  Speaker 1: lines that Ben and I used to say. He says yeah,
• 10:01
  Speaker 1: and he snaps the guy's neck. There's a lot of
• 10:04
  Speaker 1: flying in the air, just a lot of flying in
• 10:06
  Speaker 1: the air. In this gunfight.
• 10:08
  Speaker 4: Yep.
• 10:09
  Speaker 5: Also it is very like you guys, I think Ben
• 10:11
  Speaker 5: said earlier, it is amazing how like it is very humorous,
• 10:15
  Speaker 5: Like it is very funny and not like it's not
• 10:18
  Speaker 5: like two over the top silly, but like it's just
• 10:20
  Speaker 5: enough humor to make it like like you were saying earlier,
• 10:23
  Speaker 5: with like the whole opening being like this very like big,
• 10:28
  Speaker 5: like it.
• 10:30
  Speaker 6: Has a comic book feel almost yes.
• 10:33
  Speaker 4: Yeah, very much so.
• 10:34
  Speaker 1: Yeah, And I said I said pro wrestling earlier. It's
• 10:37
  Speaker 1: a very pro wrestling feel, comic book feel. And the
• 10:40
  Speaker 1: accountant during their shootout kills Cheech the bartender, so he's dead,
• 10:45
  Speaker 1: and then he kills everybody. So he's just sort of
• 10:47
  Speaker 1: walking down the street. But there is one guy in
• 10:50
  Speaker 1: the back with the accountant who is the henchman for
• 10:54
  Speaker 1: Bucco who had suggested.
• 10:56
  Speaker 4: Tavo because he was Tavo.
• 11:00
  Speaker 1: He's the one that suggested killing the American tourists. So
• 11:03
  Speaker 1: Bendaris doesn't know that Tabo is still alive and is
• 11:06
  Speaker 1: starting to follow him down the street. Now what a
• 11:10
  Speaker 1: home run, perfect introduction to Salma Jayak's character in this moment, Ryan,
• 11:18
  Speaker 1: do you remember what happens?
• 11:19
  Speaker 4: I started laughing so hard with this happening.
• 11:24
  Speaker 5: So El Marriott's walking down the street and they just
• 11:28
  Speaker 5: cut to Salmahayak coming out of some building and some
• 11:32
  Speaker 5: guy's driving down the street checking her out, and he
• 11:34
  Speaker 5: just crashes into the car coming towards him.
• 11:36
  Speaker 4: It's just hilarious. It's just perfect. It's just absolutely perfect.
• 11:39
  Speaker 1: She crosses the street and causes a car accident because
• 11:41
  Speaker 1: she's that hot. Now I had assumed she was like
• 11:44
  Speaker 1: twenty four in this movie, she was older than I thought.
• 11:46
  Speaker 1: I just looked it up and she's almost thirty. I
• 11:48
  Speaker 1: think she's twenty nine. Oh wow, But mother of god,
• 11:54
  Speaker 1: I mean she's got a I'm not even kidding. Salma
• 11:57
  Speaker 1: Jayak in this movie is one of the hottest people
• 11:59
  Speaker 1: of all time.
• 12:00
  Speaker 4: Looks amazing.
• 12:02
  Speaker 1: Would you argue with that?
• 12:04
  Speaker 6: No, No, it's incredible. And I mean she's.
• 12:07
  Speaker 3: Obviously aged very well, because like when you said she's
• 12:09
  Speaker 3: she looks older in this she.
• 12:11
  Speaker 6: Is now I think almost sixty. And it's not about
• 12:17
  Speaker 6: to look.
• 12:17
  Speaker 1: At No, she's not. She's not ugly, I will say that.
• 12:22
  Speaker 1: And Quentin Tarantino, that fucking freak pervert, later worked on
• 12:28
  Speaker 1: a movie where he gets to suck on her feet.
• 12:33
  Speaker 4: Yeah.
• 12:34
  Speaker 5: Yeah, a lot of a lot of carryover to from
• 12:36
  Speaker 5: dust Dan from this movie, including.
• 12:38
  Speaker 1: Tavo, Yeah, Tavo, Danny Trey Hill.
• 12:41
  Speaker 4: Was in the band.
• 12:42
  Speaker 6: Yeah, Yeah, it's it's yeah, She's almost like a sequel
• 12:46
  Speaker 6: to this.
• 12:46
  Speaker 4: And it's like it kind of kind of really is.
• 12:50
  Speaker 1: I love that movie. I love from Dussell Dawn. We
• 12:53
  Speaker 1: should do that movie.
• 12:55
  Speaker 4: Yeah.
• 12:56
  Speaker 6: Agree.
• 12:56
  Speaker 5: I also really like this song. And also it was
• 12:58
  Speaker 5: kind of blown away that top is because he's in
• 13:01
  Speaker 5: the band in from Russell Donn is in a band
• 13:04
  Speaker 5: called Tito and Tarantula. This song playing during this whole
• 13:08
  Speaker 5: school e motion chase is sung by Tabo.
• 13:12
  Speaker 1: Okay I yeah, so Tarantino, we've talked about this. I'm
• 13:19
  Speaker 1: it's a miracle. Nothing happened to him during the Me
• 13:21
  Speaker 1: Too movement, which I've shocked by. But he is openly
• 13:24
  Speaker 1: really in defeat and he likes to feature feet in
• 13:27
  Speaker 1: his films. He featured Uma Therma's feet, Margot Roby's feet,
• 13:32
  Speaker 1: Margaret Qualley's feet, Salma Hayek's feet, who's the girl in
• 13:38
  Speaker 1: uh the.
• 13:40
  Speaker 4: Oh bridget Bridge.
• 13:44
  Speaker 1: Bridgefond his feet? And Jackie Brown, the girl in Grindhouse
• 13:48
  Speaker 1: he features her feet in the car.
• 13:51
  Speaker 4: Oh Sidney Potier.
• 13:53
  Speaker 1: Yeah, Sidney Portier.
• 13:56
  Speaker 4: It is his daughter and her name is Sidney Potier.
• 13:58
  Speaker 1: Oh wow, Okay. I was like, no, I don't think
• 14:00
  Speaker 1: it's him, Ryan. I would fucking love that though if
• 14:04
  Speaker 1: it was.
• 14:06
  Speaker 4: But turn the radio on. Yeah.
• 14:08
  Speaker 6: Tarantino just discussed me as a human to the.
• 14:11
  Speaker 3: Point where like even in this movie, when I watched that,
• 14:13
  Speaker 3: I was watching him he just seems like a sexually
• 14:17
  Speaker 3: a sexual deviant and a pervert.
• 14:19
  Speaker 4: Yea.
• 14:20
  Speaker 3: Even when he's telling a joke about beer, it just
• 14:22
  Speaker 3: his voice like makes my skin crawl, and I'm just like,
• 14:25
  Speaker 3: you're just a gross person.
• 14:27
  Speaker 1: Yeah, I really, you know. I love his movies, even
• 14:30
  Speaker 1: his recent movies. I think you're great. But as a guy,
• 14:34
  Speaker 1: I just I don't want to I don't like to
• 14:36
  Speaker 1: listen to him talk. I wouldn't want to be around him.
• 14:39
  Speaker 1: He just just know for me, and.
• 14:41
  Speaker 3: He's like recently he was like talking shit about Matthew Lillard.
• 14:45
  Speaker 3: It's just like Tarantino like why, like, why is it
• 14:49
  Speaker 3: well for you to shoot on Matthew Lillard.
• 14:52
  Speaker 1: Well, so he got a lot of shif for that.
• 14:54
  Speaker 1: I will say two things defending him, in that regard.
• 14:58
  Speaker 1: One is, everybody's afraid to be honest about anyone. So
• 15:03
  Speaker 1: I kind of like when an actor or director is
• 15:06
  Speaker 1: just like, yeah, I think this guy sucks. I just
• 15:09
  Speaker 1: it's just refreshing to me. But then the other thing
• 15:12
  Speaker 1: that I'll defend is he also shit all over Paul
• 15:14
  Speaker 1: Dano for being terribly overrated and a shitty actor. And
• 15:19
  Speaker 1: I agree that Paul Dano is terribly overrated and as
• 15:22
  Speaker 1: a shitty actor, he was awful, and of course the
• 15:25
  Speaker 1: fable means but yeah, the worse. He was awful in
• 15:30
  Speaker 1: The Batman, when he played the Riddler, he was awful that.
• 15:34
  Speaker 3: But like he's Matthew Lillard is down, like it just
• 15:38
  Speaker 3: kicking stuff all they're down, like there's just no need.
• 15:41
  Speaker 1: All right, Matthew Lillard's doing all right, He's.
• 15:45
  Speaker 5: Like why, like why we need? It's just like why
• 15:48
  Speaker 5: I get, like Tim, like I got what you're saying.
• 15:49
  Speaker 5: Where Like I like that someone could just be totally honest.
• 15:52
  Speaker 5: That's totally fine too. But also like I thought, as
• 15:54
  Speaker 5: Paul Daniel comments were flat out horse shit in my
• 15:56
  Speaker 5: personal opinion, that's especially for like there will be blood him,
• 15:59
  Speaker 5: Like are you serious?
• 16:00
  Speaker 4: Like really he I.
• 16:02
  Speaker 3: Mean, like I think like there's a certain times it's like,
• 16:05
  Speaker 3: if someone is ugly, are you being like bold and
• 16:09
  Speaker 3: honest by telling them they're ugly?
• 16:10
  Speaker 6: No, you're just kind of being mean and hurtful.
• 16:13
  Speaker 1: But Paul Daniel, I would say, is like a respected actor.
• 16:16
  Speaker 1: Maybe not Matthew w Yeah, that's why.
• 16:17
  Speaker 5: Yeah, But anyway, little r Nissance is coming. We're in it,
• 16:23
  Speaker 5: but it's coming harder.
• 16:24
  Speaker 1: No, he's still in I mean, this isn't recent, but
• 16:27
  Speaker 1: you know he was in the Descendants of George Clooney. Like,
• 16:29
  Speaker 1: he's still getting good work.
• 16:32
  Speaker 4: Life with Chuck. He was in a lot of stuff
• 16:35
  Speaker 4: last year.
• 16:36
  Speaker 1: He's back in the new Scream movie is Cyborgs Too,
• 16:38
  Speaker 1: which we talked about.
• 16:42
  Speaker 4: Let's not right.
• 16:44
  Speaker 1: Oh did you see the New Scream?
• 16:46
  Speaker 4: I did, absolutely, Yeah.
• 16:47
  Speaker 1: I heard it very bad. Was it bad?
• 16:50
  Speaker 4: I did not love it. Yeah.
• 16:51
  Speaker 5: It wasn't fun. And I think you guys would get
• 16:53
  Speaker 5: what I mean by that. It just wasn't fun.
• 16:55
  Speaker 6: I'm still gonna see it, but I haven't seen it.
• 16:56
  Speaker 6: I haven't seen it yet.
• 16:57
  Speaker 1: I haven't seen it because one high no.
• 17:01
  Speaker 4: No printing cash yep.
• 17:03
  Speaker 5: What Yeah, that's that's why I'm very surprised by because
• 17:08
  Speaker 5: it's that's the one thing I have to I don't
• 17:10
  Speaker 5: even care like about, Like, okay, hey, the killers weren't
• 17:12
  Speaker 5: really well founded.
• 17:13
  Speaker 4: Okay, sure, but like I it wasn't fun. I don't know.
• 17:18
  Speaker 4: That's my that's my big arc with it.
• 17:20
  Speaker 1: Okay, all right, So back to Desperado, Tonio Avandaras is
• 17:25
  Speaker 1: walking down the street. Tava pulls out a gun and
• 17:29
  Speaker 1: he almost shoots Salma Hayek who's walking by Antonio Avandaras,
• 17:33
  Speaker 1: but he saves her life by diving on her and
• 17:37
  Speaker 1: he gets shot in the arm. Then he like wrestles
• 17:40
  Speaker 1: Tabo to the ground and explodes his head and is
• 17:43
  Speaker 1: covered in blood. So Sama Jayak is like, let's go
• 17:48
  Speaker 1: back to my bookstore and I will fix your wound
• 17:51
  Speaker 1: because you saved my life. Meanwhile, Buccio arrives at the
• 17:55
  Speaker 1: Cheech Bar to see there's like fifty dead people in there,
• 17:59
  Speaker 1: so we know the Mariachi did this, and another great
• 18:02
  Speaker 1: moment with American tourists. So Buco is just standing in
• 18:05
  Speaker 1: the bar surrounded by fifty shot off corpses. There's like
• 18:10
  Speaker 1: an inch of blood on the floor, and these American
• 18:12
  Speaker 1: tourists walk in to get a beer and they just freeze,
• 18:15
  Speaker 1: and Butcho says, we're fucking closed.
• 18:18
  Speaker 5: How do you not book it when you see the
• 18:20
  Speaker 5: people on the ground, Like, how are you not like, hey,
• 18:21
  Speaker 5: we're out of here.
• 18:22
  Speaker 4: We'll just stand there and watch.
• 18:23
  Speaker 3: The dead people on the crowd and like you see,
• 18:27
  Speaker 3: you see like twenty dead people and like an obvious
• 18:29
  Speaker 3: drug lord wearing a white suit.
• 18:32
  Speaker 4: Really well dressed person.
• 18:33
  Speaker 1: Yeah, like that guy is. Yeah, So what is her
• 18:38
  Speaker 1: sort of role in this town? Ryan Samahai?
• 18:41
  Speaker 5: She's she's a she's a coffee shop and a library.
• 18:46
  Speaker 4: It's kind of her thing. Books, I'm sorry, books.
• 18:48
  Speaker 6: So there was never a bookstore in the town.
• 18:50
  Speaker 4: Yes, she kind of wanted to bring that there.
• 18:53
  Speaker 1: Yes, And she learned how to patch wounds from reading.
• 18:58
  Speaker 1: And he's like, why don't I just go to a
• 18:59
  Speaker 1: hostel and she says, you don't want to go to
• 19:01
  Speaker 1: a hospital to hear, which I thought, yes, that.
• 19:04
  Speaker 4: Seems very funny, very very funny.
• 19:08
  Speaker 1: So she removes the bullet and then puts a cigarette
• 19:10
  Speaker 1: out on the wound. Super classy. She starts going through
• 19:15
  Speaker 1: his guitar case and she finds a codpiece gun, which
• 19:20
  Speaker 1: is a penis gun. It's a gun you put over
• 19:23
  Speaker 1: your penis and it has a barrel and then two
• 19:27
  Speaker 1: the balls are two six shot what would you call that,
• 19:32
  Speaker 1: like the rotating part of a revolver. Yeah, and it's
• 19:36
  Speaker 1: never featured. It's never featured in the movie. And I
• 19:40
  Speaker 1: read that it was cut out because of the NC
• 19:42
  Speaker 1: seventeen rating.
• 19:44
  Speaker 6: It is it is from dusseln Yes, yes.
• 19:50
  Speaker 1: It is using from dssels On, Yes, but I was
• 19:52
  Speaker 1: really disappointed by that.
• 19:54
  Speaker 4: Also looking at it operationally, wasn't your heart work?
• 19:58
  Speaker 1: Yeah, I don't know, like how do you fire it
• 20:01
  Speaker 1: and what circumstance, But anyway.
• 20:05
  Speaker 6: Because like it's kind of like burn too, like oh.
• 20:08
  Speaker 1: Yeah, well there's a there was a thick leather pad
• 20:10
  Speaker 1: behind it. But if the like if the barrel's pointing
• 20:15
  Speaker 1: out a yeah, yeah, like do you just do you
• 20:20
  Speaker 1: walk in with just a visible erection? That's what everybody thinks,
• 20:24
  Speaker 1: But it's actually the gun.
• 20:26
  Speaker 4: I really do.
• 20:27
  Speaker 5: Like how it's not like to kind of show you
• 20:29
  Speaker 5: how thrown together this whole thing is with him because
• 20:31
  Speaker 5: like he kind of happenstanced into this role as the
• 20:34
  Speaker 5: kind of like mythical guy of how like he just
• 20:37
  Speaker 5: opened the guitar case and there's like grenades rolling around
• 20:39
  Speaker 5: in there.
• 20:39
  Speaker 4: There's just there's no like order or anything to this stuff.
• 20:42
  Speaker 4: I think it's so funny.
• 20:44
  Speaker 1: Yes, so very Mexican move because the Mexicans, much like
• 20:48
  Speaker 1: the Irish, are ridiculously Catholic. So after he murders fifty
• 20:53
  Speaker 1: people on this bar and he gets patched up by
• 20:55
  Speaker 1: Samahaiakca's like, I gotta go to church. So he goes
• 20:58
  Speaker 1: to church to go to confession, and he uh, I
• 21:03
  Speaker 1: wrote this down. He sits down and says, bless me Father,
• 21:07
  Speaker 1: for I have just killed quite a few men. And
• 21:13
  Speaker 1: Ben and I also love this moment. So instead of
• 21:16
  Speaker 1: a priest, because it was one of those confession like, Ben,
• 21:19
  Speaker 1: you don't know this not being Catholic, I assume, But
• 21:22
  Speaker 1: the way that it is in the movies, we're like,
• 21:24
  Speaker 1: it's always a wooden booth where you go in to
• 21:27
  Speaker 1: confession and you're by yourself and on the other side
• 21:31
  Speaker 1: there's a priest, but there's like a window partition with
• 21:34
  Speaker 1: sort of like uh screen netting, so you can't even
• 21:38
  Speaker 1: really see the priest. To give the idea of anonymity.
• 21:41
  Speaker 1: Anytime I ever went to confession, it was not like
• 21:43
  Speaker 1: that at all. Right, have you been did you do
• 21:46
  Speaker 1: confession at all?
• 21:48
  Speaker 5: We had to. You had to do it. What year
• 21:49
  Speaker 5: is it, like second or third grade? And it was
• 21:51
  Speaker 5: good to fit face to face.
• 21:53
  Speaker 1: Yes, you had to just sit. You're sitting face to
• 21:55
  Speaker 1: face in like a small room in folding chairs, looking
• 21:58
  Speaker 1: at the priest.
• 22:00
  Speaker 4: Yeah, it was that. Yeah, it's horrifying. Yeah. I told
• 22:05
  Speaker 4: my friends that I found an axe and it wasn't.
• 22:09
  Speaker 3: I always kind of like the idea of confession. It's
• 22:11
  Speaker 3: just like you can do anything and then just say you're.
• 22:13
  Speaker 1: Sorry for it, and well, no, if you truly are sorry,
• 22:16
  Speaker 1: that's you know. Obviously I hate Catholicism with a fiery passion,
• 22:19
  Speaker 1: but that's one of the best things about Catholicism is
• 22:22
  Speaker 1: if you are truly sorry, you can murder your son.
• 22:26
  Speaker 1: And if you're truly sorry, you can be forgiven and
• 22:29
  Speaker 1: go to Heaven. And I think that gives people so
• 22:32
  Speaker 1: much hope, because like, if you do something that you
• 22:35
  Speaker 1: think I can't be redeemed for this, then why even try?
• 22:39
  Speaker 3: Yeah, And I think, like, I mean, so much has
• 22:45
  Speaker 3: been the last twenty years focused on like the gay
• 22:48
  Speaker 3: issue and stuff, but Catholicism really is like a very
• 22:52
  Speaker 3: progressive liberal religion at its core.
• 22:54
  Speaker 1: I think, well, if you look at the teachings of Jesus, yes,
• 23:01
  Speaker 1: he's like friends with prostitutes, give all your money away,
• 23:04
  Speaker 1: never be violent. But I think no Christian religion in
• 23:08
  Speaker 1: twenty twenty six is liberal really. I mean maybe like
• 23:14
  Speaker 1: episcopaal you know, there are brand there are there are exceptions,
• 23:17
  Speaker 1: but I don't know, like like Catholics absolutely hate abortion,
• 23:24
  Speaker 1: but they also want.
• 23:26
  Speaker 6: Those two issues. But if you take those two issues
• 23:28
  Speaker 6: off the table, it's a very progressive religion.
• 23:31
  Speaker 1: Fair. Fair, Yeah, that's because the abortion thing is related
• 23:35
  Speaker 1: to the gay thing, because they will they won't give
• 23:38
  Speaker 1: money to certain adoption charities if they allow gay people
• 23:42
  Speaker 1: to adopt, because abortion is bad, but so is being gay.
• 23:46
  Speaker 1: So we can't help you if you want to keep
• 23:49
  Speaker 1: your child but possibly give it to a gay person.
• 23:53
  Speaker 1: But also the thing I love about Catholicism is you know,
• 23:56
  Speaker 1: if you're a psychologist or even an attorney, you are
• 24:00
  Speaker 1: legally obligated if like, if you tell your psychologists I'm
• 24:04
  Speaker 1: going to kill my friend Ben, they are legally obligated
• 24:10
  Speaker 1: to call the police and write on you. Same with
• 24:12
  Speaker 1: an attorney if you're gonna do something in the future,
• 24:16
  Speaker 1: like so whatever you tell a priest and confession, no
• 24:20
  Speaker 1: matter what, according to the teachings of the Catholic Church,
• 24:24
  Speaker 1: they cannot share with anyone or they can risk being
• 24:26
  Speaker 1: excommunicated from the church. That is hardcore. So it is
• 24:31
  Speaker 1: beyond the trust of an attorney or a psychologist.
• 24:36
  Speaker 4: That's why I actually went there.
• 24:39
  Speaker 1: Yeah, but I remember just being like, oh, I was
• 24:41
  Speaker 1: mean to my parents.
• 24:42
  Speaker 4: I had I.
• 24:44
  Speaker 1: Think I said like I had sexual thoughts about someone.
• 24:46
  Speaker 1: I don't remember what I said, but it was so awkward.
• 24:49
  Speaker 1: I remember we had to go on high school because
• 24:51
  Speaker 1: I went to a Catholic school, and I kind of
• 24:55
  Speaker 1: thought it was amusing because already then like I really
• 24:58
  Speaker 1: wasn't Catholic. But I remember saying to the priest and
• 25:01
  Speaker 1: at priests are like people. It's like some of them are.
• 25:03
  Speaker 1: We talked about this in Night of the Seven Kingdoms.
• 25:05
  Speaker 1: Some lords are great people, some lords are pieces of shit.
• 25:09
  Speaker 1: I remember having a priest it was like really cool
• 25:12
  Speaker 1: and confession one time and was really nice and understanding,
• 25:15
  Speaker 1: and then I remember one priest was just like a
• 25:17
  Speaker 1: just a nerd and very harsh and I said to
• 25:20
  Speaker 1: him in high school at confession because I thought it
• 25:23
  Speaker 1: was amusing. I confess the sin of masturbating to the
• 25:27
  Speaker 1: priest and he was like, yeah, you can't. You can't masturbate,
• 25:30
  Speaker 1: Like that's definitely a soon never masturbate no matter what. AnyWho.
• 25:36
  Speaker 1: So Ben and I love this line where it's revealed
• 25:39
  Speaker 1: when he says I've killed many men today. It's revealed
• 25:42
  Speaker 1: it's not a priest, it's actually Steve. You send me
• 25:44
  Speaker 1: and he says and response, no shit. I find it
• 25:50
  Speaker 1: fascinating that when they exit the church there's a statue
• 25:53
  Speaker 1: of an angel that is in front of the church,
• 25:55
  Speaker 1: but which is very common, but the angel is uh backfacing,
• 26:01
  Speaker 1: so it's facing the wall of the church and you
• 26:03
  Speaker 1: it's you see it's back I thought that was a
• 26:06
  Speaker 1: very odd Did you notice that.
• 26:10
  Speaker 4: I did not? Oh wow?
• 26:13
  Speaker 1: And and Steve was like you you you cause the
• 26:16
  Speaker 1: blood bath, you did everything you weren't going to do.
• 26:19
  Speaker 1: This is you said you weren't going to do. This
• 26:21
  Speaker 1: is not good. And then it cuts to Butcho and
• 26:24
  Speaker 1: apparently Butcho has a boss because Butcho gets a phone
• 26:28
  Speaker 1: call and he seems very nervous and he's like I'm
• 26:31
  Speaker 1: gonna take care of it. But I thought it was
• 26:34
  Speaker 1: very interesting when Butcho was talking to his boss. Now,
• 26:37
  Speaker 1: this could just be because this is for American audiences
• 26:40
  Speaker 1: and I'm overthinking it. But when Butcho was talking to
• 26:43
  Speaker 1: his boss, he's speaking English, So I thought, oh, maybe, like,
• 26:47
  Speaker 1: is this saying that, you know, in a roundabout way,
• 26:51
  Speaker 1: like all this Mexican bad drug people, it's actually other
• 26:56
  Speaker 1: countries are influencing and controlling that, possibly in the United States.
• 27:02
  Speaker 4: I don't know. Maybe I'm just.
• 27:04
  Speaker 1: Yeah, maybe I'm told maybe I'm totally overthinking this.
• 27:08
  Speaker 6: I mean, that's definitely true.
• 27:09
  Speaker 3: I think I think that's just factually true that America
• 27:12
  Speaker 3: is the like America is the cause of the drug
• 27:16
  Speaker 3: trade in Mexico. But they also talk about the Colombians
• 27:20
  Speaker 3: a lot. So I thought the Colombians were his boss.
• 27:23
  Speaker 1: But the Colombians would speak to him in Spanish.
• 27:26
  Speaker 6: Yeah, but I don't maybe they just just you can
• 27:28
  Speaker 6: understand what he's saying.
• 27:29
  Speaker 4: I don't know, Yeah, that could be.
• 27:30
  Speaker 5: I wonder I think of the I did too, of like,
• 27:33
  Speaker 5: because but always been built up to be the big
• 27:35
  Speaker 5: villain of this, like you need to show that he
• 27:38
  Speaker 5: is he is somehow intimidated by somebody else, and maybe
• 27:42
  Speaker 5: they thought maybe like English speaking audiences or American audiences
• 27:45
  Speaker 5: wouldn't really compute that of that wouldn't resonate if it
• 27:48
  Speaker 5: was not in English.
• 27:49
  Speaker 4: I don't know, maybe that's just preaching.
• 27:51
  Speaker 1: And Bucco's boss is like, you cannot you don't have
• 27:54
  Speaker 1: a handle on this. So I'm sending an assassin that
• 27:57
  Speaker 1: we have worked with before and and he's going to
• 28:01
  Speaker 1: come kill El Mariachi AND's like, no, you know, that's
• 28:07
  Speaker 1: that's that's not necessary. But also we're introducing to to
• 28:12
  Speaker 1: Bucho's limo, which is great. Cho is a bulletproof, bulletproof
• 28:17
  Speaker 1: limo that he especially ordered. And I thought that the
• 28:21
  Speaker 1: sun roof flipping up and being used as a shield
• 28:24
  Speaker 1: is awesome.
• 28:26
  Speaker 4: Mm hmm.
• 28:27
  Speaker 1: And do you remember how he tests out the durability
• 28:31
  Speaker 1: of the sun roof.
• 28:33
  Speaker 6: He shoots at it while Sele's right there.
• 28:34
  Speaker 1: Well, so well, his I call a mustache man. He
• 28:37
  Speaker 1: has like this big, this big burly dude with a
• 28:41
  Speaker 1: mustache and a cowboy hat. He shoots him to see
• 28:44
  Speaker 1: if the window will work, and he's like, oh, it works.
• 28:47
  Speaker 6: That guy gets on.
• 28:48
  Speaker 3: That guy gets on by and Bo's nerves throughout the
• 28:51
  Speaker 3: entire movie. So his fade I think is fair.
• 28:55
  Speaker 1: Yes, so when so so his buddy like, I don't
• 28:59
  Speaker 1: know who it was was it was his like second
• 29:01
  Speaker 1: in command.
• 29:02
  Speaker 4: You know that guy right hand in the credits, right.
• 29:05
  Speaker 1: Hand, so his right hand. He goes, take my take
• 29:08
  Speaker 1: my limo, go into town, find the guitar player. Then
• 29:13
  Speaker 1: he gets the call from his boss, we're sending an assassin.
• 29:15
  Speaker 1: So he asked Mustache Man, what, okay, I need to
• 29:18
  Speaker 1: I need to call the guy that just left and say,
• 29:20
  Speaker 1: but on the lookout for this guy's description because it's
• 29:24
  Speaker 1: actually my boss sent him, So don't kill that guy.
• 29:26
  Speaker 1: What's the number for the phone in my limo because
• 29:29
  Speaker 1: this is before cell phones, And Mustache Man says, I
• 29:32
  Speaker 1: don't know, and Butcho's annoyed, and he says, yeah, no
• 29:41
  Speaker 1: one knows the number in my car. Anyways, So who
• 29:44
  Speaker 1: is the assassin that Bucho's boss sends Ryan.
• 29:49
  Speaker 5: It is uh Danny trejoe as Navajas is his name
• 29:53
  Speaker 5: in the in the Wikipedia. And he spent the entire
• 29:58
  Speaker 5: time kind.
• 29:58
  Speaker 1: Of yeah, and why don't you explain his vibe is
• 30:01
  Speaker 1: outfit and what happens at this.
• 30:04
  Speaker 7: Point, Uh outfoot is shirtless, black leather vests, black black
• 30:12
  Speaker 7: leather pants, and he just has throwing knives is his.
• 30:14
  Speaker 1: Weapon, crucifix throwing knives, and he's pretty good with them, and.
• 30:24
  Speaker 4: He this is when they go, this is wait until later. Oh,
• 30:27
  Speaker 4: it's way later in never Mind.
• 30:28
  Speaker 1: Okay, sorry, well no, this is a major character is.
• 30:34
  Speaker 4: Oh, I'm sorry, it's right, he's that's right. I thought
• 30:36
  Speaker 4: this was later.
• 30:37
  Speaker 5: So he's following Biskemy and Mariachi.
• 30:42
  Speaker 4: He ends up killing.
• 30:44
  Speaker 5: Biskemy and the limo of or the new car for
• 30:51
  Speaker 5: Boujos pulls up with his crew in it. Uh Danny
• 30:56
  Speaker 5: Trey Hill just demolishes this team with knives everything.
• 31:00
  Speaker 1: Do they think he's the Mariachi or do they think
• 31:02
  Speaker 1: that he's just a problematic.
• 31:04
  Speaker 5: Yes, they think, And then they think because Mariachi is
• 31:08
  Speaker 5: also hit by the knives and he's pretty critically wounded.
• 31:11
  Speaker 4: So he's running away.
• 31:13
  Speaker 5: From Novajas and he hides behind that thing. When he
• 31:17
  Speaker 5: hides behind in that alley, that's when they pull up
• 31:20
  Speaker 5: and they see Novajas and they assume because all the
• 31:24
  Speaker 5: only description, even in El Mariachi and in Esperado, of
• 31:27
  Speaker 5: him is that he just wears black and he has
• 31:29
  Speaker 5: a guitar case.
• 31:30
  Speaker 3: And also it also just kind doesn't matter because Bo's
• 31:32
  Speaker 3: orders would kill anyone.
• 31:34
  Speaker 4: You don't know.
• 31:35
  Speaker 1: Yeah, that's true, that's true. Buto's like, go around the town.
• 31:38
  Speaker 1: If you see anybody who don't recognize, kill them.
• 31:41
  Speaker 4: Yeah.
• 31:42
  Speaker 5: So they pull over and there's like six people in
• 31:45
  Speaker 5: this car and they all are just trying to.
• 31:47
  Speaker 4: Demolish Treyjo and he just wrecks this car.
• 31:52
  Speaker 5: And I just love the idea of him, like just
• 31:54
  Speaker 5: climbing in the back of the car and going through
• 31:56
  Speaker 5: the sunroof and just throwing the knives into the sun
• 31:58
  Speaker 5: roof was just reat. And he is eventually just shot
• 32:05
  Speaker 5: by broken leg guy who goes nowhere.
• 32:08
  Speaker 4: I don't think ever appears after this again.
• 32:10
  Speaker 1: No, he does, he does. But broken leg dude, Broken
• 32:13
  Speaker 1: leg dude, and Butcho's girlfriend killed Danny Shrejoe.
• 32:16
  Speaker 5: Yes, yes, And then Mariacchi finds the kid. There's just
• 32:22
  Speaker 5: been kid that Mariacchi's been seeing around town, and he
• 32:27
  Speaker 5: follows the kid to kind of go into hiding. He
• 32:29
  Speaker 5: sees the kid's smuggling drugs for his dad and the
• 32:32
  Speaker 5: guitars that the kid's been playing, and the kid drops
• 32:35
  Speaker 5: a huge bomb saying that why are you making a
• 32:39
  Speaker 5: big deal out of this? Everyone does this, This is
• 32:41
  Speaker 5: how this works, and you should ask Carolina because she does.
• 32:45
  Speaker 4: This too, and Mariacchi is enraged. Yeah.
• 32:49
  Speaker 1: Yes, So everybody in the town is helping Bucho, including Salamahayak.
• 32:52
  Speaker 1: Who's Carolina they bring? So they bring Danny Trejo's corpse
• 32:57
  Speaker 1: to Bucho and they're like, look, we got the guy.
• 33:00
  Speaker 1: And Bucho's on the phone with his boss and he says, so,
• 33:03
  Speaker 1: what's the description of the assassin you sent? Okay, he's shirtless, woman,
• 33:07
  Speaker 1: female tattoo, he carries throwing knives, he's wearing all black. Yeah, okay,
• 33:12
  Speaker 1: if we see him, I'll definitely let you know. So
• 33:18
  Speaker 1: benderis El Mariachi goes to confront Carolina and he's like,
• 33:23
  Speaker 1: do you take money from Buco? And she's like, I
• 33:26
  Speaker 1: run a bookstore in this town. How do you think
• 33:28
  Speaker 1: I survived? And he asks how much money are you're
• 33:31
  Speaker 1: taking and she says fifty thousand dollars a year And
• 33:35
  Speaker 1: she's basically just like she'll hold onto a package for
• 33:37
  Speaker 1: a little bit and then somebody will come pick it up.
• 33:39
  Speaker 1: So I did the inflation calculation and this was shocking
• 33:45
  Speaker 1: to me. So nineteen ninety five, fifty thousand dollars a
• 33:49
  Speaker 1: year is in twenty twenty six one hundred and seven thousand.
• 33:52
  Speaker 4: Wow, So it's more than that.
• 33:54
  Speaker 3: Also, like stopped a Maria, Mexico, so it's I doubt
• 33:58
  Speaker 3: the cost of living is very high in that town.
• 34:01
  Speaker 1: Yes, so he's he's very badly injured because he got
• 34:05
  Speaker 1: stabbed a bunch of times with throwing knives from Danny
• 34:08
  Speaker 1: trejou El Mariachi. So he's like he's arguing with her
• 34:13
  Speaker 1: in the bookstore and then she says hide and he
• 34:16
  Speaker 1: dies behind the cash register, and Butcho comes in, and
• 34:20
  Speaker 1: Butcho kisses her on the lips, and I'm like, he
• 34:25
  Speaker 1: obviously has fucked her, Like obviously if you're Carolina, if
• 34:29
  Speaker 1: if you're Buco, so you run this whole area of
• 34:33
  Speaker 1: Mexico and you're like the hottest woman in probably the
• 34:39
  Speaker 1: entire country at the time. Maybe Selena was Selena still
• 34:43
  Speaker 1: alive Ryan.
• 34:45
  Speaker 4: In ninety five?
• 34:46
  Speaker 5: Yeah, I don't think so, because I think this in
• 34:48
  Speaker 5: the movie is the movie ninety five.
• 34:51
  Speaker 1: I have a very hot take. So everybody talks about
• 34:54
  Speaker 1: Jennifer Lopez's butt. I saw Selena Selena's but is better
• 34:58
  Speaker 1: than Jennifer Lopez's butt. Selena was like, damn, Selena is
• 35:03
  Speaker 1: what died in ninety five?
• 35:05
  Speaker 4: Okay this was before.
• 35:09
  Speaker 1: Yeah, but anyways, so he definitely was banging her. There's
• 35:14
  Speaker 1: no way that he was not banging her.
• 35:16
  Speaker 6: He all, but he makes reference to it later.
• 35:19
  Speaker 1: Yeah, yeah, yeah, so.
• 35:23
  Speaker 4: I love this whole like slow, yeah, yeah, explain Ryan.
• 35:29
  Speaker 5: Butcho's like sitting there and kind of like threatening her
• 35:33
  Speaker 5: in a weird way, being like have you seen this
• 35:34
  Speaker 5: guy he's around and she's like, I don't know what
• 35:37
  Speaker 5: you're talking about. And he's kind of just very like
• 35:40
  Speaker 5: playfully asking if she's seen this person and whatever, and
• 35:45
  Speaker 5: behind the bar, Mariacchi thinks like, okay, this is gonna
• 35:49
  Speaker 5: be like this is gonna go down, and he's just
• 35:51
  Speaker 5: slowly realizes like his gun's out of bullets.
• 35:54
  Speaker 4: He's trying to reload the gun.
• 35:56
  Speaker 5: Every click and beat the gun makes, he's trying to
• 35:58
  Speaker 5: slowly paste it out so it doesn't make a lot
• 36:00
  Speaker 5: enough noise.
• 36:01
  Speaker 4: It's really funny.
• 36:02
  Speaker 1: Yes, yes, excuse me, I just was burping. So he
• 36:12
  Speaker 1: uh he doesn't do anything.
• 36:16
  Speaker 4: You what did you put money in the jar?
• 36:19
  Speaker 1: Oh yeah, burp jar. That's that's a debt for me.
• 36:24
  Speaker 1: But I know it was rude. It's disgusting.
• 36:27
  Speaker 5: You Ven charged me seven hundred dollars last Sunday about
• 36:30
  Speaker 5: three am for burn jar back back, which that was odd.
• 36:33
  Speaker 1: Yeah, no, and you and you did it as you should.
• 36:36
  Speaker 4: But I was like, he's probably right.
• 36:39
  Speaker 1: He's probably right. So seven cho leaves and then Benderis,
• 36:48
  Speaker 1: who just loaded his gun, is so angry he puts
• 36:52
  Speaker 1: it on the counter and then spins it and discuss
• 36:54
  Speaker 1: and I'm like, that's pretty dangerous.
• 36:58
  Speaker 4: That's your fir guy whose hand doesn't work too great.
• 37:00
  Speaker 4: It's kind of a little concerning.
• 37:01
  Speaker 1: Yeah, yeah, so they go upstairs. Well, no, you're gonna
• 37:05
  Speaker 1: say something, Ryan.
• 37:06
  Speaker 5: I like the wedding parade thing. That was pretty interesting too.
• 37:08
  Speaker 5: I like that that small moment with Boo, yeah, explain.
• 37:13
  Speaker 5: It's just like it's that whole like weird, like gross
• 37:16
  Speaker 5: power move of like the wet There's a wedding parade
• 37:18
  Speaker 5: coming down the street and Caroline is outside watching it,
• 37:21
  Speaker 5: and he just walks over to the bride and like
• 37:23
  Speaker 5: kisses her and gives them like a thousand dollars in cash,
• 37:27
  Speaker 5: and they're kind of like, oh, this guy just truly
• 37:28
  Speaker 5: owns this town, like there's just know nothing about it.
• 37:31
  Speaker 1: Yeah, everybody loves boo.
• 37:34
  Speaker 4: That's your uh, that's your shirt.
• 37:38
  Speaker 1: So then Daris is laying in bed because he needed
• 37:43
  Speaker 1: medical treatment from all the stab wounds. And I remember
• 37:47
  Speaker 1: a note I think male body dysmorphia is worse now.
• 37:49
  Speaker 1: I think female body dys morphia has always been bad
• 37:53
  Speaker 1: for probably centuries, and it's still horrible, maybe even worse.
• 37:58
  Speaker 1: But I feel like there's no way he couldn't be
• 38:02
  Speaker 1: at least a little jacked now. And he's just when
• 38:06
  Speaker 1: he's laying shirtless in bed with her getting medical care,
• 38:10
  Speaker 1: he just looks like a somewhat thin guy, Like he
• 38:13
  Speaker 1: doesn't really look like he works at all.
• 38:18
  Speaker 5: I think, I mean it kind of like makes sense
• 38:21
  Speaker 5: though for like, I know, this movie doesn't really sell
• 38:23
  Speaker 5: it too well because he's like an incredible gunfighter, but
• 38:26
  Speaker 5: like the first movie is literally he's like, I have
• 38:28
  Speaker 5: never held the gun in my life. I have no
• 38:29
  Speaker 5: idea how the shit works.
• 38:32
  Speaker 1: Yeah, he doesn't need to be jacked. I mean he
• 38:35
  Speaker 1: shoots people, but Chucky, what the fuck are you doing,
• 38:40
  Speaker 1: I'm gonna squirt you.
• 38:44
  Speaker 6: Stop it, Okay, But.
• 38:48
  Speaker 1: He doesn't need to be jacked, but you can't. You
• 38:51
  Speaker 1: just can't get The only person I can think of
• 38:52
  Speaker 1: is Kuana Reeves, who's like, weirdly, he kind of was
• 38:56
  Speaker 1: jacked in like point break, but he's not jacked anymore.
• 38:59
  Speaker 1: And John Way. But I feel like all these guys now, like,
• 39:03
  Speaker 1: who's the guy who was playing a nerd in Silicon
• 39:07
  Speaker 1: Valley and then he became part of the MCU and
• 39:09
  Speaker 1: he's ripped now, Oh come on on, Johnny, Yeah exactly,
• 39:14
  Speaker 1: and all these all these actors are on TRT or worse.
• 39:18
  Speaker 1: I just feel like, you can't. They all do the
• 39:20
  Speaker 1: chicken broccoli rice thing, and I feel like it was
• 39:23
  Speaker 1: just jarring to me to see. It's kind of like
• 39:26
  Speaker 1: when you see John Hamm, because John Hamm as Don
• 39:29
  Speaker 1: Draper is such a masculine figure. When you see him
• 39:33
  Speaker 1: and with no shirt on in the show, it's very underwhelming,
• 39:36
  Speaker 1: and it's like, of course Don Draper wouldn't be jacked.
• 39:38
  Speaker 1: What about Don Draper would ever make him jacked in
• 39:42
  Speaker 1: a million years, But it just seems like he should be,
• 39:44
  Speaker 1: you know what I mean? Yeah, No, I feel you
• 39:48
  Speaker 1: in Instagram? Social media culture does not help in any way.
• 39:54
  Speaker 1: So she's like, hey, you have no shirt on, why
• 39:59
  Speaker 1: don't you Why don't I cuddle up in your arm
• 40:02
  Speaker 1: and you can maybe play me a little song? And
• 40:05
  Speaker 1: I wrote I would not know what to do here.
• 40:07
  Speaker 1: I would be so frozen in terror. If Selma Hayek
• 40:11
  Speaker 1: at twenty nine years old did that, I'd be like,
• 40:13
  Speaker 1: is this some sort of trick?
• 40:16
  Speaker 4: I'm like, how many how many books do you guys
• 40:18
  Speaker 4: have here? What's the what's the count? Yeah? And never
• 40:24
  Speaker 4: come out? Yeah, so jammed.
• 40:28
  Speaker 1: Sh you pretend to get stuck in the bathroom.
• 40:33
  Speaker 4: To avoid second exactly complete panic.
• 40:39
  Speaker 1: Ben's like, not me, man, it would be the night
• 40:43
  Speaker 1: of her life. But she makes the first move. She
• 40:47
  Speaker 1: kisses him and they make sweet, sweet passionate love.
• 40:53
  Speaker 6: Carolina, you sure do.
• 40:56
  Speaker 1: There's a lot of great moments in this. One of
• 41:00
  Speaker 1: my favorites was there's a side profile of her butt
• 41:04
  Speaker 1: and he slowly runs as four play slowly runs the
• 41:07
  Speaker 1: spur of his boot up and down her butt. There
• 41:15
  Speaker 1: is a scene where it's obviously a body double because
• 41:21
  Speaker 1: why would they not show her face? But there's a
• 41:23
  Speaker 1: scene where they show Samahaik topless, but she's looking up
• 41:28
  Speaker 1: and you can't see her face. So I am ninety
• 41:30
  Speaker 1: nine percent sure without doing any research that that was
• 41:33
  Speaker 1: a body double because why would they not show her face?
• 41:36
  Speaker 1: But my whole life I told myself it was really her.
• 41:42
  Speaker 1: But whether it was a body double or not, looks
• 41:45
  Speaker 1: fent phenomenal and the scenes that are her where they
• 41:50
  Speaker 1: don't show everything, but you know she's nude in the scene.
• 41:54
  Speaker 1: Just if you haven't seen this movie before, it's on Netflix. Actually,
• 41:57
  Speaker 1: I like, never in the history of the Fox.
• 42:01
  Speaker 6: Netflix yeah bought it. I bought it today. Goddam no.
• 42:05
  Speaker 1: I don't blame you for that. But in the history
• 42:07
  Speaker 1: of the fucking podcast, never ever has a movie been
• 42:11
  Speaker 1: on Netflix that we're gonna cover. And I'm like, why
• 42:13
  Speaker 1: does Netflix exist? It's the original streaming service and it
• 42:17
  Speaker 1: never has any of the movies I want to watch.
• 42:19
  Speaker 1: So when I started Desperado and it was like, oh,
• 42:21
  Speaker 1: it's on Netflix right now, it.
• 42:22
  Speaker 5: Is like what it's leaving in four minutes, it's noon
• 42:26
  Speaker 5: that day, It's gone.
• 42:27
  Speaker 4: Yeah, yeah, but it is.
• 42:32
  Speaker 5: This is what I was saying earlier. This scene was
• 42:34
  Speaker 5: not this movie. I guarantee getting out writing and be fine.
• 42:37
  Speaker 1: Yeah, well they knew what they were doing, because like,
• 42:40
  Speaker 1: why not include this scene? I thought it was fantastic,
• 42:43
  Speaker 1: just juxtaposed with immediately following this.
• 42:50
  Speaker 4: Well, go ahead, Ryan, go ahead too.
• 42:52
  Speaker 5: I thought this was completely ride with This was actually
• 42:54
  Speaker 5: just really funny. It just cuts to Butcho and he
• 42:57
  Speaker 5: is hooking up with his with with Zumera is her name,
• 43:01
  Speaker 5: he says her name.
• 43:03
  Speaker 1: I thought it was a different woman, is different person, Okay,
• 43:07
  Speaker 1: because I don't I don't. I doubt that. Buto is
• 43:09
  Speaker 1: very faithful.
• 43:11
  Speaker 4: I would. I guess that's true. So it's not a
• 43:12
  Speaker 4: little person.
• 43:14
  Speaker 5: He's staring into space and he just does not look
• 43:18
  Speaker 5: interested at all, And it's just the complete opposite of
• 43:20
  Speaker 5: the past like heat you were seeing earlier.
• 43:23
  Speaker 4: And he just fitted the phone. He's smoking.
• 43:26
  Speaker 5: He blows like they're kissing, and he blows the smoke
• 43:28
  Speaker 5: into her mouth and she kind of coughs and runs
• 43:31
  Speaker 5: away and he just calls and he.
• 43:36
  Speaker 4: And he just goes he's in the bookstore.
• 43:39
  Speaker 5: I wanted to ask you guys, this this is one
• 43:41
  Speaker 5: thing I had a hard time with.
• 43:43
  Speaker 1: Wait, hold on, hold on one second, Sorry about that,
• 43:47
  Speaker 1: Go ahead, Ryan.
• 43:48
  Speaker 5: No, I was just gonna say that. This is the
• 43:50
  Speaker 5: one thing I thought was like a little bit funky.
• 43:53
  Speaker 5: It was like, I really didn't buy that Boucho thought
• 43:58
  Speaker 5: that the.
• 43:59
  Speaker 4: Mariachi was in the bookstore.
• 44:00
  Speaker 5: I know, because she threw the rightistay on the ground
• 44:02
  Speaker 5: and we thought it was like ridiculous. But I was like,
• 44:05
  Speaker 5: what other hunch does he have about this? Yeah, I
• 44:09
  Speaker 5: mean it's like he's seen them together with that at all.
• 44:10
  Speaker 4: It's just I don't know. To me, I thought it
• 44:12
  Speaker 4: was kind of I don't know, just I don't know.
• 44:15
  Speaker 3: I look at as one of the things that doesn't
• 44:17
  Speaker 3: really make sense, but I don't I don't really care.
• 44:19
  Speaker 6: It's just whatever.
• 44:20
  Speaker 1: Uh. Yeah, I slightly disagree. I agree that doesn't make
• 44:24
  Speaker 1: sense because there's no evidence. But I thought that, like,
• 44:28
  Speaker 1: Bucho's clearly a mastermind in a sense to be this
• 44:33
  Speaker 1: successful at the cartel game. I imagine you have to
• 44:36
  Speaker 1: be like smart and strategic to be that way. So
• 44:40
  Speaker 1: I think he just got.
• 44:40
  Speaker 4: A vibe idiots. Yeah, I think he just got hot.
• 44:44
  Speaker 1: By talking to Carolina in the bookstore, and I thought
• 44:47
  Speaker 1: that was very cool. Where he talks around the bookstore,
• 44:49
  Speaker 1: he thinks about it, he's at home then he makes
• 44:52
  Speaker 1: a phone call. I know he's in the bookstore. I
• 44:54
  Speaker 1: thought that was kind of cool personally. But okay, so
• 45:01
  Speaker 1: again like, don't befriend El Mariachi. It's not going to
• 45:05
  Speaker 1: go well for your life. So Butcho says, he's in
• 45:09
  Speaker 1: the bookstore. I'm sure of it. Kill them both. This
• 45:13
  Speaker 1: scene I always remembered Ben when Samahayak is singing yes
• 45:20
  Speaker 1: and the guys couple explain, like describe the visual of
• 45:23
  Speaker 1: the scene.
• 45:25
  Speaker 3: So she's singing to him with his guitar and she's
• 45:30
  Speaker 3: sitting he's still laying in bed. She's sitting on the
• 45:32
  Speaker 3: bed like in front of him, and he sees two
• 45:35
  Speaker 3: guys both kind of circling behind the curtains behind it
• 45:38
  Speaker 3: like the apartments, and he's following them with his guns,
• 45:41
  Speaker 3: like he's kind of just tracing their movement with his guns.
• 45:45
  Speaker 3: And then eventually when they cross paths, he kicks Amahayak
• 45:50
  Speaker 3: down off the bed or she opens her eyes and
• 45:53
  Speaker 3: sees two guns pointing at her, but immediately he just
• 45:57
  Speaker 3: kicks her down and just starts shooting. He kills both
• 46:00
  Speaker 3: those guys. There's a few more, and.
• 46:02
  Speaker 6: Then he basically just says like Samahayaka, she's down. She
• 46:05
  Speaker 6: gets it. We're gonna get the fuck out of here.
• 46:08
  Speaker 6: So they run to the rooftop and they escape.
• 46:17
  Speaker 3: There's several other like jumping. He jumps across the roof
• 46:20
  Speaker 3: while shooting people. They burn the bookstore down.
• 46:25
  Speaker 1: Yeah, that's that's a Butcho idea, what should we do
• 46:27
  Speaker 1: with the bookstore? It's a bookstore.
• 46:28
  Speaker 4: Burn it.
• 46:29
  Speaker 1: It's made of paper. That's smart.
• 46:31
  Speaker 4: Yeah.
• 46:31
  Speaker 1: He jumps backwards from one building to another, and while
• 46:34
  Speaker 1: he's shooting. I really liked a little moment where they're
• 46:37
  Speaker 1: running up the stairwell and she kills the guy, and
• 46:41
  Speaker 1: then the guy like collapses and is falling down the
• 46:43
  Speaker 1: stairs and as he passes Antonio Venderas, Antonio Vnderas just
• 46:47
  Speaker 1: shoots him as he's going by, Like why not?
• 46:51
  Speaker 3: Yeah, And then they get to like a final like
• 46:56
  Speaker 3: refuge and Bucho's like driving to the bookstore.
• 47:01
  Speaker 6: He gets out of his car and Mariacci has.
• 47:07
  Speaker 3: Like a sniper pistol basically like a pistol with a
• 47:09
  Speaker 3: scope yep, and he has a clear shot on Butcho
• 47:15
  Speaker 3: doesn't doesn't explain it right now, but he decides not
• 47:18
  Speaker 3: to shoot him, and samahaik gets like, what the fuck.
• 47:22
  Speaker 1: Yeah, he's gonna kill me. Why you have your shot?
• 47:25
  Speaker 1: Why aren't you taking it? And clearly he recognizes him
• 47:28
  Speaker 1: to some capacity. He recognizes Butcho, Butcho kills mustache Man.
• 47:33
  Speaker 1: He says, it's not hard. What I told you is
• 47:35
  Speaker 1: not hard. I said, go into town. If you see
• 47:37
  Speaker 1: anybody who don't recognize kill them, like for example, I
• 47:40
  Speaker 1: could say I don't recognize you. And then he pulls
• 47:42
  Speaker 1: out a gun and kills mustache Man.
• 47:46
  Speaker 4: We should say too.
• 47:48
  Speaker 5: During that action scene is the very famous grenade explosion,
• 47:53
  Speaker 5: the two of them walking off in the fire as
• 47:55
  Speaker 5: the hottest couple in movie history.
• 47:57
  Speaker 1: Yes, that that that.
• 48:00
  Speaker 4: It is the iconic image.
• 48:02
  Speaker 1: Yeah, and it's it's important the sexinists and Antonio Manderas
• 48:08
  Speaker 1: because like white American women were obsessed with Antonio Manderas's
• 48:13
  Speaker 1: Spanish sexinists in the nineties.
• 48:18
  Speaker 4: You gotta think this is nineteen ninety five.
• 48:22
  Speaker 5: Not many leading men or women are Spanish or Latin
• 48:27
  Speaker 5: American anyway in terms of like this level of success,
• 48:31
  Speaker 5: and your two leads in this movie are Latin American actors.
• 48:36
  Speaker 5: It's pretty interesting.
• 48:37
  Speaker 3: Well, and not you know, not all Latin American accents
• 48:41
  Speaker 3: are equal, Like, I don't think John Leguizamo elicits the
• 48:45
  Speaker 3: same kind of feelings.
• 48:46
  Speaker 6: From women when he speaks yep.
• 48:50
  Speaker 3: Antonio Manderus in particular just has just the you know,
• 48:56
  Speaker 3: classic cliche just romantic Spanish accent.
• 49:00
  Speaker 6: It's almost like Spanish as opposed to Mexican.
• 49:03
  Speaker 1: Well he is, he's from Spain.
• 49:06
  Speaker 3: Yeah, so it's that really like, uh, just classic romantic excellent.
• 49:12
  Speaker 1: Yeah, I want to go to the well, sorry, go ahead.
• 49:15
  Speaker 4: Ryan, No say what's funny?
• 49:16
  Speaker 5: Is even like in his prior like Spanish language movies,
• 49:19
  Speaker 5: he always kind of played buffoonish people. He didn't always
• 49:22
  Speaker 5: play like these very handsome, leading like men. It's interesting.
• 49:27
  Speaker 4: Yeah.
• 49:28
  Speaker 5: Uh.
• 49:29
  Speaker 1: He was in a Spanish, a Spanish language film nineteen
• 49:32
  Speaker 1: eighty nine, Timey Up, Time Me Down, and that was
• 49:35
  Speaker 1: rated Yeah, it was rated X in the United States.
• 49:39
  Speaker 1: I saw that movie. But the plot is great plot.
• 49:42
  Speaker 1: It's like this guy kidnaps a porn star and holds
• 49:45
  Speaker 1: her hostage because he's a very big fan of her.
• 49:48
  Speaker 1: But so, if you look at his career, he was
• 49:52
  Speaker 1: in a lot of Spanish Spanish language movies. He plays
• 49:54
  Speaker 1: Tom Hanks's boyfriend in Philadelphia nineteen eighty three interview with
• 49:59
  Speaker 1: a Vampire four which was huge, and then desperad I
• 50:05
  Speaker 1: was nineteen eighty five. He was also in a little
• 50:10
  Speaker 1: film called X Versus.
• 50:13
  Speaker 4: Severn Ballistic Baby.
• 50:17
  Speaker 6: Assassins.
• 50:19
  Speaker 4: I've never seen that one. Actually, we loved Assassins.
• 50:23
  Speaker 1: It can't be good. It can't be good, but.
• 50:27
  Speaker 4: It came out.
• 50:28
  Speaker 3: But yeah, anyway.
• 50:32
  Speaker 1: So, uh, he's he's playing, he's they're back and like
• 50:39
  Speaker 1: coming up with ideas and what to do. And he's
• 50:42
  Speaker 1: playing with forty five's as if like a cowboy would
• 50:45
  Speaker 1: play with a pistol, you know, doing tricks and spinning
• 50:49
  Speaker 1: it on your finger. And I thought that was very
• 50:50
  Speaker 1: interesting because you don't see modern guns treated that way.
• 50:54
  Speaker 1: It's like typically only old West gun. Yeah, and she says,
• 50:58
  Speaker 1: I have no money now my money was hidden in
• 51:01
  Speaker 1: the books. And he says, I'm going to make a call.
• 51:05
  Speaker 1: He calls two of his old friends, Kampa and Keno,
• 51:10
  Speaker 1: and he says, bring your guitars.
• 51:14
  Speaker 4: Show it to Campah. The original Mariacchi.
• 51:17
  Speaker 1: Yes, Campa was the original Mariacchi El Mariacci And I
• 51:23
  Speaker 1: don't remember how it leads up to here, where like
• 51:27
  Speaker 1: Bucco's Men are pulling up in limos and it's El Mariacci,
• 51:31
  Speaker 1: Caampa and Quino. I don't remember, Like what am I
• 51:35
  Speaker 1: missing anything?
• 51:40
  Speaker 6: It's gonna go down.
• 51:40
  Speaker 4: They were just meeting.
• 51:42
  Speaker 3: It's like meeting in the you know, meeting out back
• 51:45
  Speaker 3: of school for the fight the Okay Corral.
• 51:47
  Speaker 1: Yeah, he cracks his neck and says, let's play, which
• 51:53
  Speaker 1: is a fantastic line from this film. I wrote a
• 51:59
  Speaker 1: note here the broken leg guy immediately dies and there
• 52:02
  Speaker 1: was no point to his character this entire time. But Ben,
• 52:07
  Speaker 1: what is it?
• 52:07
  Speaker 4: So?
• 52:08
  Speaker 1: El Mariachi Antonio Mendaris carries a guitar case that you
• 52:11
  Speaker 1: open up and it's filled with guns that you have
• 52:14
  Speaker 1: to pull out. There's pistols and shotguns, grenades you pull out.
• 52:18
  Speaker 1: Campa and Keino are similar but different. So why don't
• 52:22
  Speaker 1: you explain, Ben, what Campa and Keno's deal is.
• 52:25
  Speaker 3: So I don't know which one is camp, but let's
• 52:27
  Speaker 3: just say so anyway, Kampa has two guitar cases. There
• 52:33
  Speaker 3: are both just fully active, fully automatic machine guns. The
• 52:39
  Speaker 3: cases themselves, I guess they're gonna trigger on the handle maybe,
• 52:43
  Speaker 3: but there's just an opening in the guitar case and
• 52:45
  Speaker 3: they are just like.
• 52:48
  Speaker 6: Again like.
• 52:51
  Speaker 3: Five thousand round bags each each with in the guitar case.
• 53:00
  Speaker 3: And then Keino his guitar case is a literal missile launcher.
• 53:06
  Speaker 3: It doesn't shoot grenades, it shoots missiles.
• 53:09
  Speaker 6: It's yeah yeah.
• 53:13
  Speaker 1: And when fires it when he like he does like
• 53:16
  Speaker 1: a split on the ground and cocks it and fires
• 53:18
  Speaker 1: it on his shoulder and it just looks awesome.
• 53:21
  Speaker 4: So it's like I know him in a movie. Let's
• 53:23
  Speaker 4: do it. Fuck it. It's great.
• 53:25
  Speaker 6: Yeah, this scene is.
• 53:28
  Speaker 3: I mean, this is obviously iconic shootout. I would say
• 53:32
  Speaker 3: this is my second favorite, second to the.
• 53:36
  Speaker 6: Cheaches bar.
• 53:37
  Speaker 3: I like, he uh sama comes and runs several people
• 53:43
  Speaker 3: over when they're out of when they're out of Ammo
• 53:45
  Speaker 3: Sama Hi comes and runs people over. It's a really
• 53:50
  Speaker 3: great it's a really great scene. Unfortunately, the guitar playing
• 53:54
  Speaker 3: boy is shot.
• 53:56
  Speaker 1: In the arm, the little boy.
• 53:57
  Speaker 4: Yep.
• 53:59
  Speaker 6: Yeah.
• 53:59
  Speaker 3: So at the very end, both Compa and Keno have
• 54:04
  Speaker 3: also been killed, and they kind of expected it. They
• 54:08
  Speaker 3: like Marcchi wasn't even really mad. It's kind of like
• 54:10
  Speaker 3: he knew this was gonna happen, and thanks for being
• 54:13
  Speaker 3: my boys. Yeah, like this is what this this is
• 54:18
  Speaker 3: why we're friends.
• 54:21
  Speaker 6: And then so he takes he takes the boy to
• 54:24
  Speaker 6: the hospital.
• 54:26
  Speaker 1: Yeah, and so Keno, who's the bazouka, The villains strategically
• 54:31
  Speaker 1: take him out. They're like, this guy's the biggest problem,
• 54:33
  Speaker 1: let's take him out. So he dies. And then Kampa
• 54:35
  Speaker 1: runs out of AMMO and those two guitar cases must
• 54:38
  Speaker 1: be a bitch to reload. So he's kind of like, well,
• 54:41
  Speaker 1: bump fucked when he runs out of m Yeah, he
• 54:47
  Speaker 1: just hasks, yeah, like a backpack filled with machine gun rounds.
• 54:51
  Speaker 1: So yeah, they take the boy to the hospital.
• 54:57
  Speaker 4: What I liked, Yeah, sure, I like to stop the
• 55:01
  Speaker 4: movie and do this. Also loved in the hospital two
• 55:04
  Speaker 4: giant signs no guns, no grenades.
• 55:06
  Speaker 5: It's a picture of a gun with an X through
• 55:07
  Speaker 5: it and the grenades's an nextory.
• 55:09
  Speaker 4: Amazing.
• 55:10
  Speaker 6: Well, in that town, it's very rare.
• 55:12
  Speaker 4: Really, I mean it's really yeah.
• 55:14
  Speaker 1: I mean you can't plead ignorance then, Like that happened
• 55:16
  Speaker 1: to me one time I was in the hospital and
• 55:18
  Speaker 1: the nurse was like, sir, you're gonna have to take
• 55:20
  Speaker 1: your grenade outside.
• 55:21
  Speaker 4: Can you get your grenades off your chain wallet? Please?
• 55:23
  Speaker 4: Oh my bad, my.
• 55:25
  Speaker 1: Bad, bro. Uh, And he tells almahyek. Butcho is my brother.
• 55:31
  Speaker 1: I didn't realize until I saw his face that Butcho
• 55:34
  Speaker 1: is actually my biological brother.
• 55:37
  Speaker 4: I gasped. I've completely thought about this in the movie.
• 55:39
  Speaker 1: I was like, oh, total mark. Ryan's a total mark
• 55:42
  Speaker 1: for this. I love it.
• 55:44
  Speaker 4: I was like, got it.
• 55:46
  Speaker 1: You think Keino will come back? That's what Ryan asked.
• 55:51
  Speaker 4: Yeah.
• 55:52
  Speaker 3: So now basically, now Briacci is just like, at this point,
• 55:57
  Speaker 3: like I have to just see him, see him face
• 55:59
  Speaker 3: to face.
• 56:00
  Speaker 1: Yeah, bad plan, he says, I'm just gonna go to
• 56:03
  Speaker 1: Buco's compound and just confront him face to face. Bad plan.
• 56:06
  Speaker 1: And then Sealbahayak says, I insist on going with you.
• 56:09
  Speaker 1: I'm like, what what what? That doesn't make any sense?
• 56:14
  Speaker 1: But whatever, I guess, uh yeah, So they go, and
• 56:24
  Speaker 1: Butcho's like, I mean, I don't know Ryan or Ben,
• 56:26
  Speaker 1: do you remember their specific dialogue.
• 56:29
  Speaker 6: Like the thing that I thought.
• 56:31
  Speaker 3: Was interesting is well, they mean Buso. Basically, He's like
• 56:34
  Speaker 3: they revealed to be brothers, Butcho is the older brother,
• 56:40
  Speaker 3: and it kind of I mean, based on who Butcho
• 56:43
  Speaker 3: is now, it sounds like Bucho did not have a
• 56:46
  Speaker 3: very productive childhood, so it sounds like it sounds like
• 56:50
  Speaker 3: even back when they were like knew each other, Butcho
• 56:53
  Speaker 3: was like getting into trouble, maybe deal with drugs, whatever.
• 56:57
  Speaker 3: And he says to Mariachi, Dad will never be proud
• 57:02
  Speaker 3: of you because you're just like me.
• 57:04
  Speaker 4: Yep.
• 57:05
  Speaker 3: And it's kind of like and it's kind of like
• 57:08
  Speaker 3: it maybe me think that, like Bucho became rich and
• 57:12
  Speaker 3: successful beyond anyone's imagination, Mariachi is not.
• 57:16
  Speaker 6: He's a poor guitar player.
• 57:18
  Speaker 3: But at the end of the day, Mariachi had like
• 57:21
  Speaker 3: his father's blessing, whereas Butcho, since he was a little boy,
• 57:26
  Speaker 3: probably his dad was like, you're a scumbag.
• 57:28
  Speaker 6: I want nothing to do with you.
• 57:29
  Speaker 3: Yes, So Buto is kind of like it's kind of
• 57:31
  Speaker 3: like when Baine tells Batman, you've you've come down to
• 57:34
  Speaker 3: my level.
• 57:35
  Speaker 1: Mm hmmm.
• 57:36
  Speaker 6: It's it's kind of like that.
• 57:37
  Speaker 3: And Mariachi realized it, like he kind of is like,
• 57:41
  Speaker 3: all right, you got me for a second.
• 57:43
  Speaker 6: Fair point.
• 57:44
  Speaker 1: Yeah, it's a you know, it's a fair point even
• 57:47
  Speaker 1: if you're doing the right. It's like in City of
• 57:48
  Speaker 1: God when knockout ned at first, he's like hesitant and
• 57:53
  Speaker 1: doesn't want to kill the security guards. And then later
• 57:55
  Speaker 1: on he just fucking murders the security guard during one
• 57:57
  Speaker 1: of their robberies. If you if you do this for
• 58:01
  Speaker 1: a living, it corrupts you. So then he just kind
• 58:05
  Speaker 1: of just like, oh so, Bo says, yeah, I forgot.
• 58:09
  Speaker 1: Buto's like, I tell you what, brother, because you're my brother,
• 58:12
  Speaker 1: I will let this all slide, even though you killed
• 58:14
  Speaker 1: nine hundred of my men. If you let me kill
• 58:17
  Speaker 1: Carolina because she betrayed me, I have to make an
• 58:20
  Speaker 1: example of her. You let me kill Carolina, I will
• 58:22
  Speaker 1: let you go. And then Ryan what does what does
• 58:25
  Speaker 1: Mariacci say?
• 58:29
  Speaker 4: He I don't know what he says.
• 58:30
  Speaker 1: He said, no, thank you, he says it just like that.
• 58:34
  Speaker 4: That'd be great.
• 58:35
  Speaker 5: Honestly, Bo's confused to put the guns down, so he
• 58:43
  Speaker 5: just and then the two guns come out of the
• 58:46
  Speaker 5: sleeves and then it just fades out, which Ben mentioned
• 58:50
  Speaker 5: earlier I thought was really.
• 58:51
  Speaker 3: Yeah, yeah, it makes sense because I mean what I
• 58:54
  Speaker 3: assume is like all of Butcho's guys like once Butcho's
• 58:59
  Speaker 3: dad there, all right.
• 59:00
  Speaker 6: I don't really care about defending it. I'm not gonna
• 59:02
  Speaker 6: die for this anymore.
• 59:04
  Speaker 1: But yeah, yeah, I don't think that makes any.
• 59:06
  Speaker 3: Sense it says there's a shootout, so I guess, I
• 59:09
  Speaker 3: guess he just kills all of them. I mean, Mariacci is.
• 59:13
  Speaker 3: It wouldn't surprise me if he could kill every single
• 59:15
  Speaker 3: one of them. But he's very, very skilled.
• 59:18
  Speaker 5: I thought, because the first one ends that way, where
• 59:22
  Speaker 5: like he takes out Loco and the team of guys
• 59:27
  Speaker 5: just stop because they're like, well, we'll just pick someone
• 59:30
  Speaker 5: to take over, and this is fine, you know, it's
• 59:32
  Speaker 5: kind of like who's the new boss, and it's like, okay.
• 59:38
  Speaker 5: I just thought, because everyone had their guns pointed at him,
• 59:40
  Speaker 5: there's a thousand people waiting, I'm like, well, they're just
• 59:42
  Speaker 5: gonna waste Mariachi because like, why not.
• 59:47
  Speaker 1: A right, It makes no sense if you have two
• 59:49
  Speaker 1: forty five's who killed Bucco in a compound with two
• 59:52
  Speaker 1: hundred men and then it just cut it fades and
• 59:55
  Speaker 1: it cuts to him and Selmahydek are just fine. I
• 59:58
  Speaker 1: thought that was really dumb, but that was because there
• 1:00:02
  Speaker 1: was just like massive shootout scene which probably costs a
• 1:00:05
  Speaker 1: ton of money, and because of the NPAA, they just
• 1:00:08
  Speaker 1: cut it out of the movie so they could get.
• 1:00:10
  Speaker 3: In a rating, especially because it was the grand finale
• 1:00:13
  Speaker 3: that seems it was probably violent over the top.
• 1:00:18
  Speaker 6: It's probably head's coming off.
• 1:00:20
  Speaker 4: Like they're building up to this.
• 1:00:22
  Speaker 5: I'm like, I just I'm like when they faded out,
• 1:00:23
  Speaker 5: I was kind of like what I I mean, I
• 1:00:27
  Speaker 5: like the ending of this movie still, like it's actually
• 1:00:29
  Speaker 5: not bad.
• 1:00:29
  Speaker 3: It's like that like kind of made sense about just
• 1:00:33
  Speaker 3: cutting is. Part of me was like, all right, I've
• 1:00:37
  Speaker 3: seen you see actually kill enough people, like I'm ready.
• 1:00:40
  Speaker 6: I'm ready for this to be done.
• 1:00:42
  Speaker 5: I wondered, too beat if they were kind of like,
• 1:00:43
  Speaker 5: you know, it's the ending. It's like, hey, this flight
• 1:00:45
  Speaker 5: is probably not as good as the bar or the
• 1:00:48
  Speaker 5: gate scene with.
• 1:00:51
  Speaker 4: And I wanted everything.
• 1:00:52
  Speaker 5: If it's not as great, you can't set people up
• 1:00:54
  Speaker 5: and like, oh last one was fine.
• 1:00:57
  Speaker 1: I agree, it probably just wasn't as good as the
• 1:01:00
  Speaker 1: three other awesome shootouts.
• 1:01:02
  Speaker 4: So but yeah, I mean, you don't know. Maybe you
• 1:01:05
  Speaker 4: never know. Yeah.
• 1:01:06
  Speaker 1: And then Antonio Mandaraz the movie ends where he's just
• 1:01:09
  Speaker 1: hitch hiking and Salma Jayak picks him up.
• 1:01:11
  Speaker 8: Essentially, yes, he throws the duds away and then he
• 1:01:18
  Speaker 8: helps back for them, but says just in case, which
• 1:01:20
  Speaker 8: to me that made complete sense, Like after right, after
• 1:01:24
  Speaker 8: everything that just happened, I would not be drunk getting
• 1:01:26
  Speaker 8: rid of my weapons.
• 1:01:28
  Speaker 5: And based on three I think, yeah, there's there's no
• 1:01:31
  Speaker 5: peaceful life for him.
• 1:01:32
  Speaker 1: Yeah, and based on what I know about the Mexican cartel, yeah,
• 1:01:37
  Speaker 1: they probably will want to make an example out of
• 1:01:40
  Speaker 1: him in the worst way. So yeah, that's how the
• 1:01:43
  Speaker 1: movie ends. Here they ride off into the sunset. He
• 1:01:46
  Speaker 1: keeps his guns just in case. But it's over until
• 1:01:51
  Speaker 1: the sequel, Once Upon a Time in Mexico, which I
• 1:01:54
  Speaker 1: can't believe I didn't mention this earlier. The greatest line
• 1:01:56
  Speaker 1: in movie history, Johnny Depp says, are you a Mexican
• 1:02:00
  Speaker 1: or Mexicant?
• 1:02:02
  Speaker 5: Probably the most famous thing from that movie is that line.
• 1:02:04
  Speaker 5: And I'm sure people don't even know from that movie.
• 1:02:06
  Speaker 1: Yeah, yep, yep.
• 1:02:08
  Speaker 5: So interesting though, there's one one and I was very surprised.
• 1:02:13
  Speaker 5: One interesting part of Once Upon a Time Mexico is
• 1:02:17
  Speaker 5: he's playing a song on the guitar and the guy's like,
• 1:02:20
  Speaker 5: that's a nice song.
• 1:02:20
  Speaker 4: What is it? It's a song my my brother taught me.
• 1:02:23
  Speaker 4: I thought it was really interesting that he would reference
• 1:02:25
  Speaker 4: poo that way.
• 1:02:27
  Speaker 1: Or is it maybe it's his other brother Tommy.
• 1:02:30
  Speaker 4: Honestly, there could be you're talking about me.
• 1:02:33
  Speaker 1: He pops out of the background.
• 1:02:35
  Speaker 4: Oh Hi, it's mean this Parando. It's me Tommy. Tommy
• 1:02:39
  Speaker 4: weis kind of dressed the same way, same hair.
• 1:02:43
  Speaker 1: Oh man, okay, well, anything else to add before we
• 1:02:46
  Speaker 1: go to Desperado? Advice?
• 1:02:50
  Speaker 4: How do you guys feel about this? Is? Like, is it?
• 1:02:54
  Speaker 4: This is one of those movies to me, like, you
• 1:02:55
  Speaker 4: never know.
• 1:02:56
  Speaker 5: I never knew it was a sequel forever, so I
• 1:02:58
  Speaker 5: never thought of it as a sequel, right, So, like
• 1:03:01
  Speaker 5: I would think it's weird when that happens, when there's
• 1:03:03
  Speaker 5: like a movie you see that like, oh, this is
• 1:03:05
  Speaker 5: a sequel to something else.
• 1:03:07
  Speaker 1: That would be a great interesting list to look at.
• 1:03:10
  Speaker 1: I can't even think of another example. But really, it
• 1:03:12
  Speaker 1: was just it was just because the first movie was
• 1:03:15
  Speaker 1: so independent and underground. Yeah, that when they made the
• 1:03:19
  Speaker 1: quote unquote sequel, that's like everybody was seeing it for
• 1:03:21
  Speaker 1: the first time. They recast the lead, so it's kind.
• 1:03:25
  Speaker 4: Of you.
• 1:03:27
  Speaker 5: Know, yeah, in middle school, I never knew, or I
• 1:03:31
  Speaker 5: think it was it was I think it was fifth
• 1:03:33
  Speaker 5: grade or sixth grade, But in middle school, I never
• 1:03:35
  Speaker 5: knew that Escape from La was a sequel. I thought
• 1:03:37
  Speaker 5: it was like a movie like on its own, and
• 1:03:39
  Speaker 5: I don't like seeing the poster, but that's gonna be
• 1:03:41
  Speaker 5: the fucking coolest movie fucking ever, just being like the
• 1:03:45
  Speaker 5: posters and the commercial, like I can't wait to see
• 1:03:47
  Speaker 5: this and didn't know it was a sequel until like
• 1:03:48
  Speaker 5: end of high school.
• 1:03:49
  Speaker 1: Yeah, can you can either of you think of another
• 1:03:51
  Speaker 1: example like that, like Desperado being a sequel to an
• 1:03:54
  Speaker 1: underground movie that most people didn't know.
• 1:04:01
  Speaker 3: No, I mean the only thing that like, I don't
• 1:04:02
  Speaker 3: know how it just kind of reminds me of like
• 1:04:04
  Speaker 3: the Glass Unbreakable series.
• 1:04:07
  Speaker 6: That's not really like that. I can't really describe.
• 1:04:10
  Speaker 1: Yeah, that was more like a trick. Where what's the movie?
• 1:04:15
  Speaker 4: Ryan?
• 1:04:15
  Speaker 1: The first movie with a oh split split Split was
• 1:04:20
  Speaker 1: like a secret sequel, it was. It came out as
• 1:04:24
  Speaker 1: a standalone movie, but then if you watch it you
• 1:04:26
  Speaker 1: find out, surprise, this is a sequel. So sure, yeah,
• 1:04:30
  Speaker 1: that's like not a terrible example, but not quite the same.
• 1:04:33
  Speaker 1: I literally can't think of anything.
• 1:04:35
  Speaker 5: I think it's it's hard because like it's all based
• 1:04:37
  Speaker 5: of course, like on your like experience, like the first
• 1:04:39
  Speaker 5: movie has to exist at some point, but like to me, like,
• 1:04:42
  Speaker 5: this movie's more like this movie is like weirdly like
• 1:04:46
  Speaker 5: to me, like I was thinking, like it's like T
• 1:04:49
  Speaker 5: two or like Evil Dead two, where like it is
• 1:04:51
  Speaker 5: kind of the first movie again but just better.
• 1:04:54
  Speaker 1: Yeah, Evil Dead two. Evil Dead two is a good example,
• 1:04:58
  Speaker 1: not really T two because T two is very much
• 1:05:01
  Speaker 1: like T one. Everybody knew T one and it's a sequel.
• 1:05:05
  Speaker 1: But Evil Did too is like, hey, let's just do
• 1:05:07
  Speaker 1: the first one again but better.
• 1:05:09
  Speaker 5: Oh you know, actually mad Max Road Warrior that's what
• 1:05:11
  Speaker 5: I'm thinking of. That's another one too.
• 1:05:15
  Speaker 1: Yeah, yeah, yeah, that's a good one. Jason sis Man
• 1:05:18
  Speaker 1: a jows three D. That's a good one. Gremlins two.
• 1:05:24
  Speaker 1: I had no idea that Gremlins two is a sequel.
• 1:05:26
  Speaker 1: It's literally the title Grumlins two.
• 1:05:29
  Speaker 5: That was hardqus just do the number two and it's
• 1:05:31
  Speaker 5: it's like, well yeah, but.
• 1:05:33
  Speaker 1: I would say that my desperado advice is mhm, scorpion
• 1:05:39
  Speaker 1: of the frog. You know, like, if you lay down
• 1:05:41
  Speaker 1: with dogs, you're gonna get fleas. That would be my advice. Wow, Ryan,
• 1:05:47
  Speaker 1: what's your desperado advice?
• 1:05:51
  Speaker 5: I really didn't never judge a book by its cover.
• 1:05:57
  Speaker 5: It might have it might have cartol money inside.
• 1:06:01
  Speaker 1: Oh that's good. That's a good one.
• 1:06:03
  Speaker 4: That's real.
• 1:06:03
  Speaker 6: That's a really good one.
• 1:06:04
  Speaker 4: Friend.
• 1:06:06
  Speaker 6: I don't know.
• 1:06:06
  Speaker 3: I mean I feel like part of it is just
• 1:06:09
  Speaker 3: like have principles, like because Mariachi is just like this
• 1:06:14
  Speaker 3: is I need to do this, and everyone tells him
• 1:06:16
  Speaker 3: he's crazy.
• 1:06:16
  Speaker 6: But he's like, I need to do this. I need
• 1:06:19
  Speaker 6: to kill Buchu he killed my wife.
• 1:06:22
  Speaker 3: Yeah, but I also think, sorry, go ahead, ben as
• 1:06:27
  Speaker 3: I say sometimes like you just have to go through
• 1:06:29
  Speaker 3: with something that you just you need something to happen.
• 1:06:33
  Speaker 1: I feel like Game of Thrones is really good about
• 1:06:35
  Speaker 1: how if you have a singular, singular motivation and thought process,
• 1:06:41
  Speaker 1: it's always going to backfire and be bad. And like
• 1:06:44
  Speaker 1: Ober and Martell only cared about avenging his sister and
• 1:06:48
  Speaker 1: it didn't go well for him. I think if you
• 1:06:51
  Speaker 1: focus your life on revenge and then you actually achieve
• 1:06:55
  Speaker 1: your revenge, what do you do now you know they
• 1:06:59
  Speaker 1: they're they're There's a really great real life example I
• 1:07:01
  Speaker 1: heard the other day. There was a boy that was
• 1:07:04
  Speaker 1: remember like remember like we were alive during the time.
• 1:07:06
  Speaker 1: We weren't alive during the time, but I'm sure you're
• 1:07:08
  Speaker 1: aware in the sixties and seventies and eighties, there's just
• 1:07:11
  Speaker 1: a lot of cults. And there's this one cult where
• 1:07:15
  Speaker 1: there was this little boy who was raised in the
• 1:07:17
  Speaker 1: cult and he was sexually abused and physically abused, and
• 1:07:21
  Speaker 1: then he became an adult and he left the cult
• 1:07:24
  Speaker 1: and he had like a relatively normal life, but he
• 1:07:26
  Speaker 1: obviously had a lot of trauma. And he decided, I'm
• 1:07:29
  Speaker 1: going to kidnap and torture and murder all of the
• 1:07:33
  Speaker 1: cult people who sexually and physically abused me when I
• 1:07:36
  Speaker 1: was a boy, which you know, on paper, don't really
• 1:07:39
  Speaker 1: blame him for that. Don't love cults, Like I think,
• 1:07:41
  Speaker 1: we'd probably be better off if the people who did
• 1:07:44
  Speaker 1: this to him were dead. So, and he ended up
• 1:07:47
  Speaker 1: kidnapping one of them and doing it. He tortured and
• 1:07:50
  Speaker 1: killed them, and then he immediately committed suicide because he
• 1:07:54
  Speaker 1: was like I thought, perversely, that would bring me some
• 1:07:58
  Speaker 1: closure or pleasure, and it was just awful, and then
• 1:08:02
  Speaker 1: afterwards I felt terrible. So I'm gonna kill myself. That's
• 1:08:06
  Speaker 1: essentially what I said.
• 1:08:08
  Speaker 6: Yeah, I've experienced that. I remember, like, oh you have wow,
• 1:08:14
  Speaker 6: that exact story.
• 1:08:15
  Speaker 3: No, But I mean, like there's been points in my
• 1:08:17
  Speaker 3: life where like people have wronged me in some way
• 1:08:21
  Speaker 3: and I'm just like I just wish the worst for them,
• 1:08:23
  Speaker 3: but then that actually happens and I just feel bad
• 1:08:25
  Speaker 3: for them.
• 1:08:26
  Speaker 6: But maybe I'm soft. Maybe I should be that soft.
• 1:08:29
  Speaker 3: But like there's been people I remember, like someone somebody
• 1:08:33
  Speaker 3: hated at work and there's everything just went right for them,
• 1:08:36
  Speaker 3: so I kind of hated them, and then the opposite.
• 1:08:39
  Speaker 6: Happened and they just had like a ship storm of
• 1:08:41
  Speaker 6: terrible luck.
• 1:08:43
  Speaker 3: And I remember thinking like I kind of wished for this,
• 1:08:45
  Speaker 3: but like I feel bad now because this person is
• 1:08:47
  Speaker 3: just like miserable.
• 1:08:51
  Speaker 4: Yeah, what's the game for you?
• 1:08:52
  Speaker 1: It's like, yeah, yeah, there was one guy I didn't
• 1:08:56
  Speaker 1: like at work, so I planted drugs in his car
• 1:08:58
  Speaker 1: and called the cops on him, and he ended up
• 1:09:00
  Speaker 1: being murdered in prison, So like I felt kind of
• 1:09:02
  Speaker 1: bad about it.
• 1:09:05
  Speaker 4: Yeah you really say that in a recorded format, either that's.
• 1:09:09
  Speaker 1: A great idea, that'll do it, that'll do it.
• 1:09:12
  Speaker 4: But I really like that that Ben's advice Overking. That's
• 1:09:17
  Speaker 4: the whole.
• 1:09:17
  Speaker 5: Like the movie does a really interesting thing where like
• 1:09:19
  Speaker 5: when he says that too, biskemy about how like I'm done, Like, well,
• 1:09:24
  Speaker 5: this whole warpath you go on, you are now creating
• 1:09:27
  Speaker 5: new problems for yourself that you can't escape, Like you
• 1:09:30
  Speaker 5: can't like you, Okay, you killed ninety seven people and
• 1:09:34
  Speaker 5: then you become this mythic hero and now more bad
• 1:09:37
  Speaker 5: people want things to do with you because you can't
• 1:09:40
  Speaker 5: be this thing that people are afraid of.
• 1:09:41
  Speaker 4: They want to be the thing that people are afraid of. Yeah,
• 1:09:44
  Speaker 4: and it's just so interesting how he thinks, like, Okay,
• 1:09:45
  Speaker 4: once I kill the main guy, I'm done. It's like
• 1:09:47
  Speaker 4: you can't be done. It won't. It won't let you
• 1:09:49
  Speaker 4: be done. Put it that way. Yeah.
• 1:09:52
  Speaker 1: Yeah, there's a lot of movies about this, you know.
• 1:09:53
  Speaker 1: Unforgiven comes to mind, Nobel, this happens to Omar and
• 1:09:57
  Speaker 1: the Wire Got kill Bill. Yeah, is a good one.
• 1:10:02
  Speaker 1: Omar is just chilling with his boyfriend in paradise and
• 1:10:05
  Speaker 1: he goes back, that was a mistake.
• 1:10:07
  Speaker 4: Buchi muerto is moto.
• 1:10:13
  Speaker 1: Okay, all right, then, thank you so much for returning
• 1:10:17
  Speaker 1: on the podcast.
• 1:10:19
  Speaker 4: You much for having me.
• 1:10:20
  Speaker 1: I hope you come back to in the next five months.
• 1:10:23
  Speaker 1: I'm sorry. I'm sorry about Ryan, but hopefully it's not
• 1:10:27
  Speaker 1: another five months. If it is. I kind of get it,
• 1:10:30
  Speaker 1: but uh AnyWho, it's just.
• 1:10:35
  Speaker 6: What Ryan did to my family is is. I mean,
• 1:10:37
  Speaker 6: it's like this movie.
• 1:10:37
  Speaker 3: It's really really hard to get over, but through a
• 1:10:40
  Speaker 3: lot of therapy, I'm always.
• 1:10:47
  Speaker 1: All right. Well Audio somigos noos. I love Wuerta