Latest / DISGRACELAND / Frank Sinatra Pt 2: New Evidence, Secret Favors, and Three Dead Men. This is Frank Sinatra — Connected, Compromised, and Cornered
Transcript
- 0:00Speaker 1: Disgraceland is a production of Double Elvis. This is a
- 0:20Speaker 1: story about the Voice, the Weasel, about the Boot and
- 0:25Speaker 1: guy's name Lucky Momo and Handsome Johnny. This is a
- 0:30Speaker 1: story about the Mafia and about one musician's position in
- 0:35Speaker 1: the mafia. This is not a story you've likely heard before.
- 0:40Speaker 1: This is not just a story about a singer who
- 0:42Speaker 1: needed the mob's help. It's about a pop star who
- 0:46Speaker 1: was expected to deliver for the Mob over and over again,
- 0:50Speaker 1: and in a way that only made Mafia members were
- 0:53Speaker 1: expected to deliver. This story is based on recent research
- 0:58Speaker 1: from a newish book that pulls from a trove of
- 1:01Speaker 1: previously unreleased secret files from Los Angeles police intelligence and
- 1:07Speaker 1: FBI documents. This is a story, of course, about Frank Sinatra,
- 1:14Speaker 1: a story that puts him not just up close and
- 1:16Speaker 1: personal with the Mafia, but in the mafia, running illegal errands,
- 1:22Speaker 1: entering into illegal businesses, and relying on illegal favors, one
- 1:27Speaker 1: of which resulted in not one, but three murders. And
- 1:34Speaker 1: this being a story about Frank the Voice Sinatra, means
- 1:38Speaker 1: that it's also a story about great music. Unlike that
- 1:43Speaker 1: music I played for you at the top of the
- 1:44Speaker 1: show that wasn't great music. That was a preset loop
- 1:49Speaker 1: from my melotron called Cowboy Gonna Bleed MK one. I
- 1:56Speaker 1: played you that loop because I can't afford the rights
- 1:59Speaker 1: to Dominique by the Singing Nun. And why would I
- 2:04Speaker 1: play you that specific slice of convent cheese? Could I
- 2:08Speaker 1: afford it? Because that was the number one song in
- 2:12Speaker 1: America on December eighth, nineteen sixty three, And that was
- 2:17Speaker 1: the day Frank Sinatra's son was kidnapped and a phone
- 2:21Speaker 1: call was made that resulted in the torture and death
- 2:25Speaker 1: of three men at the hands of a mafia enforcer.
- 2:29Speaker 1: On this episode, new Research, Secret Files, illegal Favors, torture, murder,
- 2:37Speaker 1: and Frank Sinatra. I'm Jake Brennan in this this Disgraceland.
- 3:11Speaker 1: Once upon a time back during the earlier part of
- 3:14Speaker 1: the twentieth century, just after Prohibition and throughout the nineteen
- 3:18Speaker 1: forties and fifties, the American mafia consolidated its immense power,
- 3:24Speaker 1: and your mafia bosses, your Lucky Luciano's, your Vito Genovies
- 3:29Speaker 1: types created empires. These gangsters, the bosses picture Don Corleone
- 3:37Speaker 1: from The Godfather. They gave orders and stayed above the fray.
- 3:43Speaker 1: Below them, there were the captains, the guys who ran
- 3:47Speaker 1: the crews, guys like Rugerio Richie, the boot Boyardo from
- 3:51Speaker 1: New Jersey, who wasn't afraid to get his hands dirty.
- 3:55Speaker 1: He was said to bury his enemies in his backyard.
- 3:59Speaker 1: And then there was Angelo gip de Carlo, who ran
- 4:01Speaker 1: the Jersey labor unions and controlled the nightclub business, and
- 4:05Speaker 1: who was also known to make enemies disappear. These were
- 4:09Speaker 1: more your Tessio, your fat Clemenza types. Below these guys,
- 4:15Speaker 1: you had your soldiers, men like Willy Moretti, a New
- 4:19Speaker 1: Jersey member of the Genovese family. Moretti once invited a
- 4:22Speaker 1: man who owed him money to dinner to work out
- 4:24Speaker 1: his debt. The deadbeat, of course, didn't have the money,
- 4:28Speaker 1: and Moretti shot the man in the leg in front
- 4:30Speaker 1: of a restaurant full of witnesses, and then finished his
- 4:33Speaker 1: meal as if nothing had happened. Moretti himself was shot
- 4:37Speaker 1: in the face in nineteen fifty one, ironically in a
- 4:40Speaker 1: Jersey restaurant while eating a boll of spaghetti. If you
- 4:44Speaker 1: want a comparable character from the Godfather for Willy Moretti
- 4:47Speaker 1: to continue our analogy, look no further than Vito's muscle
- 4:51Speaker 1: Luca Brazzi, or better yet, Michael's bodyguard al Neary. These
- 4:57Speaker 1: mafiosi were a so called made members of the Italian
- 5:01Speaker 1: mafia in America, which meant they took blood oaths, swearing
- 5:05Speaker 1: allegiance to their mob families, swearing to live by the
- 5:09Speaker 1: code of omerta or silence. Made members of the mafia
- 5:15Speaker 1: are protected as long as they played by the rules,
- 5:18Speaker 1: their bosses and their families are there for them to
- 5:21Speaker 1: keep other gangsters out of their territories, to bail them
- 5:25Speaker 1: out of jail, to provide for their families when they
- 5:27Speaker 1: get sent to jail, and generally speaking, to help made
- 5:32Speaker 1: men sort out whatever problems they might encounter so that
- 5:35Speaker 1: they can continue to earn money for their families and
- 5:38Speaker 1: for themselves. Being made was and still is one of
- 5:44Speaker 1: the highest honors a gangster can receive in the mafia,
- 5:47Speaker 1: and only Italians can be made. But being made doesn't
- 5:52Speaker 1: make you a boss or even a captain. Mixed in
- 5:56Speaker 1: among the made soldiers were gangsters who never became made men,
- 6:00Speaker 1: but who are nevertheless indispensable to their crime families. Men
- 6:04Speaker 1: like Frank cheech Levorsi from the Genevese family who ran
- 6:08Speaker 1: New Jersey's gambling in numbers operation, and Ben Buggsy Siegel,
- 6:13Speaker 1: who wasn't even Italian and who literally built Las Vegas
- 6:17Speaker 1: for the American mafia. The godfathers on made men of
- 6:21Speaker 1: influence are, of course Tom Hagen and Moe Green. Lots
- 6:26Speaker 1: of mafiosi are not made men. They're simply connected guys.
- 6:30Speaker 1: But that doesn't mean they're not gangsters. They are, and
- 6:35Speaker 1: their fortunes rise and fall with the fortunes of their families.
- 6:38Speaker 1: And this is the point. Not only their fortunes, but
- 6:43Speaker 1: their lives depend on their own ability to earn money
- 6:47Speaker 1: for their bosses. With that, gangsters win and lose at life. Accordingly,
- 6:55Speaker 1: nobody likes a loser. Frank Sinatra especially didn't like losers.
- 7:01Speaker 1: Mafia bosses like losers. Even less Frank Sinatra was a winner,
- 7:07Speaker 1: a winning bet. The mafia bet big on Frank at
- 7:10Speaker 1: the beginning of his career. The mob was in early
- 7:13Speaker 1: on Sinatra, grooming him for stardom, before anyone would give
- 7:17Speaker 1: the poor son of a broken down boxer and illegal
- 7:20Speaker 1: abortionist a chance. When it mattered most, the mafia used
- 7:25Speaker 1: violence to clear the way for Frank and to cash
- 7:27Speaker 1: in for themselves. There is a popular myth in our
- 7:31Speaker 1: culture because Frank Sinatra's parents owned a bar in Hoboken,
- 7:36Speaker 1: New Jersey, where known members of the Jersey and New
- 7:39Speaker 1: York Mob hung out, that Frank made friends with some
- 7:42Speaker 1: unsavory characters back in the day, and that this experience
- 7:46Speaker 1: rubbed off on young Frank, and that's where Frank got
- 7:49Speaker 1: his wanta be tough guy attitude. It's an attitude that
- 7:53Speaker 1: many in Hollywood would joke about, an attitude that those
- 7:57Speaker 1: who knew Frank best excused because of his immense fame,
- 8:02Speaker 1: an attitude that has been reported to be nothing more
- 8:05Speaker 1: than that, just an attitude. Frank flew off the handle sometimes.
- 8:11Speaker 2: Sure, but that's just Frank.
- 8:12Speaker 1: Oh yeah, Frank's got some tough guy friends. But hey,
- 8:14Speaker 1: the night club business is a tough business.
- 8:16Speaker 2: What do you expect.
- 8:17Speaker 1: The entertainment world was run by the mob. Most entertainers
- 8:20Speaker 1: came in contact with gangsters. Frank's okay, Frank fancies himself
- 8:24Speaker 1: a tough guy, like the tough guys he grew up with. Sure,
- 8:27Speaker 1: but Frank's just to wanna be. However, the reality was
- 8:32Speaker 1: Frank Sinatra wasn't just to wannabe. Frank Sinatra, without being
- 8:37Speaker 1: an official made man, was not just friends with some
- 8:41Speaker 1: tough guys from back in the neighborhood. Frank Sinatra was
- 8:45Speaker 1: himself very much a gangster. Frank Sinatra held the woman
- 8:54Speaker 1: by the neck up against the wall. He was so
- 8:57Speaker 1: angry he didn't realize he had her feet off the floor.
- 9:00Speaker 1: His rage was blinding at this moment. He didn't even
- 9:03Speaker 1: remember what she had done. But all that Jack Daniels,
- 9:07Speaker 1: Frank couldn't not get what he wanted. He was Frank
- 9:11Speaker 1: the Voice Sinatra. Charlie Lucky Luciano never had to wait,
- 9:16Speaker 1: and I never said no to Richie the Bupboyardo. Why
- 9:19Speaker 1: did this half assed showgirl think she could disrespect him?
- 9:23Speaker 1: Through the plateglass window she went, and Frank didn't care
- 9:27Speaker 1: who saw it, didn't care even if the President of
- 9:29Speaker 1: the United States, his brother in law, the actor Peter Lawford,
- 9:32Speaker 1: husband of Patricia Kennedy, saw it. Peter later went on
- 9:36Speaker 1: record with this story about Frank and the working girl
- 9:39Speaker 1: in the plate glass window and fuck Peter and fuck
- 9:42Speaker 1: his wife too, which Frank figured he would likely do
- 9:45Speaker 1: again at some point. Sleeping with the President's sister only
- 9:49Speaker 1: further embedded Frank inside Camelot, which was a relationship Frank
- 9:53Speaker 1: Sinatra cared about almost as much as his relationship with
- 9:56Speaker 1: the mov or the Boys as he called him. Peter
- 10:01Speaker 1: Lawford wasn't the only one flapping his gums. Sammy Davis
- 10:04Speaker 1: Junior talked to a Chicago radio station in the sixties
- 10:08Speaker 1: and had the nerve to tell a DJ that quote,
- 10:11Speaker 1: I love Frank, but talent is not an excuse for
- 10:13Speaker 1: bad manners. I don't care if you are the most
- 10:16Speaker 1: talented person in the world. It does not give you
- 10:18Speaker 1: the right to step on people and treat them rotten.
- 10:21Speaker 1: This is what he does occasionally end quote in Chicago.
- 10:25Speaker 1: Sammy said this on a Chicago radio station in sam
- 10:29Speaker 1: Momo g and Cona's town. Frank couldn't have this. Frank
- 10:33Speaker 1: was just as indebted to g and Coana now in
- 10:35Speaker 1: the early nineteen sixties as he'd been indebted back in
- 10:38Speaker 1: nineteen forty six to Gi and Conna's then boss Tonyacardo,
- 10:42Speaker 1: the former bodyguard for al Capone.
- 10:46Speaker 2: But back in.
- 10:46Speaker 1: Nineteen forty six, al Capone was dying of syphlis in Miami,
- 10:51Speaker 1: just two hundred miles away from Cuba, where Capone Chicago
- 10:55Speaker 1: was being represented by his cousins Rocco and Charles Facchetti.
- 11:00Speaker 1: At this moment in nineteen forty six, those two gentlemen
- 11:04Speaker 1: were on a plane seated next to Frank Sinatra, who
- 11:07Speaker 1: had a bag at his feet that was stuffed with
- 11:09Speaker 1: cash and a thirty two revolver. All the boys knew
- 11:14Speaker 1: the Facchetti cousins, and everyone knew Frank Sinatra big star,
- 11:18Speaker 1: that he was back in forty six, and that was
- 11:20Speaker 1: the genius of using Frank as the bagman. No one
- 11:24Speaker 1: was going to search Frank Sinatra upon landing at Rancho
- 11:26Speaker 1: Boiro's airport that December weekend among a flood of American mobs,
- 11:31Speaker 1: soldiers and bosses, Vito Genoviz, Frank Costello, Albert Anastasia, Joe Bonano,
- 11:38Speaker 1: Santo Trafficante Senior, and Carlos Marcello among them. The so
- 11:43Speaker 1: called Havana Conference was set up in part to pay
- 11:47Speaker 1: tribute to Charlie Luciano. Thus, the Bag of Money and
- 11:51Speaker 1: the Havana Conference was set up so Luciano and his
- 11:54Speaker 1: partner Mayer Lanski could entice other crime bosses to invest
- 11:58Speaker 1: in Havana's casinos. Cuban leadership, particularly the former president and
- 12:04Speaker 1: military dictator Flagencio Battista, was beyond corrupt and they had
- 12:10Speaker 1: sold the country out to American mob interests. Havana was
- 12:14Speaker 1: one hundred percent owned by Luciano and Lanski, and now
- 12:18Speaker 1: Luciano and Lanski were opening it up for business. That weekend.
- 12:25Speaker 1: There would be all manner of entertainment for the US gangsters, showgirls, prostitutes,
- 12:30Speaker 1: floor shows, depraved acts of beastiality, whatever they desired, and
- 12:35Speaker 1: of course a private performance by the biggest star on
- 12:39Speaker 1: the planet at the time, their own Frank Sinatra. After
- 12:44Speaker 1: his performance, the very much married Frank Sinatra settled into
- 12:48Speaker 1: his suite at the Hotel Nacional with his girlfriend for
- 12:51Speaker 1: the weekend, a Laura Gooding. When A Laura awoke after
- 12:54Speaker 1: they had sex, she heard a loud banging outside. Out
- 12:59Speaker 1: the window. From beyond the terrace, she saw two guards
- 13:02Speaker 1: sprinting straight for the room. What would they carrying, Frank,
- 13:07Speaker 1: get up, they have guns. They're coming to kill us.
- 13:10Speaker 1: Frank sprung out of bed and went for his thirty two.
- 13:13Speaker 1: The guards were now at the door, yelling in Spanish,
- 13:16Speaker 1: and A Laura grabbed the rifle they had in the
- 13:18Speaker 1: room for extra protection, and there was more yelling and
- 13:20Speaker 1: in a language A Laura did not understand. A Laura
- 13:23Speaker 1: pointed the rifle and fired. One guard fell dead on
- 13:28Speaker 1: the spot. Then another shot, this one from behind the guards,
- 13:33Speaker 1: This one from the pistol of a hotel security man
- 13:35Speaker 1: sprinting toward the clusterfuck in Frank sinatra suite. A clusterfuck
- 13:40Speaker 1: just made worse due to the fact that the second
- 13:43Speaker 1: shot killed the other guard at the door. It all
- 13:46Speaker 1: happened before Frank's eyes had time to focus. He turned
- 13:50Speaker 1: to his date, You killed that guy, A Laura protested,
- 13:54Speaker 1: they were coming to kill us. They had guns. Frank
- 13:58Speaker 1: looked down at the bloody mess and the door. Those
- 14:01Speaker 1: weren't guns. Those were walkie talkies. The event was not
- 14:08Speaker 1: sorted out by local lawmen, attorneys, or judges. Justice was
- 14:13Speaker 1: not sought or served. Frank never called the cops or
- 14:18Speaker 1: his lawyer back in New York. Instead, Frank's gangster buddy
- 14:23Speaker 1: sent a Lord Gooding home quietly to the States. While
- 14:26Speaker 1: mafia controlled Cuban soldiers cleaned up the mess. Frank Sinatra
- 14:31Speaker 1: went about his business that weekend, reveling in the festivities,
- 14:35Speaker 1: secure in the fact that the mafia wasn't going to
- 14:37Speaker 1: let anything. Is insignificant as a couple of dead Cubans
- 14:40Speaker 1: submarine their investment in Havana, or in their investment in
- 14:44Speaker 1: one of their top earners, him Frank the Voice Sinatra.
- 15:14Speaker 1: They say that in the mafia, you're only as good
- 15:17Speaker 1: as your next envelope, meaning you're valued only by how
- 15:21Speaker 1: much money you earn for your boss. Mafia's soldiers don't
- 15:26Speaker 1: earn salaries. They make their money criminally, and they pay
- 15:30Speaker 1: a portion of that money regularly to their bosses as tribute.
- 15:36Speaker 1: In return, the boss protects them from other violent mobsters
- 15:40Speaker 1: and provides resources to help them commit their crimes. That's
- 15:44Speaker 1: the deal. It's that simple. Frank Sinatra was a special case.
- 15:51Speaker 1: He wasn't good with a gun. He wasn't a hit man,
- 15:54Speaker 1: wasn't a safecracker or a second story man. Wasn't an arsonist,
- 15:59Speaker 1: extortionist or bookmaker, all standard mafia occupations. Frank Sinatra was
- 16:06Speaker 1: none of these things. Frank was a song and dance man.
- 16:11Speaker 1: But just because Frank Sinatra's talent wasn't inherently criminal, it
- 16:15Speaker 1: didn't mean Frank Sinatra didn't make money for the mob.
- 16:19Speaker 1: He did. Frank Sinatra didn't just make money for the
- 16:23Speaker 1: mob because they were frends he knew from back in
- 16:25Speaker 1: the old neighborhood, guys who may or may not have
- 16:27Speaker 1: exploited him to act out of some sense of a
- 16:30Speaker 1: childhood loyalty or otherwise. No, Frank Sinatra did favors for
- 16:35Speaker 1: the mob, and he earned for the mob because, for
- 16:38Speaker 1: all intents and purposes, Frank Sinatra was in the Mob.
- 16:44Speaker 1: I realize how ridiculous this sounds, but hear me out.
- 16:49Speaker 1: Mafia soldiers unmade men. They don't create a resume and
- 16:54Speaker 1: sit down for job interviews with prospective mob families to
- 16:57Speaker 1: obtain their jobs. Instead, they come up through the ranks
- 17:01Speaker 1: in their respective neighborhoods organically. Maybe a connected guide does
- 17:06Speaker 1: a favor for a made guy, and the rising hoodlum
- 17:09Speaker 1: pays him back with a favor of his own, and
- 17:12Speaker 1: thus a bond is created. Further crimes are committed, and
- 17:16Speaker 1: naturally the rising hood is given more opportunity until he
- 17:20Speaker 1: finds himself in the actual employ of the mob, providing
- 17:24Speaker 1: and collecting favors and now protection and in return earning
- 17:29Speaker 1: regularly for himself and for his new boss. It's a
- 17:33Speaker 1: documented fact that the Mafia financed Frank Sinatra's early career.
- 17:38Speaker 1: They gave him cash for headshots, new suits, even walking
- 17:42Speaker 1: around money. And in exchange for these favors, Frank Sinatra
- 17:46Speaker 1: performed for the Mafiosi, first in his parents Hoboken saloon
- 17:50Speaker 1: where they hung out, and eventually in their nightclubs and
- 17:53Speaker 1: on their touring circuits. And it is widely accepted as fact,
- 17:59Speaker 1: basically admitted by Sinatra himself, that in nineteen forty two,
- 18:03Speaker 1: the mob sent William Aready to pay a visit to
- 18:05Speaker 1: band leader Tommy Dorsey's home because Dorsey was preventing Frank
- 18:09Speaker 1: Sinatra from making money. Dorsey had signed Sinatra to a
- 18:14Speaker 1: bad contract, a contract that granted the band leader the
- 18:18Speaker 1: rights to one third of all of Frank's earnings for
- 18:21Speaker 1: the rest of his life. William already put a gun
- 18:23Speaker 1: too Dorsey's head, and if you believe the dramatization of
- 18:26Speaker 1: the story, and the Godfather said to Dorsey, either your
- 18:29Speaker 1: brains or your signature is going to be on that contract.
- 18:33Speaker 1: Dorsey of course signed, releasing Frank Sinatra from his contract.
- 18:39Speaker 1: As far as severed horseheads and the beds of movie moguls.
- 18:43Speaker 1: That's a bigger blurrier dramatization. But again, as it pertains
- 18:47Speaker 1: to Frank Sinatra's gangster bona fides, the outline of the
- 18:50Speaker 1: story is true. But despite such protection, by the late
- 18:55Speaker 1: nineteen forties, Frank's career was in serious jeopardy. Hollywood wanted
- 19:00Speaker 1: nothing to do with him. He damaged his voice, he
- 19:03Speaker 1: lost his recording contract, his relationship with actress Ava Gardner
- 19:08Speaker 1: was a tabloid nightmare, and he was suddenly considered a
- 19:11Speaker 1: has been. So once again, Willie Moretti stepped in to
- 19:15Speaker 1: protect the mafia's investment. Frank wanted the role of Private
- 19:19Speaker 1: Maggio in the new film in production at Columbia Pictures
- 19:22Speaker 1: From Here to Eternity, and Moretti made sure Columbia studio
- 19:26Speaker 1: boss Harry Cohne gave.
- 19:27Speaker 2: It to him.
- 19:28Speaker 1: We cover the specifics of this crime in our part
- 19:30Speaker 1: one episode on Frank Sinatra. Needless to say, Frank got
- 19:34Speaker 1: his way. The film was a hit, Sinatra won an
- 19:38Speaker 1: Oscar for Best Supporting Actor, and just like that, his
- 19:41Speaker 1: career was back in business. Now did Frank Sinatra pay
- 19:46Speaker 1: a weekly tribute to the mob like other Mafia soldiers. No,
- 19:51Speaker 1: there's no evidence of them. But part of the deal
- 19:53Speaker 1: when you're in the mafia is answering when your boss's
- 19:56Speaker 1: call and going to work when they tell you to.
- 19:59Speaker 1: And there's plenty of evidence suggesting that the Mafia had
- 20:02Speaker 1: Frank Sinatra on speed dial, and that when the boys
- 20:06Speaker 1: said jump, Frank gassed to the moon or higher. You
- 20:11Speaker 1: tell me, we'll be right back after this. We're we're, we're.
- 20:26Speaker 1: Given the volatile political situation in Cuba, the Mafia hedged
- 20:30Speaker 1: their bets by building a second gambling empire, this one
- 20:33Speaker 1: in Las Vegas, Nevada. They invested millions at a time
- 20:37Speaker 1: when that really meant something. Frank Sinatra was asked to
- 20:41Speaker 1: use his star power to attract other entertainers and thus gamblers,
- 20:45Speaker 1: to the mob's new playground in Las Vegas, and Frank
- 20:48Speaker 1: did just that. Once Cuba fell to Castro in nineteen
- 20:53Speaker 1: fifty nine and the Mafia lost their Havana casinos, Las
- 20:56Speaker 1: Vegas became even more important to the mob's interests. Years before,
- 21:01Speaker 1: Frank Sinatra had been asked to become a partner in
- 21:03Speaker 1: a mob run establishment, a star like Frank with an
- 21:07Speaker 1: ownership stake in a Vegas hotel and casino guaranteed big
- 21:10Speaker 1: bucks for the bosses and somehow, despite being in major
- 21:15Speaker 1: debt to the irs. In the early nineteen fifties, Frank
- 21:18Speaker 1: Sinatra was allowed by the Nevada State Gaming Board to
- 21:21Speaker 1: invest in the Sands Hotel and Casino and retain a
- 21:25Speaker 1: seven and a half percent ownership piece. Mob boss Frank
- 21:29Speaker 1: Costello was the majority owner and Mayer Lansky, Joe Adonis,
- 21:33Speaker 1: and Tonyakardo from Chicago. Sam g and Kanna's boss at
- 21:37Speaker 1: the time also owned stakes. In October nineteen fifty three,
- 21:42Speaker 1: Sinatra performed at the opening of the Sands and he
- 21:44Speaker 1: packed him in. The casino. Hotel was off the ground
- 21:48Speaker 1: and running, and Sinatra was thus earning for the mob
- 21:52Speaker 1: big time.
- 21:54Speaker 2: The Mob called.
- 21:55Speaker 1: Upon Frank again, this time in nineteen sixty and Frank
- 21:59Speaker 1: won once again came running. They wanted Frank to be
- 22:03Speaker 1: part of another hotel and casino ownership group. This one
- 22:06Speaker 1: was on the California Nevada state line, in existing but
- 22:10Speaker 1: financially failing establishment called the cal Neva. Frank's celebrity could
- 22:15Speaker 1: infuse new life into the joint. Along with Frank, Sam
- 22:19Speaker 1: G and Katta who by then was the Boss of
- 22:21Speaker 1: Chicago and one of the most prominent mafia leaders in
- 22:24Speaker 1: the country, owned a massive stake in the hotel. The
- 22:28Speaker 1: cow Nev was a big hit on opening night. In
- 22:31Speaker 1: attendance were not only Sinatra and g and Kanna, but
- 22:35Speaker 1: also the former United States Ambassador to the United Kingdom
- 22:39Speaker 1: and one time mob bootlegger Joseph P. Kennedy and his son,
- 22:43Speaker 1: the US Senator and presidential candidate John F. Kennedy, along
- 22:48Speaker 1: with his date, the most famous woman in the world
- 22:51Speaker 1: at the time, Marilyn Monroe. Handsome Johnny Rosselli was there too,
- 22:55Speaker 1: of course, as were the FBI surveillance agents assembling what
- 22:59Speaker 1: would become, over the US years, the biggest FBI file
- 23:02Speaker 1: on any entertainer in history, and that entertainer was, of course,
- 23:07Speaker 1: Frank Sinatra. Just take a minute to appreciate this astonishing scene.
- 23:14Speaker 1: You have one of the richest men in the world,
- 23:16Speaker 1: Joseph P. Kennedy, a former ambassador, who by the way,
- 23:20Speaker 1: was there with a date, not his wife. At the
- 23:23Speaker 1: same party, you have his son, a senator, and a
- 23:25Speaker 1: man who at that time had a massive national profile
- 23:29Speaker 1: because he was running to become the next president and
- 23:31Speaker 1: he's married, and he's there at the same party with
- 23:34Speaker 1: his dad, who's with his mistress, and he JFK is
- 23:38Speaker 1: there with a date even though he's married too, and
- 23:41Speaker 1: his date is literally the most recognizable woman on the planet,
- 23:45Speaker 1: Marilyn fucking Monroe. And the room is stacked full of
- 23:50Speaker 1: known gangsters. Sam g and Kanta, by that point, was
- 23:54Speaker 1: such a notorious criminal that he wasn't allowed to enter
- 23:56Speaker 1: any casino throughout the state of Nevada. Wile Neva was
- 24:00Speaker 1: built on the state line and the structure straddled both states.
- 24:05Speaker 1: Giancanna was forced to stay on the California side. Only
- 24:08Speaker 1: this was not a secret. The gangsters, the corrupt former ambassador,
- 24:13Speaker 1: the adulterous and brazen senator, the glamorous movie star mistress
- 24:17Speaker 1: with Frank Sinatra at the center of it all, and
- 24:20Speaker 1: the FBI listening and snapping picks. Sinatra's friend, the ruthless killer.
- 24:27Speaker 1: Sam g and Kanna had something else in common with
- 24:29Speaker 1: Senator Kennedy. They shared a girlfriend knowing me with a
- 24:34Speaker 1: woman named Judith Exner. Sam g and kanno wileye mafiosa
- 24:39Speaker 1: that he was knew that he would one day be
- 24:41Speaker 1: able to leverage exner against jfk A man Giancanna was
- 24:45Speaker 1: going to make the president of the United States with
- 24:48Speaker 1: the help of Frank Sinatra. Just like the story of
- 24:52Speaker 1: the mafia freeing Sinatra from Tommy Dorsey's contract by making
- 24:56Speaker 1: the band leader an offer he couldn't refuse. We've come
- 24:59Speaker 1: to accept fact that Joseph P. Kennedy cheated his son's
- 25:02Speaker 1: way into the White House by using Frank Sinatra as
- 25:05Speaker 1: an intermediary between the Kennedy campaign and the Mafia, and
- 25:09Speaker 1: the g and Kanna fraudulently impacted the vote to help
- 25:12Speaker 1: the Kennedys, first in the Democratic primary in West Virginia
- 25:16Speaker 1: and then in the general election in Illinois. We look
- 25:19Speaker 1: upon this story now as both a fact and as
- 25:23Speaker 1: acute sly little historical anecdote. No serious historian disputes it.
- 25:29Speaker 1: Yet today any mention of electoral fraud sends people on
- 25:33Speaker 1: both sides of the political spectrum into online hysterics. But again,
- 25:38Speaker 1: we take it as gospel that the Democratic nominee used
- 25:42Speaker 1: the mafia to cheat his way into the White House
- 25:44Speaker 1: with the help of our man, Frank Sinatra. We accept
- 25:48Speaker 1: it because it's demonstrably true. Because that's how much power
- 25:52Speaker 1: the mafia had. Back in nineteen sixty, John F. Kennedy
- 25:59Speaker 1: became president and Sam g and Kanna and Frank Sinatra
- 26:03Speaker 1: put him in the White House. Yet the president's brother,
- 26:06Speaker 1: who is now the Attorney General, Robert F. Kennedy, the
- 26:09Speaker 1: most powerful law enforcement officer in the country, would not
- 26:13Speaker 1: stop his crusade to destroy Giancanna and the mafia. And
- 26:17Speaker 1: RFK wouldn't stop because the FBI's j Edgar Hoover played
- 26:23Speaker 1: RFK a recorded phone conversation between his brother, the married president,
- 26:28Speaker 1: and his girlfriend, who was also sam g and Kanna's girlfriend.
- 26:34Speaker 1: That conversation was recorded on a phone call that Judith
- 26:37Speaker 1: Exner made to JFK from sam g and Kanna's house.
- 26:42Speaker 1: As far as Bobby Kennedy was concerned, sam g and
- 26:45Speaker 1: Kanna had to go. It was jail or bust, and
- 26:50Speaker 1: Frank Sinatra he was out as well.
- 26:52Speaker 2: The President was, per his.
- 26:54Speaker 1: Brother's instructions, under no circumstances, allowed to carry on his
- 26:58Speaker 1: friendship with Frank Sinatra. Frank Sinatra was too close to
- 27:02Speaker 1: sam Gy and Kanna. Frank was two gangster, but Frank
- 27:08Speaker 1: wouldn't be denied. Frank couldn't be denied. Frank needed his
- 27:12Speaker 1: relationship with the President so that he could remain in
- 27:15Speaker 1: place as a conduit between the President and the mafia
- 27:19Speaker 1: and thus remain in good standing with Sam G and Kanna.
- 27:23Speaker 1: You're only as good as your next envelope. But again,
- 27:27Speaker 1: Bobby Kennedy wasn't having it. Bobby Kennedy increased his pressure
- 27:32Speaker 1: on the mob. More surveillance, more subpoenas, more arrests, more
- 27:36Speaker 1: deportations of mob bosses. Sam G and Kanna wanted to
- 27:40Speaker 1: know where the Kennedy kids got their balls. Gi and
- 27:43Speaker 1: Kanna got them elected, and now they betrayed him. The Kennedys,
- 27:48Speaker 1: once elected, were supposed to put the mob back into Havana,
- 27:51Speaker 1: not into prison, which is what RFK was coming dangerously
- 27:54Speaker 1: close to doing. Sinatra was Gi and Kanna's only hope.
- 28:00Speaker 1: The mafia had given Frank so much, and now the
- 28:03Speaker 1: mafia really needed something from Frank. They needed Sinatra to
- 28:07Speaker 1: get the Kennedys to back off. Frank tried, but Frank
- 28:13Speaker 1: was out. So Frank threw a hail Mary. Frank invited
- 28:17Speaker 1: President Kennedy to his Palm Springs home for some much
- 28:20Speaker 1: needed R and R. JFK loved Frank's Palm Springs pat
- 28:26Speaker 1: It was private and filled with beautiful women. It's where
- 28:29Speaker 1: JFK first slept with Marilyn Monroe. JFK said, yes, he
- 28:34Speaker 1: was coming to Frank's and Frank was going to save
- 28:36Speaker 1: the day. He talked to Jack, get Jack to talk
- 28:39Speaker 1: to Bobby to back off Sam and the boys. Frank
- 28:44Speaker 1: built new quarters on his property for the Secret Service.
- 28:47Speaker 1: Frank had a helipad installed. Frank spared no expense, and
- 28:51Speaker 1: then Frank got ghosted by the President at the last minute.
- 28:58Speaker 1: Bobby had prevailed, making matters worse. JFK still went to
- 29:04Speaker 1: Palm Springs, but he stayed at Bing Crosby's place. Bing
- 29:09Speaker 1: was Frank's rival on the charts and worse a Republican.
- 29:14Speaker 1: The humiliation, Frank Sinatra was out and Sam g and
- 29:19Speaker 1: Kanna was pissed. Frank had no juice, Bobby Kennedy was
- 29:25Speaker 1: on a war path. Sam and the rest of the
- 29:27Speaker 1: boys had no choice, and John F. Kennedy was now dead.
- 29:36Speaker 1: From Washington government sources say that President Kennedy is dead.
- 29:42Speaker 1: Sixteen days after the mafia conspired with the CIA to
- 29:45Speaker 1: murder Frank Sinatra's friend, The sitting president of the United States.
- 29:50Speaker 1: Frank sat in his Palm Springs home, racked with grief
- 29:53Speaker 1: and fearing that because he'd outlived his usefulness, that the
- 29:56Speaker 1: mafia was going to kill him. Next that when the
- 30:00Speaker 1: unthinkable happened, Frank's son, Frank Sinatra Junior, was kidnapped. The
- 30:08Speaker 1: kidnappers weren't fucking around either. They wanted two hundred and
- 30:11Speaker 1: fifty thousand dollars in cash or Little Frank was about
- 30:14Speaker 1: to become dead. Little Frank Frank knew that in moments
- 30:18Speaker 1: of crisis, when you really need something taking care of
- 30:22Speaker 1: the right way, like that mess back in Havana with
- 30:25Speaker 1: the dead Cubans, when the chips are fully stacked against you,
- 30:29Speaker 1: your first call is your most important call. Sinatra picked
- 30:34Speaker 1: up the phone, and before he called his wife, before
- 30:37Speaker 1: we called the cops or the FBI, he dialed the
- 30:41Speaker 1: number of the one man he believed could help him
- 30:43Speaker 1: get his son home safely. Mob boss sam g and Kanna.
- 31:10Speaker 1: Sam g and Kanna had his ways of making men talk.
- 31:14Speaker 1: Most of them included Sam Mad sam Di Stefano, a
- 31:18Speaker 1: sadistic enforcer. But this wanna be Nevada cowboy wouldn't talk
- 31:23Speaker 1: the boys from the cow nev pegged him as someone
- 31:26Speaker 1: with info on the kidnappers. Frank Sinatra Junior, just nineteen
- 31:30Speaker 1: years old at that point in time, launching his own
- 31:33Speaker 1: career as a performer, was booked to perform at Hara's
- 31:37Speaker 1: Lake Tahoe Casino, about twelve miles from the CaAl Neva,
- 31:41Speaker 1: but instead room service. Frank Sinatra Junior opened the door
- 31:48Speaker 1: to his hotel room and found himself staring down the
- 31:51Speaker 1: barrel of a gun in his face on the fucking ground.
- 31:55Speaker 1: Within seconds, two intruders had Frank Junior blindfolded and bound.
- 32:00Speaker 1: They escorted him out of the hotel at gunpoint, remarkably
- 32:04Speaker 1: without any other hotel guests noticing, and whisked him away
- 32:07Speaker 1: in their Chevy and Paula. In Chicago, sam Gy and
- 32:14Speaker 1: Kanna dispatched Jimmy the Weasel Fratiano to get to the
- 32:17Speaker 1: bottom of where Frank the Voice Sinatra's kid was being held.
- 32:21Speaker 1: The weasel turned up this cowboy, and now mad sam
- 32:24Speaker 1: de Stefano wanted to know if the cowboy preferred the
- 32:27Speaker 1: ice pick or the blowtorch. The cowboy cowboyed up the blowtorch.
- 32:33Speaker 1: It was the cowboys screamed in agony. Back in Palm Springs,
- 32:40Speaker 1: Frank Sinatra was understandably getting antsy. It had been nearly
- 32:43Speaker 1: eighteen hours since Junior had been kidnapped, The local authorities
- 32:47Speaker 1: hadn't turned up any leads, and g and Conna's boys
- 32:50Speaker 1: weren't doing much better. The cowboy felt the ice pick
- 32:55Speaker 1: Pierce's skin above his kneecap, and he screamed in horror. Still,
- 33:00Speaker 1: he didn't give anything up. By this time, Franken decided
- 33:04Speaker 1: to fly out to Reno himself to help in search.
- 33:07Speaker 1: Frank needed further assurance that his son was going to
- 33:09Speaker 1: be returned safely. Frank hedged his bet, and when Frank landed,
- 33:14Speaker 1: he immediately went to the FBI to their makeshift command
- 33:18Speaker 1: center to help the FEDS in their efforts. Frank felt
- 33:21Speaker 1: he couldn't count entirely on Sam g and Conna. Mad
- 33:27Speaker 1: Sam de Stefano switched from the ice pick to something
- 33:30Speaker 1: more convincing. He laid the beaten cowboy down on the
- 33:34Speaker 1: table and put his head in the vice, And while
- 33:36Speaker 1: the cowboy urinated all over himself in fear, one of
- 33:40Speaker 1: Mad Sam's musclemen swung a sledgehammer at his ankle and
- 33:43Speaker 1: sent his foot into an ungodly forty five degree angle.
- 33:47Speaker 1: This time, there was no scream. This time, the pain
- 33:52Speaker 1: was so brutal the cowboy can only hop out short
- 33:54Speaker 1: breaths of air and uncontrolled bursts. Meanwhile, over in Reno,
- 34:01Speaker 1: the kidnappers had made contact. They demanded a quarter million
- 34:05Speaker 1: in cash in Palm Springs. Frank's instincts kicked him. Ever,
- 34:10Speaker 1: the gangster Frank called on his bag man experience and
- 34:13Speaker 1: brought a bundle of cash with him. On the FBI's recommendation,
- 34:17Speaker 1: Frank put two hundred and fifty thousand dollars in a suitcase.
- 34:21Speaker 1: Frank was understandably anxious, as was Mad Sam. The cowboy
- 34:26Speaker 1: wouldn't talk. The cowboy wouldn't give up the whereabouts of
- 34:29Speaker 1: Sam g and Kana's friend, Frank Sinatra's kid. The cowboy
- 34:33Speaker 1: wants to be a fucking cowboy. Time then for the
- 34:37Speaker 1: cattle prod. Mad Sam had his own portable prod customized
- 34:44Speaker 1: for occasions just like this. The voltage was calibrated for
- 34:48Speaker 1: maximum pain, but not enough to kill. First, he placed
- 34:53Speaker 1: the PROD on the cowboys eyelids. The cowboys defiance was impressive.
- 35:00Speaker 1: Then the inner thigh. The cowboy pleaded for Mad Sam
- 35:04Speaker 1: to stop. He knew what the next stop on the
- 35:06Speaker 1: torture trail was, the genitals, but still he gave Mad
- 35:11Speaker 1: Sam nothing other than pleading in defiance. So Sam had
- 35:17Speaker 1: no choice. The Proude hit the cowboys testicles with five
- 35:22Speaker 1: millilamps of current and two thousand watts, and still the
- 35:26Speaker 1: near dead motherfucker gave up nothing. When Frank Sinatra hit
- 35:35Speaker 1: the location for the drop back in Reno, everything went hooey.
- 35:40Speaker 1: The kidnappers got antsy and split with Frank Sinatra Junior
- 35:43Speaker 1: down to La. Frank knew Giancana had nothing, and Frank
- 35:48Speaker 1: began to suspect that Giancana himself was behind the kidnapping.
- 35:52Speaker 1: A warning to Frank to keep his mouth shut about
- 35:54Speaker 1: the Kennedy assassination, Frank had no choice. He needed to
- 35:59Speaker 1: call in the big gun. To do so, he first
- 36:03Speaker 1: called Peter Lawford. Frank knew he couldn't call Peter's wife,
- 36:07Speaker 1: Patricia Kennedy directly, he was still persona non grato with
- 36:11Speaker 1: the Kennedys, but he knew he could get his friend
- 36:14Speaker 1: Peter Lawford to get a word in with his wife,
- 36:17Speaker 1: and he knew that there was a chance that Peter's
- 36:19Speaker 1: wife would think of Frank Fondley after the time they'd
- 36:21Speaker 1: spent together, and thus there was a chance that she
- 36:24Speaker 1: would call her brother, the Attorney General of the United States,
- 36:28Speaker 1: the man who controlled the FBI, Sam g and Kanna's
- 36:32Speaker 1: mortal enemy, Robert F. Kennedy. That's exactly what happened, and
- 36:38Speaker 1: despite whatever animists Bobby had toward Frank, Bobby pledged to
- 36:43Speaker 1: use his power to help Frank get his son back.
- 36:46Speaker 1: The message came back to Sinatra from RFK through Patricia
- 36:49Speaker 1: and then through Peter Lawford, and it was this, I
- 36:53Speaker 1: know how Frank feels about me, but please tell him
- 36:56Speaker 1: everything is being done and we'll get his boy back
- 36:58Speaker 1: as soon as possible. While g and Conna's man finished
- 37:05Speaker 1: off the cowboy by impaneling him with a meathook through
- 37:07Speaker 1: the rectum, and while g and Conna's other men tortured
- 37:11Speaker 1: and killed two more street Tufts that they incorrectly suspected
- 37:15Speaker 1: had information on the whereabouts of Frank Sinatra, Junior Bobby
- 37:20Speaker 1: Kennedy flooded Reno in Los Angeles with more FBI agents.
- 37:24Speaker 1: He ordered roadblocks at the borders of the state and
- 37:27Speaker 1: random police checkpoints throughout California and Nevada. Bobby put the
- 37:32Speaker 1: word out no one was going home until Frank Sinatra
- 37:36Speaker 1: got his son back. While the search continued, Bobby eventually
- 37:41Speaker 1: called Frank himself to further assure him everything would be okay,
- 37:46Speaker 1: and he was right. Three dipshits, two of whom were
- 37:50Speaker 1: former high school classmates of Frank's daughter Nancy, eventually arrived
- 37:54Speaker 1: at a separate drop point, this one in La to
- 37:57Speaker 1: pick up the rantsom money. This time, the money was
- 38:00Speaker 1: delivered by Bobby Kennedy's g men, not by Frank Sinatra
- 38:04Speaker 1: the bag man. With the money in hand, the kidnappers
- 38:09Speaker 1: freed Frank Sinatra Junior. Within forty eight hours, all three
- 38:13Speaker 1: kidnappers were arrested. Frank Sinatra did something that a lot
- 38:20Speaker 1: of gangsters do when they're cornered, when their mafia families
- 38:23Speaker 1: can't help them. He went to the FEDS for help.
- 38:28Speaker 1: When sam Gy and Kanna came up with Bupkis, Frank
- 38:31Speaker 1: cooperated with the government. Sure he didn't rat anyone out,
- 38:36Speaker 1: but he did do with some MAFIOSI would consider unthinkable,
- 38:40Speaker 1: something that many many gangsters have been forced to do
- 38:43Speaker 1: or otherwise face unthinkable truths, life in prison, the death penalty,
- 38:50Speaker 1: two fates almost as bad as losing a child. It's
- 38:54Speaker 1: hard to blame Frank, but then again, you and I
- 38:58Speaker 1: aren't gangsters. Justice wasn't doled out by Sam Giancanna, but
- 39:03Speaker 1: by the US court system. Barry Keenan, the ringleader of
- 39:08Speaker 1: the kidnapping caper, got life in prison. He served four
- 39:12Speaker 1: and a half years. Joe Amsler, the dumber of Barry's accomplices,
- 39:17Speaker 1: caught a seventy five year sentence. He served three and
- 39:20Speaker 1: a half years. John Irwin, the most cooperative of the three,
- 39:24Speaker 1: got sixteen years. Ultimately he served less than two. But
- 39:30Speaker 1: three other men who had absolutely nothing to do with
- 39:33Speaker 1: the kidnapping were tortured and killed by Sam Momo g
- 39:37Speaker 1: and Coana on behalf of his friend Frank the Voice Sinatra.
- 39:42Speaker 1: No doubt, Giancanna shook this off as no big deal.
- 39:46Speaker 1: It was amongst the Italians. He was helping out a friend,
- 39:51Speaker 1: helping out a fellow gangster, which was, without a doubt,
- 39:56Speaker 1: a disgrace. I'm Jake Brennan, and this is Disgraceland.
- 40:14Speaker 2: All right, hope you doug this episode.
- 40:16Speaker 1: Apple podcast listeners make sure to have auto downloads turned
- 40:20Speaker 1: on so you guys never miss an episode of disgrace SAMD.
- 40:22Speaker 1: This week's question of the week is is Frank Sinatra
- 40:25Speaker 1: the most gangster musician of all time? And if not,
- 40:30Speaker 1: I want to know who is? Hit me up let
- 40:32Speaker 1: me know there are a lot of contenders. Six one
- 40:35Speaker 1: seven nine oh six six six three eight. Leave me
- 40:37Speaker 1: a voicemail or send me a text and be part
- 40:39Speaker 1: of the show. We play and read some of your
- 40:41Speaker 1: answers on the after party. Bonus episodes like the one
- 40:44Speaker 1: that's coming up right after this episode in your feed.
- 40:46Speaker 1: I can also be reached on Instagram, Facebook, x and
- 40:49Speaker 1: disgrace slampod at gmail dot com.
- 40:52Speaker 2: Leave a review for the show on Apple.
- 40:53Speaker 1: Podcasts or Spotify and you might win some free merch.
- 40:56Speaker 2: Alright, here comes some credits.
- 41:00Speaker 1: Disgraceland was created by Yours Truly and is produced in
- 41:02Speaker 1: partnership with Double Elvis. Credits for this episode can be
- 41:06Speaker 1: found on the show notes page at disgracelampod dot com.
- 41:09Speaker 1: If you're listening as a Disgraceland All Access member, thank
- 41:13Speaker 1: you for supporting the show. We really appreciate it. And
- 41:15Speaker 1: if not, you can become a member right now. By
- 41:18Speaker 1: going to disgracelampod dot com Slash membership, members can listen
- 41:22Speaker 1: to every episode of Disgraceland ad free. Plus you'll get
- 41:26Speaker 1: one brand new exclusive episode every month, weekly unscripted bonus episodes,
- 41:31Speaker 1: special audio collections, in early access to merchandise and events.
- 41:36Speaker 1: Visit disgracelampod dot com slash membership for details, rate and
- 41:40Speaker 1: review the show, and follow us on Instagram, TikTok, Twitter,
- 41:43Speaker 1: and Facebook at disgracelampod and on YouTube at YouTube dot
- 41:47Speaker 1: com slash at Disgracelampod Rock a Roller, He's ann