Latest / Two Ts In A Pod with Teddi Mellencamp and Tamra Judge / Where’s The PJ Receipt? (RHODubai Recap)

Transcript

Where’s The PJ Receipt? (RHODubai Recap) · Two Ts In A Pod with Teddi Mellencamp and Tamra Judge

• 0:02
  Speaker 1: Two Teas in a Pod with Teddy Mellencamp and Camra
• 0:06
  Speaker 1: je Edge.
• 0:18
  Speaker 2: Hi, guys, welcome to another episode of Two Teas in
• 0:20
  Speaker 2: a Pod.
• 0:21
  Speaker 3: Should we not say our names?
• 0:22
  Speaker 2: Yes?
• 0:23
  Speaker 3: With the twats? Can we just say the twats?
• 0:25
  Speaker 2: Fine?
• 0:25
  Speaker 3: Do we have Ellen k introducing us?
• 0:29
  Speaker 2: Okay, I guess she does it better.
• 0:31
  Speaker 3: I think going forward we should just change that intro.
• 0:36
  Speaker 2: Hi, guys, welcome to another podcast with a bunch of assholes.
• 0:40
  Speaker 3: So well that works for me asshole one and asshole two?
• 0:44
  Speaker 2: But am I one or two?
• 0:45
  Speaker 3: Do you take your pick? Does it matter? Okay, you
• 0:50
  Speaker 3: could be the lead asshole. I'll give you that.
• 0:52
  Speaker 2: Okay, Thanks, Thanks, welcome.
• 0:54
  Speaker 3: I think I think ever, I.
• 0:57
  Speaker 2: Think we ebb and flow perfectly on who's the bigger asshole?
• 1:00
  Speaker 3: Yes?
• 1:00
  Speaker 2: Okay? So this was from the podcast that I did
• 1:04
  Speaker 2: with Lisa Milan. You were out of town or filming
• 1:07
  Speaker 2: or god knows what, and so I asked her the
• 1:10
  Speaker 2: question that you and I always ask each other and
• 1:14
  Speaker 2: laugh at, but do you think there's anyone on your
• 1:16
  Speaker 2: current cast that don't know your kids' names? And she
• 1:19
  Speaker 2: responds Lisa responded to me, you know I would have
• 1:22
  Speaker 2: to say maybe Stanbury doesn't know my kids' names. But
• 1:26
  Speaker 2: I did make an agreement with her that well, kids
• 1:29
  Speaker 2: are off limits, and I will not bring up her
• 1:31
  Speaker 2: mothering skills and her lack thereof and all of that.
• 1:35
  Speaker 2: This is what Lisa said about Stanbury on the pod.
• 1:38
  Speaker 2: And then during her interview, Stanbury said she has to
• 1:41
  Speaker 2: laugh at Lisa calling her a bad mom when Lisa
• 1:45
  Speaker 2: has kids five and six will follow her around dressed
• 1:49
  Speaker 2: up like the von Trapp family. So then the tweets
• 1:53
  Speaker 2: started coming in, and that's because of our family is
• 1:56
  Speaker 2: please it's the sound of music.
• 1:59
  Speaker 3: The hell I don't know that?
• 2:03
  Speaker 2: Oh my gosh. Well, so I didn't realize at first
• 2:07
  Speaker 2: that these tweets stemmed from our interview with Stanbury, But
• 2:11
  Speaker 2: now I know. I didn't know, but now I do
• 2:14
  Speaker 2: so well. First, Lisa Milon wrote Von Trapping and Gucci
• 2:19
  Speaker 2: Javon sheat findy happy to send your kids to hand
• 2:22
  Speaker 2: me downs because you don't even buy them clothes. See
• 2:26
  Speaker 2: Stanbury mention my kids again, and I will ruin you
• 2:31
  Speaker 2: Carolyn Brooks. Then right, she said, around and find out
• 2:34
  Speaker 2: Carolyn Stanbury, Nah, no smoke. Remember we all know your
• 2:39
  Speaker 2: secrets before your boosting season. Keep it cute, so we
• 2:42
  Speaker 2: can all keep it light hearted, shade going. Once you
• 2:45
  Speaker 2: go low, don't cry when others go to hell.
• 2:48
  Speaker 3: First thing, First of all, I don't even know what
• 2:50
  Speaker 3: she's saying. I'm sorry.
• 2:53
  Speaker 2: But also what Caroline said about Lisa's kids, I don't
• 2:59
  Speaker 2: think we're bad. What's bad? All little kids will dress
• 3:02
  Speaker 2: up and do what you want as they get older,
• 3:05
  Speaker 2: and maybe because they don't do that anymore, I don't
• 3:07
  Speaker 2: think she was. I think she just met like Lisa's
• 3:10
  Speaker 2: kids are young and easy to have them do those
• 3:13
  Speaker 2: types of things. When you have teenagers, I mean, you
• 3:16
  Speaker 2: can't even post.
• 3:17
  Speaker 3: A picture of them on some media like god forbid,
• 3:20
  Speaker 3: you try to dress them or even buy their clothes
• 3:22
  Speaker 3: without them knowing or coordinate. Yes, no, no, So I
• 3:26
  Speaker 3: don't know.
• 3:27
  Speaker 2: I don't think she was talking about her kids in
• 3:29
  Speaker 2: a bad way. So for this tweeting thing to happen
• 3:31
  Speaker 2: and then Lisa and Brooks to both go on board,
• 3:34
  Speaker 2: I feel.
• 3:34
  Speaker 3: Like just shows I don't think Carolyn Stanbury has a
• 3:37
  Speaker 3: mean bone in her body. I really don't.
• 3:40
  Speaker 2: I mean, I think Carolyn Stanbury is very dry and
• 3:44
  Speaker 2: very like she I think she can come.
• 3:47
  Speaker 3: Off as maybe cold sometimes, but I think it's just
• 3:50
  Speaker 3: who she is, her upbringing all that. I don't think
• 3:54
  Speaker 3: that she is a cold person or has a mean
• 3:57
  Speaker 3: bone in a body.
• 3:58
  Speaker 2: Well, I think everyone has a mean bone in them,
• 4:00
  Speaker 2: but I don't think she's intentionally mean. I think she's
• 4:02
  Speaker 2: intentionally blunt. And I.
• 4:08
  Speaker 3: Like people like that me too. I don't like people
• 4:10
  Speaker 3: that play victim, blame everybody else for their problems, never
• 4:14
  Speaker 3: taken accountability, and she's a time Yep, I did uh huh, yep.
• 4:19
  Speaker 2: I don't like this, or I do like this, whatever,
• 4:21
  Speaker 2: But I don't think, and I will say, if I
• 4:23
  Speaker 2: think somebody's saying something inappropriate about somebody's kids, I because
• 4:28
  Speaker 2: I'm very sensitive about my kids. I don't think Stanbury
• 4:31
  Speaker 2: was saying anything bad ALS's kids. But then this episode
• 4:36
  Speaker 2: we're on episode eight, Stanbury tells Sergio Helps that she
• 4:39
  Speaker 2: was at Brooks for coming to their house party with Sage.
• 4:42
  Speaker 2: She says Brooks came with a mission to cause drama Sergio,
• 4:46
  Speaker 2: but then Sergio saying that Raffi is like a piece
• 4:49
  Speaker 2: of bread, he's the nicest human had me confused. And
• 4:53
  Speaker 2: then I googled it and wouldn't you know, it's an
• 4:56
  Speaker 2: actual Italian saying, Tam, you're a real peace.
• 5:00
  Speaker 3: Does that mean that I'm yummy and full of carbs?
• 5:03
  Speaker 3: I mean, how I took it. I'm like, Raffie's a
• 5:06
  Speaker 3: piece of bread. I'm like, okay. You know what I
• 5:09
  Speaker 3: like is Caroline and Sergio are in bed with matching pajamas.
• 5:13
  Speaker 3: It's quite a vibe. Caroline still has her glam on
• 5:17
  Speaker 3: from the night before, and then they have Cheryl bringing
• 5:20
  Speaker 3: her coffee in the morning as they're laying on a
• 5:22
  Speaker 3: mattress on the floor. I thought, there's nothing better than
• 5:25
  Speaker 3: this scene right now, other than Sergio one and two
• 5:28
  Speaker 3: toilet so they can shit together.
• 5:30
  Speaker 2: Oh my god. One. And then when Caroline goes, yeah,
• 5:34
  Speaker 2: I don't even have peace during that anymore.
• 5:36
  Speaker 3: But it's just their vibe, and so it's funny and
• 5:40
  Speaker 3: light and it works, and I think people the cast
• 5:43
  Speaker 3: members are maybe a little some of the cast members
• 5:46
  Speaker 3: a little bit jealous, a little jelly.
• 5:49
  Speaker 2: Then Lisa says it's a big deal for a man
• 5:51
  Speaker 2: to shout at a woman in Dubai, since men are
• 5:54
  Speaker 2: supposed to treat their women like queens.
• 5:56
  Speaker 3: Is that true? I got confused by that. Queens.
• 5:59
  Speaker 2: I do wish we could dig into more about the
• 6:02
  Speaker 2: Dubaias city and culture and how it affects certain aspects
• 6:06
  Speaker 2: of people's lives, because some of it doesn't make sense.
• 6:08
  Speaker 2: It's like, this is the woman's job, she's here to
• 6:10
  Speaker 2: do this, this is what we expect of her, but
• 6:13
  Speaker 2: then we treat her like Queen's. I don't get it.
• 6:15
  Speaker 2: I need more info explain to us, guys.
• 6:18
  Speaker 3: Yeah, I didn't understand that at all. But did you
• 6:21
  Speaker 3: think Raffi was out of line?
• 6:24
  Speaker 2: I think there were parts that were out of line.
• 6:27
  Speaker 2: I think at first, I don't think he was out
• 6:31
  Speaker 2: of line, and then I think Tolene, you know, got
• 6:34
  Speaker 2: involved and it started getting more heated, and then I
• 6:36
  Speaker 2: think he was more talking to the group like, yeah,
• 6:39
  Speaker 2: I don't camera.
• 6:40
  Speaker 3: I really don't think it's outline. But Brook's rewriting history
• 6:44
  Speaker 3: and blaming it all on Tolene is comical. Yeah, I
• 6:48
  Speaker 3: mean she is so she just comes up so jealous
• 6:54
  Speaker 3: and bitter.
• 6:55
  Speaker 1: OK.
• 6:55
  Speaker 3: It's hard for me to watch it right now. I'm like,
• 6:57
  Speaker 3: what's going on this season? I'm not liking you.
• 7:00
  Speaker 2: Neither was Stanbury. She says, it's the spiritual healing, you
• 7:02
  Speaker 2: know what. I think it's called trying to self produce yourself. Yeah,
• 7:07
  Speaker 2: trying to manufacture drama from a show, trying to make
• 7:11
  Speaker 2: something out of nothing. I get, I'm fine with shit stirring,
• 7:15
  Speaker 2: but you have to stir a shit that actually needs
• 7:17
  Speaker 2: a little bit of stirring. This isn't It doesn't even
• 7:19
  Speaker 2: matter what she's fighting about at this point.
• 7:22
  Speaker 3: I know.
• 7:22
  Speaker 2: Also, who would have known you can't wear leather to Bali?
• 7:25
  Speaker 3: I know I was thinking, God, I went to Bali,
• 7:27
  Speaker 3: did I wear any leather shoes? I mean, I will
• 7:29
  Speaker 3: tell you the humidity is so bad there that you
• 7:32
  Speaker 3: can get ready in your air conditioned hotel room and
• 7:35
  Speaker 3: walk out in your dripping sweat in two seconds. Yeah,
• 7:38
  Speaker 3: Teleen saying that she was afraid to go to Bali, girl,
• 7:41
  Speaker 3: I feel you. I'm afraid. I have PDSD. I will
• 7:44
  Speaker 3: never go back.
• 7:45
  Speaker 2: Well that's because of the show. But Matt was my
• 7:48
  Speaker 2: favorite trip I've ever taken to Balie. I love it.
• 7:51
  Speaker 3: So I will say, just fast forward a little bit
• 7:54
  Speaker 3: and watching them walk into their villa, it was the
• 8:00
  Speaker 3: budget would look like is a little bit bigger than
• 8:02
  Speaker 3: when we went.
• 8:03
  Speaker 2: Yeah, yeah, Well what about when Sergio shows up to
• 8:06
  Speaker 2: the airport with Stanbury. He tricked me well, and he
• 8:10
  Speaker 2: had his passport. But then Ion is pissed and says,
• 8:14
  Speaker 2: the only thing that has left is Sergio putting on
• 8:17
  Speaker 2: boobs and a dress and making Sergio one of them.
• 8:21
  Speaker 2: Then Sergio set jokes and said he's not going, He's
• 8:24
  Speaker 2: actually going to Spain. But then when he hands Caroline
• 8:28
  Speaker 2: the poster of himself dead.
• 8:30
  Speaker 3: Dead nothing, And then it gets better. In the in
• 8:33
  Speaker 3: the sprinter van or whatever they're riding in, there is
• 8:36
  Speaker 3: Sergio's poster in the back seat. They they had. How
• 8:40
  Speaker 3: do you check that in? Do you just walk on
• 8:41
  Speaker 3: the plane with it? That big old poster?
• 8:44
  Speaker 2: You put it in the overhead?
• 8:45
  Speaker 3: It's too big. That thing was like poster size. It
• 8:48
  Speaker 3: was a carry on line. How about can we talk
• 8:51
  Speaker 3: about the airport fashion? Which which girl would you chanel
• 8:56
  Speaker 3: on the gown?
• 8:57
  Speaker 2: And then she goes, I can't die in a pair
• 8:59
  Speaker 2: of tights and sneakers, Ilene skipping in and.
• 9:04
  Speaker 3: Yeah, Saba and feathered pajamas.
• 9:07
  Speaker 2: I don't like. If that's sol pajamas.
• 9:09
  Speaker 3: I don't like, I know, And then Telene in a
• 9:11
  Speaker 3: workout clothes and braids and hats, and Sarah in her
• 9:14
  Speaker 3: Gucci track suits. I think I would be Telene.
• 9:19
  Speaker 2: I think I could be Tileene, or I could probably
• 9:21
  Speaker 2: be Sarah if need be. I don't remember what Lisa
• 9:25
  Speaker 2: had on, so I don't I can't.
• 9:26
  Speaker 3: Just set casual outfit. They casual zoomed in on her. Yeah,
• 9:30
  Speaker 3: I mean when you're doing it, Dubai TBALI is a
• 9:32
  Speaker 3: nine hour flight. Yeah, you're gonna want to be comfortable.
• 9:36
  Speaker 3: Could you imagine traveling in that dress that Chanel had on,
• 9:41
  Speaker 3: no big old' tool dress. I'm like, that would be
• 9:44
  Speaker 3: so uncomfortable. Guarantee she got on and changed.
• 9:47
  Speaker 2: I do remember my very first trip on Beverly Hills,
• 9:52
  Speaker 2: and I came casual, and all of the women off
• 9:55
  Speaker 2: camera said to me, listen us getting on and off
• 9:59
  Speaker 2: a jet is always used in opening titles, So you
• 10:02
  Speaker 2: want to dress up for these? And I was like, oh, okay.
• 10:06
  Speaker 3: Like they did they use yours? I?
• 10:08
  Speaker 2: Yes, I was in a white T shirt and jeans.
• 10:13
  Speaker 3: I mean, come on, it's a reality show. Let's be
• 10:16
  Speaker 3: real people.
• 10:17
  Speaker 2: Yeah. But then Brooks is late to the airport. None
• 10:21
  Speaker 2: of their text Wait she didn't show up? Yeah, well,
• 10:24
  Speaker 2: what's apple calls are getting there? You know, I don't
• 10:28
  Speaker 2: know I think if there's one thing Brooks is going
• 10:30
  Speaker 2: to do, it's make sure everybody is talking about.
• 10:33
  Speaker 3: Her about her and make a grand appearance. And this,
• 10:35
  Speaker 3: you know what, this just bothered me even more. And
• 10:38
  Speaker 3: I've bothered me even more.
• 10:39
  Speaker 2: And I'm gonna have to say something right now, Brooks.
• 10:41
  Speaker 2: This is not to cause a fight with you, but
• 10:43
  Speaker 2: if you actually took a private jet to BALI, please
• 10:47
  Speaker 2: send the twatz proof. I want to see it.
• 10:51
  Speaker 3: We know you on later on exactly there was no
• 10:55
  Speaker 3: posting of it. Later on, Caroline stan Barry questions her
• 11:01
  Speaker 3: about it, and she makes it sound like maybe some
• 11:05
  Speaker 3: man might have paid for it.
• 11:09
  Speaker 2: Yeah, I know, but half a million dollars for her
• 11:11
  Speaker 2: to go on a cast trip?
• 11:13
  Speaker 3: Is it really five hundred thousand dollars to fly private
• 11:16
  Speaker 3: for nine hours?
• 11:18
  Speaker 2: I would get okay, So to fly from LA to
• 11:22
  Speaker 2: New York private is not including like gas and stuff?
• 11:27
  Speaker 2: I think it's like seventy five thousand.
• 11:30
  Speaker 3: Wit you have to pay gas on top of that.
• 11:32
  Speaker 2: Yes, Oh, it's a quarter of a million. Quarter of
• 11:35
  Speaker 2: a million, does sound right?
• 11:36
  Speaker 3: Quarter of a million, quarter of a million dollars to
• 11:39
  Speaker 3: fly two.
• 11:40
  Speaker 2: Hundred and fifty k which makes sense. Because if it's
• 11:42
  Speaker 2: about seventy five doll one hundred k to get to
• 11:44
  Speaker 2: New York from La.
• 11:46
  Speaker 3: Okay, I know if anybody would know would be Caroline.
• 11:50
  Speaker 2: But then Tolene says she wanted to come on the
• 11:52
  Speaker 2: trip and clear everything up. Chanelle tells Tolene that she
• 11:56
  Speaker 2: heard Toleine was chasing Brooks at Stanbury's house saying where's
• 11:59
  Speaker 2: your husband? Toleene tells Chanelle it is dirty. What she
• 12:02
  Speaker 2: is doing was do you think Ian was trying to
• 12:06
  Speaker 2: stir it up here? She wanted to get the full
• 12:07
  Speaker 2: story because she wasn't chasing her, she was just standing
• 12:10
  Speaker 2: there flipping her head around.
• 12:11
  Speaker 3: I think that she was being a messy housewife. That's
• 12:13
  Speaker 3: what you know, that's what we like to watch. And
• 12:15
  Speaker 3: I got to applaud Chanel for like, listen, everybody's talking
• 12:18
  Speaker 3: about how they don't want drama. You know, Oh, let's
• 12:20
  Speaker 3: not have drama. Let's just all get along. And then
• 12:24
  Speaker 3: you know, Chanelle comes in with that and Tleene's like,
• 12:26
  Speaker 3: I'm not doing this. I just said, yeah, I think
• 12:30
  Speaker 3: she's just doing her job. Yeah, yes, guys, for those
• 12:34
  Speaker 3: of you out there, it is a job.
• 12:36
  Speaker 2: It is a job.
• 12:37
  Speaker 3: Don't act like, you don't know that.
• 12:50
  Speaker 2: Then Stanbury tells Sarah to live with her boyfriend to
• 12:53
  Speaker 2: test the relationship. Sarah says she can't live with a
• 12:56
  Speaker 2: boyfriend until she's married because of her religion slash culture.
• 12:59
  Speaker 2: She wants to take things slowly, and then she says
• 13:02
  Speaker 2: that even if she could, she wouldn't want to because
• 13:04
  Speaker 2: it takes away from getting married. So then they go
• 13:07
  Speaker 2: to dinner, which they're all confused by this truffle pasta
• 13:10
  Speaker 2: that all I wanted to do was eat. I was like,
• 13:12
  Speaker 2: oh my, oh my god, that looks so good when
• 13:15
  Speaker 2: it's in the cheese wheel, the cheese not the cheese wheel.
• 13:20
  Speaker 2: I was like, oh. But then we thought the night
• 13:22
  Speaker 2: was like coming to an end clearly because nothing was happening.
• 13:25
  Speaker 2: But then we see they all go back to the villa.
• 13:29
  Speaker 2: When they said the villa, all I kept thinking was
• 13:31
  Speaker 2: love Island. When they're like, let's go to the villa,
• 13:34
  Speaker 2: they go, I don't even see them really having drinks,
• 13:38
  Speaker 2: but like.
• 13:39
  Speaker 3: The god a villa. This is what it is, guys,
• 13:41
  Speaker 3: cue the production. Girls dance have fun. The girls dance,
• 13:44
  Speaker 3: they're dancing, Oh yeah, having fun. And then as one
• 13:47
  Speaker 3: of them, yeah, she's dry humping everybody and then they
• 13:50
  Speaker 3: all stop and they're like, Okay, let's go to bed.
• 13:52
  Speaker 2: Yeah, well not before Brooks arrives. Brooke shows up, brook
• 13:56
  Speaker 2: says she came late because she needed a minute. She
• 13:59
  Speaker 2: claims she private, and then Brooks ask Sarah if Toaline
• 14:03
  Speaker 2: has apologized for being fake two faced in a poster.
• 14:07
  Speaker 2: Then they decide to I'll go to bed.
• 14:09
  Speaker 3: M they're tired after they did their production dance, after
• 14:14
  Speaker 3: they get fun.
• 14:16
  Speaker 2: With no music.
• 14:17
  Speaker 3: Yeah, then standard's like the Chicken dance.
• 14:19
  Speaker 2: Yeah. Then Stanbury tells Brooke that she is prickly and
• 14:24
  Speaker 2: tells her to stop the healing because she was better before.
• 14:27
  Speaker 2: Stanbury asked if she actually flew private and asked who
• 14:30
  Speaker 2: funded it. Brooks shaws, she's not telling her. I don't
• 14:33
  Speaker 2: think what Stanbury is saying. And listen, I'm not trying
• 14:36
  Speaker 2: to just have Stanbury's back finally.
• 14:38
  Speaker 3: And I feel like they literally go after it for
• 14:41
  Speaker 3: everything she says in like twist things and take it
• 14:44
  Speaker 3: out of you know, context, and it's such bullshit and
• 14:47
  Speaker 3: you can see it.
• 14:49
  Speaker 2: Well, especially like I think it's one thing to say,
• 14:51
  Speaker 2: like whatever, this current spiritual healing journey you're on is
• 14:56
  Speaker 2: clearly not the right one. Maybe don't do one through Sarah.
• 14:59
  Speaker 2: If you need therapy, if you need trauma healing, if
• 15:01
  Speaker 2: you need whatever, you should probably do that on your own,
• 15:04
  Speaker 2: not with one of your cast members, who's we ultimately
• 15:07
  Speaker 2: are going to find out, is going to throw it
• 15:09
  Speaker 2: in your face.
• 15:10
  Speaker 3: Yeah, they're not fair to Stanbury. Now, you guys look
• 15:14
  Speaker 3: for this when you're watching housewives. There are housewives out
• 15:16
  Speaker 3: there that use sound bites. So you can be having
• 15:21
  Speaker 3: a conversation and all somebody's like, oh, you're gonna yell
• 15:23
  Speaker 3: at me, Oh, don't yell at me, when the other
• 15:25
  Speaker 3: person's I've been yelling at them. It's a way to
• 15:27
  Speaker 3: change the viewer's perception of what is going on. And
• 15:32
  Speaker 3: it's so annoying, and I feel like they do that
• 15:33
  Speaker 3: to Stanbury all the time. Now, what I did like
• 15:36
  Speaker 3: is Sarah saying we set to to Brooks, we set
• 15:39
  Speaker 3: intentions last night, we're all good, and then Brooks says
• 15:43
  Speaker 3: Telene is a liar. I'm going to confront her, and
• 15:45
  Speaker 3: Sarah goes absolutely absolutely. It's like, come on, Sarah, can
• 15:50
  Speaker 3: you at least fake it and say, well, you know what,
• 15:53
  Speaker 3: you should do it with a you know, a gentle
• 15:56
  Speaker 3: heart or some bullshit that she's.
• 15:58
  Speaker 2: Let's do this in Apias. But there dun dunt duke.
• 16:03
  Speaker 3: I constantly talking about Telene, though constantly it just makes
• 16:06
  Speaker 3: her look jealous.
• 16:08
  Speaker 2: She's just mad that Telene is effortlessly fitting in. Ion
• 16:11
  Speaker 2: has a voice note from Sarah saying, even if I'm
• 16:14
  Speaker 2: not a Brooks fan, I will not stand for that.
• 16:16
  Speaker 2: And that is true, you know what, I am not
• 16:19
  Speaker 2: her biggest fan as well. Sarah always is taking the
• 16:22
  Speaker 2: talks highly about Brooks. So the ladies feel like they're
• 16:26
  Speaker 2: finally seeing what it is that she says, and it's like,
• 16:29
  Speaker 2: finally the mask of Sarah's slips. I wish she just
• 16:32
  Speaker 2: would allow herself to be that on the show.
• 16:35
  Speaker 3: I was a little bit confused by the voice note
• 16:38
  Speaker 3: because once it was talked about, then it was presented
• 16:39
  Speaker 3: at the table. It was a voice note from Sarah
• 16:44
  Speaker 3: to Ion or whoa, oh.
• 16:46
  Speaker 2: This is you missed it? Okay, So Brooks brings it
• 16:50
  Speaker 2: up to the ladies what Stanbury said to her about
• 16:53
  Speaker 2: the healing journey, which I still don't think was that bad.
• 16:55
  Speaker 2: I don't think she was saying I don't want you
• 16:57
  Speaker 2: to get better as a person. She's saying, I don't
• 16:59
  Speaker 2: want Sarah be your What is it when somebody talks
• 17:02
  Speaker 2: for you all the time?
• 17:03
  Speaker 3: Your your your?
• 17:06
  Speaker 2: Yeah, your mouthpiece, your mouth mouthpiece. Yeah. So, and then
• 17:10
  Speaker 2: they flashed back to all the clips that Sarah has
• 17:13
  Speaker 2: talked for Brooks since this healing journey, which he has. Yes.
• 17:16
  Speaker 2: Then they flashed back and they show the voice note
• 17:20
  Speaker 2: that Ion shares that we had assumed had come to
• 17:26
  Speaker 2: Ion from Sarah. Yes, but then that's where it got confused. No, no,
• 17:32
  Speaker 2: what actually happened? And this is where we see the
• 17:35
  Speaker 2: demise of Ion and Lisa. Is that that voice note
• 17:42
  Speaker 2: went to Lisa. Lisa then sent it to Ion.
• 17:47
  Speaker 3: Oh it was okay, okay.
• 17:50
  Speaker 2: So that's where you know, Lisa tells Ion she is
• 17:55
  Speaker 2: messy because she sent that voice note to Iona.
• 17:59
  Speaker 3: Things are heating up and the guys words of Ion,
• 18:02
  Speaker 3: the ocean.
• 18:03
  Speaker 2: Can kill you or you Yeah, and I don't want
• 18:06
  Speaker 2: to do either with things I haven't seen. Yes, but
• 18:10
  Speaker 2: in this moment I actually felt bad for Brooks, like, really,
• 18:13
  Speaker 2: without her, where would we be this season? But also,
• 18:17
  Speaker 2: your supposed supposed spiritual healing friend is sending voice notes
• 18:22
  Speaker 2: to Lisa Milan who's then shitting them to Ion and.
• 18:25
  Speaker 3: Like Ion's yeah, and then tells Caroline. Then Caroline brings
• 18:29
  Speaker 3: it up at the table. But the way Caroline brought
• 18:32
  Speaker 3: it up was pretty masterfult. She did it like this,
• 18:34
  Speaker 3: Oh yeah, maybe then we should.
• 18:37
  Speaker 2: Talk about the voice note.
• 18:39
  Speaker 3: Yeah, it was she She gets the attention off of
• 18:43
  Speaker 3: her and let the bitches fight it. Let the bitches
• 18:47
  Speaker 3: fall where they may.
• 18:49
  Speaker 2: Yeah, let the pieces fall. Because would you be pissed
• 18:53
  Speaker 2: at Ion for sharing the voice note? Or would you pay?
• 18:56
  Speaker 2: Or if you're Sarah, are you pissed at Lisa for
• 18:59
  Speaker 2: sharing the voice point being don't send a voice mode
• 19:03
  Speaker 2: talking about somebody that's supposedly your best friend.
• 19:05
  Speaker 3: If you don't want to share it, well, it's going
• 19:07
  Speaker 3: to come out, especially if you're writing hard for that
• 19:09
  Speaker 3: person or you're contradicting yourself. It's going to come out.
• 19:13
  Speaker 2: If you're somebody's mouthpiece and then you're talking about them
• 19:16
  Speaker 2: on voice notes to other cast members, it ain't gonna
• 19:19
  Speaker 2: be good. And this is where we're about to see
• 19:22
  Speaker 2: all of the women's relationships that we currently know implode.
• 19:26
  Speaker 2: So thank you, Dubai, you're coming in hot. Episode nine,
• 19:30
  Speaker 2: great episode, really good but I think episode nine. I
• 19:33
  Speaker 2: don't think it's on next week. I think there's a
• 19:35
  Speaker 2: gap week. Oh really, yeah, I think I read that.
• 19:38
  Speaker 2: But so yeah, we uh you've got your hooks in
• 19:42
  Speaker 2: us now, so thank you, thank you very much