Latest / Movie Meltdown / Remake Roundabout

Transcript

Remake Roundabout · Movie Meltdown

• 0:11
  Speaker 1: Hi, this is Emma Caulfield and you're listening to Movie Meltdown.
• 0:24
  Speaker 2: The following feature has been rated R by the Motion
• 0:26
  Speaker 2: Picture Association of America. It is intended for mature audiences
• 0:30
  Speaker 2: and parental discretion is advised.
• 0:42
  Speaker 3: It's showtime, folks.
• 0:45
  Speaker 4: Enjoy the show.
• 0:48
  Speaker 1: Our nuclear reactor, pumping out one million kilowatts of power.
• 1:19
  Speaker 3: We forgot the first rule of remakes, Jill.
• 1:25
  Speaker 4: Don't fuck with the original.
• 1:36
  Speaker 5: What's up and welcome to Movie Meltdown.
• 1:38
  Speaker 3: I'm Brian. I'm Gina.
• 1:41
  Speaker 4: And I'm Paul.
• 1:42
  Speaker 3: And we're back.
• 1:43
  Speaker 5: For another amazing episode.
• 1:46
  Speaker 3: You guys didn't email in fast enough and tell me,
• 1:48
  Speaker 3: for the love of God, no, not those two.
• 1:50
  Speaker 5: And yet, here they are.
• 1:52
  Speaker 3: I know. It all falls on your shoulders.
• 1:55
  Speaker 1: It's our fault.
• 1:57
  Speaker 5: It's your fault, listener.
• 2:00
  Speaker 3: So, once again, we're coming to you live via digital recording.
• 2:04
  Speaker 5: From, what's the name of this place?
• 2:06
  Speaker 3: My Kitchen.
• 2:07
  Speaker 5: That's not a cool name at all.
• 2:10
  Speaker 1: It's totally cool. It's artisanal. It's small batch.
• 2:12
  Speaker 2: Oh, God.
• 2:12
  Speaker 1: You're one of those people. It's my artisanal small-batch room
• 2:15
  Speaker 1: in my house.
• 2:16
  Speaker 3: The time travel kitchen.
• 2:18
  Speaker 5: Can we?
• 2:19
  Speaker 1: So Doctor Who.
• 2:20
  Speaker 5: Well, can we? Because I've got some.
• 2:23
  Speaker 3: I mean, most of them just go back to yesterday
• 2:25
  Speaker 3: and get the Powerball numbers, but... But essentially.
• 2:28
  Speaker 5: There's some other stuff I want to do, too.
• 2:30
  Speaker 3: Everything we are discussing is about the past.
• 2:34
  Speaker 5: Or the future.
• 2:35
  Speaker 3: Oh, potential future.
• 2:37
  Speaker 5: Or is it?
• 2:38
  Speaker 3: Everything is the potential future.
• 2:41
  Speaker 6: Well, except for things that are already set in stone
• 2:44
  Speaker 6: with contract, just not completed.
• 2:46
  Speaker 1: But in the multiverse contract law.
• 2:50
  Speaker 3: Anyway, so this week we've decided we were coming up
• 2:55
  Speaker 3: with different ideas and we were throwing a lot of
• 2:58
  Speaker 3: them at the wall and they just bounced onto the floor.
• 3:00
  Speaker 3: And eventually we came up with one and I went, wait, wait, wait,
• 3:03
  Speaker 3: that's got potential. We can run with that. Let's do
• 3:06
  Speaker 3: something different this week.
• 3:07
  Speaker 5: So... Here's the.
• 3:09
  Speaker 3: Very general idea that we're going to bullshit with. There's
• 3:16
  Speaker 3: a lot of things that are remade, rebooted, re-whatever the
• 3:21
  Speaker 3: studio wants to call it this month. So, and all
• 3:25
  Speaker 3: of my feelings on this actually has happened over the
• 3:28
  Speaker 3: course of this show, which is kind of interesting. Because
• 3:32
  Speaker 3: in the beginning, everybody on the show was just.
• 3:34
  Speaker 5: So anti-remakes and like, Oh, God, no, another one.
• 3:38
  Speaker 3: And as time went on, I got to where I
• 3:41
  Speaker 3: was like, you know, if they can do something good
• 3:43
  Speaker 3: with it, who cares? Like, let's not be quite so
• 3:46
  Speaker 3: precious about it. Let's just, as long as you do
• 3:48
  Speaker 3: it well.
• 3:49
  Speaker 5: It's how they do it. It's how they do it
• 3:51
  Speaker 5: is a different story. So I don't condemn anything that's
• 3:57
  Speaker 5: just a general, like, remake idea at this point, but.
• 4:01
  Speaker 3: Sometimes they seem like a terrible idea. Sometimes there's some
• 4:04
  Speaker 3: terrible choices that get thrown in the mix. And that's
• 4:07
  Speaker 3: kind of where this came from. We were like, okay,
• 4:09
  Speaker 3: what if we pick some movies, some classics, some that
• 4:14
  Speaker 3: may never need to be remade, which I don't know
• 4:17
  Speaker 3: if any of them are so holy they can't be remade,
• 4:20
  Speaker 3: but some probably do need to be remade. So we're
• 4:23
  Speaker 3: going to throw out a lot of titles. And then
• 4:25
  Speaker 3: we're like, well, we'll figure out the best scenario.
• 4:27
  Speaker 5: Of how we could redo it or reboot it.
• 4:31
  Speaker 3: Or maybe the worst case scenario. We're just going to
• 4:33
  Speaker 3: throw out a lot of ideas. And then I also decided, okay,
• 4:37
  Speaker 3: as we get into casting, I found this weird, the
• 4:41
  Speaker 3: internet's full of weird things, this thing that will randomly
• 4:44
  Speaker 3: generate celebrities. So we're going to do the first round
• 4:47
  Speaker 3: of casting with whatever random celebrities it pulls up and
• 4:50
  Speaker 3: then talk it out from there.
• 4:52
  Speaker 5: So Where would we like to begin? Do you have
• 4:56
  Speaker 5: a film title you'd like to start with?
• 4:58
  Speaker 3: I think as host, you have to kick it off
• 5:01
  Speaker 3: with yours. All right. With something.
• 5:04
  Speaker 1: Wait, I just want to pitch an idea real quick
• 5:06
  Speaker 1: because it just occurred to me.
• 5:07
  Speaker 3: So you're going to do it.
• 5:08
  Speaker 1: No, I just want to get this joke in because
• 5:10
  Speaker 1: it's good. I want to make a reboot of Das Boot,
• 5:14
  Speaker 1: but call it Das Reboot. And done.
• 5:19
  Speaker 3: You guys hear the crickets?
• 5:22
  Speaker 1: That was good.
• 5:22
  Speaker 3: Crickets. I liked it.
• 5:25
  Speaker 1: Yeah, Das Reboot.
• 5:27
  Speaker 3: I liked the film. Does it warrant a reboot?
• 5:32
  Speaker 2: I don't know.
• 5:33
  Speaker 3: Probably not, but do you think?
• 5:37
  Speaker 1: It could be a Pixar thing about like a submarine sandwich.
• 5:40
  Speaker 3: Das Reboot the sequel. Well, now what if it was
• 5:43
  Speaker 3: like a submarine- Okay, we're going to go like Pixar.
• 5:47
  Speaker 3: It's going to be animated. It's about a submarine, but
• 5:50
  Speaker 3: it's all run by an anamorphic boot.
• 5:53
  Speaker 1: Sandwiches?
• 5:54
  Speaker 3: So there's actually boots running the submarine.
• 5:58
  Speaker 5: Das Boot.
• 6:01
  Speaker 3: This is how this is going to go, people.
• 6:03
  Speaker 6: Or it's a movie about a crew of submariners who
• 6:08
  Speaker 6: are also cobblers.
• 6:10
  Speaker 1: Anyway, I totally got us off topic.
• 6:12
  Speaker 5: That's not bad either.
• 6:13
  Speaker 3: Like a side business in.
• 6:14
  Speaker 1: The bottom of the stuff. Like a Keebler and all
• 6:16
  Speaker 1: secretly like.
• 6:17
  Speaker 3: They're hard at work. Oh, we need to stop making
• 6:20
  Speaker 3: boots so we can launch a torpedo.
• 6:21
  Speaker 1: No, quit hammering on that boot because that torpedo is
• 6:24
  Speaker 1: going to hit us. They know where we are.
• 6:26
  Speaker 3: Well, we don't have.
• 6:27
  Speaker 5: Das Destroyer.
• 6:28
  Speaker 3: We don't have an anvil. So instead of hammering on
• 6:31
  Speaker 3: the anvil, we're just going to use this missile. Is
• 6:33
  Speaker 3: that cool?
• 6:34
  Speaker 2: Ding, ding.
• 6:35
  Speaker 1: I totally agree. Waylaid this whole thing. Go.
• 6:39
  Speaker 5: Sorry.
• 6:39
  Speaker 3: That's how we kicked it off.
• 6:41
  Speaker 5: Das Boot. Das Reboot. Starring Boots.
• 6:43
  Speaker 1: Yes.
• 6:44
  Speaker 2: All right.
• 6:46
  Speaker 3: I've got a lot of, again, most people would consider classics,
• 6:50
  Speaker 3: so let's go with what, as of recently, got bumped
• 6:56
  Speaker 3: up to the arguably best picture. I think it was
• 7:00
  Speaker 3: Sight and Sound put it at the top of the
• 7:01
  Speaker 3: list a couple of years ago. Too much... response from
• 7:06
  Speaker 3: the internet. Vertigo. So, if we're going to recast Vertigo...
• 7:13
  Speaker 3: Wait a minute. Before you get into recasting....
• 7:17
  Speaker 5: I also.
• 7:18
  Speaker 3: I have a list of my don'ts and do's and.
• 7:24
  Speaker 6: Rear Window shows up as one of my don'ts. And
• 7:28
  Speaker 6: I was thinking probably any Hitchcock film should not be redone.
• 7:33
  Speaker 3: And yet they kind of keep doing it. I mean,
• 7:35
  Speaker 3: first of all, we already had Rear Window. First off,
• 7:37
  Speaker 3: a straight up remake with Christopher Reeve. We've had a
• 7:41
  Speaker 3: pretty much ripped off, including a lawsuit reboot with Disturbia.
• 7:48
  Speaker 3: All of which were regrettable, I think.
• 7:51
  Speaker 5: I still haven't watched the Christopher Reeve one.
• 7:53
  Speaker 3: I want to just because of what it is. I
• 7:56
  Speaker 3: kind of want to see what he was doing at
• 7:57
  Speaker 3: that point in his life.
• 7:59
  Speaker 1: It's like It's a Wonderful Life, right? That's also on
• 8:02
  Speaker 1: my list.
• 8:02
  Speaker 5: Don't worry, we'll get to it.
• 8:03
  Speaker 1: I'm not even a huge fan of that film.
• 8:07
  Speaker 3: Which one?
• 8:08
  Speaker 1: It's a Wonderful Life.
• 8:09
  Speaker 5: That's blasphemy right there.
• 8:10
  Speaker 1: I don't think it needs to be remade.
• 8:12
  Speaker 5: It's great.
• 8:13
  Speaker 1: As it is, it's perfect. And I don't even love
• 8:15
  Speaker 1: it like You all do, for some bizarre reason.
• 8:18
  Speaker 3: Just wait until we recast.
• 8:19
  Speaker 5: Jimmy Stewart fan girls.
• 8:20
  Speaker 3: So Vertigo, you think can be redone or can't be redone?
• 8:25
  Speaker 3: Once again, I mean, it's already kind of been ripped
• 8:28
  Speaker 3: off so many times, so there is a way to
• 8:31
  Speaker 3: do it, not necessarily. This was one I've just rewatched
• 8:36
  Speaker 3: in the last year, brought up on the show, but
• 8:38
  Speaker 3: have you ever seen Body Double? Because Body Double.
• 8:42
  Speaker 5: Brian Bogdanovich?
• 8:43
  Speaker 1: Isn't that an old.
• 8:45
  Speaker 3: It's De Palma. Brian De Palma. It's De Palma back
• 8:50
  Speaker 3: in the middle there when he kind of had a
• 8:53
  Speaker 3: budget and was sort of just starting to get to
• 8:56
  Speaker 3: that level. He got out of his little super indie projects.
• 8:59
  Speaker 3: He's starting to pull people in. Early, early Melanie Griffith. Basically,
• 9:04
  Speaker 3: it's taking two different Hitchcock movies and jamming them together.
• 9:08
  Speaker 3: Very blatantly. I don't think he was hiding it. It
• 9:12
  Speaker 3: is his homage to hitchcock so he takes rear window
• 9:17
  Speaker 3: and vertigo and kind of forces them into one plot
• 9:22
  Speaker 3: and it's not bad like it it works in its
• 9:25
  Speaker 3: own weird way if you have to acknowledge that he's
• 9:28
  Speaker 3: very heavily lifting from another artist but like in general
• 9:33
  Speaker 3: it's like you can do it it's a functional plot
• 9:36
  Speaker 3: so it's like you can see other movies already kind
• 9:39
  Speaker 3: of stealing from this anyway so Do.
• 9:42
  Speaker 5: I think it can be done?
• 9:43
  Speaker 3: Yeah, I'm sure it can.
• 9:44
  Speaker 6: No.
• 9:44
  Speaker 3: You don't think Gone Girl?
• 9:48
  Speaker 5: That's, again, I think there's elements of that.
• 9:51
  Speaker 3: It's got its own weird twists along the way, but
• 9:54
  Speaker 3: there's definitely a little bit of that thrown in there.
• 9:57
  Speaker 3: So if you were going to make the worst version
• 9:59
  Speaker 3: of vertigo.
• 10:01
  Speaker 5: Um, let's, let's see what the, uh, the old computer
• 10:04
  Speaker 5: says for casting.
• 10:06
  Speaker 3: We'll do, I think it brings up both genders. So
• 10:09
  Speaker 3: let's do male and female lead on this.
• 10:11
  Speaker 5: All right. So I can see this. It says Bradley Cooper.
• 10:21
  Speaker 3: See him being male lead in just about any hollywood
• 10:23
  Speaker 3: movie at this point so again some of these i'm
• 10:25
  Speaker 3: gonna go with not necessarily like what i want but
• 10:28
  Speaker 3: i'm just like would i see hollywood throwing projects at
• 10:30
  Speaker 3: these people and then it's got a couple of here
• 10:34
  Speaker 3: um actually i can see natalie portman.
• 10:40
  Speaker 7: I don't know that it would work, but I can
• 10:44
  Speaker 7: kind of see her being the weird distant girl that
• 10:48
  Speaker 7: he's following around all the time.
• 10:50
  Speaker 3: A faithful remake of Vertigo. I could support that cast, actually.
• 10:55
  Speaker 1: That's not terrible.
• 10:56
  Speaker 3: The computer's not that wrong this time.
• 10:58
  Speaker 1: Try it again. Tempt Fate, I'm curious.
• 11:00
  Speaker 3: Well, we have other alternate options. It also brought up, okay,
• 11:03
  Speaker 3: if you want to go the wrong way, it brought
• 11:05
  Speaker 3: up Brendan Fraser. Yes.
• 11:08
  Speaker 5: If we want to do the wrong way, and let's
• 11:09
  Speaker 5: bring up.
• 11:10
  Speaker 1: A wrong, and.
• 11:12
  Speaker 5: Taylor Swift. So this is going to be great, this.
• 11:16
  Speaker 3: New recast version. Brendan Fraser could be good.
• 11:19
  Speaker 1: No, no. He's never good.
• 11:21
  Speaker 3: I don't hate the guy, but I just don't really
• 11:24
  Speaker 3: like him in stuff.
• 11:24
  Speaker 5: He would be believable as.
• 11:26
  Speaker 6: A, you know, in a Jimmy Stewart type of character,
• 11:33
  Speaker 6: you know?
• 11:34
  Speaker 3: Like, you know, he's just so sweet, even though he's
• 11:38
  Speaker 3: not intended to be.
• 11:39
  Speaker 1: No, that's like a Chris Pratt kind of thing.
• 11:41
  Speaker 3: No, it's not.
• 11:42
  Speaker 5: Yeah, it is.
• 11:43
  Speaker 1: Chris Pratt is like the new everyman.
• 11:45
  Speaker 5: Well, yes. I mean, he kind of is, but.
• 11:50
  Speaker 3: I don't know. Is he playing it more of Parks
• 11:54
  Speaker 3: and Rec Christmas?
• 11:55
  Speaker 1: Like Mouse Rat is how I always think of him.
• 11:57
  Speaker 5: He's just kind of dim-witted the whole time. Mouse Rat.
• 11:59
  Speaker 3: That's why I can't figure out what's going on with
• 12:01
  Speaker 3: this girl. He's just not very smart.
• 12:03
  Speaker 1: Maybe.
• 12:05
  Speaker 6: I can't see him as anything else in anything I've
• 12:08
  Speaker 6: seen him in. Even when I was watching Guardians of
• 12:11
  Speaker 6: the Galaxy, I was seeing him falling.
• 12:12
  Speaker 5: In a hole.
• 12:13
  Speaker 1: I was like, where's Janet Snakehole?
• 12:15
  Speaker 3: I finally have. I think he's enough of a different
• 12:19
  Speaker 3: character in Guardians that I buy him as that guy.
• 12:23
  Speaker 2: Yeah.
• 12:24
  Speaker 3: It did take a while, though. I saw him a
• 12:26
  Speaker 3: few other times.
• 12:27
  Speaker 5: Oh, my God. It took a little while.
• 12:28
  Speaker 3: That whole Jurassic Park business?
• 12:32
  Speaker 1: It's okay.
• 12:32
  Speaker 3: That's not his fault, really. There's other issues there.
• 12:36
  Speaker 1: I like him. He is the new everyman. He's the
• 12:38
  Speaker 1: new Tom Hanks.
• 12:40
  Speaker 3: I'm not saying I dislike him.
• 12:43
  Speaker 1: He's good. He's a good actor on top of it all.
• 12:45
  Speaker 1: I think he's okay.
• 12:46
  Speaker 3: I don't want to totally veer off, but there's one
• 12:48
  Speaker 3: I was going to get to anyway. Because this is
• 12:52
  Speaker 3: throwing back to last week, we kept talking about Indiana Jones,
• 12:56
  Speaker 3: Indiana Jones. That's the name that they throw out there now.
• 12:59
  Speaker 3: And I'm like, I don't.
• 13:00
  Speaker 5: Hate that, really.
• 13:01
  Speaker 3: I could live with it. Chris Pratt is Indiana Jones.
• 13:03
  Speaker 3: He's pretty damn likable.
• 13:04
  Speaker 5: I mean, if anybody's got enough charisma to.
• 13:06
  Speaker 3: Come near to their size.
• 13:08
  Speaker 1: And he can.
• 13:09
  Speaker 3: Pull off the scruff. The scruff. You gotta have the scruff.
• 13:12
  Speaker 3: But he doesn't have the.
• 13:16
  Speaker 1: Because he's the everyman, there's nothing dangerous about him. Like,
• 13:20
  Speaker 1: there's still something kind of shitty and dangerous about Harrison Ford.
• 13:23
  Speaker 3: He could be. I feel like Guardians, you buy a
• 13:27
  Speaker 3: little of that. Even Jurassic Park, dude, he doesn't have
• 13:29
  Speaker 3: anything to do, but like.
• 13:30
  Speaker 1: No, like Guardians, the character, he was like so guarded.
• 13:35
  Speaker 1: I hate to use that twice in a sentence, but
• 13:37
  Speaker 1: it was more like that was his emotional whatever. Harrison
• 13:40
  Speaker 1: Ford as Indiana Jones is just like a swaggering dickhead.
• 13:44
  Speaker 8: You know? I mean.
• 13:46
  Speaker 1: A lovable swagger he did. Not that I didn't love it.
• 13:49
  Speaker 1: I mean, that's like, you know, my childhood... But.
• 13:51
  Speaker 3: He's pretty lovable in his own weird way. Especially like.
• 13:56
  Speaker 5: I don't know. There's something about that Raiders.
• 13:58
  Speaker 1: Yeah, I mean, he's great. But he's more dangerous than
• 14:02
  Speaker 1: a Chris Pratt.
• 14:02
  Speaker 3: It depends on how the script is written, to be honest.
• 14:04
  Speaker 3: Because I think he can pull off any of the.
• 14:11
  Speaker 3: Any of the.
• 14:11
  Speaker 6: Dialogue that Harrison Ford did for any of the previous movies,
• 14:15
  Speaker 6: he could certainly have done and pulled it off.
• 14:17
  Speaker 3: Which is a rough thing. Because I remember for years,
• 14:21
  Speaker 3: I kept like, people kept throwing it out and we
• 14:23
  Speaker 3: need to bring in all the, and they kept naming people.
• 14:25
  Speaker 5: And I'm like, no, no. Yeah.
• 14:27
  Speaker 1: There were so many that wouldn't work, but he would work.
• 14:29
  Speaker 3: That's one of the first times I was like, you know,
• 14:32
  Speaker 3: I don't hate it. Like it could go horribly wrong, but.
• 14:36
  Speaker 1: It's not the worst idea. He could pull it off.
• 14:38
  Speaker 5: It's true.
• 14:39
  Speaker 1: But from the women's perspective, he's just not as hot
• 14:42
  Speaker 1: as a young... Well, I mean... 30-something Harrison Ford.
• 14:45
  Speaker 3: It's hard for anything to get close. Like Empire era
• 14:49
  Speaker 3: of Harrison Ford? Yeah, I know.
• 14:51
  Speaker 1: Shit. I know.
• 14:52
  Speaker 3: I look at him and go, God damn, he's pretty.
• 14:55
  Speaker 3: So it's really hard for anybody to get close to that.
• 15:00
  Speaker 3: It's true.
• 15:01
  Speaker 4: It is.
• 15:02
  Speaker 3: All right, I've got one. Okay.
• 15:05
  Speaker 5: I'll ready the back computer.
• 15:06
  Speaker 3: And I'll throw it up as a... as a remake
• 15:11
  Speaker 3: it or don't remake it.
• 15:12
  Speaker 2: All right.
• 15:13
  Speaker 5: We can play that game along the way too. I'm
• 15:16
  Speaker 5: sure we will.
• 15:16
  Speaker 1: Yeah, I kind of have one of those too, but
• 15:18
  Speaker 1: go ahead.
• 15:19
  Speaker 5: Sorry.
• 15:20
  Speaker 3: I'll keep interrupting. Office space.
• 15:22
  Speaker 1: What?
• 15:25
  Speaker 3: See, that's the thing. I was trying, I was like,
• 15:27
  Speaker 3: I feel like I should throw more modern stuff on there,
• 15:29
  Speaker 3: which not that that's not really old because it kind
• 15:32
  Speaker 3: of is for the kids out there.
• 15:34
  Speaker 5: It is pretty old. Here's the reason why I list it.
• 15:37
  Speaker 6: I have it in my don't category, but it could
• 15:41
  Speaker 6: easily be in the do category because there's so many
• 15:45
  Speaker 6: things about that movie that is very dated because it's
• 15:49
  Speaker 6: about office technology, right? So, and I think, but the
• 15:54
  Speaker 6: core story is still true.
• 15:57
  Speaker 9: Yeah.
• 15:57
  Speaker 3: So you could modernize it and it could still be good.
• 16:01
  Speaker 5: That red swing line will never go away.
• 16:04
  Speaker 3: That will always be the holy grail of any office,
• 16:07
  Speaker 3: I mean.
• 16:08
  Speaker 5: Oh, yeah.
• 16:09
  Speaker 1: God, that's a hard one to think about recasting, though. Oh,
• 16:12
  Speaker 1: you got something? You look like you got something.
• 16:14
  Speaker 3: No, I don't. Let's go to the back computer.
• 16:16
  Speaker 6: Because all of those, the guys that did that movie
• 16:20
  Speaker 6: are still alive, I believe.
• 16:22
  Speaker 3: What's sad is, yeah, that's probably, again, if we're putting
• 16:26
  Speaker 3: it in Hollywood's hands, it's probably going to have Seth
• 16:29
  Speaker 3: Rogen in it.
• 16:30
  Speaker 1: Damn it. Wait, and the other guy. Okay, which? What's
• 16:35
  Speaker 1: his face? The short, Short kid.
• 16:39
  Speaker 3: Okay, wait. It brought up another one and I was like,
• 16:44
  Speaker 3: that doesn't fit in. And I'm like, no, no way.
• 16:46
  Speaker 3: The dickhead boss guy that's like, yeah. Okay. Ellen DeGeneres.
• 16:53
  Speaker 1: Now, if we switch the gender.
• 16:55
  Speaker 3: Role and I'm like, you know, I can kind of
• 16:57
  Speaker 3: see her being kind of a jerk. Like, that's entertaining.
• 17:01
  Speaker 1: But once again, so charming. Which would actually be funnier.
• 17:06
  Speaker 1: That could be great.
• 17:07
  Speaker 3: That could work.
• 17:08
  Speaker 5: Interesting.
• 17:09
  Speaker 1: Maybe this is how all these remakes happen.
• 17:11
  Speaker 3: If Hollywood would like to go ahead and just bring
• 17:13
  Speaker 3: us on board.
• 17:14
  Speaker 1: They just get a random generator and they're like, we're
• 17:16
  Speaker 1: just gonna make that.
• 17:17
  Speaker 5: The mayor of Hollywood would just go.
• 17:18
  Speaker 3: Ahead and fly us out. Well, as we have long suspected,
• 17:21
  Speaker 3: they get a group of 12-year-olds together.
• 17:23
  Speaker 5: Which is us.
• 17:24
  Speaker 3: And they start.
• 17:26
  Speaker 6: typing things and drawing random crayons and then things.
• 17:30
  Speaker 1: Happen they go to an olive garden where they can
• 17:35
  Speaker 1: write on the tablecloth yeah that's not a bad.
• 17:37
  Speaker 6: Idea you know what we need to do billy is.
• 17:41
  Speaker 1: Can you write on the tablecloth at olive garden do
• 17:44
  Speaker 1: i have.
• 17:44
  Speaker 3: That mistaken they do i mean they always write their
• 17:48
  Speaker 3: name hi i'll be your waiter i think one day.
• 17:51
  Speaker 1: One day we went there like We had a really
• 17:53
  Speaker 1: bad hankering for a salad, and we ended up there
• 17:56
  Speaker 1: because we were like, let's get a big salad.
• 17:59
  Speaker 3: I hate that place.
• 18:01
  Speaker 1: It's like the blue boar of Italian food. It's not Italian.
• 18:05
  Speaker 3: It's just.
• 18:05
  Speaker 5: Says the Italian at the table.
• 18:06
  Speaker 1: I hope you're not hoping for advertising dollars from.
• 18:09
  Speaker 5: You've killed our.
• 18:10
  Speaker 1: Olive Garden budget.
• 18:11
  Speaker 5: Olive Garden.
• 18:12
  Speaker 3: We drink their wine.
• 18:13
  Speaker 1: Damn it. So anyway, yeah, who else.
• 18:16
  Speaker 5: So who else do you need to work in the office?
• 18:19
  Speaker 5: Do you have.
• 18:20
  Speaker 3: Other entries, or do I keep going? Who would be
• 18:22
  Speaker 3: the girl? Oh, the love interest?
• 18:25
  Speaker 1: Yeah, the love interest.
• 18:26
  Speaker 3: Like the Jennifer Aniston girl?
• 18:28
  Speaker 4: Yes.
• 18:29
  Speaker 3: Okay. Who must love Kung Fu because that's still applicable,
• 18:33
  Speaker 3: I think.
• 18:33
  Speaker 5: Do you want to search for another girl on the
• 18:35
  Speaker 5: back computer here?
• 18:37
  Speaker 1: Well, yeah, but let's think.
• 18:40
  Speaker 3: All right, not bad.
• 18:42
  Speaker 5: Anne Hathaway.
• 18:44
  Speaker 1: Oh.
• 18:46
  Speaker 3: I can see. Because again, I feel like Jennifer Aniston
• 18:50
  Speaker 3: wasn't right for that and somehow she made it work.
• 18:53
  Speaker 3: Because at that point I was like, ah, what is
• 18:55
  Speaker 3: she doing in this? And then it kind of works okay.
• 18:57
  Speaker 3: So I'm like... She worked at... What was it? Tchotchkes?
• 19:03
  Speaker 1: That's a great.
• 19:04
  Speaker 3: That's where we should be.
• 19:05
  Speaker 1: Deli concept. Tchotchkes. It just has a bunch of tchotchkes
• 19:09
  Speaker 1: on the wall.
• 19:10
  Speaker 5: Joni loves tchotchkes. Ah, rest in peace, Erin.
• 19:13
  Speaker 3: We're sorry.
• 19:15
  Speaker 6: Which, I just found this out, and I'm surprised it
• 19:19
  Speaker 6: took me several days to discover this, but she died
• 19:22
  Speaker 6: in Cordon.
• 19:23
  Speaker 5: Yeah.
• 19:23
  Speaker 3: It was on the news. How did you miss it? Well,
• 19:26
  Speaker 3: I just saw the headline and I thought, oh, yeah.
• 19:29
  Speaker 1: Were you like, Scott County, heroin?
• 19:32
  Speaker 8: No.
• 19:33
  Speaker 5: Well, I mean, it's not like she hadn't had some
• 19:36
  Speaker 5: drug issues.
• 19:37
  Speaker 3: So I was kind of like, well, I mean, at
• 19:39
  Speaker 3: least she didn't fall back into that. So I guess
• 19:41
  Speaker 3: that's an upside to it all. Well, anyway.
• 19:45
  Speaker 5: Tangent.
• 19:48
  Speaker 6: I mean, if you're going to do Anne Hathaway, then
• 19:50
  Speaker 6: you might as well throw out Reba McEntire.
• 19:53
  Speaker 2: What?
• 19:54
  Speaker 1: How are the two even close?
• 19:55
  Speaker 5: How does that move?
• 19:56
  Speaker 6: I don't see how Anne Hathaway is the love interest for.
• 20:01
  Speaker 3: Reba McEntire. Well, I'm just saying, it doesn't fit for me.
• 20:09
  Speaker 3: That's the random part of it, truthfully.
• 20:11
  Speaker 1: Well, who would you, I mean, who do you say?
• 20:15
  Speaker 3: We're looking for like another Jennifer Aniston. Well, essentially.
• 20:21
  Speaker 1: Oh my God, then I got it. The chick from
• 20:23
  Speaker 1: that show that I hate that's on all the time. Oh.
• 20:27
  Speaker 3: The one?
• 20:27
  Speaker 5: Yes.
• 20:29
  Speaker 6: Katie Kukula from Big Bang Theory.
• 20:32
  Speaker 1: How did you know?
• 20:34
  Speaker 3: Because it's on all the time. Oh, I've bitched about
• 20:37
  Speaker 3: that show enough over the years.
• 20:38
  Speaker 5: But she's perfect for that.
• 20:39
  Speaker 1: That's fine. See, that's the thing.
• 20:40
  Speaker 3: She's actually the, like, bright spot in that show.
• 20:42
  Speaker 1: She is.
• 20:43
  Speaker 3: Because, like, there's so much stuff about that show I
• 20:44
  Speaker 3: don't like, but I'm like, she is funny.
• 20:47
  Speaker 1: Yeah, she's good. But, I mean, that's a good, good,
• 20:49
  Speaker 1: it's not that I hate her, it's that I hate
• 20:51
  Speaker 1: that show.
• 20:51
  Speaker 3: I mean, truthfully, at that point, they just recast all
• 20:54
  Speaker 3: of Office Space with the guys from that show. Well,
• 20:56
  Speaker 3: that would kind of work.
• 20:56
  Speaker 1: Like, they all could do that.
• 20:57
  Speaker 3: I mean, it kind of, yeah, as much as I'm
• 20:59
  Speaker 3: not thrilled with several of them, I'm like, eh, it
• 21:02
  Speaker 3: would kind of work. That works.
• 21:03
  Speaker 1: Oh, here's a whole other topic. Doing recasting, but, like,
• 21:07
  Speaker 1: movies for television shows.
• 21:08
  Speaker 6: That's great.
• 21:09
  Speaker 5: Or vice versa.
• 21:10
  Speaker 1: Or television shows.
• 21:11
  Speaker 3: I mean, they both kind of... Movie versions of television shows?
• 21:14
  Speaker 1: Well, no. I mean, who would you cast in a
• 21:16
  Speaker 1: television series to a movie?
• 21:19
  Speaker 3: The fact that they're doing that so often now. They're
• 21:21
  Speaker 3: taking a movie concept and then shoving it into a
• 21:25
  Speaker 3: multi-week TV.
• 21:26
  Speaker 1: But I like that better. It's like things that you
• 21:28
  Speaker 1: find on the BBC where it's like it has a
• 21:30
  Speaker 1: beginning and it has an end and it's good and
• 21:32
  Speaker 1: it ends.
• 21:33
  Speaker 5: Yeah.
• 21:34
  Speaker 3: It can go the other way and that's what I
• 21:36
  Speaker 3: keep saying with some of like everything because the series
• 21:39
  Speaker 3: is now such a cool hip thing it's not cool
• 21:42
  Speaker 3: it's just better but sometimes they're jamming things into the
• 21:46
  Speaker 3: series format that don't have that much story because there's
• 21:49
  Speaker 3: two or three I tuned out on now because I'm
• 21:51
  Speaker 3: like you guys are dragging your feet so much well
• 21:54
  Speaker 3: but that's yeah but and that's what I'm saying like
• 21:57
  Speaker 3: if you you've got a great two hour movie here
• 22:00
  Speaker 3: instead you made a twelve hour series that you do
• 22:04
  Speaker 3: not have enough material to fill all this.
• 22:06
  Speaker 1: Yeah, I mean, there's... I think it can go wrong.
• 22:08
  Speaker 5: The other way.
• 22:08
  Speaker 3: Yeah, like, what's the show that... Damn it. It's relatively new,
• 22:15
  Speaker 3: and we watched the first season of it, the... You know,
• 22:19
  Speaker 3: a little grim.
• 22:20
  Speaker 1: Yeah.
• 22:22
  Speaker 3: It's like, why the hell did they keep going?
• 22:25
  Speaker 5: Yeah, the first season was.
• 22:26
  Speaker 3: A great little... Because it was making money? Of course.
• 22:29
  Speaker 3: And that's the only reason. They got advertising. It didn't
• 22:31
  Speaker 3: keep going because they still had story. No. It turned
• 22:34
  Speaker 3: into a soap opera. But that was one of those, like,
• 22:36
  Speaker 3: it is a good concept. Yeah, I thought it was
• 22:39
  Speaker 3: really interesting. It had potential.
• 22:41
  Speaker 1: The first season was really clever and interesting. You were like,
• 22:44
  Speaker 1: oh my gosh, that's really kind of cool. And then
• 22:46
  Speaker 1: it was just like.
• 22:47
  Speaker 3: but if something especially genre based because your fan base
• 22:50
  Speaker 3: is there and they're not going anywhere because I think
• 22:52
  Speaker 3: that I mean basically they were trying to do like
• 22:54
  Speaker 3: a network a bigger NBC kind of network version of
• 22:59
  Speaker 3: what Supernatural was doing basically because Supernatural just hit and
• 23:04
  Speaker 3: like you could never have imagined that like 28 years
• 23:08
  Speaker 3: later that show is still on the air and it feels.
• 23:10
  Speaker 5: Like it and I'm just like is it still on?
• 23:12
  Speaker 3: Yeah it's still on right now that's what I'm saying
• 23:14
  Speaker 3: like and they're still yeah and they've still drug out
• 23:18
  Speaker 3: new plot lines and the days of our lives of
• 23:21
  Speaker 3: fantasy i'm not knocking it but i'm just like it's
• 23:23
  Speaker 3: amazing to think that you could come up with any
• 23:26
  Speaker 3: kind of plot line that would still be going on
• 23:28
  Speaker 3: this many years in that like especially in a weird
• 23:32
  Speaker 3: genre like you have to kind of stick to this
• 23:35
  Speaker 3: you know genre area that like that's so yeah the
• 23:38
  Speaker 3: fact that grim ran out as quickly as it did
• 23:40
  Speaker 3: i guess doesn't surprise me really so i think it's
• 23:42
  Speaker 3: good like I think that's what's kind of cool about
• 23:45
  Speaker 3: the new scenario now is like, you can kind of pick,
• 23:48
  Speaker 3: you can cap it off like old sitcoms. It's like, okay,
• 23:51
  Speaker 3: we're just going to keep making them forever. So it's
• 23:53
  Speaker 3: like nine, 10 seasons out. Like you keep feeding it
• 23:57
  Speaker 3: because it's paying everybody's bills. But like now when you
• 24:00
  Speaker 3: can do like a Netflix series and be like, okay,
• 24:02
  Speaker 3: we've got 12 episodes to tell this story. We're not
• 24:04
  Speaker 3: necessarily coming back to do this again. So let's write
• 24:08
  Speaker 3: a story.
• 24:08
  Speaker 1: And that's the thing.
• 24:09
  Speaker 5: If you have a story that works for 12 hours
• 24:12
  Speaker 5: or however long you're going to make this, like, You
• 24:14
  Speaker 5: can plan it ahead and you can actually do that.
• 24:15
  Speaker 4: And I would.
• 24:16
  Speaker 6: Imagine that it's because that so many people have stated
• 24:21
  Speaker 6: very plainly, you know, hey, BBC is doing this correctly.
• 24:25
  Speaker 1: Because people have said for years, oh my God, why
• 24:28
  Speaker 1: can't a story just end and just move on? There's
• 24:30
  Speaker 1: plenty of other good stories to be told.
• 24:32
  Speaker 3: And they've done it successfully. Yeah, and they've even.
• 24:34
  Speaker 1: Done shorter stuff. Like, I mean, I love May Day
• 24:36
  Speaker 1: and that was like how many... Yeah, it was like
• 24:38
  Speaker 1: five episodes.
• 24:39
  Speaker 3: See, that's the thing. I think we want to find
• 24:41
  Speaker 3: that golden mean area there. We all get frustrated when
• 24:47
  Speaker 3: it's a BBC show that we like and we're like,
• 24:49
  Speaker 3: why are there only two series?
• 24:51
  Speaker 5: Which means we have no episodes.
• 24:53
  Speaker 3: This sucks. But we look at an American show that
• 24:55
  Speaker 3: runs for 12 years and we're just like, oh my God,
• 24:57
  Speaker 3: you guys beat this horse to death. So we kind
• 24:59
  Speaker 3: of want to find that middle ground where it's like
• 25:01
  Speaker 3: we don't want it to be over immediately, but we
• 25:05
  Speaker 3: need to be able to cap it.
• 25:06
  Speaker 6: This isn't on our topic, but I always felt that
• 25:11
  Speaker 6: Doctor Strange and Mr. Norrell series that the BBC did.
• 25:16
  Speaker 3: Was so good, and I was so upset when it
• 25:19
  Speaker 3: came to a close. But that was such a good feeling,
• 25:21
  Speaker 3: because you were like, oh!
• 25:24
  Speaker 6: You're like, oh, it could just keep going because the
• 25:26
  Speaker 6: acting was so good and the writing was so good.
• 25:29
  Speaker 3: But anyway, so it's your turn to list it.
• 25:32
  Speaker 2: Oh, my God.
• 25:32
  Speaker 1: Okay, so I suffer the same thing as you. I
• 25:35
  Speaker 1: feel like I should mention something new. How about Spider-Man?
• 25:38
  Speaker 1: It's a joke because that doesn't happen.
• 25:40
  Speaker 3: Superman?
• 25:41
  Speaker 1: How many more of those do we need?
• 25:42
  Speaker 5: Spiders?
• 25:43
  Speaker 1: But what I was going to say is my real
• 25:46
  Speaker 1: one is... Spat-Man. And I can kind of say that
• 25:50
  Speaker 1: there was sort of a remake of this eventually, but
• 25:54
  Speaker 1: there needs to be a new one, and it kind
• 25:55
  Speaker 1: of leads me to that could also be remade. Murder
• 25:58
  Speaker 1: by Death.
• 25:59
  Speaker 5: All right.
• 26:01
  Speaker 1: Which is like one of my all-time favorite movies. And
• 26:04
  Speaker 1: then Clue, which is like Murder by Death under the
• 26:07
  Speaker 1: guise of a board game.
• 26:09
  Speaker 3: That's coming... Well, that... Big concept is coming back. You
• 26:12
  Speaker 3: do know they're doing, this year, they're doing.
• 26:15
  Speaker 5: A big budget, like, super A-list stars version of Murder
• 26:20
  Speaker 5: on the Orient Express.
• 26:21
  Speaker 3: Yeah, yeah. Which sounds, like, the more I hear about it,
• 26:24
  Speaker 3: sounds cool.
• 26:25
  Speaker 1: It's kind of a cool idea.
• 26:25
  Speaker 3: And I think it's, I think it's Kenneth Branagh. So
• 26:29
  Speaker 3: I'm like, I feel like he's a stylish dude.
• 26:31
  Speaker 1: Yeah, I mean, but that would be cool.
• 26:32
  Speaker 5: Like, if he's gonna do an old school kind of director.
• 26:35
  Speaker 1: To do it, like, that's... That'd be a good Guy
• 26:36
  Speaker 1: Ritchie one, though. Oh, God. I'm sorry, I can't help it.
• 26:39
  Speaker 1: I do like Guy Ritchie.
• 26:40
  Speaker 5: This ain't your grandpa's murder on the Orient Express.
• 26:44
  Speaker 1: Murder by Death is so funny and has so many
• 26:48
  Speaker 1: great parts and great characters and really Clue kind of
• 26:50
  Speaker 1: riffed off of that, I think.
• 26:51
  Speaker 3: Definitely.
• 26:52
  Speaker 1: But that should totally be a remake. I mean, that
• 26:55
  Speaker 1: was great. Peter Sellers in that was phenomenal.
• 26:57
  Speaker 3: This is one of those that, like, it becomes that
• 26:59
  Speaker 3: weird generational thing. Because at the time, like, I remember
• 27:04
  Speaker 3: Clue falling on its face. But, yeah. And, like, so
• 27:07
  Speaker 3: at the time, I was just like, oh, well, that
• 27:09
  Speaker 3: didn't work.
• 27:10
  Speaker 2: And I saw it.
• 27:10
  Speaker 3: I actually loved it because I thought it was really funny.
• 27:12
  Speaker 1: I liked it.
• 27:12
  Speaker 3: But, again, I think I just honed in on Tim Curry,
• 27:15
  Speaker 3: who is fucking amazing in that movie. He was amazing.
• 27:17
  Speaker 6: Yeah.
• 27:17
  Speaker 3: And, like, the rest of the cast is great. But, like,
• 27:19
  Speaker 3: you can't, like, you can't compete with.
• 27:20
  Speaker 1: That's like a, yeah, I mean, you can't compete with
• 27:22
  Speaker 1: Tim Curry.
• 27:22
  Speaker 3: When Tim Curry's at the top of his game, like,
• 27:24
  Speaker 3: you cannot even.
• 27:25
  Speaker 1: No, I mean, he is wonderful.
• 27:26
  Speaker 5: He's amazing.
• 27:27
  Speaker 1: Like he's fantastic.
• 27:29
  Speaker 5: But i remember like heckable timing.
• 27:31
  Speaker 3: Yeah it died and nobody liked it and it was
• 27:33
  Speaker 3: kind of a joke and nobody cared for like 10
• 27:35
  Speaker 3: years and then it's like the 90s kids came along
• 27:39
  Speaker 3: and it was on cable and like it's funny that
• 27:41
  Speaker 3: now that those kids have grown up they do treat
• 27:43
  Speaker 3: it like it's a classic yeah and i'm like but
• 27:46
  Speaker 3: nobody cared when it came.
• 27:47
  Speaker 1: Out like i gotta tell you it's a second wave
• 27:50
  Speaker 1: i loved it because i thought it was so like
• 27:52
  Speaker 1: odd again there's.
• 27:54
  Speaker 3: Those like us that liked it originally but.
• 27:56
  Speaker 1: It was like fantastic i mean i know that movie
• 27:58
  Speaker 1: back and backwards but that's.
• 27:59
  Speaker 3: What i think is weird is that like those kids
• 28:02
  Speaker 3: missed that wave like they didn't know that they were
• 28:04
  Speaker 3: the oddballs that liked it at the time like we
• 28:06
  Speaker 3: did so then it just became like a thing that
• 28:09
  Speaker 3: they watched when they were kids and like they saw
• 28:11
  Speaker 3: it all the time and it was normal and then
• 28:13
  Speaker 3: they all just assumed it was a classic oh that's
• 28:16
  Speaker 3: a great movie and like Nobody else thinks that.
• 28:19
  Speaker 1: It's just this weird little window of kids that grew
• 28:21
  Speaker 1: up watching it. And that's my removal of Murder by
• 28:23
  Speaker 1: Death because that precedes us, for sure. And just seeing
• 28:26
  Speaker 1: it in passing so many times on television and being like,
• 28:29
  Speaker 1: what is this? And to me, it became just this
• 28:32
  Speaker 1: normal classic.
• 28:34
  Speaker 6: I think we said this last week, but that was
• 28:38
  Speaker 6: what happened with almost all of the canon films.
• 28:41
  Speaker 3: Of the 80s.
• 28:41
  Speaker 8: Yeah.
• 28:42
  Speaker 6: Like the bad Hercules and stuff like that.
• 28:45
  Speaker 3: And you grew up thinking... Oh, I saw that because
• 28:49
  Speaker 3: it was licensed for cable. And you saw it a
• 28:52
  Speaker 3: thousand times. Those were all great movies. Yeah, it was
• 28:57
  Speaker 3: so hokey.
• 28:58
  Speaker 1: Wait, did they do FX? Because FX to this day
• 29:00
  Speaker 1: is a fantastic movie. And I think that was a canon.
• 29:03
  Speaker 5: Brian Dennehy.
• 29:04
  Speaker 1: Yeah. So yeah, who would you randomly cast?
• 29:08
  Speaker 5: Give us a random.
• 29:08
  Speaker 1: Because honestly, I don't have anybody picked out. So something old.
• 29:12
  Speaker 3: For Clue or.
• 29:13
  Speaker 1: No, for Murder by Death.
• 29:15
  Speaker 3: So are we just looking like Peter Sellers or we
• 29:18
  Speaker 3: just want a random group of people?
• 29:19
  Speaker 1: No, we can just do randomly who we think.
• 29:20
  Speaker 5: All right, if we're just doing.
• 29:21
  Speaker 3: Because this falls a little more into like... Because Clue
• 29:23
  Speaker 3: had a little stunt casting going on anyway.
• 29:25
  Speaker 5: Yeah. So this already had... Okay, this is pretty great.
• 29:29
  Speaker 3: The one that's already sitting here is Megan Fox, Victoria Beckham,
• 29:36
  Speaker 3: Ron Jeremy... That would be great. That would be great.
• 29:40
  Speaker 5: Keep going.
• 29:40
  Speaker 3: Wait, let's do another one here. Kate Moss, Macaulay Culkin,
• 29:45
  Speaker 3: James Earl Jones.
• 29:48
  Speaker 5: I would watch this movie.
• 29:50
  Speaker 3: It seems like a nightmare, but I would watch this movie.
• 29:53
  Speaker 1: Wait, then maybe you cast them in Clue as well.
• 29:55
  Speaker 3: Well.
• 29:56
  Speaker 5: Well, I mean, it's sort of interchangeable at this point.
• 29:59
  Speaker 6: I was thinking, you know, Out of that group of women,
• 30:03
  Speaker 6: which one would you cast to be the singing telegram
• 30:06
  Speaker 6: girl that gets shot?
• 30:09
  Speaker 3: That's when we bring in, we return to Taylor Swift
• 30:12
  Speaker 3: for her little cameo. Oh, never mind. Which we all
• 30:17
  Speaker 3: kind of just want to fire a bullet in the
• 30:19
  Speaker 3: dark at her, right?
• 30:20
  Speaker 1: Yeah, I guess maybe we're just trying to make a
• 30:22
  Speaker 1: clue at this point. But I do have to say
• 30:24
  Speaker 1: that I loved Murder by Death. How on walls speak.
• 30:28
  Speaker 3: But who do we get as Peter Sellers? Because that's
• 30:31
  Speaker 3: one of those that's like, he is sort of his
• 30:33
  Speaker 3: own thing. Or Tim Curry.
• 30:34
  Speaker 1: Well, oh, man.
• 30:35
  Speaker 3: Peter Sellers, Tim Curry.
• 30:37
  Speaker 1: You know, I was going to say Peter Sellers, who
• 30:39
  Speaker 1: I would pick, but then I couldn't because he played
• 30:41
  Speaker 1: Peter Sellers in the HBO thing. And the actor that
• 30:44
  Speaker 1: I was talking about that I love, Jeffrey Rush.
• 30:46
  Speaker 4: Oh, yes.
• 30:47
  Speaker 1: But he was great.
• 30:49
  Speaker 3: Oh, all right.
• 30:50
  Speaker 1: Okay.
• 30:50
  Speaker 3: Jeffrey Rush.
• 30:52
  Speaker 1: Okay, that's... But he played Peter Sellers, but he'd be
• 30:54
  Speaker 1: a good Tim Curry as well.
• 30:56
  Speaker 3: But he also can kind of do like weird, silly
• 31:00
  Speaker 3: stuff if need be.
• 31:01
  Speaker 5: Yeah, he's fantastic. Because like, wasn't he, um, wasn't he, uh,
• 31:08
  Speaker 5: Rikita Saha?
• 31:09
  Speaker 7: Oh and Quills that was a phenomenal film so he
• 31:12
  Speaker 7: can do crazy and then he's in like freaking pirates
• 31:16
  Speaker 7: movies so he'll do schlocky Quills was great I love Quills.
• 31:21
  Speaker 3: He's got that kind of mentality he can do weird stuff.
• 31:24
  Speaker 1: I think that and the Taylor of Panama both made
• 31:26
  Speaker 1: me go man I really like.
• 31:28
  Speaker 5: Him so that's not the worst casting for that role
• 31:31
  Speaker 5: I can see that but should it be done.
• 31:36
  Speaker 1: Yeah, well, I have a hard time, yeah.
• 31:39
  Speaker 3: Again, I don't know if you need to nail down
• 31:41
  Speaker 3: either of those properties, but if you wanted to do another... Like, again,
• 31:46
  Speaker 3: they used to do that kind of stuff all the time.
• 31:48
  Speaker 3: The big Hollywood cast and all the superstars. The big
• 31:50
  Speaker 3: ensemble cast.
• 31:51
  Speaker 5: It'd be some sort of mystery or something.
• 31:53
  Speaker 1: Well, I mean, they still did it with that other...
• 31:56
  Speaker 1: It's a remake. Ocean's Eleven through 28, whatever.
• 32:00
  Speaker 5: Whatever on now.
• 32:01
  Speaker 3: Which is coming back again this year.
• 32:03
  Speaker 1: Except with women.
• 32:05
  Speaker 3: That's going to be our new game. As we recast everything,
• 32:08
  Speaker 3: we're like, well, let's put a bunch of women in it.
• 32:10
  Speaker 1: Yay! Game over.
• 32:12
  Speaker 5: Which is a weird thing.
• 32:13
  Speaker 3: Although I do like a lot of the cast of
• 32:15
  Speaker 3: this new Ocean, so I'm just like, well, I'll see it.
• 32:19
  Speaker 5: Who doesn't love Sandra Bullock?
• 32:21
  Speaker 3: So we're all in already.
• 32:22
  Speaker 1: Is Melissa McCarthy in it? I don't think so.
• 32:26
  Speaker 5: I don't think she's allowed in.
• 32:27
  Speaker 3: She's already been in one, and everybody bitched about it,
• 32:31
  Speaker 3: so they don't want to curse their project.
• 32:33
  Speaker 10: Ugh.
• 32:36
  Speaker 5: All right.
• 32:36
  Speaker 1: She's being it. That's who I'd cast.
• 32:38
  Speaker 3: I mean, I think she's amazing regardless, but if they're
• 32:43
  Speaker 3: not doing that kind of comedy.
• 32:44
  Speaker 1: Let's do the reboot of Das Boot with all women.
• 32:48
  Speaker 3: Das Reboot.
• 32:51
  Speaker 5: All those ladies stuck on a submarine together.
• 32:54
  Speaker 1: Shopping for shoes.
• 32:55
  Speaker 5: As a woman, I.
• 32:56
  Speaker 1: Can make that joke.
• 32:57
  Speaker 5: I was just thinking.
• 32:58
  Speaker 3: Well, no, I'm just thinking if you're going to go
• 32:59
  Speaker 3: the hardcore female route, think about all of you getting
• 33:04
  Speaker 3: in the same.
• 33:06
  Speaker 1: No, really.
• 33:06
  Speaker 3: I mean, you're stuck on that together. Eventually, somebody does
• 33:10
  Speaker 3: kill somebody. Oh, lady jokes. Cycles line up.
• 33:14
  Speaker 1: Lady cycle jokes. Yeah, well, what else will we remake
• 33:18
  Speaker 1: or not remake?
• 33:20
  Speaker 5: Well, we're round robining, so.
• 33:22
  Speaker 3: All right.
• 33:23
  Speaker 1: Yeah, I mean, obviously, I just had an intriguing concept,
• 33:26
  Speaker 1: but no real idea.
• 33:26
  Speaker 3: Not that this hasn't already been done in some form,
• 33:29
  Speaker 3: but even that's dated.
• 33:31
  Speaker 5: How about The Shining?
• 33:34
  Speaker 1: So then do you go novel story?
• 33:36
  Speaker 3: Because I've always said I, once again, and we were
• 33:39
  Speaker 3: making this comment before we started rolling here, I appreciate
• 33:43
  Speaker 3: how much he veers away from the novel to do
• 33:45
  Speaker 3: his own story and think... think it's a much tighter
• 33:50
  Speaker 3: cooler story as it stands the kubrick way so i
• 33:54
  Speaker 3: guess you can do either i mean the miniseries sticks
• 33:57
  Speaker 3: closer to the book so there's been a sort of
• 34:00
  Speaker 3: semi non-theatrical remake but i don't.
• 34:04
  Speaker 6: Think you can which which version either the kubrick the
• 34:10
  Speaker 6: kubrick again i think the kubrick one is so kubrick
• 34:13
  Speaker 6: that it would be really hard to do it.
• 34:14
  Speaker 5: You could do the general thing.
• 34:16
  Speaker 3: They always say is, we're going back to the source material.
• 34:18
  Speaker 3: That's what they always say when they.
• 34:19
  Speaker 5: Want to legitimize the reason for a remake.
• 34:22
  Speaker 3: It's so cult movie now. And it's beloved for the
• 34:28
  Speaker 3: other weird things going on that have nothing to do
• 34:30
  Speaker 3: with the plot. Right.
• 34:32
  Speaker 1: And that's all Kubrick.
• 34:33
  Speaker 6: There are people that have pulled that movie apart for
• 34:37
  Speaker 6: all of the.
• 34:38
  Speaker 1: It's like the Ulysses of movies. Yeah, I don't think you...
• 34:43
  Speaker 1: because part of the style of that movie... It's mostly style.
• 34:48
  Speaker 8: You know what I mean?
• 34:49
  Speaker 1: That's what it is.
• 34:50
  Speaker 3: The story is pretty minimal.
• 34:52
  Speaker 1: If you remade it, you would just be.
• 34:54
  Speaker 3: Again, I think that's the strength of it. I think
• 34:57
  Speaker 3: that's why it works so well is because he got...
• 35:01
  Speaker 3: As previously said on an episode, King writes a lot
• 35:03
  Speaker 3: of extra stuff that you don't necessarily need. He gets
• 35:06
  Speaker 3: carried away on his own stories. So it's like, those
• 35:09
  Speaker 3: pages don't fill themselves.
• 35:12
  Speaker 5: I've got four books to write this week.
• 35:14
  Speaker 3: Just fire it away.
• 35:15
  Speaker 1: I'm that person that likes to sit around and say,
• 35:17
  Speaker 1: they're the blank of blank. He's the David Copperfield of
• 35:21
  Speaker 1: modern horror.
• 35:22
  Speaker 3: But I think it helped it to thin it out anyway.
• 35:26
  Speaker 3: And then when you get somebody like Kubrick, who is
• 35:27
  Speaker 3: so plotting and so style heavy that he knew exactly
• 35:33
  Speaker 3: what he wanted to do. and the extra bullshit of
• 35:37
  Speaker 3: the story is just going to get in the way.
• 35:38
  Speaker 3: So he just cut it down to the bare minimum.
• 35:41
  Speaker 3: Here's the basics of what I want. Here's the creepiness.
• 35:43
  Speaker 3: Now I'm going to add all my crazy Kubrick stuff
• 35:45
  Speaker 3: on top of that, and it's going to be amazing,
• 35:47
  Speaker 3: and it kind of is. It would be hard to
• 35:50
  Speaker 3: do the Kubrick version.
• 35:51
  Speaker 5: If you were going to stick closer to let's do
• 35:53
  Speaker 5: a book version kind of a thing.
• 35:56
  Speaker 3: Let's see what a random casting is.
• 35:58
  Speaker 2: Oh, God.
• 36:02
  Speaker 3: Let's, oh. All right, let's do this. Starting to age
• 36:08
  Speaker 3: out now.
• 36:09
  Speaker 5: Just throw it out. I don't do the math.
• 36:11
  Speaker 3: I forget how old Jeff Goldblum is.
• 36:13
  Speaker 1: Hot. But think about crazy.
• 36:17
  Speaker 3: Jeff Goldblum moving into the hotel. Well, all you have
• 36:22
  Speaker 3: to do is conjure him as the fly.
• 36:25
  Speaker 2: I know.
• 36:26
  Speaker 3: He can do that crazy.
• 36:28
  Speaker 1: Paul does a pretty good Jeff Goldblum.
• 36:30
  Speaker 3: I'm doing it now. You live your life as Jeff Goldblum.
• 36:35
  Speaker 5: Every day I'm doing Jeff Goldblum.
• 36:37
  Speaker 3: No, no, just tiny imperfections.
• 36:39
  Speaker 1: It's his inner, you know how you all have your
• 36:42
  Speaker 1: inner celebrity. Who's your inner celebrity? Brian, who you got?
• 36:47
  Speaker 1: Paul's is Jeff Goldblum.
• 36:49
  Speaker 5: Do I have an inner celebrity?
• 36:52
  Speaker 3: I don't know, do I?
• 36:53
  Speaker 1: Mine's Drew Barrymore.
• 36:55
  Speaker 2: Oh, God.
• 36:56
  Speaker 5: Do I have to be annoyed at you now?
• 36:59
  Speaker 6: Yeah, actually, I could totally see you cast in the
• 37:05
  Speaker 6: Santa Clarita Diet.
• 37:06
  Speaker 5: I know, right?
• 37:07
  Speaker 3: That's only because you eat people.
• 37:11
  Speaker 8: Turns out, it's man.
• 37:12
  Speaker 3: For a living. So for the Shelley Duvall role, do
• 37:17
  Speaker 3: we need to go age appropriate for Jeff Goldblum? No, no,
• 37:20
  Speaker 3: what are you talking about? Because the other people are, yeah,
• 37:24
  Speaker 3: it's standard Hollywood casting if we're going with the randomizer
• 37:26
  Speaker 3: here because Lea Michele came up. I'm like, poor Lea Michele.
• 37:32
  Speaker 1: Which one's Lea Michele?
• 37:34
  Speaker 5: She's a glee.
• 37:35
  Speaker 3: Oh, whatever. I don't know. But again, she's like, what, 25?
• 37:39
  Speaker 3: So 72-year-old Jeff Goldblum is married to this 25-year-old.
• 37:43
  Speaker 1: Well, he is married to like a 30-year-old.
• 37:44
  Speaker 3: He probably is. I mean, once again, this is a
• 37:46
  Speaker 3: Hollywood role. But that wouldn't really translate well on film.
• 37:52
  Speaker 3: does think about i mean it's like that it's not
• 37:54
  Speaker 3: a lot of things it's not that vast but it's
• 37:57
  Speaker 3: a lot of times a good 30 year gap in
• 37:59
  Speaker 3: some of these leading man versus leading lady chomp crews
• 38:03
  Speaker 3: i'm talking to you they went through and like they
• 38:06
  Speaker 3: mapped out a lot of his movies and it's like
• 38:08
  Speaker 3: the the chart that they map out of his age
• 38:12
  Speaker 3: continually getting higher and his leading lady age continually getting smaller.
• 38:17
  Speaker 6: Well, there's only so many short women in Hollywood that
• 38:21
  Speaker 6: he can.
• 38:22
  Speaker 3: Be slightly taller than. Just Apple boxes.
• 38:24
  Speaker 5: He's all fine. Don't worry about it.
• 38:26
  Speaker 3: You just got to shoot appropriately.
• 38:28
  Speaker 5: Yeah, it's perspective shots, yeah.
• 38:31
  Speaker 3: So, throwing that in there, how about Tom Cruise in
• 38:37
  Speaker 3: The Shining?
• 38:40
  Speaker 6: Yeah that's a weird the thing is like I'm already
• 38:43
  Speaker 6: scared of him so well yeah that's the thing I'm
• 38:45
  Speaker 6: weirded out by it but at the same time I'm like.
• 38:49
  Speaker 1: He he's a weird dude.
• 38:53
  Speaker 3: Like I mean that kind of like has it's own
• 38:56
  Speaker 3: alchemy that goes on there that I'm like that could
• 38:58
  Speaker 3: nail it or could be such.
• 39:01
  Speaker 6: A train wreck to that point another Scientologist.
• 39:06
  Speaker 3: That's what I thought was an interesting tie in too
• 39:08
  Speaker 3: um John Travolta.
• 39:10
  Speaker 5: All right.
• 39:11
  Speaker 3: In The Shining. In The Shining.
• 39:13
  Speaker 4: Hmm.
• 39:14
  Speaker 3: Which ties into my next movie.
• 39:15
  Speaker 1: How about, wait a minute, let me go one step further.
• 39:17
  Speaker 1: Nicolas Cage.
• 39:18
  Speaker 2: In The Shining.
• 39:19
  Speaker 1: Now that. Let's keep going.
• 39:20
  Speaker 3: Do I think it would be good?
• 39:21
  Speaker 6: No.
• 39:21
  Speaker 1: No.
• 39:22
  Speaker 3: Does it work? Would I line up for it now?
• 39:24
  Speaker 1: Yes. I'm there.
• 39:27
  Speaker 3: I'm trying to think, though. Before we move on, who's
• 39:29
  Speaker 3: the modern day Shelley Duvall? I'm trying to think.
• 39:33
  Speaker 1: Man.
• 39:34
  Speaker 5: Because she's such an... I love her in a lot
• 39:38
  Speaker 5: of roles, but she's an odd actress.
• 39:40
  Speaker 6: What's the one remotely close would be the girl from
• 39:48
  Speaker 6: That Girl.
• 39:51
  Speaker 1: Zoey Deschanel.
• 39:52
  Speaker 5: Zoey Deschanel.
• 39:52
  Speaker 1: Like, she's got the, ah, cute, kind of weird.
• 39:56
  Speaker 5: Huh. That's, but that's the closest, I think.
• 40:01
  Speaker 1: No, I can see that.
• 40:02
  Speaker 3: Yeah.
• 40:03
  Speaker 1: But I would never make her work with Nicolas Cage.
• 40:06
  Speaker 1: It's just an image I can't handle in my head.
• 40:07
  Speaker 1: What about Tom Cruise?
• 40:09
  Speaker 3: I mean, she's not as odd as Shelley Duvall. No,
• 40:13
  Speaker 3: but she's good at being quirky as hell. But I
• 40:15
  Speaker 3: could see her screaming her head off. And me believing it.
• 40:19
  Speaker 3: And she's actually a good actress.
• 40:21
  Speaker 2: She is.
• 40:21
  Speaker 5: That show is the best showcase of her.
• 40:24
  Speaker 3: But she's got potential to do good things.
• 40:28
  Speaker 1: Yeah. I don't have a problem with her acting. I
• 40:30
  Speaker 1: think she's quirky and she's good and I like the fit.
• 40:33
  Speaker 3: Well, there you go.
• 40:34
  Speaker 1: There you go. Cast, boom. Next.
• 40:35
  Speaker 5: All right.
• 40:36
  Speaker 6: So, one, speaking of Scientology, one that I have in
• 40:40
  Speaker 6: my do remake list is.
• 40:43
  Speaker 1: Oh, the Scientology movie? No. No. With the alien.
• 40:46
  Speaker 5: There's like three of them.
• 40:47
  Speaker 3: No, no.
• 40:47
  Speaker 1: Woodhead turtle.
• 40:48
  Speaker 3: No, that does not need to be remade.
• 40:50
  Speaker 5: Battlefield Earth.
• 40:51
  Speaker 3: Battlefield Earth.
• 40:52
  Speaker 5: No, that definitely does not need.
• 40:54
  Speaker 2: To be remade.
• 40:54
  Speaker 3: I can just watch it on endless loop. How about
• 40:56
  Speaker 3: Battlefield Earth remade with turtles?
• 40:58
  Speaker 1: With Battlestar Galactica cast.
• 41:00
  Speaker 5: I want to see an entire cast of actual live
• 41:02
  Speaker 5: action turtle.
• 41:03
  Speaker 1: It's just turtle on turtle.
• 41:06
  Speaker 4: Action.
• 41:06
  Speaker 3: I don't want any of that guy in it. I
• 41:07
  Speaker 3: want live real turtle.
• 41:09
  Speaker 1: No, it's not turtle.
• 41:10
  Speaker 3: Turtle is turtle.
• 41:12
  Speaker 5: No, I want Turtles, Dan.
• 41:13
  Speaker 2: Turtles.
• 41:14
  Speaker 3: Real slow action.
• 41:15
  Speaker 5: I want Turtles.
• 41:17
  Speaker 2: No, no.
• 41:18
  Speaker 3: With dreadlocks.
• 41:19
  Speaker 5: I love that movie.
• 41:20
  Speaker 3: Face off. Do remake it.
• 41:23
  Speaker 1: With women.
• 41:24
  Speaker 5: For God's sake, remake it.
• 41:26
  Speaker 3: Why?
• 41:28
  Speaker 1: It's perfect as it is. No, it's not. That's like
• 41:30
  Speaker 1: saying remake Con Air.
• 41:32
  Speaker 3: Remake Kanye. I mean, you couldn't make it more ridiculous.
• 41:37
  Speaker 1: I know. That's the point.
• 41:40
  Speaker 3: There's nothing to lose or gain in remaking this. Face off,
• 41:44
  Speaker 3: I initially got a specific image flashed up for my
• 41:49
  Speaker 3: starring leading man, and I can't decide which one he is.
• 41:52
  Speaker 3: Joseph Gordon-Levitt.
• 41:55
  Speaker 5: I'm trying to do a currently, a current day. So
• 41:58
  Speaker 5: I'm like, he is good.
• 42:00
  Speaker 1: That's what I'm like.
• 42:01
  Speaker 3: I'm like, he's not ever really bad at something. I
• 42:03
  Speaker 3: loved Looper. Wasn't it Looper?
• 42:05
  Speaker 1: Looper's great.
• 42:05
  Speaker 3: And again, he doesn't need extra face stuff. So let's
• 42:08
  Speaker 3: just have him have his real face. Because that's my
• 42:10
  Speaker 3: main issue with Looper. It's like, what?
• 42:12
  Speaker 1: No. We can do the math.
• 42:14
  Speaker 3: We understand Bruce Willis.
• 42:16
  Speaker 5: We don't need a face appliance.
• 42:18
  Speaker 3: It's cool.
• 42:18
  Speaker 1: Face appliance.
• 42:21
  Speaker 5: Speaking of no face appliance, face off.
• 42:23
  Speaker 3: So who's the other half?
• 42:25
  Speaker 5: A face off.
• 42:28
  Speaker 3: Do we go random or do we think of one?
• 42:32
  Speaker 3: I'm trying to think of someone similar age.
• 42:34
  Speaker 1: Oh my God. I know this is my go-to, right?
• 42:37
  Speaker 1: Because I love them.
• 42:39
  Speaker 5: But I got it.
• 42:40
  Speaker 1: And don't, you're going to roll your eyes.
• 42:42
  Speaker 5: I got it.
• 42:43
  Speaker 1: Aiden Gillen.
• 42:45
  Speaker 5: I can totally see that.
• 42:46
  Speaker 8: Right?
• 42:48
  Speaker 3: Do I know this person?
• 42:49
  Speaker 1: Yeah, he was CIA in Dark Knight.
• 42:52
  Speaker 6: He was Peter Baelish in Game of Thrones.
• 42:56
  Speaker 1: But he really has curly hair. It's gray. But he's
• 43:00
  Speaker 1: kind of the same shape as a Gordon Levitt, sort of.
• 43:04
  Speaker 1: And he can kind of do campy. Irish actor. I
• 43:09
  Speaker 1: know I love him and talk about him a lot.
• 43:11
  Speaker 3: You do. You've got a photo on your phone.
• 43:17
  Speaker 1: He's my ringtone when you call.
• 43:18
  Speaker 3: He's your screensaver.
• 43:19
  Speaker 1: Or he's my photo when you call.
• 43:21
  Speaker 5: It's your wallpaper.
• 43:22
  Speaker 1: It's him because he looks like you, but you look better.
• 43:24
  Speaker 1: But yeah, I mean, that would kind of be a cool.
• 43:28
  Speaker 3: Yes, who takes place of Nicolas Cage? Well, I mean,
• 43:34
  Speaker 3: it kind of reverses anyway, so it doesn't really matter.
• 43:37
  Speaker 1: But those two would work, and it's kind of like
• 43:39
  Speaker 1: it would be interesting.
• 43:40
  Speaker 3: Joseph Gordon-Levitt and Aidan Gillen in Face Off, the movie.
• 43:44
  Speaker 1: The remake.
• 43:45
  Speaker 3: The remake. Dust face off.
• 43:49
  Speaker 5: Dust face off.
• 43:51
  Speaker 3: Reface. About face.
• 43:54
  Speaker 5: Off.
• 43:59
  Speaker 1: But you know what I'm saying? Like, okay, so if
• 44:00
  Speaker 1: I wanted it to be good and cool and, like,
• 44:04
  Speaker 1: if somebody decent would rewrite it, then those would be
• 44:08
  Speaker 1: my two. Because I think they're both really good actors.
• 44:09
  Speaker 3: I think it totally works.
• 44:11
  Speaker 5: You could totally do it.
• 44:12
  Speaker 3: And that's why... I feel vindicated in putting it in
• 44:16
  Speaker 3: my do column. Well, I've been thinking about all the
• 44:21
  Speaker 3: places we've.
• 44:22
  Speaker 9: Surfed and danced in, all the.
• 44:25
  Speaker 3: Faces we've missed, so let's get back.
• 44:29
  Speaker 8: Together and do it again.
• 44:32
  Speaker 9: Come to me.
• 44:50
  Speaker 4: Yes, folks, it's intermission time.
• 44:52
  Speaker 2: So how about taking a break? Get out and stretch
• 44:55
  Speaker 2: a little. And relax before the show begins again.
• 44:58
  Speaker 4: Oh, no.
• 44:59
  Speaker 3: That's no good.
• 45:00
  Speaker 7: Turn it off.
• 45:02
  Speaker 4: Stop it.
• 45:03
  Speaker 3: Turn it off.
• 45:04
  Speaker 5: That won't work.
• 45:05
  Speaker 6: It's no good.
• 45:07
  Speaker 5: What do you make a trailer for?
• 45:09
  Speaker 6: To give the public an idea of what kind of.
• 45:12
  Speaker 5: A picture to expect.
• 45:13
  Speaker 6: Hilarious, romantic, tender, exciting.
• 45:17
  Speaker 1: Make up your minds. It can't be all of those things. Mr.
• 45:20
  Speaker 2: Schafer, if you look at the picture.
• 45:22
  Speaker 1: I don't have to look at the picture. I know
• 45:24
  Speaker 1: you're wrong.
• 45:25
  Speaker 5: Tender, exciting.
• 45:27
  Speaker 1: By the practically opposites.
• 45:29
  Speaker 3: You've got to decide what kind of a.
• 45:30
  Speaker 2: Picture this is.
• 45:31
  Speaker 5: Is it a romantic love story?
• 45:33
  Speaker 4: Is it an exciting thriller?
• 45:35
  Speaker 1: Is it a hilarious comedy? Make up your minds.
• 45:37
  Speaker 2: Now go to work and fix it up.
• 45:39
  Speaker 1: What will it be like 300 years from now?
• 45:42
  Speaker 5: The satisfaction of every wish.
• 45:43
  Speaker 1: How will it feel to touch and be touched?
• 45:46
  Speaker 5: The fulfillment of every fantasy.
• 45:47
  Speaker 1: Whoever, whenever.
• 45:49
  Speaker 2: You touch a switch, turn a dial. Will all things
• 45:51
  Speaker 2: be possible?
• 45:52
  Speaker 5: And a perfect lover. third century.
• 45:58
  Speaker 2: The perfect world of total pleasure. MGM presents the Saul
• 46:02
  Speaker 2: David production of Logan's Run. Just imagine the fulfillment of
• 46:08
  Speaker 2: every fantasy.
• 46:09
  Speaker 1: The satisfaction of every vanity. The absolute attainment of every wish.
• 46:15
  Speaker 2: There's just one cat. Logan's Run. Rated PG. Parental guidance suggested.
• 46:24
  Speaker 2: Released by United Artists. Logan's Run. It's the perfect world
• 46:29
  Speaker 2: of total pleasure.
• 46:31
  Speaker 5: There's just one catch.
• 46:33
  Speaker 8: Shit the bed.
• 46:35
  Speaker 9: Howdy, folks.
• 46:36
  Speaker 3: Come on in.
• 46:48
  Speaker 11: From the looks of them fancy britches and sassy little hairdos,
• 46:53
  Speaker 11: y'all ain't from around here, are you?
• 46:55
  Speaker 5: This is Sid Hagan. You're fucking around with Movie Meltdown.
• 46:58
  Speaker 6: Why don't you just take your mama home some chicken,
• 47:02
  Speaker 6: and then I won't have to stuff my boot all.
• 47:04
  Speaker 1: Up in your ass.
• 47:06
  Speaker 9: Woke up this morning feeling low where my loved one.
• 47:11
  Speaker 3: Used to live.
• 47:19
  Speaker 7: Hey, Jacqueline.
• 47:19
  Speaker 1: Hi. Guess what? What?
• 47:24
  Speaker 2: We're broke.
• 47:24
  Speaker 1: Yeah, we definitely.
• 47:25
  Speaker 5: I'm turning my.
• 47:33
  Speaker 2: Pockets out right now.
• 47:49
  Speaker 3: Nothing. That's what I'm saying.
• 47:51
  Speaker 5: I do that every week.
• 47:52
  Speaker 3: And yet, I'm trying to produce this show for you
• 47:54
  Speaker 3: guys listening right now.
• 47:56
  Speaker 1: Yeah.
• 47:57
  Speaker 8: Freeloaders.
• 47:58
  Speaker 3: I'm just saying, you know, if you want to keep
• 48:01
  Speaker 3: this thing rolling, it'd be kind of awesome if you'd
• 48:04
  Speaker 3: go to our Patreon page and, like, kick in, like, seriously, like,
• 48:07
  Speaker 3: two bucks.
• 48:08
  Speaker 9: I mean, you're gonna do, like, Netflix for, like, $ 9.
• 48:10
  Speaker 5: 99 and you get And you're probably not going to
• 48:13
  Speaker 5: watch it all month like I do.
• 48:15
  Speaker 6: Yeah, you need our commentary to figure out what to
• 48:18
  Speaker 6: watch on Netflix.
• 48:20
  Speaker 5: I think so. It's like a companion piece to all
• 48:22
  Speaker 5: your Amazons and Netflixes and all of these things. So
• 48:27
  Speaker 5: just think how much you don't make use of your
• 48:29
  Speaker 5: other streaming services. But every week we're loading up a
• 48:32
  Speaker 5: whole new episode of us going in-depth, more than you
• 48:36
  Speaker 5: may want, about whatever movie we've decided or bringing in
• 48:39
  Speaker 5: some awesome guests. So I'm just saying.
• 48:42
  Speaker 4: Two bucks.
• 48:43
  Speaker 5: It's not so bad.
• 48:44
  Speaker 1: Two dollars.
• 48:44
  Speaker 3: You won't even notice it.
• 48:46
  Speaker 1: And you'll look at your bank statement and be like,
• 48:47
  Speaker 1: two dollars. Oh, yeah. Oh, yeah.
• 48:49
  Speaker 3: I'm supporting an artist that I like.
• 48:52
  Speaker 5: That's all I ask for.
• 48:54
  Speaker 3: Trying to keep this thing rolling. And all we need
• 48:57
  Speaker 3: is your assistance. So go to patreon.com slash movie meltdown.
• 49:01
  Speaker 3: Or if you can't remember all that, go to movie meltdown.com.
• 49:04
  Speaker 5: The link is right there at the top of the homepage.
• 49:06
  Speaker 3: That's all you need to do. I contribute more than
• 49:09
  Speaker 3: two dollars a month.
• 49:10
  Speaker 5: Because you're awesome like that. Why don't you be awesome
• 49:12
  Speaker 5: like Jacqueline? I'm just saying.
• 49:14
  Speaker 3: I mean, really, though. I mean, you can't be that awesome, obviously.
• 49:18
  Speaker 1: But you can get closer.
• 49:20
  Speaker 5: You can climb the ladder a little bit.
• 49:22
  Speaker 3: Just saying.
• 49:23
  Speaker 5: Patreon, go support us.
• 49:26
  Speaker 1: All I do All day long Fall down on my
• 49:32
  Speaker 1: knees and pray She come back home for me.
• 49:38
  Speaker 2: Why is there a bad love on me?
• 49:45
  Speaker 7: It's part of your problem, you know.
• 49:48
  Speaker 5: You haven't seen enough movies.
• 49:49
  Speaker 3: All of life's riddles are.
• 49:51
  Speaker 2: Answered in the movies.
• 49:53
  Speaker 4: And now, on with the show.
• 49:59
  Speaker 1: Oh my God, what have I done? All I wanted
• 50:01
  Speaker 1: was a little fun. Wow, God, does this mean it's
• 50:05
  Speaker 1: my turn to do or do not? I hadn't thought
• 50:07
  Speaker 1: that far. I've got a string of them.
• 50:09
  Speaker 5: Do or do not.
• 50:09
  Speaker 1: Do or do not you.
• 50:10
  Speaker 9: Both.
• 50:11
  Speaker 1: There are so many that.
• 50:31
  Speaker 3: Should not be done because they're timeless.
• 50:34
  Speaker 1: Like 1970s kung fu movies?
• 50:36
  Speaker 3: Well, that's why they're good. Because they're kung fu movies
• 50:40
  Speaker 3: from the 70s.
• 50:41
  Speaker 5: Tell that to Kill Bill Volumor.
• 50:43
  Speaker 1: Oh my God. So there is a crazy Clint Eastwood
• 50:46
  Speaker 1: movie that I love that is so not a Clint
• 50:48
  Speaker 1: Eastwood movie. But I think that they should redo it
• 50:51
  Speaker 1: because it's super creepy and weird.
• 50:53
  Speaker 3: Which one?
• 50:53
  Speaker 1: Play Misty for me. With the psycho chick and she's
• 50:57
  Speaker 1: like a stalker and you're like, when is Clint Eastwood
• 51:00
  Speaker 1: going to be a cop? Like, he can't figure out
• 51:02
  Speaker 1: what's going on.
• 51:02
  Speaker 3: He might also be a cowboy.
• 51:04
  Speaker 1: He has two options. So, I always thought that was
• 51:08
  Speaker 1: a really well done, bizarre movie.
• 51:10
  Speaker 5: It's, again, mostly forgotten, except for Movie Geeks.
• 51:14
  Speaker 3: So, yeah, I think you could do that.
• 51:16
  Speaker 5: You could reboot that and people would be, like, not
• 51:18
  Speaker 5: even realizing it's a remake.
• 51:20
  Speaker 1: And then you could, like... do a mashup of that
• 51:22
  Speaker 1: and the fog. Cause I think they both take place
• 51:24
  Speaker 1: on like, you know, some like, well, it's.
• 51:27
  Speaker 3: Weird people in front of microphones. So it could just
• 51:30
  Speaker 3: be about podcasters.
• 51:31
  Speaker 1: No, I mean, they're coastal, you know, there's lighthouses.
• 51:34
  Speaker 3: I don't think the fog needs to be remade. He's
• 51:37
  Speaker 3: a DJ. He's a DJ.
• 51:38
  Speaker 1: And then there's a DJ in the fog. So there
• 51:41
  Speaker 1: you go. That's probably why I liked it because I
• 51:43
  Speaker 1: probably started watching it as a kid and thought it
• 51:45
  Speaker 1: was the fog. And then it was like, Oh wait, what?
• 51:48
  Speaker 6: It's funny, though, because I feel as though Play Misty
• 51:51
  Speaker 6: for me could be remade, but The Fog does not
• 51:53
  Speaker 6: need to be remade.
• 51:54
  Speaker 1: But they have remade The Fog, yeah.
• 51:56
  Speaker 3: I know. It didn't need to be remade. Tom Welly
• 51:59
  Speaker 3: needs to be in every one of these movies.
• 52:01
  Speaker 1: And I love... I don't think that they should remake
• 52:04
  Speaker 1: the Harry Dean Stanton Cthulhu movie, and I can't remember
• 52:08
  Speaker 1: the name of it, but it was great.
• 52:10
  Speaker 3: What are you talking about?
• 52:11
  Speaker 1: Is this another one of those things that I've just
• 52:13
  Speaker 1: made up in my own head?
• 52:13
  Speaker 5: You might have.
• 52:14
  Speaker 3: Harry Dean Stanton from.
• 52:17
  Speaker 1: Maybe I made that up.
• 52:17
  Speaker 3: Everything.
• 52:18
  Speaker 5: Every movie.
• 52:19
  Speaker 1: Yeah, he's the same every time.
• 52:20
  Speaker 5: The hell you say.
• 52:22
  Speaker 1: Yeah, like they go to the weird town. I like
• 52:25
  Speaker 1: weird town movies.
• 52:26
  Speaker 5: Okay.
• 52:27
  Speaker 1: Oh, okay. Never remake Hot Fuzz. Don't touch it.
• 52:31
  Speaker 3: I think, yeah. Who are we recasting Hot Fuzz with?
• 52:33
  Speaker 2: No one.
• 52:36
  Speaker 1: It's like you're burning hell if you redo Hot Fuzz.
• 52:39
  Speaker 3: Any of the Simon Pegg series. We replaced Timothy Dalton
• 52:44
  Speaker 3: with Pierce Brosnan.
• 52:46
  Speaker 1: Yeah, well, those two.
• 52:48
  Speaker 3: That's the only move I know.
• 52:49
  Speaker 1: What to do. Those are interchangeable.
• 52:50
  Speaker 3: Yes, any Bond really would work. Any old Bond dude
• 52:53
  Speaker 3: that's not dead yet.
• 52:55
  Speaker 1: And not Sean Connery.
• 52:56
  Speaker 2: Just.
• 52:57
  Speaker 1: We named the dog in hand. Or Sean Connery.
• 52:59
  Speaker 6: Just let the dragon truck Roger Moore's bones out there.
• 53:02
  Speaker 1: For the Edward Woodward character, it could be Sean Connery
• 53:04
  Speaker 1: because poor Edward Woodward. Knock on wood. I don't know
• 53:07
  Speaker 1: why you knock on wood.
• 53:07
  Speaker 3: It's not.
• 53:08
  Speaker 1: The thing you do. He's dead.
• 53:09
  Speaker 3: Rest his soul. Are you knocking on wood? Are you
• 53:12
  Speaker 3: knocking on the coffin? Hello? Can I come in here?
• 53:15
  Speaker 1: I like him. He was the equalizer. He was TV's
• 53:18
  Speaker 1: the equalizer.
• 53:19
  Speaker 3: Which they remade!
• 53:20
  Speaker 1: Denzel Washington will be in Hot Fuzz.
• 53:24
  Speaker 3: He's the no-nonsense cop. Now, who's the silly guy?
• 53:28
  Speaker 1: Oh, he's the guy that plays the.
• 53:29
  Speaker 5: No, no, no.
• 53:30
  Speaker 3: We need him to be our leading man because he's Denzel.
• 53:32
  Speaker 3: He doesn't do anything but leading man.
• 53:34
  Speaker 5: So, he's the no-nonsense cop.
• 53:36
  Speaker 3: Who's the silly guy? I'm force casting this movie. Jim Carrey.
• 53:42
  Speaker 1: Oh, God.
• 53:44
  Speaker 5: That's too, he wasn't that. Chris Pratt.
• 53:47
  Speaker 1: We'll just go back to Chris Pratt. Just put him
• 53:48
  Speaker 1: in there.
• 53:49
  Speaker 5: He works.
• 53:50
  Speaker 3: He could conjure his role as Mouse Wreck. Again, I
• 53:53
  Speaker 3: was like, if you go back to like, if you
• 53:55
  Speaker 3: go back to Parks and Rec when he's a little heftier,
• 53:58
  Speaker 3: like he could, because now he's like all buff and shit,
• 54:01
  Speaker 3: but like go back a couple years till he was
• 54:03
  Speaker 3: kind of, he was just kind of a slob and like.
• 54:06
  Speaker 3: He seemed like he probably sits around watching action movies.
• 54:08
  Speaker 5: Yeah, I can see that.
• 54:10
  Speaker 1: Specifically Point Break.
• 54:11
  Speaker 3: And faking Kung Fu, yeah.
• 54:13
  Speaker 2: Alright.
• 54:15
  Speaker 3: So, we made that work.
• 54:16
  Speaker 5: See? No.
• 54:17
  Speaker 6: There's no way that would work well.
• 54:20
  Speaker 3: Make it happen, Hollywood. No.
• 54:24
  Speaker 1: There was already a travesty that was remade of The
• 54:27
  Speaker 1: Wicker Man, which is also one of my favorite movies.
• 54:29
  Speaker 3: Well, it should be, because not the bees.
• 54:32
  Speaker 9: So....
• 54:35
  Speaker 1: Who's next i think you are am i yeah.
• 54:38
  Speaker 3: Yeah what you got all right this one i'm trying
• 54:44
  Speaker 3: to think which direction we go uh well you're you're
• 54:47
  Speaker 3: uh spirit animal stars in this one as well as
• 54:51
  Speaker 3: a child what if you tried to remake et now
• 54:55
  Speaker 3: granted they've done it many times as bad knockoff movies
• 54:59
  Speaker 3: But what if you full on were just like, screw
• 55:01
  Speaker 3: you Spielberg, I'm gonna redo E.T.
• 55:05
  Speaker 1: Like, scene for scene.
• 55:07
  Speaker 3: Pretty close.
• 55:09
  Speaker 1: Yeah, because I would say, what was it, 8mm? Is
• 55:13
  Speaker 1: that the name of the movie?
• 55:14
  Speaker 2: Not 8mm.
• 55:15
  Speaker 3: I get the two confused. Not the one with Joaquin Phoenix.
• 55:19
  Speaker 3: That's the snuff film.
• 55:22
  Speaker 5: Just Super 8.
• 55:24
  Speaker 1: Super 8.
• 55:24
  Speaker 3: Super 8. There we go.
• 55:25
  Speaker 5: Super 8 was kind of a... I was like, it
• 55:26
  Speaker 5: is similar to that.
• 55:27
  Speaker 2: I'll give you that.
• 55:28
  Speaker 1: And it's a film type.
• 55:29
  Speaker 5: It is a film.
• 55:30
  Speaker 1: I think Super 8 was a... It's pretty close-ish.
• 55:34
  Speaker 2: I liked it.
• 55:35
  Speaker 5: I mean, truthfully... We just had Stranger Things.
• 55:39
  Speaker 3: It's totally.
• 55:40
  Speaker 2: It's totally.
• 55:40
  Speaker 1: Yeah, but that's kind of like.
• 55:42
  Speaker 3: Not a movie, but again, like somebody mapped out a
• 55:44
  Speaker 3: good series.
• 55:45
  Speaker 1: But if you were doing it, yeah, like scene for scene,
• 55:47
  Speaker 1: like a remake of each scene.
• 55:48
  Speaker 3: So they kind of already just did that. But I
• 55:51
  Speaker 3: was trying to think.
• 55:52
  Speaker 1: I don't really know any child actors.
• 55:53
  Speaker 2: Yeah.
• 55:54
  Speaker 3: I mean, again, all the kids are in that show now.
• 55:56
  Speaker 1: Yeah, they're perfect.
• 55:57
  Speaker 3: And they were pretty, pretty like perfect to the 80s too.
• 56:01
  Speaker 4: Yeah.
• 56:02
  Speaker 1: You would just cast Stranger Things.
• 56:04
  Speaker 3: As the cast for E.T.
• 56:06
  Speaker 5: It's just weird that we skipped the alien part and
• 56:10
  Speaker 5: just went with a crazy shaved head girl.
• 56:13
  Speaker 1: But the shaved head girl could just play the dream girl.
• 56:15
  Speaker 3: But she's badass, so it does work in its own
• 56:18
  Speaker 3: weird way. So yeah, I hadn't even thought that we
• 56:20
  Speaker 3: did just kind of already do it.
• 56:22
  Speaker 5: I was just thinking Mac and me went horribly wrong,
• 56:24
  Speaker 5: so what.
• 56:25
  Speaker 3: If we tried to do it the right way? Mac
• 56:29
  Speaker 3: and me.
• 56:29
  Speaker 1: I don't know that there is a right way, but.
• 56:32
  Speaker 3: Wow. So let's just do it the Mac and me way.
• 56:36
  Speaker 3: Let's pick the worst kid actors and the most terrible puppet.
• 56:40
  Speaker 1: I'd be like the kid on the local commercial about roofing.
• 56:46
  Speaker 1: That would be my casting.
• 56:48
  Speaker 5: That's it. You're not in charge of casting.
• 56:51
  Speaker 1: Not for kid films. Don't give me those. I'm not
• 56:53
  Speaker 1: good at those.
• 56:55
  Speaker 3: I'm not really worried about the kids.
• 56:56
  Speaker 5: I'm just trying to picture a really bad modern puppet.
• 56:59
  Speaker 1: Tom Hardy? Tom Hardy cast Tom Hardy in that.
• 57:02
  Speaker 5: We're working on him for one later.
• 57:03
  Speaker 1: Oh, we are? I love Tom Hardy.
• 57:06
  Speaker 3: You know, I mean, he's in everything, so he's going
• 57:08
  Speaker 3: to have to get worked into some of these.
• 57:09
  Speaker 1: But he's another one of those guys that's really good,
• 57:11
  Speaker 1: but has been in some shockingly bad films.
• 57:13
  Speaker 3: Well, again, he needed to work a whole lot. When
• 57:16
  Speaker 3: he broke in this country, he was just like, all right,
• 57:18
  Speaker 3: cash some checks. I need to make up for all
• 57:20
  Speaker 3: this time I've been making movies nobody's seen. God, his
• 57:23
  Speaker 3: role in Star Trek Nemesis. But it was in America.
• 57:28
  Speaker 3: That's what was important. Yeah, he did. He made it.
• 57:31
  Speaker 5: All right, so E.T. 's kind of already done, so
• 57:35
  Speaker 5: what else can.
• 57:35
  Speaker 3: We go with?
• 57:37
  Speaker 10: I have on my list of things to do. This
• 57:43
  Speaker 10: is a controversial one.
• 57:44
  Speaker 6: Oh.
• 57:46
  Speaker 10: You'll probably say, don't do it. But I say, do
• 57:50
  Speaker 10: do it. Do the do.
• 57:53
  Speaker 3: American Werewolf in London.
• 57:55
  Speaker 1: Oh.
• 57:58
  Speaker 3: I recently had someone recently in the last couple years
• 58:02
  Speaker 3: who hadn't watched that didn't grow up with it being
• 58:06
  Speaker 3: a beloved horror classic watched it and was like I
• 58:09
  Speaker 3: don't get it so I do wonder if like if
• 58:12
  Speaker 3: old school horror fans it's like it is hollow ground
• 58:15
  Speaker 3: you don't touch it but I wonder if kids now
• 58:17
  Speaker 3: are just like I don't care like I wonder if
• 58:20
  Speaker 3: it is one of those you could remake and like it's.
• 58:23
  Speaker 5: All vampires these days.
• 58:25
  Speaker 3: No, I mean, werewolves keep coming back, but they don't
• 58:28
  Speaker 3: always hit.
• 58:29
  Speaker 1: Oh, there's a new Underworld film that's coming out, right?
• 58:31
  Speaker 5: Waterworld?
• 58:33
  Speaker 1: Waterworld?
• 58:34
  Speaker 3: Waterworld definitely needs to be remade.
• 58:36
  Speaker 1: Okay, with werewolves. Underwaterworld.
• 58:39
  Speaker 3: And mix in Face Off. Face Off on Waterworld.
• 58:43
  Speaker 5: With werewolves. With werewolves. Hollywood.
• 58:48
  Speaker 3: Give us a call.
• 58:48
  Speaker 5: All right, give us a call right now.
• 58:52
  Speaker 1: How about.
• 58:52
  Speaker 3: 14 money. And give me a dollar. Since that was
• 58:55
  Speaker 3: so controversial, how about Children of the Corn? See, that's
• 58:59
  Speaker 3: been a while.
• 59:00
  Speaker 5: I thought they remade that. No, they just had a series.
• 59:04
  Speaker 3: And they tried. Didn't they try to do a TV
• 59:06
  Speaker 3: series that didn't work?
• 59:07
  Speaker 1: But even that.
• 59:10
  Speaker 3: been a while. The original movie.
• 59:14
  Speaker 1: It's been so long though.
• 59:14
  Speaker 3: We keep coming back to Stephen King somehow. He had
• 59:19
  Speaker 3: a ton of stuff made in that span of mostly
• 59:23
  Speaker 3: the 80s. They knocked out damn near half the books
• 59:26
  Speaker 3: that were the big sellers. And some of them hit
• 59:29
  Speaker 3: and some of them didn't. So it's like, that's one
• 59:31
  Speaker 3: of those I don't think it's bad, but it's like
• 59:33
  Speaker 3: it's almost forgotten. Like, once again, it's just hardcore. Horror
• 59:36
  Speaker 3: fans still like it. But most people, like, I think
• 59:40
  Speaker 3: you wouldn't be able to pull much from it at all.
• 59:43
  Speaker 3: Did they remake Children of the Damned? Yes.
• 59:45
  Speaker 8: Yes.
• 59:46
  Speaker 5: With Christopher Reeve once again.
• 59:47
  Speaker 3: No, no, no, no. Village of the Damned.
• 59:50
  Speaker 1: Yeah, but with Nicole Kidman and... Am I getting my
• 59:54
  Speaker 1: movies mixed in?
• 59:55
  Speaker 5: That's Invasion of the Body Snatchers.
• 59:57
  Speaker 1: Whatever.
• 59:58
  Speaker 3: It's just called Invasion. Because it's her and Bond.
• 1:00:03
  Speaker 1: I thought she was in that.
• 1:00:05
  Speaker 5: I don't remember who is the female lead in that.
• 1:00:08
  Speaker 5: I know it is Christopher Reeve.
• 1:00:09
  Speaker 3: So it was only... Children of the Damned was only...
• 1:00:12
  Speaker 3: It's Village of the Damned is the one they remade.
• 1:00:14
  Speaker 3: But it's pretty much the same. I mean, again, they
• 1:00:16
  Speaker 3: were more or less the same story both times. Village
• 1:00:20
  Speaker 3: of the Damned.
• 1:00:21
  Speaker 1: Oh my God, I got a good one.
• 1:00:21
  Speaker 3: 1995... In 1960. Who was the female? In Village of
• 1:00:26
  Speaker 3: the Damned, it was....
• 1:00:30
  Speaker 1: But did it get remade for a third time?
• 1:00:32
  Speaker 6: Christopher Reeve and Kirstie Alley.
• 1:00:34
  Speaker 5: Wait, wait, wait.
• 1:00:35
  Speaker 3: Nobody's going to mess. Nobody's going to have a problem
• 1:00:37
  Speaker 3: with the recasting.
• 1:00:37
  Speaker 1: There was a third one. Like, I think there was
• 1:00:40
  Speaker 1: a remake, and she was in it. Look up Nicole Kidman.
• 1:00:42
  Speaker 1: I cannot be wrong. She's in Invasion. But there was
• 1:00:45
  Speaker 1: something else she was in.
• 1:00:46
  Speaker 5: She's in The Stepford Wives.
• 1:00:47
  Speaker 1: Maybe that was it. I actually like her. She can
• 1:00:52
  Speaker 1: be great.
• 1:00:53
  Speaker 2: Yeah.
• 1:00:54
  Speaker 3: She sometimes does weird stuff, but.
• 1:00:56
  Speaker 5: She can be great.
• 1:01:00
  Speaker 1: She's all right in my book.
• 1:01:05
  Speaker 3: The Others?
• 1:01:06
  Speaker 8: No.
• 1:01:06
  Speaker 3: I love The Others. That's a great movie. I thought that,
• 1:01:10
  Speaker 3: and that's one that does not need to be remade. Well,
• 1:01:12
  Speaker 3: I mean, I don't know how, again, it's one of those,
• 1:01:14
  Speaker 3: once you've seen it, like, so how do you go
• 1:01:16
  Speaker 3: back and remake it and not know what's coming?
• 1:01:18
  Speaker 1: Okay.
• 1:01:19
  Speaker 3: Yeah. It's hard to do that kind of stuff. It's
• 1:01:21
  Speaker 3: too recent.
• 1:01:21
  Speaker 5: Yeah.
• 1:01:22
  Speaker 3: Too recently good i should say and they're busy making
• 1:01:25
  Speaker 3: new ghost movies yeah there's tons of paranormal activity and
• 1:01:30
  Speaker 3: spin-off movies and like yeah there's a billion of those
• 1:01:34
  Speaker 3: kind of movies now that kind of keep feeding that anyway.
• 1:01:37
  Speaker 1: Like if if it was when we grew up it
• 1:01:39
  Speaker 1: would be like a movie about the the possessed clown
• 1:01:44
  Speaker 1: puppets day job would be what we've descended to.
• 1:01:47
  Speaker 5: And Not yet.
• 1:01:47
  Speaker 1: In sequels.
• 1:01:48
  Speaker 3: If we're going back to Stephen King.
• 1:01:49
  Speaker 2: No, no, no.
• 1:01:50
  Speaker 1: Because that's coming out soon. I mean, Poltergeist, just the
• 1:01:52
  Speaker 1: weird clown.
• 1:01:53
  Speaker 5: Oh, Poltergeist, yeah. Which was just remade.
• 1:01:56
  Speaker 1: So here's one. Here's another weird, obscure one that I
• 1:01:59
  Speaker 1: think would be a cool remake, though I don't know
• 1:02:01
  Speaker 1: who I would cast. I think it's called The Legacy.
• 1:02:06
  Speaker 1: And it was set in a weird British house in
• 1:02:09
  Speaker 1: a weird British town. I think, and Roger Daltrey was
• 1:02:13
  Speaker 1: in it, and it was like a party of people,
• 1:02:15
  Speaker 1: and there was something crazy going on at the house,
• 1:02:18
  Speaker 1: and Roger Daltrey chokes on something, and somebody gives him
• 1:02:20
  Speaker 1: a tracheotomy in the middle of the buffet. Does anybody
• 1:02:23
  Speaker 1: remember this?
• 1:02:23
  Speaker 3: 1978.
• 1:02:25
  Speaker 5: If we can recast Roger Daltrey out of this, I'm
• 1:02:28
  Speaker 5: already on board.
• 1:02:28
  Speaker 1: I think I'd just put Roger Daltrey back in it.
• 1:02:30
  Speaker 1: Maybe it would be the entire cast of the crew
• 1:02:33
  Speaker 1: that was living.
• 1:02:33
  Speaker 5: I was never overly thrilled with Roger Daltrey.
• 1:02:36
  Speaker 3: Do you remember that? Even musically. I vaguely remember that.
• 1:02:40
  Speaker 3: I have this weird thing with like... Catherine Ross and
• 1:02:43
  Speaker 3: Sam Elliott.
• 1:02:44
  Speaker 1: Sam Elliott was in that?
• 1:02:45
  Speaker 3: Yeah.
• 1:02:45
  Speaker 9: Nice.
• 1:02:46
  Speaker 1: Is that the guy that was in.
• 1:02:47
  Speaker 3: Sam Elliott should be in everything.
• 1:02:49
  Speaker 8: Okay.
• 1:02:50
  Speaker 1: So let me tell you this.
• 1:02:51
  Speaker 3: You know, he was in.
• 1:02:54
  Speaker 1: Roadhouse.
• 1:02:56
  Speaker 2: Oh, that guy.
• 1:02:56
  Speaker 3: The classic that is Roadhouse.
• 1:02:58
  Speaker 5: No, wait.
• 1:02:58
  Speaker 1: Is that the same guy? Is Roger Daltrey in it?
• 1:03:01
  Speaker 3: Roadhouse? Roger Daltrey is Dalton in Roadhouse.
• 1:03:06
  Speaker 1: Roger Dalton.
• 1:03:07
  Speaker 3: Roger Dalton.
• 1:03:08
  Speaker 5: No, the legacy.
• 1:03:09
  Speaker 1: Does it have him in it? That's the only way
• 1:03:10
  Speaker 1: I know. Timothy Dalton is Dalton. It's like a hawking
• 1:03:13
  Speaker 1: scene and somebody gets their eyes clawed out. It is
• 1:03:16
  Speaker 1: full of awesomeness. Timothy Dalton is Dalton.
• 1:03:20
  Speaker 5: Is Dalton.
• 1:03:21
  Speaker 1: So let me tell you about this strange condition I have.
• 1:03:24
  Speaker 3: Oh, God.
• 1:03:24
  Speaker 5: One of many.
• 1:03:27
  Speaker 1: Who are the two actors I can't remember?
• 1:03:29
  Speaker 4: Oh, no.
• 1:03:30
  Speaker 3: Sam.
• 1:03:30
  Speaker 1: No, Sam Neill. That's a whole different one.
• 1:03:34
  Speaker 3: No, there's another Sam. There's another Sam. That should be
• 1:03:40
  Speaker 3: a movie title.
• 1:03:40
  Speaker 1: The one just died. And he was in True Lies.
• 1:03:44
  Speaker 5: Not the Pullman-Paxton thing.
• 1:03:46
  Speaker 3: I have the Pullman-Paxton thing.
• 1:03:47
  Speaker 5: I don't understand that.
• 1:03:48
  Speaker 3: She has Pullman-Paxton disease. She's overdone.
• 1:03:51
  Speaker 5: But it's true.
• 1:03:51
  Speaker 3: But I don't get it because they're nothing alike.
• 1:03:54
  Speaker 1: They are.
• 1:03:54
  Speaker 3: They look nothing alike.
• 1:03:55
  Speaker 1: Yes, they do.
• 1:03:56
  Speaker 3: Their acting styles are miles apart. Like, I never understood
• 1:04:00
  Speaker 3: that thing. I agree.
• 1:04:01
  Speaker 5: Their names.
• 1:04:02
  Speaker 1: It's a thing.
• 1:04:02
  Speaker 3: Their last name started with P.
• 1:04:04
  Speaker 1: Wait a minute.
• 1:04:04
  Speaker 7: Wait a minute.
• 1:04:05
  Speaker 3: That's about it.
• 1:04:06
  Speaker 1: It's a thing.
• 1:04:07
  Speaker 3: And there are two bills. That's it.
• 1:04:09
  Speaker 5: The most routine, run-of-the-mill thing... about not being able to
• 1:04:13
  Speaker 5: remember two actors.
• 1:04:14
  Speaker 1: Ever well i can't and i'm telling you they totally
• 1:04:17
  Speaker 1: seem the same to me and i'm not joking like
• 1:04:19
  Speaker 1: i'm not saying i have a disorder and it needs
• 1:04:22
  Speaker 1: shock therapy well okay which we can arrange sam i
• 1:04:26
  Speaker 1: have another one with sam neill and another dude i
• 1:04:28
  Speaker 1: can't remember who was in twister bill paxton Well, throw
• 1:04:34
  Speaker 1: Sam Neill in. Mine's worse.
• 1:04:36
  Speaker 3: Sam Neill does not belong in Twister. But I don't
• 1:04:39
  Speaker 3: know that anybody belongs in Twister.
• 1:04:41
  Speaker 1: Well, anyway, yes. I think that is actually a real
• 1:04:43
  Speaker 1: thing because for the longest time, I cannot tell the difference.
• 1:04:46
  Speaker 1: I'd probably just be like, it's one that was in this.
• 1:04:48
  Speaker 2: All right.
• 1:04:49
  Speaker 3: He's gone now, so we have to redo it. Twister.
• 1:04:52
  Speaker 3: Who do we put in Twister? How do we make
• 1:04:55
  Speaker 3: it not a mess? Better yet. Would you put Bill
• 1:04:58
  Speaker 3: Pullman in Weird Science?
• 1:05:00
  Speaker 1: No, would you put Bill Pullman? Chet is Bill Pullman.
• 1:05:03
  Speaker 3: All right, let's random cast Twister.
• 1:05:07
  Speaker 5: Let's see where we're going.
• 1:05:08
  Speaker 1: I don't think you can remake that.
• 1:05:10
  Speaker 3: Yeah, who would you do as Helen Hunt?
• 1:05:12
  Speaker 5: Helen Hunt would be played by.
• 1:05:14
  Speaker 3: Reese Witherspoon.
• 1:05:16
  Speaker 5: Ooh, poor Emma Stone. She just got cast in the
• 1:05:20
  Speaker 5: Twister remake.
• 1:05:20
  Speaker 1: Oh, I like her.
• 1:05:21
  Speaker 3: She'd be good in it.
• 1:05:22
  Speaker 5: I do, too. That's why I feel bad for her.
• 1:05:23
  Speaker 3: She'd actually be good. She's a little above Twister remake. Well,
• 1:05:27
  Speaker 3: so is Helen Hunt, to be fair.
• 1:05:29
  Speaker 5: At that point, yeah. She was well past that. Yeah,
• 1:05:33
  Speaker 5: pretty much.
• 1:05:34
  Speaker 3: She shouldn't have done Twister. But that was a nice
• 1:05:36
  Speaker 3: payday for all parties involved.
• 1:05:38
  Speaker 5: Yeah, absolutely.
• 1:05:38
  Speaker 1: I'm pretty sure.
• 1:05:39
  Speaker 3: Absolutely.
• 1:05:40
  Speaker 1: It was pretty fun.
• 1:05:41
  Speaker 6: Actually, wasn't the guy that was in Ferris Bueller's Day Off?
• 1:05:46
  Speaker 5: Alan Ruck?
• 1:05:47
  Speaker 3: Wasn't he also in Twister? There's a lot of random
• 1:05:50
  Speaker 3: people running around.
• 1:05:51
  Speaker 5: He's in Speed.
• 1:05:52
  Speaker 3: The other Jean Dubon movie. Oh, and a young... What's
• 1:05:56
  Speaker 3: his name? The guy who played... Philip Seymour Hoffman. Yeah.
• 1:05:59
  Speaker 1: He is?
• 1:06:00
  Speaker 2: Yeah.
• 1:06:00
  Speaker 1: He played the same character that he played in Boogie Nights,
• 1:06:02
  Speaker 1: because that would be awesome.
• 1:06:04
  Speaker 3: He's the same in every movie.
• 1:06:05
  Speaker 5: He's a cameraman, right?
• 1:06:07
  Speaker 3: Except in My Boyfriend's Back. If only he was still
• 1:06:12
  Speaker 3: around so I could bring that up to him and
• 1:06:13
  Speaker 3: he'd be like, ah, damn it.
• 1:06:15
  Speaker 1: Shut up.
• 1:06:18
  Speaker 3: So. Yeah, well, who would play Bill? Who is our Bill?
• 1:06:22
  Speaker 5: Okay, Liam Hemsworth just came up.
• 1:06:24
  Speaker 3: Tough luck, dude.
• 1:06:26
  Speaker 1: That works. Because I'd be like, I can't tell Liam from.
• 1:06:30
  Speaker 3: I'll give you that one. At least they are brothers.
• 1:06:32
  Speaker 3: They have the same last name.
• 1:06:33
  Speaker 5: And they do look kind of alike. Now, granted, Thor
• 1:06:36
  Speaker 5: looks a little more like Thor.
• 1:06:37
  Speaker 3: But it's like if you look at Liam and you're
• 1:06:40
  Speaker 3: just like, if Thor had a younger brother.
• 1:06:43
  Speaker 1: Or you could throw Tom Hiddleston in there for that matter.
• 1:06:46
  Speaker 3: Now that, well, have you seen Skull Island? Because it's
• 1:06:49
  Speaker 3: kind of like Tom Hiddleston in the middle of Twister,
• 1:06:52
  Speaker 3: only if Twister was awesome. Because Skull Island's badass. But
• 1:06:56
  Speaker 3: it does feel like it's that same idea of like,
• 1:06:59
  Speaker 3: let's throw a lot of things in this mix and
• 1:07:01
  Speaker 3: see if they work.
• 1:07:02
  Speaker 5: And like, it kind of gets nailed in Skull Island.
• 1:07:05
  Speaker 3: Everything fun just kind of happens and it's awesome. And
• 1:07:08
  Speaker 3: Tom Hiddleston's just sort of along for the ride and
• 1:07:11
  Speaker 3: really doesn't have much to do. So that's what makes
• 1:07:13
  Speaker 3: me think.
• 1:07:16
  Speaker 3: I mean, he certainly does as Loki because he steals
• 1:07:18
  Speaker 3: those movies.
• 1:07:19
  Speaker 1: You think so? I can't look past his wig.
• 1:07:22
  Speaker 3: He doesn't need to be the villain because he's not
• 1:07:24
  Speaker 3: really a villain because everybody loves him anyway. So like he's...
• 1:07:28
  Speaker 3: Become his own weird thing in those movies that I
• 1:07:31
  Speaker 3: don't even know what to do with anymore.
• 1:07:32
  Speaker 1: I bet there's a whole lot of Loki fan fiction.
• 1:07:35
  Speaker 3: Oh, yeah.
• 1:07:36
  Speaker 1: You know, the world of fan fiction is weird.
• 1:07:38
  Speaker 5: Fangirls have a thing for Loki that you will not believe.
• 1:07:41
  Speaker 1: Yeah. And the wig?
• 1:07:44
  Speaker 5: Maybe they put the wig on.
• 1:07:45
  Speaker 3: The wig has its own separate series.
• 1:07:47
  Speaker 5: Oh, yeah. Start typing those right now.
• 1:07:50
  Speaker 3: I've got a good one.
• 1:07:51
  Speaker 1: All right.
• 1:07:54
  Speaker 3: And it's in my don't category, but maybe it should be.
• 1:07:57
  Speaker 5: Let's do it anyway.
• 1:07:59
  Speaker 3: Big Trouble in Little China.
• 1:08:01
  Speaker 5: They're doing it.
• 1:08:02
  Speaker 2: Yeah, I think they are.
• 1:08:02
  Speaker 3: You heard that, right?
• 1:08:03
  Speaker 5: No, I haven't.
• 1:08:04
  Speaker 1: Yeah, yeah, yeah.
• 1:08:05
  Speaker 3: And it's one of those, I would say. It could work.
• 1:08:07
  Speaker 3: I would say, well, once again, it's like, I would
• 1:08:09
  Speaker 3: say don't.
• 1:08:10
  Speaker 5: And then I heard the casting.
• 1:08:11
  Speaker 3: I was like, son of a bitch. Because it falls
• 1:08:14
  Speaker 3: back to my, I'm going to love him no matter what.
• 1:08:17
  Speaker 5: Freaking rock.
• 1:08:18
  Speaker 3: Remake.
• 1:08:19
  Speaker 2: Yep.
• 1:08:20
  Speaker 5: Don't put The Rock in it they put The Rock
• 1:08:23
  Speaker 5: Dwayne Johnson oh my god and I'm like you.
• 1:08:26
  Speaker 3: Can't hate that he's so.
• 1:08:28
  Speaker 11: Damn charismatic he really is he really is he doesn't
• 1:08:31
  Speaker 11: like The Rock so I'm like I don't know if
• 1:08:34
  Speaker 11: it's gonna turn out great but I'll watch it I'm
• 1:08:37
  Speaker 11: gonna wanna see what he does.
• 1:08:38
  Speaker 3: Cause he's The Rock and he's always fun and.
• 1:08:40
  Speaker 1: Ashley Miller well like we said before he made uh
• 1:08:44
  Speaker 1: Scorpion King.
• 1:08:45
  Speaker 3: Your favorite movie, Scorpion King?
• 1:08:47
  Speaker 1: Scorpion King is not my favorite movie. I guess I
• 1:08:49
  Speaker 1: watch it.
• 1:08:49
  Speaker 5: It's got the rock. I mean, BAPS is your favorite movie,
• 1:08:51
  Speaker 5: but second is Scorpion King. We're establishing your list of favorites.
• 1:08:56
  Speaker 2: All right.
• 1:08:56
  Speaker 6: Well, then I get a second go because I didn't
• 1:08:58
  Speaker 6: realize that that was being remade.
• 1:09:00
  Speaker 3: All right. So when does that come out? I mean,
• 1:09:03
  Speaker 3: I thought they were already making it, so it could
• 1:09:06
  Speaker 3: be out by the end of this year.
• 1:09:07
  Speaker 2: All right.
• 1:09:07
  Speaker 6: So another one of my don't category. These can't be remade.
• 1:09:16
  Speaker 6: No one will ever remake Blazing Saddles.
• 1:09:19
  Speaker 5: I had that on my list, actually.
• 1:09:20
  Speaker 1: Oh, yeah, you can't.
• 1:09:21
  Speaker 3: That was my question. I was going to throw it
• 1:09:23
  Speaker 3: out because how do you.
• 1:09:25
  Speaker 5: You can't do it.
• 1:09:26
  Speaker 3: Well, I'm saying, no, they would still try to because
• 1:09:28
  Speaker 3: it's a property.
• 1:09:29
  Speaker 5: So a studio is going to be like, yeah, that's
• 1:09:31
  Speaker 5: going to make money.
• 1:09:32
  Speaker 3: So what did they do to homogenize it to the
• 1:09:36
  Speaker 3: point where now it's so watered down and lame that
• 1:09:40
  Speaker 3: it could get greenlit? I'm trying to think, how could
• 1:09:44
  Speaker 3: you still make it fit what's going on, and yet
• 1:09:47
  Speaker 3: take out everything offensive. I mean, I don't know how
• 1:09:51
  Speaker 3: you're left with a movie. Like, the plot itself centers
• 1:09:55
  Speaker 3: around a situation that I feel like you can't really do,
• 1:10:00
  Speaker 3: certainly not easily at this point in time. So it's like,
• 1:10:03
  Speaker 3: what do you do with that?
• 1:10:05
  Speaker 6: Although I will argue that if we ever needed it
• 1:10:10
  Speaker 6: at any point in time, it's now.
• 1:10:13
  Speaker 3: We could actually use a little freaking humor about... I
• 1:10:18
  Speaker 3: feel like there's only one way you could make this happen.
• 1:10:22
  Speaker 1: You'd have to flip it completely.
• 1:10:23
  Speaker 3: Here's my thing. If you wanted to try to do
• 1:10:25
  Speaker 3: it instead of our Cleavon Little, which, oddly enough, this
• 1:10:29
  Speaker 3: also isn't terrible casting, Dave Chappelle. Got away with a
• 1:10:34
  Speaker 3: lot of shit on his show. If he decided to
• 1:10:36
  Speaker 3: come back to acting.
• 1:10:38
  Speaker 1: And do Blazing Saddles.
• 1:10:39
  Speaker 5: And do Blazing Saddles. Like, he could almost pull it.
• 1:10:41
  Speaker 5: He had that.
• 1:10:42
  Speaker 3: But the beauty.
• 1:10:42
  Speaker 1: Of Blazing Saddles was it made fun of everybody.
• 1:10:46
  Speaker 5: Oh, it did.
• 1:10:47
  Speaker 3: But nobody hears that now.
• 1:10:49
  Speaker 8: No, no, no. I know.
• 1:10:50
  Speaker 3: Nobody catches the other stuff.
• 1:10:52
  Speaker 1: And it's like, as you watch... And because they showed
• 1:10:53
  Speaker 1: it on television when we were kids. So we saw
• 1:10:55
  Speaker 1: the original. Then we saw, like, as it... kept getting
• 1:10:58
  Speaker 1: more and more edited for television.
• 1:10:59
  Speaker 5: Well, what's funny is they didn't edit a lot of
• 1:11:01
  Speaker 5: that stuff in the beginning there.
• 1:11:02
  Speaker 1: Yeah, and then they quit showing it because it's just
• 1:11:05
  Speaker 1: too whatever.
• 1:11:05
  Speaker 3: But it made fun of everybody. It ended up in
• 1:11:07
  Speaker 3: the Song of the South bin.
• 1:11:09
  Speaker 1: Like, oh, we can't, no. Like the natives talking about,
• 1:11:13
  Speaker 1: you know, the people that were coming in and they're
• 1:11:15
  Speaker 1: speaking Yiddish. Like, that is funny. You know, like Mel
• 1:11:19
  Speaker 1: Brooks is, I mean.
• 1:11:21
  Speaker 3: Well, again, it's written by a black guy and a
• 1:11:23
  Speaker 3: Jewish guy, so they kind of felt like they had
• 1:11:25
  Speaker 3: a license to make fun of everybody, and they kind
• 1:11:27
  Speaker 3: of did.
• 1:11:27
  Speaker 1: And I think, you know, you get some kind of weird, like, bizarre,
• 1:11:29
  Speaker 1: I can't think of who the modern-day Martin Lawrence is,
• 1:11:32
  Speaker 1: but Martin Lawrence trying to, like, flip it and.
• 1:11:34
  Speaker 5: Make it a completely different scene.
• 1:11:35
  Speaker 3: That's why I'm sticking with Chappelle.
• 1:11:36
  Speaker 1: Yeah.
• 1:11:36
  Speaker 3: Martin Lawrence will make, like, First Night again. No, what
• 1:11:39
  Speaker 3: the hell was Black Night?
• 1:11:40
  Speaker 1: First Night.
• 1:11:41
  Speaker 5: First Night.
• 1:11:42
  Speaker 1: No, wait, I like... Chris Rock. Which is the one
• 1:11:46
  Speaker 1: that I like of the night movies, and I always
• 1:11:48
  Speaker 1: say First Night. You guys are like, no, no.
• 1:11:50
  Speaker 3: No, that's Richard Gere, damn it.
• 1:11:52
  Speaker 1: No, it's Richard Gere and Sean Connery.
• 1:11:53
  Speaker 5: Chris Tucker.
• 1:11:56
  Speaker 3: Chris tucker goes back in time to become the first
• 1:12:01
  Speaker 3: black knight.
• 1:12:02
  Speaker 1: Anyway first black knight.
• 1:12:03
  Speaker 3: I was thinking of shanghai.
• 1:12:05
  Speaker 1: But like a movie you shouldn't remake another mel brooks
• 1:12:08
  Speaker 1: you should not make young frankenstein like that oh yeah i.
• 1:12:11
  Speaker 3: Feel like they're gonna want to at some.
• 1:12:12
  Speaker 1: Point they can't i mean you cannot do that.
• 1:12:15
  Speaker 3: Again it's so hinges on that performance like you could
• 1:12:19
  Speaker 3: cast everybody up they're all great but i'm like you
• 1:12:21
  Speaker 3: could recast everybody else.
• 1:12:23
  Speaker 5: But like You can't recast Gene Wilder.
• 1:12:25
  Speaker 3: And again, they've tried to do it with Willy Wonka.
• 1:12:28
  Speaker 1: And Madeline Kahn.
• 1:12:29
  Speaker 3: And it went horrible.
• 1:12:29
  Speaker 1: You can't redo Madeline Kahn either because to me, she's
• 1:12:32
  Speaker 1: phenomenal in that role.
• 1:12:32
  Speaker 3: She's always pretty phenomenal. Yeah.
• 1:12:34
  Speaker 1: Which is another great reason why I love Clue because
• 1:12:36
  Speaker 1: she was great. Flames! Flames! On the side of my face! Paving! Breathing! Breathless!
• 1:12:44
  Speaker 1: I love her.
• 1:12:44
  Speaker 3: Yeah.
• 1:12:46
  Speaker 1: She's great. Yeah, I mean, there's so many great performances
• 1:12:49
  Speaker 1: in that.
• 1:12:49
  Speaker 3: That you can't. Oh, what's his name is the straight
• 1:12:51
  Speaker 3: guy in Clue? The... Who ends up being the FBI guy.
• 1:12:54
  Speaker 3: Michael McKean. He's great.
• 1:12:59
  Speaker 1: I'm going to go home and sleep with my wife.
• 1:13:01
  Speaker 3: Yikes.
• 1:13:03
  Speaker 1: Yeah, I wanted to live in the Clue house and
• 1:13:08
  Speaker 1: have a Clue night. I thought that was the coolest
• 1:13:10
  Speaker 1: thing ever. Going back to Clue. Anyway.
• 1:13:12
  Speaker 3: But we skipped over. We just said you can't recast.
• 1:13:17
  Speaker 3: Because I've said for years that's what screws up. You
• 1:13:20
  Speaker 3: can't recast Willy Wonka. You can't recast Gene Wilder in
• 1:13:24
  Speaker 3: Young Frankenstein, but we totally skipped over Blazing Saddles, which
• 1:13:28
  Speaker 3: I also think is one of his most amazing performances.
• 1:13:32
  Speaker 3: But again, neither of those guys were supposed to be that,
• 1:13:34
  Speaker 3: so they weren't dead set on him. He was way
• 1:13:37
  Speaker 3: down on the list when they cast him in Blazing Saddles.
• 1:13:40
  Speaker 3: So who's our gunslinger.
• 1:13:43
  Speaker 5: In this remake?
• 1:13:44
  Speaker 1: Tom Hardy. I mean.
• 1:13:50
  Speaker 3: Again, if we're not going super comedic.
• 1:13:53
  Speaker 1: No, but that would be the funny part. He tries
• 1:13:54
  Speaker 1: to be comedic. He's so odd and awkward when he
• 1:13:57
  Speaker 1: tries to be comedic. But it would kind of work.
• 1:14:00
  Speaker 3: It's not the worst thing. It's a would-have-to-be-seen kind of thing.
• 1:14:05
  Speaker 2: Yeah.
• 1:14:05
  Speaker 3: I don't know if it would work, but.
• 1:14:06
  Speaker 1: I think he could pull it off, but I don't know. But, okay,
• 1:14:11
  Speaker 1: so let's see. How about... So if we're not doing that.
• 1:14:14
  Speaker 3: Well, okay, if we're going pretty lateral move, Jesse Eisenberg.
• 1:14:18
  Speaker 1: Okay.
• 1:14:20
  Speaker 3: I mean, is he not kind of a new Gene Wilder-ish? Like,
• 1:14:24
  Speaker 3: he doesn't have that level of charm. He's got a
• 1:14:27
  Speaker 3: little more neurotic, but it's not far off.
• 1:14:32
  Speaker 5: Yeah, it's not that far off. It's not far off
• 1:14:35
  Speaker 5: at all.
• 1:14:36
  Speaker 1: Oh, man. Yeah, that's a good one.
• 1:14:38
  Speaker 3: All right. Here. I got another one.
• 1:14:41
  Speaker 2: All right.
• 1:14:41
  Speaker 1: Well, wait. No, no, no. We're still back on.
• 1:14:44
  Speaker 3: I think, I don't know. I don't know that we
• 1:14:46
  Speaker 3: can do anything else with it.
• 1:14:47
  Speaker 1: I thought Paul would have a good, he'd be like, yeah,
• 1:14:48
  Speaker 1: I got it.
• 1:14:49
  Speaker 3: Well, no, I was thinking, I mean, I couldn't think
• 1:14:51
  Speaker 3: of the guy's name, so.
• 1:14:53
  Speaker 5: And I would just be looking.
• 1:14:54
  Speaker 1: It'd be great to have movie conversations where people are
• 1:14:55
  Speaker 1: always like, wait a minute, that guy, the guy with
• 1:14:57
  Speaker 1: the arms.
• 1:14:57
  Speaker 3: That one guy.
• 1:14:58
  Speaker 1: The short, long hair.
• 1:14:59
  Speaker 6: He had a face and now it's off.
• 1:15:02
  Speaker 1: The man with no face, Mel Gibson.
• 1:15:05
  Speaker 3: No, okay. So I was.
• 1:15:07
  Speaker 6: Thinking about how office space could be remade, which made
• 1:15:13
  Speaker 6: me think, 9 to 5 needs to be remade.
• 1:15:16
  Speaker 1: No, and I thought they were talking about it.
• 1:15:18
  Speaker 3: I mean, didn't they like try to do it for
• 1:15:21
  Speaker 3: TV or something? Like it feels like they were. Well,
• 1:15:24
  Speaker 3: that's a mistake. But remaking the movie would be a
• 1:15:27
  Speaker 3: great idea. I mean, it is one of those like
• 1:15:30
  Speaker 3: sometimes you've given enough time because that one's so like
• 1:15:34
  Speaker 3: business oriented, but it's 80s through and through business oriented.
• 1:15:38
  Speaker 3: So I'm like, there's definitely a way you could update
• 1:15:41
  Speaker 3: the world that it's in.
• 1:15:43
  Speaker 5: But we now live in a world that.
• 1:15:46
  Speaker 3: Most of the stuff going on, hopefully, ideally isn't still
• 1:15:50
  Speaker 3: going on.
• 1:15:51
  Speaker 5: I don't think that's 100% true.
• 1:15:53
  Speaker 3: No, it's not. It's still going on. But again, it's
• 1:15:56
  Speaker 3: not that... It's not that... accepted the way that it
• 1:16:00
  Speaker 3: was even still in the 80s it's not overt it's
• 1:16:02
  Speaker 3: not constant which is why you could retell it because
• 1:16:06
  Speaker 3: it's a totally fresh you could do it as story
• 1:16:09
  Speaker 3: at that point that it is a little more underlying
• 1:16:11
  Speaker 3: now and like there are guys that are the bosses
• 1:16:14
  Speaker 3: that are pretending like everything's cool and everybody is on
• 1:16:18
  Speaker 3: a level playing field but that's not what goes on
• 1:16:20
  Speaker 3: right the real things that go on is they're still
• 1:16:23
  Speaker 3: getting screwed over and they're still getting like throwing out
• 1:16:26
  Speaker 3: the worst jobs and less pay and all of that shit.
• 1:16:29
  Speaker 3: So there is a way to do that that's got
• 1:16:30
  Speaker 3: a little more edge to it now.
• 1:16:33
  Speaker 5: Now are we casting? Are we going to the back computer?
• 1:16:37
  Speaker 1: Who needs to.
• 1:16:38
  Speaker 3: Be Dolly Parton is really all that matters.
• 1:16:40
  Speaker 4: Oh, okay.
• 1:16:41
  Speaker 5: Sofia Vergara just came.
• 1:16:43
  Speaker 1: Up and I'm like, well, perfect.
• 1:16:46
  Speaker 3: I mean, I don't, I'm not thrilled with her usually
• 1:16:48
  Speaker 3: as performance wise, but I mean, again, that is exactly
• 1:16:52
  Speaker 3: where Hollywood would go at this point. I actually like her.
• 1:16:58
  Speaker 3: I can't. Modern Family. She's great.
• 1:17:02
  Speaker 5: I like everybody else.
• 1:17:04
  Speaker 1: Oh, I love her in Modern Family. Closest, closest, closest, closest, closest.
• 1:17:08
  Speaker 6: So who would be Jane Fonda, Lily Tomlin, Dabney Coleman.
• 1:17:12
  Speaker 3: I'm trying to think what's sitting next to her on
• 1:17:15
  Speaker 3: this little computer scenario is Brad Pitt.
• 1:17:18
  Speaker 5: I'm trying to picture Brad Pitt now as the Dabney Coleman.
• 1:17:22
  Speaker 2: Yeah.
• 1:17:23
  Speaker 3: That's an interesting scenario. I totally see it.
• 1:17:26
  Speaker 5: Yeah.
• 1:17:26
  Speaker 3: So here's the other two.
• 1:17:28
  Speaker 5: Okay, Beyonce. We got to work in a little updated.
• 1:17:31
  Speaker 5: Beyonce and Naomi Watts. All right.
• 1:17:35
  Speaker 1: Okay.
• 1:17:35
  Speaker 3: That all kind of works.
• 1:17:36
  Speaker 5: Kind of good.
• 1:17:37
  Speaker 3: The computer came up with some good options here. The
• 1:17:39
  Speaker 3: computer does not lie. Yeah, it's sad that it's kind
• 1:17:43
  Speaker 3: of got its pulse on the.
• 1:17:45
  Speaker 5: Whatever algorithm they're using.
• 1:17:46
  Speaker 3: The waves of Hollywood and the shit that's probably actually
• 1:17:49
  Speaker 3: going to get made.
• 1:17:50
  Speaker 5: So yeah, I can kind of see this.
• 1:17:54
  Speaker 3: All right, let's do it.
• 1:17:55
  Speaker 5: Nine to five.
• 1:17:56
  Speaker 3: There we go.
• 1:17:57
  Speaker 2: Done.
• 1:17:57
  Speaker 5: We'll write Brad Pitt.
• 1:17:59
  Speaker 3: Dear Brad, we've got a movie idea. Sound good? It's
• 1:18:05
  Speaker 3: totally original and hip.
• 1:18:07
  Speaker 5: Call me back.
• 1:18:08
  Speaker 3: Love, Brian.
• 1:18:09
  Speaker 1: Check yes. I don't know. You know, there's so many
• 1:18:15
  Speaker 1: things that you can remake and make. I feel like
• 1:18:23
  Speaker 1: this is what happens when they sit around to think
• 1:18:25
  Speaker 1: about making movies. They're like, what if we do this?
• 1:18:28
  Speaker 2: Because.
• 1:18:29
  Speaker 1: How many times can you do some of this stuff?
• 1:18:33
  Speaker 1: I'm surprised they haven't already remade, like, the first Iron
• 1:18:36
  Speaker 1: Man movie at this point.
• 1:18:37
  Speaker 3: I was thinking that when I was making my list.
• 1:18:39
  Speaker 3: I was like, is it already time for them to reboot?
• 1:18:42
  Speaker 3: I mean, no, because Marvel's worked. But it's funny that,
• 1:18:45
  Speaker 3: the DC stuff that keeps getting messed up, and well,
• 1:18:47
  Speaker 3: even Marvel, if you go back.
• 1:18:49
  Speaker 5: I mean, Hulk, they totally.
• 1:18:51
  Speaker 1: Gave up on in one movie. How many times? Like
• 1:18:53
  Speaker 1: three times?
• 1:18:54
  Speaker 3: Yeah. I mean, the one they threw out there, but
• 1:18:56
  Speaker 3: almost immediately, they were like, nope, we've got this bigger plan.
• 1:18:59
  Speaker 3: We still want to make it work.
• 1:19:00
  Speaker 5: Do it again.
• 1:19:02
  Speaker 3: And even then, the leading man got thrown out. So
• 1:19:05
  Speaker 3: it's like they already... Remade the movie one. Well, not remade,
• 1:19:08
  Speaker 3: but like they rebooted again. They still didn't like the actor.
• 1:19:12
  Speaker 3: They rebooted the actor and like they finally got it
• 1:19:15
  Speaker 3: to work. And now I keep saying it's because he's
• 1:19:18
  Speaker 3: not the lead. Like people love Hulk now, but he's
• 1:19:22
  Speaker 3: never been lead again since then. He's always just brought
• 1:19:25
  Speaker 3: in to be like the money shot at the end
• 1:19:27
  Speaker 3: of the movie.
• 1:19:28
  Speaker 1: He's the muscle.
• 1:19:28
  Speaker 3: He's going to show up and just tear the hell
• 1:19:30
  Speaker 3: out of things. And that's what we're here for. We
• 1:19:32
  Speaker 3: don't want an hour and a half of other stuff
• 1:19:34
  Speaker 3: and talking shit.
• 1:19:35
  Speaker 1: Although I think the way... But, you know, I don't
• 1:19:36
  Speaker 1: like the way that they do that. Like, I don't
• 1:19:38
  Speaker 1: like the way they divvy everybody up and put them
• 1:19:40
  Speaker 1: into other things. Like, the Iron Man franchise was pretty awesome.
• 1:19:44
  Speaker 1: And then you start to see, like, Iron Man and, like,
• 1:19:47
  Speaker 1: whatever else. And here he is in this, and here
• 1:19:49
  Speaker 1: he is in that. And then there's a reference to
• 1:19:50
  Speaker 1: him in whatever.
• 1:19:52
  Speaker 5: In, like, Doctor Strange.
• 1:19:53
  Speaker 1: He's gonna be in Spider-Man. Right, and I don't like that.
• 1:19:56
  Speaker 1: I just want my Tony Stark.
• 1:19:57
  Speaker 3: You don't understand the universe.
• 1:19:58
  Speaker 1: I do, but I like a clean, the good stuff
• 1:20:02
  Speaker 1: I just want.
• 1:20:03
  Speaker 4: To keep pure.
• 1:20:03
  Speaker 5: That is not how the Marvel Universe works.
• 1:20:06
  Speaker 3: Everything's about crossover. It's all about planning 12 movies ahead.
• 1:20:09
  Speaker 1: Ugh. Well, yeah. I mean, I guess there's some kind
• 1:20:14
  Speaker 1: of combination of Doctor Strange and Thor, right? Because that's
• 1:20:17
  Speaker 1: the reference spoiler alert at the end. And it's like, no.
• 1:20:21
  Speaker 3: Which I really love Doctor Strange.
• 1:20:22
  Speaker 1: Doctor Strange, and I like Thor.
• 1:20:23
  Speaker 3: Have you seen the new Ragnarok trailer? Because, I mean,
• 1:20:27
  Speaker 3: if you want to see Hulk, I mean, that's.
• 1:20:28
  Speaker 1: Is there Hulk? Oh, yeah.
• 1:20:30
  Speaker 5: There's Hulk.
• 1:20:31
  Speaker 1: I haven't seen it.
• 1:20:31
  Speaker 3: And, like, that's kind of why.
• 1:20:35
  Speaker 5: Again, that's why it works.
• 1:20:36
  Speaker 3: Because, like, if there's anything in the MCU that I'm.
• 1:20:39
  Speaker 5: Bored by, it's the Thor story.
• 1:20:42
  Speaker 1: I don't like those.
• 1:20:43
  Speaker 3: I just, I don't hate them. I'm just like, I'm
• 1:20:46
  Speaker 3: so bored.
• 1:20:46
  Speaker 5: I don't care. I don't care about Asgard.
• 1:20:48
  Speaker 3: I don't care about all this bullshit. When Thor goes
• 1:20:50
  Speaker 3: to Earth, it's entertaining. Like, I like, I like Hiddleston.
• 1:20:53
  Speaker 5: Not Hiddleston.
• 1:20:54
  Speaker 3: I like Hemsworth. I like all of them.
• 1:20:56
  Speaker 1: Yeah, you're Hiddleston Hemsworth fan fiction going on.
• 1:20:59
  Speaker 5: I'm writing that at home. But like, it just works
• 1:21:03
  Speaker 5: better out of that weird scenario.
• 1:21:06
  Speaker 3: So at least I just saw the trailer for Ragnarok
• 1:21:09
  Speaker 3: now and I'm just like, All right, they took all
• 1:21:12
  Speaker 3: the things that were boring and changed them because now
• 1:21:14
  Speaker 3: he's getting taken somewhere else. It's not your standard Asgard setup.
• 1:21:19
  Speaker 3: I like Asgard.
• 1:21:20
  Speaker 5: They're crammy.
• 1:21:20
  Speaker 1: Why do you not like Asgard?
• 1:21:23
  Speaker 3: Because it's boring.
• 1:21:24
  Speaker 5: It's cool.
• 1:21:25
  Speaker 1: It's like they're so advanced, but it still looks ancient.
• 1:21:29
  Speaker 3: It looks old-timey.
• 1:21:31
  Speaker 5: Sorry, I was thinking about Asgard.
• 1:21:34
  Speaker 3: So, I don't know.
• 1:21:35
  Speaker 5: But that's the thing.
• 1:21:36
  Speaker 3: All of that seems like it's changed. Like, they've kind
• 1:21:38
  Speaker 3: of been like, yeah, nobody really cared about that last movie. So,
• 1:21:41
  Speaker 3: let's change it all up. So, now it's a whole
• 1:21:43
  Speaker 3: different space. Whole different characters are involved. And what always
• 1:21:47
  Speaker 3: saves any of these movies, Cram Hulk in there to
• 1:21:49
  Speaker 3: tear shit up. So, it's all there. So, I'm like,
• 1:21:52
  Speaker 3: now I'm ready to buy the ticket. Like, I at
• 1:21:54
  Speaker 3: least want to see what they do with this one.
• 1:21:56
  Speaker 5: So, I don't get superheroes. You're on the wrong show.
• 1:22:02
  Speaker 5: I don't get superheroes.
• 1:22:04
  Speaker 3: I don't get them.
• 1:22:05
  Speaker 1: Oh, no.
• 1:22:06
  Speaker 3: So they made a... So the new thing is called Ragnarok? Yes.
• 1:22:10
  Speaker 3: Did you see the other Ragnarok from 2013? I heard
• 1:22:14
  Speaker 3: it's great. It actually is really good. You and I
• 1:22:17
  Speaker 3: watched it.
• 1:22:17
  Speaker 8: What is it?
• 1:22:18
  Speaker 6: I don't remember it. It's the Norwegian film where they
• 1:22:21
  Speaker 6: have to.
• 1:22:21
  Speaker 1: Oh, they gotta get out of town because there's a flood.
• 1:22:25
  Speaker 3: That's the wave. like that. That's called The Wave. That
• 1:22:29
  Speaker 3: was also Norwegian films.
• 1:22:31
  Speaker 1: Norwegian films are awesome by the way.
• 1:22:33
  Speaker 5: So we can start a Norwegian series.
• 1:22:34
  Speaker 8: Oh yeah.
• 1:22:35
  Speaker 5: We'll start working on that too. Troll Hunter.
• 1:22:38
  Speaker 1: So wait what was Ragnarok?
• 1:22:39
  Speaker 3: Troll Hunter.
• 1:22:40
  Speaker 6: That's the one where they are looking for like archaeological
• 1:22:46
  Speaker 6: stuff and they end up on this island and it's being.
• 1:22:51
  Speaker 1: Oh yeah yeah yeah.
• 1:22:52
  Speaker 6: It's in the middle of the forest and there's a
• 1:22:55
  Speaker 6: lake that has an island on it.
• 1:22:56
  Speaker 1: So there you go. Like Those are movies that are
• 1:23:00
  Speaker 1: cool Norwegian films, and I heard they were going to
• 1:23:03
  Speaker 1: remake Trollhunter with an American cast.
• 1:23:05
  Speaker 5: Of course.
• 1:23:06
  Speaker 1: Which would not work.
• 1:23:07
  Speaker 3: It's all about America.
• 1:23:08
  Speaker 1: I mean, the charm of Trollhunter is like the scenery,
• 1:23:13
  Speaker 1: the cast, the Trollhunter. I mean, who are you going
• 1:23:17
  Speaker 1: to cast as that guy if you had to remake
• 1:23:19
  Speaker 1: it with an American?
• 1:23:20
  Speaker 4: Chris Pratt.
• 1:23:21
  Speaker 3: I mean, what are you going to do?
• 1:23:23
  Speaker 1: You're going to get Liam Neeson and be like, play the.
• 1:23:26
  Speaker 6: Same guy you played as the Troll Hunter.
• 1:23:32
  Speaker 1: I'm tired of all these motherfucking trolls. On his motherfucking plane.
• 1:23:39
  Speaker 3: Troll plane.
• 1:23:40
  Speaker 1: Liam Neeson's troll plane.
• 1:23:41
  Speaker 3: Snoop Dogg.
• 1:23:43
  Speaker 1: Troll plane.
• 1:23:45
  Speaker 7: I thought soul plane was pretty funny.
• 1:23:49
  Speaker 3: Uh, We've written so many better movies than what comes out.
• 1:23:55
  Speaker 1: We have. We have a Canon film studio in this kitchen.
• 1:24:00
  Speaker 3: Someone give us $ 1 million. At least $ 1 million to
• 1:24:03
  Speaker 3: make all these movies.
• 1:24:04
  Speaker 1: As we learned from Birdemic, $ 10, 000.
• 1:24:05
  Speaker 8: $ 10, 000.
• 1:24:05
  Speaker 3: Per movie.
• 1:24:06
  Speaker 1: $ 10, 000. Yeah, Troll Hunter. Did you see that?
• 1:24:21
  Speaker 5: I know of it.
• 1:24:22
  Speaker 1: Would you remake it? Would you remake it?
• 1:24:24
  Speaker 3: If I was an American producer, of course I would.
• 1:24:27
  Speaker 3: People don't want to read.
• 1:24:28
  Speaker 1: It was so good.
• 1:24:29
  Speaker 3: Reading. Well, no, then you just do as.
• 1:24:32
  Speaker 1: Well, then you got Dead Snow.
• 1:24:33
  Speaker 3: Which is why 1970s kung fu films are so good.
• 1:24:36
  Speaker 3: You just overdub it poorly. I like bad dubbing. And
• 1:24:39
  Speaker 3: then it's great. I know that pisses off real film fans,
• 1:24:42
  Speaker 3: but there's.
• 1:24:42
  Speaker 1: Times when I want a bad.
• 1:24:45
  Speaker 5: Dub and I don't want to read your dumb subtitles.
• 1:24:47
  Speaker 1: Amen.
• 1:24:48
  Speaker 3: I want to see a bad.
• 1:24:49
  Speaker 5: Dub, so.
• 1:24:52
  Speaker 5: People hate me. I don't care.
• 1:24:54
  Speaker 3: Shaolin Mantis. That's all I got to say.
• 1:24:56
  Speaker 5: Damn straight.
• 1:24:58
  Speaker 1: I'm doing the Mantis thing. I love you dearly, Paul,
• 1:25:01
  Speaker 1: but I cannot handle the 70s Kung Fu.
• 1:25:04
  Speaker 3: What is wrong with you?
• 1:25:05
  Speaker 6: I don't know.
• 1:25:06
  Speaker 1: It broke. Something in college broken me because I had
• 1:25:08
  Speaker 1: a roommate that watched it and I would just be exasperated.
• 1:25:11
  Speaker 3: There's nothing better than 70s Kung Fu. Well, except for
• 1:25:16
  Speaker 3: Jet Li's remake of 70s Kung Fu.
• 1:25:19
  Speaker 5: I thought maybe there was a girl out there that
• 1:25:20
  Speaker 5: liked 70s Kung Fu. I was like, wait a minute.
• 1:25:23
  Speaker 5: Where is she now?
• 1:25:23
  Speaker 3: I'm sure there's a ton of them.
• 1:25:25
  Speaker 1: I'm just, you know, probably.
• 1:25:28
  Speaker 3: I mean, I'm sure a few, but I feel like
• 1:25:30
  Speaker 3: it's a minority.
• 1:25:32
  Speaker 1: No, here's my problem with it. I cannot... It's like
• 1:25:37
  Speaker 1: whoever did the dubbing, it's all the same people, and
• 1:25:41
  Speaker 1: it might as well be What's Up Tiger Lily. Like,
• 1:25:45
  Speaker 1: to me, every 70s kung fu movie is What's Up
• 1:25:48
  Speaker 1: Tiger Lily. Isn't that the name of that movie?
• 1:25:51
  Speaker 5: Woody Allen?
• 1:25:51
  Speaker 1: Yeah, where it's like a dubbed film.
• 1:25:54
  Speaker 5: Does he do Kung Fu?
• 1:25:55
  Speaker 3: What's the worst casting for a Kung Fu movie?
• 1:25:59
  Speaker 1: Woody Allen is the Shonen Monk.
• 1:26:04
  Speaker 3: I love that. Actually, that's great. Can we just talk
• 1:26:08
  Speaker 3: this out instead of all this fighting?
• 1:26:09
  Speaker 1: That could be a whole... Wait, so you could do
• 1:26:12
  Speaker 1: your own overdubs of a Woody Allen film and throw
• 1:26:16
  Speaker 1: in 70s Kung Fu and make it like a 70s
• 1:26:18
  Speaker 1: Kung Fu film but then have somebody that their style
• 1:26:21
  Speaker 1: was Woody Allen.
• 1:26:22
  Speaker 3: So they were just all like, A lot of hand flailing.
• 1:26:25
  Speaker 3: A lot of hand flailing and flicking. Well, I didn't,
• 1:26:28
  Speaker 3: what I, oh. Okay, what if we cast Woody Allen
• 1:26:31
  Speaker 3: and Jeff Goldblum in a movie together?
• 1:26:34
  Speaker 5: And it's just.
• 1:26:35
  Speaker 3: A whole lot, ah, ah, but, but, wait, no, but.
• 1:26:43
  Speaker 5: You see?
• 1:26:43
  Speaker 1: Yeah, it's got dub dialogue. Like, what's up, Tiger Lily?
• 1:26:47
  Speaker 1: I mean, it is.
• 1:26:48
  Speaker 6: But, see, that's part of the charm of any movie.
• 1:26:53
  Speaker 6: poorly dubbed film is that it's poorly done and so
• 1:26:58
  Speaker 6: you kind of get lost in this strange weird world
• 1:27:02
  Speaker 6: where somebody else's voice is being used for an actor
• 1:27:06
  Speaker 6: in some other weird strange world I mean.
• 1:27:10
  Speaker 3: It's movie magic it is Movie madness. It also transports
• 1:27:15
  Speaker 3: you to a place where people's voices don't match.
• 1:27:17
  Speaker 1: Up with their lips. It's magical.
• 1:27:20
  Speaker 6: So it's like there's a dichotomy of you're supposed to
• 1:27:25
  Speaker 6: be taking it seriously, yet you can't stop laughing at
• 1:27:27
  Speaker 6: the voices.
• 1:27:29
  Speaker 2: It's good.
• 1:27:31
  Speaker 1: There are some that I like that are okay. I
• 1:27:33
  Speaker 1: just don't know if.
• 1:27:34
  Speaker 2: I.
• 1:27:35
  Speaker 1: Mean, you can't remake that stuff. You're totally right. And
• 1:27:38
  Speaker 1: look what happens when John Woo tries to sort of
• 1:27:41
  Speaker 1: do a remake of his... you know, hard-boiled Hong Kong style.
• 1:27:46
  Speaker 1: And we get Replacement Killers with Mira Servino, which sounds
• 1:27:49
  Speaker 1: like we randomly generated it.
• 1:27:50
  Speaker 3: Don't talk smack about Fuqua.
• 1:27:54
  Speaker 5: You gotta get bonus points for anybody named Antoine Fuqua.
• 1:27:58
  Speaker 1: And Chow Yun-Fat, who I love. He's like my Asian crush.
• 1:28:01
  Speaker 6: I mean, the only people that can remake those films are,
• 1:28:06
  Speaker 6: you know, current Chinese actors.
• 1:28:09
  Speaker 1: Right, but could you remake, like, hard-boiled?
• 1:28:13
  Speaker 5: Could you? Yes.
• 1:28:14
  Speaker 1: But who would you cast and would it be successful?
• 1:28:17
  Speaker 4: Nicolas Cage.
• 1:28:18
  Speaker 1: Was he in that? Did they remake it? Did I
• 1:28:20
  Speaker 1: miss out on that?
• 1:28:21
  Speaker 5: You don't understand. I'd like to point out.
• 1:28:23
  Speaker 1: I know a strange, huge encyclopedia knowledge of pop culture,
• 1:28:28
  Speaker 1: yet there's some things that have totally missed behind me.
• 1:28:30
  Speaker 3: John Woo is the director of Broken Arrow, starring crazy
• 1:28:36
  Speaker 3: John Travolta, who's in face-off with Nicolas Cage.
• 1:28:40
  Speaker 6: I'd like to point out that Keanu Reeves has found
• 1:28:43
  Speaker 6: a second wind by starring in a lot of Chinese movies, which.
• 1:28:47
  Speaker 3: He's done very well in. I feel like he's... missed
• 1:28:51
  Speaker 3: the mark over and over again doing that but i
• 1:28:54
  Speaker 3: was gonna.
• 1:28:54
  Speaker 6: Say really i i thought he was a great villain
• 1:28:57
  Speaker 6: in uh man of tai chi i just feel.
• 1:29:00
  Speaker 3: Like those never really hit like he wants them to
• 1:29:03
  Speaker 3: and nobody ever.
• 1:29:04
  Speaker 6: Takes well what do you mean by that like hit
• 1:29:06
  Speaker 6: here or hit there.
• 1:29:09
  Speaker 3: I don't know, do American films like that ever hit there?
• 1:29:12
  Speaker 3: I don't know.
• 1:29:13
  Speaker 5: I feel like they're always made for American audiences, and
• 1:29:15
  Speaker 5: usually American.
• 1:29:16
  Speaker 3: Audiences just kind of shrug. Because it totally follows the
• 1:29:19
  Speaker 3: line of the Kung Fu formula, which is.
• 1:29:26
  Speaker 6: have a bunch of Asian actors as the hero, and
• 1:29:29
  Speaker 6: then have one random white guy.
• 1:29:31
  Speaker 1: As the villain.
• 1:29:32
  Speaker 3: Oh, like the Russian guy? Yeah, there's always one.
• 1:29:35
  Speaker 1: But he wasn't Russian?
• 1:29:36
  Speaker 6: Like every Bruce Lee movie, almost every Bruce Lee movie
• 1:29:39
  Speaker 6: has a villain white dude, random, usually Russian, but not necessarily.
• 1:29:45
  Speaker 3: And Keanu Reeves, Did it. He nailed it. I mean,
• 1:29:51
  Speaker 3: to me, the only thing that's really revived his career
• 1:29:54
  Speaker 3: is finding that formula and just trying to not jam
• 1:29:58
  Speaker 3: it into an Asian format, but just being like, I'm
• 1:30:01
  Speaker 3: a white dude. Here's a crazy story about me killing
• 1:30:04
  Speaker 3: a whole bunch of people. And John Wick is born.
• 1:30:07
  Speaker 3: And like that took off. And like, he's now like
• 1:30:11
  Speaker 3: back in the game. Like before, like years ago, nobody
• 1:30:15
  Speaker 3: took him seriously. And, like, all of a sudden, like,
• 1:30:18
  Speaker 3: not only is he a bankable action star again, but
• 1:30:22
  Speaker 3: he's actually, like, people legitimately like. Like, for the longest time, like,
• 1:30:27
  Speaker 3: it became a running joke of, like, well, the movie's
• 1:30:30
  Speaker 3: pretty good in spite of the fact that, you know,
• 1:30:33
  Speaker 3: Keanu's the lead. Like, that became a dorky thing that
• 1:30:36
  Speaker 3: movie fans just accepted. They're like, well, I don't know,
• 1:30:39
  Speaker 3: he's not my favorite actor, but this movie's actually pretty
• 1:30:41
  Speaker 3: good in spite of that. I appreciated him in Man
• 1:30:44
  Speaker 3: of Tai Chi. I feel like he just kept wanting
• 1:30:47
  Speaker 3: to make that stuff and it never kind of worked
• 1:30:50
  Speaker 3: for him. Like again, not even quality wise for you,
• 1:30:53
  Speaker 3: the viewer, but I'm just like, it just never took off.
• 1:30:56
  Speaker 3: And like nothing ever made him be taken seriously in
• 1:30:59
  Speaker 3: any other way until John Wick came along. And then
• 1:31:02
  Speaker 3: he is like, Oh, well, for once I shrugged off
• 1:31:05
  Speaker 3: that idea and just played a dorky white guy that
• 1:31:07
  Speaker 3: wants to kill people. And he did it great.
• 1:31:10
  Speaker 5: So, I don't know.
• 1:31:12
  Speaker 3: I'm glad he's back because I think I've, in recent years,
• 1:31:16
  Speaker 3: come to respect him more and more. And mostly for
• 1:31:20
  Speaker 3: things in the real world, like outside of screen. The
• 1:31:23
  Speaker 3: more I find out about him, he seems like a
• 1:31:24
  Speaker 3: really kind of fascinating guy. So, with his second wind.
• 1:31:29
  Speaker 6: He's going to replace Nicolas Cage in National Treasure, the remake.
• 1:31:35
  Speaker 5: I mean, at this point, it could probably take.
• 1:31:38
  Speaker 3: What's weird is there's such a fan base for those
• 1:31:43
  Speaker 3: movies anyway, which I always was like, they made another one?
• 1:31:48
  Speaker 1: Are there three or two?
• 1:31:50
  Speaker 3: There's at least two. There's two, definitely.
• 1:31:52
  Speaker 5: I can't remember if there's a straight-to-video third one.
• 1:31:56
  Speaker 3: Keanu Reeves in Con Air.
• 1:31:59
  Speaker 1: Was he in Con Air?
• 1:32:00
  Speaker 5: No, but Keanu Reeves in Face Off.
• 1:32:05
  Speaker 1: No. Was he in The Rock?
• 1:32:08
  Speaker 2: No, but.
• 1:32:09
  Speaker 1: Isn't that another one of those movies? The same kind
• 1:32:12
  Speaker 1: of thing where you're on a.
• 1:32:14
  Speaker 3: Could he be the Nicolas Cage? He might be able
• 1:32:16
  Speaker 3: to be in The Rock because he's pretty... He's not
• 1:32:20
  Speaker 3: crazy over the top Nicolas Cage. He's just a little wiggy.
• 1:32:22
  Speaker 1: So he could almost do that.
• 1:32:24
  Speaker 5: You know, I hate to put him in the same.
• 1:32:26
  Speaker 1: But I am imagining Nicolas Cage in Speed.
• 1:32:29
  Speaker 5: That just happened.
• 1:32:31
  Speaker 1: In my brain, that just happened.
• 1:32:32
  Speaker 3: Yeah.
• 1:32:33
  Speaker 1: You can't stop. You can't mess with Speed.
• 1:32:36
  Speaker 3: Although, yeah, Nicolas Cage would be pretty damn fun in it.
• 1:32:39
  Speaker 6: If this bus goes below 50 miles an hour, we're
• 1:32:42
  Speaker 6: all gonna die.
• 1:32:43
  Speaker 5: No, I kind of want to see this. I want
• 1:32:47
  Speaker 5: to see this.
• 1:32:47
  Speaker 1: Damn it.
• 1:32:48
  Speaker 5: Now I'm trying to cast.
• 1:32:49
  Speaker 3: Who's the new Dennis Hopper?
• 1:32:50
  Speaker 5: Who's the crazy old guy that we need to.
• 1:32:54
  Speaker 1: Be in the game?
• 1:32:55
  Speaker 8: Oh, uh.
• 1:32:56
  Speaker 1: British actor... Cumberbatch?
• 1:33:00
  Speaker 3: No, but that works.
• 1:33:01
  Speaker 1: No, the guy that played Al Swearingen on Deadwood.
• 1:33:06
  Speaker 3: Oh, he's great.
• 1:33:07
  Speaker 1: He's in a lot of things. This doesn't sound like
• 1:33:09
  Speaker 1: American people at all.
• 1:33:10
  Speaker 5: See, I'm the worst person to have.
• 1:33:11
  Speaker 3: The one with the lips.
• 1:33:14
  Speaker 1: He's got two eyes, two ears.
• 1:33:16
  Speaker 5: I'm going to the computer. We're going to have to
• 1:33:20
  Speaker 5: go with.
• 1:33:21
  Speaker 1: Oh, I've got to find his name.
• 1:33:22
  Speaker 2: Wait, wait, wait.
• 1:33:23
  Speaker 1: You all totally believe it when I say it.
• 1:33:25
  Speaker 5: He's dead. Hold on. Hang on.
• 1:33:27
  Speaker 3: Oh, wait, I got it. Bill Hader.
• 1:33:36
  Speaker 1: Only if he did it as the guy from... It's
• 1:33:39
  Speaker 1: the thing where you parallel park between two midgets.
• 1:33:43
  Speaker 3: Oh, Stefan.
• 1:33:45
  Speaker 1: Stefan. Actually, Bill Hader in that part would be awesome. Oh,
• 1:33:49
  Speaker 1: and what's-her-face could be.
• 1:33:50
  Speaker 3: Bill Hader as Stefan as.
• 1:33:51
  Speaker 1: Could be Cesar Bullock.
• 1:33:53
  Speaker 2: Huh, who?
• 1:33:54
  Speaker 1: Uh... Oh, she was in Skeleton Twins with Bill Hader,
• 1:33:58
  Speaker 1: and she was a Seriant Live chick.
• 1:33:59
  Speaker 6: Oh, yeah.
• 1:34:00
  Speaker 1: Why can't I remember anybody's name?
• 1:34:02
  Speaker 3: That's late.
• 1:34:03
  Speaker 1: Huh?
• 1:34:04
  Speaker 2: Yeah, it is.
• 1:34:05
  Speaker 1: It's been a long day. You know What's-Her-Face. You know What's-Her-Face.
• 1:34:09
  Speaker 3: The one with the lips?
• 1:34:10
  Speaker 5: She's in Ghostbusters.
• 1:34:13
  Speaker 1: Was she in Ghostbusters? Did I say she was in Ghostbusters?
• 1:34:15
  Speaker 3: No, I just said she was in Ghostbusters.
• 1:34:17
  Speaker 1: Because her name is Kristen Wiig. She would be great
• 1:34:20
  Speaker 1: in that. But she's too good for that. All right.
• 1:34:24
  Speaker 3: I think, number one, we found a whole new running
• 1:34:26
  Speaker 3: theme that we're going to have to return.
• 1:34:28
  Speaker 5: To all the time.
• 1:34:30
  Speaker 1: We can't be done.
• 1:34:31
  Speaker 3: But we need to wrap up. So let's pick one more.
• 1:34:35
  Speaker 5: And then what the hell are we going to do
• 1:34:37
  Speaker 5: with it? So do we have one big final grand finale?
• 1:34:41
  Speaker 1: You do the grand finale. It's your show. We just
• 1:34:43
  Speaker 1: interrupt it.
• 1:34:44
  Speaker 3: All right.
• 1:34:45
  Speaker 5: Let's cinema classic.
• 1:34:47
  Speaker 3: Let's redo Casablanca. Oh, God.
• 1:34:51
  Speaker 1: Yeah, what a bad idea. Let's go to the computer.
• 1:34:54
  Speaker 1: You know I've never seen that.
• 1:34:55
  Speaker 5: There's something wrong with you. All right, so.
• 1:34:58
  Speaker 1: Is it on a boat? They can't slow down. Get out.
• 1:35:02
  Speaker 1: It's on a boat, right?
• 1:35:03
  Speaker 3: That's speed two, colon, cruise control. And get, I know
• 1:35:08
  Speaker 3: it's your house.
• 1:35:08
  Speaker 1: Colon, cruise control.
• 1:35:09
  Speaker 5: I know it's your house, but get out.
• 1:35:13
  Speaker 1: Oh, I'm the easy African queen.
• 1:35:16
  Speaker 3: Max von Sydow. That is on a bus. Humphrey Bogart
• 1:35:22
  Speaker 3: on a bus that can't slow down in.
• 1:35:25
  Speaker 5: The African Queen.
• 1:35:27
  Speaker 3: Chris Pratt as Humphrey Bogart.
• 1:35:28
  Speaker 1: Here's spit in your eye. Or what does he say?
• 1:35:32
  Speaker 3: Here's looking at you, Tom.
• 1:35:33
  Speaker 1: Whatever.
• 1:35:34
  Speaker 5: Stop talking, please.
• 1:35:35
  Speaker 3: No, wait.
• 1:35:37
  Speaker 5: Okay, so.
• 1:35:38
  Speaker 3: No, definitely Tom Cruise as Humphrey Bogart. All right.
• 1:35:43
  Speaker 5: Actually, now I see that happening.
• 1:35:44
  Speaker 3: They're about the same height. And he's, again, I was
• 1:35:48
  Speaker 3: trying to get, like, similar age but like Humphrey Bogart
• 1:35:52
  Speaker 3: always looked.
• 1:35:53
  Speaker 1: Old he was like 20 and he looked like he
• 1:35:54
  Speaker 1: was like 50 I.
• 1:35:55
  Speaker 3: Know he always looked like that that was called the
• 1:35:58
  Speaker 3: 40s it just brought up Brad Pitt again so I'm
• 1:36:00
  Speaker 3: like I could alright alright if we do Brad Pitt
• 1:36:03
  Speaker 3: in Tom Cruise and Brad Pitt can fight it out
• 1:36:07
  Speaker 3: now who are we going it brought up Femke Janssen
• 1:36:11
  Speaker 3: I actually like her I don't know about her let's
• 1:36:13
  Speaker 3: see what else we got here Emma Stone again yeah
• 1:36:17
  Speaker 3: you can put her in anything at this point.
• 1:36:18
  Speaker 1: She's good you can put her in anything Oh, well, wait.
• 1:36:20
  Speaker 1: If you're going to do that, then just do the Gosling.
• 1:36:23
  Speaker 5: Oh, God.
• 1:36:24
  Speaker 3: Not again.
• 1:36:24
  Speaker 5: The guys.
• 1:36:25
  Speaker 1: Put the guys in something.
• 1:36:25
  Speaker 3: Those two bastards again? Yeah, why not?
• 1:36:27
  Speaker 5: Because Gosling's Gosling.
• 1:36:29
  Speaker 1: You know, I love him in Drive.
• 1:36:32
  Speaker 5: Because he doesn't talk. You're like, man, I hate his voice.
• 1:36:36
  Speaker 5: But he sure is pretty.
• 1:36:38
  Speaker 3: I want a movie where he drives around a lot
• 1:36:39
  Speaker 3: and looks pretty, but he doesn't say nothing.
• 1:36:41
  Speaker 1: But he was like, there was something kind of scary
• 1:36:43
  Speaker 1: about him.
• 1:36:43
  Speaker 3: What was the same filmmaker? Did the.
• 1:36:48
  Speaker 3: Scandinavian film.
• 1:36:49
  Speaker 1: Oh, God, I love that movie.
• 1:36:50
  Speaker 3: Nicholas Winning.
• 1:36:51
  Speaker 1: Yeah, he did Valhalla Rising.
• 1:36:55
  Speaker 3: Did we talk about that?
• 1:36:56
  Speaker 1: My God, I love that movie.
• 1:36:57
  Speaker 3: Such a great movie.
• 1:36:59
  Speaker 1: Oh, okay, so then you could do the dude from that.
• 1:37:04
  Speaker 1: He's kind of balding, isn't he? Mads Mikkelsen?
• 1:37:06
  Speaker 3: Mads Mikkelsen.
• 1:37:08
  Speaker 5: He's getting a lot of stuff now.
• 1:37:09
  Speaker 1: He's good. He deserves a lot of stuff.
• 1:37:11
  Speaker 5: He's probably about the right age now. That's a weird.
• 1:37:14
  Speaker 1: I thought he was.
• 1:37:15
  Speaker 5: That's a weird direction. Well, who plays Sam? Who plays Sam?
• 1:37:18
  Speaker 3: That's what I'm saying.
• 1:37:19
  Speaker 5: Okay, Sam.
• 1:37:21
  Speaker 3: Do we have... I mean, do we want.
• 1:37:22
  Speaker 1: To mix up the.
• 1:37:25
  Speaker 3: Because, again, it was... Very specific.
• 1:37:28
  Speaker 6: Are you doing it at the same time?
• 1:37:32
  Speaker 3: I don't know. Or are you redoing it completely? You
• 1:37:36
  Speaker 3: can't tell that story with it not being in the
• 1:37:38
  Speaker 3: middle of World War II. But couldn't you do it
• 1:37:40
  Speaker 3: in the middle of... You could.
• 1:37:42
  Speaker 6: Well, you could rewrite it and have it be another
• 1:37:46
  Speaker 6: world war.
• 1:37:47
  Speaker 1: Or not a world war. You could have it just
• 1:37:49
  Speaker 1: in any war situation. You know, you could have... Any
• 1:37:53
  Speaker 1: war-torn region. Yes, yes.
• 1:37:56
  Speaker 5: So we're going to the Middle East to redo this.
• 1:37:58
  Speaker 1: Well, or you could set it like in the 80s
• 1:38:01
  Speaker 1: in like Bosnia or, you know, Syria, but like you
• 1:38:04
  Speaker 1: could do a whole.
• 1:38:05
  Speaker 3: Okay, war-torn romance.
• 1:38:08
  Speaker 1: Yeah.
• 1:38:09
  Speaker 3: Or futuristic sci-fi Casablanca. I'd kind of like to see this, actually.
• 1:38:17
  Speaker 3: I think the more outrageous, the better. Well, again, that
• 1:38:21
  Speaker 3: one's going to be really hard to do anyway, so
• 1:38:23
  Speaker 3: if you're going to do it, go way off in
• 1:38:26
  Speaker 3: the other direction.
• 1:38:27
  Speaker 6: Yeah, I love the idea of a combo between.
• 1:38:30
  Speaker 3: Logan's Run and Casablanca. I'm on board with this.
• 1:38:34
  Speaker 1: You guys, we are like a movie.
• 1:38:36
  Speaker 3: We are amazing. Logan's Run, Casablanca.
• 1:38:40
  Speaker 1: And let me say this really quick about remakes. I
• 1:38:41
  Speaker 1: think HBO has done an incredible job with Westworld.
• 1:38:46
  Speaker 3: All right.
• 1:38:46
  Speaker 5: Sidebar.
• 1:38:47
  Speaker 3: There we go.
• 1:38:48
  Speaker 5: Yep.
• 1:38:49
  Speaker 3: Agreed. Again, not that far-fetched if you're keeping Gosling in
• 1:38:53
  Speaker 3: the lead because he's already doing the Blade Runner.
• 1:38:55
  Speaker 5: Reboot update sequel. Yeah, he's the new Blade Runner guy.
• 1:39:00
  Speaker 1: Because he really is a replicant, right? Like it's happened.
• 1:39:03
  Speaker 3: If so, then why is old guy Harrison Ford still
• 1:39:06
  Speaker 3: in the movie? He kind of blows the old movie
• 1:39:08
  Speaker 3: by being there and being an old guy.
• 1:39:11
  Speaker 5: Is he a replicant?
• 1:39:12
  Speaker 1: Do replicants age? We don't know because they all got killed.
• 1:39:15
  Speaker 1: But is he a replicant?
• 1:39:16
  Speaker 6: Why wouldn't Ryan Gosling also do Indiana Jones?
• 1:39:23
  Speaker 3: And you like him.
• 1:39:24
  Speaker 5: Thank you. It's not just me.
• 1:39:25
  Speaker 3: Yeah, I like him.
• 1:39:26
  Speaker 1: Because I don't see it.
• 1:39:27
  Speaker 5: I can see that.
• 1:39:28
  Speaker 3: Okay, but you're okay with him replacing Harrison Ford in
• 1:39:32
  Speaker 3: Blade Runner.
• 1:39:34
  Speaker 1: No. No, no, no.
• 1:39:34
  Speaker 3: He's not replacing Harrison Ford. He's already doing that.
• 1:39:36
  Speaker 1: Is he replacing Harrison Ford? I mean, he's the new...
• 1:39:38
  Speaker 1: He's not because Harrison Ford is in it.
• 1:39:40
  Speaker 3: He's the new.
• 1:39:41
  Speaker 5: Lead guy looking for replicants.
• 1:39:43
  Speaker 3: So he essentially is. He's the new Harrison Ford. But
• 1:39:46
  Speaker 3: there is an old Harrison Ford in the movie playing Deckard. Yeah.
• 1:39:50
  Speaker 5: I mean, Harrison Ford is still Deckard. I mean, he's not,
• 1:39:52
  Speaker 5: but in practical terms.
• 1:39:54
  Speaker 4: He is.
• 1:39:55
  Speaker 5: So.
• 1:39:56
  Speaker 3: The inheritor of the torch.
• 1:39:59
  Speaker 5: He's been past the baton.
• 1:40:02
  Speaker 2: Yes, yes. I don't know.
• 1:40:03
  Speaker 1: Who are you going to put for that, Chris Pratt?
• 1:40:05
  Speaker 1: You can't substitute Chris.
• 1:40:07
  Speaker 3: Pratt for everyone.
• 1:40:07
  Speaker 5: Everyone wants to put Chris Pratt in there.
• 1:40:09
  Speaker 1: I'm going to remake Witness, and I'm going to put
• 1:40:11
  Speaker 1: Chris Pratt in it.
• 1:40:12
  Speaker 5: Bradley Cooper in Witness.
• 1:40:14
  Speaker 3: Yeah, that's not too far off. I love Witness. That
• 1:40:18
  Speaker 3: was a great movie.
• 1:40:19
  Speaker 5: I'm trying to round it out with Sam. Who do
• 1:40:21
  Speaker 5: we go with for Sam?
• 1:40:23
  Speaker 1: Well, I mean, it just depends on where you're setting it.
• 1:40:25
  Speaker 5: All right, here we go. It just brought up Jackie Chan.
• 1:40:29
  Speaker 5: We need something new for Jackie Chan to do.
• 1:40:32
  Speaker 3: Yeah, he doesn't like doing action film anymore.
• 1:40:34
  Speaker 5: Yeah, he doesn't really have to talk.
• 1:40:35
  Speaker 2: A whole lot.
• 1:40:36
  Speaker 1: Sam's just kind of hanging out there.
• 1:40:38
  Speaker 5: He's his friend. He just needs a friend. So Jackie Chan.
• 1:40:41
  Speaker 3: To play piano. And again, we don't know what country
• 1:40:44
  Speaker 3: it's set in yet because we haven't picked a war,
• 1:40:46
  Speaker 3: so it could be fitting.
• 1:40:48
  Speaker 5: It's Asia.
• 1:40:49
  Speaker 3: I know. I'm sure there's going to be a war
• 1:40:52
  Speaker 3: at some point. There's certainly been before. I'm certain it'll happen.
• 1:40:57
  Speaker 1: So... Yeah, but there's actually, you know, I was totally
• 1:41:00
  Speaker 1: against it, and I've never really seen the whole thing,
• 1:41:02
  Speaker 1: but I understand the concept. But actually, a remake of
• 1:41:05
  Speaker 1: Casablanca would not be that bad.
• 1:41:07
  Speaker 3: Again, I like if you bastardize it and do something
• 1:41:12
  Speaker 3: ridiculous with it, like future sci-fi.
• 1:41:16
  Speaker 1: Sorry, Jackie Chan.
• 1:41:17
  Speaker 3: With, like, flying cars.
• 1:41:19
  Speaker 1: No, no, no, I like if you take it and
• 1:41:21
  Speaker 1: make it a period piece of a more modern setting.
• 1:41:25
  Speaker 1: You know, that's kind of.
• 1:41:26
  Speaker 3: I want future world, but I want it to have
• 1:41:29
  Speaker 3: the visuals of like an early 80s future world.
• 1:41:34
  Speaker 6: Maybe back to Logan Run. Logan's Run future world, but
• 1:41:38
  Speaker 6: set in the distant future. Michael Caine as the robot guy.
• 1:41:42
  Speaker 1: Oh, and I thought you were going to say as
• 1:41:43
  Speaker 1: made by Michael Mann. That was my other thing. As
• 1:41:47
  Speaker 1: channeled and made by Michael Mann.
• 1:41:49
  Speaker 3: There we go.
• 1:41:51
  Speaker 6: She was only 15 years old.
• 1:41:57
  Speaker 3: Do you have to.
• 1:41:58
  Speaker 1: Wind him up?
• 1:41:59
  Speaker 6: You were only supposed to blow the bloody doors off.
• 1:42:03
  Speaker 3: See, the sad thing is you guys just missed the
• 1:42:05
  Speaker 3: robot arms they were both doing as they said that.
• 1:42:09
  Speaker 3: Robot arms. Last week we had bird wings. This week,
• 1:42:12
  Speaker 3: robot arms.
• 1:42:13
  Speaker 1: It was the slow bird wings.
• 1:42:14
  Speaker 5: The visuals, you guys. It's amazing. All right. I think
• 1:42:18
  Speaker 5: we've done it.
• 1:42:19
  Speaker 1: This is so fun. Do we have to stop? Can
• 1:42:21
  Speaker 1: we do this next week? What are we talking about
• 1:42:23
  Speaker 1: next week?
• 1:42:23
  Speaker 5: Good God, make it stop.
• 1:42:26
  Speaker 3: I think we should take a break.
• 1:42:28
  Speaker 5: I actually think we've stumbled upon a fun game that.
• 1:42:31
  Speaker 3: We need to return to, though.
• 1:42:33
  Speaker 2: All right.
• 1:42:33
  Speaker 3: So if you guys agree, write in, let us know.
• 1:42:36
  Speaker 6: We didn't even get a chance to bring up Matt
• 1:42:38
  Speaker 6: Damon in some whatever he's... Actually, that.
• 1:42:41
  Speaker 3: Would be a new amendment to the game. It's just announce.
• 1:42:45
  Speaker 6: An actor and then say, these are all of the
• 1:42:48
  Speaker 6: remakes that he needs to do and hasn't.
• 1:42:53
  Speaker 5: What movie can we shove this white dude in that
• 1:42:56
  Speaker 5: he doesn't fit?
• 1:42:56
  Speaker 3: Well, it doesn't have to be that white dude. Well, no,
• 1:43:00
  Speaker 3: I'm saying any of these. It's all white dudes that
• 1:43:02
  Speaker 3: are our leading men usually. So, like, we'll take a
• 1:43:05
  Speaker 3: movie that doesn't need a white dude and shove him
• 1:43:07
  Speaker 3: in there as the savior.
• 1:43:09
  Speaker 1: Well, you know who I think should be the new
• 1:43:10
  Speaker 1: James Bond?
• 1:43:11
  Speaker 3: Will you make a blade? Sorry, go ahead. With Matt Damon?
• 1:43:15
  Speaker 3: Matt Damon's the new Blaine.
• 1:43:17
  Speaker 1: I think the new James Bond should be Idris Elba.
• 1:43:22
  Speaker 1: And I know everybody's been like, blah, blah, blah.
• 1:43:24
  Speaker 3: That's old news.
• 1:43:25
  Speaker 1: I know. should he's badass like i would love to
• 1:43:30
  Speaker 1: see him as the next one that to me it
• 1:43:32
  Speaker 1: will not nothing will do except.
• 1:43:34
  Speaker 5: By the time they're done making these he's gonna be
• 1:43:36
  Speaker 5: too old you gotta you gotta crank them out pretty
• 1:43:39
  Speaker 5: quick and hit the right.
• 1:43:40
  Speaker 3: Window casting roger morris but he just had so much charm.
• 1:43:46
  Speaker 1: He didn't he was terrible.
• 1:43:48
  Speaker 6: But when he ran things moved And it was hot.
• 1:43:54
  Speaker 3: Look at those jowls moving. That's what I'm into.
• 1:43:57
  Speaker 1: Well, I want some kind of role like that for
• 1:43:59
  Speaker 1: Idris Elba because I think he is phenomenal. He's so good.
• 1:44:03
  Speaker 1: And he's so viable. He's like the guy that knows
• 1:44:07
  Speaker 1: all of it.
• 1:44:08
  Speaker 3: And this is maybe the moral of this episode and
• 1:44:11
  Speaker 3: to Hollywood in general. I think that has kind of
• 1:44:14
  Speaker 3: become the problem is they're so busy remaking a title
• 1:44:18
  Speaker 3: and a property because it'll make money. And then it
• 1:44:21
  Speaker 3: just pisses off the old fans, and new fans usually
• 1:44:23
  Speaker 3: don't know what it is anyway, so they don't respond
• 1:44:25
  Speaker 3: to the title or the premise. So I'm like, here's
• 1:44:27
  Speaker 3: my thing. Stop worrying about remaking stuff so much, and
• 1:44:31
  Speaker 3: focus more on, okay, maybe that's what we want, is
• 1:44:34
  Speaker 3: just to take that idea and do something original with it.
• 1:44:37
  Speaker 5: Be like, you know what?
• 1:44:39
  Speaker 3: Spy movies are cool. Let's not just beat 007 to death.
• 1:44:43
  Speaker 1: Yeah, we're down to, like, what, three spies? We have
• 1:44:45
  Speaker 1: three spies now.
• 1:44:46
  Speaker 3: So, yeah, let's just make a spy movie with Idris Elba,
• 1:44:49
  Speaker 3: and he'll be awesome in it, and just write it.
• 1:44:52
  Speaker 1: Yeah.
• 1:44:52
  Speaker 3: Like, don't worry about... To go back to Matt Damon.
• 1:44:54
  Speaker 2: Yeah.
• 1:44:55
  Speaker 5: Great reboot of.
• 1:44:59
  Speaker 6: Great reboot of spy films with the Bourne series, you know?
• 1:45:03
  Speaker 3: Which, again, they've kind of beat to death, too.
• 1:45:05
  Speaker 1: Yeah, they've beat to death. They totally have. But, you know,
• 1:45:07
  Speaker 1: it's like, with culture, I mean, we keep telling the
• 1:45:10
  Speaker 1: same stories over and over. So we've hit where we're...
• 1:45:12
  Speaker 1: the romans and the greeks and everything it's the same
• 1:45:15
  Speaker 1: story but you.
• 1:45:16
  Speaker 3: Can totally like come along do something different and change
• 1:45:20
  Speaker 3: everything because that is the reason bond is the way
• 1:45:22
  Speaker 3: he is now is because born came along and people
• 1:45:26
  Speaker 3: that's why it became the daniel craig bond that it
• 1:45:28
  Speaker 3: is now because people saw that and they looked back
• 1:45:31
  Speaker 3: at the old bonds and went these are silly i
• 1:45:33
  Speaker 3: don't want to watch that anymore i want fast paced
• 1:45:35
  Speaker 3: i want super fast shot handheld action scenes and they
• 1:45:40
  Speaker 3: were like, oh, well now we have to totally redo
• 1:45:42
  Speaker 3: our James Bond to fit the new world that stuff
• 1:45:45
  Speaker 3: like Bourne came along and changed. So there is a
• 1:45:48
  Speaker 3: way you can do that and then the random stuff
• 1:45:52
  Speaker 3: that gets remade has to follow along with the trends
• 1:45:55
  Speaker 3: that come along and change everything.
• 1:45:56
  Speaker 1: But the weird thing is, if you did start a
• 1:45:57
  Speaker 1: whole new character, people would just be like, I don't
• 1:46:00
  Speaker 1: know who this is. I don't know who that is.
• 1:46:01
  Speaker 1: We're to the point now where we don't know.
• 1:46:04
  Speaker 3: But again, like back to my example earlier, if you
• 1:46:07
  Speaker 3: hit it just right, it works. Like nobody knew who
• 1:46:09
  Speaker 3: John Wick was. It may have been a mistake to
• 1:46:12
  Speaker 3: name it him because nobody knew who that character, because
• 1:46:15
  Speaker 3: I feel like that first one didn't hit until like video.
• 1:46:19
  Speaker 1: I haven't even seen it. Everybody wrote it off in
• 1:46:21
  Speaker 1: the theater. I had no idea what it was.
• 1:46:22
  Speaker 3: It was a name and nobody knows that name.
• 1:46:25
  Speaker 5: Michael Collins, John Wick, whatever. I don't know the difference.
• 1:46:27
  Speaker 3: So it's like sometimes just giving it that person's name
• 1:46:30
  Speaker 3: when you don't know that person is a mistake, I
• 1:46:32
  Speaker 3: feel like. And I think it fell into that category.
• 1:46:34
  Speaker 3: And then it was like one of those people went, eh,
• 1:46:37
  Speaker 3: I'll throw a dollar at it at the red box.
• 1:46:39
  Speaker 3: And they watched it and realized it's an amazing action
• 1:46:42
  Speaker 3: movie and has great, like again for a simplified action
• 1:46:46
  Speaker 3: movie still has great character development in this little span
• 1:46:49
  Speaker 3: of time that we have to spend with this character
• 1:46:52
  Speaker 3: and delivers on it.
• 1:46:53
  Speaker 5: So it's like, you can do that. You can take
• 1:46:55
  Speaker 5: an original property, write it well and just shoot a
• 1:46:58
  Speaker 5: good action movie and it'll work.
• 1:47:00
  Speaker 3: But again, it's the marketing game. It's like I don't
• 1:47:03
  Speaker 3: know that naming it the character's name when nobody knows
• 1:47:05
  Speaker 3: who that character is is a good idea. Did you
• 1:47:07
  Speaker 3: see the Jack Reacher stuff? I've seen the first movie.
• 1:47:13
  Speaker 5: I didn't see the second one.
• 1:47:15
  Speaker 3: I haven't seen the second one. Changed hands. It's not
• 1:47:17
  Speaker 3: even the same director. I actually was surprised that I
• 1:47:21
  Speaker 3: enjoyed the first one. yeah i mean that's the same
• 1:47:23
  Speaker 3: but it's the same but at least that like that
• 1:47:26
  Speaker 3: series of books is popular by his name so like
• 1:47:29
  Speaker 3: i can see they're at least feeding off of again
• 1:47:32
  Speaker 3: it's more of an ian fleming thing of let's take
• 1:47:34
  Speaker 3: this novel and this character and well put a person
• 1:47:37
  Speaker 3: to it so born series was like that too yeah
• 1:47:40
  Speaker 3: so i mean it it i don't know i think
• 1:47:43
  Speaker 3: it's just about finding a way to do stuff original
• 1:47:46
  Speaker 3: even if you're stealing from old ideas, which is what
• 1:47:48
  Speaker 3: Hollywood's been doing for generations now.
• 1:47:51
  Speaker 1: You know, in 20 years, somebody's going to make a
• 1:47:52
  Speaker 1: kick-ass remake of the Harry Potter movies.
• 1:47:56
  Speaker 5: I hope it has old Daniel Radcliffe. I hope Wizard.
• 1:48:00
  Speaker 1: It's a wizard.
• 1:48:00
  Speaker 3: That would be in our lives. I hope it is
• 1:48:03
  Speaker 3: in 3D or holographic.
• 1:48:04
  Speaker 5: No, you know what I'm saying?
• 1:48:06
  Speaker 1: What I mean is like those stories, those Harry Potter
• 1:48:09
  Speaker 1: stories were good. Like the books were a little bit
• 1:48:12
  Speaker 1: darker than the movies, I think sometimes, and like I
• 1:48:14
  Speaker 1: think you could revisit those later on and like make
• 1:48:18
  Speaker 1: them something even better though those movies were magical and
• 1:48:21
  Speaker 1: like really captured the initial spirit I think there's more
• 1:48:24
  Speaker 1: there I should probably.
• 1:48:26
  Speaker 5: Shut up Emma Watson's now teaching the class I'm liking
• 1:48:31
  Speaker 5: this already mostly just Emma Watson in anything she wants
• 1:48:36
  Speaker 5: to do she's like.
• 1:48:38
  Speaker 1: The poor man's Natalie Portman.
• 1:48:41
  Speaker 3: She's like half her age. What are you talking about?
• 1:48:43
  Speaker 5: Well, I don't know.
• 1:48:45
  Speaker 1: Is she? Yeah, I guess so.
• 1:48:46
  Speaker 5: She is.
• 1:48:46
  Speaker 3: No, really. Do the math. Yeah, I know.
• 1:48:49
  Speaker 9: It's hard.
• 1:48:49
  Speaker 3: They're not in the same category anymore.
• 1:48:51
  Speaker 1: I don't want to do that. Natalie Portman's not old.
• 1:48:53
  Speaker 3: Yeah, in Hollywood terms, she is.
• 1:48:55
  Speaker 1: Older. And she has children. Now she has a couple kids, right?
• 1:48:58
  Speaker 1: Can you imagine? How dare her? Children. No, but what
• 1:49:02
  Speaker 1: I mean is those stories are good, and it's another
• 1:49:04
  Speaker 1: instance of the retelling, you know, like where we find
• 1:49:07
  Speaker 1: things that we love and kind of.
• 1:49:09
  Speaker 3: I mean, it is. The wizarding world is so much
• 1:49:13
  Speaker 3: bigger than even those movies.
• 1:49:15
  Speaker 1: Yeah.
• 1:49:15
  Speaker 3: Even those books. It's a theme park, for God's sake.
• 1:49:19
  Speaker 3: It is a huge world that I don't think is
• 1:49:21
  Speaker 3: going anywhere in any near future. Oh, no. We're going
• 1:49:25
  Speaker 3: to keep coming back to it, even if it's offshoot movies,
• 1:49:27
  Speaker 3: which we're already getting now.
• 1:49:29
  Speaker 1: Which, Fantastic Beasts and Where to Find Them was kind
• 1:49:31
  Speaker 1: of my favorite Harry Potter film.
• 1:49:32
  Speaker 3: We're going to be writing checks to J.K. Rowling for
• 1:49:34
  Speaker 3: quite some time.
• 1:49:35
  Speaker 5: Oh, yeah.
• 1:49:36
  Speaker 4: Cheap.
• 1:49:36
  Speaker 3: Better have some.
• 1:49:37
  Speaker 1: Kids to keep getting the money down the line.
• 1:49:39
  Speaker 3: Yeah, yeah. Somebody's going to be getting money off of
• 1:49:42
  Speaker 3: this for a long time. She has a legacy now.
• 1:49:44
  Speaker 3: She's in the Spielberg, Lucas realm. Yeah.
• 1:49:51
  Speaker 5: Yeah. I think so. So, that's where we're taking this.
• 1:49:57
  Speaker 5: Make good stuff.
• 1:49:59
  Speaker 3: Do it.
• 1:49:59
  Speaker 5: May or may not be any of those ideas we
• 1:50:01
  Speaker 5: just threw out.
• 1:50:02
  Speaker 3: There, but.
• 1:50:04
  Speaker 5: If you'd like to make these movies and fund them,
• 1:50:07
  Speaker 5: get a hold of us right now.
• 1:50:08
  Speaker 3: Oh, yeah.
• 1:50:08
  Speaker 5: Start sending your checks now.
• 1:50:10
  Speaker 1: We can make dioramas.
• 1:50:11
  Speaker 3: I got some crazy software I could do some.
• 1:50:14
  Speaker 1: Give us money to make dioramas and shadow boxes.
• 1:50:15
  Speaker 5: I mean, if I could do all these stories and
• 1:50:17
  Speaker 5: puppet show, I'm up for that, too, because I'm.
• 1:50:20
  Speaker 1: All about it.
• 1:50:20
  Speaker 3: That would be okay. I think you could retail office
• 1:50:22
  Speaker 3: space with puppets.
• 1:50:23
  Speaker 2: Oh, yeah.
• 1:50:24
  Speaker 5: That would totally work.
• 1:50:25
  Speaker 3: So if you guys want to make this happen, yeah,
• 1:50:27
  Speaker 3: just let it. Or, you know, again, just shout out
• 1:50:29
  Speaker 3: to Hollywood. Get a hold of us. We can make
• 1:50:32
  Speaker 3: all these things come true.
• 1:50:33
  Speaker 1: Oh, it's our new website. Like last time we came
• 1:50:35
  Speaker 1: up with a.
• 1:50:36
  Speaker 5: Every week we come up with a new website.
• 1:50:39
  Speaker 1: Last week was hashtag... Holewithasheet.com.
• 1:50:44
  Speaker 3: Let's not go out on that again.
• 1:50:46
  Speaker 5: We have to wrap up.
• 1:50:48
  Speaker 3: What's this week?
• 1:50:50
  Speaker 1: Shout out to Hollywood. I don't know. He said it
• 1:50:54
  Speaker 1: and I forgot.
• 1:50:56
  Speaker 3: All right. So that's where we're pausing this.
• 1:50:58
  Speaker 5: We should return to this game or whatever the hell
• 1:51:01
  Speaker 5: it is in the near future.
• 1:51:02
  Speaker 1: So.
• 1:51:04
  Speaker 5: If you agree, let us know.
• 1:51:06
  Speaker 3: Otherwise, that about does it. We will return next time.
• 1:51:08
  Speaker 5: Same Geek Feed. Thanks for listening.
• 1:51:39
  Speaker 9: Let's do it again Before we do it again Do
• 1:51:44
  Speaker 9: it again Do it Let's do it.
• 1:51:47
  Speaker 1: Again Sometimes rain Groovin' when I.
• 1:52:01
  Speaker 9: Hear the sound Like you and me, baby Gettin' down
• 1:52:07
  Speaker 9: with the sound Oh, the smell of the morning flower
• 1:52:13
  Speaker 9: As we pass away the hour I wanna.
• 1:52:16
  Speaker 1: Do it again, do it again, do it Let's do
• 1:52:22
  Speaker 1: it in.
• 1:52:22
  Speaker 9: The morning Sweet breeze in the summertime Feel your sweet face.
• 1:52:30
  Speaker 1: All laid up next to mine.
• 1:52:33
  Speaker 8: Sweet love in the midnight. Put you to sleep come
• 1:52:37
  Speaker 8: morning light.
• 1:52:39
  Speaker 9: No worries about nothing.
• 1:52:43
  Speaker 1: Just getting good.
• 1:52:45
  Speaker 8: Just getting good. Just getting good love.
• 1:52:52
  Speaker 1: Do it. Do it again.
• 1:52:54
  Speaker 9: Do it again. Do it. Now I like you lady.
• 1:53:00
  Speaker 3: So if I knew your pretty.
• 1:53:02
  Speaker 1: Hair, if you don't want to compliment, just.
• 1:53:06
  Speaker 3: Dig it in and close your hair. I'm just a.
• 1:53:10
  Speaker 2: Man now, don't you fear.
• 1:53:12
  Speaker 1: I can love you now, don't you fear.
• 1:53:15
  Speaker 3: Do it again.
• 1:53:16
  Speaker 4: Do it.
• 1:53:17
  Speaker 6: Do it.
• 1:53:18
  Speaker 1: I want to do it again. Oh, oh, oh.
• 1:53:23
  Speaker 9: Do it. Oh, oh, oh.
• 1:53:31
  Speaker 8: Do it.
• 1:53:36
  Speaker 1: Again. Do it again.
• 1:53:41
  Speaker 4: Do it again.
• 1:53:45
  Speaker 1: Like a hammer on the.
• 1:53:46
  Speaker 8: Block, the love began to rock.
• 1:53:51
  Speaker 1: Give this sister love and pride. Feel good and satisfied.
• 1:53:58
  Speaker 1: I'm not a girl to linger. But I feel like
• 1:54:02
  Speaker 1: a butterfinger. I want to do it again.
• 1:54:05
  Speaker 6: Do it again.
• 1:54:07
  Speaker 5: Do it again.
• 1:54:09
  Speaker 1: Let's do it in the morning. Sweet breeze in the summertime.
• 1:54:15
  Speaker 1: Feeling your sweet face. All laid up next to mine.
• 1:54:21
  Speaker 8: Sweet love in the midnight. Good sleep come morning light.
• 1:54:27
  Speaker 8: No more about loving tonight. Just getting good, just getting good,
• 1:54:33
  Speaker 8: just getting good love. Do it again.
• 1:54:42
  Speaker 1: Do it again. Do it again. Do it again. Do
• 1:54:48
  Speaker 1: it again.
• 1:54:49
  Speaker 3: Do it again.
• 1:54:51
  Speaker 9: Do it again.
• 1:54:53
  Speaker 1: Do it again.
• 1:54:55
  Speaker 8: Do it. Do it.
• 1:54:57
  Speaker 4: Do it.
• 1:54:57
  Speaker 3: Do it.
• 1:54:58
  Speaker 1: Do it.
• 1:54:59
  Speaker 6: Do it.
• 1:55:00
  Speaker 1: Do it, do it again. Do it again.
• 1:55:04
  Speaker 3: Do it again.
• 1:55:06
  Speaker 1: Do it again.
• 1:55:06
  Speaker 5: Do it again.
• 1:55:09
  Speaker 3: Do it again.
• 1:55:22
  Speaker 1: Do it again.
• 1:55:24
  Speaker 6: Do it again.
• 1:55:25
  Speaker 1: Do it again. Do it again. Do it again.
• 1:55:30
  Speaker 3: Do it again.
• 1:55:31
  Speaker 1: Do it again. Do it. Do it.
• 1:55:34
  Speaker 8: Do it.
• 1:55:35
  Speaker 4: Do it again.
• 1:55:37
  Speaker 3: Do it again.
• 1:55:39
  Speaker 1: Do it again. Do it again.
• 1:55:42
  Speaker 3: Do it again.
• 1:55:54
  Speaker 1: You can just edit that out.
• 1:55:57
  Speaker 3: There's no editing.
• 1:55:59
  Speaker 5: Oh, there is.
• 1:56:00
  Speaker 1: I spent a week and a half doing it. Especially
• 1:56:02
  Speaker 1: if we're involved. It's a collective molar mind.
• 1:56:05
  Speaker 2: Yeah.
• 1:56:06
  Speaker 1: You should just sign off now and probably do your
• 1:56:09
  Speaker 1: full sign off after when we're not here. Okay, I'll
• 1:56:12
  Speaker 1: be quiet.
• 1:56:12
  Speaker 4: This episode is a production of Movie Meltdown, produced and
• 1:56:15
  Speaker 4: edited by The Oddity Studios, with opening music performed by
• 1:56:19
  Speaker 4: The Empires. For more on how to sponsor or support
• 1:56:21
  Speaker 4: the show, email producer at moviemeltdown.com.
• 1:56:24
  Speaker 1: Talk hard!